Podcast appearances and mentions of sam gill

What does it mean to rethink religion from the ground up? University of Colorado's religious studies professor Sam Gill draws on biology, philosophy, and decades of research and dance practice to argue that we are moving, whole organisms before we are divided into mind and body. Gill proposes that humans possess a biologically enabled capacity to hold together what we know to be different as if it were the same—a dynamic that underlies the powers of metaphor, masking, dancing, ritual action, symbol, and language. Through vivid examples from Hopi initiation, Javanese shadow puppetry and dance, and Navajo prayer ceremonials, Gill shows how religious actions create worlds, identities, and enduring cultural coherence. Series: "Ethics, Religion and Public Life: Walter H. Capps Center Series" [Humanities] [Show ID: 41541]

What does it mean to rethink religion from the ground up? University of Colorado's religious studies professor Sam Gill draws on biology, philosophy, and decades of research and dance practice to argue that we are moving, whole organisms before we are divided into mind and body. Gill proposes that humans possess a biologically enabled capacity to hold together what we know to be different as if it were the same—a dynamic that underlies the powers of metaphor, masking, dancing, ritual action, symbol, and language. Through vivid examples from Hopi initiation, Javanese shadow puppetry and dance, and Navajo prayer ceremonials, Gill shows how religious actions create worlds, identities, and enduring cultural coherence. Series: "Ethics, Religion and Public Life: Walter H. Capps Center Series" [Humanities] [Show ID: 41541]

What does it mean to rethink religion from the ground up? University of Colorado's religious studies professor Sam Gill draws on biology, philosophy, and decades of research and dance practice to argue that we are moving, whole organisms before we are divided into mind and body. Gill proposes that humans possess a biologically enabled capacity to hold together what we know to be different as if it were the same—a dynamic that underlies the powers of metaphor, masking, dancing, ritual action, symbol, and language. Through vivid examples from Hopi initiation, Javanese shadow puppetry and dance, and Navajo prayer ceremonials, Gill shows how religious actions create worlds, identities, and enduring cultural coherence. Series: "Ethics, Religion and Public Life: Walter H. Capps Center Series" [Humanities] [Show ID: 41541]

What does it mean to rethink religion from the ground up? University of Colorado's religious studies professor Sam Gill draws on biology, philosophy, and decades of research and dance practice to argue that we are moving, whole organisms before we are divided into mind and body. Gill proposes that humans possess a biologically enabled capacity to hold together what we know to be different as if it were the same—a dynamic that underlies the powers of metaphor, masking, dancing, ritual action, symbol, and language. Through vivid examples from Hopi initiation, Javanese shadow puppetry and dance, and Navajo prayer ceremonials, Gill shows how religious actions create worlds, identities, and enduring cultural coherence. Series: "Ethics, Religion and Public Life: Walter H. Capps Center Series" [Humanities] [Show ID: 41541]

What does it mean to rethink religion from the ground up? University of Colorado's religious studies professor Sam Gill draws on biology, philosophy, and decades of research and dance practice to argue that we are moving, whole organisms before we are divided into mind and body. Gill proposes that humans possess a biologically enabled capacity to hold together what we know to be different as if it were the same—a dynamic that underlies the powers of metaphor, masking, dancing, ritual action, symbol, and language. Through vivid examples from Hopi initiation, Javanese shadow puppetry and dance, and Navajo prayer ceremonials, Gill shows how religious actions create worlds, identities, and enduring cultural coherence. Series: "Ethics, Religion and Public Life: Walter H. Capps Center Series" [Humanities] [Show ID: 41541]

