Podcasts about Kew

Kim Darroch (Lord Darroch of Kew), UK Ambassador to the U.S. 2016-2019, talks to Paul Adamson about the differences between the first and second Donald Trump presidencies.

Jolyon Edwards, from The Cleaning Shop in Kew joins DJ to answer you cleaning questions.See omnystudio.com/listener for privacy information.

Spring is the season when gardeners throw off the hibernation and slumber of months of wet feet, many layers and waterproofs and are reborn anew! The stirring of life in the garden is one of the years great experiences, and makes a gardening life such a worthwhile pursuit, not only is it good for the planet to see the earth greening up, it is also good for the gardeners soul. But there is still lots of hard work to get on with - seeds have to be sown, mulch laid, supports erected and lawns mown. So join Lucy and Saul as they continue their professional gardening lives in the pure heaven that is Spring!Lucy is off for her Easter break, so Saul invites an old friend, fellow Kew graduate and now Head of Horticultural Relations at the Royal Horticultural Society, Emma Allen, to join him in conversation about her teams role at the charity. She has a large remit of very interesting roles which includes Funding Bursaries, in which she wants to encourage a wide range of diverse backgrounds to apply for funding to help realise long held study and networking ambitions. We also chat about the evolution of the charities seven Expert Groups (formerly know as the Plant committees) and the long standing and fruitful relationships with the RHS Partner Gardens, a key benefit of being a member. Useful Links: Bursaries and Funding - Click hereRHS Expert Groups - Click HereTrials and AGMS - Click HereRHS Partner Gardens - Click HerePlant Societies - Click HereInstagram link:Lucy lucychamberlaingardensLinkedIn link:Emma AllenSaul WalkerIntro and Outro music from https://filmmusic.io"Fireflies and Stardust" by Kevin MacLeod (https://incompetech.com)License: CC BY (http://creativecommons.org/licenses/by/4.0/)Support the show

After one of the driest March's in years, our gardens are certainly providing some amazing tree blossom, shrub and bulb colour. DIG IT's Peter Brown and Chris Day delve into the latest news, events and gardening advice for the month ahead.5th April: The Forde Abbey Spring Plant and Gardening Fair at Forde Abbey and Gardens in Somerset.5th - 6th April: Cornwall Garden Society Spring Flower Show at Royal Cornwall Show Ground near Wadebridge.5th - 6th April: Great Dixter Annual Plant Fair at Great Dixter Garden, Rye in East Sussex. Until 6th April: Sounds of Blossom at Kew Gardens in collaboration with the Royal College of Music.13th April: Plant Fair and Talks at the Garden Museum, Lambeth Palace Road, London.24 - 27th April: Harrogate Spring Flower Show at the Great Yorkshire Showground.27th April: Ramster Garden Spring Plant Fair, Chiddingfold in Surrey.NewsNew National Forest to see 20m trees planted in England by 2050.Kew gets new and revamped features this year, plus the Waterlily House reopens.European Tree of the Year 2024: Beech tree in Poland wins.Alan Titchmarsh launches YouTube channel.Weed like to be better gardeners says OnePoll Research.Dog Trust warning to dog owners as several spring flowers can be toxic.RHS community garden survey launched.The hunt is on for rare and disappearing daffodils.2024: The worst year for bumblebees recorded.Blenheim celebrates with oak saplings.Exbury Gardens celebrates 70th anniversary of public opening.Bowood House and Garden opens for the first time.Lee Connelly named Ambassador for National Children's Gardening Week 2025.Historic uniforms worn by Chelsea Pensioners repurposed and included in a new Garden at Chelsea Flower Show next month.Hillier Nurseries is now 100% peat-free.Fewer slugs expected this spring, says RHS.New groundcover Hydrangea Blush ® launched.DIG IT Top 5 Miracle Gro Lawn Care Products:1st Complete 4 in 1, 14kg A lawn treatment product that kills weeds and moss, creating a thicker, greener and healthier lawn.2nd Patch Magic Bag contains a special binder which helps keep seed from washing away. It grows 2x thicker than ordinary grass, 1.5kg3rd Complete 4 in 1, 80 sqm.4th Miracle Gro Evergreen, 360 sqm.5th Miracle Gro Evergreen, 80 sqm.Plants mentioned: Calibrachoa in the Kinder range, Sedum, Rudbeckia, root-wrapped Roses, Sweet peas, Primroses, Polyanthus, Ranunculus, Brussel sprouts, Runner and Climbing Beans, Dahlia, Gladioli, Lilies, including the variety Stargazer, wildflower seeds, Pelargoniums, Fuchsias, Rosemary, Snake Plant and Money Plant (Crassula).Products: Slug Gone, Composted Bark Chippings, Root-trainers, Horticultural Fleece, Terrocotta pot, and create your own Easter Hunt in the garden!Our thanks to Chiltern Music Therapy for supplying the music. Hosted on Acast. See acast.com/privacy for more information.

Captain Robert Nairac was meeting an informer when he was abducted and murdered, secret military documents indicate. Those files, discovered by the Belfast Telegraph's Sam McBride, also show that the Ministery of Defence was desperate that that fact would not be revealed, so desperate that it would rather his killers walked free from court than answer questions about what he was up to. Robert Nairac was murdered and secretly buried by the IRA in 1977. Since his disappearance, he has become a mythical figure shrouded in secrecy and rumour. Ciarán Dunbar is joined by Sam McBride to reveal some of what he has found in London's Kew archives. Hosted on Acast. See acast.com/privacy for more information.

"I used to live in Kew, so I had a personal connection to the audio. Initially I was thinking of doing something factually-based with spoken word about botany, say, or the gardens' history. As time went on, I became more inspired by the possibilities of the actual sound of the water, so the piece became more about that, more abstract. I processed the original audio in various ways (stretch, granular etc), added some of my own field recordings (including some made in the River Severn by hydrophone) and various digital instruments. Water - essential to life, certainly, but it is now becoming more and more destructive as the planet changes. Can't live with it, can't live without it..." Kew Gardens reimagined by Nick St. George. ——————— This sound is part of the Sonic Heritage project, exploring the sounds of the world's most famous sights. Find out more and explore the whole project: https://www.citiesandmemory.com/heritage

Konda Araştırma işbirliğiyle hazırlanan Apaçık Radyo Dinleyici Araştırması: konda.com.tr/apacikradyo --İngiliz bitki ressamı Matilda Smith (1854–1926)'in hikâyesini konuşuyoruz

This week on the Wonderspace Podcast we orbit over Malta where we find our guest Jonathan Mizzi.Jonathan is the founder of Mizzi studios, an award winning nature inspired architecture and design practice dedicated to mapping out a resilient and sustainable future through climate responsive design solutions."I started to dive deeper into planetary science and permaculture and how we look at architecture from a much deeper interconnected system”.In this episode Jonathan talks about a recent commission to design one of the worlds first permanent carbon pavilions set within a carbon garden at the Royal Botanical Institute of Kew which will be opening this summer.He finishes this fascinating interview with advice for anyone pursuing architecture as a career.Jonathan was nominated by curator and consultant Vanessa Norwood who you can hear in EP120.Find out more: https://www.mizzi.co/

VOV1 - Những ngày này, Vườn Hoàng gia Kew ngập tràn màu sắc lễ hội với hàng trăm loài hoa đua nhau khoe sắc. Lễ hội hoa lan của vườn Hoàng gia Kew năm nay có chủ đề “tôn vinh vẻ đẹp thiên nhiên của Peru” với khoảng 6.000 cây lan đang đua nhau khoe sắc.

HortWeek spoke toa range of industry experts at IPM Essen trade show 2025 on how to export.Andy Jeanes of Guernsey Clematis says planning, procedure and relationships with customs and shipping agents and phyto inspectors are the keys to successful exporting.The USA could become an issue. Soiless plants are air freighted to the US but there are concerns about 25% Trump import levies, as there has been for Canada and Mexico.Commercial Horticulture Association's Susan Fairley says research the target market, establish demand, identify market trend data, plan a strategy, find the right country, identify channels, get staff trained and ready, build relationships, use Department of Business and Trade webinars, be patient, consider costs and make sure you know your IP, customs paperwork, credit check customers and get the right logistics in place. Cenrral Asian countries are places of growth.Tim Briercliffe of AIPH adds that understanding your target market and how easy it is to reach it are important. Systems such as Floriday can be a way in. The UK has not been strong at exporting as businesses concentrate on the home market. You need something new, special and different. He says potential levies are challenges, while exchange rate problems can be huge. Plant health issues like false codling moth are becoming bigger threats to international trade. Green cities are the areas to look for growth.David Austin's head of international partner networks Kate Porter said selling licences rather than plants is the rose grower's way forward, post-Brexit. There is US growing base so it is the brand that is exported. Australia is a growing market.Air-Pot's Suzie and Jamie Single say there is a team of partners around the world, in Europe distributors and otherwise consultants working on commission. Taiwan is a growing market, as is Switzerland and the US. The CHA help Air-Pot with exports, particularly via IPM Essen. The Scottish Government is helpful, she said, while a new Air-Pot 7 product, endorsed by ex-Kew arboretum head Tony Kirkham, has created a wave of publicity for the company. Hosted on Acast. See acast.com/privacy for more information.

After a chilly January in the UK, the days are starting to lengthen and there's signs of life as bulbs are pushing through the soil. DIG IT's Peter Brown and Chris Day discuss news, events and gardening tasks for the gardening month ahead.What's onSaturday 1st February Buckingham Garden Centre's Grow & Grow Day, 10am-4pm. Saturday 1st February to Sunday 2nd March: Peruvian Orchid Spectacular at the Royal Botanic Gardens, Kew in London. The Plant Fair Roadshows are back in full swing with the first event of the year on Sunday 2nd February at Hole Park, Rolvenden, Kent, on Sunday 2nd February.Running until 13th April: Soil - The World at Our Feet Exhibition at the Embankment Galleries, South Wing, Somerset House in London.Saturday 15th February – Sunday 23rd February: Exhibited during Eco-Week at Hever Castle & Gardens, Earth Photo will be featuring work by some of the best photographers from around the world.Thursday 20th February: Monty Don in conversation with Sophie Raworth online or in person at the Royal Geographical Society in Kensington, London, SW7 2AR. 7pm. 20th - 22nd February: Shepton Snowdrop Festival, Somerset. Free event.Discover snowdrops across the UK. NewsBritain's oldest RHS Garden is calling for compensation from the Government as it faces a ‘catastrophic' £11m loss - thanks to roadworks.Home to 100-year-old specimens, the 60-acre Coton Orchard, the largest traditional orchard in Cambridgeshire and 8th largest in the country is at risk of becoming a new bus lane. Two plant collections - Amelanchier and Witch hazel National collections have been accredited at National Memorial Arboretum in Staffordshire.Monty Don's new British Gardens series airs on the BBC.Sarah Dyke MP's Horticultural Peat (Prohibition of Sale) Bill has been pushed back to a later date. Kew Gardens and partner scientists have identified more than 170 new species in 2024New Year's Honours for garden industry figures including Gill Hodgson founder of Flowers From the Farm and Alan Titchmarsh, CBEScotland consults on its peat-free future.Latest Thompson & Morgan survey suggests garden expenditure is set to increase in 2025.More crystal ball gazing from the RHS with its gardening predictions.Eden Project appoints 'horticultural showman' Peter Jones.Kew build two advanced glasshouses to help in major restoration projects.David Domoney becomes new brand ambassador for Keder Greenhouses.Guiness World Records searches for world's oldest glasshouse.Forest England biodiversity study reveals DNA secrets.Butterflies heading north says NatureScot.RSPB suspends sale of flat bird feeders.Suttons given the Royal Warrant of Approval.Plants mentioned: Broad bean The Sutton, New Fothergill's Oh Sow Simple range, Seed Potatoes, Pea Meteor, Sweet Peas, Carnivorous plants (Venus flytraps), Carrot Amsterdam Forcing, Asparagus crowns, root-wrapped roses, celebration roses, strawberry runners and raspberry canes can be established now, Lilies, Dahlias, Begonia corms and Hosta. Hardwood cuttings Buddleja, Dogwoods, Forsythia, Philadelphus (Mock Orange), Roses and Salix (Willows).Products mentioned: Westland New Horizon Compost, Melcourt SylvaGrow Composts, horticultural fleece, Haxnicks jackets, raised beds and water butts. Dig It Top 5: Our Top selling Fothergills flower seeds of last year. No5 ‘RHS Flowers for Insects Mix', No4 Sunflower ‘Giant Single', No3 Sweet Pea ‘Old Spice Mixed', 2nd place Poppy ‘Victoria Cross' and at No1 ‘RHS Flowers for Wildlife Bright Mix'.Our thanks to Chiltern Music Therapy for supply the music. Hosted on Acast. See acast.com/privacy for more information.

Kew Gardens near London is one of the most famous botanical gardens in the world, welcoming countless visitors every year. But what many visitors may not know is that the history of Kew and that of the British Empire are intimately intertwined… At the height of the empire, Queen Victoria visited the iconic glass Palm House six times in the first few weeks it opened, and palm houseplants became a proud symbol because of her patronage. The botanical gardens also served as a laboratory that allowed imperial industries to boom. For example, seeds collected by Kew gardeners developed rubber plants that were shipped around the empire. The rubber plantations in British Malaya became so valuable that Britain fought a bloody war in 1948 to keep them. Listen as Anita and William are joined by Sathnam Sanghera, author of Empireworld, to discuss how Kew was instrumental to the empire. Twitter: @Empirepoduk Email: empirepoduk@gmail.com Goalhangerpodcasts.com Assistant Producer: Becki Hills Producer: Anouska Lewis Senior Producer: Callum Hill Learn more about your ad choices. Visit podcastchoices.com/adchoices

On this encore episode, Missouri Botanical Garden scientist, Charlotte Taylor, names 500 new species of plants. That makes her the most prolific living female botanist — an accomplishment only revealed last year by researchers from Royal Botanic Gardens, Kew and the University of Cambridge. The researchers found Taylor is the third most prolific female botanist in the field — ever. Taylor discusses her contributions to the field of botany and takes us inside the world of a world-class taxonomist.

