Podcasts about honor daumier

durée : 00:56:14 - Autant en emporte l'Histoire - par : Stéphanie Duncan - 1831. Honoré Daumier réalise une caricature féroce et drôlissime du roi Louis-Philippe qui lui vaudra 6 mois de prison ferme et cinq cents francs d'amende. Mais ceux qui croient le faire taire se trompent : ce séjour à la prison de Sainte-Pélagie ne fera que renforcer ses convictions républicaines. - invités : Laurent Bihl - Laurent Bihl : Historien, maître de conférences en histoire contemporaine à l'université Paris 1 Panthéon-Sorbonne - réalisé par : Anne WEINFELD

Wer so porträtiert wird, hat nichts mehr zu lachen. Honoré Daumier stellte 32 Grimassen aus Ton dar, die an Bösewichte aus Comics erinnern. Bei den komischen Fratzen handelt es sich jedoch um die politische Elite Frankreichs. Weshalb deren adelige Besetzung den Bürger*innen ein Dorn im Auge war und wieso Daumier für seine kritische Kunst sogar im Gefängnis landete, erzählt Kunstcomedian Jakob Schwerdtfeger in diesem Kunstsnack.

Reinhardt, Anjawww.deutschlandfunk.de, Kultur heute

This week: masters week in New York—can the market for historic works be revived? Scott Reyburn, a market reporter for The Art Newspaper, has for some time been exploring the decline in the trade for Old Master paintings. He looks ahead to the auctions in Masters Week in New York, which begin this weekend. In India on Monday, the prime minister Narendra Modi inaugurated a vast temple to the Hindu god Ram in the city of Ayodhya. The temple replaces a 16th-Century mosque that was destroyed by Hindu mobs in 1992, an event that provoked riots in which nearly 2,000 people died, most of them Muslim people. Our deputy art market editor and regular correspondent in India, Kabir Jhala, is in Mumbai, and joins us to discuss this pivotal issue in modern Indian history, what it means ahead of India's general election in the spring, and whether it is affecting the Indian art market. And this episode's Work of the Week is Madame déménage (1867), a political cartoon by the French artist Honoré Daumier that was deemed so provocative in its time that it was not published. The lithograph is part of an exhibition at the Städel Museum in Frankfurt that features 120 Daumier works from the Hellwig Collection. Hans-Jürgen Hellwig, the who is donating the collection to the Städel, joins us to discuss this incendiary image.Honoré Daumier: The Hellwig Collection, Städel Museum, Frankfurt, Germany, until 12 May.Offer: to get The Art Newspaper's magazine The Year Ahead 2024, an authoritative guide to the world's must-see art exhibitions and museum openings, get a print and digital subscription to The Art Newspaper at theartnewspaper.com before 15 February. Your copy of The Year Ahead will arrive with your next printed issue. You can buy the magazine on its own on the website for just £9.99 or $13.69. Hosted on Acast. See acast.com/privacy for more information.

Daumier ist vor allem als scharfzüngiger Karikaturist und brillanter Lithograf in Erinnerung geblieben. Doch: „Daumier ist zuallererst ein politischer Künstler“, sagt Astrid Reuter vom Frankfurter Städel Museum. Und als solchen zeigt ihn dort nun auch eine neue Ausstellung.

durée : 00:59:06 - Entendez-vous l'éco ? - par : Tiphaine de Rocquigny - Au XIXème siècle, dans la France de Louis-Philippe, une classe bourgeoise s'enrichit sous la houlette du pouvoir royal. Cette société inégalitaire est au cœur de l'œuvre d'Honoré Daumier, caricaturiste porté par le développement de la presse satirique. - invités : Ségolène Le Men Professeur d'histoire de l'art contemporain à l'Université de Paris 10-Nanterre.; Laurent Bihl Historien des médias à l'Université Paris 1 - Panthéon Sorbonne

