Podcasts about Bass drum

This week for What Where When-sday, we discuss the 3rd annual Jorts Fest hosted this year on both Friday and Saturday. This community gathering features 40 bands including big name touring acts Laura Jane Grace, Bass Drum of Death and Illuminati Hotties, plus lots of locals like Nordista Freeze and Dad Hats. Co-founder of Jorts Fest Joe Halby dropped by WNXP to chat about what attendees might expect on the 6th and/or 7th.

U.K.-based percussionist, session musician and performer Joby Burgess stops by to talk about all things session musician work and his career in chamber music (03:00), his album A Percussionist's Songbook (42:20), growing up in western England, his piano background, and his time as a university student at the Guildhall School (54:30), and finishing with the Random Ass Questions, including discussions of difficult percussion concerti, playing with “too hard” mallets, cooking at home, traveling in Italy, Quentin Tarantino, John Steinbeck, American Football, Cricket, and inspiring artwork (01:15:30).Finishing with a Rave on the 2021 documentary film Ennio (01:52:30).Joby Burgess Links:Joby Burgess's websiteA Percussionist's Songbook - Joby BurgessOther Links:Abbey Road Studios“Asturias” - Isaac Albeniz (John Williams, guitar)John Kenny“Dmaathen” - Iannis Xenakis“Psappha” - Iannis XenakisStewart CopelandPierre Boulez“Drumming” - Steve Reich“Desert Music” - Steve ReichMatthew FaircloughBang on a CanLittle SimzGabriel ProkofievGraham FitkinModern Jazz QuartetMilt JacksonDavid Corkhill“Jump” - Van Halen“To Be With You” - Mr. Big“More Than Words” - Extreme“She Talks to Angels” - Black Crows“So What” - Miles Davis“Milestones” - Miles Davis“Seven Steps to Heaven” - Miles Davis“A Night in Tunisia” - Dizzy Gillespie“Black Market” - Weather Report”Brother Sister” - Brand New Heavies“Virtual Insanity” - Jamiroquai“What is Hip?” - Tower of Power“Wonderwall” - Oasis“Girls & Boys” - BlurBarbican TheaterPedro Carneiro“Khan Variations” - Alejandro Viñao“Time for Marimba” - Minoru MikiGary Burton Tiny Desk concertConcerto for Bass Drum and Orchestra - Gabriel ProkofievCinqueTerreQuentin TarantinoPulp Fiction trailerReservoir Dogs trailerBack to the Future trailerGet Shorty trailerThe Matrix Reloaded trailerJohn Steinbeck1980s San Francisco 49ersYayoi KusamaRaves:Ennio trailer

Back for the first episode of 2025 alongside John Barrett of noisy band Bass Drum of Death to indulge in the discussions of the wild flurry of NBA trades including Luka Doncic, basketball in Mississippi, and the Memphis Grizzlies.  ---- BRAND NEW MERCH ALERT! The JR Smiths "Meat is Murder" t-shirt is out. Get em at http://www.indiebasketball.com The latest Half Court Session with Cusp is now out: https://www.youtube.com/@indiebasketball Get Indie Basketball exclusives and support us on Patreon! http://www.patreon.com/indiebasketball Join the conversation on Discord: https://discord.gg/HJaDNwxSbe Instagram | YouTube | TikTok Theme music courtesy of Empty Heaven. Outro courtesy of Mother Evergreen.  

"Scuzzy guitars galore" has been used to describe the trio helmed by this week's guest although the band's name leans more towards the low end of the drum kit. It's Mississippi bred John Barrett of Bass Drum of Death who joins the show to introduce us to his 3.5 year old rescue Egg whose DNA test revealed primarily a Beagle and Husky mix while also throwing in some Australian Cattle dog and, oxymoronically, a little Great Dane. Bass Drum of Death are currently recording their next LP in Nashville. To keep tabs on the band visit bassdrumofdeath.com John gave a shout out to Metro Animal Care and Control (MACC) in Nashville who are committed to the delivery of humane and responsive animal care and control services to and for the residents and animals of Nashville-Davidson County. MACC work with individuals and organizations across Nashville to help domestic animals find caring homes, decrease over-population of cats and dogs through spaying and neutering, support widespread rabies vaccinations, and promote responsible pet ownership. To adopt, foster, volunteer or donate visit nashville.gov For more pics and clips of John and Egg follow the who on Instagram @rockerdogpodcast

Join our hosting panel as they talk about bass drum and, more specifically, the SoCal Bass Camp! Stephen is joined by Woody, the creator of the Bass Camp, and some of WGI's most experienced bass drum educators as they discuss this first of its kind bass drum clinic, alongside bass drum and recent DCI percussion staff switch ups.The hosts discuss a range of topics,Be sure to follow the On A Water Break podcast on all social media platforms and subscribe to our YouTube channel for more exclusive content. Don't forget to leave a review and share this episode with your fellow drum corps, marching band, and marching arts enthusiasts!Meet our HostsJackie Brown - @spintronixguardStephen McCarrick - @stephenmccarickCindy Barry - @leandermommaNicole Younger - @o2bnpjs & @thecookoutcgTrevor Bailey - @t_pain151Trish O'Shea - @trishdish1002Beth Beccone - @bether7189Chris Rutt - @wildhornbrass1Cynthia Bernard - @cynthiabernAshlee Amos - @famousamossss_Theo Harrison - @harrisontheo07Stephanie Click - @stephanieclickWhitney Stone - @dancerwhitJustin Surface - @J_dex07Ashley Tran - @itsashleytranJack Goudreau - @goudreau_Bill Woodward - @remoking100Emily Nee - @tch.makes.artRicardo Robinson-Shinall - @ricardorrobinsonAustin Hall - @Austin_hall10Jose Montes - @joeymontes57Bobbey Biddle - @bobbeyboy107Peyton Billhart - @peytonbrillhartMusic provided by leydamusic.com Follow him @josh.leydaAvatars provided by @tch.makes.artFeaturingLexi Duda - Host for On A Water Break In Rhinestones - The Stories of the Twirlers @lexi_dudaThank you also to @guardcloset#marchingband #colorguard #dci #podcast #onawaterbreak #wgi #drumlineFollow Us:Facebook: https://www.facebook.com/profile.php?id=100090796340038Tiktok:www.tiktok.com/onawaterbreakInstagram: instagram.com/onawaterbreakContact Us:Email: onawaterbreakpodcast@gmail.comWebsite: www.onawaterbreak.comKeywords:Drum Corps International, DCI, Marching Music, Marching Arts, Drum Corps, Marching Band, Marching Percussion, Marching Guard, Marching Arts Podcast, Drum Corps Podcast, Marching Music Podcast, Marching Arts Community, Drum Corps Community, Marching Band Community

So nachdenklich hat man "Pop nach 8", den Pop-Podcast aus Berlin, lange nicht erlebt! Marty und Andy zweifeln, ob sie mit ihren Themen noch am Puls der Zeit sind, kriegen dann aber doch noch die Kurve! Das liegt unter anderem an perfekt produzierter Bass-Musik, an einem Trip ins nördlichste New York, an nervenden Füchsen und enttäuschten Straßenrappern. "Pop nach 8", der Pop-Podcast. Überall dort, wo es Podcasts gibt. Und direkt bei popnach8.berlin - Kontakt: mail@popnach8.berlin

