Podcast appearances and mentions of andrew carnegie medal

It’s probably cliché to say that sport imitates life, but Hanif Abdurraqib traces the intimate details of basketball legends and faded school-yard stars in an unforgettable book about sport, life, and the places we call home. Abdurraqib is a poet, essayist, and author of the new book, "There's Always This Year: On Basketball and Ascension,” is the selection for this year's Reading Across Rhode Island Statewide Read, sponsored by the Rhode Island Center for the Book. His first full length poetry collection, “The Crown Ain't Worth Much,” was released in June 2016 and named a finalist for the Eric Hoffer Book Prize, and was nominated for a Hurston-Wright Legacy Award. His first collection of essays, “They Can't Kill Us Until They Kill Us,” was released in winter 2017 by Two Dollar Radio and was named a book of the year by Buzzfeed, Esquire, NPR, Oprah Magazine, Paste, CBC, The Los Angeles Review, Pitchfork, and The Chicago Tribune, among others. His book, “Go Ahead In The Rain: Notes To A Tribe Called Quest” became a New York Times Bestseller, was a finalist for the Kirkus Prize, and was longlisted for the National Book Award. His 2021 book, “A Little Devil In America,” was a finalist for the National Book Award, the National Book Critics Circle Award, and the The PEN/Diamonstein-Spielvogel Award for the Art of the Essay. The book won the 2022 Andrew Carnegie Medal for Excellence in Nonfiction and the Gordon Burn Prize.See omnystudio.com/listener for privacy information.

Description: This month's JHBC selection, The Berry Pickers, by Nova Scotian author Amanda Peters has found a particularly receptive audience within book club communities, including the Jen Hatmaker Book Club, for exploring universal human emotions and experiences, and for  examining unique cultural perspectives.  By masterfully blending her father's compelling stories as a Maine berry picker with her own extensive career in Indigenous governance, The Berry Pickers delves into a unique and original plot surrounding a Mi'kmaw family that grapples with the corrosive effects of guilt and shame, and the possibility of redemption. Peters reveals how the debut novel initially took shape as a short story, but as the beautifully-flawed characters and tendrilled themes began to unfold, the narrative organically expanded into the full-fledged novel that it is now, which has been translated into an impressive 22 languages and has been awarded the Andrew Carnegie Medal for Excellence in Fiction.  Thought-provoking Quotes: I couldn't have written this story when I was 21 because I didn't have all of the life experience that I have now. – Amanda Peters Fiction readers are just better people because literature is about the human condition; it helps us develop empathy.  – Amanda Peters I love the writing process. I love creating a story. I love that high you get when you get it just right, when a sentence does exactly what I want it to do. – Amanda Peters Resources Mentioned in This Episode: The Berry Pickers: A Novel by Amanda Peters - https://amzn.to/4hAYfUM Waiting for the Long Night Moon: Stories by Amanda Peters - https://amzn.to/4hGNTTw John Steinbeck books - https://amzn.to/4c1B1pJ John Steinbeck Center - https://steinbeck.org/ Andrew Carnegie Medal for Excellence in Fiction - https://www.ala.org/carnegie-medals/2024-winners Pearly Everlasting: A Novel by Tammy Armstrong - https://amzn.to/420or5r All the Young Men by Ruth Coker Burks - https://amzn.to/420oT3D What Strange Paradise: A novel by Omar El Akkad - https://amzn.to/4kXs8l6 Guest's Links: Website - https://amandapetersauthor.com/ Instagram - https://www.instagram.com/amandapetersauthor/ Twitter - https://x.com/amandapetersaut?lang=en Connect with Jen! Jen's Website - https://jenhatmaker.com/ Jen's Instagram - https://instagram.com/jenhatmaker Jen's Twitter - https://twitter.com/jenHatmaker/ Jen's Facebook - https://facebook.com/jenhatmaker Jen's YouTube - https://www.youtube.com/user/JenHatmaker The For the Love Podcast is presented by Audacy. To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

Today's poem will leave you “knowing very well what it was all about.” Happy reading.Gary Soto was born in Fresno, California on April 12, 1952, to working-class Mexican American parents. As a teenager and college student, he worked in the fields of the San Joaquin Valley, chopping beets and cotton and picking grapes. He was not academically motivated as a child, but he became interested in poetry during his high school years. He attended Fresno City College and California State University–Fresno, and he earned an MFA from the University of California–Irvine in 1976.His first collection of poems, The Elements of San Joaquin (University of Pittsburgh Press), won the United States Award of the International Poetry Forum in 1976 and was published in 1977. Since then, Soto has published numerous books of poetry, including You Kiss by th' Book: New Poems from Shakespeare's Line (Chronicle Books, 2016), A Simple Plan (Chronicle Books, 2007), and New and Selected Poems (Chronicle Books, 1995), which was a finalist for the National Book Award.Soto cites his major literary influences as Edward Field, Pablo Neruda, W. S. Merwin, Gabriel García Márquez, Christopher Durang, and E. V. Lucas. Of his work, the writer Joyce Carol Oates has said, “Gary Soto's poems are fast, funny, heartening, and achingly believable, like Polaroid love letters, or snatches of music heard out of a passing car; patches of beauty like patches of sunlight; the very pulse of a life.”Soto has also written three novels, including Amnesia in a Republican County (University of New Mexico Press, 2003); a memoir, Living Up the Street (Strawberry Hill Press, 1985); and numerous young adult and children's books. For the Los Angeles Opera, he wrote the libretto to Nerdlandia, an opera.Soto has received the Andrew Carnegie Medal and fellowships from the California Arts Council, the Guggenheim Foundation, and the National Endowment for the Arts. He lives in Northern California.-bio via Academy of American Poets This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit dailypoempod.substack.com/subscribe

Jennifer Egan joins Deborah Treisman to read and discuss “Kat,” by Margaret Atwood, which was published in The New Yorker in 1990. Egan's books of fiction include “The Keep,” “A Visit from the Goon Squad,” “Manhattan Beach,” and “The Candy House.” She is a winner of the National Book Critics Circle Award, the Pulitzer Prize, and the Andrew Carnegie Medal for Excellence in Fiction, among other honors. She has been publishing fiction and nonfiction in The New Yorker since 1989. Learn about your ad choices: dovetail.prx.org/ad-choices

Notes and Links to Keith O'Brien's Work        Keith O'Brien is a New York Times bestselling author and award-winning journalist. He has written four books, been a finalist for the PEN/ESPN Award for Literary Sportswriting, been longlisted for the Andrew Carnegie Medal for Excellence in Nonfiction, and has contributed to multiple publications over the years.    O'Brien's work has appeared in the New York Times Magazine, the Atlantic, the Washington Post, and on National Public Radio. His radio stories have aired on All Things Considered, Morning Edition, and Weekend Edition, as well as Marketplace and This American Life.    The Wall Street Journal calls his latest book, CHARLIE HUSTLE, "compulsively readable and wholly terrific." Publishers Weekly calls it "definitive and elegantly told, this is a home run," and Kirkus Reviews hails CHARLIE HUSTLE as a "masterpiece of a sports biography."    A midwesterner by birth, O'Brien grew up in Cincinnati and graduated from Northwestern University. He now lives in New Hampshire with his wife, two children, two dogs and two cats. Buy Charlie Hustle   Keith O'Brien's Website   New York Times Review of Charlie Hustle At about 2:00, Pete asks Keith about the medium of radio, and Keith talks about how he loves radio and how it works different “muscles” At about 3:40, Keith traces his early reading and writing life and his love of sports stories, Sports Illustrated, and more, including David Halberstam's stellar work At about 5:45, Pete and Keith fanboy over great work from The Best American Sports Writing of the Century At about 7:05, Keith shouts out Mirin Fader and Andrew Maraniss and Jonathan Eig, among others, as writing inspirations At about 8:55, Keith talks about how work in Japan helped to ignite his love of and skill for writing At about 10:45 (13:50), Keith discusses how he views storytelling, showing/telling, as well as objectivity in writing, as well as expectations for readers At about 14:50, Pete quotes a meaningful excerpt from the beginning of Charlie Hustle, and Keith expands upon how “stunned” he was by the crying and emotional responses from those talking about Pete Rose's impact in their lives At about 17:20, Pete alludes to the Author's Note, and asks Keith about his childhood outlook on Pete Rose and the Reds as a native Cincinnatian At about 21:05, Pete gives some exposition from the book and summarizes the “high point” from the Introduction  At about 22:00, Keith paints a picture of Pete Rose's childhood growing up on the Westside of Cincinnati, and talks about “Big Pete” Rose and his legendary exploits, including a  At about 26:40, Keith explains the significance of two events in the summer of 1956 and how it shaped Pete At about 29:15, Keith recounts an emblematic story involving Pete Rose and boxing At about 30:45, Pete picks up on the aforementioned story and asks Keith if he sees the same mindset in Pete Rose in denying his betting later in life; Keith talks about a lack of vulnerability for Pete Rose At about 32:45, Keith charts the importance of Pete Rose's Uncle Buddy in jumpstarting Pete's career  At about 37:15, Keith gives background on Pete Rose's iconic nickname and its “mythology” At about 39:55, The two reflect on the “juxtaposition” between those who gave Pete Rose his nickname and Pete Rose At about 41:10, Keith talks about racism and the treatment of Black players in the Major Leagues, as well as how Pete viewed/spoke about race  At about 44:35, Keith expands on the ways in which Pete was seen as a “white, working-class hero” in the media and among fans  At about 48:15, Keith reflects on the echoing importance of Pete Rose's collision with Ray Fosse At about 52:15, Keith responds to Pete's questions about how Pete Rose's upbringing may or may not have been “seeds” for his later gambling and vice At about 56:35, Decree Rule 21(d) and its ubiquity in baseball clubhouses is discussed  At about 57:10, Pete talks about how skillfully Keith shows Pete Rose's impending fall at the end of Part III At about 58:35, Keith responds to Pete's questions about Pete Rose and whether he felt remorse over the way he treated women and his children At about 1:00:20, Keith reflects on how the same qualities that made Pete Rose great also were his downfall At about 1:01:40, The two discuss “credible allegations that Pete Rose had had a relationship with an underage girl in the 1970s and its impact on his baseball analyst job At about 1:03:20, Keith responds to Pete's questions about the importance of a homecoming in 1986 to Cincinnati At about 1:06:50, Keith expands upon the inextricable links between Bart Giamatti and Pete Rose At about 1:09:10, The two discuss Pete Rose's last years and prodigious autograph signing and the ways in which his fans continued to be moved by meeting him and talking to him; Keith shares his personal experiences in being amazed by the awe of the fans he witnessed in person At about 1:11:45, Keith reflects on the “crucial” and “poigna[nt]” ending of the book, an ending that Pete is highly complimentary of  At about 1:13:30, Keith discusses how he felt upon learning of Pete's death and the sadness associated with Pete “being defined by his greatest mistakes” At about 1:15:00, Pete and Keith reflect on connections between Jake LaMotta in Raging Bull and Pete Rose and the “fleeting” nature of fame At about 1:16:15, shoutout to Ellen Adar for the audiobook At about 1:17:10, Keith shouts out places to buy the book, including Waterstreet Books in NH, and gives social media/contact info     You can now subscribe to the podcast on Apple Podcasts, and leave me a five-star review. You can also ask for the podcast by name using Alexa, and find the pod on Stitcher, Spotify, and on Amazon Music. Follow Pete on IG, where he is @chillsatwillpodcast, or on Twitter, where he is @chillsatwillpo1. You can watch other episodes on YouTube-watch and subscribe to The Chills at Will Podcast Channel. Please subscribe to both the YouTube Channel and the podcast while you're checking out this episode.       Pete is very excited to have one or two podcast episodes per month featured on the website of Chicago Review of Books. The audio will be posted, along with a written interview culled from the audio. This week, his conversation with Episode 255 guest Chris Knapp is up on the website. A big thanks to Rachel León and Michael Welch at Chicago Review.     Sign up now for The Chills at Will Podcast Patreon: it can be found at patreon.com/chillsatwillpodcastpeterriehl      Check out the page that describes the benefits of a Patreon membership, including cool swag and bonus episodes. Thanks in advance for supporting Pete's one-man show, his DIY podcast and his extensive reading, research, editing, and promoting to keep this independent podcast pumping out high-quality content!    This month's Patreon bonus episode will feature an exploration of the wonderful poetry of Khalil Gibran.    I have added a $1 a month tier for “Well-Wishers” and Cheerleaders of the Show.    This is a passion project of Pete's, a DIY operation, and he'd love for your help in promoting what he's convinced is a unique and spirited look at an often-ignored art form.    The intro song for The Chills at Will Podcast is “Wind Down” (Instrumental Version), and the other song played on this episode was “Hoops” (Instrumental)” by Matt Weidauer, and both songs are used through ArchesAudio.com.     Please tune in for Episode 268 with Dax-Devlon Ross, who is the author of six books. His journalism has been featured in Time, The Guardian, The New York Times, and other national publications, and he won the National Association of Black Journalists' Investigative Reporting Award for coverage of jury exclusion in North Carolina courts. His most recent book, Letters to My White Male Friends, is a call to action and a reflection on race.    The episode airs on December 31.    Please go to ceasefiretoday.com, which features 10+ actions to help bring about Ceasefire in Gaza.

