Podcast appearances and mentions of gabriel garc

La ternura: filosofía e increíble diversión, ¿qué más querer del teatro?. Santiago Roncagliolo: “Recién ahora que ya nadie pide libros de gente con cola de cerdo pude darme cuenta de lo extraordinario que es Gabriel García Márquez”.

La ternura: filosofía e increíble diversión, ¿qué más querer del teatro?. Santiago Roncagliolo: “Recién ahora que ya nadie pide libros de gente con cola de cerdo pude darme cuenta de lo extraordinario que es Gabriel García Márquez”.

Magic realism is an excellent way to articulate the inarticulable, to assert dissent, and to question order. Historical fiction is an amazing vehicle for examination of the past! Join Kimberly for a discussion of Russell's novel in the context of Gabriel García Márquez, Isabel Allende, and even Mary Karr. You'll come away with a better understanding of The Antidote, while gaining a broader sense of how TRUTH sometimes functions well in fiction and sometimes falls short.

Al momento de la entrevista la autora argentina estaba en Brasil leyendo al chileno Andrés Montero, comentó su estrecha relación con ese país (ya que pasó su infancia ahí), y la confianza que tiene al confirmar que no sabe cuál es su tierra y que se siente a veces desarraigada; A los 13 años devoraba los libros de Mario Vargas Llosa y Gabriel García Márquez y tuvo un paso intenso por la psicología forense que abandonó para dedicarse a la literatura; Define la escritura como una deriva y como un "habitar la pregunta", ahondó sobre qué le da sentido para salir de la cama día a día.

Macher, Julia www.deutschlandfunkkultur.de, Lesart

Macher, Julia www.deutschlandfunkkultur.de, Lesart

Macher, Julia www.deutschlandfunkkultur.de, Lesart

Gabriel José de la Concordia García Márquez Nació el 6 de marzo de 1927 en Aracataca, Magdalena, Colombia. Su nombre refleja una tradición común en muchas familias latinoamericanas católicas, donde se incluyen nombres religiosos como “de la Concordia”. murió el 17 de abril de 2014 en Ciudad de México. fue un escritor, periodista y guionista colombiano, considerado uno de los más grandes autores en lengua española del siglo XX. Es especialmente conocido por ser uno de los principales exponentes del realismo mágico, un estilo literario que mezcla elementos fantásticos con la realidad cotidiana de América Latina. Cien años de soledad (1967), una novela que narra la historia de la familia Buendía en el mítico pueblo de Macondo. Esta obra es considerada una de las más importantes de la literatura universal. Premio Nobel de Literatura: Lo recibió en 1982, “por sus novelas e historias cortas, en las que lo fantástico y lo real se combinan en un mundo ricamente compuesto de imaginación”. Otras obras destacadas: El otoño del patriarca (1975), Crónica de una muerte anunciada (1981), El amor en los tiempos del cólera (1985), Del amor y otros demonios (1994), Memoria de mis putas tristes (2004), etc, Estilo: García Márquez fusiona la realidad social y política de América Latina con elementos mágicos, míticos o sobrenaturales, sin romper la lógica narrativa. Su estilo está profundamente influido por la tradición oral caribeña, el periodismo, y autores como William Faulkner y Franz Kafka. Periodismo: Antes y durante su carrera literaria fue un periodista muy activo. De hecho, consideraba el periodismo como “el mejor oficio del mundo”.

When British foreign correspondent Richard McColl purchased, on a whim, a ruined colonial building in the rural Colombian town of Mompós, he imagined a lifestyle of relaxation, with idle afternoons reading the works of Gabriel García Márquez, writing glib observations and enjoying the hypnotic momentum of a Caribbean tropical narrative, swaying in a hammock and the promise of an ice cold beer never far away. He was mistaken. His first restoration yields a hostel, which later becomes a hotel and then spirals into further projects including the restoration of three more colonial houses, experiencing challenges that make him reconsider his upbringing, education and outlook on how he fits into his adopted homeland. With two hotels in Mompós, he experiences the joy of new friendships and a despair over the predictability of guests. With a journalist's eye for a story, McColl navigates the history of Mompós and how its society is a microcosm of today's Colombia, with its feudal system still very much in place, inherent prejudices, stigma surrounding the politics, the people and the past, all coming to the fore.   Buy the book: https://a.co/d/ezGbsP3   The Colombia Briefing is reported by Emily Hart. 

