Podcast appearances and mentions of Henry Green

Frances Wilson has written biographies of Dorothy Wordsworth, Thomas De Quincey, D.H. Lawrence, and, most recently, Muriel Spark. I thought Electric Spark was excellent. In my review, I wrote: “Wilson has done far more than string the facts together. She has created a strange and vivid portrait of one of the most curious of twentieth century novelists.” In this interview, we covered questions like why Thomas De Quincey is more widely read, why D.H. Lawrence's best books aren't his novels, Frances's conversion to spookiness, what she thinks about a whole range of modern biographers, literature and parasocial relationships, Elizabeth Bowen, George Meredith, and plenty about Muriel Spark.Here are two brief extracts. There is a full transcript below.Henry: De Quincey and Lawrence were the people you wrote about before Muriel Spark, and even though they seem like three very different people, but in their own way, they're all a little bit mad, aren't they?Frances: Yes, that is, I think, something that they have in common. It's something that I'm drawn to. I like writing about difficult people. I don't think I could write about anyone who wasn't difficult. I like difficult people in general. I like the fact that they pose a puzzle and they're hard to crack, and that their difficulty is laid out in their work and as a code. I like tackling really, really stubborn personalities as well. Yes, they were all a bit mad. The madness was what fuelled their journeys without doubt.Henry: This must make it very hard as a biographer. Is there always a code to be cracked, or are you sometimes dealing with someone who is slippery and protean and uncrackable?And.Henry: People listening will be able to tell that Spark is a very spooky person in several different ways. She had what I suppose we would call spiritual beliefs to do with ghosts and other sorts of things. You had a sort of conversion of your own while writing this book, didn't you?Frances: Yes, I did. [laughs] Every time I write a biography, I become very, very, very immersed in who I'm writing about. I learned this from Richard Holmes, who I see as a method biographer. He Footsteps his subjects. He becomes his subjects. I think I recognized when I first read Holmes's Coleridge, when I was a student, that this was how I also wanted to live. I wanted to live inside the minds of the people that I wrote about, because it was very preferable to live inside my own mind. Why not live inside the mind of someone really, really exciting, one with genius?What I felt with Spark wasn't so much that I was immersed by-- I wasn't immersed by her. I felt actually possessed by her. I think this is the Spark effect. I think a lot of her friends felt like this. I think that her lovers possibly felt like this. There is an extraordinary force to her character, which absolutely lives on, even though she's dead, but only recently dead. The conversion I felt, I think, was that I have always been a very enlightenment thinker, very rational, very scientific, very Freudian in my approach to-- I will acknowledge the unconscious but no more.By the time I finished with Spark, I'm pure woo-woo now.TranscriptHenry: Today, I am talking to Frances Wilson. Frances is a biographer. Her latest book, Electric Spark, is a biography of the novelist Muriel Spark, but she has also written about Dorothy Wordsworth, Thomas De Quincey, DH Lawrence and others. Frances, welcome.Frances Wilson: Thank you so much for having me on.Henry: Why don't more people read Thomas De Quincey's work?Frances: [laughs] Oh, God. We're going right into the deep end.[laughter]Frances: I think because there's too much of it. When I chose to write about Thomas De Quincey, I just followed one thread in his writing because Thomas De Quincey was an addict. One of the things he was addicted to was writing. He wrote far, far, far too much. He was a professional hack. He was a transcendental hack, if you like, because all of his writing he did while on opium, which made the sentences too long and too high and very, very hard to read.When I wrote about him, I just followed his interest in murder. He was fascinated by murder as a fine art. The title of one of his best essays is On Murder as One of the Fine Arts. I was also interested in his relationship with Wordsworth. I twinned those together, which meant cutting out about 97% of the rest of his work. I think people do read his Confessions of an English Opium-Eater. I think that's a cult text. It was the memoir, if you want to call it a memoir, that kick-started the whole pharmaceutical memoir business on drugs.It was also the first addict's memoir and the first recovery memoir, and I'd say also the first misery memoir. He's very much at the root of English literary culture. We're all De Quincey-an without knowing it, is my argument.Henry: Oh, no, I fully agree. That's what surprises me, that they don't read him more often.Frances: I know it's a shame, isn't it? Of all the Romantic Circle, he's the one who's the most exciting to read. Also, Lamb is wonderfully exciting to read as well, but Lamb's a tiny little bit more grounded than De Quincey, who was literally not grounded. He's floating in an opium haze above you.[laughter]Henry: What I liked about your book was the way you emphasized the book addiction, not just the opium addiction. It is shocking the way he piled up chests full of books and notebooks, and couldn't get into the room because there were too many books in there. He was [crosstalk].Frances: Yes. He had this in common with Muriel Spark. He was a hoarder, but in a much more chaotic way than Spark, because, as you say, he piled up rooms with papers and books until he couldn't get into the room, and so just rented another room. He was someone who had no money at all. The no money he had went on paying rent for rooms, storing what we would be giving to Oxfam, or putting in the recycling bin. Then he'd forget that he was paying rent on all these rooms filled with his mountains of paper. The man was chaos.Henry: What is D.H. Lawrence's best book?Frances: Oh, my argument about Lawrence is that we've gone very badly wrong in our reading of him, in seeing him primarily as a novelist and only secondarily as an essayist and critic and short story writer, and poet. This is because of F.R. Leavis writing that celebration of him called D.H. Lawrence: Novelist, because novels are not the best of Lawrence. I think the best of his novels is absolutely, without doubt, Sons and Lovers. I think we should put the novels in the margins and put in the centre, the poems, travel writing.Absolutely at the centre of the centre should be his studies in classic American literature. His criticism was- We still haven't come to terms with it. It was so good. We haven't heard all of Lawrence's various voices yet. When Lawrence was writing, contemporaries didn't think of Lawrence as a novelist at all. It was anyone's guess what he was going to come out with next. Sometimes it was a novel [laughs] and it was usually a rant about-- sometimes it was a prophecy. Posterity has not treated Lawrence well in any way, but I think where we've been most savage to him is in marginalizing his best writing.Henry: The short fiction is truly extraordinary.Frances: Isn't it?Henry: I always thought Lawrence was someone I didn't want to read, and then I read the short fiction, and I was just obsessed.Frances: It's because in the short fiction, he doesn't have time to go wrong. I think brevity was his perfect length. Give him too much space, and you know he's going to get on his soapbox and start ranting, start mansplaining. He was a terrible mansplainer. Mansplaining his versions of what had gone wrong in the world. It is like a drunk at the end of a too-long dinner party, and you really want to just bundle him out. Give him only a tiny bit of space, and he comes out with the perfection that is his writing.Henry: De Quincey and Lawrence were the people you wrote about before Muriel Spark, and even though they seem like three very different people, but in their own way, they're all a little bit mad, aren't they?Frances: Yes, that is, I think, something that they have in common. It's something that I'm drawn to. I like writing about difficult people. I don't think I could write about anyone who wasn't difficult. I like difficult people in general. I like the fact that they pose a puzzle and they're hard to crack, and that their difficulty is laid out in their work and as a code. I like tackling really, really stubborn personalities as well. Yes, they were all a bit mad. The madness was what fuelled their journeys without doubt.Henry: This must make it very hard as a biographer. Is there always a code to be cracked, or are you sometimes dealing with someone who is slippery and protean and uncrackable?Frances: I think that the way I approach biography is that there is a code to crack, but I'm not necessarily concerned with whether I crack it or not. I think it's just recognizing that there's a hell of a lot going on in the writing and that, in certain cases and not in every case at all, the best way of exploring the psyche of the writer and the complexity of the life is through the writing, which is a argument for psycho biography, which isn't something I necessarily would argue for, because it can be very, very crude.I think with the writers I choose, there is no option. Muriel Spark argued for this as well. She said in her own work as a biographer, which was really very, very strong. She was a biographer before she became a novelist. She thought hard about biography and absolutely in advance of anyone else who thought about biography, she said, "Of course, the only way we can approach the minds of writers is through their work, and the writer's life is encoded in the concerns of their work."When I was writing about Muriel Spark, I followed, as much as I could, to the letter, her own theories of biography, believing that that was part of the code that she left. She said very, very strong and very definitive things about what biography was about and how to write a biography. I tried to follow those rules.Henry: Can we play a little game where I say the names of some biographers and you tell me what you think of them?Frances: Oh my goodness. Okay.Henry: We're not trying to get you into trouble. We just want some quick opinions. A.N. Wilson.Frances: I think he's wonderful as a biographer. I think he's unzipped and he's enthusiastic and he's unpredictable and he's often off the rails. I think his Goethe biography-- Have you read the Goethe biography?Henry: Yes, I thought that was great.Frances: It's just great, isn't it? It's so exciting. I like the way that when he writes about someone, it's almost as if he's memorized the whole of their work.Henry: Yes.Frances: You don't imagine him sitting at a desk piled with books and having to score through his marginalia. It sits in his head, and he just pours it down on a page. I'm always excited by an A.N. Wilson biography. He is one of the few biographers who I would read regardless of who the subject was.Henry: Yes.Frances: I just want to read him.Henry: He does have good range.Frances: He absolutely does have good range.Henry: Selina Hastings.Frances: I was thinking about Selina Hastings this morning, funnily enough, because I had been talking to people over the weekend about her Sybil Bedford biography and why that hadn't lifted. She wrote a very excitingly good life of Nancy Mitford and then a very unexcitingly not good life of Sybil Bedford. I was interested in why the Sybil Bedford simply hadn't worked. I met people this weekend who were saying the same thing, that she was a very good biographer who had just failed [laughs] to give us anything about Sybil Bedford.I think what went wrong in that biography was that she just could not give us her opinions. It's as if she just withdrew from her subject as if she was writing a Wikipedia entry. There were no opinions at all. What the friends I was talking to said was that she just fell out with her subject during the book. That's what happened. She stopped being interested in her. She fell out with her and therefore couldn't be bothered. That's what went wrong.Henry: Interesting. I think her Evelyn Waugh biography is superb.Frances: Yes, I absolutely agree. She was on fire until this last one.Henry: That's one of the best books on Waugh, I think.Frances: Yes.Henry: Absolutely magical.Frances: I also remember, it's a very rare thing, of reading a review of it by Hilary Mantel saying that she had not read a biography that had been as good, ever, as Selina Hastings' on Evelyn Waugh. My goodness, that's high praise, isn't it?Henry: Yes, it is. It is. I'm always trying to push that book on people. Richard Holmes.Frances: He's my favourite. He's the reason that I'm a biographer at all. I think his Coleridge, especially the first volume of the two-volume Coleridge, is one of the great books. It left me breathless when I read it. It was devastating. I also think that his Johnson and Savage book is one of the great books. I love Footsteps as well, his account of the books he didn't write in Footsteps. I think he has a strange magic. When Muriel Spark talked about certain writers and critics having a sixth literary sense, which meant that they tuned into language and thought in a way that the rest of us don't, I think that Richard Holmes does have that. I think he absolutely has it in relation to Coleridge. I'm longing for his Tennyson to come out.Henry: Oh, I know. I know.Frances: Oh, I just can't wait. I'm holding off on reading Tennyson until I've got Holmes to help me read him. Yes, he is quite extraordinary.Henry: I would have given my finger to write the Johnson and Savage book.Frances: Yes, I know. I agree. How often do you return to it?Henry: Oh, all the time. All the time.Frances: Me too.Henry: Michael Holroyd.Frances: Oh, that's interesting, Michael Holroyd, because I think he's one of the great unreads. I think he's in this strange position of being known as a greatest living biographer, but nobody's read him on Augustus John. [laughs] I haven't read his biographies cover to cover because they're too long and it's not in my subject area, but I do look in them, and they're novelistic in their wit and complexity. His sentences are very, very, very entertaining, and there's a lot of freight in each paragraph. I hope that he keeps selling.I love his essays as well, and also, I think that he has been a wonderful ambassador for biography. He's very, very supportive of younger biographers, which not every biographer is, but I know he's been very supportive of younger biographers and is incredibly approachable.Henry: Let's do a few Muriel Spark questions. Why was the Book of Job so important to Muriel Spark?Frances: I think she liked it because it was rogue, because it was the only book of the Bible that wasn't based on any evidence, it wasn't based on any truth. It was a fictional book, and she liked fiction sitting in the middle of fact. That was one of her main things, as all Spark lovers know. She liked the fact that there was this work of pure imagination and extraordinarily powerful imagination sitting in the middle of the Old Testament, and also, she thought it was an absolutely magnificent poem.She saw herself primarily as a poet, and she responded to it as a poem, which, of course, it is. Also, she liked God in it. She described Him as the Incredible Hulk [laughs] and she liked His boastfulness. She enjoyed, as I do, difficult personalities, and she liked the fact that God had such an incredibly difficult personality. She liked the fact that God boasted and boasted and boasted, "I made this and I made that," to Job, but also I think she liked the fact that you hear God's voice.She was much more interested in voices than she was in faces. The fact that God's voice comes out of the burning bush, I think it was an image for her of early radio, this voice speaking, and she liked the fact that what the voice said was tricksy and touchy and impossibly arrogant. He gives Moses all these instructions to lead the Israelites, and Moses says, "But who shall I say sent me? Who are you?" He says, "I am who I am." [laughs] She thought that was completely wonderful. She quotes that all the time about herself. She says, "I know it's a bit large quoting God, but I am who I am." [laughs]Henry: That disembodied voice is very important to her fiction.Frances: Yes.Henry: It's the telephone in Memento Mori.Frances: Yes.Henry: Also, to some extent, tell me what you think of this, the narrator often acts like that.Frances: Like this disembodied voice?Henry: Yes, like you're supposed to feel like you're not quite sure who's telling you this or where you're being told it from. That's why it gets, like in The Ballad of Peckham Rye or something, very weird.Frances: Yes. I'm waiting for the PhD on Muriel Sparks' narrators. Maybe it's being done as we speak, but she's very, very interested in narrators and the difference between first-person and third-person. She was very keen on not having warm narrators, to put it mildly. She makes a strong argument throughout her work for the absence of the seductive narrative. Her narratives are, as we know, unbelievably seductive, but not because we are being flattered as readers and not because the narrator makes herself or himself pretty. The narrator says what they feel like saying, withholds most of what you would like them to say, plays with us, like in a Spark expression, describing her ideal narrator like a cat with a bird [laughs].Henry: I like that. Could she have been a novelist if she had not become a Catholic?Frances: No, she couldn't. The two things happened at the same time. I wonder, actually, whether she became a Catholic in order to become a novelist. It wasn't that becoming a novelist was an accidental effect of being a Catholic. The conversion was, I think, from being a biographer to a novelist rather than from being an Anglican to a Catholic. What happened is a tremendous interest. I think it's the most interesting moment in any life that I've ever written about is the moment of Sparks' conversion because it did break her life in two.She converted when she was in her mid-30s, and several things happened at once. She converted to Catholicism, she became a Catholic, she became a novelist, but she also had this breakdown. The breakdown was very much part of that conversion package. The breakdown was brought on, she says, by taking Dexys. There was slimming pills, amphetamines. She wanted to lose weight. She put on weight very easily, and her weight went up and down throughout her life.She wanted to take these diet pills, but I think she was also taking the pills because she needed to do all-nighters, because she never, ever, ever stopped working. She was addicted to writing, but also she was impoverished and she had to sell her work, and she worked all night. She was in a rush to get her writing done because she'd wasted so much of her life in her early 20s, in a bad marriage trapped in Africa. She needed to buy herself time. She was on these pills, which have terrible side effects, one of which is hallucinations.I think there were other reasons for her breakdown as well. She was very, very sensitive and I think psychologically fragile. Her mother lived in a state of mental fragility, too. She had a crash when she finished her book. She became depressed. Of course, a breakdown isn't the same as depression, but what happened to her in her breakdown was a paranoid attack rather than a breakdown. She didn't crack into nothing and then have to rebuild herself. She just became very paranoid. That paranoia was always there.Again, it's what's exciting about her writing. She was drawn to paranoia in other writers. She liked Cardinal Newman's paranoia. She liked Charlotte Brontë's paranoia, and she had paranoia. During her paranoid attack, she felt very, very interestingly, because nothing that happened in her life was not interesting, that T.S. Eliot was sending her coded messages. He was encoding these messages in his play, The Confidential Clerk, in the program notes to the play, but also in the blurbs he wrote for Faber and Faber, where he was an editor. These messages were very malign and they were encoded in anagrams.The word lived, for example, became devil. I wonder whether one of the things that happened during her breakdown wasn't that she discovered God, but that she met the devil. I don't think that that's unusual as a conversion experience. In fact, the only conversion experience she ever describes, you'll remember, is in The Girls of Slender Means, when she's describing Nicholas Farrington's conversion. That's the only conversion experience she ever describes. She says that his conversion is when he sees one of the girls leaving the burning building, holding a Schiaparelli dress. Suddenly, he's converted because he's seen a vision of evil.She says, "Conversion can be as a result of a recognition of evil, rather than a recognition of good." I think that what might have happened in this big cocktail of things that happened to her during her breakdown/conversion, is that a writer whom she had idolized, T.S. Eliot, who taught her everything that she needed to know about the impersonality of art. Her narrative coldness comes from Eliot, who thought that emotions had no place in art because they were messy, and art should be clean.I think a writer whom she had idolized, she suddenly felt was her enemy because she was converting from his church, because he was an Anglo-Catholic. He was a high Anglican, and she was leaving Anglo-Catholicism to go through the Rubicon, to cross the Rubicon into Catholicism. She felt very strongly that that is something he would not have approved of.Henry: She's also leaving poetry to become a prose writer.Frances: She was leaving his world of poetry. That's absolutely right.Henry: This is a very curious parallel because the same thing exactly happens to De Quincey with his worship of Wordsworth.Frances: You're right.Henry: They have the same obsessive mania. Then this, as you say, not quite a breakdown, but a kind of explosive mania in the break. De Quincey goes out and destroys that mossy hut or whatever it is in the orchard, doesn't he?Frances: Yes, that disgusting hut in the orchard. Yes, you're completely right. What fascinated me about De Quincey, and this was at the heart of the De Quincey book, was how he had been guided his whole life by Wordsworth. He discovered Wordsworth as a boy when he read We Are Seven, that very creepy poem about a little girl sitting on her sibling's grave, describing the sibling as still alive. For De Quincey, who had lost his very adored sister, he felt that Wordsworth had seen into his soul and that Wordsworth was his mentor and his lodestar.He worshipped Wordsworth as someone who understood him and stalked Wordsworth, pursued and stalked him. When he met him, what he discovered was a man without any redeeming qualities at all. He thought he was a dry monster, but it didn't stop him loving the work. In fact, he loved the work more and more. What threw De Quincey completely was that there was such a difference between Wordsworth, the man who had no genius, and Wordsworth, the poet who had nothing but.Eliot described it, the difference between the man who suffers and the mind which creates. What De Quincey was trying to deal with was the fact that he adulated the work, but was absolutely appalled by the man. Yes, you're right, this same experience happened to spark when she began to feel that T.S. Eliot, whom she had never met, was a malign person, but the work was still not only of immense importance to her, but the work had formed her.Henry: You see the Wasteland all over her own work and the shared Dante obsession.Frances: Yes.Henry: It's remarkably strong. She got to the point of thinking that T.S. Eliot was breaking into her house.Frances: Yes. As I said, she had this paranoid imagination, but also what fired her imagination and what repeated itself again and again in the imaginative scenarios that recur in her fiction and nonfiction is the idea of the intruder. It was the image of someone rifling around in cupboards, drawers, looking at manuscripts. This image, you first find it in a piece she wrote about finding herself completely coincidentally, staying the night during the war in the poet Louis MacNeice's house. She didn't know it was Louis MacNeice's house, but he was a poet who was very, very important to her.Spark's coming back from visiting her parents in Edinburgh in 1944. She gets talking to an au pair on the train. By the time they pull into Houston, there's an air raid, and the au pair says, "Come and spend the night at mine. My employers are away and they live nearby in St. John's Wood." Spark goes to this house and sees it's packed with books and papers, and she's fascinated by the quality of the material she finds there.She looks in all the books. She goes into the attic, and she looks at all the papers, and she asks the au pair whose house it is, and the au pair said, "Oh, he's a professor called Professor Louis MacNeice." Spark had just been reading Whitney. He's one of her favourite poets. She retells this story four times in four different forms, as non-fiction, as fiction, as a broadcast, as reflections, but the image that keeps coming back, what she can't get rid of, is the idea of herself as snooping around in this poet's study.She describes herself, in one of the versions, as trying to draw from his papers his power as a writer. She says she sniffs his pens, she puts her hands over his papers, telling herself, "I must become a writer. I must become a writer." Then she makes this weird anonymous phone call. She loved the phone because it was the most strange form of electrical device. She makes a weird anonymous phone call to an agent, saying, "I'm ringing from Louis MacNeice's house, would you like to see my manuscript?" She doesn't give her name, and the agent says yes.Now I don't believe this phone call took place. I think it's part of Sparks' imagination. This idea of someone snooping around in someone else's room was very, very powerful to her. Then she transposed it in her paranoid attack about T.S. Eliot. She transposed the image that Eliot was now in her house, but not going through her papers, but going through her food cupboards. [laughs] In her food cupboards, all she actually had was baked beans because she was a terrible cook. Part of her unwellness at that point was malnutrition. No, she thought that T.S. Eliot was spying on her. She was obsessed with spies. Spies, snoopers, blackmailers.Henry: T.S. Eliot is Stealing My Baked Beans would have been a very good title for a memoir.Frances: It actually would, wouldn't it?Henry: Yes, it'd be great.