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Zane Williams is a Texas singer-songwriter and the frontman of The Wilder Blue. He spent years as a college coffeehouse performer and a staff songwriter in Nashville, where he wrote "Hurry Home," a top 20 hit for Jason Michael Carroll, before moving back to Texas and building a grassroots following as a solo artist. He formed The Wilder Blue in 2019, and when the band's debut landed in the middle of the 2020 shutdown, a tweet from Luke Combs changed everything. The band just released their new album, Cinco, recorded at Sonic Ranch in Tornillo, Texas.In this episode, we discuss his journey from Texas to Nashville and back, how a book jacket about making his product 10% better changed his life, making his new record at Sonic Ranch, and many other stops along the way.New Episodes every Tuesday.Find the host Troy Cartwright on Twitter, Instagram. Social Channels for Ten Year Town:YoutubeFacebookInstagramTwitterTikTokThis podcast was produced by Ben VanMaarth. Intro and Outro music for this episode was composed by Troy Cartwright, Monty Criswell, and Derek George. It is called "Same" and you can listen to it in it's entirety here. Additional music for this episode was composed by Thomas Ventura. Artwork design by Brad Vetter. Creative Direction by Mary Lucille Noah.
Little Big Town is Karen Fairchild, Kimberly Schlapman, Phillip Sweet and Jimi Westbrook — the same four people since they started singing together in 1998. Along the way: "Boondocks," "Pontoon," "Girl Crush," "Better Man," three Grammys for Best Country Duo/Group Performance, six straight CMA Vocal Group of the Year wins, and Opry membership since 2014. Their new record is called It's a Dying Art.Recorded live in front of an audience in Nashville, the four of them join Troy to talk about making their new record, chasing a song that was already on hold for somebody else, and the early-career night they had to go on in George Strait's place in front of a stadium that came for him.Ten Year Town is a podcast about the songwriter's journey, hosted by Troy Cartwright. New episodes weekly.New Episodes every Tuesday.Find the host Troy Cartwright on Twitter, Instagram. Social Channels for Ten Year Town:YoutubeFacebookInstagramTwitterTikTokThis podcast was produced by Ben VanMaarth. Intro and Outro music for this episode was composed by Troy Cartwright, Monty Criswell, and Derek George. It is called "Same" and you can listen to it in it's entirety here. Additional music for this episode was composed by Thomas Ventura. Artwork design by Brad Vetter. Creative Direction by Mary Lucille Noah.
There's a circle of wood in the middle of the stage at the Grand Ole Opry House. They cut it out of the floor of the Ryman and carried it over when the Opry moved, so that anybody standing in the middle of that stage is standing on the same boards Hank stood on.This week, I get to stand on it.These are a few thoughts I have about that. About my ten years in Nashville, an Opry debut, and the two songs I'm playing — including one called "Shoulders," which is about the fact that I didn't get anywhere by myself. It's about my dad, who's been a fan since before there was anything to be a fan of. It's about a kid at home who was born in May and is going to learn what a life looks like by watching mine.Somebody carries it forward so you can stand on it. Then it's your turn to carry it on.New Episodes every Tuesday.Find the host Troy Cartwright on Twitter, Instagram. Social Channels for Ten Year Town:YoutubeFacebookInstagramTwitterTikTokThis podcast was produced by Ben VanMaarth. Intro and Outro music for this episode was composed by Troy Cartwright, Monty Criswell, and Derek George. It is called "Same" and you can listen to it in it's entirety here. Additional music for this episode was composed by Thomas Ventura. Artwork design by Brad Vetter. Creative Direction by Mary Lucille Noah.
Shopify Masters | The ecommerce business and marketing podcast for ambitious entrepreneurs
Ethan Glenn never set out to launch a clothing label. Every Other Thursday began as an Instagram archive of vintage aesthetics until a single self-made hat sparked massive demand. By skipping wholesale margins and keeping operations lean, Glenn scaled the company drop by drop into a thriving apparel business with a New York retail footprint. For more on Every Other Thursday, in show notes, click here. Subscribe and watch Shopify Masters on YouTube!Sign up for your FREE Shopify Trial here.
Here's something may not have known: men's feet are more square and more rectangular and women's feet are more triangular. You'd think companies that design sneakers for women would understand that but instead, what they do is use the anatomy of a male's foot to design a woman's sneaker and then "shrink it and pink it". Creative designer and author of the book, Man-Made, Karen Korellis Reuther, previously served as Vice President of Creative Direction and Innovation at Reebok and Global Creative Director at NIKE, where she led major product, merchandising, and brand strategies. She joins Jason and Peter on this episode of the Really? no Really? Podcast to explain how fashion, clothing and other major industries haven't been accurately designing their products for female consumers through "shrink it and pink it" strategy. She joins us to explain how companies can rectify the lack of gender diversity in the design process to not just make their product serve an actual female consumer base without having to charge them more. It's not just the sneakers industry that's being impacted by the pink tax and the lack of gender diversity when it comes to design. Women firefighters have higher injury rates than their male counterparts because their helmets and uniforms are still designed for men Female surgeons have had to stand on stools because the operating tables didn't go low enough. Even the female dummies created for crash tests and CPR training are just male shrunken versions of male dummies. So how can we solve this problem? Korellis Reuther says the next big movement is to get companies attention to get them to fit their products properly for women to be safe in their professions. Learn more about your ad choices. Visit megaphone.fm/adchoices
Here's something may not have known: men's feet are more square and more rectangular and women's feet are more triangular. You'd think companies that design sneakers for women would understand that but instead, what they do is use the anatomy of a male's foot to design a woman's sneaker and then "shrink it and pink it". Creative designer and author of the book, Man-Made, Karen Korellis Reuther, previously served as Vice President of Creative Direction and Innovation at Reebok and Global Creative Director at NIKE, where she led major product, merchandising, and brand strategies. She joins Jason and Peter on this episode of the Really? no Really? Podcast to explain how fashion, clothing and other major industries haven't been accurately designing their products for female consumers through "shrink it and pink it" strategy. She joins us to explain how companies can rectify the lack of gender diversity in the design process to not just make their product serve an actual female consumer base without having to charge them more. It's not just the sneakers industry that's being impacted by the pink tax and the lack of gender diversity when it comes to design. Women firefighters have higher injury rates than their male counterparts because their helmets and uniforms are still designed for men Female surgeons have had to stand on stools because the operating tables didn't go low enough. Even the female dummies created for crash tests and CPR training are just male shrunken versions of male dummies. So how can we solve this problem? Korellis Reuther says the next big movement is to get companies attention to get them to fit their products properly for women to be safe in their professions. Learn more about your ad choices. Visit megaphone.fm/adchoices
Joel Holtby believes creativity should be the most exciting part of any business — not something optimized into submission.As Founder & Global Co-CCO of Courage, one of Canada's most awarded creative agencies, Joel has helped build work for brands including KFC, KitKat, CIBC, Nescafé and more.In this conversation, Joel & Jeff get into why creativity and efficiency often sit at opposite ends of the spectrum, why people don't actually hate advertising, how Courage finds human truths that travel beyond borders, and why craft still matters in an AI-powered world.We also talk about the agency's philosophy of courage, turning down the wrong clients, the story behind KitKat's security convoy, Joel's experience creating IKEA's Lamp 2, working with people like Seth Rogen and Connor McDavid, and why AI should remain a tool - not become the creative.In this episode: Why creativity is a powerful business driver The difference between courage and risk Why efficiency can work against creativity How simple ideas become memorable through craft Why people don't hate ads - they hate bad ones Creating work that enters culture instead of interrupting it How Courage chooses clients Why brand DNA can be a creative “cheat code” The enduring power of human insight Joel's concern with using AI to replace creative problem-solving Why the next generation of creatives should become sponges, not trend-chasers Chapters00:00 — People Don't Hate Advertising. They Hate Bad Ads.00:35 — Meet Joel Holtby & Courage01:43 — Creativity as a Business Driver04:02 — Finding the Feeling of a Great Idea06:05 — Awards, Ego & Finding Joy in the Work09:25 — Building Courageous Brands11:02 — Courage's First Big Creative Bet14:52 — The Secret Sauce of Storytelling17:50 — Why Creativity Isn't Efficient20:22 — What Makes Advertising Memorable23:07 — People Don't Hate Ads - They Hate Bad Ads25:14 — The KitKat Security Convoy27:40 — Courage as a Client Filter30:12 — Rich and Miserable vs. Great Work32:21 — The Ad That Changed Joel's Creative Philosophy36:13 — IKEA's Lamp & The Art of the Rug Pull38:15 — The Pressure of Creating Lamp 240:01 — Finding the DNA of a Brand42:57 — Seth Rogen, Connor McDavid & Celebrity46:01 — AI vs. Lived Human Experience49:39 — Advice for the Next Generation of CreativesConnect with Jeff Abracen on LinkedIn [https://www.linkedin.com/in/jeffabracen/]If you are or know a disruptive influencer who would make a great guest, we'd love to hear from you. Every Like, Share, Subscription and Review means a lot.Cover art by Daniel DevoyMusic by Stephen Voyce©2024-2026 The Disruptive Influence Podcast - Jeff Abracen
Michelangelo didn't wake up one morning wanting to spend four years painting a ceiling. He was a sculptor. But the Pope had a ceiling, and the Pope had money.In this bonus episode, Troy Cartwright reads an essay about an artist named Aaron Reese, who bought a newsstand at 39th and 4th in New York City to sell his ceramics — and about the uncomfortable, ancient intersection of art and commerce that every working artist has had to figure out.There was never an Eden where artists made exactly what they wanted and everybody showed up. Aaron Reese has an old newsstand. Michelangelo had a pope. And I have an Instagram.This piece started as a letter I wrote for my newsletter, Letters to Myself, at https://troycartwright.substack.com — short things like this, whenever they come to me. All free.New Episodes every Tuesday.Find the host Troy Cartwright on Twitter, Instagram. Social Channels for Ten Year Town:YoutubeFacebookInstagramTwitterTikTokThis podcast was produced by Ben VanMaarth. Intro and Outro music for this episode was composed by Troy Cartwright, Monty Criswell, and Derek George. It is called "Same" and you can listen to it in it's entirety here. Additional music for this episode was composed by Thomas Ventura. Artwork design by Brad Vetter. Creative Direction by Mary Lucille Noah.