Hoje, mergulhamos de cabeça em um tema intrigante e, por que não dizer, revolucionário: "O Evangelho Segundo Barbie". Sim, você ouviu certo. Estamos prestes a explorar a coqueluche do momento, a icônica boneca de plástico que gerou tanto burburinho com seu novo filme. Neste episódio, o Professor Lenio Streck nos conduz por uma análise única e perspicaz desse fenômeno cultural. Com um toque de humor e uma pitada de provocação, o Prof. Streck mergulha no universo da Barbie e examina o recente filme que a trouxe de volta à ribalta. Enquanto muitos elogiam o filme, há aqueles que se opõem, e o nosso anfitrião não fica de fora dessa polêmica. O Prof. Streck nos brinda com sua visão crítica sobre o filme, indo na contramão das opiniões populares. Ele explora como a Barbie se tornou uma figura revolucionária e como a sociedade tem reagido a essa transformação. Além disso, o episódio não deixa de lado suas características marcantes, com reflexões que vão desde a história da Barbie até comparações com figuras políticas e sociais. No final, a pergunta que fica é profunda: como é possível que uma boneca de plástico tenha gerado tanta controvérsia e discussão? Será que estamos tão ávidos por mensagens diretas e claras que perdemos a capacidade de compreender sutilezas e nuances? Preparados para uma jornada inusitada e cheia de reflexões? Então, ajustem seus fones de ouvido e embarquem conosco nesta análise surpreendente. "Lenio Streck em Podcast #44 - O Evangelho Segundo Barbie" está prestes a começar. (A obra do cartaz é do artista Honoré Daumier). Para ficar por dentro dos acontecimentos envolvendo as diversas temáticas jurídicas, siga, no Instagram, o perfil oficial do Prof. Lenio Streck (@lenio_streck) e do Streck & Trindade Advogados (@strecketrindade), e acompanhe as colunas do Senso Incomum, no site do Conjur.

Tom Huck - Evil Prints http://www.evilprints.com/EVIL PRINTS @SPIDERHOLE STUDIO, PO BOX 666, PARK HILLS, MO 63601, UNITED STATES EVILHEADCREW@GMAIL.COMTom Hück (born 1971) is an American printmaker best known for his large-scale satirical woodcuts. He lives and works in Park Hills, Missouri, 60miles south of St. Louis, where he runs his own press Evil Prints @ Spiderhole Studio. His work is influenced by Albrecht Dürer, José Guadalupe Posada, R. Crumb, and Honoré Daumier.  Huck's woodcut prints are included in numerous public and private collections, including the Whitney Museum of American Art, Library of Congress, Spencer Museum of Art, Nelson Atkins Museum of Art, Saint Louis Art Museum, Milwaukee Art Museum, Minneapolis Institute of Art, Houston Museum of Fine Arts, Baltimore Museum of Art, The Art Institute of Chicago, Fogg Art Museum, Michael C. Carlos Museum, and The New York Public Library. Huck has been represented by David Krut Art Projects in New York, Sherry Leedy Contemporary Art in Kansas City, Missouri, and Duane Reed Gallery in St. Louis, Missouri.  Beginning in October 2017 Huck's gallery representation is C. G. Boerner in New York.Huck's illustrations have appeared in publications such as The Village Voice, The Riverfront Times, and the Minneapolis City Pages.  Hück has also worked with many music acts over the years most notably The Roots “Phrenology” album cover art, as well as t shirt and poster designs for Motörhead, A Perfect Circle, TILTS, and many others.As of Spring 2021 The Saint Louis Art Museum has become the complete official archive of all of Tom Hück's work dating from 1995 to the present. This episode is sponsored by www.betterhelp.com/TheBarn and presented to you by The Barn Media Group.

Photo:  Brooklyn Museum - "Non madame je ne quitterai pas..." - Honoré Daumier  ("No, Madame; I will not stop.") PRC bullies and romances Europe.  Theresa Fallon @TheresaAFallon, @ChicagoCouncil, director of the Centre for Russia Europe Asia Studies. @GordonGChang, Gatestone, Newsweek, The Hill A bully:  "harasser of the weak" https://www.reuters.com/world/asia-pacific/lithuania-considers-modifying-taiwan-representation-name-defuse-row-with-china-2022-01-25/ Theresa Fallon. @TheresaAFallon, @ChicagoCouncil  Director, Centre for Russia Europe Asia Studies (CREAS) NR Snr Fellow

