Podcast appearances and mentions of Anna Burns

John and Elizabeth had the chance to talk with Ieva Jusionyte, anthropologist, journalist, emergency medical technician. Her award-winning books include Exit Wounds, which uses anthropological and journalistic methods to follow guns purchased in the United States through organized crime scenes in Mexico, and their legal, social and personal repercussions. Ieva described researching the topic, balancing structural understandings of how guns become entangled with people on both sides of the border with an emphasis on individual stories. The three also talked about how language captures and fails to capture violence, the ways violence and the fear of violence organize space, and the importance of a humble, responsive, and empathetic approach to speaking with people touched by gun violence. Mentioned in this episode: Sidney Mintz, Sweetness and Power (1985) Allen Feldman, Formations of Violence (1991) Roberto Bolaño, 2666 (2004) Yuri Herrera, Signs Preceding the End of the World (2009) tr. by Lisa Dillman, see RTB episode 48 "Transform, not Transfer: Lisa Dillman on Translation Deborah Thomas, Political Life in the Wake of the Plantation, 2019 Cormac McCarthy, Blood Meridian (1985) Giorgio Agamben, Homo Sacer (1998) and the "state of exception" Thomas Pynchon's Gravity's Rainbow (1973) and the "zone" Nathan Thrall, A Day in the Life of Abed Salama (2023) Recallable Books/Films Ieva suggested E.P Thompson, Whigs and Hunters: the Origin of the Black Act (1975) for its thoughtful framing of state violence and its incredible detail, and also Sven Lindqvist, A History of Bombing (2000), for the ways in which the book's structure enacts its argument. Elizabeth went with the documentary by Raul Paz Pastrana, Border South (2019), which also weaves together the stories of those affected, including the anthropologist Jason De León, in ways that account for the multidimensionality of human experience. John prasied the contested Northern Irish spaces of Anna Burns' novel Milkman (2018) Listen and Read Here. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

John and Elizabeth had the chance to talk with Ieva Jusionyte, anthropologist, journalist, emergency medical technician. Her award-winning books include Exit Wounds, which uses anthropological and journalistic methods to follow guns purchased in the United States through organized crime scenes in Mexico, and their legal, social and personal repercussions. Ieva described researching the topic, balancing structural understandings of how guns become entangled with people on both sides of the border with an emphasis on individual stories. The three also talked about how language captures and fails to capture violence, the ways violence and the fear of violence organize space, and the importance of a humble, responsive, and empathetic approach to speaking with people touched by gun violence. Mentioned in this episode: Sidney Mintz, Sweetness and Power (1985) Allen Feldman, Formations of Violence (1991) Roberto Bolaño, 2666 (2004) Yuri Herrera, Signs Preceding the End of the World (2009) tr. by Lisa Dillman, see RTB episode 48 "Transform, not Transfer: Lisa Dillman on Translation Deborah Thomas, Political Life in the Wake of the Plantation, 2019 Cormac McCarthy, Blood Meridian (1985) Giorgio Agamben, Homo Sacer (1998) and the "state of exception" Thomas Pynchon's Gravity's Rainbow (1973) and the "zone" Nathan Thrall, A Day in the Life of Abed Salama (2023) Recallable Books/Films Ieva suggested E.P Thompson, Whigs and Hunters: the Origin of the Black Act (1975) for its thoughtful framing of state violence and its incredible detail, and also Sven Lindqvist, A History of Bombing (2000), for the ways in which the book's structure enacts its argument. Elizabeth went with the documentary by Raul Paz Pastrana, Border South (2019), which also weaves together the stories of those affected, including the anthropologist Jason De León, in ways that account for the multidimensionality of human experience. John prasied the contested Northern Irish spaces of Anna Burns' novel Milkman (2018) Listen and Read Here. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/latin-american-studies

John and Elizabeth had the chance to talk with Ieva Jusionyte, anthropologist, journalist, emergency medical technician. Her award-winning books include Exit Wounds, which uses anthropological and journalistic methods to follow guns purchased in the United States through organized crime scenes in Mexico, and their legal, social and personal repercussions. Ieva described researching the topic, balancing structural understandings of how guns become entangled with people on both sides of the border with an emphasis on individual stories. The three also talked about how language captures and fails to capture violence, the ways violence and the fear of violence organize space, and the importance of a humble, responsive, and empathetic approach to speaking with people touched by gun violence. Mentioned in this episode: Sidney Mintz, Sweetness and Power (1985) Allen Feldman, Formations of Violence (1991) Roberto Bolaño, 2666 (2004) Yuri Herrera, Signs Preceding the End of the World (2009) tr. by Lisa Dillman, see RTB episode 48 "Transform, not Transfer: Lisa Dillman on Translation Deborah Thomas, Political Life in the Wake of the Plantation, 2019 Cormac McCarthy, Blood Meridian (1985) Giorgio Agamben, Homo Sacer (1998) and the "state of exception" Thomas Pynchon's Gravity's Rainbow (1973) and the "zone" Nathan Thrall, A Day in the Life of Abed Salama (2023) Recallable Books/Films Ieva suggested E.P Thompson, Whigs and Hunters: the Origin of the Black Act (1975) for its thoughtful framing of state violence and its incredible detail, and also Sven Lindqvist, A History of Bombing (2000), for the ways in which the book's structure enacts its argument. Elizabeth went with the documentary by Raul Paz Pastrana, Border South (2019), which also weaves together the stories of those affected, including the anthropologist Jason De León, in ways that account for the multidimensionality of human experience. John prasied the contested Northern Irish spaces of Anna Burns' novel Milkman (2018) Listen and Read Here. Learn more about your ad choices. Visit megaphone.fm/adchoices

John and Elizabeth had the chance to talk with Ieva Jusionyte, anthropologist, journalist, emergency medical technician. Her award-winning books include Exit Wounds, which uses anthropological and journalistic methods to follow guns purchased in the United States through organized crime scenes in Mexico, and their legal, social and personal repercussions. Ieva described researching the topic, balancing structural understandings of how guns become entangled with people on both sides of the border with an emphasis on individual stories. The three also talked about how language captures and fails to capture violence, the ways violence and the fear of violence organize space, and the importance of a humble, responsive, and empathetic approach to speaking with people touched by gun violence. Mentioned in this episode: Sidney Mintz, Sweetness and Power (1985) Allen Feldman, Formations of Violence (1991) Roberto Bolaño, 2666 (2004) Yuri Herrera, Signs Preceding the End of the World (2009) tr. by Lisa Dillman, see RTB episode 48 "Transform, not Transfer: Lisa Dillman on Translation Deborah Thomas, Political Life in the Wake of the Plantation, 2019 Cormac McCarthy, Blood Meridian (1985) Giorgio Agamben, Homo Sacer (1998) and the "state of exception" Thomas Pynchon's Gravity's Rainbow (1973) and the "zone" Nathan Thrall, A Day in the Life of Abed Salama (2023) Recallable Books/Films Ieva suggested E.P Thompson, Whigs and Hunters: the Origin of the Black Act (1975) for its thoughtful framing of state violence and its incredible detail, and also Sven Lindqvist, A History of Bombing (2000), for the ways in which the book's structure enacts its argument. Elizabeth went with the documentary by Raul Paz Pastrana, Border South (2019), which also weaves together the stories of those affected, including the anthropologist Jason De León, in ways that account for the multidimensionality of human experience. John prasied the contested Northern Irish spaces of Anna Burns' novel Milkman (2018) Listen and Read Here. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-west

John and Elizabeth had the chance to talk with Ieva Jusionyte, anthropologist, journalist, emergency medical technician. Her award-winning books include Exit Wounds, which uses anthropological and journalistic methods to follow guns purchased in the United States through organized crime scenes in Mexico, and their legal, social and personal repercussions. Ieva described researching the topic, balancing structural understandings of how guns become entangled with people on both sides of the border with an emphasis on individual stories. The three also talked about how language captures and fails to capture violence, the ways violence and the fear of violence organize space, and the importance of a humble, responsive, and empathetic approach to speaking with people touched by gun violence. Mentioned in this episode: Sidney Mintz, Sweetness and Power (1985) Allen Feldman, Formations of Violence (1991) Roberto Bolaño, 2666 (2004) Yuri Herrera, Signs Preceding the End of the World (2009) tr. by Lisa Dillman, see RTB episode 48 "Transform, not Transfer: Lisa Dillman on Translation Deborah Thomas, Political Life in the Wake of the Plantation, 2019 Cormac McCarthy, Blood Meridian (1985) Giorgio Agamben, Homo Sacer (1998) and the "state of exception" Thomas Pynchon's Gravity's Rainbow (1973) and the "zone" Nathan Thrall, A Day in the Life of Abed Salama (2023) Recallable Books/Films Ieva suggested E.P Thompson, Whigs and Hunters: the Origin of the Black Act (1975) for its thoughtful framing of state violence and its incredible detail, and also Sven Lindqvist, A History of Bombing (2000), for the ways in which the book's structure enacts its argument. Elizabeth went with the documentary by Raul Paz Pastrana, Border South (2019), which also weaves together the stories of those affected, including the anthropologist Jason De León, in ways that account for the multidimensionality of human experience. John prasied the contested Northern Irish spaces of Anna Burns' novel Milkman (2018) Listen and Read Here. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/public-policy

John and Elizabeth had the chance to talk with Ieva Jusionyte, anthropologist, journalist, emergency medical technician. Her award-winning books include Exit Wounds, which uses anthropological and journalistic methods to follow guns purchased in the United States through organized crime scenes in Mexico, and their legal, social and personal repercussions. Ieva described researching the topic, balancing structural understandings of how guns become entangled with people on both sides of the border with an emphasis on individual stories. The three also talked about how language captures and fails to capture violence, the ways violence and the fear of violence organize space, and the importance of a humble, responsive, and empathetic approach to speaking with people touched by gun violence. Mentioned in this episode: Sidney Mintz, Sweetness and Power (1985) Allen Feldman, Formations of Violence (1991) Roberto Bolaño, 2666 (2004) Yuri Herrera, Signs Preceding the End of the World (2009) tr. by Lisa Dillman, see RTB episode 48 "Transform, not Transfer: Lisa Dillman on Translation Deborah Thomas, Political Life in the Wake of the Plantation, 2019 Cormac McCarthy, Blood Meridian (1985) Giorgio Agamben, Homo Sacer (1998) and the "state of exception" Thomas Pynchon's Gravity's Rainbow (1973) and the "zone" Nathan Thrall, A Day in the Life of Abed Salama (2023) Recallable Books/Films Ieva suggested E.P Thompson, Whigs and Hunters: the Origin of the Black Act (1975) for its thoughtful framing of state violence and its incredible detail, and also Sven Lindqvist, A History of Bombing (2000), for the ways in which the book's structure enacts its argument. Elizabeth went with the documentary by Raul Paz Pastrana, Border South (2019), which also weaves together the stories of those affected, including the anthropologist Jason De León, in ways that account for the multidimensionality of human experience. John prasied the contested Northern Irish spaces of Anna Burns' novel Milkman (2018) Listen and Read Here. Learn more about your ad choices. Visit megaphone.fm/adchoices

John and Elizabeth had the chance to talk with Ieva Jusionyte, anthropologist, journalist, emergency medical technician. Her award-winning books include Exit Wounds, which uses anthropological and journalistic methods to follow guns purchased in the United States through organized crime scenes in Mexico, and their legal, social and personal repercussions. Ieva described researching the topic, balancing structural understandings of how guns become entangled with people on both sides of the border with an emphasis on individual stories. The three also talked about how language captures and fails to capture violence, the ways violence and the fear of violence organize space, and the importance of a humble, responsive, and empathetic approach to speaking with people touched by gun violence. Mentioned in this episode: Sidney Mintz, Sweetness and Power (1985) Allen Feldman, Formations of Violence (1991) Roberto Bolaño, 2666 (2004) Yuri Herrera, Signs Preceding the End of the World (2009) tr. by Lisa Dillman, see RTB episode 48 "Transform, not Transfer: Lisa Dillman on Translation Deborah Thomas, Political Life in the Wake of the Plantation, 2019 Cormac McCarthy, Blood Meridian (1985) Giorgio Agamben, Homo Sacer (1998) and the "state of exception" Thomas Pynchon's Gravity's Rainbow (1973) and the "zone" Nathan Thrall, A Day in the Life of Abed Salama (2023) Recallable Books/Films Ieva suggested E.P Thompson, Whigs and Hunters: the Origin of the Black Act (1975) for its thoughtful framing of state violence and its incredible detail, and also Sven Lindqvist, A History of Bombing (2000), for the ways in which the book's structure enacts its argument. Elizabeth went with the documentary by Raul Paz Pastrana, Border South (2019), which also weaves together the stories of those affected, including the anthropologist Jason De León, in ways that account for the multidimensionality of human experience. John prasied the contested Northern Irish spaces of Anna Burns' novel Milkman (2018) Listen and Read Here. Learn more about your ad choices. Visit megaphone.fm/adchoices

Send us a textIf you've ever felt like your brain is running a million tabs at once, struggling with focus, time management, or decision fatigue—this episode is for you!I sit down with Anna Burns, an ADHD coach and mompreneur, to dive into the unique challenges (and strengths!) of running a business with ADHD. Anna shares her personal journey from being a physical therapist to becoming a coach for neurodiverse women, along with actionable strategies to help you harness your strengths, manage your energy, and thrive in both business and motherhood. In This Episode, We Cover:✅ How ADHD presents differently in women and moms✅ The connection between ADHD and entrepreneurship✅ Time management and energy strategies for ADHD brains✅ Decision fatigue and how to simplify your day-to-day tasks✅ The importance of self-compassion and working with your brain, not against it✅ How small habit shifts can make a huge impact on productivityStay Until the End for 3 Actionable ADHD-Friendly Tips!

