Podcasts about Mauna Kea

On Tuesday, May 6th, activists Pua Chase and Kapulie Flores held a discussion and participated in the screening of the documentary film “Standing Above the Clouds”, directed by Jalena Keane-Lee, at the Isla Vista Theater. The event, attended by students, educators, and community members, follows Native Hawaiian families and mother-and-daughter activists, including Chase and Flores, in their fight against the construction of the Thirty Meter Telescope on Mauna Kea, a sacred mountain in Hawaii. The UCSB Walter H. Capps Center for the Study of Ethics, Religion, and Public Life organized the event. Greg Johnson, the center's director, hosted it. KCSB's Mavis Holley has the story.

Talking in-depth with writer, linguist, and anon AMRX Mark II, a dissident voice from the Pacific on escaping the cults of ideology, the yearning for identity in a "no place" like Hawaii, and what it means to walk away from ideological affiliations. Political beliefs as personal alibi, the sickness of escapism, the craving for heroes, identity formation and linguistics, cultural alienation and mimicry. Objectivism and disillusionment, the false theatre of Hawaiian sovereignty movements, the psy-op of Mauna Kea, the flattening hybridization of Pidgin, and Hawaii as a laboratory of empire. We talk about Substack as a space for intellectual deprogramming/engineering, the ritual of purging belief systems, and the existential loneliness that drives the search for meaning. Code-switching, mirror languages, sovereignty as theatre, linguistic education, the bridging importance of Sanskrit, to finally becoming your own guru—no cope, no hero, no group—emphasizing self-improvement and personal responsibility.ExcerptsHawaiian Local Identity Here is where cultures seem to come to die. I see everyone around me losing their heritage. Like all the kids I grew up with they're all children of immigrants and they did not identify with their parents' languages or cultures at all. In many cases they couldn't speak their parents' language and they, were trying, they were like me.They were trying to find some alternative identity and so we were all alienated. And I think that's quite common here, but people just don't talk about it.On Hawaiian Pigeon Pidgin is a very complicated thing in Hawaii because people have this strange relationship with it. People use it as a marker of local identity, but it's also something that they're ashamed of…As a thought experiment for decades now, I've thinking about how pidgin can become like this new fusion identity in Hawaii. And one idea I had for a stack was writing about how the Hawaiian sovereignty movement here totally rejects pidginOn Mauna Kea as Psy-op I think purpose of the psy-op was to distract from the military operations going on near Mauna KeaOn The Role of Social Dynamics in Political AffiliationsOne of the major reasons I got sucked into all of this was just social, really. That's the sad thing. I am an extreme introvert, and I find it very difficult to talk to people. The thing about all these different cults is that if you believe that everyone, you deal with, is on the same page as you, then socialization becomes very easy. Affiliations as Surrogate Identity I've noticed that a lot of Objectivists are in the same, are in a similar position to me. There's like these Objectivists who come from non-white backgrounds and they want to be some sort of weird and some sort of new thing.Ayn Rand herself and her own inner circle, they were all Jewish, but they were, they wanted to be something other than Jewish. They were trying to run away from it. And I was like them. I see that in hindsight now. I didn't wanna be Japanese. I wanted to be like this weird like new, what I've called new objectivist man, that was, not Japanese, not Asian, not anything. So all these ident, all these cult identities were attempts to run away from who I was and I just regarded so as just so cringe now, not that I embrace who I am, I still have identity issues, but I don't think signing up for a group and is really the answer anymore. But it, it was just so easy.So I poured all my energy into learning Japanese and I went to university in Japan. And that was just a complete disaster. Because I realized I really did not fit in there. The language is not the problem. I could do the classes I could do the tests, I could write the papers.That was not the issue. I, it made me realize how superficial my idea of Japanese identity was just because I could speak, read and write Japanese didn't mean I really belonged there. And I realized, yeah, this is just not for me anymore. And then I started doubling down on the Objectivist stuff, because as I just mentioned, objectivism is like a, is like for non main, like people of color…like this weird surrogate identity.AMRX Mark II Get full access to Leafbox at leafbox.substack.com/subscribe

CStone Plays 99 of the Top 100 Golf Courses in America , in this episode we tackle courses 81-90.  We discuss some awesome sites and experiences along the journey too, they have a little sales banter at the top as well.  Courses covered in the episode and their designers:90 Mauna Kea - Kohala Coast. Hawaii, HI (1965) Robert Trent Jones Senior, sons renovated89 Sea Island (Seaside) - St. Simons Island, GA  (1928) Colt Alison88 Crooked Stick - Carmel, IN (1964) Pete Dye, John Daly emergence87 Shoal Creek - Birmingham, AL (1977) Jack Nicklaus*Rickwood Field, located in Birmingham, Alabama, is the oldest existing professional baseball park in the United States.86 Nantucket Siasconset - MA (1997) Rees Jones85 Blackwolf Run (River) - Kohler, WI (1988) Herb Kahler, Pete Die designed84 Pasatiempo - Santa Cruz, CA (1929) Alister MacKenzie (public)*Big Australia footprint, CA work, Bobby Jones, took him to Augusta83 Lehigh - Allentown, PA (1928) William Flinn, Shinnecock and others82 Desert Forest - Carefree, AZ (1962) Red Lawrence81 Interlachen - Edina, MN (1910) Donald Ross, Willy Watson?Thank you to our sponsor SmarterRisk, Smarter Risk makes Workers' Compensation and commercial insurance risk assessments fast and inexpensive.  Please use "brokerbrett" for insurance agents, "cstone" for small business owners, and "insnerds" for Insurance Carrier discounts.Thank you to my personal and our unofficial sponsors SmartChoice, BrokerInsights, and the Insurance Nerds for having me around the teams.

Last week, we took a trip to Hawaii to discuss “Lei and the Fire Goddess.” This week, we talk to author Malia Maunakea about using Google maps as a writer, the difference between writing fiction and non-fiction, ADHD, even tax write-offs! Kitty Felde is host.

This week, we talk about myths – whether it's on Capitol Hill or Hawaii. Our book is “Lei and the Fire Goddess” by Malia Maunakea. Our readers are members of the Page Turners Book Club at East City Bookshop in Washington, DC. Our celebrity reader is playwright Kiki Rivera. Kitty Felde is host. The kids mention Keeper of the Lost Cities  I mention a book with the DC myth about the Demon Cat of Capitol Hill: Welcome to Washington Fina Mendoza Favorite Books from the Page Turners Book Club at East City Bookshop: Hooky - Miriam Bonastre Tur Harry Potter - J.K. Rowling Mac B. Kid Spy - Matt Barnett  A Thousand Ships - Natalie Haynes Who Was... Sisters - Raina Telgemeier Diary of a Wimpy Kid - Jeff Kinney Dragon Masters - Tracey West   Malia Maunakea's Favorite Book: The Far Side - Gary Larson

Native Hawaiian writer Norma Kawelokū Wong tells us our current reality is “drifting haphazardly in the riptide of collapse”. Wong is both a Zen Master and an experienced political strategist, having advised prominent figures including Hawaii's first Native Hawaiian Governor, John D. Waiheʻe III. She also offered guidance and mediation on some of Hawaii's most high profile and vexing conflicts, including the U.S. Navy's $344 million clean-up of munitions on Kahoʻolawe Island, telescope construction on Mauna Kea, and recovery following the devastating wildfire in Lahaina. In her new book, When No Thing Works, she weaves poetry, politics, and spiritual wisdom together into a lesson for navigating crises.

Native Hawaiian writer Norma Kawelokū Wong tells us our current reality is “drifting haphazardly in the riptide of collapse”. Wong is both a Zen Master and an experienced political strategist, having advised prominent figures including Hawaii's first Native Hawaiian Governor, John D. Waiheʻe III. She also offered guidance and mediation on some of Hawaii's most high profile and vexing conflicts, including the U.S. Navy's $344 million clean-up of munitions on Kahoʻolawe Island, telescope construction on Mauna Kea, and recovery following the devastating wildfire in Lahaina. In her new book, When No Thing Works, she weaves poetry, politics, and spiritual wisdom together into a lesson for navigating crises.

Two men who sold illegal fireworks to undercover police will pay fines but will avoid jail-time. We'll explain how they had their charges dropped. Despite a city crackdown on e-bikes, the fastest models aren't covered under the law. HNN investigates who is trying to fix that. Mauna Kea telescopes team up to bring back free public tours. Learn more on how you can sign up.See omnystudio.com/listener for privacy information.

Aloha and welcome, everyone! Thank you for joining me today as we explore how to make the most of a romantic getaway in Hawaii. On this podcast we'll dive into some must-see romantic Hawaiian destinations, discuss practical couples travel tips, and explore the endless possibilities for a honeymoon in Hawaii, an unforgettable Hawaii anniversary trip, or simply a couples retreat designed to rekindle that special spark. Why Choose Hawaii for Romance? Hawaii is often considered a paradise—and for a good reason. With its warm tropical climate, stunning beaches, lush landscapes, and rich culture, the islands provide an idyllic setting for romance. Whether you seek adventure, relaxation, or a perfect blend of both, Hawaii's diverse scenery caters to every couple's desires. Hawaii is often considered a paradise—and for good reason. With its warm tropical climate, stunning beaches, lush landscapes, and rich culture, the islands provide an idyllic setting for romance. Whether you seek adventure, relaxation, or a perfect blend of both, Hawaii's diverse scenery caters to every couple's desires. Hawaii boasts consistently pleasant temperatures ranging from the mid-70s to mid-80s (Fahrenheit), making it an ideal travel destination any time of year. The essence of aloha embodies love, warmth, and connection—values that naturally enhance any romantic trip. Choosing the Perfect Island Hawaii comprises multiple islands, each offering unique experiences. When planning a romantic escape, consider these options: Oahu: The Best of Both WorldsnHome to Honolulu and Waikiki, Oahu offers a vibrant mix of city life and breathtaking beaches. If you and your partner enjoy nightlife, shopping, and historical sites like Pearl Harbor, this island is a great choice. For more seclusion, visit the North Shore or explore hidden coves. Maui: A Romantic ParadisenMaui is often regarded as the most romantic island, featuring the legendary Road to Hana, luxurious resorts in Wailea, and mesmerizing sunsets at Kaanapali Beach. The island's lush rainforests, waterfalls, and fine dining make it a top destination for honeymoons and anniversaries. Kauai: The Adventure-Lover's DreamnKnown as “The Garden Isle,” Kauai boasts the dramatic Na Pali Coast, breathtaking canyons, and lush tropical beauty. If you and your partner enjoy outdoor adventures like kayaking, hiking to hidden waterfalls, or taking a helicopter tour, Kauai is the perfect choice. Big Island: A Land of ContrastsnFor couples who love variety, the Big Island offers everything from active volcanoes and black-sand beaches to rugged landscapes and pristine stargazing at Mauna Kea. Lanai & Molokai: For ultimate privacy and an unhurried pace, these lesser-visited islands provide an intimate and tranquil escape. Romantic Activities in Hawaii Once you've chosen your island, it's time to plan memorable experiences. Here are some of the most romantic activities to enjoy together: Romantic Sunset Dinner Cruise Sunset Cruises: Set sail along the coast and witness a spectacular Hawaiian sunset. Many cruises offer dinner, cocktails, and live entertainment for a magical evening. Couples' Spa Treatments: Indulge in spa treatments featuring traditional Hawaiian techniques, such as lomi lomi massage, volcanic clay wraps, or tropical-scented oils. A couples' massage is a perfect way to unwind and reconnect. Beachside Picnics: Pack a basket with fresh poke, tropical fruit, and a bottle of champagne, and find a secluded beach to enjoy a picturesque meal by the ocean. Scenic Drives: Take the Road to Hana on Maui to explore waterfalls, black-sand beaches, and lush rainforest scenery. On Oahu, a drive around the island will lead you to charming shrimp trucks and awe-inspiring coastal views. Scenic, Romantic Drive on Oahu Helicopter Tours: For a once-in-a-lifetime experience, book a helicopter tour over Kauai's Na Pali Coast or the Big Island's lava fields

We're wrapping up 2024 and putting a bow on it, the actual present being today's crossword, a fine bit of work by Michael Lieberman, his 25th for the NYTimes, as deftly edited by -- it gives us such joy to write this -- Will Shortz (see yesterday's episode for the deets on why).Beyond the crossword, we have a magnificent Triplet Tuesday segment, and some awesome listener mail, so check that all out, and, as usual, let us know what you think.Show note imagery: Mauna KEA, not to be confused with Mauna LOA (but it will be!We love feedback! Send us a text...Contact Info:We love listener mail! Drop us a line, crosswordpodcast@icloud.com.Also, we're on FaceBook, so feel free to drop by there and strike up a conversation!

Aloha and welcome back to Pure Life Podcast! In this latest podcast, we delve into our Big Island top attractions guide, sharing personal experiences to help you craft an unforgettable adventure in this exotic Hawaiian destination. From the historic Captain Cook Monument and snorkeling in the vibrant waters of Kealakekua Bay, renowned for its rich marine life, to the the pristine beauty of Honaunau Bay and Two Step Beach, this podcast takes you through some of the most idyllic spots for snorkeling enthusiasts seeking clear waters and diverse sea creatures. For more rustic adventures, venture into the awe-inspiring Hawai'i Volcanoes National Park, home to active volcanoes and breathtaking landscapes and witness the power of the worlds most active volcano, Kilauea, which recently started erupting again! We also cover ascending Mauna Kea for stargazing experiences like no other, as well as the lush surroundings of Hilo, with its waterfalls and botanical gardens. This episode covers these and other must-see destinations, providing insights to ensure your Big Island vacation is truly exceptional. For even more info on Big Island top attractions as well as other Hawaiian activities, be sure to check out our Destinations and Hawaii pages. Mahalo!

