Podcast appearances and mentions of Caryl Phillips

Caryl Phillips was born in St.Kitts and came to Britain at the age of four months. He grew up in Leeds, and studied English Literature at Oxford University. He was named Sunday Times Young Writer of the Year in 1992 and was on the 1993 Granta list of Best of Young British Writers. His literary awards include the Martin Luther King Memorial Prize, a Guggenheim Fellowship, a British Council Fellowship, a Lannan Foundation Fellowship, and Britain's oldest literary award, the James Tait Black Memorial Prize, for Crossing the River which was also shortlisted for the 1993 Booker Prize. A Distant Shore was longlisted for the 2003 Booker Prize, and won the 2004 Commonwealth Writers Prize; Dancing in the Dark won the 2006 PEN/Open Book Award. He is a Fellow of the Royal Society of Literature and the Royal Society of the Arts. On this episode of Little Atoms he talks to Neil Denny about his latest novel Another Man In The Street. Hosted on Acast. See acast.com/privacy for more information.

Anora is one of the leading contenders in the current film awards season - and its star Mikey Madison looks likely to get an Oscar nomination too. Its director Sean Baker explains how he uses both violence and comedy to explore the story of a son of a Russian oligarch who becomes entangled in the world of a sex worker in New York. Caryl Phillips talks about his new novel, Another Man in the Street about a young Caribbean man's search for a new home in 1960s London and the other people, all migrants in different ways, who become part of his life there.And Soil is more than dirt - co-curators Claire Catterall and May Rosenthal Sloan explain how a new exhibition at Somerset House in London sheds light on how the ground under our feet has played a crucial role in human civilisation, with 50 artists in the show using sculpture, painting, tapestry and video to explore its qualities. Presenter: Samira Ahmed Producer: Paula McGrath

Booker Prize shortlisted writer Caryl Phillips is one of contemporary literature’s master stylists. His latest novel, ‘Another Man in the Street’, chronicles a West Indian man’s journey to England as part of the Windrush Generation and his struggles therein. As we follow this engrossing emigre from Saint Kitts to London with dreams of becoming a journalist, Phillips paints a gritty landscape of 1960s Notting Hill and a vivid portrait of exile, resistance and belonging. He speaks to Georgina Godwin on his upbringing in Leeds, his connections to Saint Kitts and his thoughts on the treatment of the Windrush Generation.See omnystudio.com/listener for privacy information.

This week, novelist and playwright Caryl Phillips remembers his friendship with the magnificent James Baldwin; and Robert Potts on the ingenious return of George Smiley.The works of James Baldwin'Karla's Choice', a John le Carré novel, by Nick HarkawayProduced by Charlotte Pardy Hosted on Acast. See acast.com/privacy for more information.

In the sixth episode of “Notes on a Native Son,” writer Caryl Phillips shares the experience of getting to know James Baldwin beyond the pages of his work. Phillips not only respected Baldwin as a writer, but regarded him as a friend and perhaps a mentor, too. Phillips was born on the Caribbean island of St. Kitts, and moved to Leeds, in northern England, when he was just 4 months old. It was as a student at Oxford where he first encountered the work of Baldwin. He tells host Razia Iqbal that meeting Baldwin was the first time he'd ever met a writer, something he knew he wanted to be.Caryl Phillips was on the 1993 Granta list of Best of Young British Writers. His literary awards include Britain's oldest literary award, the James Tait Black Memorial Prize, for “Crossing the River,” which was also shortlisted for the 1993 Booker Prize. “A Distant Shore" was longlisted for the 2003 Booker Prize, and won the 2004 Commonwealth Writers Prize. He is a Fellow of the Royal Society of Literature and the Royal Society of the Arts, and a member of the American Academy of Arts and Letters. He currently teaches English at Yale University. Tell us what you think. We're @noteswithkai on Instagram and X (Twitter). Email us at notes@wnyc.org. Send us a voice message by recording yourself on your phone and emailing us, or record one here.Notes from America airs live on Sundays at 6 p.m. ET. The podcast episodes are lightly edited from our live broadcasts.

Celebrated author Caryl Phillips discusses the life and impact of singer-songwriter Marvin Gaye in this lecture from 1999.

Internationell författarscen 30 november 2006.

In this fantastic recent episode from our colleagues at Novel Dialogue, Sheila Heti sits down with Sunny Yudkoff and John to discuss her incredibly varied oeuvre. She does it all: stories, novels, alphabetized diary entries as well as a series of dialogues in the New Yorker with an AI named Alice. Drawing on her background in Jewish Studies, Sunny prompts Sheila to unpack the implicit and explicit theology of her recent Pure Colour (Sheila admits she “spent a lot of time thinking about …what God's pronouns are going to be” )–as well as the protagonist's temporary transformation into a leaf. The three also explore how life and lifelikeness shape How Should a Person Be. Sheila explains why “auto-fiction” strikes her as a “bad category” and “a lazy way of thinking about what the author is doing formally” since “the history of literature is authors melding their imagination with their lived experience.” if you enjoyed this Novel Dialogue crossover conversation, you might also check out earlier ones with Joshua Cohen, Charles Yu, Caryl Phillips, Jennifer Egan, Helen Garner and Orhan Pamuk. Mentioned in this Episode: By Sheila Heti: Pure Colour How Should a Person Be? Alphabetical Diaries Ticknor We Need a Horse (children's book) The Chairs are Where the People Go (with Misha Glouberman) Also mentioned: Oulipo Group Autofiction: e.g. Ben Lerner, Rachel Cusk, Karl Ove Knausgard Craig Seligman, Sontag and Kael George Eliot, Middlemarch Clarice Lispector (e.g. The Hour of the Star) Kenneth Goldsmith Soliloquy Willa Cather , The Professor's House (overlap of reality and recollection): “When I look into the Æneid now, I can always see two pictures: the one on the page, and another behind that: blue and purple rocks and yellow-green piñons with flat tops, little clustered houses clinging together for protection, a rude tower rising in their midst, rising strong, with calmness and courage–behind it a dark grotto, in its depths a crystal spring.”) William Steig, Sylvester and The Magic Pebble. Listen and Read: Transcript: 6.6 Overtaken by Awe: Sheila Heti speaks with Sunny Yudkoff Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

In this fantastic recent episode from our colleagues at Novel Dialogue, Sheila Heti sits down with Sunny Yudkoff and John to discuss her incredibly varied oeuvre. She does it all: stories, novels, alphabetized diary entries as well as a series of dialogues in the New Yorker with an AI named Alice. Drawing on her background in Jewish Studies, Sunny prompts Sheila to unpack the implicit and explicit theology of her recent Pure Colour (Sheila admits she “spent a lot of time thinking about …what God's pronouns are going to be” )–as well as the protagonist's temporary transformation into a leaf. The three also explore how life and lifelikeness shape How Should a Person Be. Sheila explains why “auto-fiction” strikes her as a “bad category” and “a lazy way of thinking about what the author is doing formally” since “the history of literature is authors melding their imagination with their lived experience.” if you enjoyed this Novel Dialogue crossover conversation, you might also check out earlier ones with Joshua Cohen, Charles Yu, Caryl Phillips, Jennifer Egan, Helen Garner and Orhan Pamuk. Mentioned in this Episode: By Sheila Heti: Pure Colour How Should a Person Be? Alphabetical Diaries Ticknor We Need a Horse (children's book) The Chairs are Where the People Go (with Misha Glouberman) Also mentioned: Oulipo Group Autofiction: e.g. Ben Lerner, Rachel Cusk, Karl Ove Knausgard Craig Seligman, Sontag and Kael George Eliot, Middlemarch Clarice Lispector (e.g. The Hour of the Star) Kenneth Goldsmith Soliloquy Willa Cather , The Professor's House (overlap of reality and recollection): “When I look into the Æneid now, I can always see two pictures: the one on the page, and another behind that: blue and purple rocks and yellow-green piñons with flat tops, little clustered houses clinging together for protection, a rude tower rising in their midst, rising strong, with calmness and courage–behind it a dark grotto, in its depths a crystal spring.”) William Steig, Sylvester and The Magic Pebble. Listen and Read: Transcript: 6.6 Overtaken by Awe: Sheila Heti speaks with Sunny Yudkoff Learn more about your ad choices. Visit megaphone.fm/adchoices