Wyatt Flores is a country artist and songwriter from Stillwater, Oklahoma. He has over 1.4 billion career streams, RIAA certifications including 2x Platinum for "Please Don't Go," and a debut album, Welcome to the Plains, released in 2024. His new album, Scared of Heights, produced by Charlie Handsome, Jacob "JKash" Hindlin, and Gian Stone, is out now via Island Records and MCA. In this episode, we discuss Wyatt's journey from his first paid bar gig in Oklahoma — and writing "Travelin' Kid" in a barn that same night, then refusing to play it for nearly a year — to dropping out of school without telling his parents, getting labeled a TikTok artist and touring into debt to prove it wrong, and the Music Row co-writes where he felt like a box someone had to check. We also get into the making of the new record. There are, of course, many other stops along the way.--------------------------------------------------This episode is also sponsored by The Graphic Guitar Guys. They create eye-catching custom guitar wraps for some of the biggest artists and festivals in the music industry. Their work is perfect for adding a unique touch to album pre-sale bundles or VIP package items—check them out and discover how they can transform a guitar into a show-stopping work of art.---------------------------------------------------Troy Cartwright is a Nashville-based artist and songwriter originally from Dallas, Texas. His songs have collectively garnered hundreds of millions of streams, and he is currently signed to Big Machine Music for publishing. Cartwright has written songs recorded by Cody Johnson, Lee Brice, Nickelback, Ryan Hurd, Josh Abbott Band, and has upcoming cuts with several A-list artists.#WyattFlores #ScaredOfHeights #CountryMusic #RedDirt #Songwriting #Nashville #Oklahoma #Stillwater #DriveAllNight #HateMyself #HalfTheMan #TenYearTown #TroyCartwright #MusicPodcast #NewMusicNew Episodes every Tuesday.Find the host Troy Cartwright on Twitter, Instagram. Social Channels for Ten Year Town:YoutubeFacebookInstagramTwitterTikTokThis podcast was produced by Ben VanMaarth. Intro and Outro music for this episode was composed by Troy Cartwright, Monty Criswell, and Derek George. It is called "Same" and you can listen to it in it's entirety here. Additional music for this episode was composed by Thomas Ventura. Artwork design by Brad Vetter. Creative Direction by Mary Lucille Noah.
Dylan Scott is a country artist and songwriter from Bastrop, Louisiana. He is a multi-Platinum artist with seven number one singles at country radio, including the triple-Platinum "My Girl," "Nobody," "New Truck," "Boys Back Home" (with Dylan Marlowe), and his most recent chart-topper, "What He'll Never Have." He has nearly 5 billion career streams, a CMT Music Award for Breakthrough Video of the Year, and a GMA Dove Award. He is currently signed to Curb Records.In this episode, we discuss Dylan's journey from signing a record deal while still in high school — and learning the hard way that a deal doesn't "make it happen" for you — to almost quitting after three failed singles, until a phone call with his future wife convinced him to keep going and inspired him to write "My Girl," his first number one. We also get into the question his wife asked him on the way to a t-ball game that changed how he measures success, and his brand new single, "Dear Big City." There are, of course, many other stops along the way.--------------------------------------------------This episode is also sponsored by The Graphic Guitar Guys. They create eye-catching custom guitar wraps for some of the biggest artists and festivals in the music industry. Their work is perfect for adding a unique touch to album pre-sale bundles or VIP package items—check them out and discover how they can transform a guitar into a show-stopping work of art.---------------------------------------------------Troy Cartwright is a Nashville-based artist and songwriter originally from Dallas, Texas. His songs have collectively garnered hundreds of millions of streams, and he is currently signed to Big Machine Music for publishing. Cartwright has written songs recorded by Cody Johnson, Lee Brice, Nickelback, Ryan Hurd, Josh Abbott Band, and has upcoming cuts with several A-list artists.#DylanScott #TenYearTown #CountryMusic.New Episodes every Tuesday.Find the host Troy Cartwright on Twitter, Instagram. Social Channels for Ten Year Town:YoutubeFacebookInstagramTwitterTikTokThis podcast was produced by Ben VanMaarth. Intro and Outro music for this episode was composed by Troy Cartwright, Monty Criswell, and Derek George. It is called "Same" and you can listen to it in it's entirety here. Additional music for this episode was composed by Thomas Ventura. Artwork design by Brad Vetter. Creative Direction by Mary Lucille Noah.
What happens when a company—or an artist—starts optimizing for engagement instead of trust?In this solo episode, I unpack why Netflix's biggest competitive advantage isn't its algorithms or its catalog, but the relationship it has with its audience. That same tension exists in music, where creators are constantly tempted to simplify, explain, and optimize their work for platforms that reward attention over originality.We talk about the difference between commodities and premium brands, why record labels used to function as curators, how streaming changed the value of recorded music, and why the best songwriters refuse to sand off the very edges that make their work memorable.Ultimately, this episode is about resisting the pressure to make art that's easier to consume—and instead making work that's harder to forget.New Episodes every Tuesday.Find the host Troy Cartwright on Twitter, Instagram. Social Channels for Ten Year Town:YoutubeFacebookInstagramTwitterTikTokThis podcast was produced by Ben VanMaarth. Intro and Outro music for this episode was composed by Troy Cartwright, Monty Criswell, and Derek George. It is called "Same" and you can listen to it in it's entirety here. Additional music for this episode was composed by Thomas Ventura. Artwork design by Brad Vetter. Creative Direction by Mary Lucille Noah.
On Reawakening Beauty, your host Shawna Patruno interviews London-based makeup artist Charli Avery. Charli has 15 years of industry experience, lectures at a London university, and recently worked on a Vogue shoot with Annie Leibovitz. Charli shares photo shoot prep advice: avoid retinols and abrasive or new skincare right before a shoot, especially for beauty shoots with multiple makeup removals, and stick to a routine that works. She explains that makeup choices depend on the shoot, skin condition, lighting, and flash, emphasizing natural, flawless skin and discussing techniques like using a setting-spray-dampened sponge and varying foundation coverage. The conversation covers mood boards, look books, test shoots for new models, and how outdoor vs studio conditions affect glow, contour, and longevity. Charli advises arriving cleansed/moisturized, notes SPF is less prone to flashback but can be oily, stresses realistic timing for "no-makeup makeup," and highlights on-set etiquette by reading a model's cues. Click to view the detailed show notes 00:00 Welcome and Guest Intro 00:35 Career Highlights and Vogue 01:06 Skin Prep Before Shoots 02:37 Flawless Base and Tools 04:32 Mood Boards and Creative Direction 05:48 Test Shoots for New Models 07:56 Lighting Changes Everything 11:40 Arriving Bare and SPF Myths 14:00 Timing and Set Logistics 15:57 Chair Etiquette and Comfort 17:01 Wrap Up and Where to Find Charli
Brice Long is a songwriter and artist from Hopkinsville, Kentucky. As a songwriter, he has written No. 1 hits including Gary Allan's “Nothing On But The Radio” and Jon Pardi's “Heartache On The Dance Floor,” along with Randy Houser's “Like A Cowboy,” which was nominated for CMA Song of the Year. As an artist, Brice recently released his new album, All I Ever Wanted.In this episode, Brice shares the story of leaving Kentucky for Nashville, the years it took to land his first major hit, and the lessons he's learned from a career spanning decades in country music. --------------------------------------------------This episode is also sponsored by The Graphic Guitar Guys. They create eye-catching custom guitar wraps for some of the biggest artists and festivals in the music industry. Their work is perfect for adding a unique touch to album pre-sale bundles or VIP package items—check them out and discover how they can transform a guitar into a show-stopping work of art.---------------------------------------------------Troy Cartwright is a Nashville-based artist and songwriter originally from Dallas, Texas. His songs have collectively garnered hundreds of millions of streams, and he is currently signed to Big Machine Music for publishing. Cartwright has written songs recorded by Cody Johnson, Lee Brice, Nickelback, Ryan Hurd, Josh Abbott Band, and has upcoming cuts with several A-list artists.#BriceLong #CountryMusic #Songwriting #AllIEverWanted #JonPardi #GaryAllan #RandyHouser #TenYearTown #Podcast #NashvilleNew Episodes every Tuesday.Find the host Troy Cartwright on Twitter, Instagram. Social Channels for Ten Year Town:YoutubeFacebookInstagramTwitterTikTokThis podcast was produced by Ben VanMaarth. Intro and Outro music for this episode was composed by Troy Cartwright, Monty Criswell, and Derek George. It is called "Same" and you can listen to it in it's entirety here. Additional music for this episode was composed by Thomas Ventura. Artwork design by Brad Vetter. Creative Direction by Mary Lucille Noah.
SHE AIMS HIGHER - Online Business Skalierung und Online Marketing
"Valuable content" might be one of the biggest lies the online business industry ever created. Because most people don't actually mean valuable content. They mean educational content. In this episode, I break down why teaching more isn't the answer, why information alone rarely creates desire, and what today's most successful brands understand about attention, trust, and buying behavior. We'll talk about why entertainment has become one of the most underrated business skills, how visual storytelling creates a deeper connection than endless teaching ever could, and why people don't fall in love with brands because they understand them. They fall in love with brands because they experience them. If you've been trying to educate your way into more sales, this conversation might completely change the way you think about content.
Karen Korellis Reuther has been a designer for over forty years and today is a practicing activist committed to inclusion by design and ending gender bias in the built world. She is on the faculty at Harvard's Graduate School of Design, where she teaches in the Master's in Design Engineering program. She was the Vice President of Creative Direction and Innovation at Reebok and served as the Global Creative Director at Nike for twelve years. A popular guest lecturer and public speaker, Reuther also founded the Inclusion by Design event series, hosted by the Harvard Grid, which brings together students, faculty, and practitioners who share her commitment to designing a world that is safe, hospitable, and inclusive for all. She is a chairperson for the iF Design Awards and on the advisory board of the iF Design Academy. She lives in Boston, Massachusetts. www.karenreuther.comMAN-MADE is not a grievance - it is a blueprint. Drawing on research-backed insights, market analyses, and expertise from leading designers, executives, and economists, Karen Korellis Reuther makes a compelling case that intentional design isn't just an ethical imperative - it's a massive, largely untapped economic opportunity. She invites readers to see the world differently - and then to rebuild it.Become a supporter of this podcast: https://www.spreaker.com/podcast/arroe-collins-like-it-s-live--4113802/support.
