Podcasts about Cabu

“J'ai envie d'utiliser le dessin pour jouir de la liberté qu'il y a dans ce pays.”Riss — Laurent Sourisseau — n'est pas juste un survivant de l'attentat de Charlie Hebdo, ni seulement le directeur des rédactions du journal. Il est aujourd'hui l'un des derniers remparts visibles de la liberté d'expression en France.Blessé par balle le 7 janvier 2015, il reprend rapidement la tête du journal et en devient l'unique directeur de publication. Mais dans cet épisode, on ne revient presque pas sur l'attaque.Nous avons cherché à comprendre le fond, le : "pourquoi on en est arrivés là", et surtout : "comment on continue à tenir debout".Fasciné par les dessins déstabilisant depuis son enfance, Riss travaille sa patte artistique et devient caricaturiste pour exprimer les non-dits qui rongent les peuples.Il assume un athéisme frontal, et une critique radicale de toutes les religions. Son combat est clair : permettre à tous et surtout aux jeunes de penser par eux-mêmes en brisant les prisons mentales, familiales ou culturelles.On a parlé de beaucoup de choses. Sans filtre :Où en est-on de la démocratie en AmériqueComment Charlie Hebdo sert et défie la gauche française depuis 50 ansPourquoi la satire est un exercice si exigent et importantL'athéisme : qu'est-ce que ça signifie réellementComment exercer sa méchanceté de manière “civilisée”Riss dit ce qu'il pense. Même si ça dérange. Et c'est peut-être ça, le vrai luxe dans notre époque tiède : oser l'irrévérence lucide.Un épisode essentiel pour réfléchir, douter et se rappeler que la liberté ne tient parfois qu'à un trait de crayon.TIMELINE:00:00:00 : L'attrait pour les dessins qui déstabilisent00:12:56 : Nivellement par le bas : la culture du manga et les dessins d'aujourd'hui00:22:14 : L'audace de diffuser ce qui ne pourrait pas être publié ailleurs00:31:28 : “Qui aime bien châtie bien” : Charlie Hebdo et la gauche française00:39:51 : Comment faire la transition numérique dans le monde de la presse00:52:42 : Où est la limite dans la satire ?01:10:57 : Comment continuer après les attentats du 7 janvier 201501:24:45 : Qu'en est-il de la démocratie en Amérique ?01:36:11 : Le rôle de la méchanceté face à l'hypocrisie01:44:19 : La complexité des religions et ses multiples courants01:50:45 : Création d'un athée malgré la séduction des religions02:03:05 : Libérer les jeunes des prisons de pensées transmises par le milieu social02:12:26 : Comment Charlie Hebdo demeure indépendant financièrement02:24:06 : Le courage d'user de la liberté d'expression et l'exigence de l'exerciceLes anciens épisodes de GDIY mentionnés#98 Pierre-Édouard Stérin - Smartbox - Entreprendre, gagner des centaines de millions pour tout distribuer à 50 ans#284 - Pierre-Édouard Stérin - Otium Capital - Milliardaire et saint dans une même vieNous avons parlé de :RissCharlie HebdoAinsi soient-ils (documentaire)CabuGébéCabu et le nez de DorothéeHara-Kiri (magazine)François CavannaCharlie x Gisèle PelicotDocumentaire USDessinez Créez LibertéLes recommandations de lecture : Ainsi soient-ils - À la recherche de la foiLes plus belles histoires de pilote, tome 1 : De 1960 à 1969Charlie Liberté - Le journal de leur vieLa gloire de Hara Kiri: Les meilleurs dessins de Hara KiriMes apprentissages : reportages 1930-1946 (Simenon)L'Enquête (Hérodote)Histoire d'HérodoteOeuvres complètes (Tacite)Vous pouvez retrouver Riss sur charliehebdo.fr.La musique du générique vous plaît ? C'est à Morgan Prudhomme que je la dois ! Contactez-le sur : https://studio-module.com. Vous souhaitez sponsoriser Génération Do It Yourself ou nous proposer un partenariat ? Contactez mon label Orso Media via ce formulaire.Distribué par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

Thu, 13 Mar 2025 23:00:00 GMThttps://rcf.fr/ecologie-et-solidarite/solicitvous-rcf-coeur-de-champagne?episode=566094Henry-Delatre NathalieHenry-Delatre Nathalienonofull04:02Henry-Delatre Nathalie

