Podcasts about antheil

Hoy continuamos explorando el sonido y su capacidad de otorgar identidad a un lugar. Vamos a extraer algunas muestras de esta combinación entre el sonido y la tecnología siguiendo su pista a través diversos momentos históricos Escucharemos obras de Antheil, John Cage , Nicolas Schöffer, Bill Fontana. Vamos a presenter asimismo un fragmento del ultimo trabajo del grupo MAPASONOR. Se trata de su nuevo trabajo de paisaje sonoro presentado recientemente en el festival Eufònic en Terres de l'Ebre, en Tarragona. Campredó: Via Estreta' es una experiencia de performance sonora en el edificio de la estación de tren de Campredó, un espacio en estado de deterioro que reclaman que se destine a actividades del pueblo.  La performance incluye un paisaje sonoro compuesto por grabaciones de la vida de Campredó, que se fusiona con las imágenes de personas mayores que rememoran la memoria oral del pueblo, su vida, su pasado o su relación con el trenEscuchar audio

“Jazz and classical music contaminations” Aaron Copland (1900 - 1990) - Concerto per clarinettoOrganico: clarinetto solista, arpa, pianoforte, archiSlowly and expressvely. Rather fast Benny Goodman, clarinettoColumbia Symphony OrchestraAaron Copland, conductor About “Concerto per clarinetto”  *****16:58Leonard Bernstein (1918 - 1990) – “On the Town” – Three Dance EpisodesIl grande amante si mostraCittà solitaria: Pas De Deux     (18:43)Times Square: 1944                 (22:05) New York Philharmonic OrchestraLeonard Bernstein, conductor About “On the Town” – Three Dance Episodes  *****26:47George Antheil (1900-1959) - A Jazz Symphony Boston Modern Orchestra Project Gil Rose, conductor About “A Jazz Symphony” *****39:52George Gershwin (1898-1937) - An American in Paris Auckland Philharmonia OrchestraGiordano Bellincampi, Conductor About “Un americano a Parigi”   Questo podcast è stato prodotto per scopi esclusivamente didattici e per la diffusione della cultura musicale, senza fini di lucro. 

Das nennt man Komponieren mit einem grünen Daumen: Für die Komponistin Sophia Jani sind Pflanzen eine wichtige Inspirationsquelle. Ihr eleganter und minimalistischer Stil macht sie zu einer Vertreterin der neuen klassischen Musik, die sich sehr für Form und Struktur interessiert. Ausserdem im Musikmagazin: (01:25) Aktuell: Vollbesetzte Opernhäuser - was Wien richtig macht. Und das Musiktalent mit der ESC-Krone Nemo singt mit dem Sinfonieorchester Biel-Solothurn. (09:25) Kaffee mit: Warum Musikstücke ähnliche Bedürfnisse einer Pflanze haben und warum der Kompositionsprozess etwas vom Gärtnern hat, das erzählt Sophia Jani im Gespräch. (28:35) Neuerscheinungen: «Boléro«, der Film über den Komponisten Maurice Ravel kommt in die Schweizer Kinos. Und die Konzertmeisterin des Sinfonieorchesters Basel, Friederike Starkloff, hat ein Album aufgenommen mit Sonaten von Debussy, Antheil und Schulhoff. Es heisst «Traum und Trauma» und erscheint beim Label Genuin Classics. (51:50) Swiss Corner: Das Festival LiedBasel geht in die fünfte Runde. Mit einem Programm vom Rezital bis zum Kabarett-Abend.

Dan and Jill from the Capital City Philharmonic are back in the studio this week with the Sassos to talk about an amazing show coming up on April 20, 2024! Experience a truly extraordinary concert, where open ears and open minds unite. The centerpiece of this captivating event is George Antheil's Ballet Mécanique, an avant-garde masterpiece scored for 4 pianos and 11 percussionists. Antheil's notorious "ballet" debuted [...]