SHE AIMS HIGHER - Online Business Skalierung und Online Marketing
Most entrepreneurs don't have a content creation problem. They have a production problem. In this behind-the-scenes episode, I take you inside the preparation process behind a series of high-end campaign assets I filmed in just two 2-hour production slots—including concepts like The Funeral, The Dead Body, The Proper Launch, and several other campaign pieces. I share why most people waste hours creating content that never reaches its full potential, how pre-production became my biggest unfair advantage, and the exact framework I use to turn a few hours of filming into an entire campaign ecosystem. We'll talk about producer thinking, campaign building, location scouting, storytelling, shot planning, and why the quality of your content is determined long before you ever hit record. Because the goal isn't to create more content. The goal is to create content that works together.
Shane McAnally is a songwriter, producer, and publisher originally from Mineral Wells, Texas. He is a 4x Grammy Winner, 2x ACM Songwriter of the Year, a Tony-nominated composer, and has written and/or produced over 50 number one songs. Some of his hits include Body Like a Back Road, recorded by Sam Hunt, American Kids, recorded by Kenny Chesney, and Merry Go Round, recorded by Kacey Musgraves. Recently, he was named as one of the New York Times' 30 Greatest Living American Songwriters.In Part 2, we discuss his TONY award winning musical, his publishing and record company SMACK, sobriety, and his advice for his younger self. --------------------------------------------------This episode is also sponsored by The Graphic Guitar Guys. They create eye-catching custom guitar wraps for some of the biggest artists and festivals in the music industry. Their work is perfect for adding a unique touch to album pre-sale bundles or VIP package items—check them out and discover how they can transform a guitar into a show-stopping work of art.---------------------------------------------------Troy Cartwright is a Nashville-based artist and songwriter originally from Dallas, Texas. His songs have collectively garnered hundreds of millions of streams, and he is currently signed to Big Machine Music for publishing. Cartwright has written songs recorded by Cody Johnson, Lee Brice, Nickelback, Ryan Hurd, Josh Abbott Band, and has upcoming cuts with several A-list artists.#ShaneMcAnally #CountryMusic #Songwriting #TenYearTown #NashvilleSongwriters #CreativeProcess #MusicPodcast #KaceyMusgraves #HitMaker #MusicBusiness #Songwriter #BluebirdCafeNew Episodes every Tuesday.Find the host Troy Cartwright on Twitter, Instagram. Social Channels for Ten Year Town:YoutubeFacebookInstagramTwitterTikTokThis podcast was produced by Ben VanMaarth. Intro and Outro music for this episode was composed by Troy Cartwright, Monty Criswell, and Derek George. It is called "Same" and you can listen to it in it's entirety here. Additional music for this episode was composed by Thomas Ventura. Artwork design by Brad Vetter. Creative Direction by Mary Lucille Noah.
Shane McAnally is a songwriter, producer, and publisher originally from Mineral Wells, Texas. He is a 4x Grammy Winner, 2x ACM Songwriter of the Year, a Tony-nominated composer, and has written and/or produced over 50 number one songs. Some of his hits include Body Like a Back Road, recorded by Sam Hunt, American Kids, recorded by Kenny Chesney, and Merry Go Round, recorded by Kacey Musgraves. Recently, he was named as one of the New York Times' 30 Greatest Living American Songwriters.In Part 1 of this two-part episode, we discuss Shane's early days, including dropping out of college to chase the Nashville dream in his grandmother's borrowed minivan, his unique philosophy on songwriting, including why he believes Nashville's obsession with chasing #1 hits can be a mistake, and the magic of his very first co-write with Kacey Musgraves. There are, of course, many other stops along the way.--------------------------------------------------This episode is also sponsored by The Graphic Guitar Guys. They create eye-catching custom guitar wraps for some of the biggest artists and festivals in the music industry. Their work is perfect for adding a unique touch to album pre-sale bundles or VIP package items—check them out and discover how they can transform a guitar into a show-stopping work of art.---------------------------------------------------Troy Cartwright is a Nashville-based artist and songwriter originally from Dallas, Texas. His songs have collectively garnered hundreds of millions of streams, and he is currently signed to Big Machine Music for publishing. Cartwright has written songs recorded by Cody Johnson, Lee Brice, Nickelback, Ryan Hurd, Josh Abbott Band, and has upcoming cuts with several A-list artists.#ShaneMcAnally #CountryMusic #Songwriting #TenYearTown #NashvilleSongwriters #CreativeProcess #MusicPodcast #KaceyMusgraves #HitMaker #MusicBusiness #Songwriter #BluebirdCafeNew Episodes every Tuesday.Find the host Troy Cartwright on Twitter, Instagram. Social Channels for Ten Year Town:YoutubeFacebookInstagramTwitterTikTokThis podcast was produced by Ben VanMaarth. Intro and Outro music for this episode was composed by Troy Cartwright, Monty Criswell, and Derek George. It is called "Same" and you can listen to it in it's entirety here. Additional music for this episode was composed by Thomas Ventura. Artwork design by Brad Vetter. Creative Direction by Mary Lucille Noah.
Charles Wesley Godwin is a country music artist and songwriter born and raised in Morgantown, West Virginia. He first discovered his passion for music in college, picking up a guitar after realizing his WVU football dreams weren't going to pan out and watching the Avett Brothers perform at the 2011 Grammys. He spent years developing his sound by playing small bars, cafes, and breweries across the country—often sleeping in his car—before breaking through with his independent 2019 debut album, Seneca. He is currently signed to Big Loud and Warner Chappell, and following the success of albums like How the Mighty Fall and Family Ties, he is preparing to release his newest record, Christian Name, on July 24th. In this episode, we discuss Charles's journey from playing his very first paid gig at a lingerie show in Estonia to building a nationwide audience. We dig into his early years trusting the tip jar on the road, the freezing winter studio sessions that shaped Seneca, navigating the pressures of the music business, and the night he almost quit music entirely. We also talk about why he considers songwriting to be his true creative high, his five-year wait to co-write with Lori McKenna, and many other stops along the way.--------------------------------------------------This episode is also sponsored by The Graphic Guitar Guys. They create eye-catching custom guitar wraps for some of the biggest artists and festivals in the music industry. Their work is perfect for adding a unique touch to album pre-sale bundles or VIP package items—check them out and discover how they can transform a guitar into a show-stopping work of art.---------------------------------------------------Troy Cartwright is a Nashville-based artist and songwriter originally from Dallas, Texas. His songs have collectively garnered hundreds of millions of streams, and he is currently signed to Big Machine Music for publishing. Cartwright has written songs recorded by Cody Johnson, Lee Brice, Nickelback, Ryan Hurd, Josh Abbott Band, and has upcoming cuts with several A-list artists.#CharlesWesleyGodwin #CountryMusic #TenYearTown #Songwriting #AltCountry #AmericanaMusic #CWG #ChristianName #Seneca #IndependentArtist #MusicPodcastNew Episodes every Tuesday.Find the host Troy Cartwright on Twitter, Instagram. Social Channels for Ten Year Town:YoutubeFacebookInstagramTwitterTikTokThis podcast was produced by Ben VanMaarth. Intro and Outro music for this episode was composed by Troy Cartwright, Monty Criswell, and Derek George. It is called "Same" and you can listen to it in it's entirety here. Additional music for this episode was composed by Thomas Ventura. Artwork design by Brad Vetter. Creative Direction by Mary Lucille Noah.
Brad Tursi is a songwriter, guitarist, and member of Old Dominion. As a songwriter, he has penned hits for artists including Kenny Chesney, Dierks Bentley, and Luke Bryan, including Chesney's “Save It For A Rainy Day.” As a member of Old Dominion, he has helped create some of the band's biggest songs, including “Snapback,” “No Such Thing As A Broken Heart,” and “One Man Band.” He has a new solo album, Colorado, available everywhere June 12.In this episode, Brad shares his journey from finding his dad's guitar in the attic in Connecticut to landing in Nashville, the chance encounter that led to writing “A Guy Walks Into A Bar,” and how he ended up joining Old Dominion almost by accident. We dig into the creative process behind his upcoming solo record Colorado, the difference between writing for yourself versus writing for other artists, and why following your gut is the most important skill you can develop in this business.---------------------------------------------------This episode is sponsored by The Graphic Guitar Guys (https://thegraphicguitarguys.com) They create custom guitar wraps used by artists and festivals across the industry. A great option for pre-sale bundles, VIP packages, or one-of-a-kind gear.---------------------------------------------------Troy Cartwright (troycartwright.com) is a Nashville-based artist and songwriter originally from Dallas, Texas. His songs have collectively garnered hundreds of millions of streams, and he is currently signed to Big Machine Music for publishing. Cartwright has written songs recorded by Cody Johnson, Lee Brice, Nickelback, Ryan Hurd, Josh Abbott Band, and has upcoming cuts with several A-list artists.#BradTursi #OldDominion #Colorado #CountryMusic #Songwriting #TenYearTown #Podcast #Nashville #KennyChesney #SaveItForARainyDay#SaveItForARainyDayNew Episodes every Tuesday.Find the host Troy Cartwright on Twitter, Instagram. Social Channels for Ten Year Town:YoutubeFacebookInstagramTwitterTikTokThis podcast was produced by Ben VanMaarth. Intro and Outro music for this episode was composed by Troy Cartwright, Monty Criswell, and Derek George. It is called "Same" and you can listen to it in it's entirety here. Additional music for this episode was composed by Thomas Ventura. Artwork design by Brad Vetter. Creative Direction by Mary Lucille Noah.
A year after Veo 3 changed the video world, what's actually happened? In this episode of Death to the Corporate Video, Guy Bauer breaks down where AI video stands today - from rapidly improving quality to why AI performances still feel strangely “non-human.” Guy shares his thoughts on: Why AI video is becoming its own category of animation Why great ideas are still the hardest part Why the novelty phase is already over Why taste and storytelling matter more than ever The tools got better. The real question is: does anyone have something worth saying?