In this fantastic recent episode from our colleagues at Novel Dialogue, Sheila Heti sits down with Sunny Yudkoff and John to discuss her incredibly varied oeuvre. She does it all: stories, novels, alphabetized diary entries as well as a series of dialogues in the New Yorker with an AI named Alice. Drawing on her background in Jewish Studies, Sunny prompts Sheila to unpack the implicit and explicit theology of her recent Pure Colour (Sheila admits she “spent a lot of time thinking about …what God's pronouns are going to be” )–as well as the protagonist's temporary transformation into a leaf. The three also explore how life and lifelikeness shape How Should a Person Be. Sheila explains why “auto-fiction” strikes her as a “bad category” and “a lazy way of thinking about what the author is doing formally” since “the history of literature is authors melding their imagination with their lived experience.” if you enjoyed this Novel Dialogue crossover conversation, you might also check out earlier ones with Joshua Cohen, Charles Yu, Caryl Phillips, Jennifer Egan, Helen Garner and Orhan Pamuk. Mentioned in this Episode: By Sheila Heti: Pure Colour How Should a Person Be? Alphabetical Diaries Ticknor We Need a Horse (children's book) The Chairs are Where the People Go (with Misha Glouberman) Also mentioned: Oulipo Group Autofiction: e.g. Ben Lerner, Rachel Cusk, Karl Ove Knausgard Craig Seligman, Sontag and Kael George Eliot, Middlemarch Clarice Lispector (e.g. The Hour of the Star) Kenneth Goldsmith Soliloquy Willa Cather , The Professor's House (overlap of reality and recollection): “When I look into the Æneid now, I can always see two pictures: the one on the page, and another behind that: blue and purple rocks and yellow-green piñons with flat tops, little clustered houses clinging together for protection, a rude tower rising in their midst, rising strong, with calmness and courage–behind it a dark grotto, in its depths a crystal spring.”) William Steig, Sylvester and The Magic Pebble. Listen and Read: Transcript: 6.6 Overtaken by Awe: Sheila Heti speaks with Sunny Yudkoff Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literature

Celebrated author Caryl Phillips discusses the life and impact of singer-songwriter Marvin Gaye in this lecture from 1999.

James Baldwin in Paris. On the rain-soaked boulevards, the novelist Caryl Phillips discusses Baldwin's exquisite same-sex love story, drinking in the Cafe de Flore and exploring Saint Germain des Prés. Phillips, who knew James Baldwin, wrote the introduction to the Penguin Modern Classics edition of Giovanni's Room and an unfilmed screenplay of the novel for Merchant Ivory productions.2024 marks 100 years since Baldwin was born Giovanni's Room by James Baldwin (Penguin Modern Classics edition)https://www.penguin.co.uk/books/57368/giovannis-room-by-james-baldwin-introduction-by-caryl-phillips/9780141186351https://apple.co/3HnscrzPenguin Audio edition of Giovanni's Room – available April 4th 2024https://www.penguin.co.uk/books/56260/giovannis-room-by-baldwin-james/9781802067224Calliope Author Readings – James Baldwinhttp://calliopeauthorreadings.com/james-baldwin/https://apple.co/4aTk0go Caryl Phillipshttps://www.carylphillips.com/ The European Tribe by Caryl Phillipshttps://www.penguinrandomhouse.com/books/130570/the-european-tribe-by-caryl-phillips/ Presenter – Henry Eliot: https://www.henryeliot.co.uk/Producer – Andrea Rangecroft: https://www.andrearangecroft.co.uk/ Hosted on Acast. See acast.com/privacy for more information.

On the Road with Penguin Classics is the literary podcast that takes a stroll around the world's favourite books. In each episode, author Henry Eliot travels to a different location to discuss a great work of literature with a different guest.In series four, Henry's guests include Monica Ali, Katherine Rundell, Simon Callow, Marina Warner, Caryl Phillips, Anil Seth and Philip Pullman. They discuss the love stories of Jane Austen and James Baldwin, the fantasies of Charles Dickens and Angela Carter, the thrillers of Raymond Chandler and Anthony Burgess, the horrors of Mary Shelley and Shirley Jackson and the poetry of John Donne and William Blake. Hosted on Acast. See acast.com/privacy for more information.

Writer and photographer Johny Pitts captures everyday experiences from Black communities around the British coast, bringing together the sights, sounds, and sofas shared from Liverpool to London, in his touring installation, Home is Not a Place. In 2021, Johny Pitts and the poet Roger Robinson set off on a journey clockwise around the British coast, to answer the question: 'What is Black Britain?' Their collaboration, Home is Not is Place, captures contemporary, everyday experiences of Blackness between Edinburgh and Belfast, Liverpool and Tilbury, where the Empire Windrush docked in 1948. Setting out from London, the multidisciplinary artist challenges the ‘Brixtonisation' of Black experiences, and binary media representations of Black excellence, or criminality. Johny shares stories of migration, how Brexit and COVID changed his perceptions of local environments, and archive albums from his own childhood in multicultural, working-class Sheffield. Flicking through shots of Yorkshire puddings and Mount Fuji, we find his travels-past in 1980s bubble-era Japan. And in his Living Room, we sit down to discuss Afropean, inspirations like James Baldwin, Paul Gilroy, and Caryl Phillips, plus his sister Chantal's pirate radio playlists, and the role of family and community in his practice. Johny Pitts: Home is Not a Place runs at The Photographers' Gallery in London until 24 September 2023. Join the Gallery this Thursday (7 September), and next, for special exhibition tours and artist talks. For more, you can read my article in gowithYamo. For more about Autograph, hear artist Ingrid Pollard's EMPIRE LINES on Carbon Slowly Turning (2022): https://pod.link/1533637675/episode/e00996c8caff991ad6da78b4d73da7e4 WITH: Johny Pitts, photographer, writer, and broadcaster from Sheffield, England. He is the curator of the European Network Against Racism (ENAR) award-winning Afropean.com, and the author of Afropean: Notes from Black Europe (2021). ART: ‘Home is Not a Place, Johny Pitts and Roger Robinson (2021-Now)'. PRODUCER: Jelena Sofronijevic. Follow EMPIRE LINES on Twitter: twitter.com/jelsofron/status/1306563558063271936 And Instagram: instagram.com/empirelinespodcast Support EMPIRE LINES on Patreon: patreon.com/empirelines

