Podcasts about honor daumier

The longer you create mokuhanga, the more your individual tastes reveal themselves in your own  work, your style, your ideas, and your unique way of seeing the world. These are the qualities that make a mokuhanga artist or craftsperson shine, and they represent the place many practitioners aspire to reach. On this episode of The Unfinished Print: A Mokuhanga Podcast, I speak with someone who has spent decades refining his style, developing his ideas, and defining his relationship with mokuhanga at the same time exploring a variety of printmaking mediums. Daniel Kelly lives and works in Kyoto, Japan, and for many years his work has been exhibited in galleries all around the world. It can also be found in private collections and in some of the world's most important museums. We discuss Daniel's studies under Tomikichiro Tokuriki and the lasting influence Tokuriki has had on his work. Daniel explains his preference for papers from outside Japan and why he generally avoids using Japanese washi. He also details his creative process, discusses his use of multiple printmaking mediums alongside mokuhanga, and he reflects on the advantages each brings to his practice. We also talk about galleries, selling work, and Daniel's views on tradition—and how, in some cases, it can hold artists back. Please follow The Unfinished Print and my own mokuhanga work on Instagram @andrezadoroznyprints or email me theunfinishedprint@gmail.com Notes: may contain a hyperlink. Simply click on the highlighted word or phrase. Artists works follow after the note if available. Pieces are mokuhanga unless otherwise noted. Dimensions are given if known. Print publishers are given if known. Daniel Kelly - website  Children's Parade (2025) [16" x 28") Lithograph on kozo Typhoon (2002) Lithograph, woodblock, and platinum on Nepalese paper. Tomikichirō Tokuriki (1902-2000) - was a Kyoto based mokuhanga printmaker and teacher. His work touched on many themes and styles. From "creative prints" or sōsaku hanga in Japanese, and his publisher/printer prints, or shin hanga prints of traditional Japanese landscapes.  Spring Night at Hirasawa Pond  (1970's) deshi (弟子) - is an apprentice under a teacher in Japanese culture. It can be found across many disciplines such as martial arts, fine arts and sport.  Citty Lights Bookstore - City Lights Bookstore is a famous independent bookstore in San Francisco's North Beach neighborhood, founded in 1953 by poet Lawrence Ferlinghetti (1919-2021). Clifton Karhu (1927-2007) -  was a mokuhanga printmaker based in Japan. Karhu lived in Japan for most of his life after studying with Tetsuo Yamada and Stanton Macdonald-Wright. HIs themes were of his home city of Kyoto, Japan. More information can be found, here.  Shijo River Bank - Famous Places of Kyoto (18.5" x 15.2")  Honoré Daumier (1808–1879) was a French printmaker, painter, and sculptor best known for his sharp social and political satire. Working primarily in lithography, he created thousands of prints that critiqued politicians, the legal system, and everyday life in nineteenth-century France. Daumier's ability to combine technical mastery with keen observation of human character made him one of the most influential printmakers in Western art history, and his work continues to inspire artists today. Les Plaisirs de l'Hiver (1836) Colour Lithograph [7" x 8.3"] Ted Coyler - is a Canadian printmaker originally from Nova Scotia, Canada. He studied under Toshi Yoshida and makes mokuhanga with mixed media as well as CEAHD lithography. More info, here.  Tsumago (20" x 14")  CWAJ (College Women's Association of Japan) Print Show - is one of Japan's most respected exhibitions of contemporary printmaking. Established in 1956, the annual exhibition showcases both emerging and established artists working across a variety of printmaking techniques. Organized by the College Women's Association of Japan, the show has played an important role in promoting contemporary Japanese prints to international audiences while supporting educational scholarships and programs. For many artists, inclusion in the exhibition is a significant mark of recognition within the printmaking community.  Maurice Sanchez - is a New York–based master printmaker specializing in lithography and collaborative fine art printing. Working through his workshop Derrière L'Étoile Studios, he has collaborated with many major contemporary artists, helping translate drawings and ideas into technically precise and visually rich prints. More info, here.  Untitled (1988) by Maurice Sánchez, Barbara Kruger & James Miller - photo offset lithograph on Rives BFK wove paper   Tatyana Grosman (1904–1982) - was a Russian-American print publisher and founder of Universal Limited Art Editions (ULAE) on Long Island, one of the most influential print workshops in postwar American art. Working closely with artists in a highly collaborative studio environment, she encouraged experimentation with lithography and other print techniques, helping to redefine printmaking as a primary artistic medium rather than reproduction. Through ULAE, she supported landmark collaborations with artists such as Jasper Johns, Robert Rauschenberg, Helen Frankenthaler, and Cy Twombly, playing a central role in the resurgence of American printmaking in the 1960s. Nihonteki (日本的) - is a Japanese word meaning Japanese-style. And is often used to describe a thing thsat reflects qualities that are associated with Japan. It's often used to describe something that reflects qualities associated with Japan such as aesthetics, behavior, design, or cultural approach.  