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Für viele ist er der beste Schlagzeuger aller Zeiten, der GOAT des Drumming: Buddy Rich. Egal, ob das stimmt, fest steht, dass Buddy Rich einer der technisch herausragendsten Schlagzeuger ist und ein Ausnahmemusiker seiner Zeit. Legendär sind seine diversen Drum Battles und ikonisch das "impossible Drum Solo". Wahnwitzig seine spielerischen Tricks, wenn er einen Wirbel auf der Snare spielt und Betonungen mit der rechten Hand anfängt und man langsam merkt: Warte, der spielt den Wirbel allein mit der linken Hand... Die Soli sind aber nicht nur hörenswert, immer wieder steckt viel Witz und Freude im Spiel, da verschwindet schon mal der Stick in der HiHat oder dem Animal von der Muppet Show wird gezeigt, wo die Bass Drum hängt.... Allein das wäre Grund genug, sich einmal das Spiel von Buddy Rich genauer anzusehen und zu analysieren. Und das kann kaum jemand besser als Flo Fochs. Als Mann für alle Fragen rund um Spieltechnik, Haltung und Ergonomie am Drumset ist er der Experte für den Trommel Talk, wenn es darum geht, Buddy Rich zu dekodieren. Und so viel sei verraten, es ist durchaus verwunderlich, dass Buddy Rich bei seinen Voraussetzungen überhaupt zu solchen Spitzenleistungen fähig war... Die Videoclips, die wir zur Grundlage unserer Analyse genommen haben findet ihr hier: 1. Das Impossible Drum Solo  von Buddy Rich: https://youtu.be/9esWG6A6g-k?feature=shared 2. Das Wolf Trap Solo: https://youtu.be/0d68-iSWyx8?feature=shared Drei legendäre Drum Battle mit Buddy Rich 1. Gene Krupa: https://youtu.be/BZ5B7yqDYbA?feature=shared 2. Jerry Lewis: https://youtu.be/xkdzo9dYLcA?feature=shared 3. The Animal: https://youtu.be/VJh9W3Gcpmo?feature=shared Die Greyson Nekrutman Caravan Version im Stil von Buddy Rich: https://youtu.be/AwPCbmTXsiA?feature=shared Mehr zu Flo Fochs hier: https://florianfochs.de/ Wenn ihr Fragen, Anregungen oder Kritik zur neuen Serie habt, schreibt am besten an: felix@einfachschlagzeug.de Außerdem freu ich mich, wenn du auf der Seite von Einfach Schlagzeug mal vorbeischaust unter https://einfachschlagzeug.de/ Kapitelmarker: 00:09 - Start 05:04 - Wer ist Buddy Rich? 13:22 - Die Analyse 15:01 - 1: Kompakt 25:23 - 2: Moving with Tension 35:53 - 3: Magic Fingers 48:02 - Der GOAT? 1:01:10 - Frag den Flo

In dieser Episode dreht sich alles um das faszinierende Thema des „Kick Sidechaining“. Dieser Technik verleiht eurem Sound eine einzigartige Wucht und Dynamik, insbesondere indem sie die Bassdrum betont und ihr Raum verschafft. Begleitet mich auf dieser informativen und unterhaltsamen Reise, während wir die Geheimnisse dieser Technik erkunden und lernen, wie sie unsere EDM-Produktionen auf ein neues Level heben kann. Hier gehts zu meinem Buch “EDM arrangieren”: https://amzn.to/3UtOxvJ Die ersten Folgen dieses Podcasts findest du jetzt auf Soundcloud: https://on.soundcloud.com/

Download the sheet music for this lesson here: https://www.timbuellmusic.com/3-foot-speed-exercises Watch the YouTube video: https://youtu.be/W6RkfbGb7rY To support the show, check out Tim's educational resources here: https://bit.ly/3r3RBjh More ways to connect with Tim: https://linktr.ee/timbuell Save 30% on your first year of DistroKid with this link: https://bit.ly/3gToqZu Podcast Rewind Playlist (on Spotify) to catch up on my favorite past episodes of the podcast: https://spoti.fi/3ExTvwv

Die Public Beta von Bits und so ist zurück, mit Alles auf 3 Kilohertz und untenrum ne Bassdrum! Heute vermessen wir die eAuto Abgaswerte von Opel Corsa E, graben im Garten Löcher für Tomb Twix Dry, sprechen über SORA, Pools, Retrogames und Maliks (evtl.) neuen Rechner.