Hej! Zapraszamy Was do wysłuchania najnowszego odcinka naszego podcastu! Zastanawiamy się w nim... co ludzie powiedzą! W książkach, które tym razem wybrałyśmy, skandal goni skandal. Na pierwszy ogień bierzemy „Mleczarza” Anny Burns w tłumaczeniu Agi Zano. Głowna bohaterka-narratorka ma to nieszczęście, że przyczepił się do niej stalker, a wraz z nim pojawiają się plotki, którym musi stawić czoła. Drugą książką jest „Kos kos jeżyna” Tamty Melaszwili w tłumaczeniu Magdaleny Nowakowskiej, której bohaterka, Etero, jako kobieta niezamężna, musi mierzyć się z wieloma przeciwnościami losu właściwymi dla gruzińskiej prowincji. Te lektury były dla nas też okazją, by pogadać o zaufaniu, sile narracji i o tym, jak trudno jest być dziewczyną. Zapraszamy do słuchania! Książki, o których mówimy w podkaście: Anna Burns, „Mleczarz”, tłum. Aga Zano, ArtRage; Tamta Melaszwili, „Kos kos jeżyna”, tłum. Magdalena Nowakowska, Filtry. Dziękujemy wydawnictwom za przysłanie nam swoich książek [współpraca reklamowa]. Jeśli spodobał Ci się ten odcinek, możesz nam podziękować na ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Suppi⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠. Zapłacisz bezpiecznie i bez prowizji Blikiem, przelewem czy kartą. A jeśli chcesz zostać z nami na dłużej: wejdź na nasz profil ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Patronite⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠! Jeżeli chcesz dołączyć do naszego grona Matronek i Patronów, będziemy zaszczycone! Dla tych, którzy zdecydują się nas wspierać, mamy spersonalizowane książkowe rekomendacje, newslettery głosowe, podziękowania na stronie i wiele więcej. Zachęcamy do odwiedzin na naszym profilu na ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagramie ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠i na ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Facebooku⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, na naszym kanale ⁠⁠⁠⁠⁠⁠⁠YouTube ⁠⁠⁠⁠⁠⁠⁠oraz na naszej ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠stronie internetowej⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠. Intro: http://bit.ly/jennush

Every once in a while one of our lovely Declutter Hub members feels brave enough to share their story on the podcast. Anna has been with us for 6 months now and is making incredible changes to her home and her life. Today we're here to talk about what it feels like when you're spinning so many plates and how our membership has helped her. Anna Burns is a self employed small pet holiday boarder, a volunteer for the Scouts Association, has a passion for crafting and likes to set herself challenges having recently completed 50 marathons by her 50th birthday. She lives in Hampshire, UK with her husband, their 12 year old son and two dogs.  Shelterbox Scouts Anna's Instagram About the Declutter Hub Podcast We're Ingrid and Lesley and are super excited you're here! If you're sick to the back teeth of clutter dictating your home life then we are here to help you get control back and spend your valuable time doing the things you want and not shuffling piles of stuff around 24/7. We have been decluttering and organising homes face to face and online for over 28 years together and have helped thousands of members and clients to regain the home of their dreams. We have a passion for people, practicality, and piles of paper and love nothing better than to carve out solutions for anyone overwhelmed with clutter. If that's you, you're in the right place. Our podcast is packed with actionable tips, inspiration and motivation to get your decluttering done. We believe decluttering is all about emotions first, stuff second. Tune in, subscribe and enjoy! New episodes every Friday. Want more? We have so many ways that you can reach out to us for additional support on your decluttering journey. Free Facebook Group - for community, info and support - The Declutter Hub Community - emotions based decluttering Instagram - daily reels and posts with decluttering hints and tips - @declutterhub Website - the best place to get access to all our free content - https://declutterhub.com/mp Membership - this is the best place to take your decluttering to the next level https://members.declutterhub.com/mp Support - if you want signposting in the right direction support@declutterhub.com   Can you spare 5 minutes of your day to leave us a review? Your reviews mean the podcast can be found more easily which will mean more people get the benefit of our decluttering advice. You can share a review on your chosen podcast player. Don't forget to hit follow or subscribe too. The Declutter Hub 2025 Learn more about your ad choices. Visit podcastchoices.com/adchoices

Is it possible to thrive as a mom and business owner while living with ADHD? In this episode, ADHD coach Anna Burns shares her personal journey of discovering her diagnosis and how it reshaped her life. From navigating motherhood and managing daily chaos to running a successful business, Anna dives deep into the unique challenges of ADHD and the strategies that have helped her (and countless others) find balance and fulfillment. If you've ever wondered if there's a better way to handle the overwhelm, this episode is for you. EPISODE LINKS:

The holiday season is full of fun activities and family time, but it can also be super overwhelming -- especially if you're a parent with ADHD. Not only are you shouldering the weight of the holidays for your children--but you're trying to keep track of and plan out the decorating, the lists, the shopping, the cooking, the gatherings; and then there's the overstimulation brought on my the chaos of this time of year and the sugar! Our brains are consumed with every little detail, yet the thought of executing anything can feel daunting. So how can we better position ourselves to embrace the holiday chaos head-on, without feeling like we've been setup to fail? Dr. Anna Burns returns to the show to talk to Nicole about specific strategies and tools to get us through. She's an Executive Functioning Coach for Women with ADHD who is committed to helping fellow ADHD women--like herself--create a life that actually supports the ADHD brain. By understanding and tackling the root cause of the struggles neurodivergent parents face, Dr. Burns believes you'll be able to show up in life with more energy, less overwhelm, and more self-compassion. This episode is a gift that will keep on giving...

Feßmann, Meike www.deutschlandfunkkultur.de, Lesart

Feßmann, Meike www.deutschlandfunkkultur.de, Lesart

Três anos de Livra-te!

Feßmann, Meike www.deutschlandfunkkultur.de, Lesart

Dr. Anna Burns, PT, DPT, is an ADHD coach for moms with ADHD, like herself.  She works with women who need strategies, tools, clarity, and accountability with creating a life built around our neurodivergent brains, instead of trying fit into a mold created for neurotypical individuals. With over a decade of experience as a pelvic health physical therapist and a degree in psychology, Anna has combined her love of the physical, mental, and emotional aspects of ADHD into a coaching program that will take you from overwhelm and chaos to calm and confidence. Join host Dori DeCarlo on The Coaching Corner and reach out to Dr. Anna Burns at AnnaBurnsWellness.com and on Facebook and Instagram. Bring home #TransformersOne and buy on Digital now! Watch the untold origin story of #OptimusPrime and #Megatron, brothers-in-arms turned sworn enemies who changed the fate of #Cybertron forever. #ChrisHemsworth, #BrianTyreeHenry, and #ScarlettJohansson star in the film critics are calling "the perfect movie for the whole family!" Available at participating retailers. Rated PG. From #ParamountAnimation and #Hasbro. Please support UnsilencedVoices.org and their mission.  Connect with Word of Mom on Facebook, Instagram and Twitter. WordofMomRadio.com - sharing the wisdom of women, in business and in life.  

In this insightful episode of The Confident Mompreneur, host Kyrie welcomes Anna, a dedicated ADHD coach for moms, to discuss the unique challenges and benefits of managing ADHD while balancing motherhood and running a business. Anna's journey with ADHD began after giving birth in 2020, leading her to become a coach who empowers other moms facing similar struggles. Her story is a powerful reminder of the importance of self-compassion and sharing experiences within the mom community. Kyrie and Anna explore the nuances of ADHD in women, highlighting how symptoms often go unnoticed or are misattributed, making diagnosis a challenge. They dive into the impact of pregnancy and hormonal changes on ADHD, and Anna shares her strategies for managing her symptoms, including visual cues, time management, and delegating tasks. A key highlight of their conversation is the discussion on whether a formal ADHD diagnosis is necessary or if recognizing and addressing symptoms is enough. Anna offers valuable advice on creating support systems, setting boundaries, and managing the constant influx of information in today's fast-paced world. Listeners will also gain insights into balancing work and family life, managing energy levels, and teaching children positive coping mechanisms. Anna's approach to breaking down overwhelming tasks, practicing self-awareness, and focusing on what truly matters is both practical and empowering. Anna introduces her wellness programs and coaching services, offering free resources for meal planning and time management on her website. Kyrie and Anna discuss the importance of collaboration and supporting each other in the entrepreneurial journey, underscoring the strength of the mom community. Join Kyrie and Anna as they share personal stories, practical tips, and empowering strategies for mompreneurs navigating ADHD, motherhood, and entrepreneurship. Tune in to learn how to embrace your journey, manage your time effectively, and create a balanced and fulfilling life. Find Anna: @annaburnswellness https://annaburnswellness.com/ Find Kyrie: @theconfidentmompreneur www.theconfidentmompreneur.com --- Support this podcast: https://podcasters.spotify.com/pod/show/the-confident-mom/support

Did you know that adult women are the BIGGEST portion of the population being diagnosed with ADHD? And it's common for a diagnosis to come after having children. Nicole chatted with Dr. Anna Burns who is an Executive Functioning Coach for Women with ADHD about this growing realization. Not only does Dr. Burns breakdown the signs of ADHD in adult women, but she offers up some helpful tips and tools that women can utilize to help make their lives work for their brains! If you're feeling overwhelmed, unfocused, chronically disorganized, burnt out, and never quite finding your balance? Then you need to hear this conversation; pass it onto a loved one or friend too! There are so many moms in the same boat facing similar challenges and the better we understand ourselves, the better we can show up for those we love. -----------------------------------SHOW NOTES:Host: Nicole Nalepa | @NicoleNalepaTVGuest: Dr. Anna BurnsInstagram: @annaburnswellnessWebsite: https://annaburnswellness.com/

Did you know that adult women are the largest group being diagnosed with ADHD? Dr. Anna Burns shares her journey and how understanding ADHD can empower moms in business.   Join us as we discuss: How ADHD can impact your life as a mompreneur and the importance of understanding your brain's unique wiring The significance of self-compassion and grace in overcoming the challenges that come with ADHD The value of meal planning and pre-making decisions to lighten your load as a mompreneur  Tools and strategies that can help you prioritize your time, manage your energy, and create a fulfilling life that works for you   If you are a mompreneur dealing with ADHD or know someone who is, Dr. Burns provides valuable insights and practical tips to help you create a life that supports your brain and allows you to show up authentically in all areas of your life.   Connect With Anna: Website | Instagram   Don't forget to grab Anna's FREE resources, the Pomodoro Method download, and the Ultimate Guide to Meal Planning with ADHD: https://annaburnswellness.com/resources   About Dr. Anna: With over a decade of experience as a pelvic health physical therapist and a degree in psychology, Dr. Anna Burns, PT, DPT has combined her love of the physical, mental, and emotional aspects of living with ADHD into her 1:1 and group coaching programs. She provides strategies, tools, clarity, and accountability to help fellow ADHD moms, like herself, create a life that supports the ADHD brain so they can show up authentically in life with more energy, less overwhelm, and more self-compassion.   Be sure to follow this podcast to automatically receive new episodes: Apple | Spotify | Webpage   Connect With Martine: Website | LinkedIn | Instagram   Book A Free Clarity Call with Martine: https://calendly.com/martinewilliams/clarity-call   Check out my favorite books and items to make life and business a little more simple and a lot more fun!: http://www.shop.martinesfavoritethings.com    About Martine Williams: Martine is a life coach, public motivator, podcaster, author, and mompreneur who helps other mompreneurs win at work without losing themselves in the process. Martine brings her experience as a certified PDP Professional and life coach to coach entrepreneurs on how to illuminate their strengths, cultivate their confidence, and elevate their lives. She also loves inviting mompreneur guests on the show to share their perspectives and provide inspiration, success tips, life hacks, and skills for a burnout-proof life and business. This podcast is edited and produced by: Chris Assist Media