Last time we spoke about the Mandalay Offensive. In the midst of intense warfare, General Krueger positioned his troops strategically to bolster the assault at Rosario. As the American forces repelled counterattacks and advanced, they faced fierce Japanese resistance, particularly at Binalonan and Hill 600. Despite heavy casualties, the Americans gradually gained ground, clearing key areas and preparing for further offensives. Meanwhile, Japanese defenses were fortified but weakened by shortages. As battles raged, both sides braced for decisive confrontations in the ongoing struggle for control of Luzon. In a fierce battle across the hills of Luzon, the 103rd Regiment aimed to secure key positions but faced heavy resistance, capturing Hill 800 by nightfall. The 172nd Regiment achieved surprise at Hill 900, while other regiments advanced under relentless fire. Meanwhile, in Burma, the British-Indian forces captured Shwebo, pushing deeper against Japanese defenses. The Mars Task Force disrupted supply lines, leading to a Japanese retreat. Amidst the chaos, both sides suffered heavy losses, marking a pivotal moment in the campaign. This episode is the Return to Bataan Welcome to the Pacific War Podcast Week by Week, I am your dutiful host Craig Watson. But, before we start I want to also remind you this podcast is only made possible through the efforts of Kings and Generals over at Youtube. Perhaps you want to learn more about world war two? Kings and Generals have an assortment of episodes on world war two and much more  so go give them a look over on Youtube. So please subscribe to Kings and Generals over at Youtube and to continue helping us produce this content please check out www.patreon.com/kingsandgenerals. If you are still hungry for some more history related content, over on my channel, the Pacific War Channel you can find a few videos all the way from the Opium Wars of the 1800's until the end of the Pacific War in 1945.  By the end of January, as previously noted on Luzon, the 43rd Division had secured most of the Rosario region and Route 3 from Pozorrubio to the crucial junction with Route 11. The 25th Division had successfully eliminated the Shigemi Detachment at San Manuel, while the 6th Division had cleared the Cabaruan Hills and established outposts between Balungao and Guimba. Meanwhile, the 14th Corps had advanced to Clark Field, where it was engaged in a fierce battle with the Kembu Group. By January 27, the 40th Division had breached General Tsukada's northern defensive line, and the 37th Division had fortified Mabalacat, Angeles, and Runway No. 1 in preparation for the final push toward Manila. On that same day, General Krueger received significant reinforcements, with the arrival of the 1st Cavalry Division, the 32nd Division, and the 112th Cavalry Regiment at Lingayen Gulf. He planned to gather the cavalry division at Guimba to launch a coordinated advance toward the capital along the eastern side of the Central Plains via Route 5. After returning the reserve 35th Regiment to General Mullins, Krueger intended to deploy the 32nd Division, minus the 126th Regiment in Army Reserve, to the San Manuel-Asingan area. This would allow the 25th and 6th Divisions to narrow their fronts and continue south and southeast toward the Licab-Lupao line with reduced risk of exposing the 1st Corps' flank. Additionally, this strategy would enable the 37th Division to resume its advance toward Manila. However, General Griswold wanted to push Tsukada's forces further into the Zambales Mountains first, directing General Beightler to assault the enemy's southern defensive line centered around Fort Stotsenburg, while only the 148th Regiment and the 37th Reconnaissance Troop moved south along Route 3 to San Fernando. On January 28, the attack commenced as planned, with the 129th Regiment advancing westward through Runway No. 2, but it was quickly halted by the formidable forward defenses of the Eguchi Detachment. Meanwhile, with the assistance of Filipino guerrillas, reconnaissance units from the 37th Division successfully secured the San Fernando bridges intact. To the north of the Bamban River, the 160th Regiment faced unexpectedly light resistance as it moved along its ridge line to capture open-crested Hill 620, although it would later encounter stronger opposition when it reached the main defenses of the Takaya Detachment. At the same time, General Patrick began gathering the 1st and 20th Regiments at Guimba and Victoria, while the 6th Reconnaissance Troop advanced toward Cabanatuan, where they identified a significant Japanese concentration. Further north, the 35th Regiment advanced unopposed to barrio Gonzales, while the 27th Regiment moved overland and successfully dislodged a Japanese outpost from barrio Pemienta. Meanwhile, MacArthur was planning a secondary landing on the Zambales coast of Luzon, assigning Major-General Charles Hall's 11th Corps, which included the 38th Division and the 34th Regiment, to land at San Antonio and quickly advance across the base of Bataan to prevent any significant Japanese retreat into the peninsula. He also aimed to divert the Kembu Group's attention to relieve some pressure on the 14th Corps. However, General Yamashita had no intention of retreating to Bataan and had only dispatched Colonel Nagayoshi Sanenobu's 39th Regiment to defend the peninsula and the Kembu Group's right flank. On January 26, Hall's 11th Corps had departed Leyte Island aboard vessels from Admiral Struble's Task Group 78.3, heading directly to Luzon for the San Antonio landing, codenamed Operation Mike 7. The convoy reached its destination on the morning of January 29. After receiving reports from Filipino guerrillas indicating that there were no Japanese forces in the landing area, Struble decided to cancel the planned pre-assault bombardment. Instead, he ordered Hall's four regiments to land simultaneously across a nearly six-mile stretch of coastline from San Antonio. Upon landing, the 151st Regiment secured San Felipe and San Antonio, while the 149th Regiment quickly moved inland to capture the San Marcelino Airstrip. However, they discovered that guerrillas led by Captain Ramon Magsaysay had already taken control of the airstrip three days prior. Before nightfall, the 34th Regiment and the 24th Reconnaissance Troop advanced south along Route 7 to the northern shore of Subic Bay. To the east, the 160th Regiment made significant progress, advancing nearly two miles southwest and breaching a stronghold at the center of the Takaya Detachment. The 129th Regiment also managed to penetrate enemy defenses into Fort Stotsenburg but was halted at barrio Tacondo by six tanks from the Yanagimoto Detachment. Despite this setback, the inability of the Japanese counterattacks to reclaim lost territory compelled Tsukada to order the Eguchi and Yanagimoto Detachments to retreat to their main line of resistance. Meanwhile, further north, units from the 1st and 20th Regiments successfully captured Licab and Talavera, cutting off the road between Cabanatuan and Muñoz. The 27th Regiment engaged a small tank-artillery force from the 2nd Tank Division that had become trapped along the highway between Gonzales and Pemienta.  With the rapid advances of the 6th and 25th Divisions, the 2nd Tank Division main strength in the Tayug-Triangle Hill area was in danger of being cut off from its sole remaining escape route into the northern bastion via San Jose and Highway 5. To meet the new situation, General Iwanaka was directed to pull back all remaining division strength from the Tayug-Umingan and Triangle Hill sectors with the exception of small outpost forces to be left at Gonzales and Umingan to delay an enemy advance from the northwest. The division was instead to concentrate the bulk of its forces in a triangular-shaped area bounded by Lupao, Muñoz and Rizal. These new dispositions had barely been effected when enemy elements swept around the outpost force at Gonzales and cut its withdrawal route to Umingan, forcing the detachment to withdraw through the hills after destroying most of its tanks and all of its mechanized artillery. From 20:00 on the 29th until 04:30 the next morning the force tried unsuccessfully to break through the Pemienta perimeter, against a sharp enemy. By the time the action had ended the 27th Regiment had killed 125 Japanese and had destroyed 8 tanks, 8 artillery prime movers, 4 tractors, 8 105-mm howitzers and 5 trucks, while only losing about 15 men killed and 45 wounded. Only four tanks succeeded in breaking through the enemy encirclement and escaped along the highway to Umingan. The next day, the 27th Regiment began positioning itself to attack Umingan from the north and northwest, while the 35th Regiment started preparations for a holding attack from the west and southwest. In an effort to avert the mass execution of prisoners of war at Cabanatuan, Lieutenant-Colonel Henry Mucci led a contingent of approximately 233 men, composed of Filipino guerrillas, soldiers from the Alamo Scouts, and Mucci's 6th Ranger Battalion. They traversed 30 miles cross-country between January 28 and 30 to liberate 522 weakened prisoners during the night. Most of the prisoners had vacated the camp by 2010 hours. Rangers and guerrillas had to carry most, piggy-backing them or making hasty litters from rifles and shirts. It was 2 miles to the Pampanga River, where carts waited to take them to Platero to be treated, fed, and organized. Many were still in shock and had not yet fully understood that they were free. At 2040 hours, Capt Prince was at the Pampanga River supervising the loading of stumbling prisoners into 25 carts as Rangers and prisoners trickled in. The rest of the Scouts established an ambush at the crossing site. At 2045 hours, one hour after the raid was launched, Prince fired the third red flare and departed for Balangkare. The loaded carabao carts were ordered on their way to Balangkare at 2145 hours.  Meanwhile Major Robert Lapham's guerrilla forces provided cover for their escape, successfully returning them to Allied lines on January 31. During this operation, around 270 Japanese soldiers were killed at the camp, with an additional 900 casualties along the Cabu River. Over 270 Japanese lay dead or dying in the smoldering camp; most of the wounded dying by dawn as no aid was forthcoming. Japanese bodies were literally stacked at the Cabu bridge and scores more littered the riverside woods. The 359th Battalion had ceased to exist. In the morning, battalion commander Capt Oyanu was still alive, but most of his officers were dead. Only 255 men of 1,200 survived and most were wounded.   In contrast, the Americans suffered only 2 fatalities and 7 wounded, along with 12 wounded Filipinos and 2 dead prisoners. Fortunately, the anticipated retaliation against the Filipino population did not occur, as the Japanese retreated from the area within a day of the raid, while the 20th Regiment secured the road junction barrio of Baloc and began advancing toward Muñoz. On January 30, Griswold continued his vigorous offensive against Clark Field; the 129th Regiment cleared the hills near Dolores and took control of the abandoned Fort Stotsenburg area, while the 160th Regiment made only 500 yards of progress against the determined Takaya Detachment. The 108th Regiment finally captured Hill 5 and Thrall Hill. Further south, patrols from the 37th Division reached within a mile of Calumpit and the Pampanga River, and on Bataan, the 34th Regiment took Olongapo after a fierce skirmish, while the 2nd Battalion of the 151st Regiment captured Grande Island at the entrance to Subic Bay. At the same time, MacArthur was strategizing another secondary landing on Luzon, this time utilizing General Swing's 11th Airborne Division to assault Nasugbu, located 45 miles southwest of Manila. With this operation, MacArthur aimed to initiate a southern advance toward Manila while simultaneously hindering Japanese forces in southern Luzon from moving north to challenge Krueger's main offensive. General Eichelberger intended to deploy the 187th and 188th Glider Regiments and advance them approximately twenty miles along Route 17 to Tagaytay Ridge. There, the 511th Parachute Regiment would conduct an airdrop to secure the ridge for the ground troops and capture adjacent sections of Route 17 before the Japanese could regroup to defend the highway. In opposition, General Yokoyama had assigned only the Fuji Force to defend the area south of Manila. This force, centered around Colonel Fujishige Masatoshi's reinforced 17th Regiment, had only deployed the 3rd Battalion of the 31st Regiment in the Tagaytay Ridge region, with a small outpost at Nasugbu and its main defenses positioned on Mounts Cariliao and Batulao. At this stage, Yokoyama was nearing completion of the organization of the diverse Shimbu Group forces east of Manila into a cohesive combat task force. To the north, near Ipo, he had stationed the Kawashima Force, which was composed of the 82nd Brigade and the 31st Regiment. To the south, the main contingent of the former Manila Defense Force had been relocated from the Philippine capital and renamed the Kobayashi Force, guarding the Wawa-Montalban area. However, the departure of General Tsuda's 105th Division to the northern stronghold had created a significant gap in the Shimbu Group's defenses. Although Yokoyama intended to address this vulnerability with the Noguchi Detachment, Major-General Noguchi Susumu's troops were still in the midst of a lengthy march from the Bicol Peninsula by the end of January. As a temporary solution, the Okita Detachment, a composite force consisting of five battalions centered around the 186th Independent Battalion, and the Kuromiya Detachment, a three-battalion unit based on the 181st Independent Battalion, were deployed in the Bosoboso-Antipolo region. Meanwhile, the Kogure Detachment, organized around the 1st Surface Raiding Base Force, was stationed at Lamon Bay. Manila was entrusted to Rear-Admiral Iwabuchi Sanji's Manila Naval Defense Force, which included approximately 13,700 naval personnel from the 31st Special Base Force responsible for defending the islands of Manila Bay and the capital, along with some Army reinforcements. On January 27, Swing's 11th Airborne Division departed from Leyte Island aboard ships from Admiral Fechteler's Task Group 78.2, heading directly to Nasugbu Bay to carry out Operation Mike 6. Following an uneventful journey and a brief preliminary bombardment on January 31, the 188th Glider Regiment successfully landed with minimal resistance and quickly advanced inland toward the Palico River, aiming for the section of Route 17 that leads to Tagaytay Ridge. Pleased with the initial landing, Swing subsequently deployed the 187th Glider Regiment and the division artillery, which began to relieve the rear elements of the 188th by midday. At the same time, the majority of the 188th secured the Palico bridge and crossed the river to reach Route 17. Further north, under pressure from MacArthur and Krueger, the 148th Regiment successfully crossed the Pampanga River and captured Calumpit, just as Beightler was dispatching the 145th Regiment along Route 3 to assist in the advance toward Manila. At Clark Field, the 108th Regiment was patrolling forward, while the 160th Regiment faced challenges in breaking through enemy defenses. Meanwhile, the 129th Regiment launched an attack on the main positions of the Eguchi Detachment at Top of the World hill, successfully securing its steep, grassy southern and southeastern slopes. On Bataan, General Jones sent the 152nd Regiment to travel through Olongapo and advance east along Route 7, while the 149th Regiment moved east toward Dinalupihan via a challenging trail located about 1,200 yards north of the highway. By the end of January, the 32nd Division had successfully taken control of the recently vacated Tayug area. The 6th and 25th Divisions reorganized in preparation for their final push towards San Jose, and the 1st Cavalry Division gathered at Guimba. The World War II brigade structure of Maj. Gen. Verne D. Mudge's dismounted 1st Cavalry Division differed greatly from that of the triangular infantry division of the period. Instead of three infantry regiments the 1st Cavalry Division had four cavalry regiments--the 5th and 12th in the 1st Cavalry Brigade, the 7th and 8th in the 2d Cavalry Brigade. Each regiment had two cavalry squadrons, each smaller than an infantry battalion, as opposed to the three battalions of an infantry regiment. Each cavalry regiment contained a weapons troop armed with 81-mm. mortars, .30-caliber and .50-caliber machine guns, and bazookas, but there was no heavy weapons troop within each squadron. The cavalry regiments lacked the antitank and cannon companies of an infantry regiment. 1st Cavalry Division Artillery was composed of one 75-mm. howitzer battalion, three 105-mm. howitzer battalions, and, for obvious reasons, an attached 155-mm. howitzer battalion. Reinforcing combat and service attachments brought the division's strength up to nearly 15,000 men, somewhat less than the strength of the reinforced 37th Division at the same time. On paper, each of the four cavalry regiments numbered 1,750 men--in contrast to the 3,000-odd of an infantry regiment--but none of the 1st Cavalry Division's regiments was up to strength. The division had received few replacements since entering combat on Leyte in October, and it had come to Luzon after very little rest from its arduous campaign through Leyte's mountains. The 1st Cavalry division was ready to advance towards Cabanatuan as General Mudge dispatched two reinforced motorized squadrons. On February 1, the Flying Columns, led by General Chase, crossed the Pampanga River and began their southern march with minimal resistance. As a result, Cabanatuan and Gapan were quickly captured, although some opposition was encountered south of the Peñaranda River. Meanwhile, the 188th Glider Regiment continued its advance towards Tagaytay Ridge, facing heavy enemy fire from Mount Cariliao but still managing to secure the important Mount Aiming. The 148th Regiment swiftly moved down Route 3 and captured Malolos with little resistance. However, the 152nd Regiment faced increasingly strong resistance at ZigZag Pass. While more rugged terrain than the ZigZag Pass area is to be found on Luzon, few pieces of ground combine to the same degree both roughness and dense jungle. Route 7 twists violently through the pass, following a line of least terrain resistance that wild pigs must originally have established. The jungle flora in the region is so thick that one can step 5 yards off the highway and not be able to see the road. The Japanese had honeycombed every hill and knoll at the ZigZag with foxholes linked by tunnels or trenches; at particularly advantageous points they had constructed strongpoints centered on log and dirt pillboxes. All the defenses were well camouflaged, for rich jungle foliage covered most positions, indicating that many had been prepared with great care and had been constructed well before Colonel Nagayoshi's 39th Regiment had reached the area in December. Colonel Nagayoshi had plenty of food and ammunition for a prolonged stand, and he also possessed numerous mortars and machine-guns. His artillery, however, was inadequate for the task at hand and he lacked certain types of medical supplies, especially malaria preventatives and cures. He had so scattered his mortars and artillery in order to protect them against American artillery and air strikes that his troops would often have difficulty massing their fires. Finally, his defensive line was scarcely 2000 yards wide northwest to southeast, thus rendering his whole position susceptible to vigorous outflanking maneuvers. On the other hand, he had good troops, well-prepared positions, and excellent defensive terrain. The 129th Regiment secured the summit of Top of the World hill, effectively ensuring Clark Field's protection from all but long-range artillery fire. The 20th Regiment launched its initial attack on Muñoz, which was thwarted by Colonel Ida Kumpei's tanks fortified as pillboxes. Additionally, the 27th Regiment attempted to advance towards Umingan but was unable to break through, while elements of the 35th Regiment bypassed this area and occupied barrio San Roque. February 2 mirrored the previous day in the San Jose sector, as the 20th and 27th Regiments continued their battle against the determined Japanese defenders. Meanwhile, Mullins dispatched the 35th Regiment in a two-pronged maneuver towards Umingan, successfully clearing most of the town by noon. In an effort to recover lost time, Mullins then directed the 35th toward Lupao in the afternoon, but its leading battalion was ultimately halted by intense Japanese artillery, mortar, and machine-gun fire. With their forward units stalled at Muñoz and Lupao, Patrick and Mullins resorted to flanking tactics. Accordingly, Patrick sent the 1st Regiment along the Talavera River to attack San Jose from the southeast, while the 63rd Regiment attempted to bypass Muñoz to the east and rejoin Route 5 north of the town. In turn, Mullins ordered the 161st Regiment to move cross-country to positions on Route 99 south of Lupao, then advance to Route 8 between San Isidro and San Jose while the 35th surrounded and cleared Lupao. However, on this day, the 105th Division successfully evacuated San Jose along with its stockpiled ammunition, regrouping north at Puncan and rendering the entire San Jose offensive ineffective. Simultaneously, Chase's Flying Columns passed through Gapan and entered Sabang, fording the Angat River to launch two simultaneous advances to the south and east. The 148th Regiment secured Plaridel after a brief but fierce skirmish, while the 152nd Regiment faced setbacks in the ZigZag Pass due to nighttime Japanese counterattacks and artillery fire. The 149th Regiment became disoriented and had to return to Olongapo, and the 188th Glider Regiment managed to break through to barrio Aga amidst heavy resistance, while the 1st Battalion of the 187th Glider Regiment moved forward to begin the assault toward Tagaytay. On February 3, Swing's glider infantry launched an assault on the western end of Tagaytay, while paratroopers from the 511th Parachute Regiment began to drop along the ridge in a rather scattered manner. The first echelon of the 511th, about 915 in all, had come to Tagaytay Ridge aboard 48 C-47 aircraft of the 317th Troop Carrier Group. The planes had flown north from Mindoro to approach Tagaytay Ridge from the northeast in order to avoid fire from Japanese anti-aircraft weapons west of the drop zone. The first 18 planes, carrying about 345 troops, dropped over the assigned area. At this juncture, planes from succeeding flights were nearly 6 miles and 3 minutes behind the lead aircraft. About 08:20 one of these later planes dumped out a couple of bundles of supplies. Taking this as a signal that they were over the proper drop zone, 'troopers of the succeeding 30 planes began jumping. Aircraft pilots, realizing they had not yet reached the proper point, attempted to halt the jumping, but the 511th's jump-masters continued sending the paratroopers out. Most of them landed almost 5 miles east-northeast of the assigned drop zone. A second group of 51 C-47s began approaching the drop area about 12:10. Some 80 men from the first 5 aircraft of this group landed in the proper place. The rest started out of their planes when they saw on the ground the collapsed chutes of the first misplaced jump. In the end, only 425 men landed on the assigned drop zone; the others, about 1325 in all, made scattered landings 4.5 to 6 miles to the east and northeast. The 11th Airborne Division, blaming the 317th Troop Carrier Group for the premature dropping, reported that the "true reason was the refusal of the Air Force to cooperate in a combined training program for Airborne and Air Force troops." In any event, it appears that some lack of jump discipline within the 511th contributed to the scattered, premature jumping. Fortunately for them, they encountered minimal resistance as they secured the unoccupied ridge. To the north, the 148th Regiment continued its advance southward, facing delays at several tidal streams that were unbridged and unfordable, but managed to reach a point two miles south of Marilao by day's end. At the same time, the 5th Cavalry's Flying Column destroyed a Japanese outpost at Angat and moved through the guerrilla-held Norzagaray before crossing the Santa Maria River to join the 8th Cavalry's Flying Column, which had already progressed to Talipapa and was nearing the outskirts of Manila. Meanwhile, the 27th Regiment successfully eliminated the remaining enemy pockets at Umingan; the 3rd Battalion of the 35th Regiment, advancing over elevated terrain northeast of Lupao, established a position on Route 8 approximately 1500 yards southeast of Lupao, while the rest of the regiment continued to launch unsuccessful frontal assaults on the town. The 20th Regiment managed to overrun a few Japanese strongholds at Muñoz but was unable to break through. On 3 February the 2d Battalion, 20th Infantry, moved in on the northwest, but could not reach Route 99 in its sector. The 3d Battalion pushed across that road at the southwest corner of Muñoz, but gained only half a block into the main section of the town. The 1st Battalion, on the south side of Muñoz, made negligible progress. By dusk, the 20th Infantry had overrun a few Japanese strongpoints, but in order to hold its gains had had to destroy completely and physically occupy every position it had reached so far. Muñoz, General Patrick had begun to realize, was going to be a costly, hard, and time-consuming nut to crack. The 20th Infantry had not yet closed with the main Japanese defenses, but had spent most of the last three days pinned down by Japanese artillery, tank, and machine gun fire. Only by hugging the ground and taking advantage of the little cover even shattered tree stumps afforded had the regiment kept its casualties down to 15 men killed and 90 wounded. Meanwhile the 63rd Regiment successfully bypassed Muñoz and advanced up Route 5 toward Caanawan; and the 1st Regiment similarly advanced along the San Jose-Rizal road, assembling at two points 1000 yards south and 1500 yards east of San Jose. Now, however, it is time to leave Luzon and head toward the Central Pacific. Following the successful capture of the Marianas and the establishment of B-29 Superfortress air bases on these islands, the Allies were finally able to conclude Operation Matterhorn and cease using bases in China and India for conducting raids on the Japanese mainland and other targets in East Asia. Between June 5, 1944, and January 17, 1945, General LeMay's 20th Bomber Command executed a total of 29 combat missions, inflicting significant damage on key military installations in southern Japan, Manchuria, Formosa, and Indochina, with a total loss of 73 B-29s. Meanwhile, General Hansell's 21st Bomber Command, reinforced by the 313th Bombardment Wing, struggled to achieve similar outcomes in both daylight precision bombing and area incendiary bombing, with the first three missions of January yielding the same disappointing results as those in December and November.  On January 3rd, Norstad's incendiary test mission was run on 3 January, when ninety-seven B-29's got off for Nagoya. Each plane carried a mixed load of bombs -14 x 350-pound M18 IB clusters fuzed to open at 8,000 feet and one 420-pound fragmentation cluster fuzed to open 1,000 feet below releasing altitude. What with aborts and planes straying from course, only fifty-seven bombed the urban area designated as primary target, most of them releasing visually though cloud cover was rated as 6/10. Some fires were started but there was no holocaust. Smoke rising to 20,000 feet combined with cloud to make observation of results impossible for the attackers. As a test, then, the mission was inconclusive. To the citizens of Nagoya, who were better informed than intelligence officers of 21st Bomber Command, the damage seemed slight. On January 9th, having satisfied Norstad's requirement, the command returned to its program of precision bombing against aircraft factories. Performance for the most part was of a piece with what had gone before. On 9 January 1945 seventy-two B-29's were sent against Musashino near Tokyo. High winds broke up the formations so that only eighteen planes were able to bomb the target; twenty-four bombs, widely scattered in the plant area, destroyed one warehouse and damaged two others-a slight return for the effort expended and the six B-29's lost. On January 14th, at the Mitsubishi Aircraft Works at Nagoya on the 14th, precision bombing was again less than precise. Seventy-three B-29's were airborne and forty bombed, getting four GP's-one ton-into the No. 5 Works area and damaging three buildings. Frustrated by this, Hansell increasingly blamed his crews for the unsatisfactory outcomes. Remarkably, he would only achieve his first fully successful B-29 attack on his final mission of the war. The target for the January 19 strike was virgin, a plant of the Kawasaki Aircraft Industries Company located 2 miles northwest of Akashi, a village on the Inland Sea some 12 miles west of Kobe. The Akashi works housed Kawasaki's general headquarters and one of the company's two large production units, which built the twin-engine fighters Nick and Randy and engines for Tony, Oscar and Frank fighters. Smaller than Nakajima and Mitsubishi, Kawasaki in 1944 delivered 17% of Japan's combat airframes and 12% of its combat engines. Against Akashi, Hansell sent 77 B-29s, plus 3 others in a diversionary strike. With good weather, 62 bulled it through to the Kawasaki factory, dumped 155 tons of GPs, and then returned with no losses. Interpreting strike photos, intelligence officers estimated that 38% of the roofed area showed major damage. This was an understatement. Every important building in both the engine and airframe branches had been hit and production was cut by 90%. Indeed, the Kawasaki Company liquidated the combined plant and dispersed the machine tools, which had suffered only slightly, to other sites. The Akashi shops were given temporary repairs at the cost of 226 tons of critical materials and over 9000000 yen, but the installation was used thereafter only for limited assembly jobs. It is a pity that the full results of this mission could not have been known to Hansell. His first completely successful B-29 attack, Akashi seemed to epitomize the doctrines of precision bombardment he had championed-and it was his last strike of the war. Unaware of this success, Hansell was replaced the following day as head of the 21st Bomber Command by the determined LeMay, who immediately suggested a shift to firebombing Japan's major cities at low altitude during nighttime, marking a stark departure from Hansell's previous strategies. However, the only obstacle in the flight path was Iwo Jima, which could alert the Japanese to an impending raid and still had operational airfields capable of launching intercepting fighters. These airfields had also been used for sporadic air assaults on the Marianas, although few attacks were actually carried out in January. Capturing Iwo Jima would resolve these issues, and Admiral Nimitz aimed to establish emergency landing facilities for B-29s based in Saipan, as well as a base for their fighter escorts targeting Japan. Consequently, he decided to proceed with the invasion, codenamed Operation Detachment. After this operation, Nimitz planned to invade Okinawa to secure and develop a robust air and naval base for the assault on the Japanese home islands, which we will discuss further later. For the Iwo Jima operation, Admiral Spruance was once again given overall command of the "big blue fleet," which was re-designated as the 5th Fleet. Under his command, Vice-Admiral Richmond Turner led Task Force 51, the Joint Expeditionary Force, responsible for landing Lieutenant-General Holland Smith's Expeditionary Troops. Turner was supported by Rear-Admiral William Blandy's Task Force 52, the Amphibious Support Force, which included ten escort carriers; Rear-Admiral Harry Hill's Task Force 53, comprising all transports and landing craft; Rear-Admiral Bertram Rodgers' Task Force 54, which had six battleships and five cruisers for shore bombardment; and Vice-Admiral Marc Mitscher's Task Force 58, the Fast Carrier Force. For the amphibious invasion, Major-General Harry Schmidt's 5th Amphibious Corps would deploy the 3rd, 4th, and 5th Marine Divisions, planning to land the 4th and 5th Divisions side by side with two regiments each along the two-mile stretch of beach between Mount Suribachi and the East Boat Basin on the island's southeast coast. Smith and Schmidt also decided to limit corps artillery to two battalions of 155mm howitzers, organized as the 1st Provisional Field Artillery Group, due to the limited space available for emplacements on the island. After landing, Major-General Clifton Cates' 4th Marine Division would take control of the Motoyama Plateau and its airfields, while also capturing the O-1 Line on the corps' right flank. Meanwhile, Major-General Keller Rockey's 5th Marine Division would secure the Mount Suribachi region before advancing northeast to capture the O-1 Line on the corps' left flank. They would then push forward across the island until Iwo Jima was fully secured. At the same time, Major-General Graves Erskine's 3rd Marine Division would remain in reserve, with only its 21st Marine Regiment deployed as the corps reserve. To aid in this effort, the 7th Air Force, under Generals Harmon and Hale, had been consistently targeting Iwo Jima's facilities since August 1944. Following intense attacks in December, which included bombardments by Rear-Admiral Allan Smith's 5th Cruiser Division against Iwo Jima, Haha Jima, and Chichi Jima were again struck on January 5, but the next bombardment wouldn't occur until January 25.  A fighter sweep by 28 P-38s opened the attack at 0945; 62 B-29s bombed at 1100 and 102 B-24s at noon; Crudiv 5 (Rear Admiral Allan E. Smith), comprising heavy cruisers Chester, Pensecola and Salt Lake City with six destroyers, arrived off Iwo at 1330 and opened bombardment at 1347. "Hoke" Smith approached the island from the west, rounded Mount Suribachi and then reversed track in a half-circle. Unfortunately the sky was so heavily overcast as to force the planes to bomb by radar and to hamper ships' spotting. Surface visibility was good enough to enable the island to be well covered by a naval bombardment, which lasted for 70 minutes and expended 1500 rounds of 8-inch and 5334 rounds of 5-inch shell. The bombers dropped 814 tons of bombs. Photographs, taken three days later, showed that both airfields on Iwo were wholly or in part operational, but no more enemy air raids hit the Marianas until Christmas Day. The job of keeping Iwo airfields neutralized was now turned over to B-24s of VII A.A.F. Between 8 December 1944 and 15 February 1945 they flew at least one strike daily over the island. The day before Christmas, Rear Admiral Smith's heavy cruisers, together with five destroyers, delivered a second bombardment, coordinated with a B-24 strike. This strike was slightly more eventful than the initial one in December, but even less effective. The bombardment, which expended 1500 rounds of 8-inch, provoked return fire from a 6-inch coast defense battery (designated "Kitty" on the target maps) in the northeast part of the island, but "Kitty's" claws managed to strike no closer than 200 yards. As proof of the slight damage inflicted by this bombardment, the Japanese were able to pay a vicious return visit to Saipan on Christmas Eve, a raid of 25 planes which destroyed one B-29 and damaged three more beyond repair. Crudiv 5 returned 27 December for a repeat performance, lighter than the others; and a fourth bombardment was set up for 5 January 1945. While fighter planes and B-24s hit Iwo Jima the same cruisers and six destroyers bombarded Chichi Jima, 145 northward, and the slightly nearer Haha Jima. Their hope was to catch a convoy bringing Japanese supplies to these islands, whence they were forwarded to Iwo by small craft at night. Destroyer Fanning, steaming ahead of the group as radar picket, encountered at 0206 a surface target, later identified as LSV-102, which she sank. At 0700 Admiral Smith's group opened a one hour and 49 minutes' bombardment of Chichi Jima. During it, destroyer David W. Taylor suffered an underwater explosion, probably from a mine, which flooded her forward magazine. The Haha Jima bombardment by Salt Lake City and two destroyers lasted for an hour. Crudiv 5 then pounded Iwo Jima for another hour and three quarters. The reply was negligible, and a few aircraft which made passes at the cruisers were easily driven off. Starting on the last day of January and continuing for two weeks, 7th Air Force aircraft bombed the island day and night, occasionally joined by LeMay's Superfortresses. For ten weeks, Iwo Jima faced near-daily bombardments from land-based aircraft, with nearly 6,800 tons of bombs dropped. Additionally, there were five naval bombardments that fired 203 rounds of 16-inch shells, 6,472 rounds of 8-inch shells, and 15,251 rounds of 5-inch shells. Under normal circumstances, such a heavy and sustained bombardment would have been more than enough to devastate an island of that size. However, the Japanese managed to restore the airfields on Iwo Jima just hours after each attack and continued to strengthen their defenses on the island. Following the fall of Saipan, the Japanese appointed Lieutenant-General Kuribayashi Tadamichi to oversee the defenses of the Bonin Islands, renaming the Ogasawara District Group as the 109th Division. Kuribayashi stationed Major-General Tachibana Yoshio's 1st Mixed Brigade and most of Colonel Iida Yusuke's 17th Independent Mixed Regiment on Chichi Jima, along with several other units across the islands. He accurately predicted that Iwo Jima would be the target for an Allied landing and took measures to make it virtually indestructible. To this end, he coordinated with Major-General Senda Sadasue's 2nd Mixed Brigade, Colonel Ikeda Masuo's 145th Regiment, and Lieutenant-Colonel Baron Nishi Takeishi's severely weakened 26th Tank Regiment, which had sustained heavy losses from American submarines at sea. Additionally, Major Fujiwara Tamachi's 3rd Battalion of the 17th Independent Mixed Regiment and a robust artillery unit led by Colonel Kaido Chosaku were included in the defense. Rear-Admiral Ichimaru Toshinosuke also provided a significant naval garrison on the island, centered around the 27th Air Flotilla, bringing Kuribayashi's total forces to approximately 21,060 men, far exceeding the American estimate of 13,000. Aware that the beaches would be vulnerable to enemy naval and air assaults, Kuribayashi opted to strengthen the Mount Suribachi and Motoyama Plateau areas. The Mount Suribachi area was made a semi-independent defense sector, its heavily fortified positions bristling with weapons of all types, ranging from casemated coast-defense guns and artillery to automatic weapons emplaced in mutually supporting pillboxes. The narrow isthmus connecting Suribachi to the rest of the island was lightly held by infantry, but heavily defended by enfilade fire from artillery, rockets, and mortars emplaced on both the high ground in the south (Suribachi area) and the northern portion of the island. The main defense line was a belt of mutually supporting positions organized in depth, running generally northwest-southeast across the island. It stretched from the cliffs north of the western beaches south to include Airfield Number 2; then, turning eastward through Minami, terminated at the rugged coast north of the eastern beaches. Pillboxes, blockhouses, bunkers, and dug-in tanks strengthened the defenses in the naturally formidable terrain everywhere throughout this belt. The second defense line generally bisected the remaining area in the northern portion of the island. It began several hundred yards below Kitano Point on the northwest coast, cut through Airfield Number 3 and the Motoyama area in the center, and terminated between Tachiiwa Point and the East Boat Basin on the eastern coast. Man-made emplacements were not as numerous in this second line, but natural caves and other covered positions afforded by the fantastically rugged terrain were skillfully organized for the defense. The beaches would be lightly defended but would receive fire support from the elevated positions. A substantial reserve force, including tanks, was also prepared to counterattack and push the Americans back into the sea if they managed to establish a foothold. In a shift from traditional Japanese defensive strategies, Kuribayashi moved away from full-scale counterattacks and suicidal banzai charges, instead instructing his troops to hold their mutually supportive positions to the last and to carry out small unit counterattacks at cutoff points. I would like to take this time to remind you all that this podcast is only made possible through the efforts of Kings and Generals over at Youtube. Please go subscribe to Kings and Generals over at Youtube and to continue helping us produce this content please check out www.patreon.com/kingsandgenerals. If you are still hungry after that, give my personal channel a look over at The Pacific War Channel at Youtube, it would mean a lot to me. The Allied forces continued their advance through Luzon, battling Japanese defenses, liberating prisoners, and securing key locations, paving the way for a final push toward Manila. Meanwhile, on Iwo Jima, General Kuribayashi was preparing for a final stand, hoping beyond hope to make the Americans pay so dearly they might end the war.