Episode 117 Electronic Keyboards in Jazz, A Recorded History, Part 1 of 2 Playlist   Length Start Time Introduction 05:42 00:00 1.             Vernon Geyer, “Day After Day” from All Ashore / Day After Day (1938 Bluebird). Soloist, Hammond Electric Organ, Vernon Geyer. 02:22 05:42 2.             Milt Herth Quartet / Milt Herth Trio, “Minuet in Jazz” from Home-Cookin' Mama With The Fryin' Pan / Minuet In Jazz (1938 Decca). Milt Herth was one of the first to record with the Hammond Organ Model A. His playing was more focused on melody and counterpoint and not so much on creating a lush progression of chords. This was recorded a few years before the availability of the Leslie rotating speaker, which added a special tone quality to later Hammonds, such as the model B3. 02:44 08:04 3.             Milt Herth Quartet / Milt Herth Trio, “Looney Little Tooney” from Flat Foot Floojie / Looney Little Tooney (1938 Decca).  Vocals, O'Neil Spencer; Drums, O'Neil Spencer; Guitar, Teddy Bunn; Hammond Organ, Milt Herth; Piano, Willie Smith (The Lion). 02:50 10:46 4.             "Fats" Waller And His Rhythm, “Come Down to Earth, My Angel” from Come Down To Earth, My Angel / Liver Lip Jones (1941 Bluebird). Waller was an extremely popular ragtime and stride piano player and vocalist. In this number, he takes a rare turn on an electric organ, presumably an early model Hammond. Vocals, Piano, Electric Organ, "Fats" Waller; Bass, Cedric Wallace; Clarinet, Tenor Saxophone, Gene Sedric; Drums, Slick Jones; Guitar, Al Casey; Trumpet, John Hamilton. 03:10 13:36 5.             Collins H. Driggs, “When Day is Done” from The Magic Of The Novachord (1941 Victor). Soloist, Hammond Novachord, Collins H. Driggs. This was an early polyphonic keyboard that generated its sounds using valve, or vacuum tube, oscillators. Made by Hammond, the Novachord was an entirely different electronic instrument than its tone-wheel organs. The Novachord had unique, synthesizer-like controls over envelope generation, band pass filtering and vibrato controlled by a series of flip switches, offering the keyboardist a unique suite of sounds. 03:11 16:45 6.             The Four Clefs, “It's Heavenly” from It's Heavenly / Dig These Blues (1943 Bluebird). Hammond Electric Organ, James Marshall. Another organ recording and a nice duet with a guitarist Johnny "Happy" Green. 02:41 19:54 7.             Ethel Smith And The Bando Carioca, “Tico-Tico” from Tico-Tico / Lero Lero / Bem Te Vi Atrevido (1944 Decca). Another was a popular and skilled organist using a pre-B3 Hammond. 02:45 22:36 8.             Slim Gaillard Quartette, “Novachord Boogie” from Tee Say Malee / Novachord Boogie (1946 Atomic Records). Bass, Tiny Brown; Drums, Oscar Bradley; Guitar, Slim Gaillard; Piano, Dodo Marmarosa. While the Hammond Novachord plays a prominent role in this recording, the player is not credited. 02:57 25:20 9.             Milt Herth And His Trio,” Twelfth Street Rag” from Herthquake Boogie / Twelfth Street Rag (1948 Decca). Recorded in New York, NY, September 5, 1947. Described on the recording as a “Boogie Woogie Instrumental.” Hammond Organ, Milt Herth; Drums, Piano, Uncredited. Herth had been recording with the Hammond organ since 1937. 03:10 28:16 10.         Ben Light With Herb Kern And Lloyd Sloop, “Benny's Boogie” from Benny's Boogie / Whispering (1949 Tempo). This track includes the triple keyboard combination of piano, organ, and Novachord. Hammond Electric Organ , Herb Kern; Piano, Ben Light; Hammond Novachord, Lloyd Sloop. 02:37 31:27 11.         Johnny Meyer Met Het Kwartet Jan Corduwener, “There's Yes! Yes! in your Eyes” from Little White Lies / Thereʼs Yes! Yes! In Your Eyes (1949 Decca). Accordion player Johnny Meyer added a Hammond Solovox organ to his musical arrangements. The Solovox was monophonic and it added a solo voice to his performances. This recording is from the Netherlands. 03:22 34:04 12.         E. Robert Scott, R.E. Wolke, “Instructions For Playing Lowrey Organo” (excerpt) from Instructions For Playing Lowrey Organo (circa 1950 No Label). Promotional disc produced by piano and organ distributor Janssen, presumably with the cooperation of Lowrey. This is a 12-inch 78 RPM disc, but is undated, so I believe that picking 1950 as the release year is safe because the Organo was introduced in 1949 and 78 RPM records were already beginning to be replaced in 1950 by the 33-1/3 RPM disc. Recordings of this instrument are extremely rare. I have no such examples within a jazz context, but being a competitor of the Hammond Solovox, I thought this was worth including. 03:23 37:26 13.         Ethel Smith, “Toca Tu Samba” from Souvenir Album (1950 Decca). One of the great female masters of the Hammond Electric Organ was Ethel Smith. Her performances were mostly considered as pop music, but she had the knack for creating Latin jazz tracks such as this. Featuring The Bando Carioca; Hammond Electric Organ soloist, Ethel Smith. 02:25 40:48 14.         The Harmonicats, “The Little Red Monkey” from The Little Red Monkey / Pachuko Hop (1953 Mercury). Jerry Murad's Harmonicats were an American harmonica-based group. On this number, they included the electronic instrument known as the Clavioline. The Clavioline produced a fuzzy square wave that could be filtered to roughly imitate many other instruments. The record is inscribed with the message, “Introducing the Clavioline,” but the player is not mentioned. 01:56 43:12 15.         Djalma Ferreira E Seus Milionarios Do Ritmo, “Solovox Blues” from Parada De Dança N. 2 (1953 Musidisc). From Brazil comes a jazz group that included the Hammond Solovox Organ as part of its ensemble. Invented in 1940, the Solovox was a monophonic keyboard intended as an add-on to a piano for playing organ-flavored solos. It had a 3-octave mini keyboard and controls over vibrato and attack time, and tone settings for deep, full, and brilliant. Piano, Hammond Solovox Organ, Djalma Ferreira; Bass, Egidio Bocanera; Bongos, Amaury Rodrigues; Drums, Cecy Machado; Guitar, Nestor Campos. 02:31 45:08 16.         Eddie Baxter, “Jalousie” from Temptation (1957 Rendezvous Records). Piano, Hammond Organ, Celesta (Electronic Celeste), Krueger Percussion Bass, Eddie Baxter; rhythm section, uncredited. Like Ethel Smith, Baxter was pushing the limits of popular music with his virtuosity on the organ and other instruments. In this track you can hear the electronic celesta with its chime-like sounds near the beginning before the electric organ and guitar dominate the rest of the piece. 02:33 47:38 17.         Eddie Baxter, “Temptation” from Temptation (1957 Rendezvous Records). Hammond Electric Organ, Eddie Baxter. Piano, Hammond Organ, Wurlitzer Electric Piano, Krueger Percussion Bass, Eddie Baxter. In this track, you can clearly hear the Wurlitzer electric piano in several sections. 02:08 50:10 18.         Le Sun Ra And His Arkestra, “Advice to Medics” from Super-Sonic Jazz (1957 El Saturn Records). This excursion into one of the first records released by Sun Ra as a bandleader of the Arkestra was recorded in 1956 at RCA Studios, Chicago. This track is a solo for the Wurlitzer Electric Piano, an instrument invented in 1954 and that was quickly adopted by many jazz and popular music players. 02:02 52:17 19.         Le Sun Ra And His Arkestra, “India” from Super-Sonic Jazz (1957 El Saturn Records). A work featuring the Wurlitzer Electric Piano played by Sun Ra, miscellaneous percussion; electric bass, Wilburn Green; Drums, Robert Barry and William Cochran; Timpani, Timbales, Jim Herndon; and trumpet, Art Hoyle. 04:48 54:18 20.         Le Sun Ra And His Arkestra, “Springtime in Chicago” from Super-Sonic Jazz (1957 El Saturn Records). This work features Sun Ra playing the acoustic and electric pianos. Wurlitzer Electric Piano, piano Sun Ra; bass, Victor Sproles; Tenor Saxophone, John Gilmore; Drums, Robert Barry and William Cochran. 03:50 59:14 21.         Le Sun Ra And His Arkestra, “Sunology” from Super-Sonic Jazz (1957 El Saturn Records). Another number with both the acoustic and electric pianos. Of interest is how Sun Ra moves deftly from one keyboard to the other (these recordings were made in real time), often mid-phrase. This was a style of playing that Sun Ra would continue to perfect throughout his long career and many electronic keyboards. Wurlitzer Electric Piano, piano Sun Ra; bass, Victor Sproles; Tenor Saxophone, John Gilmore; Drums, Robert Barry and William Cochran; Alto Saxophone, James Scales; Alto Saxophone, Baritone Saxophone, Pat Patrick. 12:47 01:02:54 22.         