Podcast appearances and mentions of Audrey Niffenegger

Listen to ASCO's Journal of Clinical Oncology Art of Oncology article, "Brown Paper Bags” by Dr. Stephanie Graff, who is an Associate Professor of Medicine at Brown University and Director of Breast Oncology at Brown University Health in Providence Rhode Island. The article is followed by an interview with Graff and host Dr. Mikkael Sekeres. Dr Graff shares how she handled receiving a gift from a patient. TRANSCRIPT Narrator: Brown Paper Bags, by Stephanie Graff, MD, FACP, FASCO  Minor demographic features of the patients described have been altered to honor their privacy “Why are you being weird about opening the bag?” he asks.  The gift that William brought me is still sitting on the edge of the clinic examination room counter, the proverbial elephant in the room. He presented it to me the moment I entered the examination room, excited as a child giving their first Christmas gift. I have demurred, stating I will open it later. I have tried to avoid opening the bag, explaining that I do not like opening gifts in front of people. William is as tenacious about me opening this gift right now as he is about facing his disease. I treat William for male breast cancer. I have always called him William because it is what the electronic medical record says as his preferred name. It is his first name, and when I verified on our first meeting what he preferred to be called, he said “William is fine,” but just like the Sheryl Crow song says, “I'm sure it's Bill or Billy or Mack or Buddy.” 1 William is electric. He lights up the examination room, engages my staff while playfully ribbing them, and has a laugh that reverberates down the hallway. He comes to each visit with a colorful story about the events that have transpired since our last appointment, vividly painting images of his children and grandchildren and his life outside the clinic walls. He swells with pride discussing his grown children like a new mother showing off photos of her baby. “Ryan just finished the most beautiful presentation deck for work. You should see it. Those slides! I bet he would show it to you.” Ryan works in banking or finance or insurance—I cannot remember—but I confess I never took William up on the offer to see the slide deck.  Abruptly, William stands up, moving faster than an elderly patient with metastatic cancer should be able to move. In a single swift movement, he grabs the brown paper bag from where I abandoned it on the counter and drops it in my lap. “Open it!” I sigh deeply, carefully unroll the top, and peek in. “I got those for the mister!” he exclaims. Inside is a bag of Werther's hard caramels. As relief floods me, I laugh a deep, slow laugh of appreciation for this 70-something man and his ability to brighten the world around him in the most surprising ways. During our last clinic visit, he told me hard caramels take the chemotaste out of his mouth, and I had confessed that my husband is also Werther's devotee, but prefers the soft chews. William made a case then and there for the hard caramels and told me I should try to get “Mr Dr Graff” to make the change. He approached the soft caramel versus hard caramel discussion with the intensity of a high school debate champion. Needless to say, the Graff household now alternates our caramels—enjoying both hard caramels and soft chews. “Seriously. What gives with you and the bag?” he probes again. I recognize that William is not going to let this go. He is too astute and persistent. So, I decided to tell him the whole truth about gifts from patients and brown paper bagsThat first year as an oncology fellow, after months on inpatient consults, I finally started outpatient clinics just as the holidays season began. The patients, many of whom had deep and long relationships with the attending oncologists—the same relationships I was eager to build, the relationships that drove me to oncology as a profession—brought in gift after gift, homemade cookies, handmade quilts, and jars of homemade jam. It was rarely something elaborate as the patients knew the faculty could not accept anything too over the top, but it often showed the same tender thoughtfulness that you show a dear friend or favorite relative. Their favorite coffee. A T-shirt of a favorite band. Or something jovial, like a rival sports team or college's coffee mug. It was during this time of the busy holidays, maybe the second week of December, in my own fellow's clinic, that one of my patients with solid tumor arrived with a small brown paper bag. He of course had synchronous primary malignancies that in no way aligned for a simple plan of care and was experiencing dreadful side effects, which seemed to be the way of fellow's clinic. I had been seeing him quite often, pouring every ounce of my nascent skills into trying to help him through his treatment. He handed me the bag, and in my enthusiasm and naivety and holiday spirit, I bubbled with excitement thinking “oh, he brought me a little gift!” But my own thoughts were pouring over him saying “I brought this in for you because…” and as he was saying the rest, I tore open the bag, all the while with my eyes on him as he spoke, and plunged my hand into the bag, grabbing the…what exactly…cloth something…to hear him saying….  “…because I wanted you to see how bad this diarrhea is! Pure liquid. Bloody. Constant. I can't even make it to the bathroom,” he was saying. Yes. I was holding—in my bare hand—his soiled, blood-stained underwear. Merry Christmas. I have not excitedly torn open a mystery gift or plunged my hand into a bag since. This is not a lesson that took more than one time to learn. In retrospect, perhaps my patient did give me a tremendous gift that day. I was given a true under-standing of his side effects, of what it means to have grade 3 diarrhea, hemorrhoidal bleeding, and fecal incontinence. If there was any chance I did not believe patients before that day, I have always believed patients since—no need to bring me evidence in a little brown bag. Thanks. I'm good. By this point in my retelling of the story, William was nearly doubled-over in laughter, red-faced, and barely able to breathe or stay in his chair. Thus, our little ritual began. William continued to bring me gifts in brown paper bags at every visit for the rest of his time as my patient. Always small tokens. A pocket pack of Kleenex during cold season. A can ofsoup “to warm my hands,” which are perpetually cold during physical examinations. A small handmade Christmas ornament. Sometimes, he would put a bag inside a bag, inside a bag…laughing like an evil super villain, while I nervously unpacked his brown paper bags of torture. William elected to go to hospice care appropriately, living a few months with a good quality of life with home hospice. A few weeks after his passing, his son arrived at the registration desk and asked to speak with me. When I went to the front of the clinic to invite him back, to hug him, and tell him how much his father mattered to all of us at the cancer center, he handed me a brown paper bag. “He insisted” was all William's son said. I opened it, genuinely concerned what I might find this time, nervously peeking into the bag. It was a copy of William's obituary, thanking the cancer center for all the care we had shown him and for inviting him to be part of our lives as much as we were a part of his. This is the greatest gift—the gift of impact. Of knowing my care mattered, of knowing we were truly on the same care team. I carry my patients and their families with me through life, recalling their anecdotes, wisdoms, and warnings at just the right moments. I save their precious words in a box of cards I keep at my desk. I also have a collection of hilarious, insightful, peculiar, and profound assortment of little gifts that made a patient think of me—a curio of curiosities, a microcosm of my career. I think this is why patients give these small tokens in the first place—to make tangible the gratitude, the emotion, and the bond that is ex-changed between the patient and the oncologist. In giving, we are connected. Gifts speak for us when the weight of emotion and the vulnerability of truth are too much. A gift says “you matter in my life” as much as a gift says “I want you to feel how life altering the diarrhea I have been experiencing at home has been.” I have received both those gifts. They have changed me. So, I do not know—I am thinking maybe it is time I go back to plunging my hand straight in? Because in the end, somewhere down there at the bottom, that is where all the good stuff is hidden. Mikkael Sekeres: Welcome back to JCO's Cancer Stories: The Art of Oncology. This ASCO podcast features intimate narratives and perspectives from authors exploring their experiences in oncology. I am your host, Mikkael Sekeres. I am Professor of Medicine and Chief of the Division of Hematology at the Sylvester Comprehensive Cancer Center, University of Miami. Today, I am so excited to be joined by Dr. Stephanie Graff, Associate Professor of Medicine at Brown University and Director of the Breast Oncology Program at Brown University Health in Providence, Rhode Island, to discuss her Journal of Clinical Oncology article, "Brown Paper Bags." Our guests' disclosures will be linked in the transcript. Stephanie, I am so excited to have you here. Welcome to our podcast, and thank you for joining us. Dr. Stephanie Graff: It is such an honor to be here and to discuss this with you. Mikkael Sekeres: Stephanie, I have to say, I feel like I know you so well because I have read your writing over years, and there is an intimacy to how you write and an honesty to it where I really feel as if we are sitting together over a table drinking an International House of Coffee mocha blend, talking about our recent trip to Paris. But I am not sure all of our listeners know you quite as well, so I am wondering if you can tell us a little bit about yourself. Dr. Stephanie Graff: Sure. So I am on the JCO Art of Oncology editorial board, and live in Providence. So you and I have many shared interests. I love to write and I love to read, and I think that how you described my writing reflects my communication. I think that I tend to be really honest and open with patients about, about everything, about both myself and their disease. And I think that that is really what you are capturing in my story writing. I am an avid reader. I read just nonstop and write a variety of different styles of writing. I have written several breast cancer related texts, obviously academic papers. I have confessed to you in the past that I write poetry, but it is for myself. It is very unlikely to end up in the pages of JCO. I like writing stories like this when I feel like a story has been percolating in my mind for a while. Mikkael Sekeres: Boy, there is a lot of jumping off points I want to take from what you just said, of course. Maybe we can start with your writing process. What triggers a story and how do you face the dreaded blank page? Dr. Stephanie Graff: I think it is different for different stories. Often, it is something that has been the struggle or the relived experience that I keep turning over. And I find that like when I am walking my dog in the morning or when I am running on the treadmill, that sometimes the same moments keep coming back up in my mind: a difficult patient encounter, a heartwarming patient encounter, a challenging conflict with a peer or colleague. Those are the things that I keep going back to. And I think that as I go back to it over time, I craft that narrative. And crafting the narrative is also what helps me work through the story and cement it as a lesson that I learned from or that becomes a memory that is important to me, and ultimately makes it easy to just sit down and write, which is often, I do just sit down and write the whole story and it comes out pretty much in the form I end up submitting. But I think that that is because I have spent so much pre-contemplative thought before I get to pen to paper. Sometimes it is, with this story, and I think I had said this in my original cover letter with "Brown Paper Bags," one of my nurses, my nurse practitioner, actually had gotten a gift from a patient that was actually wildly inappropriate for her, both as a gift from a patient and for her as an individual. And she had like brought it back to our shared workspace and was like, "Guys, like, what do I do with this?" And it prompted all of us to share our stories of like really fantastic things that patients have given us, really weird things that patients have given us, and just to end up laughing hysterically about the funny moments and getting a little teary-eyed thinking about the way that we hold on to some of those memories. Mikkael Sekeres: I love that whole description. First of all, starting with your writing process. I think we all come out of a room sometimes where we have been meeting with a person, and our stomach just turns. There is something that did not sit right with us about the interaction or there is something that was really special about the interaction. And I think if we are thoughtful people and thoughtful doctors, we ruminate over that for a while and think to ourselves, “What was it that was really special about that, that really worked that I can actually apply to other patients?” Or, “What was it that did not work, that something that went south where I probably need to change my behavior or change how I am entering an interaction so that does not happen again?” Dr. Stephanie Graff: Yeah, I think about it like those, you know, I am sure you have the same experience I do that a lot of your early childhood memories are actually photos of your early childhood that you can remember more clearly because you have the picture of them, and certainly the same is true for my own children. But I think that having that description, that powerful visual description of a photograph from a moment, helps you cement that memory and treasure it. And I think that the same is true with writing, that when we have an experience that if we are able to make it tangible, write about it, turn it into a song, turn it into a poem, turn it into a piece of art, whether that is, you know, an interpretive dance or a painting, whatever your expression is, that is going to be something that becomes a more concrete memory for you. And so regardless of whether it is a good memory or a bad memory, I think sometimes that that is how we learn and grow. Mikkael Sekeres: I think that is spot on. I believe there are some theories of memory also that talk about accessing the memory over and over again so that you do not lose it and you do not lose the connections to it. And those connections can be other memories or they can be anything that occurred with our five senses when the event actually occurred. Dr. Stephanie Graff: Yeah. That- so one of my favorite books is Audrey Niffenegger's book called The Time Traveler's Wife. Have you read that? It is- the gentleman has a, you know, genetic condition in the fictional book that makes him travel in time and he like leaves his body, his clothes are on the floor and travels back and he is drawn to moments that are important to him. So he is drawn back constantly to the moment he met his wife, he is drawn back constantly to the moment his parents died. And I think that that is true, right? Our memory takes us back to those really visceral, important moments over and over again. Mikkael Sekeres: So you mentioned before, one of the jumping off points I wanted to explore a little bit more was when someone gets an unusual gift and brings it back to the workroom and there is that moment when everyone looks at it and the person says exactly what you said, "What do I do with this?" Right? And it is interesting that it is even a question because sometimes there is a really weird gift and there are certain people who would just immediately put it in the trash, but as oncologists, we do not, do we? Dr. Stephanie Graff: No. Mikkael Sekeres: That is not an option, but we want to know what it is we can do with it. So I do not know if you can remember any particularly unusual gifts you received or your colleagues received during that conversation and then what do you do with them? Dr. Stephanie Graff: Yeah, I think that sometimes they are, I mean, honestly, like the truth is is that I have them, right? Like they are all over my life, these little trinkets and doodads, even to the point that sometimes I give gifts that are inspired by my patients, too. Like two Christmases ago, I gave all of my colleagues as their Christmas gift these blown glass octopuses because one of my patients was obsessed with octopi and it like had led to several conversations, and they have obviously eight arms, we all know that, but they have numerous hearts, they have this very complex, empathetic brain, they are thinking and feeling, very cool, cool animals if you really start to learn and read about them. And I really started to think both about how much we had all kind of rallied around this one patient and her unique love of octopi, but also like how much that animal represents what it means to practice team based care, to have this larger than life heart, to feel like you are more than one brain, like you have eight arms because you work with these really great people. So I wrote that much more eloquently than I am doing right now in a card for my team and gave them these glass octopuses for Christmas. And so, you know, I think that our patients, it is not always even a physical gift. Sometimes it is just sharing their stories that ends up staying with us. Mikkael Sekeres: And that must not have been that long after the documentary was released about the man who had this special relationship with an octopus as well. So do you save the gifts given to you by patients? Why or why not? Dr. Stephanie Graff: So, obviously we get a lot of things like food and we just eat that, right? I am sure your clinic is a collection of boxes of chocolates and, so in Rhode Island, there is a lot of Portuguese patients and so we get a lot of like Portuguese bread and things like that too, which is delicious. So we have all sorts of food all the time and that just gets eaten. I do save patients'- and I realize we are not on camera for our viewing audience, but I have bizarrely, so one patient gave me this red devil, which is amazing because Adriamycin, which is obviously a really common breast cancer drug, is called the "red devil." And this is kind of a famous folk art carving by Alexander Girard. I think the actual real one is in Philadelphia at their art museum, but she was like, "You gave me the red devil, so I am going to give you the red devil." And like, I think that is hilarious. Like, I will save that forever. But I have so many other patients that have given me like little angels because I like meant a lot to them or helped them through this difficult moment. And I have all of those things, right? And so I have this kind of funny little shelf of angels and devils in my office, which is, I think, amusing. And then, obviously I wrote about the brown paper bags. You know, that patient filled it with little things like butterscotches and a can of soup and an instant hot cocoa mix. It was stuff that like you can realistically use. It kind of comes and goes. It is not necessarily something that you have forever. I had all three of my children during my time, one in fellowship and two as a practicing oncologist, and I was practicing in the Midwest then. I have a wealth of absolutely gorgeous quilts, baby quilts, that were made by my patients for my kids. And I have saved every single one of those. I can tell you which patient made it for which child because those are just such heirlooms to me. Yeah, lots of really great things. I am curious about you. You have to have these treasures too in your life. Mikkael Sekeres: Oh, absolutely. Isn't it remarkable that people in the face of life threatening illnesses, and I probably have a patient population specializing in acute leukemia and myelodysplastic syndromes where their illness is often more acute than, than your typical patient in your patient population even, but even during those times, I am always so moved how people take the time to ask about us and want to know about our lives as physicians and take the time to give a gift. And sure, I have my own shelf of curios, I think that is how you refer to it in your essay, from patients and it is very meaningful. There was one patient I treated who was a baseball fan. We were both living in Cleveland at the time. I am a Yankees fan. Both my parents are from the Bronx, so they raised me the right way, of course, even though I was raised in Providence, Rhode Island. And she was a Red Sox fan, and every time she came to visit me, she would wear red socks. It became this ongoing joke. She would wear her red socks and I would remember to wear my Yankees socks. So when we reached the five year mark, she was cured of her leukemia, she gave me a framed box of red socks to hang up. So, yeah, we have these stories and they are immediately evocative of the person we took care of and built a relationship, hopefully a long term relationship with. Gift giving in oncology can be nuanced at times. Why do you think patients give gifts and why are they meaningful to us as caregivers? Dr. Stephanie Graff: I mean, I think that gift giving at its heart is sometimes just a more comfortable way to express emotion for so many patients, right? And humans, right? We give gifts to celebrate births, weddings, birthdays, anniversaries, major holidays, right, for our own friends and family. And so it makes sense that that cultural or social tradition exists where we give gifts to acknowledge and celebrate that someone is important and a part of our life. And so often, I think it is just a way for a patient to say, "You have been here for me, I see you, I see the work you do, I appreciate you." So it is a way to say thank you that to any individual patient feels bigger than just the words. Obviously, I want to say as- if any patient stumbles onto this podcast, just the words are more than enough and we do not even need that. Like it is my greatest honor to care for the patients that allow me to enter their lives and care for them. Like, I do not need them to tell me thank you. I certainly do not need them to give me a gift, but I think that is a big part of why patients do it. But I think another part of it is that in many ways, you know, we have all seen that when somebody is diagnosed with cancer, that they have this real reckoning with their family and friends where people that they thought were very good friends do not know how to show up for them. And so sometimes they see these shifting dynamics in their friend groups, especially maybe for our younger patients or mid aged patients that just their friends are so busy. There is lots that goes on, right, that I think that often the gift is saying, "Thank you for showing up." We were a constant in their life during that time and for many of my patients, they do not have that constancy from the other people in their life. And so again, if anyone stumbles onto this podcast and someone in your life that you love is diagnosed with cancer, the most important thing that any of us can do for someone battling a chronic illness is just show up. And I often tell people even uninvited, like, show up and offer to take their laundry back to your house, show up and drop off a meal because I think that the people saying, "Well, let me know what I can do," is not helpful because it is really awkward to tell people what to do when you are battling an illness. Mikkael Sekeres: That notion of presence is just so important and you enunciated it beautifully. When my patients say to me, "Oh, I want to get you something," I always respond the same way that you do. I always say, "Your good health is the greatest gift that I could hope for," and just the, just the words and the presence are enough. I wanted to end quoting you to yourself and asking you to reflect on it. You write, "I carry my patients and their families with me through life, recalling their anecdotes, wisdoms, and warnings at just the right moments." Stephanie, what are those moments when you lean on the anecdotes and wisdom of your patients? Dr. Stephanie Graff: Patients will say things to me about - oh gosh, I will get all teary thinking about it - you know, patients say things to me who are my, you know, stage four metastatic patients about what has mattered to them in life. And it makes it so easy for me to leave that thing undone and go home at the end of the day because none of them say, "It really mattered to me that I spent that extra hour at work or that I got that promotion or that raise." I am in the habit of, when I meet patients for the first time and they are at a visit with their husband or their wife or their partner, I will ask how long they have been together. And when patients tell me that it has been decades, 40, 50, 60 years, I will ask what the secret is, because I am at 17 years of marriage and I'd love to see 63, which is my record for a patient story. And my one patient during a visit, the wife and I were talking and I asked how long they had been married. We had already had a pretty long visit at that point when it came up, and the whole visit, the husband had just sat in the corner, very quiet, had not said a word. For all I know, he could have been nonverbal. And she said, "Oh, we have been married 60 years." And I said, "Oh my gosh, what is the secret?" And before she could even open her mouth, he goes, "Separate bathrooms." I think about it all the time. Like any time I am like annoyed with my husband getting ready in the morning, I am like, "Yep, separate bathrooms. It is the key to everything." Bringing those little moments, those little things that patients say to you that just pop back up into your mind are so wonderful. Like those rich little anecdotes that patients share with you are really things that stay with you long term. Mikkael Sekeres: So it does not surprise me, Stephanie, that you and I have settled on the same line of questioning with our patients. I wrote an Art of Oncology piece a few years ago called exactly that: "What I Learned About Love From My Patients," asking the exact same question. It was a fascinating exploration of long term marriage from people who say, "Oh, you have to have a sense of humor," which you always hear, to some things that were just brutally honest where somebody said, "Well, I could not find anybody better, so I just settled," right? Because they are in the oncologist's office and sometimes people will speak very dark truths in our clinics. But my favorites were always the people where I would ask them and the husband and wife would turn to each other and just hold hands and say, "I do not know, I just love her." And I always thought to myself, that is the marriage for me. Dr. Stephanie Graff: My husband and I trained together. He was a fellow when I was a resident. So we had one rotation together in our entire careers and it was in cardiology. Like he was like the fellow on cardiovascular ICU and I was the resident on cardiology. And the attending had been prodding this woman who had heart disease about how she needed to be more physically active and said something to the extent to the patient about how he could tell that she was more of a couch potato, that she really needed to get more active. Mind you, this is a long time ago. And her husband, I mean, they are older patients, her husband boldly interrupts the attending physician and says, "She may be a couch potato, but she is my sweet potato." And my husband and I every once in a while will quip, "Well, you are my sweet potato" to one another because we still, we both remembered that interaction all these years later. Like, that is love. I do not know what else is love if it is not fighting for your wife's honor by proclaiming her your ‘sweet potato'. Mikkael Sekeres: Well, I cannot say just how much of a treat it has been to have you here, Stephanie. This has been Stephanie Graff, Associate Professor of Medicine at Brown University and Director of the Breast Oncology Program at Brown University Health in Providence, Rhode Island, discussing her Journal of Clinical Oncology article, "Brown Paper Bags." If you have enjoyed this episode, consider sharing it with a friend or colleague or leave us a review. Your feedback and support helps us continue to have these important conversations. If you are looking for more episodes and context, follow our show on Apple, Spotify, or wherever you listen and explore more from ASCO at asco.org/podcasts. Until next time, this has been Mikkael Sekeres. Thank you for joining us. The purpose of this podcast is to educate and to inform. This is not a substitute for professional medical care and is not intended for use in the diagnosis or treatment of individual conditions. Guests on this podcast express their own opinions, experience, and conclusions. Guest statements on the podcast do not express the opinions of ASCO. The mention of any product, service, organization, activity, or therapy should not be construed as an ASCO endorsement.   Show Notes: Like, share and subscribe so you never miss an episode and leave a rating or review.    Guest Bio: Stephanie Graff, MD, FACP, FASCO is an Associate Professor of Medicine at Brown University and Director of Breast Oncology at Brown University Health in Providence Rhode Island   Additional Reading: What My Patients Taught Me About Love, by Mikkael Sekeres    