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We got songs of all sorts tonight and non-songs for most sorts too. Take your pick! LISTEN AGAIN – you can stream on demand @ fbi.radio or podcast here. Abigail Snail – Good Grief [Romac Puncture Repairs] Abigail Snail – Attach Bayonets [Romac Puncture Repairs] You can get an idea of the experimental roots background of London guitarist Stef Ketteringham, usually known as Stef Kett, from his 10-year-old Guitar Arrangements (2016) and its sequel More Guitar Arrangements from the following year – a loose, free jazz approach to bluesy guitar, the outer limits of American Primitive. It’s not that far from there to punk rock, but nor is it far from the swamp. Garage rock is more the touchstone with Abigail Snail though, when Kett, on vox, guitar & bass, teams up with the incredibly versatile drummer Will Glaser, who’s played with the likes of Sly & the Family Drone, Yazz Ahmad, Ruth Goller and many other luminaries of the London jazz scene, and released an incredible solo album last year. The music’s a kind of hysterical, broken-down form of garage rock, dragged into swampy blues-jazz with the addition of James Allsopp on tenor sax & bass clarinet, a fixture of London’s jazz & experimental scenes for the last 2 decades. The album bio describes them as “London spray band Abigail Snail”, and the raucous-yet-vulnerable music here could well suit this new genre (as you know, we at Utility Fog love ridiculous new genres). Anyway, stick this on your boombox and scare pedestrians as you cycle to work next week. Jungstötter – Overturn [Unguarded/Bandcamp] Fabian Altstötter founded his solo project Jungstötter some years after his postpunk band Sizarr went on hiatus. Solo, his music draws from the dramatic experimental songwriting of Scott Walker & David Sylvian – on 2023’s One Star, his rich vocals were offset by industrial rumblings and shifting electronics, muddled in pitch-shifted shadows of themselves, mashed beats interrupting the flow, horn and string arrangements that grow raucous. New album Sustained is now announced, and single “Overturn” is very pared down – just that voice, some percussion, sparse electric piano, field recordings of children’s voices and occasional single note hits from horns. Oh, and the scrabbling guitar at the end, all suggesting something creepy around the corner. No doubt this will be an excellent album. Massive Attack x Tom Waits – Boots on the Ground [PIAS Records/Bandcamp] The most unexpected release of the century? Given that Tom Waits‘ last solo album Bad As Me came out in 2011, we could have been forgiven for expecting that was the end, but Massive Attack (who have stuck to random singles with feature artists for the last decade) convinced him to create this anti-war anthem, clattering percussion straight out of Tom’s Bone Machine, piano straight out of many of 3D’s productions, and Tom’s barked vocals which could refer to ICE or US troops in Venezuela, Iran, or heck, Vietnam. It’s proper chilling stuff. Loraine James – Flatline ft. Miho Hatori [Hyperdub/Bandcamp] From her soon-forthcoming album Detached From The Rest OF You, Loraine James here works with Miho Hatori of Cibo Matto on absolute thriller of a song, the beats a Loraine glitch-bass special and Hatori’s vocals spoken and sung but always cut-up. This is her “pop” album lol… Well, it’s full of great singers and James herself sings on more than a few tracks, but it’s still super experimental. Naavikaran & Simo Soo – For You Page (FYP) [Naavikaran Bandcamp] On her new EP MYSTIQ DISCOTHEQ, Naarm-based rapper Naavikaran puts a South Asian spin on her EDM-influenced rap & pop, enlisting Simo Soo to help bring out the deconstructed club vibes. Across the EP, Naavikaran raps and sings in Tamil, Marathi, Hindi and English, covering life as a disabled, LGBTQI+ refugee. Impressive and entertaining. deafkids – REFLEXO [Neurot Recordings/Bandcamp] Brazilian band deafkids may nominally be classed as “punk”, but hardcore punk mixes with industrial and noise in their sound, along with electronic music of all shapes. They released the incredible uncategorizable Metaprogramação on Neurosis‘ Neurot Recordings in 2019, and then when the pandemic hit, they put out a series of EPs that mixed Latin rhythmic complexity with guitar pedal and software experimentation, collected now on the album Ritos do Colapso. Except before that in 2020 came their collaboration DEAFBRICK with cross-continental noise-metal-industrial-electronic duo PETBRICK. So with various collabs and oddities in the interim, their forthcoming CICATRIZES DO FUTURO (Scars of the Future) is their first album proper since Metaprogramação. It looks to be more electronic, more intense, more angry than ever, a visceral reaction to the state of the world. Highly rhythmic and danceable, it shifts between hardcore punk, industrial, Latin American and club sounds with abandon. I can’t wait to hear the whole thing. james K – Doom Bikini (Hesaitix Remix) [AD93/Bandcamp] Following her vaporwave-trip-hop album Friend from last year, james K now reaches out for some heavy-duty Friends to remix the album. Hesaitix is the alias of James Whipple, better known as M.E.S.H, pioneer of “deconstructed club”. Here, though, he’s taking james K’s “Doom Bikini” and adding accelerated breakbeats in a lightweight jungle style. Very nice. Zoë Mc Pherson – Bang Bang (Nziria remix) [SFX/Bandcamp] Zoë Mc Pherson – Ambient Snake (Yushh remix) [SFX/Bandcamp] One of the leading lights of deconstructed club music (as we probably don’t call it anymore), Zoë Mc Pherson, releases the remix collection from last year’s Upside Down album, via their own SFX label. A great collection of various sorts of experimental bass music, including here some frenetic jungle/breakcore from Italian DJ & producer Nziria, and some ambient technoid lushness from Bristol’s Yushh, who will be playing here soon – at the Sydney Opera House, no less – for DUNJ’s Vivid Live event, also featuring Carrier and our own gi and Autogenesis. ARTISOMA – Boraq [YUKU/Bandcamp] Ravensburg, Germany-based producer Sarah Rendle ARTISOMA, debuting on YUKU with the Mobilya EP, exploring various configurations of UK bass and percussive techno. Quality production, as expected from anything on YUKU. OD Bongo – crystallinoron [Carton Records/Bandcamp] It’s almost inevitable that whatever is next released by French label Carton Records will be unlike whatever you’ve previously heard. Amédée de Murcia (aka Somaticae) on synths and Édouard Ribouillault aka C_C on drum machines, samplers & fx make up OD Bongo, whose second album Bongoville is technically co-released by Carton, zamzamrec, Prix Libre Record and basalte (whoever they are). This multiplicity of co-presentations is quite common in France it seems. Whoever you’re encountering it via, you’re in for a treat: hardware samplers, synths & drum machines produce a psychedelic cacophany of dance music styles, drawing in trap, juke and gqom with their bass-heavy techno – and a dub sensibility is ever-present. That’s got to hit the spot if you’re a Utility Fog listener! Haydn Douet Lukies – Amolador [Colectivo Casa Amarela/Bandcamp] Colectivo Casa Amarela are one of those Portuguese labels that you know will come through with the goods, even if you’re not sure what those goods will be. In the case of Old Dark Champagne, percussionist Haydn Douet Lukies uses his environment as his instruments – in this case the watery soundscape of Cacilhas, an industrial area in the estuary of Tagus River (Lisbon is built around that estuary), along with rusting chains, architectural surfaces and so on. But from these ingredients he makes music whose rhythms and sounds are linked to the beats of jungle, UK drill, industrial dub and other bass musics, as well as Arabic percussion and the Lisbon-centred, Afro-diasporic sounds of batida. It’s only an EP, and leaves us wanting more. Tristan Arp – Forking Paths [Kapsela/Bandcamp] Objekt‘s label Kapsela continues to be essential, now releasing an EP, Re-Weave, from the brilliant percussive techno sound-artist Tristan Arp. Case in point, tonight’s track “Forking Paths” starts with blissful synth arpeggios, but a minute and a bit in, rolling snares and a light but prominent “tok” on the 2nd & 4th beats drop in, switching into a syncopated bassline, and these various parts undulate and shuffle through the course of the track. The title is a reference to Borges’ classic story “The Garden of Forking Paths”, but also to the EP’s dedication to weaving mycelial networks and labyrinths. Beautiful. Yunzero – Cool Skunk [Yunzero Bandcamp] Naarm’s Jim Sellars makes some of the most weirdly crunchy, alternate-reality sample-based music of the last decade or so, under the name Yunzero. As the quote says on this new 2-tracker, “there’s something off”. If you wanted a summary of Utility Fog’s favourite kinds of music, “there’s something off” is a pretty good one, and it’s not a bad description of the jittery, rhythmic pieces on show here. Hora Lunga – Hearing through the Wall ft. Junge Eko [Hora Lunga Bandcamp] One album I loved from last year came from Argentinian cellist Violeta García working with the Swiss composer/producer Hora Lunga. The two musicians melded sound-art and noise with acoustic gestures, post-club sub-bass and glitched ambiences. Now Hora Lunga presents his New Age Music Vol. 2-3, which couches new agey soundscapes in post-modern irony (check the CD-R edition, which comes enclosed in repurposed pop album packaging). Deliberately awkward edits cultivate a sense of unease, only emphasised with guest vocals from the likes of Junge Eko aka Catia Lanfranchi, whispering over stop-start breaks. García appears with a vocal performance that pairs with industrial beats reminiscent of Atari Teenage Riot; meanwhile there’s angelic voice and distortion on “Doom Metal”, which is actually more like shoegaze, while Sam Portugal brings something more like black metal vocals to the dubbed-out “When I”. The double-album lurches from one genre to the next, never alighting on “new age” as such, but embodying the new, the post-, at all times. Joseph Branciforte & Jozef Dumoulin – ⊐ [greyfade/Bandcamp] With his greyfade label, NY composer, sound-artist & designer Joseph Branciforte presents music at the crossroads of contemporary classical, contemporary jazz and experimental electronic, especially where they meet in minimalism. This has led to some remarkable ideas, like the Folio edition of an acoustic reconstruction of Taylor Deupree‘s ambient-glitch classic Stil. Glitch, though, is a hallmark of the label, especially with Branciforte’s own works like the label’s debut release LP1 and its follow-up, which paired Branciforte with brilliant jazz singer Theo Bleckmann, with Branciforte on electronics and Fender Rhodes. That instrument brings us to this new collaboration, with Belgian Rhodes player Jozef Dumoulin. Both artists play their own Fender Rhodes, re-sampling and processing in realtime, and the music is (re)constructed from small fragments – but don’t think this is austere studio deconstruction; Joseph & Jozef are seasoned improvisers, and their intuitive connection is found throughout. In addition, a lot of the “editing” was done live in Branciforte’s realtime editing software. The album is released in a special deluxe edition with the whole 70 minute work on one CD, and an additional 4 CDs which contain the tracks spread out across them, to be re-sequenced or even layered if the listener wishes. Jonas Cambien – Tre – RADIO EDIT [Sonic Transmissions Records/Bandcamp] Rhythmic sounds here which hint at glitch-edits but are purely prepared piano, from Oslo-based Belgian pianist Jonas Cambien, whose Man Eating Tree is released by Norwegian label Sonic Transmissions Records. The release consists of four pieces, I believe part improvised and part composed, of rhythmic movement and minimalist gestures on prepared & unprepared piano and electric organ. Lovely stuff. Microfiche – Number 7 [Earshift Music/Bandcamp] One of Eora/Sydney’s best jazz bands, Microfiche, have their third album With Time coming out on June 12th. The album marks 10 years together as a band, and bids farewell to pianist/keyboardist Novak Manojlovic – replaced live now by the brilliant guitarist Hilary Geddes, although Novak still plays on the album, along with clarinettist/violist Phillippa Murphy-Haste, bassist Max Alduca, trumpeter Nick Calligeros, saxophonist Sam Gill (recently awarded the 2025 Freedman Jazz Fellowship) and drummer Holly Conner (who you’ve heard filling in on this show on a number of occasions). All of them are interested in music across genre, all are composers and improvisers and producers one way or other. The first single from the album is composed by Novak, and it’s a beautifully restrained piece with subtle details, clusters of virtuosity inside small musical gestures. The whole album’s special, stay tuned for more! Mariam Wallentin & Vestnorsk Jazzensemble – Basel [Hubro] Here’s a new single from an album that’s coming… sometime… from the great Norwegian label Hubro. Mariam Wallentin is one of the most extraordinary singers of our age – known for her postrock/pop/experimental duo Wildbirds & Peacedrums with her husband, drummer Andreas Werliin, and for her immense, emotive vocals with Fire! Orchestra, the Nordic free jazz big band centred around the Swedish trio Fire! formed by Werliin along with bassist Johan Berthlin and saxophonist Mats Gustafsson. Wallentin also has a solo project as Mariam The Believer which is perhaps more pop but still involves many experimental/jazz musicians. Here she is working with the Vestnorsk Jazzensemble, a jazz ensemble based in Bergen in the west of Norway, who commissioned a collaboration with Wallentin which reworks material from Mariam The Believer and even going back to Wildbirds & Peacedrums. However, “Basel” is a new song, a slow jazz groove with a pensive melody. Can’t wait to hear the rest. Claire Dickson – Waterfeel [New Amsterdam Records/Bandcamp] New York’s New Amsterdam Records are notionally a classical label, who tend to put out contemporary classical-adjacent pop, indie and experimental music as much as full-blown orchestral/ensemble work such as Sarah Kirkland Snider‘s compositions. On her second NewAm album Balance, Berlin-based Claire Dickson writes beautiful, laid-back songs around patient synth & piano patterns, fluttering strings, twinkling harp… Even when Lesley Mok‘s drums and Zoh Amba‘s sax are in the picture, it’s the slow-paced ostinati that call the shots. Dreamy & lovely stuff. Freda D’Souza – unravel (when ya comin back?) [Freda D’Souza Bandcamp] Speaking of low-key… Freda D’Souza is a London-based singer/songwriter/multi-instrumentalist who you may have heard me bugging you about before – or not, because she is the exact opposite of prolific. Her Windowledge EP from 2023 is small but perfectly formed and “The Love Song of J Alfreda D’Souza” speaks to me both on the pun level and also just as a wondrous song & performance. Anyway, how lucky are we then that she’s just pushed out a tiny single, with the lovely “lullabye” as the lead but backed up with a blissful Björk cover! The glitched, twinkling electronics of Vespertine (still my favourite Björk era) are replaced by layers of her voice and strings. Then again, if you like doom & post-metal, Freda’s band Wēven have just released their Wychelm EP, which is highly worth your time too. Listen again — ~214MB