Synopsis Today's date marks the 1953 New York premiere of a musical movie that flopped when it debuted but has since become a cult classic – and for two very good reasons.First, the movie's script – written by Dr. Seuss – was about a little boy named Bart who didn't enjoy practicing the piano and who was worried that his widowed mom might marry his dreaded piano teacher. The film, entitled “The 5,000 Fingers of Dr. T,” is cast as Bart's dream – or nightmare – with surreal scenarios as only Dr. Seuss could imagine them. Second, the film boasted a score by Frederick Hollander, a composer of droll Berlin cabaret songs who found a welcome home in Hollywood. For “The 5,000 Fingers of Dr. T,” Hollander crafted witty songs and an extravagant instrumental sequence for a whacky Seussian ballet.Despite all that, The New York Times reviewer was bored: “a ponderously literate affair,” he wrote. The film did have its fans, however, and one was a little boy who DID like to practice the piano – singer and pianist Michael J. Feinstein, who lovingly gathered together all of Hollander's used and unused music for the movie for a limited edition CD-set released in 2010. Music Played in Today's Program Friedrich Hollaender (1896-1976) br>5000 Fingers of Dr. T filmscore studio orchestra On This Day Births 1717 - Baptismal date of Bohemian violinist and composer Johann Wenzel Anton Stamitz, in Nemecký Brod (Deutsch-Brod, now Havlíckuv Brod); 1842 - Austrian operetta composer Carl Zeller, in St. Peter in der Au; 1854 - Italian opera composer Alfredo Catalani, in Lucca; Deaths 1915 - Russian composer Sergei Taneyev, age 58, in Dyud'kovo, near Zvenigorod (Julian date: June 6); Premieres 1899 - Elgar: "Enigma Variations," in London, Queen's Hall, Hallé Orchestra conducted by Hans Richter; 1915 - Saint-Saëns: choral work, "Hail California," in San Francisco, composer conducting; 1926 - Antheil: "Ballet Mécanique," in Paris; 1984 - Bernstein: opera "A Quiet Place" (revised version), by La Scala Opera, John Mauceri conducting; The first version of this opera premiered at Houston Grand Opera on June 17, 1983, conducted by John DeMain. Others 1869 - final concert of a five-day "Great National Peace Jubilee" involving an orchestra of 1000 and a chorus of 10,000 organized by bandmaster Patrick Gilmore performing in a specially-constructed hall in Boston's Back Bay; Links and Resources On Friedrich Hollaender Original 1953 movie trailer for "Dr. T" More on the film

Ce lundi, Virginie Girod remonte en 1942 quand l'actrice d'Hollywood Hedy Lamarr invente le wifi.

Hedy Lamarr was an Austrian-American Hollywood Actress from the Golden Age of cinema, yet was a technological pioneer. She began her acting career in her native Austria before emigrating to the United States in the 1930s. She appeared in numerous films throughout the 1930s and 1940s, including the controversial film "Ecstasy". Lamarr was also known for her beauty, and was voted the "most beautiful woman in films" by the Hollywood Film Industry Guild in 1940. In addition to her acting career, Lamarr was also an inventor. During World War II, she and composer George Antheil developed a secret communication system to help the Allies fight the Nazis. Their invention, a frequency-hopping system, used a piano roll to randomly change the radio frequencies of torpedoes, making them harder to detect and jam. The technology was ahead of its time and was not used during the war, but it forms the basis of modern wireless communication technologies such as Bluetooth and WiFi. In 2014, Lamarr and Antheil were posthumously inducted into the National Inventors Hall of Fame. But that's not all, tune in now to hear the full story of the amazing, Hedy Lamarr. - History For Weirdos Feature! Thank you for listening Weirdos! Show the podcast some love by rating, reviewing, subscribing and sharing it today. Your support means so much to us. Let's stay in touch

