Podcasts about soundtracks

Cette semaine, retour à l'ancienne avec un C'est dispo qui sort le vendredi matin ! Une semaine chargée et un Sébastien fatigué, ça donne des explications pas toujours précises !Je vous ai parlé de Orbita ?______________________________________

This month we are focusing on Habit 9: Growth Mindset. My goal is to help you build habits peacefully so that you can impact your world powerfully. In the Hello Mornings Daily Podcast, I share a simple tip based on our monthly theme and then I close the podcast with our 3-Minute Morning Routine. THE 3-MINUTE MORNINGGod Time: Pray Psalm 143: 8 (Minute 1)Plan Time: Prayerfully Review Your Calendar (Minute 2)Move Time: Take 5-10 Deep Breaths (Minute 3) That's it! Adjust as needed and use as your pathway to a growing morning habit! Want to go deeper with our workshops, journals, Bible Studies and accountability?Join The Hello Mornings Academy, where we help Christian women build habits and reach goals peacefully so they can impact their world powerfully. DOWNLOAD OUR RESOURCES: https://www.hellomornings.org/goodies CHECK OUT THE COMMUNITY: https://www.hellomornings.org/academy GET THE BOOK: https://amzn.to/3Nelx6p Cheering you on,❤️ Kat Lee

When I think of the sounds of Western Australia, the licks of Wide Open Road by the Triffids hits my mind, or maybe The Waifs yearning to be back in London, or occasionally it'll be a wistful memory of a cleaner dancers in a mental health facility pop up in my mind.But drowning all of those sounds out is the infectious licks of guitars and bass from Chris Daymond, Kevin Mitchell, Ness Thornton, and the thumping drums of Brett Mitchell, all of whom make up Jebediah. Soundtracks to growing up don't get much better than the one-two punch of Slightly Odway and Of Someday Shambles, tracks that spoke to my youthful boredom and the malaise of growing up in Perth. Here was a language that I understood.Thirty years on, and Jebediah are still going strong and still speaking a language many of us West Aussies - and the rest of Australia too, can't forget about them - speak. As a culmination of that longevity, filmmaker (and muso in his own right) Arlo Cook spent ten years following the band, interviewing them and capturing gigs, all the while combing through decades of archival material to pull together the brilliant doco Jebediah: Are We Ok?Arlo talks in depth about making Jebediah: Are We Ok? in the following interview, including discussions about his own music journey too.Jebediah: Are We Ok? has Q&A sessions running around Australia from 2 October 2026. Head over to Madman for all the details here:https://www.madman.com.au/jebediah-are-we-ok/the Curb... is a completely independent and ad free website that lives on the support of listeners and readers just like you. Visit thecurb.com.au/subscribe, where you can support our work from $2 a month. Paid subscribers get access to our monthly competitions, exclusive interviews and articles, and more.Sign up for the latest interviews, reviews, and more via https://www.thecurb.com.au/subscribe/ Hosted on Acast. See acast.com/privacy for more information.

When I think of the sounds of Western Australia, the licks of Wide Open Road by the Triffids hits my mind, or maybe The Waifs yearning to be back in London, or occasionally it'll be a wistful memory of a cleaner dancers in a mental health facility pop up in my mind.But drowning all of those sounds out is the infectious licks of guitars and bass from Chris Daymond, Kevin Mitchell, Ness Thornton, and the thumping drums of Brett Mitchell, all of whom make up Jebediah. Soundtracks to growing up don't get much better than the one-two punch of Slightly Odway and Of Someday Shambles, tracks that spoke to my youthful boredom and the malaise of growing up in Perth. Here was a language that I understood.Thirty years on, and Jebediah are still going strong and still speaking a language many of us West Aussies - and the rest of Australia too, can't forget about them - speak. As a culmination of that longevity, filmmaker (and muso in his own right) Arlo Cook spent ten years following the band, interviewing them and capturing gigs, all the while combing through decades of archival material to pull together the brilliant doco Jebediah: Are We Ok?Arlo talks in depth about making Jebediah: Are We Ok? in the following interview, including discussions about his own music journey too.Jebediah: Are We Ok? has Q&A sessions running around Australia from 2 October 2026. Head over to Madman for all the details here:https://www.madman.com.au/jebediah-are-we-ok/the Curb... is a completely independent and ad free website that lives on the support of listeners and readers just like you. Visit thecurb.com.au/subscribe, where you can support our work from $2 a month. Paid subscribers get access to our monthly competitions, exclusive interviews and articles, and more.Sign up for the latest interviews, reviews, and more via https://www.thecurb.com.au/subscribe/ Hosted on Acast. See acast.com/privacy for more information.

Pozor, pozor! Slejvák V PLNÉ SÍLE je zpět. Co všechno se stalo v popkultuře a v životech Míry s Vilmou na přelomu léta a podzimu? Shodnou se konečně na tom, že písničky od Taylor Swift stojí za starou bačkoru? Uvařte si čaj, zabalte se do deky a poslechněte si nový díl.

Pozor, pozor! Slejvák V PLNÉ SÍLE je zpět. Co všechno se stalo v popkultuře a v životech Míry s Vilmou na přelomu léta a podzimu? Shodnou se konečně na tom, že písničky od Taylor Swift stojí za starou bačkoru? Uvařte si čaj, zabalte se do deky a poslechněte si nový díl.Všechny díly podcastu Slejvák můžete pohodlně poslouchat v mobilní aplikaci mujRozhlas pro Android a iOS nebo na webu mujRozhlas.cz.

This was recorded September 18, 2026Talkin' about games today. We've got some Smash Bros. Tyler doesn't want sea salt. And define "retro", go ahead, I dare ya. Also, Metal Gear Solid Twin Snakes: A Hill Tyler Will Die On.Find more stuff at OffAllDayPodcast.com!Have a question or a comment? We'll talk about it on the show!The best way to get our attention is by finding us on Threads @OffAllDayPodcastYou can also find clips and junk on TikTok (where we record live) at @OffAllDayPodcastYou can even leave us a voice mail! https://voicecast.app/offalldaypodcastDon't forget Tyler writes books! Check'em out at:www.OrdinarySun.comandwww.NoodlesAlDante.comMusic by NoCopyrightSound633Pixabay.com/users/nocopyrightsound633-47610058 Hosted on Acast. See acast.com/privacy for more information.

For this episode of Dynamic Soundtrack (DST) I'm back to help us all relax a little with Relaxing With DST Volume 07.  Join me for songs from Stardew Valley, The Loopler, The Rogue Prince of Persia, Below, Wonder Boy: The Dragon's Trap, A Short Hike, and much more. As always, thank you for listening.