In this episode, we delve into the historical and contemporary implications of the Monroe Doctrine and U.S. intervention in Latin America. Host Jack Eidt mixes excerpts from Rubén Darío's poetry (Nicaragua) and Gabriel García Márquez's fiction (Colombia) with an interview of Yale historian Greg Grandin by journalist Michael Fox. They explore how Simon Bolivar's legacy and the Monroe Doctrine have shaped U.S. imperialism in Central and South America. They trace the origins of Bolivar's fight for independence, the creation and evolution of the Monroe Doctrine, and its lasting effects on U.S. foreign policy. The interview originates from Michael Fox's podcast series "Under the Shadow," [https://therealnews.com/under-the-shadow] produced in collaboration with the Real News Network and NACLA, the North American Congress on Latin America [https://nacla.org/]. For an extended interview and other benefits, become an EcoJustice Radio patron at https://www.patreon.com/ecojusticeradio Resources/Articles: Under the Shadow Podcast Episode: https://therealnews.com/he-legacy-of-monroe-under-the-shadow-bonus-episode-4 Simon Bolivar History From NBC News https://youtu.be/wxuxFg_8nkI?si=eZAH6W3FmCT6ZGYD Chilean folk music group, Inti Illimani doing the song Simon Bolivar from 1973 https://youtu.be/AObTf9yOdoQ?si=7iRpeA3u8BQqQLt- Greg Grandin is the author of his latest, America, América, A New History of the New World [https://greggrandin.com/book/america-america/]. Also Fordlandia, a finalist for the Pulitzer Prize, the National Book Award, and the National Book Critics Circle Award. A Professor of History at Yale University, Grandin has published a number of other award-winning books, including Empire's Workshop, The Last Colonial Massacre, and The Blood of Guatemala [https://www.amazon.com/stores/author/B001IQW9VI]. The Blood of Guatemala: A History of Race and Nation (2000, Duke University Press Books) Empire's Workshop: Latin America, the United States, and the Making of an Imperial Republic (Holt, 2006) The Last Colonial Massacre: Latin America in the Cold War (2011, The University of Chicago) Kissinger's Shadow: The Long Reach of America's Most Controversial Statesman (2016, MacMillan) You can find more of Greg's books, here. Jack Eidt is an urban planner, environmental journalist, and climate organizer, as well as award-winning fiction writer. He is Co-Founder of SoCal 350 Climate Action and Executive Producer of EcoJustice Radio. He has a project on PBS SoCal Artbound called High & Dry [https://www.pbssocal.org/people/high-dry]. He is also Founder and Publisher of WilderUtopia [https://wilderutopia.com], a website dedicated to the question of Earth sustainability, finding society-level solutions to environmental, community, economic, transportation and energy needs. Podcast Website: http://ecojusticeradio.org/ Podcast Blog: https://www.wilderutopia.com/category/ecojustice-radio/ Support the Podcast: Patreon https://www.patreon.com/ecojusticeradio PayPal https://www.paypal.com/donate/?hosted_button_id=LBGXTRM292TFC&source=url Executive Producer and Host: Jack Eidt Engineer and Original Music: Blake Quake Beats Episode 234

Gabriel José de la Concordia García Márquez Nació el 6 de marzo de 1927 en Aracataca, Magdalena, Colombia. Su nombre refleja una tradición común en muchas familias latinoamericanas católicas, donde se incluyen nombres religiosos como “de la Concordia”. murió el 17 de abril de 2014 en Ciudad de México. fue un escritor, periodista y guionista colombiano, considerado uno de los más grandes autores en lengua española del siglo XX. Es especialmente conocido por ser uno de los principales exponentes del realismo mágico, un estilo literario que mezcla elementos fantásticos con la realidad cotidiana de América Latina. Cien años de soledad (1967), una novela que narra la historia de la familia Buendía en el mítico pueblo de Macondo. Esta obra es considerada una de las más importantes de la literatura universal. El Premio Nobel de Literatura: Lo recibió en 1982, “por sus novelas e historias cortas, en las que lo fantástico y lo real se combinan en un mundo ricamente compuesto de imaginación”. Otras obras destacadas: El otoño del patriarca (1975), Crónica de una muerte anunciada (1981), El amor en los tiempos del cólera (1985), Del amor y otros demonios (1994), Memoria de mis putas tristes (2004), etc, Estilo: García Márquez fusiona la realidad social y política de América Latina con elementos mágicos, míticos o sobrenaturales, sin romper la lógica narrativa. Su estilo está profundamente influido por la tradición oral caribeña, el periodismo, y autores como William Faulkner y Franz Kafka. Periodismo: Antes y durante su carrera literaria fue un periodista muy activo. De hecho, consideraba el periodismo como “el mejor oficio del mundo”.

Luanna Bernardes fala sobre o livro Cartografia para Caminhos Incertos, um dos destaques da Bienal do Livro 2025. O autor Ian Fraser fala sobre como o sincretismo religioso de Salvador influencia seu trabalho e revela o impacto de obras como Cem Anos de Solidão, de Gabriel García Márquez, em sua escrita.

'Zurumbático', un libro publicado en Francia, es una relectura a tres voces de la obra cumbre de Gabriel García Márquez, 'Cien años de soledad'. 'Zurumbático' reúne las fotografías del venezolano Luis Cobelo y los textos de las investigadoras francesas Camille Lecuyer y Julie Amiot-Guillouet.

Cette semaine dans La Librairie des étudiants, nous mettons à l’honneur Gabriel García Márquez ! Le roman inédit Nous nous verrons en août de l’auteur colombien est publié aux éditions Grasset. Tous les 16 août, Ana se rend seule sur la... Continue Reading →

Crónica de una muerte anunciad de Gabriel García Márquez

Cien años de soledad de Gabriel García Márquez

El amor en los tiempos de colera de gabriel garcía márquez

This is one of my favorite episodes of the show in recent memory. It's a conversation with the author Salman Rushdie about the experience of losing control of your identity in the world. This happened to Rushdie in the most extreme way. But many of us know some milder version of this — and increasingly so in the age of social media. Rushdie's story is hard to wrap your mind around. When he published his fourth novel, “The Satanic Verses,” in 1988, he was a literary star. And then the Ayatollah of Iran issued a fatwa calling for his assassination. In this episode, Rushdie recounts the ways that upended his world, creating a “shadow self” that he would spend years trying to escape. And he reflects on the different ways he's wrestled with that shadow self — in the years following the fatwa and then more recently, after a 2022 knife attack that nearly killed him.This episode was originally recorded in April 2024. Mentioned:Knife by Salman RushdieMidnight's Children by Salman RushdieBook Recommendations:Don Quixote by Miguel de Cervantes, translated by Edith GrossmanOne Hundred Years of Solitude by Gabriel García MárquezThe Trial by Franz KafkaThe Castle by Franz KafkaThoughts? Guest suggestions? Email us at ezrakleinshow@nytimes.com.You can find the transcript and more episodes of “The Ezra Klein Show” at nytimes.com/ezra-klein-podcast. Book recommendations from all our guests are listed at https://www.nytimes.com/article/ezra-klein-show-book-recs.htmlThis episode of “The Ezra Klein Show” was produced by Annie Galvin. Fact-checking by Michelle Harris. Our senior engineer is Jeff Geld, with additional mixing by Isaac Jones. Our executive producer is Claire Gordon. The show's production team also includes Marie Cascione, Rollin Hu, Elias Isquith, Marina King, Jan Kobal, Kristin Lin and Jack McCordick. Audience strategy by Kristina Samulewski and Shannon Busta. The director of New York Times Opinion Audio is Annie-Rose Strasser. Special thanks to Sonia Herrero and Mrinalini Chakravorty. Unlock full access to New York Times podcasts and explore everything from politics to pop culture. Subscribe today at nytimes.com/podcasts or on Apple Podcasts and Spotify.