Jean Charles Moyen and Melanie Charest are extraterrestrial contactees who also served with a joint US-French secret space program based on a large mothership called the Solaris. In this Exopolitics Today interview, they describe their respective roles in rescuing children who were abducted and were being abused on other planets and moons in Deep Underground Military Bases (DUMBs) in our solar system. Moyen and Charest describe how they rescued Corina Pataki after she had spent five years, from age 2 – 7, in a secret DUMB on Mars. Significantly, Pataki recognized Moyen and Charest when they met in Orlando, Florida, at the 2023 Galactic Spiritual Informers Connection conference, and recalled the dramatic rescue and how she was returned to the Black Sea location in Romania, where she was originally abducted at age 2. Moyen next discusses an experience where he bilocated to a large cavern under the Nazca plains of Peru, where he discovered a large space ark at the bottom of a lake. Inside the ark, there was ancient technology and writing, which he did not recognize. In an attempt to corroborate his experience, he worked with Tony Rodrigues to set up a double-blind remote viewing experiment for the space ark. After several remote viewers felt they were being blocked, one of the remote viewers, Veronica, succeeded and was able to clearly see the target, where it was located, and some of its history. It was later recognized to be a space ark. Moyen has previously described other space ark experiences and believes he has either teleported or bilocated to a total of six space arks located under Mt Fuji, Japan; the Bahamas (Atlantic Space Ark); the Giza Plateau, Egypt (under the Sphinx); Mauna Kea, Hawaii; Mt Kailash, Himalayas, and most recently Nazca, Peru. Jean Charles Moyen's website is: https://www.jcmoyen.com/en --- Support this podcast: https://podcasters.spotify.com/pod/show/exopoliticstoday/support

As the youngest known summiteer of Mauna Kea, and podiuming at races all over the country, Greer Peed is making his name in the cycling world! We chat about his inspiring summit, his 2024 Gravel Worlds 75 mile finish, his Everest experience on Zwift, and much more! This episode is sponsored by GoodLife Nutrition. Check out their line of products including their great tasting Carb Mix (made with Cluster Dextrin, a better carbohydrate that digests easily like food), EAA's, Protein, and Endurance Recovery mixes online at www.fuelyourgoodlife.com or follow them on Instagram at @fuelyourgoodlife

– zen priest teaching the art of war, conflict In this era of profound conflict and rupture, we are witnessing disharmony at every level of humanity---within ourselves, in our relationships, across our communities, within the nation, and across nation states. Group conflict can stretch and break us, but if we are willing to endure the pain, it can also lead us closer to existential realities that are uncomfortable, yet essential, for us to face. When collective conflict arises, it thrusts us into liminal spaces of uncertainty, loss, vitality, and initiation. In these moments, we must ask ourselves: how do we learn to listen to the individual and collective soul that is emerging? This New School conversation series will weave perspectives from depth and transpersonal psychologies, somatics, cosmology, and consciousness into conflict transformation. We will learn from wisdom keepers who are deeply trained in both the technical craft of conflict resolution and the spiritual, ancestral, and traditional wisdom that allows us to see deeply into conflict---transforming shared suffering into opportunities for healing. In this conversation, Serena talks with Norma Wong, Zen priest and teacher about the art of war and conflict, who recently served to help facilitate a mutual path through the conflict between native culture/science and western discovery science posing as a dispute over the construction of a telescope on Mauna Kea. Norma Wong (Norma Ryuko Kawelokū Wong Roshi) Norma is a Native Hawaiian and Hakka life-long resident of Hawaiʻi. She is the abbot of Anko-in, an independent branch temple of Daihonzan Chozen-ji and serves practice communities in Hawai‘i, across the continental U.S., and in Toronto, Canada. She is an 86th generation Zen Master, having trained at Chozen-ji for over 40 years. In earlier years, Wong served as a Hawai‘i state legislator, working on the return of ceded lands and settlement of land issues. In recent years, Wong has been called back into service to facilitate breaking the impasse and transforming policy and governance on issues of seeming contradiction. In the conflict between native culture/science and western discovery science posing as a dispute over the construction of a telescope on Mauna Kea, Wong was a team member narrating and facilitating a path forward through mutual stewardship. She is currently an advisor to Speaker of the Hawai‘i House of Representatives Scott Saiki, serving in policy development and facilitation roles on issues such as the protection of the aquifer from fuel contamination at Red Hill, and the long-term response to the Lahaina wildfires. Find out more about Norma on her website: normawong.com Serena Bian Serena is pursuing a life that remains attentive to the tenderness of a snail's soft body and reverent to the miracle of its spiraled shell. Working with U.S. Surgeon General Dr. Vivek Murthy, Serena serves as a Special Advisor and brings a spiritual and systemic understanding to the public health crisis of loneliness and isolation. As a chaplain-in-training, Serena is pursuing questions of how we chaplain the end of extractive systems that isolate communities from themselves and one another. She is involved with multi-generational, multi-spiritual communities like the Nuns and Nones, devoted to courage, peacebuilding, and love. She participates on the Board of Commonweal and CoGenerate. Find out more about The New School at Commonweal on our website: tns.commonweal.org. And like/follow our Soundcloud channel for more great podcasts.

Standing Above the Clouds – Picture of Activists On today's show, I'll speak to filmmaker Jalena Keane-Lee about her documentary “Standing Above the Clouds”.  This is the ongoing story about the fight against the construction of the Thirty Meter Telescope on Mauna Kea in Hawai'i. “Standing Above the Clouds was created through a collaborative process with our film protagonists. Through making this film, our team aimed to re-imagine the documentary form to be a healing process that returned agency to the community featured in our film through a trauma informed practice of affirmative consent. We worked closely with our onscreen collaborators at every step of the process and have taken great care to mitigate any legal, emotional, or cultural harm that releasing a film might cause. It is our team's great privilege and honor to have been invited into the Mauna Kea protector community and into the lives and homes of the families you see in our film.” ~ Jalena Keane-Lee (director, cinematographer, producer) The film is an intimate journey through the women's lives both on and off the mountain.  It explores the physical and emotional toll of sustaining a grassroots movement. After nine months of living on the mountain, it gifts each woman with hope, strength and the understanding that victory is in standing in unity for sacred places where healing occurs through the sisterhood they have created along the way. Instagram:  @standingabovetheclouds, @protectingmaunakea The post Standing Above the Clouds appeared first on KPFA.

In Episode 2 vom Kona Coffee Club nimmt Nils uns mit auf eine wilde Reise durch Hawaii! Vom besonderen AG1 Breakfast mit der Triathlon-Elite über einen peinlichen Fan-Moment, als er die Frau von Lionel Sanders nicht erkannte, bis hin zu seinem Trip auf den majestätischen Mauna Kea. Diese Folge steckt voller witziger Storys und echter Hawaii-Vibes! Leider hat das Internet auf Kona etwas gestreikt, deshalb kommt die Episode einen Tag später als geplant. Viel Spaß beim Hören! ​Werbung | Jetzt AG1 30 Tage risikofrei mit Geld-zurück-Garantie testen! Alle Informationen findest du auf ⁠⁠⁠drinkag1.com/pushinglimits⁠⁠⁠  Hole dir jetzt AG1 nach Hause, ganz ohne Vertragslaufzeit.

 ⁠WERBUNG - ⁠PUSHING LIMITS CLUB⁠⁠ Die Trainingsapp, in der ihr alles findet, was ihr für euer Training braucht. Jetzt downloaden und 2 Wochen KOSTENLOS TESTEN! ⁠⁠Apple App Store⁠⁠ ⁠⁠Goole Play Store⁠⁠