The 742nd of a series of weekly radio programmes created by :zoviet*france: First broadcast 26 September 2026 by Resonance 104.4 FM and CJMP 90.1 FM Thanks to the artists and sound designer included here for their fine work. track list 00 :zoviet*france: - Intro 01 [unknown sound designer] - G22-30-Titanic Sinks 02 Corruption - Life.Soundtrack / 浦安駅裏喫煙所 03 Rizzi - Drainpipe Dadaed 04 Hermann Nitsch - Island – 9. Satz: Die zerreißung des Lammes [extract] 05 The London Sound Survey - Leather Lane Market 06 Erin McKimm - Bee Tree (Slowed x2) 07 Tyler Bajsa - Garage Foley - 88 08 Ben Rath - Unknown Origins – IV 09 Kevin Springer - Curiosity Killed 10 Tyler Bajsa - Garage Foley - 29 11 Monosounds - Music Loops – Bass – 065 – F 12 A Sphere of Simple Green - Untitled Soundscape 3 13 Fergus Kelly - Spectral Tenant – Part 3 14 Eva-Maria Houben / Harmjan Roeles - Breathing Together 8 15 Michael Begg - Da pacem 16 Michael Begg - Meditation on a Heron … :zoviet*france: - Outro  

Sarah, John, and Cameron discuss the lore behind the cult classic soundtrack to 1984's Night of the Comet.Sources for this episode"Night of the Comet" by Joe Valdez on Medium. Night of the Comet complete original soundtrack creation from Kelli Maroney Official Facebook Group."Strong Heart." Written by Skip Adams and Mark Bensi. Performed by John Townsend. Produced by Don Perry and Bob Summers. "Whole World is Celebratin'." Written by Chris Farren and Wayne Crawford. Performed by Chris Farren. Produced by Don Perry and Bob Summers."Let My Fingers Do the Talking" Written by Kenny Lee Lewis and Dianne Steinberg (as Diane Steinberg). Performed by Stallion. Produced by Don Perry and Bob Summers."Unbelievable." Written by Gary Mallaber, John Massaro and Byron Allred. Performed by Revolver. Produced by Don Perry and Bob Summers."Virgin in Love." Written by Thom Pace and Maria Hegsted. Performed by Thom Pace. Produced by Don Perry and Bob Summers."Hard Act to Follow." Written by Michael Hanna (II), Diana DeWitt and James Pritchett. Performed by Diana DeWitt. Produced by Don Perry and Bob Summers."Tell Me Yourself." Written by Gary Mallaber, John Massaro and Byron Allred. Performed by Revolver. Produced by Don Perry and Bob Summers. "Smoke from a Distant Fire." Written by Ed Sanford. John Townsend, and Steven Stewart. Produced by Barry Beckett and Jerry Wexler.Our theme music is by Suno.

Atención, Berserkers! En esta edición especial, JC de La Galería Nocturna y Cobarru de Metal Memes se reúnen para viajar en el tiempo a los años ochenta y noventa, época en la que Hollywood y los grandes exponentes del rock y metal forjaron una alianza creativa legendaria. Repasaremos cómo producciones icónicas como Terminator 2, Last Action Hero, El Cuervo, Spawn, Little Nicky y la saga de Rocky lograron fusionar la adrenalina del cine de acción con piezas memorables de bandas como Guns N' Roses, AC/DC, Megadeth, Pantera, Rage Against the Machine, Nine Inch Nails y Alice in Chains. Durante la transmisión analizaremos la evolución de esta colaboración artística, comparando las composiciones hechas a la medida de la época con las bandas sonoras sintéticas de la actualidad. Conversaremos sobre joyas de culto, la transición del formato físico (VHS, vinilo y CD) a las plataformas de streaming, la saturación de contenidos impulsada por algoritmos e inteligencia artificial, y las razones por las cuales los melómanos siguen buscando la autenticidad de la música hecha con alma. Déjanos en los comentarios cuál es tu soundtrack favorito, participa en el chat en vivo y dinos si te gustaría una transmisión dedicada por completo a la cultura pop noventera. ¡Sube el volumen y mantén viva la conversación! GothProds Links Spotify -https://open.spotify.com/show/2hnlgkcGNl9GOAPa0WT9HW?si=7e9b95f203464fe6 Apple Podcast — https://podcasts.apple.com/mx/podcast/goth-prods/id1606324255?l=en Amazon Music — https://music.amazon.com.mx/podcasts/d10f63b6-f4f3-4a91-b21d-d98c2b08ca01/goth-prods?ref=dm_sh_xBGgYoDaqnREmWm0IoJu5r4kd Facebook — https://www.facebook.com/Goth-Prods-104237088306624/ Instagram — https://www.instagram.com/goth_prods/ TikTok - https://www.tiktok.com/@goth_prods

Today's Soundtrack Cinema is a sing a long. We will be showcasing some of your old and new favorites singers performing some new and old hits. Seth MacFarlane does Moonlight Becomes You, sure. Muppets doing Beach Boys. Melissa Joan Hart as Blondie...ok not really, but you get. Throw in some TV themes and more and you've got one heck of a show!

