Podcast appearances and mentions of walter hood

In this episode of the A is for Architecture Podcast, I spoke with Associate Professor of Urban Planning at Hunter College, Stefan Al, and Professor at New York Institute of Technology, Tom Verebes, about their recent co-edited book, The Urbanism Reader: Design, Technology, Culture and the Future of Cities, published by Bloomsbury (2025). Orientated towards design in the contemporary city, The Urbanism Reader gathers together key texts that explore urban theory, planning and development pertinent to the city as we find it now – a messy, networked and highly technological state which inflects, if not forms, the modern citizen and their social world . Bringing together influential writings from scholars and practitioners, including greats like Venturi and Scott Brown, Tschumi, Frampton, Kwinter, Eisenman, Koolhaas and  Maas, but also introducing new voices and accents, including Anne Whiston Spirn, Anaya Roy, Walter Hood and Andrea Moneta among many others, the book presents a good overview of key themes, like virtuality, computationality, informality, equity, ecology, density and connectivity. To stand back from all this thinking and just look is thrilling really. Have a listen and find out why you should. Tom and Stefan are great to hear.Stefan also leads his own practice, Stefan Al Architects and Tom is founder and Creative Director of OCEAN CN. Both gentlemen can be found on LinkedIn and Instagram.  The book is linked above.#Urbanism #CityPlanning #UrbanDesign #TheUrbanismReader #SustainableCities #UrbanTheory #SmartCities #StefanAlAndTomVerebes #ArchitetcurePodcast #AisforArchitecturePodcast+Music credits: ⁠Bruno Gillick 

Designing and constructing buildings takes place over many years, with many people collaborating together. In the Brick and Wonder podcast, we have conversations with people who work together to realize a collective vision. In this episode our host, Drew Lang, spoke to two people who first met at the American Academy in Rome and whose lifetime of work intersects in the public realm. Walter Hood, the landscape architect known for his cultural and civic work, and Mark Robbins, an architect and leading voice in government, academia and professional institutions.

This week David and Marina of FAME Architecture & Design are joined by Walter Hood, Creative Director & Founder of HOOD Design Studio. The three discussed Walter's childhood and education; architecture and landscape architecture differences; experimenting with different career paths & evolution; Hood Design Studio practice; the influence of art education on landscape design career; embracing change and imperfection; architecture service in landscape firm; establishing culture and project consistency in a firm; artist vs architect; and more. This episode is supported by Integrated Projects • Autodesk Forma & Autodesk Insight • Programa • Learn more about BQE CORE SUBSCRIBE  • Apple Podcasts  • YouTube  • Spotify CONNECT  • Website: www.secondstudiopod.com • Office  • Instagram • Facebook  • Call or text questions to 213-222-6950 SUPPORT Leave a review  EPISODE CATEGORIES  •  Interviews: Interviews with industry leaders.  •  Project Companion: Informative talks for clients.    •  Fellow Designer: Tips for designers.  •  After Hours: Casual conversations about everyday life. •  Design Reviews: Reviews of creative projects and buildings. The views, opinions, or beliefs expressed by Sponsee or Sponsee's guests on the Sponsored Podcast Episodes do not reflect the view, opinions, or beliefs of Sponsor.

Walter Hood and Taneshia West Albert in conversation at the Auburn Forum for Southern Art and Culture, a symposium organized by The Jule Collins Smith Museum of Fine Art at Auburn University on February 3, 2024. Walter Hood is the creative director and founder of Hood Design Studio in Oakland, California. He is also a professor at the University of California, Berkeley, and lectures on professional and theoretical projects nationally and internationally. He is a recipient of the 2017 Academy of Arts and Letters Architecture Award, 2019 Knight Public Spaces Fellowship, 2019 MacArthur Fellowship, 2019 Dorothy and Lillian Gish Prize, and the 2021 recipient of the Architectural League's President's Medal Award. Taneshia West Albert is an enthusiastic, award-winning educator and design practitioner in the College of Human Sciences at Auburn. Her research and creative scholarship explore cultural identity, meaning and trauma; diversity and inclusion; and methods to increase intercultural competency in design education and practice. Her design career is focused on design for healthcare environments, corporate interiors and higher education spaces with a unique background in Medical Equipment Planning and Facilities Design and Construction.