Gabriel García Ullón, que ha organizado el maratón "El último de la maratón", que recorre la Catedral de Santiago de Compostela y la de Murcia en cinco días, pretende recaudar fondos para la Asociación Española contra el Cáncer. El padre de este joven de 27 años falleció el 15 de mayo por la enfermedad y la casualidad ha hecho que su madre también la padezca. Gabriel prometió a su padre que iba a hacer un gran reto para recaudar fondos. En tres días ha conseguido más de 3000 euros.

Gabriel José García Márquez (1927–2014) fue un escritor, periodista y guionista colombiano, considerado uno de los más grandes autores del siglo XX. Es especialmente conocido por ser uno de los principales exponentes del realismo mágico, un estilo literario que mezcla elementos fantásticos con la realidad cotidiana de América Latina.

Platicamos con el escritor Rober Díaz con motivo del aniversario 58 de la obra “Cien años de Soledad”Este es parte del programa correspondiente al 31 de mayo y lo puedes escuchar en la 1010 de AM en San Francisco y 990 de AM en Sacramento.

Avui celebrem la nova col

Las novelas de Juan Gabriel Vásquez, una de las voces más destacadas de la narrativa latinoamericana actual, dejan entrever la influencia de autores como Joseph Conrad, Gabriel García Márquez y James Joyce en su interés por explorar y reinterpretar el pasado a través de sus libros, profundizando en temas como la relación entre política y sociedad, la percepción de la violencia y el miedo y la vida secreta de figuras clave de la cultura. Sergio Vila-Sanjuán conversa con el autor sobre su trayectoria y visión del mundo, comentando algunas de sus novelas más célebres, como El ruido de las cosas al caer, así como su última publicación, Los nombres de Feliza.Más información de este acto

Este episodio especial nace de una invitación de Alpina para conmemorar sus 80 años de historia. Y como toda buena historia, nos lleva a viajar por el tiempo. Vamos a hacer un recorrido por algunos de los hechos más importantes que han ocurrido en los últimos 80 años en Colombia y el mundo. Desde su creación en el valle de Sopó, Alpina ha crecido junto con grandes cambios que han pasado en la historia de la humanidad: desde el final de la Segunda Guerra Mundial hasta la era digital, pasando por hitos como el alunizaje, la caída del Muro de Berlín, el Nobel de García Márquez y la Constitución del 91. A lo largo de este tiempo, Alpina se ha convertido en una de las más famosas marcas y empresas de Colombia Notas del episodio  Este episodio fue patrocinado por Alpina, 80 años nutriendo un mañana delicioso El fin de la Segunda Guerra Mundial La Carrera Espacial en el siglo XX En el libro “Contracultura” explicamos todos los hechos de un mundo para la juventud El recibimiento del Premio Nobel de Gabriel García Márquez La Revolución Digital, uno de los grandes cambios de la historia

La Tertulia de los Viernes con Alejandro Abal, Víctor Ganon, Juan Grompone y Carolina Porley. *** ¿Qué ocurre cuando un libro es llevado al cine o a una serie de televisión? La narrativa original, escrita, con su estilo propio, su ritmo y su profundidad introspectiva, salta a un lenguaje audiovisual que tiene sus propias reglas y limitaciones. Por ejemplo: cuando Netflix anunció una serie a partir de la novela Cien años de soledad, de Gabriel García Márquez, muchos lectores sintieron una mezcla de entusiasmo y temor. ¿Cómo sería el traslado a la pantalla de un texto tan cargado de simbolismo, tiempo circular y realismo mágico? En el público de estas adaptaciones hay dos grandes grupos: quienes leyeron el libro y quienes no. Para los primeros, el nuevo producto puede confirmar o traicionar su visión personal de la obra. Y en el caso de los que no conocían el libro, algunos optarán por quedarse con esa historia que acaban de ver y otros sentirán la curiosidad de ir en busca de la fuente original para bucear en otras complejidades.

Hoy hablaremos del Realismo Mágico, ese género literario que hizo que Latinoamérica brillara en el mapa de la literatura mundial. Seguramente ya has escuchado este término. Tal vez has leído algo de Gabriel García Márquez o has oído sobre Cien años de soledad. Independientemente si lo leíste o no sabes realmente ¿qué es el realismo mágico? ¿Por qué se asocia a América Latina? ¿Y por qué es tan popular, incluso, fuera del mundo hispano? Vamos a conocerlo juntos. 🔴 Artículo publicado en: https://www.espanolcontodo.com/2025/05/realismo-magico-cuando-lo-imposible-es-normal-en-latinoamrica.html 🔴 Patreon de Español con Todo: https://www.patreon.com/espanolcontodo 🔴 Clases de español para extranjeros (ELE) con Luddey Florez: https://www.espanolcontodo.com/p/aprende-espanol-con-clases.html 🔴 Clases de inglés y español con César Florez: https://www.espanolcontodo.com/p/aprende-ingles-rapido-desde-cero.html 🔴 Todos los episodios del Podcast Español Con Todo: https://www.espanolcontodo.com/p/podcast-espanol-con-todo.html 🔴 Materiales exclusivos de cultura, história y curiosidades de Latinoamérica: https://espanolcontodo.gumroad.com/ Español Con Todo, presentado por los profesores de español como lengua extranjera (ELE), Luddey y César Florez. ✅ MÚSICA DE FONDO ✅ ► Notas de Sucesso: https://www.pond5.com/pt/artist/NotasDeSucesso?ref=NotasDeSucesso