This week Brian and Harrison kick things off with some general chit chat; BT gives us an update on his lookout project, they talking about the new Collingwood FC President, the boys gives their takes on the new NBA All Star game format and plenty more. Next, the lads are joined by trailblazing Australian cyclist, Phil Anderson. Phil is one of the most important figures in the globalisation of cycling, he was the first non-European to wear the yellow jersey and the first Australian to win a stage at the Tour de France, he and American, Greg Lemond were the pioneers promoting cycling outside of Europe. The chat covers; Phil's illustrious career, his move from Kew to Paris as a 19yo to peruse his love of cycling, some cracking stories from his time with some of the biggest cycling teams and personalities in the world (particularly, Bernard Hinault & Lance Armstrong), the controversies of doping in his day. They also chatted about Phil's love of the bush, where and what he's riding today and plenty more. Phil is a ripper bloke, super humble, hard-working and is an iconic figure within the Australian cycling community. We are grateful for his time. Hosts: Brian & Harrison Taylor Guest: Phil Anderson Produced by Harrison Taylor Audio & Video by Rhino Productions Get in touch with us or see more: Mailbag - lobmailbag@gmail.com Enquiries - harrison@ncmanagement.com.au Instagram - @lifeofbrianpodcast Tiktok - @lifeofbrianpodcast

Elon Musk has been fomenting a revolt over a bipartisan federal government funding bill opposed by incoming president Donald Trump, in a direct challenge to the authority of Republican house speaker Mike Johnson. Ghost palms and toothy toadstools are among new species that were named by Kew's Royal Botanic Gardens in 2024. We're joined by Kew mycologist and research leader Dr Anna Bazzicalupo.Also in this episode:US scientists say the moon may actually be older than previously thoughtStudy on employees suffering mental and physical strain linked to tech gadgets use. We spoke to lead author, ESRC PhD student Elizabeth Marsh, from the University of Nottingham's Schools of Psychology and Medicine.Discovery of a mastodon jaw in a New Yorker's back yard.And, OpenAI announces…a phone-line: 1-800-ChatGPT. Hosted on Acast. See acast.com/privacy for more information.

NAJGA Board Member & Director of Japan Institute at Portland Japanese Garden Aki Nakanishi, was recently in London. Listen to his powerful interview with Director Richard Deverell of Kew Gardens. Kew Gardens is the largest botanical institution in the world. This unscripted interview that took place during Aki's informal visit to Director Deverell's office at Kew, is an impactful statement of action, inspiring us to think differently about our own gardens as a vehicle for positive social change through public engagement and communication.

Working at the intersection of horticulture, art and architecture, David has applied his passion for plants to a growing list of innovative projects, building a broad variety of modern, human-centric spaces with abundant plant life at their heart. David is a pioneer in the field of vertical gardens. He holds a degree in Environmental Horticulture Sciences and Psychology from California Polytechnic University at San Luis Obispo. He credits his time spent apprenticing at the Royal Botanic Gardens in Kew, London, with setting him on the path to living wall design. It was at Kew that he came to appreciate the beauty of epiphytic plants—those which have naturally evolved to grow vertically on trees. David sees his work as an integral part of a public shift in consciousness towards a renewed desire for closeness with nature and an appreciation of the restorative effect of plants, especially in urban environments. For David, designing living walls affords the chance not only to promote awareness of native and endangered plant species but also to have a direct impact on quality of life. You can link back to the habitat horticulture site: www.habitathorticulture.com

Trees are ever-present in our lives and have enabled us to connect to the natural world. But should we be concerned for our trees with our changing climate and what trees can we plant in our gardens for the future?Tony Kirkham, MBE, British botanist and former Head of Arboretum, Gardens and Horticulture at the Royal Botanic Gardens, Kew, discusses how trees are adapting around the world to climate change and what we can expect to see as our future tree-lined horizon takes on a different shape. Do you have a gardening question you'd like Alan Titchmarsh's help with? Submit your question in the comments below or go to www.gardenersworld.com/podcast/questions/ Alan will answer a selection in the Ask Alan podcast series from BBC Gardeners' World Magazine in February and March. Learn more about your ad choices. Visit podcastchoices.com/adchoices

In the hot summer of 2022, RBG Kew lost more than 400 trees. By July 2024, Kew announced that it believed over 50% of its trees could be at risk by 2090 due to environmental changes due to climate change.This week's guest is Kevin Martin, head of tree collections at Royal Botanic Gardens Kew and he joined the HortWeek Podcast to relate the research Kew has done that led it to such a stark conclusion."What we started to look at first was mortality data, but we soon realized that that's a really unstable data set. can't always know why a tree or a plant has died in the landscape. It's not always due to environmental factors."We then started looking at climate modeling...and using species observation data to start building a better picture of the impact of climate change on the living landscape here at Kew.Perhaps surprisingly, the focus was not on identifying vulnerable species, but "the provenance of the seed".Kew studied its own environment, located as it is in "an urban heat island" on the edge of Greater London with relatively thin and poor soil, "so the effect of climate change is always exaggerated". To understand the plants that suited this environment, they found themselves in the Romanian steppe which proved a good match.His next trip will take him to Georgia to find more species that might thrive at Kew.Rather than building more and more glasshouses to create the right condition for plant collections, with their huge energy bills, botanic gardens must play to their strengths and grow the plants that fit their ecosystem and climate profile."And the native, the English native one is a really interesting question. "You've got Quercus robur, they all have a large distribution range. So we're now looking at their dryest range to understand how those trees have adapted...they will grow right up to the edge of Azerbaijan, right on the dryest edge of their range. So we're selecting seed from those areas to bring them back to Kew to understand how they've adapted."And the change needs to translate to all green spaces and gardens, large and public as well as domestic and small."A lot of the plants that we all go to the garden centre to put in our own private gardens, those trees have been selected for us realistically by the Victorians. A lot of those plants are available in commercial nurseries, they're all from the original plant collectors from the Victorian era especially, and they're the same cloned material that's just passed round."So it's really not just changing the planting palette within Botanic Gardens...This is a change of planting palette... and that does need support and investment in further research from government in order to support the commercial nurseries as well."I do think it's going to be the biggest shift we've seen since the start of the organisation back in the 1840s". Hosted on Acast. See acast.com/privacy for more information.

Subscribe Apple | Google | Spotify | Stitcher | iHeart Support The Daily Gardener Buy Me A Coffee  Connect for FREE! The Friday Newsletter |  Daily Gardener Community Botanical History On This Day 1849 A most extraordinary presentation took place at Windsor Castle. Imagine, if you will, standing in the grand halls of Windsor Castle as Joseph Paxton (PAX-ton) presented a massive leaf and exquisite blossom of the Victoria Amazonica (vik-TOR-ee-ah am-uh-ZON-ih-kuh) to the Queen. The moment was so moving that Her Majesty enthusiastically declared, "We are immensely pleased." 1909 The Secretary of Agriculture James Wilson (WIL-sun) sent what seemed like a routine notification to the plant industry office in Seattle. Little did anyone know this simple message would set in motion one of the most delicate diplomatic situations in early 20th-century American-Japanese relations. Grow That Garden Library™  Read The Daily Gardener review of The Kew Gardener's Guide to Growing Cacti and Succulents by the Royal Botanic Gardens Kew and Paul Rees Buy the book on Amazon: The Kew Gardener's Guide to Growing Cacti and Succulents by the Royal Botanic Gardens Kew and Paul Rees Today's Botanic Spark 1989 The Sarasota Herald-Tribune published a story that lifted the veil on the shadowy world of rare orchid trading. The article focused on Limerick Inc. and an alleged smuggling operation of endangered Chinese orchids to Florida - but the real story runs much deeper into the heart of orchid obsession. The tale of Kerry Richards and his nursery, Limerick Inc., reads like a botanical thriller. Thanks for listening to The Daily Gardener And remember: For a happy, healthy life, garden every day.

Veteran Wilf Shaw, Australian Les Cook, POW's, Gallipoli and more, PART TWO of an anniversary special celebrating ten years in podcasting. Episode artwork:Jesse Rance, London Metropolitan Police between 1936 - 1966. Endured the WW2 blitz bombing. What a tough beat to patrol! Curious story revealed in the show. Buy Me a Coffee https://www.buymeacoffee.com/fightingthrough Full show notes, photos and transcript at: https://www.fightingthroughpodcast.co.uk/105-Tenth-Anniversary-Part-Two-with-more-second-world-war-stories Reviews on main website:https://www.fightingthroughpodcast.co.uk/reviews/new/ Patreon:https://www.patreon.com/FightingThrough Follow me on Twitter: https://twitter.com/PaulCheall Follow me on Facebook:https://www.facebook.com/FightingThroughPodcast YouTube Channel:https://www.youtube.com/channel/UCnlqRO9MdFBUrKM6ExEOzVQ?view_as=subscriber   Links to features in the show: BOOKS D-Day Through German Eyes, by Jonathan Trigg https://amzn.to/3ZYUP9a Mines, Bombs, Bullets and Bridges: A Sapper's Second World War Diary by Michael Moss https://amzn.to/3NnKITW Save the Last Bullet https://amzn.to/3NEUyB0 No Time for Dreams – Robert W Metcalf https://www.amazon.co.uk/No-Time-Dreams-Soldiers-Six-Year/dp/1896182798 https://www.abebooks.co.uk/9781896182797/Time-Dreams-Soldiers-Six-Year-Journey-1896182798/plp Cassino '44: The Bloodiest Battle of the Italian Campaign – James Holland https://www.amazon.co.uk/Cassino-44-Bloodiest-Italian-Campaign   EPISODES 5 Claude Reynolds 1 - Coffee with Claude - Lancaster rear gunner interview https://www.fightingthroughpodcast.co.uk/5-claude-reynolds-ww2-lancaster-veteran-interview-1/ 12 Claude Reynolds 2 - WW2 Lancaster veteran interview https://www.fightingthroughpodcast.co.uk/12-claude-reynolds-2-ww2-lancaster-veteran-interview/ 9 Dunkirk Diaries of Major Leslie Petch OBE WWII https://www.fightingthroughpodcast.co.uk/9-dunkirk-diaries-of-major-leslie-petch-obe-wwii/ 26 The Zilken Letters. A veteran exposes the army's best kept WWII secrets! https://www.fightingthroughpodcast.co.uk/26-the-zilken-letters-a-veteran-exposes-the-armys-best-kept-wwii-secrets/ 33 Women at War 2 - Wartime Recipes and WRENS https://www.fightingthroughpodcast.co.uk/33-wartime-recipes-and-wrens-in-ww2/ 46 Through German Eyes in the Second World War https://www.fightingthroughpodcast.co.uk/46-through-german-eyes-in-the-second-world-war/ 47 D-Day Through German Eyes Part Two https://www.fightingthroughpodcast.co.uk/47-through-german-eyes-part-two/ 69 German Boy Soldier Willi Langbein WW2 https://www.fightingthroughpodcast.co.uk/69-german-boy-soldier-willi-langbein-ww2/ Save the Last Bullet book and audio book https://amzn.to/4h0OAHW 73 Jack Stansfield POW in WW2 https://www.fightingthroughpodcast.co.uk/73-Jack-Stansfield-POW-in-WW2/ National Archives at Kew, UK https://discovery.nationalarchives.gov.uk/details/r/C17150376 78 German Submariner Part 1: Atlantic, POW in Canada. https://www.fightingthroughpodcast.co.uk/78-german-submariner-and-pow/ Helmut Keune story in Canadian magazine McLeans, from 1949. https://archive.macleans.ca/article/1949/7/15/what-happened-in-the-bismarck 91 Kisses on a Postcard - child evacuees - interview with Dominic Frisby https://www.fightingthroughpodcast.co.uk/91-Kisses-on-a-Postcard-Evacuees-in- WW2 Stories of Chaos and Courage -  HMS BULLDOG and Enigma codes https://www.facebook.com/groups/754427714964136/permalink/1682478342159064/?rdid=C4mzt6h6eLyTSER3&share_url=https%3A%2F%2Fwww.facebook.com%2Fshare%2Fp%2F9j382bZ4cVizdp1Z Coded letters https://www.reddit.com/r/ww2/s/3EoV8PUqzy Sound effects: Hurricane and Spitfire dog fighting - Sound courtesy of JimSim on Freesound https://freesound.org/people/jimsim/sounds/434671/#comments Sonar https://freesound.org/people/Peter_Gross/sounds/12677/ Morse https://freesound.org/people/christislord/sounds/553739/#comments Base wave - Sound Effect from https://pixabay.com/?utm_source=link-attribution&utm_medium=referral&utm_campaign=music&utm_content=6356">Pixabay

Join us at the RSA and discover groundbreaking insights on how direct interactions with nature - seeing, smelling, and touching - can dramatically improve physical health. Learn how cedar boosts your immune system, pine scent calms your heart rate, and even a simple spider plant can enhance your gut health.Professor Kathy Willis, a leading expert in biodiversity and former Director of Science at the Royal Botanic Gardens of Kew, will guide you through these discoveries. Kathy's insights show us how to integrate nature into our daily lives for better health. Whether you live in the city or the countryside, you'll leave equipped with actionable strategies to harness nature's power to transform your health and well-being.Chair: Catherine Pineo is our Head of Regenerative Learning and Design at RSASpeaker: Kathy Willis is Professor of Biodiversity in the Department of Biology, Principal of St Edmund Hall, University of Oxford, and author of Good Nature.#RSAnatureBecome an RSA Events sponsor: https://utm.guru/ueemb Follow RSA Events on Instagram: https://www.instagram.com/thersaorg/ Follow the RSA on Twitter: https://twitter.com/theRSAorg Donate to the RSA: https://thersa.co/3XPiI1k Like RSA Events on Facebook: https://www.facebook.com/theRSAorg/ Listen to RSA Events podcasts: https://bit.ly/35EyQYU Join our Fellowship: https://www.thersa.org/fellowship/join

