Podcasts about Mauna Kea

Dirty Work Hour 2: Copes and D-Pop bring on two chefs from the Mauna Kea hotel to talk about the high-end cuisine offered at the resort. The guys review the Warriors' six-game road trip, including the 110-96 loss in Miami without Stephen Curry, Jimmy Butler and Draymond Green. They end the hour talking about Jonathan Kuminga's place in the Warriors' rotation and if they feel like Kuminga is a scapegoat.See omnystudio.com/listener for privacy information.

Dirty Work Hour 2: Copes and D-Pop bring on two chefs from the Mauna Kea hotel to talk about the high-end cuisine offered at the resort. The guys review the Warriors' six-game road trip, including the 110-96 loss in Miami without Stephen Curry, Jimmy Butler and Draymond Green. They end the hour talking about Jonathan Kuminga's place in the Warriors' rotation and if they feel like Kuminga is a scapegoat.See omnystudio.com/listener for privacy information.

Dans ce numéro du Journal des biotechs, Sacha Loiseau revient sur le parcours récent de la medtech sortie de procédure de sauvegarde le 13 novembre dernier. Il revient sur les détails de l'augmentation de capital qui a suivi et détaille sa stratégie pour amener Mauna Kea à la rentabilité à la fin de l'année 2027.Attention, investir en Bourse présente un risque de perte en capital, et le secteur des biotechs et medtechs cotées amplifie ce risque. La probabilité de succès de ces sociétés est incertaine, et leur besoin de financement est régulier. En cas d'échec, la continuité de leur activité peut être directement menacée. Ce type d'investissement est réservé exclusivement aux particuliers avertis pleinement conscients de ces enjeux et prêts à accepter ces risques. Hébergé par Audion. Visitez https://www.audion.fm/fr/privacy-policy pour plus d'informations.

Murph and Markus Hour 4: Steve Young makes his weekly appearance on the show to talk about the 49ers' victory over the Cardinals and the upcoming Monday night tilt against the Panthers. Wayne Barnes from Mauna Kea Beach Resort joins the show to talk about resort's tennis club facilities, including the newly renovated tennis courts. WDYTLT features Young Tony relearning his full-time job on the fly. See omnystudio.com/listener for privacy information.

Murph and Markus Hour 4: Steve Young makes his weekly appearance on the show to talk about the 49ers' victory over the Cardinals and the upcoming Monday night tilt against the Panthers. Wayne Barnes from Mauna Kea Beach Resort joins the show to talk about resort's tennis club facilities, including the newly renovated tennis courts. WDYTLT features Young Tony relearning his full-time job on the fly. See omnystudio.com/listener for privacy information.

Murph and Markus Hour 4: Greg Silva from Mauna Kea Beach Services joins the show to talk about the ocean activities that are available at the Mauna Kea Beach Resort. The Athletic's Marcus Thompson joins the show to talk about Steve Kerr's new starting lineup, Will Richard's role in the Warriors' rotation, and winning despite Jonathan Kuminga's absence. WDYTLT features quotes from "The Godfather" (1972).See omnystudio.com/listener for privacy information.

Dirty Work Hour 2: Executive Chef at the Mauna Kea Hotel Peter Abarcar joins the show and your calls are taken over Brock Purdy's returnSee omnystudio.com/listener for privacy information.

Murph and Markus Hour 4: Greg Silva from Mauna Kea Beach Services joins the show to talk about the ocean activities that are available at the Mauna Kea Beach Resort. The Athletic's Marcus Thompson joins the show to talk about Steve Kerr's new starting lineup, Will Richard's role in the Warriors' rotation, and winning despite Jonathan Kuminga's absence. WDYTLT features quotes from "The Godfather" (1972).See omnystudio.com/listener for privacy information.

Dirty Work Hour 2: Executive Chef at the Mauna Kea Hotel Peter Abarcar joins the show and your calls are taken over Brock Purdy's returnSee omnystudio.com/listener for privacy information.

Bill Stormont has worked in Hawaiian land stewardship for more than forty years. Born to a multi-generational Hāmākua family and raised on Hawaiʻi Island, Bill started in high school building trails and fences beginning in 1976 through the Youth Conservation Corps. His career within the Department of Land and Natural Resources has taken him from natural areas preservation, to trails and access, and Mauna Kea stewardship. Bill gets into the controversies around feral pig removal in sensitive ecosystems, as well as managing eucalyptus stands for commercial ventures on Hawaiʻi Island, and why coming into any endeavor with heart first is always an essential approach.

Hawaiian Concert Guide – Episode 692 Release Date: October 17, 2025 Host: Piko Title: Whale Hoohoo Episode Summary In this episode of the Hawaiian Concert Guide, Piko takes listeners on a musical journey through contemporary Hawaiian mele, slack-key gems, and lush Exotica instrumentals. From heartfelt vocal collaborations to instrumental storytelling and a powerful closing chorus of “Hawaiʻi Aloha,” Episode 692 celebrates how music keeps the spirit of the islands alive across oceans. Track List & Song Notes “Hoʻomālamalama” (feat. Stephen Inglis) – Kahiau Lam Ho – 4:10 Album: Hoʻomālamalama · Hawaiian The title Hoʻomālamalama can be translated as “to enlighten” or “to bring light.” In this track, Kahiau Lam Ho teams up with acclaimed musician Stephen Inglis to offer a song about healing, clarity, and renewal. Gentle, thoughtful vocals and a reflective arrangement give the piece a meditative quality, as if lifting the listener out of darkness and into understanding. “The One They Call Hawaiʻi” – Kahiau Lam Ho – 5:40 Album: Hoʻomālamalama · Hawaiian This song personifies Hawaiʻi as a beloved figure—someone the singer speaks of with reverence and affection. The lyrics and feel of the track evoke pride in the land and its people, touching on themes of identity, stewardship, and belonging. It plays like a love song to the islands themselves, inviting listeners to reflect on what “Hawaiʻi” means to them personally. “Kuʻu Pili Oha” – Kawika Kahiapo – 3:44 Album: Kuʻu Manaʻo · Hawaiian The phrase Kuʻu Pili Oha can be understood as “my cherished closeness” or “beloved companion.” Kawika Kahiapo, known for his soulful slack-key guitar and warm vocals, offers a gentle, intimate mele that feels like a conversation between close hearts. It's the kind of song that could be sung quietly on a porch at sunset, filled with gratitude for the relationships that sustain us. “One Heart One Voice” – Kawika Kahiapo – 4:13 Album: Kuʻu Manaʻo · Hawaiian “One Heart One Voice” leans into themes of unity and shared purpose. Kahiapo's songwriting often carries messages of peace and responsibility, and this track is a call for people to stand together with aloha. It's an uplifting reminder that when we speak and act as one, even big challenges feel more manageable. “ʻAnapau” – Jerome Koko & Daniel Ho – 2:39 Album: Makaha Sons Memoirs · Hawaiian From a project reflecting on the legacy of the Makaha Sons, “ʻAnapau” is a lively, joyful piece that carries the spirit of classic Hawaiian group vocals into a new setting. Jerome Koko's connection to the original Makaha Sons material, paired with Daniel Ho's arranging and production touch, makes this track feel both nostalgic and freshly polished. It's easy to picture friends singing along at a backyard gathering. “Poliahu” – Jerome Koko & Daniel Ho – 5:10 Album: Makaha Sons Memoirs · Hawaiian “Poliahu” is a tribute to the snow goddess of Mauna Kea. The song's mood leans more contemplative and reverent, fitting for a mele about a powerful and enigmatic figure in Hawaiian tradition. Listeners can feel the chill and majesty of the mountain in the way the melody unfolds—calm, spacious, and full of respect. “Manila” – The Waitiki 7 – 7:05 Album: Adventures in Paradise · Exotica The Waitiki 7 are known for reviving and expanding the classic Exotica sound, and “Manila” is a great example of their globe-trotting imagination. This instrumental piece conjures images of harbors, markets, and far-away ports of call. Rich textures and layered rhythms give it a cinematic feel that pairs perfectly with daydreams of travel. “Craving” – The Waitiki 7 – 5:07 Album: Adventures in Paradise · Exotica “Craving” leans into mood and atmosphere: it feels like a soundtrack for late-night conversations under tiki lights. The tune balances playful melodic lines with a slightly mysterious undercurrent, capturing that feeling of restless longing the title suggests. It's a reminder that Exotica can be both fun and emotionally evocative. “I Can See Arkansas” – Waipuna – 4:52 Album: Manaʻo Pili · Hawaiian Waipuna blend Hawaiian roots with storytelling influences that reach beyond the islands. “I Can See Arkansas” plays with the idea of geographical distance and emotional closeness—how memories and imagination can make a faraway place feel just within sight. It's a beautiful example of how Hawaiian artists connect local sensibilities with wider world experiences. “Owl's Lullaby” – Waipuna – 3:15 Album: Manaʻo Pili · Hawaiian As the title suggests, “Owl's Lullaby” has a gentle, comforting quality. In Hawaiian culture, the pueo (owl) can be a protector and guardian, and this song carries that sense of watchful care. It's the kind of mele you could easily imagine as a bedtime favorite, soothing the end of the day with calm and grace. Mahalo for Listening Mahalo nui for joining Piko on this musical journey! Please support the featured artists by seeking out their albums, attending live shows when you can, and sharing their music with friends and family. Your listening helps keep Hawaiian music, language, and stories thriving for future generations. For past episodes, artist links, and more information, visit HawaiianConcertGuide.com.

Jean Charles Moyen claims to have visited multiple ancient space arks two of which hold relevance for him in a past life he describes in detail in his new feature length movie, Starseed Revelations 3, which is officially released today. His first experience inside a space ark occurred in 1976, at age 7, when he met a Japanese woman/guardian called Utsu after physically teleporting inside Mt Fuji where he saw an ancient space ark she was guarding. He recalls Utsu greeting him as “Hoshi”, which was the name of a past life he had in the Japanese city of Sendai around the year 1075.Jean Charles also says he met another Japanese woman, Kono the goddess of Mt Fuji before being teleported inside the volcano Mauna Kea on the Big Island of Hawaii where he was taken inside another space ark with Kono. He says that the two space arks in Japan and Hawaii are linked via portals and are places of great significance in his past lives in Japan and as an extraterrestrial, Luka, who was connected to them through his consciousness and frequency. In his documentary, Jean Charles presents historical and contemporary evidence supporting his teleportation and past life experiences.Jean Charles also discusses an aborted teleportation experience involving 3I/Atlas where he encountered Draco Reptilian energies, which corroborated the recent remote viewing of Sebastian Martin who describes up to 5 million Draco Reptilians sleeping in stasis chambers on 3I/Atlas. Dr. Michael Salla added John Vivanco to the list of remote viewers who claim to have seen Reptilians inside of 3I/Atlas. Given the disparity in explanations for what's inside of 3I/Atlas detailed in Dr. Salla's recent article on multiple perspectives, a number of explanations were explored by Jean Charles and Dr. Salla for what may be happening on the craft.Jean Charles Moyen's Starseed Revelations 3 is available online at:  https://vimeo.com/ondemand/starseedrevelation3Join Dr. Salla on Patreon for Early Releases, Webinar Perks and More.Visit https://Patreon.com/MichaelSalla/

1 ¿Por qué se le llama al avión B-2 "el avión del sigilo"? 2- ¿Qué es bueno para la rodilla que traquea? 3- ¿Qué pasa en el lugar de donde sacan el petróleo? 4- ¿Por qué se dice que cuando alguien muere anda en procesión? 5- ¿Por qué las cirugías estéticas son de alto riesgo, sobre todo la famosa liposucción? 6- ¿Dónde está la montaña Mauna Kea? "Oigamos la Respuesta", el programa con las preguntas que envían nuestros oyentes y las respuestas que se elaboran en el ICECU con un lenguaje claro y sencillo desde el año 1964.

