Podcasts about irmin schmidt

Esta semana, en una nueva sesión de Rebelión Sónica, los invitamos a escuchar música de “Live In Keele 1977”, el sexto y más reciente registro de la banda alemana Can de la cadena de discos en vivo “The Can Live Series”. A cargo de los sellos Mute y Future Days, la sucursal estadounidense de Spoon Records, el álbum fue publicado el 22 de noviembre y se trata del último álbum que se planea lanzar de este ciclo en vivo por ahora. Capturando el último período de Can, el documento en vivo presenta la formación principal de Irmin Schmidt, Jaki Liebezeit, Holger Czukay y Michael Karoli, a quienes se les suma el bajista Rosko Gee. La reciente incorporación de Gee a la formación significó que Holger Czukay quedara libre de sus tareas de bajista para tocar “ondas de radio y sonidos especulativos”, que se manifiestan aquí como sonidos de otro mundo, samples y lo que un crítico de un programa posterior describió como “charla lunar con un teléfono continental blanco”. Al igual que con los álbumes anteriores de la serie - “Live in Stuttgart 1975”, “Live in Brighton 1975”, “Live In Cuxhaven 1976”, “Live in Paris 1973” y “Live In Aston 1977”- se compiló a partir de los propios archivos de Can, así como de grabaciones de fans, y luego fue trabajado por el miembro fundador Schmidt junto con el productor e ingeniero René Tinner. Al final del programa, seguimos en la misma época de la banda pero en su versión en estudio, para escucharlos con material del disco “Saw Delight” de 1977, el octavo trabajo de los germanos. Rebelión Sónica se transmite por radio Rockaxis los jueves a las 10 y 22 horas, con la conducción y curatoría de Héctor Aravena.

Rockshow episode 205 Can and FaustCan and Faust are two pioneering bands from the Krautrock movement, a genre that emerged in West Germany in the late 1960s and early 1970s. Krautrock is known for blending rock, electronic music, and avant-garde experimentation, influencing many subsequent genres, including post-punk, new wave, and electronic music.Can:• Origin: Cologne, West Germany (1968) • Members: The classic lineup consisted of Holger Czukay (bass), Irmin Schmidt (keyboards), Jaki Liebezeit (drums), Michael Karoli (guitar), and Damo Suzuki (vocals from 1970 to 1973). • Style: Can's sound is a fusion of psychedelic rock, avant-garde, jazz, and funk with a strong emphasis on improvisation and minimalist rhythms. They often used repetitive grooves and layered textures, creating a hypnotic effect. Their music could range from delicate, ambient passages to wild, chaotic experimentation. • Notable Albums: • Tago Mago (1971): A landmark album known for its experimental sound, long instrumental jams, and Suzuki's unpredictable vocals. • Ege Bamyasi (1972): Featuring more concise and rhythmic songs, with hits like “Vitamin C” and “Spoon.” • Future Days (1973): A more ambient, ethereal record, often seen as a peak of the band's explorative nature. • Influence: Can was highly influential in shaping the experimental rock and electronic scenes, inspiring artists ranging from David Bowie to Radiohead.Faust: • Origin: Wümme, West Germany (1971) • Members: The core lineup included Werner “Zappi” Diermaier (drums), Jean-Hervé Péron (bass), Rudolf Sosna (guitar, keyboards), Arnulf Meifert (drums), and Hans Joachim Irmler (keyboards). • Style: Faust's music is more avant-garde and noise-oriented than Can's. They mixed rock with musique concrète, tape experiments, electronic soundscapes, and dissonant, atonal elements. Their sound often had an anarchic, confrontational edge, pushing the boundaries of what rock music could be. • Notable Albums: • Faust (1971): Their debut, an experimental and highly eclectic album, blending found sounds, noise, and fragmented song structures. • Faust IV (1973): A more accessible but still experimental album, with a mix of rock, ambient soundscapes, and odd time signatures. • The Faust Tapes (1973): Originally sold for a low price, this album was a collage of improvisations, studio experiments, and sound cut-ups. • Influence: Faust is seen as one of the most avant-garde bands of the Krautrock scene, influencing later experimental and industrial music, as well as bands in the post-punk and art-rock genres.Both bands were central to Krautrock's ethos of breaking free from traditional rock structures, emphasizing improvisation, and pushing boundaries with studio technology. While Can leaned more into groove-oriented, hypnotic rhythms, Faust embraced a more radical approach to sound experimentation.For Can:#CanBand #Krautrock #ExperimentalRock #TagoMago #EgeBamyasi #DamoSuzuki #HolgerCzukay #IrminSchmidt #JakiLiebezeit #MichaelKaroli #PsychedelicRock #AvantGarde #MinimalistRock #PostPunkInfluence #FutureDays #GermanRockFor Faust:#FaustBand #Krautrock #AvantGardeRock #ExperimentalMusic #FaustIV #TheFaustTapes #ZappiDiermaier #JeanHervePeron #HansJoachimIrmler #MusiqueConcrete #NoiseRock #GermanUnderground #ArtRock #IndustrialMusicInfluence #FaustExperimentation