Que vous ayez ou non la fève, nous vous souhaitns d'être les reines et les rois… de l'audace cette semaine dans notre émission !10 ans après que ses camarades et lui-mêmes soient (tragiquement) entrés dans la légende, nous rendrons l'hommage qu'il mérite à Cabu, héros de notre enfance devenu ambassadeur de nos libertés, grâce à la chanson essentielle que lui a consacrée Monsieur Lune. Et nous recevrons une artiste à la plume également acérée… et diablement poétique : Jeanne Rochette ! 4 ans après nous avoir fait découvrir son tonitruant album « La malhonnête », l'artiste complète nous présente « Live au Gesù » : un opus live puissant et original car enregistré avec l'Orchestre national de jazz de Montréal ! Une prise de risque jubilatoire pour cette bête de scène qui fait ainsi se rencontrer ses chansons les plus fétiches et la formation la plus prestigieuse du Québec pour un cocktail détox et détonnant ! Et elle offrira également à vos étrennes un live inédit en piano-voix… Enfin, en guise de VideoKITSCHn vous ferez connaissance avec… »The Invisible Man » : une chanson du groupe britannique Queen, sortie en 1989. Les quatre membres du groupe jouent les personnages d'un jeu vidéo qu'un enfant essaye de supprimer avec sa manette. Une alternance de plans entre entre le monde informatique et le monde réel. Une inspiration Spielberg ou Strangers Things, c'est invisible, c'est eighties et c'est kitschement irrésistible ! Vous passerez en tout cas, aux niveaux suivants et vaincrez tous les boss en nous écoutant toute cette semaine dans Kitsch et Net !

01. Low Blow - Talking To Myself 02. Gloria Estefan, The Shooters - Conga 03. Gino Da Koda - Pull Up 04. Kevinn, Martin Angrisano - Let It Be 05. Angelo Ferreri - Groovy Sauce 06. Charlie Powell - Act A Fool 07. Sohl, Madri - XTC (Dream Of Love) 08. Reza, Jj Mullor - Go Down 09. Cabu, Akaciafabich, Ferdinand Weber - Gold 10. Chinonegro, Andre Butano - Check Out 11. Davide Messina - Sorry Baby 12. Koog - Depend 13. Tara Mcdonald, Alaia & Gallo - Rapture 14. Block & Crown - Remember the Good Times 15. Lefti - Boom Diggi 16. Kamino - Call On Me 17. Simon Kidzoo - Flirt 18. Flavor Plus - Let It Go 19. Dvpt, Nico Varas - Mi Veneka 20. Alex Lo Faro - Love You 21. Eric Costa - Space Ball 22. Mr. Belt, Wezol, Rscl - Opened Up My Soul 23. Greymatter - Pressure To Talk 24. El Funkador - Get on Down 25. T-Bor - Set Me Free 26. Javi Colors - Stompin' 2025 27. Col Lawton, Sen-Sei, Sebb Junior - Hot Head 28. Dino Dz, Ted Funke, Ida Flo, Rubber People - Live My Life Free 29. Uoak, Callumcantsleep, Tony White - Alouma 30. Vertigini - Can You Feel It 31. Angelo Ferreri, Alessio Cala' - Filler Jack 32. Dimitri Vegas, Chapter & Verse, Goodboys - Good For You 33. Jizz - She Likes To Dance 34. Boki - never let u 35. Kyle Walker, James Poole - Intimate 36. Tom & Jame, Twoloud, Jguar - You Don't Wanna Know 37. Jabberwocky - Caught Up 38. The Trip - Delighful Funk 39. The Trip - Delighful Funk 40. Gabriele Ranucci - I Feel The Energy 41. Dont Blink - Feel so right 42. Blacktune - Up & Down 43. Carlos Lobo - San Andreas 44. Sharam Jey, Sevek, Amazondas - Inside 45. Vasily Umanets - Aurora 46. Vanilla Ace, Jax D - Turn Me Up 47. Bleu Clair, Dances With White Girls - Peanut Butter 48. Tenob, Sebb Junior - Joy 49. Toscana - Rewind The Swing 50. Vini Mat - Dale 51. Carlo Italy - Go 52. Sean Finn - Calinda 53. Dj Christian B - Keep Ya Burning 54. Fickry, Dj Shu-Ma - Find A Way 55. Lady Gaga, Acraze - Bad Romance 56. Nocapz. - More Love 57. Trimtone - Does It Feel Right 58. Mata Jones, Massimo Solinas - So Right 59. Ronan C - Look To Me 60. Diego Serrao - Party Jumpin' 61. Jade, Country Club Martini Crew - Fantasy 62. Patrick Tijssen - Be Aware Of House Music 63. Neon Hustler - Don't Give Up 64. Word Of Mouth Uk - Wanna Sing 65. Durante, Altieri - I'm Not Worried 66. Croatia Squad - Miniskirt 67. Vokor, Vicdb - Sahara 68. Matonii - Something On The Side 69. Lucy Pearl, Fede Aliprandi - Don't Mess With My Man 70. Byor, Aria - Keep It Real 71. Koog - With You 72. Handsome Habibi - Don't Waste My Time 73. Jordan House - It's Our Time 74. D Rossini - Keep On Rockin 75. Leon (Italy), Lapo Underground - Keep On Feel 76. Ghostbusterz, Nudisco - Them Boyz 77. Camiel Daamen, Kolter - Una Mas 78. Robbie Rivera, Alex Gewer - Sex

01. Low Blow - Talking To Myself 02. Gloria Estefan, The Shooters - Conga 03. Gino Da Koda - Pull Up 04. Kevinn, Martin Angrisano - Let It Be 05. Angelo Ferreri - Groovy Sauce 06. Charlie Powell - Act A Fool 07. Sohl, Madri - XTC (Dream Of Love) 08. Reza, Jj Mullor - Go Down 09. Cabu, Akaciafabich, Ferdinand Weber - Gold 10. Chinonegro, Andre Butano - Check Out 11. Davide Messina - Sorry Baby 12. Koog - Depend 13. Tara Mcdonald, Alaia & Gallo - Rapture 14. Block & Crown - Remember the Good Times 15. Lefti - Boom Diggi 16. Kamino - Call On Me 17. Simon Kidzoo - Flirt 18. Flavor Plus - Let It Go 19. Dvpt, Nico Varas - Mi Veneka 20. Alex Lo Faro - Love You 21. Eric Costa - Space Ball 22. Mr. Belt, Wezol, Rscl - Opened Up My Soul 23. Greymatter - Pressure To Talk 24. El Funkador - Get on Down 25. T-Bor - Set Me Free 26. Javi Colors - Stompin' 2025 27. Col Lawton, Sen-Sei, Sebb Junior - Hot Head 28. Dino Dz, Ted Funke, Ida Flo, Rubber People - Live My Life Free 29. Uoak, Callumcantsleep, Tony White - Alouma 30. Vertigini - Can You Feel It 31. Angelo Ferreri, Alessio Cala' - Filler Jack 32. Dimitri Vegas, Chapter & Verse, Goodboys - Good For You 33. Jizz - She Likes To Dance 34. Boki - never let u 35. Kyle Walker, James Poole - Intimate 36. Tom & Jame, Twoloud, Jguar - You Don't Wanna Know 37. Jabberwocky - Caught Up 38. The Trip - Delighful Funk 39. The Trip - Delighful Funk 40. Gabriele Ranucci - I Feel The Energy 41. Dont Blink - Feel so right 42. Blacktune - Up & Down 43. Carlos Lobo - San Andreas 44. Sharam Jey, Sevek, Amazondas - Inside 45. Vasily Umanets - Aurora 46. Vanilla Ace, Jax D - Turn Me Up 47. Bleu Clair, Dances With White Girls - Peanut Butter 48. Tenob, Sebb Junior - Joy 49. Toscana - Rewind The Swing 50. Vini Mat - Dale 51. Carlo Italy - Go 52. Sean Finn - Calinda 53. Dj Christian B - Keep Ya Burning 54. Fickry, Dj Shu-Ma - Find A Way 55. Lady Gaga, Acraze - Bad Romance 56. Nocapz. - More Love 57. Trimtone - Does It Feel Right 58. Mata Jones, Massimo Solinas - So Right 59. Ronan C - Look To Me 60. Diego Serrao - Party Jumpin' 61. Jade, Country Club Martini Crew - Fantasy 62. Patrick Tijssen - Be Aware Of House Music 63. Neon Hustler - Don't Give Up 64. Word Of Mouth Uk - Wanna Sing 65. Durante, Altieri - I'm Not Worried 66. Croatia Squad - Miniskirt 67. Vokor, Vicdb - Sahara 68. Matonii - Something On The Side 69. Lucy Pearl, Fede Aliprandi - Don't Mess With My Man 70. Byor, Aria - Keep It Real 71. Koog - With You 72. Handsome Habibi - Don't Waste My Time 73. Jordan House - It's Our Time 74. D Rossini - Keep On Rockin 75. Leon (Italy), Lapo Underground - Keep On Feel 76. Ghostbusterz, Nudisco - Them Boyz 77. Camiel Daamen, Kolter - Una Mas 78. Robbie Rivera, Alex Gewer - Sex

01. Camiel Daamen, Kolter - Una Mas 02. Qubiko - Every Night 03. Leon (Italy), Lapo Underground - Keep On Feel 04. Stogov, Alexey Zhurba - This Is Wisdom 05. Koog - With You 06. Bannie - On Your Mind 07. Lucy Pearl, Fede Aliprandi - Don't Mess With My Man 08. Dlmt, Maahez - Safari 09. Vokor, Vicdb - Sahara 10. Dino Dz - Pray 4U 11. Tyler Coey, Huggo - Dixon 12. Reza, Jj Mullor - Go Down 13. Sohl, Madri - XTC (Dream Of Love) 14. Nimino, Claptone - I Only Smoke When I Drink 15. Jordan House - It's Our Time 16. Bolier, Voost - Renegade 17. Hinev - Addictive To You 18. Davide Messina - Sorry Baby 19. Koog - Depend 20. Cabu, Akaciafabich, Ferdinand Weber - Gold 21. Karma Child, Amaal - Carry On 22. Gloria Estefan, The Shooters - Conga 23. Arlow, Voost - Make You Mine 24. Angelo Ferreri - Groovy Sauce 25. Kastelo, Ily - Got That Flow 26. Don Toliver, Zaytek, Riza - New Drop 27. Miguel R Filio - Beat 28. Dj Christian B - Keep Ya Burning 29. Chris Damon - Supreme 30. Word Of Mouth Uk - Wanna Sing 31. Viktor Varela, Miguel Tagua - With You 32. Vini Mat - Dale 33. Delgado - Deepest Desire 34. Gadjo, Stuart Ojelay - So Many Times 35. Ronan C - Look To Me 36. Block & Crown, Mike Ferullo, Joe Zangie - The Promise 37. Tenob, Sebb Junior - Joy 38. Daniel Distinkt - Time To Jack 39. Leon (Italy), Lapo Underground - Keep On Feel 40. Mason Flint - Stop Us Dancing 41. Sam Townend - Perfect Day 42. Doja Cat - Paint The Town Red 43. Saladin - Tipsy 44. Skapes, Tim Hidgem, Mr Jay - Give A Little Love 45. Vito Beto - Everybody Loves 46. Col Lawton, Sen-Sei, Sebb Junior - Hot Head 47. Fabio Vela, Liz Hill, Gianni Bini, Fabio Vela - I Can Handle It 48. Asle, Laura Vane, Stereosoulz - Be There For Me 49. El Funkador - Get on Down 50. Dj Susan - Hush 51. Sound Cloup - Ostinato 52. Fabio Tosti, Tnt Inc. - Bring Back Da House 53. Adri Block - Can We Do This 54. Uoak, Callumcantsleep, Tony White - Alouma 55. Kevin Andrews - I Cant' Wait 56. Fdf - The Charm Of The Groove 57. Basement Jaxx, Cassimm - Jus 1 Kiss 58. Eric Costa - Space Ball 59. Marco Lys, Tube & Berger - Starter 60. Andrea Carissimi, Michele Chiavarini, Roland Clark - The Underground 61. Astrohertz - Love Thing 62. Sonny Fodera, Paul Woolford, Ella Henderson, Belters - Like I Used To 63. Burnr - Stronger 64. Simon Kidzoo - Flirt 65. Dj Pp - Geisha 66. Lydia Scarfo, Karl Dope, Lydia Scarfo - I Miss You 67. Zetbee - Bodies In Night 68. Jizz - She Likes To Dance 69. Kyle Walker, James Poole - Intimate 70. Maickel Telussa - Back To Me 71. The Trip - Delighful Funk 72. Burnr - Issa Movie 73. Scott Diaz - Like Dis 74. The Cube Guys, Techtribe - Myaghi 75. Wza - U Know Somethin' 76. Angelo Ferreri, Alessio Cala' - Filler Jack 77. Sandro Puddu - Low Frequency 78. Deebesh - Heart Touch

01. Camiel Daamen, Kolter - Una Mas 02. Qubiko - Every Night 03. Leon (Italy), Lapo Underground - Keep On Feel 04. Stogov, Alexey Zhurba - This Is Wisdom 05. Koog - With You 06. Bannie - On Your Mind 07. Lucy Pearl, Fede Aliprandi - Don't Mess With My Man 08. Dlmt, Maahez - Safari 09. Vokor, Vicdb - Sahara 10. Dino Dz - Pray 4U 11. Tyler Coey, Huggo - Dixon 12. Reza, Jj Mullor - Go Down 13. Sohl, Madri - XTC (Dream Of Love) 14. Nimino, Claptone - I Only Smoke When I Drink 15. Jordan House - It's Our Time 16. Bolier, Voost - Renegade 17. Hinev - Addictive To You 18. Davide Messina - Sorry Baby 19. Koog - Depend 20. Cabu, Akaciafabich, Ferdinand Weber - Gold 21. Karma Child, Amaal - Carry On 22. Gloria Estefan, The Shooters - Conga 23. Arlow, Voost - Make You Mine 24. Angelo Ferreri - Groovy Sauce 25. Kastelo, Ily - Got That Flow 26. Don Toliver, Zaytek, Riza - New Drop 27. Miguel R Filio - Beat 28. Dj Christian B - Keep Ya Burning 29. Chris Damon - Supreme 30. Word Of Mouth Uk - Wanna Sing 31. Viktor Varela, Miguel Tagua - With You 32. Vini Mat - Dale 33. Delgado - Deepest Desire 34. Gadjo, Stuart Ojelay - So Many Times 35. Ronan C - Look To Me 36. Block & Crown, Mike Ferullo, Joe Zangie - The Promise 37. Tenob, Sebb Junior - Joy 38. Daniel Distinkt - Time To Jack 39. Leon (Italy), Lapo Underground - Keep On Feel 40. Mason Flint - Stop Us Dancing 41. Sam Townend - Perfect Day 42. Doja Cat - Paint The Town Red 43. Saladin - Tipsy 44. Skapes, Tim Hidgem, Mr Jay - Give A Little Love 45. Vito Beto - Everybody Loves 46. Col Lawton, Sen-Sei, Sebb Junior - Hot Head 47. Fabio Vela, Liz Hill, Gianni Bini, Fabio Vela - I Can Handle It 48. Asle, Laura Vane, Stereosoulz - Be There For Me 49. El Funkador - Get on Down 50. Dj Susan - Hush 51. Sound Cloup - Ostinato 52. Fabio Tosti, Tnt Inc. - Bring Back Da House 53. Adri Block - Can We Do This 54. Uoak, Callumcantsleep, Tony White - Alouma 55. Kevin Andrews - I Cant' Wait 56. Fdf - The Charm Of The Groove 57. Basement Jaxx, Cassimm - Jus 1 Kiss 58. Eric Costa - Space Ball 59. Marco Lys, Tube & Berger - Starter 60. Andrea Carissimi, Michele Chiavarini, Roland Clark - The Underground 61. Astrohertz - Love Thing 62. Sonny Fodera, Paul Woolford, Ella Henderson, Belters - Like I Used To 63. Burnr - Stronger 64. Simon Kidzoo - Flirt 65. Dj Pp - Geisha 66. Lydia Scarfo, Karl Dope, Lydia Scarfo - I Miss You 67. Zetbee - Bodies In Night 68. Jizz - She Likes To Dance 69. Kyle Walker, James Poole - Intimate 70. Maickel Telussa - Back To Me 71. The Trip - Delighful Funk 72. Burnr - Issa Movie 73. Scott Diaz - Like Dis 74. The Cube Guys, Techtribe - Myaghi 75. Wza - U Know Somethin' 76. Angelo Ferreri, Alessio Cala' - Filler Jack 77. Sandro Puddu - Low Frequency 78. Deebesh - Heart Touch

Au sommaire de l'émission :Retour sur les événements tragiques de janvier 2015 avec les attentats contre Charlie Hebdo, l'assassinat de la policière Clarissa Jean-Philippe et la prise d'otages de l'Hyper Cacher à Paris.Témoignage poignant du journaliste Philippe Vallet qui connaissait intimement certaines des victimes de Charlie Hebdo, notamment Cabu, et qui évoque leur bienveillance et leur humanité.Inquiétude face à la dégradation du climat et de la liberté d'expression en France depuis ces attentats, avec la peur qui s'est installée dans la société.Analyse des conséquences des attentats sur la démocratie et la liberté d'expression, avec la disparition de certaines caricatures et le silence de certains enseignants.Réflexion sur le rôle joué par les forces de sécurité pour empêcher de nouvelles attaques terroristes venues de l'étranger, malgré la persistance d'attentats endogènes.Notre équipe a utilisé un outil d'Intelligence artificielle via les technologies d'Audiomeans© pour accompagner la création de ce contenu écrit.

durée : 00:03:21 - Charline explose les faits - par : Charline Vanhoenacker - Quelle ironie ! Même la date de son décès est caricaturale. Le menhir sera momifié dans des bandelettes de dessins de Cabu et Charb… Si vous aviez perdu confiance en la vie, ayez confiance en la mort !

durée : 00:03:21 - Charline explose les faits - par : Charline Vanhoenacker - Quelle ironie ! Même la date de son décès est caricaturale. Le menhir sera momifié dans des bandelettes de dessins de Cabu et Charb… Si vous aviez perdu confiance en la vie, ayez confiance en la mort !