Tamarind Institute - was originally founded in Los Angeles in 1960 by June Wayne, and is a world renowned center for fine art lithography. Established to revive and sustain the art of lithography, which was in decline in the United States, Tamarind quickly became a leader in the education and promotion of lithographic techniques. In 1970, the institute moved to the University of New Mexico in Albuquerque, where it continues to thrive as a key institution in the printmaking world. Dedicated to advancing the lithographic arts through rigorous education, collaborative projects, and the production of high-quality prints, the Tamarind Institute's influence extends globally, contributing significantly to the development and appreciation of lithography as a vibrant art form. More info, here.  Michael Verne - is a gallerist based in Cleveland, Ohio, USA.  Michael specializes in contemporary Japanese prints and paintings. Michael's interview with The Unfinished Print can be found, here.  Sarah Brayer - is a visual artist who is based in Kyoto, Japan. Her works are predominantly poured Japanese paper (washi). Sarah was the first Western artist to work at the Taki paper mill in Echizen. This is where she currently make her paperworks. Sarah have worked continuously in Echizen since 1986 as the only Western artist to do so. Sarah Brayer has also produced mokuhanga in her career. More information can be found, here. Sarah's interview with The Unfinished Print can be found, here.  White Spread (2026) - poured washi [23.75″ x 36.25″] Ren Brown Collection -  is gallery in Bodega Bay, California featuring contemporary Japanese prints, handmade ceramics and jewelry, Japanese antiques, and works by California artists and sculptors. Each piece reflects a dedication to quality, cultural heritage, and creative expression. More info, here.  Mayumi Oda - is a Buddhist teacher and artist based in Hawai'i. Her artwork has gained international recognition, having traveled worldwide. In addition to her artistic pursuits, Mayumi is an environmental activist and resides and works at Ginger Hill Farm, an eco-retreat on the Big Island of Hawai'i. Explore more about Mayumi Oda's work, here. Majushri - on a bicycle (1980) [20" x 29"] seriagraph Kremer Pigemente - is a European based seller of various types of pigments for the world market.Kremer sells different pigment powders, binders, tools, and specialty chemicals tailored for fine art painting, restoration, monument preservation, and specialized handcrafts. More info can be found, here.  Fauvist Colour Theory -   is an approach to colour developed by the Fauves in early 20th-century France, including artists like Henri Matisse (1869-1954) and André Derain (1880-1854). Instead of using colour to describe reality, they used it expressively—often applying pure, unmixed pigments directly from the tube to create intense, non-naturalistic effects. Colour became independent from form and light, used to convey emotion, rhythm, and visual impact rather than accurate representation. This liberated approach to colour was short-lived as a movement but had a lasting influence on modern and contemporary art. Kathy Caraccio - is a master printer, artist, curator, professor, and collector who has collaborated with hundreds of artists from around the world. Through her studio, she has fostered a vibrant, supportive community rooted in shared creativity and craft. More info can be found, here.  Offering (1973) viscosity etching [11"x11") Stanton Macdonald-Wright's colour theory - formed the basis of Synchromism, an abstract art movement he co-founded in 1913 with Morgan Russell. Synchromism, meaning "with colour," sought to construct painting through colour alone, treating it as the primary driver of form, rhythm, and spatial depth rather than line or traditional representation. Drawing parallels with musical composition, Macdonald-Wright and Russell aimed to create visual "harmonies" where colours functioned like chords, building dynamic and structured relationships across the canvas. The result was one of the earliest American contributions to abstraction, grounded in a systematic exploration of colour as an expressive and structural force. © Popular Wheat Productions logo designed and produced by Douglas Batchelor and André Zadorozny  Introduction music while working - Lester Young / Oscar Peterson  Disclaimer: Please do not reproduce or use anything from this podcast without shooting me an email and getting my express written or verbal consent. I'm friendly :) The opinions expressed by guests on The Unfinished Print: A Mokuhanga Podcast do not necessarily represent the opinions or beliefs of André Zadorozny.       