In this episode of Filmmaker Mixer, we sit down with La Tina—the acclaimed Colombian sound collective made up of Andrés Silva Díaz, Alejandro Uribe-Holguín, and Manuel José Gordillo. Together, they form the sonic force behind Netflix's ambitious adaptation of One Hundred Years of Solitude, based on the novel by Gabriel García Márquez. We explore their creative process, the cultural and technical challenges of bringing the world of Macondo to life through sound, and how their work pays tribute to the magical realism of Márquez's masterpiece. From atmospheric design to emotional texture, this is an immersive conversation about sound as storytelling.

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In Locust Radio episode #30, Tish Turl interviews fellow Locust comrade, Adam Turl, on their new book, Gothic Capitalism: Art Evicted from Heaven and Earth (Revol Press, May 2, 2025). You can order the book from Revol Press, Amazon, or find it at other booksellers.Artists, ideas, books, writers, artworks and other stuff discussed in this episode: Adam Turl, Gothic Capitalism: Art Evicted from Heaven and Earth (Revol Press 2025); Ernst Fischer, The Necessity of Art (Verso, 2020); Boris Groys, “The Weak Universalism,” e-flux (2010); Walter Benjamin, “The Work of Art in the Age of Mechanical Reproduction” (1936); Walter Benjamin, “Theses on History” (1940); John Berger, Ways of Seeing (1972); Mark Fisher, Capitalist Realism: Is There No Alternative (2009); Mark Fisher, Flatline Constructs: Gothic Materialism and Cybernetic Theory-Fiction (2018); Donna Harraway, “A Cyborg Manifesto” (1985); Karl Marx and Friedrich Engels, The Communist Manifesto (1848); Rena Rädle & Vladan Jeremić; Joseph Beuys; John Heartfield; Anupam Roy; Richard Hamilton; R. Faze; Born Again Labor Museum; Amiri Baraka; Omnia Sol; Sister Wife Sex Strike; Dada; Judy Jordan; Bertolt Brecht; Claire Bishop; The Sublime; “Third Places;” Fluxus; Abstract Expressionism; The Sopranos; The Wire; Surrealism; Charlie Jane Anders; Emily St. John Mandel; Pier Paolo Pasolini, La Ricotta (1963) and The Hawks and the Sparrows (1966); Boots Riley; Federal Arts Project; Luis Buñuel, The Exterminating Angel (1962); The Artists Union; Voltaire, Candide (1759); Gabriel García Márquez, One Hundred Years of Solitude (1967); Public Enemy, Fear of a Black Planet (1989); Beethoven, Symphony #9 (1822-1824); Sam Esmail, Leave the World Behind (2023); David Cronenberg, Videodrome (1983); Richard Seymour, Disaster Nationalism (2024)Produced by Tish Turl, Adam Turl, Omnia Sol and Alexander Billet. Theme by Omnia Sol, Drew Franzblau and Adam Turl. Hosts include Tish Turl, Laura Fair-Schulz and Adam Turl.

In memoriam. En el año 2010 cuando recibió el Premio Nobel de Literatura, Mario Vargas Llosa, revivía el hecho que marcó su vida: haber aprendido a leer a los cinco años le despertó su pasión por convertirse en un escritor. Y fue precisamente para que se olvidara de esa fijación que su papá lo internó en una academia militar en Lima a los 14 años, donde lejos de apartarse de su vocación, la reforzó aún más dedicándose a la tarea de escribir las cartas de amor a las novias de sus compañeros. Con todo, tuvo que complacer al progenitor estudiando derecho. Luego cruzó el Atlántico para hacer realidad su sueño. Mientras daba clases de Literatura Española en la Universidad de Londres, la afamada editora Carmen Balcells, lo convenció de mudarse a Barcelona a vivir como escritor de tiempo completo; así llegó al puerto catalán ya con cuatro novelas escritas: La ciudad y los perros (1962), La Casa Verde (1965), Los cachorros (1967) y Conversación en La Catedral (1969). Y es gracias en gran medida a esa decisión que Vargas Llosa dejó como legado 20 novelas, un libro de cuentos, 10 obras de teatro, 14 libros de ensayo, dos de crónicas y uno de memorias. Una vida dedicada, con pasión, con rigurosidad y con estudio a las letras, aunque tuvo tiempo también para otra fuerte inclinación suya que fue la política. Incluso fue candidato presidencial en 1990 y perdió la carrera frente a Alberto Fujimori. Los estudiosos de su obra indican que leer a Mario Vargas Llosa es leer a Perú y a América Latina, con su historia, su política y sus problemas estructurales, pero también leer sus amores y sus experiencias más íntimas, con comicidad y con sátira. Reconoció que en Gustave Flaubert se encontró como escritor y adoptó la metodología que implica la precisión y la perfección de buscar la palabra más adecuada. Junto con Gabriel García Márquez, Julio Cortázar, Carlos Fuentes y Alejo Carpentier conformó el “boom latinoamericano”, que internacionalizó nuestra literatura. Mario Vargas Llosa, fallecido el recién pasado 13 de abril a sus 89 años, representa, por tanto, el fin de una generación excepcional. Para repasar su vida y su obra conversaremos con el escritor Carlos Cortés.