John Cusack Breaks Down Momo: Artaud, Aliens & a Rescue From an Insane Asylum John Cusack is back on Reza Rifts, and this time the conversation has nothing to do with the movies that made him famous. He sits down with Keith Reza to break down Momo, his debut graphic novel from Mad Cave Studios, hitting shelves September 29. What starts as a book talk turns into a full on history lesson. Cusack walks through the real life threads behind the story: Antonin Artaud, the French surrealist who once terrified all of Europe, Jackie Gleason, Richard Nixon, and a White House flight log with one name blacked out. He explains what actually happened, what he invented, and why he let the myths stay in. Cusack also gets into the craft. He wrote Momo in a loose screenplay form, built footnotes into the pages so readers could hear the soundtrack in their heads, and handed the art over to Ignacio Noe with one instruction: draw what you want. He talks about touring the book at San Diego Comic Con, what real fans pick up on, and the next project he and Noe already have in the works, The Chemical Wedding. Then the two of them get loose. Rejected roles, the Breaking Bad rumor, the Frasier voiceover he swears he does not remember recording, an unexpected John Mahoney connection, Internet dating rumors, a shout out for Kate Miller, and Cusack's own theory on how the pyramids were really built. Funny, honest, and full of surprises, this is the kind of conversation that only happens on Reza Rifts. GUEST INFO John Cusack is an American actor, producer, and screenwriter born June 28, 1966 in Evanston, Illinois. Over a career spanning more than four decades he has appeared in over ninety films, moving from teen comedy to crime drama to satire without ever losing his own voice. He broke through in the 1980s with Sixteen Candles, Better Off Dead, The Sure Thing, Stand by Me, and Say Anything, then reinvented himself in the 1990s with The Grifters, Bullets Over Broadway, Grosse Pointe Blank, Con Air, Midnight in the Garden of Good and Evil, and Being John Malkovich. In 2000 he earned a Golden Globe nomination for High Fidelity. Later credits include Identity, Runaway Jury, 1408, 2012, Hot Tub Time Machine, The Butler, Love & Mercy, and Maps to the Stars, which won him the 2014 Canadian Screen Award for Best Supporting Actor. Momo is his debut graphic novel. It is written by Cusack, illustrated by Argentine artist Ignacio Noe, published by Mad Cave Studios, and released September 29, 2026. This marks his second appearance on Reza Rifts. GUEST SOCIAL LINKS Instagram: https://www.instagram.com/johncusack X: https://x.com/johncusack Threads: https://www.threads.com/@johncusack Momo (graphic novel): https://madcavestudios.com/product/momo-vol-1/ CHAPTERS 00:00 Welcome to Reza Rifts   02:13 John Cusack Returns   03:25 Why Writing Momo Was Pure Freedom   05:35 San Diego Comic Con and the Real Fans   09:20 Jackie Gleason, The Exorcist, and the Truth Behind the Book   10:55 Discovering Antonin Artaud   14:25 How Momo Was Born with Mark Leyner   16:05 The Nixon Helicopter and the Redacted Name   18:15 The Three Act Structure of Momo   20:30 E. Emmett Walsh and Casting the Momo Movie   21:45 Writing Momo Like a Screenplay   24:35 Footnotes, Soundtracks, and Hawaii Five-O   25:30 The Chemical Wedding and the Return of Momo   29:05 Chicago, Judy Maxwell Home, and the Stand Up Scene   30:55 Rejected Roles, Breaking Bad, and As Good as It Gets   33:20 The Frasier Voiceover Mystery and John Mahoney   34:25 IMDb Dating Rumors and Internet Myths   35:35 A Message for Kate Miller   36:25 How the Pyramids Were Really Built   38:25 1972, Time Travel, and the Secrets of Momo   41:20 Where to Get Momo and Final Thoughts CALL TO ACTION Like, comment, subscribe, and turn on notifications for Reza Rifts with Keith Reza. Rate and review on Apple Podcasts and Spotify. Share this episode with a John Cusack fan, a comic book reader, or anyone who loves a good story about how a wild idea becomes a real book. HOST LINKS Support the show on https://patreon.com/rezarifts61  Follow Keith on all social media platforms: FB: https://www.facebook.com/realkeithreza IG:https://www.instagram.com/keithreza  ALT IG:https://www.instagram.com/duhkeithreza  X:https://www.twitter.com/keithreza  TT:https://www.tiktok.com/keithreza  Book Keith on cameo at www.cameo.com/keithreza Check out my website for dates at https://www.keithreza.com/  Subscribe - Rate & Review on Apple Podcasts - Tell a friend :) Be a Rifter!   #JohnCusack #Momo #MomoGraphicNovel #JohnCusackInterview #MadCaveStudios #IgnacioNoe #GraphicNovel #ComicBooks #ComicBookPodcast #ActorInterview #CelebrityInterview #Hollywood #AntoninArtaud #JackieGleason #RichardNixon #SayAnything #HighFidelity #GrossePointeBlank #Podcast #ComedyPodcast #EntertainmentPodcast #NewComicBookDay

Brian Skutle of Sonic-Cinema joins Ryan Pak to talk about the soundtrack to the 2006 Darren Aronofsky film, The Fountain. The soundtrack is scored by frequent Aronofsky collaborator, Clint Mansell, who is joined by The Kronos Quartet and Scottish post-rock band, Mogwai, to create a score that links 3 different timelines in the film. Mansell also utilizes a choir on the score, which feels both maximalist and minimalist. For More Information About Brian Skutle / Sonic-Cinema: Website Instagram Threads Bandcamp Learn more about your ad choices. Visit megaphone.fm/adchoices

Week of 9/28/26 - Ozzfest will be making its triumphant return to the United States in 2027 marking almost 10 years since the last U.S. show in Los Angeles back in 2018, Keith Richards is among the many artists featured on the anticipated Grand Theft Auto 6 soundtrack, covering one of his favorite blues classics from Jimmy Reed, The Heartbreakers performed together with Chris Stapleton at the Americana Awards last week for the first time since Tom Petty's passing in 2017 as they accepted their prestigious Lifetime Achievement Award, and sadly Chad Gilbert from New Found Glory passed away at the age of 45 after a 5-year battle with cancer… PLUS ‘This Week in Rock & Roll History Trivia', Rock Birthdays, ‘The Best & Worst Rock Album Artwork of the Week' & much more!All of our links are up at www.rocknewsweekly.com every Monday, where you can check out the full episode on 8 platforms (including Amazon Audible & Apple/Google Podcasts). We pride ourselves in not using any AI artwork, products or services.This week's episode on Youtube: https://youtu.be/4pL7lKdzUM8Watch us LIVE, chat with us & more…Every Sunday around 2pm PST @ https://www.twitch.tv/rocknewsweeklyWatch all of our videos, interviews & subscribe at Youtube.com/@rocknewsweeklyFollow us online:Instagram.com/rocknewsweeklyFacebook.com/rocknewsweeklyTwitter.com/rocknewsweeklyTikTok.com/@rocknewsweekly#gta6 #keithrichards #ozzfest #ozzfest2027 #ripchadgilbert #chadgilbert #newfoundglory #theheartbreakers #chrisstapleton #Rock #News #RockNews #RockNewsWeekly #RockNewsWeeklyPodcast #Podcast #Podcasts #Metal #HeavyMetal #Alt #Alternative #ClassicRock #70s #80s #90s #Indie #Trivia #RockTrivia #RockBirthdays #NewMusic #NewMusicReleases