Mientras en Francia las autoridades francesas y la revista Charlie Hebdo recuerdan los atentados yihadistas que causaron una docena de muertos hace diez años, el mundo de los caricaturistas y de la sátira política hace un balance de la evolución de ese género y de la liberta de expresión. El 7 de enero de 2015 Francia fue golpeada por el asesinato de ocho personas de la redacción Charlie Hebdo situada en Paris; tras un atentado de los hermanos Kouachi en nombre de la organización Estado Islámico.  Una ola de apoyo a los caricaturistas se levantó. El caricaturista cubano residente en Chile, Alen Lauzan recuerda que en ese momento él y sus colegas llegaron a la conclusión “del nivel de violencia con que la gente puede actuar contra el humor grave”.Charlie  Hebdo, símbolo de la lucha por la libertad de expresión público un número especial para los 10 años con el título "¡inquebrantable!". Sin embargo, para el caricaturista ecuatoriano Bonil, el balance de estos últimos años para el género y la libertad de expresión no es tan alentador. “En ese momento, todas las sociedades occidentales blindaron y cerraron filas en torno a este valor de la democracia, que es la libertad de expresión, pero parecería que luego de 10 años esta libertad de expresión está más en riesgo y no por la censura de organismos gubernamentales oficiales, sino por la sociedad misma, la irreverencia. La sátira mordaz quizás se ha trasladado a las redes sociales, aunque no necesariamente en forma de caricaturas”, agregó.Por su parte, el dibujante cubano Alen Lauzan recuerda que trabajó en un medio que prefería llenar una página de memes y no de caricaturas. “No estoy en contra de los memes, ojo, -lo que pasa es que- salía gratis en comparación a tener un caricaturista que hacía una cosa exclusiva. Cada vez más desaparece el humor. En mi caso, yo me he visto afectado también, por eso necesitamos ir un poco en contra de cualquier tipo de poder o de fanatismo”, indicó. Desde que la revista de tono ácrata publicó caricaturas del profeta Mahoma en 2006, Charlie Hebdo vivió bajo la amenaza islamista, hasta que sucedió el atentado en el que murieron su emblemático director, el dibujante Charb, así como dos leyendas de la caricatura en Francia, Cabu y Wolinski.Para Bonil, del diario El Universo en Ecuador, poco importa el tema. Más allá de la religión, es el género que está en peligro. “Bueno yo en lo personal que ya llevo más de casi 35 años en este oficio, un tema que yo no dibujaría o que tendría mucho cuidado es satirizar a narcotraficantes con nombre y apellido, cosa que sí puedo hacer con respecto a los actores políticos” confesó.Charly Hebdo sigue publicando decenas de miles de ejemplares semanalmente. Su sede es secreta, y sus dibujantes y periodistas viven bajo extraordinarias medidas de seguridad.

Mientras en Francia las autoridades francesas y la revista Charlie Hebdo recuerdan los atentados yihadistas que causaron una docena de muertos hace diez años, el mundo de los caricaturistas y de la sátira política hace un balance de la evolución de ese género y de la liberta de expresión. El 7 de enero de 2015 Francia fue golpeada por el asesinato de ocho personas de la redacción Charlie Hebdo situada en Paris; tras un atentado de los hermanos Kouachi en nombre de la organización Estado Islámico.  Una ola de apoyo a los caricaturistas se levantó. El caricaturista cubano residente en Chile, Alen Lauzan recuerda que en ese momento él y sus colegas llegaron a la conclusión “del nivel de violencia con que la gente puede actuar contra el humor grave”.Charlie  Hebdo, símbolo de la lucha por la libertad de expresión público un número especial para los 10 años con el título "¡inquebrantable!". Sin embargo, para el caricaturista ecuatoriano Bonil, el balance de estos últimos años para el género y la libertad de expresión no es tan alentador. “En ese momento, todas las sociedades occidentales blindaron y cerraron filas en torno a este valor de la democracia, que es la libertad de expresión, pero parecería que luego de 10 años esta libertad de expresión está más en riesgo y no por la censura de organismos gubernamentales oficiales, sino por la sociedad misma, la irreverencia. La sátira mordaz quizás se ha trasladado a las redes sociales, aunque no necesariamente en forma de caricaturas”, agregó.Por su parte, el dibujante cubano Alen Lauzan recuerda que trabajó en un medio que prefería llenar una página de memes y no de caricaturas. “No estoy en contra de los memes, ojo, -lo que pasa es que- salía gratis en comparación a tener un caricaturista que hacía una cosa exclusiva. Cada vez más desaparece el humor. En mi caso, yo me he visto afectado también, por eso necesitamos ir un poco en contra de cualquier tipo de poder o de fanatismo”, indicó. Desde que la revista de tono ácrata publicó caricaturas del profeta Mahoma en 2006, Charlie Hebdo vivió bajo la amenaza islamista, hasta que sucedió el atentado en el que murieron su emblemático director, el dibujante Charb, así como dos leyendas de la caricatura en Francia, Cabu y Wolinski.Para Bonil, del diario El Universo en Ecuador, poco importa el tema. Más allá de la religión, es el género que está en peligro. “Bueno yo en lo personal que ya llevo más de casi 35 años en este oficio, un tema que yo no dibujaría o que tendría mucho cuidado es satirizar a narcotraficantes con nombre y apellido, cosa que sí puedo hacer con respecto a los actores políticos” confesó.Charly Hebdo sigue publicando decenas de miles de ejemplares semanalmente. Su sede es secreta, y sus dibujantes y periodistas viven bajo extraordinarias medidas de seguridad.

Mientras en Francia las autoridades francesas y la revista Charlie Hebdo recuerdan los atentados yihadistas que causaron una docena de muertos hace diez años, el mundo de los caricaturistas y de la sátira política hace un balance de la evolución de ese género y de la liberta de expresión. El 7 de enero de 2015 Francia fue golpeada por el asesinato de ocho personas de la redacción Charlie Hebdo situada en Paris; tras un atentado de los hermanos Kouachi en nombre de la organización Estado Islámico.  Una ola de apoyo a los caricaturistas se levantó. El caricaturista cubano residente en Chile, Alen Lauzan recuerda que en ese momento él y sus colegas llegaron a la conclusión “del nivel de violencia con que la gente puede actuar contra el humor grave”.Charlie  Hebdo, símbolo de la lucha por la libertad de expresión público un número especial para los 10 años con el título "¡inquebrantable!". Sin embargo, para el caricaturista ecuatoriano Bonil, el balance de estos últimos años para el género y la libertad de expresión no es tan alentador. “En ese momento, todas las sociedades occidentales blindaron y cerraron filas en torno a este valor de la democracia, que es la libertad de expresión, pero parecería que luego de 10 años esta libertad de expresión está más en riesgo y no por la censura de organismos gubernamentales oficiales, sino por la sociedad misma, la irreverencia. La sátira mordaz quizás se ha trasladado a las redes sociales, aunque no necesariamente en forma de caricaturas”, agregó.Por su parte, el dibujante cubano Alen Lauzan recuerda que trabajó en un medio que prefería llenar una página de memes y no de caricaturas. “No estoy en contra de los memes, ojo, -lo que pasa es que- salía gratis en comparación a tener un caricaturista que hacía una cosa exclusiva. Cada vez más desaparece el humor. En mi caso, yo me he visto afectado también, por eso necesitamos ir un poco en contra de cualquier tipo de poder o de fanatismo”, indicó. Desde que la revista de tono ácrata publicó caricaturas del profeta Mahoma en 2006, Charlie Hebdo vivió bajo la amenaza islamista, hasta que sucedió el atentado en el que murieron su emblemático director, el dibujante Charb, así como dos leyendas de la caricatura en Francia, Cabu y Wolinski.Para Bonil, del diario El Universo en Ecuador, poco importa el tema. Más allá de la religión, es el género que está en peligro. “Bueno yo en lo personal que ya llevo más de casi 35 años en este oficio, un tema que yo no dibujaría o que tendría mucho cuidado es satirizar a narcotraficantes con nombre y apellido, cosa que sí puedo hacer con respecto a los actores políticos” confesó.Charly Hebdo sigue publicando decenas de miles de ejemplares semanalmente. Su sede es secreta, y sus dibujantes y periodistas viven bajo extraordinarias medidas de seguridad.

Mientras en Francia las autoridades francesas y la revista Charlie Hebdo recuerdan los atentados yihadistas que causaron una docena de muertos hace diez años, el mundo de los caricaturistas y de la sátira política hace un balance de la evolución de ese género y de la liberta de expresión. El 7 de enero de 2015 Francia fue golpeada por el asesinato de ocho personas de la redacción Charlie Hebdo situada en Paris; tras un atentado de los hermanos Kouachi en nombre de la organización Estado Islámico.  Una ola de apoyo a los caricaturistas se levantó. El caricaturista cubano residente en Chile, Alen Lauzan recuerda que en ese momento él y sus colegas llegaron a la conclusión “del nivel de violencia con que la gente puede actuar contra el humor grave”.Charlie  Hebdo, símbolo de la lucha por la libertad de expresión público un número especial para los 10 años con el título "¡inquebrantable!". Sin embargo, para el caricaturista ecuatoriano Bonil, el balance de estos últimos años para el género y la libertad de expresión no es tan alentador. “En ese momento, todas las sociedades occidentales blindaron y cerraron filas en torno a este valor de la democracia, que es la libertad de expresión, pero parecería que luego de 10 años esta libertad de expresión está más en riesgo y no por la censura de organismos gubernamentales oficiales, sino por la sociedad misma, la irreverencia. La sátira mordaz quizás se ha trasladado a las redes sociales, aunque no necesariamente en forma de caricaturas”, agregó.Por su parte, el dibujante cubano Alen Lauzan recuerda que trabajó en un medio que prefería llenar una página de memes y no de caricaturas. “No estoy en contra de los memes, ojo, -lo que pasa es que- salía gratis en comparación a tener un caricaturista que hacía una cosa exclusiva. Cada vez más desaparece el humor. En mi caso, yo me he visto afectado también, por eso necesitamos ir un poco en contra de cualquier tipo de poder o de fanatismo”, indicó. Desde que la revista de tono ácrata publicó caricaturas del profeta Mahoma en 2006, Charlie Hebdo vivió bajo la amenaza islamista, hasta que sucedió el atentado en el que murieron su emblemático director, el dibujante Charb, así como dos leyendas de la caricatura en Francia, Cabu y Wolinski.Para Bonil, del diario El Universo en Ecuador, poco importa el tema. Más allá de la religión, es el género que está en peligro. “Bueno yo en lo personal que ya llevo más de casi 35 años en este oficio, un tema que yo no dibujaría o que tendría mucho cuidado es satirizar a narcotraficantes con nombre y apellido, cosa que sí puedo hacer con respecto a los actores políticos” confesó.Charly Hebdo sigue publicando decenas de miles de ejemplares semanalmente. Su sede es secreta, y sus dibujantes y periodistas viven bajo extraordinarias medidas de seguridad.

A França prestou homenagem nesta terça-feira, 07 de Janeiro, às vítimas do atentado perpetrado contra o jornal satírico Charlie Hebdo. Um ataque que tirou a vida a 12 pessoas, destas oito eram elementos da redacção do semanário. Rodrigo de Matos, cartoonista do Expresso, sublinha que os desenhos são “sempre alvo de críticas”, por vezes, “exageradas”. Questionado sobre os limites dos cartoons, Rodrigo de Matos, responde que “são os da própria consciência". Dez anos após este que foi o primeiro de vários ataques de um ano sangrento para França, as autoridades francesas actuais e da altura deslocaram-se às antigas instalações do Charlie Hebdo para depositar uma coroa de flores e prestar homenagem aos que ali foram barbaramente assassinados. Dos oito elementos mortos da redacção do Charlie Hebdo, cinco eram cartoonistas: Cabu, Charb, Honoré, Tignous e Wolinski. Em causa, caricaturas publicadas, em 2006, consideradas ofensivas no mundo árabe-muçulmano.A propósito desta data redonda que agora se assinala sob o ataque ao Charlie Hebdo, a RFI ouviu Rodrigo de Matos, cartoonista do Expresso, que sublinhou que os desenhos são “sempre alvo de críticas”, por vezes, “um pouco exageradas”. Todavia, nunca esperaria como reacção “uma tragédia daquelas”.Questionado sobre os limites dos cartoons, as linhas vermelhas que não podem ser ultrapassadas, Rodrigo de Matos, radicado em Macau, responde que “os limites que há são os da nossa própria consciência. Como cartoonista, os limites de mim para mim estão onde eu acho que a coisa deixa de ter graça. Certamente que os cartoonistas que desenharam aqueles desenhos não achavam isso. E têm o direito de não achar”. Rodrigo de Matos defende que “tudo tem o seu lugar” e à pergunta “se isto deve ou não ser feito ou se isto pode ou não ser feito? A resposta é sempre e deve ser sempre que sim, que pode”. E acrescenta que “a liberdade de expressão, em última instância, na nossa maneira de ver ocidental, é também a liberdade que eu tenho de ofender e de ser ofendido”.O cartoonista, que tem quase 2.000 desenhos publicados ao longo de 18 anos de carreira, diz que “há sempre alguém que se sente ofendido”. Rodrigo de Matos pensa que nesta “sociedade de imediatismo, por um lado, e de cancelamento de opiniões diversas, por outro, estamos a perder a noção da importância do confronto de ideias opostas, do diálogo e do debate entre ideias divergentes”.O ataque de 07 de Janeiro de 2015 contra o jornal satírico Charlie Hebdo, foi o primeiro de vários que ensanguentou a França e que deu origem ao slogan “Je suis Charlie”, na defesa dos valores da liberdade de imprensa e liberdade de expressão.Dez anos após, o Charlie Hebdo "continua" numa edição especial intitulada "Indestrutível", com uma capa com um leitor que ri às gargalhadas sentado sobre uma kalashnikov, a arma dos irmãos Kouachi (autores dos atentados).No editorial desta edição, o director de redacção da revista, Riss, sublinhou que “o riso, a ironia, a caricatura são manifestações de optimismo. Aconteça o que acontecer, seja trágico ou feliz, a vontade de rir nunca desaparecerá".Para François Hollande, antigo Presidente de França, chefe de Estado em 2015, continua a ser necessário preservar o bem precioso que é a liberdade de expressão, numa era das redes sociais. Hollande que alerta que “ela está ameaçada, por vezes restringida por uma forma de medo que se instalou”, lembrando que “há uma forma de autocensura que se apoderou” das pessoas.

Direction Châlons-en-Champagne, sur les pas de Cabu, le caricaturiste tué par les frères Kouachi dans les locaux de Charlie Hebdo il y a 10 ans exactement. Châlons, là où tout a commencé pour Cabu : il y est né, y a grandi et y est resté très attaché. Reportage signé Samuel Goldschmidt pour RTL. Ecoutez L'invité de RTL Midi avec Eric Brunet et Céline Landreau du 07 janvier 2025.

Il y a 10 ans jour pour jour, le 7 janvier 2015, à environ 11h30 des terroristes islamistes pénètrent dans les locaux du journal Charlie Hebdo. Armés de fusils d'assauts, ils tuent 12 personnes dont 8 membres de la rédaction Frédéric Boisseau, Mustapha Ourrad, Elsa Cayat et les dessinateurs Cabu, Charb, Honoré, Tignous et Wolinski. Aujourd'hui, nous rendons hommage aux victimes en vous racontant l'histoire française de la caricature.  La caricature a toujours été une arme de la liberté d'expression. Un contre-pouvoir essentiel pour contester la domination qu'elle soit religieuse, politique ou économique. C'est une tradition très ancienne qu'on retrouve sur les murs de l'Egypte antique et les vases de la Grèce antique. À quand remonte la caricature en France ? Quelle période de l'histoire de France a été influencée par la caricature ? Pourquoi est-elle importante ? Écoutez la suite de cet épisode de Maintenant vous savez ! Un podcast Bababam Originals, écrit et réalisé par Hugo de l'Estrac. À écouter ensuite : Qu'est-ce que la Ligue des droits de l'Homme ? Qu'est-ce que le terrorisme d'extrême droite ? Avez-vous droit à plus d'aides sociales que vous ne le pensez ? Retrouvez tous les épisodes de "Maintenant vous savez". Suivez Bababam sur Instagram. Learn more about your ad choices. Visit megaphone.fm/adchoices

Direction Châlons-en-Champagne, sur les pas de Cabu, le caricaturiste tué par les frères Kouachi dans les locaux de Charlie Hebdo il y a 10 ans exactement. Châlons, là où tout a commencé pour Cabu : il y est né, y a grandi et y est resté très attaché. Reportage signé Samuel Goldschmidt pour RTL. Ecoutez L'invité de RTL Midi avec Eric Brunet et Céline Landreau du 07 janvier 2025.

Cabu et Wolsinki: toujours aussi cons et fous dʹamour. Corinna Glaus: directrice de casting récompensée. Pomme: chanteuse samplée malgré elle par Kanye.