On today's episode of the Climate Insiders podcast, we're sitting down with Allister Furey, CEO and Co-founder of Sylvera. Sylvera is a carbon data provider that helps organizations ensure they're making the most effective investments toward net zero. We build software that independently and accurately automates the evaluation of carbon projects that capture, remove, or avoid emissions.With Sylvera's data and tools, the world's largest businesses and governments can confidently invest in, benchmark, deliver, and report real climate impact.Allister Furey has an MBA from London Business School, and a PhD in computational neuroscience and robotics from University of Sussex, where he focused on optimizing control of wind energy systems. He has worked as a consultant for Bain & Company, as CTO of a leading UK wind energy technology company, and venture partner at Entrepreneur First.Allister and his co-founder Sam Gill observed that carbon markets needed a revolution in data quality to reliably deliver climate benefits, and to achieve the necessary scale to have a meaningful impact. Together they founded Sylvera in 2020 to bring transparency and, ultimately, trust to carbon markets.This episode delves into:- The Importance of Accurate Carbon Data- Challenges of Carbon Markets- Role of Sylvera- Emerging Carbon Removal Technologies- Future of Carbon MarketsIf you enjoyed this episode, please subscribe to our channel!Want to go deeper?Invest in climate moonshots with Climate Insiders. Join 300+ members and become a shareholder of the best climate tech startups alongside us, from $1,000. Become a member now: https://www.climateinsiders.comJoin the Climate Insiders newsletter, The only newsletter you need to invest in climate tech. Every Saturday I share one actionable tip to invest successfully in climate tech. Join 3,500+ investors and get access to investing tips and strategies to invest today: https://climateinsiders.substack.com/(00:00) - Intro(00:13) - How Can We Incentivize Investment in Real Climate Action?(00:51) - How does Sylvera defer organizations like Vera or B0?(01:27) - Why are Carbon Markets Important?(07:40) - How Does Sylvera's Rating System Drive Smarter Climate Tech Investments?(10:10) - How Easy Can the Rating System Recognize mistakes?(13:30) - What is a Triple B in The Ranking System?(15:18) - What Factors Matter the Most When Rating Direct Air Capture Projects?(21:43) - What Emerging Carbon Capture Technologies should Investors Keep an Eye on?(24:40) - What Will Carbon Markets Look like In 10 Years?(29:54) - Is the Carbon Market going to Be Regionally Fragmented? (30:47) - Outro