Wheeler, Claudia www.deutschlandfunkkultur.de, Fazit

Nous sommes à la Royal Academy de Londres, en 1999. C'est lors d'une exposition intitulée « Apocalypse » qu'est présentée une œuvre de Maurizio Cattelan. Elle s'intitule « La Nona Ora ». Cattellan y met en scène, de façon très réaliste, le pape Jean-Paul II représenté grandeur nature, par une sculpture de cire, habillé de la traditionnelle soutane blanche, écrasé par une météorite et entouré d'éclats de verre dispersés sur un tapis rouge. La « Nona Ora », ou neuvième heure, fait référence à l'heure de la mort du Christ sur la croix, selon la théologie chrétienne. Pour l'artiste italien, il s'agit d'interroger le pouvoir de la religion sur la mort et le système de peur qu'elle instaure. L'année suivante, la directrice d'un musée de Varsovie, en Pologne, pays catholique, sera contrainte à la démission pour avoir présenté l'objet du scandale. Et que dire du « Piss Christ », du photographe américain Andres Serrano, nous dévoilant un crucifix immergé dans un verre rempli d'urine et de sang ? Jugée blasphématoire, l'œuvre subira des coups de marteau lors de son exposition à Avignon. L'auteur et différents directeurs et conservateurs d'institutions montrant la photographie seront, quant à eux, menacés de mort. Serrano défendra son travail comme étant une critique de “l'industrie milliardaire du Christ-des-bénéfices”. Il n'a pas fallu attendre le XXe siècle pour que des artistes militent, dénoncent, bataillent, accusent … Ainsi, dans les années 1830, le français Honoré Daumier caricature le roi Louis-Philippe. Celui-ci, une tête en forme de poire, dévore des hottes d'écus arrachés au peuple miséreux. Une représentation qui entraîna la condamnation de son auteur pour “excitation à la haine et au mépris du gouvernement du roi, et offense à la personne du Roi”. Et que dire du « Radeau de la Méduse" de Théodore Géricaul, des « Désastres de la Guerre" de Francisco Goya, de "La Liberté guidant le peuple" d'Eugène Delacroix et de tant d'autres bien plus lointains encore ? Suivons, aujourd'hui, quelques-uns de ces artistes qui se sont « engagés » … Avec les Lumières de notre historienne de l'art préférée : Anne Hustache. Sujets traités : Maurizio Cattelan, Jean-Paul II, Nona Ora, Piss Christ, Andres Serrano, œuvre, Théodore Géricaul,, artistes Merci pour votre écoute Un Jour dans l'Histoire, c'est également en direct tous les jours de la semaine de 13h15 à 14h30 sur www.rtbf.be/lapremiere Retrouvez tous les épisodes d'Un Jour dans l'Histoire sur notre plateforme Auvio.be :https://auvio.rtbf.be/emission/5936 Intéressés par l'histoire ? Vous pourriez également aimer nos autres podcasts : L'Histoire Continue: https://audmns.com/kSbpELwL'heure H : https://audmns.com/YagLLiKEt sa version à écouter en famille : La Mini Heure H https://audmns.com/YagLLiKAinsi que nos séries historiques :Chili, le Pays de mes Histoires : https://audmns.com/XHbnevhD-Day : https://audmns.com/JWRdPYIJoséphine Baker : https://audmns.com/wCfhoEwLa folle histoire de l'aviation : https://audmns.com/xAWjyWCLes Jeux Olympiques, l'étonnant miroir de notre Histoire : https://audmns.com/ZEIihzZMarguerite, la Voix d'une Résistante : https://audmns.com/zFDehnENapoléon, le crépuscule de l'Aigle : https://audmns.com/DcdnIUnUn Jour dans le Sport : https://audmns.com/xXlkHMHSous le sable des Pyramides : https://audmns.com/rXfVppvN'oubliez pas de vous y abonner pour ne rien manquer.Et si vous avez apprécié ce podcast, n'hésitez pas à nous donner des étoiles ou des commentaires, cela nous aide à le faire connaître plus largement. Distribué par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