A França lembra a partir desta terça-feira (7) os 10 anos da série de atentados terroristas que marcou o país e o mundo. Entre 7 e 9 de janeiro de 2015, os irmãos Kouachi e Amedy Coulibaly assassinaram 17 pessoas em ataques ao jornal satírico Charlie Hebdo, em Paris, na região de Montrouge e no Hyper Cacher, supermercado frequentado pela comunidade judaica, nos arredores da capital francesa. A RFI Brasil reconstitui os três dias de ataques terroristas que chocaram a França e o planeta. Na manhã do dia 7 de janeiro de 2015, os franceses acordam com a notícia do primeiro de uma série de atentados que paralisam o país. Usando um capuz e carregando fuzis automáticos russos do tipo Kalashnikov, os irmãos Kouachi, Saïd e Chérif, se dirigem ao 11º distrito de Paris, a sede do jornal satírico Charlie Hebdo, e perguntam a uma mulher na rua o endereço exato do local, neste que marcará a história da França como o primeiro ataque terrorista à sede de um veículo de imprensa.Por volta de 11h20, os terroristas forçam um funcionário a entrar no prédio e sobem ao segundo andar, onde acontece a reunião de pauta. Os irmãos Kouachi invadem a sala e abrem fogo, matando 12 pessoas, incluindo figuras icônicas do jornal, como Charb, Cabu, Wolinski, Tignous e o economista Bernard Maris. Na sequência, eles gritam: "Allahu akbar", slogan apropriado da religião muçulmana pelos radicais islâmicos que significa “Deus é o maior”, dizendo logo depois "Vingamos o Profeta Maomé".Exatamente às 11h30 do 7 de janeiro, os irmãos Kouachi deixam o local de carro e após um confronto com uma patrulha policial, executam à queima-roupa o policial Ahmed Merabet na rua. Às 11h50, os terroristas abandonam o carro no nordeste de Paris e continuam a fuga em outro veículo.Mas o pesadelo estava longe de acabar. No dia seguinte, 8 de janeiro de 2015, os franceses são surpreendidos por um novo tiroteio na região de Montrouge, ao sul de Paris. Por volta de 8h, Amedy Coulibaly, cúmplice dos irmãos Kouachi, mata uma policial municipal, Clarissa Jean-Philippe, e foge, deixando pistas que conectam seu ato aos irmãos Kouachi. As autoridades francesas seguem a pista, mas não conseguem localizar os agressores, deixando o país em suspenso.Hipermercado judeu: o pesadelo continuaNo dia 9 de janeiro, os irmãos Kouachi são finalmente localizados às 8h e meia da manhã em Dammartin-en-Goële, a 35 km ao nordeste de Paris. Eles se refugiam em uma gráfica, fazendo um funcionário refém. Mais tarde, por volta de uma da tarde, Amedy Coulibaly invade o supermercado judeu Hyper Cacher, na porta de Vincennes, no leste da capital francesa. Ele mata quatro pessoas e faz vários reféns, exigindo a libertação dos irmãos Kouachi.Às 17h, as forças da tropa de elite do batalhão antiterrorista da França invadem a gráfica onde se encontram os irmãos Kouachi e ambos são mortos pelas forças de segurança. Ao mesmo tempo, uma unidade de intervenção especializada da polícia nacional francesa intervém no Hyper Cacher. Coulibaly é morto, e os reféns sobreviventes são libertados.Caricaturas de MaoméNo entanto, a redação do Charlie Hebdo já era vigiada pela polícia francesa desde 2011, e, desde 2006, o jornal satírico sofria ameaças por publicar caricaturas de Maomé. Em 25 de setembro de 2020, um jovem paquistanês apareceu na rue Nicolas Appert, no leste de Paris, armado com uma faca de açougueiro. Zaheer Mahmoud pensava que estava em frente à sede do Charlie Hebdo e feriu gravemente duas pessoas.Na realidade, o jornal havia se mudado cinco anos antes para um local ainda mantido em segredo, após o ataque que dizimou sua equipe editorial, mas o agressor não sabia disso. Sob custódia da polícia, ele declarou que não suportava a nova publicação de caricaturas de Maomé nas páginas do Charlie Hebdo, que havia decidido republicá-las algumas semanas antes, na abertura do julgamento dos ataques de janeiro de 2015. A decisão do jornal provocou explosões de raiva em vários países muçulmanos, inclusive no Paquistão, país de origem de Mahmoud.Ao todo, a série de ataques terroristas deixou 17 mortos, sendo 12 na redação do jornal satírico Charlie Hebdo, uma policial em Montrouge e quatro pessoas no supermercado judeu Hyper Cacher. Os atentados marcaram profundamente a França, gerando uma imensa mobilização nacional, simbolizada pela gigantesca manifestação espontânea de 11 de janeiro de 2015, realizada na praça da República, na capital francesa.Em 2020, foi realizado o julgamento de 14 acusados da série de atentados, cujas penas foram de 4 anos de detenção à prisão perpétua.  O corpo do webmaster Simon Fieschi foi encontrado sem vida no quarto de um hotel em Paris, em 2024. Atingido por tiros de fuzil que fragilizaram definitivamente seu estado de saúde, ele era um dos sobreviventes do tiroteio que dizimou a redação do Charlie Hebdo e é considerado a 18ª vítima do atentado. "Je suis Charlie"Os atentados geraram uma imensa mobilização nacional, simbolizada pela gigantesca manifestação espontânea de 11 de janeiro de 2015, realizada na praça da República, na capital francesa.A manifestação reuniu cerca de quatro milhões de pessoas na França, tornando-se uma das maiores mobilizações da história do país. Em Paris, entre 1,5 e 2 milhões de pessoas marcharam em homenagem às vítimas dos ataques.No restante da França, cerca de dois milhões de pessoas participaram de manifestações em várias cidades, criando o famoso slogan que se tornou uma hashtag utilizada nas redes sociais do mundo inteiro: “#JesuisCharlie”, ou “#EusouCharlie”, em português.Entrevistado pela RFI, Guilherme Canela, diretor da seção para a Liberdade de Expressão e Segurança de Jornalistas da Unesco, defende o humor como elemento-chave da liberdade de expressão. “O importante é trazer a discussão para a esfera pública. Ou seja, como proteger o humor, vis-à-vis de outras questões que também têm que ser discutidas. E infelizmente, a intolerância há 10 anos não permitiu fazer uma discussão saudável", analisa."A discussão foi para a violência, porque o problema não é discutir, o problema não é ser contra ou dizer ‘nós achamos que tal coisa é de bom gosto ou de mau gosto. Isso também é parte da liberdade de expressão. O problema é partir para a violência e não o diálogo ou a discussão sobre essas questões”, avalia Canela.Memória e futuroO atual diretor do Charlie Hebdo, Gérard Biard, falou à RFI sobre o papel do jornal satírico em 2025. "Trata-se da memória de todos aqueles que fizeram Charlie, e ao fazermos o Charlie, perpetuamos também a memória de Cavanna, que o criou junto com Choron. Assim, perpetuamos também a memória de GB, de Fournier, de todas essas pessoas que fizeram de Charlie o que ele era e o que ele ainda é. Então, é isso que precisamos transmitir", declarou."O 7 de janeiro de 2015 é uma data fundamental, obviamente, na história do jornal. Mas não devemos parar por aí, mesmo que sempre voltemos a isso. Hoje somos uma redação entre 30 e 40 pessoas que colaboram, com muitos jovens desenhistas e jornalistas, de ambos os sexos. São eles que farão o Charlie Hebdo daqui a 10 anos. É para isso que estamos caminhando, é sobre isso que pensamos e é para isso que estamos indo, espero, em direção ao futuro", concluiu Biard.Dez anos depois dos ataques terroristas que marcaram a França, o serviço especial antiterrorista da polícia francesa evoluiu algumas de suas práticas, estreitando significativamente a colaboração entre os batalhões de elite especializados. Mas a principal consequência prática dos ataques de janeiro é a Lei de Inteligência de 24 de julho de 2015. Ela define a estrutura dentro da qual os serviços de inteligência da França estão autorizados a usar técnicas de acesso a informações, seja por telefone ou escuta eletrônica.

Tout est pardonné… C'était la Une du Charlie Hebdo d'après celui qui a suivi le carnage dans la rédaction du journal le matin du 7 janvier 2015. Celui qui, dans le sillage de la tuerie, la mort de Cabu, Charb, Honoré, Tignous et Wolinski, avait pulvérisé tous les records de vente du journal et remobilisé tout un pays autour de la liberté d'expression. Dix ans plus tard, combien défendent encore cet art du dessin de presse qui remonte à plus d'un siècle ? Parmi ceux qui criaient, écrivaient, postaient partout sur les réseaux le fameux « Je suis Charlie », combien descendent dans les rues pour défendre le droit à la caricature ? Ils sont beaucoup, beaucoup moins nombreux qu'en 2015. Alors l'humour et le dessin ont-ils toujours leur place dans la presse ? Comment les défendre quand la société se fracture ? Lassane Zohoré, caricaturiste et directeur de publication de l'hebdomadaire satirique ivoirien G'bich Damien Glez, dessinateur de presse franco-burkinabè Julien Sérignac, ancien directeur général de Charlie Hebdo et auteur de L'art menacé du dessin de presse aux éditions de l'Observatoire sont les invités de Sur le pont des arts.Au programme de l'émissionLa chronique des librairies du monde : Souleymane Gueye de la librairie des Plumes du Monde à Dakar nous parlera du premier roman de Fary Ndao. L'écrivain sénégalais vient de publier Le dernier des arts aux éditions Présence africaine.Reportage : Marie Casadebaig a rencontré pour nous l'humoriste Haroun. L'humoriste français est l'un des rares à s'emparer du thème des religions.

Du 7 janvier 2015, on se souvient de l'horreur absolue. L'assassinat par les frères Kouachi d'une rédaction et de ses dessinateurs Charb, Cabu, Wolinski, Honoré, Tignous. Onze morts en quelques minutes. Le prologue de trois jours de terreur qui ont fini dans le sang à l'hyper-cacher de la porte de Vincennes. Les attentats de janvier 2015 ont fait 17 morts au total. Du 7 janvier de cette année-là, on a aussi retenu cette phrase brandie sur des pancartes à bout de bras dans les manifestations qui ont suivi les attaques : "Je suis Charlie". Trois mots qui contenaient le deuil d'un pays figé dans la stupéfaction, la colère, la concorde aussi. Dix ans plus tard qu'est devenu "l'esprit Charlie", qui prône la défense de la liberté d'expression, de la laïcité, d'un certain idéal démocratique ?

Direction Châlons-en-Champagne, sur les pas de Cabu, le caricaturiste tué par les frères Kouachi dans les locaux de Charlie Hebdo il y a 10 ans exactement. Châlons, là où tout a commencé pour Cabu : il y est né, y a grandi et y est resté très attaché. Reportage signé Samuel Goldschmidt pour RTL.

PRESS REVIEW – Tuesday, January 7: In this special edition, we look at the press from France and abroad on the 10-year anniversary of the Charlie Hebdo attacks. They wonder what is left of the "I am Charlie" support campaign and how attitudes towards satire have changed in the decade since the atrocity. On January 7, 2015, eight staff members of Charlie Hebdo and four others were killed in a that attack that began a year of terror in France. The terrorists claimed to be seeking revenge for caricatures of the Prophet Mohammed published by the magazine.A decade later, Charlie Hebdo is still there. "Indestructible", it says on its front page, pointing to a survey that shows 76 percent of French people believe freedom of expression and satire are fundamental rights. That's more than the 58 percent back in 2012. For Charlie Hebdo, the attacks were a moment of truth which tested the strength of its ideas, despite facing threats and criticism today."Liberté", Liberté", Charlie !" says left-wing daily Libération says on its front page, running an illustration by Coco, one of the surviving Charlie Hebdo cartoonists. The paper's newsroom had taken in the surviving Charlie Hebdo staff members the day after the attacks in 2015. For Libé, the terrorists did not win that day. However, a "yes, but" mindset has since taken over and is slowly killing freedom of expression, it says. The editor deplores self-censorship, describing it as a poison that's killed secularism.L'Humanité, the Communist paper, goes for a poignant front page: "They were Charlie", it says, paying tribute to slain colleagues Cabu, Tignous, Charb, Wolinski, Elsa Cayat and Bernard Maris.French right-wing paper L'Opinion points to that same survey mentioned on Charlie Hebdo's front page. It wonders: Can we say and satirise anyone in the name of freedom of expression? Among those surveyed, 71 percent of people aged between 25 and 34 say no, something the paper finds extremely worrying. La Croix, the Catholic paper, says younger generation appear more critical of satirical humour when it attacks religious, but more accepting of it when it satirises news and politics.What's left of the Charlie spirit? One of the biggest changes in last decade is how the press, initially sympathetic to Charlie Hebdo, has gradually moved to criticising its editorial line. British news and opinion website UnHerd points to Libération recently expressing scepticism for Charlie Hebdo and even suggesting it is at times guilty of racism. Why have even those on the left – traditional supporters of Charlie Hebdo – abandoned the publication? A host of reasons are suggested: cowardice, legitimate fear for their lives and more cynically, progressive politicians' eagerness to court the Muslim vote. The Economist went to meet Riss, one of the survivors of the Charlie Hebdo attacks and who took over its editorship in the aftermath. For the magazine, Charlie Hebdo is unbowed and unrepentant and "as tasteless, silly and provocative as ever." However, self-censorship, rather than the law, now tempers satire, The Economist says. For his part, editor Riss sees Charlie Hebdo as not extraordinarily provocative but says it appears so today because the margin of tolerance is narrowing.Belgian paper Le Soir deplores the fact in its view that the Charlie Hebdo spirit has been forgotten. "I am Charlie", it says, was about cultivating contradictions, opposing laws that restricted freedom, refusing fatwas and using humour against dogma, against authoritarianism and against idiots.Swiss paper Le Temps' cartoonist Chappatte sums it up ironically: In 2015, people protested, saying freedom of expression was sacred. Ten years later, that message is still the same but with the disclaimer: Freedom of expression, as long as it doesn't offend anyone.You can catch our press review every morning on France 24 at 7:20am and 9:20am (Paris time), from Monday to Friday.

Dez anos após o ataque ao Charlie Hebdo, que tirou a vida a 12 pessoas, oito eram elementos da redação do semanário, a RFI falou com o desenhador reformado Carlos Brito, antigo colaborador dos jornais franceses Le Monde e Le Canard Enchainé. Uma conversa sobre liberdade de imprensa, de expressão, auto-censura… a leitura de quem, ao longo de décadas, olhou o mundo pela lente da mais poderosa das armas: o lápis. RFI: O que é que mudou nestes dez anos?Carlos Brito: O que é que mudou nestes últimos dez anos? Para já, mudou o facto de que eu deixei de desenhar há 12 anos. Saí um bocado do circuito do desenho de imprensa. Deixei de desenhar, mas continuei a fazer exposições e a comunicar através do desenho. Mas deixei de depender financeiramente do desenho. E isso é muito bom, porque o desenho de imprensa, precisamente de há dez anos para cá, mas já tinha começado antes, está em muito má situação. Eu pertenço a uma geração que pôde viver do desenho de imprensa. Hoje é praticamente impossível viver profissionalmente do desenho de imprensa. O desenho está a desaparecer. É uma espécie em vias de desaparecimento e está a desaparecer dos jornais.Há 10 anos toda a gente era Charlie, mas hoje tenho a impressão que só mesmo o Charlie Hebdo, que continua a existir e, mesmo assim, não exactamente no mesmo modelo de há dez anos. Eu não sou leitor do Charlie Hebdo. Fui leitor do antigo Charlie Hebdo, no tempo do [François] Cavanna, Professeur Choron… A nova fórmula não corresponde exactamente à minha forma de funcionamento. O que não impede que tivesse, evidentemente, lá amigos. Segui a carreira deles e perdi-os. O caso do Cabu com quem trabalhava no Le Canard Enchainé, e o Tignous que éramos bastante amigos e o Honoré. Foi muito violento. Entretanto, hoje a situação está cada vez pior. No que diz respeito ao desenho, por exemplo, neste fim-de-semana aconteceu o caso da Ann Telnaes, do Washington Post, que se demitiu porque lhe foi recusado um desenho que caricaturava Jeff Bezos, que é proprietário do Washington Post. É uma óptima desenhadora, com trabalho de qualidade, abordando as questões políticas, o que nos Estados Unidos é muito difícil. Foi a segunda mulher cartoonista na história a ter recebido um Pulitzer, precisamente pelos desenhos. O que é raro. Precisamente quando a conheci, também conheci o Kal, que é o desenhador do Baltimore Sun e do Independent da Grã-Bretanha, e ele tinha-me contado na altura, após o 11 de Setembro [de 2001], que muitos desenhadores na imprensa regional nos Estados Unidos foram despedidos no rescaldo do Patriot Act, porque havia pressões. Portanto, a situação está muito mal. Qual é o grande problema do desenho? É mais forte do que um texto corrido que provavelmente os leitores não iriam ler?Sim, tem mais impacto. O desenho tem mais impacto, é uma leitura imediata.De facto, eu constatei, durante os 30 ou 40 anos em que pratiquei esta profissão, que há uma desconfiança da parte da hierarquia da imprensa relativamente ao desenho. Quer dizer, utilizam o desenho, mas sempre desconfiados. Reparei que os chefes de redacção preferem os desenhos faladores, com palavras, com diálogos, etc, porque aí percebem logo do que se trata. Não gostam muito de desenhos mudos. Mas aí condicionam a leitura ao terem palavras, condicionam a análise, condicionam a visão de quem está de fora. Na minha opinião, um desenho com palavras é um desenho fechado. Quer dizer, acabou ali, a sua mensagem acabou ali. Os desenhos mudos podem conter mensagens subliminares, dão possibilidade de interpretação da parte dos leitores. Fui sempre um apologista do desenho mudo mais que do desenho falado, porque acho que é uma janela que se abre para a capacidade de imaginação do leitor. E reparei que, por vezes, as pessoas falavam de desenhos que fiz e que encontraram coisas que eu sinceramente não tinha visto. É essa capacidade, essa interpretação por parte do leitor, por parte de quem está a ver que um desenho com palavras condiciona. Exactamente. Eu tenho uma experiência com piada. Aqui há muitos anos, em Angoulême, fizemos uma exposição sobre as caricaturas de Maomé. Então fez-se uma exposição com desenhos do Charlie Hebdo e com desenhos de uma associação à qual eu pertencia, que era Federation of Cartoonists Organisations (FECO). Fizemos apelo a desenhadores internacionais para comentar a questão. A condição era que os desenhos fossem mudos, precisamente porque vinham de países diferentes. Portanto, eliminámos o inglês e pedimos desenhos mudos para que toda a gente compreendesse. Havia uma exposição a dois níveis, uma com palavras, que eram os desenhos dos desenhadores do Charlie Hebdo e outra com os desenhos sem palavras, que eram os desenhos desta associação. Uma coisa que reparei, que achei piada, é que a reacção do público relativamente aos desenhos com palavras era o riso. A reacção das mesmas pessoas com os desenhos sem palavras era o sorriso. A reacção imediata é o riso, porque a mensagem tem piada e acaba ali. Enquanto no outro tipo de desenho, o sorriso exprime já uma perplexidade, uma procura, uma dúvida, um não saber muito bem o que se pensar daquilo, etc. E aí volto à tal história da janela aberta. A crise, se podemos assim falar, da liberdade de imprensa e da liberdade de expressão não data de hoje, também não data de há dez anos... Falou da liberdade de expressão e liberdade de imprensa. Eu acho que há que distinguir a liberdade de expressão e a liberdade de imprensa, porque, ao fim ao cabo, a liberdade de expressão é a liberdade de todos nós. É uma conquista democrática que vem de muito longe, que custou muitos anos de prisão para alguns, inclusive morte para outros.A liberdade de imprensa é a liberdade de opinião de alguns.Eu recordo um jornalista norte-americano dos anos 50 que disse que a liberdade de imprensa era a liberdade do proprietário do jornal. E isso é cada vez mais verdade. Portanto, eu queria fazer esta distinção - para mim é bastante importante - entre a liberdade de expressão e a liberdade de imprensa. A liberdade de imprensa é muitas vezes condicionada por poderes económicos, sejam eles os proprietários dos meios de comunicação social ou então aqueles que pagam a publicidade. Esta liberdade de imprensa, além de poder ser posta em causa por esse interesse económico, não pode ser posta em causa, depois de um ataque destes, com o medo que o próprio jornalista pode sentir?Aí nós entramos no campo da auto-censura. Exactamente. Na minha opinião, é muito pior que a censura. Eu recordo-me de quando vivi em Portugal, no tempo da ditadura fascista de Salazar. Havia jornais que saíam com espaços brancos, os funcionários da comissão de Censura faziam o trabalho e escolhiam o que devia passar e o que não devia passar. Hoje, quem tem que fazer o trabalho desses funcionários muitas vezes é o próprio jornalista fazendo auto-censura, o que para mim é dez mil vezes pior. Voltamos ao caso da Ann Telnaes, que caricatura o proprietário do jornal e o desenho não passa. Resultado: perdeu o emprego. Temos o caso do Antônio - que é um amigo do Expresso - com o New York Times em que ele foi acusado de anti-semitismo. E isso aconteceu porque houve pressão. Os censores actuais acabam por ser as redes sociais porque é através daí que são por vezes exercidas pressões. Se bem me recordo, foi o que aconteceu com o desenho do António. Houve pressões que passaram através das redes sociais. O jornal New York Times aproveitou a ocasião para acabar com o desenho nas suas páginas. O desenho de imprensa já tinha acabado nas páginas nacionais e aproveitou a ocasião para acabar com ele na edição internacional.Isto ilustra bem, creio eu, a situação do desenho hoje. A liberdade de expressão do desenhador e a liberdade de imprensa são, cada vez mais, a liberdade do proprietário do jornal.Interesses e auto-censura que fazem com que a independência seja posta em causa?Aliás, essa independência acaba por não existir na realidade. O jornal que pertence, por exemplo, ao senhor Bolloré [Groupe Bolloré] não pode publicar um artigo sobre a questão económica em certos países de África Ocidental, porque é ou foi proprietário de uma grande parte da economia local. E os jornais não pôr em causa o senhor Arnault [ Bernard Arnault], porque ele vai retirar a publicidade que dava. Certos poderes económicas de hoje, mesmo não sendo proprietários do jornal, podem fazer pressão retirando publicidade. A imprensa escrita está economicamente muito dependente da publicidade. Aliás, na minha opinião, a imprensa escrita está está condenada, não sei quanto tempo ainda vai durar, mas hoje vive sob perfusão. Por um lado, a publicidade, por outro lado, as ajudas do Estado. E vai ser substituída por outra coisa que está a surgir. Pela inteligência artificial?Exacto.  Depois dos atentados de 7 de Janeiro de 2015, realizou-se uma grande manifestação. Cerca de 4 milhões de pessoas participaram nestas manifestações em França, incluindo líderes políticos. Nessa altura eram todos Charlie. Essas pessoas, em algum momento, foram efectivamente Charlie? Onde é que ficou esse slogan? Caiu? Desapareceu? Onde é que está esse espírito? A classe política que esteve nessa manifestação, aliás, não desfilou muito tempo, estava ali para a fotografia, evidentemente que não era Charlie. A maior parte deles não era Charlie. Quer dizer, havia ali gente muito pouco democrata. Havia pessoas de extrema-direita que utilizaram a bandeira da liberdade de imprensa e da liberdade de expressão, contraditória àquilo que defendem - e estavam na rua a marchar essencialmente contra a comunidade muçulmana. Aproveitaram esta amálgama para também fazerem parte da fotografia de família. E continua de actualidade, não é? Quer dizer, hoje, em França, o alvo de uma parte da direita - que está cada vez mais extrema - e de extrema-direita é a comunidade muçulmana, de religião muçulmana. Evidentemente que não eram Charlie, aqueles que talvez fossem um bocadinho deixaram de o ser muito rapidamente. Ao fim e ao cabo, a morte dos cinco desenhadores foi um pouco inglória, porque muito rapidamente se esqueceram do que é o desenho, da importância do desenho na imprensa. É problemático. Quando aconteceu o ataque ao Charlie Hebdo, agarrou no lápis e voltou a responder ao terrorismo com humor. Na altura disse à minha colega Carina Branco que o riso continuava a ser uma arma contra o terrorismo. Dez anos depois, efectivamente, um lápis pode ser mais poderoso que uma bala?A bala mata, acaba ali. Enquanto que aquilo que o lápis atira para a cabeça das pessoas, do leitor, do visitante de uma exposição, etc, fica lá, dura mais tempo. Eu diria que o lápis tem mais força que a espingarda, o problema é que cada vez há mais espingardas e menos lápis.