In this episode: TKO's Mark Shapiro addresses negative feedback to WWE ticket prices and creative direction, Cody Rhodes says he is “getting tired” of fans arguing about topics such as attendance, John Cena says his announcement at Backlash is going to “shock the very foundation of WWE”, and TNA Wrestling to be featured in Dark Side of the Ring's 7th seasonMark Izard Funeral Expenses Fund: https://gofund.me/e8a971184Support the Berwyn Eagles Club: https://gofund.me/7aa43c90aKerr County Flood Relief Fund: https://cftexashillcountry.fcsuite.com/erp/donate/create/fund?funit_id=4201Support Katie: https://gofund.me/cb2cdcb5Support Eastern Kentucky: https://secure.kentucky.gov/formservices/Finance/emergencyrelief/American Red Cross: https://www.redcross.org/donate/cm/wlky32-pub.html/The Dream Center: https://www.ekdc.info/donateKCTCS Disaster Relief: https://kctcs.edu/disasterrelief.aspxUniversity of Kentucky Flood Relief: https://philanthropy.uky.edu/kentuckyfloodreliefIf you like what you hear on the podcast, consider helping me out a little bit financially at: https://www.patreon.com/jamminjon
Zach Abend is a songwriter and producer originally from Syracuse, New York. He has co-written songs for artists including Morgan Wallen, HARDY, LOCASH, Kenny Chesney, and Blake Shelton. His #1 songs include writing Kenny Chesney's “Take Her Home,” LOCASH's 2025 single “Hometown Home,” and most recently as a writer on HARDY's “Favorite Country Song.” He is currently published by Relative Music Group.In this episode, Zach talks about his path from Syracuse to Nashville, his approach to songwriting and production, and his philosophy behind creating songs that connect with artists and audiences.--------------------------------------------------This episode is also sponsored by The Graphic Guitar Guys. They create eye-catching custom guitar wraps for some of the biggest artists and festivals in the music industry. Their work is perfect for adding a unique touch to album pre-sale bundles or VIP package items—check them out and discover how they can transform a guitar into a show-stopping work of art.---------------------------------------------------Troy Cartwright is a Nashville-based artist and songwriter originally from Dallas, Texas. His songs have collectively garnered hundreds of millions of streams, and he is currently signed to Big Machine Music for publishing. Cartwright has written songs recorded by Cody Johnson, Lee Brice, Nickelback, Ryan Hurd, Josh Abbott Band, and has upcoming cuts with several A-list artists.New Episodes every Tuesday.Find the host Troy Cartwright on Twitter, Instagram. Social Channels for Ten Year Town:YoutubeFacebookInstagramTwitterTikTokThis podcast was produced by Ben VanMaarth. Intro and Outro music for this episode was composed by Troy Cartwright, Monty Criswell, and Derek George. It is called "Same" and you can listen to it in it's entirety here. Additional music for this episode was composed by Thomas Ventura. Artwork design by Brad Vetter. Creative Direction by Mary Lucille Noah.
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Mitchell Tenpenny is a singer-songwriter from Nashville, Tennessee. He broke through with his multi-Platinum No. 1 hit “Drunk Me” and has since earned additional chart success with songs like “Truth About You,” “At The End Of A Bar” (with Chris Young), and “We Got History.” He has released multiple albums including Telling All My Secrets and This Is The Heavy, and has toured with artists like Jason Aldean, Luke Combs, and Jordan Davis. He is currently on his Speed Of Light Tour.In this episode, Mitchell talks about growing up in Nashville, his path to his first No. 1, the reality of sustaining success in country music, and how he approaches songwriting in a town built on great songs.--------------------------------------------------This episode is also sponsored by The Graphic Guitar Guys. They create eye-catching custom guitar wraps for some of the biggest artists and festivals in the music industry. Their work is perfect for adding a unique touch to album pre-sale bundles or VIP package items—check them out and discover how they can transform a guitar into a show-stopping work of art.---------------------------------------------------Troy Cartwright is a Nashville-based artist and songwriter originally from Dallas, Texas. His songs have collectively garnered hundreds of millions of streams, and he is currently signed to Big Machine Music for publishing. Cartwright has written songs recorded by Cody Johnson, Lee Brice, Nickelback, Ryan Hurd, Josh Abbott Band, and has upcoming cuts with several A-list artists.#MitchellTenpenny #CountryMusic #Songwriting #Nashville #TenYearTown #Podcast #CountryArtist #MusicIndustry #DrunkMeNew Episodes every Tuesday.Find the host Troy Cartwright on Twitter, Instagram. Social Channels for Ten Year Town:YoutubeFacebookInstagramTwitterTikTokThis podcast was produced by Ben VanMaarth. Intro and Outro music for this episode was composed by Troy Cartwright, Monty Criswell, and Derek George. It is called "Same" and you can listen to it in it's entirety here. Additional music for this episode was composed by Thomas Ventura. Artwork design by Brad Vetter. Creative Direction by Mary Lucille Noah.
Everyone is talking about AI… but almost no one is talking about the one thing that actually matters: Creative Direction. In this episode of Makes Sense, Dr. JC Doornick sits down with John Lee—one of the leading voices in Human-Centric AI Strategy and author of Money Unlocked—to break down what it really takes to thrive in the age of automation. If you've been feeling the pressure to “keep up” with AI, worried about losing your voice, or wondering how to stand out in a sea of predictable, soulless content… this conversation will shift everything. Together, they explore the concept of the Creative-AI Bridge, the power of becoming the Chief Visionary, and the game-changing framework John calls the Visionary Handoff—where humans lead with vision, and AI executes with precision. You'll discover how to maintain Authenticity at Scale, protect your creative identity, and leverage AI not as a replacement… but as your personal production house. This isn't about using AI better.It's about becoming someone AI can actually amplify. Because in 2026, the creators who win won't be the fastest… They'll be the ones who know what's worth creating. Connect With John Lee: Money Unlocked: www.moneyunlocked.com IG: @john_lee_official Dr. JC Doornick Links: Website - www.makessensebook.com YT - / @drjcdoornick IG - / @drjcdoornick FB - / @makessensepodcast Makes Sense Book - https://tinyurl.com/makessensepurchase MAKES SENSE PODCAST Welcome to the Makes Sense with Dr. JC Doornick Podcast. This podcast explores topics that expand human consciousness and enhance performance. On the Makes Sense Podcast, we acknowledge that it's who you are that determines how well what you do works, and that perception is subjective and an acquired taste. When you change the way you look at things, the things you look at begin to change. Welcome to the uprising of the sleepwalking masses. Welcome to the Makes Sense with Dr. JC Doornick Podcast. SUBSCRIBE/RATE/REVIEW & SHARE our new podcast. FOLLOW Podcast: You will find a "Follow" button in the top right. This will enable the podcast software to alert you when a new episode launches each week. Apple: https://podcasts.apple.com/ca/podcast/makes-sense-with-dr-jc-doornick/id1730954168 Spotify: https://open.spotify.com/show/1WHfKWDDReMtrGFz4kkZs9?si=003780ca147c4aec Podcast Affiliates: Kwik Learning: Many people ask me where I get all these topics, which I've been covering for almost 15 years. I have learned to read nearly four times faster and retain information 10 times better with Kwik Learning. Learn how to learn and earn with Jim Kwik. Get his program at a special discount here: https://jimkwik.com/dragon OUR SPONSORS: Makes Sense Academy: A private mastermind and psychologically safe environment full of the Mindset and Action steps that will help you begin to thrive. The Makes Sense Academy. https://www.skool.com/makes-sense-academy/about The Sati Experience: A retreat designed for the married couple that truly loves one another, yet wants to take their love to that higher magical level. Relax, reestablish, and renew your love at the Sati Experience. https://www.satiexperience.com 0:00 - Intro 1:18 - Welcome 2:30 - Only 5 things you need to know about AI 5:28 - Speed Loves Money 9:01 - 2026 is the Creative Direction over the Content Phase 14:14 - We need to train AI like we train employees. 15:37 - The 5 Levels of AI 20:09 - Are you talking to AI Avatars without knowing it? 20:56 - Maintaining Authenticity at Scale 25:41 - The Human touch is the new gold. 31:46 - The Elite Creator Advantage with AI? 25:08 The Workflow Breakdown 39:49 - We have to look at AI as an incredible tool 43:02 - Money Unlocked - The Book 45:51 - The three parts to making money 50:49 - The Freedom Number 52:53 - What is the ethical responsibility of the creator 58:28 - What is one thing from your personal life you will never give over to AI? Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.