durée : 00:56:14 - Autant en emporte l'Histoire - par : Stéphanie Duncan - 1831. Honoré Daumier réalise une caricature féroce et drôlissime du roi Louis-Philippe qui lui vaudra 6 mois de prison ferme et cinq cents francs d'amende. Mais ceux qui croient le faire taire se trompent : ce séjour à la prison de Sainte-Pélagie ne fera que renforcer ses convictions républicaines. - invités : Laurent Bihl - Laurent Bihl : Historien, maître de conférences en histoire contemporaine à l'université Paris 1 Panthéon-Sorbonne - réalisé par : Anne WEINFELD

Wer so porträtiert wird, hat nichts mehr zu lachen. Honoré Daumier stellte 32 Grimassen aus Ton dar, die an Bösewichte aus Comics erinnern. Bei den komischen Fratzen handelt es sich jedoch um die politische Elite Frankreichs. Weshalb deren adelige Besetzung den Bürger*innen ein Dorn im Auge war und wieso Daumier für seine kritische Kunst sogar im Gefängnis landete, erzählt Kunstcomedian Jakob Schwerdtfeger in diesem Kunstsnack.

Reinhardt, Anjawww.deutschlandfunk.de, Kultur heute

This week: masters week in New York—can the market for historic works be revived? Scott Reyburn, a market reporter for The Art Newspaper, has for some time been exploring the decline in the trade for Old Master paintings. He looks ahead to the auctions in Masters Week in New York, which begin this weekend. In India on Monday, the prime minister Narendra Modi inaugurated a vast temple to the Hindu god Ram in the city of Ayodhya. The temple replaces a 16th-Century mosque that was destroyed by Hindu mobs in 1992, an event that provoked riots in which nearly 2,000 people died, most of them Muslim people. Our deputy art market editor and regular correspondent in India, Kabir Jhala, is in Mumbai, and joins us to discuss this pivotal issue in modern Indian history, what it means ahead of India's general election in the spring, and whether it is affecting the Indian art market. And this episode's Work of the Week is Madame déménage (1867), a political cartoon by the French artist Honoré Daumier that was deemed so provocative in its time that it was not published. The lithograph is part of an exhibition at the Städel Museum in Frankfurt that features 120 Daumier works from the Hellwig Collection. Hans-Jürgen Hellwig, the who is donating the collection to the Städel, joins us to discuss this incendiary image.Honoré Daumier: The Hellwig Collection, Städel Museum, Frankfurt, Germany, until 12 May.Offer: to get The Art Newspaper's magazine The Year Ahead 2024, an authoritative guide to the world's must-see art exhibitions and museum openings, get a print and digital subscription to The Art Newspaper at theartnewspaper.com before 15 February. Your copy of The Year Ahead will arrive with your next printed issue. You can buy the magazine on its own on the website for just £9.99 or $13.69. Hosted on Acast. See acast.com/privacy for more information.

Daumier ist vor allem als scharfzüngiger Karikaturist und brillanter Lithograf in Erinnerung geblieben. Doch: „Daumier ist zuallererst ein politischer Künstler“, sagt Astrid Reuter vom Frankfurter Städel Museum. Und als solchen zeigt ihn dort nun auch eine neue Ausstellung.

durée : 00:59:06 - Entendez-vous l'éco ? - par : Tiphaine de Rocquigny - Au XIXème siècle, dans la France de Louis-Philippe, une classe bourgeoise s'enrichit sous la houlette du pouvoir royal. Cette société inégalitaire est au cœur de l'œuvre d'Honoré Daumier, caricaturiste porté par le développement de la presse satirique. - invités : Ségolène Le Men Professeur d'histoire de l'art contemporain à l'Université de Paris 10-Nanterre.; Laurent Bihl Historien des médias à l'Université Paris 1 - Panthéon Sorbonne