[laughter]Henry: People listening will be able to tell that Spark is a very spooky person in several different ways. She had what I suppose we would call spiritual beliefs to do with ghosts and other sorts of things. You had a sort of conversion of your own while writing this book, didn't you?Frances: Yes, I did. [laughs] Every time I write a biography, I become very, very, very immersed in who I'm writing about. I learned this from Richard Holmes, who I see as a method biographer. He Footsteps his subjects. He becomes his subjects. I think I recognized when I first read Holmes's Coleridge, when I was a student, that this was how I also wanted to live. I wanted to live inside the minds of the people that I wrote about, because it was very preferable to live inside my own mind. Why not live inside the mind of someone really, really exciting, one with genius?What I felt with Spark wasn't so much that I was immersed by-- I wasn't immersed by her. I felt actually possessed by her. I think this is the Spark effect. I think a lot of her friends felt like this. I think that her lovers possibly felt like this. There is an extraordinary force to her character, which absolutely lives on, even though she's dead, but only recently dead. The conversion I felt, I think, was that I have always been a very enlightenment thinker, very rational, very scientific, very Freudian in my approach to-- I will acknowledge the unconscious but no more.By the time I finished with Spark, I'm pure woo-woo now. Anything can happen. This is one of the reasons Spark was attracted to Catholicism because anything can happen, because it legitimizes the supernatural. I felt so strongly that the supernatural experiences that Spark had were real, that what Spark was describing as the spookiness of our own life were things that actually happened.One of the things I found very, very unsettling about her was that everything that happened to her, she had written about first. She didn't describe her experiences in retrospect. She described them as in foresight. For example, her first single authored published book, because she wrote for a while in collaboration with her lover, Derek Stanford, but her first single authored book was a biography of Mary Shelley.Henry: Great book.Frances: An absolutely wonderful book, which really should be better than any of the other Mary Shelley biographies. She completely got to Mary Shelley. Everything she described in Mary Shelley's life would then happen to Spark. For example, she described Mary Shelley as having her love letters sold. Her lover sold Mary Shelley's love letters, and Mary Shelley was then blackmailed by the person who bought them. This happened to Spark. She described Mary Shelley's closest friends all becoming incredibly jealous of her literary talent. This happened to Spark. She described trusting people who betrayed her. This happened to Spark.Spark was the first person to write about Frankenstein seriously, to treat Frankenstein as a masterpiece rather than as a one-off weird novel that is actually just the screenplay for a Hammer Horror film. This was 1951, remember. Everything she described in Frankenstein as its power is a hybrid text, described the powerful hybrid text that she would later write about. What fascinated her in Frankenstein was the relationship between the creator and the monster, and which one was the monster. This is exactly the story of her own life. I think where she is. She was really interested in art monsters and in the fact that the only powerful writers out there, the only writers who make a dent, are monsters.If you're not a monster, you're just not competing. I think Spark has always spoken about as having a monster-like quality. She says at the end of one of her short stories, Bang-bang You're Dead, "Am I an intellectual woman, or am I a monster?" It's the question that is frequently asked of Spark. I think she worked so hard to monsterize herself. Again, she learnt this from Elliot. She learnt her coldness from Elliot. She learnt indifference from Elliot. There's a very good letter where she's writing to a friend, Shirley Hazzard, in New York.It's after she discovers that her lover, Derek Stanford, has sold her love letters, 70 love letters, which describe two very, very painfully raw, very tender love letters. She describes to Shirley Hazzard this terrible betrayal. She says, "But, I'm over it. I'm over it now. Now I'm just going to be indifferent." She's telling herself to just be indifferent about this. You watch her tutoring herself into the indifference that she needed in order to become the artist that she knew she was.Henry: Is this why she's attracted to mediocrities, because she can possess them and monsterize them, and they're good feeding for her artistic programme?Frances: Her attraction to mediocrities is completely baffling, and it makes writing her biography, a comedy, because the men she was surrounded by were so speck-like. Saw themselves as so important, but were, in fact, so speck-like that you have to laugh, and it was one after another after another. I'd never come across, in my life, so many men I'd never heard of. This was the literary world that she was surrounded by. It's odd, I don't know whether, at the time, she knew how mediocre these mediocrities were.She certainly recognised it in her novels where they're all put together into one corporate personality called the pisseur de copie in A Far Cry from Kensington, where every single literary mediocrity is in that critic who she describes as pissing and vomiting out copy. With Derek Stanford, who was obviously no one's ever heard of now, because he wrote nothing that was memorable, he was her partner from the end of the 40s until-- They ceased their sexual relationship when she started to be interested in becoming a Catholic in 1953, but she was devoted to him up until 1958. She seemed to be completely incapable of recognising that she had the genius and he had none.Her letters to him deferred to him, all the time, as having literary powers that she hadn't got, as having insights that she hadn't got, he's better read than she was. She was such an amazingly good critic. Why could she not see when she looked at his baggy, bad prose that it wasn't good enough? She rated him so highly. When she was co-authoring books with him, which was how she started her literary career, they would occasionally write alternative sentences. Some of her sentences are always absolutely-- they're sharp, lean, sparkling, and witty, and his are way too long and really baggy and they don't say anything. Obviously, you can see that she's irritated by it.She still doesn't say, "Look, I'm going now." It was only when she became a novelist that she said, "I want my mind to myself." She puts, "I want my mind to myself." She didn't want to be in a double act with him. Doubles were important to her. She didn't want to be in a double act with him anymore. He obviously had bought into her adulation of him and hadn't recognised that she had this terrifying power as a writer. It was now his turn to have the breakdown. Spark had the mental breakdown in 1950, '45. When her first novel came out in 1957, it was Stanford who had the breakdown because he couldn't take on board who she was as a novelist.What he didn't know about her as a novelist was her comic sense, how that would fuel the fiction, but also, he didn't recognize because he reviewed her books badly. He didn't recognise that the woman who had been so tender, vulnerable, and loving with him could be this novelist who had nothing to say about tenderness or love. In his reviews, he says, "Why are her characters so cold?" because he thought that she should be writing from the core of her as a human being rather than the core of her as an intellect.Henry: What are her best novels?Frances: Every one I read, I think this has to be the best.[laughter]This is particularly the case in the early novels, where I'm dazzled by The Comforters and think there cannot have been a better first novel of the 20th century or even the 21st century so far. The Comforters. Then read Robinson, her second novel, and think, "Oh God, no, that is her best novel. Then Memento Mori, I think, "Actually, that must be the best novel of the 20th century." [laughs] Then you move on to The Ballad of Peckham Rye, I think, "No, that's even better."The novels landed. It's one of the strange things about her; it took her so long to become a novelist. When she had become one, the novels just landed. Once in one year, two novels landed. In 1959, she had, it was The Bachelors and The Ballad of Peckham Rye, both just completely extraordinary. The novels had been the storing up, and then they just fell on the page. They're different, but samey. They're samey in as much as they're very, very, very clever. They're clever about Catholicism, and they have the same narrative wit. My God, do the plots work in different ways. She was wonderful at plots. She was a great plotter. She liked plots in both senses of the world.She liked the idea of plotting against someone, also laying a plot. She was, at the same time, absolutely horrified by being caught inside someone's plot. That's what The Comforters is about, a young writer called Caroline Rose, who has a breakdown, it's a dramatisation of Sparks' own breakdown, who has a breakdown, and believes that she is caught inside someone else's story. She is a typewriter repeating all of her thoughts. Typewriter and a chorus repeating all of her thoughts.What people say about The Comforters is that Caroline Rose thought she is a heroine of a novel who finds herself trapped in a novel. Actually, if you read what Caroline Rose says in the novel, she doesn't think she's trapped in a novel; she thinks she's trapped in a biography. "There is a typewriter typing the story of our lives," she says to her boyfriend. "Of our lives." Muriel Sparks' first book was about being trapped in a biography, which is, of course, what she brought on herself when she decided to trap herself in a biography. [laughs]Henry: I think I would vote for Loitering with Intent, The Girls of Slender Means as my favourites. I can see that Memento Mori is a good book, but I don't love it, actually.Frances: Really? Interesting. Okay. I completely agree with you about-- I think Loitering with Intent is my overall favourite. Don't you find every time you read it, it's a different book? There are about 12 books I've discovered so far in that book. She loved books inside books, but every time I read it, I think, "Oh my God, it's changed shape again. It's a shape-shifting novel."Henry: We all now need the Frances Wilson essay about the 12 books inside Loitering with Intent.Frances: I know.[laughter]Henry: A few more general questions to close. Did Thomas De Quincey waste his talents?Frances: I wouldn't have said so. I think that's because every single day of his life, he was on opium.Henry: I think the argument is a combination of too much opium and also too much magazine work and not enough "real serious" philosophy, big poems, whatever.Frances: I think the best of his work went into Blackwood's, so the magazine work. When he was taken on by Blackwood's, the razor-sharp Edinburgh magazine, then the best of his work took place. I think that had he only written the murder essays, that would have been enough for me, On Murder as a Fine Art.That was enough. I don't need any more of De Quincey. I think Confessions of an English Opium-Eater is also enough in as much as it's the great memoir of addiction. We don't need any more memoirs of addiction, just read that. It's not just a memoir of being addicted to opium. It's about being addicted to what's what. It's about being a super fan and addicted to writing. He was addicted to everything. If he was in AA now, they'd say, apparently, there are 12 addictions, he had all of them. [laughs]Henry: Yes. People talk a lot about parasocial relationships online, where you read someone online or you follow them, and you have this strange idea in your head that you know them in some way, even though they're just this disembodied online person. You sometimes see people say, "Oh, we should understand this more." I think, "Well, read the history of literature, parasocial relationships everywhere."Frances: That's completely true. I hadn't heard that term before. The history of literature, a parasocial relationship. That's your next book.Henry: There we go. I think what I want from De Quincey is more about Shakespeare, because I think the Macbeth essay is superb.Frances: Absolutely brilliant. On Knocking at the Gate in Macbeth.Henry: Yes, and then you think, "Wait, where's the rest of this book? There should be an essay about every play."Frances: That's an absolutely brilliant example of microhistory, isn't it? Just taking a moment in a play, just the knocking at the gate, the morning after the murders, and blowing that moment up, so it becomes the whole play. Oh, my God, it's good. You're right.Henry: It's so good. What is, I think, "important about it", is that in the 20th century, critics started saying or scholars started saying a lot, "We can't just look at the words on the page. We've got to think about the dramaturgy. We've got to really, really think about how it plays out." De Quincey was an absolute master of that. It's really brilliant.Frances: Yes.Henry: What's your favourite modern novel or novelist?Frances: Oh, Hilary Mantel, without doubt, I think. I think we were lucky enough to live alongside a great, great, great novelist. I think the Wolf Hall trilogy is absolutely the greatest piece of narrative fiction that's come out of the 21st century. I also love her. I love her work as an essayist. I love her. She's spooky like Spark. She was inspired.Henry: Yes, she is. Yes.Frances: She learnt a lot of her cunning from Spark, I think. She's written a very spooky memoir. In fact, the only women novelists who acknowledge Spark as their influencer are Ali Smith and Hilary Mantel, although you can see Spark in William Boyd all the time. I think we're pretty lucky to live alongside William Boyd as well. Looking for real, real greatness, I think there's no one to compare with Mantel. Do you agree?Henry: I don't like the third volume of the trilogy.Frances: Okay. Right.Henry: Yes, in general, I do agree. Yes. I think some people don't like historical fiction for a variety of reasons. It may take some time for her to get it. I think she's acknowledged as being really good. I don't know that she's yet acknowledged at the level that you're saying.Frances: Yes.Henry: I think that will take a little bit longer. Maybe as and when there's a biography that will help with that, which I'm sure there will be a biography.Frances: I think they need to wait. I do think it's important to wait for a reputation to settle before starting the biography. Her biography will be very interesting because she married the same man twice. Her growth as a novelist was so extraordinary. Spark, she spent time in Africa. She had this terrible, terrible illness. She knew something. I think what I love about Mantel is, as with Spark, she knew something. She knew something, and she didn't quite know what it was that she knew. She had to write because of this knowledge. When you read her, you know that she's on a different level of understanding.Henry: You specialise in slightly neglected figures of English literature. Who else among the canonical writers deserves a bit more attention?Frances: Oh, that's interesting. I love minor characters. I think Spark was very witty about describing herself as a minor novelist or a writer of minor novels when she was evidently major. She always saw the comedy in being a minor. All the minor writers interest me. Elizabeth Bowen, Henry Green. No, they have heard Elizabeth Bowen has been treated well by Hermione Lee and Henry Green has been treated well by Jeremy Treglown.Why are they not up there yet? They're so much better than most of their contemporaries. I am mystified and fascinated by why it is that the most powerful writers tend to be kicked into the long grass. It's dazzling. When you read a Henry Green novel, you think, "But this is what it's all about. He's understood everything about what the novel can do. Why has no one heard of him?"Henry: I think Elizabeth Bowen's problem is that she's so concise, dense, and well-structured, and everything really plays its part in the pattern of the whole that it's not breezy reading.Frances: No, it's absolutely not.Henry: I think that probably holds her back in some way, even though when I have pushed it on people, most of the time they've said, "Gosh, she's a genius."Frances: Yes.Henry: It's not an easy genius. Whereas Dickens, the pages sort of fly along, something like that.Frances: Yes. One of the really interesting things about Spark is that she really, really is easy reading. At the same time, there's so much freight in those books. There's so much intellectual weight and so many games being played. There's so many books inside the books. Yet you can just read them for the pleasure. You can just read them for the plot. You can read one in an afternoon and think that you've been lost inside a book for 10 years. You don't get that from Elizabeth Bowen. That's true. The novels, you feel the weight, don't you?Henry: Yes.Frances: She's Jamesian. She's more Jamesian, I think, than Spark is.Henry: Something like A World of Love, it requires quite a lot of you.Frances: Yes, it does. Yes, it's not bedtime reading.Henry: No, exactly.Frances: Sitting up in a library.Henry: Yes. Now, you mentioned James. You're a Henry James expert.Frances: I did my PhD on Henry James.Henry: Yes. Will you ever write about him?Frances: I have, actually. Just a little plug. I've just done a selection of James's short stories, three volumes, which are coming out, I think, later this year for Riverrun with a separate introduction for each volume. I think that's all the writing I'm going to do on James. When I was an academic, I did some academic essays on him for collections and things. No, I've never felt, ever, ready to write on James because he's too complicated. I can only take tiny, tiny bits of James and home in on them.Henry: He's a great one for trying to crack the code.Frances: He really is. In fact, I was struck all the way through writing Electric Spark by James's understanding of the comedy of biography, which is described in the figure in the carpet. Remember that wonderful story where there's a writer called Verica who explains to a young critic that none of the critics have understood what his work's about. Everything that's written about him, it's fine, but it's absolutely missed his main point, his beautiful point. He said that in order to understand what the work's about, you have to look for The Figure in the Carpet. It's The Figure in the CarpetIt's the string on which my pearls are strung. A couple of critics become completely obsessed with looking for this Figure in the Carpet. Of course, Spark loved James's short stories. You feel James's short stories playing inside her own short stories. I think that one of the games she left for her biographers was the idea of The Figure in the Carpet. Go on, find it then. Find it. [laughs] The string on which my pearls are strung.Henry: Why did you leave academia? We should say that you did this before it became the thing that everyone's doing.Frances: Is everyone leaving now?Henry: A lot of people are leaving now.Frances: Oh, I didn't know. I was ahead of the curve. I left 20 years ago because I wasn't able to write the books I wanted to write. I left when I'd written two books as an academic. My first was Literary Seductions, and my second was a biography of a blackmailing courtesan called Harriet Wilson, and the book was called The Courtesan's Revenge. My department was sniffy about the books because they were published by Faber and not by OUP, and suggested that somehow I was lowering the tone of the department.This is what things were like 20 years ago. Then I got a contract to write The Ballad of Dorothy Wordsworth, my third book, again with Faber. I didn't want to write the book with my head of department in the back of my mind saying, "Make this into an academic tome and put footnotes in." I decided then that I would leave, and I left very suddenly. Now, I said I'm leaving sort of now, and I've got books to write, and felt completely liberated. Then for The Ballad of Dorothy Wordsworth, I decided not to have footnotes. It's the only book I've ever written without footnotes, simply as a celebration of no longer being in academia.Then the things I loved about being in academia, I loved teaching, and I loved being immersed in literature, but I really couldn't be around colleagues and couldn't be around the ridiculous rules of what was seen as okay. In fact, the university I left, then asked me to come back on a 0.5 basis when they realised that it was now fashionable to have someone who was a trade author. They asked me to come back, which I did not want to do. I wanted to spend days where I didn't see people rather than days where I had to talk to colleagues all the time. I think that academia is very unhappy. The department I was in was incredibly unhappy.Since then, I took up a job very briefly in another English department where I taught creative writing part-time. That was also incredibly unhappy. I don't know whether other French departments or engineering departments are happier places than English departments, but English departments are the most unhappy places I think I've ever seen.[laughter]Henry: What do you admire about the work of George Meredith?Frances: Oh, I love George Meredith. [laughs] Yes. I think Modern Love, his first novel, Modern Love, in a strange sonnet form, where it's not 14 lines, but 16 lines. By the time you get to the bottom two lines, the novel, the sonnet has become hysterical. Modern Love hasn't been properly recognised. It's an account of the breakdown of his marriage. His wife, who was the daughter of the romantic, minor novelist, Thomas Love Peacock. His wife had an affair with the artist who painted the famous Death of Chatterton. Meredith was the model for Chatterton, the dead poet in his purple silks, with his hand falling on the ground. There's a lot of mythology around Meredith.I think, as with Elizabeth Bowen and Henry Green, he's difficult. He's difficult. The other week, I tried to reread Diana of the Crossways, which was a really important novel, and I still love it. I really recognise that it's not an easy read. He doesn't try, in any way, to seduce his readers. They absolutely have to crawl inside each book to sit inside his mind and see the world as he's seeing it.Henry: Can you tell us what you will do next?Frances: At the moment, I'm testing some ideas out. I feel, at the end of every biography, you need a writer. You need to cleanse your palate. Otherwise, there's a danger of writing the same book again. I need this time, I think, to write about, to move century and move genders. I want to go back, I think, to the 19th century. I want to write about a male writer for a moment, and possibly not a novelist as well, because after being immersed in Muriel Sparks' novels, no other novel is going to seem good enough. I'm testing 19th-century men who didn't write novels, and it will probably be a minor character.Henry: Whatever it is, I look forward to reading it. Frances Wilson, thank you very much.Frances: Thank you so much, Henry. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit www.commonreader.co.uk/subscribe