Esta semana, en una nueva edición de Rebelión Sónica, los invitamos a escuchar a la influyente banda alemana Can, con material de dos de sus discos: el volumen cuatro de los documentos patrimoniales en vivo “The Can Live Series”, “Live in Paris 1973” de 2024 y el clásico trabajo en estudio de 1971, “Tago Mago”. Editado el 23 de febrero de 2024 por los sellos Mute y Future Days (Spoon Records), “Live In Paris 1973”, fue lanzado dos semanas después de la muerte del cantante más importante del grupo, el japonés Damo Suzuki, quien falleció el 09 de febrero. Según Mute, el registro encuentra a Can en forma mágica para una actuación grabada en L'Olympia en París el 12 de mayo de 1973, siendo la primera de la serie en vivo que presenta a Damo Suzuki en la voz, pues los anteriores habían sido todos con formación de cuarteto. Mute agrega en su web que “de 1970 a 1973, a la formación principal de Irmin Schmidt, Jaki Liebezeit, Michael Karoli y Holger Czukay se unió el improvisador y vocalista japonés Damo Suzuki. Se conocieron casualmente mientras Suzuki tocaba en una calle en Múnich, y varios meses después de la actuación de París de 1973, su pasión por los viajes lo llevaría de nuevo a la carretera”, dejando a la banda que siguió como cuarteto”. Mute es enfático al señalar que “este nuevo álbum de la serie nos permite presenciar a la banda en una etapa particularmente importante de su carrera, con dos de sus álbumes más aclamados, “Tago Mago” y “Ege Bamyasi”, lanzados recientemente. “Live in Paris, 1973” es el sucesor de “Live in Stuttgart 1975”, “Live in Brighton 1975” y “Live in Cuxhaven 1976” y además, ya ha sido anunciado para el 31 de mayo el quinto volumen, “Live In Aston 1977”. Al final del programa, complementamos el programa, con material en estudio de la banda, específicamente del fundamental álbum de 1971, “Tago Mago”. La temporada 2024 de Rebelión Sónica sale al aire por radio Rockaxis los jueves a las 10 y 20 horas, como siempre, con la conducción y curatoría de Héctor Aravena.

durée : 00:55:18 - Very Good Trip - par : Michka Assayas - Ce soir, c'est simple : nous avons rendez-vous avec un homme qui a fait l'histoire. Et qui est venu dans notre studio pour nous la raconter.

Formed in 1968, the German group Can's founding members included Irmin Schmidt and Holger Czukay who had both studied under Karlheinz Stockhausen. Joined by jazz drummer Jaki Liebezeit, guitarist Michael Karoli and Japanese vocalist Damo Suzuki for the group's 'classic' line-up that recorded Tago Mago (1971) and Ege Bamyasi (1972), their fourth album - Future Days - saw them exploring a more ambient, blissed-out sound, in contrast to their previous releases. Matthew Sweet is joined by musicians Jah Wobble and Gwenno, novelist Alan Warner and cultural historian Mererid Puw Davies to take a deep dive into the album and explore the blend of influences that made Can such a unique musical proposition.Producer: Torquil MacLeodAn expanded edition of Jah Wobble's autobiography Dark Luminosity: Memoirs of a Geezer is out on 7th March.