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Sollte Sie bei der neuen SRF-Krimiserie «Blind» ein Schauer überkommen, liegt das womöglich an Mirjam Skal. Und an den beiden Eieruhren, die sie sich gekauft hat. Mit knapp 30 ist Skal bereits eine der gefragtesten Filmkomponistinnen der Schweiz – und bedient sich gern ungewöhnlicher Instrumente. Barbie und Schwanensee. Eine eher überraschende Verbindung. Und auch nicht unbedingt eine, bei der man an musikalische Frühbildung denkt. Das sagt auch Mirjam Skal. Doch damals, in den frühen Nullerjahren, als sie als kleines Mädchen mit ihrer Schwester und ihrer Cousine vor dem Fernseher sass und «Barbie of Swan Lake» schaute, sei der Moment gewesen, in dem Filmmusik ihr zum ersten Mal bewusst aufgefallen sei. Heute ist sie Mirjam Skals Beruf. Am diesjährigen Zürich Film Festival ist die Zürcher Komponistin gleich mit drei Produktionen vertreten, darunter «Blind», die neue SRF-Krimiserie, die dort am 27. September Premiere feiert. Doch auch an internationalen Projekten war Mirjam Skal bereits beteiligt, etwa am Soundtrack zum Hollywood-Film «Der Gesang der Flusskrebse». Im Gespräch mit Melanie Pfändler erzählt Mirjam Skal von ihrem Arbeitsprozess und ihrer Liebe zu kreativen, virtuellen Instrumenten. Sie beschreibt, wie eng verknüpft Klänge und Farben in ihrer Wahrnehmung sind. Und sie spricht über den Wert von weiblichen Vorbildern in einer Branche, in der die grossen Namen lange Zeit ausschliesslich Männer waren. «Blind» feiert am Sonntag 27. September Premiere am Zürich Film Festival. Ab 17 Uhr desselben Tages sind alle sechs Folgen der Serie als Stream auf Play SRF verfügbar. Die Musiktitel: - Mirjam Skal: BLIND –Opener / Main Theme - Tschaikowsky: Schwanensee (London Symphony Orchestra; André Previn, Leitung) - Jerry Goldsmith: Alien – The Alien Planet (Filmmusik) - Hildur Guðnadóttir: Bridge of Death (Filmmusik: Chernobyl) - Anúna: An Raibh Tú ag an gCarraig - Illumishade: Cyclone

Episode 368 | Kazeem goes solo and wastes no time explaining why he would gladly take advice over music. Audio Engineer - AyoQueez from @Seven25Media Follow Kazeem Rahman - @KazeemComedy If you have any questions you want us to consider, email ToughChoice@outlook.com

Herbstreuth, Mike www.deutschlandfunk.de, Corso

Der südafrikanische Pianist, Sänger und Schamane versteht seine Konzerte nicht als Aufführungen, sondern als Rituale: Räume, in denen sich Menschen begegnen, erinnern und verwandeln können. Tief verwurzelt in der Zulu-Tradition und zugleich weltweit vernetzt als Musiker, Forscher und Dozent, verbindet Makhathini Spiritualität, Jazz und gesellschaftlichen Diskurs zu einer einzigartigen Einheit. Auf seinem aktuellen Album The Myth We Choose fragt er, welche Geschichten wir in die Zukunft tragen wollen. Für Makhathini ist Musik mehr als Kunst: eine Einladung Verbundenheit zu spüren und dem eigenen Leben neu zuzuhören. (03:05) Talk Derzeit auf Tour in Kalifornien, erzählt Makhathini über 9 Stunden Zeitunterschied hinweg von Morgenroutinen, seiner Berufung zum Schamanismus, der Liebe zu seiner Frau und vom Lied, das in allen Dingen schläft. (32:38) Wochenrückblick 100 Jahre John Coltrane im Beitrag von Jodok Hess; mit dem Concord Espace Culture eröffnet bei Genf ein neues Kulturzentrum und: Preissegen des Fachmagazins «Opernwelt». (Moritz Weber) (44:42) Musikfrage Gibt es komplett unmusikalische Menschen? Die Frage geht an Jasmin Pfeifer, Sprachwissenschaftlerin von der Heinrich-Heine-Universität Düsseldorf. (Sofia Heuri) (49:52) Konzerttipp Auch wegen des Soundtracks von Gabriel Yared klingt das Filmepos «The English Patient» so lange nach. Der französisch-libanesische Filmmusikkomponist wird am Zurich Film Festival ausgezeichnet und zu seinen Ehren findet in der Tonhalle Zürich der Gala-Abend «Cinema in Concert» statt.

In 2026, Phoebe Bridgers is one of the biggest artists in the world. This week, hosts Jim DeRogatis and Greg Kot revisit their 2018 interview and live performance with Phoebe, which includes never-before-aired content. They discuss her debut album, songwriting prowess and impact on music. They'll also review the debut album from Westside Cowboy.Join our Facebook Group: https://bit.ly/3sivr9TBecome a member on Patreon: https://bit.ly/3slWZvcSign up for our newsletter: https://bit.ly/4frcVZoMake a donation via PayPal: https://bit.ly/3dmt9lUSend us a Voice Memo: Desktop: bit.ly/2RyD5Ah Mobile: sayhi.chat/soundops Featured Songs:Phoebe Bridgers, "Lost Boys," Lost Weekend, Dead Oceans, 2026The Beatles, "With a Little Help from My Friends," Sgt. Pepper's Lonely Hearts Club Band, Parlophone, 1967Westside Cowboy, "Kick Stones (The Boys)," It Goes On, Island, 2026Westside Cowboy, "Pin Up Boys," It Goes On, Island, 2026Westside Cowboy, "Coyote," It Goes On, Island, 2026Westside Cowboy, "Paperchains," It Goes On, Island, 2026Westside Cowboy, "Worried Age," It Goes On, Island, 2026Phoebe Bridgers, "Scott Street (Live on Sound Opinions)," Stranger in the Alps, Dead Oceans, 2017Phoebe Bridgers, "Funeral," Stranger in the Alps, Dead Oceans, 2017Phoebe Bridgers, "Chelsea," Stranger in the Alps, Dead Oceans, 2017Phoebe Bridgers, "Steamroller," Killer, Pax Americana, 2015Phoebe Bridgers, "Killer (Live on Sound Opinions)," Stranger in the Alps, Dead Oceans, 2017Phoebe Bridgers, "Demi Moore," Stranger in the Alps, Dead Oceans, 2017Phoebe Bridgers, "Killer," Stranger in the Alps, Dead Oceans, 2017Phoebe Bridgers, "Smoke Signals (Live on Sound Opinions)," Stranger in the Alps, Dead Oceans, 2017Angelo Badalamenti, "Twin Peaks Theme (Instrumental)," Soundtrack from Twin Peaks, Warner Bros., 1990Neil Young, "The Needle and the Damage Done," Harvest, Reprise, 1972Radiohead, "Fake Plastic Trees," The Bends, EMI, 1995Phoebe Bridgers, "You Missed My Heart," Stranger in the Alps, Dead Oceans, 2017Phoebe Bridgers, "Motion Sickness (Live on Sound Opinions)," Stranger in the Alps, Dead Oceans, 2017The Beatles, "A Day in the Life," Sgt. Pepper's Lonely Hearts Club Band, Parlophone, 1967See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

¡Tu dosis diaria de entretenimiento total! Acompaña a Yordi Rosado en un espacio vibrante lleno de energía, donde los grandes invitados, las risas y la mejor información al día son los protagonistas. Diviértete con ingeniosos juegos y dinámicas, participa por increíbles regalos y disfruta de la mejor selección musical. Todo lo que necesitas para mantenerte informado y entretenido en un solo lugar. See omnystudio.com/listener for privacy information.