Tout est pardonné… C'était la Une du Charlie Hebdo d'après celui qui a suivi le carnage dans la rédaction du journal le matin du 7 janvier 2015. Celui qui, dans le sillage de la tuerie, la mort de Cabu, Charb, Honoré, Tignous et Wolinski, avait pulvérisé tous les records de vente du journal et remobilisé tout un pays autour de la liberté d'expression. Dix ans plus tard, combien défendent encore cet art du dessin de presse qui remonte à plus d'un siècle ? Parmi ceux qui criaient, écrivaient, postaient partout sur les réseaux le fameux « Je suis Charlie », combien descendent dans les rues pour défendre le droit à la caricature ? Ils sont beaucoup, beaucoup moins nombreux qu'en 2015. Alors l'humour et le dessin ont-ils toujours leur place dans la presse ? Comment les défendre quand la société se fracture ? Lassane Zohoré, caricaturiste et directeur de publication de l'hebdomadaire satirique ivoirien G'bich Damien Glez, dessinateur de presse franco-burkinabè Julien Sérignac, ancien directeur général de Charlie Hebdo et auteur de L'art menacé du dessin de presse aux éditions de l'Observatoire sont les invités de Sur le pont des arts.Au programme de l'émissionLa chronique des librairies du monde : Souleymane Gueye de la librairie des Plumes du Monde à Dakar nous parlera du premier roman de Fary Ndao. L'écrivain sénégalais vient de publier Le dernier des arts aux éditions Présence africaine.Reportage : Marie Casadebaig a rencontré pour nous l'humoriste Haroun. L'humoriste français est l'un des rares à s'emparer du thème des religions.

Il y a 10 ans, le 7 janvier 2015, deux terroristes : les frères Kouachi assassinaient plusieurs journalistes et dessinateurs de Charlie Hebdo dont Cabu et Wolinski. Ce fut le début de trois jours de déferlement terroriste jusqu'à l'attaque de l'hyper kasher le 9 janvier. Ces crimes ont traumatisé la France et bien au delà. Un immense mouvement de solidarité s'est concrétisé dans une grande manifestation qui a rassemblé le 11 janvier des millions de personnes et de nombreux chefs d'Etat. 10 ans plus tard que reste-t-il de l'esprit Charlie ?

durée : 00:57:45 - Toute une vie - par : Anaïs Kien - Avec sa coupe au bol, ses yeux cachés par ses lunettes rondes, on a souvent le souvenir que Cabu était avare de mots mais très prolixe en dessins. Ce qu'on peut retenir sans craindre de se tromper, c'est que Cabu n'avait pas de chapelle. - réalisation : Franck Lilin - invités : Jean-Luc Porquet Journaliste au Canard Enchaîné où il enquête sur l'écologie et la mondialisation marchande; Riss Dessinateur de presse et caricaturiste français; Véronique Brachet Épouse de Cabu; Sylvie Caster Amie du dessinateur Cabu; Luz Dessinateur satirique, auteur de bandes dessinées français; Jean-François Pitet Compagnon en jazz du dessinateur Cabu

01. Angelo Ferreri, Alessio Cala' - Filler Jack 02. Rene Amesz - Vispas 03. Scott Diaz - Like Dis 04. Kojacks - At Night 05. Kyle Walker, James Poole - Intimate 06. Zetbee - Bodies In Night 07. Johan S, Divine (Nl) - Do Me No Wrong 08. Jizz - She Likes To Dance 09. Lee Freeman, Angie Brown - Let's Get Together 10. The Trip - Delighful Funk 11. Evan Giia - Talking Walls 12. 3Beat - Can You Feel It 13. Block & Crown, All About Islands - Flawless 14. Milion - No Stoppin' That Rockin' 15. Angelo Ferreri, James Silk - Love Problems 16. Eloy Hoose, Boecle - Vibe Check 17. Fdf - The Charm Of The Groove 18. Chapter, Verse - The Beat Goes On 19. Astrohertz - Love Thing 20. Pawsa, Nate Dogg - Pick Up The Phone 21. Ootoro - Telefon 22. Ruze - Hardwire 23. Mallin, Kevin Mckay - Electric Feel 24. Richard Grey, The Ultimate - Thriller 25. Nicolass, Sean Finn - Without You 26. Fabio Tosti, Tnt Inc. - Bring Back Da House 27. Todd Edwards - Done With You 28. Kel, Powl - La Luna 29. Soulvation, Ronald Molendijk, Senja Sargeant - Keep Rising 30. Chris Damon - The System 31. Luca Debonaire, Axa - Jackin' All Night 32. Vincent Caira - Position 33. Ayybo - Rizz 34. Cherry Tooth - Wanna Get High 35. Dont Blink - LOSE YOURSELF 36. Tom & Collins, Mr. Pig, Andrew Mathers - Quema 37. Dip Watters - Deviations 38. Murphy'S Law (Uk), Ki Creighton - Rewind It Back 39. Daniel Distinkt - Time To Jack 40. Sweet Harmony - Nectar 41. Moxy Edits - Moxy Edits 001 42. Vini Mat - Dale 43. Ferreck Dawn, Guz (Nl) - Friends Around (Set It Off) 44. Sade, Richie Rozex - Smooth Operator 45. Gadjo, Stuart Ojelay - So Many Times 46. Kpd - The Truth 47. Brn - Like That 48. Dj Fresh, Used, Josh Hunter - Higher 49. Miguel R Filio - Beat 50. Peverell - More Than 51. Ronan C - Look To Me 52. Ego Valente - The Light 53. Chris Damon - Supreme 54. Danmic'S - All Night 55. Ac Slater, Devyn Sawyer - On The Road 56. Signor8 - One More Time 57. Tom Walton - Born Again 58. Demuir - Loving This Way 59. Don Toliver, Zaytek, Riza - New Drop 60. David Caballero - Old Tape 61. Chris Lake, Alexis Roberts, Kid Caird - Turn Off The Lights 62. Gloria Estefan, The Shooters - Conga 63. Bleu Clair, Ootoro - Beat Like This 64. Pls&Ty, Thomas Daniel - Move 65. Sohl, Madri - XTC (Dream Of Love) 66. Nimino, Claptone - I Only Smoke When I Drink 67. Gabe N. - U Like The Bass 68. Bolier, Voost - Renegade 69. Cabu, Akaciafabich, Ferdinand Weber - Gold 70. Franky Rizardo - Take You On A Ride 71. Todd Terry, Mc Flipside - Make Some Noiz 72. Avicii, Sebastien Drums, Mark Knight - My Feelings For You 73. Crazibiza - Like A King 74. Leon (Italy), Lapo Underground - Keep On Feel 75. Gunna - Fukumean 76. Luigi Rocca, Castion - Bring This House 77. Ezoh - Won't Wait

01. Angelo Ferreri, Alessio Cala' - Filler Jack 02. Rene Amesz - Vispas 03. Scott Diaz - Like Dis 04. Kojacks - At Night 05. Kyle Walker, James Poole - Intimate 06. Zetbee - Bodies In Night 07. Johan S, Divine (Nl) - Do Me No Wrong 08. Jizz - She Likes To Dance 09. Lee Freeman, Angie Brown - Let's Get Together 10. The Trip - Delighful Funk 11. Evan Giia - Talking Walls 12. 3Beat - Can You Feel It 13. Block & Crown, All About Islands - Flawless 14. Milion - No Stoppin' That Rockin' 15. Angelo Ferreri, James Silk - Love Problems 16. Eloy Hoose, Boecle - Vibe Check 17. Fdf - The Charm Of The Groove 18. Chapter, Verse - The Beat Goes On 19. Astrohertz - Love Thing 20. Pawsa, Nate Dogg - Pick Up The Phone 21. Ootoro - Telefon 22. Ruze - Hardwire 23. Mallin, Kevin Mckay - Electric Feel 24. Richard Grey, The Ultimate - Thriller 25. Nicolass, Sean Finn - Without You 26. Fabio Tosti, Tnt Inc. - Bring Back Da House 27. Todd Edwards - Done With You 28. Kel, Powl - La Luna 29. Soulvation, Ronald Molendijk, Senja Sargeant - Keep Rising 30. Chris Damon - The System 31. Luca Debonaire, Axa - Jackin' All Night 32. Vincent Caira - Position 33. Ayybo - Rizz 34. Cherry Tooth - Wanna Get High 35. Dont Blink - LOSE YOURSELF 36. Tom & Collins, Mr. Pig, Andrew Mathers - Quema 37. Dip Watters - Deviations 38. Murphy'S Law (Uk), Ki Creighton - Rewind It Back 39. Daniel Distinkt - Time To Jack 40. Sweet Harmony - Nectar 41. Moxy Edits - Moxy Edits 001 42. Vini Mat - Dale 43. Ferreck Dawn, Guz (Nl) - Friends Around (Set It Off) 44. Sade, Richie Rozex - Smooth Operator 45. Gadjo, Stuart Ojelay - So Many Times 46. Kpd - The Truth 47. Brn - Like That 48. Dj Fresh, Used, Josh Hunter - Higher 49. Miguel R Filio - Beat 50. Peverell - More Than 51. Ronan C - Look To Me 52. Ego Valente - The Light 53. Chris Damon - Supreme 54. Danmic'S - All Night 55. Ac Slater, Devyn Sawyer - On The Road 56. Signor8 - One More Time 57. Tom Walton - Born Again 58. Demuir - Loving This Way 59. Don Toliver, Zaytek, Riza - New Drop 60. David Caballero - Old Tape 61. Chris Lake, Alexis Roberts, Kid Caird - Turn Off The Lights 62. Gloria Estefan, The Shooters - Conga 63. Bleu Clair, Ootoro - Beat Like This 64. Pls&Ty, Thomas Daniel - Move 65. Sohl, Madri - XTC (Dream Of Love) 66. Nimino, Claptone - I Only Smoke When I Drink 67. Gabe N. - U Like The Bass 68. Bolier, Voost - Renegade 69. Cabu, Akaciafabich, Ferdinand Weber - Gold 70. Franky Rizardo - Take You On A Ride 71. Todd Terry, Mc Flipside - Make Some Noiz 72. Avicii, Sebastien Drums, Mark Knight - My Feelings For You 73. Crazibiza - Like A King 74. Leon (Italy), Lapo Underground - Keep On Feel 75. Gunna - Fukumean 76. Luigi Rocca, Castion - Bring This House 77. Ezoh - Won't Wait

durée : 00:02:14 - L'Humeur du matin par Guillaume Erner - par : Jean Leymarie - Dix ans après son assassinat lors de l'attaque terroriste contre Charlie Hebdo, le dessinateur Cabu reste une figure emblématique de la liberté d'expression et du courage de la défendre. Ses dessins mordants et sa malice derrière ses lunettes rondes nous manquent. - réalisation : Colin Gruel

durée : 00:02:14 - L'Humeur du matin par Guillaume Erner - par : Jean Leymarie - Dix ans après son assassinat lors de l'attaque terroriste contre Charlie Hebdo, le dessinateur Cabu reste une figure emblématique de la liberté d'expression et du courage de la défendre. Ses dessins mordants et sa malice derrière ses lunettes rondes nous manquent. - réalisation : Colin Gruel