Who, what and indeed where is Can? Krautrock legends bring The Can Lost Tapes (Mute), due out imminently. The band's founder/chief theoretician Irmin Schmidt discusses the whys and wherefores; Can archival engineer Jono Podmore, also of analog electronic band Metamono, spins tracks from Metamono's new Parcel Post EP (Instrumentarium Records). For more from John Payne, check out bluefat.com --- Support this podcast: https://podcasters.spotify.com/pod/show/dublab-inconversation/support

SUPER fun conversation with Chinese national Jiang Zi Xiu (Klaire) of the Shanghai band GUJI about one of her favorite records: 'Monster Movie' by the German experimental band CAN! "You made a believer out of me..." Songs discussed in this episode: Can Dialog - The Can Project (Irmin Schmidt with the London Symphony Orchestra at the Barbican Centre, London 2017); I Like To Hang Out In China, Judgement Day - GUJI; Billy - Round Eye; Come sta, La Luna - Can; I Can't Stand It - The Velvet Underground; Zyklus für einen Schlagzeuger (Zweite Version, 1959) - Karlheinz Stockhausen; Father Cannot Yell - Can; Mary, Mary, Quite Contrary - Mediaeval Baebes; Pale Blue Eyes - The Velvet Underground; Mary, Mary So Contrary - Can; Ballad of North Henan Province - Yu Hongmei; Outside My Door, Yoo Doo Right - Can; Build A Friend For Me, My Mao Suit - GUJI

My guest in this very special bonus episode is Irmin Schmidt Irmin studied composition, piano and conducting under legendary composer, Karlheinz Stockhausen. Between 1968 and 1978 he was the keyboard player and co-composer of the hugely influential German band Can. Irmin has released several critically acclaimed solo albums and has written more than 120 film scores. Impressive stuff! It was a real honour to have a such a legend of electronic music on the podcast. For more information on Irmin's work, visit: https://www.spoonrecords.com

Start Artist Song Time Album Year Savatage Chance 7:43 Handful Of Rain (Japanese Edition) 1994 0:09:52 Saviour Machine Carnival of Souls 6:06 Saviour Machine 1993 0:15:57 Dionysis Savvopoulos Paravasi 3:10 Aharnes 1977 0:19:08 Saxon Black Is The Night 4:08 Carpe Diem 2022 0:23:57 SBB Follow My Dream 8:03 Follow My Dream 1978 0:32:00 SBB Wish […]

Ben Bernhard hat die Kamera in der Doku "All That Breathes" geführt / Laden für NICHTS - Ein Kunstprojekt in Traunstein gegen Konsum / "Can & Me" - Eine Doku über Irmin Schmidt, letztes lebendes Bandmitglied der Kölner Band Can / Sowie: "In Limbo" - Straßenfotografie von Fabian Schreyer im Schaezlerpalais Augsburg

Esta semana, dedicamos una nueva sesión de Rebelión Sónica, a la influyente banda alemana Can, con material de dos de sus discos: ““Live In Cuxhaven 1976” de 2022 y “Future Days” de 1973. Lanzado por los sellos Mute y Spoon Records el 14 de octubre, “Live In Cuxhaven 1976”, es el tercer disco en vivo de la serie de documentos patrimoniales “The Can Live Series”. Como lo dice su nombre, el registro fue grabado en la ciudad del norte de Alemania Cuxhaven en 1976 y se trata del sucesor de “Live In Stuttgart 1975” y “Live In Brighton 1975”, ambos de 2021. De acuerdo a Mute, originalmente grabado en cinta, la grabación en vivo cuidadosamente restaurada, comprende un espectáculo pensado como una historia con un principio, un medio y un final. La serie fue supervisada por el miembro fundador Irmin Schmidt y el productor/ingeniero René Tinner, quienes trabajaron delicadamente para restaurar las grabaciones de archivo a la mejor calidad para la tecnología actual. En la parte final del programa, viajamos al pasado en el glorioso catálogo de los germanos, para escucharlos con música de su fundamental álbum de 1973, “Future Days”.