Our second January Novel Dialogue conversation is with Caryl Phillips, professor of English at Yale and world-renowned for novels ranging from The Final Passage to 2018's A View of the Empire at Sunset. He shares his thoughts on transplantation, on performance, on race, even on sports. Joining him here are John and the wonderful comparatist Corina Stan, author of The Art of Distances: Ethical Thinking in 20th century Literature. If you enjoy this conversation, range backwards through the RtB archives for comparable talks with Jennifer Egan, Helen Garner, Orhan Pamuk, Zadie Smith, Samuel Delany and many more. It's a rangy conversation. John begins by raving about Caryl's italics–he in turn praises Faulkner's. Corina and Caryl explore his debt (cf. his The European Tribe) to American writers like Richard Wright and James Baldwin. Meeting Baldwin was scary–back in those days before there were “writers besporting themselves on every university campus.” Caryl praises the joy of being a football fan (Leeds United), reflects on his abiding loyalty to his class and geographic origins and his fondness for the moments of Sunday joy that allow people to endure. John raises Orhan Pamuk's claim (In Novel Dialogue last season) that the novel is innately middle-class; Caryl says that it's true that as a form it has always taken time and money to make–and to read. But “vicars and middle class people fall in love, too; they get betrayed and let down…a gamut of emotion that's as wide as anybody else.” He remains drawn to writers haunted by the past: Eliot, W.G. Sebald, the huge influence of Faulkner trying to stitch the past to the present. Mentioned in the Episode James Baldwin, Blues for Mister Charley, The Fire Next Time Richard Wright, Native Son Johnny Pitts, Afropean Caryl Phillips, Dancing in the Dark J. M. Coetzee, “What We like to Forget” (On Caryl Phillips) Graham Greene (e.g Brighton Rock and The Quiet American) wrote in “The Lost Childhood” (1951) that at age 14 ” I took Miss Marjorie Bowen's The Viper of Milan from the library shelf…From that moment I began to write.” Maya Angelou, Letter to My Daughter William Faulkner, Absalom, Absalom Read a transcript here Elizabeth Ferry is Professor of Anthropology at Brandeis University. Email: ferry@brandeis.edu. John Plotz is Barbara Mandel Professor of the Humanities at Brandeis University and co-founder of the Brandeis Educational Justice Initiative. Email: plotz@brandeis.edu. Learn more about your ad choices. Visit megaphone.fm/adchoices

Our second January Novel Dialogue conversation is with Caryl Phillips, professor of English at Yale and world-renowned for novels ranging from The Final Passage to 2018's A View of the Empire at Sunset. He shares his thoughts on transplantation, on performance, on race, even on sports. Joining him here are John and the wonderful comparatist Corina Stan, author of The Art of Distances: Ethical Thinking in 20th century Literature. If you enjoy this conversation, range backwards through the RtB archives for comparable talks with Jennifer Egan, Helen Garner, Orhan Pamuk, Zadie Smith, Samuel Delany and many more. It's a rangy conversation. John begins by raving about Caryl's italics–he in turn praises Faulkner's. Corina and Caryl explore his debt (cf. his The European Tribe) to American writers like Richard Wright and James Baldwin. Meeting Baldwin was scary–back in those days before there were “writers besporting themselves on every university campus.” Caryl praises the joy of being a football fan (Leeds United), reflects on his abiding loyalty to his class and geographic origins and his fondness for the moments of Sunday joy that allow people to endure. John raises Orhan Pamuk's claim (In Novel Dialogue last season) that the novel is innately middle-class; Caryl says that it's true that as a form it has always taken time and money to make–and to read. But “vicars and middle class people fall in love, too; they get betrayed and let down…a gamut of emotion that's as wide as anybody else.” He remains drawn to writers haunted by the past: Eliot, W.G. Sebald, the huge influence of Faulkner trying to stitch the past to the present. Mentioned in the Episode James Baldwin, Blues for Mister Charley, The Fire Next Time Richard Wright, Native Son Johnny Pitts, Afropean Caryl Phillips, Dancing in the Dark J. M. Coetzee, “What We like to Forget” (On Caryl Phillips) Graham Greene (e.g Brighton Rock and The Quiet American) wrote in “The Lost Childhood” (1951) that at age 14 ” I took Miss Marjorie Bowen's The Viper of Milan from the library shelf…From that moment I began to write.” Maya Angelou, Letter to My Daughter William Faulkner, Absalom, Absalom Read a transcript here Elizabeth Ferry is Professor of Anthropology at Brandeis University. Email: ferry@brandeis.edu. John Plotz is Barbara Mandel Professor of the Humanities at Brandeis University and co-founder of the Brandeis Educational Justice Initiative. Email: plotz@brandeis.edu. Learn more about your ad choices. Visit megaphone.fm/adchoices

Our second January Novel Dialogue conversation is with Caryl Phillips, professor of English at Yale and world-renowned for novels ranging from The Final Passage to 2018's A View of the Empire at Sunset. He shares his thoughts on transplantation, on performance, on race, even on sports. Joining him here are John and the wonderful comparatist Corina Stan, author of The Art of Distances: Ethical Thinking in 20th century Literature. If you enjoy this conversation, range backwards through the RtB archives for comparable talks with Jennifer Egan, Helen Garner, Orhan Pamuk, Zadie Smith, Samuel Delany and many more. It's a rangy conversation. John begins by raving about Caryl's italics–he in turn praises Faulkner's. Corina and Caryl explore his debt (cf. his The European Tribe) to American writers like Richard Wright and James Baldwin. Meeting Baldwin was scary–back in those days before there were “writers besporting themselves on every university campus.” Caryl praises the joy of being a football fan (Leeds United), reflects on his abiding loyalty to his class and geographic origins and his fondness for the moments of Sunday joy that allow people to endure. John raises Orhan Pamuk's claim (In Novel Dialogue last season) that the novel is innately middle-class; Caryl says that it's true that as a form it has always taken time and money to make–and to read. But “vicars and middle class people fall in love, too; they get betrayed and let down…a gamut of emotion that's as wide as anybody else.” He remains drawn to writers haunted by the past: Eliot, W.G. Sebald, the huge influence of Faulkner trying to stitch the past to the present. Mentioned in the Episode James Baldwin, Blues for Mister Charley, The Fire Next Time Richard Wright, Native Son Johnny Pitts, Afropean Caryl Phillips, Dancing in the Dark J. M. Coetzee, “What We like to Forget” (On Caryl Phillips) Graham Greene (e.g Brighton Rock and The Quiet American) wrote in “The Lost Childhood” (1951) that at age 14 ” I took Miss Marjorie Bowen's The Viper of Milan from the library shelf…From that moment I began to write.” Maya Angelou, Letter to My Daughter William Faulkner, Absalom, Absalom Read a transcript here Elizabeth Ferry is Professor of Anthropology at Brandeis University. Email: ferry@brandeis.edu. John Plotz is Barbara Mandel Professor of the Humanities at Brandeis University and co-founder of the Brandeis Educational Justice Initiative. Email: plotz@brandeis.edu. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/historical-fiction