Struggling to juggle entrepreneurship, motherhood, and ADHD? You're not alone. Join us this week as we welcome Anna Burns, the CEO of Anna Burns Wellness, who specializes in supporting women entrepreneurs with ADHD. Through candid conversations, Anna shares her expert insights on the rise of ADHD diagnoses, the role of telehealth, and innovative techniques to keep distractions at bay and productivity on track. Whether you're officially diagnosed with ADHD or simply seeking better ways to manage your focus, this episode promises practical strategies and empowering advice to help you thrive.Meet a remarkable pelvic health physical therapist who turned her practice into a virtual business while embracing new motherhood during the chaotic year of 2020. Her journey of discovering undiagnosed ADHD became a powerful lesson in self-awareness and adaptation. Learn how she schedules tasks around peak focus times and implements simple, yet effective organizational systems that have not only transformed her life but also made a significant impact on her clients. By understanding and leveraging her unique brain function, she offers invaluable tips on embracing one's strengths rather than adhering to conventional norms.We also dive into the nitty-gritty of planning, organization, and home management specifically tailored for ADHD brains. From selecting the right planner to themed workdays, the importance of flexibility is key. Discover how "body doubling" turns mundane chores into more manageable tasks and why support from family members can make all the difference. Lastly, explore the benefits of delegating tasks and using virtual assistants to maintain productivity and avoid burnout. Don't miss this heartfelt conversation filled with practical advice that aims to empower you in managing ADHD and excelling in all areas of life.Depending on the number of episodes, do each episode as an update on how you feel after using Magic Mind for 3/5/7/14/.. days in a row. Example: first episode after 3 days of daily Magic Mind, second episode after 7 days of daily Magic Mind, third episode after 14 days, fourth episode after 21 days, etc. If we only have 1 episode together, please record after using Magic Mind daily for 5/7 days in a row. These are examples, please use your own words, and don't read verbatim. If you need to, just choose the bullet points below that you think will work the best for your audience. You have a limited offer you can use now, that gets you up to 48% off your first subscription or 20% off one-time purchases with code CALLMECEO20 at checkout You can claim it at: https://magicmind.com/callmeceCamille's Website: https://camillewalker.co/call-me-ceo-podcast/ Connect with Anna:Instagram: https://www.instagram.com/annaburnswellness/ Facebook: https://www.facebook.com/annaburnswellness Connect with Camille Walker:Follow Camille on Instagram: www.instagram.com/CamilleWalker.coFollow Call Me CEO on Instagram: www.instagram.com/callmeceopodcast

Welcome back to The ADHD Skills Lab!This week we are highlighting a conversation between Skye and Dr. Anna Burns, an experienced pelvic floor therapist whose own ADHD diagnosis sparked a new passion. Please enjoy this very relatable story of new motherhood during COVID and the extra bits that come with a late ADHD diagnosis.Thanks for being here! Until next time,Sarah (Podcast Producer)ADHD Skills Discussed:Catch and release tasks - what is this?Honor the reminder medium that works for you - paper, digital, combo? Talk about your experience!References:ADHD Symptoms in Females of Childhood, Adolescent, Reproductive and Menopause PeriodRelationship between sex hormones, reproductive stages and ADHD: a systematic reviewLooking for Anna?Personal WebsiteInstagramLooking for more content? Want to get in touch?We would love to hear from you!IG: Skye @unconventionalorganisationIG: Sarah @theadhdskillslabpodcastYT: Unconventional Organisation ADHDSkye here! We've helped 500+ professionals with ADHD reach their goals. If you'd like to learn how to achieve your goals with ADHD, here are 2 ways we can help you...1. Get started now with my free playbook on how to set goals you can achieve. - Click Here2. Book a free 15-minute focus session with me to break down your goal, identify your biggest barriers, and take the next step. - Click Here Together, let's set your goals into motion! Skye (MA, PG Cert)Former Academic and Founder of Unconventional Organisationhttps://www.unconventionalorganisation.com/

Paige Reynolds's book Modernism in Irish Women's Contemporary Writing: The Stubborn Mode (Oxford UP, 2023) examines the tangled relationship between contemporary Irish women writers and literary modernism. In the early decades of the twenty-first century, Irish women's fiction has drawn widespread critical acclaim and commercial success, with a surprising number of these works being commended for their innovative redeployment of literary tactics drawn from early twentieth-century literary modernism. But this strategy is not a new one. Across more than a century, writers from Kate O'Brien to Sally Rooney have manipulated and remade modernism to draw attention to the vexed nature of female privacy, exploring what unfolds when the amorphous nature of private consciousness bumps up against external ordering structures in the public world.  Living amid the tenaciously conservative imperatives of church and state in Ireland, their female characters are seen to embrace, reject, and rework the ritual of prayer, the fixity of material objects, the networks of the digital world, and the ordered narrative of the book. Such structures provide a stability that is valuable and even necessary for such characters to flourish, as well as an instrument of containment or repression that threatens to, and in some cases does, destroy them. The writers studied here, among them Elizabeth Bowen, Edna O'Brien, Anne Enright, Anna Burns, Claire-Louise Bennett, and Eimear McBride, employ the modernist mode in part to urge readers to recognize that female interiority, the prompt for many of the movement's illustrious formal experiments, continues to provide a crucial but often overlooked mechanism to imagine ways around and through seemingly intransigent social problems, such as class inequity, political violence, and sexual abuse. Disclaimer/apology: Slightly stormy conditions during the recording of the interview led to slightly reduced sound quality. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Paige Reynolds's book Modernism in Irish Women's Contemporary Writing: The Stubborn Mode (Oxford UP, 2023) examines the tangled relationship between contemporary Irish women writers and literary modernism. In the early decades of the twenty-first century, Irish women's fiction has drawn widespread critical acclaim and commercial success, with a surprising number of these works being commended for their innovative redeployment of literary tactics drawn from early twentieth-century literary modernism. But this strategy is not a new one. Across more than a century, writers from Kate O'Brien to Sally Rooney have manipulated and remade modernism to draw attention to the vexed nature of female privacy, exploring what unfolds when the amorphous nature of private consciousness bumps up against external ordering structures in the public world.  Living amid the tenaciously conservative imperatives of church and state in Ireland, their female characters are seen to embrace, reject, and rework the ritual of prayer, the fixity of material objects, the networks of the digital world, and the ordered narrative of the book. Such structures provide a stability that is valuable and even necessary for such characters to flourish, as well as an instrument of containment or repression that threatens to, and in some cases does, destroy them. The writers studied here, among them Elizabeth Bowen, Edna O'Brien, Anne Enright, Anna Burns, Claire-Louise Bennett, and Eimear McBride, employ the modernist mode in part to urge readers to recognize that female interiority, the prompt for many of the movement's illustrious formal experiments, continues to provide a crucial but often overlooked mechanism to imagine ways around and through seemingly intransigent social problems, such as class inequity, political violence, and sexual abuse. Disclaimer/apology: Slightly stormy conditions during the recording of the interview led to slightly reduced sound quality. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/gender-studies

Paige Reynolds's book Modernism in Irish Women's Contemporary Writing: The Stubborn Mode (Oxford UP, 2023) examines the tangled relationship between contemporary Irish women writers and literary modernism. In the early decades of the twenty-first century, Irish women's fiction has drawn widespread critical acclaim and commercial success, with a surprising number of these works being commended for their innovative redeployment of literary tactics drawn from early twentieth-century literary modernism. But this strategy is not a new one. Across more than a century, writers from Kate O'Brien to Sally Rooney have manipulated and remade modernism to draw attention to the vexed nature of female privacy, exploring what unfolds when the amorphous nature of private consciousness bumps up against external ordering structures in the public world.  Living amid the tenaciously conservative imperatives of church and state in Ireland, their female characters are seen to embrace, reject, and rework the ritual of prayer, the fixity of material objects, the networks of the digital world, and the ordered narrative of the book. Such structures provide a stability that is valuable and even necessary for such characters to flourish, as well as an instrument of containment or repression that threatens to, and in some cases does, destroy them. The writers studied here, among them Elizabeth Bowen, Edna O'Brien, Anne Enright, Anna Burns, Claire-Louise Bennett, and Eimear McBride, employ the modernist mode in part to urge readers to recognize that female interiority, the prompt for many of the movement's illustrious formal experiments, continues to provide a crucial but often overlooked mechanism to imagine ways around and through seemingly intransigent social problems, such as class inequity, political violence, and sexual abuse. Disclaimer/apology: Slightly stormy conditions during the recording of the interview led to slightly reduced sound quality. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Paige Reynolds's book Modernism in Irish Women's Contemporary Writing: The Stubborn Mode (Oxford UP, 2023) examines the tangled relationship between contemporary Irish women writers and literary modernism. In the early decades of the twenty-first century, Irish women's fiction has drawn widespread critical acclaim and commercial success, with a surprising number of these works being commended for their innovative redeployment of literary tactics drawn from early twentieth-century literary modernism. But this strategy is not a new one. Across more than a century, writers from Kate O'Brien to Sally Rooney have manipulated and remade modernism to draw attention to the vexed nature of female privacy, exploring what unfolds when the amorphous nature of private consciousness bumps up against external ordering structures in the public world.  Living amid the tenaciously conservative imperatives of church and state in Ireland, their female characters are seen to embrace, reject, and rework the ritual of prayer, the fixity of material objects, the networks of the digital world, and the ordered narrative of the book. Such structures provide a stability that is valuable and even necessary for such characters to flourish, as well as an instrument of containment or repression that threatens to, and in some cases does, destroy them. The writers studied here, among them Elizabeth Bowen, Edna O'Brien, Anne Enright, Anna Burns, Claire-Louise Bennett, and Eimear McBride, employ the modernist mode in part to urge readers to recognize that female interiority, the prompt for many of the movement's illustrious formal experiments, continues to provide a crucial but often overlooked mechanism to imagine ways around and through seemingly intransigent social problems, such as class inequity, political violence, and sexual abuse. Disclaimer/apology: Slightly stormy conditions during the recording of the interview led to slightly reduced sound quality. Learn more about your ad choices. Visit megaphone.fm/adchoices

Paige Reynolds's book Modernism in Irish Women's Contemporary Writing: The Stubborn Mode (Oxford UP, 2023) examines the tangled relationship between contemporary Irish women writers and literary modernism. In the early decades of the twenty-first century, Irish women's fiction has drawn widespread critical acclaim and commercial success, with a surprising number of these works being commended for their innovative redeployment of literary tactics drawn from early twentieth-century literary modernism. But this strategy is not a new one. Across more than a century, writers from Kate O'Brien to Sally Rooney have manipulated and remade modernism to draw attention to the vexed nature of female privacy, exploring what unfolds when the amorphous nature of private consciousness bumps up against external ordering structures in the public world.  Living amid the tenaciously conservative imperatives of church and state in Ireland, their female characters are seen to embrace, reject, and rework the ritual of prayer, the fixity of material objects, the networks of the digital world, and the ordered narrative of the book. Such structures provide a stability that is valuable and even necessary for such characters to flourish, as well as an instrument of containment or repression that threatens to, and in some cases does, destroy them. The writers studied here, among them Elizabeth Bowen, Edna O'Brien, Anne Enright, Anna Burns, Claire-Louise Bennett, and Eimear McBride, employ the modernist mode in part to urge readers to recognize that female interiority, the prompt for many of the movement's illustrious formal experiments, continues to provide a crucial but often overlooked mechanism to imagine ways around and through seemingly intransigent social problems, such as class inequity, political violence, and sexual abuse. Disclaimer/apology: Slightly stormy conditions during the recording of the interview led to slightly reduced sound quality. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/european-studies