I apologise to my listeners in advance — I was a bit starstruck throughout this interview! But I hope you enjoy it as much (or even half as much) as I did. But I behaved myself. You'll get to know the reader and one of my favourite writers, the wonderful Liane Moriarty. Thanks for listening, and hope you enjoy this conversation.Peço desculpa aos ouvintes, desde já — estava um pouco deslumbrada ao longo desta entrevista! Mas espero que gostem tanto (ou pelo menos metade) do que eu gostei. Mas portei-me bem. Vão conhecer a leitora — e uma das minhas escritoras favoritas — a maravilhosa Liane Moriarty. Obrigada por ouvirem, e aproveitem esta conversa tão boa.Livros que a autora escolheu/Books Liane recommends:A Mulher do Viajante no Tempo (The Time Traveller´s Wife), Audrey Niffenegger;O Turista Acidental (The Accidental Tourist), Anne Tyler;Nesting, Roisin O'Donnell;Outras referências/Other References:Her Fearful Symmetry, Audrey Niffenegger;Anne Tyler:Jantar no restaurante da saudade (Dinner at the Homesick Restaurant);O Turista Acidental (The Accidental Tourist);Exercícios de respiração (Breathing Lessons);O carrinho de Linha Azul (A Spool Of Blue Thread).Alguns dos livros que a autora escreveu e que estão em portugal:3 Desejos (3 Wishes);Pequenas Grandes Mentiras (Big Little Lies);O Segredo do Meu Marido (My husband's Secret);Dez Anos Depois (What Alice Forgot);Nove Perfeitos Desconhecidos (Nine Perfect Strangers);Quem sai aos seus (Apples Never Fall);Here one moment (A qualquer momento).Books I recommended:Elisabeth Strout:Lucy Barton x4;Olive Kitteridge x2;Burgees Brothers;Tell Me Everything.O Amor Mora aqui (We All Live Here), JojoMoyes;In a Thousand Different Ways, Cecelia Ahern.Os livros aqui:www.wook.pt

Ep. 198 is the second episode of our brand-new “Best of…” series. Anderson McKean of Page & Palette Bookstore joined me for the Best of Thrillers, with her all-time TOP TEN favorite thriller novels…and, a couple buzzy thrillers that didn't work for her.⁠ Also, Anderson talks about how she started reading thrillers, the wide variety available in the genre, and books from her list that would be perfect for those new to the genre! This post contains affiliate links through which I make a small commission when you make a purchase (at no cost to you!). CLICK HERE for the full episode Show Notes on the blog. Highlights What draws her to the thriller genre. From domestic to psychological thrillers, Anderson talks about the variety of the genre. Her favorite sub-genres and what doesn't work for her. Anderson picks a few books from her list that would be good starter books for those new to the genre. Anderson's All-Time Top Ten Thrillers [10:33] Gone Girl by Gillian Flynn (2012) | Amazon | Bookshop.org  [12:44] Room by Emma Donoghue (2010) | Amazon | Bookshop.org [16:57] It Girl by Ruth Ware (2022) | Amazon | Bookshop.org  [20:41] A Rip Through Time by Kelley Armstrong (2022) | Amazon | Bookshop.org  [24:16] Everyone Here Is Lying by Shari Lapena (2023) | Amazon | Bookshop.org  [27:43] The Good Sister by Sally Hepworth (2020) | Amazon | Bookshop.org  [31:38] Wrong Place Wrong Time by Gillian McAllister (2022) | Amazon | Bookshop.org   [34:17] Red Queen by Juan Gómez-Jurado (2018) | Amazon | Bookshop.org   [37:48] When the Stars Go Dark by Paula McLain (2021) | Amazon | Bookshop.org  [41:12] These Silent Woods by Kimi Cunningham Grant (2021) | Amazon | Bookshop.org  [45:37] High-Profile Thrillers That Did Not She Didn't Love [48:35]  The House Across the Lake by Riley Sager (2022) | Amazon | Bookshop.org  [48:41] None of This Is True by Lisa Jewell (2023) | Amazon | Bookshop.org  [49:01] Other Books Mentioned The Plot by Jean Hanff Korelitz (2021) [13:23] The Girl on the Train by Paula Hawkins (2015) [16:06] The Blue Hour by Paula Hawkins (2024) [16:13] Where the Crawdads Sing by Delia Owens (2021) [16:38] The Woman in Cabin 10 by Ruth Ware (2016) [20:58] I Have Some Questions for You by Rebecca Makkai (2023) [21:50] Zero Days by Ruth Ware (2023) [23:05] Vantage Point by Sara Sligar (2025) [23:11] One Perfect Couple by Ruth Ware (2024) [23:54] The Time Traveler's Wife by Audrey Niffenegger (2003) [24:51] Death at a Highland Wedding by Kelley Armstrong (2025) [27:35] What Have You Done by Shari Lepena (2024) [30:09] The Couple Next Door by Shari Lepena (2016) [30:24] Someone We Know by Shari Lepena (2019) [30:31] Strange Sally Diamond by Liz Nugent (2023) [32:23] The Mother-In-Law by Sally Hepworth (2019) [33:26] The Soulmate by Sally Hepworth (2022) [33:50] The Darling Girls by Sally Hepworth (2023) [33:53] Just Another Missing Person by Gillian McAllister (2023) [36:36] The Girl with the Dragon Tattoo by Stieg Larsson (2005) [38:04] The Bourne Identity by Robert Ludlum (1980) [39:24] In Light of All Darkness by Kim Cross (2023) [42:25] The Death of Us by Abigail Dean (2025) [44:17] Our Endless Numbered Days by Claire Fuller (2015) [47:20] The Nature of Disappearing by Kimi Cunningham Grant (2024) [48:11] The Fury by Alex Michaelides (2024) [49:47] The Silent Patient by Alex Michaelides (2019) [49:53]

On the surface, Kaliane Bradley’s debut is a time-travel novel; it’s speculative fiction meets romance and espionage. But underneath? It's a sharp, satirical exploration of institutional control—of what happens when government red tape meets the impossible. This week, Michael sits down for a conversation with Kaliane Bradley to discuss her bestselling book The Ministry of Time. Reading list: The Ministry of Time, Kaliane Bradley, 2024 The Time Traveller’s Wife, Audrey Niffenegger ,2003 Life After Life, Kate Atkinson, 2013 Discworld (series), Terry Pratchett, 1983–2015 You can find these books and all the others we mentioned at your favourite independent book store. Socials: Stay in touch with Read This on Instagram Guest: Kaliane BradleySee omnystudio.com/listener for privacy information.