Hoje, mergulhamos de cabeça em um tema intrigante e, por que não dizer, revolucionário: "O Evangelho Segundo Barbie". Sim, você ouviu certo. Estamos prestes a explorar a coqueluche do momento, a icônica boneca de plástico que gerou tanto burburinho com seu novo filme. Neste episódio, o Professor Lenio Streck nos conduz por uma análise única e perspicaz desse fenômeno cultural. Com um toque de humor e uma pitada de provocação, o Prof. Streck mergulha no universo da Barbie e examina o recente filme que a trouxe de volta à ribalta. Enquanto muitos elogiam o filme, há aqueles que se opõem, e o nosso anfitrião não fica de fora dessa polêmica. O Prof. Streck nos brinda com sua visão crítica sobre o filme, indo na contramão das opiniões populares. Ele explora como a Barbie se tornou uma figura revolucionária e como a sociedade tem reagido a essa transformação. Além disso, o episódio não deixa de lado suas características marcantes, com reflexões que vão desde a história da Barbie até comparações com figuras políticas e sociais. No final, a pergunta que fica é profunda: como é possível que uma boneca de plástico tenha gerado tanta controvérsia e discussão? Será que estamos tão ávidos por mensagens diretas e claras que perdemos a capacidade de compreender sutilezas e nuances? Preparados para uma jornada inusitada e cheia de reflexões? Então, ajustem seus fones de ouvido e embarquem conosco nesta análise surpreendente. "Lenio Streck em Podcast #44 - O Evangelho Segundo Barbie" está prestes a começar. (A obra do cartaz é do artista Honoré Daumier). Para ficar por dentro dos acontecimentos envolvendo as diversas temáticas jurídicas, siga, no Instagram, o perfil oficial do Prof. Lenio Streck (@lenio_streck) e do Streck & Trindade Advogados (@strecketrindade), e acompanhe as colunas do Senso Incomum, no site do Conjur.

Tom Huck - Evil Prints http://www.evilprints.com/EVIL PRINTS @SPIDERHOLE STUDIO, PO BOX 666, PARK HILLS, MO 63601, UNITED STATES EVILHEADCREW@GMAIL.COMTom Hück (born 1971) is an American printmaker best known for his large-scale satirical woodcuts. He lives and works in Park Hills, Missouri, 60miles south of St. Louis, where he runs his own press Evil Prints @ Spiderhole Studio. His work is influenced by Albrecht Dürer, José Guadalupe Posada, R. Crumb, and Honoré Daumier.  Huck's woodcut prints are included in numerous public and private collections, including the Whitney Museum of American Art, Library of Congress, Spencer Museum of Art, Nelson Atkins Museum of Art, Saint Louis Art Museum, Milwaukee Art Museum, Minneapolis Institute of Art, Houston Museum of Fine Arts, Baltimore Museum of Art, The Art Institute of Chicago, Fogg Art Museum, Michael C. Carlos Museum, and The New York Public Library. Huck has been represented by David Krut Art Projects in New York, Sherry Leedy Contemporary Art in Kansas City, Missouri, and Duane Reed Gallery in St. Louis, Missouri.  Beginning in October 2017 Huck's gallery representation is C. G. Boerner in New York.Huck's illustrations have appeared in publications such as The Village Voice, The Riverfront Times, and the Minneapolis City Pages.  Hück has also worked with many music acts over the years most notably The Roots “Phrenology” album cover art, as well as t shirt and poster designs for Motörhead, A Perfect Circle, TILTS, and many others.As of Spring 2021 The Saint Louis Art Museum has become the complete official archive of all of Tom Hück's work dating from 1995 to the present. This episode is sponsored by www.betterhelp.com/TheBarn and presented to you by The Barn Media Group.

Photo:  Brooklyn Museum - "Non madame je ne quitterai pas..." - Honoré Daumier  ("No, Madame; I will not stop.") PRC bullies and romances Europe.  Theresa Fallon @TheresaAFallon, @ChicagoCouncil, director of the Centre for Russia Europe Asia Studies. @GordonGChang, Gatestone, Newsweek, The Hill A bully:  "harasser of the weak" https://www.reuters.com/world/asia-pacific/lithuania-considers-modifying-taiwan-representation-name-defuse-row-with-china-2022-01-25/ Theresa Fallon. @TheresaAFallon, @ChicagoCouncil  Director, Centre for Russia Europe Asia Studies (CREAS) NR Snr Fellow