Notes and Links to Lydia Kiesling's Work      Lydia Kiesling is a novelist and culture writer. Her first novel, The Golden State, was a 2018 National Book Foundation “5 under 35” honoree and a finalist for the VCU Cabell First Novelist Award. Her second novel, Mobility, a national bestseller, was named a best book of 2023 by Vulture, Time, and NPR, among others. It was longlisted for the Joyce Carol Oates Prize and a finalist for the Oregon Book Award. Her essays and nonfiction have been published in outlets including The New York Times Magazine, The New Yorker online, and The Cut. Contact her at lydiakiesling@gmail.com. Buy Mobility   Lydia Kiesling's Website   Lydia's Wikipedia Page Alta Online Book Review for Mobility   At about 1:35, Lydia gives out contact information and social media information, as well as places  At about 4:10, “Return of the Mack” as an “eternal jam” is highlighted in the book At about 5:40, Lydia talks about her reading life and how it connected to her “cusp generation” and her time as a “foreign service brat” At about 9:50, Lydia talks about her experience reading Joyce Carol Oates, for whom an award is named that Lydia was longlisted for, and Pete compares the narrator, Bunny, and her situation in Mobility to iconic characters from “Where are you going, Where have you been?” and “In the Land of Men” At about 11:30, Lydia recounts interesting parts of her life in boarding school and how it shaped her At about 15:20, Lydia discusses the reading life fostered through memorable English classes in boarding school At about 21:15, Lydia highlights the ways in which her life as a writer developed, including early work in the blog era and a great opportunity from The Millions At about 26:00, Lydia shouts out contemporary writers who thrill and inspire, including Jenny Erpenbeck and Bruna Dantas Lobato At about 30:55, Lyda responds to Pete's questions about the ways in which Lydia's history as a “diplomat brat” has affected her view of the US At about 34:45, The two discuss seeds for the book and the importance of the book's concise epigraph  At about 37:25, Lydia highlights The Oil and the Glory as inspiration for the book At about 40:45, Pete lays out part of the book's exposition and underscores the importance of the book's first scene and use of oil prices to mark each year  At about 42:30, Lydia responds to Pete asking about the draw of Eddie and Charlie and the older men/boys At about 43:55, Pete quotes Mario Puzo in relating to “men doing what they do when they're away from home” and Lyda builds on it when talking about Baku and the things and people that came with oil drilling At about 45:00, Lydia gives background of the soap opera referenced in the book as she and Pete further discuss important early characters At about 47:40, Lydia explains the background and significance of a ring that Bunny covets that says “I respond to whoever touches me” At about 51:00, Pete recounts some of the plot involving Bunny's return to the US and Texas and asks Lydia about the intentions of her mentor, Phil At about 53:20, Lydia expands on the “weird current” that comes with being a young woman/woman in a male-dominated world At about 54:40, Pete and Lydia discuss the manner in which Bunny and so many in our society choose to look away when faced with the evils of capitalism, oil, war, etc.  At about 58:15, Lydia emphasizes the ways in which story and narrative govern so much of the way politics and business work At about 59:40, The two discuss Bunny as a nominal liberal  At about 1:01:15, Lydia responds to Pete's question about any reasons for optimism in response to climate change At about 1:04:00, The idea of “geologic time” as a negative and positive is discussed with regards to the environment and oil and positive change       You can now subscribe to the podcast on Apple Podcasts, and leave me a five-star review. You can also ask for the podcast by name using Alexa, and find the pod on Stitcher, Spotify, and on Amazon Music. Follow Pete on IG, where he is @chillsatwillpodcast, or on Twitter, where he is @chillsatwillpo1. You can watch other episodes on YouTube-watch and subscribe to The Chills at Will Podcast Channel. Please subscribe to both the YouTube Channel and the podcast while you're checking out this episode.       Pete is very excited to have one or two podcast episodes per month featured on the website of Chicago Review of Books. The audio will be posted, along with a written interview culled from the audio. This week, his conversation with Episode 255 guest Chris Knapp is up on the website. A big thanks to Rachel León and Michael Welch at Chicago Review.     Sign up now for The Chills at Will Podcast Patreon: it can be found at patreon.com/chillsatwillpodcastpeterriehl      Check out the page that describes the benefits of a Patreon membership, including cool swag and bonus episodes. Thanks in advance for supporting Pete's one-man show, his DIY podcast and his extensive reading, research, editing, and promoting to keep this independent podcast pumping out high-quality content!   This month's Patreon bonus episode will feature an exploration of the wonderful poetry of Khalil Gibran.    I have added a $1 a month tier for “Well-Wishers” and Cheerleaders of the Show.    This is a passion project of Pete's, a DIY operation, and he'd love for your help in promoting what he's convinced is a unique and spirited look at an often-ignored art form.    The intro song for The Chills at Will Podcast is “Wind Down” (Instrumental Version), and the other song played on this episode was “Hoops” (Instrumental)” by Matt Weidauer, and both songs are used through ArchesAudio.com.    Please tune in for Episode 267 with Keith O'Brien. He is a New York Times bestselling author and award-winning journalist who has written four books, been longlisted for the Andrew Carnegie Medal for Excellence in Nonfiction, and contributed to multiple publications over the years, including the New York Times Magazine, the Atlantic, and NPR. Kirkus Reviews hails his latest, Charlie Hustle, as a "masterpiece of a sports biography."    The episode airs on December 24.    Please go to ceasefiretoday.com, which features 10+ actions to help bring about Ceasefire in Gaza.

Bestselling novelist and award-winning journalist Jennifer Egan joins us on this week's episode of You Are What You Read. You know Jennifer's work: Manhattan Beach, A Visit from the Goon Squad, Candy House, and more. A winner of the Pulitzer Prize, the National Book Critics Circle Award, and the Andrew Carnegie Medal for Excellence in Fiction, Jennifer's books are the gold standard. It's no wonder they have also been included in the New York Times's 100 Best Books of the 21st Century and among President Barack Obama's favorite reads. Jennifer's writing also appears in The New Yorker and The New York Times. In this conversation, we get to know Jennifer beyond the page and the crucial steps she took to become a writer- her gap year between high school and college thinking she would be an archeologist, her career as a model, her time spent as a temp in New York City…and her many stories in between.  Learn more about your ad choices. Visit megaphone.fm/adchoices

Adam Higginbotham discusses with Ivan six things which should be better known. Adam Higginbotham is the author of Midnight in Chernobyl, winner of the Andrew Carnegie Medal for Excellence in Nonfiction and one of the New York Times' Ten Best Books of 2019. His latest book, Challenger: A True Story of Heroism and Disaster on the Edge of Space, was published by Avid Reader Press in May this year. An immediate New York Times bestseller, Challenger is the winner of the 2024 Kirkus Prize for Nonfiction. William Friedkin's Sorcerer https://rogersmovienation.com/2024/04/07/classic-film-review-reconsidering-sorcerer-1977/ Roger Boisjoly https://www.npr.org/sections/thetwo-way/2012/02/06/146490064/remembering-roger-boisjoly-he-tried-to-stop-shuttle-challenger-launch The Allen Room at the New York Public Library https://www.nypl.org/about/locations/schwarzman/research-study-rooms Len Deighton https://www.deightondossier.net/ Strong Words magazine https://www.strong-words.co.uk/ Peter Nichols' A Voyage For Madmen https://thetidesofhistory.com/2022/10/09/book-review-a-voyage-for-madmen-by-peter-nichols/ This podcast is powered by ZenCast.fm

Amanda Peters joined us for October's “Bookaccino Live” Book Group to discuss THE BERRY PICKERS, which was the 2023 Barnes & Noble Discover Prize winner and was awarded the 2024 Andrew Carnegie Medal for Excellence in Fiction. It also was a Bookreporter Bets On selection. Amanda talks about her inspiration for the novel, which involved a trip to Maine with her father to show her where his family who was part of the Mi'kmaq tribe came from. She shares that the story was first written in only one voice and explains when she made the decision to change that. The audience questions flew fast and furious. Amanda also told us that her collection of short stories, WAITING FOR THE LONG NIGHT MOON, will be out in the US on February 11th. You can read more about the book here: https://www.bookreporter.com/reviews/waiting-for-the-long-night-moon-stories. Also, you can watch or listen to the interview done with Amanda when THE BERRY PICKERS first came out here: https://tbrnetwork.com/podcasts/bookreporter-talks-to/bookreporter-talks-to-amanda-peters/. Our Latest “Bookreporter Talks To” Interviews: Susan Rieger: https://youtu.be/hl-ypqwZwfw Jean Hanff Korelitz: https://youtu.be/EI-7XRrRWDI Laura Dave: https://youtu.be/1730g7zxRIc Chris Whitaker: https://youtu.be/5pQQbuIA1GM T.J. Newman: https://youtu.be/DOfl2RAdcB8 Dawn Tripp: https://youtu.be/OgaYC7kSlok Our Latest “Bookaccino Live” Book Group Events: Shelley Read: https://youtu.be/3KdG1kIfcgc William Kent Krueger: https://youtu.be/IsIQJn3vYNI Ann Napolitano: https://youtu.be/VNYNugzjVbo Kate Morton: https://youtu.be/P8nwLRTAaFg Shelby Van Pelt: https://youtu.be/V2RbvnDn_rs Lisa See: https://youtu.be/GV3G-szlWHU Sign up for newsletters from Bookreporter and Reading Group Guides here: https://tbrnetwork.com/newsletters/ FOLLOW US on Facebook: https://www.facebook.com/bookreporter Website: https://www.bookreporter.com Art Credit: Tom Fitzgerald Edited by Jordan Redd Productions

Rebecca Makkai joins Deborah Treisman to read and discuss “The Third and Final Continent,” by Jhumpa Lahiri, which was published in The New Yorker in 1999. Makkai is the author of the story collection “Music for Wartime” and the novels “The Borrower,” “The Hundred Year House,” “The Great Believers,” for which she won the Andrew Carnegie Medal for Excellence in Fiction, and “I Have Some Questions for You,” which was published last year. 