Join us as we discuss, At Home in the City: Inviting Connections and Community in Public Space, with Walter Hood, an Oakland-based, internationally renowned landscape designer, artist, educator and MacArthur Fellow. In this conversation with Walter Hood, we delve into the design of urban environments and opportunities for intergenerational connections. The focus of Hood's work is the public realm and urban environments; much of his work empowers and serves marginalized communities across the country. His studio, research and a number of his projects are based in West Oakland, a neighborhood with great racial diversity and a rich history of Black culture. View the transcript: https://share.descript.com/view/c91IklTm9rM At Home With Growing Older is proud to be your host of At Home, On Air a radio hour offering connection, community and knowledge to our participants remotely. We invite you to listen and learn from this live recorded episode of, At Home, On Air with Walter Hood. If you know someone who may enjoy our conversations, please share & encourage them to join our learning community! Learn more about our work, donate today, and register for the next LIVE At Home, On Air forum: www.athomewithgrowingolder.org

Walter Hood talks about "Ark of Bones" a sculptural installation created for his exhibition "Arc of Life/Ark of Bones" organized by The Jule Collins Smith Museum of Fine Art at Auburn University. Inspired by the Henry Dumas short story of the same name, "Ark of Bones" represents ancestral connections to Black Americans. Walter Hood is the creative director and founder of Hood Design Studio in Oakland, California. He is also Chair and Professor of Landscape Architecture & Environmental Planning and Urban Design at the University of California, Berkeley.

Walter Hood talks about growing up in North Carolina and the way in which he approaches painting in his creative practice. His exhibition "Arc of Life/Ark of Bones" opens on January 23, 2024 at The Jule Collins Smith Museum of Fine Art at Auburn University. The exhibition features a new series of paintings that recall memories from the first ten years of his life. Walter Hood is the creative director and founder of Hood Design Studio in Oakland, California. He is also Chair and Professor of Landscape Architecture & Environmental Planning and Urban Design at the University of California, Berkeley.

To the landscape architect Walter Hood, “place” is a nebulous concept made meaningful only through the illumination of its history and the people who have inhabited it. Hood has dedicated his career to this very perspective through his roles as creative director and founder of Hood Design Studio in Oakland, California, and as chair of the Department of Landscape Architecture & Environmental Planning at UC Berkeley, where he has taught since 1990. His projects include a series of conceptual gardens at the International African American Museum in Charleston, South Carolina; the grounds of the campus of the tech company Nvidia in Santa Clara, California; and the landscape of San Francisco's de Young Museum in Golden Gate Park. Currently, he's at work on the wayfinding for the Barack Obama Presidential Library in Chicago; a new park in his hometown of Charlotte, North Carolina; and twin memorials for Emory University's campuses in Oxford and Atlanta, Georgia.On this episode, Hood discusses the intersection of social justice and landscape architecture, his arguments against what we traditionally deem “memorials” or “monuments,” and the power of language to literally shape the world around us.Special thanks to our Season 8 sponsor, Van Cleef & Arpels.Show notes: [03:34] Black Landscapes Matter[03:39] The World They Made Together[08:18] American Academy in Rome[08:27] Carthage[08:55] Loma Prieta Earthquake[13:48] Monticello[13:50] National Memorial for Peace and Justice[13:53] Gadsden's Wharf[14:28] Lorraine Motel[16:07] Montgomery County Justice Center[18:40] Double Sights[24:37] Macon Yards[25:32] The Power of Place[28:59] Confederate Obelisk[29:55] Splash Pad Park[30:16] Lafayette Square Park[38:21] International African American Museum[38:25] “Native(s)”[39:54] Water Table[40:51] McColl Park[42:28] Twin Memorials[47:11] Octagon House[48:43] de Young Museum[51:13] The Broad[54:14] The Future of Nostalgia[54:53] Blues & Jazz Landscape Improvisations[58:01] Solar Strand[01:06:02] Art Institute of Chicago