An anniversary special celebrating ten years in podcasting. Featuring old favourites and new alike. This episode has a particular focus on Germany in the war, with much more as well. Episode artwork:In Britain, without setting foot on it. A wounded German sailor from Bismarck is carried up a gangway by a British sailor. Buy Me a Coffee https://www.buymeacoffee.com/fightingthrough Full show notes, photos and transcript at: https://www.fightingthroughpodcast.co.uk/104-tenth-anniversary-of-ww2-veterans-and-family-stories Reviews on main website:https://www.fightingthroughpodcast.co.uk/reviews/new/ Patreon:https://www.patreon.com/FightingThrough Follow me on Twitter: https://twitter.com/PaulCheall Follow me on Facebook:https://www.facebook.com/FightingThroughPodcast YouTube Channel:https://www.youtube.com/channel/UCnlqRO9MdFBUrKM6ExEOzVQ?view_as=subscriber   Links to features in the show: BOOKS D-Day Through German Eyes, by Jonathan Trigg https://amzn.to/3ZYUP9a Mines, Bombs, Bullets and Bridges: A Sapper's Second World War Diary by Michael Moss https://amzn.to/3NnKITW Save the Last Bullet - Willi Langbein / Heidi Langbein Allen https://amzn.to/3NEUyB0 EPISODES 5 Claude Reynolds 1 - Coffee with Claude - Lancaster rear gunner interview https://www.fightingthroughpodcast.co.uk/5-claude-reynolds-ww2-lancaster-veteran-interview-1/ 12 Claude Reynolds 2 - WW2 Lancaster veteran interview https://www.fightingthroughpodcast.co.uk/12-claude-reynolds-2-ww2-lancaster-veteran-interview/ 9 Dunkirk Diaries of Major Leslie Petch OBE WWII https://www.fightingthroughpodcast.co.uk/9-dunkirk-diaries-of-major-leslie-petch-obe-wwii/ 26 The Zilken Letters. A veteran exposes the army's best kept WWII secrets! https://www.fightingthroughpodcast.co.uk/26-the-zilken-letters-a-veteran-exposes-the-armys-best-kept-wwii-secrets/ 33 Women at War 2 - Wartime Recipes and WRENS https://www.fightingthroughpodcast.co.uk/33-wartime-recipes-and-wrens-in-ww2/ 46 Through German Eyes in the Second World War https://www.fightingthroughpodcast.co.uk/46-through-german-eyes-in-the-second-world-war/ 47 D-Day Through German Eyes Part Two https://www.fightingthroughpodcast.co.uk/47-through-german-eyes-part-two/ 69 German Boy Soldier Willi Langbein WW2 https://www.fightingthroughpodcast.co.uk/69-german-boy-soldier-willi-langbein-ww2/ Save the Last Bullet book and audio book https://amzn.to/4h0OAHW 73 Jack Stansfield POW in WW2 https://www.fightingthroughpodcast.co.uk/73-Jack-Stansfield-POW-in-WW2/ National Archives at Kew, UK https://discovery.nationalarchives.gov.uk/details/r/C17150376 78 German Submariner Part 1: Atlantic, POW in Canada. https://www.fightingthroughpodcast.co.uk/78-german-submariner-and-pow/ Helmut Keune story in Canadian magazine McLeans, from 1949. https://archive.macleans.ca/article/1949/7/15/what-happened-in-the-bismarck 91 Kisses on a Postcard - child evacuees - interview with Dominic Frisby https://www.fightingthroughpodcast.co.uk/91-Kisses-on-a-Postcard-Evacuees-in- WW2 Stories of Chaos and Courage - HMS BULLDOG and Enigma codes https://www.facebook.com/groups/754427714964136/permalink/1682478342159064/?rdid=C4mzt6h6eLyTSER3&share_url=https%3A%2F%2Fwww.facebook.com%2Fshare%2Fp%2F9j382bZ4cVizdp1Z Heinrich Severloh was 20 years old on d-day. ww2 stories of chaos and courage https://www.facebook.com/share/p/tBEVyKbwWUYQy1uB/?mibextid=K35XfP Coded letters https://www.reddit.com/r/ww2/s/3EoV8PUqzy Sound effects: Hurricane and Spitfire dog fighting - Sound courtesy of JimSim on Freesound https://freesound.org/people/jimsim/sounds/434671/#comments Sonar https://freesound.org/people/Peter_Gross/sounds/12677/ Morse https://freesound.org/people/christislord/sounds/553739/#comments Base wave - Sound Effect from https://pixabay.com/?utm_source=link-attribution&utm_medium=referral&utm_campaign=music&utm_content=6356">Pixabay Lieutenant General Alan Brooke, GOC II Corps Commander on his evacuation from Dunkirk. https://m.facebook.com/story.php?story_fbid=pfbid09qoBWpNWAiuHuwYGrseHw4x18kaTpP1nWVoNyEeVeVp8UHXN9hQbmyYKFFw7LjSPl&id=100072081056641    

Send us a textDeirdre Bean We interviewed Deirdre in her home studio in Newcastle surrounded by her wonderful paintings. We spoke to her about residencies, techniques of her work, working with Margaret Olleys objects for her current show at Tweed Regional gallery, her PHD in drawing mangrove species, creating an Australian postage stamp, and much more…She currently has a show on at Tweed Regional gallery, ‘Domestica', which is on until 17th November. Deirdre has been recently selected as a finalist in the 2024 Portia Geach exhibition at SH Ervin gallery. Congratulations!‘Inspired by the natural world, Deirdre has always been fascinated with intricate details and perfect forms that the eye sometimes misses.Her attention to detail and considered compositions continue to be features of her work.Watercolour applied to paper or vellum with a fine-pointed sable brush are traditional materials Bean uses to illustrate the complexities of the botanical world. She spent seven years researching Australia's mangrove species for which she was awarded a PhD from the University of Newcastle. Deirdre has broadened her subject matter to include military paraphernalia after artists' trips to Gallipoli and the Western Front.Since 2020, Deirdre has been working with oil paint, a medium she has returned to after many years. Since then she has been a finalist in the Muswellbrook Art Prize, the Calleen Art Award and the Portia Geach Memorial Award for portraiture. In 2022, she was the winner of the Gallipoli Art Prize. Her work is held in major collections including the Hunt Institute of Botanical Documentation, Pittsburgh, USA: The Royal Botanic Gardens, Kew, London: The Shirley Sherwood Collection, Oxford, UK: Parliament House, Canberra: Australia Post: The Royal Botanic Gardens, Sydney: Gallipoli Club, Sydney.'Deirdre is represented by Stella Downer Fine Art, Sydney 

Multiple callers spoke to 3AW Drive about what happened in Kew. See omnystudio.com/listener for privacy information.

If you've ever been even a little curious about the magic of trees, you won't want to miss this conversation with the ultimate tree expert, Tony Kirkham. We're diving into Tree: Exploring the Arboreal World—a seriously stunning collection of art, history, and culture, centred around the human-tree connection.  This book documents the historical significance of trees throughout human history, society and culture. This really is the coffee table book to end all coffee table books for anyone with even so much as a passing interest in trees. About Tree: Exploring the Arboreal World This exquisite survey presents a breathtaking sequence of full-page images – from landscape paintings and botanical drawings to ancient frescos, vintage book illustrations and contemporary photographs – revealing the tree as a source of inspiration throughout history. Spanning continents and cultures, Tree reflects the diversity of its subject, depicting giant sequoias, cherry blossoms, palms, poplars, ginkgoes and other species found across Earth's forest biomes, in a wide-ranging selection of visuals dating from Ancient Greece to the present day. More than 300 images include Roman stone mosaics, illustrated Norse myths, Edo-period woodblock prints and living tree installations, each lavishly reproduced. Curated by an international panel of botanists, naturalists, art historians and other experts, the images expand the definition of botanical art, together forming a vibrant, vital homage to the natural world. About Tony Kirkham Tony Kirkham is a renowned British arboriculturist and tree expert, best known for his lifelong dedication to the care, study, and preservation of trees. He served as the Head of Arboretum, Gardens, and Horticultural Services at the Royal Botanic Gardens, Kew, where he played a pivotal role in maintaining one of the world's most diverse tree collections. Over his distinguished career, Kirkham became an authoritative figure in tree health, conservation, and education, helping to shape public understanding of trees' importance to ecosystems and human culture. He has participated in several international expeditions, collecting seeds and studying trees in countries such as China, Japan, and Chile, to enhance Kew's collections and support global conservation efforts. In addition to his practical work, Tony Kirkham is a popular figure in the media and has authored several books, including Remarkable Trees and Essential Pruning Techniques. He has also been featured in television series like BBC's The Trees That Made Britain, where he shared his extensive knowledge of how trees are woven into the fabric of human history and culture. Throughout his career, he's received numerous accolades, including an MBE (Member of the Order of the British Empire) for services to arboriculture, in recognition of his contributions to tree preservation and education. His work continues to inspire tree enthusiasts and professionals alike, highlighting the deep connection between trees and humanity. Links Tree: Exploring the Arboreal World - Phaidon Authors, forward by Tony Kirkham Other episodes if you liked this one: If you liked this week's episode with Tony Kirkham, you might also enjoy this one from the archives:  The Language of Trees - My guest this episode is artist and activist Katie Holten. Katie has just released a book called The Language of Trees, a collection of literary and scientific works by people like Robin Wall Kimmerer, Ursula le Guin, and Ross Gay. Using her Alphabet of Trees, the book is underpinned by the Katie's art and asks us to examine our relationship with trees by pulling together wide-reaching strands and demonstrating in one place, just how connected we are to them. Inspiration from Nature - This week, my guest is watercolour artist Lisa Gardner. Lisa is inspired by the natural world, the connection between breath and brushwork and rare wild plant species on the edge of extinction – seemingly far flung interests that come together in a beautifully natural and synergistic way in Lisa's work.   Please support the podcast on Patreon

A Sussex native, Susan Raikes, the new director of Wakehurst, Kew's wild botanic garden in West Sussex (she joined in June) was familier with the garden since childhood. "We're Kew's younger, bigger and wilder sister and very much a botanic garden with a purpose...a site of horticultural and scientific excellence and a living laboratory where groundbreaking science projects are taking place as well. So lots of beautiful gardens, beautiful spots to come and visit, but some really important science and horticultural work going on as well."After Kew released a report detailing risks to over half of its 11,000 trees, Wakehurst will carry out a similar exercise next year: "it's a different challenge, but absolutely we're thinking about the resilience of the planting".She talks about the effects of climate change on the garden, with respect not just to plants, but impacts for visitors and scientists working at the centre.Related to this, Wakehurst has been "championing meadows" via it's Meadowland feature this summer (until September 10) and has a focus on threatened and rare UK habitats which have been combined with newly commissioned pieces of contemporary art to enhance the ecological and educational aspects.Wakehurst is home to Kew's Millennium Seed Bank, which houses more than 2.4 billion seeds from around the world and which will celebrate its 25th birthday next year.Among research programs currently live at the garden Sue highlights Nature Unlocked, "which is helping us to use Wakehurst as a living laboratory, looking at it as an ecosystem observatory. We're looking at pollinators and carbon, but also well-being and the different kinds of landscapes and environments that people get the most benefit from". The research project will be reflected in features in visitor areas such as the children's garden which will house a bee bank, a rebuilt mud kitchen and edible meadow.Next year will also see the 60th anniversary of Kew's presence at Wakehurst and the garden plans to bring "to life that story of being a living laboratory so that visitors really know that they are visiting somewhere that is really making a difference in terms of all of the work we need to do around climate change and habitat loss as well."Previously Sue was director of learning at the Science Museum Group and before that you were head of learning and national partnerships at the British Museum and is familiar with "taking sometimes quite complicated and specialist content and then working with that in a variety of different ways to bring it to as many people as possible" and she plans to bring these skills to bear at Wakehurst.Wakehurst has enlisted two champions, TV GP Dr. Amir Khan and BBC Springwatch presenter Megan McCubbin to help "amplify our message and spread the word about this incredible wild botanic garden that we have." Local resident and A-list actor Cate Blanchett has made a promotional video for the garden and it is hoped she will have more involvement in the future.The aim is to build on the 400,000 visitors Wakehurst receives every year and hopes to "reach people who might not know about us" through access schemes and community work. Hosted on Acast. See acast.com/privacy for more information.

Summary: Rafflesia is a flower but not just any ole flower. Join Kiersten as she discusses this highly unusual plant.   For my hearing impaired listeners, a complete transcript of this podcast follows the show notes on Podbean   Show Notes:  “Most of the world's largest flowers (genus Rafflesia) are now on the brink of extinction,” by Pastor Malabrigo Jr, Adriane B. Tobias, Joko Witono, Sofi Mursidawati, Agus Susatya, Mat Eunuch Siti-Munirah, Adhityo Wicaksono, Reza Raihandhany, Sarah Edwards, and Chris J. Thorogood. https://doi.org/10.1002/ppp3.10431 “Rafflesia arnoldii,” Royal Botanic Gardens, Kew, https://www.kew.org Music written and performed by Katherine Camp   Transcript (Piano music plays) Kiersten - This is Ten Things I Like About…a ten minute, ten episode podcast about unknown or misunderstood wildlife. (Piano music stops)   Kiersten - Welcome to Ten Things I Like About… This is a podcast about misunderstood or unknown creatures in nature. Some we'll find right out side our doors and some are continents away but all are fascinating.  My name is Kiersten and I have a Master's Degree in Animal Behavior and did my thesis on the breeding behavior of the Tri-colored bat. I was a zookeeper for many years and have worked with all sorts of animals from Aba Aba fish to tigers to ravens to domesticated dogs and so many more in between. Many of those years were spent in education programs and the most important lesson I learned was that the more information someone has about a particular animal the less they fear them. The less they fear them the more they crave information about them and before you know it you've become an advocate for that misunderstood animal. This podcast will focus ten, ten minute episodes on different animals and their amazing characteristics. Please join me on this extraordinary journey, you won't regret it. This series will be a bit different from previous ones because we're going to talk about two unknown species. We'll delve into two amazing plants that have quite unusual life cycles.  This is the first episode of a series focused on unbelievable, unknown plants. The first plant I'm going to talk about is Rafflesia and the first thing I like about this plant is rafflesia itself. Rafflesia is actually the genus of 42 different species of plants. This genus includes the largest solitary flower in the world. Rafflesia arnoldii grows up to three feet in diameter and can weigh up to 15 lbs. That's one heck of a big flower!  This is also an amazingly beautiful flower. It has five large, rounded petals. The middle of the flower looks like a bit like a giant salad bowl, but that is just part of the outer petals. If you look at a side view of this flower the outer petals look like the letter Y. Beneath the inner lip of the flower sits the central column where the stamens are located. Almost every species of Rafflesia follows this basic anatomical pattern. Each one has it own distinct details but generally follows this pattern. All Rafflesia are a red color with white or yellow spots all over. They look like a cartoon version of a flower. Maybe something you see in a Super Mario Brothers video game. The red hue varies by species and one is such a pale pink it almost looks white. The spots also vary is shape from round dots like a polka-dot pattern to round edged rectangles to blotches that have no discernible shape. All Rafflesia that we currently know of are found in Southeast Asia. This is one of the most plant-rich areas on the planet and Rafflesia are found only here. As I stated before there are 42 species of this amazing plant and since the beginning of the 21 century the species count has doubled from the number described between 1821 and 1984. Thirteen species were described in 1997.  Now I'm not done with the amazing facts about Rafflesia. These flowers are invisible for most of its life cycle, because the main part of the plant lives hidden within another plant. Rafflesia are considered parasitic. The Oxford Languages Dictionary defines parasite as an organism that lives in or on an organism of another species and benefits by deriving nutrients at the other's expense. Rafflesia are some of the most amazing parasites on Earth, as far as I'm concerned. We'll delve more into this topic in a future episode, but the Rafflesia chose vines in the genus Tetrastigma as their host plants. Island living is the life for Rafflesia. Most of them are found on small island throughout Southeast Asia. Some of them are found on only one island and no where else.  Taxonomy is still disputed about these flowers so classifying them can be a challenge. Beyond classification, we know little about these plants. Why they chose the hosts that they choose, which species are found where, when they will bloom, and some much more. Scientists are still studying these amazing flowers, but time is running out. Many of these flowers habitats are disappearing at a terrifying rate. There may be rafflesia disappearing before scientists even discover them. We will talk about all these topics in the first half of this series of Unbelievable unknown plants. I'm excited about this one listeners! I picked a great plant to start off with because my first favorite thing about rafflesia is rafflesia.    If you're enjoying this podcast please recommend me to friends and family and take a moment to give me a rating on whatever platform your listening. It will help me reach more listeners and give the animals I talk about an even better chance at change.    So join me next week for another episode about Rafflesia.       (Piano Music plays)  This has been an episode of Ten Things I like About with Kiersten and Company. Original music written and performed by Katherine Camp, piano extraordinaire.