Steve Allen, “Electronic Boogie” from Electrified Favorites (1958 Coral). From Steve Allen, who played the Wurlitzer Electric Piano on this track. This track has the characteristic brashness that was typical of the Wurlitzer sound. 02:23 01:15:40 23.         Steve Allen, “Steverino Swings” from Electrified Favorites (1958 Coral). From Wurlitzer Electric Piano, Steve Allen. Unlike many tracks featuring the Wurlitzer Electric, which make use of its distortion and emphasize its sharp attack, it was possible to closely mimic an acoustic piano as well, as Allen does here. I had to listen to this several times before I believed that it was the Wurlitzer, as the liner notes state. But you can hear certain tell-tale sounds all along the way—such as the slight electrified reverb after a phrase concludes and the occasional thump of the bass notes played by the left hand. 02:54 01:18:02 24.         Michel Magne, “Larmes En Sol Pleureur (Extrait D'un Chagrin Emmitouflé)” from Musique Tachiste (1959 Paris). Jazz expression in a third-stream jazz setting by French composer Michel Magne. Third-stream was a music genre that fused jazz and classical music. The term was coined in 1957 by composer Gunther Schuller after which there was a surge of activity around this idea. In this example, the Ondes Martenot and vocalist add jazz nuances to a chamber music setting, the interpretation being very jazz-like. Ondes Martenot, Janine De Waleine; Piano, Paul Castagnier; Violin, Lionel Gali; Voice, Christiane Legrand. 02:38 01:20:54 25.         Ray Charles, “What'd I Say” from What'd I Say (1959 Atlantic). This might be the most famous track ever recorded using a Wurlitzer Electric Piano. The fuzzy, sharp tone added depth and feeling to the playing. The opening bars were imitated far and wide for radio advertising of drag races during the 1960s. 05:05 01:23:30 26.         Lew Davies And His Orchestra, “Spellbound” from Strange Interlude (1961 Command). This was one of Enoch Light's productions from the early 1960s, when stereo separation was still an experiment. This is the theme from the Hitchcock movie with a melody played on the Ondioline, a monophonic organ and an otherwise jazzy arrangement with a rhythm section, reeds, and horns. Arrangement, Lew Davies; Ondioline, Sy Mann; Bass, Bob Haggart, Jack Lesberg; Cymbalum, Michael Szittai; Drums, George Devens, Phil Kraus; French Horn,Paul Faulise, Tony Miranda; Guitar, Tony Mottola; Reeds, Al Klink, Ezelle Watson, Phil Bodner, Stanley Webb; Trombone, Bobby Byrne, Dick Hixon, Urbie Green; Produced by, Enoch Light. 03:29 01:28:34 27.         Sy Mann and Nick Tagg, “Sweet and Lovely” from 2 Organs & Percussion (1961 Grand Award). Duets on the Hammond B3 and Lowrey Organs “propelled by the urgent percussive drive of a brilliant rhythm section.” This is a unique opportunity to contract and compare the sounds of the Hammond and Lowrey organs with percussion. Hammond B3 Organ, Sy Mann, Nick Tagg. The track begins with the Lowrey and demonstrates the sliding tone effects made possible by its Glide foot switch. 02:58 01:32:02 28.         Enoch Light And The Light Brigade, “Green Eyes” from Vibrations (1962 Command). More stereo separation hijinks from Enoch Light. This tune features the Ondioline in an exchange of lines with the guitar and other instruments. The Ondioline is first heard at about 35 seconds. Ondioline, Milton Kraus; Bass, Bob Haggart; Guitar, Tony Mottola; Percussion, Bobby Rosengarden, Dan Lamond, Ed Shaughnessy, Phil Kraus; Piano, Moe Wechsler; Trumpet – Doc Severinsen; Woodwind – Phil Bodner, Stanley Webb; Produced by, Enoch Light. 02:50 01:34:59 29.         Jimmy Smith, “Begger for the Blues” from The Unpredictable Jimmy Smith--Bashin' (1962 Verve). Jimmy Smith was a great jazz soloist on the Hammond B3 organ. This stripped-down arrangement shows his nuanced expression skills with the organ. 07:26 01:37:49 30.         Jimmy Smith, “Walk On The Wild Side” from The Unpredictable Jimmy Smith--Bashin' (1962 Verve). This big band arrangement of a theme from the movie Walk on the Wild Side features the Hammond B3 of Smith in the context of a full jazz orchestration. 05:54 01:45:12 31.         Dick Hyman And His Orchestra, “Stompin' At The Savoy” from Electrodynamics (1963 Command). Arranged, Lowrey Organ, Dick Hyman; Bass, Bob Haggart; Drums, Osie Johnson; Guitar, Al Casamenti, Tony Mottola; Marimba, Xylophone, Vibraphone, Bongos, Congas, Bass Drum, Bells, Cowbell, Bob Rosengarden, Phil Kraus; Produced by Enoch Light. Hyman shows off the steady, smooth tonalities of the Lowrey and also makes use of the Glide foot switch right from the beginning with that little whistling glissando that he repeats five times in the first 30 seconds. 02:50 01:51:06 32.         Sun Ra, “The Cosmos” from The Heliocentric Worlds Of Sun Ra, Vol. I (1965 ESP Disc). The instrumentation on this entire album is quite experimental, especially the dominance of the bass marimba, Electronic Celesta, and timpani of Sun Ra. The celesta is seldom heard on jazz records, but it is the only electronic keyboard found on this track. Marimba, Electronic Celesta, timpani, Sun Ra; Percussion, Jimhmi (sp Jimmy) Johnson; Performer, Sun Ra And His Solar Arkestra; Baritone Saxophone, Percussion, Pat Patrick; Bass, Ronnie Boykins; Bass Clarinet, Wood Block, Robert Cummings; Bass Trombone, Bernard Pettaway; Flute, Alto Saxophone, Danny Davis; Percussion, timpani, Jimmi Johnson; Piccolo Flute, Alto Saxophone, Bells, Spiral Cymbal, Marshall Allen. 07:31 01:53:54 33.         Sun Ra And His Solar Arkestra, “The Magic City” from The Magic City (1966 Saturn Research). You won't be disappointed to know that Sun Ra gave the Clavioline a turn on this album. This was prior to his experimenting with synthesizers, which we will cover in Part 2 of this exploration of early electronic keyboards in jazz. He incorporated the Clavioline in many of his mid-1960s recordings. Clavioline, Piano, Sun Ra; Alto Saxophone, Danny Davis, Harry Spencer; Percussion, Roger Blank; Trombone, Ali Hassan; Trumpet, Walter Miller. 27:24 02:01:22 34.         Clyde Borly & His Percussions, “Taboo” from Music In 5 Dimensions (1965 Atco). Vocals, Ondes Martenot, Janine De Waleyne. Yes, Ms. De Waleyne was a French vocalist and Ondes Martenot player. 03:33 02:28:44 35.         Jeanne Loriod, Stève Laurent and Pierre Duclos, ''Ordinateur X Y Z” from Ondes Martenot (1966 SONOROP). Album of broadcast library music from France that happened to feature the Ondes Martenot played Jeanne Loriod; drums, uncredited. The dynamic expression features of the monophonic electronic instrument can be clearly experienced on this track. 02:05 02:32:16 36.         Roger Roger, “Running with the Wind” from Chappell Mood Music Vol. 21 (1969 Chappell). Broadcast library recording with various themes played using the Ondes Martenot. This track features a solo Ondes Martenot and is backed by an electric harpsichord. The Ondes Martenot used the same electronic principle to create smooth, flowing tones as the Theremin, only that it was controlled by a keyboard. In this piece, the articulation of the Ondes Martenot is quite apart from that of the Theremin, including its double-tracked tones and the quick pacing which is rather un-Theremin-like. 01:28 02:34:20 37.         Roger Roger, “Night Ride” from Chappell Mood Music Vol. 21 (1969 Chappell). Broadcast library recording with various themes played using the Ondes Martenot. While this track features a flute solo, you can hear the Ondes Martenot from time to time, especially in the middle break. Other uncredited musician play drums, harp, and perhaps a celesta on this track. 01:35 02:35:45 Opening background music: Dick Hyman And His Orchestra, “Mack the Knife,” “Satin Doll” and “Shadowland” from Electrodynamics (1963 Command). Dick Hyman playing the Lowrey organ. Arranged, Lowrey Organ, Dick Hyman; Bass, Bob Haggart; Drums, Osie Johnson; Guitar, Al Casamenti, Tony Mottola; Marimba, Xylophone, Vibraphone, Bongos, Congas, Bass Drum, Bells, Cowbell, Bob Rosengarden, Phil Kraus; Produced by Enoch Light. Opening and closing sequences voiced by Anne Benkovitz. Additional opening, closing, and other incidental music by Thom Holmes. See my companion blog that I write for the Bob Moog Foundation. For a transcript, please see my blog, Noise and Notations. I created an illustrated chart of all of the instruments included in this podcast, paying special attention to the expressive features that could be easily adopted by jazz musicians. You can download the PDF, for free, on my blog, Noise and Notations at thomholmes.com