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In this episode, Angela Anderson Adams shares nearly 3 decades of expertise as director of the public art program in Arlington, Virginia. Angela discusses the "arts ecosystem" in Arlington, especially how Arlington's grants program and nonprofit partnerships have helped fund the arts over the years. Angela and Morgan explore murals as creating space for remembering history, as well as how murals have combined with architecture and transportation in Arlington to create an inviting urban environment.Learn more about the Arlington Arts Program here: https://www.arlingtonva.us/Government/Programs/ArtsInstagram:  arl_artscene-Referenced Works and Artists:Nancy Holt's Dark Star Park: https://holtsmithsonfoundation.org/nancy-holts-dark-star-park-Find Ham Smith's website at hamsmith.comInstagram: @ham.smith-Kipp Kobayashi: www.kippkobayashi.comInstagram: @kippkobayashiFacebook: https://www.facebook.com/kipp.kobayashi/-Linn Myers: linnmeyers.comInstagram: @linnmeyers-See Doug Hollis' Wave Arbor work here: https://www.arlingtonva.us/Government/Programs/Public-Art/Public-Art-Collection/Permanent-Collection/Locations/Wave-Arborand here: https://www.facebook.com/TrocoFab/videos/552885658543849/-Walter Hood: https://www.hooddesignstudio.com/Hood's Arlington work can be found here: https://www.arlingtonva.us/Government/Programs/Public-Art/Public-Art-Collection/Permanent-Collection/Locations/John-Robinson-Jr.-Town-Square 

Former Charleston, South Carolina Mayor Joseph Riley, and professor Kerry Taylor co-teach a course at The Citadel military college looking at why a new African American history museum is being built in the city. They're joined by Walter Hood. This podcast originally aired on November 13, 2021. Learn more about your ad choices. Visit megaphone.fm/adchoices

Ana Miljački speaks with Walter Hood about artistic freedom, working with institutions, and succeeding through failure.

Continuing the conversation from part 1 on how Walter built his design career and creative ethos, this second part, we talk about the importance of making beautiful socially responsible work and the ways in which we ought to find ways to tell the truth in design. He calls this a prophetic aesthetic. We also talk about the pains of living as black people in a world full of racism, his latest art projects, and mostly a lot of laughter. Walter Hood is an award winning designer, artist and the creative director at Hood Design Studio. Hood Design Studio, Inc., is a social art and design practice based in Oakland, California, founded in 1992.

Former Charleston, South Carolina Mayor Joseph Riley, and professor Kerry Taylor co-teach a course at The Citadel military college looking at why a new African American history museum is being built in the city. They're joined by Walter Hood. Learn more about your ad choices. Visit megaphone.fm/adchoices

Thierry KANDJEE is a landscape architect, in charge of taktyk Brussels and Chair of Landscape in the Architecture Faculty La Cambre Horta. His practice based research investigated how to design landscape skeletons as a model of/for robust landscapes. Sébastien PENFORNIS is an architect and urban designer in charge of taktyk Paris office. He also teaches at the ENSAB, Rennes. His practice based research explored the notion of play and serendipity through the landscape design processes and transformations. Rennie Tang is a designer and educator based in Los Angeles. As a professor of landscape architecture at California Polytechnic State University Pomona her teaching methods emphasize one-to-one scale spatial construction, topographic manipulation and material exploration. She is recipient of the 2017 Excellence in Design Studio Teaching Award from the Council of Educators in Landscape Architecture (CELA). Her research interests include human mobility, health and well-being in urban landscapes and intergenerational play; this work has been presented and published locally and internationally at conferences as well as by invitation from museums and art festivals. Her collaborative project ‘Punt.Point' with artist Sara Wookey was recently purchased by the Van Abbe Museum in Eindhoven, the Netherlands. Notable designers she has worked with include landscape architect Walter Hood and artist Mary Miss. She has taught at UC Berkeley, UC Davis, Woodbury University and University of Southern California and has practiced in Montreal, Toronto, New York, Los Angeles, Berkeley, Oakland and Vienna.