The Tree of Immortality: 5000 years of GillInterview with Shawn MaloneyIn this My Life Now episode, Dallas interviews Shawn Maloney, founder of The Priority of Retirement.About The Book: "The Tree of Immortality" by Sam Gill is an intricate blend of autobiography and memoir, tracing the compelling history of the Gill family through generations. Inspired by the discovery of his late father's box filled with photographs and documents, Gill embarks on a journey to uncover his family's roots. The book delves into the rich tapestry of the Gill lineage, spanning from the ancient lands near the Caspian Sea to the present-day Punjab, and ultimately to the UK, where the author resides. With a mix of historical facts and imaginative storytelling, Gill explores themes of migration, identity, and legacy, providing readers with a captivating account of his family's quest for a better life. This work not only preserves the Gill family history but also inspires readers to delve into their own ancestries, offering a profound reflection on the enduring significance of one's name and heritage.Thank you for listening to and supporting the My Life Now podcast show. We are excited to connect with each of our listeners on our various platforms. Below is the best way you can not only connect with us but also have an opportunity to be featured on our Podcasts.For Marketing and Publishing needs, Buscher's Social Media Marketing LLC (https://www.facebook.com/buscherssmm)

Today on the podcast we chat Sam Gill, Collider's Director of Community Engagement about his story, role at Collider, and insights on building community. Thanks for listening!

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Andie Alexander is joined by Sam Gill to talk about his recent book _The Proper Study of Religion_, and they discuss questions of comparison, difference, storytracking, and playfulness in the academic study of religion. Be sure to tune in!

Sam gives us the wrap up on the recent Gulfood trade show and the latest on what's happening in the Middle East.   Plus, all the latest in MLA news with Amy Drew. 

In this episode of Community Possibilities, Sam Gill joins me to talk about his work with the Doris Duke Foundation. She was "always a woman of her times" and that is reflected in her funding priorities and the Foundation trys to follow her example today. Sam shares the history of the Doris Duke Foundation and who Doris Duke was. She was a woman a head of her times in many ways. Mission and Values - Supporting the well-being of people and the planet for a more creative, equitable and sustainable future.Funding priorities of the Foundation.Why the Foundation's is committed through a diverse and equitable biomedical research workforce as a founding member of the 90 strong, STEMM Opportunity Alliance. Disruption describes when the structure of a market changes. Sam shares how disruption can help everyone participate in the market of science and how that will promote equity. How their work helps address the fundamental causes of child abuse and neglect to reshape the child protection system and gets to how it makes decisions about who is a fit parent. The Foundation is working with state agency's who want to look at the child systems in an upstream way. Why this is a hard time to be an institutionalist. How coming to the answers to some of our hard questions means questioning institutions, but may not mean dismantling them and how the margins of conversations help How Building Bridges helps tell the stories of Muslims in various ways.The role of philanthropy can play in advancing social justice and equity by funding many possible  solutions. Why debate will help us get to solutions to societies biggest probelms.His advice for people working in communities (have tenacity, take energy by polarization, look for opportunities for collaborationSam GillPresident and CEO of the Doris Duke Charitable Foundation Samsher (Sam) Singh Gill is president and CEO of the Doris Duke Charitable Foundation, which supports the performing arts, medical research, the environment and child well-being. He is also president of the Duke Farms Foundation and the Doris Duke Foundation for Islamic Art. Previously, Gill served as senior vice president and chief program officer at the John S. and James L. Knight Foundation and vice president of Freedman Consulting, LLC. Gill attended the University of Chicago and the University of Oxford, where he was a Rhodes Scholar. Like what you heard? Please like and share wherever you get your podcasts!Connect wLike what you heard? Please like and share wherever you get your podcasts! Connect with Ann: Community Evaluation Solutions How Ann can help: · Support the evaluation capacity of your coalition or community-based organization. · Help you create a strategic plan that doesn't stress you and your group out, doesn't take all year to design, and is actionable. · Engage your group in equitable discussions about difficult conversations. · Facilitate a workshop to plan for action and get your group moving. · Create a workshop that energizes and excites your group for action. · Speak at your conference or event. Have a question or want to know more? Book a call with Ann .Be sure and check out our updated resource page! Let us know what was helpful. Community Possibilities is Produced by Zach Price Music by Zach Price: Zachpricet@gmail.com

Our guests today are, Diego Saez-Gil of Pachama and Sam Gill of Sylvera, and we're talking about forestry carbon offsets.Forestry carbon offsets were designed as a financial tool to provide an economic incentive for landowners to make alternative decisions, to pay landowners to keep their forests intact in the case of deforestation avoidance credits or to reforest previously damaged land in the case of reforestation credits. The money for this economic incentive comes from large actors who can then take "credit" for their action and apply it against the carbon footprint of their own organization. This is a carbon offset. In the simplest terms, if part of a company cannot decarbonize quickly, but still aims to achieve net-zero emissions, they can pay a forest landowner to preserve their forest and take an agreed upon amount of carbon off their balance sheet accordingly. And it's a relatively new thing. Forestry carbon offsets have become a popular product over the last decade, and like any maturing industry, it has challenges.Diego and Sam are here to walk us through why forests matter, the history of offsets and how they work, some of the challenges highlighted recently, and what they think the path forward looks like. Regardless of what you think of carbon offsets, this is a crucial problem to solve. Without an economic incentive to maintain and regrow the world's forests, any thought of avoiding the worst effects of climate change is out the window. In this episode, we cover: Diego's background and intro to PachamaSam's experience and an overview of SylveraForests in the world today and why they matter for climateRisk of deforestation and the Amazon becoming a self-reinforcing negative feedback loopHow the story of biodiversity has changed from a forestry perspectiveEconomic levers at play with regard to forests, including reforestation and afforestationThe link between forest credits, offsets, and carbon marketsProblems associated with deforestation credits and managing illegal activityThe voluntary market for deforestation credits, who's buying and whyHow deforestation credits are measured now and historicallyMeasuring reforestation and afforestation projectsDiego and Sam's thoughts on a recent article in The Guardian claiming that most forest carbon offsets are worthlessHow Sylvera assesses forest projects and its reaction to The Guardian articlePachama's approach to creating synthetic baselines and validating the uncertainty of predictionsOvercoming challenges through collaborationPredictions for the future of forest carbon marketsGet connected: Cody Simms Twitter / LinkedInDiego Twitter / LinkedInSam Twitter / LinkedIn  MCJ Podcast / Collective*You can also reach us via email at info@mcjcollective.com, where we encourage you to share your feedback on episodes and suggestions for future topics or guests.Episode recorded on January 31, 2023