In den 90er Jahren war ich beim Drummers Meeting in Koblenz und durfte miterleben, wie Kenny Aronoff nach seinen Becken suchte. Das Geschrei war fast lauter als das Programm und Spielen der Drummer auf der Bühne. Becken, neben der Snare und der Bass Drum wahrscheinlich das zentrale Element, wenn es um den eigenen Sound am Schlagzeug geht. Und anders als Snare und Bass Drum, kann man Becken nicht stimmen - und jedes Becken klingt auch ein wenig anders. Darum, wenn man einmal sein Becken gefunden hat, dann sollte damit nichts passieren! Und so stellt sich die Frage, wie kann man möglichst lang - vielleicht ein Schlagzeugerinnen Leben lang Spaß an dem Lieblingsbecken haben. Daher habe ich Tex gefragt, welche Tipps er für Pflege, Lagerung und allem Drum und Dran hat. Interessant: Vielleicht ist putzen bis der letzte Stock-fleck weg ist nicht unbedingt immer das Richtige. Ich habe auf jeden Fall direkt mal meine Becken im Proberaum umgelagert nach der Folge :) wenn ihr die Tipps zu Taschen, Pflegemittel und weiterem sehen wollt, dann schaut hier einfach mal nach: https://thmn.to/thocf/ewska5x5pq Und wenn ihr eine Frage habt, schickt mir die am besten per Mail unter felix@einfachschlagzeug.de Und auch Tex freut sich immer über Fragen via Instagram @thedrumtex Außerdem freu ich mich, wenn du auf der Seite von eicnfach Schlagzeug mal vorbeischaust unter https://einfachschlagzeug.de/ Timecodes: 0:00:09 - Start 0:05:30 - Beckenpflege 0:11:50 - Persil 0:14:47 - How to 0:18:57 - Ganz raw 0:23:23 - Kapött 0:29:48 - Nein - doch - OH! 0:42:36 - Ende gut, alles gut

Hoy en La Gran Travesía iniciamos un repaso por lo más destacado del año 2023. En esta primera parte podréis escuchar a Bass Drum of Death, DeWolff, Graveyard, Siena Root, Rolling Stones, Metallica, The Lemon Twigs, Ayron Jones, Ghost, Ben Harper, Depeche Mode, Black Stone Cherry... ▶️ Y ya sabéis, si os gusta el programa y os apetece, podéis apoyarnos y colaborar con nosotros por el simple precio de una cerveza al mes, desde el botón azul de iVoox, y así, además acceder a todo el archivo histórico exclusivo. Muchas gracias también a todos los mecenas y patrocinadores por vuestro apoyo: Raquel Jiménez, Juan Carlos Ramírez, Una Hora con Satán, Leticia, Nicolás SDLRF, Eva Granado, Javi Dubra, Peiper, Javifer, Francisco Quintana, Pdr_Rmn, Sgd, José Luis Orive, Utxi73, Patri Lb, Raul Andrés, Jbasabe, Iñako GB, Tomás Pérez Martínez, Eugeni, Pablo Pineda, Quim Goday, Enfermerator, María Arán, Joaquín, Edgar Xavier Sandoval, Hörns Üp, Víctor Bravo, Juan Carlos González, Francisco González, Vicente DC, Ángel Hernández, Marcos París, Dani, Vlado74, Luis Miguel Crespo, Daniel A, Redneckman, Elliott SF, Guillermo Gutiérrez, Sementalex, Jesús Miguel, Ángel Torres, Suibne, Mati, Dora, José Diego … y a los mecenas anónimos.