Host Nathan Maharaj spoke with Amanda Peters, author of the 2023 novel The Berry Pickers, a book about a 4-year-old girl who goes missing while her family is visiting Maine for the summer to pick blueberries. It's a book that won both the Andrew Carnegie Medal for Excellence in Fiction and the Crime Writers of Canada's first novel award, among many other accolades. Her new book is a collection of short stories called Waiting for the Long Night Moon. Amanda Peters on the art of thought-provoking storytelling

Miles Harvey is the author of The Registry of Forgotten Objects: Stories, which won The Journal Non/Fiction Prize and was published by Mad Creek Books, the trade imprint of The Ohio State University Press. His fiction has appeared in Ploughshares, Conjunctions, AGNI, North American Review, Chicago Quarterly Review, The Michigan Quarterly Review, Nimrod, Fiction Magazine, and others, and has received a Distinguished Story in The Best American Short Stories, 2004, a Special Mention in Pushcart Prize XXXVII: Best of the Small Presses, 2013, and the Sherwood Anderson Fiction Award from Mid-American Review, 2015. His most recent work of nonfiction, The King of Confidence (Little, Brown & Co., 2020), was longlisted for the Andrew Carnegie Medal for Excellence in Nonfiction and was named as a New York Times Book Review Editors' Choice selection. He also wrote The Island of Lost Maps (a national and international bestseller for Random House, 2000) and Painter in a Savage Land (Random House, 2008). His play, How Long Will I Cry, premiered in 2013 at Steppenwolf Theatre in Chicago. Harvey teaches creative writing at DePaul University in Chicago, where he chairs the Department of English and is a founding editor of Big Shoulders Books, a nonprofit, social-justice publisher. 

Morgan Talty live-comments on his own Goodreads review, then discusses his debut novel, Fire Exit, as well as why he enjoys interacting with his online reviewers, the expectations people bring to indigenous fiction, being an objective reader of his own work, building emotion around an idea, balancing darkness with tenderness, Alice Munro, writing from the perspective of a white man, and more! Morgan Talty is a citizen of the Penobscot Indian Nation. His debut short story collection, Night of the Living Rez, won the PEN/Robert W. Bingham Prize, the American Academy of Arts & Letters Sue Kaufman Prize, the National Book Critics Circle John Leonard Prize, the New England Book Award, the National Book Foundation's 5 Under 35 Honor, and was a Finalist for the Barnes & Noble Discover Great New Writers Award, the Andrew Carnegie Medal for Excellence in Fiction, the 2023 Mark Twain American Voice in Literature Prize, and The Story Prize. His writing has appeared in The Georgia Review, Granta, Shenandoah, TriQuarterly, Narrative, Lit Hub, and elsewhere. Talty is an assistant professor of English in Creative Writing and Native American and Contemporary Literature at the University of Maine, Orono, and he is on the faculty at the Stonecoast MFA in Creative Writing as well as the Institute of American Indian Arts. He lives in Levant, Maine. Learn more about your ad choices. Visit megaphone.fm/adchoices

Join Ocean House owner, actor, and bestselling author Deborah Goodrich Royce for a conversation with New York Times bestselling authors and mother/son duo Elliott Ackerman and Joanna Leedom-Ackerman. They discuss their books: Joanne Leedom-Ackerman's The Far Side of the Desert and Elliott Ackerman's 2054. About the Authors:  Elliot Ackerman is the author of the novels Halcyon, Red Dress in Black and White, Waiting for Eden, Dark at the Crossing, Green on Blue, and the memoirs The Fifth Act and Places and Names. His books have been nominated for numerous awards, including the National Book Award, the Andrew Carnegie Medal in fiction and nonfiction, and the Dayton Literary Peace Prize. He is a contributing writer at The Atlantic and a Marine veteran, having served five tours of duty in Iraq and Afghanistan, where he received the Silver Star, the Bronze Star for Valor, and the Purple Heart. About 2054: From the acclaimed authors of the runaway New York Times bestseller 2034 comes another explosive work of speculative fiction set twenty years further in the future, at a moment when a radical leap forward in artificial intelligence combines with America's violent partisan divide to create an existential threat to the country, and the world It is twenty years after the catastrophic war between the United States and China that brought down the old American political order. A new party has emerged in the US, holding power for over a decade. Efforts to cement its grip have resulted in mounting violent resistance. The American president has control of the media but is beginning to lose control of the streets. Many fear he'll stop at nothing to remain in the White House. Suddenly, he collapses in the middle of an address to the nation. After an initial flurry of misinformation, the administration reluctantly announces his death. A cover-up ensues, conspiracy theories abound, and the country descends into a new type of civil war. A handful of elite actors from the worlds of computer science, intelligence, and business have a fairly good idea of what happened. All signs point to a profound breakthrough in AI, of which the remote assassination of an American president is hardly the most game-changing ramification. The trail leads to an outpost in the Amazon rainforest, the last known whereabouts of the tech visionary who predicted this breakthrough. As some of the world's great powers, old and new, state and nonstate alike, struggle to outmaneuver one another in this new Great Game of scientific discovery, the outcome becomes entangled with the fate of American democracy. Combining a deep understanding of AI, biotech, and the possibility of a coming Singularity, along with their signature geopolitical sophistication, Elliot Ackerman and Admiral James Stavridis have once again written a visionary work. 2054 is a novel that reads like a thriller, even as it demands that we consider the trajectory of our society and its potentially calamitous destination. Joanne Leedom-Ackerman is a novelist, short story writer, and journalist. Her works of fiction include Burning Distance, The Dark Path to the River, and No Marble Angels. She has published PEN Journeys: Memoir of Literature on the Line and was the editor for The Journey of Liu Xiaobo: From Dark Horse to Nobel Laureate. Former International Secretary of PEN International, she is a Vice President of PEN International and a former board member and Vice President of PEN American Center. She serves on the boards of Refugees International, the International Center for Journalists, the American Writers Museum, and Words Without Borders and is an emeritus director of Poets and Writers, the PEN/Faulkner Foundation, and Human Rights Watch and an emeritus trustee of Brown University and Johns Hopkins University. Joanne is a member of the Council on Foreign Relations and the Texas Institute of Letters. A former The Christian Science Monitor reporter, Joanne has taught writing at New York University, City University of New York, Occidental College, and the University of California at Los Angeles extension. About The Far Side of the Desert: A terrorist attack—a kidnapping—the ultimate vacation gone wrong Sisters Samantha and Monte Waters are vacationing together in Santiago de Compostela, Spain, enjoying a festival and planning to meet with their brother, Cal—but the idyllic plans are short-lived. When terrorists' attacks rock the city around them, Monte, a U.S. foreign service officer, and Samantha, an international television correspondent, are separated, and one of them is whisked away in the frenzy. The family mobilizes, using all their contacts to try to find their missing sister, but to no avail. She has vanished. As time presses on, the outlook darkens. Can she be found, or is she a lost cause? And, even if she returns, will the damage to her and those around her be irreparable? Moving from Spain to Washington to Morocco to Gibraltar to the Sahara Desert, The Far Side of the Desert is a family drama and political thriller that explores links of terrorism, crime, and financial manipulation, revealing the grace that ultimately foils destruction.  

Morgan Talty is the author of the debut novel Fire Exit, available from Tin House. Talty is a citizen of the Penobscot Indian Nation. His debut short story collection, Night of the Living Rez, won the PEN/Robert W. Bingham Prize, the American Academy of Arts and Letters Sue Kaufman Prize, the National Book Critics Circle John Leonard Prize, the New England Book Award, the National Book Foundation's 5 Under 35 Honor, and was a finalist for the Barnes & Noble Discover Great New Writers Award, the Andrew Carnegie Medal for Excellence in Fiction, the Mark Twain American Voice in Literature Award, and The Story Prize. His writing has appeared in The Georgia Review, Granta, Shenandoah, TriQuarterly, Narrative, Lit Hub, and elsewhere. Talty is an assistant professor of English in Creative Writing and Native American and Contemporary Literature at the University of Maine, Orono, and he is on the faculty at the Stonecoast MFA in Creative Writing as well as the Institute of American Indian Arts. He lives in Levant, Maine. *** Otherppl with Brad Listi is a weekly literary podcast featuring in-depth interviews with today's leading writers. Available where podcasts are available: Apple Podcasts, Spotify, YouTube, etc. Subscribe to Brad Listi's email newsletter. Support the show on Patreon Merch @otherppl Instagram  TikTok Email the show: letters [at] otherppl [dot] com The podcast is a proud affiliate partner of Bookshop, working to support local, independent bookstores. Learn more about your ad choices. Visit megaphone.fm/adchoices

In 2011, Syrians took to the streets demanding freedom. Brutal government repression transformed peaceful protests into one of the most devastating conflicts of our times, killing hundreds of thousands and displacing millions.  The Home I Worked to Make: Voices from the New Syrian Diaspora (Liveright, 2024) takes Syria's refugee outflow as its point of departure. Based on hundreds of interviews conducted across more than a decade, it probes a question as intimate as it is universal: What is home? With gripping immediacy, Syrians now on five continents share stories of leaving, losing, searching, and finding (or not finding) home. Across this tapestry of voices, a new understanding emerges: home, for those without the privilege of taking it for granted, is both struggle and achievement. Recasting “refugee crises” as acts of diaspora-making, The Home I Worked to Make challenges readers to grapple with the hard-won wisdom of those who survive war and to see, with fresh eyes, what home means in their own lives. Wendy Pearlman is professor of political science at Northwestern University. She speaks Arabic and is the author of five books on the Middle East, including We Crossed a Bridge and It Trembled: Voices from Syria, which was longlisted for the Andrew Carnegie Medal for Excellence. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

In 2011, Syrians took to the streets demanding freedom. Brutal government repression transformed peaceful protests into one of the most devastating conflicts of our times, killing hundreds of thousands and displacing millions.  The Home I Worked to Make: Voices from the New Syrian Diaspora (Liveright, 2024) takes Syria's refugee outflow as its point of departure. Based on hundreds of interviews conducted across more than a decade, it probes a question as intimate as it is universal: What is home? With gripping immediacy, Syrians now on five continents share stories of leaving, losing, searching, and finding (or not finding) home. Across this tapestry of voices, a new understanding emerges: home, for those without the privilege of taking it for granted, is both struggle and achievement. Recasting “refugee crises” as acts of diaspora-making, The Home I Worked to Make challenges readers to grapple with the hard-won wisdom of those who survive war and to see, with fresh eyes, what home means in their own lives. Wendy Pearlman is professor of political science at Northwestern University. She speaks Arabic and is the author of five books on the Middle East, including We Crossed a Bridge and It Trembled: Voices from Syria, which was longlisted for the Andrew Carnegie Medal for Excellence. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/middle-eastern-studies