Paige Reynolds's book Modernism in Irish Women's Contemporary Writing: The Stubborn Mode (Oxford UP, 2023) examines the tangled relationship between contemporary Irish women writers and literary modernism. In the early decades of the twenty-first century, Irish women's fiction has drawn widespread critical acclaim and commercial success, with a surprising number of these works being commended for their innovative redeployment of literary tactics drawn from early twentieth-century literary modernism. But this strategy is not a new one. Across more than a century, writers from Kate O'Brien to Sally Rooney have manipulated and remade modernism to draw attention to the vexed nature of female privacy, exploring what unfolds when the amorphous nature of private consciousness bumps up against external ordering structures in the public world.  Living amid the tenaciously conservative imperatives of church and state in Ireland, their female characters are seen to embrace, reject, and rework the ritual of prayer, the fixity of material objects, the networks of the digital world, and the ordered narrative of the book. Such structures provide a stability that is valuable and even necessary for such characters to flourish, as well as an instrument of containment or repression that threatens to, and in some cases does, destroy them. The writers studied here, among them Elizabeth Bowen, Edna O'Brien, Anne Enright, Anna Burns, Claire-Louise Bennett, and Eimear McBride, employ the modernist mode in part to urge readers to recognize that female interiority, the prompt for many of the movement's illustrious formal experiments, continues to provide a crucial but often overlooked mechanism to imagine ways around and through seemingly intransigent social problems, such as class inequity, political violence, and sexual abuse. Disclaimer/apology: Slightly stormy conditions during the recording of the interview led to slightly reduced sound quality. Learn more about your ad choices. Visit megaphone.fm/adchoices

Paige Reynolds's book Modernism in Irish Women's Contemporary Writing: The Stubborn Mode (Oxford UP, 2023) examines the tangled relationship between contemporary Irish women writers and literary modernism. In the early decades of the twenty-first century, Irish women's fiction has drawn widespread critical acclaim and commercial success, with a surprising number of these works being commended for their innovative redeployment of literary tactics drawn from early twentieth-century literary modernism. But this strategy is not a new one. Across more than a century, writers from Kate O'Brien to Sally Rooney have manipulated and remade modernism to draw attention to the vexed nature of female privacy, exploring what unfolds when the amorphous nature of private consciousness bumps up against external ordering structures in the public world.  Living amid the tenaciously conservative imperatives of church and state in Ireland, their female characters are seen to embrace, reject, and rework the ritual of prayer, the fixity of material objects, the networks of the digital world, and the ordered narrative of the book. Such structures provide a stability that is valuable and even necessary for such characters to flourish, as well as an instrument of containment or repression that threatens to, and in some cases does, destroy them. The writers studied here, among them Elizabeth Bowen, Edna O'Brien, Anne Enright, Anna Burns, Claire-Louise Bennett, and Eimear McBride, employ the modernist mode in part to urge readers to recognize that female interiority, the prompt for many of the movement's illustrious formal experiments, continues to provide a crucial but often overlooked mechanism to imagine ways around and through seemingly intransigent social problems, such as class inequity, political violence, and sexual abuse. Disclaimer/apology: Slightly stormy conditions during the recording of the interview led to slightly reduced sound quality. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/british-studies

Paige Reynolds's book Modernism in Irish Women's Contemporary Writing: The Stubborn Mode (Oxford UP, 2023) examines the tangled relationship between contemporary Irish women writers and literary modernism. In the early decades of the twenty-first century, Irish women's fiction has drawn widespread critical acclaim and commercial success, with a surprising number of these works being commended for their innovative redeployment of literary tactics drawn from early twentieth-century literary modernism. But this strategy is not a new one. Across more than a century, writers from Kate O'Brien to Sally Rooney have manipulated and remade modernism to draw attention to the vexed nature of female privacy, exploring what unfolds when the amorphous nature of private consciousness bumps up against external ordering structures in the public world.  Living amid the tenaciously conservative imperatives of church and state in Ireland, their female characters are seen to embrace, reject, and rework the ritual of prayer, the fixity of material objects, the networks of the digital world, and the ordered narrative of the book. Such structures provide a stability that is valuable and even necessary for such characters to flourish, as well as an instrument of containment or repression that threatens to, and in some cases does, destroy them. The writers studied here, among them Elizabeth Bowen, Edna O'Brien, Anne Enright, Anna Burns, Claire-Louise Bennett, and Eimear McBride, employ the modernist mode in part to urge readers to recognize that female interiority, the prompt for many of the movement's illustrious formal experiments, continues to provide a crucial but often overlooked mechanism to imagine ways around and through seemingly intransigent social problems, such as class inequity, political violence, and sexual abuse. Disclaimer/apology: Slightly stormy conditions during the recording of the interview led to slightly reduced sound quality.

This episode is dedicated to all you moms out there with ADHD. But guys, don't hit the stop button because we know you're going to learn something too from this discussion. Today we have Anna Burns with Anna Burns Wellness and she works with ADHD moms. Anna discusses with Dave what it's like to be in ADHD mom, some of the specific challenges of mothers with ADHD and how ADHD moms out there can make life less stressful and a little more organized. Anna starts out by describing a day in the life of an ADHD mom. You might relate to some of this! Anna also talks to Dave about some of the more common challenges a mother with ADHD would face that many of you listening can relate to. She talks about why it could be common from many women after having children to discover they have ADHD. How do we organize as a mom with ADHD? Anna discusses the core parts and systems women should focus on. She also discusses with Dave how to implement more emotional intelligence as a mom with ADHD. Because many people, men and women can have challenges with emotions in different situations. Anna also walks us through how moms with ADHD can build routines with kids running around the house, extracurricular activities and other responsibilities. What can be a game changer for women with ADHD? Anna talks about this as well. Find Anna at: https://annaburnswellness.com/ **Do you want to work with Dave one-on-one? Go to www.overcomingdistractions.com and book an introductory Zoom chat. Or go directly to Dave's calendar; https://calendly.com/davidgreenwood1/15min  

Having #ADD or #ADHD is a gift, not a curse. Hear from people all around the globe, from every walk of life, in every profession, from Rock Stars to CEOs, from Teachers to Politicians, who have learned how to unlock the gifts of their #ADD and #ADHD diagnosis, and use it to their personal and professional advantage, to build businesses, become millionaires, or simply better their lives.    Our Guest today is Dr. Anna Burns, PT, DPT. Dr. Burns is an ADHD coach for ADHD moms. As a coach and #ADHDmom herself, she helps moms who struggle to keep their lives and their family's lives organized and running smoothly. She provides skills, tools, and an understanding of ADHD brains to make their worlds fit around them, not the other way around. Dr. Burns has a background as a pelvic health physical therapist and is a mom living outside of Boston.    Enjoy!    [You are now safely here]   00:00 - Thank you again so much for listening and for subscribing!!   01:00 - Introducing Anna.   01:45 - Anna's diagnosis story.    03:11 - Parents are being diagnosed more frequently.   03:45 - Helping those with a late #ADHD diagnosis.    04:52 - How to create doable strategies for busy moms with #ADHD.   08:00 - How to define #ADHD so that it does not become a catch-all?    10:30 - How to handle the internalized idea that you are broken.    Connect with Anna on: Facebook: Anna Burns Wellness Instagram: @annaburnswellness  LInkedIn: Anna (Koteff) Burns, PT, DPT   Click this link to gain access to Anna's free time-management tools for moms!   If you haven't picked up a copy of my book The Boy with the Faster Brain yet, it is on Amazon and it is a number #1 One Bestseller in all categories! Click HERE or buy your copy at https://amzn.to/3FcAKkI. My link tree is here if you're looking for something specific: https://linktr.ee/petershankman.

Exciting launch! Our very first Book Club show with Today Radio's Vanessa Phelan and Sarah Tapp. Every month we'll share recommendations and take on a new book, as voted by our readers. It all started with Sarah chatting about the wonderful interview she did with Dr. Susan Rogers on her tome about music cognition and cyberaustics: "This Is What It Sounds Like: What the Music You Love Says About You" And then the conversation took a book curve into what we're reading, what we've enjoyed over the past few months, and we thought it would be great to build a community around our love of books and reading. So here we are! We would love you to help build this community with ideas and recommendations. Each month we will try to bring recommendations and also include YOUR recommendations. You will have no doubt heard both of my colleagues on Today Radio as Sarah Tapp hosts The Hangover and Vanessa Phelan is a newsreader and contributing journalist for RTL Today. Here's a bit more about us... Well me you know about I guess as you're listening to the show. What's relevant and something I don't normally talk about is that I write and consult on children's science books for DK in the UK. You can find my books here. I love giving back to the science I once studied and with books, this is one avenue. I wrote the Mini Scientist series when my girls were tiny as I realised experimenting is our first language. Before words. Vanessa grew up in the States and moved to Luxembourg in 2017 after 12 years in Dublin. Aside from her work at RTL, Vanessa also works for a publisher of Irish language children's books. She is a lover of all kinds of fiction, whether mystery, romance, historical or just stories about people with messages and themes we can all relate to. She also loves to travel and so enjoys reading about far-flung and exotic places. Originally from Hawaii, Sarah studied Zen poetry in college and spent almost 15 years in Japan before relocating to Luxembourg in 2016. When she's not hosting The Hangover on Today Radio, Sarah is an avid reader who loves literary fiction, poetry, classics and memoir. Her unchecked obsession with One Direction fanfiction and inability to pronounce words correctly when reading aloud keep her from being an insufferable snob. Subscribe to the Podcast and get in touch! Please do subscribe to the podcast on Apple and / or Spotify. It would be great if you could rate and review too - helps others find us. Tune in on Today Radio Saturdays at 11am, Sundays at noon and Tuesdays at 10am. Vote on our next book We would really love you to vote on our next book! Crying in H Mart by Michelle Zauner Remarkably Bright Creatures by Shelby Van Pelt Milkman by Anna Burns Books mentioned on today's show We spoke about so many books on this show. Let us know what you think of them! This Is What It Sounds Like: What the Music You Love Says About You by Susan Rogers and Ogi Ogas My Grandmother Asked Me to Tell You She's Sorry and other books by Fredrik Backman The Thursday Murder Club by Richard Osman Remarkably Bright Creatures by Shelby Van Pelt Olive Kitteridge and other books by Elizabeth Strout A Little Life by Hanya Yanagihara The Body Keeps the Score: Brain, Mind, and Body in the Healing of Trauma by Bessel van der Kolk Sorrow and Bliss by Meg Mason Fanfiction (we recommend Archive of Our Own (AO3)) Yellowface by R.F. Kuang The Wife's Tale: A Personal History by Aida Edemariam Oh My God, What a Complete Aisling by Emer McLysaght & Sarah Breen The Covenant of Water by Abraham Verghese Shantaram by Gregory David Roberts No Friend but the Mountains: Writing from Manus Prison by Behrouz Boochani Chocolat and Five Quarters of the Orange by Joanne Harris Beach Read by Emily Henry (Sarah said “Book Lovers” but this is the one she meant!) The Book of Longings by Sue Monk Kidd Hamnet and other books by Maggie O'Farrell Prophet Song by Paul Lynch My Policeman by Bethan Roberts Windswept & Interesting by Billy Connolly Memoirs and biographies of Victoria Beckham, Britney Spears, Elon Musk, Steve Jobs and Diana, Princess of Wales Ducks, Newburyport by Lucy Ellmann Crying in H Mart by Michelle Zauner How to Be an Adult in Relationships: The Five Keys to Mindful Loving by David Richo Milkman by Anna Burns Books mentioned on today's show We spoke about so many books on this show. Let us know what you think of them! This Is What It Sounds Like: What the Music You Love Says About You by Susan Rogers and Ogi Ogas My Grandmother Asked Me to Tell You She's Sorry and other books by Fredrik Backman The Thursday Murder Club by Richard Osman Remarkably Bright Creatures by Shelby Van Pelt Olive Kitteridge and other books by Elizabeth Strout A Little Life by Hanya Yanagihara The Body Keeps the Score: Brain, Mind, and Body in the Healing of Trauma by Bessel van der Kolk Sorrow and Bliss by Meg Mason Fanfiction (we recommend Archive of Our Own (AO3)) Yellowface by R.F. Kuang The Wife's Tale: A Personal History by Aida Edemariam Oh My God, What a Complete Aisling by Emer McLysaght & Sarah Breen The Covenant of Water by Abraham Verghese Shantaram by Gregory David Roberts No Friend but the Mountains: Writing from Manus Prison by Behrouz Boochani Chocolat and Five Quarters of the Orange by Joanne Harris Beach Read by Emily Henry (Sarah said “Book Lovers” but this is the one she meant!) The Book of Longings by Sue Monk Kidd Hamnet and other books by Maggie O'Farrell Prophet Song by Paul Lynch My Policeman by Bethan Roberts Windswept & Interesting by Billy Connolly Memoirs and biographies of Victoria Beckham, Britney Spears, Elon Musk, Steve Jobs and Diana, Princess of Wales Ducks, Newburyport by Lucy Ellmann Crying in H Mart by Michelle Zauner How to Be an Adult in Relationships: The Five Keys to Mindful Loving by David Richo Milkman by Anna Burns