Kathy Willis discusses with Ivan six things which should be better known. Katherine Willis CBE is Professor of Biodiversity in the department of Biology and the Principal of St Edmund Hall, University of Oxford. She is also a Crossbench Peer in the House of Lords. Previous roles include Director of Science at the Royal Botanic Gardens, Kew, and a member of the UK Government's Natural Capital Committee. In 2015, Kathy was awarded the Michael Faraday Medal for public communication of science from the Royal Society. Her new book is Good Nature: The New Science of How Nature Improves Our Health. Staring out of a window onto greenery instead of a brick wall or a general urban scene. Having a vase of yellow or roses or houseplant with green-white leaves on your desk. Even if you only have 20 minutes for your walk or run, always head for the park/urban green space. Why? Because experiments show that there is a much greater reduction in our stress hormones (salivary amylase, cortisol and adrenaline) if we exercise in green space rather than on the streets. Garden without your gloves. Why? Because experiments show when we do so the environmental microbiota (good bacteria) found in biodiverse environments, including organic soils, is transferred onto our skin and into our gut. Visit the Mediterranean garden at the Royal Botanic Garden, Kew. Why? Because this hidden gem at Kew has a whole host of health benefits associated with it due to the smells (volatile organic compounds) given off by the mediterranean herbs lavender, rosemary, and mint. Buy a diffuser and diffuse the scents of cypress trees in your home or office. Why? Because clinical experiments and field trials are showing that when we do so, not only are stress hormones reduced, but also it can trigger a significant increase of natural killer cells in our blood. This podcast is powered by ZenCast.fm

It's time for another trip around the solar system on the BIGGER and BETTER Science Weekly!  This episode of the Fun Kids Science Weekly we continue our bigger and better podcast where we answer YOUR questions, have scientists battle it out for which science is the best & learn all about how a UK scientist is using drone technology to save Madagascar's forests Dan starts with the latest science news, why the world's biggest iceberg is spinning in the ocean, what rare animal Chester Zoo is celebrating the birth of and Jenny Williams from Kew's Royal Botanical Gardens tells us how her cutting edge use of drone and satellite technology is helping battle deforestation in Madagascar. Then we delve into your questions where Dan explains what would happen to a human in space without a space suit & Daniel Mills from the University of Lincoln answers Claudia's question on why dogs have different types of ears? Dangerous Dan continues and we learn all about the Viper SharkThe Battle of the Sciences continues where Dan chats to Lucien Heurtier from Kings College London about why Particles Physics is the best kind of science? What do we learn about? - Why the world's biggest iceberg is spinning in the ocean - The extremely rare creature that's birth is being celebrated at Chester Zoo - How drones are helping save Madagascar's forests - Why dogs have different types of ears? - Is Particle Physics the best type of science? All on this week's episode of Science Weekly!Join Fun Kids Podcasts+: https://funkidslive.com/plusSee omnystudio.com/listener for privacy information.

Lucinda Rouse and Andy Ricketts joined by Bekki Wilkins, special events manager at the Willow Foundation, and Sam Dimond, director of the event production company Spotlight Sound. Bekki recounts the challenges of organising events such as the Willow Ball and the London Football Awards in the face of inflated costs and lower corporate ticket sales. She suggests ways of reducing costs through contra deals with suppliers and moving to venues outside London.Sam sheds light on the types of charity approaches that are most appealing to suppliers, stressing the importance of forming long-term relationships and dedicating time to ensuring a supplier fully understands a charity's mission and event goals.Charity Changed My Life features the story of Jerry, whose participation in a community horticulture programme at Royal Botanic Gardens, Kew, has brought him comfort and inspiration after experiencing homelessness.Do you have stories of people whose lives have been transformed for the better thanks to your charity? If so, we'd like to hear them! All it takes is a short voice message to be featured on this podcast. Email lucinda.rouse@haymarket.com for further information.Tell us what you think of the Third Sector Podcast! Please take five minutes to let us know how we can bring you the most relevant, useful content. To fill in the survey, click here.Read the transcript. Hosted on Acast. See acast.com/privacy for more information.

Dos superpotencias y un objetivo, la carrera por la supremacía nuclear entre la Unión Soviética y EE. UU. en su lucha por controlar la fuerza más poderosa del planeta y crear una “superbomba” que podría desencadenar una explosión 1.000 veces mayor que la de Hiroshima. En abril de 1946, el científico nuclear Edward Teller, conocido como el padre de la bomba de hidrógeno, llegó al laboratorio nuclear de Los Alamos a presidir una conferencia secreta sobre el más ambicioso proyecto de que el mundo había visto en su vida: la creación de una “superbomba”. Teniendo que superar la oposición inicial de su jefe, el padre de la bomba atómica, Robert Oppenheimer, Teller creía que podía construir el arma definitiva. En los jardines de Kew en 1947, el soviético Alexander Feklisov conoció a su contacto que le entregó la documentación sobre la bomba H de Teller. Sin saberlo Teller, su programa de armas había sido infiltrado por un par de espías soviéticos, marido y mujer, “los voluntarios”. En 1951, Teller había hecho el gran avance que anhelaba cuando probó la bomba de hidrógeno en el atolón de Eniwetok, en el Pacífico. Durante 15 minutos, esperó ansiosamente para descubrir que la isla había desaparecido y en su lugar había un cráter de dos millas de ancho. Mientras Teller triunfó en los EE. UU., los soviéticos estaban desesperados para desarrollar una pequeña bomba. El jefe Científico Andrei Sajaron por fin tuvo éxito en su desarrollo y Teller descubrió lo que los soviéticos estaban haciendo en secreto y se unió al FBI como informante; acusó a su contemporáneo, Robert Oppenheimer, de no actuar en interés de los EE. UU. y destruyó su reputación con un poderoso testimonio. Pero fue demasiado tarde. Los soviéticos tenían ahora el poder de hacer desaparecer cualquier ciudad de Europa. El fin del mundo estaba ahora a la vuelta de la esquina …

Sir Patrick Mayhew was Northern Ireland's secretary of state between 1992 and 1997, a time when the peace process was just beginning, and the Troubles were still raging. Files uncovered by the Belfast Telegraph in The National Archives at Kew in London have revealed new details about a secret memo Mayhew sent to PM John Major. The classified message suggests the IRA was in a stronger position at the time than previously thought, and questions some of the received wisdom about the intelligence war against the Provisionals. Sam McBride joins Ciarán Dunbar with his recent findings from the Kew Files. Hosted on Acast. See acast.com/privacy for more information.

Dr. Glynn Percival is the Senior Arboricultural Researcher at the Bartlett Tree Research and Diagnostic Laboratory. Dr. Percival primarily focuses on how environmental stress (drought, heat, and waterlogging) influences tree growth and susceptibility to pest and disease attacks. He is the author of more than 100 scientific papers, magazine articles, and book chapters, and is an honorary lecturer at the University Reading and the Royal Botanic Garden, Kew in the UK.   --- Send in a voice message: https://podcasters.spotify.com/pod/show/plantatrilliontrees/message Support this podcast: https://podcasters.spotify.com/pod/show/plantatrilliontrees/support