High-growth founders are leaving Dubai to build a sovereign AI stack in El Salvador. In this episode, we chat about how the Bitcoin Standard is attracting elite builders who are abandoning fiat luxury for true proof of work. Amir Starks (@starks_arq) explains the strategic transition from the Middle East to the volcanic energy of El Zonte to secure his agency's future.The disruption of legacy entertainment is accelerating as independent creators move to fire Hollywood with 21 million sats and generative AI. By leveraging open-source models and narrative consistency, small teams now out-compete the massive budgets of Disney. This shift represents a total liquidation of the old gatekeeper model through decentralized film production and a new content strategy for the digital age.El Salvador is positioning itself as a future tech hub by integrating Nvidia Blackwell into its national infrastructure. This technical evolution goes beyond simple Bitcoin adoption, creating a physical base for compute-heavy industries to thrive without IMF or state-level interference. The collision of sound money and computing power is turning the country into a digital fortress for the sovereign individual.Building a sovereign creative agency requires a radical departure from standard visual arts and fiat-based business models. Amir shares how ARQ uses Bitcoin to maintain a low time preference strategy while mastering creative direction outside the master's house. This approach allows builders to operate beyond the censorship risks inherent in legacy platforms.The future of storytelling allows authors to turn a book into a short film using AI for a fraction of traditional costs. As El Salvador proves the viability of the Bitcoin Standard, the rest of the world must choose between stagnation and the frontier. This conversation is the blueprint for anyone ready to stop building on rented land and join the decentralized media revolution.—Bitcoin Beach TeamConnect and Learn more about Amir Diba:X: https://x.com/starks_arqIG: https://www.instagram.com/starks_arqWeb (Company): https://arq.live/YT: @ARQ.StudiosSupport and follow Bitcoin Beach:X: https://www.twitter.com/BitcoinBeach IG: https://www.instagram.com/bitcoinbeach_sv TikTok: https://www.tiktok.com/@livefrombitcoinbeach Web: https://www.bitcoinbeach.com Browse through this quick guide to learn more about the episode:00:00 Intro01:59 Moving a tech startup from Dubai to El Salvador06:46 How Generative AI is disrupting Hollywood studios11:17 Building a Sovereign AI business with Bitcoin18:19 Marketing a Sovereign Nation using AI film25:13 Decentralized media and AI narrative consistency37:07 Bitcoin Beach grit vs Dubai fiat luxury culture44:41 How independent AI creators out-compete Disney54:04 Nvidia Blackwell: El Salvador as a global AI hub1:03:44 Turning books into movies with AI storytellingLive From Bitcoin Beach
Parker McCollum is an artist and songwriter originally from Conroe, Texas. He has earned multiple No. 1 hits including “Pretty Heart,” “To Be Loved By You,” “Handle On You,” and “Burn It Down,” and was named ACM New Male Artist of the Year in 2022. His 2025 self-titled album PARKER MCCOLLUM marked his fifth studio release, and he just released a deluxe edition on March 20th, 2026.In this episode, we discuss Parker's upbringing in Texas, the making of his latest record, the pressure and expectations that come with success, and many other stops along the way.--------------------------------------------------This episode is also sponsored by The Graphic Guitar Guys. They create eye-catching custom guitar wraps for some of the biggest artists and festivals in the music industry. Their work is perfect for adding a unique touch to album pre-sale bundles or VIP package items—check them out and discover how they can transform a guitar into a show-stopping work of art.---------------------------------------------------This episode is also sponsored by Sensa Pens. Sensa creates premium writing instruments designed for comfort and performance, featuring their patented Plasmium® gel grip that molds to your hand to reduce fatigue during extended writing sessions. Originally introduced in 1995 and developed with ergonomic specialists, Sensa pens are built for writers, creators, and anyone who still values putting pen to paper. Check them out at sensapensofficial.com and use code TENYEAR25 for 25% off your order.---------------------------------------------------Troy Cartwright is a Nashville-based artist and songwriter originally from Dallas, Texas. His songs have collectively garnered hundreds of millions of streams, and he is currently signed to Big Machine Music for publishing. Cartwright has written songs recorded by Cody Johnson, Lee Brice, Nickelback, Ryan Hurd, Josh Abbott Band, and has upcoming cuts with several A-list artists.#ParkerMcCollum #TexasCountry #CountryMusic #Songwriting #BurnItDown #HandleOnYou #Nashville #TenYearTown #TroyCartwrightNew Episodes every Tuesday.Find the host Troy Cartwright on Twitter, Instagram. Social Channels for Ten Year Town:YoutubeFacebookInstagramTwitterTikTokThis podcast was produced by Ben VanMaarth. Intro and Outro music for this episode was composed by Troy Cartwright, Monty Criswell, and Derek George. It is called "Same" and you can listen to it in it's entirety here. Additional music for this episode was composed by Thomas Ventura. Artwork design by Brad Vetter. Creative Direction by Mary Lucille Noah.
Today's guest is songwriter and artist Ben Chapman. Originally from Lafayette, Georgia, Ben is now based in Nashville and has written songs for artists including Muscadine Bloodline, Brent Cobb, Hayes Carll, and Flatland Cavalry, among others. He is also the founder of Peach Jam, a quarterly live series at The Basement East that features his band and a rotating lineup of guest artists.He has a new record, Feet On Fire, set for release in May, with the title track dropping Tuesday, March 24th.In this episode, Ben talks about his path from Lafayette to Nashville, Peach Jam, his new-found fatherhood, and how “Everything's Different”… but ain't nothing changed.--------------------------------------------------This episode is also sponsored by The Graphic Guitar Guys. They create eye-catching custom guitar wraps for some of the biggest artists and festivals in the music industry. Their work is perfect for adding a unique touch to album pre-sale bundles or VIP package items—check them out and discover how they can transform a guitar into a show-stopping work of art.---------------------------------------------------Troy Cartwright is a Nashville-based artist and songwriter originally from Dallas, Texas. His songs have collectively garnered hundreds of millions of streams, and he is currently signed to Big Machine Music for publishing. Cartwright has written songs recorded by Cody Johnson, Nickelback, Ryan Hurd, Josh Abbott Band, and has upcoming cuts with several A-list artists.#BenChapman #TenYearTown #Songwriting #Nashville #PeachJam #CountryMusic #Americana #Songwriter #MusicPodcast #BrentCobb #FlatlandCavalry #HayesCarll #MuscadineBloodline #IndependentArtist #NewMusicNew Episodes every Tuesday.Find the host Troy Cartwright on Twitter, Instagram. Social Channels for Ten Year Town:YoutubeFacebookInstagramTwitterTikTokThis podcast was produced by Ben VanMaarth. Intro and Outro music for this episode was composed by Troy Cartwright, Monty Criswell, and Derek George. It is called "Same" and you can listen to it in it's entirety here. Additional music for this episode was composed by Thomas Ventura. Artwork design by Brad Vetter. Creative Direction by Mary Lucille Noah.
Chase McGill is a songwriter originally from Columbus, Mississippi. He has written multiple No. 1 songs, including “Break Up in the End” recorded by Cole Swindell and “Lose It” recorded by Kane Brown. His songs have also been recorded by artists including Luke Combs, Sam Hunt, and Morgan Wallen. McGill is a multiple-time CMA Triple Play Award winner, including in 2026 for the songs “Happen To Me” (Russell Dickerson), “I Got Better” (Morgan Wallen), and “20 Cigarettes” (Morgan Wallen). He is currently published by Universal Music Publishing Group.In this episode, we discuss Chase's journey from Mississippi to Nashville, the stories behind some of his biggest hits, his approach to writing in the room, and many other stops along the way.--------------------------------------------------This episode is also sponsored by The Graphic Guitar Guys. They create eye-catching custom guitar wraps for some of the biggest artists and festivals in the music industry. Their work is perfect for adding a unique touch to album pre-sale bundles or VIP package items—check them out and discover how they can transform a guitar into a show-stopping work of art.---------------------------------------------------Troy Cartwright is a Nashville-based artist and songwriter originally from Dallas, Texas. His songs have collectively garnered hundreds of millions of streams, and he is currently signed to Big Machine Music for publishing. Cartwright has written songs recorded by Cody Johnson, Nickelback, Ryan Hurd, Josh Abbott Band, and has upcoming cuts with several A-list artists.#ChaseMcGill #Songwriting #MorganWallen #RussellDickerson #KaneBrown #ColeSwindell #NashvilleSongwriters #CountryMusic #CMAawards #TriplePlay #TenYearTown #TroyCartwrightNew Episodes every Tuesday.Find the host Troy Cartwright on Twitter, Instagram. Social Channels for Ten Year Town:YoutubeFacebookInstagramTwitterTikTokThis podcast was produced by Ben VanMaarth. Intro and Outro music for this episode was composed by Troy Cartwright, Monty Criswell, and Derek George. It is called "Same" and you can listen to it in it's entirety here. Additional music for this episode was composed by Thomas Ventura. Artwork design by Brad Vetter. Creative Direction by Mary Lucille Noah.
Today's guest is the frontman of one of the most defining bands of the 2010s — a songwriter whose voice helped shape an era of alternative pop that still echoes today.Before arenas. Before permanence. Before “Sweater Weather” became cultural shorthand.Now, after over a decade of hits, reinvention, and evolution, he looks back on the long arc of The Neighbourhood with clarity — and with honesty about what success did and didn't solve.And The Writer Is… Jesse Rutherford of The Neighbourhood!In this episode of And The Writer Is…, Jesse opens up about:• Growing up in the industry before he understood it• The unlikely formation and endurance of The Neighbourhood• His journey through childhood acting, getting discovered, + losing his dad on the brink of success• The advice he'd give himself before it worked• And much more…Hit subscribe and turn on notifications.Every week, we go deep with the most interesting creatives in music.Follow us on socials: @andthewriterisA special thank you to our sponsors…Our lead sponsor, NMPA — the National Music Publishing Association. Your support means the world to us.And @splice — the best sample library on the market. Period.Chapters:0:00 Intro2:09 I Never Wanted To Be Alternative 4:02 Why Thousand Oaks Produces Massive Bands7:39 Becoming a Child Actor at 6 8:35 “My Self-Worth Is Tied to Entertaining” 9:55 Discovered in a Movie Theater at 5 14:16 Reconnecting With His Dad Before He Passed 17:28 Success Without the Fame He Expected27:10 High School Metalcore Bands33:17 How The Neighbourhood Formed 36:06 The First Riff of “Sweater Weather” 40:00 Getting Discovered Online by Their Manager 44:23 His Manager's Warning…47:20 Writing the Lyrics to “Sweater Weather” 48:42 Pop Writing Rules 55:23 Learning to Let Go of Instant Validation 59:32 Daddy Issues 1:02:30Watching Your Own Lyrics Affect Relationships 1:10:01 Why He Needs Alone Time1:10:23 Feeling Invisible, the “Chip Chrome” Era 1:11:17 Touring the Same Venues & The Plateau Feeling 1:12:31 Why Chip Chrome Became His Favorite Creative Risk 1:13:48 “You've Got to Get People to Look to Listen”1:16:00 Creative Direction as Identity Control 1:19:30 Self-Sabotage vs Reinvention 1:32:00 Band Brotherhood & Growing Up Together 1:36:00 Legacy, Impact & What Really Matters1:41:00 Advice to His Younger SelfHosted by Ross GolanProduced by Joe London & Jad SaadEdited by Jad SaadPost-Production VFX by Pratik KarkiWatercolor Art by Michael White Hosted on Acast. See acast.com/privacy for more information.