This week, Josh catches up with Regional Manager for the Middle East, Sam Gill, for an update in the market, news from Jordan and Kuwait and next year's Gulf Food event. Plus all the latest MLA News with Amy Drew.

Sam Gill joins Kristian Petersen to discuss his award-winning 2021 book, The Proper Study of Religion: Building on Jonathan Z. Smith (OUP, 2020).

It's been a very exciting time in the Middle East with the first face-to-face Trade Show for 2022.  We catch up with Regional Manager Sam Gill to tell us all about Gulfood, plus we meet Jad Hedwan, new Business Development Manager for the Saudi market.

“Fire Down There" Randy Weston Trio: Get Happy (Riverside, 1956) Randy Weston, Sam Gill, Wilbert Hogan. El tema es tradicional. Tomajazz: © Pachi Tapiz, 2022 ¿Sabías que? El tema "St. Thomas" de Sonny Rollins está inspirado en el tema tradicional de St. Thomas titulado "Sponger Money". Randy Weston lo grabó en 1955 con el título "Fire Down There", y dos años más tarde se publicó como el primer tema de Saxophone Colossus. En esta grabación aparecía como una composición de Sonny Rollins. Randy Weston acreditaba el tema como tradicional. Randy Weston nació en 1926 y falleció en 2018. De joven trabajó en un restaurante, propiedad de su padre, hasta que pudo dedicarse profesionalmente a la música. En 1955 la revista Down Beat lo consagró como un "nuevo talento del piano". Fue un gran admirador de Thelonious Monk, cuya influencia es su forma de tocar de Weston fue más que evidente. También lo es en su discografía, pues en el año 1989 publicó el disco Portraits Of Thelonious Monk. El periodista Javier de Cambra, a quien se le echa (y mucho) de menos, fue un gran admirador y amigo personal de Randy Weston. En el año 2014 se realizó un homenaje al periodista en el Círculo de Bellas Arte de Madrid, y como no podía ser de otro modo, el primero de los músicos que intervino en ese concierto fue Randy Weston. Entre los proyectos que el periodista dejó inacabados debido a su repentino fallecimiento a principios de 2014, estaba una biografía de Randy Weston. En anteriores episodios de JazzX5/HDO/LODLMA/Maltidos Jazztardos/Tomajazz Remembers… https://www.tomajazz.com/web/?p=60482 Más información sobre Randy Weston https://www.randyweston.info/ https://www.tomajazz.com/web/?s=randy+weston&submit=Search Más información sobre JazzX5 JazzX5 es un minipodcast de HDO de la Factoría Tomajazz presentado, editado y producido por Pachi Tapiz. JazzX5 comenzó su andadura el 24 de junio de 2019. Todas las entregas de JazzX5 están disponibles en https://www.tomajazz.com/web/?cat=23120 / https://www.ivoox.com/jazzx5_bk_list_642835_1.html. JazzX5 y los podcast de Tomajazz en Telegram En Tomajazz hemos abierto un canal de Telegram para que estés al tanto, al instante, de los nuevos podcast. Puedes suscribirte en https://t.me/TomajazzPodcast. Pachi Tapiz en Tomajazz https://www.tomajazz.com/web/?cat=17847

This week we cross to the Middle East to talk all things Expo coming out of Dubai, with Damon Holmes, Business Development Manager and Sam Gill, Regional Manager. Plus, all the latest MLA News with Brett Thomas. 

In this episode we hear the latest updates in food service and retail in the U.S with Business Development Manager for the market, Catherine Golding. Plus, Sam Gill, Regional Manager in the Middle East gives us the latest from the region.  

Sam Gill, missionary and president of New Hope for the World, brings a message on being salt and light in a world that is decaying and dark.

This week, we catch up with our Regional Manager in Dubai, Sam Gill about the latest with what is happening in the MENA market. Plus, the first Australian Sheep Sustainability Framework will be released, we catch up with chair Professor Bruce Allworth on the sheep industry plans to address the world's growing interest for sustainably produced sheep meat.

We speak to the managing director of a charter jet company to see if that business is likely to continue. Plus, it's Australia Day - we look at the best and famous exports of Australia and get an update on their Expo 2020 Dubai pavilion.  See omnystudio.com/listener for privacy information.

Why would one of America's best-known nonprofits invest $5.25 million in autonomous vehicle technology? This week, Sam Gill of the James L. Knight Foundation explains why he says it's vital to put people and communities at the center of local self-driving programs. Plus, hear how Miami has weathered a nearly year-long quarantine. Find more at noparkingpodcast.com See omnystudio.com/listener for privacy information.

How can poetry and art speak to the reality of race and racial injustice in the US? What is the role of the artist in the battle for our democracy? In this special episode of “The Future of Democracy x Miami Book Fair,” host Sam Gill talks with celebrated poet John Murillo about his newest book, “Kontemporary Amerikan Poetry” (forthcoming from Four Way Books 2020), and the ways it reflects on the legacy of racism against Black and Latino people in America. The 37th annual Miami Book Fair takes place this year from November 15-22. To learn more, visit miamibookfaironline.com.