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Er ist der Gründer vielleicht nicht der bekanntesten, aber einer der einflussreichsten deutschen Bands: CAN. Irmin Schmidt wird in diesen Tagen 85 Jahre alt - und er ist nach eigenen Angaben seit 85 Jahren Musiker. Von Franz Altrogge.

Esta semana, dedicamos una nueva sesión de Rebelión Sónica, a la influyente banda alemana Can, en primer lugar, con material de “Live In Brighton 1975”, el segundo volumen de la serie de registros en vivo, “The Can Live Series”. Sucesor de “Live In Stuttgart 1975”, editado en mayo de 2021, este segundo lanzamiento llegó el 03 de diciembre de ese mismo año a través de los sellos Mute y Spoon. El documento captura el concierto íntegro que el cuarteto central que conformó el grupo, con Jaki Liebezeit en batería, Michael Karoli en guitarra, Holger Czukay en bajo e Irmin Schmidt en teclados, dio en la ciudad inglesa que le da el nombre al álbum. El experto Kris Needs describe la música “como una delirante montaña rusa astral, una plataforma de lanzamiento, una partícula distante llena de melodías fugaces, líneas vocales y ritmos que surgen como fantasmas iridiscentes y que luego se evaporaron cuando el espíritu los lleva a otro lugar”. Luego, en la segunda parte del programa, nos concentramos en material en estudio de los pioneros krautrock, específicamente con música de dos de sus discos tardíos: “Saw Delight” de 1977 y “Out Of Reach” de 1978. Como es tradición, Rebelión Sónica se transmite por radio Rockaxis los miércoles a las 10, 17 y 23 horas -se repite los domingos a las 19-, con la conducción de Héctor Aravena.

Did anybody see this snowman, standing in the wind alone?  Damo did ... and Holger, Irmin, Jaki, and Michael, too.Today we're talking about Can — and specifically, their 1971 double LP, Tago Mago.  John Cale, "I Am the Walrus," and Aleister Crowley get their due, but in this end this is all about the mad genius of five men jamming in a castle.We are all mushroomheads.

We encounter some timeless music assembled through improvisation, editing and sound collage in this archive episode exploring the legacy of Can, recorded around their Barbican concert in April 2017.From the Archive sees us dig into our extensive contemporary and classical music and cinema podcast archive as we rediscover interviews and discussions with artists, with our long-standing producer and presenter, Ben Eshmade. Subscribe to Nothing Concrete on Acast, Spotify, iTunes or wherever you find your podcasts. See acast.com/privacy for privacy and opt-out information.

Esta semana, en una nueva sesión de Rebelión Sónica, destacamos el disco en vivo “Live In Stuttgart 1975” de la legendaria banda alemana Can, que el sello Mute editó el 28 de mayo recién pasado. Se trata del primer volumen de la iniciativa “The Can Live Series”, que promete recopilar lo mejor de los bootlegs de los pioneros krautrock supervisados por el integrante sobreviviente de la banda Irmin Schmidt y por el productor e ingeniero Rene Tinner. Con la frase promocional “si pensabas que conocías a Can, piénsalo de nuevo”, estos álbumes en vivo originalmente grabados en cintas y cuidadosamente restaurados, comprenderán la totalidad de cada show, procesados con la tecnología del siglo XXI para ofrecer estos vitales documentos en versiones de la mejor calidad posible. “Live in Stuttgart 1975” está dividido en cinco partes, “que demuestran un elemento importante y formidable de la historia de Can: sus performances en vivo”. Además de escuchar una de las cinco piezas de este histórico registro en vivo, también revisaremos música de dos discos de la época, cuando la banda estaba solo formada por su cuarteto duro -sin vocalista-, con Irmin Schmidt en teclados, Jaki Leibezeit en batería, Michel Karoli en guitarra y Holger Czukay en bajo: “Landed” de 1975 -editado un poco tiempo antes del concierto que documenta “Live In Stuttgart”- y “Soon Over Babaluma” de 1974. La idea es hacer un contraste, para apreciar las diferencias y similitudes entre el trabajo en vivo y en estudio de la banda en ese período específico.