¡Pon a prueba tu memoria musical! En esta sección, el juego es el protagonista: escucha las primeras notas, adivina la canción antes que nadie y acumula puntos para demostrar que eres el verdadero experto en éxitos. Muchos invitados especiales. Con miembros de La pícara soñadora.See omnystudio.com/listener for privacy information.

DJ Antithesis highlights new music hitting Israeli airwaves.

Show Date: 9/24/26Andy and Dan review the 1987 Soundtrack for the film "Full Metal Jacket."Sports and Songs Podcast Links:https://www.facebook.com/sportsandsongs1https://twitter.com/SportsandSongs1https://www.instagram.com/sportsandsongs/https://www.sportsandsongspodcast.com/

Pepper settles back in with her friends... more or less, and the gang is made an offer. Or two!

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Today's Soundtrack Cinema brings you everything from modern musicals, to tv themes, to some silly scores by serious composers. This might be the only time Sharkboy and Lavagirl meet Roger Rabbit. How about Andy Griffith and Dick Van Dyke hang out with Lara Croft. It's all here on Soundtrack Cinema.

This week, Sammi, Ashley, and Dan are plugging into the highly anticipated, and heavily delayed, "Tron: Ares. " Did the nine-year wait pay off, or is this sequel due for a system reboot? They break down the incredible Nine Inch Nails soundtrack, the stunning neon visuals, and why the plot left them feeling a little glitchy. Plus, Ashley gives her completely unfiltered review based entirely on spoiler videos, because she couldn't bring herself to actually watch the movie! Produced by: Limitless Broadcasting Network.For more info, merch, and all the other podcasts, visit: www.limitlessbroadcastingnetwork.comCheck out Ashley's Disney deep dives at: pixiedustfiles.wordpress.comFollow your new Disney besties on Instagram @pixiedusttwinspodcastFollow Dan, honorary third host of the "Pixie Dust Twins" Podcast, and King of the Manifestos: @Dantaastic on Instagram and YouTubeMentioned in this episode:Canvas & Crime: Turning True Crime into Quirky CharactersGet your own notorious shot glass or art print at www.canvasandcrime.com! You can also find Elizabeth on Facebook at https://www.facebook.com/eak.creations and on Instagram @eakcreations. She also has a YouTube channel https://youtube.com/@canvasandcrime where you can see creativity in action.

Over decades, evangelical worship songwriting became an industry with more and more lyrics depicting spiritual warfare and conquest. Rick Pidcock, a former evangelical and charismatic worship leader for 20 years, joins Michael to talk about how lyrics like "Praise is the water my enemies drown in" shape the people who sing them. His book "Weapons of Worship," is a critical expose that looks behind the worship-industry curtain.Why does praise and worship music often fit hand-in-glove with right-wing politics and Christian Trumpism? Why is the content of many songs filled with harmful theology about a retributive God and a Jesus soon coming back in apocalyptic judgment? Pidcock uncovers a worship culture increasingly controlled by a set of powerbrokers and shares why this is dangerous to democracy and not even in line with Jesus' teachings. Weapons of Worship: How the Songs of Evangelicalism Form the Soundtrack of Extremism: https://www.amazon.com/dp/B0GQNHHPVTVisit Rick's Substack, Exiles in Christendom: https://substack.com/@rickpidcockRead Rick at Baptist News Global: https://baptistnews.com/article/author/rickpidcock/ Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

On this edition of Soundtrack Cinema, we listen to some treasure hunting themes like Relic Hunter and National Treasure. We also hear some odd songs like a salsa from Superman and a couple of patriotic hits. It's a a grab bag, join us!

¡Tu dosis diaria de entretenimiento total! Acompaña a Yordi Rosado en un espacio vibrante lleno de energía, donde los grandes invitados, las risas y la mejor información al día son los protagonistas. Diviértete con ingeniosos juegos y dinámicas, participa por increíbles regalos y disfruta de la mejor selección musical. Todo lo que necesitas para mantenerte informado y entretenido en un solo lugar.See omnystudio.com/listener for privacy information.

¡Pon a prueba tu memoria musical! En esta sección, el juego es el protagonista: escucha las primeras notas, adivina la canción antes que nadie y acumula puntos para demostrar que eres el verdadero experto en éxitos. Muchos invitados especiales. Con Michelle Rodriguez y Caro Campos.See omnystudio.com/listener for privacy information.

Show Date: 9/17/26Andy and Dan review the 1994 Soundtrack for the film "Forrest Gump."Sports and Songs Podcast Links:https://www.facebook.com/sportsandsongs1https://twitter.com/SportsandSongs1https://www.instagram.com/sportsandsongs/https://www.sportsandsongspodcast.com/

++++ Hier könnt ihr Mitglied im Klub Reflektor werden, Jans Reflektor-Mitgliederbereich mit vielen Extras ++++ ++++ Hier gibt es Karten für Reflektor Live mit Christiane Rösinger am 5. Dezember 2026 im Colosseum-Kino in Berlin ++++ Diesmal zu Gast: Die Musikerin und Produzentin Mona Mur. Das Werk von Mona Mur ist durch Vielfältigkeit und Brüche gekennzeichnet. Mona Mur startete in den 1980er Jahren gemeinsam mit Musikern von Bands wie Flucht Nach Vorn und den Einstürzenden Neubauten. Sie arbeitete in diesem Jahrzehnt dann mit Joachim Witt, Jaki Liebezeit von der Band Can, Dieter Meier vom Duo Yello und JJ Burnel und Dave Greenfield von The Stranglers zusammen. Mehrere Major-Platten-Firmen starteten eine Zusammenarbeit mit Mona Mur, doch ihre Karriere sollte sich anders gestalten. Die Verträge mit WEA und RCA liefen ins Leere, obwohl die Ergebnisse vielversprechend waren. Aber vermutlich ist genau wegen dieser Fehlschläge eine künstlerische Biografie entstanden, die einmalig ist. Jan spricht mit Mona Mur über ihre Anfänge in Hamburg in der aufkeimenden New-Wave- und Punk-Szene der 1980er Jahre, über das Leben in Hamburg und Berlin und über das Thema Krieg, das ein Leitmotiv in Mona Murs Gesamtwerk ist. Es geht um Alben, die erst Jahrzehnte später veröffentlicht wurden, obwohl sie aufwändig produziert wurden, und um die Folgen davon, nicht den Erwartungen der Musikbranche entsprechen zu wollen. Außerdem berichtet Mona Mur von ihrem Neuanfang mit eigenem Studio, ihrer Arbeit als Komponistin der Soundtracks von Computerspielen, ihrem Wiedereinstieg in die Alben-Produktion im neuen Jahrtausend und darüber, wo sie sich heute mit ihrem Werk verortet. Hier kommt ihr zum Film „Mona Mur in Conversation“. Hier könnt ihr euch den Song „Wild ist die Welt“ aus dem Jahr 1983 anhören. Die in dieser Folge angesprochenen Musiktitel findet ihr in der Reflektor-Streaming-Playlist. Hier findet ihr Reflektor bei Instagram. Und hier findet ihr Jan bei Instagram. Schreibt uns gerne unter jan@klub-reflektor.de Viel Spaß beim Hören! Fotocredit Cover: Jan Riephoff Hosted on Acast. See acast.com/privacy for more information.