Photo:. La Queue au Spectacle, Honoré Daumier lithograph. CBS Eye on the World with John Batchelor CBS Audio Network @Batchelorshow Canada queues vs US, UK, EU  queues for vaccine and recovery.  @ConradMBlack @NationalPost https://nationalpost.com/opinion/conrad-black-i-stood-in-line-for-a-vaccine-it-was-grand-just-like-canadas-ice-cubes

Un día como hoy, 11 de febrero. Nace: 1869: Else Lasker-Schüler, poeta y escritora alemana. 1878: Kazimir Malevich, pintor ruso. 1909: Joseph L. Mankiewicz, cineasta estadounidense. Fallece: 1650: René Descartes, filósofo y matemático francés. 1879: Honoré Daumier, pintor y caricaturista francés. 1948: Serguéi Eisenstein, director ruso de teatro y cine. 1963: Sylvia Plath, poetisa y novelista estadounidense. Una producción de Sala Prisma Podcast. 2021

Historiquement Vôtre réunit 3 personnages qui frisent la caricature et la défrisent aussi ! Le tout premier, Honoré Daumier, et le regretté Cabu tué dans l’attentat de Charlie Hebdo il y a 6 ans. Et Chuck Norris, le comédien le plus caricatural de l'Histoire qui ne sait jouer qu'un seul rôle... celui de Chuck Norris !

Historiquement Vôtre réunit 3 personnages qui frisent la caricature et la défrisent aussi ! Le tout premier, Honoré Daumier, et le regretté Cabu tué dans l’attentat de Charlie Hebdo il y a 6 ans. Et Chuck Norris, le comédien le plus caricatural de l'Histoire qui ne sait jouer qu'un seul rôle... celui de Chuck Norris !

O podcast de hoje aborda a seguinte questão: a responsabilidade social dos coachings jurídicos e dos elaboradores de resumos simplificados. Direito é uma “coisa simplinha”(sic)? Como desenvolver e discutir questões jurídicas extensas, profundas, que exigem raciocínio filosófico, se o Direito é tratado de maneira resumida e “por música“? Que tipo de juristas estamos formando? Para ficar por dentro dos acontecimentos envolvendo as diversas temáticas jurídicas, siga o seu perfil oficial no Instagram (@lenio_streck) e acompanhe as colunas do Senso Incomum, no site do Conjur. (A obra do cartaz é do artista Honoré Daumier).

O acontecimento envolvendo o Desembargador do Tribunal de Justiça de São Paulo, ocorrido na cidade de Santos no último dia 18, foi objeto de duras críticas feitas - com razão - pela esmagadora maioria da comunidade jurídica. A racionalidade patrimonialista brasileira sustenta uma violência simbólica que se manifesta na ordem social, resultando em agires segregadores e subjugadores. No podcast de hoje, o Professor Lenio trata do assunto utilizando-se de alguns exemplos que demonstram essa realidade social, tal como a diferença entre elevadores sociais e elevadores de serviço nos prédios. Para ficar por dentro dos acontecimentos envolvendo as diversas temáticas jurídicas, siga o seu perfil oficial no Instagram (@lenio_streck) e acompanhe as colunas do Senso Incomum, no site do Conjur. (A obra do cartaz é do artista Honoré Daumier).

Marshall and Stan discuss the pros and cons of studying multiple disciplines and their effect on learning art. A caller wants to know if the overhand grip can be applied to drawing with a digital stylus. Both Draftsmen have “thangs” that help them stay physically fit and active. Call and Ask Your Art Questions: 1-858-609-9453 How to Hold a Pencil: https://youtu.be/pMC0Cx3Uk84 Eddie O'Connor - Psychology of Performance: http://amzn.to/2LJ4ieC Walter Murch (film editor): https://www.imdb.com/name/nm0004555/ The Natural Way to Draw by Kimon Nicolaïdes: https://amzn.to/2lzmufN Shel Silverstein: https://proko.com/draftsmen-media/shell-silverstein.jpg Referenced Artists William Blake, David Bowie, Norman Rockwell, Honoré Daumier, and Justin Sweet: https://proko.com/334 Learn to Draw - www.proko.com Marshall Vandruff - www.marshallart.com Stan Prokopenko - instagram.com/stanprokopenko  Learn more about your ad choices. Visit megaphone.fm/adchoices