Sasha Davis, an activist and scholar of radical environmental advocacy, brings new hope for social justice movements by looking to progressive campaigns that have found success by unconventional means. From contesting environmental abuse to reasserting Indigenous sovereignty, these movements demonstrate how people can collectively wrest control over their communities from oppressive governments and manage them with a more egalitarian ethics of care. The work is exciting, it's messy, and it seeks to change the world. Here, Davis joins Laurel Mei-Singh and Khury Petersen-Smith in conversation about his new book, Replace the State: How to Change the World When Elections and Protests Fail.Sasha Davis is an activist and professor in the Department of Environmental and Sustainability Studies at Keene State College in New Hampshire. He is author of Replace the State: How to Change the World When Elections and Protests Fail; Islands and Oceans: Reimagining Sovereignty and Social Change; and The Empires' Edge: Militarization, Resistance, and Transcending Hegemony in the Pacific.Laurel Mei-Singh is assistant professor of geography and Asian American studies at the University of Texas at Austin.Khury Petersen-Smith is the Michael Ratner Middle East Fellow and the Co-Director of the New Internationalism Project at the Institute for Policy Studies.REFERENCES:J. K. Gibson-GrahamHaunani-Kay TraskMilitary Geographies / Rachel WoodwardCooperation JacksonMichel Foucault / biopowerPraise for the book:“As the United States is being destroyed, millions of spaces are opening up for something new to emerge. Offering urgent lessons and insights, Replace the State explores relational governance as an alternative to systems that no longer serve. Sasha Davis shows how we can move forward to create and claim a truly inclusive, sustainable world.”—Lisa Fithian, author of Shut It Down: Stories from a Fierce, Loving ResistanceReplace the State: How to Change the World When Elections and Protests Fail by Sasha Davis is available from University of Minnesota Press. Thank you for listening.

A federal takeover of Washington, D.C.'s police force is underway as President Trump prepares for a high stakes meeting with Russian President Vladimir Putin in Anchorage, Alaska. Firefighters continue to battle a blaze on the east slope of Mauna Kea. Honolulu police are looked for a trio of suspects wanted in a drive-by shooting near Pearl Harbor.See omnystudio.com/listener for privacy information.

Es oficial: España quiere que el Telescopio de Treinta Metros se instale en la isla de La Palma. Este artefacto será una máquina ciclópea que necesitará una cúpula de 60 metros de altura y otros 60 metros de ancho para funcionar. Sólo tres telescopios en el mundo tendrán un tamaño comparable, y si se logra construir con éxito será uno de los instrumentos que marcarán la astronomía del siglo XXI. Lamentablemente, siendo todo esto verdad, el TMT también es uno de los proyectos más problemáticos de lo que llevamos de siglo. Inicialmente pensado para ser construido en la cima del volcán Mauna Kea, en Hawái, las obras llevan detenidas desde 2015 por la oposición de indígenas hawaianos, grupos ecologistas y nacionalistas de las islas. A esto se ha sumado la llegada de la administración Trump, que pretende hacer severos recortes en su presupuesto de ciencia y anunció hace dos meses que renunciaba a financiar la construcción del Telescopio de Treinta Metros. Ante esta situación es perfectamente factible que el proyecto haya de abandonarse, y el Gobierno de España se ha manifestado públicamente para tratar de ocupar ese vacío. En el programa de hoy os contamos los detalles de esta rocambolesca historia y analizamos qué posibilidades tiene España de llevarse el gato al agua y que uno de los artefactos científicos más importantes del siglo termine en suelo español. Los veteranos de la sección recordaréis que es la *segunda* vez que damos esta noticia. La primera fue en el año 2016 cuando, tras un año con las obras paralizadas en Mauna Kea, se aceptó a La Palma como emplazamiento alternativo para el TMT. Por aquel entonces no estaba claro qué ocurriría, pero ahora, casi diez años después y tras la cancelación de la financiación estadounidense, La Palma podría tener muchas más opciones. Si queréis recordar cómo os lo contamos entonces, lo tenéis en el episodio s06e12. Este programa se emitió originalmente el 25 de julio de 2025. Podéis escuchar el resto de audios de La Brújula en la app de Onda Cero y en su web, ondacero.es

Join us on Dark Outdoors® for an unforgettable conversation with Retired U.S. Army Sgt. Maj. Mike R. Vining—explosive ordnance disposal (EOD) pioneer and Delta Force operative—and his wife, acclaimed wildlife photographer and author Donna Ikenberry. Married atop Mauna Kea in 1999 after Mike's decorated 30‑year military career (including Vietnam, Eagle Claw, Desert Storm, and more) Donna has since published over a thousand images, guidebooks, and magazine articles from nearly every continent Donna Ikenberry Photography.  In this episode we explore: Top strategies for staying safe in remote terrains—from avalanche zones to wildlife territory. How Donna approaches storytelling through photography in unpredictable environments. Lessons Mike has learned from decades of military and outdoor leadership: situational awareness, risk assessment, and self-reliance. Tips for adventure couples: teamwork, planning, resilience—and capturing moments worth preserving. Tune in for a uniquely dynamic pairing: military precision meets nature's art—illuminated by humor, hard-earned wisdom, and couple‑led courage in the wild.    

In this multi-grantee episode, Hawaiʻi Rising speaks with three organizations uplifting their communities through filmmaking. First, we speak with Pua Case from Mauna Kea Education & Awareness and filmmaker Jalena Keane-Lee about their feature-length documentary Standing Above the Clouds, which premiered last year. Building on an earlier short film with the same name released in 2020, the feature-length documentary follows three families of Native Hawaiian mother-daughter activists standing to protect sacred Mauna Kea from the construction of the massive Thirty Meter Telescope. Next, we revisit our 2022 conversation with Vera Zambonelli, the founder of Hawaiʻi Women in Filmmaking. Hawaiʻi Women in Filmmaking is a longtime HPF grantee partner committed to advancing gender equity in filmmaking and advocating for women to tell their stories through film with an intersectional lens. HWF's Reel Camps are filmmaking camps for girls and femme-identifying youth. Finally, we turn to the important behind-the-scenes work of archiving film footage with the initiative Hoʻomau Nā Maka o ka ʻĀina. In this conversation recorded in 2023, we speak with Aunty Joan Lander of Nā Maka o ka ʻĀina and Emma Broderick from Puʻuhonua Society about this effort to catalog and archive over 6000 video tapes of footage shot by documentary organization Nā Maka o ka ʻĀina. To learn more about these hui, listen to our full episodes with them: 23. Mauna Kea Education and Awareness: Standing Every Day for the Mauna 32. Hawai‘i Women in Filmmaking: Getting Reel about Social Change 48. Mauna Kea Education and Awareness: A Pillar for the Lāhui 56. Puʻuhonua Society: Hoʻomau Nā Maka o ka ʻĀina   Tags: Hawaiʻi, Hawai'i, Hawaii

On Tuesday, May 6th, activists Pua Chase and Kapulie Flores held a discussion and participated in the screening of the documentary film “Standing Above the Clouds”, directed by Jalena Keane-Lee, at the Isla Vista Theater. The event, attended by students, educators, and community members, follows Native Hawaiian families and mother-and-daughter activists, including Chase and Flores, in their fight against the construction of the Thirty Meter Telescope on Mauna Kea, a sacred mountain in Hawaii. The UCSB Walter H. Capps Center for the Study of Ethics, Religion, and Public Life organized the event. Greg Johnson, the center's director, hosted it. KCSB's Mavis Holley has the story.

Talking in-depth with writer, linguist, and anon AMRX Mark II, a dissident voice from the Pacific on escaping the cults of ideology, the yearning for identity in a "no place" like Hawaii, and what it means to walk away from ideological affiliations. Political beliefs as personal alibi, the sickness of escapism, the craving for heroes, identity formation and linguistics, cultural alienation and mimicry. Objectivism and disillusionment, the false theatre of Hawaiian sovereignty movements, the psy-op of Mauna Kea, the flattening hybridization of Pidgin, and Hawaii as a laboratory of empire. We talk about Substack as a space for intellectual deprogramming/engineering, the ritual of purging belief systems, and the existential loneliness that drives the search for meaning. Code-switching, mirror languages, sovereignty as theatre, linguistic education, the bridging importance of Sanskrit, to finally becoming your own guru—no cope, no hero, no group—emphasizing self-improvement and personal responsibility.ExcerptsHawaiian Local Identity Here is where cultures seem to come to die. I see everyone around me losing their heritage. Like all the kids I grew up with they're all children of immigrants and they did not identify with their parents' languages or cultures at all. In many cases they couldn't speak their parents' language and they, were trying, they were like me.They were trying to find some alternative identity and so we were all alienated. And I think that's quite common here, but people just don't talk about it.On Hawaiian Pigeon Pidgin is a very complicated thing in Hawaii because people have this strange relationship with it. People use it as a marker of local identity, but it's also something that they're ashamed of…As a thought experiment for decades now, I've thinking about how pidgin can become like this new fusion identity in Hawaii. And one idea I had for a stack was writing about how the Hawaiian sovereignty movement here totally rejects pidginOn Mauna Kea as Psy-op I think purpose of the psy-op was to distract from the military operations going on near Mauna KeaOn The Role of Social Dynamics in Political AffiliationsOne of the major reasons I got sucked into all of this was just social, really. That's the sad thing. I am an extreme introvert, and I find it very difficult to talk to people. The thing about all these different cults is that if you believe that everyone, you deal with, is on the same page as you, then socialization becomes very easy. Affiliations as Surrogate Identity I've noticed that a lot of Objectivists are in the same, are in a similar position to me. There's like these Objectivists who come from non-white backgrounds and they want to be some sort of weird and some sort of new thing.Ayn Rand herself and her own inner circle, they were all Jewish, but they were, they wanted to be something other than Jewish. They were trying to run away from it. And I was like them. I see that in hindsight now. I didn't wanna be Japanese. I wanted to be like this weird like new, what I've called new objectivist man, that was, not Japanese, not Asian, not anything. So all these ident, all these cult identities were attempts to run away from who I was and I just regarded so as just so cringe now, not that I embrace who I am, I still have identity issues, but I don't think signing up for a group and is really the answer anymore. But it, it was just so easy.So I poured all my energy into learning Japanese and I went to university in Japan. And that was just a complete disaster. Because I realized I really did not fit in there. The language is not the problem. I could do the classes I could do the tests, I could write the papers.That was not the issue. I, it made me realize how superficial my idea of Japanese identity was just because I could speak, read and write Japanese didn't mean I really belonged there. And I realized, yeah, this is just not for me anymore. And then I started doubling down on the Objectivist stuff, because as I just mentioned, objectivism is like a, is like for non main, like people of color…like this weird surrogate identity.AMRX Mark II Get full access to Leafbox at leafbox.substack.com/subscribe

CStone Plays 99 of the Top 100 Golf Courses in America , in this episode we tackle courses 81-90.  We discuss some awesome sites and experiences along the journey too, they have a little sales banter at the top as well.  Courses covered in the episode and their designers:90 Mauna Kea - Kohala Coast. Hawaii, HI (1965) Robert Trent Jones Senior, sons renovated89 Sea Island (Seaside) - St. Simons Island, GA  (1928) Colt Alison88 Crooked Stick - Carmel, IN (1964) Pete Dye, John Daly emergence87 Shoal Creek - Birmingham, AL (1977) Jack Nicklaus*Rickwood Field, located in Birmingham, Alabama, is the oldest existing professional baseball park in the United States.86 Nantucket Siasconset - MA (1997) Rees Jones85 Blackwolf Run (River) - Kohler, WI (1988) Herb Kahler, Pete Die designed84 Pasatiempo - Santa Cruz, CA (1929) Alister MacKenzie (public)*Big Australia footprint, CA work, Bobby Jones, took him to Augusta83 Lehigh - Allentown, PA (1928) William Flinn, Shinnecock and others82 Desert Forest - Carefree, AZ (1962) Red Lawrence81 Interlachen - Edina, MN (1910) Donald Ross, Willy Watson?Thank you to our sponsor SmarterRisk, Smarter Risk makes Workers' Compensation and commercial insurance risk assessments fast and inexpensive.  Please use "brokerbrett" for insurance agents, "cstone" for small business owners, and "insnerds" for Insurance Carrier discounts.Thank you to my personal and our unofficial sponsors SmartChoice, BrokerInsights, and the Insurance Nerds for having me around the teams.