A weekly magazine-style radio show featuring the voices and stories of Asians and Pacific Islanders from all corners of our community. The show is produced by a collective of media makers, deejays, and activists. Return is the theme for APEX Express as Host Miko Lee talks with artists from  APAture, Kearny Street Workshops annual celebration of emerging artists from the Bay Area. Miko also speaks with exiled Hong Kong activist Nathan Law about the new documentary film “Who's Afraid of Nathan Law.” Special Thanks to Jose Ng for insight into the Hong Kong movement for democracy. For more information about the subjects in tonight's show: APAture, KSW – October 13 to November 9th venues throughout the Bay Area Jalena Keane-Lee and her film: Standing Above the Clouds playing October 12 Mill Valley Film Festival October 22 Roxie Cinema – APAture Ian Santillano playing October 13, DNA Lounge – APAture Kim Requesto performing November 3, Joe Goode Anex – APAture Who's Afraid of Nathan Law playing on POV   Return Show Transcript Opening: [00:00:00] Apex Express Asian Pacific expression. Community and cultural coverage, music and calendar, new visions and voices, coming to you with an Asian Pacific Islander point of view. It's time to get on board the Apex Express.   Miko Lee: [00:00:38] Welcome to Apex Express. I'm your host Miko Lee and tonight our subject is return, which is the theme of the 25th annual APAture Kearny Street Workshop Annual Festival. It's running October 13th through November 9th, and there's going to be six showcases in venues across San Francisco. We're going to put a link in our show notes at kpfa.com backslash program apex. We're going to hear from three of the featured artists; filmmaker, Jalena Keane-Lee, dancer, Kim Requesto, and musician, Ian Santillano. Then we speak with someone who cannot return to his Homeland, exiled Hong Kong activist, Nathan Law. First off, we're going to check in with my usual co-host as PowerLeeGirls and my always daughter, filmmaker Jalena Keane-Lee. Good evening and welcome to Apex Express. Tonight On Apex Express, we're talking with my daughter, Jalena Keane-Lee, and usual co host, but tonight we're going to be talking with Jalena as a filmmaker. Welcome, Jalena, to Apex Express as a guest.   Jalena Keane-Lee: [00:01:48] Thank you so much for having me.   Miko Lee: [00:01:50] And I would like to talk with you about APAture, Kearny Street Workshop's annual festival. This year, you're one of several artists that are getting a showcase. The theme for this year is around Return. Can you tell us what return means to you and what you will be presenting at APAture?   Jalena Keane-Lee: [00:02:11] Yes, so the theme for Kearny Street Workshop's APAture festival this year is Return and I am the featured artist for the film showcase, which is such an honor and I'm really excited about that. And I've screened previous work there in the past—short films, but it was really yeah, such an honor and privilege to be asked to be the featured artist this year. And I'll be playing my first feature documentary, which is called Standing Above the Clouds. And it follows native Hawai'ian mother-daughter activists that are standing to protect their sacred mountain called Mauna Kea from the building of a massive 30 meter telescope. And the film chronicles intergenerational healing and how to build and sustain a movement. And so I hope people come to see it and it will also be playing with a series of short films from other Asian American and Pacific Islander filmmakers. And the film showcase is October 22nd at 6 PM at the Roxy Theater in the Mission. To me, the theme of return, it's, it reminds me a lot of, I think last year's theme too, which I think was homecoming. And just thinking about, you know, returning to yourself, returning to your ancestors, returning to your sacred land. Standing Above the Clouds is all about the movement to protect Mauna Kea, which is one of the most sacred places in all of Oceania. And the highest peak in the world from the seafloor. And the summit of the mountain stands at 14,000 feet and it's also tied to Native Hawai'ian genealogy and seen as the ancestor of the people. And so the film is really all about that place that you want to return to, that place that represents, you know, home and spirituality and is an anchor and a training ground and a teacher and a leader and so many other things that, you know, our sacred places are and that they teach us. And really about, you know, protecting that space and making sure that that's a place that future generations will be able to return to. And also reflecting and processing all the ways and all the times that you have returned there and what that has taught you and brought into your life.   Miko Lee: [00:04:26] So this festival runs for multiple weeks. It actually is at the Roxy and at DNA Lounge and at the Joe Goode Annex and at Arc Gallery and Studios. We're also in the show featuring Kim Requesto, who is one of the performing artists that's featured, and then music by, the musical guest, which is Ian Santillano. And Jalena, tell me about, are you getting a chance to communicate with all the other artists and to be able to work with the other artists that are part of this festival?   Jalena Keane-Lee: [00:04:58] It's the 25th year of the APAture Festival and there's a lot of really cool events for artists. I know they had a kind of orientation event and they had headshot opportunity to like get your headshot taken there. I unfortunately was out of town, so I was not able to make it and have that opportunity to mix and mingle with the other artists. But I'm excited to go to some of the events, as they happen. And there's a bunch of different showcases for, like, each different discipline. Mine is film, and then there's visual arts, music, performing arts, I believe.   Miko Lee: [00:05:33] Were you at Kearny Street Workshop last year as well? You were part of APAture last year as well.   Jalena Keane-Lee: [00:05:38] Yes, I was.   Miko Lee: [00:05:40] How many years have you participated?   Jalena Keane-Lee: [00:05:43] I think I've participated three years, but yeah, as I said before, this is my first time being a featured artist, so that's very special. And I know it's the 25th year of the APAture Arts Showcase, and that it's the oldest running Asian American arts showcase in the US.   Miko Lee: [00:06:03] And if folks aren't able to make this amazing APAture event, where else can they see your film Standing Above the Clouds?   Jalena Keane-Lee: [00:06:10] My film will also be available through the Mill Valley Film Festival on October 12th, and it's going to play at the San Rafael Film Center at 3pm on the 12th, and then I'll also be leading a workshop on October 19th. It's a teen documentary filmmaking and activism workshop, which should be really fun. And that's with SF Film, and we'll be at their location, Filmhouse, on, yeah, October 19th. And we should be having more screenings coming up, so if you're interested in, you know, following along with the film, you can find us at Standing Above the Clouds on Instagram and Facebook, and standingabovetheclouds.com. And we'll post our screenings and different opportunities. You can also request a screening for your organization or group or school. And we'll be implementing our screening tour and impact plans in the next few years as well. And you can follow me at Jalena.KL on Instagram and other platforms as well and I post about it too. And you can also follow at Protect Mauna Kea, if you want to keep up to date with the movement to protect Mauna Kea. And there is a petition, a change.org petition to sign to push for the stopping of the telescope, which is currently still trying to be built, even though there has been over a decade of indigenous resistance and resistance that we see as successful because they have been able to stall the telescope up until this point. But yes, there's a change.org petition that you can sign that is @protectmaunakea and also @standingabovetheclouds in both of their linkinbios.   Miko Lee: [00:07:46] Thank you. And we'll put links to all of those in the show notes for Apex Express. So I know that you've been touring with the film to different cities and indeed different countries. And I'm wondering if you have felt a different reception based on the places you've been to from Toronto to Seattle to Los Angeles. What has been, what has stood out to you as you've toured this film to different locations?   Jalena Keane-Lee: [00:08:06] Yeah, it's been such a blessing to be able to bring the film across the world. And I think we're really excited to we're bringing the film home to Hawai'i with the Hawai'i International Film Festival, and then also home to the Bay Area with APAture and Mill Valley. So it's really nice to have this, you know, homecoming and return, so to speak, to the places where, you know, the film is from. And touring it around, I think it's been really beautiful just seeing all the like resonance and the connections across other lines of difference with different activists, different local activists, whether it is in Toronto, or Rio de Janeiro, Brazil, or Seattle, And one thing that has been a really beautiful reflection from audiences is that the film is a representation of hope and that, you know, it's a realistic portrait of organizing and movement building, which certainly is not, you know, always glamorous or easy, but one that shows the beauty of the struggle and the beauty of being in community and pushing towards something and how being in movement spaces, you know, can shape and heal and revive different parts of who you are.   Miko Lee: [00:09:16] Can you talk a little bit about what healing means to you in relationship with social justice work?   Jalena Keane-Lee: [00:09:22] Standing Above the Clouds, it is about, you know, healing. And Havane, who's one of the main protagonists of the film, she has a really great line in the film, that is we don't just have to heal from this work, we heal through it too. And I think that speaks a lot to what it means to heal in movement spaces and part of the intergenerational healing that we show in the film is, you know, our, our parents generation, and this kind of older generation of women who really paved the way, and who didn't have the opportunity to really take breaks or care for themselves and their own bodies, oftentimes, and there just wasn't really any other option or it wasn't really a choice. And in the film we can see passing down to the next generation and wanting people to be able to have the opportunity to care for themselves and to, you know, have boundaries around their time and their energy and show up in these spaces when they feel completely ready and that being something that the kind of mother generation wants to pass down to the younger generation and also something that the younger generation is able to point out. In the older generation and see for themselves and I think that really plays into movement sustainability and healing is such an important part of creating movements that can be sustainable and that won't just burn people out and then kind of, you know, fizzle and fall away. So making sure that we have the space to heal and in all the different ways, like through tears, through laughter, through joy. I think is such an important part and also letting movements and work for social justice heal us and have, you know, a positive impact on us and teach us about ourselves.   Miko Lee: [00:11:19] Thank you for sharing that. I just finished reading the amazing Healing Justice Lineages book by Erica Woodard and Cara Page, and you and I just went to see Cara's exhibit about the impact of the medical industrial complex. And one of the things both Cara and Erica talk about in the book is ancestral technologies and the impact that ancestral technologies can have on healing us and the next generation. And I resonated with that so much being the mother age obviously of you, but also of the women in Standing Above the Clouds. And I'm wondering if you have thoughts on ancestral technologies that you grew up with, or that you felt like you learned from being involved with this filmmaking process for so long.   Jalena Keane-Lee: [00:12:08] That's a really, ooh that's such an interesting point. I think in the film, the ancestral technology that comes to mind immediately is oli or chanting, and that is like, you know, an ancient Hawai'ian way of recording knowledge and passing down information and also praying. And, in the film, it's talked about in a few different places, how that is an ancient technology and how we only know the things that we know today, because someone passed it down orally as an oli or as a chant. And a really, a really beautiful thing about the process of making the film was being able to, to witness that and also to learn oli myself, and also to learn that Havane and Auntie Pua, who are two of the main protagonists in the film, they both write a lot of oli too. So it's an ancestral technology that's still very much alive and breathing in the present day. And I think that's so beautiful and that yeah, I hope with, you know, all of our different ancestral technologies that we access and learn about at different times that we also can see them as things that are like ever changing and kept current in the present.   Miko Lee: [00:13:29] And what would you like people to walk away with after seeing Standing Above the Clouds?   Jalena Keane-Lee: [00:13:34] I want people to walk away feeling and believing that collective liberation is possible. And that the worlds that we want to create that are centered on care, that don't discriminate based on, you know, any lines of difference, are possible. And it's our responsibility to enact those worlds and protect the things that are sacred to us and important to us. And I want people to walk away thinking about, you know, their own mom and thinking about the importance of sisterhood and community. And I want people to walk away wanting to call their best friend or their mom or reconnect with someone and talk about how it made them feel and what they want to do and what they want to stand for in their own communities. Yeah, I also want people to walk away, you know, fired up about protecting Mauna Kea and other sacred places and signing the petition to stop the 30 meter telescope, which we'll link in the show notes.   Miko Lee: [00:14:44] Thank you so much for joining us.   Next up, listen to APAture feature musician, Ian Santillano. Ian is a Filipino American singer songwriter multi-instrumentalist and producer from Hayward, California. So check out his song, “End of the Earf.”   MUSIC   That was APAture featured musician Ian Santillano with “End of the Earf.”  Now let's check in with dancer Kim Requesto. Kim, welcome to Apex Express.   Kim Requesto: [00:18:12] Hi Miko, thank you so much for having me.   Miko Lee: [00:18:20] I'm starting first with my question I love asking all people: Kim, tell me about who are your people and what legacy do you carry with you?   Kim Requesto: [00:18:26] I was born in the Philippines and I immigrated to the US when I was three years old, but my entire life has been in the Bay Area. A lot of it has been informed by my family and what we've brought over from the Philippines, and that is a lot of dance and specifically Philippine folk dance, because both of my parents were actually dancers. I continue to share Philippine folkloric dance. And I've gotten deeper into that practice by doing research with different indigenous communities in the Philippines. My legacy, I feel, has expanded beyond just the stories of my family and the stories that I come from, but also, the dances and music and culture of the different indigenous communities that I've created connections and relationships with in the Philippines. And then of course, how I've been able to share that with the community here in the Bay Area, and also in the diaspora.   Miko Lee: [00:19:32] Thank you. Kim, you're a multidisciplinary artist. I know you do dance and photography and music and sharing this cultural traditions. Can you tell us a little bit about what you'll be sharing during APAture?   Kim Requesto: [00:19:45] Yes, of course. So what I hope to share during APAture is more of my performance work. Showcasing movement that I've learned while doing research in the Philippines and honing in on Philippine dance and the various traditional dance styles from the different communities in the Philippines. But also, a lot of my work is also involving my experience as someone who's grown up in the Bay area. The work that I'm presenting is really around my experience as a Filipinx American and sharing that through movement that is not just traditional, not necessarily contemporary, but a mixture and a fusion of both. I also do hope to share specifically traditional movement, just because to honor the people I've worked with in the Philippines they requested, you know, before people see this fusion part, it's important that they know what the traditional part looks like as well. I'm really excited to share dance and also some music and I'm part of the Performing Diaspora residency at CounterPulse so I'll be previewing a small work in progress that'll be showcased in December. But I'm really looking forward to just sharing movement with others, and also sharing the stage with the other artists who's part of the festival.   Miko Lee: [00:21:09] I love that. I used to study traditional Japanese noh and kyogen, and I remember one of the things that the elders used to talk about is you're not allowed to derivate from the form until you have the traditional forms down absolutely and understand what they are in your bones. And I feel like that's what your elders are saying, too. Showcase the traditional work so that the fusion work makes sense to other folks.   Kim Requesto: [00:21:34] Mhmm. And it's also, I think, just to honor the cultures back in the Philippines, just to honor them as well.  Because within, in my work, I do feel that it's important that there's a way for me to also uplift what they've taught me and then not just like what I've been doing. [Laughs] So yeah, I guess similar to, to what your elders said too, or I guess in this sense, both of our elders.   Miko Lee: [00:22:02] Yeah, I'm wondering how this fits with the theme of APAture this year, which is Return. Kearny Street Workshop says, from the Palestinian right to return, the call for the indigenous land back movement, the various migrant histories and struggles for justice in our Pacific Islander and Asian communities, and the returns we face in our personal lives. So what does return mean to you? And how is this going to showcase in the work that you're presenting?   Kim Requesto: [00:22:28] For myself, returning means finding our truth. At least to me in this present day and age [laughs] of my life, it's really finding that truth or finding our truth and being able to also share and connect with others. The theme of returning also is being able to connect and understand, not just the histories that we've experienced, but also the histories that our bodies have experienced. I guess the way we'll be seeing it in what I'm going to be sharing with everyone is really looking through the lens of movement and how I fuse my experiences as someone who is Filipino, but also who is positioned here in the Bay Area. And being able to also find my truth in that movement, because even though a lot of the movement I'll be showcasing is from the southern part of the Philippines, I'm sharing it here in the Bay Area. And also to fuse it with my experience as someone who has grown up in San Francisco. There's a different positionalities in that. My movement is also different. I think in that idea of fusion and in the idea of also learning traditional movement, but also understanding my positionality and my body and my identity and fusing that together. It's the idea of finding, going back to finding my truth and you know, for me, it's like finding that in movement.   Miko Lee: [00:24:01] Thank you so much. My last question is, what are you reading, watching, or listening to? Is there something that is sparking your imagination right now?   Kim Requesto: [00:24:11] What I'm listening to, it's a lot of like melodic, soft, instrumental music. I'm back at a period of wanting to listen to jazz or to even like classical music. And it's just been helping me breathe and I think breathing, being able to find rest, being able to find like calm. Especially since I think for my personal life, I'm getting busy. Being able to rest gives me a lot of like opportunity to be creative after I've rested. So yeah. I think listening to music that makes me happy has been really great for me finding calmness and happiness. If I had to name an artist, it would be Olivia Dean grooves. Yes.   Miko Lee: [00:25:01] Thank you. Is there anything else you'd like to add?   Kim Requesto: [00:25:04] I'm just really looking forward to APAture this year and seeing everything from all the different artists and disciplines. I think having a space in APAture with Kearny Street Workshop and just being able to continue to share art with, like, the community. The greater Bay Area community is such a privilege because it really does feel like a place where people can connect with other artists and also audience members, and I'm just really thankful to APAture and to KSW and also just thank you, Miko, for talking with me.   Miko Lee: [00:25:37] Thanks so much. I look forward to seeing your work at APAture this year. Thanks, Kim.   Kim Requesto: [00:25:42] Thanks, Miko.   Miko Lee: [00:25:43] You're listening to apex express on 94.1, KPFA Berkeley, 89.3, KPF B in Berkeley, 88.1 KFCF in Fresno and online@kpfa.org. Once again, we hear from APAture featured musician Ian Ian Santillano with “Movin' Nowhere.”   MUSIC   That was APAture featured musician Ian Santillano with “Movin' Nowhere.” Finally tonight, I speak with the person who is unable to return to his Homeland, Hong Kong activist, Nathan Law. And I also speak with filmmaker Joe Piscatella. Nathan Law was one of the student leaders during the 79 day Umbrella Movement in 2014. He is also the founder and former chair of Demosisto a new political party derived from the 2014 protests. And now he is an exile in London. I speak with both Nathan Law and documentary filmmaker, Joe Piscatella. Today we're speaking about the documentary film Who's Afraid of Nathan Law, and I'm so thrilled that we have with us both the filmmaker and Nathan Law himself. So Nathan, I want to start with you. First off, this is a question I ask many guests. Can you please tell me who are your people and what legacy do you carry with you?   Nathan Law: [00:31:26] Yeah, thank you so much for the invitation, Miko. This movie is about the struggle of Hong Kong's democratic movement. As we all know, there's been decades of the Hong Kong democratic movement, in which we fight for the right to elect our leaders and universal suffrage. And this is deeply embedded into our culture because we often see Hong Kong as somewhere the East meets the West. The East is of course, the Chinese heritage, our culture, our languages. But, the Western part is that there's a big part of it that's about freedom, liberty, and the democratic way of life. So, the fight for democracy in Hong Kong has been deeply ingrained in our culture and becomes essential part of who we are. So this movie is about my story, but it's also a reflection of the way of life of Hong Kong people and what are the struggles and difficulties that they've been through and how the city of Hong Kong is being demolished by the authoritarian regime, Chinese Communist Party.   Miko Lee: [00:32:29] Nathan thanks so much. I love that you gave a little blip about what the film is about, which is powerful. I was lucky to have a chance to be able to see it, but Nathan, I'm wondering about you personally, who are your people and for you, what do you carry? Like, what's your earliest memory of social justice?   Nathan Law: [00:32:47] For me, I grew up in Hong Kong, but I was born in mainland China. So I moved to Hong Kong when I was six. I lived in the most blue collar neighborhood. I lived in public housing. My father was a construction worker and my mother was a cleaner. So when I grew up, I was not taught about social justice or democracy. My parents had the mentality that I call refugee mentality, which they only want their kids to get into a good school and get a good job and don't rock the boat. So I've not been encouraged to do anything that I'm currently doing. But, in my high school, I had a political enlightenment moment, which inspired me to get into the arena of activism in college. So when I was in high school, I learned about Liu Xiaobo the Chinese human rights activist who got the Nobel Peace Prize in 2010, and the stories of Tiananmen Massacre, which was a tragedy in 1989 when there were so many workers and students, they fought for China's democracy, and then they were brutally massacred, and there were hundreds to thousands of people died because of the crackdown. So all these moments make me feel like, as a college student and as a half intellectual, I had responsibility to engage in social affairs and be involved in social activism. So that was the start of my story and the people, my people, certainly people of Hong Kong and those people who have the pursuit of freedom and democracy.   Miko Lee: [00:34:33] Thanks, Nathan. And filmmaker Joe Piscatella, can you tell us how you got the first inspiration to create this documentary around the Umbrella Movement and around Nathan?   Joe Piscatella: [00:34:44] Sure. So, in 2017 my team and I made a film prior to this called Joshua: Teenager vs. Superpower and that film documents the rise of Joshua Wong in the national education movement and then through the Umbrella movement and that film won Sundance in 2017 and is still currently on Netflix. And when we were looking to do our next film we realized one, the story of Hong Kong was, was continuing. There was more story to tell as the 2019 anti extradition protests were happening, and we wanted to be able to tell that story until the next chapter. And we also were so impressed. When we were making the Joshua Wong film, we were so impressed with Nathan. We were moved by his story, we were moved by his passion, we were all inspired by what he was doing. And we realized, hey, Nathan has a phenomenal story to tell in his own right. Let's tell the story of Hong Kong through the lens of Nathan Law.   Miko Lee: [00:35:48] Thank you. And Nathan, what was the decision making factor that you decided to go along with being part of this documentary film?   Nathan Law: [00:35:58] First of all, Joe and I and the other film crew, we had a connection when the Joshua Wong documentary, uh, was being produced. So I had already had the opportunity to work with them. I think, for the team, they're not only just producing, like, a documentary, But they genuinely do care about human rights and the story of Hong Kong and the struggles. So I think that gave a huge confidence to me and my fellow Hong Kong activists that they're definitely going to tell a story that make more people to understand what we are struggling and the fight for democracy. So I think this is a great collaboration and I think this documentary encapsulates past 10 years of my life and pretty much, the struggles to democracy and I think that that has a lot of reflection on it, but also like a lot of Hong Kong people would echo what was being covered in the documentary, because my life is pretty much also the lives of many other Hong Kong people being through all these big times, democratic struggles and ending up needing to leave their hometown and to resettle in somewhere else.   Miko Lee: [00:37:14] Thank you. It's really enlightening, especially for someone like me who is fifth generation Chinese American, does not speak Chinese, and it's very hard to actually get any kind of, you know, quote unquote, accurate information about what's happening in Hong Kong and the activist movement. How would you suggest people get accurate news of what's happening in Hong Kong?   Nathan Law: [00:37:37] For now, it's extremely difficult because the press freedom in Hong Kong is being squashed. There have been a multiple actions taken by the government that they disbanded, the most free and crowd sourced and critical news outlets to the Chinese regime. And for now, most of the media in Hong Kong have to follow the orders of the government and only express certain point of view that do not upset Beijing. So we don't have much room, but still we have some very small independent media that they can still operate with a very limited resources, for example, Hong Kong Free Press. This is one channel that we can get more impartial news. But at the end of the day, there has been a vacuum of independent journalism, and that is in, like, intentionally made by the government because the government doesn't want information to be circulated. They want to control the narratives and the information that people know. And by controlling it, they can effectively push forward the propaganda. So that is a predicament of Hong Kong people. And we do want more genuine independent journalism, but the reality of Hong Kong doesn't allow.   Miko Lee: [00:39:04] And Joe, how is this film being released in Asia? What's the reception to this film in Asia?   Joe Piscatella: [00:39:12] The film has not been released yet in Asia. it is about to, it actually premieres tonight, on PBS, on, POV on PBS, and then it'll stream at pbs.org/POV for the foreseeable future. So I have not gotten what the reaction is yet in Asia to this film.   Miko Lee: [00:39:33] Okay, we'll have to wait and see. It is exciting that people can have easy access to be able to see the film on public broadcasting, at least in the United States, and we'll wait and see what happens in Asia. Nathan, you are now, with Political Asylum living in London, and I'm wondering how you practice activism there in Hong Kong when you are living in London.   Nathan Law: [00:39:56] When the political crackdown in Hong Kong took place. The activism in the diaspora community becomes much more important because we can say something that you cannot say in Hong Kong and we can raise awareness by interacting with foreign government officials and international NGOs. If you do it in Hong Kong under the restriction of the national security law now, by meeting, for example, a congressman in the US, you can easily be incarcerated and be sentenced to years of imprisonment in Hong Kong. That is how strict the political sentiment there. And also if you speak about critical things towards the government or express supportive statement to the 2019, protest, you will also be targeted, sentenced, and maybe ended up in months or years in the prison. So we've had all these court cases where people only do peaceful advocacy work without inciting violence or committing violence, but they are being thrown to jail because of speech. And it's common to have speech crime in Hong Kong. So the diaspora community shoulders certain responsibility to speak out all those demands and, and the push for Hong Kong and China's democracy. So for me, in London, there's been a growing population of Hong Kong people because of the fact that people voted with their feet, there has been a exodus of Hong Kong people for now that's already been more than 200,000 of them that have come to the UK because of the worsening liberty situation in Hong Kong. And with that many amounts of people we have a lot of community and cultural events. One of the biggest goal is to preserve the story and the history and the identity of Hong Kong people, which is being erased in Hong Kong actively by the government.   Miko Lee: [00:42:02] And what's going on with the Umbrella Movement now? Like I said, it's very hard for us outside of your film to get information about what is happening right now. Can you give us an update?   Nathan Law: [00:42:14] Yeah, the Umbrella Movement was the occupation movement 10 years ago in pursuit for democracy. It's been 10 years, but I think its legacy is still impacting Hong Kong. It's the very first civil disobedience movement in a massive scale in Hong Kong. There were hundreds of thousands of Hong Kong people camping in the BCS runway in order to fight for a free and democratic society. Fast forward five years ago, there was a big, anti extradition law protest in Hong Kong in 2019 to 2020. It was the latest big uprising of Hong Kong people where you encounter much more ferocious and militant protests. And of course, it triggered a series of response from the government, which includes the implementation of the national security law, which in effect curtailed the city's freedom and civil society. So, it's been 10 years. We had more optimistic outlook of Hong Kong 10 years ago. But for now, the situation in Hong Kong is really bad, as I mentioned. Speech crime is in place, civil liberties and individual freedoms are being heavily restricted, civil society is disbanded. Some of the interviewees in the documentary, including my dearest friend, Joshua Wong, and Gwyneth Ho, they are now being in jail for more than three and a half years just because of joining a primary election, which is the thing that all democratic countries do, but in Hong Kong, it becomes a crime. And they are expecting to be sentenced, at the end of this year, to up to five to ten years of imprisonment just because they do, they do the exact same thing that other politicians in democratic countries do. So this is a really sad reality that we've put up so much effort, so much sacrifices to the democratic movement, but for now, as the Chinese regime is just so powerful. So it's difficult for us to get some progress in our democracy.   Miko Lee: [00:44:32] Is there anything that folks over here that believe and want to support the movement? Is there anything that we can do to help support the folks that are incarcerated or support the movement?   Nathan Law: [00:44:44] First of all, attention and support is really important. So by spreading words of the theme or the current situation of Hong Kong, it helps a lot. And of course we need more representative in the hill to push over Hong Kong agenda and there are a few bills about advancing Hong Kong's advocacy in the hill that's being discussed. Those are the things that we can write to our representative and ask them for support. But at the end of the day, it's also that the struggle of Hong Kong is a puzzle, a piece of puzzle in a broad picture of the struggles against authoritarianism and autocracy. We've been through a decade or two of democratic decline around the world and Hong Kong was part of it. So one thing to raise awareness of the issue of Hong Kong is also to protect your democracy. We are in an election year and you should do your homework, be educated, and be decided to come out to vote. This is an act of safeguarding our democracy.   Miko Lee: [00:45:52] And from your perspective as a Hong Kong person who's now living in London, do you have thoughts on the upcoming American presidential campaign?   Nathan Law: [00:46:03] Well, of course, this is a particularly important, election as the world has been, in like a chaotic situation as we've seen the warfare in Ukraine, in Gaza, and also all the political crackdowns in Hong Kong and around China, and also the threat to Taiwan. So for me, as a person who dedicated myself into the fight for human rights and democracy, definitely, I do hope that people can, American people can elect someone who upholds the values that we share and is very determined to, to support Taiwan and the struggle of Hong Kong. So that would be my parameter when it comes to the US election, but at the end of the day, I'm not a US citizen, so I don't really have a stake in this. campaign. But, yeah, I think we we need a leader that that can lead the free world and to do good things   Miko Lee: [00:47:06] And Nathan I know as an activist as a leader, you've gotten a lot of attention. And I know that there have been personal attacks against you for both yourself and people that are close to you, including your family members. How do you persevere through that?   Nathan Law: [00:47:26] It's difficult to cope with the harms that that's exerted, not only to you, but to your family, because they actually have nothing to do with everything I do. This collective punishment is evil, and it's intentionally used to hurt you. So it's difficult to persevere and navigate myself in these attacks, including personal attacks and also collective punishment to my family and my former colleagues. So, yeah, I think for me, it takes a lot of time to digest and to find a way to balance it. And it's not easy. One thing that I think is great to be portrayed in the film is that for us, we are activists, we are leaders, but we're not, we're not invincible. We're not without any pains and struggles. So as an activist, I think most of my time is actually being used to cope with anxiety, cope with fear, and how I can maintain as mentally healthy as possible in these political storms.   Miko Lee: [00:49:04] And how do you do that?   Nathan Law: [00:49:05] It's not easy, yeah.   Miko Lee: [00:49:06] How do you do that, Nathan? How do you cope with the anxiety and the fear? What's do you have a process that helps you?   Nathan Law: [00:49:16] I think first of all, you have to recognize that is it's normal to have these emotions. This these are definitely emotions that disturb your lives, your work, but they're normal because you are situated in an extraordinary situation and people from all corners, they want a piece of you or they want to attack you to achieve their purpose. And I think as long as you recognize it, as you, as, as long as you know that you are suffering from it, first of all, having a support group is really important for those people who understand who you are and who support you unconditionally, and also seeking professional help, no matter if it's a therapist or a psychiatrist, those who can listen to you and, and just try out. I don't think there is a one set of measures that fit for all, and that there is such a rich combination of how you can deal with anxiety and pressure. But I think the very first thing is you, you have to recognize that it's normal to have these emotion. You need to seek help and you need to try them out.  Otherwise, it's difficult for the others to help you, and those who love you would also be hurt, seeing you suffering from all these negative emotions.   Miko Lee: [00:50:47] Thank you for sharing. My last question for you, Nathan, is what was it like the first time you saw the finished documentary, seeing yourself up there on the big screen? What did that feel like for you?   Nathan Law: [00:50:58] It feels extremely weird. I still cannot get around the idea that, yeah, there's a big screen and there's my face and there's my voice. Even though I've been doing all these interviews and, and like video-taking for the past decades, it is still difficult to kind of get used to it. But also I'm, I'm glad that Joe and the team have produced a wonderful documentary. That's been a really good reception and people are understand more about Hong Kong through the lens of my story, and I'm grateful for that. So, yeah, as long as I can introduce that film to the others, go to Q&A and chat about it, I would love to do it, and I'm really proud of the result.   Miko Lee: [00:51:52] Thank you so much. And Joe, for you as the filmmaker, what is it that you want people to understand about this film?   Joe Piscatella: [00:52:01] What I want the audiences to take away is that, yes, this is the story of Hong Kong. Yes, this is the story of Nathan Law and other activists fighting for Hong Kong. But in so many ways, this is also a story for the rest of the world. Right now, we are at a point where, you know, democracy is in peril in many parts of the world. And what I want audiences to take away from this film is, if you don't participate in your democracy, if you do not do what you can to fight for and safeguard your freedoms. They can disappear very, very quickly.   Miko Lee: [00:52:37] Thank you very much, filmmaker Joe Piscatella and Nathan Law for talking with me about the new documentary film, Who's Afraid of Nathan Law?, which people can catch on POV PBS. We are so happy to see the film, to see that it's out there. I look forward to hearing more about the world's response to this powerful work. Thank you so much.   Nathan Law: [00:53:03] Yeah, thank you, Miko.   Joe Piscatella: [00:53:05] Thank you.   Ayame Keane-Lee: [00:53:07] Let's listen to one more song from APAture's 2024 featured musician Ian Santillano. This is “Overthinkings.”   MUSIC   You just listen to Ian Santillano and Āish's “Overthinkings.” You can check out Ian on Sunday, October 13th at the DNA Lounge for the APAture Music Showcase.   Miko Lee: [00:56:53] Please check out our website, kpfa.org to find out more about our show tonight. We think all of you listeners out there. Keep resisting, keep organizing, keep creating and sharing your visions with the world because your voices are important. APEX Express is created by Miko Lee, Jalena Keane-Lee, Preeti Mangala Shekar, Anuj Vaidya, Swati Rayasam, Aisa Villarosa, Estella Owoimaha-Church, Gabriel Tangloao, Cheryl Truong and Ayame Keane-Lee.  Tonight's show was produced by Miko Lee and edited by Ayame Keane-Lee. Have a great night.   The post APEX Express – 10.10.24 – Return appeared first on KPFA.