! Turn On - Choon In - Zig Zag ! - ! What's Past - Is Prologue ! ! !   Callin'  ALL  The  Boom Booms  &  The Zoom Zooms   ! ! . . .   GROUND  DOWN  TO  THE  REAL UNDERGROUND   . . . * * *  GROOVIN'  BLUE   25 - 05  * * * Groovin' Blue is dedicated to Dr. Li Wenliang 1.  (4:39)  WAGRadio GB 25 - 05 Intro - Produced by WAGRadio Vinyl Librarian William "Fats Is Back" Reiter (formerly CKLG-FM 96.9 Boss Jock - 'Bill Reiter - The All-Niter') 2.  (3:02)  "Jealous Girl (Leave Shay Alone EdiT)" - DANIELE POZZI [CRMS] 3.  (4:28)  "How I Depend On You" - THE WILLIAMS BROTHERS [Blackberry Records Lp No. 2203301010 "This Is Our Night"] 1991 Prod. Doug & Melvin Williams, Henry Green, Rahni Song 4.  (4:31)  "Freak Like (DJZigZag EdiT of the House of Prayers Remix)" - CRAZIBIZA, HOUSE OF PRAYERS [PornoStar Records] 5.  (  :14)  WAGRadio Ol' SkooL Looud Id 6.  (1:58)  "Rack 'Em Back" - WALTER SPRIGGS  with Jesse Stone Orch. [Atco 45rpm No. 45-6112] 1958 7.  (  :11)  WAGRadio Music Segue 8.  (3:03)  "Feel So Good (DJZigZag Crack A Lackin EdiT)" - RAVEN DAZE [Cheap Thrills] * samples "Love Explosion" - Donnell Pitman [Athens Of The North Rec. Co. 45rpm No. ATH059] 2014 9.  (  :55)  WAGRadio No Feere Id 10.(4:09)  "Estalaro (DJZigZag Big Up Phak Mack Attack EdiT of The Faze Action Instrumental)" - CANTOMA, LUNA ASTERI [Highwood Recordings] 11.(3:57)  "Like I Said (DJZigZag Board Over EdiT)" - A-TRAK [Fool's Gold Records] 12.(5:44)  "**** you ... Space Cowboy (DJZigZag Crack A Rat EdiT)" - NEMO VACHEZ [Forest iLL Lp No. FIR011] 2023 13.(  :31)  WAGRadio Pie-Baked EdiT 14.(4:10)  "Ring My Bell (DJZigZag JigJag RagSnag EdiT)" - CARLO POCILE [Glitch Society Records] 15.(2:51)  "Skateboard P (DJZigZag Ex10DaD EdiT)" - TraeTwoThree (feat. Kalan.FrFr) [Ncredible Ent] 16.(  :21)  WAGRadio LuVvV Id 17.(4:45)  "Sugar High (DJZigZag MashEdiT of the Rightside & MD Remix)" - DANIELE BUSCIALA, EARL W. GREEN [Soulstice Music] 18.(  :16)  WAGRadio Muzik Segg 19.(3:45)  "FunKtion (DJZigZag Thin Blurred Line EdiT of the Original & Extended Mixes)" - kai.wav [Central Station] 20.(3:14)  "Hotty (DJZigZag Spit On A Dog - Turn It Turn It EdiT)" - ROXE, MARYCHOLE, RAHSTAMAN [And Dance] 21.(  :15)  WAGRadio LOUD Ol' Skool Id 22.(2:32)  "Don't Let Go" - ROY HAMILTON - Orchestra under the direction of Jesse Stone [Epic 45rpm No. 5-9257] 1957 23.(  :19)  WAGRadio Muse ic segck 24.(2:09)  "Who Cares Anyway" - MASEGO [EQT Recordings] 25.(  :15)  WAGRadio Li3DowN EdiT 26.(2:20)  "Would You" - CAMPBELL [Big Beat] 27.(2:29)  "Momentum (DJZigZag Slippery Rhodes EdiT) - DEEINAGI [Elebated] 28.(1:17)  WAGRadio SpiritSoundIntro Id 29.(4:41)  "King's Rant" - MASEGO [EQT Recordings] 2020 30.(5:39)  "We Got To Hit It Off (DJZigZag Jack Ash Fong EdiT of the Dimitri From Paris Liberated Women Mix)" - MILLIE JACKSON, DIMITRI FROM PARIS [Cosmos Music] * samples "We Got To Hit It Off" - Millie Jackson [Spring Records 45rpm No. SP 3002] 1979 Prod. Brad Shapiro, Millie Jackson 31.(  :07)  Nu GB End 77:58