Last week, we took a trip to Hawaii to discuss “Lei and the Fire Goddess.” This week, we talk to author Malia Maunakea about using Google maps as a writer, the difference between writing fiction and non-fiction, ADHD, even tax write-offs! Kitty Felde is host.

This week, we talk about myths – whether it's on Capitol Hill or Hawaii. Our book is “Lei and the Fire Goddess” by Malia Maunakea. Our readers are members of the Page Turners Book Club at East City Bookshop in Washington, DC. Our celebrity reader is playwright Kiki Rivera. Kitty Felde is host. The kids mention Keeper of the Lost Cities  I mention a book with the DC myth about the Demon Cat of Capitol Hill: Welcome to Washington Fina Mendoza Favorite Books from the Page Turners Book Club at East City Bookshop: Hooky - Miriam Bonastre Tur Harry Potter - J.K. Rowling Mac B. Kid Spy - Matt Barnett  A Thousand Ships - Natalie Haynes Who Was... Sisters - Raina Telgemeier Diary of a Wimpy Kid - Jeff Kinney Dragon Masters - Tracey West   Malia Maunakea's Favorite Book: The Far Side - Gary Larson

Native Hawaiian writer Norma Kawelokū Wong tells us our current reality is “drifting haphazardly in the riptide of collapse”. Wong is both a Zen Master and an experienced political strategist, having advised prominent figures including Hawaii's first Native Hawaiian Governor, John D. Waiheʻe III. She also offered guidance and mediation on some of Hawaii's most high profile and vexing conflicts, including the U.S. Navy's $344 million clean-up of munitions on Kahoʻolawe Island, telescope construction on Mauna Kea, and recovery following the devastating wildfire in Lahaina. In her new book, When No Thing Works, she weaves poetry, politics, and spiritual wisdom together into a lesson for navigating crises.

Two men who sold illegal fireworks to undercover police will pay fines but will avoid jail-time. We'll explain how they had their charges dropped. Despite a city crackdown on e-bikes, the fastest models aren't covered under the law. HNN investigates who is trying to fix that. Mauna Kea telescopes team up to bring back free public tours. Learn more on how you can sign up.See omnystudio.com/listener for privacy information.

Aloha and welcome, everyone! Thank you for joining me today as we explore how to make the most of a romantic getaway in Hawaii. On this podcast we'll dive into some must-see romantic Hawaiian destinations, discuss practical couples travel tips, and explore the endless possibilities for a honeymoon in Hawaii, an unforgettable Hawaii anniversary trip, or simply a couples retreat designed to rekindle that special spark. Why Choose Hawaii for Romance? Hawaii is often considered a paradise—and for a good reason. With its warm tropical climate, stunning beaches, lush landscapes, and rich culture, the islands provide an idyllic setting for romance. Whether you seek adventure, relaxation, or a perfect blend of both, Hawaii's diverse scenery caters to every couple's desires. Hawaii is often considered a paradise—and for good reason. With its warm tropical climate, stunning beaches, lush landscapes, and rich culture, the islands provide an idyllic setting for romance. Whether you seek adventure, relaxation, or a perfect blend of both, Hawaii's diverse scenery caters to every couple's desires. Hawaii boasts consistently pleasant temperatures ranging from the mid-70s to mid-80s (Fahrenheit), making it an ideal travel destination any time of year. The essence of aloha embodies love, warmth, and connection—values that naturally enhance any romantic trip. Choosing the Perfect Island Hawaii comprises multiple islands, each offering unique experiences. When planning a romantic escape, consider these options: Oahu: The Best of Both WorldsnHome to Honolulu and Waikiki, Oahu offers a vibrant mix of city life and breathtaking beaches. If you and your partner enjoy nightlife, shopping, and historical sites like Pearl Harbor, this island is a great choice. For more seclusion, visit the North Shore or explore hidden coves. Maui: A Romantic ParadisenMaui is often regarded as the most romantic island, featuring the legendary Road to Hana, luxurious resorts in Wailea, and mesmerizing sunsets at Kaanapali Beach. The island's lush rainforests, waterfalls, and fine dining make it a top destination for honeymoons and anniversaries. Kauai: The Adventure-Lover's DreamnKnown as “The Garden Isle,” Kauai boasts the dramatic Na Pali Coast, breathtaking canyons, and lush tropical beauty. If you and your partner enjoy outdoor adventures like kayaking, hiking to hidden waterfalls, or taking a helicopter tour, Kauai is the perfect choice. Big Island: A Land of ContrastsnFor couples who love variety, the Big Island offers everything from active volcanoes and black-sand beaches to rugged landscapes and pristine stargazing at Mauna Kea. Lanai & Molokai: For ultimate privacy and an unhurried pace, these lesser-visited islands provide an intimate and tranquil escape. Romantic Activities in Hawaii Once you've chosen your island, it's time to plan memorable experiences. Here are some of the most romantic activities to enjoy together: Romantic Sunset Dinner Cruise Sunset Cruises: Set sail along the coast and witness a spectacular Hawaiian sunset. Many cruises offer dinner, cocktails, and live entertainment for a magical evening. Couples' Spa Treatments: Indulge in spa treatments featuring traditional Hawaiian techniques, such as lomi lomi massage, volcanic clay wraps, or tropical-scented oils. A couples' massage is a perfect way to unwind and reconnect. Beachside Picnics: Pack a basket with fresh poke, tropical fruit, and a bottle of champagne, and find a secluded beach to enjoy a picturesque meal by the ocean. Scenic Drives: Take the Road to Hana on Maui to explore waterfalls, black-sand beaches, and lush rainforest scenery. On Oahu, a drive around the island will lead you to charming shrimp trucks and awe-inspiring coastal views. Scenic, Romantic Drive on Oahu Helicopter Tours: For a once-in-a-lifetime experience, book a helicopter tour over Kauai's Na Pali Coast or the Big Island's lava fields

We're wrapping up 2024 and putting a bow on it, the actual present being today's crossword, a fine bit of work by Michael Lieberman, his 25th for the NYTimes, as deftly edited by -- it gives us such joy to write this -- Will Shortz (see yesterday's episode for the deets on why).Beyond the crossword, we have a magnificent Triplet Tuesday segment, and some awesome listener mail, so check that all out, and, as usual, let us know what you think.Show note imagery: Mauna KEA, not to be confused with Mauna LOA (but it will be!We love feedback! Send us a text...Contact Info:We love listener mail! Drop us a line, crosswordpodcast@icloud.com.Also, we're on FaceBook, so feel free to drop by there and strike up a conversation!

Aloha and welcome back to Pure Life Podcast! In this latest podcast, we delve into our Big Island top attractions guide, sharing personal experiences to help you craft an unforgettable adventure in this exotic Hawaiian destination. From the historic Captain Cook Monument and snorkeling in the vibrant waters of Kealakekua Bay, renowned for its rich marine life, to the the pristine beauty of Honaunau Bay and Two Step Beach, this podcast takes you through some of the most idyllic spots for snorkeling enthusiasts seeking clear waters and diverse sea creatures. For more rustic adventures, venture into the awe-inspiring Hawai'i Volcanoes National Park, home to active volcanoes and breathtaking landscapes and witness the power of the worlds most active volcano, Kilauea, which recently started erupting again! We also cover ascending Mauna Kea for stargazing experiences like no other, as well as the lush surroundings of Hilo, with its waterfalls and botanical gardens. This episode covers these and other must-see destinations, providing insights to ensure your Big Island vacation is truly exceptional. For even more info on Big Island top attractions as well as other Hawaiian activities, be sure to check out our Destinations and Hawaii pages. Mahalo!

Jean Charles Moyen and Melanie Charest are extraterrestrial contactees who also served with a joint US-French secret space program based on a large mothership called the Solaris. In this Exopolitics Today interview, they describe their respective roles in rescuing children who were abducted and were being abused on other planets and moons in Deep Underground Military Bases (DUMBs) in our solar system. Moyen and Charest describe how they rescued Corina Pataki after she had spent five years, from age 2 – 7, in a secret DUMB on Mars. Significantly, Pataki recognized Moyen and Charest when they met in Orlando, Florida, at the 2023 Galactic Spiritual Informers Connection conference, and recalled the dramatic rescue and how she was returned to the Black Sea location in Romania, where she was originally abducted at age 2. Moyen next discusses an experience where he bilocated to a large cavern under the Nazca plains of Peru, where he discovered a large space ark at the bottom of a lake. Inside the ark, there was ancient technology and writing, which he did not recognize. In an attempt to corroborate his experience, he worked with Tony Rodrigues to set up a double-blind remote viewing experiment for the space ark. After several remote viewers felt they were being blocked, one of the remote viewers, Veronica, succeeded and was able to clearly see the target, where it was located, and some of its history. It was later recognized to be a space ark. Moyen has previously described other space ark experiences and believes he has either teleported or bilocated to a total of six space arks located under Mt Fuji, Japan; the Bahamas (Atlantic Space Ark); the Giza Plateau, Egypt (under the Sphinx); Mauna Kea, Hawaii; Mt Kailash, Himalayas, and most recently Nazca, Peru. Jean Charles Moyen's website is: https://www.jcmoyen.com/en --- Support this podcast: https://podcasters.spotify.com/pod/show/exopoliticstoday/support

As the youngest known summiteer of Mauna Kea, and podiuming at races all over the country, Greer Peed is making his name in the cycling world! We chat about his inspiring summit, his 2024 Gravel Worlds 75 mile finish, his Everest experience on Zwift, and much more! This episode is sponsored by GoodLife Nutrition. Check out their line of products including their great tasting Carb Mix (made with Cluster Dextrin, a better carbohydrate that digests easily like food), EAA's, Protein, and Endurance Recovery mixes online at www.fuelyourgoodlife.com or follow them on Instagram at @fuelyourgoodlife

– zen priest teaching the art of war, conflict In this era of profound conflict and rupture, we are witnessing disharmony at every level of humanity---within ourselves, in our relationships, across our communities, within the nation, and across nation states. Group conflict can stretch and break us, but if we are willing to endure the pain, it can also lead us closer to existential realities that are uncomfortable, yet essential, for us to face. When collective conflict arises, it thrusts us into liminal spaces of uncertainty, loss, vitality, and initiation. In these moments, we must ask ourselves: how do we learn to listen to the individual and collective soul that is emerging? This New School conversation series will weave perspectives from depth and transpersonal psychologies, somatics, cosmology, and consciousness into conflict transformation. We will learn from wisdom keepers who are deeply trained in both the technical craft of conflict resolution and the spiritual, ancestral, and traditional wisdom that allows us to see deeply into conflict---transforming shared suffering into opportunities for healing. In this conversation, Serena talks with Norma Wong, Zen priest and teacher about the art of war and conflict, who recently served to help facilitate a mutual path through the conflict between native culture/science and western discovery science posing as a dispute over the construction of a telescope on Mauna Kea. Norma Wong (Norma Ryuko Kawelokū Wong Roshi) Norma is a Native Hawaiian and Hakka life-long resident of Hawaiʻi. She is the abbot of Anko-in, an independent branch temple of Daihonzan Chozen-ji and serves practice communities in Hawai‘i, across the continental U.S., and in Toronto, Canada. She is an 86th generation Zen Master, having trained at Chozen-ji for over 40 years. In earlier years, Wong served as a Hawai‘i state legislator, working on the return of ceded lands and settlement of land issues. In recent years, Wong has been called back into service to facilitate breaking the impasse and transforming policy and governance on issues of seeming contradiction. In the conflict between native culture/science and western discovery science posing as a dispute over the construction of a telescope on Mauna Kea, Wong was a team member narrating and facilitating a path forward through mutual stewardship. She is currently an advisor to Speaker of the Hawai‘i House of Representatives Scott Saiki, serving in policy development and facilitation roles on issues such as the protection of the aquifer from fuel contamination at Red Hill, and the long-term response to the Lahaina wildfires. Find out more about Norma on her website: normawong.com Serena Bian Serena is pursuing a life that remains attentive to the tenderness of a snail's soft body and reverent to the miracle of its spiraled shell. Working with U.S. Surgeon General Dr. Vivek Murthy, Serena serves as a Special Advisor and brings a spiritual and systemic understanding to the public health crisis of loneliness and isolation. As a chaplain-in-training, Serena is pursuing questions of how we chaplain the end of extractive systems that isolate communities from themselves and one another. She is involved with multi-generational, multi-spiritual communities like the Nuns and Nones, devoted to courage, peacebuilding, and love. She participates on the Board of Commonweal and CoGenerate. Find out more about The New School at Commonweal on our website: tns.commonweal.org. And like/follow our Soundcloud channel for more great podcasts.