Come fill up my cup. Come up saddle my horses and listen to the Irish & Celtic Music Podcast #679. Subscribe now! The BorderCollies, Fig for a Kiss, The Drowsy Lads, Blackthorn, Conamara Chaos, Jesse Ferguson, Dancing With Hobbits, Wylde Nept, Fidra, Goitse, Tarren, Clanna Morna, DLÙ, The Walker Roaders, The Irish Lassies GET CELTIC MUSIC NEWS IN YOUR INBOX The Celtic Music Magazine is a quick and easy way to plug yourself into more great Celtic culture. Enjoy seven weekly news items for Celtic music and culture online. Subscribe now and get 34 Celtic MP3s for Free. VOTE IN THE CELTIC TOP 20 FOR 2024 This is our way of finding the best songs and artists each year. You can vote for as many songs and tunes that inspire you in each episode. Your vote helps me create next year's Best Celtic music of 2024 episode. You have just three weeks to vote this year. Vote Now! You can follow our playlist on Spotify to listen to those top voted tracks as they are added every 2 - 3 weeks. It also makes it easier for you to add these artists to your own playlists. You can also check out our Irish & Celtic Music Videos. THIS WEEK IN CELTIC MUSIC 0:02 - Intro: Today's episode is sponsored by fantasy and Steampunk author, poet and songwriter, Rie Sheridan Rose. You can find her work on Amazon and throughout the net. 0:15 - The BorderCollies "Country Cable  -  Jim Wards" from To the Hills and Back 4:45 - WELCOME 7:27 - Fig for a Kiss "Sound of Sleet" from Wherever You Go 11:02 - The Drowsy Lads "Day of the Clipper (Song)" from Wide Awake 14:55 - Blackthorn "O'Donnell's Lament" from Here's To You 19:06 - Brobdingnagian Bards “Soul Of A Harper” from Brobdingnagian Fairy Tales 22:33 - FEEDBACK 26:11 - Jesse Ferguson "Bonnie Dundee" from Ten 29:54 - Dancing With Hobbits "Brandywine River Reel" from Dancing With Hobbits 33:06 - Wylde Nept "The Maid O' Fifeo" from All's Fair 35:30 - Fidra "Far From You" from The Running Wave 40:25 - THANKS 43:17 - Goitse "Trip to Mauna Kea" from Rosc 47:39 - Tarren "Old Tom of Oxford" from Revel 51:02 - Clanna Morna "The Moonshiner" from From The Lowlands To The High Seas 53:15 - DLÙ "Vitamin T" from Close To 56:53 - The Walker Roaders "A Meteor at a Time" from The Walker Roaders 1:02:27 - CLOSING 1:03:26 - The Irish Lassies "Hammer Up Whisky Down" from Hammer Up Whisky Down 1:08:19 - CREDITS The Irish & Celtic Music Podcast was produced by Marc Gunn, The Celtfather and our Patrons on Patreon. The show was edited by Mitchell Petersen with Graphics by Miranda Nelson Designs. Visit our website to follow the show. You'll find links to all of the artists played in this episode. Todd Wiley is the editor of the Celtic Music Magazine. Subscribe to get 34 Celtic MP3s for Free. Plus, you'll get 7 weekly news items about what's happening with Celtic music and culture online. Best of all, you will connect with your Celtic heritage. Please tell one friend about this podcast. Word of mouth is the absolute best way to support any creative endeavor. Finally, remember. Reduce, reuse, recycle, and think about how you can make a positive impact on your environment. Promote Celtic culture through music at http://celticmusicpodcast.com/. WELCOME THE IRISH & CELTIC MUSIC PODCAST * Helping you celebrate Celtic culture through music. I am Marc Gunn. This podcast is for fans of Celtic music and maybe for those who have a hankering to travel to the Celtic nations like I do. It is here to build a diverse Celtic community and help the incredible artists who so generously share their music with you. If you hear music you love, please email artists to let them know you heard them on the Irish and Celtic Music Podcast. Musicians depend on your generosity to keep making music. So please find a way to support them. Buy a CD, Album Pin, Shirt, Digital Download, or join their communities on Patreon. You can find a link to all of the artists in the shownotes, along with show times, when you visit our website at celticmusicpodcast.com. Today's show is sponsored by Rie Sheridan Rose. Rie writes many things, but one of her favorite things to do is to create a new song and send it out in the world. Thanks to the brilliance of her musicians, they always sound lovely, even though she can't write a note of music. Rie was one of our generous supporters of our Kickstarter earlier this year. She's a fantastic writer and songwriter. In fact, I've set many of her poems to music. Half of my Firefly album, As Long As I'm Flyin' was written by Rie. Most of my album Don't Go Drinking With Hobbits, was written by her as well. She wrote ALL of the lyrics for my album, Pirates vs Dragons. She also wrote the song “Soul of a Harper” which I'll share today as well. Follow the link in the shownotes to learn more about Rie Sheridan Rose. You'll also find a link to her enormous collection of books and writings on Amazon. I am all packed and ready to fly to Scotland later this evening. I have one week in Scotland followed by a week visiting my mom in Italy. I'll try to post a blog on Patreon during the week to let you know how things are going and if we find any new favorite places to hike in Scotland. You can follow our Patreon page for free and get some blogs. If you are a Celtic musician or in a Celtic band, then please submit your band to be played on the podcast. You don't have to send in music or an EPK. You will get a free eBook called Celtic Musicians Guide to Digital Music and learn how to follow the podcast. It's 100% free. Just email Email follow@bestcelticmusic and of course, listeners can learn how to subscribe to the podcast and get a free music - only episode. THANK YOU PATRONS OF THE PODCAST! You are amazing. It is because of your generosity that you get to hear so much great Celtic music each and every week. Your kindness pays for our engineer, graphic designer, Celtic Music Magazine editor, promotion of the podcast, and allows me to buy the music I play here. It also pays for my time creating the show each and every week. As a patron, you get ad - free episodes before regular listeners, vote in the Celtic Top 20, stand - alone stories, you get a private feed to listen to the show or you can listen through the Patreon app.  All that for as little as $1 per episode. In fact, there's a new Highlight Reel now available to all Patrons of the Podcast. A special thanks to our Celtic Legends: Bruce, Brian McReynolds, Marti Meyers, Alan Schindler, Karen DM Harris, Emma Bartholomew, Dan mcDade, Miranda Nelson, Nancie Barnett, Kevin Long, Gary R Hook, Lynda MacNeil, Kelly Garrod, Annie Lorkowski, Shawn Cali HERE IS YOUR THREE STEP PLAN TO SUPPORT THE PODCAST Go to our Patreon page. Decide how much you want to pledge every week, $1, $5, $25. Make sure to cap how much you want to spend per month. Keep listening to the Irish & Celtic Music Podcast to celebrate Celtic culture through music. You can become a generous Patron of the Podcast on Patreon at SongHenge.com. TRAVEL WITH CELTIC INVASION VACATIONS Every year, I take a small group of Celtic music fans on the relaxing adventure of a lifetime. We don't see everything. Instead, we stay in one area. We get to know the region through its culture, history, and legends. You can join us with an auditory and visual adventure through podcasts and videos. Learn more about the invasion at http://celticinvasion.com/ #celticmusic #irishmusic #celticmusicpodcast I WANT YOUR FEEDBACK What are you doing today while listening to the podcast? Please email me. I'd love to see a  picture of what you're doing while listening or of a band that you saw recently. Email me at follow@bestcelticmusic. Russell Howell emailed: "Tractoring on our smallhold while listening! Really love the show, it is my companion anytime I am on the tractor or making mead!" Maura Goodin emailed: "Good afternoon, I didn't expect to be writing in to a podcast today, but I had yesterday's episode playing while I was working from home today and was pleasantly surprised by the second track you selected, by Keltricity; the set they were playing is all tunes that my dad, John Goodin, composed. He passed away two and a half years ago now. He was a mandolinist and guitarist, who composed a pretty wide range of music from dance tunes to classical pieces; the Classical Mandolin Society of America has preserved his website and blog at https://mandotopia.classicalmandolinsociety.org/, where he collected all his recordings and sheet music (much of it freely available under a Creative Commons license and maintained by CMSA). I see that Keltricity is from Louisville, which makes sense, as my dad was one of the founding members of the Louisville Mandolin Orchestra before my family relocated to northeastern Iowa; he kept in touch with a lot of the local musicians and the Louisville Mandolin Orchestra actually played so many of his pieces that they ended up recording a CD of them (called, of course, "It's All Goodin"). The tunes Keltricity played in that set are all ones that were in the repertoire for my dad's contra dance band, Contratopia, and that recording featured some of his published harmony parts as well. Contratopia still regularly plays for dances here in Minneapolis where I live, at the same folk dance hall where my own band plays, so we're keeping up the music since he's gone. I'm not sure if you've ever played Contratopia on the show, sorry  -  -  I definitely haven't listened to the full back catalog of podcasts, though I've been an occasional listener for many years!  -  -  but I know you've played a track by another band that their pianist is in, Brass Lassie, so if you haven't checked their recordings out, you might like to! Their albums all have a mix of original tunes by band members and traditional tunes in Celtic and old - time styles. They used to tour the DC area contra dance scene and play for the Sunday afternoon all - waltzes dances there, so there's probably more than your average number of waltzes on their albums. Sorry for such a long email! Last bit of fun trivia as a thank - you, the "Maggie" in the tune name from that set is our old family dog, a border collie we had when I was little. (She predated the digital age or I'd include a photo!) My dad wrote so many tunes that he named them after anything he could think of (or just the day he wrote them, if he never got around to a proper name), so there's several named after our various pets. This set has another one named after Maggie: https://www.youtube.com/watch?v=56neWaCahc4 I hope you have a good weekend, and thanks again for the great surprise!"  