Lee Thomas Miller is a GRAMMY-nominated songwriter born in Nicholasville, Kentucky. He has written multiple No. 1 songs, including “The Impossible” (Joe Nichols), “You're Gonna Miss This” (Trace Adkins), and “In Color” (Jamey Johnson). “In Color” earned both the CMA and ACM Song of the Year awards. Miller currently serves as President of the Board of Directors for the Nashville Songwriters Association International (NSAI). He has cuts with artists including Brad Paisley, Terri Clark, George Strait, Randy Travis, and many others.In this episode, we discuss Lee's path into songwriting, the stories behind some of his biggest hits, his role with NSAI, and many other stops along the way.--------------------------------------------------This episode is also sponsored by The Graphic Guitar Guys. They create eye-catching custom guitar wraps for some of the biggest artists and festivals in the music industry. Their work is perfect for adding a unique touch to album pre-sale bundles or VIP package items—check them out and discover how they can transform a guitar into a show-stopping work of art.---------------------------------------------------Troy Cartwright is a Nashville-based artist and songwriter originally from Dallas, Texas. His songs have collectively garnered hundreds of millions of streams, and he is currently signed to Big Machine Music for publishing. Cartwright has written songs recorded by Cody Johnson, Nickelback, Ryan Hurd, Josh Abbott Band, and has upcoming cuts with several A-list artists.#LeeThomasMiller #InColor #CountrySongwriter #NSAI #Nashville #Songwriting #CMAawards #ACMawards #JameyJohnson #TraceAdkins #TenYearTown #TroyCartwrightNew Episodes every Tuesday.Find the host Troy Cartwright on Twitter, Instagram. Social Channels for Ten Year Town:YoutubeFacebookInstagramTwitterTikTokThis podcast was produced by Ben VanMaarth. Intro and Outro music for this episode was composed by Troy Cartwright, Monty Criswell, and Derek George. It is called "Same" and you can listen to it in it's entirety here. Additional music for this episode was composed by Thomas Ventura. Artwork design by Brad Vetter. Creative Direction by Mary Lucille Noah.
This week on the pod, Bree Woodward of Asmodee's Studio Big drops by to discuss her current work as a creative director, how she got her start in video games, and her commitment to Women in Toys. Check out The Blue Way: https://www.backerkit.com/call_to_action/790bcea3-7482-4f7c-91cf-dc12da16cfeb/landing?ref=home-pageBeyond Solitaire is proudly sponsored by Central Michigan University's Center for Learning Through Games and Simulations, where learning can be both playful and compelling. Check them out here: https://www.cmich.edu/academics/colleges/liberal-arts-social-sciences/centers-institutes/center-for-learning-through-games-and-simulationsCheck out CMU's game offerings here: https://cmichpress.com/shop/All episodes of my podcast are available here: https://beyondsolitaire.buzzsprout.comEnjoy my work? Consider supporting me on Patreon at https://www.patreon.com/beyondsolitaire or getting me a "coffee" on Ko-fi! https://ko-fi.com/beyondsolitaireContact Me: Email: beyondsolitaire at gmail.comTwitter: @beyondsolitaireInstagram: @beyondsolitaireFacebook: www.facebook.com/beyondsolitaireWebsite: www.beyondsolitaire.net
Chris Blair is the founder and owner of The Listening Room Cafe, one of Nashville's premier songwriter venues. Since opening its doors in 2006, The Listening Room has become a cornerstone of the city's songwriting community, hosting hit writers, rising artists, and industry showcases while giving audiences an up-close experience with the stories behind the songs.In this episode, we discuss Chris's path to opening The Listening Room, the role songwriter venues play in Nashville's ecosystem, building a sustainable live music business, and many other stops along the way.--------------------------------------------------This episode is also sponsored by The Graphic Guitar Guys. They create eye-catching custom guitar wraps for some of the biggest artists and festivals in the music industry. Their work is perfect for adding a unique touch to album pre-sale bundles or VIP package items—check them out and discover how they can transform a guitar into a show-stopping work of art.---------------------------------------------------Troy Cartwright is a Nashville-based artist and songwriter originally from Dallas, Texas. His songs have collectively garnered hundreds of millions of streams, and he is currently signed to Big Machine Music for publishing. Cartwright has written songs recorded by Cody Johnson, Nickelback, Ryan Hurd, Josh Abbott Band, and has upcoming cuts with several A-list artists.#ChrisBlair #TheListeningRoom #Nashville #Songwriters #LiveMusic #MusicBusiness #WritersRounds #CountryMusic #TenYearTown #TroyCartwrightNew Episodes every Tuesday.Find the host Troy Cartwright on Twitter, Instagram. Social Channels for Ten Year Town:YoutubeFacebookInstagramTwitterTikTokThis podcast was produced by Ben VanMaarth. Intro and Outro music for this episode was composed by Troy Cartwright, Monty Criswell, and Derek George. It is called "Same" and you can listen to it in it's entirety here. Additional music for this episode was composed by Thomas Ventura. Artwork design by Brad Vetter. Creative Direction by Mary Lucille Noah.
Why I Listened to 2,000 Minutes of Tchaikovsky Last YearWe are living in the age of "frictionless" music. The algorithms know what we want before we do, the dopamine is cheap, and the content is served to us on a silver platter. But as Charles Bukowski once said of classical music: "It washes the crap right out of me."Lately, it feels like there's a lot of crap to wash out.In this episode, I'm stepping away from the "business" of music to talk about the Aura and the Sublime. I'm breaking down why I spent more time with a 19th-century Russian composer than anyone in the Top 40, and why I believe the "smoothness" of modern digital life is actually making us bored, exhausted, and artistically numb.In this episode, we explore:The "Loss of Aura": Why music feels less valuable when it stops being a "hunt" and starts hunting you.The Sublime vs. The User-Friendly: Lessons from Walter Benjamin and Theodore Adorno on why great art should be a little bit terrifying.The Tchaikovsky Antidote: How complex, uncomfortable, and "loud" art reminds us that we aren't the center of the universe.Breaking the Algorithm: Why the most successful artists of the future will be the ones who refuse to be "mathematically certain."If you've been feeling a specific kind of creative exhaustion lately, this one is for you. It's time to stop trying to conquer the mountain and let the mountain conquer us.RESOURCES & LINKS
In this episode of Skip the Queue, Andy Povey is joined by Mark Lofthouse, Creative Director and Business & Client Strategy Manager at RWS Global, a global entertainment company delivering experiences across attractions, live events and destination design.Mark shares his journey into the attractions industry, from starting out in haunted attractions as a teenager to leading creative strategy on IP-led experiences around the world. Andy and Mark talks about how brands and attractions can create meaningful emotional connections, why guest-first design is critical to commercial success, and how IP partnerships can help venues reach new audiences when done thoughtfully. The conversation also looks ahead to the future of immersive experiences, personalisation, and what regional and family attractions can learn from projects that are thriving today.Key Topics Discussed:Emotional connection as the core of great attractionsHow IP and brands can attract new audiencesWhy guest-first design matters more than visualsWhat makes IP partnerships succeed or failLessons for regional and family attractionsThe future of immersive and personalised experiences Show References: Download The Visitor Attractions Website Survey Report - https://www.merac.co.uk/download-the-visitor-attractions-survey Mark Lofthouse, Senior Manager, Business & Client Strategy at RWS Globalhttps://www.rwsglobal.com/https://www.linkedin.com/in/markloftcd/ Skip the Queue is brought to you by Merac. We provide attractions with the tools and expertise to create world-class digital interactions. Very simply, we're here to rehumanise commerce. Your host is Andy Povey. Credits:Written by Emily Burrows (Plaster)Edited by Steve FollandProduced by Emily Burrows and Sami Entwistle (Plaster) We have launched our brand-new playbook: ‘The Retail Ready Guide to Going Beyond the Gift Shop' — your go-to resource for building a successful e-commerce strategy that connects with your audience and drives sustainable growth. Download your FREE copy here
Isaac Gibson is a songwriter, vocalist,and guitarist originally from Castlewood, Virginia, and the frontman of 49 Winchester. Formed in Appalachia, the band has released five studio albums while building a devoted fanbase through constant touring. In 2025, 49 Winchester signed with MCA and Lucille Records, where they are currently working with Dave Cobb on a new full-length album scheduled for release in 2026. The band recently released a cover of Black Sabbath's “Changes” as their first new music under the partnership.In this episode, we talk about Isaac's upbringing in Appalachia, the evolution of 49 Winchester, building a career on the road, signing with MCA, working with Dave Cobb, and what this next chapter looks like for the band—along with many other stops along the way.--------------------------------------------------This episode is also sponsored by The Graphic Guitar Guys. They create eye-catching custom guitar wraps for some of the biggest artists and festivals in the music industry. Their work is perfect for adding a unique touch to album pre-sale bundles or VIP package items—check them out and discover how they can transform a guitar into a show-stopping work of art.---------------------------------------------------Troy Cartwright is a Nashville-based artist and songwriter originally from Dallas, Texas. His songs have collectively garnered hundreds of millions of streams, and he is currently signed to Big Machine Music for publishing. Cartwright has written songs recorded by Cody Johnson, Nickelback, Ryan Hurd, Josh Abbott Band, and has upcoming cuts with several A-list artists.#IsaacGibson #49Winchester #CountryMusic #Americana #SouthernRock #Songwriting #Nashville #DaveCobb #MusicPodcast #TenYearTownNew Episodes every Tuesday.Find the host Troy Cartwright on Twitter, Instagram. Social Channels for Ten Year Town:YoutubeFacebookInstagramTwitterTikTokThis podcast was produced by Ben VanMaarth. Intro and Outro music for this episode was composed by Troy Cartwright, Monty Criswell, and Derek George. It is called "Same" and you can listen to it in it's entirety here. Additional music for this episode was composed by Thomas Ventura. Artwork design by Brad Vetter. Creative Direction by Mary Lucille Noah.