Skip the Queue is brought to you by Rubber Cheese, a digital agency that builds remarkable systems and websites for attractions that helps them increase their visitor numbers. Your host is Paul Marden, CEO of Rubber Cheese.Fill in the Rubber Cheese 2024 Visitor Attraction Website Survey - the annual benchmark statistics for the attractions sector.If you like what you hear, you can subscribe on iTunes, Spotify, and all the usual channels by searching Skip the Queue or visit our website rubbercheese.com/podcast.If you've enjoyed this podcast, please leave us a five star review, it really helps others find us. And remember to follow us on Twitter for your chance to win the books that have been mentioned in this podcast.Competition ends on 3rd July 2024. The winner will be contacted via Twitter. Show references:Lego House in BillundSutton Hoo (National Trust)Sutton Hoo at the British MuseumThe Dig on NetflixSutton Hoo mask on Lego IdeasThe Dig: Lego version of Sutton Hoo treasure 'amazing' (BBC News)Events at The Hold IpswitchAndrew Webb is a LEGO enthusiast who uses bricks in outreach programmes for teams and organisations as diverse at Arm, Pinset Mason, The National Trust, English Heritage, and the Scouts. During the UK's second Lockdown in early 2021, He made the 1500 year old Sutton Hoo Helmet out of LEGO bricks and submitted it to LEGO Ideas. The build achieved international media coverage, and has since been donated to the National Trust. Andrew continues to help attractions and institutions with LEGO programmes. By day, he works as a global head of content marketing for a B2B tech company. Find out more at http://teambuildingwithbricks.com Transcription:  Paul Marden: Welcome to Skip the Queue, a podcast for people working in and working with Mister attractions. I'm your host, Paul Marden. Today I'm talking to Andrew Webb. By day, Andrew is a content marketer for a tech firm, but in his spare time helps attractions to use Lego as a tool to attract and engage diverse audiences and enable them to interpret history and culture. We're going to talk about what it means to be an building, a model of anglo saxon helmet, and the 24 skills that are used when building with Lego. Paul Marden: So welcome to the podcast. Andrew Webb: Thank you. Paul Marden: On Skip the Queue, we always start with some icebreaker questions that you know nothing about. So let's launch into a couple of those. Book and a pool or museums and galleries for your city break. Andrew Webb: Museum and galleries.Paul Marden: Yeah. I'd expect nothing less given what we're about to talk about. This is one from one of my colleagues, actually, who is really good at icebreakers whenever we do a team building eventually. So he said, “Would you rather have it and lose it or never have it at all?”Andrew Webb: Oh, gosh, I'll have it and lose it for sure. Paul Marden: Yeah, gotta be. That one's from miles. Say thank you, Myles. That was a cracker. Andrew Webb: Do you remember the word there was a great one. Would you rather eat ten donuts or raw onion? Paul Marden: Oh, ten donuts, hand down. I could easily do that. Andrew Webb: I'd get onion. I'd get onion. Every time I would take an onion over ten donuts. I'd be sick after ten donuts. Paul Marden: Oh, no, I reckon I could take that. No problem. Andrew Webb: Okay. Paul Marden: Okay. So we're going to talk a little bit about your adventures in Lego over the last few years. So why don't we kick off and talk a little bit about your original interest in Lego? Because I know it goes back not a long way, because that would be rude. But it goes back to a few years ago, doesn't it? Andrew Webb: It does. I mean, like most people growing up in what we might loosely term the west, I had like, I was a kid, you know, I think most of us grew up with it like that. And then like, you know, growing up in that first age of plastics with Heman, Transformers, Lego, Star wars, all of that sort of stuff. Paul Marden: You're just describing my childhood. Andrew Webb: It's funny because that was. It was all sort of ephemeral, right? I mean, the idea was that the reason why that boom happened, just to dwell on why they're going plastic things. Before that, toys were made out of either tin or wood. So, you know, they were very labour intensive produce there's certainly injection moulding comes along and we could just have anything coupled with the tv shows and the films and all this sort of stuff. So we all grew up in this sort of first age of disposable plastic, and then it all just gets passed down as kids grow up. It gets given away, gets put in the loft and forgotten about. There's a moment when a return of the Jedi bedspread doesn't look cool anymore, right? You hit about 13, 14 and you're like, “Mom, I really want some regular stuff there.”Andrew Webb: So like everybody, you know, I gave it all away, sold it and whatever, but I kept onto my lego and then fast forward, you know, I become a parent and Lego starts to come back into my life. So I'm sort of at a stage where I'm working for a travel startup and I get a press release to go to the Lego House, which if no one has heard about it, where have you been? But also it is a fantastic home of the brick, which Lego built in, opened in 2016. And it is a phenomenal temple to Lego. Not in terms of like a Legoland style approach with rides and things like that, but it's all about the brick and activities that you can do in a brick. Andrew Webb: There is great pools and huge pits of Lego to play with there, as well as displays and all this sort of stuff. They've actually got a Lego duplo waterfall.Paul Marden: Really? Andrew Webb:  Oh, I mean, it's a fantastic attraction. And the way they've done it is just incredible. So they blend a lot of digital things. So if you make a small fish and insert it into this thing, it appears in the tank and swims around and this sort of stuff and the way you can imprint your designs on things. I should just quickly tell you about the cafeteria there as well, just really quickly. So the cafeteria at the Lego House, everyone gets a little bag of Lego and then whatever you build and insert into this sort of iPad sort of slots type thing, and that's what you're. Andrew Webb: So a pink brick might be salmon, a yellow brick might be chicken, whatever, and you put it all in and it recognises it all and then it comes down a giant conveyor belt in a Lego. Giant Lego box and is handed to you by robots. I mean, mind blowing stuff. This is not like with a tray at the National Trust place or somewhere like that for us to come. It is a technological marvel. Absolutely fascinating. So, of course, on the day went, it was a press preview, so there was no canteen workers, so there was no food in the box when me and my daughter, so went without that data, was a bit disappointed. Andrew Webb: But that started that whole reappreciation of Lego, both as a toy to play with my daughter, but also as a way of using Lego in different ways. And that manifests itself in lots of different things. So currently, now, you know, fast forward a little bit. I use Lego for team building exercises, for workshops, for problem solving with organisations, and also just for having fun with adult groups as well as kids. And I think one of the biggest things we've seen since this kind of started around 2000s with the sort of adults reading Harry Potter, do you remember that was like, why are you reading this children's book type of thing? Paul Marden: Yeah. Andrew Webb: And then all the prequel Star wars films came out and Lego made sets about both those two things. And it kind of. I mean, Bionicle saved the company, as only AFOL will know, but it started that whole merchandising thing and adding Lego into that firmament of IP. Right. And we fast forward now, and it's Marvel and Star wars and everything. Paul Marden: You just said AFOL. I know what an AFOL is, but many of our listeners may not know what AFOL is.Andrew Webb: Just to go for acronyms here. So an AFOL is an Adult Fan of Lego. And we've seen actually Lego in the past five years, even earlier. I mean, Lego always had an adult element to it. And one of the original founders used to use it for designing his own house. And there was a whole architectural system called Molodux. So it's always had that element to it. But just recently we've seen, you know, almost retro sets. So we see the Lego Atari 2600 video game system from 1976, which, yeah. Paul Marden: An original NES wasn't there. Andrew Webb: Exactly. NES that's come out. I've got a Lego Optimus prime back here for transformers, you know, all that kind of stuff. So with what's been really interesting is this kidault or whatever, however, call it. And I think that's really fascinating, because if we think about Lego as a toy, we are rapidly approaching the age where we might have three generations of people that have grown up with Lego. Lego first came around in the very late ‘60s, early '70s. And so it's not inconceivable that you might have three generations that had Lego as a child, especially if you grew up in Denmark. A little bit different when it would come to the rest of Europe as they expanded out. So I get to this point, and I'm getting into Lego and doing all this sort of stuff. Andrew Webb: And then, of course, COVID happens and then lockdown happens and we all think the world's going to end and no one knows. Everyone's looking for hobbies, aren't they? They say you were either hunk, drunk or chunk after lockdown. You either got fit, got fat or got alcoholic. So try to avoid those three things. And, you know, everyone's looking for stuff to do, so you have so much banana bread you can bake. And so I stupidly, with my daughter's help, decided to make the Lego Sutton Hoo helmet, the 1500 year old Sutton Hoo helmet found at Sutton Hoo in Suffolk, now in the British Museum. Out of Lego, as you do. Paul Marden: I mean, just exactly. Just as you do. So just a slight segue. I was at the National Attractions Marketing Conference yesterday and there were two people presenting who both talked about their experiences of wacky things that they did during lockdown. There was one person that opened a theatre in her back garden and had various different stars just randomly turn up in her backyard up in North Yorkshire. And you choose to build a Lego Sutton Hoo helmet.Andrew Webb: Lockdown, there will be a time, I think, as we look back, tragic though it was, and, you know, a lot of people died, but it was that moment when society sort of shuffled around a bit and people sort of thought, “Well, if I don't do it now, why not?” People were launching bakeries in their kitchens and serving their community and like. And that element of it. And so people have that. The good side of that, I suppose, is that people did find new outlets of creativity. And Joe Wick's yoga class is in their front row walking groups, you know, all this sort of stuff and beating beaten horsemans and learning to play the violin and dust and stuff. Suddenly we all had to find hobbies because we're all just in. Andrew Webb: No one was going to restaurants, no one's going to bars, no one's going to gigs, nightclubs, theatres. We like to make entertainment at home. It was like the middle ages. So I decided to build the Lego Sutton Hoo helmet, as you do. And so I start this in lockdown, and then, like, I get wind that Netflix is making a film called The Dig. And The Dig is all about, I think it's Lily James and Ray Fiennes in it, and it's all those other people. And it's all about when they found theSutton Hoo helmet. And the guy who found it was called Basil Brown, and he was asked by Edith Pretty, who owned the land, to excavate these humps in the ground that were on her estate. Paul Marden: Okay, so she owns this big estate, in Suffolk, right? And, so she can clearly see there's burial mounds in the back garden, but doesn't know what's in them. Doesn't have any clue that there's treasure locked up inside this. Andrew Webb: I'm not even sure she knew there were anglo saxon burial maps since it was. Paul Marden: They were just lumps of ground in the garden. Andrew Webb: Yeah. I mean, she may have had inkling and other stuff I've turned up over the years and whatever. And some of them were robbed sort of georgian times around then. So some people knew what they were and they were somewhere excavated and gold was taken to fund the polynomial wars and whatnot. But she asked Basil Branson, he was like an amateur archaeologist, right? And so he was just like this local guy would cycle over and do. And the film goes into all that, and the film kind of portrays it as working class. Basil Brown should know his place against the sort of British Museum who are sort of the baddies in this film who think they know what. And of course, this is all set against the backdrop of war. So they escalated it all, then they had to rebury it. Andrew Webb: And then it was used as a tank training ground, so lots of tanks rolled over it. So it's a miracle anything was ever found. But when he did find the Sutton Hoo, who told me and a bunch of other things, clasp brooches, shields, weapons and whatever, when he did find it, so people think it kind of popped out the ground as a helmet, but it didn't. And if you look at the photos, it came out the ground in hundreds of pieces. Paul Marden: Oh, really? So you look at this reconstructed mask that's now in the British Museum, and you think, “Oh, so they just found that in one piece,” lifted out as if it was a Lego hat, you know, for a minifig. In one piece? No, not at all. Andrew Webb: It was actually more like a big parlour Lego in the fact that it was just in hundreds of thousands of pieces. And so there was the first guy to have a go at it was an elderly architect at the British Museum who was, I think, blind in one eye. And he had a go at putting it all together. And he used an armature and clay and pins and whatever, put it all together and said, “Yes, I think it was this.” And then actually it wasn't. He got it all wrong. Lots of different pieces after some more research, and then it falls to this. Nigel Williams is another sub architect, and he was famous for. Andrew Webb: There was a famous Portland vase that was broken in a museum by someone pushing it over as a sort of what you might call, like a just stop oil type of protest now, I can't remember what the call was, but someone smashed an exhibit. And he had painstakingly pieced all this together. He was a total dapper dude. Three piece suit, Chelsea boots, proper swinging sixties, and he had to go and put it all together. His version is the one that's in the British Museum, but he was a massive jigsaw fan. And if you think about Lego, what it is a 3d jigsaw. You get a bunch of pieces and you have to make. Make it into a 3d sculpture. So that was one reason, the dig was the other reason. Andrew Webb: The third reason was that the relationship between East Anglia and essentially Denmark and Billand and Anglo Saxon and Jutland and all that area, I'm talking like Vikings and Anglo Saxons and invasions and all this kind of stuff against the native British, there is essentially a relationship between East Anglia, a trade relationship and a conquest relationship between them. So I built this thing and I frantically put it together and I'm late nights and just losing my marbles trying to get this thing to work. Because Lego is not designed to make, like, spherical shapes, necessarily. It's quite blocky. Right. Everyone knows this. It's the square. Paul Marden: Really easy to make a car, really easy to make a house. A spaceship. Andrew Webb: Houses. Brilliant. Yeah. Square stuff is fantastic. But baking, not only a sort of a semicircle, but a hemisphere, which is what essentially a helmet is. Is even harder because you have to get the Lego to bend in two directions. And so a lot of work went into that just to get the actual face piece came together quite easy. And there was once I had the scale of the pieces under the eyes that formed that sort of thing, and then I could build the nose and face. Ideally, it was going to be so that I could put it on my head. I've actually got a massive head. So in the end, I had to realign that and sort of make it into this sort of child sized head. Paul Marden: But it's a wearable thing, right? Andrew Webb: It is. It is wearable. I mean, at one point, it was probably more fragile than the one in the British Museum because it just kept dropping to pieces. So there's a lot of sub plates that are holding together the outer plate. So it's actually sort of. So just quick Lego terminology here. So bricks, obviously are bricks. The flat things with bubbles on are called plates and then the smoother ones are called tiles. Okay. And used a combination of these to create. There's also a technique called SNOT, which stands for Studs Not On Top. We love acronyms in the Lego community. Right? Paul Marden: Completely.Andrew Webb:  So if you say, “Oh, man, I'm an AFOL covered in SNOT,” people know what you want to know what you mean. So after a night in the tiles, I got covered. Yeah. Andrew Webb: Anyway, so I make the helmet, I make the thing, and then, you know, I get a lot of support from the National Trust, specifically East of England National Trust and Sutton, who site itself because it's there. It's their crown jewels. The British Museum, not so much, because they was like, we've got a billion exhibits here. No, it's just one of them. When you've got the Tippecar moon and the Rosetta stone, it kind of pales into significant. But actually, they were helpful. And one of the curators there, who was on Twitter, who sent me a link to some 3d photos, because if you. If you google it's all pictures at the front. That's fantastic. But what does the back look like? Paul Marden: Oh, right, okay. Andrew Webb: So actually, buried deep in the British Museum's website, in their research department, under a filing cabinet, in the back of a server somewhere, are some quite technical photographic images of it, turning every sort of 30 degrees so that. That it's documented as to what it looks. Because you got to remember that everything on the helmet is symbolic of various different things. There is symbols that mean there's a guy on a horse who's sort of fighting and all this sort of stuff. And it all has quite a lot of meaning. I can occur from different parts of history as well. So there's some sort of roman influencing things there and symbols. And so this whole thing is designed to be not only a battle helmet, but it is also because, remember, crowns haven't been invented yet. Crowns are a later mediaeval sort of invention. Andrew Webb: So this is both a symbol of authority, headwear, like a crown, but also a weapon or a piece of defensive armour and equipment. So it has several functions in its life. So it's quite a complex piece of equipment, that this symbol of authority. So I make all this and then I also submit it to a thing called Lego Ideas. So Lego Ideas is a fantastic programme where anybody in the world, members of the public, can submit Lego Ideas, right? And they go onto a website. There's certain criteria, they have to meet a certain checklist, but then the rest of the public can vote for them. So, I mean, if Taylor Swift just stuck together a load of blocks and said, “Vote for this,” she probably hit the 10,000 threshold instantly. Andrew Webb: But I'm not sure Lego would necessarily take that forward as a build. So there is a judging panel that. But actually, some of the most recent really fantastic sets have come out of Lego Ideas. Members of the public, and they're designing things that the Lego designers wouldn't have thought of themselves. So I think that's been kind of interesting. Sadly, Paul, we didn't make the 10,000 threshold. We did a lot of media coverage. By then, lockdown was over and were sort of getting back to our lives and all this sort of stuff. And my daughter was entering her dark ages. And so it sat in my studio for another sort of year and a half and I thought, “What am I going to do with this?” And so in the end, I thought, “Well, you know what? It's gathering dust here. I'm fed up with it, dustin it.”Andrew Webb: And so I actually approached Josh Ward at the National Trust at Sutton Hoo, who has been a fantastic advocate for Lego and for this particular project, and I have to thank him immensely for that. And they got some money and some funding to build a cabinet and also to house it. So I donated it to National Trust and it is now on display there as part of their firmament of interpretational trail. Paul Marden: That must feel pretty good fow you. Andrew Webb: Yeah, it is quite good looking in there and watching kids go, “Wow.” Because Lego is one of those things instantly recognisable for kids. But certain hill as a site is quite complex for children to contextualise because essentially it's several mounds in the ground. And the helmet itself is at the British Museum. Right. They've got a replica built by the royal armouries. There were several of those. They've got those. They have loads of dress up, they have great explainers and videos and they do a lot of work to show the size and shape and things as a cast iron sculpture, to represent the boat, to show just how big it was when it was pulled up from the sea, because he's buried in a boat. So do a lot of that work, sort of that sort of work as well. Andrew Webb: But having this extra funding in the. They opened up Edith's pretty's house now, and having this room where we've got some other things as well, like crayons and paper and other tools and drawings and colouring in and Lego and big chest of Lego just helps, particularly smaller children who, by the time they've walked from the car park around the site, and it has probably flagged it a little bit. And so just providing that little support for them, it's been a fantastic way to contextualise and another way to interpret that. And I think more and more venues could look into that. When you think, well, how else can we add stuff, particularly for children to help tell the story of this place? Paul Marden: Yeah, absolutely. Absolutely. We went to. It was half term last week and went to the City Museum in Winchester. So they've got some mediaeval, they've got some Roman finds there, and there was lots of fun, but they had. It was full of lots of ways for kids to engage, so there was trails to go around, there was colouring in, make your own mediaeval shield. And all of these things are ways that, you know, my ten year old could engage with it because there's only so many glass cabinets of stuff dug up from the ground that she actually wants to look at. Andrew Webb: I mean, I love. I love pit rivers, right, in Oxford, my favourite museum. Paul Marden: It's crazy, isn't it? I love it. Andrew Webb: But basically, he just went around the world nicking stuff. Right, but as a collection of objects, It's fantastic. Paul Marden: It's deeply unnerving. Andrew Webb: Sorry, sorry if any pit rivers curators are listening there, nick, and stuff about it, but, it is my favourite museum because it's just for kids. It's probably really kind of like, how do you tell that story? I also think there was an article in the garden recently that, you know, the cost of living crisis as well. Parents are looking for value solutions now and so I think it wasn't Peppa Pig World, it was Paddington World. And a family ticket is 170 pounds. That is a huge dent in the family finances for a 70 minutes experience. If you are watching the pennies, if you can afford that and save up for it, whatever. And I know these things are, you know, memory making and all that sort of stuff, and I've been to Harry Potter with my daughter. Andrew Webb: That is not cheap, but it's a fantastic day out because once you're in, you spend the whole day there. If you take a packed lunch, you can save a lot of money on that, on the thing. But I suppose what I'm saying is that, you know, our museums and galleries, particularly traditionally, the what you might call free spaces, public spaces, are facing unprecedented demand in terms of parents looking for cost effective value days out, as well as funding being cut from central government and that sort of. So they have to do a huge amount with less and less for a bigger audience. And that is a strain on any institution and things like that. Other examples of places that get this. Andrew Webb: So obviously with the Sutton Hoo helmet, the hold in Ipswich, which is Suffolk Council's kind of flagship museum in the county town of Ipswich, but instead of calling it, you know, the Museum of Suffolk, they've called it The Hold, which is a reference to the fact it's on, I think it's either because it's on the shore or it's doing sheep, I'm not sure anyway. But a fantastic space, contemporary modern space  had a Lego exhibition a few years ago, borrowed my helmet, had some Lego exhibition stuff to do. And the good thing about that is when these teams have to do quite a lot of comms marketing and, you know, that has a cost as well, but often you see different demographics than perhaps would normally go to a stones and bones museum, if you know what I mean. Right. Andrew Webb: You'll see that it makes it more accessible to the community and to different people who don't like going and looking at the Magna Carta or whatever. For some kids, a day at the British Library is fantastic. Look at all these old books for more, maybe more boisterous children. That's probably not a really great idea. So I think galleries can take a leaf out of this and think, or museums or any institution really can take a leap out of this and think, “How can we do more for less? And what tools can we have that perhaps we haven't considered before, like Lego, as a way to open up our interpretation and our offering?” So this could work in Museum of Docklands, for example. This could work in the royal armouries. Andrew Webb: There's lots of places where if you looking to improve your children's offering that some form of lego, I mean, it ends up all over the floor, it ends up being taken away. Sometimes you've got to watch out for things like that. But that's why I always recommend, like, just the basic blocks and plates, not minifigures and stuff like that, because, you know, they just end up in kids' pockets and trousers. But I do think it is a fantastic tool for developing that interpretation piece. Paul Marden: So I run a coding club using Lego. Okay. So I work with years four, five and six, typically. And we normally start off by the end of two terms, we will be building robotics, programming things, doing amazing things. But we start at the very beginning with just open up a box, and it is amazing what a bunch of seven, eight and nine year olds can do with a two by four red brick just given bricks. Yeah. And they will build amazing things. Yeah. And they will tell you amazing stories. And you also see real diversity in the behaviours of children, because some children, in that free play context, they do not have the skills to do that. And I had one girl recently who hasn't played with Lego, and free play just blew her mind, and she was in tears because she couldn't embrace the creativity of it.Paul Marden: But then the following week, when we were following instructions, she was great at building from a set of instructions, You can do that from a limited palette and give them a mission. Sutton Hoo, build a, I don't know, a sword, build a shield, build something to interpret what you have seen. You're in the transport museum. Build, build. How did you get to the museum this morning? Give them something to do and then let them go. And half an hour later, you will be amazed by what they will have built. Andrew Webb: I actually did something this at the National Archives down in Kew, where they had a kids exhibition. Well, an exhibition in the summer about wacky inventions, because obviously the National Archives holds the patents for all these things, and they've got things like Victorian top hats with umbrellas in, and, you know, all this kind of crazy Heath Robinson style stuff that, you know, forks with four sets of tines, so you can eat four times as much. It just bonkers. Really interesting things. The curators had gone through and found this wacky world, sort of. What's his name? The guy that illustrates Roald Dahl. They got illustrations and all that. Paul Marden: Quentin Blake. Andrew Webb: Yeah, Quentin Blake, yeah. So they had this Quentin Blake sort of stuff, and, like, there was activities. And I came down for some special stuff because they had the first Lego brick patent in the UK. When it was first launched in the UK, 1963, I think it was. That's when they filed the patent. Paul Marden: And I bet. So that patent would be exactly the same as a two by four brick, now, won't it? Andrew Webb: The patent was for a one by four brick. Isometrically dawn. Just three diets. Just three views with what? It was a construction toy. And then the page. Sorry. And the address was just Railway Station Billund.  There wasn't like, just all the mail just went to the railway station in Billund just addressed for attention of Lego. And it's only like. I mean, it's not even a sheet of A4, It's a piece like this. And after it is something like a lamp that won't blow out on a thing, and before it's like some special kind of horse comb, but it's kind of this bonkers catalogue of just these things. But again, it was about, “Right. We did some work. The curators and interpreters looked, you know, had kids analyse the painting to think, what could it be? And look at the dates and structure. Look at that.” Andrew Webb: And then I came out and, like, did some Lego. So we did things like, who can build the longest bridge? Who can build the tallest tower out of a single colour? Those sorts of exercises. But then also the free play was build your own wacky invention. And kids are building automatically dog washers, where the dog ran on a thing and it scrubbed its back. And one kid built something that was like a thing for removing getting pips out of apples. It was just like this sort of like this crazy little tool. They like some sort of problem that he had. Andrew Webb: And I think what this also speaks to is developing those stem skills in children and adults and building that engineering, because I've also ran Lego workshops with explorers who I used to, I thought were between Cubs and scouts, but are actually after scouts. So I did this in my local town, here in Saffron Walden, and was like, “Oh, my God, these kids are like, 15, 16. They're not going to want to play Lego. Some of them are in my daughter's year at school, so. Hello, Amy.” And it was really interesting because we did a series of challenges with them. So the egg drop challenge, can you protect an egg and drop it from the floor? And can you build this and work together? Another good one is looker, runner, builder. Andrew Webb: So you give everybody two sets of the same bricks, and one person is the looker, one person is the runner, one person is the builder. So the looker can't touch, but he can tell the runner. The runner can't look at the model, he can only tell the builder, and the builder can't speak back. And so this is a really useful exercise. And I've done this with teams where, because this is exactly what businesses see, engineering will build a product. Sales or their marketing are like, what the hell is, you know, or whatever it might be. Paul Marden: It's that. It's that classic cartoon of a Swing, yeah. Andrew Webb: Yeah. So it's that, you know, this is what the brief said. Engineering interpreter does this. Marketing saw it. So it's a great tool for things like that. Especially when you put people like the C Suite or CEO's or leaders at the end, because all they're getting is the information and it. It's there and it's how to build communications. Because in life, the fluctuations reverse. A CEO says, “Let's do this.” And by the time it's cascaded down to engineering, who don't get a say, it's not at all what he imagined so, or they imagined so, it's. It's an interesting case of using tools like that. So I did that with these kids and it was fascinating because they're 14, 15, 16.Andrew Webb: A group of three girls won two out of the three challenges and probably could have won a third one if I felt that I couldn't award it to them again because it would just look weird. And they were smashing the looker runner builder thing. They were working together as a team, they were concentrating, they were solving problems, they were being creative, they took some time to prototype, they refined and iterated their design. They were doing all this sort of work. And it's brilliant because 15 year old girls don't often take engineering related STEM subjects at GCSE. Certainly, probably don't take them at a level and more than enough. And I think that I once interviewed Eben Upton, who invented Raspberry Pi, and he said, “We think about the eighties as this sort of like golden age of computing, but actually it was terrible. It was terrible for diversity, it was terrible for inclusion.“Andrew Webb: And he said, “Like growing up, there was one other kid in his town that had a computer, you know, so there was no sort of way to sort of getting other people involved and make this accessible.” And part of the reason now computers have got smaller. Some of the work I did at Pytop was like trying to make technology more accessible and seeing it not just video games and things like that, but actually I can use this in a fashion show, or I can make music, or I can use this to power some lights to do a theatre production, and trying to bring the, I guess, the creative arts into technology. And that's when we start to see the interest application of technology. Andrew Webb: And Lego plays a part in that, in the fact that it is a tool, a rapid prototyping tool that everybody is familiar with. And it is also, you know, clean, safe. There's no, you don't need blow torches and saws and those sorts of things to kind of prototype anything. You don't even need a pair of scissors, you know, it's completely tool free, unless you're using that little mini separator to get your bricks apart. And so I think that just circle back on, like, how the Science Museum or what's the one down there? Isabel Kingdom Brunel Museum and things like that. I can see those guys could be and should be thinking about, “How could we have a Lego programme?“Andrew Webb: You don't have to have a permanent deployment like they've got at Sutton Hoo although that is great because they've got the mast there as the head piece of it. But certainly a programme of events or summer camps or summer events, because I did this with English Heritage at Kenilworth Castle as well. They were having, like, a big Lego build and the public were invited in 15-minute shifts into a big marquee and everyone got given a tile. And the idea was to build the gardens because the gardens at Kenilworth Castle were laid out to impress Elizabeth the first. And so everybody got there was like bunches of stuff and regular bricks, also flowers and this sort of stuff. And it was like, “Come on, we've got to build something to impress a queen.” Andrew Webb: He said to kids, like, “Yeah, you've got to impress. Bling it up, like, dial it to ten.” And were just getting these enormous, like, avatar sized trees with just incredible bits hanging off it. And like, “There she has a teapot because she might want a cup of tea.” And you're like, “Brilliant, excellent. Of course she does.”  And so I think that. And then they moved through. Some of the Legos were selected to be displayed and things like that. So there's different ways you can do it. You can either do it as like. And I'm a big fan of the drop in sessions because kids and parents can just naturally build it into their day rather than the pre built. My child was. We were rubbish at, like, organising things. Andrew Webb: People like, “Oh, great. Half term, it's a chocolate thing, sold out ". And you're like, yeah, because there's 30 spaces for three and a half thousand kids who want to do it. Whereas if it's like a walkthrough or a. In groups phase through and then the activity, small kids kind of conk out after about 20 minutes, half an hour anyway. You get much more people through and much more people get to enjoy the experience rather than the 30 organised people who got up early and booked. So that's my other top tip to any institution, because it's heavily weather dependent as well. Sun comes out, everyone piles pass into the nearest sort of stately home, national attraction. All of those places can definitely benefit English Heritage. Did a really big push this half term, just gone on Lego at several events. Andrew Webb: We had one here at Audley End, there was one at Kenilworth that I was at. There's been pairs of the ones all around the country, because again, you just need a marquee, which most venues have access to because they use them for other things or some sort of space in case it rains. And you just see someone like me and a whole massive tub of Lego and you're off to the races. Paul Marden: Exactly. So we were talking about this at the conference yesterday about ways in which. So for many attractions, people turning up is a literal flip of a coin. Is the weather good or is the weather bad? What can you do to adapt your attraction to be able to deal with when it's bad? And then what can you do to bring people when you have made that adaptation? So, you know, you've now got a marquee and you have a Lego exhibit that you can put into there. So it's just dumping a pile of Lego and a bunch of well trained volunteers or visitor experienced people who can facilitate that, police it, little Johnny sticking minifigs in his pocket. Paul Marden: And then you turn on your Google Adwords and show that you've got this, you know, bad weather reason to go to a stately home that my daughter would turn her nose up to all of a sudden, “Okay, we're going to go and do that. We're going to go and have afternoon tea and you're going to go and play with some Lego and see some animals, maybe.” Yeah, what can you do to attract that extra audience and adapt to the bad weather and service different sorts of people? Andrew Webb: I think that comes down to a bear in mind. I convert some of my Lego lens rather than a venue lens. But I think speaking as a parent and someone who does this is you need a reason to go back to somewhere that you already know. Okay, so you go to Stonehenge, you go and look at the stones, you go, “Wow.” You look at the visitor centre and then it's ticked off. I mean, you see busloads of tourists. Stonehenge is at Cambridge, maybe, or Oxford people, when people do England, Lambeth, Heathrow, London Crown Jewels, Tower Bridge, West End, day trip out on a coach to Stonehenge, maybe to Cambridge, and that's it, off to Paris. Right? So parents like British people like that too. Like why go to Stonehenge four times a year? Or why go to any venue when you're familiar with it? Andrew Webb: It's always about offering something new and something different. Audley End up near where I live, I think, is English Heritage. All through July, every Sunday, they're just doing music. So there's a string quartet or someone with a harp or maybe someone with a guitar or whatever. And you've got a book, but it's. It's not like there's 30 places and it's a bonfight. It's just like, “Oh, wow, they've done something different.” They do a really great thing. Like, they do victorian falconry, for example. So they get someone in who talks about how Victorians use falconry for hunting as a sport, but also for the kitchen table, and they're flying falcons around and doing the whole bit of meat on a string and all this sort of stuff. And everyone, like, “They do a world war two one.”Andrew Webb: I mean, the editorial calendar for any venue's got to look like, “Go and make Christmas food. January, we're closed to kind of dust and clean everything. Valentine's Day, chocolate make you put. It's daffodils”, it's whatever it might be. And then you just build that. Build that programme in and you need. This is why I think that venues now, again, I'll just come back to that. You talk about AdWords, but that, again, is more spend. It's like, how'd you build that mail list? How do you drop into the local Facebook groups and Mumsnet and all that kind of stuff? You know, that's where you can do it organically rather than. Because people don't sit in front of Google necessarily, or think, like, what should we do? Paul Marden: You sit on the sofa on a Thursday night trying to figure out what on earth are we going to do this weekend? Yeah, so you're completely right. The mum's net, the content marketing, is hugely important, isn't it? Andrew Webb: Which is my job. But also it's kind of like how can institutions become part of that? When I say community, if you think about most people travel a thin hour to go somewhere. I mean, people go further afield, you know, but. But basically it's like, what? My mom turns, like, a tea and a pee. So you've got to go somewhere. You've got to have a cup of tea, visit the loos. It's all about tea. It's all about canteens and loos, basically. You could have a World Heritage Site, UNESCO World Heritage site. And it's like, how good's the caf? And are the toilets clean? Yeah, that's what people remember. Gar went hens at dawn. I was awed by the majestic. But that Looney D cleaning, you know, it's not good. It's all that people come home with. Andrew Webb: So, you know, institutions go into place that they are trying to offer different things. Like late nights. We've talked about that. How can we use this space after hours? Because if you think about it, if your institution's open 10 till 6, most people are at work five days a week, you're gonna have students and pensioners who are gonna be not great spenders, either of those two groups. So, late nights, I went to a great one in the National Gallery when the James Bond film. I was kind of sitting royale or whatever. He's still on the top of the National Gallery overlooking Trafalgar Square, and they've got the national dining rooms there and they had Vesper Martini, everyone got a cocktail. Andrew Webb: And then went to look at the fighting Temeraire, which is the bit where he's standing with Q, the new Q, who voices Paddington, whose name escapes me and gives him, like, a gun and a radio, but they're like the fighting Temeraire by Turner is this little thing. And so, you know, you've got to make hay out of that, right? You've got to sort of, like, do a late night, various ones. And so all it was a few cocktails in the cafe next door and are taught by the curator and stuff like that. But 30 people just looking for an experience. And so if venues are clever, of course, the dark side of this is when you get Willy Wonka world up in Scotland. Andrew Webb: Or interestingly, some of the Lego events that have been happening at NEC have caused a massive online backslash in the community for just being exceptionally bad value for money. And so you read about these things that people have said, “Come and visit Santa's grotto, and it's just a muddy field with a tree in it,” so you've got to be careful. But I think those events, those sort of fly by night kind of institutions, don't really work. But how galleries can leverage the creativity of what they're doing? Whether they are come and paint in our, you know, our local gallery, come and have an art class, come and do that. People are looking for stuff to do that is value for money. That isn't always drink lead, you know, it's not always cocktail making or things like that. Andrew Webb: And that comes with a whole heap of other things and dietary requirements for cookery courses and just clean up and the mess and all that kind of stuff. So I think that, yeah, canning organisations, the ones that can really think about that, and I'm happy to help organisations who want to think about this, especially through the life of Lego. They will be the ones that will start to add and build out and develop their. What you might term this whole sector needs a name. The kind of extracurricular offering, we might say, above and beyond their collection and then their traditional interpretation and if they're. Paul Marden: Thinking of doing this. So there's a good why. Yeah, the why is you can reach diverse audiences, helps people with interpretation. Andrew Webb: Quite cheap. Paul Marden: Yeah, absolutely. It's a cheap way of extending your offering and diversifying what you do. You can bring in event elements to this, but how do they do it? Apart from engaging with somebody like you? And I'm going to guess there's not many people like you. So that's going to be a tricky thing for some people to do. But if they were starting from scratch, how would they go about doing this? You said earlier, “Don't go mad with buying the bricks and spending a fortune on.”Andrew Webb: There are people like me that can do all this as well as myself. I think that the first thing is plan it. Plan what you need to do. You can't throw this stuff together. You might be looking at. Already the hold have been contacting me for a late night they're doing in September. They contacted me April. Paul Marden: Okay. Andrew Webb: Because if you're a creator, you're planning exhibitions, you are thinking on that long term cycle. Paul Marden: Yeah, completely. Andrew Webb: And so what you need to do is bake this in as part of that curational process or part of the interpretation of things at the start, rather than like, “Right, we're doing exhibit on Peter Rabbit, let's chuck in a load of fluffy bunnies or whatever.” You know, it's got to be. You've got to think about it and have it contextualised. I think the best things are. What success looks like is, first of all, you need a space. Now you can hire a marquee that comes with a cost. If you're a venue and you've got your own or you've got a hall or a stables or interpretational room or something like that, often spaces, specifically bigger ones, will have classroom spaces for school groups anyway. So that's often that can be where you can host these sorts of events. Kids are very familiar. Andrew Webb: The chairs are all small wall colour, you know, etc. Industrial strength carpet in case stuff gets built. So locations like where you're going to stage this? Paul Marden: Yeah. Andrew Webb: Secondly, I think you need to think about, what do we want people to do? What is the experience? What is the narrative piece? Because you can't just say, here's a big part of Lego. Kids will just build cars and houses, right? You know, they need context. You know, if you give a kid a sheet of paper, you could draw anything. They're like, well, what? And so you need to give them a mission almost. They need a task, I think. Also think about, as I said before, keeping the tasks around 20 minutes, because actually adding the time running out jeopardy element is quite fun for kids because they'll go, “Well, I've only got five minutes left.” And often that's when it all falls apart and then they have to iterate the design. Andrew Webb: So think about that kind of moving people through in 15 to 20 minutes cycles. We had kids at Kenilworth, that would go out the exit and just walk back around and come in the front like that. Like four or five times. One boy came in, he was loving it. So think about that. Think about how you're going to move people through the space. Think about what you need to envisage it. So the Kenilworth, for example, there was me hosting it from dawn toward dusk. We had another builder there who was helping take break it all down and put them against the model that we built. There were two members of staff who were letting people through, so just monitoring it from an entry exit point of view, walkie talkies, in case people had issues and things like that. Andrew Webb: And think about when you're going to do it. Okay, so half term is a good one. It's a good thing to do. We saw a lot of this at Kenilworth, but I've seen other places as well, particularly half terms and things like that. You often see grandparents caring for grandchildren, right? Because parents are at work and grandparents can only walk around the site so much before they want to sit down. So sometimes have it, like, think about where they can. And when I was at Kenilworth, grandparents came in with their two grandkids, and the kids started playing and I was like, you could join in, too. Oh, no, I don't want it. You know, they were almost like, “I can't do this. It's like, come on, get in, get in. Come on, grandma. Come on. I'll show you how it works. “Andrew Webb: By the end of that session, they were memory making. I then took their photo with their phones, they'd have this sort of grandparent. But, you know, you always say it like, my grandfather taught me to fish. Like Sean Connery says in the hunt for red October. This sort of moment where sort of, it's a Hollywood trope that grandfather knowledge is sort of passed on type of thing. Right. And so you can see that where you could have this, almost either the reverse of that, of kids showing grandparents, but also they're all having this event outside of the parental unit. So it's a new type of experience. It adds value, it gets people to play with their grandkids. Paul Marden: Priceless. Andrew Webb: So I think that's kind of an interesting way. So think about when, think about where and think about what will be my three sort of tips for any institution looking to put this together. Paul Marden: You gave one the other day which I thought was priceless, which was, don't give them wheels. Andrew Webb: Oh, yes. Paul Marden: Don't include the wheels. Andrew Webb: Take the wheels out of any sets, unless you are the Transport Museum or the, you know, a car based museum, because kids will do wings as well. I'd probably suggest taking those out because kids have just built cars. Some kids have just built cars, you know, even if you give them a mission. Unless that is the mission. The other thing that I would think that venues could do as well as sort of all day events, because it's quite a time drain, you know, on staff and this sort of stuff, but it is a value. The other thing you can think about is one off evening events for adults. Yes, I've done this. I did this at my local add them shops. Bricks, beers and bubbles challenges supercompass teams. Think of it like a pub quiz with brick is the answer. Andrew Webb: So build me a thing that does that kind of thing. Teams all get together, you can race them, you can see who goes the furthest. You can do all this stuff. And the hold is what I'm doing at the hold in September. I did it at the hold a couple of years ago. And what was interesting was that we had quite diverse groups of adults. We had just couples who were clearly AFOLs and were like, “Yeah, I'm going to go to that.” We had a group of friends. One of them had just come back from years travelling and they didn't want to go sort of straight to the pub and just interrogate him about his travelling, whatever. Andrew Webb: They kind of like, “Well, we wanted something to do where we could have a beer and have a chat, but were doing something else whilst we're doing that.” And that's the joy of Lego. Your hands are doing the work and you're almost like the back of your brain is doing the work and you're like, “Oh, yeah, yeah. Before you kick them.” And the concentration levels are there and then you can kind of get into that state of flow. And so they were just having this lovely chat, had a beer, talking about stuff, but also memory making in terms of when he came back from his travelling. So I think that's really important. Andrew Webb: Did you know that this is your brain, right? And then your brain on Lego, there are 24 discrete skills that are happening in your brain. So Lego research this, things like fine motor skills, cognitive sort of thinking about things, future planning, my favourite emotional regulation that is not going, “Oh, my God, it's not working. And smashing all to pieces.” So I've seen this as well with children, is that when you give them a Lego, if you gave them jelly and a football, they'll all just. They're a high energy kind of things, right? And that's fine, great outdoors, kids want to burn off energy. Here's a load of balls. Go crazy, right? Or ball pits, trampolines, bouncy castles, those sorts of things. When you get on Lego, what actually happens is it's very hard to be anarchic, to use a wrong word, but a word. It's very hard to be anarchic with Lego because you can't really do it. Andrew Webb: And so you can get a group of kids together and they'll almost self invigilate. And at one point, I ran it at a local toy shop and the parents are all hanging about and like, “I've never seen them so quiet.” They were just in the state of flow. And so, I think, you know, again, back to the. Back to the explorers and the scouts, that was one of the best sessions that those kids had done as teenagers because the reason was they were given permission to play with Lego. They still had the muscle memory from when they were smaller children. They were solving. They weren't just being told to play with Lego, they were actually solving engineering challenges. How can you design a bridge that will take this weight? How can you protect an egg? How can you think about this? Andrew Webb: And so you need to think about the challenge and the what. You need to think about that, the where and you think about the when, as I said, and get those right. You can have a very exceptional visitor experience for not a huge amount of effort. It's not highly costly, it's not highly technical, it's just a bit of elbow grease and a bit of forward thinking in terms of what we might need. And I think that parents appreciate just that minute away where they can. It's almost like a 20 minute babysitter, right, where they can just go, “Don't touch that.” You know, you're walking around a stately home, “Don't sit there, don't touch. Mind the lady.” All that kind of no data that parents give out institutions, they can just take a breather and check their phones and whatever. Paul Marden: And the kids are just having an amazing time. Andrew Webb: Yeah. And the kids are happy. And at the end of the day, as a parent, we all do our best and you just want, you know, them to be playing with something screen free, getting along and learning something. And, you know, that is the win. That is the ultimate takeout. You can layer on your own institution in context and rev up the visitor experience, bring in new visitors, attract a more diverse group of people that perhaps wouldn't normally come to a Regency Rococo style villa or whatever it might be, then that's all to the better, because, you know, you can start to use this in your planning and you can do what Suntton Hoo did? And go, right, well, we've done this and it's really worked. Andrew Webb: And then I can apply for funding for it and I can expand and I can make it permanent and then I can sort of say, well, this now becomes a tool and a string and arbo for our educational. It doesn't have to be split between visitor attractions and development. It can, you know, you can split it between several parts of the institution and use it in different ways, use it for educational purposes as well as visitor experience. So the world's your oyster with a bit of thinking. Paul Marden: With a bit of Lego and a bit of thinking. Andrew Webb: Bit of Lego, yeah. A few bricks and a couple of tricks and you're off to the races. Paul Marden: Andrew, this has been brilliant. Thank you ever so much. Andrew Webb: You're welcome. Paul Marden: I've got one more question for you before we finish. Now, you bottled this earlier on when I said we always have a book recommendation from our guests. And in spite of having the fullest bookshelf I've seen in quite a long time, you've bottled it on a book. But you did offer me a favourite movie. And so what would be your movie recommendation of choice? Andrew Webb: My go to movie would probably be Withnail and I, Richard E. Grant's first film. Every line has came down from God on a tablet. I mean, it is just. Yeah. Richard Griffiths as Uncle Monty, Paul McGann. It's just one of my favourite films and, you know, cult classic that no one's really. Well, people have heard of it now, but again, they even make stuff out with Alan Eyright. So you can go and watch a screening of it at the farm at Crow Crag up in Penrith, you know, and everyone dresses up and everyone comes with Mister blathering sets tea and I come on holiday by mistake and Jessie says, Danny. Andrew Webb: And, you know, fortunately, for better or for worse, I know these are tough times, but people try and find the fun in things. They try and at the end of the day, everyone's looking for a good time, whether we're children or an adult. You want something to just have a laugh and take you away for a moment. And if films and culture but also experiences can do that, then that's all for the good. Paul Marden: Well, look, this is going to be a challenge, but listeners, if you would like a copy of Andrew's film recommendation, then when we release the show message on X, if you can retweet that and say, “Give me Andrew's movie”, then the first person that does that, somehow I will get the movie to you. It might be on VHS, it might be on DVD, but somehow we will get you a movie. Andrew Webb: I found a CD the other day from a bar I used to go to in Clapham in the noughties and late ‘90s. I said to my mate, look, I'm great, put it on. And I went, “I can't.” I haven't got a CD player anymore. I had to go dig through a box somewhere in the study to find a portable CD player that plugged into my computer that could. By the end of it, we're just laugh. Forget it. Paul Marden: Andrew, this has been wonderful. Thank you ever so much. Andrew Webb: You're welcome. Cheers. Paul Marden: Thanks for listening to Skip the Queue. If you've enjoyed this podcast, please leave us a five star review. It really helps others find us. And remember to follow us on Twitter for your chance to win the books that have been mentioned. Skip The Queue is brought to you by Rubber Cheese, a digital agency that builds remarkable systems and websites for attractions that helps them increase their visitor numbers. You can find show notes and transcriptions from this episode and more over on our website, SkiptheQueue.fm. The 2024 Visitor Attraction Website Survey is now LIVE! 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Society & Culture, Science and True Crime - Royal Botanic Gardens, Kew