Our second January Novel Dialogue conversation is with Caryl Phillips, professor of English at Yale and world-renowned for novels ranging from The Final Passage to 2018's A View of the Empire at Sunset. He shares his thoughts on transplantation, on performance, on race, even on sports. Joining him here are John and the wonderful comparatist Corina Stan, author of The Art of Distances: Ethical Thinking in 20th century Literature. If you enjoy this conversation, range backwards through the RtB archives for comparable talks with Jennifer Egan, Helen Garner, Orhan Pamuk, Zadie Smith, Samuel Delany and many more. It's a rangy conversation. John begins by raving about Caryl's italics–he in turn praises Faulkner's. Corina and Caryl explore his debt (cf. his The European Tribe) to American writers like Richard Wright and James Baldwin. Meeting Baldwin was scary–back in those days before there were “writers besporting themselves on every university campus.” Caryl praises the joy of being a football fan (Leeds United), reflects on his abiding loyalty to his class and geographic origins and his fondness for the moments of Sunday joy that allow people to endure. John raises Orhan Pamuk's claim (In Novel Dialogue last season) that the novel is innately middle-class; Caryl says that it's true that as a form it has always taken time and money to make–and to read. But “vicars and middle class people fall in love, too; they get betrayed and let down…a gamut of emotion that's as wide as anybody else.” He remains drawn to writers haunted by the past: Eliot, W.G. Sebald, the huge influence of Faulkner trying to stitch the past to the present. Mentioned in the Episode James Baldwin, Blues for Mister Charley, The Fire Next Time Richard Wright, Native Son Johnny Pitts, Afropean Caryl Phillips, Dancing in the Dark J. M. Coetzee, “What We like to Forget” (On Caryl Phillips) Graham Greene (e.g Brighton Rock and The Quiet American) wrote in “The Lost Childhood” (1951) that at age 14 ” I took Miss Marjorie Bowen's The Viper of Milan from the library shelf…From that moment I began to write.” Maya Angelou, Letter to My Daughter William Faulkner, Absalom, Absalom Read a transcript here Elizabeth Ferry is Professor of Anthropology at Brandeis University. Email: ferry@brandeis.edu. John Plotz is Barbara Mandel Professor of the Humanities at Brandeis University and co-founder of the Brandeis Educational Justice Initiative. Email: plotz@brandeis.edu. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

Our second January Novel Dialogue conversation is with Caryl Phillips, professor of English at Yale and world-renowned for novels ranging from The Final Passage to 2018's A View of the Empire at Sunset. He shares his thoughts on transplantation, on performance, on race, even on sports. Joining him here are John and the wonderful comparatist Corina Stan, author of The Art of Distances: Ethical Thinking in 20th century Literature. If you enjoy this conversation, range backwards through the RtB archives for comparable talks with Jennifer Egan, Helen Garner, Orhan Pamuk, Zadie Smith, Samuel Delany and many more. It's a rangy conversation. John begins by raving about Caryl's italics–he in turn praises Faulkner's. Corina and Caryl explore his debt (cf. his The European Tribe) to American writers like Richard Wright and James Baldwin. Meeting Baldwin was scary–back in those days before there were “writers besporting themselves on every university campus.” Caryl praises the joy of being a football fan (Leeds United), reflects on his abiding loyalty to his class and geographic origins and his fondness for the moments of Sunday joy that allow people to endure. John raises Orhan Pamuk's claim (In Novel Dialogue last season) that the novel is innately middle-class; Caryl says that it's true that as a form it has always taken time and money to make–and to read. But “vicars and middle class people fall in love, too; they get betrayed and let down…a gamut of emotion that's as wide as anybody else.” He remains drawn to writers haunted by the past: Eliot, W.G. Sebald, the huge influence of Faulkner trying to stitch the past to the present. Mentioned in the Episode James Baldwin, Blues for Mister Charley, The Fire Next Time Richard Wright, Native Son Johnny Pitts, Afropean Caryl Phillips, Dancing in the Dark J. M. Coetzee, “What We like to Forget” (On Caryl Phillips) Graham Greene (e.g Brighton Rock and The Quiet American) wrote in “The Lost Childhood” (1951) that at age 14 ” I took Miss Marjorie Bowen's The Viper of Milan from the library shelf…From that moment I began to write.” Maya Angelou, Letter to My Daughter William Faulkner, Absalom, Absalom Read a transcript here Elizabeth Ferry is Professor of Anthropology at Brandeis University. Email: ferry@brandeis.edu. John Plotz is Barbara Mandel Professor of the Humanities at Brandeis University and co-founder of the Brandeis Educational Justice Initiative. Email: plotz@brandeis.edu. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/intellectual-history

Our second January Novel Dialogue conversation is with Caryl Phillips, professor of English at Yale and world-renowned for novels ranging from The Final Passage to 2018's A View of the Empire at Sunset. He shares his thoughts on transplantation, on performance, on race, even on sports. Joining him here are John and the wonderful comparatist Corina Stan, author of The Art of Distances: Ethical Thinking in 20th century Literature. If you enjoy this conversation, range backwards through the RtB archives for comparable talks with Jennifer Egan, Helen Garner, Orhan Pamuk, Zadie Smith, Samuel Delany and many more. It's a rangy conversation. John begins by raving about Caryl's italics–he in turn praises Faulkner's. Corina and Caryl explore his debt (cf. his The European Tribe) to American writers like Richard Wright and James Baldwin. Meeting Baldwin was scary–back in those days before there were “writers besporting themselves on every university campus.” Caryl praises the joy of being a football fan (Leeds United), reflects on his abiding loyalty to his class and geographic origins and his fondness for the moments of Sunday joy that allow people to endure. John raises Orhan Pamuk's claim (In Novel Dialogue last season) that the novel is innately middle-class; Caryl says that it's true that as a form it has always taken time and money to make–and to read. But “vicars and middle class people fall in love, too; they get betrayed and let down…a gamut of emotion that's as wide as anybody else.” He remains drawn to writers haunted by the past: Eliot, W.G. Sebald, the huge influence of Faulkner trying to stitch the past to the present. Mentioned in the Episode James Baldwin, Blues for Mister Charley, The Fire Next Time Richard Wright, Native Son Johnny Pitts, Afropean Caryl Phillips, Dancing in the Dark J. M. Coetzee, “What We like to Forget” (On Caryl Phillips) Graham Greene (e.g Brighton Rock and The Quiet American) wrote in “The Lost Childhood” (1951) that at age 14 ” I took Miss Marjorie Bowen's The Viper of Milan from the library shelf…From that moment I began to write.” Maya Angelou, Letter to My Daughter William Faulkner, Absalom, Absalom Read a transcript here Elizabeth Ferry is Professor of Anthropology at Brandeis University. Email: ferry@brandeis.edu. John Plotz is Barbara Mandel Professor of the Humanities at Brandeis University and co-founder of the Brandeis Educational Justice Initiative. Email: plotz@brandeis.edu. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literature