UCSB Chancellor Henry Yang is stepping away from his top role in June. KCSB's Robert Stark speaks with Henry Dubroff of the Pacific Coast Business Times about the instrumental role Yang played in creating an innovation hub on the Central Coast, his legacy and the impact he made in his three decades on the job. One of Chancellor Yang's passion projects has sparked passionate outcry on campus. Yang has played a key role in a plan to put a giant telescope atop an Hawaiian island, a project that many local residents oppose. KCSB's Alexandria Pak speaks with members of the student group Mauna Kea Protectors to find out more.

Live lives of love.1 Corinthians 13:2If I have the gift of prophecy and can fathom all mysteries and all knowledge, and if I have a faith that can move mountains, but do not have love, I am nothing.Remaster of Episode 6, originally released on May 1, 2019.Support the Show.

A year ago, Matt thought his running days were over. His knees were bone-on-bone, he was arthritic, and he couldn't run downhill to save his life. Now 50 years old, he recently set the FKT on Mauna Kea, just missed the master's record at Mt Marathon, and is training 12+ hours per week.  

Send us a Text Message.You can watch Standing Above The Clouds in person or virtually at the Black Star Film Festival on Friday, August 2nd! For more info, click hereStanding Above The Clouds is a documentary that follows mother and daughter activists of three native Hawaiian families after a massive thirty meter telescope is proposed to be built on the sacred mountain, Mauna Kea. Director Jalena Keane-Lee and activist/artist Hāwane Rios join us virtually to discuss intergenerational healing through activism, how Jalena was able to gain the trust of the people in order to make this film, their focus on mental health and love, and the importance of staying connected to your humanity in the face of adversity.VOTE for Bitch Talk Podcast in the 48 Hills Best of the Bay 2024 Readers Poll HEREFor more information on Mauna Kea, click hereFollow Standing Above The Clouds on IGFollow Protect Mauna Kea on IG Follow director Jalena Keane-Lee on IGFollow artist/activist Hāwane Rios on IGSupport the Show.Thanks for listening and for your support! We couldn't have reached 11 years, recorded 800+ episodes, and won Best of the Bay Best Podcast in 2022 and 2023 without your help! -- Be well, stay safe, Black Lives Matter, AAPI Lives Matter, and abortion is normal. -- Subscribe to our channel on YouTube for behind the scenes footage! Rate and review us wherever you listen to podcasts! Visit our website! www.bitchtalkpodcast.com Follow us on Instagram & Facebook Listen every Tuesday at 9 - 10 am on BFF.FM

Last week we released Aloha ‘Āina, the second film in our Shifting Landscapes documentary film series, which tells the story of how acclaimed Native Hawaiian poet Jamaica Heolimeleikalani Osorio brought her poetry and love of the land to the forefront of the movement to protect the sacred Mauna Kea from the construction of a thirty-meter telescope. To complement the film, we're returning to an investigative story we published several years ago when moves to begin construction first ignited protest at the foot of the mountain. Written by Chelsea Steinauer-Scudder, this story—rich with the voices and chants of Mauna Kea land protectors—traces the collision of values that continues to play out on the mountain, giving a depth of context to the promise of guardianship maintained by the Kanaka Maoli community. Read the transcript. Watch the film Aloha ‘Āina, by Adam Loften and Emmanuel Vaughan-Lee, the first in our four-part Shifting Landscapes documentary film series. Photo by Kapulei Flores. Learn more about your ad choices. Visit megaphone.fm/adchoices

The Caltech Submillimeter Observatory decommissioning process; A new film about a legendary surfboard designer Dick Brewer

On this episode we chat with author Malia Maunakea about her latest middle grade novel, Lei and the Invisible Island, which concludes her MG duology following the summer adventures of Lei, a Native Hawaiian girl from Colorado, who rediscovers her roots as she deals with the antics of spirits and gods drawn from Hawaiian folklore while visiting her grandmother in Hawaii for the summer. Malia shares with us her journey as an author, the inspirations for her series, as well as her thoughts on Native Hawaiian/Pacific Islander representation in literature.Follow Malia on Instagram at @maliamaunakea and check out her novel Lei and the Invisible Island, available now on the Books & Boba bookshop!Books & Boba is a podcast dedicated to reading and featuring books by Asian and Asian American authorsSupport the Books & Boba Podcast by:Joining our Patreon to receive exclusive perksPurchasing books at our bookshopRocking our Books & Boba merchFollow our hosts:Reera Yoo (@reeraboo)Marvin Yueh (@marvinyueh)Follow us:InstagramTwitterGoodreadsFacebookThe Books & Boba June 2024 pick is Greta & Valdin by Rebecca K. ReillyThis podcast is part of Potluck: An Asian American Podcast Collective

Embark on a celestial journey with today's episode of Astronomy Daily - The Podcast, where your host, Anna, brings you the latest cosmic updates. We'll start with NASA's groundbreaking crewed test of the Starliner spacecraft, marking a significant milestone for the commercial crew program. Then, we'll delve into the Artemis III mission's progress, highlighting a crucial integrated test involving NASA, Axiom Space, and SpaceX. Next, we'll discuss the discovery of the slowest spinning radio neutron star, a finding that challenges our understanding of these celestial objects. We also cover the decommissioning of the first telescope on Hawaii's Mauna Kea volcano, a move balancing scientific research with cultural values. Additionally, we'll bring you updates from the European Space Agency on the upcoming launch of the Ariane 6 rocket. Lastly, we explore a fascinating new book on the history of UFOs. Buckle up for a journey through the cosmos!00:00) Astronomy daily brings you the latest news from space exploration and astronomyFor an astronomical experience, visit our website at astronomydaily.io for the latest news, sign up for our free newsletter, and check out exclusive sponsor deals. Connect with us on X (@AstroDailyPod) for engaging discussions with fellow space aficionados. This is Anna, reminding you to keep your gaze fixed on the heavens. Until our next stellar episode, let the cosmos ignite your curiosity and wonder. Clear skies and cosmic discoveries to all!Support: The podcast is better with your support: https://www.bitesz.com/show/astronomy-daily-the-podcast/support/www.bitesz.comSponsors:www.bitesz.com/nordpasshttps://www.bitesz.com/show/astronomy-daily-the-podcast/sponsors/

KCSB's Alexandria Pak interviews two representatives of the Mauna Kea Protectors about their mission and how students can become involved in their cause. UCSB Religious Studies professor Greg Johnson sheds light on the context surrounding Mauna Kea and the Thirty Meter Telescope Project.

The first observatory on the summit of Mauna Kea has officially been removed and the site is restored. UH's timeline for clearing the mountain top. Phone scam warning. Someone is posing as an HPD officer with bogus claims. How to protect yourself.  Transforming the convention center. The Festival of Pacific Arts and Culture is right around the corner. Why the project director says this is a once in a lifetime experience. See omnystudio.com/listener for privacy information.

Kit Ebersbach, a multifaceted musician and arranger, shares his extensive journey through Hawaii's vibrant music scene in this personal interview. Recorded in his Honolulu studio, Kit reflects on his 30-plus years at Pacific Music Productions.I hope most of you will enjoy the interview. This is a free flowing conversation. Just let it wash over you like you are hanging out with Kit in the studio. Kit's passion for Hawaii, music and creative curiosity is shared.Kit began his musical journey in the jazz clubs and R&B groups of 1960s and 1970s Hawaii. His earliest recordings were with legends like Gordon Broad, Lemuria, and Babadu. In the following decade, Kit co-founded Hawaii's first new wave band, The Squids, whose ethos of “best quality under the circumstances” resonated deeply with the youth of the time. They were passionate, tongue-in-cheek, and constantly searching for something different.The 1980s saw Kit and his left-field collaborators Robert ÆOLUS Myers, Nelson Hiu, and Frank Orrall pushing the boundaries of music and performance art with the highly experimental group Gain Dangerous Visions. They experimented with performance art, technology, and improvisation to create truly mind-bending experiences.In the 1990s, Kit teamed up with advertising executive Lloyd Kandell to recreate the sound of exotica with Don Tiki. This group was one of the first to reignite the world's fascination with the pseudo-Polynesian lounge music of the 1950s.These days, Kit lends his talent to some of Hawaii's greatest singers, including Starr Kalahiki and Teresa Bright. His approach as an arranger and accompanist is playfully calculated and carefully exacting, bringing out the best in every performance.Kit discusses the evolution of Hawaii's music scene from pre-tourism days, its role as a Vietnam War R&R destination, and the diverse musical opportunities it provided. He reflects on the cultural humility required to thrive in Hawaii and the profound influence of Hawaiian culture and its resistance to external pressures, such as the proposed Mauna Kea telescope project.Kit's dedication to both commercial and non-commercial music is evident in his field recordings and his experimental projects. He emphasizes authenticity and the joy of creating music for personal fulfillment rather than commercial success. His work with the Aloha Got Soul record label and ongoing exploration of sound highlight his continued passion and innovation in music.Kit walks us through some recent songs and closes with some notes and personal reflections on the power of Hawaii, place and finding his creative inspiration in it.Some highlights that I enjoyed:On Finding Everything Interesting / On Being Authentic / On Finding ValueOn the essence of mana / On the spirit of HawaiiI hope most of you will enjoy the interview. This is a free flowing conversation. Just let it wash over you like you are hanging out with Kit in the studio.Time Stamps* (00:00:00) Introduction - Opening Clip from Gene Artery* (00:04:00) Kit's background: Growing up in New Jersey, moving to Hawaii* (00:06:00) Music scene in 1960s Hawaii and avoidance of the draft* (00:08:00) First experiences with psychedelics* (00:09:00) Balancing commercial and experimental music, formation of The Squids* (00:10:00) Involvement in the Renaissance of Hawaiian culture* (00:11:00) Realization of the need for humility in Hawaii* (00:12:00) Collaboration with Starr Kalahiki and cultural connection* (00:18:00) Early field recording experiences* (00:24:00) Collaboration with Hawaiian Airlines for in-flight music* (00:28:00) Thoughts on AI in music* (00:29:00) Advice for other musicians* (00:30:00) Reflection on other musicians' talent* (00:31:00) Being humbled by music and life experiences* (00:33:00) Participatory nature of music performance* (00:35:00) Views on direct-to-fan relationships* (00:38:00) The enduring presence of Hawaiian culture* (00:44:00) Sharing recent compositions and projects* (00:47:00) Detailed discussion on recent album projects* (00:48:00) Description of specific projects and methodologies* (00:51:00) Philosophical thoughts on local identity and creation* (00:52:00) Insights into the spiritual aspects of living in Hawaii* (00:54:00) Kit's overall experience and the essence of living in Hawaii / “Beeg Mahalos”Other Notes:Gene Artery — opening song of the 2020 album Itchi Lee Presents the Dalai Lawnmower, Kit's first covid-sequester musical endeavor. This, along with all subsequent album releases, was constructed entirely inside a digital-audio workstation, using software plugins and synthesizers, found internet audio material, and an archived collection of audio files which had aroused his interest in the past.Other samples fromKīpuka and Stopover(Closing Track) are from the album BuoyMore information @Kit Ebersbach @ Aloha Got SoulKit Ebersbach Band CampInterview @ Leafbox.com Get full access to Leafbox at leafbox.substack.com/subscribe

In this two-episode special, we hear from five students active in the 2019 mobilization to protect Mauna Kea from the construction of the Thirty Meter Telescope. Part 2: "The Occupation Bachman Hall" shares the experiences of students who occupied the Board of Regents' office building on the University of Hawaiʻi at Mānoa campus during the fall 2019 semester. Their 117-day sit-in was the longest in UH history. These stories were recorded in conjunction with the Kūkulu Exhibit "Hoʻomana" brought to the University of Hawai'i at Mānoa through a partnership between HPF grantee Mauna Kea Education & Awareness and KTUH. Student voices (in order of appearance): Beau Shishido, Anuhea Tavares, Kāhili Liu-Hanohano, and ʻIhilani Lasconia. Tags: Hawaiʻi, Hawai'i, Hawaii

In this two-episode special, we hear from five students active in the 2019 mobilization to protect Mauna Kea from the construction of the Thirty Meter Telescope. Part 1: "Students Standing for Mauna Kea" focuses on action up on the Mauna during the summer of 2019. These stories were recorded in conjunction with the Kūkulu Exhibit "Hoʻomana" brought to the University of Hawai'i at Mānoa through a partnership between HPF grantee Mauna Kea Education & Awareness and KTUH. Student voices (in order of appearance): ʻIhilani Lasconia, Makanalani Gomes, and Kāhili Liu-Hanohano. Tags: Hawaiʻi, Hawai'i, Hawaii

A massive development project on Hawaii Island is on hold this morning. You'll hear from both sides. The federal government is extending a housing deadline for Maui fire survivors. The new moratorium on foreclosures. A special opportunity. UH Hilo students got to name a new astronomical instrument on Maunakea. What that device does and what they named it. See omnystudio.com/listener for privacy information.