Join us on the Vision Craft presents Coffee In The Greenroom Podcast as we dive into a masterclass with Kew Jaliens, an icon in both athletics and entrepreneurship. This episode showcases the transformative power of discipline and resilience that Kew has harnessed throughout his illustrious career as an Olympian and a Champions League participant. Now, Kew shares his invaluable insights to inspire business owners and entrepreneurs. This episode delves into how Kew's experiences on the field have shaped his approach to life and business, teaching us how to transform pressure into performance and the impossible into milestones. With his dynamic perspective, Kew encourages our listeners to embrace their fears, view risks as opportunities, and apply the discipline of an elite athlete to achieve their dreams.Discover how to elevate your video marketing and storytelling to go viral, turning every challenge into a steppingstone towards monumental success. Whether you're an aspiring entrepreneur, a business owner looking to innovate, or someone seeking personal growth, Kew's insights offer a blueprint for turning life's challenges into victories. Join us as Kew guides us through the hero's journey, not just in business but in every aspect of life, illustrating the profound impact of resilience and the human spirit. Don't miss this compelling episode that intertwines the essence of VisionCraft Course's commitment to empowering business through innovative strategies and real-world wisdom. REGISTER FOR OUR NEXT ONLINE, NO-COST AUDITIONhttps://www.ammsociety.com/CHECK OUT VIP IGNITE'S FREE MODEL AND ACTOR BOOTCAMPhttps://vipignitesummit.comFOR MORE INFORMATION ABOUT VIP IGNITE https://vipignitelive.com/CHECK US OUT ON FACEBOOK:https://www.facebook.com/vipigniteliveCHECK US OUT ON INSTAGRAMhttps://www.instagram.com/vipigniteCHECK US OUT ON TWITTER:https://www.twitter.com/vipigniteCHECK OUT THE HOLLYWOOD MINDSET WEBSITE HERE:https://www.hollywoodmindset.comCHECK OUT THE COFFEE IN THE GREEN ROOM PODCAST HERE:https://www.coffeeinthegreenroom.comCHECK OUT THE VIP IGNITE LIVE PODCAST HERE: https://www.vipignitelivepodcast.comCHECK OUT WHAT PEOPLE ARE SAYING HERE:https://www.youtube.com/playlist?list=PLLzqEyOGiBnMwTyocXsmB8oyki-Sz22zT