In 2011, Syrians took to the streets demanding freedom. Brutal government repression transformed peaceful protests into one of the most devastating conflicts of our times, killing hundreds of thousands and displacing millions.  The Home I Worked to Make: Voices from the New Syrian Diaspora (Liveright, 2024) takes Syria's refugee outflow as its point of departure. Based on hundreds of interviews conducted across more than a decade, it probes a question as intimate as it is universal: What is home? With gripping immediacy, Syrians now on five continents share stories of leaving, losing, searching, and finding (or not finding) home. Across this tapestry of voices, a new understanding emerges: home, for those without the privilege of taking it for granted, is both struggle and achievement. Recasting “refugee crises” as acts of diaspora-making, The Home I Worked to Make challenges readers to grapple with the hard-won wisdom of those who survive war and to see, with fresh eyes, what home means in their own lives. Wendy Pearlman is professor of political science at Northwestern University. She speaks Arabic and is the author of five books on the Middle East, including We Crossed a Bridge and It Trembled: Voices from Syria, which was longlisted for the Andrew Carnegie Medal for Excellence. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/anthropology

In 2011, Syrians took to the streets demanding freedom. Brutal government repression transformed peaceful protests into one of the most devastating conflicts of our times, killing hundreds of thousands and displacing millions.  The Home I Worked to Make: Voices from the New Syrian Diaspora (Liveright, 2024) takes Syria's refugee outflow as its point of departure. Based on hundreds of interviews conducted across more than a decade, it probes a question as intimate as it is universal: What is home? With gripping immediacy, Syrians now on five continents share stories of leaving, losing, searching, and finding (or not finding) home. Across this tapestry of voices, a new understanding emerges: home, for those without the privilege of taking it for granted, is both struggle and achievement. Recasting “refugee crises” as acts of diaspora-making, The Home I Worked to Make challenges readers to grapple with the hard-won wisdom of those who survive war and to see, with fresh eyes, what home means in their own lives. Wendy Pearlman is professor of political science at Northwestern University. She speaks Arabic and is the author of five books on the Middle East, including We Crossed a Bridge and It Trembled: Voices from Syria, which was longlisted for the Andrew Carnegie Medal for Excellence. Learn more about your ad choices. Visit megaphone.fm/adchoices

Hanif Abdurraqib (winner of a 2024 Windham Campbell Prize for Non-Fiction) joins Michael Kelleher to discuss his love for Gloria Naylor's The Women of Brewster Place, writing about cities, the importance of community, and more. Reading list:  The Women of Brewster Place by Gloria Naylor • Mama Day by Gloria Naylor • Linden Hills by Gloria Naylor • Your Blues Ain't Like Mine by Bebe Moore Campbell • The Easy Rawlins novels by Walter Mosley • Waiting to Exhale by Terry McMillan For a full episode transcript, click here. Hanif Abdurraqib is the author of three critically acclaimed books of nonfiction and five poetry collections. A writer of extraordinary depth, style, and range, Abdurraqib is a public intellectual in the truest sense of the term, combining discursive flexibility with a profound emotional and intellectual rigor. In both his essays and in books like A Little Devil in America: In Praise of Black Performance (2021), Go Ahead in the Rain: Notes to a Tribe Called Quest (2019), and They Can't Kill Us Until They Kill Us (2017), Abdurraqib moves through a wide range of subjects—Michael Jackson and moon walks, Sun Ra and NASA missions—incorporating the personal and the political with both joy and seeming effortlessness. He is the recipient of an Andrew Carnegie Medal for Excellence in Nonfiction (2022), the Gordon Burn Prize (2021), and a MacArthur Fellowship (2021) among other honors. Abdurraqib is also the host of a weekly podcast called “Object of Sound” with Sonos Radio. The Windham-Campbell Prizes Podcast is a program of The Windham-Campbell Prizes, which are administered by Yale University Library's Beinecke Rare Book and Manuscript Library.

In a special episode recorded before a live audience at the 2024 Ohioana Book Festival, Jacqueline Woodson and Hanif Abdurraqib discuss their latest books, their artistic influences, how they define “making it” as a writer, what it was like to win the MacArthur Fellowship, how they navigate their public roles as authors, how libraries impacted their lives, and more.   Hanif Abdurraqib is a poet, essayist, and cultural critic from Columbus, Ohio. He is the author of the poetry collections The Crown Ain't Worth Much and A Fortune for Your Disaster. His nonfiction titles include Go Ahead in The Rain: Notes to a Tribe Called Quest, They Can't Kill Us Until They Kill Us, and A Little Devil in America: In Praise of Black Performance, which was a finalist for the National Book Award and won the 2022 Andrew Carnegie Medal for Excellence. His latest book is There's Always This Year: On Basketball and Ascension.   Jacqueline Woodson is the author of more than thirty books for young people and adults, including Another Brooklyn, Red at The Bone, and The Day You Begin. She received a 2023 Guggenheim Foundation Fellowship and a 2023 E. B. White Award, among many other accolades, and was the 2018–2019 National Ambassador for Young People's Literature. Her memoir Brown Girl Dreaming won the National Book Award, the Coretta Scott King Award, a Newbery Honor, and the NAACP Image Award. In 2018, she founded Baldwin For The Arts, a residency serving writers, composers, interdisciplinary, and visual artists of the Global Majority. Her most recent book, Remember Us, is a middle grade novel set in Bushwick.   The panel was sponsored by Ohio Humanities and hosted at the Ohioana Book Festival at the Columbus Metropolitan Library on April 20, 2024. Festival photos: Mary Rathke   Page Count is produced by Ohio Center for the Book at Cleveland Public Library. For full show notes and a transcript of this episode, visit the episode page. To get in touch, email ohiocenterforthebook@cpl.org (put “podcast” in the subject line) or follow us on Instagram, Twitter, or Facebook.

Elliot Ackerman has an intriguing essay in this issue of Liberties Quarterly on the use and abuse of mercenaries throughout history. Linking the history of the British in India, the US in Afghanistan and Russia in contemporary Ukraine, he ask what it means when mercenaries replace regular soldiers to fight supposedly “national” wars? It's not usually good news, he suggests, arguing that for America to remain both a militarily and morally great power in the 21st century, it should consider reestablishing national service for all citizens, irrespective of gender, class or race. ELLIOT ACKERMAN is the New York Times bestselling author of the novels Halcyon, 2034, Red Dress In Black and White, Waiting for Eden, Dark at the Crossing, and Green on Blue, as well as the memoir The Fifth Act: America's End in Afghanistan, and Places and Names: On War, Revolution and Returning. His books have been nominated for the National Book Award, the Andrew Carnegie Medal in both fiction and nonfiction, and the Dayton Literary Peace Prize among others. He is a contributing writer at The Atlantic and Marine veteran who served five tours of duty in Iraq and Afghanistan, where he received the Silver Star, the Bronze Star for Valor, and the Purple Heart. He divides his time between New York City and Washington, D.C.Named as one of the "100 most connected men" by GQ magazine, Andrew Keen is amongst the world's best known broadcasters and commentators. In addition to presenting KEEN ON, he is the host of the long-running How To Fix Democracy show. He is also the author of four prescient books about digital technology: CULT OF THE AMATEUR, DIGITAL VERTIGO, THE INTERNET IS NOT THE ANSWER and HOW TO FIX THE FUTURE. Andrew lives in San Francisco, is married to Cassandra Knight, Google's VP of Litigation & Discovery, and has two grown children.Keen On is a reader-supported publication. To receive new posts and support my work, consider becoming a free or paid subscriber. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit keenon.substack.com/subscribe

In Episode 161, author Amanda Peters joins me to discuss her surprise hit novel, The Berry Pickers. This debut novel (which was the 2023 Barnes & Noble Discover Pick) seamlessly blends sadness and heartwarming moments.  In our chat, Amanda shares what (or who) started her on this journey, the road to publication, and what she hopes readers take away from her first novel.  Plus, Amanda shares some great book recommendations! This post contains affiliate links through which I make a small commission when you make a purchase (at no cost to you!). CLICK HERE for the full episode Show Notes on the blog. Highlights A brief, spoiler-free overview of The Berry Pickers. How Amanda's family history shaped the story. Amanda's journey from book concept to securing an agent and getting published. Recognition as a Barnes & Noble Discover Pick for both November and 2023 overall. How Amanda's life has changed in the wake of the book's runaway success. What it's like to be an introverted author on tour. Amanda's decision to focus on character journeys rather than presenting the book as a typical mystery. Examining the topic of missing and murdered indigenous women and girls. The recurring theme of the unconscious mind's ability to remember trauma. The role of self-forgiveness and how difficult that can be. A glimpse into what's next for Amanda, including a collection of short stories and a new manuscript. Amanda's Book Recommendations [25:28] Two OLD Books She Loves A Burning by Megha Majumdar | Amazon | Bookshop.org [26:12] The Underpainter by Jane Urquhart  | Amazon | Bookshop.org  [26:55] Two NEW Books She Loves Truth Telling by Michelle Good | Amazon | Bookshop.org [28:28] We Rip the World Apart by Charlene Carr (expected US release October 8, 2024) | Amazon | Bookshop.org [30:24] Other Books Mentioned: Five Little Indians by Michelle Good [42:08] Hold My Girl by Charlene Carr [30:42] One NEW RELEASE She's Excited About Fire Exit by Morgan Talty (June 4, 2024) | Amazon | Bookshop.org [32:29] Other Books Mentioned: Night of the Living Rez by Morgan Talty [32:40] Last 5-Star Book Amanda Read Brown Girls by Daphne Palasi Andreades | Amazon | Bookshop.org [34:32] Other Books Mentioned A Burning by Megha Majumdar [5:16] Chain-Gang All-Stars by Nana Kwame Adjei-Brenyah [10:06] The Body Keeps the Score by Bessel van der Kolk M.D. [21:19] Waiting for the Long Night Moon: Stories by Amanda Peters (expected publication August 13, 2024) [24:11] About Amanda Peters Website | Instagram  Amanda Peters is a writer of Mi'kmaq and settler ancestry. Her debut novel, The Berry Pickers is the Winner of the Andrew Carnegie Medal of Excellence in Fiction, the 2023 Barnes & Noble Discovery Prize Winner, and was shortlisted for the Barnes & Noble Book of the Year and the Atwood Gibson Fiction Award from the Writers Trust of Canada. Her work has also appeared in the Antigonish Review, Grain Magazine, the Alaska Quarterly Review, the Dalhousie Review and Filling Station Magazine. She is the winner of the 2021 Indigenous Voices Award for Unpublished Prose and a participant in the 2021 Writers' Trust Rising Stars program. Amanda is a graduate of the Master of Fine Arts Program at the Institute of American Indian Arts (IAIA) in Santa Fe, New Mexico, and has a Certificate in Creative Writing from the University of Toronto.