Synopsis On New Year's Eve, 1948, Eugene Ormandy and the Philadelphia Orchestra gave the first performance of the Symphony No. 5 by the American composer George Antheil. Now, in his youth, Antheil was something of a wild man, composing a Ballet mechanicque for a percussion ensemble that included electric bells, sirens, and airplane propellers. It earned him a reputation, and Antheil titled his colorful 1945 autobiography what many called him: "The Bad Boy of Music." But the great Depression and World War II changed Antheil's attitude. Rather than write for small, avant-garde audiences, Antheil found work in Hollywood, with enough time left over for an occasional concert work, such as his Symphony No. 5. In program notes for the premiere, Antheil wrote: "The object of my creative work is to disassociate myself from the passé modern schools and create a music for myself and those around me which has no fear of developed melody, tonality, or understandable forms." Contemporary critics were not impressed. One called Antheil's new Symphony "nothing more than motion-picture music of a very common brand" and another lamented its "triviality and lack of originality," suggesting it sounded like warmed-over Prokofiev. The year 2000 marked the centennial of Antheil's birth, and only now, after years of neglect, both Antheil's radical scores from the 1920s and his more conservative work from the 1940s is being performed, recorded and re-appraised. Music Played in Today's Program George Antheil (1900-1959) Symphony No. 5 (Joyous) Frankfurt Radio Symphony; Hugh Wolff, conductor. CPO 999 706 On This Day Births 1894 - Anglo-Irish composer Ernest John Moeran, in Heston, Middlesex; 1899 - Mexican composer Silvestre Revueltas, in Santiago, Papasquiaro; 1962 - American composer Jennifer Higdon, in Brooklyn, New York; Deaths 1950 - French composer Charles Koechlin, age 83, in Canadel, France; 1970 - British composer Cyril Scott, age 91, in Eastbourne, England; Premieres 1724 - Bach: Sacred Cantata No. 122 ("Das neugeborne Kindelein") performed on the Sunday after Christmas as part of Bach's second annual Sacred Cantata cycle in Leipzig (1724/25); 1842 - Lortzing: opera "Der Wildschütz" (The Poacher), in Leipzig at the Stadttheater; 1865 - Rimsky-Korsakov: Symphony No. 1, in St. Petersburg, with Balakirev conducting (Julian date: Dec. 19); 1879 - Gilbert & Sullivan: operetta "The Pirates of Penzance," at the Fifth Avenue Theatre in New York, with the composer conducting (see also Dec. 30 above); 1943 - Martinu: Violin Concerto (No. 2), by the Boston Symphony with Serge Koussevitzky conducting and Micsha Elman the soloist; 1948 - Antheil: Symphony No. 5, by Philadelphia Orchestra, Eugene Ormandy conducting; 1948 - Howard Hanson: Piano Concerto, by the Boston Symphony with the composer conducting and Rudolf Firkusny the soloist. Links and Resources On George Antheil More on Antheil

ESG Decoded is a podcast powered by ClimeCo to share updates related to business innovation and sustainability in a clear and actionable manner. In this episode, Kaitlyn Allen is joined by Susan Maslow and Patrick Miller. Sue is a Co-Founder and Partner of Antheil. Maslow & MacMinn LLP. She also serves as Vice Chair of the Working Group to Draft Human Rights Protections in International Supply Contracts, American Bar Association (ABA) Business Law Section, and as Chair of the ABA Business Law Section's Corporate Social Responsibility Law Committee. Sue concentrates her practice primarily on general corporate transactional work and finance documentation, including stock and asset acquisitions, mergers, distributorships, software services, development and licensing arrangements, and business separations. Patrick is the Founding Attorney of Impact Advocates, a law firm focusing on international commercial dispute resolution through arbitration, mediation, and litigation. He assists companies in implementing responsible supply chain frameworks – recently working with an ABA Business Law Section Working Group, which developed a comprehensive set of contractual provisions to address potential human rights violations in international supply chains. Listen as Kaitlyn, Sue, and Patrick discuss the American Bar Association (ABA)'s Model Contract Clauses (MCCs) for the Human Rights Project, which provides practical tools to help buyers and suppliers protect the human rights of workers in supply chains. We hope everyone who listens to the episode is inspired to do their part (as a business owner or consumer) to eradicate this form of modern-day slavery. Enjoy this episode! Episode Resource Links American Bar Association (ABA) Contractual Clauses Project - ensuring human rights due diligence in business contracting:https://www.americanbar.org/groups/human_rights/business-human-rights-initiative/contractual-clauses-project/ Susan Maslow LinkedIn: https://www.linkedin.com/in/suemaslow/ LinkedIn: https://www.linkedin.com/company/antheil-maslow-&-macminn-llp/ Twitter: @AMMLawLLP: https://twitter.com/AMMLawLLP Facebook: https://www.facebook.com/ammlaw Patrick Miller LinkedIn: https://www.linkedin.com/in/patrick-miller-ab933520/ Impact Advocates APC LinkedIn: https://www.linkedin.com/company/impact-advocates-law/ - Make sure to subscribe to ESG Decoded on your favorite streaming platforms and our new YouTube Channel so that you're notified of our vodcast episodes! Don't forget to connect with us on our social media channels. Enjoy this episode! Interested in being a guest on the podcast? For consideration and scheduling, please fill out this form.