Welcome back to another episode of Drinks at the Library, the podcast where we pair the perfect drink with the perfect book. Today, we're diving into a love story that bends time and breaks hearts—The Time Traveler's Wife by Audrey Niffenegger. It's a tale of fate, longing, and the delicate threads that tie us to the people we love...even if time itself tries to pull us apart. My guest this week is Heather Maury, a Richmond-area librarian and a life-long reader. Her favorite book, to this day, is the children's book, "Mandy" by Julie Edwards (better known as Julie Andrews). Anything by TJ Klune and Sadeqa Johnson are instant buys for her. She loves movies, especially anything that Henry Cavill is in, anything that features Tom Cruise running, and anything that's a musical. She is a die-hard Duranie and a certified Swiftie. She lives with 5 cats, 2 dogs, a guinea pig, and some fish. Oh, and she also has two kids (a college freshman and a 1st grader) and a husband. To match this beautifully complex narrative, our drink this week is The Ephemeral Encounter a cocktail plays with the idea of fleeting moments and the blending of different times —just like Henry and Clare's love story. So, pour yourself a glass, get comfortable, and let's unravel the timelines of this unforgettable romance. The "Ephemeral Encounter" Cocktail: This cocktail plays with the idea of fleeting moments and the blending of different times. Ingredients: 1.5 oz Gin (a classic spirit, representing the timeless nature of their love)0.75 oz Elderflower Liqueur (St. Germain, for a touch of ethereal sweetness and floral notes, like fleeting memories)0.5 oz Fresh Lemon Juice (for a bright, sharp contrast, representing the jarring moments of time travel)0.25 oz Luxardo Maraschino Liqueur (a hint of cherry, for the sweet, romantic core of their relationship, with a slight "old fashioned" feel)2-3 Dashes of Lavender Bitters (to add a calming, slightly mysterious element, like the ever-present mystery of Henry's travels)Sparkling Wine or Soda Water (to top, adding effervescence, like the unpredictable flow of time)Lavender sprig and a cherry, for garnish. In this Episode The American Library Association The Time Travelers Wife - film The Time Travelers Wife - TV show

This was an interesting interview with author and artist Audrey Niffenegger. Be sure to check out the Friends of The Harley Clark website to learn about the restoration project Audrey is involved with. https://www.friendsofharleyclarke.org https://www.audreyniffenegger.com https://www.rickymceachernartist.com

This episode is a how-to conversation on ways to improve your body image, break free from binge eating and a diet mindset to one of growth, confidence and better choices in life and business I'm in conversation with Terri Pugh, a transformative life coach who helps women build confidence in how they show up in the world. Through coaching, workshops, speaking events and hosting her own podcast, The Intuitive Eating and Body Positivity Podcast, Terri has helped 1000s of women to feel confident in their bodies, their choices, and their careers. As an intuitive eating and body image certified coach and a Nutritional Therapy graduate she lifts the lid on how to stop binge eating, break free from diet culture and feel happy in your body.  If you're a professional who struggles with self-doubt, body image pressures, and feeling like you don't belong at the table you're not alone. And while Terri's typical client is female, her work appeals to all genders, sizes and ages   Terri's what 3 words to a road to happiness and balance for 2025: ·       EXPANSION – expand her mind and body socially, educationally and happily ·       LIBERATION –  working on self-freedom ·       DISRUPTION – stop staying safe and be more authentically heard Tune in to find out why Her non-fiction book that would get her through isolation – The Time Traveller's Wife by Audrey Niffenegger – so she can just get ‘lost' For contact details see below. Instagram: cripps.sarah and bigbalancetheory LinkedIn: https://www.linkedin.com/in/sarahcrippsand  https://www.linkedin.com/company/big-balance-theory/ Linktr.ee/bigbalancetheory bigbalancetheory@gmail.com Terri Pugh (4) Terri Pugh | LinkedIn Instagram Terripughcoaching Terri Pugh | Intuitive Eating Coach - Terri Pugh  

Všechno, co jsem v prosinci přečetla :) Pokud mi chcete sdělit vaše tipy na čtení nebo cokoliv jiného, nejdete mě na instagramu jako @les.slov :) Přečetla jsem: - 22 bazénů - Caroline Wahl - Prašina: Bílá komnata - Vojtěch Matocha - Ten, co kráčí se smrti - Barb Rýdl - Z kouře a kamene - Alžběta Bílková - Spolek čajových draků - Kay O'Neill - Honzlová - Zdena Salivarová - Velké starosti malých lidí - Iva Hadj Moussa - Vyprávění z Ostružinového houští - Jill Barklem - Cestou špendlíků nebo jehel - Zuzana Říhová - Zakletý v čase - Audrey Niffenegger

En este episodio vamos a comentar algunas de nuestras lecturas veraniegas, y por primera vez uno de los dos se anima a hacer una crítica no tan positiva de una novela. Y vuelve nuestro colaborador estrella, Pablo, para sugerirnos más libros adaptados o de fácil lectura. Esta es la lista de libros de la que hemos hablado: Arrugas, de Paco Roca. https://amzn.to/4doRu6I La divina comedia de Oscar Wilde, de Javier de Isusi. https://amzn.to/3YrApoI Los escorpiones, de Sara Barquillero. https://amzn.to/3Swb3C9 La mujer del viajero en el tiempo, de Audrey Niffenegger. https://amzn.to/3WIxk1Z Invisible, de Eloy Moreno. https://amzn.to/46uw7io Los miserables, de Victor Hugo (Clásicos a medida. Editorial Anaya). https://amzn.to/3LMhBZG Rebelión en la granja de George Orwell. https://amzn.to/3AcSrRe Os dejamos enlaces patrocinados a los libros, por si queréis haceros con ellos. Usarlos no encarece el producto pero a nosotros nos deja una pequeña compensación que ayuda a que sigamos leyendo… Como siempre, si quieres aportar ideas o para contarnos tu opinión, hacernos sugerencias o preguntar cualquier cosa nos puedes encontrar en: Instagram: @me_lo_leo_podcast Twitter: @meloleopodcast Email: meloleopodcast@gmail.com

En este programa, hablamos del Salón del Cómic de Barcelona, traemos minireseñas y hablamos de muchas novelas de viajes en el tiempo. ¡No os lo perdáis! Tripulantes: Presenta Claudia, con Andrea y Darkor_LF Minireseñas: Las hermanas Mangue y otros cuentos infantiles africanos, ilustra Adaora Onwuasoanya Martínez y escribe Alejandra (Evui) Salmerón Ntutumu. Hadestwon, de Anaïs Mitchell. Kalpa Imperial, de Angelica Gorodischer. Recomendaciones: Parentesco (Octavia Butler), Outlander (Diana Galbadon), La Tierra Multicolor (Julian May), Doctor Who (autoría multiple), Russian Doll (Natasha Lyonne, Amy Poehler y Leslye Headland), Las seis muertes de la Santa (Alix E. Harrow), La mujer del viajero en el tiempo (Audrey Niffenegger), Así se pierde la guerra del tiempo (Amal El-Mohtar y Max Glastone), El día del Juicio Final y la serie de Los Historiadores de Oxford (Connie Willies), Las Crónicas de Pern (Anne McCaffrey), The Rise and Fall of D.O.D.O. (Neal Stephenson y Nicole Galland), Jardín el de Medianoche (Philippa Pearce), Bridge (Sue Burke) y The Mirror (Marlys Millhiser). Canción de créditos: Rollin at 5 - 210 - full by Kevin MacLeod is licensed under a Attribution 3.0 International License.

This episode puts the wraps on another "Women's History Month." Again today we celebrate another notable woman who has made her mark on Southwest Michigan. Today Teresa R. Getman, Rosalie Plechaty and Paul Layendecker are honored to chat with noted South Haven born writer and artist, Audrey Niffenegger. Among her works, "The Time Traveler's Wife."  See omnystudio.com/listener for privacy information.

Recording of Off the Shelf Radio Show from WDLR with co-hosts Nicole Fowles, Molly Meyer-LaBadie and Melissa    Dougherty. This week we chat about eclipse programming!  Recommendations include The Night Bookmobile by Audrey Niffenegger, A Spoonful of Frogs by Casey Lyall, and What Happened to Rachel Riley? by Claire Swinarski. Read more about today's episode here.  Listen live every Friday morning at 9 AM https://wdlrradio.com/program-schedule/off-the-shelf/ This episode originally aired on February 23, 2024

On this episode of Currently Reading, Kaytee and Mary are discussing: Bookish Moments: gifting books to little ones and accessing our TBR Current Reads: all the great, interesting, and/or terrible stuff we've been reading lately Deep Dive: how the endings of books could make or break our feelings about the book as a whole The Fountain: we visit our perfect fountain to make wishes about our reading lives Show notes are time-stamped below for your convenience. Read the transcript of the episode (this link only works on the main site) .  .  .  .  .  1:22 - Our Bookish Moments of the Week 2:26 - Harry Potter and the Sorcerer's Stone by J.K. Rowling 4:27 - Photo Clip Lights 7:06 - Our Current Reads 7:24 - Ravenfall by Kalyn Josephson (Mary) 7:29 - @maryreadsandsips on Instagram 8:33 - Starling House by Alix E. Harrow 9:50 - Fabled Bookshop 10:25 - Shoot the Moon by Isa Arsen (Kaytee) 12:42 - Oona Out of Order by Margarita Montimore 12:58 - The Time Traveler's Wife by Audrey Niffenegger 14:43 - Malagash by Joey Comeau (Mary) 19:28 - In the Lives of Puppets by TJ Klune (Kaytee) 19:47 - The House in the Cerulean Sea by TJ Klune 19:51 - Under the Whispering Door by TJ Klune 19:59 - The Extraordinaries by TJ Klune 22:10 - A Psalm for the Wild Built by Becky Chambers 24:05 - Ruthless Vows by Rebecca Ross (Mary) 24:12 - Divine Rivals by Rebecca Ross 25:13 - CR Season 6, Episode 19 27:44 - Fairyloot 29:34 - OwlCrate 30:01- PangoBooks 30:30 - Glitter and Glue by Kelly Corrigan (Kaytee, Amazon Link, no longer on Bookshop) 34:44 - Fable app 35:49 - Deep Dive: Endings That Affect How We Feel About A Book 35:53 - Glitter and Glue by Kelly Corrigan 36:30 - The Lincoln Highway by Amor Towles 36:42 - The Gentleman in Moscow by Amor Towles 38:43 - The Sentence by Louise Erdrich 40:58 - Amor Towles The Lincoln Highway Q&A (very spoilery!!) 42:19 - Leave the World Behind by Rumaan Alam 43:48 - Home Fire by Kamila Shamsie 43:52 - Chain Gang All Stars by Nana Kwame Adjei-Brenyah 46:25 - The Shadow Cabinet by Juno Dawson 46:26 - Her Majesty's Royal Coven by Junon Dawson 52:05 - Ruthless Vows by Rebecca Ross 52:27 - Divine Rivals by Rebecca Ross 53:57 - Meet Us At The Fountain 54:10 - I wish I was better at timing my days off for when I'm reading an amazing book. (Mary) 55:54 - I wish for a bookish book nook. (Kaytee) Support Us: Become a Bookish Friend | Grab Some Merch Shop Bookshop dot org | Shop Amazon Bookish Friends Receive: The Indie Press List with a curated list of five books hand sold by the indie of the month. January's IPL is brought to you by our anchor store, Fabled Bookshop in Waco, TX. Trope Thursday with Kaytee and Bunmi - a behind the scenes peek into the publishing industry All Things Murderful with Meredith and Elizabeth - special content for the scary-lovers, brought to you with the special insights of an independent bookseller The Bookish Friends Facebook Group - where you can build community with bookish friends from around the globe as well as our hosts Connect With Us: The Show: Instagram | Website | Email | Threads The Hosts and Regulars: Meredith | Kaytee | Mary | Roxanna Affiliate Disclosure: All affiliate links go to Bookshop unless otherwise noted. Shopping here helps keep the lights on and benefits indie bookstores. Thanks for your support!

Our most popular episode of the year is back! James has gathered the best 'What Are You Reading?' segments from 2023 into a comprehensive summary of book recommendations from our guests.   We discuss a huge variety of books, including thriller, mystery, memoir, rom com, literature, essays, poetry, nonfiction, plays and audiobooks. We also delve into reading habits. Do you read several books at a time, or restrict yourself to one? Do you finish most books you pick up, or allow yourself to quit? And so much more.  This episode features Hilton Koppe, Sanchana Venkatesh, Lee Kofman, Anna Spargo-Ryan, Karina May, Hannah Bent, Holden Sheppard, Hayley Scrivenor, Danielle Binks, Julie Janson, Mark Brandi, Indira Naidoo, Amy Lovat, Jonathon Shannon, Ali Thomas, Jacinta Dietrich, and Annette Higgs.  Books and authors discussed in this episode: Dear Memory: Letters on Writing, Silence, and Grief by Victoria Chang; The Woman in the Library by Sulari Gentill;  Lost Connections by Johann Hari; Homesickness by Janine Mikosza; The Fire and the Rose by Robyn Cadwallader; Turning Points in Medieval History by Dorsey Armstrong; Crying in H Mary by Michelle Zauner; Convenience Store Woman by Sayaka Murata; Sorrow and Bliss by Meg Mason; Fleishman Is in Trouble by Taffy Brodesser-Akner; Tuesdays with Morrie by Mitch Albom; The Wych Elm by Tana French; In the Woods by Tana French; The Others by Mark Brandi; Stolen Focus by Johann Hari; Notes on an Execution by Danya Kukafka; Crushing by Genevieve Novak; No Hard Feelings by Genevieve Novak; The Shot by Naima Brown; The Seven Moons of Maali Almeida by Shehan Karunatilaka; The Road by Cormac McCarthy; The Passenger by Cormac McCarthy; Stella Maris by Cormac McCarthy; The Alchemist by Paulo Coelho; Ghost Music by An Yu; Eta Draconis by Brendan Ritchie; We Have Always Lived in the Castle by Shirley Jackson; The Long Knives by Irvine Welsh; We Could Be Something by Will Kostakis; Windhall by Ava Barry; The Sun Walks Down by Fiona McFarlane; Limberlost by Robbie Arnott; Benevolence by Julie Janson; Compassion by Julie Janson; Kafka on the Shore by Haruki Murakami; The People of the River by Grace Karskens; Nardi Simpson (from ep 18); Jane Eyre by Charlotte Bronte; Crime and Punishment by Fyodor Dostoevsky; Praiseworthy by Alexis Wright; The Trial by Franz Kafka; Mistakes and Other Lovers by Amy Lovat; Little Secrets by Jennifer Hillier; Things We Do in the Dark by Jennifer Hillier; A Country of Eternal Light by Paul Dalgarno; Brilliant Lies by David Williamson; Death of a Salesman by Arthur Miller; Summer of the Seventeenth Doll by Ray Lawler; A Swim in the Pond in the Road by George Saunders; Lee Kofman (from ep 76); Kate Mildenhall (from ep 13); Sarah Sentilles (from ep 50); From Bhutan to Blacktown by Om Dhungel; Demon Copperhead by Barbara Kingsolver; Empire of Pain by Patrick Radden Keefe Stolen Focus by Johann Hari; Yellowface by Rebecca Kuang;      Dress Rehearsals by Madison Godfrey; Really Good, Actually by Monica Heisey; Lucy Clarke; Echolalia by Briohny Doyle; Bunny by SE Tolsen; On a Bright Hillside in Paradise by Annette Higgs; When One of Us Hurts by Monica Vuu; Romantic Comedy by Curtis Sittenfeld; A Mile Down by David Vann; A Burglar's Guide to the City by Geoff Manaugh; The Time Traveller's Wife by Audrey Niffenegger; The Reader by Bernard Schlink; The Tilt by Chris Hammer; The Sense of an Ending by Julian Barnes; The Joy Thief by Penny Moodie; We Didn't Think It Through by Gary Lonesborough; Girl, Woman, Other by Bernardine Evaristo; Obsession by Nicole Madigan  Learn more about Ashley's psychological thriller Dark Mode and get your copy here or from your local bookshop.  Learn more about James' award-winning novel Denizen and get your copy here or from your local bookshop. Upcoming events  Ashley is teaching Online Feedback: Manuscript Development for Writing NSW starting 4 March 2024 Ashley is teaching Writing Crime Fiction, a six-week online course with Faber starting 15 May 2024  Get in touch! ashleykalagianblunt.com jamesmckenziewatson.com Instagram: @akalagianblunt + @jamesmcwatson