Photo:. La Queue au Spectacle, Honoré Daumier lithograph. CBS Eye on the World with John Batchelor CBS Audio Network @Batchelorshow Canada queues vs US, UK, EU  queues for vaccine and recovery.  @ConradMBlack @NationalPost https://nationalpost.com/opinion/conrad-black-i-stood-in-line-for-a-vaccine-it-was-grand-just-like-canadas-ice-cubes

Un día como hoy, 11 de febrero. Nace: 1869: Else Lasker-Schüler, poeta y escritora alemana. 1878: Kazimir Malevich, pintor ruso. 1909: Joseph L. Mankiewicz, cineasta estadounidense. Fallece: 1650: René Descartes, filósofo y matemático francés. 1879: Honoré Daumier, pintor y caricaturista francés. 1948: Serguéi Eisenstein, director ruso de teatro y cine. 1963: Sylvia Plath, poetisa y novelista estadounidense. Una producción de Sala Prisma Podcast. 2021

Historiquement Vôtre réunit 3 personnages qui frisent la caricature et la défrisent aussi ! Le tout premier, Honoré Daumier, et le regretté Cabu tué dans l’attentat de Charlie Hebdo il y a 6 ans. Et Chuck Norris, le comédien le plus caricatural de l'Histoire qui ne sait jouer qu'un seul rôle... celui de Chuck Norris !

Historiquement Vôtre réunit 3 personnages qui frisent la caricature et la défrisent aussi ! Le tout premier, Honoré Daumier, et le regretté Cabu tué dans l’attentat de Charlie Hebdo il y a 6 ans. Et Chuck Norris, le comédien le plus caricatural de l'Histoire qui ne sait jouer qu'un seul rôle... celui de Chuck Norris !

O podcast de hoje aborda a seguinte questão: a responsabilidade social dos coachings jurídicos e dos elaboradores de resumos simplificados. Direito é uma “coisa simplinha”(sic)? Como desenvolver e discutir questões jurídicas extensas, profundas, que exigem raciocínio filosófico, se o Direito é tratado de maneira resumida e “por música“? Que tipo de juristas estamos formando? Para ficar por dentro dos acontecimentos envolvendo as diversas temáticas jurídicas, siga o seu perfil oficial no Instagram (@lenio_streck) e acompanhe as colunas do Senso Incomum, no site do Conjur. (A obra do cartaz é do artista Honoré Daumier).

O acontecimento envolvendo o Desembargador do Tribunal de Justiça de São Paulo, ocorrido na cidade de Santos no último dia 18, foi objeto de duras críticas feitas - com razão - pela esmagadora maioria da comunidade jurídica. A racionalidade patrimonialista brasileira sustenta uma violência simbólica que se manifesta na ordem social, resultando em agires segregadores e subjugadores. No podcast de hoje, o Professor Lenio trata do assunto utilizando-se de alguns exemplos que demonstram essa realidade social, tal como a diferença entre elevadores sociais e elevadores de serviço nos prédios. Para ficar por dentro dos acontecimentos envolvendo as diversas temáticas jurídicas, siga o seu perfil oficial no Instagram (@lenio_streck) e acompanhe as colunas do Senso Incomum, no site do Conjur. (A obra do cartaz é do artista Honoré Daumier).

Marshall and Stan discuss the pros and cons of studying multiple disciplines and their effect on learning art. A caller wants to know if the overhand grip can be applied to drawing with a digital stylus. Both Draftsmen have “thangs” that help them stay physically fit and active. Call and Ask Your Art Questions: 1-858-609-9453 How to Hold a Pencil: https://youtu.be/pMC0Cx3Uk84 Eddie O'Connor - Psychology of Performance: http://amzn.to/2LJ4ieC Walter Murch (film editor): https://www.imdb.com/name/nm0004555/ The Natural Way to Draw by Kimon Nicolaïdes: https://amzn.to/2lzmufN Shel Silverstein: https://proko.com/draftsmen-media/shell-silverstein.jpg Referenced Artists William Blake, David Bowie, Norman Rockwell, Honoré Daumier, and Justin Sweet: https://proko.com/334 Learn to Draw - www.proko.com Marshall Vandruff - www.marshallart.com Stan Prokopenko - instagram.com/stanprokopenko  Learn more about your ad choices. Visit megaphone.fm/adchoices