Kelly Archer is a songwriter originally from Vancouver, British Columbia, and is currently signed as a writer with RED Creative and Sony Music. Kelly has written hits for many country artists, including number 1 songs with Brett Young, Justin Moore, Corey Kent, Travis Denning. Her song “I'm Gonna Love You”, recorded by Cody Johnson featuring Carrie Underwood, is Cody's current radio single. In the episode, Kelly shares how she moved to Nashville from Canada to pursue songwriting, advice she'd give her younger self, her journey to her first #1, how her last two singles were over 5 years old and many other stops along the way. New Episodes every TuesdayNew Episodes every Tuesday.Find the host Troy Cartwright on Twitter, Instagram. Social Channels for Ten Year Town:YoutubeFacebookInstagramTwitterTikTokThis podcast was produced by Ben VanMaarth. Intro and Outro music for this episode was composed by Troy Cartwright, Monty Criswell, and Derek George. It is called "Same" and you can listen to it in it's entirety here. Additional music for this episode was composed by Thomas Ventura. Artwork design by Brad Vetter. Creative Direction by Mary Lucille Noah.
Jerry Roe is a Nashville-based session and touring drummer. He has played on records for artists including Morgan Wallen, Luke Combs, HARDY, and many others, and is also a member of the heavy duo Frendship Commanders. Roe is regarded as an A-list session drummer and has built a career recording and touring at the highest level of the music industry.In this episode, we discuss Jerry's approach to recording sessions, how he prepares (or doesn't prepare) for studio work, his advocacy for musicians' rights and union membership, and many other stops along the way.--------------------------------------------------This episode is also sponsored by The Graphic Guitar Guys. They create eye-catching custom guitar wraps for some of the biggest artists and festivals in the music industry. Their work is perfect for adding a unique touch to album pre-sale bundles or VIP package items—check them out and discover how they can transform a guitar into a show-stopping work of art.---------------------------------------------------Troy Cartwright is a Nashville-based artist and songwriter originally from Dallas, Texas. His songs have collectively garnered hundreds of millions of streams, and he is currently signed to Big Machine Music for publishing. Cartwright has written songs recorded by Cody Johnson, Nickelback, Ryan Hurd, Josh Abbott Band, and has upcoming cuts with several A-list artists.#JerryRoe #SessionDrummer #NashvilleMusicians #StudioDrummer #MorganWallen #LukeCombs #HARDY #FrendshipCommanders #MusicIndustry #UnionStrong #MusiciansRights #Drumming #TenYearTown #TroyCartwrightNew Episodes every Tuesday.Find the host Troy Cartwright on Twitter, Instagram. Social Channels for Ten Year Town:YoutubeFacebookInstagramTwitterTikTokThis podcast was produced by Ben VanMaarth. Intro and Outro music for this episode was composed by Troy Cartwright, Monty Criswell, and Derek George. It is called "Same" and you can listen to it in it's entirety here. Additional music for this episode was composed by Thomas Ventura. Artwork design by Brad Vetter. Creative Direction by Mary Lucille Noah.
Josh Osborne is a songwriter originally from Virgie, Kentucky. He has written numerous No. 1 songs, including “Body Like a Back Road” (Sam Hunt), “Drunk Last Night” (Eli Young Band), “Merry Go 'Round” (Kacey Musgraves), “Come Over” (Kenny Chesney), and “Get Along” (Kenny Chesney). Osborne has been nominated five times for Songwriter of the Year by the ACM and has received multiple CMA Triple Play Awards. In 2020, he won the ACM Song Of The Year for "One Man Band." In this episode, we discuss Josh's journey into songwriting, how he approaches the craft, staying inspired over a long career, the evolution of the music business, and many other stops along the way.--------------------------------------------------This episode is also sponsored by The Graphic Guitar Guys. They create eye-catching custom guitar wraps for some of the biggest artists and festivals in the music industry. Their work is perfect for adding a unique touch to album pre-sale bundles or VIP package items—check them out and discover how they can transform a guitar into a show-stopping work of art.---------------------------------------------------Troy Cartwright is a Nashville-based artist and songwriter originally from Dallas, Texas. His songs have collectively garnered hundreds of millions of streams, and he is currently signed to Big Machine Music for publishing. Cartwright has written songs recorded by Cody Johnson, Nickelback, Ryan Hurd, Josh Abbott Band, and has upcoming cuts with several A-list artists.#JoshOsborne #Songwriter #CountryMusic #BodyLikeABackRoad #MerryGoRound #KennyChesney #SamHunt #EliYoungBand #KaceyMusgraves #Songwriting #MusicBusiness #Nashville #TenYearTown #TroyCartwrightNew Episodes every Tuesday.Find the host Troy Cartwright on Twitter, Instagram. Social Channels for Ten Year Town:YoutubeFacebookInstagramTwitterTikTokThis podcast was produced by Ben VanMaarth. Intro and Outro music for this episode was composed by Troy Cartwright, Monty Criswell, and Derek George. It is called "Same" and you can listen to it in it's entirety here. Additional music for this episode was composed by Thomas Ventura. Artwork design by Brad Vetter. Creative Direction by Mary Lucille Noah.
The music industry is panicking about AI in 2025, and I get it. But before we spiral, let's look at history. In this episode, I break down the "Quartz Crisis" of the 1970s—when Swiss watchmakers faced extinction from cheaper, more accurate Japanese technology—and how they not only survived but thrived by doubling down on craft and human artistry.The parallels to Nashville's songwriting community are striking. AI can churn out background music and sync tracks, but it can't replicate the human stories, the cultural legacy, or the one-of-one artistry that makes music matter.In this episode:• The Swiss watch industry's comeback strategy and what songwriters can learn from it• Why derivative music is most at risk (and how to avoid making it)• The case for treating music like treasure, not content• 3 things new artists should focus on to AI-proof their careersIf you're a songwriter, artist, or just someone who cares about the future of music, this one's for you.
Tom Douglas is an ACM Award-Winning and Grammy nominated songwriter signed to Sony Music Publishing. Tom has had his songs cut by many legendary artists including Tim McGraw, Lady A, Keith Urban, Eric Church, and more. His song “The House That Built Me,” recorded by Miranda Lambert, went on to win the Song of the Decade Award at the Academy of Country Music Awards. On this episode, Tom shares his journey, from moving to Nashville two different times, to having his first Number 1 be a solo-write, how he stays inspired, and much more.#countrymusic #tomdouglas #mirandalambert #musiccomposition #songwrtiingNew Episodes every Tuesday.Find the host Troy Cartwright on Twitter, Instagram. Social Channels for Ten Year Town:YoutubeFacebookInstagramTwitterTikTokThis podcast was produced by Ben VanMaarth. Intro and Outro music for this episode was composed by Troy Cartwright, Monty Criswell, and Derek George. It is called "Same" and you can listen to it in it's entirety here. Additional music for this episode was composed by Thomas Ventura. Artwork design by Brad Vetter. Creative Direction by Mary Lucille Noah.
Hayes Carll is a Grammy-nominated singer-songwriter originally from The Woodlands, Texas. He has written and recorded multiple albums, including KMAG YOYO, Lovers and Leavers, and Trouble In Mind. The 2010 film Country Strong featured his song “Hard Out Here,” and artists like Kenny Chesney, Lee Ann Womack, and Brothers Osborne have recorded his work. His song “Chances Are” was nominated for Best Country Song at the 2016 Grammy Awards.In this episode, we discuss Hayes' upbringing, how his time in Crystal Beach helped shape him, the influence of songwriters like Ray Wylie Hubbard on his career, and many other stops along the way.--------------------------------------------------This episode is also sponsored by The Graphic Guitar Guys. They create eye-catching custom guitar wraps for some of the biggest artists and festivals in the music industry. Their work is perfect for adding a unique touch to album pre-sale bundles or VIP package items—check them out and discover how they can transform a guitar into a show-stopping work of art.---------------------------------------------------Troy Cartwright is a Nashville-based artist and songwriter originally from Dallas, Texas. His songs have collectively garnered hundreds of millions of streams, and he is currently signed to Big Machine Music for publishing. Cartwright has written songs recorded by Cody Johnson, Nickelback, Ryan Hurd, Josh Abbott Band, and has upcoming cuts with several A-list artists.#hayescarll #Songwriter #TenYearTownPodcast #TroyCartwright #TexasCountry #Americana #SingerSongwriter #FolkMusic #CrystalBeach #Galveston #TheWoodlands #OldQuarterAcousticCafe #TexasMusicRevolution #KHYI #LostHighwayRecords #RayWylieHubbard #DrunkenPoetsDream #TroubleInMind #LittleRockAlbum #ChancesAre #DownTheRoadTonight #JimmyBuffett #BobDylan #WillieNelson #TownesVanZandt #JohnPrine #SongwritingProcess #CreativeOutput #CoWriting #MusicCareerAdviceNew Episodes every Tuesday.Find the host Troy Cartwright on Twitter, Instagram. Social Channels for Ten Year Town:YoutubeFacebookInstagramTwitterTikTokThis podcast was produced by Ben VanMaarth. Intro and Outro music for this episode was composed by Troy Cartwright, Monty Criswell, and Derek George. It is called "Same" and you can listen to it in it's entirety here. Additional music for this episode was composed by Thomas Ventura. Artwork design by Brad Vetter. Creative Direction by Mary Lucille Noah.
J.T. Harding is a songwriter originally from Grosse Pointe, Michigan. He has written multiple No. 1 hits, including “Smile” recorded by Uncle Kracker, “Somewhere With You” recorded by Kenny Chesney, and “Sangria” recorded by Blake Shelton. His catalog also includes cuts by artists such as Keith Urban, Darius Rucker, Jake Owen, and others. In addition to his songwriting career, Harding released a memoir in 2022 titled Party Like a Rockstar, chronicling his path into the music business. He is currently published by Sony Music Publishing Nashville.In this episode, we discuss J.T.'s journey from Michigan to Nashville, the stories behind some of his biggest hits, his creative process, and many other stops along the way.--------------------------------------------------This episode is also sponsored by The Graphic Guitar Guys. They create eye-catching custom guitar wraps for some of the biggest artists and festivals in the music industry. Their work is perfect for adding a unique touch to album pre-sale bundles or VIP package items—check them out and discover how they can transform a guitar into a show-stopping work of art.---------------------------------------------------Troy Cartwright is a Nashville-based artist and songwriter originally from Dallas, Texas. His songs have collectively garnered hundreds of millions of streams, and he is currently signed to Big Machine Music for publishing. Cartwright has written songs recorded by Cody Johnson, Nickelback, Ryan Hurd, Josh Abbott Band, and has upcoming cuts with several A-list artists.#JTHarding #Songwriter #KennyChesney #BlakeShelton #UncleKracker #SomewhereWithYou #Sangria #CountryMusic #Nashville #Songwriting #HitSongs #PartyLikeA Rockstar #TenYearTown #TroyCartwright #MusicBusiness #CountrySongwriterNew Episodes every Tuesday.Find the host Troy Cartwright on Twitter, Instagram. Social Channels for Ten Year Town:YoutubeFacebookInstagramTwitterTikTokThis podcast was produced by Ben VanMaarth. Intro and Outro music for this episode was composed by Troy Cartwright, Monty Criswell, and Derek George. It is called "Same" and you can listen to it in it's entirety here. Additional music for this episode was composed by Thomas Ventura. Artwork design by Brad Vetter. Creative Direction by Mary Lucille Noah.