Standing Above the Clouds – Picture of Activists On today's show, I'll speak to filmmaker Jalena Keane-Lee about her documentary “Standing Above the Clouds”.  This is the ongoing story about the fight against the construction of the Thirty Meter Telescope on Mauna Kea in Hawai'i. “Standing Above the Clouds was created through a collaborative process with our film protagonists. Through making this film, our team aimed to re-imagine the documentary form to be a healing process that returned agency to the community featured in our film through a trauma informed practice of affirmative consent. We worked closely with our onscreen collaborators at every step of the process and have taken great care to mitigate any legal, emotional, or cultural harm that releasing a film might cause. It is our team's great privilege and honor to have been invited into the Mauna Kea protector community and into the lives and homes of the families you see in our film.” ~ Jalena Keane-Lee (director, cinematographer, producer) The film is an intimate journey through the women's lives both on and off the mountain.  It explores the physical and emotional toll of sustaining a grassroots movement. After nine months of living on the mountain, it gifts each woman with hope, strength and the understanding that victory is in standing in unity for sacred places where healing occurs through the sisterhood they have created along the way. Instagram:  @standingabovetheclouds, @protectingmaunakea The post Standing Above the Clouds appeared first on KPFA.

In Episode 2 vom Kona Coffee Club nimmt Nils uns mit auf eine wilde Reise durch Hawaii! Vom besonderen AG1 Breakfast mit der Triathlon-Elite über einen peinlichen Fan-Moment, als er die Frau von Lionel Sanders nicht erkannte, bis hin zu seinem Trip auf den majestätischen Mauna Kea. Diese Folge steckt voller witziger Storys und echter Hawaii-Vibes! Leider hat das Internet auf Kona etwas gestreikt, deshalb kommt die Episode einen Tag später als geplant. Viel Spaß beim Hören! ​Werbung | Jetzt AG1 30 Tage risikofrei mit Geld-zurück-Garantie testen! Alle Informationen findest du auf ⁠⁠⁠drinkag1.com/pushinglimits⁠⁠⁠  Hole dir jetzt AG1 nach Hause, ganz ohne Vertragslaufzeit.

 ⁠WERBUNG - ⁠PUSHING LIMITS CLUB⁠⁠ Die Trainingsapp, in der ihr alles findet, was ihr für euer Training braucht. Jetzt downloaden und 2 Wochen KOSTENLOS TESTEN! ⁠⁠Apple App Store⁠⁠ ⁠⁠Goole Play Store⁠⁠