durée : 01:56:38 - Été Classique Matin du vendredi 12 août 2022 - par : François-Xavier Szymczak - Faisons tomber barrières et frontières ! Wynton Marsalis joue du Haydn, Paul Robeson chante du Dvořak, George Antheil nous offre une Jazz Symphony... - réalisé par : Sébastien Royer

Un 8 de julio de 1900, nacía el compositor estadounidense George Antheil. Vanguardista, pianista, autor e inventor, Antheil fue conocido como "Bad Boy de la Música", tras sus composiciones modernistas que incluían percusión, timbres eléctricos y hélices de avión, que sorprendieron y horrorizaron oyentes en Europa y los EE.UU durante la década de 1920, momento de ruptura y provocación donde no se pretendía que el escucha comprendiera el discurso musical sino que experimentara sensaciones o emociones sonoras; se aspiraba a que dejara de ser un objeto pasivo o intelectualmente intoxicado. Su producción es muy poco conocida, acaso la única obra que se ha escuchado más, tal vez por la controversia que provocó, sea el Ballet Mécanique. En su estreno europeo, bajo el griterío, disconformidad y desagrado del público, se presentó en una versión para piano solo con un proyector cinematográfico pues fue compuesta originalmente como acompañamiento sonoro del film que con el mismo nombre crearon el pintor dadaísta Fernand Léger y el cinematógrafo americano Dudley Murphy. No es sino hasta 1999 cuando se realiza un registro sonoro de la obra en la versión definitiva del propio Antheil, en una grabación realizada en la Universidad de Massachusetts bajo la producción de Lehrman. Esta versión definitiva del Ballet pour instruments Mécaniques et percussion es para tres xilófonos, cuatro tambores, tam-tam, dos pianos de cola, siete timbres eléctricos, tres motores de aeroplano, una sirena y dieciséis pianolas. A continuación escucharemos un fragmento del Ballet pour instruments Mécaniques et percussion de Antheil interpretado por Philadelphia Percussion junto a Piano Project bajo la batuta de Phillip O'Banion.

Synopsis It was on today's date in 1926, an avant-garde musical piece entitled “Ballet Mechanique,” scored for multiple pianos and percussion, had its PUBLIC premiere at the Theatre des Champs-Elysees in Paris. Its composer was a 25-year old American named George Antheil. But Antheil's piece had its PRIVATE premiere earlier that year at the palatial Parisian home of a very beautiful – and very rich – young American who wanted to break into elite European society. Antheil suggested that the lure of cutting edge music and buckets of free champagne would win over her specially invited audience of Parisian bluebloods. Antheil described the scene as follows: “8 grand pianos filled up the giant living room completely and without an extra inch of room, while the xylophones and percussion were located in the side room and on the giant staircase. [The conductor] stood at the top of the piano in the center. To this already jammed-packed house, add 200 guests!" Maybe it was the music, maybe it was the champagne, but it did the trick. “The last we saw of our beautiful young hostess that day,” Antheil recalled, “she was being thrown up and down in a blanket by two princesses, a duchess, and three Italian marchesas.” Music Played in Today's Program George Antheil (1900 - 1959): Ballet Mecanique (Ensemble Modern; HK Gruber, cond.) RCA 68066