We'll be back with a new episode next week. In the meantime… here is a replay of one our favorite Ten Year Town stories. Stephen Wilson Jr. is a country singer and songwriter originally from Southern Indiana. He is signed to Big Loud Records and has toured with HARDY, Brothers Osborne and more. Stephen's debut album “Son of Dad” was released in September 2023 to critical acclaim. In addition to his success as an artist, Stephen has had cuts as a writer with Old Dominion, Brothers Osborne, Caitlyn Smith and others. In this episode we discuss Stephen's journey from rural Indiana to middle Tennessee, his previous career as a scientist, his career change to songwriter, and the inspiration behind his record.New Episodes every Tuesday.Find the host Troy Cartwright on Twitter, Instagram. Social Channels for Ten Year Town:YoutubeFacebookInstagramTwitterTikTokThis podcast was produced by Ben VanMaarth. Intro and Outro music for this episode was composed by Troy Cartwright, Monty Criswell, and Derek George. It is called "Same" and you can listen to it in it's entirety here. Additional music for this episode was composed by Thomas Ventura. Artwork design by Brad Vetter. Creative Direction by Mary Lucille Noah.
Happy thanksgiving everyone! We're off this week. This is a re-airing one of our favorite episodes from this year. Ben Rector is a singer songwriter originally from Tulsa, Oklahoma. Over the past decade, he has built a dedicated fanbase through consistent touring and a catalog of self-written, self-released albums. His 2015 album Brand New debuted in the Billboard Top 10, with the title track going RIAA Platinum. He is currently on tour and just released his new album The Richest Man In The World.In this episode, we talk about Ben's journey from indie beginnings to chart success, the business of being a fully independent artist, the pitfalls of the attention economy, and many other stops along the way.New Episodes every Tuesday.Find the host Troy Cartwright on Twitter, Instagram. Social Channels for Ten Year Town:YoutubeFacebookInstagramTwitterTikTokThis podcast was produced by Ben VanMaarth. Intro and Outro music for this episode was composed by Troy Cartwright, Monty Criswell, and Derek George. It is called "Same" and you can listen to it in it's entirety here. Additional music for this episode was composed by Thomas Ventura. Artwork design by Brad Vetter. Creative Direction by Mary Lucille Noah.
Katie Dean is a music executive originally from Augusta, Georgia, with over two decades of experience in country radio promotion. She previously served as Senior Vice President of Promotion at Universal Music Group Nashville, where she helped lead radio campaigns for artists including Parker McCollum, Jordan Davis, Jon Pardi, and many others. In 2023, she became the label head of Leo33, where she has played a key role in developing CMA Award nominee Zach Top.In this episode, we discuss Katie's path through the music industry, how radio promotion really works, her role at Leo33, the rise of Zach Top, and the current landscape of country music labels.--------------------------------------------------This episode is also sponsored by The Graphic Guitar Guys. They create eye-catching custom guitar wraps for some of the biggest artists and festivals in the music industry. Their work is perfect for adding a unique touch to album pre-sale bundles or VIP package items—check them out and discover how they can transform a guitar into a show-stopping work of art.---------------------------------------------------Troy Cartwright is a Nashville-based artist and songwriter originally from Dallas, Texas. His songs have collectively garnered hundreds of millions of streams, and he is currently signed to Big Machine Music for publishing. Cartwright has written songs recorded by Cody Johnson, Nickelback, Ryan Hurd, Josh Abbott Band, and has upcoming cuts with several A-list artists.#KatieDean #Leo33 #RadioPromotion #CountryMusic #ParkerMcCollum #JordanDavis #JonPardi #ZachTop #MusicIndustry #Nashville #TenYearTown #TroyCartwright #CountryRadio #MusicBusiness #ArtistDevelopmentNew Episodes every Tuesday.Find the host Troy Cartwright on Twitter, Instagram. Social Channels for Ten Year Town:YoutubeFacebookInstagramTwitterTikTokThis podcast was produced by Ben VanMaarth. Intro and Outro music for this episode was composed by Troy Cartwright, Monty Criswell, and Derek George. It is called "Same" and you can listen to it in it's entirety here. Additional music for this episode was composed by Thomas Ventura. Artwork design by Brad Vetter. Creative Direction by Mary Lucille Noah.
Ward Davis is a singer, songwriter, and musician originally from Monticello, Arkansas. As a songwriter, his work has been recorded by Willie Nelson, Merle Haggard, Cody Jinks, Trace Adkins, and many others. He has several critically acclaimed records in his own right, including Black Cats and Crows and songs like "Get To Work Whiskey" and "Another Bad Apple."In this episode of Ten Year Town, we talk about Ward's path from Arkansas to Nashville, his evolution as an artist, and the stories behind some of his most powerful songs.--------------------------------------------------This episode is also sponsored by The Graphic Guitar Guys. They create eye-catching custom guitar wraps for some of the biggest artists and festivals in the music industry. Their work is perfect for adding a unique touch to album pre-sale bundles or VIP package items—check them out and discover how they can transform a guitar into a show-stopping work of art.---------------------------------------------------Troy Cartwright is a Nashville-based artist and songwriter originally from Dallas, Texas. His songs have collectively garnered hundreds of millions of streams, and he is currently signed to Big Machine Music for publishing. Cartwright has written songs recorded by Cody Johnson, Nickelback, Ryan Hurd, Josh Abbott Band, and has upcoming cuts with several A-list artists.New Episodes every Tuesday.Find the host Troy Cartwright on Twitter, Instagram. Social Channels for Ten Year Town:YoutubeFacebookInstagramTwitterTikTokThis podcast was produced by Ben VanMaarth. Intro and Outro music for this episode was composed by Troy Cartwright, Monty Criswell, and Derek George. It is called "Same" and you can listen to it in it's entirety here. Additional music for this episode was composed by Thomas Ventura. Artwork design by Brad Vetter. Creative Direction by Mary Lucille Noah.
Lee Brice is a GRAMMY-nominated country artist, songwriter, and producer originally from Sumter, South Carolina. Over the course of his career, he has earned multiple No. 1 singles as both a performer and songwriter, including “A Woman Like You,” “I Drive Your Truck,” “Hard to Love,” “Rumor,” and “Memory I Don't Mess With.” As a writer, his songs have also been recorded by Garth Brooks, Jason Aldean, Tim McGraw, and the Eli Young Band — whose version of “Crazy Girl” became a multi-week No. 1 hit. Brice has received multiple CMA and ACM Awards, and just released a new single “Killed The Man.” In this episode, we discuss Lee's journey from South Carolina to Nashville, his creative process as both a songwriter and artist, the stories behind some of his biggest hits, and many other stops along the way.--------------------------------------------------This episode is also sponsored by The Graphic Guitar Guys. They create eye-catching custom guitar wraps for some of the biggest artists and festivals in the music industry. Their work is perfect for adding a unique touch to album pre-sale bundles or VIP package items—check them out and discover how they can transform a guitar into a show-stopping work of art.---------------------------------------------------Troy Cartwright is a Nashville-based artist and songwriter originally from Dallas, Texas. His songs have collectively garnered hundreds of millions of streams, and he is currently signed to Big Machine Music for publishing. Cartwright has written songs recorded by Cody Johnson, Nickelback, Ryan Hurd, Josh Abbott Band, and has upcoming cuts with several A-list artists.New Episodes every Tuesday.Find the host Troy Cartwright on Twitter, Instagram. Social Channels for Ten Year Town:YoutubeFacebookInstagramTwitterTikTokThis podcast was produced by Ben VanMaarth. Intro and Outro music for this episode was composed by Troy Cartwright, Monty Criswell, and Derek George. It is called "Same" and you can listen to it in it's entirety here. Additional music for this episode was composed by Thomas Ventura. Artwork design by Brad Vetter. Creative Direction by Mary Lucille Noah.
I'M WALKING HERE! In this episode, Greg and Vargas dive into a variety of topics ranging from pranking schools to the latest news from NYCC. What happens when the Ultimate Universe ends? Fun implications of Superman entering the public domain? We're your home for breaking and exclusive THURSDAY-related NYCC coverage. We dive head first into the controversy surrounding the newest DC event, DCKO. No other podcast is brave enough to ask the tough questions. Chapters 00:00 Introduction to the Fuzzy Duo 03:00 Pranking 101: The Art of Mischief 05:47 NYCC Buzz: The Hottest Night of the Con 08:38 The End of the Ultimate Universe 11:35 Marvel's Strategy: Alternate Realities and Money 14:36 DC's Future: Quality Control and Creative Direction 17:17 Vertigo's Comeback: New Series Announcements 22:51 Zombie Dinosaurs and Comic Book Premises 24:35 Exploring Unique Storytelling in Comics 26:04 Thrillers and Obsessions in New Comics 27:36 The Return of Vertigo and Indie Comics 29:12 Rick Veitch's Swamp Thing Saga 32:57 Superman and the Public Domain Debate 39:43 The Future of Public Domain Characters 40:41 Big Dumb Comic Book Fun 44:52 The Twist of Darkseid and Booster Gold 46:10 Superman's Moral Dilemma 49:08 Crossover with the Absolute Universe 51:04 The Stakes of the Tournament 52:57 Final Thoughts on DCKO 53:50 Harley Quinn Meets Elvira 56:40 Exploring UFOs in Comics 59:41 Deluge: A Flood of Monsters 01:02:28 Unique Codes in Ignition Press 01:05:18 Transformers: A New Jumping Point