This episode, my guest is Sarah Dodd AKA the Tree Hugging Lawyer and founder of law firm Tree Law. Sarah specialises in civil and criminal claims arising from disputes with trees, in particular trees causing damage to properties. She's also the host of Tree Law TV channel on YouTube and today, we find out all about her background, her work and the law as it relates to trees. What We Talk About Common neighbour disputes when it comes to trees Subsidence Cutting trees that overhang your property Is there such a thing as a right to light or a right to privacy? How TPOs work Is enough done to protect trees through the law? About Sarah Dodd  Sarah is the Tree Hugging Lawyer and founder of law firm Tree Law. Sarah specialises in civil and criminal claims arising from disputes with trees, in particular trees causing damage to properties. Sarah acts for various clients including homeowners, commercial properties owners, insurers, local authorities and developers. Sarah is a past chair of the Subsidence Forum and a member of the LTOA, MTAO and the Arboricultural Association. Sarah is the host of Tree Law TV channel on YouTube providing free contents answering some commonly asked questions about trees.   Sarah is hosting the Tree Law summer conference in London on 17 September.  Tickets are on sale for that event at Lincoln's Inn via Eventbrite - Treelawconference  www.treelaw-ap.co.uk Other episodes if you liked this one: Trees with Peter Thurman - Selecting and planting trees can be a minefield. Never fear though, help is on hand as ‘legend in the world of trees', Kew-trained, Peter Thurman is here to provide straight-forward advice about what to do and what not to do when buying a tree and planting it out. Discover how to select the right tree for your garden's soil type and which species of tree will help you create the effect you are targeting. Learn how pleached trees can become an attractive alternative to fencing, just beware of the High Hedges Act! Does it pay to have patience when growing your tree, or is it easier to have instant impact? Pick up some valuable tips and tricks on the planting process. From deciding which food you should feed your prized specimen with, to mulching and watering, your questions are sure to be addressed in this informative episode. 
Irreplaceable with Julian Hoffman - This episode's guest is writer Julian Hoffman and we're talking about his book ‘Irreplaceable'. I read the book a few months back and as you might expect from reading the blurb, it's about those irreplaceable wild environments and the species we're in danger of losing. But it's also about the people who are so deeply connected to the landscapes and the animals they're battling to save. Julian speaks about why it's imperative that we stop the destruction of precious landscapes, how we can help at the individual level and why it's vital to maintain the connection between people and place. Support the podcast on Patreon    