Our second January Novel Dialogue conversation is with Caryl Phillips, professor of English at Yale and world-renowned for novels ranging from The Final Passage to 2018's A View of the Empire at Sunset. He shares his thoughts on transplantation, on performance, on race, even on sports. Joining him here are John and the wonderful comparatist Corina Stan, author of The Art of Distances: Ethical Thinking in 20th century Literature. If you enjoy this conversation, range backwards through the RtB archives for comparable talks with Jennifer Egan, Helen Garner, Orhan Pamuk, Zadie Smith, Samuel Delany and many more. It's a rangy conversation. John begins by raving about Caryl's italics–he in turn praises Faulkner's. Corina and Caryl explore his debt (cf. his The European Tribe) to American writers like Richard Wright and James Baldwin. Meeting Baldwin was scary–back in those days before there were “writers besporting themselves on every university campus.” Caryl praises the joy of being a football fan (Leeds United), reflects on his abiding loyalty to his class and geographic origins and his fondness for the moments of Sunday joy that allow people to endure. John raises Orhan Pamuk's claim (In Novel Dialogue last season) that the novel is innately middle-class; Caryl says that it's true that as a form it has always taken time and money to make–and to read. But “vicars and middle class people fall in love, too; they get betrayed and let down…a gamut of emotion that's as wide as anybody else.” He remains drawn to writers haunted by the past: Eliot, W.G. Sebald, the huge influence of Faulkner trying to stitch the past to the present. Mentioned in the Episode James Baldwin, Blues for Mister Charley, The Fire Next Time Richard Wright, Native Son Johnny Pitts, Afropean Caryl Phillips, Dancing in the Dark J. M. Coetzee, “What We like to Forget” (On Caryl Phillips) Graham Greene (e.g Brighton Rock and The Quiet American) wrote in “The Lost Childhood” (1951) that at age 14 ” I took Miss Marjorie Bowen's The Viper of Milan from the library shelf…From that moment I began to write.” Maya Angelou, Letter to My Daughter William Faulkner, Absalom, Absalom Read a transcript here Elizabeth Ferry is Professor of Anthropology at Brandeis University. Email: ferry@brandeis.edu. John Plotz is Barbara Mandel Professor of the Humanities at Brandeis University and co-founder of the Brandeis Educational Justice Initiative. Email: plotz@brandeis.edu. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Our second January Novel Dialogue conversation is with Caryl Phillips, professor of English at Yale and world-renowned for novels ranging from The Final Passage to 2018's A View of the Empire at Sunset. He shares his thoughts on transplantation, on performance, on race, even on sports. Joining him here are John and the wonderful comparatist Corina Stan, author of The Art of Distances: Ethical Thinking in 20th century Literature. If you enjoy this conversation, range backwards through the RtB archives for comparable talks with Jennifer Egan, Helen Garner, Orhan Pamuk, Zadie Smith, Samuel Delany and many more. It's a rangy conversation. John begins by raving about Caryl's italics–he in turn praises Faulkner's. Corina and Caryl explore his debt (cf. his The European Tribe) to American writers like Richard Wright and James Baldwin. Meeting Baldwin was scary–back in those days before there were “writers besporting themselves on every university campus.” Caryl praises the joy of being a football fan (Leeds United), reflects on his abiding loyalty to his class and geographic origins and his fondness for the moments of Sunday joy that allow people to endure. John raises Orhan Pamuk's claim (In Novel Dialogue last season) that the novel is innately middle-class; Caryl says that it's true that as a form it has always taken time and money to make–and to read. But “vicars and middle class people fall in love, too; they get betrayed and let down…a gamut of emotion that's as wide as anybody else.” He remains drawn to writers haunted by the past: Eliot, W.G. Sebald, the huge influence of Faulkner trying to stitch the past to the present. Mentioned in the Episode James Baldwin, Blues for Mister Charley, The Fire Next Time Richard Wright, Native Son Johnny Pitts, Afropean Caryl Phillips, Dancing in the Dark J. M. Coetzee, “What We like to Forget” (On Caryl Phillips) Graham Greene (e.g Brighton Rock and The Quiet American) wrote in “The Lost Childhood” (1951) that at age 14 ” I took Miss Marjorie Bowen's The Viper of Milan from the library shelf…From that moment I began to write.” Maya Angelou, Letter to My Daughter William Faulkner, Absalom, Absalom Read a transcript here Elizabeth Ferry is Professor of Anthropology at Brandeis University. Email: ferry@brandeis.edu. John Plotz is Barbara Mandel Professor of the Humanities at Brandeis University and co-founder of the Brandeis Educational Justice Initiative. Email: plotz@brandeis.edu. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Caryl Phillips, professor of English at Yale, world-renowned and prize-winning novelist (from The Final Passage to 2018's A View of the Empire at Sunset) shares his thoughts on transplantation, on performance, on race, even on sports. Joining him here are John and the wonderful comparatist Corina Stan, educated in Romania, Germany, France and the US, authorContinue reading "2.5 Stitching the Past to the Present: Caryl Phillips speaks with Corina Stan (JP)"

To wrap up our 30th anniversary celebrations, Eleanor revisits Writers & Company's 25th anniversary special with Aleksandar Hemon, Caryl Phillips and Zadie Smith at the Toronto International Festival of Authors in 2015.

From Roman emperor Septimius Severus to Senegal's Signares to the ten days in Harlem that Fidel Castro used to link up with African leaders at the UN, through to the missed opportunity to enshrine racial equality in post war negotiations following World War I; Olivette Otele, Simon Hall and Jake Hodder share their research findings with New Generation Thinker Christienna Fryar. Olivette Otele is Professor of the History of Slavery at the University of Bristol and Vice-President of the Royal Historical Society. Her book African Europeans: An Untold History is published on 29 October 2020. Simon Hall is Professor of Modern History at the University of Leeds. His book Ten Days in Harlem: Fidel Castro and the Making of the 1960s is out now. Jake Hodder is Assistant Professor in the School of Geography at Nottingham University and has published articles on Black Internationalism and the global dynamics of race. New Generation Thinker Christienna Fryar runs the MA in Black British History at Goldsmiths, University of London You can find Catherine Fletcher talking about Alessandro de Medici in this Essay for Radio 3 https://www.bbc.co.uk/programmes/b06nrv7k Robin Mitchell discusses her researches into Ourika, Sarah Baartman and Jeanne Duval in a Free Thinking episode called How we talk about sex and women's bodies https://www.bbc.co.uk/programmes/m000f5n6 The Early Music Show on Radio 3 looks at the life of Joseph Boulogne de Saint Georges https://www.bbc.co.uk/programmes/b0801l4g The Shadow of Slavery discussed by Christienna Fryar, Katie Donington, Juliet Gilkes Romero and Rosanna Amaka https://www.bbc.co.uk/programmes/m000f7d5 Slavery Stories in the fiction of Esi Edugyan and William Melvin Kelley https://www.bbc.co.uk/programmes/m0001bch What Does a Black History Curriculum Look Like ? https://www.bbc.co.uk/programmes/m000kpl5 Johny Pitts looks at Afropean identities with Caryl Phillips https://www.bbc.co.uk/programmes/m0005sjw This episode of Free Thinking is put together in partnership with the Arts and Humanities Research Council, part of UKRI as one of a series of discussions focusing on new academic research also available to download as New Thinking episodes on the BBC Arts & Ideas podcast feed. You can find the whole collection here: https://www.bbc.co.uk/programmes/p03zws90 Producer: Karl Bos

This week in episode 33 EightyTwo NinetySix, Gabrielle and Ashley discuss how they learned about Blackness and Black history, if there is such a thing as being too "woke," what culture aka "for the culture" means to them, and why there can sometimes be disconnects throughout the African diaspora within the context of Black is King and the discussion around it.    Life Hack: Azlo + Novo for business banking    In Our Own Words: (there are lots of books this time y'all): The Vanishing Half by Brit Bennett, Things Fall Apart by Chinua Achebe, Homegoing by Yaa Gyasi, Dead Aid by Dambisa Moyo, Antigua by Jamaica Kincaid, Color Me English by Caryl Phillips, Half Of A Yellow Sun by Chimamanda Ngozi Adichie, Black Skin, White Masks + Wretched of the Earth by Franz Fanon, The Autobiography of Malcolm X as told to Alex Haley, The Philadelphia Negro by W.E.B. DuBois, Behold The Dreamers by Imbolo Mbue    Caption This (Music):  G: “Shine already, it’s time already” - Already by Beyonce, Shatta Wale & Major Lazer  A: “It's an unequal sequel/No matter where I be/There's no place safe for me” - I Just Wanna Live,  Keedron Bryant   Remember to rate and subscribe to the podcast! Join the conversation online by mentioning @eighty2ninety6 on Twitter or Instagram or by using the hashtag #EightyTwoNinetySix   