During this season of gratitude, we are grateful for all of you, dear listeners, writers, and friends. We're also grateful for a university-sponsored break from our laptops. So, as we take a pause from the screens, we hope you enjoy one of our favorites from Season 3. We'll be back to our regular programming in two weeks. Jonathan Escoffery, author of the highly acclaimed debut collection If I Survive You, sits down with Jared to discuss how this book grew out of his MFA writing sample and how he plays with form while exploring “the unsolvable problem of family.” A recent MFA graduate and current PhD student, Jonathan also offers advice for emerging writers and shares what it's like to go on your first book tour. Jonathan Escoffery is the author of the linked story collection, If I Survive You, a New York Times Editor's Choice and an Indie National Bestseller. If I Survive You (MCDxFSG) was long-listed for the National Book Award, the Andrew Carnegie Medal for Excellence, and was a finalist for the Southern Book Prize and a Golden Poppy Award. Jonathan is a graduate of the University of Minnesota's Creative Writing MFA Program and currently attends the University of Southern California's Ph.D. in Creative Writing and Literature Program as a Provost Fellow. He is a 2021-2023 Wallace Stegner Fellow at Stanford University. Learn more at his website, www.jonathanescoffery.com. MFA Writers is hosted by Jared McCormack and produced by Jared McCormack and Hanamori Skoblow. New episodes are released every two weeks. You can find more MFA Writers at MFAwriters.com. BE PART OF THE SHOW — Donate to the show at Buy Me a Coffee. — Leave a rating and review on Apple Podcasts. — Submit an episode request. If there's a program you'd like to learn more about, contact us and we'll do our very best to find a guest who can speak to their experience. — Apply to be a guest on the show by filling out our application. STAY CONNECTED Twitter: @MFAwriterspod Instagram: @MFAwriterspodcast Facebook: MFA Writers Email: mfawriterspodcast@gmail.com

EPISODE 1844: In this KEEN ON show, Andrew talks to Ben Austen, author of CORRECTION, about parole, prison and the near impossibility of change in the current American criminal justice systemBen Austen is a writer from Chicago. He is the co-host of the podcast Some of My Best Friends Are and the author of High-Risers: Cabrini-Green and the Fate of American Public Housing. High-Risers was long-listed for the Andrew Carnegie Medal of Excellence in Nonfiction, shortlisted for the Goddard Riverside Stephan Russo Book Prize for Social Justice, and named one of the best books of 2018 by Booklist, Mother Jones and the public libraries of Chicago and St. Louis. A former editor at Harper's Magazine, he is a story consultant on the podcast The City and a senior fellow at the Invisible Institute. His feature writing has appeared in the New York Times Magazine, Wired, GQ, The Best American Travel Writing, and many other publications. Named as one of the "100 most connected men" by GQ magazine, Andrew Keen is amongst the world's best known broadcasters and commentators. In addition to presenting KEEN ON, he is the host of the long-running How To Fix Democracy show. He is also the author of four prescient books about digital technology: CULT OF THE AMATEUR, DIGITAL VERTIGO, THE INTERNET IS NOT THE ANSWER and HOW TO FIX THE FUTURE. Andrew lives in San Francisco, is married to Cassandra Knight, Google's VP of Litigation & Discovery, and has two grown children.

Paul Yoon is the author of four previous works of fiction: Once the Shore, which was a New York Times Notable Book; Snow Hunters, which won the Young Lions Fiction Award; The Mountain, which was an NPR Best Book of the Year; and Run Me to Earth, which was one of Time magazine's Must-Read Books of 2020 and longlisted for the Andrew Carnegie Medal for Excellence in Fiction. A recipient of a Guggenheim Fellowship, he lives in the Hudson Valley, New York. ArtistDecoded.com Paul's Website The Hive and The Honey

Bestselling, Booker Prize-winning author, Anne Enright, spoke to me about eagles and moles, the interior engineering of a novel, her love of Irish poetry, and her latest THE WREN, THE WREN. Anne Enright won the Man Booker Prize and the Irish Fiction Award for her novel The Gathering. She has also been awarded the Andrew Carnegie Medal for Excellence, a Lifetime Achievement Award from the Irish Book Awards, and was the first Laureate for Irish Fiction (2015-2018). Her latest novel The Wren, the Wren, was named a Most Anticipated Book of the Year by TIME, The Millions, Literary Hub, and others, and is described as the story of “... three generations of … women who must contend with inheritances―of poetic wonder and of abandonment by a man who is lauded in public and carelessly selfish at home.” The New York Times called it, "... a powerful, thoughtful book by one of the great living writers on the subject of family," and Pulitzer Prize-winning author Jennifer Egan said of the book, “The Wren, the Wren is an electrifying romp through language itself―its dizzying possibilities and satisfactions―led by one the most gifted writers working in English today." Anne Enright has also published two books of short stories, her essays on literary themes have appeared in the London Review of Books and The New York Review of Books, and she writes for the books pages of The Irish Times and The Guardian. [Discover The Writer Files Extra: Get 'The Writer Files' Podcast Delivered Straight to Your Inbox at writerfiles.fm] [If you're a fan of The Writer Files, please click FOLLOW to automatically see new interviews. And drop us a rating or a review wherever you listen] In this file Anne Enright and I discussed:  The moment of burnout that changed her career How she used to be a night owl scribe Why you shouldn't over-panic, or over-plan The fallacies of impostor syndrome and inspiration How to create a fictional poet out of thin air Taking a long look at James Joyce across the table And a lot more! Show Notes: Anne Enright - Wikipedia The Wren, the Wren: A Novel by Anne Enright (Amazon) Anne Enright Amazon Author Page Book Review: ‘The Wren, the Wren,' by Anne Enright - The New York Times Kelton Reid on Twitter Learn more about your ad choices. Visit megaphone.fm/adchoices

Anne Enright is the author of the novel The Wren, The Wren, available from W.W. Norton & Co. Enright is author of seven novels, most recently Actress. She has been awarded the Man Booker Prize, the Andrew Carnegie Medal for Excellence in Fiction, and a Lifetime Achievement Award from the Irish Book Awards. She lives in Dublin. *** Otherppl with Brad Listi is a weekly literary podcast featuring in-depth interviews with today's leading writers. Available where podcasts are available: Apple Podcasts, Google Podcasts, Spotify, Stitcher, iHeart Radio, etc. Subscribe to Brad Listi's email newsletter. Support the show on Patreon Merch @otherppl Instagram  YouTube TikTok Email the show: letters [at] otherppl [dot] com The podcast is a proud affiliate partner of Bookshop, working to support local, independent bookstores. Learn more about your ad choices. Visit megaphone.fm/adchoices

Tim Murphy is the author of Correspondents and Christodora, which was long-listed for the 2017 Andrew Carnegie Medal for Excellence in Fiction and named a Best Book of the Year by The Guardian. He has also been a journalist for the past 25 years and joined me on Uncorking a Story to talk about his career and latest novel, Speech Team.  Key Takeaways Tim Murphy's passion for writing: Throughout the conversation, Tim shares his unwavering dedication to writing and his journey as an author. Listeners will learn about his personal reflections on the impact of a beloved teacher, his struggles and break from fiction writing, and the lasting impact of HIV/AIDS on his life and work. The inspiration behind "Speech Team": Tim discusses his novel, "Speech Team," which explores the lives of four friends from high school. Listeners will gain insights into the personal experiences and memories that influenced the book, as well as the process of excavating one's past for storytelling. Nostalgic reflections on pop culture: Tim takes a trip down memory lane, sharing nostalgic memories of childhood movies and the appeal of diva shade in 80s television repeats. Listeners will enjoy these moments of reflection and may find connections to their own experiences. The importance of personal growth and change: Tim discusses personal growth and change, both in his own life and in the lives of the characters in his novel. Listeners will gain insights into the transformative power of self-reflection and the impact of personal experiences on shaping one's identity. Buy Speech Team Amazon: https://amzn.to/3siApcD Bookshop.org: https://bookshop.org/a/54587/9780593653845 Connect With Tim Twitter: https://twitter.com/timmurphynyc?lang=en Instagram: https://www.instagram.com/timmurphynycwriter/   Connect with Mike Website: https://uncorkingastory.com/ Youtube: https://www.youtube.com/channel/UCSvS4fuG3L1JMZeOyHvfk_g Instagram: https://www.instagram.com/uncorkingastory/ TikTok: https://www.tiktok.com/@uncorkingastory Twitter: https://twitter.com/uncorkingastory Facebook: https://www.facebook.com/uncorkingastory LinkedIn: https://www.linkedin.com/company/uncorking-a-story/ If you like this episode, please share it with a friend. If you have not done so already, please rate and review Uncorking a Story on Apple Podcasts, or wherever you get your podcasts. #TimMurphy #AuthorInterview #NovelistLife #WritingPassion #SpeechTeam #AutobiographicalNovel #PersonalGrowth #LGBTQVisibility #NostalgicMemories #DivaShade #80sTelevision #Choreography #ChildhoodMovies #BoxingMovie #WritingJourney #UncorkingAStory #PodcastInterview #TimMurphyNYCWriter #ConnectWithTheAuthor #BuySpeechTeam #FindTimMurphy #AuthorWebsite #InstagramWriter #LiteraryCommunity #BookLovers #ReadersofInstagram #SupportAuthors #UncorkYourStory #PodcastRecommendation #MustListen Learn more about your ad choices. Visit megaphone.fm/adchoices

Rachel E. Gross is an award-winning science journalist who wrote an incredible book called Vagina Obscura which was a finalist for the 2023 Andrew Carnegie Medal for Excellence in Nonfiction. Go ahead and be impressed, but do not be intimidated. Rachel will enthrall you with stories of outlandish treatments for ailments that plague people with female reproductive systems, including a personal tale involving rat poison and her own vagina. She takes us back through history to when the fallopian tubes were named after an Italian Catholic priest and when Freud decided that all "women's issues" were psychological. She discusses how medical terminology can be harmful, placing blame on the woman or the body part itself. If that's not enough to draw you in, listen as we realize that both Ellie and Julia know a ton about bacterial vaginosis, and in a delightful epiphany, Ellie gives the perfect name to the wall of vagina-inspired art in Rachel's home. Bonus points if you count the number of times "vagina" is said in this episode. Topics and timestamps10:40 - How Rachel got into writing about science, specifically the science of vaginas18:02 - The Vagina Poison Story24:37 - The microbiome of the vagina30:57 - How medical language puts the blame on the body part (#incompetentcervix)38:50 - Ancient ideas that have been carried through to modern medicine43:46 - Thoughts on implanting bits of ovarian tissue to stave off menopauseHandles and sitesRachel's websiteRachel's writingRachel's InstaBuy Vagina ObscuraList of Resources MentionedPooping only every 3 or more days linked with cognitive decline, research findsRachel telling her vagina rat poison story on Story ColliderDoing Harm by Maya DusenberyOther LinksErin's Faces Affiliate LinkJulia G WellnessLeave us a review!Support the showBe one of the helpers! SUBSCRIBE to this podcast on APPLE PODCASTS or SPOTIFY and leave us a review on APPLE PODCASTS.