For the final episode of the 2025 Winter Season, Mike talks with Helen Green, winner of a 2016 Windham-Campbell Prize for Non-fiction, about Henry Green's Party Going. They celebrate the joys of the NYRB Classics sale, the mysteries of Australian Rules football, and the joys of this ensemble novel. Helen Garner writes novels, stories, screenplays, and works of non-fiction. In 2006 she received the inaugural Melbourne Prize for Literature, and in 2016 she won the prestigious Windham–Campbell Literature Prize for Non-fiction. In 2019 she was honoured with the Australia Council Award for Lifetime Achievement in Literature. Her books include Monkey Grip, The Children's Bach, Cosmo Cosmolino, The Spare Room, The First Stone, This House of Grief, Everywhere I Look, and her diaries Yellow Notebook, One Day I'll Remember This, and How to End a Story. Her latest book is The Season. Learn more about your ad choices. Visit megaphone.fm/adchoices

This week on The Pet Buzz, Petrendologist Charlotte Reed speaks with professional dog handler and co-owner of Monty-the giant Schnauzer, Katie Bernardin, about winning the 149th Westminster Kennel Club Dog Show and with Associate Professor of Veterinary Cardiology at Louisiana State University School of Veterinary Medicine, Dr. Henry Green, about canine heart disease.

VIAJEROS  MULTIVERSALES - 2022El Buque Madagascar – año 1853Madagascar fue un gran barco mercante británico, construido para el comercio con India y China en 1837 que desapareció en un viaje de Melbourne a Londres en 1853.Este era un barco mercante que transportaba carga variada y también pasajeros.Madagascar, la segunda fragata Blackwall, fue construida para George y Henry Green en Blackwall Yard, Londres, astillero del que eran copropietarios con la familia Wigram.En 1853, el Madagascar zarpó de Melbourne a Londres.La desaparición de Madagascar fue uno de los grandes misterios marítimos del siglo 19Yprobablemente ha sido el tema de más especulaciones que cualquier otrorompecabezas marítimo del siglo 19, a excepción del Mary Celeste.La embarcación no solo desapareció, sino que nunca fue encontrada..Descifremos el capítulo …

This sermon from nineteenth-century American Presbyterian theologian William Henry Green (1824-1900) is on 1 Corinthians 16:13, "Quite you like men." It is found in a collection entitled "Princeton Sermons, Chiefly by the Professors in Princeton Theological Seminary," originally published in 1893.

This sermon from nineteenth-century American Presbyterian theologian William Henry Green (1824-1900) is on Isaiah 45:15. As outgoing moderator of the Presbyterian Church of the United States in America in 1892, Dr. Green was scheduled to preach this message to the General Assembly. However, health difficulties prevented his attending the meeting in Portland, Oregon. In fulfillment of his duties, however, Dr. Green provided a manuscript to be read. The Stated Clerk of the denomination at the time, Dr. W. H. Roberts, read the manuscript in the opening service of the Assembly.

Presiding Elder Henry Green, Jr.

Show Notes:  https://wetflyswing.com/652 Presented By:  Togiak River Lodge, FishHound Expeditions, Angler's Coffee, Stonefly Nets   What if I told you there's a place where you can fish the same waters as Lee Wulff and have a great chance at catching an Atlantic salmon on the fly? Today, we will dive into the rich history and present-day fly fishing Newfoundland with the head guides from Mountain Waters Resort, Ryan & Les Wentzell and Rod Brophy. You'll discover the secrets of fishing the riffle hitch, why you should stay put in the pools instead of stepping down, and even why 4-lb tippet is the go-to at certain times of the year. Plus, learn how to hook a giant Atlantic salmon like Lee Wulff did. Show Notes with Ryan, Les, and Rod on Fly Fishing Newfoundland.  02:35 - Ryan grew up at the lodge, which his parents, Les and Paulette Wentzell, and two other couples purchased. The 170-acre property was originally owned by Lee Wulff. 05:23 - The lodge is in Daniels Arbor, Newfoundland, a small town with a rich fishing history. After nearly 30 years of operation, Ryan took over the lodge in 2019 and has been upgrading it ever since. The Riffling Hitch  10:05 - Rod uses surface fishing with dry flies, like bombers, all year long. The riffling hitch creates a wake on the water, which makes it easier to spot the fish. This method is better than just using a regular wet fly. Rod mentioned that even big fish, up to 40 pounds, have been caught using this technique, and it's essential for consistent success. 20:17 - Les shares that Lee Wulff flew his float plane from New York to Newfoundland in the 1940s. He explored the rivers and set up fishing operations, including at Portland Creek. When a road was built nearby in 1956, Lee moved on to other projects. 28:11 - Rod shared how you can still fish in the spots where Lee Wulff used to catch fish. Many spots are still popular today. The area also offers amazing trout fishing, especially in nearby lakes. Fly Fishing Newfoundland 30:02 - Ryan explained how people get to their fishing location. Most folks fly into Deer Lake Regional Airport, about two hours from the fishing area. Once they arrive, Ryan's team picks them up, and they can start fishing immediately. Some people drive all the way, but that takes longer with a 10-hour ferry ride from Nova Scotia. 32:52 - Most guests focus on Atlantic salmon, but there's also great brook trout fishing in the area.  They can also visit spots like the River of Ponds and see salmon at Hawke's Bay. Plus, if you're interested in cod fishing, that's an option too. 35:04 - Rod says that catching Atlantic salmon is very likely, even for new anglers. He suggests using a 9 ft 9 wt rod and casting at a 45-degree angle across the river. The key is to adjust to the conditions and pay attention to the guide's tips for a successful catch. 40:46 - Rod advises staying in one spot for at least an hour when fishing for Atlantic salmon. He explained that fish often settle in large pools, and you might be fishing over 25 to 30 fish in one spot. Ryan shares a cool story about Henry Green, who fished at their place from 1957 to 2022. Henry was a big part of their history; loved salmon fishing and bird watching. Check out this video of Henry Green. 1:00:13 - Ryan highlights all the cool stuff to do in Newfoundland besides fishing. Gros Morne National Park is close by with boat tours and hiking. Show Notes:  https://wetflyswing.com/652

Diesmal begrüßt Olaf Zimmermann in der ersten "elektro beats"- Stunde Christian Löffler als Studiogast. Nach seinem 2021 veröffentlichten Album "Parallels", mit speziellen Bearbeitungen von Klassikaufnahmen der Deutschen Grammophon, präsentiert er mit "A Life" ein neues Werk mit elf Eigenkompositionen. Zu den Vocalgästen zählen diesmal Malou, Mogli und Henry Green. Anspruch von Christian Löffler war es diesmal kein überproduziertes Album zu machen. Bevor er auf eine ausgedehnte Tournee geht, reist er exklusiv zum Studiobesuch in den "elektro beats" von der Küste an. In der zweiten Stunde präsentiert Olaf Zimmermann dann unter anderem Musik von Underworld, Kiasmos, Tricky, Jlin, Oneohtrix Point Never, Fever Ray und The Intergalactic Flower. Das ist das neue Ambient- Projekt von Sven Marquardt aka DJ Jauche.

This episode includes another long set dedicated to gospel's pioneers in honor of Black History Month; music in memory of Henry Green, member of the Sensational Williams Brothers, who passed away Feb. 4; selections from GRAMMY Award winners from last Sunday; and others.

This week on the show, Petrendologist Charlotte Reed and co-host, Michael Bober from the Pet Advocacy Network talk with Association of Professional Dog Trainer Trustee, Erica Marshall, about how dog training promotes good behavior and the animal-human bond; and with Louisiana State University veterinarian, Dr. Henry Green, about maintaining healthy, canine hearts.