Show Notes:Learning about the host: Voyage Michigan Magazine:https://voyagemichigan.com/interview/life-values-legacy-our-chat-with-leah-b-of-detriot-highlightInterview with the Black Podcasters Assocation: https://youtu.be/JJJi5nX2dgcInterview with Shoutout ATL:https://www.shoutoutatlanta.com/meet-leah-barnes-podcaster/Other Platforms where you can listen to the podcast:Stream in the mix with Leah B. on Goodpods:https://goodpods.app.link/8GExwJCiPNbStream in the mix with leah b. on Pandora:https://www.pandora.com/podcast/in-the-mix-with-leah-b/ PC:1000712709Stream in the mix with Leah B on Apple Podcasts:https://podcasts.apple.com/us/podcast/in-the-mix-with-leah-b/id149967Stream in the mix with Leah B. on Spotify:https://open.spotify.com/show/1NBzGR7hPphTP2fiPS4KTfThe In The Mix With Leah B Podcast Youtube Channel: https://www.youtube.com/@inthemixwithleahbpodcastIn The Mix With Leah B. •Spotify For Creators: https://podcasters.spotify.com/pod/show/inthemixxStream In The Mix With Leah B. on iHeart Radio: https://www.iheart.com/podcast/269-in-the-mix-with-leah-b-62565870?cmp=ios_share&sc=ios_social_share&pr=false&autoplay=trueSupport the Podcast:Buy Me A Coffee:https://www.buymeacoffee.com/inthemixFollow the Podcast on Social Media:Threads:https://www.threads.net/@inthe_mixwithleahbInstagram:https://www.instagram.com/inthe_mixwithleahbFacebook:https://facebook.com/inthemixwithleab

In today's Daily Fix:The GTA 6 marketing blitz is well underway, starting with that extended look from two weeks ago, and now a tease of the game's soundtrack. Popular artists such as Future, Travis Scott, Morgan Wallen, Raul Alejandro, and more have posted images to their social accounts featuring what appears to be art from Grand Theft Auto 6. The GTA series is known for having expansive soundtracks featuring popular artists, as well as casting those artists in voice roles in the games themselves. In other news, 007: First Light on Switch 2 has been delayed yet again, this time all the way to March 2027. The PC, PS5, and Xbox versions debuted back in May of this year. And finally, the art director for Apex Legends explains how this new Street Fighter collab gave the existing characters 'thick thighs.'

Et si on ouvrait la boîte de Pandore, quitte à changer le cinéma pour toujours ? Et si le spectacle devenait aussi une réflexion sur le pouvoir de créer et de donner vie à l'imaginaire ? Et si John Williams inscrivait dans l'ADN de cette révolution une musique appelée à marquer des générations de spectateurs ?Hébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

The Say Whats Reel crew is heading back to the mall for MALLRATS (1995) Kevin Smith's cult classic follows two best friends who end up at the mall after getting dumped by their girlfriends on the same day. What follows is pure '90s chaos, ridiculous schemes, awkward romance, and some unforgettable characters.We're breaking down the comedy, the characters, the iconic moments, and whether Mallrats deserves its reputation as a cult classic.Was Mallrats actually ahead of its time, or is the nostalgia doing all the heavy lifting?LIKE, COMMENT & SUBSCRIBE for more Say Whats Reel movie reviewsSay Whats Reel Where we watch it, talk about it, and tell you exactly what we think.Mallrats #Mallrats1995 #KevinSmith #MovieReview #SayWhatsReel #90sMovies #CultClassic #JasonLee #moviereaction00:00:00 Non mallrats related00:30:56 Mallrats review00:49:24 Facts about mallrats00:53:54 Next week films

¡Pon a prueba tu memoria musical! En esta sección, el juego es el protagonista: escucha las primeras notas, adivina la canción antes que nadie y acumula puntos para demostrar que eres el verdadero experto en éxitos. Muchos invitados especiales. Moisés Ivan Mora y Andrea Torres.See omnystudio.com/listener for privacy information.

Friedrich, Bingo, and Valerian engage in a battle of wits, and Pepper— Oh, that's right! Pepper!

Episode 388: BRUCIE B “The Soundtrack To The 80's in Harlem” On this episode of @RoadPodcast, while visitng New York, we are joined by the King Mixtapes, Hip Hop Royalty, Harlems FInest, The World Famous Burcie B! (@TWFBrucie_B)reflects on learning to blend records from DJ Starchild and entering the lifestyle, before opening up about how serving time in prison shaped his style (08:21). He explains how he became the Mixtape King at Disco Fever (13:10) and shares stories of Alpo Martinez and Azie Faison at The Rooftop, known as the "Studio 54 of the hood”, where he sold 90-minute live mixtapes with signature shout-outs (21:55). Brucie B discusses his ties to the figures who inspired Paid in Full, gives flowers to DJ Hollywood (36:01), and recalls the rise of @KidCapri101 alongside the dangerous realities of that era (40:55). He reveals how his mixtapes became currency and were rented out for cigarettes while he was incarcerated (47:55), and shares what it was like returning home and working with @diddy (54:10). Finally, Brucie B covers how mixtapes changed the DJ game, traveling with The Notorious B.I.G., his falling out with Diddy over creative control (1:11:01), and the legendary records from artists like @TeddyRiley1 and @RunDMC that always ignited the dance floor (1:14:55). This episode is sponsored by @SoundCollectiveNYC, an industry-leading music school, musical space and community located in downtown Manhattan for aspiring DJ's, Producers, Musicians and more. Take private Ableton lessons, practice DJ routines, experiment with different audio equipment and reserve studio spaces for just the day, maybe a week or sign up for their monthly membership. Check www.soundcollective.com for more info and try their Online Classes free for a month by entering the code “ROAD”. If you're in the New York area, visit them at 28 Broadway, New York, NY 10004 and tell them the Road Podcast sent you!! Try Beatport for free: tinyurl.com/yc8da2pz Join DJcity for only $10: bit.ly/3EeCjAX