On this episode of Currently Reading, Meredith and Kaytee are discussing: Bookish Moments: book subscriptions and bookish advents Current Reads: all the great, interesting, and/or terrible stuff we've been reading lately Deep Dive: the types of and specific books that kept us up at night The Fountain: we visit our perfect fountain to make wishes about our reading lives Show notes are time-stamped below for your convenience. Read the transcript of the episode (this link only works on the main site) .  .  .  .  .  2:01 - Our Bookish Moments of the Week 5:40- OwlCrate 6:24 - Starling House by Alix E. Harrow 7:36 - Fairyloot 8:11 - Current Reads 8:28 - Divine Rivals by Rebecca Ross (Kaytee) 12:46 - The Cook's Book by Bri McKoy (Meredith) 14:07 - Salt, Fat, Acid, Heat by Samin Nosrat 15:48 - The Lazy Genius Kitchen by Kendra Adachi 18:26 - Hummingbird by Natalie Lloyd (Kaytee) 21:43 - The Wicked Boy by Kate Summerscale (Meredith) 23:12 - The Suspicions of Mr. Whicher by Kate Summerscale 23:33 - Waterstones UK 24:55 - Red, White and Royal Blue by Casey McQuiston (Kaytee) 31:51 - One of the Boys by Jayne Cowie (Meredith) 36:58 - Curfew by Jayne Cowie 37:29 - The Measure by Nikki Erlick 38:36 - Deep Dive: Books That Kept Us Up At Night 41:24 - The Only Girl in the World by Maude Julien  41:52 - The Glass Castle by Jeannette Walls 42:27 - The Whisper Man by Alex North 42:25 - The Snowman by Jo Nesbo 43:12 - I'll Be Gone in the Dark by Michelle McNamara 44:06 - Fierce Kingdom by Gin Phillips 44:28 - The Mountain in the Sea by Ray Nayler 44:46 - An Immense World by Ed Yong 44:55 - Falling by T.J. Newman 44:56 - Drowning by T.J. Newman 46:19 - The Year of the Locust by Terry Hayes 46:33 - I Remember You by Yrsa Sigurdardottir 47:13 - Twilight by Stephanie Meyer 47:18 - The Hunger Games by Suzanne Collins 47:22 - Fourth Wing by Rebecca Yarros 50:20 - The Time Traveler's Wife by Audrey Niffenegger 50:42 - Meet Us At The Fountain 50:56 - I wish to completely abandon Goodreads for StoryGraph in 2024. (Kaytee) 50:59 - StoryGraph 52:41 - libro.fm 52:42 - bookshop.org 53:38 - I wish, if you like Christmas reading, for you to read The Christmas Bookshop by Jenny Colgan (Meredith) 58:39 - The Christmas Bookshop by Jenny Colgan Support Us: Become a Bookish Friend | Grab Some Merch Shop Bookshop dot org | Shop Amazon Bookish Friends Receive: The Indie Press List with a curated list of five books hand sold by the indie of the month. December's IPL will be a yearly recap from us, so we can give our beloved Indies a break for the holidays! Trope Thursday with Kaytee and Bunmi - a behind the scenes peek into the publishing industry All Things Murderful with Meredith and Elizabeth - special content for the scary-lovers, brought to you with the special insights of an independent bookseller The Bookish Friends Facebook Group - where you can build community with bookish friends from around the globe as well as our hosts Connect With Us: The Show: Instagram | Website | Email | Threads The Hosts and Regulars: Meredith | Kaytee | Mary | Roxanna Affiliate Disclosure: All affiliate links go to Bookshop unless otherwise noted. Shopping here helps keep the lights on and benefits indie bookstores. Thanks for your support!

We held our annual Patreon Choice poll and our Beloved Patrons chose to send us back in time to 2003 with The Time Traveler's Wife by Audrey Niffenegger. Since the book is prominently set in Chicago, we were #blessed to be … Continue reading →

Lisa discusses Time Traveler's Wife by Audrey Niffenegger and was published in 2003. This is a love-story of Henry and Clare. The book goes back and forth and details how the pair met and fell in love, especially with Henry traveling back and forth in time.  Other books discussed:  Oona Out of Order by Margarita Montimore For more information, find Lisa on Instagram, Twitter, Facebook and her website.*The book titles mentioned include affiliate links. You can support the podcast by purchasing a book with the links because the podcast receives a commission.

American writer and visual artist Audrey Niffenegger talks about her bestselling novel The Time Traveler's Wife - a magical love story with a twist. Funny, quirky, and occasionally heartbreaking, this is the story of a relationship lived in the moment – even if those moments are all in the wrong order. Clare and Henry met when Clare was six and Henry was thirty-six, and were married when she was twenty-two and he was thirty. Because Henry is a time traveller. He suffers from a rare genetic condition that means he can be pulled forwards or backwards through time at any moment, without his control. Against this backdrop, Clare and Henry build a deep and passionate relationship that spans Clare's whole life and most of Henry's – all while trying to live a normal life. But unlike most couples, they know how it will end from very early on. Audrey Niffenegger explores the depths of love and trust and inevitable grief and loss through her unusual and moving novel. (Picture: Audrey Niffenegger. Photo credit: Dennis Hearne, courtesy MacAdam/Cage.)

Retour de la Watchlist avec une mini-série passée totalement sous notre radar : The Time Traveler's Wife ! Justine revient sur cette série adaptée d'un roman à succès de Audrey Niffenegger par Steven Moffat (Doctor Who, Sherlock), qui revisite - comme son nom l'indique - le voyage dans le temps à travers la romance complexe d'Henry et Claire. The Time Traveler's Wife est disponible sur OCS. Bon visionnage et bonne écoute à tous et à toutes ! Nous suivre :• Twitter• Instagram• Facebook

Esta conversa aconteceu na feira do livro, daí a diferença da qualidade do som. (Está disponível no Youtube com legendas em português, é só irem às definições). A autora britânica veio a Portugal e claro que a tinha de conhecer. Falamos em sonhos cumpridos, em aliterações, títulos musicais. Saímos cheios de vontade de ler os clássicos e fui logo devorar o outro livro que recomendou. Além da própria literatura feminina da autora, ideal para férias. Os livros que a escritora escolheu: Orgulho e preconceito, Jane Austen; A mulher do viajante no tempo, Audrey Niffenegger; O Monte dos vendavais, Emily Bronte; Não gosto do meu pescoço, Norah Ephron; Autobiografia da Miriam Margoyles. Os que escreveu e que estão traduzidos: Confissões de uma quarentona na m*rda; Tu és o tal que eu não quero. Outros referidos na conversa: Me and Mr Darcy, Alexandra Potter; What´s new pussycat, Alexandra Potter; Jane Eyre, Charlotte Bronte; Os policiais do Richard Osman e da S.J Bennet. Recomendei: A tia Júlia e o escrevedor, Mário Vargas Llosa; Auto biografia da Viola Davis: Finding Me; Referi a Dolly Alderton. O que ofereci: The seven moons of Maali Almeida, Shehan Karunatilaka.

Nem queríamos fazer mais um episódio sobre Taylor Swift, mas o Francisco pediu. Em honra das 3h15 de concerto, deixamos as nossas humildes sugestões de livros, várias teorias e opiniões dos nossos corações Swifties.

What if Time Travel Romance but also uncomfortable pedophile grooming between a 40 year old man and a 10 year old girl? Luke and Juliane discuss The Time Traveller’s Wife by Audrey Niffenegger. Luke on Mastodon: @lukeburrage@masto.nu Juliane on Mastodon: @JuKuBerlin@mastodon.social Support Luke and Juliane financially via Patreon.com/lukeburrage Discuss this book at Goodreads.com Luke writes […]

Welcome to season 4 of Books Broads and Booze! As this season continues on our theme of books to movies, Monica and I picked The Time Traveler's Wife by Audrey Niffenegger. The author is a native of the Mitten state, hoorah! Monica and I talk about our complicated feelings of the book along with the movie released in 2009. As always, drink responsibly. Questions and comments may be sent to broadsbookandbooze@gmail.com Theme music by Dee Yan-Kay

In Episode 119, Keri Blakinger joins me to discuss her debut memoir, Corrections in Ink, a mind-blowing personal story, also speaks to the broader issues of addiction and women in the prison system. Keri went from being an elite figure skater in her youth to being arrested for possession of heroin while a student at Cornell, and then serving two years in the New York prison system. In her memoir, Keri is self-reflective, sharing what is ultimately a hopeful and redemptive story, despite the dark places it goes along the way. This post contains affiliate links, through which I make a small commission when you make a purchase (at no cost to you!). Highlights When and why Keri decided to share her story in book form. How the pandemic impacted her journalism career and writing her memoir. The connection between her figure skating, her mental health, and her drug addiction. Some of the bigger surprises she experienced in prison. How Keri thinks she managed to overcome the statistics and “make good on a second chance.” An example of the ways inmates work around some of the arbitrary and unwritten rules of jail. All about ‘books in jail': requesting and ordering books, time allotted to reading, access, and prison libraries. Keri's personal reading experience in jail and covering this topic as a journalist. Current issues Keri is investigating within the prison system. Keri's Book Recommendations [32:02] Two OLD Books She Loves Never Let Me Go by Kazuo Ishiguro | Amazon | Bookshop.org [32:17] The Art of Racing in the Rain by Garth Stein | Amazon | Bookshop.org [33:56] Two NEW Books She Loves Leaving Isn't the Hardest Thing by Lauren Hough | Amazon | Bookshop.org [37:30] Breathing Fire by Jaime Lowe | Amazon | Bookshop.org [39:33] One Book She DIDN'T LOVE Gone Girl by Gillian Flynn | Amazon | Bookshop.org [41:47] One NEW RELEASE She's Excited About A Deal with the Devil by Pamela Colloff (November 2023) | [44:04] Last 5-Star Book Keri Read Mexican Gothic by Sylvia Moreno-Garcia | Amazon | Bookshop.org [47:20] Other Books Mentioned On Lynchings by Ida B. Wells-Barnett (new edition on November 15, 2022)  [26:43] Blood in the Water by Heather Ann Thompson [27:13] The Night Circus by Erin Morgenstern [29:30] The Time Traveler's Wife by Audrey Niffenegger [29:42] Orange Is the New Black by Piper Kerman [30:28] The Keep by Jennifer Egan [30:32] About Keri Blakinger Website | Twitter | Instagram Keri Blakinger is a Texas-based investigative reporter and the author of the Corrections in Ink, a memoir tracing her path from figure skating to heroin addiction to prison and, finally, to life as a journalist covering mass incarceration.  Currently reporting for The Marshall Project, her work covering criminal justice, has previously appeared in VICE, the New York Daily News, the BBC, and The New York Times. She previously worked for the Houston Chronicle and was a member of the Chronicle‘s Pulitzer-finalist team in 2018.  Her 2019 coverage of women's jails for The Washington Post Magazine helped earn a National Magazine Award.

Welcome to a minisode - that's not really minisode length. Rebekah, Bre, and Jess spend this week sipping on wine, discussing recent reads and favorites so far this year, as well as discussing drama. The next book we'll be reading is The Time Travelers with by Audrey Niffenegger, join us soon for our first epsiode! This week's episode is a bit all over the place, and rather informal, so grab a glass of your favorite drink and sit back and listen! We'd love to see you over on Instagram or Tik Tok @tipsybookreads

This week we welcome you back from our brief hiatus with a discussion about the Time Traveler's Wife by Audrey Niffenegger. Prepare yourselves to hear our ugly cry voices!

We're all just walking each other home. ~ Ram DassOur will is an ever-evolving compass pointing in correlation with our thoughts and actions. The Chariot is the movement and control of the elements once our will has taken hold.Once we commit to a goal we have a choice to rest in the belief it is possible and we already have all we need to make it so--even if its just curiosity at first.In this episode, Eliza introduces Hettie, her family's newest fiery addition, and we discuss how we've felt the wisdom of The Chariot at work in our lives.Acknowledgments:The Time Traveller's Wife, Audrey Niffenegger; Tarot of the White Witch, Maja D'Aoust; Otherkin Tarot, Siolo Thompson, Tarot of the Crone, Ellen Lorenzi-Prince; Medicine Woman Tarot, Carol Bridges… Spanish Castle Magic, Jimi Hendrix8th House Healers Podcast is:Eliza Harris: Owner, Host & Content Creator and Sarah Cole-McCarthy: Owner, Host & Executive Producer/EditorAll rights reserved Podcast webpage: 8thHouseHealers.comWork with Eliza/buy her deck: 8thHouseHealers.com/ElizaWork with Sarah: 8thHouseHealers.com/Sarah We'd love to hear from you! Send your questions, comments & suggestions to us at: 8thhousehealers@gmail.com. Podcast cover photography, ‘The Lovers', by Esmerlize (esmerlize.com)Original podcast theme music, ‘Languid Stars', by Dylan McCarthy (dylanmccarthymusic.com)Support this show http://supporter.acast.com/8th-house-healers. Hosted on Acast. See acast.com/privacy for more information.