Cozy and mysterious Illusionary Images 144 is here, featuring the debut of Hold Me, my collaboration with Alex H. Let me know what you think, and be sure to check out Illusionary Images on the first Thursday of every month exclusively on di.fm/djmixes. Like the set? Click the [↻ Repost] button Blugazer - Draumglæm Tom Day & Anna O'Bryan - Fixation (Original Mix) [Tom Day] Frameworks - TWENTY TWO (Original Mix) [Independent Co.] Henry Green, TWO LANES - Belong (Henry Green Remix) (Original Mix) [TWO LANES MUSIC] TWO LANES - Distance (Recondite Remix) [TWO LANES MUSIC] Jai Cuzco - Dunes (Original Mix) [Jai Cuzco] West & Zander - Nammásj (Original Mix) [Epidemic Electronic] Saive - Stranded Thoughts (Original Mix) [Océan] ID Natascha Polke, coiro - Secrets (Original Mix) [YION] Bonsaye - Ethos (Original Mix) [Oasis.] Farves, maybealice - Blue (Extended Mix) [Enhanced Chill] Tom Liar - Fractales (Extended Mix) [Magical Comps] ArkAngel - Feel Your Weight (Angara Extended Remix) [Enhanced Chill] Lstn - Solstice (Original Mix) [Lstn] Arco - Mountain Talk (Extended Mix) [Deepalma] Le Roy - End of April (Extended Mix) [Purified Records] Kozua - Venice Beach (Extended Mix) [Colorize (Enhanced)] AKZENTH - Muanda (Original Mix) [TIEFBLIND] Alex Pich, Idy Ramy - Mira (Extended Mix) [Sekora] Farius - Coming Up (Hold On) (Dokho Extended Remix) [Enhanced Progressive] Mogli - Summer Love (Jan Blomqvist Remix) [Mogli] Alex H & Blugazer - Hold Me (Extended Mix) [Avanti] Fløa, Furcloud - Late Hours (Extended Mix) [Colorize (Enhanced)] Moszq - When It's Time (Extended Mix) [Monowave Records] PROFF, Taisia Krasnopevtseva - Three Sisters (Original Mix) [Melody Of the Soul] Alps 2 - Favourite State (Original Mix) [Ad Hoc Records] Jon Gurd, Reset Robot - Celeste (Original Mix) [Anjunadeep] Fejká, Kim Van Loo - Hiraeth (feat. Kim Van Loo) (Rohne Remix) [Ki Records] Holen - Lullaby (Original Mix) [Holen]

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Perhaps no candidate running for City Council this November is better suited to talk about safety, crime and police reform in Columbus than Adrienne Hood. Her son Henry Green was shot and killed by the Columbus Police in 2016. The post Candidate Adrienne Hood appeared first on The Confluence Cast.

Perhaps no candidate running for City Council this November is better suited to talk about safety, crime and police reform in Columbus than Adrienne Hood. Her son Henry Green was shot and killed by the Columbus Police in 2016. The post Candidate Adrienne Hood appeared first on The Confluence Cast.

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Tristan Tzara, one of the most important figures in the twentieth century's most famous avant-garde movements, was born Samuel Rosenstock (or Samueli Rosenștok) in a provincial Romanian town, on April 16 (or 17, or 14, or 28) in 1896. Tzara became Tzara twenty years later at the Cabaret Voltaire in Zurich, when he and others (including Marcel Janco, Hugo Ball, Richard Huelsenbeck, and Hans Arp) invented Dada with a series of chaotic performances including multilingual (and nonlingual) shouting, music, drumming, and calisthenics. Within a few years, Dada (largely driven by Tzara) became an international artistic movement, a rallying point for young artists in Paris, New York, Barcelona, Berlin, and Buenos Aires. With TaTa Dada, Marius Hentea offers the first English-language biography of this influential artist. As the leader of Dada, Tzara created "the moment art changed forever." But, Hentea shows, Tzara and Dada were not coterminous. Tzara went on to publish more than fifty books; he wrote one of the great poems of surrealism; he became a recognized expert on primitive art; he was an active antifascist, a communist, and (after the Soviet repression of the Hungarian Revolution) a former communist. Hentea offers a detailed exploration of Tzara's early life in Romania, neglected by other scholars; a scrupulous assessment of the Dada years; and an original examination of Tzara's life and works after Dada. The one thing that remained constant through all of Tzara's artistic and political metamorphoses, Hentea tells us, was a desire to unlock the secrets and mysteries of language. Marius Hentea, a Romanian-born literary scholar, teaches in the Department of Literary Studies at Ghent University. He is the author of Henry Green at the Limits of Modernism. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

Tristan Tzara, one of the most important figures in the twentieth century's most famous avant-garde movements, was born Samuel Rosenstock (or Samueli Rosenștok) in a provincial Romanian town, on April 16 (or 17, or 14, or 28) in 1896. Tzara became Tzara twenty years later at the Cabaret Voltaire in Zurich, when he and others (including Marcel Janco, Hugo Ball, Richard Huelsenbeck, and Hans Arp) invented Dada with a series of chaotic performances including multilingual (and nonlingual) shouting, music, drumming, and calisthenics. Within a few years, Dada (largely driven by Tzara) became an international artistic movement, a rallying point for young artists in Paris, New York, Barcelona, Berlin, and Buenos Aires. With TaTa Dada, Marius Hentea offers the first English-language biography of this influential artist. As the leader of Dada, Tzara created "the moment art changed forever." But, Hentea shows, Tzara and Dada were not coterminous. Tzara went on to publish more than fifty books; he wrote one of the great poems of surrealism; he became a recognized expert on primitive art; he was an active antifascist, a communist, and (after the Soviet repression of the Hungarian Revolution) a former communist. Hentea offers a detailed exploration of Tzara's early life in Romania, neglected by other scholars; a scrupulous assessment of the Dada years; and an original examination of Tzara's life and works after Dada. The one thing that remained constant through all of Tzara's artistic and political metamorphoses, Hentea tells us, was a desire to unlock the secrets and mysteries of language. Marius Hentea, a Romanian-born literary scholar, teaches in the Department of Literary Studies at Ghent University. He is the author of Henry Green at the Limits of Modernism. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/biography

Tristan Tzara, one of the most important figures in the twentieth century's most famous avant-garde movements, was born Samuel Rosenstock (or Samueli Rosenștok) in a provincial Romanian town, on April 16 (or 17, or 14, or 28) in 1896. Tzara became Tzara twenty years later at the Cabaret Voltaire in Zurich, when he and others (including Marcel Janco, Hugo Ball, Richard Huelsenbeck, and Hans Arp) invented Dada with a series of chaotic performances including multilingual (and nonlingual) shouting, music, drumming, and calisthenics. Within a few years, Dada (largely driven by Tzara) became an international artistic movement, a rallying point for young artists in Paris, New York, Barcelona, Berlin, and Buenos Aires. With TaTa Dada, Marius Hentea offers the first English-language biography of this influential artist. As the leader of Dada, Tzara created "the moment art changed forever." But, Hentea shows, Tzara and Dada were not coterminous. Tzara went on to publish more than fifty books; he wrote one of the great poems of surrealism; he became a recognized expert on primitive art; he was an active antifascist, a communist, and (after the Soviet repression of the Hungarian Revolution) a former communist. Hentea offers a detailed exploration of Tzara's early life in Romania, neglected by other scholars; a scrupulous assessment of the Dada years; and an original examination of Tzara's life and works after Dada. The one thing that remained constant through all of Tzara's artistic and political metamorphoses, Hentea tells us, was a desire to unlock the secrets and mysteries of language. Marius Hentea, a Romanian-born literary scholar, teaches in the Department of Literary Studies at Ghent University. He is the author of Henry Green at the Limits of Modernism. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/european-studies

Tristan Tzara, one of the most important figures in the twentieth century's most famous avant-garde movements, was born Samuel Rosenstock (or Samueli Rosenștok) in a provincial Romanian town, on April 16 (or 17, or 14, or 28) in 1896. Tzara became Tzara twenty years later at the Cabaret Voltaire in Zurich, when he and others (including Marcel Janco, Hugo Ball, Richard Huelsenbeck, and Hans Arp) invented Dada with a series of chaotic performances including multilingual (and nonlingual) shouting, music, drumming, and calisthenics. Within a few years, Dada (largely driven by Tzara) became an international artistic movement, a rallying point for young artists in Paris, New York, Barcelona, Berlin, and Buenos Aires. With TaTa Dada, Marius Hentea offers the first English-language biography of this influential artist. As the leader of Dada, Tzara created "the moment art changed forever." But, Hentea shows, Tzara and Dada were not coterminous. Tzara went on to publish more than fifty books; he wrote one of the great poems of surrealism; he became a recognized expert on primitive art; he was an active antifascist, a communist, and (after the Soviet repression of the Hungarian Revolution) a former communist. Hentea offers a detailed exploration of Tzara's early life in Romania, neglected by other scholars; a scrupulous assessment of the Dada years; and an original examination of Tzara's life and works after Dada. The one thing that remained constant through all of Tzara's artistic and political metamorphoses, Hentea tells us, was a desire to unlock the secrets and mysteries of language. Marius Hentea, a Romanian-born literary scholar, teaches in the Department of Literary Studies at Ghent University. He is the author of Henry Green at the Limits of Modernism. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Tristan Tzara, one of the most important figures in the twentieth century's most famous avant-garde movements, was born Samuel Rosenstock (or Samueli Rosenștok) in a provincial Romanian town, on April 16 (or 17, or 14, or 28) in 1896. Tzara became Tzara twenty years later at the Cabaret Voltaire in Zurich, when he and others (including Marcel Janco, Hugo Ball, Richard Huelsenbeck, and Hans Arp) invented Dada with a series of chaotic performances including multilingual (and nonlingual) shouting, music, drumming, and calisthenics. Within a few years, Dada (largely driven by Tzara) became an international artistic movement, a rallying point for young artists in Paris, New York, Barcelona, Berlin, and Buenos Aires. With TaTa Dada, Marius Hentea offers the first English-language biography of this influential artist. As the leader of Dada, Tzara created "the moment art changed forever." But, Hentea shows, Tzara and Dada were not coterminous. Tzara went on to publish more than fifty books; he wrote one of the great poems of surrealism; he became a recognized expert on primitive art; he was an active antifascist, a communist, and (after the Soviet repression of the Hungarian Revolution) a former communist. Hentea offers a detailed exploration of Tzara's early life in Romania, neglected by other scholars; a scrupulous assessment of the Dada years; and an original examination of Tzara's life and works after Dada. The one thing that remained constant through all of Tzara's artistic and political metamorphoses, Hentea tells us, was a desire to unlock the secrets and mysteries of language. Marius Hentea, a Romanian-born literary scholar, teaches in the Department of Literary Studies at Ghent University. He is the author of Henry Green at the Limits of Modernism. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts

Tristan Tzara, one of the most important figures in the twentieth century's most famous avant-garde movements, was born Samuel Rosenstock (or Samueli Rosenștok) in a provincial Romanian town, on April 16 (or 17, or 14, or 28) in 1896. Tzara became Tzara twenty years later at the Cabaret Voltaire in Zurich, when he and others (including Marcel Janco, Hugo Ball, Richard Huelsenbeck, and Hans Arp) invented Dada with a series of chaotic performances including multilingual (and nonlingual) shouting, music, drumming, and calisthenics. Within a few years, Dada (largely driven by Tzara) became an international artistic movement, a rallying point for young artists in Paris, New York, Barcelona, Berlin, and Buenos Aires. With TaTa Dada, Marius Hentea offers the first English-language biography of this influential artist. As the leader of Dada, Tzara created "the moment art changed forever." But, Hentea shows, Tzara and Dada were not coterminous. Tzara went on to publish more than fifty books; he wrote one of the great poems of surrealism; he became a recognized expert on primitive art; he was an active antifascist, a communist, and (after the Soviet repression of the Hungarian Revolution) a former communist. Hentea offers a detailed exploration of Tzara's early life in Romania, neglected by other scholars; a scrupulous assessment of the Dada years; and an original examination of Tzara's life and works after Dada. The one thing that remained constant through all of Tzara's artistic and political metamorphoses, Hentea tells us, was a desire to unlock the secrets and mysteries of language. Marius Hentea, a Romanian-born literary scholar, teaches in the Department of Literary Studies at Ghent University. He is the author of Henry Green at the Limits of Modernism. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/art

Si te gusta lo que escuchas y deseas apoyarnos puedes dejar tu donación en PayPal, ahí nos encuentras como @IrvingSun --- Send in a voice message: https://podcasters.spotify.com/pod/show/irving-sun/message

In the Season 5 debut of Columbus Can't Wait, Columbus City Council candidate Adrienne Hood discusses her experience growing up in Columbus, serving in the military as a U.S. Air Force Master Sergeant, raising children in Columbus and losing her son Henry Green to police violence, accountability at the Columbus Police Department, why she decided to run for city council, her platform and what she would like to see changed in Columbus, and more. Hosted by Tareya & EhKees. Recorded and shot at Statehouse Studio. Executive Producers: Tareya Palmer, Malcolm White and Taijuan Nichole Moorman. #ColumbusCantWait #TheCCWShow #CCWSeason5 --- Send in a voice message: https://podcasters.spotify.com/pod/show/columbus-cant-wait/message

Your Unity #420 with Contagious feat. D6 Recorded Live in Adelaide, Australia 24/03/2023 01. Lane 8 - Woman [This Never Happened] 02. iIo - Rapture (Braxton's Late Night Edit) [White Label] 03. BetweenUs - Dunia (Extended Mix) [Magik Muzik] 04. Henry Green, Trey Mirror - Water (Farves Extended Remix) [Electronic Elements] 05. ZOYA, Milkwish - Silent Shore (Extended Mix) [Black Hole Recordings] Premium Pick 06. P.O.S - Let You Go (Extended Mix) [Anjunabeats] 07. Joseph Ray - Cos Of You (Original Mix) [Anjunadeep] 08. Anyma - The Answer (Extended Version) [Afterlife Records] 09. Above & Beyond, Justine Suissa - Almost Home (Above & Beyond Extended Deep Mix) [Anjunabeats] 09. Matt Fax & Hugo Cantarra - Vibration (Extended Mix) [Enhanced Recordings] 10. LURUM feat That Girl - Fall or Fly [Armind] Guest Mix: D6 11. Matt Lange - Les Is More [isorhythm] 12. ARTY - Hope (Eugenio Tokerev Extended Remix) [Flashover Recordings] 13. PROFF, EKSF - For The Night (Extended Mix) [Anjunabeats] 15. Diana Leah, Scorz - Come To Life (Extended Club Mix) [Armind] 16. A.M.R. feat. Ai Takeawa - Beyond The Moon (mhammed El Almami & Nathan Red Remix) [Alter Ego Digital] 17. Grum, Waves_on _Waves, Castles Made Of Sky - Step Outside (Extended Mix) [Severe Records] 18. Coldplay vs Above & Beyond - Oceanic Talk (Myon Mashup) [White Label] 19. Oliver Smith - Passion (Extended Mix) [Anjunabeats] 20. Michael Fearon - Wasting Love (Extended Mix) [FSOE Argento] 21. Luminary - Amsterdam (Smith & Pledger Update) [Anjunabeats] 22. Jason Ross - A Place They Call Home (Extended Mix) [Anjunabeats] 23. Elevven - The Distance (Extended Mix) [Anjunabeats] Spector Selector 24. Maywave - Landfall (Original Mix) [Euphonic]