The Modern Art Series: Coubet and Manet and I am joined in studio with Guest- Host, Harry Mattull (@harrymattullart) We discuss French Realism with artists: Gustave Courbet, Jean-François Millet, Honoré Daumier and the first Modern Artist, Édouard Manet. Click Here to See Paintings Discussed in this Episode  I'd like to thank Harry for joining me on this podcast. Check out his artwork on Instagram at @harrymattullart and see some of his work in the show notes, click link to view. Show Notes - paintings discussed - available at www.collisionpodcast.com Collision Podcast, Where Art, History & Music Collide with Host Sharon M. Fitzgerald, MA  

Episode One: an Intro to the Show Next, check out Episode 2 (CP02), the first in the Modern Art Series.  I am joined in studio with Guest, Harry Mattull and we discuss French Realism with artists: Gustave Courbet, Jean-François Millet, Honoré Daumier and the first Modern Artist, Édouard Manet. All Episodes and Show Notes - all paintings discussed - are available at www.collisionpodcast.com Collision Podcast: Where Art, History and Music Collide with your host, Sharon M. Fitzgerald, MA.  This podcast is created to explore art, history and music with special guests coming to you live from Los Angeles 2018. Available on iTunes, Stitcher GooglePlay and Spotify. www.collisionpodcast.com       

Adam & British comedian/poet/actor Tim Key enjoy a rambly conversation as they look at some art in London's Courtauld Gallery.This episode was sponsored by ART FUND, the national fundraising charity for art. Find out more by visiting Artfund.org/BUXTONTIM KEY TOUR DATES: https://www.timkey.co.uk/Thanks to Séamus Murphy-Mitchell for production support. Music and jingles by Adam BuxtonThe Supermarket Confrontation jingle features bass from Dan Hawkins: https://www.onlinebassplayer.com/ and instruments from the Soniccouture plug in: http://www.soniccouture.com/en/RELATED LINKS‘DON QUIXOTE AND SANCHO PANZA' by HONORÉ DAUMIER (1869 - 1872)https://www.bbc.co.uk/programmes/p02tvn6d/p02tvm60‘LA LOGE' by PIERRE AUGUSTE RENOIR (1874)https://www.telegraph.co.uk/culture/art/3671758/Renoir-A-glorious-night-of-intrigue.html‘A BAR AT THE FOLIES-BERGÈRE' by ÉDOUARD MANET (1882)https://courtauld.ac.uk/gallery/collection/impressionism-post-impressionism/edouard-manet-a-bar-at-the-folies-bergereANDY WARHOL ‘YES' 'NO' INTERVIEW (1964)https://www.youtube.com/watch?v=jr8NE7r1szU‘QUEUE' by ALEKSEI SUNDUKOV (1986)http://en.rusmuseum.ru/collections/painting-of-the-second-half-of-the-xix-century-beginning-of-xxi-century/artworks/ochered/WILLIAM WEGMAN - STOMACH SONG (1970)https://www.youtube.com/watch?v=7bOym_kkvaEWILLIAM WEGMAN - DEODORANT (1972)https://www.youtube.com/watch?v=lrdnlPK9sUQ‘YOUNG WOMAN POWDERING HERSELF' by GEORGES SEURAT (1888 - 1890)http://www.artandarchitecture.org.uk/images/gallery/6007ba8c.html‘ESCAPING CRITICISM' by PERE BORRELL DEL CASO (1874)http://rijksmuseumamsterdam.blogspot.co.uk/2012/01/pere-borrell-del-caso-escaping.htmlTIM KEY DELVES INTO DANIIL KHARMS AND THAT'S ALL (2016)https://www.bbc.co.uk/programmes/b072n5xcTHE INCOMPLETE TIM KEY (AUDIOBOOK)https://www.audible.co.uk/pd/Arts-Entertainment/The-Incomplete-Tim-Key-Audiobook/B005FYK89EAnd finally, here's ‘CHARLYWOOD'http://www.intro.charlywood.com/index.html See acast.com/privacy for privacy and opt-out information.

Theaetetus (Ancient Greek: ΘΕΑΙΤΗΤΟΣ) discusses epistemological concepts including perception, true judgment and knowledge. Socrates compares the human mind to a piece of wax and is critical of lawyers who seek only to persuade using rhetoric. Painting: The Studio by Honoré Daumier.