Notes and Links to Peter Coviello's Work      For Episode 224, Pete welcomes Peter Coviello, and the two discuss, among other topics, his early relationship with music and bands that led him on a circuitous route to reading and writing, favorite individual and shared writers, the ways in which fandom and passion for books and music and the like grows and cements friendships, and salient topics from the book like The Sopranos as comfort watching and bringing Peter closer to his Covid-isolated family, the tonic and “jolt” that is passionate and talented artist, Prince as of this world and totally otherworldly somehow, and the visceral pleasures that come with love of the arts and love for the people who make and enjoy these arts.      Peter Coviello is a scholar of American literature and queer theory, whose work addresses the entangled histories of sex, devotion, and intimate life in imperial modernity.    A writer of criticism, scholarship, and literary nonfiction, he is the author of six books, including Make Yourselves Gods: Mormonism and the Unfinished Business of American Secularism (Chicago), a finalist for the 2020 John Whitmer Historical Association Best Book Prize; Long Players (Penguin), a memoir selected as one of ARTFORUM's Ten Best Books of 2018; and Tomorrow's Parties: Sex and the Untimely in Nineteenth-Century America (NYU), a 2013 finalist for a Lambda Literary Award in LGBT Studies.     His book, Vineland Reread (Columbia), was listed among the New York Times's “New and Noteworthy” titles for January of 2021. He taught for sixteen years at Bowdoin College, where he was Chair of the departments of Gay and Lesbian Studies, Africana Studies, and English, and since 2014 has been at UIC, where he is Professor and Head of English. His newest book Is There God After Prince?: Dispatches from an Age of Last Things (Chicago), was selected for The Millions' “Most Anticipated” list for 2023.    He advises work on 19th- and 20th-century American literatures and queer studies, as well as literary theory, religion and secularism, the history of sexuality, gender studies, poetry and poetics, modernism, and creative nonfiction.   Buy Is There God After Prince: Dispatches from an Age of Last Things   Peter's Website with University of Chicago   New City Lit Review of Is There God After Prince At about 3:00, Cavatelli! Italian last names! Goodfellas references! At about 5:00, Peter Coviello talks about his early relationship with the written word, and particularly how “worlds of music and imagination” got him into Rolling Stone and William Faulkner and other wonderful and catchy writing   At about 9:10, Peter highlights the “jolt” and “discovery” of young people/students and coins (?) the term “quotidian miraculousness” that comes with teaching literature  At about 10:50, Pete references the liner notes of Rage Against the Machine albums, as he and Peter discuss talking about great books and other artistic appraisals  At about 12:20, Peter responds to Pete's question about which writers have influenced him over the years, including more recent writers like Jessica Hopper and Helen Macdonald At about 15:20, Peter talks about tangential connections to David Foster Wallace At about 16:20, Peter talks about who he is reading in 2024, including Anna Burns and Sam Lipsyte At about 19:00, Peter talks about seeds for his essay collections At about 21:10, Pete and Peter nerd out about a favorite writer of Peter's and a favorite professor of Pete's At about 24:15, Peter discusses love and sorrow and the ways in which critique is intertwined with love, especially when discussing art of all types At about 25:55, The two discuss contrasts in love of art, and little victories in reading and fandom At about 28:10, Pete highlights “not nothing” and “and yet” as so crucial and telling in the book At about 29:20, Pete shouts out the book's Introduction and he and Peter fanboy again over the Wussy song mentioned in the Intro, “Teenage Wasteland” At about 31:10, The two talk about fandom and sharing great art, including Nirvana's MTV Unplugged performance At about 33:20, Peter sees grief in some well-known art and talks  At about 34:30, Peter explains what he sees as so beneficial and magic about discussions and “fights” about art At about 39:00, The two discuss the collection's title essay and the freedom and camaraderie and joy that came with Prince dance parties from 1999 Maine At about 41:00, Peter speaks to the “otherworldliness” of Prince and gives background on his greatness and iconic status and how he was also of “carnality” At about 42:30-Prince and Chappelle Show reference! At about 43:30, The two discuss lively writing that comes off as funny and/or electrifying, like that of Paul Beatty At about 46:00, The discussion revolves around the book's second essay and Pavement , especially their song “Unfair” At about 47:30, Peter connects the above song with a telling and profound and prophetic quote from Paul Beatty's Slumberland At about 48:50, Peter and Pete discuss algorithms and a chapter on a fun discussion/argument over Gladys Knight's "Midnight Train to Georgia" At about 50:00, Pete highlights Peter's complimentary writing about current songwriters and the two discuss Steely Dan as treated in the book, and the ways in which strong feelings on either side is mostly a healthy thing At about 52:50, Peter gives background on how much of the book deals with his relationship with his stepdaughters and the “adjacency” of love and sorrow and how much art At about 54:45, The two reflect on a meaningful essay about Derek Jeter's “moment in time” At about 56:15, The two discuss the three “John's” of an important chapter and the “terrible double discovery of adolescence”   At about 58:00-Third Eye Blind and Justin Bieber and Chance the Rapper and other music is discussed for aesthetic qualities and connections to Peter's relationships with his daughters At about 1:00:05, My So-Called Life is referenced in connection with father-daughter conversations At about 1:01:50, Chicago is highlighted and Anthony Wa Gwendolyn Brooks At about 1:02:40, Peter reflects on how The Sopranos' and its treatment in the book kept him close to his family in Covid lockdown At about 1:05:10, Peter gives book information and ordering information        You can now subscribe to the podcast on Apple Podcasts, and leave me a five-star review. You can also ask for the podcast by name using Alexa, and find the pod on Stitcher, Spotify, and on Amazon Music. Follow me on IG, where I'm @chillsatwillpodcast, or on Twitter, where I'm @chillsatwillpo1. You can watch this and other episodes on YouTube-watch and subscribe to The Chills at Will Podcast Channel. Please subscribe to both my YouTube Channel and my podcast while you're checking out this episode.    I am very excited that starting in February with Episode 220 with Neef Ekpoudom and this episode, I will have one or two podcast episodes per month featured on the website of Chicago Review of Books. The audio will be posted, along with a written interview culled from the audio. A big thanks to Rachel León and Michael Welch at Chicago Review-I'm looking forward to the partnership!    Sign up now for The Chills at Will Podcast Patreon: it can be found at patreon.com/chillsatwillpodcastpeterriehl     Check out the page that describes the benefits of a Patreon membership, including cool swag and bonus episodes. Thanks in advance for supporting my one-man show, my DIY podcast and my extensive reading, research, editing, and promoting to keep this independent podcast pumping out high-quality content!       This is a passion project of mine, a DIY operation, and I'd love for your help in promoting what I'm convinced is a unique and spirited look at an often-ignored art form.    The intro song for The Chills at Will Podcast is “Wind Down” (Instrumental Version), and the other song played on this episode was “Hoops” (Instrumental)” by Matt Weidauer, and both songs are used through ArchesAudio.com.     Please tune in for Episode 225 with Andrés N. Ordorica, author of the poetry collection At Least This I Know; his writing has been shortlisted for the Morley Prize for Unpublished Writers of Colour and the Saltire Society's Poetry Book of The Year. How We Named the Stars, his first novel, was published on January 30.    The episode will air on February 27.

In most Asian, European and Middle Eastern homes, shoes are never worn inside as it can be a sign of disrespect from the guests to the owners of the home. Charles Gerba, a professor of virology at the University of Arizona, discovered a grab bag of fecal matter when he conducted a study that entailed swabbing the bottom of 26 shoes. He found e-coli on more than a quarter of them and some kind of fecal bacteria on almost all. So if we all have poop on our shoes, should we be taking them off when we arrive home? Anna Burns, Nutritionist, Scientist & Microbiologist joined Sean to discuss...

Last week, Adam chaired a conversation between Ben Lerner and Jakuta Alikavazovic, on the writing and translating of The Topeka School, at the conference BEN LERNER - EDGE OF GENRE. The discussion was compelling, enlightening and hilarious in equal measure. Enjoy!Buy The Topeka School: https://www.shakespeareandcompany.com/books/the-topeka-schoolBen Lerner was born in Topeka, Kansas, in 1979. He has received fellowships from the Fulbright, Guggenheim, and MacArthur Foundations, and is the author of three internationally acclaimed novels, Leaving the Atocha Station, 10:04 and The Topeka School. He has published the poetry collections The Lichtenberg Figures, Angle of Yaw (a finalist for the National Book Award), Mean Free Path and No Art as well as the essay The Hatred of Poetry. Lerner lives and teaches in Brooklyn.Jakuta Alikavazovic is a French writer of Bosnian and Montenegrin origins. Her debut novel, Corps Volatils, won the Prix Goncourt in 2008 for Best First Novel. She has translated works by Ben Lerner, David Foster Wallace and Anna Burns into French. She lives in Paris and writes a regular column for the daily newspaper Liberation.*Listen to Alex Freiman's Play It Gentle here: https://open.spotify.com/album/4gfkDcG32HYlXnBqI0xgQX?si=mf0Vw-kuRS-ai15aL9kLNA&dl_branch=1 Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

Kimberly will share whether you should—or should not—dig into Milkman. She'll treat you to a snippet of the prose to give you a sense, but for a deeper analysis, check out the lecture.

Marks & Spencer is removing use-by dates from its fresh milk. They want to stop milions of pints that are still safe to consume being poured away, and they're encouraging customers to use the ‘sniff test' to tell whether milk is off or not. Kieran was joined by Anna Burns, a microbiologist and nutritional scientist...

As fast-food workers suffered under the indignity of zero-hour contracts, Anna Burns-Francis stepped up to tell their stories. Her tireless reporting forced corporations to put employee welfare over greed.

Vencedor do Booker Prize em 2018, este é o terceiro romance de Burns, escritora natural de Belfast, espécie de distopia a partir do conflito da Irlanda do Norte. Uma metáfora sobre a violência.

PJ talks to Cork weightloss coach Anna Burns who has great tips for men and particularly for women entering pre-menopause and is author "Say NO to Menopause Weight Gain". Hosted on Acast. See acast.com/privacy for more information.

It may be time you gave your spice rack some side eye as a new study has found that they could be the germiest part of your kitchen. When did you last clean down your spice jars even though you might have picked them up straight after handling raw meat? To find out just how germy they are and if we should be worried, Sean was joined by Anna Burns, microbiologist and nutritional scientist…

In our "world Literary" discussion, we focused on Milkman, which is a fiction novel written by the Northern Irish author Anna Burns. The story sets during The Troubles in Northern Ireland, the story follows an 18-year-old girl who is harassed by an older married man known as "Milkman". - SBS සිංහල සේවය ගෙන එන "විශ්ව සාහිත්‍යයේ රස මංපෙත් " - ලෝක සාහිත්‍ය පිලිබඳ රසවින්දනාත්මක විශේෂාංගයේ මෙවර අවධානය යොමුවුනේ අයර්ලන්ත ජාතික ඇනා බර්න්ස් විසින් රචිත, 2018 වසරේ The Man Booker සම්මානය හිමිකරගත් "මිල්ක්මන්" ලෝකප්‍රකට නවකතාව පිළිබඳවයි. මෙය ලේඛිකා ස්වර්ණකාන්ති රාජපක්ෂ විසින් 'මිල්ක්මන් ' යන නමින්ම සිංහල භාෂාවට පරිවර්තනය කොට තිබේ.