Cách nay 10 năm, ngày 07/01/2015, nước Pháp đã trải qua một cú sốc kinh hoàng trước vụ thảm sát tại tòa sạn báo châm biếm Charlie Hebdo do anh em nhà Kouachi thực hiện, khiến cả thế giới bàng hoàng. Liệu 10 năm sau, tờ báo biếm họa trào phúng trở thành tượng đài tự do ngôn luận ở Pháp, bị khủng bố tấn công, có còn tiếp tục tạo ra tiếng cười đối với mọi chủ đề mà không bị đe dọa ? Thảm kịch bắt đầu vào sáng ngày 07/01/2015, hai anh em Said Kouachi và Chérif Kouachi, được cho là có liên hệ với tổ chức khủng bố al-Qaeda, đã mang theo súng trường tấn công vào văn phòng tòa soạn của Charlie Hebdo trong giờ họp. Vụ tấn công diễn ra trong 10 phút, đã tước đi sinh mạng của 12 người, 8 trong số là các thành viên của toà soạn, các hoạ sĩ vẽ tranh biếm họa Cabu, Charb (tổng biên tập), Honoré, Tignous và Wolinski, cùng nhà tâm lý học Elsa Cayat và nhà kinh tế học Bernard Maris, người hiệu đính Mustapha Ourrad. 11 người khác bị thương, trong đó có 4 người bị thương nặng.Ngay trong tối cùng ngày, hàng nghìn người Pháp đã tập trung, đứng dưới khẩu hiệu “Je suis Charlie – Tôi là Charlie”, trở thành biểu tượng cho tự do ngôn luận và sự đoàn kết. Đến ngày 11/1, khoảng 4 triệu người đã xuống đường để tưởng nhớ tổng cộng 17 người bị sát hại vào các ngày 7, 8 và 9 tháng 1/2015, là các nhà báo, cảnh sát, những người Pháp theo đạo Do Thái, thiệt mạng, trong vụ tấn công vào một siêu thị ở Porte de Vincennes, gần ngoại ô Paris.Đọc thêmPhương Tây bảo vệ quyền châm biếm của Charlie Hebdo, các nước Hồi giáo ôn hòa Châu Á lo ngạiVụ tấn công đánh dấu khởi đầu của mỗi chuỗi các vụ khủng bố liên hoàn sau đó, vào ngày 13/11/2015 tại Paris, ngày 14/7 năm 2016 tại Nice… Vào năm 2020, khi Charlie Hedbo đăng lại những bức tranh biếm họa về Mohammed nhân các phiên tòa xét xử vụ tấn công, một bộ phận thế giới Hồi giáo một lần nữa lại phẫn nộ chống lại Pháp. Vào tháng 09/2020, một người Pakistan đã thực hiện một vụ tấn công trước văn phòng cũ của Charlie. Một tháng sau đó, một kẻ khủng bố gốc Chechenia đã ám sát Samuel Paty một cách tàn bạo, sau khi giáo viên lịch sử này cho xem những bức tranh biếm họa trong lớp. Theo tuần san Nouvel Obs, “bóng tối của ngày 07/01/2015 - những mối đe dọa tiềm ẩn trong các hành động khủng bố, cho đến nay vẫn còn đó ”. Tại Pháp, các hồ sơ điều tra về khủng bố thánh chiến chiếm 87% tại Văn phòng Công tố Chống Khủng bố Quốc gia.Nỗi sợ hãi vẫn còn đó10 năm sau thảm kịch, các nhà báo và hoạ sĩ tranh biếm họa của Charlie Hebdo vẫn tiếp tục phải sống chung với những đe dọa khi hành nghề, được cảnh sát túc trực bảo vệ, nhưng cuộc đấu tranh bằng cây cọ, ngòi bút vẫn tiếp tục. Kể từ sau vụ tấn công tháng 01/2015, địa chỉ mới của tòa soạn hoàn toàn được giữ kín, người ngoài khó có thể tiếp cận, ngay cả với những đồng nghiệp trong giới nhà báo. Bởi Charlie vẫn luôn bị đe dọa.Thế nhưng, điều này không ngăn cản tờ báo châm biếm tổ chức một cuộc thi vẽ tranh biếm họa về Thượng Đế, mời họa sĩ từ khắp nơi trên thế giới tham gia. Trả lời RFI Pháp ngữ, ông Gerard Biard, tổng biên tập của tờ báo, đã nhận được một số bức tranh dự thi, và cho biết : “ Những bức tranh biếm họa thú vị nhất là những tác phẩm không cần lời, bởi vì như vậy cả thế giới có thể hiểu được mà không cần phải dịch thuật. Đó là loại tranh rất khó vẽ, và khó thành công, nhưng một khi đã làm được thì không gì có thể so sánh được”.Cuộc thi này được xem như là một “thước đo nhiệt độ”, để “trấn an về tình trạng sức khỏe của bức tranh biếm họa,” mười năm sau cuộc tấn công. Tổng biên tập báo Charlie Hebdo cho biết rất mong đợi, xem là những bức tranh biếm họa độc đáo nhất đến từ quốc gia nào, nền văn hóa nào. Bởi dù có ở đâu trên quả địa cầu này, “ai cũng có thể cười về Thượng Đế, và không có ai, ngay cả những người có đức tin, là chưa từng báng bổ cả”.  Những bức tranh biếm họa độc đáo nhất từ cuộc thi sẽ được đăng trên số đặc biệt của Charlie Hebdo, vào thứ Ba, đúng ngày 7 tháng 1 năm 2025.Đọc thêmPháp : Charlie Hebdo, hồi I của thảm kịch khủng bố Paris10 năm sau vụ thảm kịch, cuộc chiến đấu vì tự do ngôn luận của các hoạ sĩ có gì thay đổi không ? Theo một nghiên cứu của Ifop năm 2020, 59% người Pháp tin rằng báo chí “có lý” khi xuất bản loại tranh biếm họa “nhân danh quyền tự do ngôn luận”, trong khi vào tháng 2 năm 2006 chỉ có một thiểu số người Pháp chia sẻ quan điểm này (38%). Thế nhưng, điều này không có nghĩa là khi vẽ về các chủ đề nhạy cảm, đặc biệt là tôn giáo, thì không có nguy cơ bị đe dọa. Những thay đổi có thể là sự ảnh hưởng ngày càng mạnh mẽ từ các mạng xã hội, khiến những lời chỉ trích có thể dễ dàng mang những hình thức bạo lực.Đối với một trong những sống sót sau thảm kịch, nữ họa sĩ với bí danh Coco, từng bị anh em nhà Koucachi bắt làm con tin tại trụ sở tòa soạn ngày 07/01, cũng như các đồng nghiệp khác, đều được cảnh sát giám sát bảo vệ trong lịch trình di chuyển hàng ngày. Hồi đầu năm 2024, cô đã phải đối mặt với nhiều lời lăng mạ, đe dọa đến tính mạng, sau khi báo Libération đăng tải một bức tranh cô vẽ hí họa về Ramadan (thời điểm nhịn ăn trong đạo Hồi) ở Gaza, dưới bom đạn của Israel, bị cô lập với thế giới. Bức vẽ có dòng tựa “Ramadan ở Gaza. Bắt đầu của tháng nhịn ăn”, minh họa một người đàn ông gầy gò, đói kém, đang chạy đuổi theo vồ những con chuột thì bên cạnh, là một nhân vật khác trùm đầu, vẫy tay ngăn cản người đàn ông dừng lại : “Không được “ăn” trước khi mặt trời lặn”.Theo nữ họa sĩ, bức vẽ nhấn mạnh đến sự tuyệt vọng của người Palestine, tố cáo nạn đói ở Gaza và chế nhạo sự phi lý của tôn giáo. Thế nhưng, ngay lập tức, cô đã phải hứng chịu một làn sóng chỉ trích, đe dọa trên mạng xã hội, từ những người vô danh, với những bình luận như “Tôi chúc bà những điều tồi tệ nhất trong cuộc đời, đồ hèn hạ. Đáng lẽ họ phải xử lý bà vào ngày 7 tháng 1”, cho đến những lăng mạ từ các chính trị gia. “Chúng tôi sẽ không căm thù bà, nhưng bà xứng đáng bị căm ghét”, như nhận xét của Sophia Chikirou, nghị sĩ thuộc đảng cực tả Nước Pháp Bất Khuất (LFI).Trong cuộc phỏng vấn với đài RTL cô cho biết, đã nhận được nhiều ủng hộ từ bạn bè, đồng nghiệp, hơn là những lời đe dọa. Cô cũng chưa từng nghĩ sẽ gác bút vẽ, bởi vì “đó là một nhu cầu để báo tiếp tục tồn tại, và chúng tôi sẽ vẫn tiếp tục vẽ tranh, không để những kẻ khủng bố được hả hê... Điều quan trọng là các nhà báo, họa sĩ hí họa có tự do, được sáng tác với tờ giấy và bút vẽ trước mặt. Tôi vẫn giữ quan điểm của mình và những đe dọa không khiến tôi run sợ”.Tự kiểm duyệt... để tồn tạiGiám đốc tòa soạn Charlie Hebdo, với bút danh Riss cũng nhấn mạnh sự kiên định với nghề vẽ tranh hí họa và đường hướng biên tập của tờ báo, nhưng ông cũng thừa nhận trong chương trình C à vous của kênh truyền hình France 5 một hình thức tự kiểm duyệt từ 10 năm qua : “Chúng tôi không muốn để tác phẩm của mình khó hiểu, hay đề cập đến những vấn đề một cách mạnh bạo, vì như vậy người đọc sẽ dần xa lánh, họ sẽ lo sợ. Người ta cần được trấn an nếu như chúng tôi mạnh tay quá, thì độc giả sẽ quay lưng lại với chúng tôi…”Trong một cuộc phỏng vấn khác với báo Le Monde, Riss cũng nhấn mạnh rằng phong cách biếm họa của Charlie Hedbo là riêng lẻ và chưa bao giờ là mốt. Ngày nay, nhiều tờ báo quay lưng với tranh biếm họa vì nhận thức được sức ảnh hưởng của chúng, nhưng thực tế, họ lo sợ. Vì một bức vẽ có thể nhanh chóng khơi dậy những phản ứng không kiểm soát được.“Truyền thống vẽ tranh phản tôn giáo, trong đó “Charlie” là người thừa kế, được bắt nguồn vào thế kỷ 19, đặc biệt là từ những chỉ trích đối với các tôn giáo do Voltaire thể hiện. Theo tôi, ngày nay, tranh châm biếm chống tôn giáo “đang hấp hối” là do giới trí thức Pháp đã quay lưng lại với truyền thống này.” Đọc thêmNhiều người Iran biểu tình phản đối Pháp về vụ báo Charlie Hebdo châm biếm chế độ Hồi GiáoLaurent Bihl, giáo sư tại đại học Paris I Panthéon Sorbonne, trả lời AFP, nhận định rằng :“Kể từ năm 2015, không gian tự do ngôn luận đối với các sản phẩm biếm hoạ không được mở rộng hơn mà thu hẹp lại”. New York Times thông báo rằng họ ngừng xuất bản các tranh châm biếm từ ngày 07/01/2019 (sau một bức tranh biếm họa gây tranh cãi vì bị cho là bài Do Thái). “Les Guignols de l'info” (chương trình trên Canal+) cũng đã biến mất vào tháng 6 /2018, ba năm sau Charlie, và không có ai thắc mắc về điều đó.Sự khéo léo trong nghề vẽ tranh biếm họaNói đến nghề vẽ tranh báo hí họa, tại Pháp, theo họa sĩ với bí danh Fix, chỉ có khoảng vài chục người hành nghề này, và coi vẽ là nghề nghiệp chính, nhưng thường gặp nhiều khó khăn. Sau thảm kịch tại Charlie Hebdo có một “cơn sốt” đối với tranh biếm họa, nhưng đã hạ nhiệt không lâu sau đó. Nhiều tờ báo đã không còn hoặc ít sử dụng tranh biếm họa hơn. Trả lời RFI Tiếng Việt, ông Fix nhận định rằng “trước kia, mỗi tờ báo hay tạp chí, đều có một họa sĩ chuyên vẽ tranh biếm họa. Tôi thấy là có một xu hướng là nhiều tờ báo dần dần từ bỏ hình thức minh họa này, vì họ khó có thể kiểm soát được. Thông điệp mà bức tranh biếm họa truyền tải, thường gắn với hình ảnh của tờ báo, và khiến người đọc hiểu rằng nếu báo sử dụng tranh có lập trường như vậy thì cả tòa soạn đều có quan điểm tương tự, giống như một bài xã luận trong một tờ báo vậy…Nếu trước kia, chỉ với báo giấy, người đọc không hài lòng với một bức tranh nào đó, thì chỉ nói với bạn bè người thân. Nhưng ngày nay với mạng xã hội, tranh biếm họa thường dễ truyền tải nội dung và được loan truyền rộng rãi hơn, mọi người có thể phản ứng mạnh hơn, khiến các tờ báo khó thể kiểm soát được tác động của chúng.”Ông Fix từng làm trong lĩnh vực tư vấn tài chính, nhưng quyết định đổi nghề, theo đuổi với đam mê vẽ tranh biếm họa và cộng tác với nhiều báo hay tạp chí từ hơn 10 năm nay.Chọn chủ đề biếm họa trong thế giới công sở, hay về những người lao động nói chung, và không phải là những chủ đề chính trị hay nhạy cảm, ông cho biết ít khi phải đối mặt với những đe dọa, hay tự kiểm duyệt. Cho đến nay, ông cho rằng tiếng cười trào phúng có thể được chấp nhận đối với mọi chủ đề, nhưng không thể gây cười với tất cả mọi người, và tránh làm tổn thương người khác. Ông nói hành nghề này “cần phải rất khéo léo”. “Khi vẽ tranh biếm hoạ, thì cũng phải tinh tế, xét đến cách mà người xem đón nhận bức tranh đó như thế nào. Câu hỏi đặt ra là “ai sẽ là người tiếp nhận chúng ?” Nếu dùng ngòi vẽ một cách bạo lực, nhắm vào một ai đó, một đối tượng nào đó…, thì tôi cho rằng người vẽ phải chịu trách nhiệm về hành động đó.” Theo họa sĩ Fix, Charlie Hebdo vốn là một tạp chí có khuynh hướng cực đoan, và họ khẳng định lập trường cực đoan và không cho rằng Charlie Hebdo đại diện cho nền tranh biếm họa của Pháp. Nhưng theo ông, thảm kịch đáng buồn cách nay 10 năm đối với tòa soạn này nhấn mạnh tầm quan trọng của việc phải “tiếp tục vẽ tranh trào phúng”.Vụ tấn công khủng bố vào Charlie Hebdo đã tạo ra một làn sóng phẫn nộ, không chỉ tại Pháp, mà lan sang cả châu Âu và thế giới. Charlie Hebdo vốn là một tạp chí châm biếm, đăng tải tranh biếm họa trào phúng liên quan đến các chủ đề xã hội, tôn giáo, chính trị và các nhân vật công chúng, và cũng không ít lần gây ra tranh cãi, vấp phải chỉ trích vì những cây cọ được cho là quá đà. Cho đến nay, cuộc tranh luận về giới hạn của tự do ngôn luận vẫn tiếp diễn, đặc biệt liên quan đến các vấn đề nhạy cảm như tôn giáo.

01. Davide Messina - Sorry Baby 02. Nimino, Claptone - I Only Smoke When I Drink 03. Hollaphonic - Again & Again 04. Iilo - Show Me Love 05. Cabu, Akaciafabich, Ferdinand Weber - Gold 06. Franky Rizardo - Take You On A Ride 07. Bolier, Voost - Renegade 08. Wax Motif - Heaven 09. Sohl, Madri - XTC (Dream Of Love) 10. Rick Marshall - Loving You 11. Mike Vale, Paolo Barbato - Bitch 12. Robert Burian - Honey 13. Gloria Estefan, The Shooters - Conga 14. Don Toliver, Zaytek, Riza - New Drop 15. Alex Preston - Magnetic 16. Signor8 - One More Time 17. Miguel R Filio - Beat 18. Brn - Like That 19. Chris Damon - Supreme 20. Ronan C - Look To Me 21. Gadjo, Stuart Ojelay - So Many Times 22. Eden Prince - Temptation 23. Jack Swift, Louden - Can I Wait 24. Easttown - Timeless 25. Daniel Distinkt - Time To Jack 26. Mijail - No Pares de Bailar 27. Vini Mat - Dale 28. Kid Massive, Mathias D. - Cant U See 29. Dip Watters - Deviations 30. Mark Lower, Shyam P - Wrong Turn 31. Chris Damon - The System 32. Alonso - My Way 33. Cherry Tooth - Wanna Get High 34. Gemi, Tuff Trax - Ego 35. Frank Storm - Sweat 36. Mallin, Kevin Mckay - Electric Feel 37. Dj Kone, Marc Palacios, Jay Vegas - Homecoming 38. Fabio Tosti, Tnt Inc. - Bring Back Da House 39. Rsquared - Vengeance 40. Yame - As I Ran 41. Mr.Martin - Old School 42. Yam Nor - Come to Bass 43. Astrohertz - Love Thing 44. Fedde Le Grand, The Cabas - Let The Groove Be 45. Neverglow - Take It Back 46. Easttown - Phunky 47. Luca Debonaire - Keep This Party Rockin 48. Fdf - The Charm Of The Groove 49. The Kollective, Nudo E Crudo - Bad Girl 50. Jerome Price - Comes Down 51. Rene Amesz, Leiiya - Into The Dark 52. Tasty Lopez, Saigon - Mic Check 53. Milion - No Stoppin' That Rockin' 54. Sllash & Doppe, Rene Amesz - Make It Better 55. Narda - Ready To Go 56. Kyle Watson, Tania Foster - Escaping It 57. 3Beat - Can You Feel It 58. Jizz - She Likes To Dance 59. Fdf - Elephant 60. Charlie Iapicone, Leon - Extreme World 61. Ghostbusterz, Maickel Telussa - Dance With Whitney 62. The Trip - Delighful Funk 63. Javi Reina, Ivax - Right Now 64. Gigi De Martino - The House Of King 65. Lee Freeman, Angie Brown - Let's Get Together 66. Kyle Walker, James Poole - Intimate 67. Kilhoffer - Live Forever 68. Scott Diaz - Like Dis 69. Kevin Mckay, Giovi - No Scrubs 70. Angelo Ferreri, Alessio Cala' - Filler Jack 71. Luigi Rocca, Castion - Bring This House 72. Kimotion, Angie Robba, Adam Trigger, Flo Dosh - Jolene 73. Fonema - Bandolera 74. Leon (Italy), Lapo Underground - Keep On Feel 75. The Cap Boy - Funky Vibes 76. Oppidan - Mr Sandman 77. Najjin - Follow Me 78. Riko, Gugga - Tekatu 79. Kofa, Katar - Falling 80. Zstimer, Michael A - Intensification 81. Andro (It) - Why 82. Soulmade (Ar) - Aetherium 83. Boy Oh Boy, Sanoi - 101 Opener 84. Camelphat, Monolink, Innellea - Shelter 85. Santiago Garcia, Enamour - Lie 86. Bart B More - At Your Side 87.Nora En Pure - Polar Lights 88. Cioz, Beacon Bloom - Without A Sound 89. No Hopes, Max Freeze - Rise Up 90. Hot Tuneik - Gardens Of Joy 91. Guy J - Silver Lake 92. Goodkidmadcity, Gonzalo Cotroneo - Conundrum 93. Safar (Fr) - Love Parade 94. Sound Quelle, Referna - Leku 95. Francesco Pico, Yonsh - Starting A Little Ruffer 96. Chaum, Hobin Rude - Cressida 97. Quivver - Night and Day 98. Dowden, Noiyse Project - Disposition 99. Oriol Calvo, Betoko - Glowing 100. Deepme - Bodywork 101. Nobe - Feel My Mind. Audio Junkies - Square Waves 102. Rauschhaus, Gmj, Matter - Kaiju 103. Paul (Ar) - Rise 104. Martijn Ten Velden - I Just Wanna Go 105. Mayro - Exotic and Smooth 106. Novak, Wuula - Waka Waka 107. Proff, Khen, Volen Sentir - Mirage 108. Forty Cats, Kyotto - Nocturne 109. Collective States - Carbon Freeze 110. Estiva - Parlez-Vous 111. Yves Eaux, Octabar - Take Me Down 112. Augusto Dassano, Joaco Salerno - When Storm Arrives 113. Pretty Pink, Christian Burns, Anyasa - Lost & Found 114. Ruben Karapetyan, Michael Hooker - Live in the Moment 115. Minas - Roses and Thorns 116. Enzo Paradiso, Char Spinelli - Astral 117. Mind Echoes, Mayro - Near The Sky 118. Delphi Drive - The Tribe 119. Tamer Fouda - Void44. Influence (In) - Reach Out 120. Ruls - Higher High 121. Fran Garay - Phase Sync 122. Ava Alika, Carlos Luna - Interstellar 123. Fonsa, Vlaava, Sever - No Brisa Do Mar 124. Zafrir, Silver Panda - Tribal Journey 125. Magic.Made.By.R - Let It Move Ya 126. Dj Bird, Papai Acci Attila, Anix Jay - Future 127. Alber Ensso, Dairo - El Pantalon 128. Echolocation, The Archer, Jordan Whitlock - Cherries 129. Dmitry Molosh - Twinkle 130. Return To Saturn, Agustin Pietrocola - Oasis 131. Digital Mess - Fluctator 132. Marc Depulse, Guzy - Amps 133. Melodiam (Ar), Maze 28 - Words Are Weapons 134. Kabi (Ar), K Loveski, Artn - Whisper From the Moon 135. Juno (De) - Last Dance 136. Max Freegrant - Wait For U 137. Sebastien Leger - Pakpak 138. Roy Rosenfeld - Hello 139. Rossie - Feeling Fades 140. Nuran - Tension 141. Budakid, Hernan Cattaneo, Kevin Di Serna - Lovin' Sun