The question "Do black landscapes matter?" cuts deep to the core of American history. From the plantations of slavery to contemporary segregated cities, from freedman villages to northern migrations for freedom, the nation’s landscape bears the detritus of diverse origins. Black landscapes matter because they tell the truth. In this vital new collection, acclaimed landscape designer and public artist Walter Hood assembles a group of notable landscape architecture and planning professionals and scholars to probe how race, memory, and meaning intersect in the American landscape.https://www.upress.virginia.edu/title/5389

Walter Hood, founder and creative director of Hood Design Studio and co-author of the forthcoming book “Black Landscapes Matter,” talks with us about how his new proposal for Washington, D.C.’s National Mall Tidal Basin could facilitate unity, why spaces that elicit discomfort are a step toward reconciliation, and the importance of investing in people and places that society takes for granted.

Today we celebrate the Father of Paleobotany and the botanical illustrator honored by King Charles X. We'll learn about the botanical painter who got sick of painting flowers (he'd painted 800 of them) and the botanical illustrator who worked for Curtis's Botanical Magazine and Kew Gardens. Today’s Unearthed Words feature the hidden (and often unappreciated) transformations happening in our garden during January. We Grow That Garden Library™ with a book that helps us understand plant physiology through an intimate and entertaining memoir. I'll talk about a garden item that can help you propagate your house plants, and then we’ll wrap things up with the birth flowers of January. But first, let's catch up on a few recent events.   Subscribe Apple | Google | Spotify | Stitcher | iHeart   Curated Articles Horniman Museum's gardener Wes Shaw - Gardens Illustrated Horniman Gardens, Forest Hill, London - Spotlight: Wes Shaw "The last place that blew me away was GARDENS BY THE BAY in Singapore. Amazing conservatories, landscaping & planting - taking horticulture to a new level. While I was there, I saw gardeners abseiling down the side of green walls and volunteers using tweezers to pick over the beds. Gardens should continuously change and evolve. I never see the point of keeping something looking the same as it did at some point in the past. What’s the next big project task you’ll be tackling in the garden? We are planning a Winter Garden for an area of the Horniman Gardens that needs a bit of a refresh.”   High Society: The Expert’s Guide To Alpines Here's a great post from @AlysFowler featuring Richard Wilford - an alpine lover and head of design and collection support at the Royal Botanic Gardens @KewGardens. "What Richard doesn’t know about alpines isn’t worth knowing. 'We’ve got a very tall house to grow some very small plants' he jokes. Alpines are surprisingly easy and hardy and perfect for tricky corners and small plots. As their name suggests, alpines are from areas of high elevation, so they love full sun, cool roots, and cold nights." Check out Richard Wilford’s Five Easy Alpines: Sempervivum: will grow on sunny rocks, cracks in walls, and stony places. Put a little compost into the niches first, then nudge them in. Alpine pinks Dianthus alpinus: a tiny mat-forming evergreen with bright pink flowers. It likes free-draining conditions and suits pots, gravel path edges, and window boxes. Erinus alpinus, or alpine balsam: forms neat rosettes of narrow leaves and loves crevices. Campanula cochlearifolia (fairy thimbles or ear leaf flowers): Nodding blue flowers - Keep its feet well-drained. Phlox douglasii: A low-growing perennial - it grows in dry woodlands. It needs a dry winter, but good drainage and a sheltered spot by a wall will work.   Now, if you'd like to check out these curated articles for yourself, you're in luck, because I share all of it with the Listener Community in the Free Facebook Group - The Daily Gardener Community. There’s no need to take notes or search for links - the next time you're on Facebook, search for Daily Gardener Community and request to join. I'd love to meet you in the group.   