Il arrive parfois dans la vie que le hasard favorise de belles rencontres et de grandes discussions. Ce nouvel épisode est le fruit de cette synchronicité.    Parce que c'est finalement Marseille où je vis actuellement, qui a été le lieu de rendez-vous de cet épisode. Johny Pitts que vous allez entendre, auteur du livre Afropean - Notes from Black Europe, originaire du Nord de l'Angleterre, est tombé amoureux de cette ville et a décidé de s'y installer. Coup de chance ou joli coup de pouce du destin, sûrement un peu des deux.     Parce que l'actualité m'a rattrapée. L'Afropéanité n'est pas un sujet très médiatique et pourtant ces dernières semaines, on a beaucoup parlé dans la presse de la place des personnes racisées dans notre société. Pour tout vous avouer, j'avais prévu de sortir cet épisode un peu plus tard dans l'été mais il m'a semblé qu'il faisait écho aux manifestations contre les violences policières, et surtout au débat entre mémoire et histoire.    Parce qu'en allant interroger Johny, Noro et Deborah sur la question de l'Afropéanité, c'est bien la mémoire de notre histoire européenne dont il est question : le colonialisme, l'esclavage, la lutte des droits civiques aux Etats-Unis et son impact en Europe, nos liens avec l'Afrique d'aujourd'hui. "Que tes parents, tes grands-parents, les parents de tes grands parents soient d'ici, ça ne compte pas. J'ai un enfant et son père est comme moi métisse. Je ne peux m'empêcher de me dire que quand il sera plus grand, on lui posera cette question “D'où tu viens” et il répondra “d'ici” et quand on lui demandera “Ok mes tes parents, d'où ils viennent ? d'ici.” Il va devoir expliquer tout son arbre généalogique pour justifier le fait d'être noir ici en Espagne." Deborah Ekoka, Fondatrice de la librairie United Minds Comment construit-on son identité européenne dans une Europe blanche quand on ne l'est pas ? Comment crée-t-on un sentiment d'appartenance lorsqu'on ne cesse de le remettre en question ? de vous renvoyer à de prétendues origines ? Cet épisode interroge la notion d'afropéanité ou qu'est-ce que cela veut dire aujourd'hui d'être afro et européen. J'ai eu la chance de rencontrer et de discuter de ce sujet avec trois afropéens, chacun avec leurs histoires, leurs parcours et un rapport à l'Europe particulier.  Dans ce 2ème épisode, vous allez entendre les témoignages et parcours de : Noro Issan Hamady, Cofondatrice du Collectif des Rosas et Membre du conseil d'administration de la Maison de l'Europe en Provence Deborah Ekoka, Fondatrice de la première librairie afro-centré à Valence (Espagne) United Minds, cofondatrice des festivals Black Barcelona et Conciencia Afro (Madrid).  Johny Pitts, écrivain et photographe, Cofondateur du média Afropean et Auteur d'Afropean, Notes from black Europe.  Extraits :
 L'assignation : les noirs n'existent pas, Tania de Montaigne, Grasset (2018) Mupepe de l'album Adventures in Afropea, Zap Mama (1993) Pour aller plus loin : Afropean, Notes from Black Europe de Johny Pitts, Penguin (2019) The European Tribe de Caryl Phillips, Vintage (1987), récit de voyage écrit à la fin des années 80 et qui a inspiré Johny dans son voyage à travers l'Europe noire.  Blues pour Elise de Léonora Miano, Plon (2010), roman qui raconte les parcours de quatre jeunes afropéennes.  Je vous invite à écouter l'album Adventures in Afropea de Zap Mama, dont vous entendez un extrait et qui a inspiré le terme d'afropéen et de regarder le documentaire passionnant d'Amandine Gay, Ouvrir la voix, sur les femmes noires issues de l'histoire coloniale européenne en Afrique et aux Antilles.   Vous pouvez aussi suivre la sortie des prochains épisodes en suivant la page Facebook et Linkedin du podcast. Crédits : Ce podcast a été écrit, réalisé et monté par Laetitia Chabannes. Lectures : Adélaide Cazali, Doublage : Lou Lefèvre et André Zollinger, Identité graphique : Aristote Truffaut (Oiseaux rares), Musique : Arnaud Paszkiewicz.

Caryl Phillips on his selection: It’s over thirty years since I first came upon the work of C.P. Cavafy. A friend of mine, a Polish poet, had recommended Cavafy’s Collected Poems translated by Edmund Keeley and Philip Sherrard. I worried a little that, not being a poet, there would not be any real point of connection. However, from the first page I recognized something in Cavafy’s work that struck a chord with me. Cavafy lived between two worlds—the Egyptian and the Greek—and had a complex relationship to the word “home.” He underpinned his work with historical detail and had little interest in the world of publishing. His was an essentially reflective, and reclusive, muse—looking back at time past and wondering about what lay ahead. This seems to be exactly what many of us are now doing. Taking this time to think about how to stitch together our past and present so that when we return to “normal” we might have a more balanced, and purposeful, sense of what we should do with the rest of our lives. Collected Poems of C.P. Cavafy, trans. Keeley and Sherrard at Bookshop.org Music: "Shift of Currents" by Blue Dot Sessions // CC BY-NC 2.0

To mark the 400 years since the arrival of African slaves to America, the author and playwright Caryl Phillips reflects on the life of one individual. In February 1766, a twenty-five year old African man, Philip Quaque, arrived back in his native Africa, with an English wife. He had been taken to England as a teenager to be educated as a Christian missionary. In England he had been ordained into the church, and married, and now the young man was to serve in a slave fort as both a missionary to his own African people, and a Chaplain to the English troops and merchants stationed on the coast. His was an impossible situation, trapped as he was between the hostility of his own people and the disdain of the English. For nearly half a century he managed to maintain a life balanced between these two opposing groups, and he recorded the anxieties visited upon him in a remarkable series of letters that he dispatched back to his employers in England. Producer Neil McCarthy

TBS Special: In the vein of our Pride episode from last year, we've gone and done a bit of research into the history of tennis and are coming to you with our findings on what tennis was like before and leading into the Open Era.   04:28 What was amateurism and why did it exist? 18:36 So, what did tennis look like in the first 90 years or so? 21:48 What happened when a player turned professional in the pre-Open Era? 29:34 Jack Kramer, professional kingpin & thorn in side of amateur tennis 34:48 The relative quality of amateur vs pro tennis 43:43 The rumblings of professionalization/Open Tennis 51:59 What about the women, you might be asking? 57:50 Margaret Court's record gets a bad rap? It's complicated 64:40 Richard Pancho Gonzalez and his undervalued place in history 71:37 A trio that stood out to us and a story about BJK Partial Reading List: “Open the Door, Stockholm!” - Martin Kane, Sports Illustrated, July 10, 1961 "Goodbye Billie Jean, With Love From Nancy" - Kim Chapin, Sports Illustrated, April 8, 1968 “Open Season For a Test of Time” - Kim Chapin, Sports Illustrated, August 26, 1968 “The Lone Wolf” - S.L. Price, Sports Illustrated, June 24, 2002 “For Love or For Money: A History of Amateurism in the Olympic Games” - L.A. Jennings, Vice, June 7, 2016 The Right Set: A Tennis Anthology, Caryl Phillips.