This week we're back with another Book Club, this time discussing a semi-recent biography on the German experimental rock band Can. Albums of the Week: Scott: Enter Shikari—Common Dreads JimJam: Digable Planets—Reachin' (A New Refutation of Time and Space)

Tim und Torben ergründen den faszinierenden Kontinent des Krautrock und folgen Kings Of Convenience Mastermind Erlend Øye in die Quarantäne nach Mexico. -- Song Credits (Ausschnitte): "Sing Swan Song" und "Pinch", Artist: Can, Composer: Michael Karoli, Jaki Liebezeit, Damo Suzuki, Irmin Schmidt & Holger Czukay, ℗ 1972 Spoon Records; "Drunk and Hot Girls (feat. Mos Def)", Artist: Kanye West, Composer: Kanye West, Irmin Schmidt, Michael Karoli, Jaki Liebezeit, Kenji Suzuki & H. Schuering, A Roc-A-Fella Records release; ℗ 2007 UMG Recordings, Inc.; "Price (feat. Sebastian Maschat)", Artist: Erlend Øye, Composer: Erlend Øye, Sebastian Maschat, Stefano Ortisi, Marco Castello, Luigi Orofino & Eirik Glambek Bøe ℗ 2020 BUBBLES REC; "Paradiso", Artist: Erlend Øye & La Comitiva, Composer: Erlend Øye, Erlend Øye, Marco Castello & Marco Castello, ℗ 2019 Bubbles Records

As one of the founding members of the band Can, Irmin Schmidt left a permanent mark on the world of music. Since Can’s breakup, Irmin has left his mark on film music, having been credited as composer on more than 40 films and TV shows. Recently, he has released two albums on Mute Records featuring solo prepared piano work, with “Nocturne: Live at the Huddersfield Contemporary Music Festival” coming out earlier this year. In our chat, we talk about his background, his sources of creativity, and his interest in prepared piano. We also learn more about his development of an opera (Gormenghast), and how he chooses the work that he releases. It’s an amazing view into the imagination of a groundbreaking artist. You can find out more about his Mute releases at mute.com (http://mute.com/artists/irmin-schmidt), and check out “Can – All Gates Open”, the book he co-authored on the band (https://www.amazon.com/All-Gates-Open-Faber-Social/dp/0571311520). Enjoy! Transcription: http://www.darwingrosse.com/AMT/transcript-0338.html

For the 10th episode of Tracing Spaces, we're thrilled to share our conversation with Can keyboardist and composer Irmin Schmidt! This discussion details his formative musical experiences studying with Stockhausen, agitated experiences in the studio and on live German television, and concludes with the influence of church bells on his upcoming live album, Nocturne. It was a true honour to speak with one of krautrock's last living legends.     

La nueva edición de “Más allá de las Bandas Sonoras” presenta: “El cine tienta a músicos de diferentes disciplinas- 1ª parte” 1) “She Brings The Rain”, Can 4’04” 2) “Vitamin C”, Can 3’34”3) “Titelmusik Messer in Kopf”, Irmin Schmidt 4’59” 4) “Persian Love”, Holger Czukay 6’20”5) “Alethia”, Jonny Greenwood 4’04”6) “Knives Out”, Radiohead 4’00” 7) “Suspirium”, Thom Yorke 3’21”8) “Has Ended”, Thom Yorke 4’56”9) “Merry Christmas, Mr. Lawrence”, Ryuichi Sakamoto 4’37”10) “Amore”, Ryuichi Sakamoto 4’50”