Don't seem to be able to prioritise your kegel's or whatever else You need to get done?Women are notorious bad at putting their health and wellbeing needs on an equal footing as others. Today I have an absolute treat for you, as I chat with Anna Burns of Anna Burns Wellness. Anna is Pelvic Health Physical Therapist, who now specialises in helping moms prioritise themselves.So if you are guilty of saying that you haven't time to do your kegels or that you are always putting the needs of others before your own, then grab a cuppa and listen up!You can connect with Anna at:annaburnswellness.comFB or IG: @annaburnswellnessFree affirmation wallpapers: annaburnswellness.com/freebie And if you want to connect with me, you can do so as ever via sarahjane@fitfannyadams.com or FitFannyAdams.com/Restore Did this episode make you think realise that you are indeed worthy and do you feel motivated to do something about it? Will you let know? X

This episode, making a return to Hearts of Oak is the veteran Irish journalist, playwright, author, campaigner and political activist, John Waters. We have all seen the pictures coming from 'The Emerald Isle' of the protests against uncontrolled immigration. These demonstrations are very similar to what has been happening in the UK and John joins us to discuss the impact that mass immigration is having on Ireland. The damage to community cohesion and the blatant disregard for what is best for the citizens of Ireland is producing a pressure cooker atmosphere, those who raise concerns are branded as racists, bigots and being far right. Loving ones country is no longer accepted or tolerated by our politicians and media, have the government overplayed their hand and can the people of Ireland reclaim their country? Join us for John's expert analysis on this situation. John Waters is an Irish Thinker, Talker, and Writer. From the life of the spirit of society to the infinite reach of rock ‘n' roll; from the puzzle of the human ‘I' to the true nature of money; from the attempted murder of fatherhood to the slow death of the novel, he speaks and writes about the meaning of life in the modern world. He began part-time work as a journalist in 1981, with Hot Press, Ireland's leading rock ‘n' roll magazine and went full-time in 1984, when he moved from the Wild West to the capital, Dublin. As a journalist, magazine editor and columnist, he specialised from the start in raising unpopular issues of public importance, including the psychic cost of colonialism and the denial of rights to fathers under what is called family 'law'. He was a columnist with The Irish Times for 24 years when being Ireland's premier newspaper still meant something. He left in 2014 when this had come to mean diddly-squat, and drew the blinds fully on Irish journalism a year later. Since then, his articles have appeared in publications such as First Things, frontpagemag.com, The Spectator, and The Spectator USA. He has published ten books, the latest, Give Us Back the Bad Roads (2018), being a reflection on the cultural disintegration of Ireland since 1990, in the form of a letter to his late father. Connect with and support John... SUBSTACK: https://johnwaters.substack.com/ WEBSITE: https://anti-corruptionireland.com/ Interview recorded 20.2.23 *Special thanks to Bosch Fawstin for recording our intro/outro on this podcast. Check out his art https://theboschfawstinstore.blogspot.com/ and follow him on GETTR https://gettr.com/user/BoschFawstin To sign up for our weekly email, find our social media, podcasts, video, livestreaming platforms and more... https://heartsofoak.org/connect/ [0:22] John Waters, it is wonderful to have you with us and thank you for joining us once again. It's a pleasure to be on with you again, Peter. Thank you very much. Not at all. It's been, goodness, two years. I look back and it's January 2021, so please, accept my apologies for not having you on. More often we will do. And for the viewers and listeners, you can follow John on his substack, johnwaters.substack.com. I get it into my inbox and it will give you John's perspective and thoughts on a whole range of events. So, I do encourage you to go sign up for that and you can even sign up for the paid version, if you so wish and support John in that way. John, you're probably looking at the substack and I was reading through it today looking at your description. I noticed that you call yourself an Irish thinker, writer, and as Irish thinker, talker, and writer. That's the one. [1:23]I would have just put you on as a journalist, but that word is connotations. But yet you're the first guest I've ever had on who defines himself by being a thinker and a talker. Yeah, yeah. Well, exactly. You've put your finger on there. I use, I come up with, try and come up with words of self-description that are not journalists, even though as a child I couldn't, the idea of being a journalist and having that name appended, that word appended to my name was like beyond a dream, you know, and now you know just connotations of just lying and scumry and just speaking on behalf of the power, attacking the vulnerable, you know, and so on and so on and so on. So yeah, it's really just an alternative to being regarded as describing myself really as a lying scum-bag, which you know, actually, I will try a little harder and I must come up with some more words for that because I think I'm going to need them for a little longer. [2:14] I think I could say this, someone born on the island of Ireland, born in the north and live in the south, it's so Irish. People think of the Irish as talkers, as thinkers. So it kind of fits into that little stereotype. It does, yeah. It's a little bit pretentious, I have to say, a little bit affected, but it needs most. I kind of toy with the idea of reporter, but it doesn't really get me. I am, but it's a particular kind of writing, I guess. So journalist is a word, which, as I say, once treasured and hopeful, I hope will be treasured once again in our culture and our civilization. But at the moment it's the, it's the byword of a scumbag, you know? [2:58] Well, one issue that journalists have been silent on, we could have a range of issues, but the one we'll look at today is immigration and what's been happening in Ireland. Looking at it from over here on the mainland, as I would have called GB when I was back living in Ireland, Northern Ireland. But it seems to be an immigration level that's much higher than we've seen before. And the Irish have traditionally been a people of hospitality, of generosity, of open arms. But do you want to just give us your thoughts, your assessment on what exactly has been happening regarding immigration at the moment? [3:35] Well, as you say, Ireland always had a steady stream of people coming here to live and work and stay and be welcomed. And we didn't ever have an issue of rejecting any such people. But what's happening now and what has been happening for over 20 years is actually quite different, but increasingly so, acceleratingly so in the past three years since the so-called pandemic, which was used as a cover to bring in huge numbers, by night in planes. You would see them in the morning in Dublin with their cases dragging behind them, like 10 or 12 of them having come in from the airport. At the same time that the Irish people were locked down, and forbidden to go any more than 2 kilometres from their own homes. Half the world was coming to join us without any consultation with the Irish people. And this was a kind of an acceleration of a trend that had been with us with us for maybe 20 years going back to 2004 and the opening of the European borders, which you know. [4:33] The Irish people voted for. I didn't vote for it. I didn't agree with it. Not necessarily for that reason, although you know for reasons that I had fears that what was what is happening now would indeed happen. But so people did vote for the expansion of the European community and so on, the union and I didn't quibble with that. But it was clear from very early on, from maybe about 2005, 2007, that there were a lot of people coming into Ireland who were not Europeans and who didn't originate in Europe, that they were using Europe as a stepping stone to get into Ireland. Again, that was kind of something that had no context or no explanation in the context of what we had voted for. It wasn't being elaborated upon by politicians and so on. [5:24] And I remember at that time, around that time when I began to become aware of that, I started asking questions about it, but you weren't permitted to ask questions. To ask questions was racist. So if you wanted to know, I mean Ireland was at the time a population of under 4 million. And if you wanted to say, well, okay, well, like, you know, to somebody who wanted to open up our borders, well, like to what extent, you know, like, what is Ireland? You know, Is Ireland, as Thomas Davis prophesied, just a sand bank on which we walk about and indifferently and it doesn't really matter who's here, it doesn't matter why they're here, it doesn't matter, where they come from, it doesn't matter what their agendas are, or can we actually fix a number? That was the question that seemed to me to be the most germane, to say to these people, okay. [6:07] Fine, you want to bring in people, okay, but can you tell us who you're bringing in and can you tell us what your end game is? How many do you want to bring in? A population of less than 4 million? What? Another million? Oh, don't be ridiculous. Okay, fine. So you're saying that's too many. Okay, that's the start. Okay. Well, then let's say at the other end, the hypothesis maybe will say a dozen people. [6:34] Oh you play games, no no I'm not playing games, so it's not what is not a dozen, is not twelve, that's too few, fair enough I probably agree with you. [6:45] Now somewhere between twelve and a million is a figure that we need to fix on so can we work on that a little bit and maybe we end up with a figure that say four hundred and fifty thousand and twenty five. Right. OK. So on Monday morning after that, the four hundred, and fifty thousand and twenty sixth person arrives at Dublin airport and walks up the plane and says, here I am. And we say, sorry, you're very sorry. You're in hard luck. You know. [7:16] We're full up now. We've taken our quota. We said we would. And that says, I'm very sorry, but you're going to have to go back on the next plane. Is that racist? Is that racist? Well, of course, we know the answer to that it is racist, because there was never any question in these minds other than that. They would have free access, free free reign to bring as many people as they wanted into Ireland, which is an unlimited number. They have no limits. And they say this now, by the way, they say there is no upward seeding, there's no cap on migrants. We've already taken in nearly 100,000 Ukrainians, for example, in the last 10 months. And they're saying that we could expect the same again within a year. I mean, you know, and moreover, there's a concept which has been in use here in general, which we again is subterranean, of family reunification, whereby once one person comes in, they're entitled to bring in their extended family. And there's actually no upward limit on that either it appears but the average that we have found per person. [8:21] It's quite a shocking number is 20. So you think about say a hundred thousand Ukrainians coming into Ireland and having the right to bring in 20 people a piece say, and it's more if they want. [8:37] Well, what's that? You know, like, like, like that's 2 million people like that, without a single conversation with the Irish people about what they wish for their country, what they fear from this tendency. But Ireland has had a massive change. The Ireland I grew up in in the 80s is a world away from the Ireland today. And that massive change, I mean, depending how you look at it, I look at it as someone who's, maybe a Christian or a conservative and see that massive change with the church being quite strong, with a cohesion in Ireland, understanding what it meant to be Irish. But that has been upended and Ireland has turned for me one of the most conservative countries, one of the most liberal countries. And a lot of those changes, I think, have happened again without the public necessarily being engaged with and asked and discussed, what are the consequences of these actions? Are they good or bad for the country? Is that a kind of fair assessment?   Oh, yeah, for sure. I mean. [9:57] Basically we were told. I mean, this is essentially what we're talking about here, Peter, is, totalitarianism, as defined by Václav Havel, you know, where he was talking about, you know, that the future is prepared for you and you were told you must live in it and there are no options, there is no menu. This is it, you move in. You're no longer a sovereign person in your country. You are just simply a passenger and you're the same. You have the same rights if you have [10:24] as anybody who comes in. In fact, in practice, what we're finding is that the Indigenous population no longer have rights in this context at all. And the reason for that is very interesting, because what it actually is, it relates back to the United Nations and the United Nations taking up of the 1964 Civil Rights Act in the United States, which kind of gave a legal oomph to a, lot of the ideologies that were beginning to float around at that point. And in effect, what it means is that when a migrant comes to Ireland or any other country in Europe. [10:57] They are in effect a floating piece of UN jurisdiction. They bring with them all those kind of entitlements and rights which the UN will now provide them with but it is the Irish people who must pay for them. With their communities, with their homes, with their safety, with their security, with whatever is necessary in order to fulfil the contract with the UN has extended to this individual migrant. And the Irish people have no right to speak back to this. It is quite clear. They're, you know, they're just being bullied. I mean by so-called entertainers, by celebrities, so-called by NGOs, by government civil servants, all paid out of the Irish taxpayers' pocket. Now abusing the Irish taxpayer for asking simple questions about the future direction of his country and the chances of his or her children having a home to live in. [11:55] And the Irish people are saying no in increasing numbers. And thank God, because it has taken a long time for them to overcome their fear of being demonised, of being called names by these people. But now they realise that the price of silence is too great. It is the complete destruction of their metaphysical home and the loss of the birth right of their children. [12:18] How is this, I mean, Ireland is a country that you know what Irish means and probably a country with one of the strongest identities around the world has been, but that kind of identity, that heart and soul seems to be ripped out of the country. How is that, how has that happened? Or how has that been allowed to happen? I mean, we see it in the UK, self-hatred of the country, but you kind of thought being [12:54] Irish is something different, is something to really be proud about and the fabric of the society and culture. How has it changed completely? Well, you see, Ireland's been under assault for 800 years, you know, I mean, first of all by Britain, but more recently for the past 100 years by its own people, you know, who have basically stepped into the role of colonizers within, native settlers, as it were. And that has now, you see this whole thing of demonization. The demonization, you talked about this kind of conservative liberal axis. I mean, I don't necessarily think the words are hugely useful anymore, any more than left and right are useful, but they do describe something in a sense. And certainly they divide the field and we can see more clearly. So it's useful enough to use them, they're not necessarily words that have a precise meaning. And you know we've now had, as you say, these culture wars for particularly in the last decade where we had a series of referendums which attacked the fundamental rights section of the Irish constitution on the basis of marriage, on the basis of abortion, on the basis of so-called rights of children, which are now, by the way. I oppose all these at referendum. [14:07] And interestingly the one in 2012 about so-called children's rights was the most baffling for people, as to why I would do that. They say are you opposed to children having rights? And I say absolutely not, but their rights must be vested in their parents, has always been the case. Now after this, and it was narrowly passed, what happened was that the state took on the role of, super-parent and now you see the fruits of it where a government minister stands up on her hind legs and tells people that she is going to allow children of 16 years of age to transition, to change genders without their parents' knowledge or consent. Now that's the culmination of what happened in 2012. So to answer your question, this is the conditions you see. You see, I believe, Peter, that actually Ireland was, I forget the word, but there is a word in Spanish for what they call a self coup. I think we had one such of those in Ireland in 2011, which precedes this period, just a little more over a decade ago. And what it was, was really that the American government [15:14] under Obama seemed to take Ireland under its wing and send all kinds of secretive forces into our midst, nor to manipulate and so on, and teach us the expertise of scumry. And we learned well. Our leaders learned well. They are complete scumbags now. And so one of the things they did, and particularly so in the 2015 referendum on marriage, was they launched these LGBT goons. [15:43] As almost like Rottweilers, you know, packs of Rottweilers into the culture, telling people what they could and could not say, therefore what they could and could not think. And they terrified the lives out of people because people at the time, this was new and they'd never seen anything. People, Irish people are gentle and you don't want to offend people and so on mostly. [16:03] They need to get over that by the way. What you actually ended up with was what I call a culture of mutism or lock job where people became afraid to open their mouth for fear of saying the wrong thing in the wrong company and that they would be pulled up and reprimanded and chastised by somebody And that's therefore what you actually found in the last decade. And I found this in places like up in the west of Ireland, where people never stop talking and saying the most outrageous things to each other, all my life. And not being afraid of that, or not even being offended by it, but enjoying the possibility that you could have these entangled, but now, when you would mention some slightly risqué subject, there was look around...... [16:55] And then they would say, but you can't open your mouth.   Exactly the same here. When people will say to you, well said, completely agree with you. I also share that concerns, but I really can't speak up because it's X, Y, Z. And people, seem to have lost the courage. They still have that inside belief, but they've lost the courage to speak. Yeah. There was a great novel published there about five years ago by Anna Burns called Milkman, which was about that culture in operation in Northern Ireland. And that really resonated with me when I read it more recently in the last couple of years. It's a powerful book in that sense because it really gets at the undertones of what happens in a consciousness, collective and individual, when that kind of pressure for Omerta, is actually bearing down upon that culture. And that, I think, has been the singular most effective instrument. And that's why people ask, why is it that the LGBT movement are always drifting around the immigration issue. Well, that's why. They're paid to silence people. That's their skill. [18:10] LGB Rottweilers, that image sticks with me. It's a perfect description. What about in the UK, our politicians have talked about immigration, our immigration, which is out of control, has happened under a so-called conservative government for the last 13 years. They keep telling us, don't worry, we're going to fix it. We're going to put the brakes on it, we're going to deal with it, but they never do. So there is talk. In Ireland, are they even talking about trying to do something or is there just ignoring the situation? No, no. You see, what happens is, yes, exactly that, exactly what you've described there, Peter, that there is talk. Occasionally, intermittently, there is talk. But that talk is purely to to damp down the resistance and people to go back to their work, their everyday activities and forget about marching and chanting and so on. And you get that now they've been muttering about the government now, mutter about, oh, they're now revealing, for example, that 60% of the migrants coming into Ireland have no papers. [19:20] Now that's a shocking, none of us in our wildest nightmares would have dared make such an assertion that even say half or even a quarter of these people have no, we would have regarded a quarter of people of those people having no documents when they arrive here as an absolutely shocking statistic. They're saying 60%. The government is saying 60%. They're admitting culpability and they're implying by that that they're going to do something to stop it. But of course they're not. They're saying that to give the impression that everything is fine now. The government suddenly has realized that maybe they've gone too far or it's gone too far or there's too many people coming here. We didn't intend this to happen. They put out advertising all over the world, telling people that if they came to Ireland, they will get their front door key within four months. [20:05] Wow. Wow. That 60%. That is basically a green light because you're publicizing that there's no stopping. You and I going traveling, you don't have your passport, you're not going anywhere. [20:23] And yet that 60%, I saw that figure. That's just a big green light saying, you can come here, don't worry about any legality issues. That's right. That's right. And you see the point is, here's the important point. The people doing this, whether they be politicians or civil servants or NGOs or whatever, they are people who can claim to be virtuous on the basis of forcing other people to accept all of these newcomers. While never actually, because they live in basically sheltered areas that are