Asked to picture a nineteenth-century ship, you might think of the HMS Victory or HMS Temeraire, symbolic of empire. Something epitomised by flag-waving and victory - Britannia rules the waves. In this edition of Free Thinking, Catherine Fletcher asks if we memorialise one aspect of our maritime past at the expense of others.Remember in Great Expectations when Magwitch escapes from a prison ship anchored by the coast? Dickens was likely inspired by the reality of the 19th century "prison hulks", decommissioned warships moored on docks to house criminals. Dr Anna McKay of the University of Liverpool can tell us more about how the hulks, supposed to be a short term solution to a crisis, ended up being used for decades. Dr Lloyd Belton of the University of Glasgow studies the Kru - fiercely independent West African sailors who formed an alliance with the Royal Navy to rid the African coast of slavers. His research follows what happened these men, who saw themselves as servants of the Empire, when they settled in Liverpool between the wars. And Dr Oliver Finnegan from the National Archive at Kew will tell us about the enorrmous historical potential of the "Prize Papers", a collection of thousands of unopened letters, legal papers and other documents from ships captured by British privateers and the Royal navy between 1652 and 1815.Presented by: Catherine Fletcher Producer in Salford: Olive ClancyBBC Radio 3's Words and Music episode about Antartica, the explorer Sir Ernest Shackleton and his ship Endurance is available on BBC Sounds and you can find other episodes of Free Thinking exploring ships in history hearing from Sarah Caputo, Hew Locke and Jake Subryan Richards

At The National Archives, we hold records that tell fascinating stories of real people who lived through the horrors of the Second World War. In this episode, historians Will Butler, Ela Kaczmarska, and Roger Kershaw explore documents – some of them previously unseen by the public – that describe the experiences of prisoners of war and civilian internees held captive during the conflict. The episode accompanies our exhibition, Great Escapes: Remarkable Second World War Captives, which is open at The National Archives in Kew until July 21, 2024. For a transcript and information about the documents used in this episode visit our show notes: https://bit.ly/SWWCapt

Missouri Botanical Garden scientist Charlotte Taylor has named 500 new species of plants. That makes her the most prolific living female botanist — an accomplishment only revealed last year by researchers from Royal Botanic Gardens, Kew and the University of Cambridge. The researchers found Taylor is the third most prolific female botanist in the field — ever. Taylor discusses her contributions to the field of botany and takes us inside the world of a world-class taxonomist.

The third season of Imaginarium : An Alternate History of Art, a podcast where we delve into the most obscure parts of art history. In today's episode we explore the orientalism of fashion throughout the years. twitter & ig : @imaginarium_podpatreon: patreon.com/nadjahmusic: Dream Escape - The TidesBIBLIOGRAPHY :WULF, Andrea. The Brother Gardeners: Botany, Empire and the Birth of an ObsessionDr. Caroline Cornish.Kew and colonialism: A history of entanglementLACK, H. Walter. Redouté. The Book of Flowers Hosted on Acast. See acast.com/privacy for more information.

Award-winning actress Lily Gladstone on working with Martin Scorsese and Native American representation in his new film Killers of the Flower Moon.Leo Vardiashvili chats about his new book set in his hometown of Tbilisi, Georgia in the post-Soviet era. Curators William Butler and Roger Kershaw talk about their new exhibition, 'Great Escapes: Remarkable Second World War Captives' at the National Archives at Kew. It explores not just the creativity involved in physically getting away from prison camps, but in making life in confinement more tolerable, and bearing witness. P. G. Wodehouse wrote novels while interned; Peter Butterworth, best-known for his roles in the 'Carry On' films, staged plays in Colditz, the noise of performances masking tunnelling; Ronald Searle found solace in drawing while a prisoner of the Japanese, and his work is an important record of the neglect and ill treatment of fellow prisoners. Importantly, the exhibition includes material about people interned here in the UK.Presenter: Samira Ahmed Producer: Julian May

On today's show, David Richardson discusses the work of the world's largest "gardening" organization, responsible for tending to all UK and Commonwealth war graves around the world. GUEST 1 OVERVIEW: Magnus Stenlund is a Nordic history author and a Geopolitics and Economics Analyst. GUEST 2 OVERVIEW: David Richardson has dedicated over 35 years of his career to the Commonwealth War Graves Commission (CWGC), serving in various global areas of operation. Currently, he leads initiatives focused on performance standards, reducing chemicals and water usage, and ensuring that cemeteries and memorials are resilient in the face of challenges like climate change and extreme weather events. David has a horticulture degree from Bath University and has worked and lived in various locations, including the Gallipoli Peninsula. He also managed the archaeological excavation and construction of the CWGC cemetery at Pheasant Wood, Fromelles, France. David is a Chartered Fellow and the current President of the Chartered Institute of Horticulture, a Liveryman of the Worshipful Company of Gardeners, and a Trustee of the Royal Botanic Gardens, Kew.

This week, we are exploring the underground and invisible networks of Colombia – along with some of its strangest and least-understood creatures: fungi. We'll be talking about zombie fungi, shamanic fungi and magic mushrooms, the Wood Wide Web, sunscreen spores, makeup fungi, and eco-warrior fungi – plus why this fascinating mega-science has been so neglected, and why it's more urgent than ever that mycology gets the awareness, resources, and respect that it deserves. Emily Hart interviews two of Colombia's top scientists and leaders in their fields: mycologist Aida Vasco is Assistant professor at the School of Microbiology at the University of Antioquia and Co-Chair of the Colombian Association of Mycology; botanist Mauricio Diazgranados is Chief Science Officer and Dean of the International Plant Science Center at the New York Botanical Garden. Mauricio led the Useful Plants and Fungi of Colombia project, including the development of the Colfungi portal and the Catalogue of Fungi of Colombia, on which Aida also worked. There are an estimated 300,000 species of fungi in Colombia, the huge majority of which are unstudied. In fact, fungi in general remains one of science's great mysteries: it is known as a ‘neglected mega-science'. They change animal behaviour, connect the forests, feed humans and animals, and may even be a key weapon in the fight against climate change. Battling this vast gap in knowledge is the Useful Plants and Fungi of Colombia project - an initiative led by Royal Botanic Gardens, Kew in collaboration with the Humboldt Institute. The projects aim to increase, consolidate, and make accessible the knowledge of the country's useful plants and fungi for the benefit of local communities. Fungi have played a vital role in shaping the Earth's biosphere, and have directly impacted human society and its cultural evolution for the past 300,000 years - used as food, for ritualistic purposes, or as medicinal products. In Colombia, fungi - in the form of wild edible mushrooms - are primarily used as a nutritional source, having long played a role in the food security of indigenous people and local communities: representations are found in the iconography of several pre-Hispanic cultures throughout the country, showing knowledge and a close cultural relationship with fungi. Shamanic and spiritual uses are also common in the country. Habitat loss, habitat fragmentation, overuse of pesticides and fungicides, and of course climate change affect fungi as well as fauna and flora, but fungi are not explicitly included in biodiversity legislation, biodiversity action plans, and conservation policies in Colombia. The Colombian government only recognises three components of biological diversity: Fauna, Flora, and microorganisms. But there is cause for hope – we are only just starting to understand fungi but the field is gaining momentum, and experiments show their potential is even grander than we have imagined – they are not only a sustainable food source to fight hunger and the industrial food which accelerates climate change: mushrooms can also decompose waste – including nappies and cigarette butts, and can be used in ‘myco-fabrication' - manufacture of e.g. architecture and furniture. They are incredibly adaptive, and provide ways for plants and animals to survive even in extreme and degraded environments.

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Dan O'Neill is a wildlife expert and biologist. He's also the first openly gay wildlife presenter. In this Open Country he's in London to discover what ‘rewilding' means for the capital. The Mayor of London, Sadiq Khan, launched the ‘Rewild London Fund' to help make London a leader in urban rewilding, from restoring rivers to reintroducing species currently absent from the capital. One of them is the beaver and at Paradise Fields in Ealing, just down the road from the busy Greenford tube station, a family of five beavers have just been introduced to their new home by conservationist and vet Dr Sean McCormack. Together they will transform a gritty urban wasteland into a wildlife haven with ecosystem benefits for residents' wellbeing and flood defences. The beavers are just one example of the huge growth in biodiversity in the city. As Dan travels from Ealing in the West to the east of the city at The Paddocks in Tottenham Hale, he discovers that there is also growing diversity in the conservation community. He meets LGQBT conservationist Izzy Knight who shares his passion for everything wild and celebrates the ‘Queer Nature' festival at Kew, before heading back to Ealing to see whether he can spot those elusive beavers in their new home.Produced by Helen Lennard

Arit Anderson, garden designer, presenter on BBC Gardeners' World, host of the Growing Greener podcast, and passionate environmentalist, really loves trees. So much so, she's co-authored a book about them with botanist Dr Henrik Sjöman. The Essential Tree Selection Guide, in association with the Royal Botanic Gardens, Kew, is a brilliant, comprehensive, jargon-free look at how which tree we choose to plant where really matters, as well as a tree bible when it comes to their climate resilience, carbon storage and other ecosystem benefits.Our Mick also really loves trees, so was delighted to get Arit on the Zoom to chat about our arboreal friends, how we can save them, how they can save us, gardening opportunities, starting again in your forties, and how we can all do our bit when it comes to sustainability. Photograph of Arit by Diana MonkhurstSupport this show http://supporter.acast.com/standardissuespodcast. Hosted on Acast. See acast.com/privacy for more information.

With the world's biodiversity being lost at an alarming rate, Alexandre Antonelli, Director of Science at the Royal Botanic Gardens, Kew, has made it his life's mission to protect it. He is a bio-geographer revealing how changes to the Earth's landscape, such as the formation of mountain ranges and rainforests, leads to the evolution of new species and causes plants, fungi and animals to move around the world. His work is a masterclass in joined-up thinking, bringing together different fields of research by starting conversations between scientists who would rarely talk to one another. Together, they paint a more holistic picture of how our planet's biodiversity has developed in the hope of informing how we can protect it in the future. Alex tells presenter Jim Al-Khalili about a life spent in the wild, beginning with his earliest memories of growing up in Brazil cataloguing life in the Atlantic Rainforest. That passion is still with him today. We've only scratched the surface of understanding what lives here on Earth, he says, more than 4,000 new species are found every year. Alex is passionate that we need to speed up the rate at which we document the richness of life, arguing if we don't identify what there is we can't protect it.

For centuries, Kew Gardens was the flash point for a lesser known British imperial project – the collection of plants from colonised nations for political and commercial gain. Author and journalist Rosie Kinchen finds out about the work Kew is doing today to examine this, and looks into how the institution is supporting botanical science and conservation around the globe. Rosie speaks to curatorial and scientific staff at Kew, as well as taking a wider view on the role of plants in colonial history.