Sieben profane Gesänge · Wenn heute noch etwas den Planeten im Glauben vereint, dann ist das - jenseits der Live-Konferenzschaltung quer um den Globus - allein der Viervierteltakt. Mit seiner Hilfe wird hier die Heilige Rede mit den Mitteln von Musik, Trommel und Bass (Drum ' n' Bass) rekonstruiert. Worauf hören aber Jungfrauen? Was strahlt "Eternal Radio" - die Radiostation des Herrn, eigentlich aus? Ist Gott Welle, Teilchen oder Klang? // Mit Katharina Franck, Ben Becker und Phil Minton/ Oboe: Robert Sailer/ Gesang: Die Regensburger Domspatzen: Konrad Holzapfel, Markus Lamml, Sascha Vetterlein /Mastering: Michael Schwabe/ Komposition: und Regie: Andreas Ammer/Ulrike Haage// BR 1998

The history of bass drum head art dates back over a century ago when pipe bands would paint the name of their town and group on the calf skin head. This evolved over time with beautifully painted scenic paintings that were sold directly from the major manufacturers in catalogs, then drummers began adding initials and band names to the heads and the rest is history! Dominic Tancredi and Luke Condrich join us from Woodshed Stage Art to give us a very detailed look at how bass drum art has evolved since the 1920's through all the decades up to today. We talk about how Gene and Buddy made the shield logo iconic, how Ringo's Beatle head made history, and then the era of stickers and modern digital printing. Check out everything that Woodshed Stage Art offers at https://woodshedstageart.com/ and order your own custom head! Thanks for watching! Join my YouTube membership channel to get access to perks: https://www.youtube.com/channel/UC6-idkIENcqobRy0s9Jc5Yw/join ** CHECK OUT MY GEAR ON SWEETWATER ** https://imp.i114863.net/yRYRGN ** 30 DAY FREE DRUMEO TRIAL ** https://drumeo.pxf.io/c/3607735/1268414/14652 **JOIN PATREON** https://www.patreon.com/drumhistorypodcast **I record interviews with Riverside.FM - I highly recommend it. Here is my affiliate link: https://riverside.fm/?via=bart-vanderzee

The history of bass drum head art dates back over a century ago when pipe bands would paint the name of their town and group on the calf skin head. This evolved over time with beautifully painted scenic paintings that were sold directly from the major manufacturers in catalogs, then drummers began adding initials and band names to the heads and the rest is history! Dominic Tancredi and Luke Condrich join us from Woodshed Stage Art to give us a very detailed look at how bass drum art has evolved since the 1920's through all the decades up to today. We talk about how Gene and Buddy made the shield logo iconic, how Ringo's Beatle head made history, and then the era of stickers and modern digital printing. Check out everything that Woodshed Stage Art offers at https://woodshedstageart.com/ and order your own custom head! Thanks for watching! Join my YouTube membership channel to get access to perks: https://www.youtube.com/channel/UC6-idkIENcqobRy0s9Jc5Yw/join ** CHECK OUT MY GEAR ON SWEETWATER ** https://imp.i114863.net/yRYRGN ** 30 DAY FREE DRUMEO TRIAL ** https://drumeo.pxf.io/c/3607735/1268414/14652 **JOIN PATREON** https://www.patreon.com/drumhistorypodcast **I record interviews with Riverside.FM - I highly recommend it. Here is my affiliate link: https://riverside.fm/?via=bart-vanderzee

Chatting with John Barrett (Bass Drum of Death) on the band and their latest release, Say I Won't.

Golden Robot Records CEO Mark Alexander Erber discuss 2023 releases including Filter, Stephen Pearcy and Faster Pussycat, new Golden Robot artists including Bass Drum of Death and Shepherds Reign, bands using backing tracks, who;s next inline in rock n roll & more! --- Support this podcast: https://podcasters.spotify.com/pod/show/rnrcoffeeshow/support

1.  Sam Evian - Country  2.  King Tuff - Sun Medallion  3.  Ghost Woman - Down Again  4.  Kevin Morby - Crybaby  5.  Sam Burton - Long Way Around  6.  Scott McMicken and THE EVER-EXPANDING - Letters To The Editor  7.  Casper Skulls - Bright as Yellow  8.  Berta Bigtoe - Midnight  9.  LEATHERS - Fascination  10.  Pip Blom - Tiger  11.  Video Age - Dance Square  12.  spill tab - Window  13.  Faith Healer - Sterling Silver  14.  Unknown Mortal Orchestra - Meshuggah  15.  Chinese American Bear - 大象 Elephant - Live  16.  TOPS - Dayglow Bimbo  17.  Snõõper - Pod  18.  Crocodiles - Upside Down In Heaven  19.  Bass Drum of Death - No Soul  20.  The Bug Club - Out In The Streets  21.  The Drums - I Want It All  22.  M83 - Sunny Boy  23.  Lael Neale - Faster Than The Medicine  24.  DOOM GONG - Shangri-La Samba  25.  Nick Waterhouse - (No) Commitment  26.  Butter Bath - Love You Now 

Shelby and Josh are backstage, in green rooms, and in metaphorical dark alleys with Bass Drum of Death! They talk to leading man John Barrett, guitar wizard Jim Barrett, and human drum machine Ian Kirkpatrick. The boys chatted about growing up in Oxford, Mississippi, their experience with the pandemic, and what is was like working with Patrick Carney on their latest record, "Say I Won't" out on Fat Possum Records.. It is so choice, if you have the means, I highly recommend picking one up.Connect on Instagram: @bassdrumofdeath and @firstnamesisabandMusic, socials, and more HERE Living Room Recordings©

  1.  Bass Drum of Death - Crawling After You  2.  Spirit Ghost - Got a Feeling  3.  Ghost Woman - 3 Weeks Straight  4.  Kelley Stoltz - Storms  5.  Sister Ray - Teeth  6.  Esther Rose - Always Changing  7.  Caroline Rose - Everywhere I Go I Bring the Rain  8.  Hand Habits - Something Wrong  9.  John Maus - Quantum Leap  10.  STRFKR - Golden Light  11.  Gang Signs - Never Coming Back  12.  Zoon - Gaagige - Single Edit  13.  El Michels Affair - Tearz  14.  Floating Action - I Knew I Felt It  15.  Omni - Equestrian  16.  Heartworms - 24 Hours  17.  Dick Stusso - Big Money  18.  Everything Everything - Warm Healer  19.  Savagery - Visage  20.  The Raveonettes - Break Up Girls!  21.  Bully - Days Move Slow  22.  SKATERS - Miss Teen Massachusetts  23.  Blue Smiley - flip  24.  Weval - Losing Days  25.  Home Front - Face Value  26.  Egyptian Blue - Geisha  27.  Babe Corner - Bone Dry Dunes 

1.  Together Pangea - Make Myself True  2.  Sun Room - Kaden's Van  3.  Crocodiles - Degeneration  4.  Demob Happy - Voodoo Science  5.  Laveda - Clean  6.  Big Thief - Parallels  7.  Robert Earl Thomas - True Blue  8.  Febueder - Dire Science  9.  No Vacation - I Will Always  10.  Paper Lady - Five of Swords 11.  Death Valley Girls - Magic Powers  12.  EVNTYD - Quotidian  13.  Ulrika Spacek - The Sheer Drop  14.  VERTTIGO - Autumn  15.  Beach House - Lover of Mine  16.  Slowdive - Sugar for the Pill  17.  Alvvays - In Undertow  18.  Unknown Mortal Orchestra - Layla  19.  Tagua Tagua - Colors  20.  Benét - Will I See U?  21.  Pearl & The Oysters - Konami  22.  Dick Stusso - Garbagedump #1  23.  The Nude Party - Hard Times (All Around)  24.  Bass Drum of Death - Everybody's Gonna Be There  25.  Yves Tumor - Echolalia  26.  Beach Towels - Warmest One 