A weekly magazine-style radio show featuring the voices and stories of Asians and Pacific Islanders from all corners of our community. The show is produced by a collective of media makers, deejays, and activists. Return is the theme for APEX Express as Host Miko Lee talks with artists from  APAture, Kearny Street Workshops annual celebration of emerging artists from the Bay Area. Miko also speaks with exiled Hong Kong activist Nathan Law about the new documentary film “Who's Afraid of Nathan Law.” Special Thanks to Jose Ng for insight into the Hong Kong movement for democracy. For more information about the subjects in tonight's show: APAture, KSW – October 13 to November 9th venues throughout the Bay Area Jalena Keane-Lee and her film: Standing Above the Clouds playing October 12 Mill Valley Film Festival October 22 Roxie Cinema – APAture Ian Santillano playing October 13, DNA Lounge – APAture Kim Requesto performing November 3, Joe Goode Anex – APAture Who's Afraid of Nathan Law playing on POV   Return Show Transcript Opening: [00:00:00] Apex Express Asian Pacific expression. Community and cultural coverage, music and calendar, new visions and voices, coming to you with an Asian Pacific Islander point of view. It's time to get on board the Apex Express.   Miko Lee: [00:00:38] Welcome to Apex Express. I'm your host Miko Lee and tonight our subject is return, which is the theme of the 25th annual APAture Kearny Street Workshop Annual Festival. It's running October 13th through November 9th, and there's going to be six showcases in venues across San Francisco. We're going to put a link in our show notes at kpfa.com backslash program apex. We're going to hear from three of the featured artists; filmmaker, Jalena Keane-Lee, dancer, Kim Requesto, and musician, Ian Santillano. Then we speak with someone who cannot return to his Homeland, exiled Hong Kong activist, Nathan Law. First off, we're going to check in with my usual co-host as PowerLeeGirls and my always daughter, filmmaker Jalena Keane-Lee. Good evening and welcome to Apex Express. Tonight On Apex Express, we're talking with my daughter, Jalena Keane-Lee, and usual co host, but tonight we're going to be talking with Jalena as a filmmaker. Welcome, Jalena, to Apex Express as a guest.   Jalena Keane-Lee: [00:01:48] Thank you so much for having me.   Miko Lee: [00:01:50] And I would like to talk with you about APAture, Kearny Street Workshop's annual festival. This year, you're one of several artists that are getting a showcase. The theme for this year is around Return. Can you tell us what return means to you and what you will be presenting at APAture?   Jalena Keane-Lee: [00:02:11] Yes, so the theme for Kearny Street Workshop's APAture festival this year is Return and I am the featured artist for the film showcase, which is such an honor and I'm really excited about that. And I've screened previous work there in the past—short films, but it was really yeah, such an honor and privilege to be asked to be the featured artist this year. And I'll be playing my first feature documentary, which is called Standing Above the Clouds. And it follows native Hawai'ian mother-daughter activists that are standing to protect their sacred mountain called Mauna Kea from the building of a massive 30 meter telescope. And the film chronicles intergenerational healing and how to build and sustain a movement. And so I hope people come to see it and it will also be playing with a series of short films from other Asian American and Pacific Islander filmmakers. And the film showcase is October 22nd at 6 PM at the Roxy Theater in the Mission. To me, the theme of return, it's, it reminds me a lot of, I think last year's theme too, which I think was homecoming. And just thinking about, you know, returning to yourself, returning to your ancestors, returning to your sacred land. Standing Above the Clouds is all about the movement to protect Mauna Kea, which is one of the most sacred places in all of Oceania. And the highest peak in the world from the seafloor. And the summit of the mountain stands at 14,000 feet and it's also tied to Native Hawai'ian genealogy and seen as the ancestor of the people. And so the film is really all about that place that you want to return to, that place that represents, you know, home and spirituality and is an anchor and a training ground and a teacher and a leader and so many other things that, you know, our sacred places are and that they teach us. And really about, you know, protecting that space and making sure that that's a place that future generations will be able to return to. And also reflecting and processing all the ways and all the times that you have returned there and what that has taught you and brought into your life.   Miko Lee: [00:04:26] So this festival runs for multiple weeks. It actually is at the Roxy and at DNA Lounge and at the Joe Goode Annex and at Arc Gallery and Studios. We're also in the show featuring Kim Requesto, who is one of the performing artists that's featured, and then music by, the musical guest, which is Ian Santillano. And Jalena, tell me about, are you getting a chance to communicate with all the other artists and to be able to work with the other artists that are part of this festival?   Jalena Keane-Lee: [00:04:58] It's the 25th year of the APAture Festival and there's a lot of really cool events for artists. I know they had a kind of orientation event and they had headshot opportunity to like get your headshot taken there. I unfortunately was out of town, so I was not able to make it and have that opportunity to mix and mingle with the other artists. But I'm excited to go to some of the events, as they happen. And there's a bunch of different showcases for, like, each different discipline. Mine is film, and then there's visual arts, music, performing arts, I believe.   Miko Lee: [00:05:33] Were you at Kearny Street Workshop last year as well? You were part of APAture last year as well.   Jalena Keane-Lee: [00:05:38] Yes, I was.   Miko Lee: [00:05:40] How many years have you participated?   Jalena Keane-Lee: [00:05:43] I think I've participated three years, but yeah, as I said before, this is my first time being a featured artist, so that's very special. And I know it's the 25th year of the APAture Arts Showcase, and that it's the oldest running Asian American arts showcase in the US.   Miko Lee: [00:06:03] And if folks aren't able to make this amazing APAture event, where else can they see your film Standing Above the Clouds?   Jalena Keane-Lee: [00:06:10] My film will also be available through the Mill Valley Film Festival on October 12th, and it's going to play at the San Rafael Film Center at 3pm on the 12th, and then I'll also be leading a workshop on October 19th. It's a teen documentary filmmaking and activism workshop, which should be really fun. And that's with SF Film, and we'll be at their location, Filmhouse, on, yeah, October 19th. And we should be having more screenings coming up, so if you're interested in, you know, following along with the film, you can find us at Standing Above the Clouds on Instagram and Facebook, and standingabovetheclouds.com. And we'll post our screenings and different opportunities. You can also request a screening for your organization or group or school. And we'll be implementing our screening tour and impact plans in the next few years as well. And you can follow me at Jalena.KL on Instagram and other platforms as well and I post about it too. And you can also follow at Protect Mauna Kea, if you want to keep up to date with the movement to protect Mauna Kea. And there is a petition, a change.org petition to sign to push for the stopping of the telescope, which is currently still trying to be built, even though there has been over a decade of indigenous resistance and resistance that we see as successful because they have been able to stall the telescope up until this point. But yes, there's a change.org petition that you can sign that is @protectmaunakea and also @standingabovetheclouds in both of their linkinbios.   Miko Lee: [00:07:46] Thank you. And we'll put links to all of those in the show notes for Apex Express. So I know that you've been touring with the film to different cities and indeed different countries. And I'm wondering if you have felt a different reception based on the places you've been to from Toronto to Seattle to Los Angeles. What has been, what has stood out to you as you've toured this film to different locations?   Jalena Keane-Lee: [00:08:06] Yeah, it's been such a blessing to be able to bring the film across the world. And I think we're really excited to we're bringing the film home to Hawai'i with the Hawai'i International Film Festival, and then also home to the Bay Area with APAture and Mill Valley. So it's really nice to have this, you know, homecoming and return, so to speak, to the places where, you know, the film is from. And touring it around, I think it's been really beautiful just seeing all the like resonance and the connections across other lines of difference with different activists, different local activists, whether it is in Toronto, or Rio de Janeiro, Brazil, or Seattle, And one thing that has been a really beautiful reflection from audiences is that the film is a representation of hope and that, you know, it's a realistic portrait of organizing and movement building, which certainly is not, you know, always glamorous or easy, but one that shows the beauty of the struggle and the beauty of being in community and pushing towards something and how being in movement spaces, you know, can shape and heal and revive different parts of who you are.   Miko Lee: [00:09:16] Can you talk a little bit about what healing means to you in relationship with social justice work?   Jalena Keane-Lee: [00:09:22] Standing Above the Clouds, it is about, you know, healing. And Havane, who's one of the main protagonists of the film, she has a really great line in the film, that is we don't just have to heal from this work, we heal through it too. And I think that speaks a lot to what it means to heal in movement spaces and part of the intergenerational healing that we show in the film is, you know, our, our parents generation, and this kind of older generation of women who really paved the way, and who didn't have the opportunity to really take breaks or care for themselves and their own bodies, oftentimes, and there just wasn't really any other option or it wasn't really a choice. And in the film we can see passing down to the next generation and wanting people to be able to have the opportunity to care for themselves and to, you know, have boundaries around their time and their energy and show up in these spaces when they feel completely ready and that being something that the kind of mother generation wants to pass down to the younger generation and also something that the younger generation is able to point out. In the older generation and see for themselves and I think that really plays into movement sustainability and healing is such an important part of creating movements that can be sustainable and that won't just burn people out and then kind of, you know, fizzle and fall away. So making sure that we have the space to heal and in all the different ways, like through tears, through laughter, through joy. I think is such an important part and also letting movements and work for social justice heal us and have, you know, a positive impact on us and teach us about ourselves.   Miko Lee: [00:11:19] Thank you for sharing that. I just finished reading the amazing Healing Justice Lineages book by Erica Woodard and Cara Page, and you and I just went to see Cara's exhibit about the impact of the medical industrial complex. And one of the things both Cara and Erica talk about in the book is ancestral technologies and the impact that ancestral technologies can have on healing us and the next generation. And I resonated with that so much being the mother age obviously of you, but also of the women in Standing Above the Clouds. And I'm wondering if you have thoughts on ancestral technologies that you grew up with, or that you felt like you learned from being involved with this filmmaking process for so long.   Jalena Keane-Lee: [00:12:08] That's a really, ooh that's such an interesting point. I think in the film, the ancestral technology that comes to mind immediately is oli or chanting, and that is like, you know, an ancient Hawai'ian way of recording knowledge and passing down information and also praying. And, in the film, it's talked about in a few different places, how that is an ancient technology and how we only know the things that we know today, because someone passed it down orally as an oli or as a chant. And a really, a really beautiful thing about the process of making the film was being able to, to witness that and also to learn oli myself, and also to learn that Havane and Auntie Pua, who are two of the main protagonists in the film, they both write a lot of oli too. So it's an ancestral technology that's still very much alive and breathing in the present day. And I think that's so beautiful and that yeah, I hope with, you know, all of our different ancestral technologies that we access and learn about at different times that we also can see them as things that are like ever changing and kept current in the present.   Miko Lee: [00:13:29] And what would you like people to walk away with after seeing Standing Above the Clouds?   Jalena Keane-Lee: [00:13:34] I want people to walk away feeling and believing that collective liberation is possible. And that the worlds that we want to create that are centered on care, that don't discriminate based on, you know, any lines of difference, are possible. And it's our responsibility to enact those worlds and protect the things that are sacred to us and important to us. And I want people to walk away thinking about, you know, their own mom and thinking about the importance of sisterhood and community. And I want people to walk away wanting to call their best friend or their mom or reconnect with someone and talk about how it made them feel and what they want to do and what they want to stand for in their own communities. Yeah, I also want people to walk away, you know, fired up about protecting Mauna Kea and other sacred places and signing the petition to stop the 30 meter telescope, which we'll link in the show notes.   Miko Lee: [00:14:44] Thank you so much for joining us.   Next up, listen to APAture feature musician, Ian Santillano. Ian is a Filipino American singer songwriter multi-instrumentalist and producer from Hayward, California. So check out his song, “End of the Earf.”   MUSIC   That was APAture featured musician Ian Santillano with “End of the Earf.”  Now let's check in with dancer Kim Requesto. Kim, welcome to Apex Express.   Kim Requesto: [00:18:12] Hi Miko, thank you so much for having me.   Miko Lee: [00:18:20] I'm starting first with my question I love asking all people: Kim, tell me about who are your people and what legacy do you carry with you?   Kim Requesto: [00:18:26] I was born in the Philippines and I immigrated to the US when I was three years old, but my entire life has been in the Bay Area. A lot of it has been informed by my family and what we've brought over from the Philippines, and that is a lot of dance and specifically Philippine folk dance, because both of my parents were actually dancers. I continue to share Philippine folkloric dance. And I've gotten deeper into that practice by doing research with different indigenous communities in the Philippines. My legacy, I feel, has expanded beyond just the stories of my family and the stories that I come from, but also, the dances and music and culture of the different indigenous communities that I've created connections and relationships with in the Philippines. And then of course, how I've been able to share that with the community here in the Bay Area, and also in the diaspora.   Miko Lee: [00:19:32] Thank you. Kim, you're a multidisciplinary artist. I know you do dance and photography and music and sharing this cultural traditions. Can you tell us a little bit about what you'll be sharing during APAture?   Kim Requesto: [00:19:45] Yes, of course. So what I hope to share during APAture is more of my performance work. Showcasing movement that I've learned while doing research in the Philippines and honing in on Philippine dance and the various traditional dance styles from the different communities in the Philippines. But also, a lot of my work is also involving my experience as someone who's grown up in the Bay area. The work that I'm presenting is really around my experience as a Filipinx American and sharing that through movement that is not just traditional, not necessarily contemporary, but a mixture and a fusion of both. I also do hope to share specifically traditional movement, just because to honor the people I've worked with in the Philippines they requested, you know, before people see this fusion part, it's important that they know what the traditional part looks like as well. I'm really excited to share dance and also some music and I'm part of the Performing Diaspora residency at CounterPulse so I'll be previewing a small work in progress that'll be showcased in December. But I'm really looking forward to just sharing movement with others, and also sharing the stage with the other artists who's part of the festival.   Miko Lee: [00:21:09] I love that. I used to study traditional Japanese noh and kyogen, and I remember one of the things that the elders used to talk about is you're not allowed to derivate from the form until you have the traditional forms down absolutely and understand what they are in your bones. And I feel like that's what your elders are saying, too. Showcase the traditional work so that the fusion work makes sense to other folks.   Kim Requesto: [00:21:34] Mhmm. And it's also, I think, just to honor the cultures back in the Philippines, just to honor them as well.  Because within, in my work, I do feel that it's important that there's a way for me to also uplift what they've taught me and then not just like what I've been doing. [Laughs] So yeah, I guess similar to, to what your elders said too, or I guess in this sense, both of our elders.   Miko Lee: [00:22:02] Yeah, I'm wondering how this fits with the theme of APAture this year, which is Return. Kearny Street Workshop says, from the Palestinian right to return, the call for the indigenous land back movement, the various migrant histories and struggles for justice in our Pacific Islander and Asian communities, and the returns we face in our personal lives. So what does return mean to you? And how is this going to showcase in the work that you're presenting?   Kim Requesto: [00:22:28] For myself, returning means finding our truth. At least to me in this present day and age [laughs] of my life, it's really finding that truth or finding our truth and being able to also share and connect with others. The theme of returning also is being able to connect and understand, not just the histories that we've experienced, but also the histories that our bodies have experienced. I guess the way we'll be seeing it in what I'm going to be sharing with everyone is really looking through the lens of movement and how I fuse my experiences as someone who is Filipino, but also who is positioned here in the Bay Area. And being able to also find my truth in that movement, because even though a lot of the movement I'll be showcasing is from the southern part of the Philippines, I'm sharing it here in the Bay Area. And also to fuse it with my experience as someone who has grown up in San Francisco. There's a different positionalities in that. My movement is also different. I think in that idea of fusion and in the idea of also learning traditional movement, but also understanding my positionality and my body and my identity and fusing that together. It's the idea of finding, going back to finding my truth and you know, for me, it's like finding that in movement.   Miko Lee: [00:24:01] Thank you so much. My last question is, what are you reading, watching, or listening to? Is there something that is sparking your imagination right now?   Kim Requesto: [00:24:11] What I'm listening to, it's a lot of like melodic, soft, instrumental music. I'm back at a period of wanting to listen to jazz or to even like classical music. And it's just been helping me breathe and I think breathing, being able to find rest, being able to find like calm. Especially since I think for my personal life, I'm getting busy. Being able to rest gives me a lot of like opportunity to be creative after I've rested. So yeah. I think listening to music that makes me happy has been really great for me finding calmness and happiness. If I had to name an artist, it would be Olivia Dean grooves. Yes.   