Mado Martínez nos cuenta que ha estado recientemente junto a familiares de Gabo, J.J Benítez y un periodista colombiano que ha investigado las experiencias extrañas que tuvo G.G.M, experiencias que todos confirman como ciertas.   Además en la Tertulia Juanjo Sánchez-Oro comenta cómo un cerebro artificial crea música y Josep Guijarro habla de los poblados amazónicos que supuestamente son atacados por ovnis. También el caso de Antonio Gaudi nombrado "venerable" el primer paso para el camino a la santidad. El plan para terraformar Marte. Los mensajes secretos descifrados del obelisco egipcio de Paris o lo último detectado por el telescopio James Weeb. La muerte del Papa Francisco y su posible sucesión también suscita cierto debate.  

El escritor colombiano Héctor Abad Faciolince, recordó con nostalgia  curiosas anécdotas de los dos últimos grandes escritores de América Latina, Mario Vargas Llosa y Gabriel García Márquez.

Mario Vargas Llosa ha fallecido este domingo en Lima, a los 89 años. Con él se despide el último gran nombre de la edad de oro de la narrativa latinoamericana. Con 'La ciudad y los perros' abrió un camino nuevo para la literatura en español, iniciando el icónico Boom junto a Gabriel García Márquez y Julio Cortázar. Una corriente que, como recuerda Rosa Montero, trajo una narrativa moderna, original y ambiciosa a nuestra lengua.Le rendimos homenaje con un programa monográfico que repasa su producción —'La casa verde', 'Conversación en La Catedral', 'La tía Julia y el escribidor', 'La fiesta del Chivo', 'Travesuras de la niña mala', 'El héroe discreto' o 'Le dedico mi silencio'— y recoge los testimonios de quienes lo conocieron o estudiaron su obra: Juan Cruz, Irene Vallejo, Pola Oloixarac y Jaime Bayly, que profundiza en su perfil más mediático y controvertido. También Sergio Ramírez y Carmen Riera. Ana Gil recupera su trayectoria como periodista: empezó en La Crónica a los 15 años y escribió en medios de todo el mundo. Fue entrevistador, redactor y columnista. Durante tres décadas firmó la columna Piedra de Toque en El País, ahora reunida en tres volúmenes publicados por Alfaguara.Abrimos también la Pequeteca para recordarlo desde su dimensión más temprana y hablar de la lectura en la infancia. Desde París informa Antonio Delgado sobre el vínculo decisivo de Vargas Llosa con la capital francesa, donde fue reconocido por la Academia y considerado uno de los suyos.Conversamos con el escritor y periodista Renato Cisneros, finalista del Premio Bienal de Novela Mario Vargas Llosa, y con Fernando Iwasaki, autor del ensayo 'Mario Vargas Llosa, entre la libertad y el infierno'.Y evocamos su presencia en el teatro con 'Los cuentos de la peste', estrenada en 2015 con Pedro Casablanc y Marta Poveda, y 'La fiesta del chivo', que llegó en 2019 con Juan Echanove, a quien también recibimos esta tarde.Escuchar audio

La admiración entre Mario Vargas Llosa y Gabriel García Márquez era grandísima, en parte porque desarrollaron una prosa extraordinaria, pero también porque cada uno construyó su propia personalidad como escritor.

Para 10AM, el antropólogo y escritor Carlos Granés, junto con Gabriel Eligio Torres García, escritor y sobrino de Gabriel García Márquez, narraron y analizaron alguno de los hechos más importante y trascendentales en la obra y vida del recién fallecido escritor Mario Vargas Llosa. Además, anclaron rumores sobre su relación con García Márquez.

Jess Kidd was brought up in London as part of a large family from county Mayo and has been praised for her unique fictional voice. Her debut, Himself, was shortlisted for the Irish Book Awards in 2016. She won the Costa Short Story Award the same year. Her second novel, The Hoarder (published as Mr. Flood's Last Resort in the U.S.), was shortlisted for the Kerry Group Irish Novel of the Year 2019. Both books were BBC Radio 2 Book Club Picks. Her Victorian detective tale Things in Jars, was released to critical acclaim. Jess's work has been described as ‘Gabriel García Márquez meets The Pogues.' Jess' first children's book Everyday Magic came out in February 2021, published by Canongate. The fourth novel, The Night Ship, will be published in August 2022. She is also developing her own original TV projects with leading U.K. and international TV producers. Kidd (The Next Ship) pivots to cozies with this delightful series launch about a nun who forsakes her vows to search for a former novice. In 1954, Sister Nora Breen's friend and former trainee, Frieda Brogan, abruptly stops sending her letters. Frieda's last known address is the Gulls Nest, a forlorn boarding house in the English town of Gore-on-Sea, and a frightened Nora asks to be released from her monastery after 30 years to track Frieda down. Nora takes a room at the Gulls Nest, ingratiates herself with its ragtag collection of boarders, and soon realizes she's not the only one concealing a secret past. As she starts to dig into Frieda's stay there, other boarders begin to die under unusual circumstances, making her wonder whether Frieda might have met a similar fate. At first a thorn in the side of Detective Inspector Rideout, who's assigned to investigate the deaths, the intelligent and outspoken Nora gradually gains the policeman's respect. Elegant prose, vivid characterizations, and a fascinating protagonist add up to a thoroughly enjoyable mystery. Readers will be eager for the sequel.