Was there ever a place in this world for you? Fly high and free. Written and performed by Gill Hood. TW: This piece deals with suicide. If you are in danger, call your emergency services. For information about making a safety plan for you or a loved one, go to https://stayingsafe.net/

Now, maybe more than ever before, it is time to learn the art of skepticism.  Amidst compounded complex crises, humankind must also navigate a swelling tidal wave of outright lies, clever misdirections, and well-meant but dangerous mistaken claims….in other words, bullshit. Why is the 21st Century such a hotbed of fake news? How can we structure our networks and their incentives to mitigate disinformation and encourage speaking truth to power? And whose responsibility is it to inform the public and other experts about scientific research, when those insights require training to understand?Welcome to COMPLEXITY, the official podcast of the Santa Fe Institute. I’m your host, Michael Garfield, and in each episode we’ll bring you with us for far-ranging conversations with our worldwide network of rigorous researchers developing new frameworks to explain the deepest mysteries of the universe.This week, we talk to Former SFI External Professor Carl Bergstrom and Jevin West, both at the University of Washington, who recently translated their landmark undergraduate course on Calling Bullshit into an eminently readable and illuminating book from Penguin Random House. In this episode, we discuss their backgrounds and ongoing work in the evolutionary dynamics and information theory of communication, how to stage a strong defense against disinformation, and the role of scientists and laypeople alike to help restore the reasoned discourse we all so desperately need.If you value our research and communication efforts, please consider making a recurring monthly donation at santafe.edu/give, or joining our Applied Complexity Network at santafe.edu/action. Also, please consider rating and reviewing us at Apple Podcasts. Thank you for listening! Related Links & Resources:CallingBullshit.orgCarl Bergstrom’s Website & Twitter.Jevin West’s Website & Twitter.Cost and conflict in animal signals and human languageby Michael Lachmann, Szabolcs Számadó, and Carl T. Bergstrom at PNASThe physical limits of communication or Why any sufficiently advanced technology is indistinguishable from noiseby Michael Lachmann, M.E.J. Newman, Cris Moore in The American Journal of PhysicsDeepfakes and the Epistemic Backstopby Regina Rini at Philosopher’s ImprintHunger Game: Is Honesty Between Animals Always the Best Policy?by Natalie Wolchover at Scientific AmericanPublic Editor by Goodly LabsVisit our website for more information or to support our science and communication efforts.Join our Facebook discussion group to meet like minds and talk about each episode.Podcast Theme Music by Mitch Mignano.Follow us on social media:Twitter • YouTube • Facebook • Instagram • LinkedIn

Dave Wasserman, House editor for the Cook Political Report, and Abby Livingston, Washington Bureau Chief for the Texas Tribune, join Chuck. The Knight Foundation's Sam Gill and former Missouri University professor, Barbara Cochran talk about a new report on trust in the media.

Dave Wasserman, House editor for the Cook Political Report, and Abby Livingston, Washington Bureau Chief for the Texas Tribune, join Chuck. The Knight Foundation's Sam Gill and former Missouri University professor, Barbara Cochran talk about a new report on trust in the media.

Knight's Sam Gill has special conversation with Vanita Gupta, President and CEO of the Leadership Conference on Civil and Human Rights. Together, they'll discuss George Floyd's unjust killing, why this is a moment of reckoning for our country, and how we must begin to move forward as a nation.

While the benefits of a world connected by the internet abound, it's harder and harder to ignore one of its most noxious byproducts - digital pollution. Knight Foundation Vice President of Communities and Impact Sam Gill joins the podcast to discuss how confronting digital pollution can help our democracy overcome a "crisis of trust." Read more on our Aspirational blog: https://medium.com/aspirational/discerning-truth-through-a-web-of-online-misinformation-8b8d07467082

I recently read“The World is Choking on Digital Pollution” by Judy Estrin and Sam Gill from Knight Foundation. It basically intends to send an alarm on how dangerous to neglect online hate speech and trolls, of which they call digital pollution. By referring to the pollution during the Industrial Revolution and the construction of sewage system being the solution, it writes, "Society figured out how to manage the waste produced by the Industrial Revolution. We must do the same thing with the Internet today." The article does help us realize the danger of ungoverned misinformation, yet it simplifies the narrative of cholera and public nuisance down to an advent of waste management, and misses out the colonial nature of industrial revolution that prioritized profits over public health, as if the causes of the issue were some ungoverned human waste. Cover Image: http://josen.env.go.jp/archive/detail/i/FB-01-P0016.jpg (CC BY4.0)

Join us for part two as we continue our conversation with The National Review’s Ramesh Ponnuru and Knight Foundation’s Sam Gill about their efforts to produce and encourage high-quality news. This is a follow-up to the May 2 panel in D.C. featured in part one.

How does our low-trust, polarized media environment complicate the practice of journalism? Gallup’s Jonathan Rothwell hosts a lively discussion with guests Yamiche Alcindor of PBS NewsHour, Ramesh Ponnuru of The National Review and Sam Gill of Knight Foundation about challenges facing those trying to restore trust in the news.

How does our low-trust, polarized media environment complicate the practice of journalism? Gallup’s Jonathan Rothwell hosts a lively discussion with guests Yamiche Alcindor of PBS NewsHour, Ramesh Ponnuru of The National Review and Sam Gill of Knight Foundation about challenges facing those trying to restore trust in the news.

Join us for part two as we continue our conversation with The National Review's Ramesh Ponnuru and Knight Foundation's Sam Gill about their efforts to produce and encourage high-quality news. This is a follow-up to the May 2 panel in D.C. featured in part one.

How does our low-trust, polarized media environment complicate the practice of journalism? Gallup's Jonathan Rothwell hosts a lively discussion with guests Yamiche Alcindor of PBS NewsHour, Ramesh Ponnuru of The National Review and Sam Gill of Knight Foundation about challenges facing those trying to restore trust in the news.

Join us for part two as we continue our conversation with The National Review’s Ramesh Ponnuru and Knight Foundation’s Sam Gill about their efforts to produce and encourage high-quality news. This is a follow-up to the May 2 panel in D.C. featured in part one.

Professor Sam Gill has studied dance, religion and science fiction for decades. He’s written books on the subject and here we discuss his latest book on religion and artificial intelligence. 1:50 – Sam Gill talks about how he got into writing about science fiction. 2:57 – Sam talks about the book. He wanted to study … Continue reading Science Fiction and religion – “Religion and Technology into the Future” (Lexington Books, 2018) – Sam Gill interview →

Americans overwhelmingly say the news media are biased, and many also say news media are inaccurate. Why is this the case, and what can be done about it? How do Americans' perceptions of specific media outlets' bias and accuracy play a role in this loss of confidence? Sam Gill, vice president of communities and impact at Knight Foundation, joins the podcast to explain the latest findings from Knight Foundation's ongoing research with Gallup that explore Americans' perceptions of the media. Later, what percentage of Americans believe that Roe v. Wade should be overturned, and what percentage say it should be upheld?