Episode 89 The Theremin Part 2: Recordings After 1970 Playlist Ultimate Spinach, “(Ballad of The) Hip Death Goddess” from Ultimate Spinach (1968 MGM Records). This American psychedelic rock band was from Boston, Massachusetts, although they had a sound that had more an affinity with the free spirit of San Francisco. The Theremin has a prominent part in this song, following the vocalist and filling in some interesting instrumental parts. Bass and Feedback, Richard Nese; Vocals, Drums, Tabla, Bass Drum, Bells, Chimes, Keith Lahteinen; Vocals, Electric Guitar, Guitar, Kazoo, Barbara Hudson; Vocals, Electric Piano, Electric Harpsichord, Organ, Harpsichord, Twelve-String Guitar, Sitar, Harmonica, Wood Flute, Theremin, Celesta, Ian Bruce-Douglas; Vocals, Lead Guitar, Guitar Feedback, Sitar Drone, Electric Sitar, Geoffrey Winthrop. 8:11 Hawkwind, “Paranoia Part 2” from Hawkwind (1970 Liberty). Hawkwind was a pioneering space-rock and psychedelic group from the UK. They were known to use a theremin during their early years—1969 to 1973 and revived its use on stage in later performances using a Moog Etherwave model in the 2000s. This first album features a theremin added to much of the sonic textures, sometimes overtly but often run through effects to provide a looming background, as in this song. It is sometimes difficult to distinguish, but I think there is a theremin providing some of the droning background and then sporadic bursts of tones beginning around 4:25. 14:54 McKendree Spring, “God Bless the Conspiracy” from 3 (1972 Decca). Electric Violin, Viola, Theremin, Michael Dreyfuss; Electronics (Ring Modulator), Tom Oberheim; Vocals, Acoustic Guitar, Dulcimer, Fran McKendree; Electric Bass, Larry Tucker; Electric Guitar, Martin Slutsky. This progressive band with experimental leanings was a quartet without a drummer. Dreyfus later said, “In God Bless the Conspiracy and No Regrets I was able to play viola and Theremin at the same time by bringing my body closer to the Theremin (to change pitch) while playing a harmony part on the viola,”(2006). He played a Theremin beginning 1969. He may have used a Moog theremin, such as the Troubadour. 6:53 Linda Cohen, “Horizon Jane” from Lake Of Light (1973 Poppy). Folky album from Philadelphia featuring several electronic musicians. Acoustic Guitar, Bass, Piano, Polytonic Modulator, Jefferson Cain; Classical Guitar, Composer, Linda Cohen; Flute, Stan Slotter; Producer, Electric Guitar, Matrix Electronic Drums, Modulator, Sitar, Synthesizer, Craig Anderton; Minimoog, Theremin, Charles Cohen. 3:36 Ronnie Montrose, “Space Station #5” from Montrose (1973 Warner Brothers). Ronnie Montrose added a custom-built Theremin to his equipment with the pitch antenna mounted on his aluminum (silver) Velano guitar so that he could play both at the same time. Volume for the theremin was controlled by a black box mounted on a mike stand, to which he stood nearby. He was recording with it throughout the 1970s. Here is a great live clip you where you can see how he played it. Note the end of the clip where he put the theremin guitar up against the speaker and wails on the volume control of the theremin control box. Bass, Bill Church; Drums, Denny Carmassi; Guitar, Theremin-Guitar, Ronnie Montrose; Vocals, Sam Hagar. 5:36 Arthur Brown's Kingdom Come, “Time Captives” from Journey (1974 Passport). Fender Bass, Percussion, Vocals, Phil Shutt; Bentley Rhythm Ace, Vocals, Arthur Brown; Electric Guitar, Vocals, Andy Dalby; Mellotron, ARP 2600, EMS VCS 3, Piano, Theremin, Percussion, Vocals, Victor Peraino. 8:37 Michael Quatro, “Get Away” from In Collaboration with The Gods (1975 United Artists Records). Brother of Detroit rockers Suzi and Patti Quatro, he had a flare for progressive rock and electronic keyboards in the 1970s. The Theremin makes frequent appearances on this album, this track in particular. Arranger, Piano Baldwin, Electric Piano Gretsch Electro, Piano Tack Piano, Sonic Six Synthesizer, Effects Univox Phaser, Univox Stringman, EC-80 Echo, Elka Electric Piano, Hammond Organ, Minimoog Synthesizer, Univox Mini-Korg, Electroharmonix Boxes, Mellotron Violin, Cello, Flute, Effects Wah-Wah Pedals, Effects Syntha-Pedal, Bass Nova Bass, Horns, Organ Pipe Organ, Sounds Ring Modulation, Maestro Theremin, Electronic Effects, Percussion , Michael Quatro;Bass, Lead Vocals, Arranged By Arranging Assistance, Dave Kiswiney; Drums, Kirk (Arthur) Trachsel; Guitar, Teddy Hale. 4:04 Melodic Energy Commission, “Revise The Scene” from Stranger In Mystery (1979 Energy Discs). This is the first album from this Canadian space-rock, psychedelic and folk troupe from British Columbia. The Theremin was a key instrument in their ensemble and was custom-built by group member George McDonald. His Theremin would eventually be known as the Galactic Stream Theremin and would take some 25 years to build and evolve into a six antennae instrument for “tuning into the performers body motions.” During this recording, a simpler, more traditional version was used. Gas & Steam Bass, Bells, Tambourine, Mark Franklin; Dulcimer, Bowed Dulcimer, Khaen, Gongs, Flute, Randy Raine-Reusch; Hydro-electric Guitar, Custom-made Theremin, Aura, Wall Of Oscillation, George McDonald; Percussion, Tablas, Brass Tank, Glockenspiel, Roland SH5 Synthesizer, Organ, Paul Franklin; EMS Synthi AKS, Delatronics, Electric Guitar, Del Dettmar; Wordy Voice, Guitar, Piano, Organ, Roland SH 1000 Synthesizer, Gongs, Vibraphone, Kalimba, Stone Drum, Egyptian Shepherd's Pipe, Xaliman. 6:13 The Nihilist Spasm Band, “Elsinore” from Vol. 2 (1979 Music gallery Editions). Canadian group that used all hand-made instruments, including the kit-made Theremin by Bill Exley. Bass, Hugh McIntyre; Drums, Greg Curnoe; Guitar, John Clement, Murray Favro; Kazoo, John Boyle; Pratt-a-various, Art Pratten; Vocals, Theremin, Bill Exley. Recorded live at the Toronto Music Gallery, February 4th 1978. 5:14 Yuseff Yancy, Garret List, “Sweetness” Garrett List / A-1 Band, “Sweetness” from ‎Fire & Ice (1982 Lovely Music). Alto Saxophone, Byard Lancaster; Maestro Theremin, Electronics, Youseff Yancy; Vocals, Genie Sherman. 4:11. Todd Clark, “Into the Vision” from Into The Vision (1984 T.M.I. Productions). Guitar, Cheetah Chrome; Theremin, Bat-wing Guitar with ARP Avatar, Todd Clark; Found Vocals, William Burroughs. 8:38 Danielle Dax, “Yummer Yummer Man” from Yummer Yummer Man (1985 Awesome). UK artist Danielle Dax. Wah Guitar, Steve Reeves; Guitar, Slide Guitar, Organ, David Knight; Producer, arranger, lyrics, Vocals, Theremin, Tapes, Danielle Dax; Drums, Martyn Watts; Music by Danielle Dax, David Knight. Dax is an experimental English musician, artist, and producer, born as Danielle Gardner. 3:16 Mars Everywhere, “Attack of the Giant Squid” from Visitor Parking (1989 Audiofile Tapes). Cassette release from this space-rock band from the 1980s. Electric Guitar, Electronics, Tape, Ernie Falcone; Synthesizer, Theremin, Keyboards, Tom Fenwick. 5:03 Jon Spencer Blues Explosion, “Vacuum of Loneliness” from The Jon Spencer Blues Explosion (1992 Caroline). This NY band uses an original Moog Vanguard (circa 1960). This rock and blues band was active from 1991 until 2016. Baritone Saxophone, John Linnell; Drums, Russell Simins; Guitar, Vocals, Judah Bauer; Tenor Saxophone, Kurt Hoffman; Trumpet, Frank London; Vocals, Guitar, Moog Vanguard Theremin, Jon Spencer. Here is a video of a live performance of The Jon Spencer Blues Explosion with a Moog Vanguard Theremin (just after the 39-minute mark). 3:02 Calvin Owens and His Blues Orchestra, “Vincent Van Gogh” from That's Your Booty (1996 Sawdust Alley). Trumpet solo and vocals, Calvin Owens; Maestro Theremin, Youseff Yancy; Alto Saxophone, Tenor Saxophone, Eddy De Vos, Kurt van Herck, Peter Vandendriessche; Backing Vocals, B. J. Scott, Frank Deruytter, Mieke Belange, Yan De Bryun; Baritone Saxophone, Bo Vander Werf, Johan Vandendriessche; Bass, Ban Buls, Roman Korohek; Cello, B. Piatkowski, X. Gao; Drums, Cesar Janssens, Laurent Mercier; Guitar, Marty Townsend, Yan De Bryun; Keyboards, Rafael Van Goubergen; Organ, Peter Van Bogart; Saxophone, Jimmy Heath; Tenor Saxophone, David "Fathead" Newman, Shelly Caroll Paul; Trombone, Marc Godfroid, Yan De Breker; Trumpet, Andy Haderer, Rüdiger Baldauf; Violin, D. Ivanov, E. Kouyoumdjian; Vocals, Archie Bell, Otis Clay, Ruby Wilson. 6:23. David Simons, “Music For Theremin And Gamelan (1998-1999), parts I and II” from Fung Sha Noon (2009 Tzadik). Theremin, Rob Schwimmer; Gamelan, Theremin, Sampler, MIDI Controller, Percussion, Marimba, Zoomoozophone, 43 Pitch Zither, Harmonic Canon, Slide Guitar, Chromelodeon harmonium, David Simons; Gamelan, Barbara Benary, Denman Maroney, John Morton, Laura Liben. 6:09 (part I) and 6:29 (part II) Lydia Kavina, “Voice of the Theremin,” composed by Vladimir Komarov from Music from The Ether, Original Works For Theremin (1999 Mode). TVox Tour model theremin, Lydia Kavina. Arranged, mixed, performed by Lydia Kavina. 8:11 Lydia Kavina, “Free Music #1,” composed by Percy Grainger from Music from The Ether, Original Works For Theremin (1999 Mode). TVox Tour model theremin, Lydia Kavina; mixed and spatialized, Steve Puntolillo. This work was originally written for theremin although Grainger had many ideas around how this type of “free music” should be played. This native Australian was fascinated by the sounds of the real world and invented a mechanical machine for making such sounds. In 1938, Grainger said, "...Out in nature we hear all kinds of lovely and touching 'free' (non-harmonic) combinations of tones, yet we are unable to take up these beauties and expressiveness into the art of music because of our archaic notions of harmony.” His adaptation of free music for theremin was an attempt to create sounds that were new to music. This version was multitracked by Kavina and an old acquaintance of mine, sound engineer Steve Puntolillo, to recreate the parts for four theremins. 1:19 The Kurstins, “Sunshine” from Gymnopedie (2000 Rouge Records). Composed by Roy Ayers; Minimoog, ARP String Ensemble, Organ, Guitar, Sampler, Drums, Rhodes Electric Piano, Greg Kurstin; Moog Theremin, Theremin Vocoder, Moogerfoogers, Pamelia Kurstin. 3:47 The Kurstins, “Outside” from Gymnopedie (2000 Rouge Records). Composed by Greg Kurstin; Minimoog, ARP String Ensemble, Organ, Guitar, Sampler, Drums, Rhodes Electric Piano, Greg Kurstin; Moog Theremin, Theremin Vocoder, Moogerfoogers, Pamelia Kurstin. 3:55 Hecate's Angels, “Shrink-Wrapped Soul” from Saints And Scoundrels (2004 redFLY Records). Los Angeles-based Pietra Wexstun is a composer, singer, keyboard and theremin player. Vocals, Farfisa organ, piano, theremin, sound effects, Pietra Wexstun; bass, Bill Blatt; guitar, Stan Ridgway; drums, Elmo Smith. 3:52 Pamelia Kurstin, “Barrow In Furness” from Thinking Out Loud (2007 Tzadik). From Kurstin first solo record. Composed, Produced, Theremin With L6 Looping Pedals and Microsynth Pedal, Guitar, Piano, Pamelia Kurstin. She played the Etherwave Pro Theremin by Moog fo this recording. Pamelia Kurstin, video with she and Bob Moogdiscussing the Etherwave Pro when it was introduced. Kurstin uses the Etherwave Pro Theremin by Moog Music. 5:12 Barbara Bucholtz, “SixEight” from Moonstruck (2008 Intuition Records). Bucholtz was a German theremin player and composer. She played a TVox Tour model theremin. Drums, Sebastian Merk; Music By, Contrabass Flute, Sampler, programmed, engineered, produced, and recorded by Tilmann Dehnhard; Trumpet, Arve Henriksen. 4:01 Herb Deutsch, “Longing” from Theremin One Hundred Years (2020 Electronic Sound). Composer, Herb Deutsch; Piano, Nancy Deutsch; Moog Melodia Theremin, Daryl Kubian. Recording from 2012. The beloved Herb Deutsch, who died recently at age 90, was an early collaborator with Bob Moog on the creation of the synthesizer. Herb became acquainted with Bob by purchasing a Theremin kit—a Moog Melodia model, in the early 1960s. He was primarily responsible for convincing Moog to add a keyboard to his modular unit. Also, this is taken from a terrific compilation of modern Theremin artists to benefit the New York Theremin Society. Check it out. 3:38 M83, “Sitting” from M83 (2016 Lowlands Festival). This is a live recording from Holland. “Sitting” was a song on M83's first album in 2001. But it didn't have a theremin part until they decided to spice-up the live interpretation of the song in 2016. Jordan Lawlor uses a Moog Theremini when M83 performs this in concert. He puts down his guitar, grabs some drum sticks, beats a rhythm on some electronic drums while dancing in place and moving his hands around a theremin. You can hear the theremin in this track but don't mistake it for the keyboard tones that Gonzalez is playing on his modular system. A longer sequence of theremin begins at 1:38 in the audio. You can view the video here, beginning at 26:54 into the show. M83 is a French electronica band founded in 1999 by Anthony Gonzalez, who remains the only sole member from the original outfit. Performing members on this live tour included: Anthony Gonzalez, lead vocals, modular synthesizers, keyboards, guitars, piano, bass, drums, percussion, programming, arrangement, mixer, production; Loïc Maurin, drums, percussion, guitar, bass, keyboards; Jordan Lawlor, guitars, vocals, multi-instrumentalist; Kaela Sinclair, Dave Smith and M-Audio keyboards, vocals; Joe Berry, piano, synthesizers, electronic wind instrument, saxophone. 4:03 Radio Science Orchestra, “Theme from Doctor Who” (2019). This UK-based band unites theremin, ondes martenot, Moog and modular electronics, for its performances. They've played such events as the TEDSummit, the British Library, and Glastonbury Festival. They made a concert recording with Lydia Kavina in 2009 of the Theme from Doctor Who. This version was made more recently and appears to also include Kavina. She plays the TVox Tour model theremin made by her husband G. Pavlov. 2:18 Thorwald Jørgensen, Kamilla Bystrova, “Moderato” from Air électrique: Original Music For Theremin And Piano (2020 Zefir). Jørgensen is an accomplished Dutch classical theremin player. Piano, Kamilla Bystrova; Liner Notes, Design, Moog Etherwave Pro Theremin, Thorwald Jørgensen. 2:10 Dorit Chrysler, “A Happy Place” from Theremin One Hundred Years (2020 Electronic Sound). Issued with the magazine's 7” vinyl and magazine bundle Electronic Sound Magazine, issue 70. Written, produced, and performed by Dorit Chrysler. 2:06 Dorit Chrysler, “Calder Plays Theremin Side A” from Calder Plays Theremin (2023 NY Theremin Society/Fridman Gallery) Written for Theremin Orchestra in 5 Movements, Chrysler's work is based on a commissioned sound piece by The Museum of Modern Art in conjunction with the exhibition Alexander Calder: Modern from the Start. Chrysler identified two of Alexander Calder's sculptures, Snow Flurry, I (1948) and Man-Eater with Pennants (1945), to interact and “play” multiple Theremins on site. I believe the Theremin are various Moog models. Calder Plays Theremin is a co-release of the NY Theremin Society and Fridman Gallery. 8:48   Opening background tracks: Ronnie Montrose, “Open Fire” (excerpt) from Open Fire (1978 Warner Brothers). Bass, Alan Fitzgerald; Drums, Rick Shlosser; Guitar, Custom-built Theremin mpounted to his electric guitar, Ronnie Montrose; composed by Edgar Winter, Ronnie Montrose. 2:09 Hooverphonic, “‎L'Odeur Animale” from The Magnificent Tree (2000 Columbia). Guitar, Raymond Geerts; Keyboards, Bass, Programmed by Alex Callier; Vocals, Geike Arnaert; Maestro Theremin, trumpet, Youseff Yancy; Fairlight, Effects, Dan Lacksman. 3:46. Opening and closing sequences voiced by Anne Benkovitz. Additional opening, closing, and other incidental music by Thom Holmes. See my companion blog that I write for the Bob Moog Foundation: For additional notes, please see my blog, Noise and Notations.