“Make no small plans, for they have no power to stir the soul.” – Niccolo Machiavelli Join Kristen Wambach as she chats with Dr. Danny Brassell, diving into his inspiring shift from educator to leader. They uncover the magic of storytelling and why diversity is crucial in leadership. Through personal tales, they highlight how encouragement fuels growth and the power of nurturing a daily bond with God. The talk also delves into healing from past wounds and how even the smallest actions can create meaningful change.EPISODE HIGHLIGHTS Danny's journey reflects the importance of adaptability and resilience. Storytelling is a powerful tool for leadership and connection. Diversity in leadership enriches perspectives and inspires others. Personal experiences can profoundly impact and motivate others. Daily Phone Framework: Building a daily relationship with God fosters spiritual growth. (Courts of Heaven activation) Forgiveness is essential for healing and moving forward.  Encouragement from educators can change lives. Small actions can lead to significant transformations. “It is not true that people stop pursuing dreams because they grow old. They grow old because they stop pursuing dreams.” – Gabriel García MárquezINTERVIEWING JESUS SHOW NOTES & CONNECTION LINKS DR. DANNY BRASSELL'SConnect with Kristen IJP Facebook PageInstagram #interveiwingjesuspodcast #livingsprituallybraveTwitter XLinkedinLinkTreeWebsite KristenWambach.com Thank you for spending this time with me. I am honored. See you next week, Kristen Music Credits  by Stockaudios from Pixabay  We're on this journey together, sharing wisdom through these episodes and videos. If they resonate with you, please like, comment, or subscribe to our channel. Your support helps us create content that speaks to your soul. Thank you for being part of our community. We are, because you are, Living Spiritually BRAVE!

A raíz de la serie “Cien años de soledad,” basada en el libro del escritor colombiano Gabriel García Márquez, repasamos el legado epistolar de Gabriel García Márquez. 

Hablamos de canciones protesta con Máximo Pradera por su espectáculo “Si me borrara el viento lo que yo canto. Historias de la canción protesta en España”  Paco Nadal nos descubre los Carnavales mas desconocidos de España. Terminamos con Cartagrafías de Laura Piñero que hoy nos habla del legado epistolar de Gabriel García Márquez. 

Envíame un mensajeEl primer hallazgo importante en la búsqueda de los restos de García Moreno fue su corazón. Éste se encontraba en un frasco de vidrio dentro de una caja que se hallaba escondida al interior de una de las columnas del claustro del Buen Pastor.Encontrar cadáveres podría parecer un asunto policial. Pero si los restos mortales fueron escondidos noventa y dos años antes, el trabajo se acerca al del buscador de tesoros o al del historiador de campo. Isabel Maria Salazar nos cuenta esta impresionante historia y nos habla del modelo perfecto para los políticos de hoy.Support the show YouTube Facebook Telegram Instagram Tik Tok Twitter

Today's poem will leave you “knowing very well what it was all about.” Happy reading.Gary Soto was born in Fresno, California on April 12, 1952, to working-class Mexican American parents. As a teenager and college student, he worked in the fields of the San Joaquin Valley, chopping beets and cotton and picking grapes. He was not academically motivated as a child, but he became interested in poetry during his high school years. He attended Fresno City College and California State University–Fresno, and he earned an MFA from the University of California–Irvine in 1976.His first collection of poems, The Elements of San Joaquin (University of Pittsburgh Press), won the United States Award of the International Poetry Forum in 1976 and was published in 1977. Since then, Soto has published numerous books of poetry, including You Kiss by th' Book: New Poems from Shakespeare's Line (Chronicle Books, 2016), A Simple Plan (Chronicle Books, 2007), and New and Selected Poems (Chronicle Books, 1995), which was a finalist for the National Book Award.Soto cites his major literary influences as Edward Field, Pablo Neruda, W. S. Merwin, Gabriel García Márquez, Christopher Durang, and E. V. Lucas. Of his work, the writer Joyce Carol Oates has said, “Gary Soto's poems are fast, funny, heartening, and achingly believable, like Polaroid love letters, or snatches of music heard out of a passing car; patches of beauty like patches of sunlight; the very pulse of a life.”Soto has also written three novels, including Amnesia in a Republican County (University of New Mexico Press, 2003); a memoir, Living Up the Street (Strawberry Hill Press, 1985); and numerous young adult and children's books. For the Los Angeles Opera, he wrote the libretto to Nerdlandia, an opera.Soto has received the Andrew Carnegie Medal and fellowships from the California Arts Council, the Guggenheim Foundation, and the National Endowment for the Arts. He lives in Northern California.-bio via Academy of American Poets This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit dailypoempod.substack.com/subscribe