Synopsis It was on today's date in 1926, an avant-garde musical piece entitled “Ballet Mechanique,” scored for multiple pianos and percussion, had its PUBLIC premiere at the Theatre des Champs-Elysees in Paris. Its composer was a 25-year old American named George Antheil. But Antheil's piece had its PRIVATE premiere earlier that year at the palatial Parisian home of a very beautiful – and very rich – young American who wanted to break into elite European society. Antheil suggested that the lure of cutting edge music and buckets of free champagne would win over her specially invited audience of Parisian bluebloods. Antheil described the scene as follows: “8 grand pianos filled up the giant living room completely and without an extra inch of room, while the xylophones and percussion were located in the side room and on the giant staircase. [The conductor] stood at the top of the piano in the center. To this already jammed-packed house, add 200 guests!" Maybe it was the music, maybe it was the champagne, but it did the trick. “The last we saw of our beautiful young hostess that day,” Antheil recalled, “she was being thrown up and down in a blanket by two princesses, a duchess, and three Italian marchesas.” Music Played in Today's Program George Antheil (1900 - 1959): Ballet Mecanique (Ensemble Modern; HK Gruber, cond.) RCA 68066

“How do you get to Carnegie Hall?” If George Antheil were asked that question in 1927, he would have answered that it was easy. After the scandalous Paris premiere of his aggressively avant-garde “Ballet Mécanique”—scored for 8 pianos and lots of percussion, including airplane propellers—Antheil received a cable offering financial backing for a one-night only performance of the new work at Carnegie Hall. Antheil was broke at the time, so the offer was hard to refuse. For his Carnegie Hall debut, Antheil also programmed his brand-new Jazz Sinfonietta—and hired the all-black W.C. Handy jazz band to accompany him at the piano—and remember, this was 11 years BEFORE Benny Goodman’s 1938 Carnegie Hall jazz concert famously presented a racially-integrated ensemble on the same stage. “The public paid scant attention,” Antheil later recalled. “They had come to see and hear the Ballet Mecanique. The new Jazz Sinfonietta which I composed specially for the occasion was played by a large Negro orchestra whose personnel contained a list of names later to become tremendously important in popular music . . . but the critics took almost no notice except to say that my Sinfonietta was reminiscent of Negro jazz and not as good.”

Join Fernando and Alex as they unpack this year's top trends in music, worldwide as well as their own personal tastes! Follow the link to our new weekly Spotify Playlist including recommended listening for this episode!https://open.spotify.com/playlist/5m158jufItnR07Ccjf11SW?si=AOBSZj0pSQi0fx7eDlszSw 