The Modern Art Series: Coubet and Manet and I am joined in studio with Guest- Host, Harry Mattull (@harrymattullart) We discuss French Realism with artists: Gustave Courbet, Jean-François Millet, Honoré Daumier and the first Modern Artist, Édouard Manet. Click Here to See Paintings Discussed in this Episode  I'd like to thank Harry for joining me on this podcast. Check out his artwork on Instagram at @harrymattullart and see some of his work in the show notes, click link to view. Show Notes - paintings discussed - available at www.collisionpodcast.com Collision Podcast, Where Art, History & Music Collide with Host Sharon M. Fitzgerald, MA  

Episode One: an Intro to the Show Next, check out Episode 2 (CP02), the first in the Modern Art Series.  I am joined in studio with Guest, Harry Mattull and we discuss French Realism with artists: Gustave Courbet, Jean-François Millet, Honoré Daumier and the first Modern Artist, Édouard Manet. All Episodes and Show Notes - all paintings discussed - are available at www.collisionpodcast.com Collision Podcast: Where Art, History and Music Collide with your host, Sharon M. Fitzgerald, MA.  This podcast is created to explore art, history and music with special guests coming to you live from Los Angeles 2018. Available on iTunes, Stitcher GooglePlay and Spotify. www.collisionpodcast.com       

Adam & British comedian/poet/actor Tim Key enjoy a rambly conversation as they look at some art in London's Courtauld Gallery.This episode was sponsored by ART FUND, the national fundraising charity for art. Find out more by visiting Artfund.org/BUXTONTIM KEY TOUR DATES: https://www.timkey.co.uk/Thanks to Séamus Murphy-Mitchell for production support. Music and jingles by Adam BuxtonThe Supermarket Confrontation jingle features bass from Dan Hawkins: https://www.onlinebassplayer.com/ and instruments from the Soniccouture plug in: http://www.soniccouture.com/en/RELATED LINKS‘DON QUIXOTE AND SANCHO PANZA' by HONORÉ DAUMIER (1869 - 1872)https://www.bbc.co.uk/programmes/p02tvn6d/p02tvm60‘LA LOGE' by PIERRE AUGUSTE RENOIR (1874)https://www.telegraph.co.uk/culture/art/3671758/Renoir-A-glorious-night-of-intrigue.html‘A BAR AT THE FOLIES-BERGÈRE' by ÉDOUARD MANET (1882)https://courtauld.ac.uk/gallery/collection/impressionism-post-impressionism/edouard-manet-a-bar-at-the-folies-bergereANDY WARHOL ‘YES' 'NO' INTERVIEW (1964)https://www.youtube.com/watch?v=jr8NE7r1szU‘QUEUE' by ALEKSEI SUNDUKOV (1986)http://en.rusmuseum.ru/collections/painting-of-the-second-half-of-the-xix-century-beginning-of-xxi-century/artworks/ochered/WILLIAM WEGMAN - STOMACH SONG (1970)https://www.youtube.com/watch?v=7bOym_kkvaEWILLIAM WEGMAN - DEODORANT (1972)https://www.youtube.com/watch?v=lrdnlPK9sUQ‘YOUNG WOMAN POWDERING HERSELF' by GEORGES SEURAT (1888 - 1890)http://www.artandarchitecture.org.uk/images/gallery/6007ba8c.html‘ESCAPING CRITICISM' by PERE BORRELL DEL CASO (1874)http://rijksmuseumamsterdam.blogspot.co.uk/2012/01/pere-borrell-del-caso-escaping.htmlTIM KEY DELVES INTO DANIIL KHARMS AND THAT'S ALL (2016)https://www.bbc.co.uk/programmes/b072n5xcTHE INCOMPLETE TIM KEY (AUDIOBOOK)https://www.audible.co.uk/pd/Arts-Entertainment/The-Incomplete-Tim-Key-Audiobook/B005FYK89EAnd finally, here's ‘CHARLYWOOD'http://www.intro.charlywood.com/index.html See acast.com/privacy for privacy and opt-out information.

Theaetetus (Ancient Greek: ΘΕΑΙΤΗΤΟΣ) discusses epistemological concepts including perception, true judgment and knowledge. Socrates compares the human mind to a piece of wax and is critical of lawyers who seek only to persuade using rhetoric. Painting: The Studio by Honoré Daumier.