From Alia Bhatt to Vijay Sethupathi, from Suniel Shetty to The Time Traveler's Wife, and more storiesThis is Sizzling Samachar on OTTplay, I'm your host Nikhil, let's  look at news first from Bollywood.Suniel Shetty, Vivek Oberoi, and Sonali Kulkarni to headline Dharavi BankSuniel Shetty, Vivek Oberoi, and Sonali Kulkarni play the lead roles in MX Player's upcoming crime thriller series Dharavi Bank. Filmed in various locations of Dharavi, the series is directed by Samit Kakkad. The release date of the series is yet to be announced. Shetty and Oberoi have earlier collaborated for films such as Shootout at Lokhandwala, Kyun! Ho Gaya Na..., and Mission Istanbul.Alia Bhatt's Darlings to release on August 5Alia Bhatt is set to debut as a producer with the Netflix film Darlings. The teaser of the film gives a glimpse of the four main characters played by Bhatt, Shefali Shah, Vijay Varma, and Roshan Mathew. Bhatt has produced the film along with Shah Rukh Khan's Red Chillies Entertainment. Jasmeet K Reen has directed the film which will premiere on the streaming platform on August 5th.Vijay Sethupathi to star in Pushpa 2As per reports, acclaimed actor Vijay Sethupathi will play a pivotal role in the sequel to Allu Arjun's Pushpa: The Rise. Sethupathi will be seen as an antagonist in Pushpa 2: The Rule, which will also have Fahadh Faasil reprising his role as SP Bhanwar Singh Shekhawat. Shekhawat will reportedly join hands with Sethupathi's character to take down Pushpa in the second part of the film. Martin Klebba to star in the live-action remake of Snow White and the Seven DwarfsPirates of the Caribbean actor Martin Klebba has been cast as Grumpy in Disney's live-action remake of the 1937 animated film, Snow White and the Seven Dwarfs. Klebba joins Rachel Zegler and Gal Gadot who play Princess Snow White and the Evil Queen, respectively. Little Women director Greta Gerwig has penned the screenplay along with The Girl on the Train writer Erin Cressida Wilson. The Amazing Spider-Man director Marc Webb is helming the project. Netflix greenlights Japanese film In Love and Deep WaterNetflix has greenlit a big-budget Japanese film titled, In Love and Deep Water. Acclaimed screenwriter Yuji Sakamoto, who is best known for Tokyo Love Story, has penned the screenplay. Sakamoto has termed the film “a romantic comedy delivered on an unprecedented scale”. Set on a luxury cruise, the film follows a butler and a woman as they attempt to crack a murder mystery. It features Kingdom actor Ryo Yoshizawa and Future Family star Aoi Miyazaki in lead roles.HBO cancels The Time Traveler's WifeHBO has decided to cancel the drama series The Time Traveler's Wife. The series based on  Audrey Niffenegger's novel of the same name, starring Rose Leslie and Theo James will not be renewed for a second season after receiving mixed reviews from critics. Tomas Alfredson to direct series based on FaithlessTinker Tailor Soldier Spy director Tomas Alfredson is set to direct a TV series based on Ingmar Bergman's 2000 film Faithless. The six-episode series will revolve around a man who falls in love with his best friend's wife. Well that's the Sizzling news for today on OTTplay , until the next time it's your host Nikhil signing out. Aaj kya dekhoge OTTplay se poochoWritten by Arya Harikumar

With the news that a second season has now been cancelled by HBO, this review - recorded a week ago - becomes our post mortem on Steven Moffat's adaptation of Audrey Niffenegger's book about a woman who is married to an accidental time traveller, The Time Traveler's Wife

Join author Audrey Niffenegger, writer/creator Steven Moffat, director David Nutter, and stars Rose Leslie and Theo James, as we go behind the scenes of taking a second go at bringing The Time Traveler's Wife to the screen and infusing the tragic love story with humor and whimsy.

Johny Pitts discusses time with three writers who have explored it in very different ways

This week, special guest and Hannah's former boss Patty Berg (now at Penguin Random House, she does not really go on 4CHAN, we're pretty sure) joins us to reminisce about the origins of the smash-hit "The Time Traveler's Wife," by Audrey Niffenegger, now a brand-new HBO Max show Sam can't bring himself to watch. Along the way, we seque into the horrors of virtual tradeshows, secret insider stuff about how the publishing biz works (some companies don't do paperbacks?!?), Reddit, and the various books we're reading, including "Winterkeep," by Boston's Kristin Cashore, who writes the best sexy YA novels we've ever read, "The Prince of Tides," which we'd totally forgotten about, and "The Palace Papers" (though you should fast forward through the Andrew chapter). Plus a bunch of other stuff. 

The ladies weigh in on HBO's prestige adaptation of Audrey Niffenegger's The Time Travelers Wife starring Theo James and Rose Leslie, a story that hasn't gotten any less frustrating in the years since the novel came out. See omnystudio.com/listener for privacy information.