Jason and Brett chat with author Tim Murphy (Speech Team) and they recount shared teenage experiences, what it means to be a bully, the search for like-minded peers, and kvell over the brilliance of one 80s soap opera. Tim Murphy is the author of Correspondents and Christodora, which was long-listed for the 2017 Andrew Carnegie Medal for Excellence in Fiction and named a Best Book of the Year by The Guardian. He has also been a journalist for the past twenty-five years.Queer-Owned Bookstore Shout Out: BETTIE'S PAGES!Bettie's Pages is a queer-owned independent bookstore in Lowell, MI. Their mission is to cultivate community, empower readers, and maintain a welcoming space that is diverse, inclusive, and affirming. You can learn more about them HERE. **BOOKS!** Check out the list of books discussed on each episode on our Bookshop page:https://bookshop.org/shop/gaysreading | By purchasing books through this Bookshop link, you can support both Gays Reading and an independent bookstore of your choice!Join our Patreon for exclusive bonus content! Purchase your Gays Reading podcast Merch! Follow us on Instagram @gaysreading | @bretts.book.stack | @jasonblitmanWhat are you reading? Send us an email or a voice memo at gaysreading@gmail.com

Deesha and Dawnie chat with Jonathan Escoffery, author of last week's audio story, "Under the Ackee Tree," from his acclaimed collection and audiobook, If I Survive You. The linked stories follow Trelawny, a second generation Jamaican American, as he struggles through family tensions, cultural and historical loss and reclamation, and exploration of identity.  Escoffery talks about his collection and how it came to be—the process of developing characters, tensions, and narrative threads, as well as constructing a complicated family with conflicting generational perspectives on agency, culture, and legacy.  Support Ursa Short Fiction by becoming a member: https://ursastory.com/join/ Reading List: Authors, Stories, and Books Mentioned "Under the Ackee Tree" (Ursa Short Fiction, Season Two, Episode 12) If I Survive You (Jonathan Escoffery) If I Survive You audiobook (Audible) Jesus' Son (Denis Johnson) We the Animals (Justin Torres) About the Author Jonathan Escoffery is the author of the linked story collection, If I Survive You, a New York Times  and Booklist Editor's Choice, an IndieNext Pick, and a National Bestseller. If I Survive You was longlisted for the National Book Award, the PEN/Jean Stein Book Award, the PEN/ Robert W. Bingham Prize For Debut Short Story Collection, the Andrew Carnegie Medal for Excellence, the Aspen Words Literary Prize, and the Story Prize, and was shortlisted for the PEN/Faulkner Award for Fiction and the National Book Critics Circle's John Leonard Prize. It was named a ‘best' book by The New Yorker, The New York Times, NPR, Entertainment Weekly, People, TIME, Oprah Daily, GQ, and elsewhere. In 2020, Jonathan received the Paris Review's Plimpton Prize for Fiction and a National Endowment for the Arts Fellowship. He was a 2021-2023 Stegner Fellow at Stanford University. More from Deesha Philyaw and Dawnie Walton: The Secret Lives of Church Ladies (Deesha Philyaw) The Final Revival of Opal & Nev (Dawnie Walton) *** Episode editor: Kelly Araja Associate producer: Marina Leigh Producer: Mark Armstrong Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://ursastory.com/join

"When I was growing up, it was all about representation. I think that was the thing that was being championed: we need more people of color in books, movies, across all media. And then I think what we saw was an extremely cynical and capitalistic-minded ruthless optimization of that, where someone said: Oh, you want representation? Then we'll just throw in token people of color into projects. And then we'll check that box. And I think that became so prevalent in so many pieces of media that that became what we thought of as representation. I think it's a salvageable concept because, I mean, when I encountered books growing up, they were all with white people in them. Front to back, start to finish. It was just white characters. And so when I started writing stories of my own in school as a middle schooler they - surprise - they had white people in them, right? There were just white people talking about other white people. I went to public school in Queens. I knew very few white people. And so I think what representation does at its best is that it informs the boundaries of possibility. By seeing yourself represented in media, you become able to imagine your own stories transpiring in media and being made available for everybody else to witness.And so I think the point of representation is not just if we do a checklist of this piece of media, can we find a person of color. But I think the idea of representation is more that we want to be expanding the realm of storytelling, expanding what's possible by telling these stories that are not normally told.”How can we retell the story of America? In the United States of Amnesia, why does the Western celebrate cowboys but not all people who built this country? What does a Chinese-American hero look like in the 21st Century?Tom Lin is an American writer whose 2021 debut novel The Thousand Crimes of Ming Tsu chronicles the story of a Chinese American outlaw seeking revenge during America's railroad boom. The book won the 2022 Andrew Carnegie Medal for Excellence in Fiction, making Lin the youngest Carnegie winner in the prize's history. Tom Lin is currently pursuing an English doctorate at the University of California Davis.https://twotreeforest.comwww.hachettebookgroup.com/titles/tom-lin/the-thousand-crimes-of-ming-tsu/9780316542173/?lens=little-brownwww.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcastImage courtesy of Little, Brown and Company & Tom Lin

How can we retell the story of America? In the United States of Amnesia, why does the Western celebrate cowboys but not all people who built this country? What does a Chinese-American hero look like in the 21st Century?Tom Lin is an American writer whose 2021 debut novel The Thousand Crimes of Ming Tsu chronicles the story of a Chinese American outlaw seeking revenge during America's railroad boom. The book won the 2022 Andrew Carnegie Medal for Excellence in Fiction, making Lin the youngest Carnegie winner in the prize's history. Tom Lin is currently pursuing an English doctorate at the University of California Davis."When I was growing up, it was all about representation. I think that was the thing that was being championed: we need more people of color in books, movies, across all media. And then I think what we saw was an extremely cynical and capitalistic-minded ruthless optimization of that, where someone said: Oh, you want representation? Then we'll just throw in token people of color into projects. And then we'll check that box. And I think that became so prevalent in so many pieces of media that that became what we thought of as representation. I think it's a salvageable concept because, I mean, when I encountered books growing up, they were all with white people in them. Front to back, start to finish. It was just white characters. And so when I started writing stories of my own in school as a middle schooler they - surprise - they had white people in them, right? There were just white people talking about other white people. I went to public school in Queens. I knew very few white people. And so I think what representation does at its best is that it informs the boundaries of possibility. By seeing yourself represented in media, you become able to imagine your own stories transpiring in media and being made available for everybody else to witness.And so I think the point of representation is not just if we do a checklist of this piece of media, can we find a person of color. But I think the idea of representation is more that we want to be expanding the realm of storytelling, expanding what's possible by telling these stories that are not normally told.”https://twotreeforest.comwww.hachettebookgroup.com/titles/tom-lin/the-thousand-crimes-of-ming-tsu/9780316542173/?lens=little-brownwww.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcastImage courtesy of Little, Brown and Company & Tom Lin

How can we retell the story of America? In the United States of Amnesia, why does the Western celebrate cowboys but not all people who built this country? What does a Chinese-American hero look like in the 21st Century?Tom Lin is an American writer whose 2021 debut novel The Thousand Crimes of Ming Tsu chronicles the story of a Chinese American outlaw seeking revenge during America's railroad boom. The book won the 2022 Andrew Carnegie Medal for Excellence in Fiction, making Lin the youngest Carnegie winner in the prize's history. Tom Lin is currently pursuing an English doctorate at the University of California Davis."And so I did research to avoid writing. And what I would do is I would take these drives out into the desert, and I'd take notes. I went along the route of the Transcontinental Railroad east to west, west to east a bunch of times. And I went to all these history books and all these historical recovery projects that are being run.There's the project of Chinese and America and all these history books and synthesizing this sense of being in a place and time where I was not. And I think some of the things and some of the experiences that I felt while doing that research, I felt was necessary to preserve in the text because I think the text is always produced out of confluence with the body.And so in order to portray something in text, you have to pass it through the body and through the senses. And as a result, it was really important for me to go to these places and have that physical experience with the body in order that I would be able to put it down in the book and have it be true."https://twotreeforest.comwww.hachettebookgroup.com/titles/tom-lin/the-thousand-crimes-of-ming-tsu/9780316542173/?lens=little-brownwww.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcastImage courtesy of Little, Brown and Company & Tom Lin

"And so I did research to avoid writing. And what I would do is I would take these drives out into the desert, and I'd take notes. I went along the route of the Transcontinental Railroad east to west, west to east a bunch of times. And I went to all these history books and all these historical recovery projects that are being run.There's the project of Chinese and America and all these history books and synthesizing this sense of being in a place and time where I was not. And I think some of the things and some of the experiences that I felt while doing that research, I felt was necessary to preserve in the text because I think the text is always produced out of confluence with the body.And so in order to portray something in text, you have to pass it through the body and through the senses. And as a result, it was really important for me to go to these places and have that physical experience with the body in order that I would be able to put it down in the book and have it be true."How can we retell the story of America? In the United States of Amnesia, why does the Western celebrate cowboys but not all people who built this country? What does a Chinese-American hero look like in the 21st Century?Tom Lin is an American writer whose 2021 debut novel The Thousand Crimes of Ming Tsu chronicles the story of a Chinese American outlaw seeking revenge during America's railroad boom. The book won the 2022 Andrew Carnegie Medal for Excellence in Fiction, making Lin the youngest Carnegie winner in the prize's history. Tom Lin is currently pursuing an English doctorate at the University of California Davis.https://twotreeforest.comwww.hachettebookgroup.com/titles/tom-lin/the-thousand-crimes-of-ming-tsu/9780316542173/?lens=little-brownwww.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcastImage courtesy of Little, Brown and Company & Tom Lin

How can we retell the story of America? In the United States of Amnesia, why does the Western celebrate cowboys but not all people who built this country? What does a Chinese-American hero look like in the 21st Century?Tom Lin is an American writer whose 2021 debut novel The Thousand Crimes of Ming Tsu chronicles the story of a Chinese American outlaw seeking revenge during America's railroad boom. The book won the 2022 Andrew Carnegie Medal for Excellence in Fiction, making Lin the youngest Carnegie winner in the prize's history. Tom Lin is currently pursuing an English doctorate at the University of California Davis."I think so much of acceptance by foreign countries as immigrants, I think, lies with this ideal of assimilation. And assimilation in one respect, it's the negation of your own heritage and your own identity. Because it requires this kind of knowing adoption of a different set of standards and cultural practices, which are alien to you. And in order to assimilate, you have to make them feel as though they're your own. And I think that as a society we're trying to move past assimilation as an ideal for acceptance and moving into a more heterogeneous understanding of a culture that is able to absorb and tolerate different cultural practices and still preserve a common sense of identity that doesn't require necessarily assimilation.My parents used to say, 'You keep your head down, and you just try to do better than anyone else. And that'll be enough.'"https://twotreeforest.comwww.hachettebookgroup.com/titles/tom-lin/the-thousand-crimes-of-ming-tsu/9780316542173/?lens=little-brownwww.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcastImage courtesy of Little, Brown and Company & Tom Lin

"I think so much of acceptance by foreign countries as immigrants, I think, lies with this ideal of assimilation. And assimilation in one respect, it's the negation of your own heritage and your own identity. Because it requires this kind of knowing adoption of a different set of standards and cultural practices, which are alien to you. And in order to assimilate, you have to make them feel as though they're your own. And I think that as a society we're trying to move past assimilation as an ideal for acceptance and moving into a more heterogeneous understanding of a culture that is able to absorb and tolerate different cultural practices and still preserve a common sense of identity that doesn't require necessarily assimilation.My parents used to say, 'You keep your head down, and you just try to do better than anyone else. And that'll be enough.'"How can we retell the story of America? In the United States of Amnesia, why does the Western celebrate cowboys but not all people who built this country? What does a Chinese-American hero look like in the 21st Century?Tom Lin is an American writer whose 2021 debut novel The Thousand Crimes of Ming Tsu chronicles the story of a Chinese American outlaw seeking revenge during America's railroad boom. The book won the 2022 Andrew Carnegie Medal for Excellence in Fiction, making Lin the youngest Carnegie winner in the prize's history. Tom Lin is currently pursuing an English doctorate at the University of California Davis.https://twotreeforest.comwww.hachettebookgroup.com/titles/tom-lin/the-thousand-crimes-of-ming-tsu/9780316542173/?lens=little-brownwww.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcastImage courtesy of Little, Brown and Company & Tom Lin