Mūsu Mēness ir tik ierasts objekts debesīs, ka ir grūti iztēloties, kāda ainava pavērtos citu planētu debess jumā. Taču Saules sistēmā ir arī citi mēneši. Ko par tiem zinām? Cik dažādi tie ir? Un kas notiktu, ja mūsu Zemes pavadonis Mēness pēkšņi pazustu? Gan jau, ka Mēness nekur nepazudīs, tomēr, lai kliedētu bailes un atklātu interesantus faktus par citiem mēnešiem, uz sarunu esam aicinājuši "StarSpace" observatorijas saimnieci, amatierastronomi Annu Ginteri. Savukārt Ints Ķešāns skaidro, kā notiek radioteleskopu un observatoriju izbūve un kādi zemes reljefa veidojumi un klimatiskie apstākļi jāņem vērā, būvējot teleskopus un observatorijas. Lielas teleskops Atakamas tuksnesī Čīlē, sausākajā tuksnesī pasaulē, Keka observatorija netālu no Havaju vulkāna Mauna Kea, Dienvidāfrikas lielas teleskops, kas atrodas Karū pustuksnešu reģionā Dienvidāfrikā, un vēl vairāki desmiti teleskopu visā pasaulē, kas būvēti tālu prom no apdzīvotām vietām,  pēc iespējas sausākā klimatā un augstienēs. Taču ne visiem teleskopiem ir, tā teikt, šādas prasības. Astronomijas entuziasts Ints Ķešāns skaidro, pēc kādiem parametriem tiek būvēti pasaules lielākie un jaudīgākie teleskopi un vai, piemēram, Latvijas teritorijā varētu uzsliet debesu vērojamo ierīci ar vairākus desmitus metru lielu  lēcas diametru. Paejot nostāk no pasaules gigantiskajiem debesu novērošanas aparātiem, apskatām arī, kā Latvijas teritorijā ir ar teleskopu būvi. Zināms, ka Latvijas Universitātes ēkā Raiņa bulvārī ir neliela observatorija, Baldonē atrodas profesionāla observatorija, dižākais debess novērotājs ir Ventspils Starptautiskā radioastronomijas centra radioteleskops Ances pagastā un šī raidījuma viešņa Anna Gintere sava prieka pēc un tūristu izklaidei piedāvā pašas veidotas observatorijas apciemojumu Suntažos. Pamatīga teleskopa būvei primārais ir pēc iespējas tīrāka atmosfēra, bez ūdens tvaikiem, putekļiem, urbānās gaismas piesārņojuma, maz nokrišņu,  daudz tumsas, kā tas, piemēram, Antarktīdā, kur vairākus mēnešus valda polārā nakts. Un pats par sevi saprotams – daudz naudas. Piemēram teleskopu kompleksa ALMA izbūve Atakamas tuksnesī maksāja aptuveni 1,4 miljardus ASV dolāru.  

A UH astronomy professor details her work to prepare to study the upcoming solar eclipse; the need for furniture grows as Maui fire survivors move into longer-term housing; a Big Island author talks about using his work experience on Maunakea in his new novel set on the mountain; and a UH Hilo biology professor reflects on being featured in a popular PBS children's show