Writers including Penelope Lively, Caryl Philips, Howard Jacobson and Yomi Sode explore how this idea has changed over time. Help support our independent journalism at theguardian.com/bookspod

Johny Pitts is the founder of Afropean.com, an online user-generated journal which is part of the Guardian’s ‘Africa Network’. In October 2018, Pitts organised the Looking B(l)ack Symposium at the Bozar cultural centre in Brussels, which was a weekend of talks and performances dedicated to the notion of Black Travel. Pitts has received various awards for his work exploring African-European identity, including a Decibel Penguin Prize and an ENAR (European Network Against Racism) award. In 2012, Pitts collaborated with Caryl Phillips on a photographic essay about London’s immigrant communities for the BBC and Arts Council. His new book is Afropean: Notes on Black Europe. 5x15 brings together five outstanding individuals to tell of their lives, passions and inspirations. There are only two rules - no scripts and only 15 minutes each. Learn more about 5x15 events: www.5x15stories.com Twitter: www.twitter.com/5x15stories Facebook: www.facebook.com/5x15stories Instagram: www.instagram.com/5x15stories

Johny Pitts, Caryl Phillips and Nat Illumine discuss the idea of Afropean identity with Matthew Sweet. Plus New Generation Thinker Dina Rezk on Jehane Noujaim's Oscar nominated documentary The Square and Egyptian politics. Georgia Parris discusses her first film Mari - a family drama of birth, death and contemporary dance. Johny Pitts is one of the team behind https://afropean.com/ an online multimedia, multidisciplinary journal exploring the social, cultural and aesthetic interplay of black and European cultures. He runs this with Nat Illumine. Johny Pitts has just published a book Afropean: Notes from Black Europe Caryl Phillips' most recent novel A View of the Empire at Sunset is inspired by the travels of the writer Jean Rhys who moved from Dominica to Edwardian England and 1920s Paris and his first play Strange Fruit (1980) is being re-staged at the Bush Theatre in London until July 27th 2019. Mari by Georgia Parris is at selected cinemas from June 21st 2019. New Generation Thinkers is a scheme run by the BBC and the AHRC to select ten academics each year who can turn their research into radio. You can hear more from the 2019 Thinkers in this launch programme https://www.bbc.co.uk/programmes/m0004dsv Dina Rezk teaches at the University of Reading. You can find extended conversations with Claudia Rankine, Teju Cole, Linton Kwesi Johnson, Spike Lee and Paul Gilroy included in our playlist on the Free Thinking website and available as BBC Arts&Ideas podcasts https://www.bbc.co.uk/programmes/p04ly0c8 Producer: Fiona McLean

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In his novel “A View of the Empire at Sunset,” about the Dominican-born, British writer Jean Rhys, author Caryl Phillips wrote “there was something terribly illicit about her own waiflike presence in the world.” Though she was the author of revered works like “Wide Sargasso Sea,” Rhys rarely received the literary credit her work deserved during her life or after her death in 1979. A Fellow of the Royal Society of Literature and the Royal Society of the Arts, and recipient of the 2013 Anthony N. Sabga Caribbean Award for Excellence, Caryl will join Leonard for a discussion of Rhys’s early life and work.

Celebrated author and professor, Caryl Phillips speaks with Cultural Critic, Hilton Als to discuss his new book, A View of the Empire at Sunset. They cover a wide range of topics including colonialism, classism and racism in British society, the process of art-making, the necessity of imagination and much more.

Winner of five Tony Awards, Fun Home is a ground-breaking new musical about a lesbian girl coming out, based on Alison Bechdel's autobiographical graphic novel. Briony Hanson reviews the UK premiere at London's Young Vic theatre.Remarkably, Fun Home is the first Broadway musical with a lesbian protagonist. But are queer women underrepresented in drama in general? Briony is joined by theatre director Hannah Hauer-King to discuss the visibility and portrayal of lesbian characters in theatre, film and TV. The latest novel by the prolific Caryl Phillips, A View of the Empire at Sunset, is a fictional account of the life of Jean Rhys, author of The Wide Sargasso Sea, who came from the West Indies to London in 1906 at the age of sixteen. Caryl Phillips discusses his fascination with Rhys, and how writing her life in this way allows him to observe the decline of the Empire.Ahead of the announcement next week of the winner of the £100,000 Art Fund Museum of the Year 2018, we'll be reporting from each of the five shortlisted museums. Today we hear from Tate St Ives, which originally opened in 1993, but which re-opened to the public last year after two-year architectural extension. Presenter: Kirsty Lang Producer: Kate Bullivant.

We were joined by award-winning writer Caryl Phillips to discuss A View of the Empire at Sunset, his beautiful, heartbreaking novel about the life of Jean Rhys, author of Wide Sargasso Sea.

Contemporary novelist Caryl Phillips close reads a dramatic passage from ‘Another Country' by James Baldwin to see what we can learn from the great American writer.

Mariella Frostrup talks to award winning novelist Caryl Phillips whose new novel recalls Wuthering Heights and Mark Ravenhill and Richard T Kelly on a Reader's Guide to Kafka.

Caryl Phillips talks to Matthew Sweet about his new novel The Lost Child which re-imagines Heathcliff. The Shakespeare scholar Stanley Wells will be discussing his new book, Great Shakespearean Actors. The writer Lesley Lokko joins Matthew to discuss the events in South Africa after statues have been removed and vandalised. And a first night review of Eugene O'Neill's only comedy Ah, Wilderness! with Susannah Clapp.

Carmen Disruption is Simon Stephens' radical reworking of Bizet's opera, exploring the place where the actor becomes the character they're playing Home From Home, a 4 hour long cinematic prequel to the 53 hour long TV series Heimat, tells the tale of a fictional rural German village from the 1840s to the 1990s. Caryl Phillips' latest novel The Lost Child reimagines Wuthering Heights through several interweaving narratives. An exhibition of the work of Sonia Delaunay at Tate Modern is designed as a radical reassessment of her importance as an artist, showcasing her originality and creativity across the twentieth Century.

In this episode, writers and professors Jamaica Kincaid and Caryl Phillips discuss their lives and work at an event titled "Crossing the Black Atlantic." The event was held March 19, 2015 in the UNLV Student Union Theatre in Las Vegas, NV and was moderated by UNLV English professor Julia Lee.

A novel that includes displaced persons, new countries, war, Cyprus, the OED, Venice, Blood Libel and Othello – this should be sweet. So why does it all taste so healthy? Caryl Phillips sucks all the sugar out of what should be a thrilling experience. Why? Granola. >>> Download the mp3 file Subscribe in iTunes >>> From recent débuts to classics, fiction to non-fiction, memoirs, philosophy, science, history and journalism, Burning Books separates the smoking from the singeworthy, looking at the pleasures (and pains) of reading, the craft of writing, the ideas that are at the heart of great novels as well as novels that try to be great, but don’t quite make it. http://litopia.com/shows/burn/

A novel that includes displaced persons, new countries, war, Cyprus, the OED, Venice, Blood Libel and Othello – this should be sweet. So why does it all taste so healthy? Caryl Phillips sucks all the sugar out of what should be a thrilling experience. Why? Granola. >>> Download the mp3 file Subscribe in iTunes >>> From recent débuts to classics, fiction to non-fiction, memoirs, philosophy, science, history and journalism, Burning Books separates the smoking from the singeworthy, looking at the pleasures (and pains) of reading, the craft of writing, the ideas that are at the heart of great novels as well as novels that try to be great, but don’t quite make it. https://litopia.com/shows/burn/