In this episode of Out of the Clouds host Anne Mühlethaler explores the evolution of digital spaces with Sari Azout, founder of Sublime, a personal knowledge management tool for creatives. Born in Barranquilla, Colombia — the magical hometown of Shakira and Gabriel García Márquez — Sari describes herself as a cerebral child who found her intellectual home first at Brown University, where she developed a "fiercely independent mindset" and discovered the joy of the library as a social space.With remarkable foresight( Sari "could always see around corners") she strategically planned her path to remain in the U.S. as an international student and got into banking, ultimately landing at Barclays during the 2008 financial crisis. This experience taught her valuable lessons about the importance of connecting work to meaningful impact.Next the pair discuss Sari's project, Sublime. Sari articulates her vision as both practical and philosophical, calling it "the personal knowledge management tool of my dreams." She explains that in a world where "intelligence is being commoditized," what remains valuable are "conviction, point of view, courage, intention — the artist's way." This connects to her writing practice, which has revealed that "ideas never come to me before I write. They always come to me in the process of writing."Their conversation delves into Sublime's three core promises: never lose a valuable idea, never be uninspired, and transform from passive consumption to active creation. Sari emphasizes wanting to "facilitate helping people make things, not just consume things," noting that "being a consumer is just a state of helplessness." Drawing inspiration from books and Marshall McLuhan's quote that "the medium is the message," she envisions a "sublime internet" that moves away from quantifiable metrics toward meaningful engagement.Sari also speaks candidly about the tension between selfishness and selflessness in entrepreneurship, and her "willingness to be misunderstood for a longer period." She shares her vision of transitioning from the attention economy to the intention economy, reframing digital tools as something "people use instead of products people consume."The episode concludes with Sari sharing her perspective on happiness and describing her version of "paradise on earth" as working all day alone in anticipation of an evening in great company. This interview with Sari is a fascinating exploration of how we might build more intentional, meaningful digital spaces that serve our creativity rather than just our consumption. Happy listening!Selected links from episode:Sublime.appJoin Sublime via this exclusive linkSubscribe to Sari's newsletter https://substack.com/@sariazoutAnd to the Sublime newsletter https://substack.com/@sublimethenewsletterTyler Cowel quote: “One of the highest value things you can do in life is raise other people's aspirations.”Robert Green's book, the 48 Laws of PowerCan you imagine a library of possibilities for reimagining the web -Austin KleonEv WilliamsThe Disappearance of Rituals by philosopher  Byung Shul HanThe ZineNon-Stop from the Hamilton musical soundtrackThe story of Aleph, the first letter of the Hebrew alphabetThe Aleph by Jose Luis BorgesX 10 Coffee https://www.youtube.com/watch?v=j0BbDdRh2A4What song best represent you, the Spotify playlist featuring guest answers from Out of the Clouds"Ride of a Lifetime by Bob IgerInvention - A Life - the James Dyson biographyShoe Dog, a memoir by Phil Knight, the creator of Nike This episode is brought to you by AVM Consulting Struggling to connect with your audience? Feeling disconnected from your brand's purpose? Is motivating your team becoming a daunting task?AVM Consulting offers a unique blend of coaching, consulting, and storytelling services designed to help your brand connect authentically, align with your values, and inspire your team to achieve greatness.With a track record of success in working with fashion and luxury partners worldwide, AVM Consulting, led by industry expert and certified coach Anne Mühlethaler, is your trusted partner in achieving your brand's vision. Ready to transform your brand and drive meaningful change? Don't wait any longer. We like to make magic happen.FIND OUT MORE ABOUT AVM CONSULTING HERE. ***If you enjoyed this episode, click subscribe for more, and consider writing a review of the show on Apple Podcasts, we really appreciate your support and feedback. And thank you so much for listening!  For all notes and transcripts, please visit Out Of The Clouds on Simplecast - https://out-of-the-clouds.simplecast.com/   Sign up for Anne's email newsletter for more from Out of the Clouds at https://annevmuhlethaler.com.  Follow Anne and Out of the Clouds: IG: @_outoftheclouds or  @annvi  Or on Threads @annviOn Youtube @OutoftheClouds For more, you can read and subscribe to Anne's Substack, the Mettā View, her weekly dose of insights on coaching, brand development, the future of work, and storytelling, with a hint of mindfulness.

Mass violence did not always have a name. Like conquest, atrocity was not always seen as violating a moral norm or inviting indignation. Could the concept of atrocity even exist before people could accuse their own country of mass violence committed against the inhabitants of another country?  In Atrocity: A Literary History (Stanford UP, 2025), Bruce Robbins details how, when and where the conceptual space opened to make the recognition of atrocity possible. Robbins reads Bartolomé de las Casas's account of his fellow Spaniards' atrocities, Grimmelshausen's 1668 novel Simplicissimus, Tolstoy's Hadji Murat, Kurt Vonnegut's Slaughterhouse-Five, Gabriel García Márquez's One Hundred Years of Solitude, David Mitchell's Cloud Atlas, and many other writers to examine how writers not only develop but question what representations of atrocity achieve. Critically examining the emergence of a cosmopolitan ethic, and questioning the practical wisdom offered by the indignation or its refusal in the face of atrocity, Robbins argues for the invention of atrocity as a moral achievement, however tainted its development may have been. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Mass violence did not always have a name. Like conquest, atrocity was not always seen as violating a moral norm or inviting indignation. Could the concept of atrocity even exist before people could accuse their own country of mass violence committed against the inhabitants of another country?  In Atrocity: A Literary History (Stanford UP, 2025), Bruce Robbins details how, when and where the conceptual space opened to make the recognition of atrocity possible. Robbins reads Bartolomé de las Casas's account of his fellow Spaniards' atrocities, Grimmelshausen's 1668 novel Simplicissimus, Tolstoy's Hadji Murat, Kurt Vonnegut's Slaughterhouse-Five, Gabriel García Márquez's One Hundred Years of Solitude, David Mitchell's Cloud Atlas, and many other writers to examine how writers not only develop but question what representations of atrocity achieve. Critically examining the emergence of a cosmopolitan ethic, and questioning the practical wisdom offered by the indignation or its refusal in the face of atrocity, Robbins argues for the invention of atrocity as a moral achievement, however tainted its development may have been. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

Mass violence did not always have a name. Like conquest, atrocity was not always seen as violating a moral norm or inviting indignation. Could the concept of atrocity even exist before people could accuse their own country of mass violence committed against the inhabitants of another country?  In Atrocity: A Literary History (Stanford UP, 2025), Bruce Robbins details how, when and where the conceptual space opened to make the recognition of atrocity possible. Robbins reads Bartolomé de las Casas's account of his fellow Spaniards' atrocities, Grimmelshausen's 1668 novel Simplicissimus, Tolstoy's Hadji Murat, Kurt Vonnegut's Slaughterhouse-Five, Gabriel García Márquez's One Hundred Years of Solitude, David Mitchell's Cloud Atlas, and many other writers to examine how writers not only develop but question what representations of atrocity achieve. Critically examining the emergence of a cosmopolitan ethic, and questioning the practical wisdom offered by the indignation or its refusal in the face of atrocity, Robbins argues for the invention of atrocity as a moral achievement, however tainted its development may have been. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/military-history