Important Events 1801 Today is the birthday of the French botanist and the Father of Paleobotany Adolphe-Théodore Brongniart ("Bron-yahr"). Adolphe-Théodore was born in Paris. His father, Alexander, was a geologist. There’s no doubt his father’s work helped Adolphe-Théodore become a pioneer in the field of paleobotany. A paleobotanist is someone who works with fossil plants. Plants have been living on the planet for over 400 million years. So, there are plenty of fossil plants to study and catalog. As one of the most prominent botanists of the 19th century, Adolphe-Théodore worked to classify fossil plant forms, and he did so even before Charles Darwin. Adolphe-Théodore’s work provided content for his book on the history of plant fossils in 1828. Adolphe-Théodore published his masterpiece when he was just 27 years old. Adolphe-Théodore’s writing brought him notoriety and gave him the moniker "Father of Paleobotany." He was also called the "Linnaeus of Fossil Plants." Adolphe-Théodore was not so much a fossil plant discover as he was a fossil plant organizer. He put fossil plants in order and applied principles for distinguishing them. In 1841, at the age of 40, Adolphe-Théodore received the Wollaston Medal for his work with fossil plants. It is the highest award granted by the Geological Society of London. It must have made his father, Alexander, very proud. Adolphe-Théodore was a professor at the Paris Museum of Natural History. He was the backfill for Andre Michaux, who had left to explore the flora of North America. Adolphe-Théodore's wife died young. They had two boys together, and when Adolphe-Théodore died, he died in the arms of his eldest son.   1825 King Charles X honored the Belgian botanical illustrator Pierre-Joseph Redouté with the Legion of Honor. To this day, Redouté is one of the most renowned flower painters of all time. Redouté was born into a Flemish family of painters. Growing up, his family supported themselves by creating paintings for the home and for the church. Redouté was an official court draftsman to Queen Marie Antoinette. One evening around midnight, she summoned him to appear before her, and she asked him to paint her a cactus. She was exerting her control; she wanted to see if Redouté was as talented as was reported. (He was.) Redouté also became a favorite of Josephine Bonaparte. Redouté’s paintings of her flowers at Malmaison are among his most beautiful works. Today, Redouté is best known for his paintings of lilies and roses. Roses were his specialty.  And, Redouté's work earned him a nickname; he was known as "the Raffaele of flowers.". Now, if you'd like to really treat yourself or get a special gift or a gardener in your life, you should check out the book by Werner Dressendorfer called Redouté: Selection of the Most Beautiful Flowers. This is a large coffee table book. It is probably one of the most beautiful books I've ever seen; again, it's called Redoute: A Selection of the Most Beautiful Flowers. This book came out in September of 2018, and I finally just got myself a copy of it after mulling it over for over a year. the book features 144 paintings by Redouté that were published between 1827 and 1833. it's is truly one of my favorite books in my Botanical Library. When this book first came out, it retailed for $150. You can get new copies of Redouté: Selection of the Most Beautiful Flowers by Werner Dressendorfer and support the show - using the link in Today Show notes for $83. I managed to get an excellent used copy for $65. But, as I said, this is an investment piece, and it's also extraordinarily beautiful. I guarantee if you have this book sitting out, your visitors will be sure to comment, and they probably won't be able to resist looking through the beautiful paintings. Glorious.   