This podcast is one of two keynotes at the  Rupture, Crisis, Transformation conference on the future of American Studies held at Birkbeck in November 2014 [the other, Caryl Phillips on the Star-spangled banner can be found here] Rejecting ideas of American exceptionalism, Wai Chee Dimock looks at the work of author William Faulkner in a world context, seeing him as a regional writer.  In doing so, she is able to explore how his is the voice of the defeated southern States of America - a thesis she develops with reference to things he said and wrote while in Japan in 1955  (then a recently defeated nation). American novelist William Faulkner was born into an old Southern family in the US. The Sound and the Fury (1929), As I Lay Dying (1930), Light in August (1932), and Absalom, Absalom! (1936) are perhaps his best known works and in 1949 he was awarded the Nobel Prize for Literature for "his powerful and artistically unique contribution to the modern American novel". Wai Chee Dimock presents a radically new reading of Faulkner, and it was an important contribution to the theme at the heart of the conference, "At the end of the 'American Century', how do we understand the United States?"   Wai Chee Dimock has written on every period of American literature, from Anne Bradstreet to Star Trek.  She also writes movie reviews for the Los Angeles Review of Books.  She argues for a broad conception of American literature, embracing a variety of time frames, bringing together materials both high and low, and scales both local and global.  Her work has appeared in publications ranging from Critical Inquiry to Salon. Dimock’s book, Through Other Continents: American Literature Across Deep Time (2006), received Honorable Mention for the James Russell Lowell Prize of the Modern Language Association and the Harry Levin Prize of the American Comparative Literature Association.  This approach is further developed in a collaborative volume, Shades of the Planet: American Literature as World Literature (2007). She is now working on two book projects, ‘Weak Theory,’ and ‘Low Epic: World Literature as Downward Recycling.’

This podcast is part of our Rupture, Crisis and Transformation series looking at new perspectives in the field of US Studies, drawn from the event of the same name at Birkbeck, University of London. It is the keynote presentation  from world-renowned author Caryl Phillips. The conference organiser Anna Hartnell, explains Anna Hartnell: Caryl Phillips is a major contemporary writer whose large body of fiction and non-fiction explores  various aspects of his own Caribbean, British and now American identities.  Though coming in from a different perspective from Wai Chee Dimock [the other keynote speaker at the conference, whose presentation you can find here], he has been involved in thinking about the United States, in various de-centered ways, that are really helpful for this particular conference. Bart Moore-Gilbert: Caryl is one of the most interesting and thought-provoking writers around today. Born in the Caribbean island of St. Kitts, he was brought up in Leeds and studied Literature at Oxford before moving eventually to the US. He has worked for a number of institutions in the US, and is currently professor of English at Yale. He is actually a colleague of our first keynote today. Caryl’s complex background of multiple cultural affiliations have given him a very distinctive and authoritative perspectives on the range of issues which are germane to this conference, including the ways in which racial, class, national diasporas, and national identities, get re-articulated in times of rupture, crisis and transformation. He has explored these preoccupations in a wide range of genres, including drama, fiction, screenplays and a variety of non-fictional modes, notably autobiography, travel writing and literal criticism, genres which characteristically co-exist in a relation of productive tension and collaboration in much of his work.  This dual track pattern of output is reflected in his two most recent books, the novel ‘In the Falling Snow’ of 2009 and the non-fiction collection ‘Colour me English’ of 2011. The importance of Caryl’s work has been recognized in a number of prestigious awards, including the Martin Luther King Memorial Prize, James Tate Black Memorial Prize and the Commonwealth Writers’ Prize. So distinguished is Caryl’s CV that I thought I had to find one blot on it and eventually I discovered that he is a passionate supporter of Leeds United. [Laughter] But we can forgive him that, I’m sure. So, the title of Caryl’s talk is ‘The Star Spangled Banner‘ and I think this is going to offer a writerly rather than academic perspective on some of the new directions in US Studies, which are suggested by notions of crises, rupture and transformation. So, please give a big hand to Caryl Phillips. [Applause] Caryl Phillips: Those of us who grew up in Britain have been spared the ordeal of having to hear the dreary tones of the national anthem ‘God Save the Queen’, on any kind of a regular basis. Dating back to 1619, the author of the national anthem is unknown, but the anthem first appeared in a published version in 1744. I’m just about old enough to remember when God Save the Queen was played at the end of films in the cinema. At such moments, we were expected to stand to attention, before filing out of the auditorium and onto the streets. Mercifully, this practice became obsolete before I was out of short trousers. In recent years, I’ve seldom had to endure the drone of the national anthem. As a nation, we hear it before the kick-off of England football matches. We also hear it on the rare occasions, at least prior to 2012, that a British athlete won a gold medal at an athletics championship or the Olympics. We might hear a snatch of it on the news whenever the monarch turns up on an official visit. But the fact is, God Save the Queen probably reached the height of its popularity during the heyday of the British Empire when nearly all the colonial territories utilised it as their national theme tune.

Caryl Phillips is the author of numerous books of nonfiction and fiction, including Crossing the River (winner of the 1993 James Tait Black Memorial Prize), A Distant Shore (winner of the Commonwealth Writer's Prize), and Dancing in the Dark (winner of the 2006 PEN/Beyond Margins Award). In this recording, Phillips reads from A Distant Shore and discusses his work with Margaret Cezair-Thompson, a Professor of Literature and Creative Writing and the author of The True History of Paradise and The Pirate's Daughter.

On Saturday, May 26, "The Writers Studio Reading Series" celebrated the 100th anniversary of the Yale Review, with authors who have some connection to the quarterly. The lineup of authors, including Louise Glück, Caryl Phillips, Edmund White and Michael Cunningham, read from their works at Le Poisson Rouge. All of the readers—with the exception of Edmund White, who has been published in the journal—teach at Yale. The writers were introduced by J.D. McClatchy, the current editor of the Review, who discussed the journal's impressive and colorful history as well as the difficulty small magazines face in the Internet age. “The literary quarterly is a threatened species,” he observed. However, if the packed room was any indication of the future of the Yale Review, McClatchy has nothing to fear. J.D. McClatchy, editor of the Yale Review, on the written word online versus in print: "I think that if writers had the choice between elegant paper and a beautifully printed piece or [being published] online and having thousands of more readers, I suppose they would answer that they want both." McClatchy on Robert Frost: "Robert Frost was a long-time contributor to the Yale Review and once wrote to the editor complaining about the $10 fee that he was paid for one extraordinary poem after another. 'Could he get more money?' The editor wrote back and said, 'No, this is going rate.' And Frost wrote back and said, 'Well, I regret your decision, but I’d rather be published in the Yale Review and make less money then be published elsewhere and make more.'” Caryl Phillips, Yale professor and author of "In the Falling Snow," on the pleasures of writing fiction: "One of the nice things about being a writer of fiction is that one is able to hide. Hiding one's personal life, hiding the tracks and the footprints that have led you to where you are now always seems to be one of the few pleasures of writing fiction. You can disappear, be offstage." Edmund White, Princeton professor and author of "City Boy: My Life in New York During the 1960s and '70s" on reaching out: "My new best friend is John Irving and he just sent me his book and it’s all about being gay—and mine has all these daring straight scenes. Well, at a certain age, I guess you have to start reaching out."

Yale English professor Caryl Phillips will read from his novel "In the Falling Snow". "In the Falling Snow" is the story of the breakdown and recovery of one man, whose exploration of his own identity raises questions of race, immigration and class in modern Britain.

Caryl Phillips, Professor of English at Yale University and the author of eight novels, two anthologies, and three works of non-fiction, describes his process of writing the introduction to the British edition of Richard Wright’s landmark text, Native Son.

The Nature of Blood (Knopf) In her latest novel, Caryl Phillips contrasts slavery and genocide in the lives of Jews and Africans over several centuries. A discussion about the parallel history of prejudice.

Crossing the River Slavery is the controlling theme in this discussion of history, family and the African-American experience.