Today, Emily shares a story of old Hollywood, multiple marriages, and a genius inventor, Hedy Lamarr. https://www.youtube.com/watch?v=52h_LZnsMhE&feature=youtu.be&ab_channel=YouTubeMovies (Watch a documentary) on the life of Hedy dubbed "The World's Most Beautiful Woman." Hedy Lamarr was a clever and complex woman. Although Hedy was a brilliant inventor and incredibly shrewd, during her life she was primarily known for her successful career as a glamorous icon of old Hollywood and many marriages. Out of the spotlight (or using it to her advantage), Hedy proved herself to be a progressive thinker, working to eliminate boundaries not just for herself but all women.  The innovation in Hedy was Inspired by her father. As a young child, he often spoke to her about the mechanics of machines and challenged her to think critically.  During WWII, Hedy and her friend and avant-garde piano composer, George Antheil designs and shared a patent for an invention that prevented signals transmitted over radio from being intercepted by the enemy. This secret communication system was designed with the purpose of blocking Nazis from intercepting Allied transmissions. This invention was called Frequency hopping. Rather than broadcasting over a single channel, messages would jump seemingly at random across many channels. As a nod to Antheil, their invention used 88 channels like the keys on a piano.  1997 Hedy and George Antheil received the Pioneer Award from the Electronic Frontier Foundation for their contributions to the field of spread-spectrum technology. Member of the awarding committee said this about the coveted award “Ironically, this tool they developed to defend democracy half a century ago promises to extend democracy in the 21st century.” Hedy's inventions were revolutionary and have led us to modern-day Wi-Fi. Despite being repeatedly underestimated, rejected, and patronized Hedy has shown us that you are the result of your effort, not what others are ready to accept.  Books we are currently reading: • Ask for it: How Women Can Use the Power of Negotiation to Get What They Really Want by Linda Babcock and Sara Laschever • American Dirt by Jeanine Cummins** **as a note about American Dirt, this novel is about the experiences of a Mexican woman's flight to the United States with her son. It is written by a woman who identifies as white, Latinx. While we have enjoyed the novel and the conversations it has sparked we acknowledge the controversy of whitewashing and pandering language as well as the depth of racism within the publishing industry. We look forward to bringing you a recommendation of a novel written by a Latino author reflecting their own narrative. We hope to see Latino authors receiving the same financial support and media acclaim that has been received by American Dirt. Please send book recommendations to Goodnewsgals@gmail.com Support this podcast

Episode 16, 2020: Antheil’s Ballet Mécanique Wednesday 18 November 2020 For ANAM Radio’s final 2020 episode, Phil Lambert (ANAM Music Librarian) and Peter Neville (ANAM Head of Percussion) talk about one of the 20th Century’s unique, bizarre and outrageous compositions, George Antheil’s Ballet Mécanique. Born in New Jersey, Antheil found himself in Paris in the 1920s along with other great American modernists of the time. In 1922, Antheil met Russian composer Igor Stravinsky who then had an idea of writing a piece for the pianola. The following year, Antheil came up with his own composition for 16 pianolas and percussion. Ballet Mécanique was premiered at the Théâtre des Champs-Élysées in 1926 to a sold-out concert attended by James Joyce and TS Elliott, but his eclectic musical experiments proved to be harder to pull off during his time resulting to a riot performance. After not being able to keep up with the complexity of the composition, it was believed that Antheil never tried to make anything as ambitious again and became a more conventional composer. Ballet Mécanique was conducted by Peter Neville and performed by ANAM musicians and guest artists in 2016. To watch the video recording of this performance, visit https://www.youtube.com/watch?v=saNoUX7o-pY&feature=youtu.be

Din guide till de bästa nya inspelningarna av klassisk musik. Musikrevyn recenserar Francis Poulencs solokonserter, ryska Zara Levina, musikens badboy George Antheil och Webers opera "Friskytten". Veckans skivor:  POULENC CONCERTOS Soloonserter av Francis Poulenc Norska radions Kringkastningsorkestret i Oslo Thomas Söndergårdh, dirigent Peter Szilvay, dirigent Lawo Classics LWC 1173 Betyg: 5 - en totalfemma! LEVINA - CHAMBER MUSIC Kammarmusik av Zara Levina Maria Lettberg, piano Jurij Revich, violin Gernot Adrion, viola Ringela Riemke, cello Katia Tchemberdji, piano Capriccio C5356 Betyg: 4 ANTHEIL - SYMPHONY NO 1, ETC Orkestermusik av George Antheil BBC:s filharmoniker i Manchester John Storgårds, dirigent Chandos CHAN 20080 Betyg: 4 WEBER - DER FREISCHÜTZ (FRISKYTTEN) Opera av Carl Maria von Weber Lise Davidsen, sopran Andreas Schager, tenor Hessiska radions symfoniorkester i Frankfurt Marek Janowski, dirigent Pentatone PTC 5186 788 Betyg: 3 Musikrevyn möter: Den ryske världspianisten Arkadij Volodos Pianisten Arkadij Volodos är aktuell med en ny Schubert-skiva. Musikrevyns Sofia Nyblom fick en intervju med den skygge pianisten vid hans senaste konsert i Stockholm.