Americans overwhelmingly say the news media are biased, and many also say news media are inaccurate. Why is this the case, and what can be done about it? How do Americans' perceptions of specific media outlets' bias and accuracy play a role in this loss of confidence? Sam Gill, vice president of communities and impact at Knight Foundation, joins the podcast to explain the latest findings from Knight Foundation's ongoing research with Gallup that explore Americans' perceptions of the media. Later, what percentage of Americans believe that Roe v. Wade should be overturned, and what percentage say it should be upheld?

Americans overwhelmingly say the news media are biased, and many also say news media are inaccurate. Why is this the case, and what can be done about it? How do Americans’ perceptions of specific media outlets’ bias and accuracy play a role in this loss of confidence? Sam Gill, vice president of communities and impact at Knight Foundation, joins the podcast to explain the latest findings from Knight Foundation’s ongoing research with Gallup that explore Americans’ perceptions of the media. Later, what percentage of Americans believe that Roe v. Wade should be overturned, and what percentage say it should be upheld?

Sam Gill is the Vice President for Communities and Impact and Senior Adviser to the President at the Knight Foundation. The Knight Foundation supports some of the most interesting community work in the entire country. Gill leads much of this work and is always looking for new ways to improve communities and build stronger systems. He […]

In Episode 59 of the Commentary Track, Frank Thompson talks with Sam Gill in his first interview.

In Episode 60 of the Commentary Track, Frank Thompson talks with Sam Gill in the second part of his interview.

The Genealogy Gems Podcast Episode #215 with Lisa Louise Cooke In this “Blast from the Past” episode, Lisa gives voice to the era of silent films, in a unique approach to understanding her great-grandmother's life. Her passion for this mostly-forgotten film genre comes through in her conversation with film archivist Sam Gill of the Niles Essanay Silent Film Museum in Fremont, California. Don't miss these fun segments, too: A listener writes in after discovering a birth mom's story in passport records (see what lengths he goes to in order to access the records!). Just after RootsTech 2018, Your DNA Guide Diahan Southard reports on the latest DNA news you'll want to know. NEWS: ROOTSTECH 2018 DNA NEWS ROUNDUP FROM YOUR DNA GUIDE DIAHAN SOUTHARD           First up was MyHeritage, showing their support for the 7 million adopted individuals in the United States with their new . MyHeritage will provide 15,000 DNA test kits to eligible participants free of charge, in order to help these adoptees use DNA to reunite them with their biological families. With this initiative they “hope to make this project a shining light for corporate philanthropy and an example to be followed by other commercial companies in their own lines of expertise to make the world a better place.” MyHeritage has assembled an advisory board of genetic genealogists and genetic counselors to help drive this project and ensure it meets the needs of the community. If you or someone you know is interested in participating, you can head on over to the DNA Quest website () to fill out an application. But you better hurry, the application deadline is April 30, 2018.  Next, addressing the biggest problem in genetic genealogy, namely the looming What Next? question facing millions of newly swabbed participants, MyHeritage announced the Big Tree – a giant network of genetic and genealogy results that will automate much of the match comparison and tree searching to replace your head-scratching with light-bulb moments. They have already made significant headway on this project, as , which MyHeritage's own chief scientific officer Yaniv Erlich collaborated on. The journal reports that the team of scientists successfully extracted public family trees from Geni.com (a MyHeritage daughter company), and then used a computer program to clean up and link the trees together. It sounds like MyHeritage will be adding genetic data to this kind of tree data in their Big Tree project. MyHeritage isn't the only company out to improve the DNA matching experience. UK based that they plan to add DNA matching to their popular origins test by third quarter 2018. When they launched in October of 2016, LivingDNA was not offering cousin matching, but opted instead to focus all of their resources on providing very detailed origins reports, including breaking down the UK in to 46 categories. In the months since their launch, they have been working on a genetic matching system, called Family Networks, that will appeal to a wide range of users and will “reduce the risk of human error and take away the tedious task of figuring out how each person on a user's list are related to one another.” They are promising an experience that provides “a level of relationship prediction and specificity beyond anything currently on the market.”  So it sounds like if you are currently struggling with turning your DNA matches into genealogical discoveries, our testing companies want you to know you are not alone, and they are working hard to provide solutions to these problems. Time will only tell if they can succeed. Diahan also provides answers to questions asked about announcing updates to MyHeritage DNA matching technology and its new chromosome browser. MAILBOX: TOM'S PASSPORT SEARCH SUCCESS U.S. passport applications on  and  through 1925  on passport applications   BONUS CONTENT for Genealogy Gems App Users                 If you're listening through the Genealogy Gems app, your bonus content for this episode is a marvelous soundtrack of silent film music, played live (you'll hear audience laughter occasionally in the background) and supplied by Sam Gill at the Niles Essanay Silent Film Museum. The and is only $2.99 for .               Lisa Louise Cooke uses and recommends . From within RootsMagic, you can search historical records on FamilySearch.org, Findmypast.com and MyHeritage.com.             Keep your family history research, photos, tree software files, videos and all other computer files safely backed up with Backblaze, the official cloud-based computer backup system for Lisa Louise Cooke's Genealogy Gems. Learn more at . GEM: INTRODUCTION TO SILENT FILMS (Image above: a page from Lisa's grandmother's journal) Genealogy Gems Podcast Episode #2 about transcribing family journals and letters was remastered in . Episode #8 , Palo Alto, CA (shows silent films) : the website for this museum is packed with resources: links to Chaplin-Keaton-Lloyd film locations; the International Buster Keaton Society; Classic Images Magazine; a timeline and early history of film and more. Films mentioned in this episode: Diary of a Lost Girl starring Louise Brooks () Safety Last starring Harold Lloyd () The Mender of Nets with Mary Pickford () The Blot directed by Lois Weber () Don't Park There with Will Rogers () Flivvering by Victor Moore Wife and Auto Trouble directed by Bill Henderson () A Trip Down Market Street () Wings () All Quiet on the Western Front () Destruction of San Francisco by Blackhawk Films () Four Sons () INTERVIEW: SAM GILL, FILM HISTORIAN AND ARCHIVIST               Shown above: Sam Gill and Lisa Cooke at the Niles Essanay Silent Film Museum on the day of this interview. Throughout their conversation, you hear the sounds of excited theater patrons filling the auditorium before a screening. Sam Gill's interest in silent film dates to 1966, when as a college student he traveled to Hollywood to interview his aging heroes from the silent screen comedy era. For more than 20 years, he was Archivist of the Academy's Margaret Herrick Library, where he established the Academy's Special Collections and helped it grow to its current status as the preeminent repository for the study of American cinema. He is currently a Board Member of the Niles Essanay Silent Film Museum. Over the years, he has consulted on or otherwise contributed his expertise to numerous film festivals, museum film programs and film history books. Sam recently sent us these delightful photos (below) of himself over the years: (Image 1) 1966: His first trip to Hollywood (Image 2) 1974: A news article about a research trip to Florida (Image 3) 2017: A birthday party for Diana Serra Cary (Baby Peggy), the last surviving star of the silent screen, held at the Edison Theater of the Niles Essanay Silent Film Museum; also shown is Rena Kiehn, the museum's publicity director and store manager (a technique that adapts well to film!) ( to see where to find films they have helped preserve, including Japanese internment camp footage)             Start creating fabulous, irresistible videos about your family history with Animoto.com. You don't need special video-editing skills: just drag and drop your photos and videos, pick a layout and music, add a little text and voila! You've got an awesome video! Try this out for yourself at .              is the place to make connections with relatives overseas, particularly with those who may still live in your ancestral homeland. : it's free to get started. GEM: HOW TO FIND SILENT FILMS If you're looking for a specific movie, start with a Google search with the name in quotations (and, if you like, anything else you know about it, such as an actor or director's name or the year). You may find lots of results, including a Wikipedia page and film history write-ups, but if you want to WATCH it, limit your search results to Video. You can also turn to free curated collections online, such as: (links to free film footage on YouTube, Internet Archive, etc.) : feature and short silent films uploaded by Internet Archive users : watch several classic silent films Netflix.com: Netflix subscribers can access the service's little-known collection of silent films by entering the Netflix link for browsing its film categories and then the category specific to silent films, 53310: ( to read an article about this tip, along with Netflix' full list of specific film categories.) YouTube: watch for free, rent or buy, as shown here: More places to explore for silent films: (TCM.com): under TCMDb, click Database Home and search for a title you want to watch Amazon.com: Search for titles in the Video section; or search the Your local public library (search catalog: try searching for an actor's name as author) Ebay: May be the right place to purchase a hard-to-find title. to view current results for a search on silent films, filtered to include only movie/film items.   PRODUCTION CREDITS Lisa Louise Cooke, Host and Producer Sunny Morton, Editor Diahan Southard, Your DNA Guide, Content Contributor Hannah Fullerton, Production Assistant Lacey Cooke, Service Manager Disclosure: This document contains affiliate links and Genealogy Gems will be compensated if you make a purchase after clicking on these links (at no additional cost to you). Thank you for supporting this free podcast and blog! FREE NEWSLETTER:        