Miko Lee: [00:25:01] Thank you. Is there anything else you'd like to add?   Kim Requesto: [00:25:04] I'm just really looking forward to APAture this year and seeing everything from all the different artists and disciplines. I think having a space in APAture with Kearny Street Workshop and just being able to continue to share art with, like, the community. The greater Bay Area community is such a privilege because it really does feel like a place where people can connect with other artists and also audience members, and I'm just really thankful to APAture and to KSW and also just thank you, Miko, for talking with me.   Miko Lee: [00:25:37] Thanks so much. I look forward to seeing your work at APAture this year. Thanks, Kim.   Kim Requesto: [00:25:42] Thanks, Miko.   Miko Lee: [00:25:43] You're listening to apex express on 94.1, KPFA Berkeley, 89.3, KPF B in Berkeley, 88.1 KFCF in Fresno and online@kpfa.org. Once again, we hear from APAture featured musician Ian Ian Santillano with “Movin' Nowhere.”   MUSIC   That was APAture featured musician Ian Santillano with “Movin' Nowhere.” Finally tonight, I speak with the person who is unable to return to his Homeland, Hong Kong activist, Nathan Law. And I also speak with filmmaker Joe Piscatella. Nathan Law was one of the student leaders during the 79 day Umbrella Movement in 2014. He is also the founder and former chair of Demosisto a new political party derived from the 2014 protests. And now he is an exile in London. I speak with both Nathan Law and documentary filmmaker, Joe Piscatella. Today we're speaking about the documentary film Who's Afraid of Nathan Law, and I'm so thrilled that we have with us both the filmmaker and Nathan Law himself. So Nathan, I want to start with you. First off, this is a question I ask many guests. Can you please tell me who are your people and what legacy do you carry with you?   Nathan Law: [00:31:26] Yeah, thank you so much for the invitation, Miko. This movie is about the struggle of Hong Kong's democratic movement. As we all know, there's been decades of the Hong Kong democratic movement, in which we fight for the right to elect our leaders and universal suffrage. And this is deeply embedded into our culture because we often see Hong Kong as somewhere the East meets the West. The East is of course, the Chinese heritage, our culture, our languages. But, the Western part is that there's a big part of it that's about freedom, liberty, and the democratic way of life. So, the fight for democracy in Hong Kong has been deeply ingrained in our culture and becomes essential part of who we are. So this movie is about my story, but it's also a reflection of the way of life of Hong Kong people and what are the struggles and difficulties that they've been through and how the city of Hong Kong is being demolished by the authoritarian regime, Chinese Communist Party.   Miko Lee: [00:32:29] Nathan thanks so much. I love that you gave a little blip about what the film is about, which is powerful. I was lucky to have a chance to be able to see it, but Nathan, I'm wondering about you personally, who are your people and for you, what do you carry? Like, what's your earliest memory of social justice?   Nathan Law: [00:32:47] For me, I grew up in Hong Kong, but I was born in mainland China. So I moved to Hong Kong when I was six. I lived in the most blue collar neighborhood. I lived in public housing. My father was a construction worker and my mother was a cleaner. So when I grew up, I was not taught about social justice or democracy. My parents had the mentality that I call refugee mentality, which they only want their kids to get into a good school and get a good job and don't rock the boat. So I've not been encouraged to do anything that I'm currently doing. But, in my high school, I had a political enlightenment moment, which inspired me to get into the arena of activism in college. So when I was in high school, I learned about Liu Xiaobo the Chinese human rights activist who got the Nobel Peace Prize in 2010, and the stories of Tiananmen Massacre, which was a tragedy in 1989 when there were so many workers and students, they fought for China's democracy, and then they were brutally massacred, and there were hundreds to thousands of people died because of the crackdown. So all these moments make me feel like, as a college student and as a half intellectual, I had responsibility to engage in social affairs and be involved in social activism. So that was the start of my story and the people, my people, certainly people of Hong Kong and those people who have the pursuit of freedom and democracy.   Miko Lee: [00:34:33] Thanks, Nathan. And filmmaker Joe Piscatella, can you tell us how you got the first inspiration to create this documentary around the Umbrella Movement and around Nathan?   Joe Piscatella: [00:34:44] Sure. So, in 2017 my team and I made a film prior to this called Joshua: Teenager vs. Superpower and that film documents the rise of Joshua Wong in the national education movement and then through the Umbrella movement and that film won Sundance in 2017 and is still currently on Netflix. And when we were looking to do our next film we realized one, the story of Hong Kong was, was continuing. There was more story to tell as the 2019 anti extradition protests were happening, and we wanted to be able to tell that story until the next chapter. And we also were so impressed. When we were making the Joshua Wong film, we were so impressed with Nathan. We were moved by his story, we were moved by his passion, we were all inspired by what he was doing. And we realized, hey, Nathan has a phenomenal story to tell in his own right. Let's tell the story of Hong Kong through the lens of Nathan Law.   Miko Lee: [00:35:48] Thank you. And Nathan, what was the decision making factor that you decided to go along with being part of this documentary film?   Nathan Law: [00:35:58] First of all, Joe and I and the other film crew, we had a connection when the Joshua Wong documentary, uh, was being produced. So I had already had the opportunity to work with them. I think, for the team, they're not only just producing, like, a documentary, But they genuinely do care about human rights and the story of Hong Kong and the struggles. So I think that gave a huge confidence to me and my fellow Hong Kong activists that they're definitely going to tell a story that make more people to understand what we are struggling and the fight for democracy. So I think this is a great collaboration and I think this documentary encapsulates past 10 years of my life and pretty much, the struggles to democracy and I think that that has a lot of reflection on it, but also like a lot of Hong Kong people would echo what was being covered in the documentary, because my life is pretty much also the lives of many other Hong Kong people being through all these big times, democratic struggles and ending up needing to leave their hometown and to resettle in somewhere else.   Miko Lee: [00:37:14] Thank you. It's really enlightening, especially for someone like me who is fifth generation Chinese American, does not speak Chinese, and it's very hard to actually get any kind of, you know, quote unquote, accurate information about what's happening in Hong Kong and the activist movement. How would you suggest people get accurate news of what's happening in Hong Kong?   Nathan Law: [00:37:37] For now, it's extremely difficult because the press freedom in Hong Kong is being squashed. There have been a multiple actions taken by the government that they disbanded, the most free and crowd sourced and critical news outlets to the Chinese regime. And for now, most of the media in Hong Kong have to follow the orders of the government and only express certain point of view that do not upset Beijing. So we don't have much room, but still we have some very small independent media that they can still operate with a very limited resources, for example, Hong Kong Free Press. This is one channel that we can get more impartial news. But at the end of the day, there has been a vacuum of independent journalism, and that is in, like, intentionally made by the government because the government doesn't want information to be circulated. They want to control the narratives and the information that people know. And by controlling it, they can effectively push forward the propaganda. So that is a predicament of Hong Kong people. And we do want more genuine independent journalism, but the reality of Hong Kong doesn't allow.   Miko Lee: [00:39:04] And Joe, how is this film being released in Asia? What's the reception to this film in Asia?   Joe Piscatella: [00:39:12] The film has not been released yet in Asia. it is about to, it actually premieres tonight, on PBS, on, POV on PBS, and then it'll stream at pbs.org/POV for the foreseeable future. So I have not gotten what the reaction is yet in Asia to this film.   Miko Lee: [00:39:33] Okay, we'll have to wait and see. It is exciting that people can have easy access to be able to see the film on public broadcasting, at least in the United States, and we'll wait and see what happens in Asia. Nathan, you are now, with Political Asylum living in London, and I'm wondering how you practice activism there in Hong Kong when you are living in London.   Nathan Law: [00:39:56] When the political crackdown in Hong Kong took place. The activism in the diaspora community becomes much more important because we can say something that you cannot say in Hong Kong and we can raise awareness by interacting with foreign government officials and international NGOs. If you do it in Hong Kong under the restriction of the national security law now, by meeting, for example, a congressman in the US, you can easily be incarcerated and be sentenced to years of imprisonment in Hong Kong. That is how strict the political sentiment there. And also if you speak about critical things towards the government or express supportive statement to the 2019, protest, you will also be targeted, sentenced, and maybe ended up in months or years in the prison. So we've had all these court cases where people only do peaceful advocacy work without inciting violence or committing violence, but they are being thrown to jail because of speech. And it's common to have speech crime in Hong Kong. So the diaspora community shoulders certain responsibility to speak out all those demands and, and the push for Hong Kong and China's democracy. So for me, in London, there's been a growing population of Hong Kong people because of the fact that people voted with their feet, there has been a exodus of Hong Kong people for now that's already been more than 200,000 of them that have come to the UK because of the worsening liberty situation in Hong Kong. And with that many amounts of people we have a lot of community and cultural events. One of the biggest goal is to preserve the story and the history and the identity of Hong Kong people, which is being erased in Hong Kong actively by the government.   Miko Lee: [00:42:02] And what's going on with the Umbrella Movement now? Like I said, it's very hard for us outside of your film to get information about what is happening right now. Can you give us an update?   Nathan Law: [00:42:14] Yeah, the Umbrella Movement was the occupation movement 10 years ago in pursuit for democracy. It's been 10 years, but I think its legacy is still impacting Hong Kong. It's the very first civil disobedience movement in a massive scale in Hong Kong. There were hundreds of thousands of Hong Kong people camping in the BCS runway in order to fight for a free and democratic society. Fast forward five years ago, there was a big, anti extradition law protest in Hong Kong in 2019 to 2020. It was the latest big uprising of Hong Kong people where you encounter much more ferocious and militant protests. And of course, it triggered a series of response from the government, which includes the implementation of the national security law, which in effect curtailed the city's freedom and civil society. So, it's been 10 years. We had more optimistic outlook of Hong Kong 10 years ago. But for now, the situation in Hong Kong is really bad, as I mentioned. Speech crime is in place, civil liberties and individual freedoms are being heavily restricted, civil society is disbanded. Some of the interviewees in the documentary, including my dearest friend, Joshua Wong, and Gwyneth Ho, they are now being in jail for more than three and a half years just because of joining a primary election, which is the thing that all democratic countries do, but in Hong Kong, it becomes a crime. And they are expecting to be sentenced, at the end of this year, to up to five to ten years of imprisonment just because they do, they do the exact same thing that other politicians in democratic countries do. So this is a really sad reality that we've put up so much effort, so much sacrifices to the democratic movement, but for now, as the Chinese regime is just so powerful. So it's difficult for us to get some progress in our democracy.   Miko Lee: [00:44:32] Is there anything that folks over here that believe and want to support the movement? Is there anything that we can do to help support the folks that are incarcerated or support the movement?   Nathan Law: [00:44:44] First of all, attention and support is really important. So by spreading words of the theme or the current situation of Hong Kong, it helps a lot. And of course we need more representative in the hill to push over Hong Kong agenda and there are a few bills about advancing Hong Kong's advocacy in the hill that's being discussed. Those are the things that we can write to our representative and ask them for support. But at the end of the day, it's also that the struggle of Hong Kong is a puzzle, a piece of puzzle in a broad picture of the struggles against authoritarianism and autocracy. We've been through a decade or two of democratic decline around the world and Hong Kong was part of it. So one thing to raise awareness of the issue of Hong Kong is also to protect your democracy. We are in an election year and you should do your homework, be educated, and be decided to come out to vote. This is an act of safeguarding our democracy.   Miko Lee: [00:45:52] And from your perspective as a Hong Kong person who's now living in London, do you have thoughts on the upcoming American presidential campaign?   Nathan Law: [00:46:03] Well, of course, this is a particularly important, election as the world has been, in like a chaotic situation as we've seen the warfare in Ukraine, in Gaza, and also all the political crackdowns in Hong Kong and around China, and also the threat to Taiwan. So for me, as a person who dedicated myself into the fight for human rights and democracy, definitely, I do hope that people can, American people can elect someone who upholds the values that we share and is very determined to, to support Taiwan and the struggle of Hong Kong. So that would be my parameter when it comes to the US election, but at the end of the day, I'm not a US citizen, so I don't really have a stake in this. campaign. But, yeah, I think we we need a leader that that can lead the free world and to do good things   Miko Lee: [00:47:06] And Nathan I know as an activist as a leader, you've gotten a lot of attention. And I know that there have been personal attacks against you for both yourself and people that are close to you, including your family members. How do you persevere through that?   Nathan Law: [00:47:26] It's difficult to cope with the harms that that's exerted, not only to you, but to your family, because they actually have nothing to do with everything I do. This collective punishment is evil, and it's intentionally used to hurt you. So it's difficult to persevere and navigate myself in these attacks, including personal attacks and also collective punishment to my family and my former colleagues. So, yeah, I think for me, it takes a lot of time to digest and to find a way to balance it. And it's not easy. One thing that I think is great to be portrayed in the film is that for us, we are activists, we are leaders, but we're not, we're not invincible. We're not without any pains and struggles. So as an activist, I think most of my time is actually being used to cope with anxiety, cope with fear, and how I can maintain as mentally healthy as possible in these political storms.   Miko Lee: [00:49:04] And how do you do that?   Nathan Law: [00:49:05] It's not easy, yeah.   Miko Lee: [00:49:06] How do you do that, Nathan? How do you cope with the anxiety and the fear? What's do you have a process that helps you?   Nathan Law: [00:49:16] I think first of all, you have to recognize that is it's normal to have these emotions. This these are definitely emotions that disturb your lives, your work, but they're normal because you are situated in an extraordinary situation and people from all corners, they want a piece of you or they want to attack you to achieve their purpose. And I think as long as you recognize it, as you, as, as long as you know that you are suffering from it, first of all, having a support group is really important for those people who understand who you are and who support you unconditionally, and also seeking professional help, no matter if it's a therapist or a psychiatrist, those who can listen to you and, and just try out. I don't think there is a one set of measures that fit for all, and that there is such a rich combination of how you can deal with anxiety and pressure. But I think the very first thing is you, you have to recognize that it's normal to have these emotion. You need to seek help and you need to try them out.  Otherwise, it's difficult for the others to help you, and those who love you would also be hurt, seeing you suffering from all these negative emotions.   Miko Lee: [00:50:47] Thank you for sharing. My last question for you, Nathan, is what was it like the first time you saw the finished documentary, seeing yourself up there on the big screen? What did that feel like for you?   Nathan Law: [00:50:58] It feels extremely weird. I still cannot get around the idea that, yeah, there's a big screen and there's my face and there's my voice. Even though I've been doing all these interviews and, and like video-taking for the past decades, it is still difficult to kind of get used to it. But also I'm, I'm glad that Joe and the team have produced a wonderful documentary. That's been a really good reception and people are understand more about Hong Kong through the lens of my story, and I'm grateful for that. So, yeah, as long as I can introduce that film to the others, go to Q&A and chat about it, I would love to do it, and I'm really proud of the result.   Miko Lee: [00:51:52] Thank you so much. And Joe, for you as the filmmaker, what is it that you want people to understand about this film?   Joe Piscatella: [00:52:01] What I want the audiences to take away is that, yes, this is the story of Hong Kong. Yes, this is the story of Nathan Law and other activists fighting for Hong Kong. But in so many ways, this is also a story for the rest of the world. Right now, we are at a point where, you know, democracy is in peril in many parts of the world. And what I want audiences to take away from this film is, if you don't participate in your democracy, if you do not do what you can to fight for and safeguard your freedoms. They can disappear very, very quickly.   Miko Lee: [00:52:37] Thank you very much, filmmaker Joe Piscatella and Nathan Law for talking with me about the new documentary film, Who's Afraid of Nathan Law?, which people can catch on POV PBS. We are so happy to see the film, to see that it's out there. I look forward to hearing more about the world's response to this powerful work. Thank you so much.   Nathan Law: [00:53:03] Yeah, thank you, Miko.   Joe Piscatella: [00:53:05] Thank you.   Ayame Keane-Lee: [00:53:07] Let's listen to one more song from APAture's 2024 featured musician Ian Santillano. This is “Overthinkings.”   MUSIC   You just listen to Ian Santillano and Āish's “Overthinkings.” You can check out Ian on Sunday, October 13th at the DNA Lounge for the APAture Music Showcase.   Miko Lee: [00:56:53] Please check out our website, kpfa.org to find out more about our show tonight. We think all of you listeners out there. Keep resisting, keep organizing, keep creating and sharing your visions with the world because your voices are important. APEX Express is created by Miko Lee, Jalena Keane-Lee, Preeti Mangala Shekar, Anuj Vaidya, Swati Rayasam, Aisa Villarosa, Estella Owoimaha-Church, Gabriel Tangloao, Cheryl Truong and Ayame Keane-Lee.  Tonight's show was produced by Miko Lee and edited by Ayame Keane-Lee. Have a great night.   The post APEX Express – 10.10.24 – Return appeared first on KPFA.