Emprendemos una huida desesperada, cargando dos kilos de heroína y toda la miseria existencial de la América de finales de los sesenta. Karel Reisz dirigió en 1978 Who´ll Stop the rain, titulada en España “Nieve que quema”. Adaptación de la gran novela de Robert Stone, "Dog Soldiers". Reisz, emigrante Checo, venía de formar parte activa del Free Cinema inglés, aquella generación de jóvenes airados (Angry Young Men), comprometidos socialmente y a rebosar de talento. Nieve que quema recoge la devastación interna que la guerra provoca, un conflicto prohibido para los medios, que empezaba a analizarse a finales de los setenta. El Final de una época rezuma en la película, Reisz explora las ruinas morales y espirituales de América, la maldita guerra del Vietnam, con sus miserias políticas y económicas. La Creedence Clearwater Revival y su icónico Who'll Stop the Rain, como referencia cronológica e hilo musical. Todo arranca con el agotamiento mental de un reportero de Guerra, John Converse (Michael Moriarty), sumido en una crisis existencial, ha descubierto la manera perfecta para escapar, la heroína; un hombre al que siempre utilizan los poderes superiores. Su mujer es frágil y también está desamparada (Tuesday Weld), Marge lo espera en un San Francisco Hippie desalmado, su forma de soportar el día a día son también las drogas, en forma de pastillas, pero con el mismo fin. El tercero en discordia es el amigo del reportero, Ray (Nick Nolte) un marine, duro, brusco, idealista, noble, que sabe muy bien lo que es la guerra y asume el control cuando se destapa que han usado al inocente John para traer la droga a los EE.UU Gran Interpretación de Nick Nolte, intensa y tormentosa, un veterano que no se puede adaptar a la vida civil, cansado de que gente inferior le dé ordenes. Nietzsche de fondo, la soledad, las armas, la promesa de un amor imposible…            Apareciendo la droga llegan los perros que se enriquecen con ella. Un agente federal corrupto, Antheil, interpretado por el magnifico Anthony Zerbe y dos sicarios siniestros, mitad cómicos mitad aterradores. Tarantino, o los mismos Cohen, podrían haber descrito a estos tipos. Hay una escena de tortura que lo atestigua, igual de inquietante es aquella en la que Ray prepara unos “picos” para unos pijos que no se enteran de nada, otros desertores morales a los que castigar. Reisz narrar la historia de manera eficaz, no hay excesos ni adornos….esa imagen final del desierto y el agente corrupto del gobierno arrastrándose para salvar un poco de la Heroína derramada es otro ejemplo de hacia dónde iba aquella sociedad. Un viaje de sueños rotos y desesperación, de traiciones y amistad, un triangulo amoroso de nieve que quema….Errores que dejan heridas. Nos vamos con Gimme some Lovin, interpretda por The Spencer Davis Group y como Bonus Tracks, os dejamos Put a little love in your heart de Jackie Deshannon. Atrincherados en la Torre de Radiopolis, mientras la Creedence suena a todo volumen y las explosiones emocionales hacen retumbar el estudio, defendemos el alijo del Cine…. Zacarías Cotán, Raúl Gallego, José Miguel Moreno y Gervi Navío. Gervi Navío.

durée : 01:58:55 - Relax ! du mardi 24 septembre 2019 - par : Lionel Esparza - Portrait du compositeur et pianiste américain George Antheil, qui fut aussi, avec l'actrice Hedy Lamarr, le co-inventeur de la première forme de communication moderne sans fil, ancêtre du wifi ! Et notre disque de légende est consacré au chef d'orchestre Roger Désormière, qui dirige Couperin... - réalisé par : Antoine Courtin