With Mark Lawson. Dame Judi Dench discusses her role in the new film Philomena, in which she plays a 70-year-old Irish woman who is looking to trace her son, taken away from her when she was a teenager. She discusses portraying and meeting the real Philomena Lee, and working with Steve Coogan, who co-scripted and co-stars in the film as Martin Sixsmith, the man who helped Philomena find her child. Honoré Daumier was a French printmaker, sculptor and painter whose work offered a social commentary on 19th Century French life. A new exhibition, Visions of Paris, explores his legacy. Booker Prize-winning novelist Julian Barnes reviews the show. Henrik Ibsen's play Ghosts is enjoying two very different new productions at the moment. In English Touring Theatre's staging, the sets take inspiration from designs originally made for the play by Edvard Munch in 1906. In Richard Eyre's new version, at the Almeida Theatre, London, the transparent walls of the set provide a stark contrast to the secrets hidden by the characters. Tim Hatley who designed the Almeida's production and Sue Prideaux, Munch's biographer, discuss the different approaches to representing the text. Peep Show stars David Mitchell and Robert Webb reunite in Ambassadors, a TV comedy-drama series about the inner-workings of an embassy in the fictional country of Tazbekistan. Briony Hanson of the British Council delivers her verdict. Producer Jerome Weatherald.

L'oeuvre » Zwei Männer, einander in höherer Stellung vermutend, begegnen sich«, 1903 [Deux hommes se rencontrent, pensant chacun que l'autre lui est supérieur] fait partie de la série des »Inventionen« [Inventions], onze eaux-fortes exécutées entre 1903 et 1905, qui, par leur technique minutieuse et le travail du détail pour restituer le relief, rappellent les gravures des maîtres anciens. Dans son journal, Paul Klee désigne les »Inventionen« sous le terme d'»Opus I«, donc comme les premiers exemples valables d'une création bien à lui. Inspiré par des modèles tels que Francisco de Goya et Honoré Daumier, l'artiste étudie dans les »Inventionen« l'homme dominé par ses pulsions, et leur déformation par la morale sexuelle bourgeoise. D?autres feuillets, comme »Zwei Männer, einander in höherer Stellung vermutend, begegnen sich«, 1903, [Deux hommes, se croyant l'un l'autre en position supérieure, se rencontrent] relèvent de la critique sociale et politique.

Paul Klee's »Zwei Männer, einander in höherer Stellung vermutend, begegnen sich«, 1903,[Two men meet, each believing the other to be of higher rank] is part of a group of works known as the »Inventionen« [Inventions], eleven etchings from the years 1903 to 1905, whose meticulous technique and detailed, relief-like composition is reminiscent of drawings by the Old Masters. In his diary, Klee described the »Inventionen« as »opus I« and called them the first fully valid examples of his individual artistic production. Inspired by artists such as Francisco de Goya and Honoré Daumier, Klee used his »Inventionen« to explore man?s domination by his physical urges and how it becomes twisted by bourgeois sexual morals. »Zwei Männer, einander in höherer Stellung vermutend, begegnen sich«, 1903, [Two men meet, each believing the other to be of higher rank] is kind of a political and socio-critical nature.

»Zwei Männer, einander in höherer Stellung vermutend, begegnen sich«, 1903, gehört zu der Werkgruppe der »Inventionen«, elf Radierungen aus den Jahren 1903 bis 1905, die in ihrer minuziösen Technik und detailgetreuen, reliefartigen Ausarbeitung an Grafiken alter Meister erinnern. In seinem Tagebuch bezeichnete Klee die »Inventionen« als »Opus I« und damit als erste vollgültige Beispiele seines eigenständigen Schaffens. Inspiriert von Vorbildern wie Francisco de Goya und Honoré Daumier, setzte sich der Künstler in den »Inventionen« mit der Triebhaftigkeit des Menschen und deren Verbiegung durch die bürgerliche Sexualmoral auseinander. »Zwei Männer, einander in höherer Stellung vermutend, begegnen sich«, 1903, hat einen gesellschaftskritischen und politischen Charakter.

Honoré Daumier, The Uprising (L’Emeute), 1848 or later, Acquired 1925 Oil on canvas