More (feat. Elena Pitoulis) Jan #Blomqvist Original Sin Sofi #Tukker Your eyes tell #BTS Numb #Elderbrook Pig&Dan Promised Truesoul TRUE12121 Old Friend Elderbrook Noir #QQUN Time (feat. Mapei) Swedish House Mafia Find You #BAYNK Swedish House Mafia Save A Soul #nimino Coma Cat #Tensnake DREAMER The Blaze #TheBlaze Satisfied - Edit Catching Flies For You Swedish House Mafia Love Letter (feat. The Knocks) #ODESZA Talking Elderbrook New Fires Christian LoÌ_ffler, Henry Green

Kate Wolf speaks with the writer and psychoanalyst Jamieson Webster about her most recent book Disorganisation and Sex, which collects a decade's worth of Webster's essays on themes such as desire, pleasure, fantasy, and the unconscious, and the often uneasy relationships we have with them in our everyday lives. Sex, Webster writes, is sometimes felt as a curse, not a cure—and by extension its disorganizing force is both highly guarded and legislated against (as it was recently with the overturning of Roe vs Wade). In her writing and clinical work, Webster sees the role of the psychoanalyst as someone “who takes on the burden of disorganisation and tries, at all costs, to do something other than make it go away,” leaving room for its revelatory potential and power to change us. Also, Hilton Als, author of My Pinup, returns to recommend Henry Green's Party Going.

Kate Wolf speaks with the writer and psychoanalyst Jamieson Webster about her most recent book Disorganisation and Sex, which collects a decade's worth of Webster's essays on themes such as desire, pleasure, fantasy, and the unconscious, and the often uneasy relationships we have with them in our everyday lives. Sex, Webster writes, is sometimes felt as a curse, not a cure—and by extension its disorganizing force is both highly guarded and legislated against (as it was recently with the overturning of Roe vs Wade). In her writing and clinical work, Webster sees the role of the psychoanalyst as someone “who takes on the burden of disorganisation and tries, at all costs, to do something other than make it go away,” leaving room for its revelatory potential and power to change us. Also, Hilton Als, author of My Pinup, returns to recommend Henry Green's Party Going.

Feel The Pulse Of Miami's Music, Art & Culture Scene at Art With Me Festival Tulum's large-scale arts and cultural festival is coming to Miami Saturday and Sunday, November 26th and 27th with large-scale art installations and musical acts including SG Lewis, Moderat, Bedouin, Elderbrook, Parra for Cuva, Henry Green. The Art With Me Festival […]

*moods*  compiled by Lara Potthoff   TOPzen, Gent/Belgium   www.topradio.be  Every thursday  8 pm CET_____________________________________________________________________________Playlist13.10.2022Undone (When We Are Born) - Ólafur ArnaldsOled - CyesmTomorrow - boerd & Venus AnonInward Road - Aukai & Anne MüllerSabda- Joep MenckeCernay Club Racer - Joachim PastorI Gotta (No Answers Featuring clelia Vega) - CyesmDiversity - Thomas Lemmer & Christoph Sebastian PabstFlower - boerdNew Fires - Christian Löffler & Henry GreenÂme - TotelesSummer & Smoke (Edit) - CubicolorHope is For The Living - CyesmHalfway - Deep Dive Corp.Still / Sound- Ólafur ArnaldsLullaby - boerd

Treak List : 1. Tomy Wahl - Luanda (Original Mix)[Aesthetika]. 2. Litchi - Power of Mars Feat. Burn Heart (Original Mix)[BeatFreak Recordings]. 3. Happy Deny, IMoon - Feelings of Loss (Original Mix)[Stazis]. 4. RГњFГњS DU SOL - Wildfire (Colyn Remix)[ROSE AVENUE]. 5. Bobby Makk & Folum - Panorama In Space (Original Mix)[Omne One]. 6. Fabian B. - Prayers (Original Mix)[Ciccada]. 7. Felix Dofenbeck - Broken Eyes (Original Mix)[Omne One]. 8. Folum - Equilibrium (Original Mix)[Omne One]. 9. IMoon - Apocalypse (Original Mix)[NEO]. 10. Folum - Noli (Original Mix)[]. 11. Happy Deny, IMoon, - Feelings of Loss (Pasta (Tasty Sound)Remix)[Stazis]. 12. Folum - Form (Original Mix)[]. 13. Bobby Makk - Portal (Original Mix)[Omne One]. 14. Folum - Close (Original Mix)[]. 15. Stigya - Old Brown Jacket (IMoon Remix)[Omne One]. 16. IMoon - I Feel the Sea (Original Mix)[Stazis]. 17. IMoon - Lunar Conspiracy (Original Mix)[NEO]. 18. IРњoon- Ceres (Original Mix)[QUASAR]. 19. Soma - return of the jaded (Original Mix)[Purified Records]. 20. Henry Green, Trey Mirror, Teho - Water (Teho Remix)[Armada Electronic Elements].

This year, a new coffee table book came out called Sephardi Voices, based on the long-running preservation project that collects stories of Sephardic Jews' accomplishments and survival worldwide. As part of the project, two Canadian researchers have spent the last few years collecting video testimonies from hundreds of survivors of the mass expulsion of nearly a million Jews from Arab lands after 1948. This group, never formally regarded as refugees or given financial help—unlike the Palestinians, as the book frequently notes—struggled with displacement and the destruction of historic synagogues and cemeteries. After the Second World War and the founding of Israel, their homelands' rulers kicked them out or initiated pogroms, despite Sephardic Jews living in Arab countries for 2,000 years. This week, two Canadian men involved in the project—Richard Stursberg and Henry Green, who co-authored the book—are set to donate 80 video testimonies, from survivors who moved to Canada, to Library and Archives Canada in Ottawa, in conjunction with a Canadian book launch for Sephardi Voices happening Thursday night. Stursberg joins The CJN Daily to talk about how the explusion was a catastrophe, but also a story of Jewish resiliance. What we talked about: Listen to The CJN Daily episode "Remembering the Farhud, 80 years later" Learn about Sephardi Voices at sephardivoices.com Learn about Am Shalom Synagogue at amshalom.ca Credits The CJN Daily is written and hosted by Ellin Bessner (@ebessner on Twitter). Victoria Redden is the producer. Michael Fraiman is the executive producer. Our theme music is by Dov Beck-Levine. Our title sponsor is Metropia. We're a member of The CJN Podcast Network. To learn how to support the show by subscribing to this podcast, please watch this video.

It's a little-known fact that the first Jews in Canada were actually Sephardim, founders of the Spanish and Portuguese Synagogue in Montreal in 1768. Over subsequent years, Ashkenazi Jews would follow from Europe, becoming the dominant Jewish culture; it wasn't until the mid-20th century that Middle Eastern Jews arrived to add their own contributions to the Canadian Jewish mosaic. The often quiet history of Sephardic contributions to Jewish culture—not just in Canada, but in Israel, the United States and elsewhere as well—is the focus of a new book and digital-preservation project called Sephardi Voices, spearheaded by Henry Green, a professor of Judaic and religious studies at the University of Miami and the founding director of the Jewish Museum of Florida. In partnership with the Canadian Race Relations Foundation, we invited Green to share stories and insight into the Sephardi world in Canada and beyond for the first-ever live virtual taping of Bonjour Chai. Plus, we get to know Mohammed Hashim, the executive director of the CRRF, who outlines his organization's work, paths toward a more comfortable dialogue between pro-Israel and pro-Palestine Canadians, and what his favourite kosher restaurant is. Later, David and Ilana actor-splain why Jewish representation matters in film and television, and what it was like working on Jewish theatre shows this year. Credits Bonjour Chai is hosted by Avi Finegold, Ilana Zackon and David Sklar. Michael Fraiman is the producer. Andre Goulet is the technical producer. Our theme music is by Socalled. The show is a co-production from The Jewish Learning Lab and The CJN, and is distributed by The CJN Podcast Network. To learn how to support the show by subscribing to this podcast, please watch this video.

Henry Green published seven novels, each one a masterpiece.

HEARD//TOUCHEDFELT With Double Touch, Mass Digital, Jan Blomqvist, Massive Attack, Lee Burridge, Hernan Cattaneo, Henry Green, Forrest and more: A close to the heart blend of tracks with introspective and felt lyrics. Just like a warm cleansing rain falling from the sky, this mix is about healing; harnessing the power to forgive, to let go, to move on and to enjoy the moment. ***Featuring these wonderful artists*** 1- Double touch - All I Want (ft Reigan) 2- Mass Digital & Billie E - I Love You (Mass Digital Remix) 3 - Epstein - Beacon 4- Henry Green - Tide (ft Andreya Triana) (Trey Mirror Remix) 5 - Marsh - My Stripes (ft Leo Wood) 6 - Jan Blomqvist - Empty Floor (DeVante Remix) 7 - Guiseppe Lanni & Forrest - Take Away 8 - Massive Attack - Paradise Circus (NiceShot Bootleg) 9 - Wassu & Bona Fide - Sila 10 - Monkey Safari - Goodbye (Lee Burridge & Lost Desert Remix) 11 - Nopi - Vien 12 - Enamour - Love Syndrome 13 - Nopi - Window 14 - Sotel, Javier Portilla & Emalaine - Your Eyes (Hernan Cattaneo & Lonya Remix) 15 - Nico Bren - Dreams Valley “It's unfortunate that when we feel a storm We can roll ourselves over 'cause we're uncomfortable Oh well, the devil makes us sin But we like it when we're spinning in his grip Love is like a sin, my love For the ones that feel it the most Look at her with her eyes like a flame She will love you like a fly will never love you again” -lyrics from Massive Attach - Paradise Circus Photo courtesy of Unsplash

Here we are...10 days deep into the new year! We already have thoughts on New York's new Mayor (GARBAGE!). We won't let reality stop us from scrutinizing the latest business venture of farting into jars and selling it (yes - this is a real thing). Of course we get into the meat and potatoes of analyzing The Matrix Resurrections! You know we're die hard Matrix fans, and as such we delve into the criticisms we have of the film. We still love it though. Join us on this journey! We wrap it all up with our song of the week: "Another Light" by Henry Green.

In Ep. 05 I'm joined by Ted Ellison of Theodore Ellison Designs.  The way Ted's love and extensive knowledge of historic architecture and decorative arts is woven into his body of work is on a level that I have never seen. He and his studio crew work collaboratively with homeowners, architects, and designers to deliver one-of-a-kind interior and exterior mosaics,  windows, cabinetry, laylights, and entryways.  Often with  glass made specifically for his studio. Join me, as I crack it all wide open!Watch us have our conversation and see the art, people and places we're speaking about on my youtube channel HERE.To see more of Ted's work you can follow him on the gram @theodoreellisondesign or check out his website - theodoreellison.comHonorable mentions from today's episode:Hollyhock house info -barnsdall.orgMonarch Glass Kansas City -monarchglassstudio.comFranciscan Glass - franciscanglassart.comHollander LA - hollanderglassinc.comBullseye glass  - bullseyeglass.comLambert Glass - http://www.lamberts.de/en/Youghiogheny glass -youghioghenyglass.comAmerican Bungalow Magazine - americanbungalow.comGeorge Washington Mayer - wikipedia.orgMarc Adams School of Woodworkingmarcadams.comArtistic License -artisticlicense.orgPaul Duschescherer-artisticlicense.org thriftbooks.comPortland Preservation Artisan's Guild - preservationartisans.orgPeter Scherpenzeel, Dutch Tiffany artist - tiffanylampstudio.comTashiro Kuaski flower arrangementhttps://amzn.to/3l8J7DPBosna quilt collectivehttps://amzn.to/3l2TmcQAmber Droste@sodaashandsandsodaashandsand.comEdgar Miller and The Handmade Home - 20's coffee table book cityfilespress.comCharles and Henry Green - wikipedia.org*As an Amazon Associate I earn from qualifying purchases.The Stained Glass Association of America The Professional Trade Association for Architectural Art GlassSupport the show (https://www.patreon.com/runaglassworks)

We've often talked about micro-services and monolithic architectures on previous episodes. In this episode, we are joined by Katherine Peterson to talk with us about her experience working with a monolithic codebase. Guests: Katherine Peterson - @katherinecodes Panelists: Ryan Burgess - @burgessdryan Stacy London - @stacylondoner Picks: Katherine Peterson - Hydro Flask Cooler Cup Katherine Peterson - GitHub Codespaces Ryan Burgess - Manager interview questions Ryan Burgess - Everybody Matters Stacy London - Sit Around The Fire by Jon Hopkins, Ram Dass, East Forest Stacy London - Realign (Max Cooper Remix) by Henry Green, Max Cooper

On this episode we're delighted to meet Henry Green, Co-founder and President of Ocutech. Founded in 1984, Ocutech is the worldwide leader in designing state-of-the-art bioptic telescopes specifically for the visually impaired. Proven effective in NIH-funded studies, and available in over 40 countries, they have become the gold standard in high-quality bioptic telescope systems.