not affected. [20:58] And they parade in the streets and accuse other people of being racist, smug in the knowledge that they live in an area where the houses are too expensive for these people to go or for these people to be placed. The government can't afford that or wouldn't seek to do it. It has targeted working class community. It strikes me a little bit, [21:18] they look for families that are lacking in some problem, maybe marital difficulties or, alcoholism or something like that. So there's a weakness. And this is the condescension of these people that they imagine their working class communities, have a weak solidarity or that they don't really care about each other or whatever. They couldn't be further from the truth. It just shows how little they know about the people that actually they expect to vote for them. And what you're finding therefore is that people are actually, the very people, they would have been better off targeting. In fact, they should start to target now the people that were marching in Dublin yesterday, or on Saturday. I would suggest to them that [21:54] they would take their video, get the video from the guards who were obviously filming the march, as they always do, and just find out where all these people live and then move the migrants in there. And that they will deal with the problem like that, no problem. Let's see how that goes for them. We know it won't go because as soon as this begins to encroach on these people's own doorsteps, their compassion dissolves and evaporates. It's only when it's being imposed upon others, that they're feeding the capacity to be, as they put it, tolerant. Well, exactly the same thing happened in the UK. They're putting these people, not in the affluent areas, that would affect those in charge, but in other areas, and there have been big demos up in Liverpool, I guess mirroring what has happened over there. But tell us about those demonstrations because you kind of stand up and you think, okay, the people are beginning to push back. The worry is that people just accept, but there seems to be pushback. So tell us about those kind of demonstrations. [23:04] Well, particularly, I think since the turn of the year in the working class era before actually in East Wall in Dublin, there was a community there being encroached upon and they rose up and very successfully and very momentously and a lot of people around the world started to pay attention to this. And then there have been other places in Mullingar for more, different towns around the countryside. And what you see there is not, you see the slimy lying media tried to present this as a far right and radicalized by these shadowy figures from abroad and so on. So the utter nonsense drivel, lies. [23:42] And what it's actually the communities themselves, it's women with prams marching. And of course, then what happens is that Antifa and these people that LGBT thugs, who want to just wade in with their hammers, etc. can't do that. And they're rather annoyed by this. and they accused the marchers of putting their children at risk. Well, there would be no risk if these scumbags didn't come near them. [24:09] You know, so, you know, like we need to get, I think, really, you might think my language is a little strong, but that's what I think is most important about this, that the Irish people learn to ramp up their outrage, and trust their repugnance of these people and speak the words that describe them. [24:30] Because when you are dealing with something profane, you have to use profane language. [24:36] Or you do not communicate its true nature. And that's why I use those words. And I think that's beginning to happen now. The two things are happening. One is that people are realizing that the cost of saying nothing, of being quiet, quiescent and mute is too great. We need the same back when Ireland was founded, their uprising and then fighting to gain their independence and that's exactly what you need, fighting for the right to reclaim your culture, what it is to be Irish and to not let politicians decide for you. So it is exciting to see that. [25:17] Yes it is and it's interesting that it's come from the working class and there's a very interesting parallel here to be drawn with the COVID episode, because again in that episode we saw, the quiescence of the so-called intellectual classes, the educated classes, the artist classes, you know, the the journalists classes, you know, so on. And it, but when you actually went into a working class community, people were common sense to get above what was happening, and saw right through it. And so now, you know, this is the extraordinary thing that, you know, that a culture, and this is very important, that considering that the impact this has made in a short time, without any recourse to reasonable coverage in the national media, all antagonistic, all lying, all mendacious and so on. [26:08] Without artists, poets, singers, so-called, you know, singing songs at their rallies and so on. These are just ordinary people saying, no, no, enough, enough now. This is our country. We were born here. Our children have been born here. We want to preserve this country for them and for their children. And you will not destroy it. Because remember, there's another factor here, which is somewhat obviously opaque because the police force refused to police migrants by and large. But there have been countless stories of rapes, of all kinds of intimidation, of thefts. [26:48] And so on, which the authorities refuse to even speak about. And indeed in which they will be gladly twist the facts in order to make it look like it is the indigenous population that are responsible. And we've had several incidents of that in the past year. Going back this time last year, a woman called Ashley Murphy was murdered by a migrant. And immediately, again, under the influence of the American experience of street theatre and so on, the street, suddenly, almost like as soon as it happened, the street was flooded with people with placards protesting against Irish misogyny. You had the similar thing in Sligo then in April last, where two men, two gay men were, basically executed by a Muslim. They were decapitated and castrated. And the president and other people and the LGBT scumbags went out and attacked the Irish for being homophobic. [27:50] You couldn't make it up, really couldn't.   This is what you're dealing with. I mean, you're dealing with a country that is so corrupt that, you know, the word is completely inadequate. We need new words. You know, the word, the nearest word that I can come up with or that I've discovered, that kind of gives a resonance of where we are, Peter, in Ireland now is the word that describes the nature of our government. And that word is Kakistocracy. Kakistocracy. Government by the worst. Yeah. That's what we have in Ireland. [28:23] Kakistocracy.   Tell us about, because in the UK we are having people, obviously the boats coming over, the little boats coming over the English Channel from France into Dover, into Kent, that's what's visible. And that's I think 50,000 last year, talking about 80,000 plus this year. But you've also got, that's only part of the issue. I think we've had a million people come into the country last year, that's legal and illegal. But it is often the visible route or those little boats coming over, that's the immediacy. But there are many other ways. What is the situation with Ireland? Is it the boats coming in with goods and services and people on? Where is, where are the routes coming into Ireland? These people are being bussed in, they're being brought in by the government now. Essentially they're being flown in, they're flying in on planes like by an ARC. There was a period when there were boats arriving and so on, but we've kind of moved on from that. There's no necessity for them to go surreptitiously. They can get a flight to Ireland, the government will pay for it. They're told by the NGOs not to display their papers. Whether they hold onto them or not, we don't know. On some instances they don't. They throw them in the bin on the way off the plane, whatever. And so on. And to put a kind of a quantifier on what's happening, I mean [29:51] It's very hard because you cannot trust a single word that the authorities tell you about anything. [29:57] But I do know certain things about this because, I mean, first of all, there is the anecdotal [30:05] facility that we have. And I know that many times, if I've been in the middle of Dublin, I don't want to go in there now because it's a terrible place. But you would walk maybe from a place like the Four Courts to the pier station, which is about a mile and a half. And I would, as an exercise to myself, listen to accents and say, well, what proportion of these are Irish? And generally the Irish proportion would come out as somewhere between 20 and 30 percent of those. [30:33] So that's kind of a snapshot. But the statistics, of course, don't bear any resemblance to that. Now, I don't say necessarily that that percentage in the middle of Dublin is accurate as to the entirety of the country, but it is an indicator of something. Now another indicator is if we look at some statistics that I've seen for the decade from up to 2019, which is just before the period I've been talking about, the Covid period, when it is clear that on average in that period 120,000, immigrants came into Ireland each year in that period. But interestingly as well, 105,000 Irish people left. Now you just think about that. So we still have emigration, which is a historical problem we've had in Ireland, going into the mid-19th century, they're called the famines, to great famines, as it were. [31:32] That amounts to like, you know, very interesting when you go into that, because when you take away, you see the government strategy is to cancel one out against the other, more or less. That isn't, this is actually a replacement of one by the other. And more than replacement. So that means that you have well over a million from that decade alone, you know, and that's their official figures. [31:54] Now, I don't believe these people are telling us anything like half the truth. So, you know, You have to say there are words now that we have 25% of our population is non-national. And that would have happened within, that would have gone from pretty much a very low base, in 20 years, and particularly acceleratingly as I say, so in the last two years. [32:16] Now, when you factor in then another element, which is the fertility rates, respective fertility rates of the indigenous population, the Irish population, which has been now in recent years subject by these politicians to an abortion referendum which legalized it and in fact is, funded by the public purse, right? We, even though we object to the murder of children, have to pay for it when our taxes, you know, it's obscene beyond description. But, you know, if you just compare it to the fertility rate, as people will know, you know, replacement rate for the population, the current population of a country is it needs 2.1 children per adult female. Now, the figure for Ireland given is 1.8 but when you zoom in on that you realize that actually that figure includes the incoming population. So it's not representative because in many instances the fertility rate among those populations like for example in Somalia is something like five. [33:15] And so on. So therefore what you're looking at a situation where Ireland has I would say an an estimate of 1.3, which is about as low as it has gone so far in Europe. [33:25] And that's way below the replacement rate. In fact, it's way beyond the level that at which the population falls off a cliff, which is said to be 1.6 in a generation you've gone. You've lost your population. You've lost your you were a mere lump within the society. And that's where we're headed. [33:45] And they seem intent and then when you say that to you, you know, this is where it gets completely laughable to actually, you know, even though the UN uses the term replacement in relation to, to, you know, elderly demographics and so on. If I or anybody on our side of the argument uses the word replacement, that's regarded as a racist concept. And they just will say that I'm just repeating it. And because they control the entirety of the media, that's what other people, the ordinary people who are affected by this, pick up and then throw it out without thinking. [34:17] Unless it until it comes to knock on their doors. That is what that they would if you say, if I start saying, oh, yeah, that's for replacement theory. That's a racist concept. You know, this sort of stuff. And another concept that is supposed to be racist is a cultural Marxism, which is the opinion ideology of all of this, which is the ideology of the use of a victim, as a battering ram to destroy Western civilization. And that's what's going on. Tell us, because Ireland is a small country, 4 million, the UK is well, we're told as me... We're five now Peter, sorry. Oh you're five, sorry. But for a small country, And that's massively affected. With the UK, you go up to the Midlands, you go up to Bradford and areas like that, and there used to be a church in every street corner. It's literally now a mosque in every street corner. I've walked around seeing it. But the change really in the country, with a large country, the change has been a little bit more gradual. With Ireland, the change has been very rapid. I mean, because that is an utterly destructive effect on a country which is so small. Oh yeah, well you can see that already. You can see it on the roads in the traffic, you know, and you can see it on the M50 which circles Dublin. It's just a gridlock in the evening time. You can see it in the hospitals which are overrun. [35:42] There's lots of ways you can measure it. And then they tell us that there's loads of capacity, Ireland's a big country, and a lot of landmass. And I find this particularly interesting because I've been around a long time, and I remember being involved in arguments trying to suggest that we need a better, more evenly distributed [36:05] distribution of resources throughout the country in order to make sure that the West and the the South grew in a proper way. And of course I was told there's nothing down there only bog, but now it seems they've forgotten about the bog and it seems we can now take tens of millions of foreigners in our country. So this is the thing, you see, okay, well look, Peter you have to really then stop because it's quite clear, and we go back to that word, kakistocracy. It's quite clear that the people doing this have no conscious or thoughts whatsoever for the effects it's going to have in so far as that they [36:46] don't care if they damage Ireland, they don't care if they destroy Ireland, they don't care what happens to the people of Ireland. That's quite clear. There's no doubt about it now. They're more or less saying that the Irish people are not entitled to get houses before migrants. That's policy now in effect. Even no matter how long they've been on the list, they're not entitled to to continue, they're taken off the list or they're pushed back and the migrants are ushered ahead. Now, you know, I, and this is all being used with a kind of a blackmail tactic of, you know, are you a Christian or are you not a Christian? All this nonsense. People who haven't a Christian hair on their heads. You know, like, so you then have to look at these people and ask, well, what is going on? Why are they doing this? Are these the same people who asked for our votes? [37:36] Not that long ago? Are these the people who promised that they would look after our country. [37:41] And that they would take care of it better than the others? Well, now one of the things we notice is that they're all saying the same thing. So that this isn't just that it's one party or the government, it's the government and the opposition and the fringe leftists or whatever they are parties down to maybe you'll get two or three independents who are dissenting in a certain kind of sort of a kind of way. And you have to say then that essentially what it means is that Ireland is completely captured and is captured by an ideology that is intent upon destroying it, and that the leadership and the political class know about this. And that they're working it through on behalf of the interest, whether they're being paid, whether they've been blackmailed, whether they've been threatened with hurt or damage, I don't know. [38:32] But they're doing it willingly. And they're doing it in such a barefaced way that no sensible person, could do other than gasp at what they're saying and what they're responsible for doing. So [38:45] the question then is how much longer it will take for the people fully to awaken. And see not just this issue but all the others as well. And then the next question is well, what could we possibly do about it? Well, you know, I've said it before, Peter, I think the only hope for Ireland really now is complete collapse. The complete collapse of the Irish economy for many years, maybe a decade, might actually have the consequence of readiness of all of these problems, readiness of the political establishment has been responsible. We thought we done that before, by the way, in 2010, 11. But they came back, the same people, which is a long story, but an interesting one. We might talk about it some other day. And, you know, so I think that, you know, if the Irish economy could collapse, and I think it might in the coming year or two. [39:40] I think, and Europe, of course, with it. I think that we would have a hope of basically our country going back [39:49] 30, 40 years and building again from the ground up.   Well, you're right, because Ireland has grown really and had spectacular growth. [40:01] We're told the tiger economy with a lot of foreign investment because of the tax, low taxes, having an educated population, English speaking population right on the edge of Europe. And it's grown on the back of that and made Ireland a desirable despite all the different crashes. But if Ireland is no longer desirable, then people obviously move from Mogadishu to Dublin, because there's an attraction. But if the society collapses, that attraction goes. So that does make sense then that reverses that immigration. Well, first of all, I want to clarify a little bit about the economic story because that is a mythology which is broadcast by political interests. The reality is that Irish economy [40:53] is dying, has been dying for decades. What you're talking about there, what they talk about, what they promote and trumpet around the world is a cuckoo in the nest economy which comprises entirely multinational corporations who benefit Ireland almost only to the extent that there's a little trickle which falls at their feet and that we lick up off the ground. The economy of Ireland, if they came into Ireland those people promising to create jobs and the assumption was that there would be jobs for Irish people. Google, take one example, would you like to guess how many of the the Irish population, what proportion of it is Irish, of the staff of Google? You'd expect like maybe 50%? [41:37] 5%. And that draws the picture for you. This is a complete con. The Celtic Tiger was a con, of course it was. It was just simply a bicycle pumping up a bubble and then burst. And we ended up with a debt of something like 50 odd billion, which includes the debts of half of Europe as well well as our own. And now we are in this situation where we have all these, like for example, we have data processing plants in all over Ireland, hundreds of them, which are using up more electricity than the entire population put together. They're also using water to cool down these things, which means that this summer we're going to have a dramatic drought, in Ireland. Already the signs that the reservoirs are very low and we're still in February, the months that historically we were told fills the dikes, not only nowhere, the dikes are now empty or very near to us. And this is all part of the same pattern, you know. So the Irish economy has been struggling and of course it was delivered a series of absolutely lethal hammer blows during the COVID episode where many people were put out of business, small businesses, you know, all over the country. And that is still to work its way through. [43:00] So this is all happening at this time. Now you'd have to conclude Peter that this is clearly no plan, for the development of Ireland in any way what's happening. It is the plan for mysteriously and opaquely and so on and so on and so on. Who can possibly see into this? Who could predict it? Who could have predicted it? It is a plan for the destruction of Ireland, the permanent obliteration of the Irish people from their own country and their attestation by people who presumably by, by virtue of having no attachment to the sand bank, as it will be, as Thomas Davis warned us against, that they will be people that will simply just do whatever work they have to do, spend their money and not cause any trouble, that there will be no talking about patriotism or any of that nonsense in the future, and that the authorities and the secret unknowns who run the world will have no headaches emanating from the island of Ireland. [43:59] Well, just finally, looking at what's happened in the UK, actually a commentator I heard yesterday, on the radio was talking about the cohesion of a culture collapsing and people pushing back. And I think that's just as we're seeing in Liverpool and in touched before. And I think that's what I see that hope that it's no longer shrugging your shoulders and accepting it, but it is a pushback, from the people.   I think it's, you see, it's so desperate now. We're now at the point where desperate measures are necessary. And you can't predict what will happen in that situation because you [44:39] can't judge people by their responses in peacetime. And you might have got the impression that the Irish people in the last three years were very docile and compliant and so on and so on. And some of them are undoubtedly, but I don't think they all are by any means. There's a spirit there. That burns, that has guttered a little bit in the last three years, but is now beginning to sort of liven up a little bit. And I think I wouldn't like to be a politician in the coming couple of years. [45:04] Exactly. Well, John, I appreciate you coming on and sharing what exactly has been happening over in Ireland. So thank you for being with us today. Thank you, Peter. Great pleasure.