This is part two of my interview with C. S. E. Cooney about her publishing journey for Saint Death’s Daughter, featuring questions from my patrons. You can listen, or read the transcript below, and in case you missed it, part 1 of this interview is here! If you have not already devoured Saint Death’s Daughter in one day, like I did, I encourage you to check it out! It’s available as a printed book, an ebook, and an audiobook, and Claire does her own narration for the audio version!JuliaWelcome to the OMG Julia Podcast, where we talk about creative lives and processes. This is part 2 of my interview with C. S. E. Cooney about her journey to publication with Saint Death’s Daughter. We’re picking up this conversation after Claire told us about how she loves to read her first drafts aloud. JuliaI love that about you! I love working with you, because I've done work at the same time and place as you, and even if I'm not super productive during those times, I always love hearing what you've come up with. Because I feel like I've gotten a lot out of just talking through plots with you, even if I haven't been writing. ClaireI Do. I Love that part. Yeah.JuliaBecause I think that writing is a lot of different things, and some of that is getting the words actually down on the page, but some of it is actually just being in a place where you can think through story structure, and what is actually happening. And one thing that I've learned about myself over years and years and years of basically feeling like I must be broken because I don't write x words every day… Which, there is so much advice out there that's like, “You're not a writer if you don't write every single day.” And I don't. I don't write every single day. ClaireYeah, it's so harmful. Oh my gosh.JuliaI have to have a long period of time usually before any project where I just kind of like think about it. And now that I've learned that this is how I work, it really has made a huge difference for me. Because I know that if someone has asked me to write a story for an anthology or something, I can tell myself very clearly, “You know we have to write a story for this anthology. So, let's start thinking about that.” And then I go about my business doing other things, but I'll be working through the problem in the back of my mind. And I will do research and I'll do other things, but the whole time, what I'm really doing is the hard brain work of invisibly creating something inside my head that I don't even necessarily really fully understand until I actually start writing. And I won't be ready to start writing until it's ready.ClaireI feel like I do that process, but I do it in drafts rather than in my brain first. But I draft a lot, like 4 to 8 drafts sometimes, so it's like I write before I even know what I want to write, before sometimes I have an idea. And that makes a whole draft before my draft starts, but sometimes it's just like this vague, you know, itch. Or a character, or even like a feeling between two characters. Like, what is that? How do you make that? Like, I wanted to write a theater story and I knew what the theater troupe did. And I kind of knew the world they did it in but I didn't have characters you know like the troupe was almost like an entity but somebody still has to tell the story. There has to actually be a plot. And these elements of this theater troupe that does this thing in a world that does this thing… those were like the tensions grinding against each other. So I had the 2 major tensions, but what are the pieces at play within those tensions? And I didn't know that until I started, you know, wrote the first line, which came out of nowhere.JuliaRight? yeah.ClaireAnd then I figured my way through from there. But it's funny how much you can do with 2 grinding tensions. JuliaI mean, yes, as the actress said to the bishop. You can count on me for that 12-year-old humor. ClaireLOL. Anytime, Julia Rios.JuliaNo, but I find that for me, I used to be the kind of person who writes a zero draft that's not a first draft. It's the draft where I try to tell myself what I'm even writing, and it's a giant mess and completely often unsalvageable. So I have many, many old stories languishing on hard drives that are just like a complete mess. It doesn't do anything for me, and many of them are such a mess that I've never come back to them. It's like, it's not worth it. Now that I know that I kind of have to do this percolating thing, my drafts come out a lot cleaner. Which isn't to say that I don't end up having to change them and edit them. I do! It's just that my rate of unsalvageable muck is lower.ClaireThat's cool. You can actually work on it because you're not shuddering away from it.JuliaAnd because there's something to work on. I literally, because I tried to do NaNoWriMo many years, and I had so many attempts at it that just came out as just a mess. Not a mess that you're like, “Oh, this could turn into a good story!” Just like, what is even happening here? No one knows.ClaireHave you over have you ever tried to do a NaNoWriMo where you've spent all year thinking and prepping for it the way you do for a short story for an anthology?JuliaI think, yes, I have, and that's probably the one that came the closest to actually being decent. This was many years ago, though, and I say close to being decent, by which I mean, like, had a full story arc. And I don't think I finished the word count during NaNoWriMo. I definitely didn't finish the novel during NaNoWriMo, but I had been thinking about it a lot before I started it, and I did do a big chunk of it during NaNoWriMo. I don't remember if I did 50,000 words or if those 50,000 words ended up staying. I think I still have that saved somewhere, possibly in a Google drive. But it's the kind of thing that also it was so long ago. I haven't attempted NaNoWriMo in many years because I finally figured out that like, hey, you know what? Trying to push myself in that particular way isn't actually productive for me. ClaireYeah, that's what Ellen Kushner once called the cult of word count, which, I have to say, I mean, all these years later: Saint Death's Daughter! But it is not really the story I wrote in NaNoWriMo, though there are many elements… Like, you could see the origins there. JuliaI don't think it's a cult of word count. I think that it's a really useful tool for some people. I think it depends a lot on what kind of writer you are. ClaireYeah, I always wanted to do it again.JuliaI know people for whom they have a great time and they come out of it with something that they enjoy. And I know several self publishers who, like, a lot of the people who really are successful in self publishing can just crank out stuff and they are very prolific. They have an idea of what they want to do and they just sit down and do it, and they do that over and over again. And if you're really fast, doing something with a bunch of other people and knowing that everybody's doing it at the same time can be a very powerful tool.ClaireI've always wanted to do it again, and I never have, and I wonder why. It was like that 1 year in Chicago, and, I mean, I was commuting an hour both ways to the bookstore that I worked at. I'd come home and I remember that I would read a chapter of Jane Eyre (which I've read an umpteenth billion times) right before writing, because I couldn't get started without having read something, but I couldn't read something that I would get into too much, because I didn't want to lose all my time to reading something that I found super fascinating, but it had to be really good. Because it had to feed the writing itself. So Jane Eyre was the book of choice, and I would set a timer. I'd read for a half hour, and then I would try to do 2,000 words, and it was really interesting, and it created a lot of cool things. And I feel like I was like, “This is cool. This works.” If I did that every month, oh boy. What a writer I would be! And it made it feel possible to to be that kind of writer, and yet I've never been able to duplicate it.JuliaWell, the other thing I wonder is, for you, if that isn't the kind of thing that you can sometimes do in a sprint, but can't do in a marathon setting. And often when you're writing as a career, you're doing a writing marathon. You're not doing a writing sprint.ClaireYeah. Yeah, maybe I'll do it this year, though who knows? It would be cool. You know, it'd be cool if I wrote the next two drafts of Miscellaneous Stones —sorry, of Saint Death's Daughter. I still do call it by its old title, or just by her name, really— if I did both drafts as NaNoWriMo to start with, to give myself, like, starting time motivation. You know, like, here's the seed… and maybe if I start out with 50,000 words and I don't give myself 12 years, it won't turn into almost. 200,000 words. Maybe I could just kind of keep it in… But, you know, usually a second draft doubles. So like 100,000 words is not bad for a novel, you know. We could maybe keep it at that that.JuliaSo you mentioned NaNoWriMo, and you said that this is what came out of it. Was this actually your NaNoWriMo novel?ClaireIt was, but it wasn't the beginning. The beginning is further back than that, though I often count the first draft of Saint Death's Daughter as the NaNoWriMo. I think it was 2006. But, before that, was a short story in Phyllis Eisenstein's science fiction class at Columbia College, where there was the idea of a girl raised in a family of assassins. But it was a sci-fi story, and the butler was not a housekeeper, and it was not undead. It was a robot, a robot butler named Graves. So, before that, though… Several years before that, either I was just in college or just before college, my friend Kiri took me out shooting in the Arizona desert. We were both raised in Arizona. She said, “You're going to be a writer. At some point you probably will have to write about guns, so you should definitely shoot a gun sometime during your life, and I want to be the one to take you to shoot a gun.” So we went out to the desert to shoot guns, and we had noise canceling headphones and everything, but either mine weren't working or my ears are very sensitive or bullets are just that loud, but it was so loud that after the first shot I was getting heart palpitations and my hands were sweaty because I didn't want to hear that sound again. I was like, “Oh gosh, if this had a silencer on it I'd be a badass assassin, but it doesn't and I'm afraid of the sound. Wouldn't it be interesting if there was a character who was supposed to be an assassin, but was allergic to violence?”That was the idea, and I remember when it happened, and it didn't show up in a short story for several years, and it didn't turn into a NaNoWrio novel. But the idea has always been appealing, especially throughout all the media and books I've read, and still am reading, where violence is such a problem solving tool on a micro and macro scale. There are so many TV shows where, if you don't agree with someone, you punch them in the face, which is not how my life works at all. And then like on an epic fantasy scale, if you don't agree with someone, you invade their country and you kill all of their orcs or whatever, you know? And I just thought like what if she doesn't have that option? What else can we do if you don't have that option? How many workarounds does somebody have to figure out in their life? In a world like ours that's full of violence, but you're incapable of it? Not that you don't want to sometimes, but that even wanting punishes you?I mean, I still think it's an interesting idea. Thank goodness, because it's still enough of an idea to create two more books out of, I think. And then trying to turn it and look at it from a different point of view. What does violence mean? What does history mean? What is, like, not only the violence of a physical violence, but the violence of your own history? The lies and the biases and the prejudices you've been told? The violence of your own education? How seeing the world and growing a little older and thinking about things differently, and learning another language changes your mind, you know? So, I mean, I still think that's interesting. JuliaYeah, I mean I think it's very interesting. I think that you really do dive into a lot of those questions, and it's very cool to see Miscellaneous Stones exploring them.Yeah, I think this leads into… This is a good place to dig into a question from Francesca Forrest.ClaireOh, I Love her!JuliaThat's because she's delightful! So, she says, “I know Claire's journey with this novel is very long. I'd love to hear what the most important differences are between the novel now and the novel she started so long ago, and which things have remained the same or very similar over all the years.”ClaireThe first novel, that was 50,000 words almost exactly, was very cheeky. It's very lighthearted, and the violence is cartoonish, and the consequences are surface. It's as funny as I could have made it at the time, which isn't very. But what has happened since then? Well, many things. Many drafts, many years, and also Carlos. And one of the wonderful things about Carlos—so he caught me at about draft four, so he's been with it for more than half the book, more than half of the drafts. It was about eight full drafts till it hit the agent and went on submission, and then a couple more drafts from the editor. So, Carlos did many, many things for me, but the three things that stand out are:The child, DatuThe father, Mac The Scratches, the Scratch family So, in the original, the child, Datu, is like one of those anime 6-year-old genius serial killers. Do you know what I mean? Like, cold stone killer, acrobatics, dance on the edge of a leaf. Really funny and witty, but also six years old. And he was like, “She's a child. She's six years old. She may have been trained. You know, like, you see children gymnasts who are capable of amazing things, or children Broadway performers, or child actors who've won the Academy Award, and they are amazing. They're still children, and that level of savant genius has a toll, generally.” He kept being dissatisfied. He's like, “We've seen cartoon death child already. Like, what else have you got?” So, I think Datu’s really different.Mac, the father, really different. Because he's one of the only nurturing, moral male characters in the in the novel. And I think Carlos was just like, You know, give me more than brooding male / potential love interest.” Earlier drafts, he definitely was Lanie's love interest, and I've moved far away from that. Because it is more interesting. Satisfying romantically is one thing, and what I kind of like to read and am inclined to write. But what is more intellectually and emotionally interesting now is different. And he's like, “I don't think if one's sister has enslaved a man, got her child upon him, abused him in many ways, that it's very likely that that man will end up falling in love with you, unless it's super traumatic and ugly, you know?” Like, he was just so repulsed by it in a way that was so different from every romance novel ever that takes a damaged man and puts it with your protagonist and by the end he's not as damaged because love has saved him, or whatever. Like all of those tropes that I grew up with. So he kept saying that. He kept being dissatisfied. And, you know, his best friend Maggie once told me, “You have too high of an opinion of his high opinion.” But the truth is I do want his high opinion so badly, and it tells me something when I can make him cry or laugh. Like, it's working. That's what I want. And when I make him make a certain face like, this just isn't right! This doesn't feel good. “Give me something. Mac has to be better than that. You have to make him better.”So he really turned into, in many ways, a moral center. He's wrong sometimes. But he thinks about it, comes back, and says, “I was wrong about that.” You know, he's actually capable of growth. He has such an interesting internal life. And he and Lanie become like brother and sister, true brother and sister almost in spite of everything that happened to them. Consciously, to make this decision to be family, that’s something that is a huge difference from brooding man who turns into a falcon, totally damaged, awesome, scarred, so hot, ends up being the love interest that lightheartedly, coyly flirts with you at the end sort of thing. I still have that Mac inside of me, but he doesn't fit anywhere in the future of Lanie Stones. What does fit in is an increasingly interesting intimate. Not sibling the way she and her sister are siblings, but like, will be there for you if you need me. Always, and in both physical and spiritual ways. And then, the Scratches… There's like the huge major villain, which is the Blackbird Bride, which, I actually am a little in love with her, and I feel deep pity for her. But she's also, like, she just needs to be shaken some sense into, and she's not capable of being shaken sense into. She was not born that way. But the Scratches are the villains on the ground, or at least the antagonists. They are definitely working against the Stoneses, for reasons that are both apparent and mysterious. There's the front reason, like, you owe us money. And then there's the deep-seated, like, your family versus my family a hundred years ago, feudal reasons.But the nature of the scratches… They were very much like cartoon villains, and in the first draft, by the end, Lanie had turned them into like neon colored bunny rabbits. That was what her magic did. They ended up being a bunch of neon bunny rabbits that she sold to a circus or something like that. That was that story. It is not that story anymore. There's no magic that turns anybody into neon colored bunny rabbits, and there are severe consequences to the Scratches doing things the way they do. Which is, you know, sometimes with violence, and sometimes with arrogance, or with coldness, or with an uncompromising vision. And not everybody survives that.And the Scratches, once they have enough power to do so, change their name back to their true name, and they start to live by their own standards. They'd been sort of subsuming themselves for so many years, but like the nature of of culture and language again like they kind of represent a lot of that and they are very reasonable and and yet have been part of a people who have been very oppressed and downtrodden for. Hundred years so like there's a there's like they occupy a whole different space. So I would say those are the 3 and I blame Carlos for all of them but also just like living in the world a little longer than 27 years Ah also helped.JuliaYeah, I mean, I'll say one thing that I noticed a lot, reading the final version versus the the draft that I read so many years ago… because I think it was probably ten years ago that I read a draft of this. ClaireYeah.JuliaFor me, some of the things that stood out were just how much more real a lot of the world felt. And I don't mean like I could imagine being there, because I feel like you always have drawn worlds that I could imagine being in. They're very vivid. And your writing voice tends to draw people in that way. So it's normal to think, “Oh, I'm reading something by C. S. E. Cooney and I feel like I could just walk into this world.”But the realness was more of this sort of like… The sense that all of this frivolity was happening in the harmony and contrast with oppression and suffering and what those things specifically meant and how they tied into each other and fed each other on multiple axes. And I don't know if part of that is just your deepening life experience or part of that is having feedback from different people. But I think, like, you were talking about the character of Mac, and how he changed from being just like a hot scarred hawk guy and into someone who has become in a lot of ways a moral center, and I think that I noticed that with Goody Graves as well. ClaireYeah.JuliaIn the draft that I remember first reading, Goody Graves was just sort of like a loyal retainer who was always there and liked Lanie. And that's great and cool, and it's also you know, unexpected that your loyal retainer is going to be an undead, stone, statue person. But in this draft you you learn a lot more about who she is and her backstory and what she is capable of doing or not doing, and it makes it feel that much more real and rich because you have a lot more — there's a lot more to chew on, I guess.ClaireYeah, Amal said when she read it —this will always stay with me, “It’s like I can see your stretch marks.” You know like she's read so much, like you, I feel like she can see all the layers. I don't think she ever read an earlier draft. And I'm very aware of the draft you read, because you were the one who gave me the language of the many gendered god of fire, and I remember changing that because of how you were very gently like, “I don't think we use those words anymore.” And then I started thinking about gender in a different way, because, at some point in our lives, we have to start. You know like if you don't know something, there's a point where you learn it, and that was the point where I learned like, oh, a fire god, a many-gendered god of fire makes it much more interesting and open and like less like, “Oh, I don't want to touch that…” You know, like, you gave me my god of fire, Julia.JuliaOh, that's so nice! I love the way that worked out, by the way. And I really love that the inn that she sort of ends up working at has a history of having been a brothel at one point, and it's still actually there and informs the present of it today. And I love the character that's clearly Patty Templeton.ClaireDread! Yes, I want to write the novella that's mentioned in the footnote about Havoc Dreadnought. Havoc: the life and times of Havoc Dreadnoought, and how she… like there's a huge footnote about it, and yeah, I want that to be the title of a novella someday. JuliaI guarantee you you will have a built-in readership for that.ClaireYeah, I love the school. So there's an inn, and on top of the inn is a bakery, and on top of the bakery is a school, and the the school part had been a brothel, but they leave a lot of the brothel trappings to sort of, the footnote says, to lure people into higher education. To lure the unsuspecting into higher education. I feel like some of the cheekiness of the first draft, when I really just wanted to be Terry Pratchett and failed constantly. I'd lost a lot of the humor in many of the drafts to come, and then I just missed it so much that, very late in the drafting process… There was so much world-building and backstory that I wanted that didn't fit into the narrative flow, and so many jokes that I wanted to make that delighted me, so that's when the footnotes happened.I was like, I have to cut all this, ooh, but I could put it in a footnote and then make it even funnier! So that's what I did and I feel like Jasper Fforde, Terry Pratchett Susannah Clarke, you know, I think they sort of give you permission to do footnotes.And when I was younger, if a story had footnotes in it, I would actually not read them. It just didn't occur to me to do so. And I feel like if a younger person, or somebody who hates footnotes, read Saint Death’s Daughter through, they'd still get it without having to read the footnotes, but the footnotes are the parts that made me laugh out loud. And I don't easily respond to my own writing like that. But some of the footnotes still make me laugh.And I have to say that's what Carlos says. When he's writing, if he can make himself laugh out loud, he knows it's working, because it's like tickling yourself. It's a lot harder to do.JuliaYeah, I 100% agree with that. Okay, so last Patron question is, “I would love to find out what it was like finding an agent and how your agent helps you in your career.”ClaireOkay, yeah, it's so hard. I thought when I was first setting out to find an agent, I'm like, “I'm going to submit to an agent a day. No, five agents a day!” It's a numbers game —everybody says it's a numbers game— if you can get to a hundred submissions, your chances are so much higher than if you do ten submissions, but so is dating, they say. I don't know how similar or dissimilar they are, but what I found when I was submitting….First of all, it's sort of like the cover letter and the synopsis takes a lot of eyes and brains. You definitely want to get some friends on it, especially friends who've already gone through the process. For doing the synopsis, if you have three friends who've read your book, basically what I ask them is, “Could each of you write your version of a synopsis of my book and send it to me?” My friend Caitlyn is really good at that. So I think Carlos maybe did, and Caitlyn did, and I had my synopsis. And Caitlyn's really good at making my book sound like something somebody would want to read. I wrote a very stilted like, “And then, she very formally did this thing in an elucidating sort of way, and you know there was a villain…” or whatever. It just was very stiff, and she'd be like, “Kapow! Kablam! Exclamation point!” I mean it all felt like an exclamation point. It felt like an actual back of a book, and by reading her synopsis, I saw what was important or what stood out, or like, “Oh that's what it feels like to write a compelling synopsis. I think she left a few important things out which I will slip in and try to do it more in her style…” And then again if you have a third view, it's even better because then you can have a pretty hefty, true to the story synopsis in a way that you, as a writer, may be too close to write initially. So I say cover letter, synopsis… And cover letter is much like a cover letter for a submission for a short story, where you give your credits. So you have to make yourself look like you're worth reading the first chapter of, I guess. Which doesn't necessarily mean that you have to have a bunch of credits to your name, but you just have to, I guess, be confident, or know who you are, or at least be polite and professional. So anyway. All of that to say that I set out with this very what Caitlyn calls Big Book Energy. You know, I'm going to do all of this because it's a numbers game! And I found that like after submitting one, I had this terrible headache. My stomach was a mess. I had to go lay down, and the whole day was shot, and I was like damn it this is not how you win a numbers game! But I couldn't, emotionally, make myself do more than one a day, very rarely more than one a week, so it was a very, for me, slow process. I Still don't know, if I have to do it again, how would I do it. Because it would just… I'd hope I'd be tougher now. And I'd hope I'd make better lists and do things better, but actually I think it will always be hard, and it's what mood people are in how overwhelmed they are, how much they might like the thing that you're writing. And, boy, like books are so personal and so intimate. So I would say that I sent it out to a lot of people. I got very few responses. Some of the responses I got quick were just, “This is not for me. Didn't catch my interest.” And you try to think, “Ah, I didn't catch their interest. I am boring. Nobody loves me.” Eventually, I got a great response from one of the submission editors at New Leaf, I think they're called. I loved every single agent bio that I read, I loved their mission statement, I was like, “Oh, these people! I want these people to read my book and love me!” And it got to the submissions editor or agent, the one who reads things before they send it up to the main agent, like kind of to get you past the slush pile, and she just wrote back with such enthusiasm! And she's like, “I'm going to set it up to my boss right away!”Even just that stage, even to get any kind of feedback of that tone of voice that I'd been waiting for… I want the people who represent me to have that tone of voice! And it did get passed up to her agent, and I think she even was reading it, but I think she had a baby and a lot of things.And in that interim, when she was reading it and having a baby and life was happening, Markus Hoffmann at Regal Hoffmann & Associates also read it. And he was a suggestion of a writing friend, who said, “This is my agent. I really like him. just tell him I sent you.” So that was a kind of a Who You Know moment. It was Audrey Niffenegger, who I had met once at Columbia College Chicago. We were on a panel together. She had been a teacher there and I had been a student. She wrote The Time Traveler's Wife. So we were Facebook friends, but we had had literally no interaction since that one panel we were on, where we were on a panel but didn't really talk to each other, we just talked with each other. And she saw on Facebook when I was like, “Oh, this agent quest, it's such a slog.” You know, how one does when one's on an agent quest. She private messaged me and she said, “Try Regal Hoffman. I didn't know you didn't have an agent.” You know, like, tell him I sent you… So Marcus got back to me and he wrote an email. He said, “I quite like the first 50 pages. May I see the rest?” And then he wrote an email saying, “I would love to talk to you to tell you about this agency.” When I talked to him, I just loved him immediately. He said all the right things, and in such a tone of voice, very European. He's German, and just gentle and warm and really incisive, and had great questions, and… It's like that kind of person you want on your team, that he'll be the editor before your editor gets to you. He'll be the editor who makes the draft that makes the the publication happen. So just on all of those levels, I really clicked. So I wrote to the people at New Leaf, who still had my manuscript. I was like, “I'm sorry, I'm going with another agency.” And that agent had just read it and said, “Oh, I just finished it! I was about to write to you.” So I feel this very warm radiant feeling toward New Leaf, and I think I feel like if I had gone a little further in the process, maybe would have not been so emotionally wrecked by it, I would have gotten better at it. I would have gotten a tighter and tighter synopsis and cover letter. You know, it might have taken 50 or 100 more, but I think eventually it would have happened. That it happened this fast, I think, was due to the shortcuts of going to conventions, being on panels, that whole networking web that happens that you think will never happen that it's really hard to make happen on purpose. But Gene Wolfe once told me, “You know, all networking means is making friends.” And you don't really make friends with this cold eye of calculation of what your friends will do for you someday, you just sort of make friends who all love the things you love writing and reading, you know, and then sometimes somebody knows somebody who knows somebody, and that's one way to do it. But I think the other way also works. It just takes longer and has a toll. So I would say, working with my agent is amazing. I sometimes like think of him as like a ninja elven prince. Yeah, that's the space in my brain he occupies. He's sly, he likes things like talking up my book, and making deals, and like, going to parties. Things that I don't really know how to do, and don't really want to know how to do. he has people who do the contracts like, “Markus, can you look at this contract because it's scary?” And then he'll look at it, and he does things that I can't. I don't have the tool set, and I'm so, so grateful. And as Carlos and I have done some collaborative projects, It's been really fun, because Carlos's agent is DongWon Song and mine is Markus Hoffmann, but they used to almost work together at one point. They knew each other! And they met at a house party at our house, and they're like, “What are you doing here?” So they get to work together sometimes on mutual contracts and it's really nice that they already had a kind of warm, friendly relationship.JuliaOh, that is nice. So how long would you say it took from the time you started sending queries out until the time you ended up with an agent?ClaireIt's it's really hard to say because, like at one point I had sent it to an agent and he suggested these edits, so that took me six months to make the edits and turn it back in. He suggested more edits, and at that point, I thought, “Ooh. I liked the first round of edits a lot, but the second set of edits sounds like the book he wants is not the book I want to write.” And so I gently backed away very amicably and then started submitting again.And then there maybe comes a time where it's like, “Oh, I can't believe I ever thought that draft was worth submitting. I think I need to just sit down and rework it.” You know? So it was a lot of stops and starts, and it was years. I think I started submitting it at the fourth draft and it wasn't until like draft eight that it got an agent. That's at least a draft a year, so I would say maybe four years for that one. Some people don't ever start submitting until they are totally sure they're done. Me, I'm like totally sure I'm done after my first draft, and then two weeks later I'm like, “What was I thinking?” And you know then twelve years later it's ready…JuliaOkay, well thank you so much for talking to me about this. We didn't talk about your career as an Audiobook narrator at all, which is a sort of a separate thing from your writing career. Except for when you narrate your own books. ClaireYes, thank goodness.JuliaAnd so I want to close this out by asking how was the experience of narrating this novel as a narrator who is also the writer of the book? Did you always know it was going to be you? Did you really want it to be you? And what was the whole experience like?ClaireThat's a great question, and it has a complicated answer, so forgive me beforehand. So, if I could have gotten a world class, phenomenal, powerful narrator like one of the ones I listen to all the time, like Kate Reading, for example. Or who's the really famous one? Simon Vance. You know, somebody of that caliber. Then I would totally have wanted somebody else to narrate my audiobook. But most narrators are like me, where we're pretty good. We make a living, or we would make a living if we lived in a small town and had two roommates. But since I'm married to Carlos, you know, I make a living as far as I'm concerned, but not like a New York City living. Anyway, so if somebody is just going to be very good, and I know I'm pretty good, and I know how to pronounce all my made up words. So that part of my narrating writing brain is like, “I should probably do it unless they get somebody extraordinary.” Which sounds… I don't know how it sounds, but that's how my brain works. Now, Carlos, and my mother, and a couple people who love me very much have agitated strongly from the beginning that no matter if they got Kate Reading or Simon Vance, I should still be the one to narrate it, which I fight against because there's a part of me that is not arrogant enough to think that that my text couldn't be improved upon by somebody else. I would be eager to listen to a different interpretation. It's easier to listen to somebody else's voice than my own, even though I like my voice just fine. All of that to say, when we made this deal, Rebellion seemed very excited. They like having authors narrate their own work and that had been kind of a handshake agreement. And earlier this year, as we're getting closer to publication, it ran into some snags. Like, it's pretty expensive to hire a US narrator. They have people in-house. They have deals going on. So it was almost that I couldn't narrate it and they had some pretty good narrators lined up, and I was like, “Okay, well just make sure that they call me so I can give them the pronunciations of the words I made up.”But I was unhappy, I think, in that moment because I had been looking forward to it. for two years I'd sort of had it in my head I was going to do it. I'd been prepping for it, and so that felt like a little like, “Oh it's not going to happen. Okay.” And I had to readjust my thinking.But over the pandemic, instead of commuting to Connecticut to do my studio recording for Tantor Audio, they have a working relationship with a small studio that's just three miles from me, which I can walk to. Three miles is a big difference from a three hour commute to Connecticut and staying overnight for three or four days, which is what I'd been doing for the two or three years since I'd moved here before the pandemic. So I told my agent and Rebellion. I was like, “Well, there's this little studio I work with. They do all this amazing professional production work for all of these different companies. Here are their rates. Here's their email. Maybe we could work something out.”And the next thing I knew, they're like, “Okay, you're recording next week.”So whatever they worked out, whatever my agent did, and whatever all of the powers that be… Because of the pandemic, and because of this relationship, and maybe because I wrote the right email at the right time, all of this worked out so that I could I could actually record my audiobook. So it was a bit of a roller coaster right at the end, and it was right up at the edge of time of when we could record it to have it out concurrently with the book. All of which to say that I didn't have as much prep time as I had wanted, and yet I have been prepping for twelve years at this point.I wanted to make every day in the studio more than usually special. I really wanted to say this is the end of a very long journey of many drafts and many despairs and a lot of leveling up. And yet it felt like another day. If I didn't pay super close attention, it would just be another grinding week at the studio, and I didn't want that. So every day I dressed up to match the section of the book that I was going to be recording. I wore like a different little perfume that had a note of citrus in it because citrus is the smell of necromancy in my book, and I wore a piece of jewelry that usually a friend or a loved one had given me that had to do with the book. I really tried to make it not just a recording, but a celebration of a decade and a half of work. And it was a blessing, in that sense, to record my work, and to look at it in its final form, and to say, “Ah, well, this was a thing, and this is what that thing looks like, and now it's in my mouth, and it's for you in your ears for all of posterity.” And that's something, because you know we still listen to W. B. Yeats at the beginning of the twentieth century reading his work in his own voice. There are probably better actors to read his work, but it is something to have his poems and his own voice. And so now we have this work in my voice, and I feel that in this human pageant, it's something that is super special. Very pleased.JuliaI think it's great. I loved it, and I think you're a wonderful narrator. I think you're not giving yourself enough credit.ClaireOh, but not British, Julia!JuliaWell, no, you're not British, but you are someone with a huge background in theater, and training, and also a large amount of experience at this point in narration, and you know your stories better than anyone, because you did spend all of your twelve years refining this particular book.ClaireThat's what Carlos says, so you and Carlos… if you and Carlos say it, I know that you're both more right than I am because I trust your brains.JuliaI thought it was a wonderful experience listening to you read it, and if you're listening to this podcast and you like listening to things, go ahead and pick up the audiobook of Saint Death's Daughter, because it is really wonderful. If you like to read things on the page, the text is also there for you, and that is also wonderful. But if you like listening to Claire's voice, get that audiobook. Thank you Claire and, thank you so much for taking all of this time to talk to us and answer all of our questions.ClaireThank you so much. Julia.JuliaI hope everybody goes out and reads your wonderful book, which is full of horrifying things, and also great bits of humor, and wonderful humanity. ClaireThank you.JuliaThanks so much for listening. If you want to have the chance to ask your own questions, or request specific kinds of posts from me, consider joining my patreon which is at patreon.com/juliarios, or my substack, which is at omgjulia.substack.com All patrons and subscribers get early access to every piece of creative work I commission from other creators in my Worlds of Possibility project, and your pledges and subscriber fees go directly to help pay for those stories and poems, and for the cost of my equipment and my labor, because recording these interviews, and then editing the transcripts and editing the recordings and making them podcast-ready for you takes a lot of time and effort! I am a little later on this one than I had intended to be because I got COVID again! Oops! So that’s why my voice sounds a little hoarse right now. Luckily, I was able to get antivirals, so that is fine, and I am doing better, but it kind of threw a wrench in things and it really made me realize how much time and effort this kind of thing takes. It takes a lot! So, if you have been enjoying this, please do subscribe. Please, any amount that you feel like contributing will absolutely help keep things going for me. And I’m in the middle of accepting all the pieces I am going to accept for this wave of Worlds of Possibility, and I have some GREAT stories to share with you, so I can’t wait to get into that, too. Thank you for listening, and I’ll catch you next time!Thanks for listening, and I’ll catch you next time. This is a public episode. If you’d like to discuss this with other subscribers or get access to bonus episodes, visit omgjulia.substack.com/subscribe