In this episode, John ("JC") Hudgison, Certified Building Official for the City of Tampa & Emerging Leaders Membership Council member talks with Henry Green, former President & CEO of NIBS and former Code Council Board President, and Anthony Floyd, Green Building Program Manager for the City of Scottsdale, on training the next generation in black and brown communities and how we can increase awareness and education about the building safety profession. Links to topics referenced in this episode: Code Council Study on The Future of Code Officials Anthony’s favorite building: National Museum of African American History & Culture Henry’s favorite building: U.S. Capitol Episode: 00:29:19

This week we speak with Ms. Adrienne Hood, mother of Henry "Bubby" Green V. Henry was shot on June 6th, 2016 by Columbus Division of Police officers Jason Bare and Zachary Rosen. Ms. Hood is an advocate for her son, an elected official, and a very well respected member of our community. Ms. Hood is joined by her attorney, Sean Walton. #JusticeForHenryGreenV #JusticeForHenryGreen * Facebook @adrienne.hood.31 * Ohio Families Unite Against Police Brutality * Ms Hood's Ted Talk - Stop Killing Us: Police Accountability Gone Wrong * Ms Hood in Columbus Monthly - March 2021 --- Send in a voice message: https://anchor.fm/columbus-cant-wait/message

Carolyn Harding with Melissa McFadden, author of the newly released memoir, Walking the Thin Black Line - Confronting Racism in the Columbus Division of Police. Last Friday, December 4, a 23 year old, young black man, Casey Goodson Jr. was shot and killed by the hands of a 17-year veteran of the Franklin County Sheriff's Office, deputy Jason Meade, as Casey arrived home from the dentist, where his grandma, little brother and extended family were waiting. This heart breaking atrocity is not an isolated incident here in Columbus, Ohio. No, recent years we have lost Henry Green (23), Tyree King (13), Kareem Ali Nadir Jones (30) and Julius Tate (16) to police gun violence. We are all asking Why? “Lieutenant McFadden can not comment on Casey Goodson's investigation as she is still an active police officer with the Columbus Division of Police.” But her story can help us understand what set the culture and climate within law enforcement in Central Ohio, and in her experience, the Columbus Division of Police. Melissa McFadden is an activist and author who's spent 24 years as a police officer in the Columbus, Ohio Division of Police. McFadden was born and raised by her mom in the coal country of southern West Virginia, with a strong sense of justice. She always wanted to be an officer. She entered the US Air Force right out of high school to gain the training she thought would give her a shot at realizing her dream. Even as a trained military special police officer, the Black girl from the hillbilly state had to fight her way into the Columbus Police Academy in 1996. She immediately saw discrimination and bigotry she had never experienced before. She didn't know it wasn't her job to fix it. But with her belief in God, her military training, and her love of learning she set out to right decades of wrongs perpetrated by Columbus police against the Black community, which as she quickly found out, included Black officers. GrassRoot Ohio, Conversations with everyday people working on important issues, here in Columbus and all around Ohio. Every Friday 5:00pm, EST on 94.1FM & streaming worldwide @ WGRN.org, Sundays at 2:00pm EST on 92.7/98.3 FM and streams @ WCRSFM.org, and Sundays at 4:00pm EST, at 107.1 FM, Wheeling/Moundsville WV on WEJP-LP FM. Contact Us if you would like GrassRoot Ohio on your local station. Check us out and Like us on Face Book: https://www.facebook.com/GrassRootOhio/ Check us out on Instagram: https://www.instagram.com/grassroot_ohio/ If you miss the Friday broadcast, you can find it here: All shows/podcasts archived at SoundCloud! https://soundcloud.com/user-42674753 GrassRoot Ohio is now on Apple Podcast: https://podcasts.apple.com/.../grassroot-ohio/id1522559085 This GrassRoot Ohio interview can also be found on YouTube: https://www.youtube.com/channel/UCAX2t1Z7_qae803BzDF4PtQ/ Intro and Exit music for GrassRoot Ohio is "Resilient" by Rising Appalachia: https://youtu.be/tx17RvPMaQ8 There's a time to listen and learn, a time to organize and strategize, And a time to Stand Up/ Fight Back!

In this episode of Wine, Women, and Revolution, Heather interviews Atlantic City activist Henry Green. They talk about everything from Henry's run for office, to cannabis legalization, to the Green Party, to Steve Young and the Expressway 7. Henry also highlights his new show AC 411 where he is back with his longtime friend and media partner Kevin Hall from The Kevin Hall Show Program. They were off the air for a little while but they are back and just as good as ever. Its always a pleasure to hear Henry's thoughts about how Atlantic City should be the shining jewel it deserves to be. Like always, it comes down to having people looking to serve the city. Henry is a true servant of the people. Transcript Auto Generated Henry Green 0:00I'm still trying to do to be passionate about the things I'm passionate about still trying to have the positive spirit that that I was that my mother instilled in me. Moving forward despite the conflicts and the battles and the ups and downs of life. Heather Warburton 0:19This is Wine Women and Revolution with your host, Heather Warburton. Hi, and welcome to Wine Women and Revolution. I'm your host Heather Warburton coming at you here on our new home of Create Your Future Productions and loving my new home here and I figured it was time to catch up with an old friend on my new network. If you followed me back in the days, you know, I had on a couple of times Mr. Henry Hank Green and when he ran for mayor I supported and endorsed him. And now it's probably been a long time since we've talked Henry. How long have you been? Henry Green 0:58Oh man, it's been too long. It's been too long. I'm happy to just feel your spirit, that feels like you feel like you happy I was looking at your pictures the other day your anniversary. That was really cute. Heather Warburton 1:09Yeah, we took I needed a vacation so badly. I just needed some relaxation. So that was good. Henry Green 1:18It was cool, though. Man. I really like those pictures of the tux Heather Warburton 1:26So everybody knows what I've been doing. I've been launching this new network, but what have you been up to? You've been a busy man too, right? Henry Green 1:33Well, kinda sorta. It's, um, it's been kind of hectic. This virus, this pandemic coronavirus, has changed our lives completely and how things have been going. And it's really, it's been really frustrating. And it's been bad, it really hasn't been good. A lot of good people that I've known. And I've passed on throughout this process. And it hasn't been good. You know, I mean, for for a lot of people that I know, and you know, things like that. But what we can do is just keep moving forward and try to move forward. I keep trying to be positive, optimistic. I mean, about what's to come in the future, something something. Oh, it's been hard man, you know, man, I've been in a depression battling depression and all this stuff. And it's been difficult. But what you know, I've always been told is that you know me, when you fall down, you know, I mean, long as you get back up, you know, what I mean? You know, that's all you can do, really, at the end of the day, so we get back up. I'm swinging again, and trying to take my best step forward and build on some things far from where I would like to be physically, mentally, and everything, At the end of the day, but I'm still trying to do, to be passionate about the things I'm passionate about still trying to have a positive spirit that, that I was, that my mother instilled in me to keep moving forward, despite the conflicts, or the battles and ups and downs of life. And, and, and just be honest to yourself, and be honest about whatever it is that you're doing. You know, I'm being honest right now. And so with that, you know, we try, I tried to do some positive things me and my friend Kevin Hall,

Lots of great #NewMusic again this week! An eclectic mix of original, intelligent, melodic, grown-up songs - #electronic, #rnb, #jazz, #blues and #acoustic. And mostly from artists who you have not heard of - yet! Think 'next series of Jools' - that's the kind of artists that we play. In our Luvva Cover feature, we played 2 minutes of a classic David Bowie song, faded it out and played in full a fabulous new (2 weeks) version by Flunk which offers a dramatically different interpretation of a great song with a really interesting back story. Give it a listen, hopefully you'll love it as much as we do. New Music You Just Don't Hear Anywhere Else! Playlist: unearth me - Oklou Fury Of The Light (OurVinyl Sessions) – The Bones of J.R. Jones, OurVinyl Rhinebeck – Tuarrah Around Here – Asch-Rose 3 Years (Live version) – Corey King That’s Crazy – Mozez Flatline – BOSCO On Your Side – The Innocence Mission Inside I’ll Sing – Shards, Isolation Choir, Douglas Dare, JFDR, Luke Howard Ashes to Ashes – David Bowie Ashes to Ashes – Flunk (Luvva Cover feature) Adder’s Root - Reigns Unforgettable (Roseau remix) - Peluché, Roseau You And I – Valerie June Timtarin – Tamikrest, Hindi Zahra Past Life – Becca Roth About Me – Mary Mi Aurora – Happy Daggers Tide (Trey Mirror remix) – Henry Green, Andreya Triana, Trey Mirror Yes Please – Ren Harvieu This Is The New Way – Four Noble Truths

01. Henry Green - Stay Here (Harvey Causon Remix) 02. Henry Green - Closer 03. Henry Green - More 04. Henry Green - Something 05. Henry Green - Realign 06. Henry Green feat. Andreya Triana - Tide (feat. Andreya Triana) 07. Henry Green feat. Ghostly Kisses - Idle (feat. Ghostly Kisses) 08. Henry Green - Shift 09. Henry Green - Holding On 10. Henry Green - Aiir 11. Henry Green - Loose 12. Henry Green - Without You 13. Henry Green - Slow 14. Henry Green - Contra 15. Henry Green - Between Us 16. Henry Green - More Than This 17. Henry Green - Stay Here 18. Henry Green - All 19. Henry Green - Real 20. Henry Green - Barcelona 21. Henry Green - Another Light

Rev. Elaine Flake, Rev. Henry Green III

Rev. Elaine Flake, Rev. Dr. Henry Green

On this episode, we listen to new electronic indie-pop music from Henry Green and Kacy Hill. We talk about an action movie about cops and robbers that will get you energized. We learn some theories behind the phenomenon of deja vu. And we talk about what it means to have thick or thin skin.

As usual, we had masses of #NewMusic in our playlist! An eclectic mix of original, intelligent, melodic, grown-up songs - #electronic, #rnb, #jazz, #blues and #acoustic. And mostly from artists who you have not heard of - yet! Our Luvva Cover feature was a (very) dramatic reinterpretation of a Motown hit song by The Supremes. Youn Sun Nah, a Korean jazz singer now based in Paris, has transformed the song - it's really interesting! New Music That You Just Don't Hear Anywhere Else! Playlist: Taken Away – Moodymann Future Toyi Toyi – Keleketla!, Coldcut, Soundz of the South, DJ Mabheko, Tony Allen, Tenderlonious, Afla Sackey Good For You – Porridge Radio, Lala Lala Come Down When You’re Ready – TENDER NO news on TV – Noga Erez in atari – aden Testify – Davie Sorry Ain’t Enough – SAULT It’s Easy – Julia Nunes Always – Cosmo – Selah Sue You Can’t Hurry Love – The Supremes You Can’t Hurry Love – Youn Sun Nah (Luvva Cover feature) Until Daylight – Jeroen Dirrix Dust – Will Lawton and the Alchemists Nommos Descent – Moses Boyd, Nonku Phiri Streetlight Blues – Squirrel Flower Allumez – Jo Beth Young Idle – Henry Green, Ghostly Kisses Wolves At The Door – Black Flies Losing My Touch – October Drift Cocoon - PAULI

*MOODS* compiled by Lara Potthoff zenFM, Gent/Belgium - 21.05.2020104,5 FM and digital onlineHello zenFM & musiclovers,Welcome to another week with tons of beautiful, new music.This week you’ll listen to brand new releases by RIP Swirl, Til Kolare, Cornucopia, Jik and Lemongrass and pre-listen to tracks of the upcoming new albums by Telefuzz and Henry Green.You’ll hear also a free-soundcloud-download of SYML remixed by Vandelor, two very beautiful tracks of the interesting collaboration between Tempelhof and Gigi Masin, and a fresh remix of the latest work between Tom Day and Monsoonsiren.Get ready for takeoff and enjoy the flight.Love, Laraplaylist:Hope U Are Well - RIP SwirlSometimes Tonight (Feat. Valeska Pasta) - Til KolareCorner Song (Jex Remix) - Tempelhof & Gigi MasinFrom Afar (Makebo Remix - Earth Version) - Tom Day & MonsoonsirenHolding You Tight When the World collapses - CornucopiaThe Bird (Vandelor 'Frozen In Time' Mix) - SYMLArp I - JikSilent Rooms - TelefuzzBlue 13 (Steve Cobby Remix) - Tempelhof & Gigi MasinTide (feat. Andreya Triana) - Henry GreenTropical Garden - Lemongrass

The best blues & soul music we can find! Every Saturday! This week: Joe Hertz, Lianne La Havas, Ella Eyre, Aaron Taylor, Shafiq Husayn, Mahalia, Tahirah Memory, Demuja, Henry Green, Andreya Tryana, BAYNK, BENEE Stella Bennett, Arlo Parks, Kim Petras, Mae Muller, Sophie Faith, Jorja Smith

and the world stands still...MusicTherapy

The Willenium is not turning out the way Will Smith promised us! Pav and E broadcast from near quarantine as we track the progress of the coronavirus as it interrupts our daily routines. It's getting serious people! It also makes us take a sobering look at how fragile America's infrastructure is against a pandemic. Our sense of hope is further degraded by the IMPOTUS' pathetic attempt at addressing this emergency during his televised address. Luckily we have our escapism that is pop culture where we discuss Sonic the Hedgehog, Birds of Prey, and the halting of productions in response to COVID-19. All this happiness, plus our Song of the Week "Another Light" by Henry Green. Wash your hands and JOIN US!