Bouche à oreille Le son est bien une arme invisible, d'accord. Mais ce sont des armes qui laissent des traces dans les corps. Ces traces peuvent ressortir longtemps après la guerre, parfois pour raconter au mieux son histoire. Le grand-père de Servane, qui se souvient des sons de la Seconde Guerre mondiale, et le journaliste américain David Carde, qui imite les sons, témoignent. La guerre sonore "Chercher des images choc" est le métier que faisait Servane quand elle était monteuse pour un média vidéo soumis aux lois des algorithmes numériques. Mais dans la guerre des images rapides, une autre violence, bien présente, est souvent occultée : celle des armes sonores. Avec elles, il est possible d'harceler les populations avec des drones à Beyrouth, d'attaquer avec des canons à son à Belgrade, de torturer avec des sons au Vietnam ou de la musique à Guantanamo. En quatre épisodes, “La guerre sonore” explore toutes les manières dont on peut faire la guerre en restant sous les radars des caméras et des téléphones, mais pas des corps et des micros de radio. Mentions : - Extrait du film Soundtrack to War de George Gittoes, 2005 ; - Extrait du film Shutter, de Banjong Pisanthanakun et Parkpoom Wongpoom, 2004 ; - Extrait du film Songs of War : Music as a weapon, de Tristan Chytroschek, 2010. Bibliographie : - Le son comme arme de Juliette Volcler, La Découverte, 2011 ; - À l'écoute de l'environnement : répertoire des effets sonore de Jean-François Augoyard et Henry Torgue, Parenthèses, 1995 ; - Music as torture/Music as weapon de Suzanne G. Cusick, Trans, 2006. Pour aller plus loin : - Sonic Warfare, de Steve Goodman, The MIT Press, 2010. Remerciements : À Jovan Stojanovic, Nikola Čuturić, Adam, Téa Ziadé, Daniel Carde, Benoit de Tréglodé, Caline Matar, Charles Peyredieu du Charlat, Eliana Kachaamy et la famille Yakushev de m'avoir accordé leur confiance en acceptant d'être enregistré.es ; à Earshot et Lawrence Abu Hamdan, au collectif 11:52 Paris, au service vidéo de L'Orient-Le Jour et Lucile Wassermann de leur aide active et précieuse ; aux personnes qui n'apparaissent pas à l'audio mais dont les témoignages ont enrichi le podcast ; à toute l'équipe d'ARTE Radio ; à Manal Fkihi pour la poésie ; et à Laurent Selinder pour les débuts, les retours, et toutes les conversations entre les deux. Enregistrements décembre 2025-février 2026 Entretien et montage Servane d'Alverny Réalisation et mixage Charlie Marcelet Illustration Jana Traboulsi Production ARTE Radio

Torture FM Entre effet et affect, où le son agit-il ? Retour sur les cassettes fantômes de la guerre du Vietnam, pendant laquelle l'armée américaine a fait diffuser des enregistrements d'âmes errantes pour marquer les populations, et sur les rouages de la torture musicale à Guantanamo. La guerre sonore "Chercher des images choc" est le métier que faisait Servane quand elle était monteuse pour un média vidéo soumis aux lois des algorithmes numériques. Mais dans la guerre des images rapides, une autre violence, bien présente, est souvent occultée : celle des armes sonores. Avec elles, il est possible d'harceler les populations avec des drones à Beyrouth, d'attaquer avec des canons à son à Belgrade, de torturer avec des sons au Vietnam ou de la musique à Guantanamo. En quatre épisodes, “La guerre sonore” explore toutes les manières dont on peut faire la guerre en restant sous les radars des caméras et des téléphones, mais pas des corps et des micros de radio. Mentions : - Extrait du film Soundtrack to War de George Gittoes, 2005 ; - Extrait du film Shutter, de Banjong Pisanthanakun et Parkpoom Wongpoom, 2004 ; - Extrait du film Songs of War : Music as a weapon, de Tristan Chytroschek, 2010. Bibliographie : - Le son comme arme de Juliette Volcler, La Découverte, 2011 ; - À l'écoute de l'environnement : répertoire des effets sonore de Jean-François Augoyard et Henry Torgue, Parenthèses, 1995 ; - Music as torture/Music as weapon de Suzanne G. Cusick, Trans, 2006. Pour aller plus loin : - Sonic Warfare, de Steve Goodman, The MIT Press, 2010. Remerciements : À Jovan Stojanovic, Nikola Čuturić, Adam, Téa Ziadé, Daniel Carde, Benoit de Tréglodé, Caline Matar, Charles Peyredieu du Charlat, Eliana Kachaamy et la famille Yakushev de m'avoir accordé leur confiance en acceptant d'être enregistré.es ; à Earshot et Lawrence Abu Hamdan, au collectif 11:52 Paris, au service vidéo de L'Orient-Le Jour et Lucile Wassermann de leur aide active et précieuse ; aux personnes qui n'apparaissent pas à l'audio mais dont les témoignages ont enrichi le podcast ; à toute l'équipe d'ARTE Radio ; à Manal Fkihi pour la poésie ; et à Laurent Selinder pour les débuts, les retours, et toutes les conversations entre les deux. Enregistrements décembre 2025-février 2026 Entretien et montage Servane d'Alverny Réalisation et mixage Charlie Marcelet Illustration Jana Traboulsi Production ARTE Radio