Forestil dig at du er tidsrejsende. Det lyder spændende. Så forestil dig at du rejser i tid spontant uden kontrol. Lidt for spændende! Time Traveler's Wife er af Audrey Niffenegger, og udkom i 2003 som hendes debutroman. Det er sagt helt kort en romantisk historie om parret Claire og Henry og hvordan de mødte hinanden […] Indlægget Ep. 95: Audrey Nifenegger, The Time-travellers Wife blev først udgivet på SCIFI SNAK.

On this week's episode of Currently Reading, Meredith and Kaytee are discussing: Bookish Moments: finishing up school and reading when the wheels fall off Current Reads: all kinds of books for you today, readers Deep Dive: our five (personal) rules for reading Book Presses: falling in love with the octopus and a creepy twins As per usual, time-stamped show notes are below with references to every book and resource we mentioned in this episode. If you'd like to listen first and not spoil the surprise, don't scroll down!  New: we are now including transcripts of the episode (this link only works on the main site). These are generated by AI, so they may not be perfectly accurate, but we want to increase accessibility for our fans! *Please note that all book titles linked below are Bookshop affiliate links. Your cost is the same, but a small portion of your purchase will come back to us to help offset the costs of the show. If you'd prefer to shop on Amazon, you can still do so here through our main storefront. Anything you buy there (even your laundry detergent, if you recently got obsessed with switching up your laundry game) kicks a small amount back to us. Thanks for your support!*   . . . . 1:31 - Bookish Moment of the Week 2:25 - Brave Writer  5:28 - Current Reads 5:44 - Smile: The Story of a Face by Sarah Ruhl (Kaytee) 9:19 - My Mess is a Bit of a Life by Georgia Pritchett (Meredith) 10:09 - I Miss You When I Blink by Mary Laura Philpott 10:11 - Bomb Shelter by Mary Laura Philpott  10:35 - NPR Interview with Georgia Pritchett 14:19 - The Three Mothers by Anna Malaika Tubbs (Kaytee) 14:33 - Laura Tremaine's Secret Stuff  17:45 - Shady Hollow by Juneau Black (Meredith) 19:41 - Boswell Books  19:54 - Wind in the Willows by Kenneth Grahame 19:56 - The Secret Book and Scone Society by Ellery Adams  19:58 - The Thursday Murder Club by Richard Osman 20:47 - Cold Clay (Shady Hollow #2) by Juneau Black 22:25 - A Bad Day for Sunshine by Darynda Jones (Kaytee) 22:32 - First Grave on the Right by Darynda Jones (Charlie Davidson #1) 25:20 - Finlay Donovan is Killing It by Elle Cosimano 25:45 - Still Life by Louise Penny 26:35 - Fifty Words for Rain by Asha Lemmie (Meredith) 27:04 - Sarah's Bookshelves Live 31:12 - The Four Winds by Kristin Hannah  31:20 - The Nightingale by Kristin Hannah 31:24 - Magic Hour by Kristin Hannah 31:32 - Piranesi by Susanna Clarke 31:55 - Ten Thousand Doors of January by Alix Harrow 32:19 - Deep Dive: Our 5 Rules for Reading 32:31 - The Painted Porch Bookshop 32:40 - The Daily Stoic 32:54 - Ryan Holiday's 8 Rules for Reading Video  33:26 - Season 1: Episode 19 33:54 - Season 2: Episode 37 of Bookend Homeschoolers 34:55 - Fifty Words for Rain by Asha Lemmie 47:29  - Books We'd Like to Press Into Your Hands 47:49 - The Soul of an Octopus by Sy Montgomery (Kaytee) 50:39 - Currently Reading Patreon 51:23 - @Bookishbetsie on Instagram @bookishbetsie on TikTok 51:34 - Her Fearful Symmetry by Audrey Niffenegger (Meredith) 53:44 - The Time Traveler's Wife by Audrey Niffenegger  55:07 - The Shining by Stephen King Connect With Us: Meredith is @meredith.reads on Instagram Kaytee is @notesonbookmarks on Instagram Mindy is @gratefulforgrace on Instagram Mary is @maryreadsandsips on Instagram currentlyreadingpodcast.com @currentlyreadingpodcast on Instagram currentlyreadingpodcast@gmail.com Support us at patreon.com/currentlyreadingpodcast

The Drunk Guys lose track of time because of beer this week when they discuss The Time Traveler's Wife by Audrey Niffenegger. They wake up naked and in strange place because of: Cosmic Denial by Greenpoint, A Casualty of Circumstance by übergeek, and Detachable, Non-Human, and Future Proof by Finback.

O que esperar de... A Mulher do Viajante no Tempo (HBO)? A nova série de adaptação da HBO vai ao ar no dia 15 de maio de 2022 e conta a história de Claire e Henry, criada por Audrey Niffenegger e lançada em livro de mesmo nome. Henry, interpretado por Theo James, tem uma condição rara que faz com que ele viaje no tempo. Em uma dessas viagens, ele conhece Claire, interpretada por Rosie Leslie, e conforme o tempo passa os dois acabam se apaixonando e desenvolvendo um relacionamento. O problema é que eles nunca sabem quando Henry vai viajar e qual dos Henrys viajantes no tempo vai voltar. Ficou confuso? Não se preocupe! É justamente para te ajudar a entender sobre o que série A Mulher do Viajante no Tempo (HBO) será que Domenica Mendes, Thiago Augusto e Paulo Vinicius prepararam esse episódio. Entenda quem são os personagens, o que acontece nesse universo e qual o principal conflito dessa história: tudo sem spoilers para não estragar a sua experiência, mas com informações suficientes para você decidir se vale a pena dar o play. Ah, detalhe: essa não é a primeira adaptação desse livro, você já assistiu "Te Amarei Para Sempre"? Nossos apresentadores apostam que a série vai consertar o que o filme estragou. Bom episódio! Assista ao trailer de A Mulher do Viajante no Tempo (HBO) https://youtu.be/HZGui0k8hvc Mais um oi pra gente! Ouviu o episódio? Conta pra gente o que você achou. Pode nos chamar nas redes sociais, comentar nessa postagem ou nos mandar um e-mail para contato@leitorcabuloso.com.br Ficha técnica Participantes: Domenica Mendes, Thiago Augusto e Paulo Vinicius Pauta: Domenica Mendes Assistente e Edição: Leonardo Tremeschin Agradecimentos Especiais Agradecimentos especiais a quem nos apoia, especialmente a Airechu, Aline Bergamo, Amauri Silva Lima Filho, Caio Amaro, Carolina Soares Mendes, Carolina Vidal, Cláudia Rodrigues, Clecius Alexandre Duran, Daiane Silva Souza, Dayse Cristhina, Fernanda Cortez, Igor Bajo, Lucas Roberto Arrais Domingos, Lu Bento, Luciano Terra das Neves Neto, Luiz Henrique Soares, Marina Barbosa Kondratovich, Marina Jardim, Melisa de Sá, Nilda, Priscilla Rubia, Ricardo Brunoro, Rodrigo Leite. Não nos perca de vista!  