As we celebrate our dear Pavlo's birthday weekend, the duo delve into the cascade of injustice with the effort by #45 to reduce Roger Stone's prison sentence, GOP senators feebly claiming he (IMPOTUS) learned his lesson, and why we haven't taken to the streets...yet. The guys also talk about leaked footage of stunt work from The Matrix 4, The reveal of the batsuit for the upcoming film "The Batman", super hero musical scores, and debating whether we'll go see the Sonic the Hedgehog movie. All this plus the haunting song of the week "Slow" by Henry Green.

Henry Green, style over substance, and some listener questions – here’s episode 81! In the first half of this episode, we discuss style vs substance – or, to put it another way, writing style vs the plot of the novel.

The final episode of Season 2. The incomparable Charlotte Rampling reenacts Simone de Beauvoir’s classic 1965 Paris Review interview; Danez Smith reads their poem “my bitch!”; Sarah Manguso shares her lyric essay “Oceans,” about moving to California, cancer, and writing oceanically; actor Griffin Dunne reads Henry Green’s story “Arcady; or a Night Out.”; and we close with a recording of the late WS Merwin reading his poem “Night Singing.”

Latest & best blues & soul music every week. See our website www.londonbluesoul.com for more. This week: Jessie Ware, Jaz Karis, Tom Misch, Tora, Zilo, Henry Green, DRAMA, Foley, Eli Moon, Moods, HIGH HOOPS, Kraak & Smaak, Ella Henderson, Grace Carter, Joyia, ELIZA, Starley, Kennie. Thanks for listening.

Jeremy Treglown talks to Ivan about six things which he thinks should be better known. Jeremy is chair of Arvon and has written biographies of Roald Dahl, Henry Green, VS Pritchett and John Hersey. He was editor of the Times Literary Supplement between 1981 and 1990. Carn Brea https://www.cornwalls.co.uk/redruth/carn_brea.htm Mozart’s Requiem in D minor with soloists taken from the chorus https://www.youtube.com/watch?v=OiBZ2C725ns John Hersey’s Hiroshima https://www.curtisbrown.co.uk/client/jeremy-treglown/work/mr-straight-arrow Spanish Museum of Abstract Art https://www.nytimes.com/2011/01/30/travel/30overnighter-cuenca.html Ruth Matilda Anderson’s photos of Spain https://hispanicsociety.org/prints-photographs/ The present isn’t so superior to the past https://archive.triblive.com/news/students-write-about-life-100-years-ago/

Michael Rosen meets London-born writer Gabriel Gbadamosi, to talk Dickens and dialect. With historical linguist Laura Wright they look at Gabriel's novel Vauxhall, and how the types of English found on the streets of London find their way into his work, and that of Dickens, Chaucer and Henry Green. Producer: Melvin Rickarby

Part 2 of our 4 part The Coffee House Community Cannabis Forum featuresEd "NJ Weedman" Forchion and Henry Hank Green talking about social justice, jury nullification, and of course, weed!!

Part 2 of our 4 part The Coffee House Community Cannabis Forum featuresEd "NJ Weedman" Forchion and Henry Hank Green talking about social justice, jury nullification, and of course, weed!!

Dr. Ekaterina Sedia joins Henry "Hank" Green for Part 1 of our Edison Community Cannabis Forum.

Dr. Ekaterina Sedia joins Henry "Hank" Green for Part 1 of our Edison Community Cannabis Forum.

Host Henry "Hank" Green and Keynote speaker NJ Weedman Ed Forchion.

Host Henry "Hank" Green, Ken Wolski, Hugh Giordano, and Frank Salluce talk about the different aspects of legalization and decriminalization.

Host Henry "Hank" Green and Keynote speaker NJ Weedman Ed Forchion.

Host Henry "Hank" Green, Ken Wolski, Hugh Giordano, and Frank Salluce talk about the different aspects of legalization and decriminalization.

To supplement NYRB month on Three Percent, Chad and Anthony talked to Nick During, publicist for New York Review Books, about the marketing of Anniversaries by Uwe Johnson, the struggles to get attention for reprints, Henry Green's eternal rediscovery, and much more. (Including Nick's ratings of the impact of various conferences and awards on readership.) This episode's music is "Tall Man, Skinny Lady" by Ty Segall. You can also follow Open Letter and Chad on Twitter and Instagram (OL, Chad) for book and baseball talk. If you don’t already subscribe to the Three Percent Podcast you can find us on iTunes, Stitcher, and other places. Or you can always subscribe by adding our feed directly into your favorite podcast app: http://threepercent.libsyn.com/rss

Incl. music by Janus Rasmussen, Hior, Kalipo, Superpoze, Henry Green and many more. @christianloeffler Tracklist: 1. Superpoze - Interrogatoire 2. Christian Löffler - Like Water (feat. Mohna) 3. James Heather - Biomes (Aparde Remix) 4. Henry Green - Aiir 5. Kalipo - Welcome to my Cupboard 6. Inui - Adieu 7. Menke - Nattskärran (Christian Löffler Remix) 8. Geotic - Nav 9. Janus Rasmussen - Lilla 10. Hior - Make Sense (feat. Anna-Maria Marjamäki) 11. BAILE - Undone 12. Indian Wells - Math/Creation 13. Monokle - Remembrance 14. Christian Löffler - Undefined Season 15. Tomasz Mreńca - Man In The Fog 16. Christian Löffler - Ry

This episode of Wine, Women, and Revolution is the very first episode of Voices of Atlantic City with Henry Green. Heather was delighted to be his first guest on his new endeavor. Being interviewed is much different from being the interviewer. You can hear Henry’s turn being interviewed here . Voices Of Atlantic City The goal...

Daryle Lamont Jenkins joins #NJRR Live to tell us about the Nazis in Princeton, comrades who spend their time feeding their community join Diane Moxley

3 Activists for peace and justice join the Green Party New Jersey Co-Chair Theresa Markila for a conversation that the mainstream, media and candidates on the campaign continue to ignore, imperialism. Ajamu Baraka, Madelyn Hoffman, and Diane Moxley have a conversation that America needs to have, we hope that their efforts grow the peace movement....

On Indigenous People’s Day Madelyn Hoffman joins us on the #NJRR Live Stream to talk about her campaign up to this date and gets real about the importance of her campaign at this time. While the Democrats are busy defending a corrupt and hugely unpopular candidate, the republicans are elevating a Trump supporting pharmaceutical executive...

In this episode, Heather joins Henry Green in his studio and they discuss Atlantic City, cannabis legalization, politics, race, and a his run for Mayor. Henry is an inspiration to many  people in the South Jersey community and its a pleasure to introduce him to my listeners. His vision for what he can transform Atlantic...

Inspired by Drake & Cardi B using the same Lauryn Hill sample recently, we go through some popular songs which sample other popular songs and discuss who did it better, we discuss the passing of Avicii, Beyoncé's Coachella success and, as always, the Top Ten Tracks of the last two week. Those ten tracks were: Ariana Grande "No Tears Left To Cry" // Nilüfer Yanya "Keep On Calling" // Kyle "Playinwitme" feat. Kehlani Khalid 6LACK & Ty Dolla $ign "OTW" // Sigrid "High Five" // Guilty Beatz "Akwaaba" feat. Mr. Eazi // ZAYN "Let Me" // Roosevelt "Close" // Henry Green "Loose" // Tom Misch "Water Baby" feat. Loyle Carner As always you can check out all these songs on our Spotify page. Just user search for Selected Podcast or follow the link in the bio. Like, follow, subscribe, review and holler at us: https://www.stitcher.com/podcast/selected-podcast?refid=stpr https://itunes.apple.com/ie/podcast/selected-podcast/id1298786009 https://soundcloud.com/selectedpodcast https://twitter.com/selectedpodcast https://www.instagram.com/selectedpodcast/ helloselected@gmail.com

I'm going to try my best to upload a new episode weekly,for a bit (we'll see how it goes) Here's the other songs that didn't make the cut, this round. http://neilcorcoran.podomatic.net/articles You might also be interested in this episode from last year: https://www.podomatic.com/podcasts/tantricdex/episodes/2017-03-18T11_28_56-07_00 Here's a link to my new Podcast page http://neilcorcoran.podomatic.net/ You'll still be able to get my Podcast from tantricdex.podomatic.com as well. Subscribers won't be affected. If you like this episode then why not follow and hit the heart button (Click the underlined title) You can also listen/download via the Podomatic app, On Google Play, Apple Podcasts, iTunes and Apple TV search-Neil Corcoran and search- Tantric Dex on Xbox/ Xbox One via the TuneIn app. Now available on Deezer, Stitcher, Acast, Podcast Addict, Pocketcast and Podcasts.com too. 00:00 Ross From Friends- John Cage (Full Version) 05:28 George FitzGerald/Lil Silva- roll back 08:49 Alison Wonderland- no 12:40 Lana Del Rey- in my feelings 16:30 Kendrick Lamar/SZA- all the stars 20:15 Young Fathers- in my view 23:27 Billie Eilish- bellyache 27:00 Django Django/Self esteem- surface to air 30:40 The Beat Escape- moon in aquarius 35:53 LAARS- none 42:55 Pender Street Steppers- raining again 48:08 Sälen- so rude (Fort Romeau remix) 54:04 Submotion Orchestra- variations 58:10 Nightmares On Wax- shape the future 01:04:17 Mama- unmask me (Ashley Beedle vocal mix) 01:13:06 Peggy Gou- han jan 01:18:50 DJ Koze/Roísín Murphy- illumination 01:22:56 Max Chapman/Jacky/Charlie Sanderson- addicted 01:25:27 Bicep- opal (Four Tet remix) 01:33:38 Little Dragon- sway daisy 01:37:20 Morcheeba- never undo 01:40:55 Anderson .Paak- 'til it's over 01:43:57 Charlotte Day Wilson- nothing new 01:47:07 Cautious Clay- cold war 01:50:26 Sylvan Esso- die young 01:53:54 Henry Green- another light 01:57:00 Invisible Minds- yo mae leh

Marius Hentea, a Romanian-born literary scholar, teaches in the Department of Literary Studies at Ghent University. He is the author of Henry Green at the Limits of Modernism.

"BY A THREAD" How to relax.....kill anyone who is a distraction, smash up your television, give all your money to Coca-Cola and then, close your eyes. Or just download this new guest mix from Aeriform! Exploring the wide open vistas alongside the darker corners of peoples lives. This forty minute journey features music by Mt. Wolf, Helios, Gidge, Eyre Llew, Henry Green and more. Enjoy! Burgs - Mt. Wolf Do You Know - Henry Green Huldra - Gidge Depraved - Mammals Sonora Lac - Helios Allan - Lists Untitled - Lists Sister - Haux Fero - Eyre Llew Loss - Phoria

This episode of Deep Focus is all about I AM SHAKESPEARE, a new documentary from New Haven filmmaker Stephen Dest that tells the story of Henry Green, a young man from Newhalville struggling to reconcile the many different sides of himself in a city painfully divided by class, race, education, and violence. Breen talks with Dest and Green about the story behind this film, the power of committing so much of yourself to a work of art, and the prospect of better understanding yourself and your city through movies. For the second segment of the show, Tom is joined by Inner City News editor Babz Rawls-Ivy and New Haven Independent reporter Markeshia Ricks for a review of MOONLIGHT.

The novelist Benjamin Markovits, the literary historian Lara Feigel and the broadcaster and essayist Kevin Jackson join Matthew Sweet and an audience at Southbank Centre, London to explore some of the key books published in 1946 – a year in which Penguin Classics launched in the UK with a version of the Odyssey, Herman Hesse won the Nobel Prize for Literature, popular fiction included crime stories by Agatha Christie, Edmund Crispin and John Dickson Carr and children were reading Tove Jansson's Moomin series, the first of Enid Blyton's Malory Towers and the second Thomas the Tank Engine book.Their particular choices include Back, a novel by Henry Green, All the King's Men by Robert Penn Warren, Jill by Philip Larkin and The Moving Toyshop by Edmund CrispinRecorded in front of an audience at Southbank as part of Sound Frontiers: Celebrating seven decades of pioneering music and culture from Radio 3 and the Third Programme. Producer: Zahid Warley.

This week in a special edition of Double Tap, Alice speaks to Paul Amos voice of Jacob Fry and Jaz Deol voice of Henry Green backstage at MCM Comic Con. We find out what it's like to record a 1000 page multi-scenario open world script, the motion capture that powers the game and how true to the real history of victorian London the game is.

This week our roving report Henry Green was invited by UCL’s Volunteering Services Unit to visit a new initiative, run by students, called the UCL Baking Project. He spoke to Baking Project member Linda Mao whilst she made some cakes for the St Pancras Community Association. Henry also seems to have made some fans with the Association’s patrons… UCL Volunteering Unit http://uclu.org/services/volunteering-at-uclu UCL is consistently ranked as one of the world's top universities. Across all disciplines our faculties are known for their research-intensive approaches, academic excellence and engagement with global challenges. This is the basis of our world-renowned degree programmes. Visit us at ucl.ac.uk.