1836 Today is the birthday of the botanical painter Henri Fantin-Latour (Fahn-tahn Lah-tur”). It's kind of humorous to me that we end up discussing Henri Fantin-LaTour today - right after Pierre Joseph Redoute - because Henri painted flowers as well. But, unlike Pierre Joseph Redoute, Henri got so sick of painting flowers that he could find no joy in doing it for the end of his career. All together, Henry painted well over 800 pictures of flowers over 32 years between 1864 and 1896. By the end of his career, the entire genre of still life flower painting was life-draining to him. He despised it. Yet, it's how he made a living, and many of his paintings bought to be displayed in homes. The painter James Whistler talked up Henri’s work so much that his flower paintings were quite famous in England. In fact, during his lifetime, he was better known in England as a painter than he was in his native France. Henri also painted portraits, as well as group portraits of Parisian artists, and he even painted imaginative compositions. He enjoyed painting portraits and his other creative work more than painting flowers. But, it was always the flower paintings that sold, and so he kept painting them to support himself.   1892 Today is the anniversary of the death of the exceptionally talented Scottish botanical illustrator Walter Hood Fitch. He was 75 years old. Fitch was one of the most prolific botanical artists of all time. His illustrations were stunning, and he used vivid colors for his work. In 1834, Walter began working for William Hooker. Hooker was the editor of Curtis's Botanical Magazine. Walter's very first published plate was of a Mimulus Rose. He didn’t know it then, but it was one down, and he had over 2,700 more to go. Hooker loved Walters’s work because his paintings reflected the way the plants appeared in real life; they weren't fanciful or embellished, yet they were beautiful. In short order, Walter became the sole artist for the magazine. When Hooker became the director of Kew, the promotion meant moving to London. He talked Walter into moving, too. Pretty soon, Walter was not only making illustrations for the magazine but for everything published at Kew. At the end of his career, around the age of 60, Walter got into a disagreement with William Hooker’s son, Joseph Dalton Hooker, over his pay. Walter left his post at Kew and became a freelancer. During his lifetime, Walter created over 12,000 illustrations that found their way to publication in various works.   Unearthed Words There is a famous saying, slow as molasses in January. We often think nothing is happening in our gardens during the winter, As Alfred Austin said in his poem, Primroses (Primula vulgaris): Pale January lay In its cradle day by day Dead or living, hard to say. But this belief that January is a dead time in the garden… well, nothing could be further from the truth. Today's Unearthed Words are all about the productivity that takes place in our gardens in January.   January is the quietest month in the garden. ... But just because it looks quiet doesn't mean that nothing is happening. The soil, open to the sky, absorbs the pure rainfall while microorganisms convert tilled-under fodder into usable nutrients for the next crop of plants. The feasting earthworms tunnel along, aerating the soil and preparing it to welcome the seeds and bare roots to come.   — Rosalie Muller Wright, Editor, Sunset Magazine   Nature looks dead in winter because her life is gathered into her heart.  She withers the plant down to the root that she may grow it up again, fairer and stronger.  She calls her family together within her inmost home to prepare them for being scattered abroad upon the face of the earth. — Hugh Macmillan, Scottish Minister & Naturalist, 1871   Over the land freckled with snow half-thawed The speculating rooks at their nests cawed And saw from elm tops, delicate as flower of grass, What we below could not see, Winter pass. —  Edward Thomas, British Poet     "You think I am dead," The apple tree said, “Because I never have a leaf to show- Because I stoop, And my branches droop, And the dull gray mosses over me grow! But I'm still alive in trunk and shoot; The buds of next May I fold away- But I pity the withered grass at my