My guest on this episode is Healani Sonoda-Pale, a Kanaka Maoli Human Rights advocate for Self-Determination and a Water Protector who has been organizing at the intersection of the indigenous struggle for liberation and environmental protection in Hawai'i. She is a member of the Red Hill Community Representation Initiative and the spokesperson of the Ka Lahui Hawaii Political Action Committee. Healani was born and raised on the island of O'ahu where she resides with her family.Show Notes:The Beauty of the Pandemic Shutdown in Hawai'iThe Fallout of the Lahaina Fires in West MauiNo ControlsManufacturing the AuthenticReopening for Tourism in the Midst of CatastropheLocal Schism: Those in Favour and Those AgainstThe Tourism at the Heart of the Housing CrisisKa Lahui Hawai'i Political Action CommitteeThe Water Crisis in OahuDecolonizing Tourism is an OxymoronSolidarity with Kanaka MaoliHomework:Healani Sonoda-Pale InstagramKa Lahui Hawai'i | TwitterOahu Water Protectors | Red Hill Community Representation InitiativeTranscript:Chris: [00:00:00] In the first season of the podcast I spoke to Hokulani Aikau and Vernadette Gonzalez about the attempts to decolonize tourism in the Hawaiian islands. And following that Kaleo Patterson. Who offered a deeper historical and cultural background into the ongoing us occupation of Hawaii. The military industrial tourism complex, and some of the traditional forms of hospitality that Hawaiians have engaged in. Since then, and especially because of the wildfires that spread through west Maui this past summer. Listeners have asked again and again, to return to the islands, to host the voices of those. They're now struggling with another catastrophe. Who are offering resilience and resistance. In the face of these enduring consequences. And as such, I welcome.Healani Sonoda-Pale to the pod. Thank you for joining me today, Healani.Healani: It's my pleasure to be joining this podcast and to help [00:01:00] spread the message about tourism in Hawai'i. Chris: Healani, could you do us the favor of elaborating a bit on where you're speaking from today and how the world looks like for you?Healani: Okay. So I'm a Kanaka Maoli woman, born and raised in Hawai'i on the island of O'ahu. I have been in the Hawaiian movement for liberation and self determination for nearly 30 years. I am a student of Dr. Haunani-Kay Trask, and I am on the front lines of many, many issues. The issues that we face today are, many of them are a consequence of tourism.The desecration of cultural sites. The degradation of our beautiful beaches pollution, traffic, overcrowding, the high cost of living in Hawai'i, the extremely high cost of housing in Hawai'i. These are all because of tourism. This is happening to Hawai'i. [00:02:00] As a result, direct result of the tourist industry, which Hawaii relies on.And in Hawaii, we have two businesses. We have the military industrial complex and the tourist industry. Those are the two worst industries to rely on, number one. And they are the most exploitive and extractive industries to have. They do not enhance our way of life here on, on these islands in Hawaii.They do the opposite. They have brought many of us to the brink where we are now, most of us living paycheck to paycheck. The average cost of a house in Hawaii is a million dollars.I believe Honolulu is the number one or at least the top three most expensive cities in the United States to live in. So tourism is a plague in Hawaii. It is a plague upon this place and it has caused us to [00:03:00] struggle on a daily basis, not just financially and not just socially, mentally as well. Having to deal with tourists on a daily basis in Hawaii is frustrating, so that's kind of like the space I'm coming from. I am involved with the water issue, protecting our water, which is now something that is a huge issue. I'm very much involved in the Red Hill issue. I'm involved with protecting Iwi Kūpuna, which is our traditional Hawaiian burials. I'm involved with the repatriation of our land. Again, another big issue. It never ends because the, the economic, social pressure to take and take and take until there's nothing left is relentless. So that's the space we're coming from. So you talked about COVID, right? You started this podcast in the beginning of COVID and COVID was an eye opener for a lot of people in Hawai'i. When COVID happened, [00:04:00] the state of Hawai'i shut down and tourists weren't allowed here during our shutdown.I believe it was like a year and a half. It was beautiful. Even though we were living in the middle of a pandemic, our beaches were empty. There were no lines at the stores. There was no traffic. Even the air we breathed seemed cleaner. The water we swam in, in the ocean, didn't have this sliminess on it, from tourists with suntan lotion swimming in it all day, right?So the fish came back. Even the plants and the land was happy. I mean, it was a beautiful time. Even though it was sad because we were living through a pandemic, it was a beautiful time for us as Kanaka because we got to see Hawai'i without tourists. And that really opened the eyes for people who usually are not as [00:05:00] critical of tourism, as many of us have been so more people in Hawaii started saying, especially Kanaka Mali, well, how do we move forward without tourism?But when the state opened up again, tourism came back and it came back with a vengeance.When you look at what was happening on social media and, you know, what people were posting and across all the islands, we saw some frustration. We saw people posting about interactions they were having with tourists at sacred sites and beaches. People were more aware that tourists were there after COVID because we were able to enjoy our beaches, enjoy our islands without them.And then when they came back, it was not only dangerous because we live 2, 000 miles away from the nearest continent. So, they were bringing in the COVID. I mean, from the time of [00:06:00] Captain Cook, tourists, visitors, explorers, missionaries, they have been bringing in diseases when, when Captain Coke arrived in 1778. We didn't have any immunity to these diseases, and so now, I think for a lot of residents here in Hawai'i, our eyes have been opened on what we have to give up for tourism.We have to sacrifice not only our beautiful island life, but a way forward that doesn't include commodifying who we are as a people, our culture, everything. The state's been talking about diversifying the industry here in Hawai'i, right? They wanted to look into agriculture was one. They've never seriously taken that up. And they always fall back on tourism.Chris: And why do you think that is? Because it's just so easy.Healani: Because they've invested. It's a multi billion dollar business. There's hotels. Waikiki [00:07:00] is loaded with hotels. It's business interests. It's those that have been in control of the tourist industry, wanting to keep control of that and wanting to keep their financial interests protected and keep going.So that is, that has been a problem. And of course we have strong lobbyists here in Hawai'i for the tourist industry. It is an industry that is supported by taxpayer dollars. It's one of the few industries we give millions of dollars of our money. It's a private industry supported by taxpayer dollars.So it's a private industry that we support that exploits not just our resources, our culture, but they have really degraded our way of life here. They've made everything so expensive that most of our people, most of the indigenous people of Hawai'i have moved away because they can't afford to live here.Chris: And you know, I'm curious [00:08:00] in this regard, to what extent do you think that this Government money and government decisions played a part in these wildfires that passed through West Maui in August, you know, like reading and researching for this interview and seeing what's been shared online and social media, the term management and mismanagement continues to arise in and among social movement activists.And I'm curious to what extent you think that either government action or inaction or the tourism industry had a part to play in what happened this past summer.Healani: The Lahaina Fires. was so tragic and the tragedy continues months after. The suicide rates are on the rise in Lahaina. Families are still displaced, thousands of them. They were just [00:09:00] a few days ago, I had posted about it. They were just given again, eviction letters. The last time I was in Maui was there.The first set of eviction letters that went out. So they're being housed in hotels, 7,00-8,000 of them; families that have lost everything, in hotels. And now they're being told to leave to make way for tourism, to make way for tourists. That's the enormity of the pressure that tourists, tourism brings with it. The pressure to a piece and to serve and to put tourism first.Just going back to my childhood in school. We were basically brainwashed into thinking we need tourism. Without tourism, we wouldn't have jobs. There would be no money, you know? So it's been kind of ingrained in us. And that's why I think COVID was super important because it was an eye opener for a lot of us.Because they saw really [00:10:00] what was possible, a world without tourism. And so the pressure to support, to push tourism, to... "they always say, we want to support small businesses," but it's really not about small businesses. It's about those huge, multinational corporations that have invested millions.into this industry and have supported and lobbied for their industry, for the tourist industry. That's what it's really about, to a point where they really don't care about the people, the residents of Lahaina. They're literally traumatizing these families again and pushing them around to make room for an industry that we all pay to support.And the Lahaina fires is a result of corporations, land grabbing by corporations of [00:11:00] tourism gone wild, literally. The whole culture of Hawaii is about making sure tourism is going to be okay in the future. We're one big resort. That's what we are.Hawaii is one big resort. Everything is catered for tourists first. It's always tourists first, residents last. And kanaka maoli not even considered, like we're not even in the equation, except when they want us to dance hula, and when they want us to chant, and when they want us to teach tourists how to make leis. So the whole Lahaina situation is very complicated.Tragic, and it continues to be tragic. Over a hundred people died in those fires. And Lahaina is like a real big hub for tourists, and has been. It's like the Waikiki of Maui. So having that burned down, I think, was a big loss for the tourist industry on Maui. [00:12:00] So they are trying every which way to bring that back. In fact, today they're going to unveil the strategic plan for the next few years for Maui, which again, is just a slap in the face. It's insulting to the people of Lahaina. They're actually having it in West Maui. It's insulting to the people of Lahaina to have now a discussion about how to move forward with tourism while they're still displaced. There's thousands of families that don't know where they're going to be next month.There are thousands more that don't have access to clean water, don't have jobs, that have multiple families living in their homes and they're going to have a big presentation on tourism today. That's what we have to deal with.There is a mythology that's been built around the tourist industry that basically tells us, you know, [00:13:00] we need tourism. We need tourism. For some reason, we won't be able to survive without tourism. So that's the culture of Hawaii. And that's what I've grown up in. One of the things that is concerning about tourism is the fact that there's never been an environmental assessment or environmental impact study done on the effects tourism has on Hawaii .There are no controls. There's no control of how many people will be allowed in, how many people will be allowed at a certain beach, how many people will be allowed to swim and hike up to a sacred pond.There's nothing like that. It's like a free for all here in Hawaii when it comes to tourism.With tourism comes a thriving sex trade. So we have a number of brothels that, of course, are illegal, here in O'ahu. And a real epidemic with a [00:14:00] high number of missing and murdered Native Hawaiian women and girls. Hmm. This is the average characteristics of a victim of a missing girl is 15 years old native Hawaiian.And that's you know, that's the reality here in in Hawaii. So tourism is one of those industries that has a lot of low paying jobs. People have to work two to three, sometimes four jobs to survive here in Hawaii because Hawaii has the highest cost of living and one of the highest in the United States and it's really a struggle to make a living off of the tourist industry.Once tourism gets a foothold in your community, then it's very difficult to get tourism out. And right now, I'm in the midst of a struggle with keeping tourism out of East Maui.[00:15:00] They're expanding tourism into rural areas because they want to make these real authentic experiences for tourists.And they want to provide cultural experiences for tourists now. And the last couple years, the Hawaii Tourism Authority has done something called destination management, which is where they give money to non profits to host tourists in these real authentic settings, where they get to work in the taro patch or they get real cultural experience hiking or storytelling or something like that and in exchange these non profits get paid.The reality of this Destination Management Program that they always give Hawaiian names to -Aloha Aina, Kahu Aina -the reality of these programs [00:16:00] is that they're actually community bribes.Residents are less tolerant of tourism these days, especially post COVID. And so these programs, like the Destination Management Programs that they're now doing, and have been doing for a couple years are community bribes that help residents swallow the bitter pill of tourism. And that is pretty much how this whole thing kind of plays out.Whatever financial benefits we get out of tourism, they're short lived and they aren't sustainable. And in fact, they threaten a sustainable and livable future for residents here, especially Kanaka Maoli.Chris: Do you see any parallels between the quote return of tourism following the COVID-19 lockdowns and later after the fires? Was anything learned by the inundation of [00:17:00] COVID carrying tourists?Healani: Yeah, so I see parallels between what's happening with tourism post COVID and what's happening with tourism post-Lahaina fires. And what's very clear with the government here, the local government has made very clear is that tourism, no matter the cost, in terms of our health and safety, comes first.And that has been shown over and over. While, when they opened up tourism, the COVID numbers went up. And because, of course, people are bringing COVID in. And that put the numbers of people in the emergency rooms and in our hospitals that went way up. We don't have the capacity and we still don't have the capacity to serve thousands and thousands of residents and tourists at the same time.In terms [00:18:00] of medical health care. And so we, you know, we're in a really tight spot for that, you know. So we were really struggling because our hospital and our medical system was overrun.We had sick tourists and we had sick residents. And when you look at the numbers, it was the Native Hawaiians and the Pacific Islanders who were not just catching COVID more, but also dying from COVID more often than others. And with Lahaina, same thing. Instead of waiting, holding off on reopening Lahaina and Maui for tourists, they opened it up super early.In fact, they opened it up a month ago, for tourism. They opened up line up for tourism and families are still suffering. Families don't know what's going to happen next month, where they're going to be living next week. There's [00:19:00] thousands of displaced families still in Lahaina, yet the pressure to open up to tourism is so immense that they did it anyway. So what happened with COVID and the Lahaina fires is that they really show that what they're prioritizing.They're not prioritizing the health and safety of, of the residents, let alone Kanaka Maoli residents. They're prioritizing business interest.Chris: Mm. Hmm. Really just showing the true face, the true nature of the industry. Right. And then not in any way surprising why locals, both residents and Kanaka Maoli would be so upset and so angry, not just with the industry, but with tourists as well when they arrive having no understanding of this. Right. And so my next question kind of centers around locals there, workers, especially. And in this particular article, It says that, "as tourists returned to the [00:20:00] island, displaced residents are still in need of long-term solutions for their future, most notably in terms of long-term affordable housing. Currently. Quote, "a coalition of 28 community groups have staged what's being called a 'fish-in' on Kaanapali beach to help raise awareness of the ongoing impacts of the Malai wildfires. Wearing bright red and yellow shirts, the protesters have pledged to fish along kind of poly beach. An area usually crowded with sunbathers in swimmers, around the clock 24 7, in order to bring awareness to these issues. And so in terms of strategy and solidarity, How have local people and organizations responded in the context of these last few months.Healani: Yeah. Many locals work in tourism. So a lot of people in Hawaii felt that the reopening was too fast, too early. There were other ways they could have dealt with. They always use the term 'affordable housing,' they always use that to [00:21:00] develop. Here they use small businesses to justify prioritizing tourism. So, their whole justification for opening up to tourism early, in Lahaina, was to support small businesses. But there are other solutions. We all know that. They give billions of dollars to Israel and to Ukraine for a war that has nothing to do with us, to other countries who are doing whatever they want with it. But when it comes to this whole issue of tourism and the displaced families, they could have supported these families and for at least a year supported these small businesses like they did during the pandemic, but they chose not to.There's other solutions they could've used, but for them, opening it up was more important than making sure families were okay.So, there is a split between some residents who feel they need tourism and some [00:22:00] who don't. And it's usually, again, business owners who rely on tourists for their livelihood. And like I said before, any kind of benefit we get from tourism is really short lived and the effects of tourism, not just on our environment, but on our society and on our economic system is more detrimental than beneficial.I'll give you an example tourism fuels people from other places wanting to buy a second home here. Tourists come to Hawaii, they see how beautiful it is, they love the beaches, of course. We have like really good weather on a daily basis. So when they come here to visit, they wanna buy a second home here.⌘ Chris Christou ⌘ is a reader-supported publication. To receive new posts and support my work, consider becoming a free or paid subscriber.Right now we have a housing crisis in Hawaii, and the reason for this housing crisis is because we have [00:23:00] tens of thousands of empty homes. In fact, we could put all the houseless people that are in Hawaii right now into these empty homes. And we would still have thousands of homes left over. And that is one of the reasons why number one, we have one of the, like the highest housing costs. The average house right now sells for a million dollars.It could literally be a shack on a piece of land. It'll sell for a million dollars in Hawaii. It's because of the demand for housing here in Hawaii. And it's because of the fact that a lot of the housing that we do have are usually second homes. And lots of times they use it for short term housing rentals as well. And I just want to clarify the numbers for the short term housing rentals. There's about 30, 000 residential housing units that are being rented to tourists, instead of residents, instead of locals, instead [00:24:00] of Kanaka Maoli, so that's part of the problem here. We don't have a housing shortage.We have a shortage of housing rentals or landlords that want to rent to residents.So, what we gain from tourism doesn't even come close to what we are losing from tourism, from the tourist industry.Chris: Uh, Wow. . It's just a. It's incredible. How so much of this, this desire to vacation, escape, have fun, rest, make money "passive income" lead so much to the detriment of neighbors, of what might otherwise be neighbors in our midst. And I know that, I think I've read the other day that there's this group Lahaina Strong, that was asking for government intervention. Is that right? Healani: Yeah. So they've asked. Yeah, that's a, that's a good point. [00:25:00] Lahaina Strong, one of the lead groups in Lahaina, have asked for the mayor and the governor to intervene and to ask short term housing rental owners to provide long term housing solutions for those, the displaced families. And that hasn't happened yet.It's been months. It's been September, October, November, over three months. And these families, their future is still up in the air. They don't even have reliable housing. So again, it just tells you what the priorities of the state is. Honestly, I don't think they're going to get what they want.Chris: Thank you, Healani and for being a witness to all this and proceeding accordingly. I'd like to, if I can ask you a little bit more about your political work. If I'm not mistaken you're a spokesperson for Ka Lahui Hawai'i Political Action Committee. Could you explain a little bit about [00:26:00] this organization? What the name means, how it was formed its principles, goals, and actions, perhaps. Healani: Okay, so yes, I am the spokesperson for Ka Lahui Hawai'i, and I am part of the Komike Kalai'aina Political Action Committee, which is a national committee of Ka Lahui Hawai'i, which means the Hawaiian Nation.We are a native initiative for self determination and self governance. We were formed in 1987 by Kanaka Maoli, Indigenous Peoples of Hawaii, as a response to the illegal overthrow of the Hawaiian Kingdom, and as a way forward for our people to seek out justice and to create our own way forward by creating our own nation.I have been with Kalahui Hawaii since 1993. And I [00:27:00] joined after watching Dr. Haulani-Kay Trask do her speech on the grounds of Iolani Palace, where she proclaimed that we are not American. And that was an eye opener to me. And I joined Ka Lahui and I transferred to the University of Hawaii at Mānoa, became her student. A lot of the work that we've done has been nation building. We are a nation in exile, literally. We take stances on issues a lot of times. And the issues we've been doing has been from water issues to intellectual property rights, to land rights, to tourism. The issues we cover is literally anything that affects us as a, as a people and as a nation. So we cover a wide [00:28:00] spread of issues. Most recently it's been the water issue that we've been really focused on. And when you look at the water issue, again, you see the disparity there. We are in a water crisis on the island of Oahu. We are encouraged to practice conservation measures. However, the tourist industry, hotels with pools and fountains and large golf courses, which have to be watered daily, are not being told the same thing. They are the exception. They continue to waste water while on O ahu are concerned about the future.Of our children and grandchildren because we're not sure if number one, there will be clean water and number two, if there is clean water, there'll be enough clean water for everyone in the future, but the hotels in the tourist industry, they don't care. They have swimming pools and[00:29:00] golf courses.Tourists are not told to come here and conserve water. You know, in fact, they waste water in the tourist industry and you can see it. Are you seeing how they waste it? It's pretty visual and obvious. So Ka Lahui Hawaii has been active On the front lines with Mauna Kea issue, and we have treaties with other Native American nations. We've gone to the U. N., our past Keaāina, our governor, Merilani Trask helped to draft UNDRIP, which is the U. N. Declaration on the Rights of Indigenous Peoples, which is one of the most important documents that have come out from the U. N. for Indigenous Peoples and has reasserted all of our rights to self determination.There's about 400 million indigenous peoples around the world, and UNDRIP [00:30:00] is important to every single one of us.Chris: Well, thank you for, for that and the work that you do with Ka Lahui, Healani. I'll make sure that the requisite websites and links are up on the homework section and the end of tourism podcasts for our listeners. Now, in my interview withHokulani Aikau and Vernadette Gonzalez, they spoke of various projects within the tourism sector, undertaken by indigenous Hawaiians to uncover and share with tourists or visitors, the histories of the people and place so often ignored by the industry. Now in order to do this, to educate, many people work within the confines of the structures and the systems we already have, that is to decolonize tourism, for example. Now if we weren't limited by those current structures and systems. How would you personally want to proceed hosting the other, the foreigner? How would you want them [00:31:00] to proceed towards you and your people? How might you imagine such relationship to unfold? Healani: Yeah. Yeah. Decolonize tourism. That's an oxymoron. I don't believe in decolonizing tourism. The nature of tourism, it's like colonization. The nature of tourism is to exploit, is to extract everything it can from a place and from a people and it commodifies, things that to us are spiritual, to us are sacred, tourism commodifies it all. To decolonize something that was not created from indigenous peoples is impossible.We can decolonize our world. But we cannot decolonize systems of [00:32:00] oppression because they're set up to oppress us. And so that is, I don't know what to say. It's like I said before. You know, they keep changing the name, you know, Hawai'i Tourism Authority even though they have leadership that is Kanaka and they're trying to be culturally sensitive and they are doing, you know, destination management practices kind of thing and working with nonprofits and cultural groups.It's still tourism. It's still a business that wants to benefit from our land, from our water, from our culture, from our people. And when we talk about decolonization, when we talk about working against systems of oppression, it's really about us rebuilding our own systems that counter their systems.So it's all systemic, right? It's like a system of power that benefits one group [00:33:00] over the other. It stems from colonization, which is a system of power that is working against us. So to counter that, we have to create our own systems. We actually have to reconnect and recreate our old systems. So Franz Fanon talks about this. When colonization happens, what they do is they compartmentalize our world.So, you know, where we see the world as living, as where we see ourselves as part of nature, and part of this living system where there's balance. We give and take from the land. We take care of the land, the land takes care of us. In our cosmogonic genealogies as Kanaka, it tells us basically our universal perspective on all life, which is basically we are related to all the animals and plants and to the islands itself, because what it does is it recites the birth of every [00:34:00] living thing in Hawaii that was here during the time we were here, before Captain Cook arrived, but it connects us to this world and it tells us our place in it. And when colonization came, what they did was they ripped our world apart.And they separated us from nature. They separated us from our ancient beliefs. They separated us even from our belief in ourself. And many Native people, I'm sure can relate to this, but it's like living in two worlds. We live in a Hawaiian world, and we live in the Western world. We act a certain way in the Western world because of the way it's organized. And in our world, it's different. So, it's important to understand that we cannot infiltrate a system. Without the system infiltrating us. We're going to change before the system changes because these systems have been in place [00:35:00] for centuries.So I don't even want to answer the question about hosting foreigners or others because that's not even something that's on my radar. I don't imagine tourism in my future or in the future of our Lāhui, or in the future of our people. Kalahui, Hawai'i has taken stances against tourists and tourism. It's not worth what we have to give up to host foreigners. And I could go on for hours with stories of our people, putting themselves at risk, saving tourists in the ocean, and not even getting a word of thanks. Having tourists pee on our sacred sites, having tourists throw rubbish on our beaches. It never ends. So I think it's cute that they want to decolonize tourism. It's a multi billion dollar business. You cannot decolonize tourism unless you take [00:36:00] the aspect of capitalism out of it. It's like decolonizing money. How are you going to do that? It's like you need to build systems where you can sustain yourself and your people outside of these capitalist and outside of these corporate systems of power. Healani: Yeah, so what I would want to say to those who want to stand in solidarity with Kanaka Maoli, with the Native people of Hawai'i, I would say stay home. Help us spread the message that we do not want or need visitors to come to our islands. As the Native people of Hawai'i we're building our own food systems, we're bartering. We're trying to move forward as a people away from these other systems, away from tourism, away and out from under military occupation.It's a struggle that we're in. I think for those that are listening, it's important for you to[00:37:00] spread the word about the struggle that Native Hawaiians are going through in our own homeland and our struggle for liberation and to support us in whatever way you can. So I think it's important to support us from afar, I would say.And if you're here anyway, like if you end up coming anyway, then support. Don't just come here. Give back. Help out a Hawaiian organization. Help out a Hawaiian on the street. 40 percent of all houseless in Hawaii are Indigenous Hawaiians. And we only make up 20 percent of the population in our own homeland. 50 percent of the population in Hawaii's prisons and jails are Hawaiians.We have low educational attainment. We die from diseases that other people usually don't die from. We have probably the highest suicide rates in Hawaii. High infant mortality rates. So this isn't our paradise. But we have to make it a paradise for tourists. And that's something we can't continue to do.The reality of the [00:38:00] situation is that it's destroying our future right now. And you look at what happened to Lahaina, and that's all because of unsustainable development, high cost of living, corporations running amok, diverting the rivers, water being diverted to hotels and golf courses, instead of letting water just flow freely from the ocean, from the mountains to the sea.So that's what we're dealing with, and if you are thinking about coming to Hawaii, please, please think again and just support a Hawaiian organization in their struggle to reclaim what we lost. We did something around tourism. It's a survey that we gave to tourists who are here anyway, right? So that is our pledge for tourists if they are gonna come here. And we've had it out for a few years. We've tried to get like the airlines to push it out and stuff like that to raise awareness. Now they're doing more of that, which is good. [00:39:00] And I appreciate that. But ultimately, we don't want people to come here.Healani: That would be the end goal because Hawai'ians are displaced on our own land.This is our mutual aid that we set up to help families of Red Hill who still don't have clean drinking water, which is nuts. And this is two years after, right? So if they want to help with that, we appreciate that. Chris: I'll make sure that our listeners have all of those available to them when the episode launches.Healani: Because we're basically providing services to the residents, but Yeah, that's pretty much it. I can't believe people think they can decolonize tourism. It's freaking nuts.Chris: Yeah. I keep coming back to this notion that, you know, [00:40:00] part of colonization of our minds and the wars against us tend to stem from a war against the imagination and a war against us being able to imagine other worlds and just things completely differently. And I also think that when people don't have examples to follow of what that might be like to, to imagine things differently, and then also to not have the time to do that.You know, people tend to fall back on kind of simple alternatives, I guess.Healani: I think it could be useful for a little while, but it's like, we've got to work towards not sustaining it, but dismantling it, somehow getting rid of it.I mean, look at what everything that's happened to Hawaii, COVID, Lahaina fires. Our wildfires are like happening more and more. We have more on this island now than we've had before. It's just a matter of time before we have our own huge fire that's going to be devastating on this island.Chris: [00:41:00] I'm very grateful for your time, and I can tell very clearly that you're one of those people that's offering an example for younger people on how things might be different. So, I'd like to thank you for your time, your consideration. And I'll make sure, as I said, that all of these links are up on the End of Tourism website when the episode launches and and on social media as well.Healani: Awesome. Thank you so much. You have a good day. Get full access to ⌘ Chris Christou ⌘ at chrischristou.substack.com/subscribe

Former HTA president John De Fries has been tapped to head the Maunakea Stewardship Oversight Authority; New treatments available for some blood cancers

Join Rev. Emily E. Ewing (they) and Rev. Kay Rohloff (she) to dive into male astronomers for episode 7 in our Nerds At Church season of Epiphany!  The scripture we refer to for this episode can be found here.  We mentioned last week's episode on Astronomers.  We mentioned our episode on the Solar System (#TeamPluto).  We mentioned our episode on Astrophysics with Dr. Katie Mack. Check out this awesome LEGO set of pioneers in science at NASA, including Nancy Grace Roman, who we mention in this episode.  Check out more on the controversy around Johannes Kepler's scientific acumen.  Find more on the future for Maunakea's stewardship (though it is from 2022). Check out our new bookshop.org shop here. To support Nerds At Church, you can become a Patreon Supporter at any tier for extra perks and bonus content including uncut episodes, Live Q&As, discounts on merch, movie commentaries, and more.  If becoming a paying supporter isn't possible right now, please leave us a review instead — it helps sustain the show and spread the word!  Check us out on Facebook, Twitter, & Bluesky! at @NerdsAtChurch to connect! --- Send in a voice message: https://podcasters.spotify.com/pod/show/nerdsatchurch/message

Flo (noch kränkelnd) und Robert (übermüdet) sprechen über neue Rekorde am Mauna Kea, Ultraläufer ohne Trainingsplan und fragen sich live, Ironman wirklich so ein teueres Hobby ist (Spoiler:ja)! Einschalten, Bewerten und weiterempfehlen!