As heated debates over free speech and diversity dominate headlines and roil campuses across the country, many are left wondering how college students view the First Amendment. Sam Gill of the Knight Foundation returns to discuss new findings from a study on students’ views of free speech on campus and online. Later, find out if Americans now view President Donald Trump’s tax law more favorably.

As heated debates over free speech and diversity dominate headlines and roil campuses across the country, many are left wondering how college students view the First Amendment. Sam Gill of the Knight Foundation returns to discuss new findings from a study on students' views of free speech on campus and online. Later, find out if Americans now view President Donald Trump's tax law more favorably.

As heated debates over free speech and diversity dominate headlines and roil campuses across the country, many are left wondering how college students view the First Amendment. Sam Gill of the Knight Foundation returns to discuss new findings from a study on students' views of free speech on campus and online. Later, find out if Americans now view President Donald Trump's tax law more favorably.

Sam Gill, a vice president at the Knight Foundation, joins us to discuss a major new report on the public’s eroding trust in U.S. media; the challenges facing the journalism industry in fulfilling its democratic responsibilities; and how party polarization plays a major role in Americans’ views of the media. Later, we update the percentage of Democrats who identify as liberals and discuss how it has changed since 2001.

Sam Gill, a vice president at the Knight Foundation, joins us to discuss a major new report on the public's eroding trust in U.S. media; the challenges facing the journalism industry in fulfilling its democratic responsibilities; and how party polarization plays a major role in Americans' views of the media. Later, we update the percentage of Democrats who identify as liberals and discuss how it has changed since 2001.

Sam Gill, a vice president at the Knight Foundation, joins us to discuss a major new report on the public's eroding trust in U.S. media; the challenges facing the journalism industry in fulfilling its democratic responsibilities; and how party polarization plays a major role in Americans' views of the media. Later, we update the percentage of Democrats who identify as liberals and discuss how it has changed since 2001.

In this episode, host Emma Stephenson speaks with saxophonist and composer Sam Gill about practicing rhythm, composing for improvising ensembles, and being a "jazz" musician in Sydney. Check out Sam's new album, made with his brother Brad Gill here: https://samgillmusic.bandcamp.com Photograph in logo by Karen Steains FOLLOW SAM ON FACEBOOK: https://www.facebook.com/samgillmusic/ LISTEN TO SYCSWJP ITUNES: https://itunes.apple.com/au/podcast/stuff-you-cant-say-with-jazz-piano/id1150947491?mt=2 LISTEN TO SYCSWJP ON YOUTUBE: https://www.youtube.com/user/egracestephenson DONATE to the Podcast (Patreon): https://www.patreon.com/emmagracestephenson EMMA'S MUSIC: https://www.emmagracestephensonmusic.com/music EMMA'S FACEBOOK: https://www.facebook.com/emmagracestephensonmusic/ EMMA'S INSTAGRAM: https://www.imgrum.one/emmagstephenson EMMA'S TWITTER: https://twitter.com/emmagstephenson

Sam Gill is the CEO of ETindex (Environment Tracker) which helps investors avoid carbon risks in their portfolios, based out of the UK. Sam talks to us about the overall market trends of carbon and carbon reporting, reductions strategies as well as his thoughts about the impact for people and markets from the upcoming COP21 meetings in Paris. This is a brief! For full listings and more info about this episode with links etc visit: https://greenmajoritymedia.wordpress.com/2015/11/27/479-canada-goes-to-paris/ Please consider supporting us! - We are 100% Patreon member funded: www.patreon.com/greenmajority

Today on the broadcast join your host evangleist Montell Field's as she sares and features Evangelist Sam F. Gill from Pakistan. He is an amazing man of God and anointed musician and singer. I will be sharing his bio and music join me and you will be blessed by his amazing sound  As you now my name, Evg F,Sam Gill, our band name is, G.C.E Christ's Band, i am from pakistan, i live in karachi His vision Sister my vision is I serve the Lord being a worshiper and evangelist, i wish i can do the best job for my people They need God and the word's of God,they need general education. They need music field facilities,as you know. He wants to build Pakistan Christian Art Council.                                Therefore he can reach among all kinds of needy people being the servant God called him to be. I hope you can join us I know His vison and music will bless you.