With Mark Lawson. Dame Judi Dench discusses her role in the new film Philomena, in which she plays a 70-year-old Irish woman who is looking to trace her son, taken away from her when she was a teenager. She discusses portraying and meeting the real Philomena Lee, and working with Steve Coogan, who co-scripted and co-stars in the film as Martin Sixsmith, the man who helped Philomena find her child. Honoré Daumier was a French printmaker, sculptor and painter whose work offered a social commentary on 19th Century French life. A new exhibition, Visions of Paris, explores his legacy. Booker Prize-winning novelist Julian Barnes reviews the show. Henrik Ibsen's play Ghosts is enjoying two very different new productions at the moment. In English Touring Theatre's staging, the sets take inspiration from designs originally made for the play by Edvard Munch in 1906. In Richard Eyre's new version, at the Almeida Theatre, London, the transparent walls of the set provide a stark contrast to the secrets hidden by the characters. Tim Hatley who designed the Almeida's production and Sue Prideaux, Munch's biographer, discuss the different approaches to representing the text. Peep Show stars David Mitchell and Robert Webb reunite in Ambassadors, a TV comedy-drama series about the inner-workings of an embassy in the fictional country of Tazbekistan. Briony Hanson of the British Council delivers her verdict. Producer Jerome Weatherald.

L'oeuvre » Zwei Männer, einander in höherer Stellung vermutend, begegnen sich«, 1903 [Deux hommes se rencontrent, pensant chacun que l'autre lui est supérieur] fait partie de la série des »Inventionen« [Inventions], onze eaux-fortes exécutées entre 1903 et 1905, qui, par leur technique minutieuse et le travail du détail pour restituer le relief, rappellent les gravures des maîtres anciens. Dans son journal, Paul Klee désigne les »Inventionen« sous le terme d'»Opus I«, donc comme les premiers exemples valables d'une création bien à lui. Inspiré par des modèles tels que Francisco de Goya et Honoré Daumier, l'artiste étudie dans les »Inventionen« l'homme dominé par ses pulsions, et leur déformation par la morale sexuelle bourgeoise. D?autres feuillets, comme »Zwei Männer, einander in höherer Stellung vermutend, begegnen sich«, 1903, [Deux hommes, se croyant l'un l'autre en position supérieure, se rencontrent] relèvent de la critique sociale et politique.

Paul Klee's »Zwei Männer, einander in höherer Stellung vermutend, begegnen sich«, 1903,[Two men meet, each believing the other to be of higher rank] is part of a group of works known as the »Inventionen« [Inventions], eleven etchings from the years 1903 to 1905, whose meticulous technique and detailed, relief-like composition is reminiscent of drawings by the Old Masters. In his diary, Klee described the »Inventionen« as »opus I« and called them the first fully valid examples of his individual artistic production. Inspired by artists such as Francisco de Goya and Honoré Daumier, Klee used his »Inventionen« to explore man?s domination by his physical urges and how it becomes twisted by bourgeois sexual morals. »Zwei Männer, einander in höherer Stellung vermutend, begegnen sich«, 1903, [Two men meet, each believing the other to be of higher rank] is kind of a political and socio-critical nature.

»Zwei Männer, einander in höherer Stellung vermutend, begegnen sich«, 1903, gehört zu der Werkgruppe der »Inventionen«, elf Radierungen aus den Jahren 1903 bis 1905, die in ihrer minuziösen Technik und detailgetreuen, reliefartigen Ausarbeitung an Grafiken alter Meister erinnern. In seinem Tagebuch bezeichnete Klee die »Inventionen« als »Opus I« und damit als erste vollgültige Beispiele seines eigenständigen Schaffens. Inspiriert von Vorbildern wie Francisco de Goya und Honoré Daumier, setzte sich der Künstler in den »Inventionen« mit der Triebhaftigkeit des Menschen und deren Verbiegung durch die bürgerliche Sexualmoral auseinander. »Zwei Männer, einander in höherer Stellung vermutend, begegnen sich«, 1903, hat einen gesellschaftskritischen und politischen Charakter.

Honoré Daumier, The Uprising (L’Emeute), 1848 or later, Acquired 1925 Oil on canvas