How can we retell the story of America? In the United States of Amnesia, why does the Western celebrate cowboys but not all people who built this country? What does a Chinese-American hero look like in the 21st Century?Tom Lin is an American writer whose 2021 debut novel The Thousand Crimes of Ming Tsu chronicles the story of a Chinese American outlaw seeking revenge during America's railroad boom. The book won the 2022 Andrew Carnegie Medal for Excellence in Fiction, making Lin the youngest Carnegie winner in the prize's history. Tom Lin is currently pursuing an English doctorate at the University of California Davis."And for instance, something like climate change and this anthropogenic mass extinction that we're seeing going on, and we're losing enormous fractions of our biodiversity with every passing year. That's bleak. And it does feel like the end of the world is upon us. And we're entering into an unsurvivable planet. And it's okay to know that and to think that and to still strive for something because I think at its extremes, hope becomes insane. And you have to do something to fight it because otherwise, we are going into the apocalypse, I think there's no question. And to preserve hope against that possibility, I think that's difficult. And so that's what I strive to do."https://twotreeforest.comwww.hachettebookgroup.com/titles/tom-lin/the-thousand-crimes-of-ming-tsu/9780316542173/?lens=little-brownwww.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcastImage courtesy of Little, Brown and Company & Tom Lin

"And for instance, something like climate change and this anthropogenic mass extinction that we're seeing going on, and we're losing enormous fractions of our biodiversity with every passing year. That's bleak. And it does feel like the end of the world is upon us. And we're entering into an unsurvivable planet. And it's okay to know that and to think that and to still strive for something because I think at its extremes, hope becomes insane. And you have to do something to fight it because otherwise, we are going into the apocalypse, I think there's no question. And to preserve hope against that possibility, I think that's difficult. And so that's what I strive to do."How can we retell the story of America? In the United States of Amnesia, why does the Western celebrate cowboys but not all people who built this country? What does a Chinese-American hero look like in the 21st Century?Tom Lin is an American writer whose 2021 debut novel The Thousand Crimes of Ming Tsu chronicles the story of a Chinese American outlaw seeking revenge during America's railroad boom. The book won the 2022 Andrew Carnegie Medal for Excellence in Fiction, making Lin the youngest Carnegie winner in the prize's history. Tom Lin is currently pursuing an English doctorate at the University of California Davis.https://twotreeforest.comwww.hachettebookgroup.com/titles/tom-lin/the-thousand-crimes-of-ming-tsu/9780316542173/?lens=little-brownwww.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcastImage courtesy of Little, Brown and Company & Tom Lin

"When I was growing up, it was all about representation. I think that was the thing that was being championed: we need more people of color in books, movies, across all media. And then I think what we saw was an extremely cynical and capitalistic-minded ruthless optimization of that, where someone said: Oh, you want representation? Then we'll just throw in token people of color into projects. And then we'll check that box. And I think that became so prevalent in so many pieces of media that that became what we thought of as representation. I think it's a salvageable concept because, I mean, when I encountered books growing up, they were all with white people in them. Front to back, start to finish. It was just white characters. And so when I started writing stories of my own in school as a middle schooler they - surprise - they had white people in them, right? There were just white people talking about other white people. I went to public school in Queens. I knew very few white people. And so I think what representation does at its best is that it informs the boundaries of possibility. By seeing yourself represented in media, you become able to imagine your own stories transpiring in media and being made available for everybody else to witness.And so I think the point of representation is not just if we do a checklist of this piece of media, can we find a person of color. But I think the idea of representation is more that we want to be expanding the realm of storytelling, expanding what's possible by telling these stories that are not normally told.”How can we retell the story of America? In the United States of Amnesia, why does the Western celebrate cowboys but not all people who built this country? What does a Chinese-American hero look like in the 21st Century?Tom Lin is an American writer whose 2021 debut novel The Thousand Crimes of Ming Tsu chronicles the story of a Chinese American outlaw seeking revenge during America's railroad boom. The book won the 2022 Andrew Carnegie Medal for Excellence in Fiction, making Lin the youngest Carnegie winner in the prize's history. Tom Lin is currently pursuing an English doctorate at the University of California Davis.https://twotreeforest.comwww.hachettebookgroup.com/titles/tom-lin/the-thousand-crimes-of-ming-tsu/9780316542173/?lens=little-brownwww.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcastImage courtesy of Little, Brown and Company & Tom Lin

Deesha Philyaw and Dawnie Walton introduce “Under the Ackee Tree,” a story by Jonathan Escoffery from his acclaimed 2022 collection, If I Survive You. The story is performed by Torian Brackett, and it comes from the collection's audiobook, produced by Macmillan Audio. Our thanks to Macmillan for sharing the story with Ursa's listeners. This story follows Topper, a Jamaican immigrant who has fled the political violence in Kingston and moved his family to Miami to raise his two sons. “Under the Ackee Tree” is a narrative of leaving and of loss, of destruction and rebuilding, and of the ways we disappoint as partners, as parents, and as children.  Support our show by becoming an Ursa Member: https://ursastory.com/join/ Reading List If I Survive You, by Jonathan Escoffery (MCD) If I Survive You audiobook (Audible) Jonathan Escoffery Publications Jonathan Escoffery Interviews About the Author  Jonathan Escoffery is the author of the linked story collection, If I Survive You, a New York Times and Booklist Editor's Choice, an IndieNext Pick, and a National Bestseller. If I Survive You was longlisted for the National Book Award, the PEN/Jean Stein Book Award, the PEN/ Robert W. Bingham Prize For Debut Short Story Collection, the Andrew Carnegie Medal for Excellence, the Aspen Words Literary Prize, and the Story Prize, and was shortlisted for the PEN/Faulkner Award for Fiction and the National Book Critics Circle's John Leonard Prize. It was named a ‘best' book by The New Yorker, The New York Times, NPR, Entertainment Weekly, People, TIME, Oprah Daily, GQ, and elsewhere. In 2020, Jonathan received the Paris Review's Plimpton Prize for Fiction and a National Endowment for the Arts Fellowship. He was a 2021-2023 Stegner Fellow at Stanford University. More from Deesha Philyaw and Dawnie Walton: The Secret Lives of Church Ladies (Deesha Philyaw) The Final Revival of Opal & Nev (Dawnie Walton) *** Performed by Torian Brackett Episode editor: Kelly Araja Associate producer: Marina Leigh Music: “Biosphere” by Yotam Agam Audio excerpt courtesy Macmillan Audio, from IF I SURVIVE YOU by Jonathan Escoffery, read by Torian Brackett. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://ursastory.com/join

On today's episode, Stephen chats with Hanif Abdurraqib, an award-winning poet, essayist, and cultural critic from Columbus, Ohio. His newest release, A Little Devil In America (Random House, 2021) was a winner of the Andrew Carnegie Medal and the Gordon Burn Prize. In 2021, Abdurraqib was named a MacArthur Fellow. He is a graduate of Beechcroft High School.Stephen and Hanif talk about his work as a poet, how he got his new role at the New Yorker and most importantly, what makes the perfect chocolate chip cookie. You can also check out Hanif's passion project 68to05.com which is a music archival project full of essays and playlists.Follow us and watch clips of this episode on IG and YouTube @whetstonemedia. Learn more about Whetstone Media at whetstonemagazine.comProduced by Whetstone Radio Collective

Elliot Ackerman is the New York Times bestselling author of the novels Halcyon, 2034, Red Dress In Black and White, Waiting for Eden, Dark at the Crossing, and Green on Blue, as well as the memoir The Fifth Act: America's End in Afghanistan, and Places and Names: On War, Revolution and Returning. His books have been nominated for the National Book Award, the Andrew Carnegie Medal in both fiction and nonfiction, and the Dayton Literary Peace Prize among others. He is a contributing writer at The...

//SPOILERS FOR LONG DIVISION//Mississippi author Kiese Laymon joins us for our season finale. We discuss the revised version of his novel Long Division, explore themes of freedom, language, and timelessness, and talk about creating art separate from the white imagination.Kiese Laymon is a Black southern writer from Jackson, Mississippi. Laymon is the Libby Shearn Moody Professor of English and Creative Writing at Rice University. Laymon is the author of Long Division, which won the 2022 NAACP Image Award for fiction, and the essay collection, How to Slowly Kill Yourself and Others in America, named a notable book of 2021 by the New York Times critics. Laymon's bestselling memoir, Heavy: An American Memoir, won the Andrew Carnegie Medal for Excellence in Nonfiction, the Christopher Isherwood Prize for Autobiographical Prose, the Barnes and Noble Discovery Award, the Austen Riggs Erikson Prize for Excellence in Mental Health Media, and was named one of the 50 Best Memoirs of the Past 50 Years by The New York Times. The audiobook, read by the author, was named the Audible 2018 Audiobook of the Year. Laymon is the recipient of 2020-2021 Radcliffe Fellowship at Harvard. Laymon is at work on the books, Good God, and City Summer, Country Summer, and a number of other film and television projects. He is the founder of “The Catherine Coleman Literary Arts and Justice Initiative,” a program based out of the Margaret Walker Center at Jackson State University, aimed at aiding young people in Jackson get more comfortable reading, writing, revising and sharing on their on their own terms, in their own communities. Kiese Laymon was awarded a MacArthur Fellowship in 2022.RESOURCES Long Division by Kiese Laymon "We Need to Reckon with the Rot at the Core of Publishing" by Elaine Castillo. LitHub.BOOKSHOPhttps://bookshop.org/shop/hoodooplantmamasBE A PATRON!https://www.patreon.com/hoodooplantmamasSOCIAL MEDIATwitter: @hoodooplantsInstagram: @hoodooplantmamasDONATEPaypal: paypal.me/hoodooplantmamasCashapp: cash.me/$hoodooplantmamasThis podcast was created, hosted, and produced by Dani & Leah.Our music was created by Ghrey, and our artwork was designed by Bianca.