Mass violence did not always have a name. Like conquest, atrocity was not always seen as violating a moral norm or inviting indignation. Could the concept of atrocity even exist before people could accuse their own country of mass violence committed against the inhabitants of another country?  In Atrocity: A Literary History (Stanford UP, 2025), Bruce Robbins details how, when and where the conceptual space opened to make the recognition of atrocity possible. Robbins reads Bartolomé de las Casas's account of his fellow Spaniards' atrocities, Grimmelshausen's 1668 novel Simplicissimus, Tolstoy's Hadji Murat, Kurt Vonnegut's Slaughterhouse-Five, Gabriel García Márquez's One Hundred Years of Solitude, David Mitchell's Cloud Atlas, and many other writers to examine how writers not only develop but question what representations of atrocity achieve. Critically examining the emergence of a cosmopolitan ethic, and questioning the practical wisdom offered by the indignation or its refusal in the face of atrocity, Robbins argues for the invention of atrocity as a moral achievement, however tainted its development may have been. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Netflix has brought Gabriel García Márquez's iconic novel "One Hundred Years of Solitude" to life with a two-part limited series spanning over 16 hours of television. The Colombian masterpiece tells the multi-generational saga of the Buendía family, who establish the utopian town of Macondo. The story captures their struggles with love, war, curses, and solitude, intertwined with the magical realism that defines García Márquez's literary style. We spoke to Alex García López, one of the series' directors about the experience of creating the magical world of Macondo.This interview was recorded in early November.Follow us on TikTok and YouTube. Subscribe to our newsletter by going to the top of our homepage. 

Buenas, a propósito del lanzamiento de la serie «Cien Años de Soledad» en Netflix, vamos a dedicar este capítulo especial a explicar los distintos tiempos históricos y narrativos presentes en la novela de Gabriel García Márquez y en la adaptación que se estrenó el 11 de diciembre. Primero, queremos destacar la magnitud y el esfuerzo involucrados en la producción, posiblemente la más grande grabada en Colombia. Luego, explicaremos el hilo cronológico tanto de la novela de nuestro Nobel como de la narrativa de la serie. Notas del episodio: Este episodio fue traído a ustedes gracias a Netflix *La música que ambienta este episodio es original de la serie «Cien años de soledad», ya disponible en Netflix. Algunos detalles de «Cien años de Soledad» la serie se pueden leer aquí: «Cien Años de Soledad” la novela que impactó la literatura universal Nuestra nota sobre los tiempos del libro y la serie en El Espectador El capítulo que hicimos sobre «Macondo» en nuestra serie de «Universos del arte latinoamericano» Gabriel García Márquez — DianaUribe.fm ¡Síguenos en nuestras Redes Sociales! Facebook: / dianauribe.fm Instagram: https://www.instagram.com/dianauribe.fm Twitter: https://twitter.com/dianauribe.fm?lang=es Pagina web: https://www.dianauribe.fm TikTok: https://www.tiktok.com/@dianauribe.fm?is_from_webapp=1&sender_device=pc LinkedIn: https://www.linkedin.com/in/diana-uribe-/?originalSubdomain=co

Welcome, everyone, to The Not Old Better Show, Smithsonian Associates Interview Series. I'm your host, Paul Vogelzang, and today, we're stepping into the mesmerizing, kaleidoscopic world of Gabriel García Márquez's literary masterpiece, One Hundred Years of Solitude with our guest, author, academic, presenter and Smithsonian Associate Dr. Joseph Luzzi.  Dr. Luzzi will be presenting at Smithsonian Associates coming up.  We'll be disussing winner of the Nobel Prize in Literature, One Hundred Years of Solitude.This isn't just a novel—it's a phenomenon. With its spellbinding blend of magic and reality, this epic tale of the Buendía family and their fabled fictional town of Macondo has touched millions of readers around the globe. It's a story about family, love, history, and the haunting legacy of colonialism, told through the extraordinary lens of García Márquez's imagination.Guiding us through this literary treasure is none other than Smithsonian Associate Dr. Joseph Luzzi, an acclaimed professor of literature at Bard College, a Yale PhD, and an expert on world literature. Dr. Luzzi will help us uncover the secrets behind the novel's universal appeal, its innovative use of magical realism, and the way it redefines the idea of an epic for the modern age.Whether you're discovering One Hundred Years of Solitudefor the first time or revisiting it with fresh eyes, today's discussion promises to inspire, enlighten, and perhaps even rekindle your love for one of the greatest novels of the 20th century.My thanks to Smithsonian Associate Dr. Joseph Luzzi.  Dr. Luzzi will be presenting at Smithsonian Associates coming up.  Please check out our web site for more details. My thanks to the Smithsonian team for all they do to support the show.  My thanks to executive producer Sam Heninger.  My thanks to you our wonderful Smithsonian Associates audience here on radio and podcast.  Be well, be safe, and let's talk about better.  The Not Old Better Show, Smithsonian Associates Interview Series on radio and podcast.  Thanks, everybody.  We'll see you next week. Hosted by Ausha. See ausha.co/privacy-policy for more information.

It begins with one of the most iconic lines in literature: “Many years later, as he faced the firing squad, Colonel Aureliano Buendía was to remember that distant afternoon when his father took him to discover ice.”“One Hundred Years of Solitude,” Gabriel García Márquez's magical realist parable of imperialism in Latin America, is a tale of family, community, prophesy and disaster. In this week's episode, the Book Review's MJ Franklin discusses the book with his colleagues Gregory Cowles and Miguel Salazar. Unlock full access to New York Times podcasts and explore everything from politics to pop culture. Subscribe today at nytimes.com/podcasts or on Apple Podcasts and Spotify.