Please join us at patreon.com/tortoiseshack Hawaii and Palestine are tied together in many ways. Palestinians' love for their land reminds us of Kanala Maoli's love for Hawaii and vise versa. In this episode, which kicks off our second season of PalCast, Dr Yousef Aljamal, cohost Helena Cobban and producer Tony Groves are joined by Uahikea Maile, a professor of indigenous studies at the University of Toronto, to talk about Gaza and the genocide there. The conversation covered the Mauna Kea protest movement, the connections Hawaiians and Palestinians have, modern settler colonialism, the ICJ ruling and much more. The Gaza Fundraiser is here:https://www.patreon.com/posts/important-update-98690483 Outro music "If I Must Die" by Rachel Lynn

Please join us at patreon.com/tortoiseshack Hawaii and Palestine are tied together in many ways. Palestinians' love for their land reminds us of Kanala Maoli's love for Hawaii and vise versa. In this episode, which kicks off our second season of PalCast, Dr Yousef Aljamal, cohost Helena Cobban and producer Tony Groves are joined by Uahikea Maile, a professor of indigenous studies at the University of Toronto, to talk about Gaza and the genocide there. The conversation covered the Mauna Kea protest movement, the connections Hawaiians and Palestinians have, modern settler colonialism, the ICJ ruling and much more. The Gaza Fundraiser is here:https://www.patreon.com/posts/important-update-98690483 Outro music "If I Must Die" by Rachel Lynn

On this episode I have the pleasure of speaking with Hiroki Morinoue, an artist who resides and creates on the Big Island in Hawai'i. Together, we delve into his personal journey with mokuhanga, reflecting on his experiences at MI Lab, exploring his unique color palette, and gaining insights into his meticulous process in crafting mokuhanga prints. Additionally, we uncover Hiroki's life in Hawai'i, his ventures, and his relationships with prominent galleries such as Studio 7 Fine Arts, print studio's like Shark's Ink, and the arts center at Anderson Ranch. Please follow The Unfinished Print and my own mokuhanga work on Instagram @andrezadoroznyprints or email me at theunfinishedprint@gmail.com  Notes: may contain a hyperlink. Simply click on the highlighted word or phrase. Artists works follow after the note if available. Pieces are mokuhanga unless otherwise noted. Dimensions are given if known. Print publishers are given if known. Hiroki Morinoue - Pure Water (2001) 18.5"x38.5" High Tide (2012) 22"x30" Earth Cycle (2007) 37.5"x37" MI Lab - is a mokuhanga artists residency located in Kawaguchi-ko, near Mount Fuji. More info can be found, here.    Keiko Hara - is an artist and Professor of Art Emerita at Whitman College in Walla Walla, Washington. She is a painter, and printmaker in various relief mediums, such as mokuhanga.    Verse R - black and white (2017)  13"x11"   Jaqueline Gribbin - is a printmaker who focuses on mokuhanga and intaglio printing techniques. She lives and works in Humpty Doo, New Territory, Australia.    Kisaragi (2012) 18.9" x 25"   pochoir - is a stencilling technique used in printmaking and decorative arts. The term "pochoir" is French for "stencil." In this method, a design is created by cutting or punching holes in a sheet of paper or other material, and then paint or ink is applied through the openings onto a surface below. Pochoir allows for precise and intricate patterns, making it particularly popular in the creation of fine art prints, illustrations, and decorative designs. It has been historically employed in various art movements, including Art Nouveau and Art Deco. More info, here.   Helen Frankenthaler (1928–2011) was a prominent American abstract expressionist painter known for her role in the Color Field painting movement. Her innovative technique involved staining unprimed canvas with thinned oil paint, creating a distinctive luminous effect. "Mountains and Sea" (1952) is a notable example of her influential work. Frankenthaler's contributions have left a lasting impact on postwar American art. Frankenthaler began to make woodcut prints in 1973 and was influenced by Utagawa Hiroshige (1797–1858).  More info about her prints can be found at  the Frankenthaler Foundation, here.      Tale of Genji V (1998) 42"x47"   Donkey Mill Art Center - is a community art center located in Holualoa, Hawaii. It serves as a hub for various artistic activities, workshops, and events, fostering creative expression and engagement with the arts. The center often offers classes and programs in a variety of artistic disciplines, including painting, ceramics, printmaking, and more. More info, here.    Mauna Kea - is the highest peak in the Hawaiian Islands, located on the Big Island. A dormant volcano, it stands at 13,796 feet (4,205 meters) above sea level. The mountain holds cultural significance for Native Hawaiians and is home to unique ecosystems.    Mauna Loa - is an active shield volcano on the Big Island of Hawaii, standing at 13,678 feet (4,169 meters) above sea level. It is the Earth's most massive subaerial volcano, known for frequent non-explosive eruptions and its broad, gently sloping shape. The volcano holds scientific and cultural significance and is closely monitored due to its potential impact on nearby communities. Deepwater Horizon Oil Spill  - occurred in 2010 in the Gulf of Mexico. It was one of the largest environmental disasters in history. The spill resulted from the explosion of the Deepwater Horizon offshore drilling rig, releasing millions of barrels of oil into the Gulf. The incident had severe ecological and economic consequences, impacting marine life, coastal ecosystems, and local economies along the Gulf Coast. Thai mulberry paper - also known as "saa paper" or "kozo paper," is a traditional handmade paper originating from Thailand. It is crafted from the bark of the mulberry tree, specifically the Broussonetia papyrifera tree.  Shark's Ink - established in 1976 as Shark's Lithography Ltd, the studio has partnered with over 160 distinguished artists from the United States and Europe. These artists, known for their strong personal visions, engage in ongoing collaborations, often returning for multiple projects. The resulting prints, marked by inventive techniques, encompass a wide range of artistic approaches. The studio employs various processes, including lithography, monotype, metal leaf, chine collé, embossing, collage, and innovative methods for woodblocks and relief prints, including three-dimensional lithographs. More info, here.  nori - is a type of paste made from starch. It is used when making mokuhanga. You can make nori from any type of material made from starch. For instance, paste can be made with tapioca,  rice, corn, even potato. You can purchase nori pretty much anywhere but making it is more environmentally friendly. Laura Boswell has a great recipe, here.  embossing - refers to a technique where the paper is pressed into the carved woodblocks, creating a raised or textured effect on the printed surface. This technique adds a three-dimensional quality to the print by making certain areas of the paper slightly elevated. Gotō Hidehiko (b.1953) - is a mokuhanga printmaker and tool maker based in Japan. He makes and teaches seminars about the construction of the mokuhanga tool, the baren.  Window (2011) 15"x12" gomazuri - is a mokuhanga technique where slight pressure is used with pigments too make a “spotty” image, what look like sesame seeds. It can add depth to your prints.  Saitō Kiyoshi (1907-1997) - was a Japanese woodblock printmaker and artist who worked in the sōsaku hanga style of mokuhanga. HIs fame outside of Japan was fairly comprehensive with his peak fame being in the 1950's and 1960's. For a comprehensive book on his life and times, Saitō Kiyoshi: Graphic Awakening published by The John & Mable Ringling Museum is an excellent source. Can be found, here. Lecture by Dr. Paget about Saitō can be found, here. My interview with Professor Paget can be found, here.    Winter in Aizu (1969) 18"x23.5" Richard Notkin - is an American ceramic artist known for his pottery and distinctive style that often incorporates political and social commentary.  Notkin has gained recognition for his work in the field of ceramics, particularly his teapots. Meltdown of Reason: Helena MT. (1987) stoneware and porcelain. 10.5"x5.5"x4.5" Mayumi Oda - is a Buddhist teacher and artist based in Hawai'i. Her artwork has gained international recognition, having traveled worldwide. In addition to her artistic pursuits, Mayumi is an environmental activist and resides and works at Ginger Hill Farm, an eco-retreat on the Big Island of Hawai'i. Explore more about Mayumi Oda's work, here. Hands of Compassion  (1986) screen print 37"x25" Andrew Wyeth (1917-2009) - was a renowned American realist painter, known for his detailed and emotive depictions of the rural American landscape. Born in Pennsylvania, he spent much of his life capturing the subtleties of nature, particularly in the Brandywine Valley and coastal Maine.  Christina's World (1948) 32 1/4 x 47 3/4"   © Popular Wheat Productions opening and closing musical credit - The September Of My Years (1965) from the album The September Of My Years released on Reprise Records.  logo designed and produced by Douglas Batchelor and André Zadorozny  Disclaimer: Please do not reproduce or use anything from this podcast without shooting me an email and getting my express written or verbal consent. I'm friendly :) Слава Українi If you find any issue with something in the show notes please let me know. ***The opinions expressed by guests in The Unfinished Print podcast are not necessarily those of André Zadorozny and of Popular Wheat Productions.***                                        

Tom Peek, author of Mauna Kea: A Novel of Hawai’i, joins guest host Jeremy Vaeni to talk about the truths that underlie his latest book on Hawai’i’s most sacred mountain, a place where science and magic come together and also clash.    Order this fantastic read here: https://www.amazon.com/Mauna-Kea-Hawaii-Tom-Peek/dp/1632261200/   To learn

Dr. Al Grauer hosts. Dr. Albert D. Grauer ( @Nmcanopus ) is an observational asteroid hunting astronomer. Dr. Grauer retired from the University of Arkansas at Little Rock in 2006. travelersinthenight.org Today's 2 topics: - Recently a relatively dim object, Comet P/2016 BA14 flew past Earth at about 9 times the distance to our Moon from us. It was the third closest comet approach in recorded history. This situation allowed NASA scientists to use the Goldstone Solar System Radar located in California to obtain detailed RADAR images. These revealed the nucleus of P/2016 BA14 to be about 3000 feet in diameter. It slowly spins once very 35 to 40 hours as it travels on its 5.26 year orbital path around the Sun. Observations by the NASA Infrared Telescope Facility on Mauna Kea reveal the nucleus to be as dark as fresh asphalt which means it's surface is about 4 times darker than that of our moon. - A careful study of the Earth's motion in space is a key to understanding past climate change and enables us to predict future patterns of flooding and drought.Wobbles tell all.   We've added a new way to donate to 365 Days of Astronomy to support editing, hosting, and production costs.  Just visit: https://www.patreon.com/365DaysOfAstronomy and donate as much as you can! Share the podcast with your friends and send the Patreon link to them too!  Every bit helps! Thank you! ------------------------------------ Do go visit http://www.redbubble.com/people/CosmoQuestX/shop for cool Astronomy Cast and CosmoQuest t-shirts, coffee mugs and other awesomeness! http://cosmoquest.org/Donate This show is made possible through your donations.  Thank you! (Haven't donated? It's not too late! Just click!) ------------------------------------ The 365 Days of Astronomy Podcast is produced by the Planetary Science Institute. http://www.psi.edu Visit us on the web at 365DaysOfAstronomy.org or email us at info@365DaysOfAstronomy.org.

In this conversation, Laval and Pete discuss Laval's recent trips to Africa, including his trek in the Rwenzori Mountains of Uganda and his climb of Mount Albert in the Democratic Republic of Congo. They also talk about Laval's ongoing journey to climb the highest peaks in different countries. Laval also shares his plans for a potential cycling challenge in Taiwan, and they discuss the possibility of climbing Mauna Kea and Mauna Loa in Hawaii. --- Support this podcast: https://podcasters.spotify.com/pod/show/adventureaudio/support

Episode 132 - all notes from the show can be found at www.zippingaroundtheworld.com on the home page.  Scroll to find Episode 132.   Don't forget to subscribe to the show!  Tell your friends and social media.  Leave me a comment on my website under the comments tab if you have ever used any of my travel tips or locations.  Also, leave me a rating in Itunes as well.

In this episode we swap some memories of childhood Christmases in Hawaii during the '70s and '80s. Then we share ideas for managing extra ribbons, cards, treats, and gifts, and at the end, we include a song about a sometimes snow-capped mountain called Mauna Kea, on The Big Island of Hawaii. Show notes: https://sienaandtoast.com/podcast/1970s-1980s-hawaii-christmas-reusing-gifts https://instagram.com/sienaandtoast Learn more about your ad choices. Visit megaphone.fm/adchoices

Neutron stars, the compact remains of a massive star following a supernova explosion, are the densest matter in the Universe. Some neutron stars, known as magnetars, also claim the record for the strongest magnetic fields of any object. How magnetars, which are a mere 15 kilometers across, form and produce such colossal magnetic fields remains a mystery.    New observations by a team of astronomers, including NSF's NOIRLab's Dr. André-Nicolas Chené, may shed important light on the origin of these magnetic powerhouses. Using various telescopes around the globe, including the Canada-France-Hawai‘i Telescope (CFHT) on Maunakea, the researchers have identified a new type of astronomical object — a massive magnetic helium star (an unusual variant of a Wolf-Rayet star), which may be the precursor of a magnetar.  In this podcast, André-Nicolas Chené describes the process of finding the first known potential magnetar progenitor.   Bios:  Rob Sparks is in the Communications, Education and Engagement group at NSF's NOIRLab in Tucson, Arizona.   Dr. André-Nicolas Chene is an associate astronomer at NOIRLab. He completed his PhD at the Université de Montréal in 2007 and learned everything about the fundamentals of astronomical observations at the Observatoire du Mont Mégantic. He was research fellow at the NRC Herzberg Astronomy and Astrophysics Research Centre and postdoc jointly at the Universidad de Concepción and the Universidad de Valparaíso before joining the Gemini Observatory (now a program of NOIRLab) in 2013. For almost 10 years, André-Nicolas took part in every phase of a Gemini observing program life cycle and has played a central role in Gemini's user support effort. André-Nicolas's research interests are massive stars, hot winds, star clusters, and stellar evolution.   Links:  NOIRLab Press Release: https://noirlab.edu/public/news/noirlab2323/ NOIRLab social media channels can be found at https://www.facebook.com/NOIRLabAstro https://twitter.com/NOIRLabAstro https://www.instagram.com/noirlabastro/ https://www.youtube.com/noirlabastro   We've added a new way to donate to 365 Days of Astronomy to support editing, hosting, and production costs.  Just visit: https://www.patreon.com/365DaysOfAstronomy and donate as much as you can! Share the podcast with your friends and send the Patreon link to them too!  Every bit helps! Thank you! ------------------------------------ Do go visit http://www.redbubble.com/people/CosmoQuestX/shop for cool Astronomy Cast and CosmoQuest t-shirts, coffee mugs and other awesomeness! http://cosmoquest.org/Donate This show is made possible through your donations.  Thank you! (Haven't donated? It's not too late! Just click!) ------------------------------------ The 365 Days of Astronomy Podcast is produced by the Planetary Science Institute. http://www.psi.edu Visit us on the web at 365DaysOfAstronomy.org or email us at info@365DaysOfAstronomy.org.

Kaniela Ing and Kahala Johnson talk about the connection between colonialism and the fires devastating Maui. But first Katie is joined by comedian & historian Justin Williams to go over recent news stories. Kaniela Ing is a former member of the Hawaii House of Representatives representing Maui, currently national director of the Green New Deal Network. Kahala Johnson (He/They/Oia/Siya) is a Hawaiian-Filipinx organizer from Waiehu, Maui and a Kiai of Haleakala and Mauna Kea. ***Please support The Katie Halper Show *** For bonus content, exclusive interviews, to support independent media & to help make this program possible, please join us on Patreon - https://www.patreon.com/thekatiehalpershow Get your Katie Halper Show Merch here! https://katiehalper.myspreadshop.com/all Follow Katie on Twitter: @kthalps