The Drunk Guys jack some Neuromancer by Finback into their bodies this week while they discuss Neuromancer by William Gibson. Join the Drunk Guys next week when they read The Time Traveler's Wife by Audrey Niffenegger. The Drunk Guys now have a Patreon and merch! The Drunk Guys Book Club

Just my opinion on Audrey Niffenegger's debut novel, "The Time Traveler's Wife." --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Support this podcast: https://anchor.fm/daniellesreadingnook/support

On this week's episode of Currently Reading, Meredith and Kaytee are discussing: Bookish Moments: the change of the seasons and a young fan Current Reads: a few books that will stay with us forever, and some that… won't Deep Dive: the books that live rent-free in our heads Book Presses: a fairy tale retelling and a beloved brick As per usual, time-stamped show notes are below with references to every book and resource we mentioned in this episode. If you'd like to listen first and not spoil the surprise, don't scroll down!  New: we are now including transcripts of the episode (this link only works on the main site). These are generated by AI, so they may not be perfectly accurate, but we want to increase accessibility for our fans! *Please note that all book titles linked below are Bookshop affiliate links. Your cost is the same, but a small portion of your purchase will come back to us to help offset the costs of the show. If you'd prefer to shop on Amazon, you can still do so here through our main storefront. Anything you buy there (even your dishwasher detergent!) kicks a small amount back to us. Thanks for your support!*   . . . . 1:20 - Currently Reading Patreon 3:26 - Bookish Moment of the Week 6:01 - Current Reads 6:21 - Fabled Bookshop 6:42 - My Year of Rest and Relaxation by Otessa Moshfegh (Meredith) 13:53 - The Love Songs of W.E.B Du Bois by Honoree Fanonne Jeffers (Kaytee)  16:55 - The Ten Thousand Doors of January by Alix Harrow (Meredith) 18:40 - book darts for your own books! 20:09 - The Time Traveler's Wife by Audrey Niffenegger 22:45 - When Life Gives You Mangoes by Kereen Getten (Kaytee) 24:45 - Bookshelf Thomasville subscriptions 25:19 - Pretty Little Wife by Darby Kane (Meredith) 29:15 - How to Slowly Kill Yourself and Others in America by Kiese Laymon (Kaytee) 30:15 - Heavy by Kiese Laymon 30:19 - Season 3: Ep. 34 32:27 - Garcia Street Books 32:59 - Deep Dive: Books that Live Rent Free In Our Heads 34:15 - An Absolutely Remarkable Thing by Hank Green 35:49 - So You've Been Publicly Shamed by Jon Ronson 36:49 - Into the Wild by Jack Krakauer 37:55 - A Ballad of Songbirds and Snakes by Suzanne Collins 37:59 - The Hunger Games by Suzanne Collins 38:37 - Everything I Never Told You by Celeste Ng 39:30 - Murmur of Bees by Sophia Segovia 39:49 - Violeta by Isabel Allende 40:30 - Scythe by Neal Shusterman 40:37 - Dark Matter by Blake Crouch 40:38 - The One by John Marrs 40:44 - Jurassic Park by Michael Chricton 40:46 - Parasite by Mira Grant 40:57 - The Lazy Genius Way by Kenda Adachi 41:50 - The Southern Book Club's Guide to Slaying Vampires by Grady Hendrix 42:13 - The Library at Mount Char by Scott Hawkins 44:41  - Books We'd Like to Press Into Your Hands 45:02 - All the Ever Afters by Danielle Teller (Meredith) 46:58 - Wicked by Gregory Maguire 47:52 - Roots by Alex Haley (Kaytee) 49:16 - The Love Songs of W.E.B. Du Bois by Honoree Fanonne Jeffers  49:21 - Homegoing by Yaa Gyasi 49:38 - Shogun by James Clavell 49:39 - The Thorn Birds by Colleen McCullough Connect With Us: Meredith is @meredith.reads on Instagram Kaytee is @notesonbookmarks on Instagram Mindy is @gratefulforgrace on Instagram Mary is @maryreadsandsips on Instagram currentlyreadingpodcast.com @currentlyreadingpodcast on Instagram currentlyreadingpodcast@gmail.com Support us at patreon.com/currentlyreadingpodcast

This docu-story looks at the transformation of an abandoned, Gilded Age mansion as it evolves from limbo into a literary arts center on the lakeshore of Evanston, IL. The "revivification" endeavor, spearheaded by author and artist Audrey Niffenegger, captivates host Suzanne Clores who digs deeper into the mansion's past. Made possible by a grant from the Illinois Arts Council. 

On this episode we are talking about the classic sci-fi romance, The Time Traveler's Wife by Audrey Niffenegger. Warning: this book discusses suicide and miscarriages. This book is really long and so much happens so stick with us because it is pretty wild and you get to hear us try to figure out science and realize that Sydney knows very little about the development of a fetus. No corrections needed, thanks though.As always send us your book recommendations or short stories to bookcultpodcast@gmail.com--- Support this podcast: https://anchor.fm/bookcult/support

Hey Modern Broads! This week I have Britta Hamilton on the podcast, and we talk all things feminine cycle. This is a subject I've recently been learning more about and integrating more into my life - which is shocking since I've had my period for over 2 decades!Britta is a feminine empowerment coach who helps women unlock the magic of their cycles. She guides women to align with their cycle to optimize their energy and facilitate more ease, flow, and abundance in their lives! In this episode we cover: The history of the female menstrual cycleChallenges of living in a society built around a male cycleSetting clear goals and intentions using seasonal alignmentThe 4 phases of the feminine cycle (using the inner season model)How to live in sync with your cycleThis episode is jam packed with valuable insights that have the potential to change your life. I encourage you to check out all the amazing resources Britta has to offer!Find Britta online:  Website  |  TikTok (@britta.hamilton)  |  Instagram (@britta.hamilton)  |  Downloads + CoursesResources from this episode: "The Time Traveler's Wife" by Audrey Niffenegger (book)IG: @modern.broadFB: The Modern Broad Squad

Es Alfonso quien nos sorprende al inicio metiéndose en la tinaja con Manu para introducir el Nunca Es Tarde con una reflexión sobre el ‘body positive… Y luego nos trae ‘las noticias que te importan una puta mierda’. Luego comentamos las noticias con el maestro Gómez de Marcos. Y a continuación damos paso a su sección ‘Las Tres De Rafa’. Andrés González Barba vuelve con sus recomendaciones literarias. En esta ocasión nos habla del best seller ‘La mujer del viajero en el tiempo’, de la autora Audrey Niffenegger *recuerda que el día de subida del podcast no coincide con el de emisión del espacio de radio en directo. Para conocerlo y tener mucha más información visita la web de la Spanish Rock Shot en www.spanishrockshot.com Nunca Es Tarde es un espacio de radio producido, realizado y dirigido por Manu Rodríguez para Spanish Rock Shot. Puedes seguirnos en redes, colaborar y participar con nosotros en: FACEBOOK https://www.facebook.com/SpanishRockShot/ TWITTER @srsradio INSTAGRAM https://www.instagram.com/spanishrockshot/ SUBSCRÍBETE a nuestro exclusivo Canal de YOUTUBE https://www.youtube.com/channel/UCa5MHdWA7a_4Ed1-H6m-iIA

For so many fiction readers, JoJo Moyes is a household name. The British novelist and screenwriter talked to Olivia and Margaret about the research that went into her latest novel, “The Giver of Stars.” The book is now in paperback, and to write it, the British novelist made numerous trips to America's heartland for research. She shares why it was important to ride horses in rural Kentucky (combining two of her passions), and some of the wild news headlines that helped her craft Alice, Marjery and the other Packhorse Librarians.  Moyes previews her next book that's headed to the screen, the trilogy that made her famous, and why readers today are making previous releases best-sellers again. Inspired by Moyes and the Pack Horse Librarians, Olivia and Margaret discuss other novels featuring librarians. For those into suspense, Margaret recommends “All the Devils are Here” by Louise Penny. A novel with a dark and mysterious network of women, there's “The Lost Apothecary” by Sarah Penner. Olivia and Margaret also mention popular books “The Time Traveler's Wife” by Audrey Niffenegger, and a children's classic: “Matilda” by Roald Dahl. For those who haven't read Sally Hepworth's “The Good Sister,” Olivia suggests now is the time, as one of the main characters is as a librarian! Olivia talked to Hepworth about this novel in Episode 5 of the podcast.

Today's guest is Deborah Kaufmann, VP of Literary Affairs at Legendary Entertainment. Translated into lay, non-Hollywood terms, this means that Deborah is some sort of in-house scout for Legendary, in charge of finding literary properties that can be adapted to the big or small screen. As you'll find out, such properties can include books, but also unpublished short stories, podcasts, and news and magazine articles. It was fascinating to get to know Deborah's work a bit more in depth, and to hear her thoughts on the current state of the movie business and the revolution brought about by streaming giants such as Netflix and Amazon. Show Notes Deborah's book recommendations: - Klara and the Sun by Kazuo Ishiguro - Hidden Valley Road by Robert Kolker - Weather by Jenny Offill About Deborah: Since 2014, Deborah Kaufmann has been overseeing acquisitions of literary properties for Legendary Entertainment's film and TV divisions, and working in New York. Previously, she was a senior editor based in Paris, publishing award-winning and international bestselling authors for 15 years – including Jenny Offill, Howard Jacobson, Claire Vaye Watkins, John Jeremiah Sullivan, Malala Yousafzai, Tana French, Anthony Horowitz, Walter Kirn, Elizabeth Gilbert, Audrey Niffenegger, Jeff Lindsay, and many others. She also ran the Orbit France science-fiction and fantasy imprint.

“Sleep is my lover now, my forgetting, my opiate, my oblivion.” - Audrey Niffenegger, The Time Traveler's Wife --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app

Just when you think that it's easy smeezy, it ain't! Is that even a word? But, definitely whenever you go under the knife, should you worry about being prepared for the “Just in case” or the “What if”? “I've had so much plastic surgery, when I die they'll donate my body to Tupperware!”. Joan Rivers Routine surgery is just one of those things in life where we think, ok I need to remember to be at my appointment a few minutes before, I have to shower, and not bring any valuables with me. Is that it? Should I be worried? Well, I guess part of me, says we should be in a positive mindset and maybe a few people even say a few prayers beforehand. But, should we be worried about our health, what that will look like afterwards. Will everything work out, will the surgeons see anything that shouldn't be there, will there be any complications, any difficulties with breathing, or bleeding? Does anyone else think of these things down deep inside even for the most simplest of surgeries? Let's see. This Real Life Story from Real Life people this week on our Podcast is very enlightening due to the fact that the most routine surgery that Shannon, our Guest Interview, went in for at the onset of Covid 19, was painful and enlightening. Check out our Podcast this week on Routine surgeries. When Shannon stepped out from her surgery back into the hallway of the hospital, the world had changed! Yes it was like waking up into the novel, “The Time Traveler's Wife”, is the debut novel by the American author Audrey Niffenegger, published in 2003. The world was not the same after she woke up from her surgery. She thought she was in a movie! Enjoy! Our Guest Interview on YOUR BACKUP PLAN PODCAST SHOW M. Shannon Hernandez Marketing Strategist | Author | Speaker 646.397.1234 www.mshannonhernandez.com YOUR BACKUP PLAN puts your life in 1-place in preparation of any unpredictable circumstance while taking the painful aftermath out of any tragedy! Whether you are a senior, retired, single, or have a family you will want to get this APP for yourself to be more organized! www.yourbackupplan.ca OUR APP AVAILABLE HERE: Download on Google play store: https://play.google.com/store/apps/details?id=com.backupplan.app or at iTunes Store: https://apps.apple.com/ca/app/yourbackupplan/id1038766738 Our Blueprint Academy - COMING SOON! www,theEmergingBlueprint.com OUR YOUTUBE CHANNEL: https://youtu.be/kEupvBtkg_Y OUR INSTAGRAM PAGE: www.instagram.com/yourbackup_plan OUR FACEBOOK PAGE: https://www.facebook.com/yourbackupplan Twitter: @BackupPlanApp http://l.ead.me/bbpzPy #emergencypreparedness #yourbackupplan #yourbackupplanapp #planb #motorcycleaccident #caraccident #planning #exitplan #tragedy #tragedies #disaster #disasterpreparedness #emergencypreparedness #financialplanning #estateplanning #emergency #cancer #stroke #heartattack #survivor #cancersurvivor #rehab #recovery #lifeinsurance #disability #willsandestates #wills #powerofattorney

Time Codes: 00:00:32 - Introduction 00:03:42 - More listener mail! 00:11:43 - Bizarre Romance 00:54:10 - The Ballad of Sang #1 01:07:47 - Gideon Falls #1 01:29:11 - Wrap up 01:30:19 - Contact us On this week's review episode, Gene and Derek discuss three recent, and very different, titles. They begin with Bizarre Romance (Abrams ComicArt), an unusual "graphic novel" written by Audrey Niffenegger and with art from Eddie Campbell. The various stories that compose this collection are both comics and prose-centric pieces, and all of the selections have something to do with relationships in an off-kilter manner. Next, they look at Ed Brisson and Alessandro Micelli's The Ballad of Sang #1 (Oni Press). Inspired by 1970s and 1980s kung fu and action films, this first issue in the series introduces us to a young mute street fighter who becomes a fugitive and must fend for himself. Finally, Gene and Derek wrap up with the latest comic from Jeff Lemire, Gideon Falls #1. With art by Lemire's stalwart collaborator, Andrea Sorrentino -- they had previously worked together on Green Arrow and Old Man Logan -- this is a dark and moody narrative that points to what will become a fascinating monthly series. As Lemire writes in the brief essay that closes out this first issue, Gideon Falls is the realization of a couple of story ideas that the writer has contemplated since his days as a film student. Also, as the Two Guys share during their "listener mail" segment, English professor and dedicated listener Meghan Sweeney has set up a GoFundMe campaign that aspires, in the aftermath of the Parkland massacre, to get copies of John Lewis, Andrew Aydin, and Nate Powell's March trilogy into the hands of teens who might not otherwise have access to them. Please go fund this idea, and help spread the word!