root." "You think I am dead," The quick grass said, "Because I have parted with stem and blade! But under the ground, I am safe and sound With the snow's thick blanket over me laid. I'm all alive, and ready to shoot, Come dancing here- But I pity the flower without branch or root." "You think I am dead," A soft voice said, "Because not a branch or root I own. I have never died, but close I hide In a plumy seed that the wind has sown. Patient, I wait through the long winter hours; You will see me again- I shall laugh at you then, Out of the eyes of a hundred flowers." — Edith Matilda Thomas, American Poet   Grow That Garden Library A Garden of Marvels by Ruth Kassinger The subtitle to this book is: How We Discovered that Flowers Have Sex, Leaves Eat Air, and Other Secrets of Plants This book came out in April of 2015. Ruth Kassinger didn’t always have a green thumb. in this book, she'll tell you that until she completely understood how plants actually worked, she couldn't know precisely what they needed. Her story starts this way, “This book was born of a murder, a murder I committed.” The victim - it turns out-was a beloved kumquat tree. Ruth had decided to prune it. Her efforts made the tree turn brittle and brown. It made her wonder: Why did the kumquat die when a rose bush and a crepe myrtle that was pruned the very same way were both thriving? The dilemma is what made Ruth begin a quest to understand more about plant physiology. This book is part memoir and part science-class. Ruth writes with a friendly voice. This book is a beautiful way to learn basic botany - the marvel of flowers, roots, stems, and leaves. While we're learning botany from Ruth, we also get to know her personal stories. Ruth shares how she learned to become a better gardener. Initially, Ruth made the same mistakes we all make: over-watering, under fertilizing, making untrue assumptions about what plants need. You can get a used copy of A Garden of Marvels by Ruth Kassinger and support the show, using the Amazon Link in today's Show Notes for under $5.   Great Gifts for Gardeners 3-Bulb Vase (Plant Terrarium) with Wooden Stand Retro Wooden Frame -3 Glass Plant Vases - for Desktop Rustic wood and vintage design, these decorative glass vases are perfect for propagating plants like hoya, pathos, Swedish Ivy, etc. It is a gorgeous plant prop for your home. The frame is made of natural wood, mottled surface; three bulb vases are made of High boron silicon heat resistant glass. The wooden stand size : 5.5"H x 11" W x 4" D; Each vase : 3.74 H x 2.75 W; Opening – 1 inch Diameter. Perfect for the desktop, in office, or home. Accessories complete- Easy to set up - ready for water (the hexagon screwdriver and screws are included).   Today’s Botanic Spark January’s birth flowers are the carnation and snowdrop. Let’s take a moment to celebrate both. Carnations Carnations are some of the world's oldest flowers. They have been cultivated for over 2000 years. The Greeks and Romans used them and garlands Carnations are part of the Dianthus family. Their Latin name is Dianthus caryophyllus. The etymology of the word Dianthus is from two Greek words. Dios means Divine, and Anthos means Flower. And, the translation of dianthus means "Flower of the Gods." Carnations have different meanings based on their color. White carnations symbolize good luck and pure love. Pink carnations represent admiration, and a dark red carnation represents affection and love. Snowdrops January’s other birth flower is the Snowdrop (Galanthus). Snowdrops were named by Carl Linnaeus, who gave them the Latin name Galanthus nivalis, which means "milk flower of the snow." Snowdrop is a common name. They were also known as Candlemas Veils because they typically bloom around Candlemas or February 2nd. Snowdrops are an indicator flower signaling the transition from winter into spring. Thus, the meaning of a Snowdrop blossom is Hope. The word Galanthophile is the name given to people who love snowdrops. And here's a Fun Fact: a substance extracted from snowdrops is used to treat Alzheimer's Disease.  