We put together two concerts of our choosing in this coffee break using Beethoven's Symphony No. 9 and Antheil's Ballet Mecanique as the main section. There are a number of factors to take into consideration: What other pieces of music do we include in the concert? Should the music be in the audience's comfort zone or should we challenge them with newer sounds? How do we keep the costs down especially if we are a per service orchestra? Do we have a budget for royalties for new music? How do we market to attract the most attendees? Nothing is easy. Welcome our new sponsor nKoda, 30 million pages of digital sheet music, at https://www.nkoda.com/ Contact the show at yccb@mauriceriverpress.com

In this episode, our guest is Joanne Murray, Partner at the law firm Antheil Maslow & MacMinn in Doylestown, PA. Joanne is committed to helping small business owners achieve their goals. From inception to business maturity, Joanneserves as an experienced and insightful counselor to business owners as they face the financial, legal and operationalchallenges that are an inevitable part of the life cycle of a business. Sometimes the ghosts of owners past and present make an appearance at inopportune moments.  We invite you to join us as Joanne shares how a ghost at the closing table almost scared away a deal! Antheil Maslow & MacMinn jmurray@ammlaw.com 215-230-7500, ext. 115

This coffee break takes a final listen to the extraordinary development of the use of percussion from the 1600s to the 20th Century. We listen to the coronation of Boris Godunov, thanks to Mr. Mussorgsky, then a hair-raising section from Verdi's Manzoni Requiem. Button up your windbreakers for a triple threat of storms blowing in: Richard Strauss' Alpine Symphony, Benjamin Britten's Peter Grimes, and Peter Westergaard's Moby Dick. We close our survey with two wildly creative pieces, Antheil's Ballet Mechanique (with airplane engines as percussion) and Varese's Ionisation (fire engine sirens.) After this invigorating coffee break, you might have to switch to decaf. Let us know what you think. Contact the podcast at yccb@mauriceriverpress.com Your Classical Coffee Break is partially sponsored by CAS Music. Contact Chris Orazi for all your worldwide recording needs. casmusic.com/

Er war das Enfant Terrible der neuen Musik: der amerikanische Komponist George Antheil. Sein "Ballet Mécanique" machte ihn 1924 schlagartig bekannt. Zur Besetzung gehörten u. a. Propeller, eine Sirene und 16 Pianolas. Kein Wunder, dass die Uraufführung im Tumult endete. Autor Martin Zingsheim findet: Antheil schrieb das vielleicht krawalligste Meisterstück der Musikgeschichte.

Can you guess this piece? Here's a hint: “Paris, we have lift-off…”

Can you guess this piece? Here’s a hint: “Paris, we have lift-off…”

Here's a hint: Paris, we have lift-off…

Here’s a hint: Paris, we have lift-off…

Hollywood, 1940. Hedy Lamarr, known in Hollywood as "the most beautiful woman in films" already had quite a reputation. The first woman to perform a nude scene in mainstream cinema, Hedy had fled Europe and a marriage to Mussolini's arms dealer to become box office gold, starring alongside Clark Gable and Spencer Tracey. But it wasn't the life she wanted. Knowing, from her marriage in Vienna, that military use of torpedos was being hampered by their single-frequency transmissions, Hedy, along with George Antheil, her piano-playing neighbour, set about creating a system called frequency hopping, in which parts of a signal were sent across different frequencies. The system was based on the piano rolls that Antheil used in his player pianos, and allowed torpedos to be controlled without being intercepted. The patent she held is the basis for the wi-fi, GPS and mobile communications we use today.

Thu, 1 Jan 1824 12:00:00 +0100 http://epub.ub.uni-muenchen.de/2606/ http://epub.ub.uni-muenchen.de/2606/1/8Theol.3300.pdf Seber, Franz Joseph Seber, Franz Joseph: Gereicht es dem Katholizismus zum Vorwurfe, daß er an der in der neuern Zeit so hoch gepriesenen Perfektibilität des Christenthums keinen Ant