Pas vu, pas pris Les ondes sonores, ça peut faire mal ? Le 15 mars 2025, lors d'une manifestation anti-régime à Belgrade, en Serbie, un son percute subitement la foule à 19h11. Sur les vidéos et captations, aucune trace de ce son ne s'entend. Comment l'expliquer ? Une enquête est ouverte pour reconstituer ce qu'a été ce son, issu d'un canon à son, qui a traumatisé les foules. La guerre sonore "Chercher des images choc" est le métier que faisait Servane quand elle était monteuse pour un média vidéo soumis aux lois des algorithmes numériques. Mais dans la guerre des images rapides, une autre violence, bien présente, est souvent occultée : celle des armes sonores. Avec elles, il est possible d'harceler les populations avec des drones à Beyrouth, d'attaquer avec des canons à son à Belgrade, de torturer avec des sons au Vietnam ou de la musique à Guantanamo. En quatre épisodes, “La guerre sonore” explore toutes les manières dont on peut faire la guerre en restant sous les radars des caméras et des téléphones, mais pas des corps et des micros de radio. Mentions : - Extrait du film Soundtrack to War de George Gittoes, 2005 ; - Extrait du film Shutter, de Banjong Pisanthanakun et Parkpoom Wongpoom, 2004 ; - Extrait du film Songs of War : Music as a weapon, de Tristan Chytroschek, 2010. Bibliographie : - Le son comme arme de Juliette Volcler, La Découverte, 2011 ; - À l'écoute de l'environnement : répertoire des effets sonore de Jean-François Augoyard et Henry Torgue, Parenthèses, 1995 ; - Music as torture/Music as weapon de Suzanne G. Cusick, Trans, 2006. Pour aller plus loin : - Sonic Warfare, de Steve Goodman, The MIT Press, 2010. Remerciements : À Jovan Stojanovic, Nikola Čuturić, Adam, Téa Ziadé, Daniel Carde, Benoit de Tréglodé, Caline Matar, Charles Peyredieu du Charlat, Eliana Kachaamy et la famille Yakushev de m'avoir accordé leur confiance en acceptant d'être enregistré.es ; à Earshot et Lawrence Abu Hamdan, au collectif 11:52 Paris, au service vidéo de L'Orient-Le Jour et Lucile Wassermann de leur aide active et précieuse ; aux personnes qui n'apparaissent pas à l'audio mais dont les témoignages ont enrichi le podcast ; à toute l'équipe d'ARTE Radio ; à Manal Fkihi pour la poésie ; et à Laurent Selinder pour les débuts, les retours, et toutes les conversations entre les deux. Enregistrements décembre 2025-février 2026 Entretien et montage Servane d'Alverny Réalisation et mixage Charlie Marcelet Illustration Jana Traboulsi Production ARTE Radio

Une histoire de pression de l'air Pourquoi faire la guerre du son, et comment le faire ? Depuis des décennies et à longueur de journée, le Liban vrombit comme un ventilateur, survolé par des drones et des avions de chasse de l'armée israélienne qui hante son espace aérien. Les sons qu'ils produisent harcèlent les populations et ont de réelles répercussions, faisant planer l'angoisse et semant la terreur… La guerre sonore "Chercher des images choc" est le métier que faisait Servane quand elle était monteuse pour un média vidéo soumis aux lois des algorithmes numériques. Mais dans la guerre des images rapides, une autre violence, bien présente, est souvent occultée : celle des armes sonores. Avec elles, il est possible d'harceler les populations avec des drones à Beyrouth, d'attaquer avec des canons à son à Belgrade, de torturer avec des sons au Vietnam ou de la musique à Guantanamo. En quatre épisodes, “La guerre sonore” explore toutes les manières dont on peut faire la guerre en restant sous les radars des caméras et des téléphones, mais pas des corps et des micros de radio. Mentions : - Extrait du film Soundtrack to War de George Gittoes, 2005 ; - Extrait du film Shutter, de Banjong Pisanthanakun et Parkpoom Wongpoom, 2004 ; - Extrait du film Songs of War : Music as a weapon, de Tristan Chytroschek, 2010. Bibliographie : - Le son comme arme de Juliette Volcler, La Découverte, 2011 ; - À l'écoute de l'environnement : répertoire des effets sonore de Jean-François Augoyard et Henry Torgue, Parenthèses, 1995 ; - Music as torture/Music as weapon de Suzanne G. Cusick, Trans, 2006. Pour aller plus loin : - Sonic Warfare, de Steve Goodman, The MIT Press, 2010. Remerciements : À Jovan Stojanovic, Nikola Čuturić, Adam, Téa Ziadé, Daniel Carde, Benoit de Tréglodé, Caline Matar, Charles Peyredieu du Charlat, Eliana Kachaamy et la famille Yakushev de m'avoir accordé leur confiance en acceptant d'être enregistré.es ; à Earshot et Lawrence Abu Hamdan, au collectif 11:52 Paris, au service vidéo de L'Orient-Le Jour et Lucile Wassermann de leur aide active et précieuse ; aux personnes qui n'apparaissent pas à l'audio mais dont les témoignages ont enrichi le podcast ; à toute l'équipe d'ARTE Radio ; à Manal Fkihi pour la poésie ; et à Laurent Selinder pour les débuts, les retours, et toutes les conversations entre les deux. Cet épisode a été réalisé et produit en partenariat avec L'Orient-Le jour. Enregistrements décembre 2025-février 2026 Entretien et montage Servane d'Alverny Réalisation et mixage Charlie Marcelet Illustration Jana Traboulsi Production ARTE Radio

Most Americans don't realize that music has not only been written in response to politics – it has actually instigated political and legislative change. As we celebrate the 250th anniversary of the US, Dr. Anna Harwell Celenza reveals surprising stories of music that sparked debates, influenced lawmakers, shaped policy, and changed America. Links and notes related to this episode can be found at https://mpetersonmusic.com/podcast/episode243 Connect with us: Newsletter: https://mpetersonmusic.com/subscribe Facebook: https://www.facebook.com/EnhanceLifeMusic/ Instagram: https://www.instagram.com/enhancelifemusic/ LinkedIn: https://www.linkedin.com/in/mpetersonpiano/ X: https://twitter.com/musicenhances YouTube: https://www.youtube.com/@enhancelifemusic Sponsorship information: https://mpetersonmusic.com/podcast/sponsor Leave us a review on Podchaser.com! https://www.podchaser.com/podcasts/enhance-life-with-music-909096 In-episode promo: MUD/WTR (https://mudwtr.com/ENHANCELIFE)  

EP960: Bryan and Kris try to help his Starbuck's boyfriend through trying times in the open MRI! TCB is a The Commercial Break LLC production Visit: www.TCBpodcast.com Insta: @thecommercialbreakBryan Green on Insta: @BryanWGreen Hosts: Bryan Green & Krissy Hoadley Created by: Bryan Green Written by: Bryan Green, Krissy Hoadley Produced by: Astrid Green & Gustavo Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Your to do list is bursting and it feels impossible to figure out what matters most. Here's the truth: your imagination is bigger than your calendar, so it will always feel that way. In this episode, I'm kicking off a brand new four part series on prioritization, starting with a powerful tool from my book Soundtracks, a good question is a trojan horse for truth. I'll walk you through the first of four questions that will help you sort through everything on your plate, starting with "Is there a promise?" You'll learn about what I call Verbal Reality, why saying "let's grab coffee sometime" without following up can quietly break trust, and how keeping your promises, even small ones, takes practice. If you feel overwhelmed by your to do list, this episode gives you a real tool to start clearing the chaos.Episode Links:Order Procrastination Proof!Book Jon to speak at your event!Come to Stage & Page!