Software - Island-Sunrise / Smea - Goodmorning Biskopsgården / Plaisirs Erotiques - Special Ero / Tim Blake - Lighthouse / Chrome Brulée - Supernova / Sphynx - No Ar / Kord - I Play My Flute / G-Machine - Sunshine / The Soul Investigators - Mo' Hash / Tubeway Army - Are 'Friends' Electric? / ABBA - Eagle / DMX Krew - Gravity Boots / Lennie Hibbert - More Creation / VC-People - Castle on the Hill / Kjell Höglund - Maskinerna är våra vänner / Irmin Schmidt & Bruno Spoerri - Yom Tov / Azymuth - Last Summer in Rio / Fabio Fabor - Idolo Moresco / Ike 'n' Mike - Highly Illogical / Dodo - Nuclear Mustard

Binaural recording - listen with headphones! Generative soundscape based on a two-dimensional random walk between four binaural soundscapes, recorded between December 15-16th, 2018 in Berlin, Germany: 1) a cemetry in Kreuzberg, close to the grave of E.T.A. Hoffmann 2) a ride on the metro line U7 between Südstern and Grenzwall 3) my sound installation AIR BORNE at the Aerodynamic Park of the Humboldt University in Adlershof 4) audience at Volksbühne just before the concert of Irmin Schmidt, the founder of CAN. Dedicated to my friend Jack Hauser for his 60th birthday. http://www.essl.at/works/HEAD.hmtl

Retrouvez les meilleurs albums de la semaine sélectionnés par Les Inrockuptibles en version podcast ! Au programme cette semaine : "5 Klavierstücke" de l'ex-claviériste du groupe Can Irmin Schmidt, "Basiel" de la dj flamande Amelie Lens, "Projet Blue Beam" du rappeur Freeze Corleone, "Bunny" de l'incontournable Matthew Dear ainsi que "Elephants on Acid" des vétérans Cypress Hill. See acast.com/privacy for privacy and opt-out information.

Welcome to the November edition of the Aquarium Drunkard Transmissions podcast. It's nearly the end of the year, and we're looking back on 2018's Lagniappe Sessions. Launched in 2011, the Lagniappe Sessions is an audio series that features artists covering songs that mean something to them. Hailed as "an amazing deep cut creation factory" by Jesse Jarnow, author of  Heads: A Biography of Psychedelic America and Wasn’t That A Time: The Weavers, the Blacklist, and the Battle for the Soul of America, the series is one of the most popular elements of Aquarium Drunkard. This episode, we discuss sessions by the Mountain Goats, Kevin Morby, the Raccoonists (Jeff, Spencer, and Sammy Tweedy), Mountain Man, Sarah Louise, and many more. Then, Aquarium Drunkard's Jason P. Woodbury speaks with Lola Kirke. The Mozart in the Jungle and Gemini star just released a new Christmas single, "Cross You Off My List/Little Drummer Girl." And rounding things out: an interview with CAN founder ç. A pivotal figure in the world of experimental music, Schmidt recently co-authored a book with Rob Young, All Gates Open: The Story of CAN, and he's got a new album out of minimalist piano pieces, 5 Klavierstücke. Aquarium Drunkard contributor Kyle MacKinnel brings us a talk that finds Schmidt reflecting on his creative process and modern sounds by the Wu-Tang Clan. 

Daniel Miller In Conversation with DJ Lady C Mute Records turns 40 this fall and to help celebrate we are bringing you an interview with label founder, Daniel Miller. Along with host, DJ Lady C, Miller discusses the origins of the label, DJing in Mongolia, what lies ahead for Mute and much, much more. We hope you can tune in for this special episode! Mute is marking this milestone with a whole host of special events and releases, stretching over 2018 and beyond. You can visit Mute 4.0 (1978 > Tomorrow) to find out more. About Mute: Since its launch in 1978, the label has grown from Miller’s one-man bedroom operation into an a global entity that encompasses Mute, the recently revived label NovaMute, Mute Song (publishing), Noviton (booking agency) and Mute Management, with offices in London and New York. Running parallel to its strong commercial track record, the guiding spirit behind Mute has always been one of artistic freedom and creative adventure. Mute has nurtured, grown up with and worked with artists as diverse as Depeche Mode, Laibach, New Order, Goldfrapp, Erasure, Nick Cave & The Bad Seeds, Ben Frost, Throbbing Gristle, Liars, Mick Harvey, Irmin Schmidt and Can. In Conversation is produced by dublab. Sound editing and music are by Matteah Baim. Due to rights reasons music from the original broadcast has been removed. To hear more, please visit dublab.com.