Can public spaces both reclaim the past and embrace the future? Landscape architect Walter Hood has explored this question over the course of an iconic career, with projects ranging from Lafayette Square Park in San Francisco to the upcoming International African American Museum in Charleston, South Carolina. In this inspiring talk packed with images of his work, Hood shares the five simple concepts that guide his approach to creating spaces that illuminate shared memories and force us to look at one another in a different way. Hosted on Acast. See acast.com/privacy for more information.

도시공간이 과거를 되찾고 미래를 포용할 수 있을까요? 랜드스케이프 건축가 월터후드는 샌프란시스코에 위치한 라파예트 광장 공원과 사우스캐롤라이나에 지어질 국제 아프리카계 미국인 박물관 건축까지 그의 화려한 경력을 통해 이 질문을 연구했습니다. 후드는 TED 강연에서 발표되는 프로젝트 현장 사진들과 다섯 가지 간단한 개념으로 이루어진 그만의 접근 방법으로 어떻게 공간이 예전의 기억과 다른 이들을 바라보는 시각을 바꿀수 있는지의 아이디어를 우리와 공유합니다.

Les espaces publics peuvent-ils à la fois s'inspirer du passé et embrasser l'avenir ? L'architecte paysagiste Walter Hood a creusé cette question au cours de son iconique carrière et à travers des projets allant du Lafayette Square Park à San Francisco, jusqu'au tout nouveau International African American Museum à Charleston en Caroline du Sud. Au cours de cette conférence inspirante, ponctuée d'images de ses travaux, Hood partage cinq idées simples qui le guident pour créer des espaces qui mettent en évidence la mémoire commune et nous pousse à considérer l'autre avec un regard différent.

¿Pueden los espacios público tanto reclamar el pasado como abrazar el futuro?. El arquitecto de paisajes Walter Hood ha explorado la cuestión en el transcurso de su carrera icónica, con proyectos que van desde el parque Lafayette Square en San Francisco al futuro Museo Internacional de los Afro americanos en Charleston, Carolina del Sur. En esta charla inspiradora repleta de imágenes de su trabajo, Hood comparte cinco simples conceptos que guían su enfoque para crear espacios que iluminan los recuerdos compartidos y nos obligan a mirarnos de una manera diferente.

Espaços públicos podem recuperar o passado e abraçar o futuro? O arquiteto e paisagista Walter Hood explorou essa questão através de sua icônica carreira, com projetos como o Lafayette Square Park em São Francisco e o vindouro Museu Internacional Afro-americano em Charleston, na Carolina do Sul. Nesta palestra inspiradora ilustrada, com imagens de seu trabalho, Hood compartilha cinco simples conceitos que guiam sua abordagem na criação de espaços que iluminam as memórias compartilhadas e nos forçam a olhar uns aos outros de uma maneira diferente.

Can public spaces both reclaim the past and embrace the future? Landscape architect Walter Hood has explored this question over the course of an iconic career, with projects ranging from Lafayette Square Park in Oakland to the upcoming International African American Museum in Charleston, South Carolina. In this inspiring talk packed with images of his work, Hood shares the five simple concepts that guide his approach to creating spaces that illuminate shared memories and force us to look at one another in a different way.

SERIES KICK-OFF Hosted by Robert Hass and university librarian Thomas C. Leonard, the kickoff features distinguished faculty and staff from a wide range of disciplines introducing and reading a favorite poem. This year’s participants: Gibor Basri (Vice Chancellor, Equity and Inclusion) Michaelyn Burnette (Humanities Librarian) Walter Hood (Landscape Architecture & Environmental Planning) Claire Kremen (Environmental Science, Policy & Management), Francine Masiello (Spanish & Portuguese) Linda Norton (Regional Oral History, Bancroft Library), Beth Piatote (Ethnic Studies) Jiwon Shin (East Asian Languages & Cultures) George Smoot (Physics) Tim Zuniga (UCPD)  

SERIES KICK-OFF Hosted by Robert Hass and university librarian Thomas C. Leonard, the kickoff features distinguished faculty and staff from a wide range of disciplines introducing and reading a favorite poem. This year’s participants: Gibor Basri (Vice Chancellor, Equity and Inclusion) Michaelyn Burnette (Humanities Librarian) Walter Hood (Landscape Architecture & Environmental Planning) Claire Kremen (Environmental Science, Policy & Management), Francine Masiello (Spanish & Portuguese) Linda Norton (Regional Oral History, Bancroft Library), Beth Piatote (Ethnic Studies) Jiwon Shin (East Asian Languages & Cultures) George Smoot (Physics) Tim Zuniga (UCPD)