Come fill up my cup. Come up saddle my horses and listen to the Irish & Celtic Music Podcast #679. Subscribe now! The BorderCollies, Fig for a Kiss, The Drowsy Lads, Blackthorn, Conamara Chaos, Jesse Ferguson, Dancing With Hobbits, Wylde Nept, Fidra, Goitse, Tarren, Clanna Morna, DLÙ, The Walker Roaders, The Irish Lassies GET CELTIC MUSIC NEWS IN YOUR INBOX The Celtic Music Magazine is a quick and easy way to plug yourself into more great Celtic culture. Enjoy seven weekly news items for Celtic music and culture online. Subscribe now and get 34 Celtic MP3s for Free. VOTE IN THE CELTIC TOP 20 FOR 2024 This is our way of finding the best songs and artists each year. You can vote for as many songs and tunes that inspire you in each episode. Your vote helps me create next year's Best Celtic music of 2024 episode. You have just three weeks to vote this year. Vote Now! You can follow our playlist on Spotify to listen to those top voted tracks as they are added every 2 - 3 weeks. It also makes it easier for you to add these artists to your own playlists. You can also check out our Irish & Celtic Music Videos. THIS WEEK IN CELTIC MUSIC 0:02 - Intro: Today's episode is sponsored by fantasy and Steampunk author, poet and songwriter, Rie Sheridan Rose. You can find her work on Amazon and throughout the net. 0:15 - The BorderCollies "Country Cable  -  Jim Wards" from To the Hills and Back 4:45 - WELCOME 7:27 - Fig for a Kiss "Sound of Sleet" from Wherever You Go 11:02 - The Drowsy Lads "Day of the Clipper (Song)" from Wide Awake 14:55 - Blackthorn "O'Donnell's Lament" from Here's To You 19:06 - Brobdingnagian Bards “Soul Of A Harper” from Brobdingnagian Fairy Tales 22:33 - FEEDBACK 26:11 - Jesse Ferguson "Bonnie Dundee" from Ten 29:54 - Dancing With Hobbits "Brandywine River Reel" from Dancing With Hobbits 33:06 - Wylde Nept "The Maid O' Fifeo" from All's Fair 35:30 - Fidra "Far From You" from The Running Wave 40:25 - THANKS 43:17 - Goitse "Trip to Mauna Kea" from Rosc 47:39 - Tarren "Old Tom of Oxford" from Revel 51:02 - Clanna Morna "The Moonshiner" from From The Lowlands To The High Seas 53:15 - DLÙ "Vitamin T" from Close To 56:53 - The Walker Roaders "A Meteor at a Time" from The Walker Roaders 1:02:27 - CLOSING 1:03:26 - The Irish Lassies "Hammer Up Whisky Down" from Hammer Up Whisky Down 1:08:19 - CREDITS The Irish & Celtic Music Podcast was produced by Marc Gunn, The Celtfather and our Patrons on Patreon. The show was edited by Mitchell Petersen with Graphics by Miranda Nelson Designs. Visit our website to follow the show. You'll find links to all of the artists played in this episode. Todd Wiley is the editor of the Celtic Music Magazine. Subscribe to get 34 Celtic MP3s for Free. Plus, you'll get 7 weekly news items about what's happening with Celtic music and culture online. Best of all, you will connect with your Celtic heritage. Please tell one friend about this podcast. Word of mouth is the absolute best way to support any creative endeavor. Finally, remember. Reduce, reuse, recycle, and think about how you can make a positive impact on your environment. Promote Celtic culture through music at http://celticmusicpodcast.com/. WELCOME THE IRISH & CELTIC MUSIC PODCAST * Helping you celebrate Celtic culture through music. I am Marc Gunn. This podcast is for fans of Celtic music and maybe for those who have a hankering to travel to the Celtic nations like I do. It is here to build a diverse Celtic community and help the incredible artists who so generously share their music with you. If you hear music you love, please email artists to let them know you heard them on the Irish and Celtic Music Podcast. Musicians depend on your generosity to keep making music. So please find a way to support them. Buy a CD, Album Pin, Shirt, Digital Download, or join their communities on Patreon. You can find a link to all of the artists in the shownotes, along with show times, when you visit our website at celticmusicpodcast.com. Today's show is sponsored by Rie Sheridan Rose. Rie writes many things, but one of her favorite things to do is to create a new song and send it out in the world. Thanks to the brilliance of her musicians, they always sound lovely, even though she can't write a note of music. Rie was one of our generous supporters of our Kickstarter earlier this year. She's a fantastic writer and songwriter. In fact, I've set many of her poems to music. Half of my Firefly album, As Long As I'm Flyin' was written by Rie. Most of my album Don't Go Drinking With Hobbits, was written by her as well. She wrote ALL of the lyrics for my album, Pirates vs Dragons. She also wrote the song “Soul of a Harper” which I'll share today as well. Follow the link in the shownotes to learn more about Rie Sheridan Rose. You'll also find a link to her enormous collection of books and writings on Amazon. I am all packed and ready to fly to Scotland later this evening. I have one week in Scotland followed by a week visiting my mom in Italy. I'll try to post a blog on Patreon during the week to let you know how things are going and if we find any new favorite places to hike in Scotland. You can follow our Patreon page for free and get some blogs. If you are a Celtic musician or in a Celtic band, then please submit your band to be played on the podcast. You don't have to send in music or an EPK. You will get a free eBook called Celtic Musicians Guide to Digital Music and learn how to follow the podcast. It's 100% free. Just email Email follow@bestcelticmusic and of course, listeners can learn how to subscribe to the podcast and get a free music - only episode. THANK YOU PATRONS OF THE PODCAST! You are amazing. It is because of your generosity that you get to hear so much great Celtic music each and every week. Your kindness pays for our engineer, graphic designer, Celtic Music Magazine editor, promotion of the podcast, and allows me to buy the music I play here. It also pays for my time creating the show each and every week. As a patron, you get ad - free episodes before regular listeners, vote in the Celtic Top 20, stand - alone stories, you get a private feed to listen to the show or you can listen through the Patreon app.  All that for as little as $1 per episode. In fact, there's a new Highlight Reel now available to all Patrons of the Podcast. A special thanks to our Celtic Legends: Bruce, Brian McReynolds, Marti Meyers, Alan Schindler, Karen DM Harris, Emma Bartholomew, Dan mcDade, Miranda Nelson, Nancie Barnett, Kevin Long, Gary R Hook, Lynda MacNeil, Kelly Garrod, Annie Lorkowski, Shawn Cali HERE IS YOUR THREE STEP PLAN TO SUPPORT THE PODCAST Go to our Patreon page. Decide how much you want to pledge every week, $1, $5, $25. Make sure to cap how much you want to spend per month. Keep listening to the Irish & Celtic Music Podcast to celebrate Celtic culture through music. You can become a generous Patron of the Podcast on Patreon at SongHenge.com. TRAVEL WITH CELTIC INVASION VACATIONS Every year, I take a small group of Celtic music fans on the relaxing adventure of a lifetime. We don't see everything. Instead, we stay in one area. We get to know the region through its culture, history, and legends. You can join us with an auditory and visual adventure through podcasts and videos. Learn more about the invasion at http://celticinvasion.com/ #celticmusic #irishmusic #celticmusicpodcast I WANT YOUR FEEDBACK What are you doing today while listening to the podcast? Please email me. I'd love to see a  picture of what you're doing while listening or of a band that you saw recently. Email me at follow@bestcelticmusic. Russell Howell emailed: "Tractoring on our smallhold while listening! Really love the show, it is my companion anytime I am on the tractor or making mead!" Maura Goodin emailed: "Good afternoon, I didn't expect to be writing in to a podcast today, but I had yesterday's episode playing while I was working from home today and was pleasantly surprised by the second track you selected, by Keltricity; the set they were playing is all tunes that my dad, John Goodin, composed. He passed away two and a half years ago now. He was a mandolinist and guitarist, who composed a pretty wide range of music from dance tunes to classical pieces; the Classical Mandolin Society of America has preserved his website and blog at https://mandotopia.classicalmandolinsociety.org/, where he collected all his recordings and sheet music (much of it freely available under a Creative Commons license and maintained by CMSA). I see that Keltricity is from Louisville, which makes sense, as my dad was one of the founding members of the Louisville Mandolin Orchestra before my family relocated to northeastern Iowa; he kept in touch with a lot of the local musicians and the Louisville Mandolin Orchestra actually played so many of his pieces that they ended up recording a CD of them (called, of course, "It's All Goodin"). The tunes Keltricity played in that set are all ones that were in the repertoire for my dad's contra dance band, Contratopia, and that recording featured some of his published harmony parts as well. Contratopia still regularly plays for dances here in Minneapolis where I live, at the same folk dance hall where my own band plays, so we're keeping up the music since he's gone. I'm not sure if you've ever played Contratopia on the show, sorry  -  -  I definitely haven't listened to the full back catalog of podcasts, though I've been an occasional listener for many years!  -  -  but I know you've played a track by another band that their pianist is in, Brass Lassie, so if you haven't checked their recordings out, you might like to! Their albums all have a mix of original tunes by band members and traditional tunes in Celtic and old - time styles. They used to tour the DC area contra dance scene and play for the Sunday afternoon all - waltzes dances there, so there's probably more than your average number of waltzes on their albums. Sorry for such a long email! Last bit of fun trivia as a thank - you, the "Maggie" in the tune name from that set is our old family dog, a border collie we had when I was little. (She predated the digital age or I'd include a photo!) My dad wrote so many tunes that he named them after anything he could think of (or just the day he wrote them, if he never got around to a proper name), so there's several named after our various pets. This set has another one named after Maggie: https://www.youtube.com/watch?v=56neWaCahc4 I hope you have a good weekend, and thanks again for the great surprise!"  