Episode 182 Notes and Links to Talia Lakshmi Kolluri's Work       On Episode 182 of The Chills at Will Podcast, Pete welcomes Talia Lakshmi Kolluri, and the two discuss, among other things, her prodigious love for libraries in her youth and beyond, her fascination with animals' inner/hidden lives, formative writing and writers, anthropomorphizing, writing as action, writing as fun, the true stories that inspired some of her moving writing, and themes of maternal pull, environmental destruction, joy, and the boundaries, imposed and not, that govern the animal world and animal/human interaction.       Talia Lakshmi Kolluri is a mixed South Asian American writer from Northern California. Her debut collection of short stories, What We Fed to the Manticore (Tin House 2022), is a finalist for the 2023 Carol Shields Prize for Fiction and was longlisted for the 2023 Andrew Carnegie Medal for Excellence in Fiction, the 2023 Aspen Words Literary Prize, and the 2023 Pen/Robert W. Bingham Prize for Debut Short Story Collection, and was selected as a 2023 ALA RUSA Notable Book. It's available now wherever books are sold. Her short fiction has been published in the Minnesota Review, Ecotone, Southern Humanities Review, The Common, One Story, Orion, Five Dials, and the Adroit Journal. A lifelong Californian, Talia lives in the Central Valley with her husband, a teacher and printmaker, and a very skittish cat named Fig.   Buy What We Fed to the Manticore   Talia Kolluri's Website   For Bomb Magazine: "A Different Experience Is Possible: Talia Lakshmi Kolluri Interviewed by Rebecca van Laer"   The Florida Review Interview Regarding What We Fed to the Manticore   From One Story: "Nature Is Wild: An Interview with Talia Lakshmi Kolluri"   At about 3:40, Talia talks about her rich reading life during her childhood, including her wide reading and love for libraries    At about 8:10, Talia discusses imagination and its connections to her love of animals and curiosity about the lives of animals   At about 9:50, Talia talks about ideas of representation and not seeing “[her] exact self represented in literature” and the connections to “leaps of imagination” and what she read growing up, such as the inspiring Watership Down   At about 14:15, Pete and Talia talk about books in translation and the great work done by Jenny Bhatt   At about 15:05, Talia outlines her path to becoming a writer and her philosophy of revision    At about 19:00, Pete highlights and compliments the book's originality, and Talia discusses books and writers that the collection is “in conversation with,” such as Panchatantra, The White Bone, and The Great Derangement    At about 23:45, Pete asks Talia about the book's Acknowledgments and Talia's views on being an observer and observing and connection to action or inaction    At about 25:40, Pete wonders about Talia's writing as a call to action/activism    At about 28:00, Talia responds to Pete's questions about the ways in which she anthropomorphized her characters in original and not trite ways   At about 30:35, Talia gives background on the inspiration for the collection's memorable “Toy Man”-Arvind Gupta   At about 31:30, Pete references the collections's first story, “The Good Donkey” and Talia responds to Pete's wondering about the story's Gaza inspiration    At about 36:35, Talia recommends a powerful book, a diary of living in Gaza during conflict, The Drone Eats with Me: A Gaza Diary   At about 37:50, Talia discusses the title story and the meanings of the manticore, both mythically and in her story   At about 43:00, Pete highlights “Someone Must Watch Over the Dead” and he and Talia talk about dakhmas and their implications   At about 47:50, Pete cites the saiga antelope and its consumption and the two reflect on ideas of predators and willful ignorance    At about 50:40, “May God Forever Bless the Rhino Keepers” is discussed, including its beautiful portrayals of connections and love and maternal pull   At about 54:00, “A Level of Tolerance” is discussed, including its beautiful and gutting last page, Pete's hatred for Groundhog Day, and Talia remarks about the evolution and significance of the title; 832F, the famous wolf, is cited as inspiration   At about 1:00:05, “Let Your Body Meet the Ground” is highlighted, as Pete makes a comparison to “A Christmas Memory” by Truman Capote, and “Tía Chucha” by Luis Rodriguez   At about 1:03:30, Talia highlights a novel that she's working on   At about 1:05:15, Talia gives her contact info and social media info     You can now subscribe to the podcast on Apple Podcasts, and leave me a five-star review. You can also ask for the podcast by name using Alexa, and find the pod on Stitcher, Spotify, and on Amazon Music. Follow me on IG, where I'm @chillsatwillpodcast, or on Twitter, where I'm @chillsatwillpo1. You can watch other episodes on YouTube-watch and subscribe to The Chills at Will Podcast Channel. Please subscribe to both my YouTube Channel and my podcast while you're checking out this episode.    Sign up now for The Chills at Will Podcast Patreon: it can be found at patreon.com/chillsatwillpodcastpeterriehl     Check out the page that describes the benefits of a Patreon membership, including cool swag and bonus episodes. Thanks in advance for supporting my one-man show, my DIY podcast and my extensive reading, research, editing, and promoting to keep this independent podcast pumping out high-quality content!    NEW MERCH! You can browse and buy here: https://www.etsy.com/shop/ChillsatWillPodcast    This is a passion project of mine, a DIY operation, and I'd love for your help in promoting what I'm convinced is a unique and spirited look at an often-ignored art form.    The intro song for The Chills at Will Podcast is “Wind Down” (Instrumental Version), and the other song played on this episode was “Hoops” (Instrumental)” by Matt Weidauer, and both songs are used through ArchesAudio.com.    Please tune in for Episode 183 with Eli Cranor, whose critically acclaimed debut novel, Don't Know Tough, won the Peter Lovesey First Crime Novel Contest and was named one of the "Best Books of the Year" by USA Today and one of the "Best Crime Novels" of 2022 by the New York Times; his highly-acclaimed Ozark Dogs came out on April 4.    The episode airs May 16.

Episode 181 Notes and Links to Ramona Reeves' Work       On Episode 181 of The Chills at Will Podcast, Pete welcomes Ramona Reeves, and the two discuss, among other things, Ramona's early reading and literary likes and inspiring works and writers, her journey to MFA and her stellar collection, Mobile, Alabama's impact on her work, and issues and themes of class, old versus new, loss and trauma, racism, and regrowth in her story collection, as well as reflections on pessimism/optimism in her work. Ramona is a native of Mobile, Alabama. Her linked short story collection It Falls Gently All Around and Other Stories won the 2022 Drue Heinz Literature Prize and was published by University of Pittsburgh Press last fall.  She spent a decade in the Northeastern U.S. where she wrote freelance articles, proofread for a men's fashion weekly, and performed production roles for Food & Wine, Travel & Leisure, and Esquire before moving into technical editing and writing. She eventually moved to Texas for several years before leaving to pursue her MFA in fiction. She has since returned and is nearing completion on a novel. Ramona has served as a board member for A Room of Her Own (AROHO), moderated and appeared on panels at conferences, taught college-level writing courses, and served as an associate fiction editor for Kallisto Gaia Press. Her stories and essays have appeared in The Southampton Review, Pembroke, Bayou Magazine, New South, Superstition Review, Texas Highways and other publications. She's won the Nancy D. Hargrove Editors' Prize, been a resident at the Kimmel Harding Nelson Center for the Arts, and is a Community of Writers alum.   Buy It Falls Gently All Around   Ramona Reeves' Website   Interview for Chicago Review of Books Regarding Her Collection     At about 2:05, Ramona discusses that night's Sergio Troncoso Award she'll be receiving    At about 3:00, Ramona describes her experience working as a writer   At about 5:00, Ramona gives background on her reading life, including how her grandmother influenced her writing and literary life; she shouts out Beverly Cleary and the Bible as formative    At about 7:45, Pete wonders about Ramona's connections to Southern writers and Mobile's cultures   At about 10:05, Ramona responds to Pete's questions about any influence she received from Flannery O'Connor   At about 11:30, Ramona shouts out ZZ Packer, Jesmyn Ward, and Tim Gatreaux as current writers    At about 13:30, Ramona recounts the journey to her becoming a writer; she highlights Antonya Nelson's huge contribution in guiding her to New Mexico State; Pete shouts out Antonya Nelson's In the Land of Men, and Ramona, Female Trouble    At about 16:25, Pete asks about thematically-linked short stories and seeds for Ramona's collection, as well as if/how the book followed Ramona's life; she cites a class given by Robert Boswell   At about 19:00, Pete shouts shouts a challenging high school teacher and reading list   At about 20:15, Ramona responds to Pete's question about charting time in a short story collection and the “spaces” in between   At about 22:20, Pete outlines the first story of the collection and the two characterize Babbie and Rowan individually and in their relationship    At about 25:50, Pete lays out the plot and characters, mainly Donnie, from the collection's second story, and Ramona expands on his encounter with a physic     At about 28:35, Ramona speaks to the influences that yoga had on her writing of the book   At about 30:10, Pete and Ramona discuss ideas of lineage, class, and history that are at the heart of the book   At about 32:10, Ramona cites Mobile's history with Mardi Gras and “mystic societies”   At about 34:15, The two talk about the role race and racism play in the cultures and places described in the story collection; Ramona highlights Ramona Brown's Descendant, a documentary that comments on the previously-mentioned topics   At about 35:00, Ideas of trauma and loss and miscarriage are discussed; Pete compliments a scene from the story, moving in its depiction of multiple generations experiencing and processing loss, and Ramona responds to this by connecting class and loss   At about 38:55, Ideas of class and decorum are discussed, including Donnie's uncomfortable laughs throughout the book, and Pete and Ramona share their experiences with this type of laughing    At about 42:00, The two discuss religion and ways   At about 43:15, The two analyze an important scene and the ways in which racism was covered in the collection    At about 45:30, The two talk about themes of rebirth, recovery, and growth, and the baptismal as new birth/new life   At about 46:20, Pete cites Fay as a sympathetic character and an interesting one; Ramona talks about her writing towards happy endings   At about 48:30, Ramona gives kudos for Deesha Philyaw's work with happy endings    At about 49:05, Ramona ruminates on Pete's asking if this collection is an optimistic one   At about 50:30, Ramona discusses her exciting new novel project   At about 51:30, Pete and Ramona shout out former guest Rus Bradburd      You can now subscribe to the podcast on Apple Podcasts, and leave me a five-star review. You can also ask for the podcast by name using Alexa, and find the pod on Stitcher, Spotify, and on Amazon Music. Follow me on IG, where I'm @chillsatwillpodcast, or on Twitter, where I'm @chillsatwillpo1. You can watch other episodes on YouTube-watch and subscribe to The Chills at Will Podcast Channel. Please subscribe to both my YouTube Channel and my podcast while you're checking out this episode.    Sign up now for The Chills at Will Podcast Patreon: it can be found at patreon.com/chillsatwillpodcastpeterriehl     Check out the page that describes the benefits of a Patreon membership, including cool swag and bonus episodes. Thanks in advance for supporting my one-man show, my DIY podcast and my extensive reading, research, editing, and promoting to keep this independent podcast pumping out high-quality content!    NEW MERCH! You can browse and buy here: https://www.etsy.com/shop/ChillsatWillPodcast    This is a passion project of mine, a DIY operation, and I'd love for your help in promoting what I'm convinced is a unique and spirited look at an often-ignored art form.    The intro song for The Chills at Will Podcast is “Wind Down” (Instrumental Version), and the other song played on this episode was “Hoops” (Instrumental)” by Matt Weidauer, and both songs are used through ArchesAudio.com.   Please tune in for Episode 182 with Talia Lakshmi Kolluri, the author of What We Fed to the Manticore, which was a finalist for the 2023 Carol Shields Prize for Fiction and longlisted for the 2023 Andrew Carnegie Medal for Excellence in Fiction, the 2023 Aspen Words Literary Prize, and the 2023 Pen/Robert W. Bingham Prize for Debut Short Story Collection.   The episode airs on May 12.

Rebecca Makkai reads her story “The Plaza,” which appeared in the May 8, 2023, issue of the magazine. Makkai is the author of a story collection and four novels, including “The Great Believers,” which won the Andrew Carnegie Medal for Excellence in Fiction and was a finalist for the National Book Award, and “I Have Some Questions for You,” which came out in February.

James McBride is an American writer and musician. He was born in New York City and raised in Brooklyn's Red Hook Houses housing projects until the age of seven. That housing project became the setting for his novel, Deacon King Kong. In 2015, President Obama awarded him with the National Humanities Medal, and in 2021, Deacon King Kong won the Andrew Carnegie Medal for Excellence in Fiction. Deacon King Kong tells of the upending of a Brooklyn neighborhood, after a young drug dealer is shot in broad daylight by a deacon known to everyone as Sportcoat. In his conversation with Susan, James discusses a passage from the book's opening, which takes place in the immediate aftermath of the shooting. For more, visit bookexploder.com/episodes/james-mcbride.

Ryan talks to author and journalist Elliot Ackerman about his new book The Fifth Act: America's End in Afghanistan, the origins of storytelling, his experiences evacuating hundreds of refugees in Afghanistan, and more.Elliot Ackerman is a former White House Fellow and Marine, and served five tours of duty in Iraq and Afghanistan, where he received the Silver Star, the Bronze Star for Valor, and the Purple Heart. Elliot's books have been nominated for the National Book Award, the Andrew Carnegie Medal in both fiction and non-fiction, and the Dayton Literary Peace Prize among others. His writing often appears in Esquire, The New Yorker, and The New York Times where he is a contributing opinion writer, and his stories have been included in The Best American Short Stories and The Best American Travel Writing.