Huge crowds have gathered in Edinburgh to see off Her Majesty. The Queen's coffin is lying in state at Edinburgh's Saint Giles' Cathedral. King Charles, Princess Anne, Prince Andrew and Prince Edward have stood guard around the coffin in the traditional Vigil of the Princes. Correspondent Anna Burns-Francis told Mike Hosking vast numbers of people have turned out to pay their respects. “It's a ten or fifteen minute walk from here up to the cathedral but it's going to take a lot longer, there are thousands of people here.” The coffin will be flown to London tomorrow to lie in state at Westminster Hall for the rest of the week. LISTEN ABOVESee omnystudio.com/listener for privacy information.

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Anna Burns (she/they) is a Senior Consultant at Seen@Work. Prior to joining Seen@Work, Anna developed and facilitated workshops and professional development trainings dedicated to protecting and celebrating diversity in the workplace and beyond, with a particular focus on the LGBTQ+ community. Anna graduated with an MSc in Psychology of Mental Health and an MA in Social Anthropology, both from The University of Edinburgh in Scotland. During their time together, Anna and Natalia discussed how any workplace could make a space that prioritizes and discusses size inclusivity by adopting an erg dedicated to body and fat positivity.---We help businesses build more diverse and more inclusive workplaces. Want to learn more? Follow us on... Our Website: seenatwork.com Instagram: @seenatworkllc Twitter: @seenatworkllc LinkedIn: @seenatworkllc

To celebrate International Women's day and Women's History Month Jess and Lauren are exclusively reading books written by women all month long. In this week's episode they interview Daphne Palasi Andreades on her debut novel, Brown Girls. This episode is brought to you by Wild, the UK's number one natural deodorant company that focuses on performance, sustainability and style! Their long lasting deodorants are free of aluminium and parabens, whilst also be cruelty free and vegan. For 15% off your order head to Wearewild.com and use code BOOKS at checkout. Books Mentioned in this Episode: Brown Girls by Daphne Palasi Andreades and Assembly by Natasha Brown Competition Time: We have partnered with Books That Matter to gift one lucky listener a free Books The Matter gift box! To be in with a chance of winning, all you have to do is subscribe, rate and review this podcast. If you're listening on Apple Podcasts leave a review and put your Instagram handle as your 'Nickname', if you're listening on another platform, subscribe then share our podcast on your instagram story and we'll track your entry that way. Each month a winner will be selected at random and informed via Instagram. Daphne's Reccos: Bluets by Maggie Nelson, Citizen by Claudia Rankine, Slouching Towards Bethlehem by Joan Didion, A Room of One's Own" essay by Virginia Woolf, Feel Free and NW by Zadie Smith, Unaccustomed Earth by Jhumpa Lahiri, The Dew Breaker by Edwidge Danticat, The God of Small Things by Arundhati Roy, The Buddha in the Attic by Julie Otsuka Milkman by Anna Burns. Get in Touch: Instagram: @bookreccos Email: bookreccos@gmail.com Jingle written and produced by Alex Thomas licensed exclusively for Book Reccos