UCSB Chancellor Henry Yang is stepping away from his top role in June. KCSB's Robert Stark speaks with Henry Dubroff of the Pacific Coast Business Times about the instrumental role Yang played in creating an innovation hub on the Central Coast, his legacy and the impact he made in his three decades on the job. One of Chancellor Yang's passion projects has sparked passionate outcry on campus. Yang has played a key role in a plan to put a giant telescope atop an Hawaiian island, a project that many local residents oppose. KCSB's Alexandria Pak speaks with members of the student group Mauna Kea Protectors to find out more.

Live lives of love.1 Corinthians 13:2If I have the gift of prophecy and can fathom all mysteries and all knowledge, and if I have a faith that can move mountains, but do not have love, I am nothing.Remaster of Episode 6, originally released on May 1, 2019.Support the Show.

A year ago, Matt thought his running days were over. His knees were bone-on-bone, he was arthritic, and he couldn't run downhill to save his life. Now 50 years old, he recently set the FKT on Mauna Kea, just missed the master's record at Mt Marathon, and is training 12+ hours per week.  

Send us a Text Message.You can watch Standing Above The Clouds in person or virtually at the Black Star Film Festival on Friday, August 2nd! For more info, click hereStanding Above The Clouds is a documentary that follows mother and daughter activists of three native Hawaiian families after a massive thirty meter telescope is proposed to be built on the sacred mountain, Mauna Kea. Director Jalena Keane-Lee and activist/artist Hāwane Rios join us virtually to discuss intergenerational healing through activism, how Jalena was able to gain the trust of the people in order to make this film, their focus on mental health and love, and the importance of staying connected to your humanity in the face of adversity.VOTE for Bitch Talk Podcast in the 48 Hills Best of the Bay 2024 Readers Poll HEREFor more information on Mauna Kea, click hereFollow Standing Above The Clouds on IGFollow Protect Mauna Kea on IG Follow director Jalena Keane-Lee on IGFollow artist/activist Hāwane Rios on IGSupport the Show.Thanks for listening and for your support! We couldn't have reached 11 years, recorded 800+ episodes, and won Best of the Bay Best Podcast in 2022 and 2023 without your help! -- Be well, stay safe, Black Lives Matter, AAPI Lives Matter, and abortion is normal. -- Subscribe to our channel on YouTube for behind the scenes footage! Rate and review us wherever you listen to podcasts! Visit our website! www.bitchtalkpodcast.com Follow us on Instagram & Facebook Listen every Tuesday at 9 - 10 am on BFF.FM

Last week we released Aloha ‘Āina, the second film in our Shifting Landscapes documentary film series, which tells the story of how acclaimed Native Hawaiian poet Jamaica Heolimeleikalani Osorio brought her poetry and love of the land to the forefront of the movement to protect the sacred Mauna Kea from the construction of a thirty-meter telescope. To complement the film, we're returning to an investigative story we published several years ago when moves to begin construction first ignited protest at the foot of the mountain. Written by Chelsea Steinauer-Scudder, this story—rich with the voices and chants of Mauna Kea land protectors—traces the collision of values that continues to play out on the mountain, giving a depth of context to the promise of guardianship maintained by the Kanaka Maoli community. Read the transcript. Watch the film Aloha ‘Āina, by Adam Loften and Emmanuel Vaughan-Lee, the first in our four-part Shifting Landscapes documentary film series. Photo by Kapulei Flores. Learn more about your ad choices. Visit megaphone.fm/adchoices

The Caltech Submillimeter Observatory decommissioning process; A new film about a legendary surfboard designer Dick Brewer

On this episode we chat with author Malia Maunakea about her latest middle grade novel, Lei and the Invisible Island, which concludes her MG duology following the summer adventures of Lei, a Native Hawaiian girl from Colorado, who rediscovers her roots as she deals with the antics of spirits and gods drawn from Hawaiian folklore while visiting her grandmother in Hawaii for the summer. Malia shares with us her journey as an author, the inspirations for her series, as well as her thoughts on Native Hawaiian/Pacific Islander representation in literature.Follow Malia on Instagram at @maliamaunakea and check out her novel Lei and the Invisible Island, available now on the Books & Boba bookshop!Books & Boba is a podcast dedicated to reading and featuring books by Asian and Asian American authorsSupport the Books & Boba Podcast by:Joining our Patreon to receive exclusive perksPurchasing books at our bookshopRocking our Books & Boba merchFollow our hosts:Reera Yoo (@reeraboo)Marvin Yueh (@marvinyueh)Follow us:InstagramTwitterGoodreadsFacebookThe Books & Boba June 2024 pick is Greta & Valdin by Rebecca K. ReillyThis podcast is part of Potluck: An Asian American Podcast Collective

KCSB's Alexandria Pak interviews two representatives of the Mauna Kea Protectors about their mission and how students can become involved in their cause. UCSB Religious Studies professor Greg Johnson sheds light on the context surrounding Mauna Kea and the Thirty Meter Telescope Project.

The first observatory on the summit of Mauna Kea has officially been removed and the site is restored. UH's timeline for clearing the mountain top. Phone scam warning. Someone is posing as an HPD officer with bogus claims. How to protect yourself.  Transforming the convention center. The Festival of Pacific Arts and Culture is right around the corner. Why the project director says this is a once in a lifetime experience. See omnystudio.com/listener for privacy information.

Kit Ebersbach, a multifaceted musician and arranger, shares his extensive journey through Hawaii's vibrant music scene in this personal interview. Recorded in his Honolulu studio, Kit reflects on his 30-plus years at Pacific Music Productions.I hope most of you will enjoy the interview. This is a free flowing conversation. Just let it wash over you like you are hanging out with Kit in the studio. Kit's passion for Hawaii, music and creative curiosity is shared.Kit began his musical journey in the jazz clubs and R&B groups of 1960s and 1970s Hawaii. His earliest recordings were with legends like Gordon Broad, Lemuria, and Babadu. In the following decade, Kit co-founded Hawaii's first new wave band, The Squids, whose ethos of “best quality under the circumstances” resonated deeply with the youth of the time. They were passionate, tongue-in-cheek, and constantly searching for something different.The 1980s saw Kit and his left-field collaborators Robert ÆOLUS Myers, Nelson Hiu, and Frank Orrall pushing the boundaries of music and performance art with the highly experimental group Gain Dangerous Visions. They experimented with performance art, technology, and improvisation to create truly mind-bending experiences.In the 1990s, Kit teamed up with advertising executive Lloyd Kandell to recreate the sound of exotica with Don Tiki. This group was one of the first to reignite the world's fascination with the pseudo-Polynesian lounge music of the 1950s.These days, Kit lends his talent to some of Hawaii's greatest singers, including Starr Kalahiki and Teresa Bright. His approach as an arranger and accompanist is playfully calculated and carefully exacting, bringing out the best in every performance.Kit discusses the evolution of Hawaii's music scene from pre-tourism days, its role as a Vietnam War R&R destination, and the diverse musical opportunities it provided. He reflects on the cultural humility required to thrive in Hawaii and the profound influence of Hawaiian culture and its resistance to external pressures, such as the proposed Mauna Kea telescope project.Kit's dedication to both commercial and non-commercial music is evident in his field recordings and his experimental projects. He emphasizes authenticity and the joy of creating music for personal fulfillment rather than commercial success. His work with the Aloha Got Soul record label and ongoing exploration of sound highlight his continued passion and innovation in music.Kit walks us through some recent songs and closes with some notes and personal reflections on the power of Hawaii, place and finding his creative inspiration in it.Some highlights that I enjoyed:On Finding Everything Interesting / On Being Authentic / On Finding ValueOn the essence of mana / On the spirit of HawaiiI hope most of you will enjoy the interview. This is a free flowing conversation. Just let it wash over you like you are hanging out with Kit in the studio.Time Stamps* (00:00:00) Introduction - Opening Clip from Gene Artery* (00:04:00) Kit's background: Growing up in New Jersey, moving to Hawaii* (00:06:00) Music scene in 1960s Hawaii and avoidance of the draft* (00:08:00) First experiences with psychedelics* (00:09:00) Balancing commercial and experimental music, formation of The Squids* (00:10:00) Involvement in the Renaissance of Hawaiian culture* (00:11:00) Realization of the need for humility in Hawaii* (00:12:00) Collaboration with Starr Kalahiki and cultural connection* (00:18:00) Early field recording experiences* (00:24:00) Collaboration with Hawaiian Airlines for in-flight music* (00:28:00) Thoughts on AI in music* (00:29:00) Advice for other musicians* (00:30:00) Reflection on other musicians' talent* (00:31:00) Being humbled by music and life experiences* (00:33:00) Participatory nature of music performance* (00:35:00) Views on direct-to-fan relationships* (00:38:00) The enduring presence of Hawaiian culture* (00:44:00) Sharing recent compositions and projects* (00:47:00) Detailed discussion on recent album projects* (00:48:00) Description of specific projects and methodologies* (00:51:00) Philosophical thoughts on local identity and creation* (00:52:00) Insights into the spiritual aspects of living in Hawaii* (00:54:00) Kit's overall experience and the essence of living in Hawaii / “Beeg Mahalos”Other Notes:Gene Artery — opening song of the 2020 album Itchi Lee Presents the Dalai Lawnmower, Kit's first covid-sequester musical endeavor. This, along with all subsequent album releases, was constructed entirely inside a digital-audio workstation, using software plugins and synthesizers, found internet audio material, and an archived collection of audio files which had aroused his interest in the past.Other samples fromKīpuka and Stopover(Closing Track) are from the album BuoyMore information @Kit Ebersbach @ Aloha Got SoulKit Ebersbach Band CampInterview @ Leafbox.com Get full access to Leafbox at leafbox.substack.com/subscribe

A massive development project on Hawaii Island is on hold this morning. You'll hear from both sides. The federal government is extending a housing deadline for Maui fire survivors. The new moratorium on foreclosures. A special opportunity. UH Hilo students got to name a new astronomical instrument on Maunakea. What that device does and what they named it. See omnystudio.com/listener for privacy information.

Tom Peek, author of Mauna Kea: A Novel of Hawai’i, joins guest host Jeremy Vaeni to talk about the truths that underlie his latest book on Hawai’i’s most sacred mountain, a place where science and magic come together and also clash.    Order this fantastic read here: https://www.amazon.com/Mauna-Kea-Hawaii-Tom-Peek/dp/1632261200/   To learn

Dr. Al Grauer hosts. Dr. Albert D. Grauer ( @Nmcanopus ) is an observational asteroid hunting astronomer. Dr. Grauer retired from the University of Arkansas at Little Rock in 2006. travelersinthenight.org Today's 2 topics: - Recently a relatively dim object, Comet P/2016 BA14 flew past Earth at about 9 times the distance to our Moon from us. It was the third closest comet approach in recorded history. This situation allowed NASA scientists to use the Goldstone Solar System Radar located in California to obtain detailed RADAR images. These revealed the nucleus of P/2016 BA14 to be about 3000 feet in diameter. It slowly spins once very 35 to 40 hours as it travels on its 5.26 year orbital path around the Sun. Observations by the NASA Infrared Telescope Facility on Mauna Kea reveal the nucleus to be as dark as fresh asphalt which means it's surface is about 4 times darker than that of our moon. - A careful study of the Earth's motion in space is a key to understanding past climate change and enables us to predict future patterns of flooding and drought.Wobbles tell all.   We've added a new way to donate to 365 Days of Astronomy to support editing, hosting, and production costs.  Just visit: https://www.patreon.com/365DaysOfAstronomy and donate as much as you can! Share the podcast with your friends and send the Patreon link to them too!  Every bit helps! Thank you! ------------------------------------ Do go visit http://www.redbubble.com/people/CosmoQuestX/shop for cool Astronomy Cast and CosmoQuest t-shirts, coffee mugs and other awesomeness! http://cosmoquest.org/Donate This show is made possible through your donations.  Thank you! (Haven't donated? It's not too late! Just click!) ------------------------------------ The 365 Days of Astronomy Podcast is produced by the Planetary Science Institute. http://www.psi.edu Visit us on the web at 365DaysOfAstronomy.org or email us at info@365DaysOfAstronomy.org.

Kaniela Ing and Kahala Johnson talk about the connection between colonialism and the fires devastating Maui. But first Katie is joined by comedian & historian Justin Williams to go over recent news stories. Kaniela Ing is a former member of the Hawaii House of Representatives representing Maui, currently national director of the Green New Deal Network. Kahala Johnson (He/They/Oia/Siya) is a Hawaiian-Filipinx organizer from Waiehu, Maui and a Kiai of Haleakala and Mauna Kea. ***Please support The Katie Halper Show *** For bonus content, exclusive interviews, to support independent media & to help make this program possible, please join us on Patreon - https://www.patreon.com/thekatiehalpershow Get your Katie Halper Show Merch here! https://katiehalper.myspreadshop.com/all Follow Katie on Twitter: @kthalps