01. Davide Messina - Sorry Baby 02. Nimino, Claptone - I Only Smoke When I Drink 03. Hollaphonic - Again & Again 04. Iilo - Show Me Love 05. Cabu, Akaciafabich, Ferdinand Weber - Gold 06. Franky Rizardo - Take You On A Ride 07. Bolier, Voost - Renegade 08. Wax Motif - Heaven 09. Sohl, Madri - XTC (Dream Of Love) 10. Rick Marshall - Loving You 11. Mike Vale, Paolo Barbato - Bitch 12. Robert Burian - Honey 13. Gloria Estefan, The Shooters - Conga 14. Don Toliver, Zaytek, Riza - New Drop 15. Alex Preston - Magnetic 16. Signor8 - One More Time 17. Miguel R Filio - Beat 18. Brn - Like That 19. Chris Damon - Supreme 20. Ronan C - Look To Me 21. Gadjo, Stuart Ojelay - So Many Times 22. Eden Prince - Temptation 23. Jack Swift, Louden - Can I Wait 24. Easttown - Timeless 25. Daniel Distinkt - Time To Jack 26. Mijail - No Pares de Bailar 27. Vini Mat - Dale 28. Kid Massive, Mathias D. - Cant U See 29. Dip Watters - Deviations 30. Mark Lower, Shyam P - Wrong Turn 31. Chris Damon - The System 32. Alonso - My Way 33. Cherry Tooth - Wanna Get High 34. Gemi, Tuff Trax - Ego 35. Frank Storm - Sweat 36. Mallin, Kevin Mckay - Electric Feel 37. Dj Kone, Marc Palacios, Jay Vegas - Homecoming 38. Fabio Tosti, Tnt Inc. - Bring Back Da House 39. Rsquared - Vengeance 40. Yame - As I Ran 41. Mr.Martin - Old School 42. Yam Nor - Come to Bass 43. Astrohertz - Love Thing 44. Fedde Le Grand, The Cabas - Let The Groove Be 45. Neverglow - Take It Back 46. Easttown - Phunky 47. Luca Debonaire - Keep This Party Rockin 48. Fdf - The Charm Of The Groove 49. The Kollective, Nudo E Crudo - Bad Girl 50. Jerome Price - Comes Down 51. Rene Amesz, Leiiya - Into The Dark 52. Tasty Lopez, Saigon - Mic Check 53. Milion - No Stoppin' That Rockin' 54. Sllash & Doppe, Rene Amesz - Make It Better 55. Narda - Ready To Go 56. Kyle Watson, Tania Foster - Escaping It 57. 3Beat - Can You Feel It 58. Jizz - She Likes To Dance 59. Fdf - Elephant 60. Charlie Iapicone, Leon - Extreme World 61. Ghostbusterz, Maickel Telussa - Dance With Whitney 62. The Trip - Delighful Funk 63. Javi Reina, Ivax - Right Now 64. Gigi De Martino - The House Of King 65. Lee Freeman, Angie Brown - Let's Get Together 66. Kyle Walker, James Poole - Intimate 67. Kilhoffer - Live Forever 68. Scott Diaz - Like Dis 69. Kevin Mckay, Giovi - No Scrubs 70. Angelo Ferreri, Alessio Cala' - Filler Jack 71. Luigi Rocca, Castion - Bring This House 72. Kimotion, Angie Robba, Adam Trigger, Flo Dosh - Jolene 73. Fonema - Bandolera 74. Leon (Italy), Lapo Underground - Keep On Feel 75. The Cap Boy - Funky Vibes 76. Oppidan - Mr Sandman 77. Najjin - Follow Me 78. Riko, Gugga - Tekatu 79. Kofa, Katar - Falling 80. Zstimer, Michael A - Intensification 81. Andro (It) - Why 82. Soulmade (Ar) - Aetherium 83. Boy Oh Boy, Sanoi - 101 Opener 84. Camelphat, Monolink, Innellea - Shelter 85. Santiago Garcia, Enamour - Lie 86. Bart B More - At Your Side 87.Nora En Pure - Polar Lights 88. Cioz, Beacon Bloom - Without A Sound 89. No Hopes, Max Freeze - Rise Up 90. Hot Tuneik - Gardens Of Joy 91. Guy J - Silver Lake 92. Goodkidmadcity, Gonzalo Cotroneo - Conundrum 93. Safar (Fr) - Love Parade 94. Sound Quelle, Referna - Leku 95. Francesco Pico, Yonsh - Starting A Little Ruffer 96. Chaum, Hobin Rude - Cressida 97. Quivver - Night and Day 98. Dowden, Noiyse Project - Disposition 99. Oriol Calvo, Betoko - Glowing 100. Deepme - Bodywork 101. Nobe - Feel My Mind. Audio Junkies - Square Waves 102. Rauschhaus, Gmj, Matter - Kaiju 103. Paul (Ar) - Rise 104. Martijn Ten Velden - I Just Wanna Go 105. Mayro - Exotic and Smooth 106. Novak, Wuula - Waka Waka 107. Proff, Khen, Volen Sentir - Mirage 108. Forty Cats, Kyotto - Nocturne 109. Collective States - Carbon Freeze 110. Estiva - Parlez-Vous 111. Yves Eaux, Octabar - Take Me Down 112. Augusto Dassano, Joaco Salerno - When Storm Arrives 113. Pretty Pink, Christian Burns, Anyasa - Lost & Found 114. Ruben Karapetyan, Michael Hooker - Live in the Moment 115. Minas - Roses and Thorns 116. Enzo Paradiso, Char Spinelli - Astral 117. Mind Echoes, Mayro - Near The Sky 118. Delphi Drive - The Tribe 119. Tamer Fouda - Void44. Influence (In) - Reach Out 120. Ruls - Higher High 121. Fran Garay - Phase Sync 122. Ava Alika, Carlos Luna - Interstellar 123. Fonsa, Vlaava, Sever - No Brisa Do Mar 124. Zafrir, Silver Panda - Tribal Journey 125. Magic.Made.By.R - Let It Move Ya 126. Dj Bird, Papai Acci Attila, Anix Jay - Future 127. Alber Ensso, Dairo - El Pantalon 128. Echolocation, The Archer, Jordan Whitlock - Cherries 129. Dmitry Molosh - Twinkle 130. Return To Saturn, Agustin Pietrocola - Oasis 131. Digital Mess - Fluctator 132. Marc Depulse, Guzy - Amps 133. Melodiam (Ar), Maze 28 - Words Are Weapons 134. Kabi (Ar), K Loveski, Artn - Whisper From the Moon 135. Juno (De) - Last Dance 136. Max Freegrant - Wait For U 137. Sebastien Leger - Pakpak 138. Roy Rosenfeld - Hello 139. Rossie - Feeling Fades 140. Nuran - Tension 141. Budakid, Hernan Cattaneo, Kevin Di Serna - Lovin' Sun

Une série de reportages consacrés à la thématique du rire. C'est ce que vous propose RFI toute cette semaine. Et ce matin, nous rions de Dieu avec le journal satirique Charlie Hebdo. Le 7 janvier 2015, un commando terroriste pénétrait dans la rédaction du journal et abattait froidement plusieurs dessinateurs de presse membres de Charlie comme Cabu, Tignous, Wolinski, Charb ou Honoré. Dix ans plus tard, Charlie Hebdo n'a rien abandonné de son humour grinçant et vachard, au point de lancer, il y a quelques jours, un concours international de caricatures pour « rire de Dieu » et dénoncer « l'emprise de toutes les religions ». Paris, dans un immeuble du IXᵉ arrondissement. C'est à l'agence qui gère la communication de Charlie Hebdo que nous rencontrons Gérard Biard, le rédacteur en chef du journal. Dix ans après l'attentat de janvier 2015, il demeure impossible de réaliser la moindre interview dans les locaux de l'hebdomadaire satirique. L'adresse est tenue secrète, car Charlie est toujours menacé, ce qui ne l'a pas dissuadé de lancer ce concours de caricatures de Dieu. Gérard Biard en a déjà reçues quelques-unes.« Les plus intéressantes sont celles qui sont sans paroles. Parce que le monde entier comprend, il n'y a pas besoin de traduction. C'est le genre de dessin très dur à exécuter et à réussir, mais quand c'est réussi, c'est imparable », explique-t-il.Une soixantaine de caricatures ont d'ores-et-déjà été reçues et commencent à être étudiées. Avec ce concours, Charlie Hebdo rappelle qu'il n'a rien perdu de sa ligne éditoriale anticléricale et viscéralement opposée au pouvoir de Dieu. « Dieu c'est une idée comme une autre, pointe Gérard Biard. Elle n'est pas moins respectable que les autres, mais elle n'est pas plus respectable que les autres. Donc, comme toutes les idées, on a le droit d'en rire, on a le droit de s'en moquer, on a le droit de la contester, se moquer de ce que Dieu incarne. On aime aussi se moquer de ceux qui prétendent parler au nom de Dieu ou des Dieux, parce qu'il y a des milliers de divinités à travers le monde, donc il y a de quoi rire ! »À lire aussiA la Une : Charlie Hebdo, trois ans après« Il y aura peut-être des surprises ! »C'est bien pour cette raison que le concours est ouvert à des dessinateurs du monde entier, car rire de Dieu est une pratique universelle, estime Gérard Biard : « Tout le monde a envie de rire de Dieu, partout dans le monde. Il n'y a pas un endroit dans le monde où quelqu'un, à un moment dans sa vie, y compris le plus fervent des croyants, n'a pas blasphémé. Ça n'existe pas. » Le rédacteur en chef du journal satirique s'attend à recevoir des caricatures différentes en fonction des pays, des cultures et des religions :« Si des dessinateurs indiens nous envoient des caricatures, j'imagine qu'elles vont être très fouillées, parce qu'ils en ont des milliers, de divinités ! Donc il va falloir déjà qu'ils choisissent un Dieu ! Pour les religions monothéistes, c'est pratique, mais alors dans certains pays, bon courage ! », s'esclaffe-t-il.Ce concours est aussi, et peut-être, une façon de prendre le pouls, la température et se rassurer quant à l'état de santé de la caricature, dix ans après l'attentat : « ll y a l'idée de se demander ce que les dessinateurs et dessinatrices, à travers le monde, s'autorisent à faire à partir du moment où on leur dit qu'ils ont le droit de le faire. Ce qui sera intéressant, c'est de voir de quel pays, de quelle culture proviennent les caricatures les plus virulentes. Il y aura peut-être des surprises. » Des surprises et des caricatures dont les plus réussies seront publiées dans un numéro spécial de Charlie Hebdo, le 7 janvier 2025.À lire aussiDans un film, Antonio Fischetti rend hommage à ses camarades tués lors de l'attentat de Charlie Hebdo

Cabu, Elsa Cayat, Charb, Honoré, Bernard Maris, Mustapha Ourrad, Tignous, Wolinski... Ils étaient dessinateurs, journaliste psychanalyste, correcteur et universitaire et ont été assassinés un matin de janvier 2015. Dix ans après, ce sont eux qui ont triomphé : Charlie Hebdo est toujours là, bien vivant, tout aussi déterminé à poursuivre leur lutte, par le dessin et par la plume. Dix ans après l'attentat contre Charlie Hebdo paraît « Charlie Liberté. Le Journal de leur vie », un album collectif célébrant le talent indélébile des disparus aux éditions les Echappés. Corinne Rey alias Coco, dessinatrice, survivante de la tuerie de Charlie Hebdo, est l'invitée de Amandine Bégot. Ecoutez L'invité d'Amandine Bégot du 09 décembre 2024.

“Cabu, Elsa Cayat, Charb, Honoré, Bernard Maris, Mustapha Ourrad, Tignous, Wolanski ci mancate”. Inizia così il libro Charlie Liberté, quasi un diario tra fotografie di redazione e vignette, da oggi nelle librerie francesi. Un libro per conservare la memoria della “loro gioia di essere liberi” che guida Charlie Hebdo ogni giorno, da quel 7 gennaio 2015 quando, in un minuto e quarantanove secondi, i fratelli jihadisti Cherif e Said Kouachi hanno assaltato armati la redazione del giornale satirico a Parigi, uccidendo 12 persone. Il 7 gennaio del 2015 per la prima volta in Francia, in un paese democratico, un giornale, Charlie Hebdo, è stato attaccato.“È stato un attentato politico ma i terroristi non hanno ucciso Charlie Hebdo”, ribadisce a Parigi, dove lo incontriamo, il caporedattore Gérard Biard, scortato dalla polizia, sfuggito all'attentato perché quel 7 gennaio era a Londra. Il diritto alla caricatura e il diritto al blasfemo, intanto, sono messi in discussione. Dopo una polemica, nel 2019 The New York Times ha deciso di non pubblicare più caricature. Lo scorso anno la Danimarca ha reintrodotto il reato di blasfemia. Charlie Hebdo continua a difendere la libertà e laicità di pensiero, nonostante le minacce continuino, anche di morte, costretti a lavorare in una redazione segreta, che assomiglia a un bunker, protetta da 85 agenti di polizia e sei porte blindate.L'attentato contro Charlie Hebdo rappresenta un fatto inedito e ha cambiato tutto, ha reso Charlie Hebdo “un simbolo della libertà di espressione e della lotta al terrorismo”, spiega Christian Delporte professore di Storia contemporanea all'Università di Versailles Saint-Quentin-en-Yvelines, specializzato in media, autore del libro Charlie Hebdo. La folle histoire d'un journal pas comme les autres (Flammarion, 2020).

Tous les jours de la semaine, invités et chroniqueurs sont autour du micro de Pierre de Vilno pour débattre des actualités du jour. Ce soir, il reçoit le dessinateur Plantu, à l'occasion à l'occasion de la parution de son dernier livre L'année de Plantu 2024.

Engebret Dahm has more than 30 years' experience in the shipping and finance industries, and is the CEO of Klaveness Combination Carriers (KCC). Prior to that he was the CEO of Norwegian Car Carriers AS and he worked in the period 1998-2000 for Crédit Agricole CIB in Paris. KCC has a unique fleet that consists of eight CABU combination carriers and eight CLEANBU combination carriers, with three CABU newbuilds arriving in 2026.00:00 - Why Work In Shipping?00:50 - Klaveness Combination Idea And Legacy 06:45 - Klaveness Fleet Concepts And Learnings15:40 - The Difficult Times For KCC (CLEANBU Expansion) 22:30 - Markets Ahead For Dry Bulk And Product Tankers30:50 - Leadership And Culture In Klaveness35:10 - Talent Development And Attracting The Best People 37:50 - How To Decarbonise Shipping? 41:40 - The Future Shipping Fuel43:20 - Wilhelmsen And Wallenius Wilhelmsen 44:15 - Startups And New Ideas In Shipping47:05 - Quick Fire: (Leading Shipping Cities, Shipyard Nations, And Book Recommendation) Recommended author and book:Haruki Murakami - Killing CommendatoreChristopher Vonheim is a Norwegian host focused on business, ocean industries, investing, and start-ups. I hope you enjoy this tailor made content, and help us make this channel the best way to consume ideas, models, and stories that can help fuel the next entrepreneurs, leaders and top performers.Listen to Vonheim on Spotify: https://spoti.fi/3vKLfVRListen to Vonheim on Apple Podcasts: https://apple.co/39125GbChristopher Vonheim on Twitter: https://twitter.com/ChrisVonheimChristopher Vonheim on Web: https://christophervonheim.comDisclaimer: All opinions expressed by Christopher Vonheim or his guests on this podcast are only their opinions and do not reflect the opinions of Vonheim. You should not treat any opinion expressed by Christopher Vonheim as a specific reason to invest or follow a particular strategy, but only as an expression of his opinion. This podcast is for informational purposes only. Hosted on Acast. See acast.com/privacy for more information.

Le 7 janvier 2015, Cabu, Wolinski, Charb, Tignous, Honoré, Bernard Maris, Elsa Cayat, Franck Brinsolaro, Ahmed Merabet, Frédéric Boisseau, Michel Renaud, Mustapha Ourrad tombaient sous les balles des frères Kouachi dans les locaux de Chartlie Hebdo. Le 7 janvier 2015, tout le monde devint Charlie. Mais qu'en reste-t-il aujourd'hui ? Comment ceux qui sont encore en vie traversent-ils notre monde et notre époque ? "Jour J", c'est l'émission des grands entretiens d'actualité. Chaque jour, Flavie Flament explore les coulisses et les détails de l'info d'hier et d'aujourd'hui avec un témoin-expert. Une heure d'analyse et d'archives pour comprendre l'actualité. Ecoutez Jour J du 04 janvier 2024 avec Flavie Flament.

durée : 00:33:28 - Bistroscopie - par : Charline Vanhoenacker - Vous ne l'aviez pas entendu, mais...: Luz a appris à dessiner grâce à Cabu, dans un drôle d'endroit..José Bové anticipe les élections européennes de 24... - invités : José Bové, Laure MURAT, Charles Consigny - Luz : Dessinateur satirique, auteur de bandes dessinées, José Bové : Syndicaliste. Cofondateur de la confédération paysanne. Député européen de 2014 à 2019., Laure Murat : Historienne et écrivaine française, Charles Consigny : Ecrivain, juriste - réalisé par : François AUDOIN

Irene Atienza y Yoel Molina, Casapalma, han compuesto y editado un trabajo que, desde Cabuérniga (Cantabria) adapta jotas y tonadas a los ritmos electrónicos Un trabajo basado en el cancionero popular de Cantabria, que aborda la música regional desde una perspectiva contemporánea, mediante la introducción de elementos electrónicos, llevando la tradición a una nueva e inexplorada tradición. Folklore cántabro del siglo XXI. "Llevaba años cantando el folclore de otro país y me pregunté, ¿por qué no el mío?". Con esa premisa, Irene Atienza encontró un objetivo inesperado, pero que siempre había estado latente. Llevar las canciones que escuchaba en su casa, a su madre, a su abuelo, aquellas que cantaba desde pequeña, a otro terreno. Aquellas que daban vueltas y vueltas en una cassette cuando, cada verano, la familia hacía el camino hasta Casa Palma, su casa en Cabuérniga. Acaban de publicar su primer álbum, 'Montañesas'. Escuchar audio

Historiquement Vôtre réunit 3 personnages qui ont eu du nez : Edmond Rostand, un poète qui a marqué son temps et qui, malgré ce qu'il ait pu penser, a eu du nez ! Presqu'autant que son héros qui l'a rendu célèbre dans le monde entier : Cyrano de Bergerac. Puis lui aussi a imaginé un personnage au long nez qui pouvait même s'étirer s'il mentait : le journaliste italien Carlo Collodi qui a donné vie au plus célèbre pantin de bois, Pinocchio. Et une animatrice devenue idôle d'une génération, dont le -long - nez a été caricaturé par le regretté Cabu et chanté par son acolyte Corbier : Dorothée.

Sébastien Brun était un jeune fleuriste grenoblois qui ne se doutait pas que la femme dont il était éperdument amoureux était une fleur vénéneuse. Et dont le poison allait le tuer à plus de 8000 kilomètres de chez lui, au Brésil.

1. I Wish I Knew How It Would Feel to Be Free - Nina Simone 2. Amöban - Little Dragon 3. Chances - Mack Keane 4. A Love Song (About Losing Someone) - Chris Anderson 5. Kalifornia - Jazzbois 6. How It Feels To Fly - Alicia Keys 7. Heatwave - Raury 8. Love Me - JMSN 9. Primetime (feat. Miguel) - Janelle Monáe 10. I Will Die On Your Hill (feat. Orion Sun) - deem Spencer 11. Bitter Lovers (feat. BJ the Chicago Kid) - Tash Sultana 12. Forever In a Song - rum.gold 13. Part Time Girl - MALIA 14. Thinkin Bout You - Jon Vinyl & Jeremy Passion 15. Parent Trap (feat. Justin Timberlake) - Jack Harlow 16. you - CKay 17. Feel No Ways - Drake 18. Law of Attraction - Feiertag, OSHUN & Niambi Sala 19. PDA - Bas 20. my boo flip - DNNY KAY 21. Too Much (Cabu Remix) - C&G, Cabu & CVIRO 22. Summer Days - N.O.M.A.D Luke 23. AM/FM - rum.gold 24. Freak - Doja Cat 25. doinit4summertime - DNNY KAY 26. The Sun - Laurence Guy

durée : 00:58:40 - Toute une vie - Avec sa coupe au bol, ses yeux cachés par ses lunettes rondes, on a souvent le souvenir que Cabu était avare de mots mais très prolixe en dessins. Ce qu'on peut retenir sans craindre de se tromper, c'est que Cabu n'avait pas de chapelle. - invités : Jean-Luc Porquet Journaliste au Canard Enchaîné où il enquête sur l'écologie et la mondialisation marchande; Riss Dessinateur de presse et caricaturiste; Véronique Brachet Épouse de Cabu; Sylvie Caster Amie du dessinateur Cabu; Luz Dessinateur satirique, auteur de bandes dessinées; Philippe Val journaliste, chroniqueur, humoriste, essayiste, écrivain; Jean-François Pitet Compagnon en jazz du dessinateur Cabu

Sébastien Brun était un jeune fleuriste grenoblois qui ne se doutait pas que la femme dont il était éperdument amoureux était une fleur vénéneuse. Et dont le poison allait le tuer à plus de 8000 kilomètres de chez lui, au Brésil. Retrouvez tous les jours en podcast le décryptage d'un faits divers, d'un crime ou d'une énigme judiciaire par Jean-Alphonse Richard, entouré de spécialistes, et de témoins d'affaires criminelles. Ecoutez L'heure du Crime du 25 avril 2023 avec Jean-Alphonse Richard.

Sébastien Brun était un jeune fleuriste grenoblois qui ne se doutait pas que la femme dont il était éperdument amoureux était une fleur vénéneuse. Et dont le poison allait le tuer à plus de 8000 kilomètres de chez lui, au Brésil. Retrouvez tous les jours en podcast le décryptage d'un faits divers, d'un crime ou d'une énigme judiciaire par Jean-Alphonse Richard, entouré de spécialistes, et de témoins d'affaires criminelles. Ecoutez L'heure du Crime du 25 avril 2023 avec Jean-Alphonse Richard.