Irmin Schmidts Band Can ist eine der erfolgreichsten deutschen Musikgruppen. Seit den 1970er Jahren inspiriert ihr unkonventioneller Stil zahlreiche Musiker. Was macht Schmidt heute? >> Artikel zum Nachlesen: https://detektor.fm/musik/pop-kultur-irmin-schmidt-ueber-filmmusik

Irmin Schmidts Band Can ist eine der erfolgreichsten deutschen Musikgruppen. Seit den 1970er Jahren inspiriert ihr unkonventioneller Stil zahlreiche Musiker. Was macht Schmidt heute?Der Artikel zum Nachlesen: https://detektor.fm/musik/pop-kultur-irmin-schmidt-ueber-filmmusik

Irmin Schmidt and his cohorts in the group Can not only formed one of the central pillars of so-called krautrock, they created a body of work that influenced generations of rock, electronic, and experimental musicians.In this episode, he discusses the three epochal classics that shaped his music.

This week there are incredible new and forthcoming releases from the likes of Workin' Man Noise Unit, Okzharp and Master Musicians of Bukkake. We also have new experimental music from Norway, library jazz from London as well as a live recording from Colin Stetson & Sarah Neufeld and great noise from Russia, and old releases from Silver Apples and Irmin Schmidt.

1. Carla Bozulich (USA) - "Drowned to the light" CD "Boy" (Constellation) 2. Apanhador So (Brazil) - "Mordido" CD "Antes que ti conte outra" (Artist release) 3. Irmin Schmidt (Germany) - "Flavia theme" CD "Villa Wunderbar" (Spoon/Mute) 4. Irmin Schmidt feat. Isis Zertlett (Germany) - "Dangerous" CD "Villa Wunderbar" (Spoon/Mute) 5. Malachai (UK) - "Sweet flower" CD "Beyond ugly" (Double six/Domino) 6. The Pussywarmers & Reka (Switzerland/Hungary) - "Young men living" CD "I saw them leaving" (Wild honey) 7. Jaakko Laitinen & Vk Raka (Finland) - "Pettymys" CD "Lapland-Balkan" (Playground) 8. Bear in Heaven (USA) - "Autumn" CD "Time is over one day old" (Dead oceans) 9. Shonen knife (Japan) - "Green tea" CD "Overdrive" (Damnably) 10. Black flower (Belgium) - "Jungle desert" CD "Abyssinia afterlife" (WERF/Zephyrus) 11. Jonny Halifax & The Howling Truth (UK) - "Brand new skin" CD "The bestial floor" (Greasy noise) 12. Juliana Barwick (USA) - "Pyrrhic" CD "Nepenthe" (Dead oceans) 13. Teitur (Faroe Islands) - "If you wait" CD "Story music" (Arlo&Betty) 14. The Pack AD (Canada) - "Animal" CD "Do not engage" (Nettwerk) 15. Aufgang (Luxembourg/France) - "Kyrie" CD "Istiklaliya" (Infine) Страница программы на оф. сайте Сообщество программы Вконтакте

The Bears, François de Roubaix, Quintus Project, Sea Power & Change, Yello, Grand Prix, Luc van Acker & Anna Domino, Daniella Gordon, Grauzone, Peter Baumann, Depeche Mode, Bruce Haack, Grandmaster & Melle Mel, Shaka, Bionic Boogie, Can, Mockba Music, Göran Rydh, Floy Joy, Ashford & Simpson, Change, Zodiac, ESG, Monsoon, Patrick Cowley, G-Litter, Franek Kimono, B.B. and Band, David Byron, Stratosferic Band, Disco Dick, The Two, Nina Hagen, John Lennon, Yoko Ono, Irmin Schmidt & Bruno Spoerri and more...