John Barrett of Bass Drum of Death joins Dwyer to talk about his early days touring around the country in a tiny Toyota, the assumptions about Mississippi, golf, how everything in NYC is a little harder than it should be, and his the new album SAY I WON'T out on Jan 27 on Fat Possum.Opening song Find It from the album Say I Won'tSay I won't is out January 27th 2023 on Fat Possum Records.Bass Drum of Death Website Buy The Eleventh Hour: Songs For Climate Justice HEREGet a website from Kelly R. Dwyer HERE Themattdwyer.com Hosted on Acast. See acast.com/privacy for more information.

John Barrett aka Bass Drum of Death joins us to talk about starting his career as a one man band and recording his first two albums by himself using only a 60 dollar Blue Snowball microphone. In fact, Blue should 100% be sponsoring him in some way, if anyone from this company is listening right now.... not a bad idea.

Episode 86 Merry Moog 2022 Vintage Holiday Music Performed on the Moog and other Synthesizers Playlist Frank Luther with Zora Layman, “Christmas Bells” from Christmas In Song (1939 Decca). This is the original 78 RPM release featuring a vocal quartet, bells, and music played on the Hammond Novachord. 0:38 Frank Luther with Zora Layman, “Christmas Day in the Morning” from Christmas In Song (1958 Vocalion). This is a reissue of the 1939 release featuring a vocal quartet, Zora Layman, bells, and music played on the Hammond Novachord. The stereo is simulated. There are some nice moments for the Novachord on this record. 3:12 Paul Tanner, “Holiday on Saturn” from Music for Heavenly Bodies (1958 Omega). This rare disc features Tanner playing the Electro-theremin, an imitation of the Theremin that was a box with an audio oscillator inside and a rotary dial to control the pitch. Tanner, a renown studio musician and trombone player, later provided the sound of the Electro-theremin on the Beach Boys hit Good Vibrations (1966). 4:16 Greg Lake, Emerson, Lake & Palmer, “I Believe In Father Christmas” from I Believe in Father Christmas (1995 Rhino). Produced by Keith Olsen; written by Greg Lake, Peter Sinfield; vocals, Bass, Acoustic Guitar, Electric Guitar, Greg Lake; Drums, Percussion, Carl Palmer; Hammond organ, Piano, Moog Synthesizer, Keith Emerson. This is the original version released in 1975 with a choir and Moog Modular. It differs significantly from the stripped-down mix, also included on this CD, originally appearing on Works Vol. 2 in 1977 and then later in 1994. Rhino Records was kind enough to package all of ELP's X-Mas related tunes onto a CD EP in 1995, from which this version comes. 3:34 Keith Emerson, “Troika (From Prokofiev's Lieutenant Kije Suite)” from The Christmas Album (1995 Rhino). This is the Prokofiev composition that Greg Lake adapted into “I Believe in Father Christmas.” Later on, Emerson released this interpretation of the Prokofiev piece on The Christmas Album” that appeared in the US in 1995. It doesn't appear on the original UK version in 1988. And again, this is taken from the nifty holiday CD EP also released in 1995 by Rhino. This album was made with instruments from Korg, Ensoniq, Alesis, and Opcode. 4:19 Jean Jacques Perrey and Sy Mann, “Jingle Bells” from Switched on Santa (1970 Pickwick). Moog Modular Synthesizer, Sy Mann; Moog Modular Synthesizer Programmed by, Jean-Jacques Perrey. 1:44 Douglas Leedy, “The Coventry Carol” from A Very Merry Electric Christmas to You (1970 Capitol). Moog Modular Synthesizer and Buchla Synthesizer. 4:46 Jean Jacques Perrey and Sy Mann, “Christmas Bells” from Switched on Santa (1970 Pickwick). Moog Modular Synthesizer, Sy Mann; Moog Modular Synthesizer Programmed by, Jean-Jacques Perrey. 1:52 Don Voegeli, “Chanukah” from Holiday & Seasonal Music (1977 EMI). Produced at the Electrosonic Studio of the University of Wisconsin-Extension. Don wrote the original synthesized version of the NPR “All Things Considered” theme. It was created in his Electronic Studio of the University of Wisconsin. He used a Moog Modular Synthesizer plus a Fender Rhodes, Polymoog, and ARP string synthesizer and 16-track recorder. 1:02 Joseph Byrd, “Christmas in the Morning” from A Christmas Yet to Come (1975 Takoma). ARP 2600 Synthesizer with an Oberheim Expander Module. 1:34 Douglas Leedy, “Good King Wenceslas” from A Very Merry Electric Christmas to You (1970 Capitol). Moog Modular Synthesizer and Buchla Synthesizer. Leedy was an American composer, performer and music scholar. He founded the electronic music studio at UCLA where he had access to both Moog Modular and Buchla synthesizers, and it was during this period from about 1969-71 that he was commissioned to create several albums of electronic music. His training as a minimalist and experimental composer always flavored his music with unexpected sounds and patterns. 3:05 Moog Machine, “O Holy Night” from Christmas Becomes Electric (1970 Columbia). Moog Modular Synthesizer. 2:43 Armen Ra (Armen Hovanesian), “O Come All Ye Faithful” from Theremin Christmas (2018 Sungod). Moog Etherwave Pro Theremin. Armen Ra is an American artist and performer of Iranian-Armenian descent. He plays Theremin. His music fuses Armenian folk music with modern instrumentation, along with melodic lounge standards and classical arias. 4:43 Don Voegeli, “Carol of the Drum” from Holiday & Seasonal Music (1977 EMI). Produced at the Electrosonic Studio of the University of Wisconsin-Extension. 1:01 Philippe Renaux, “Noël Blanc” (“White Christmas”) from We Wish You A Cosmic Christmas (1977 Sinus). Belgium. Minimoog, Arp Axe, Arp Soloist, EMS Synthesizer, Stringman Crumar, Fender Rhodes, Electronic Drums. 3:21 Jean Jacques Perrey and Sy Mann, “Tijuana Christmas” from Switched on Santa (1970 Pickwick). Moog Modular Synthesizer, Sy Mann; Moog Modular Synthesizer Programmed by, Jean-Jacques Perrey. 1:58 Joseph Byrd, “Carol of the Bells” from A Christmas Yet to Come (1975 Takoma). ARP 2600 Synthesizer with an Oberheim Expander Module. 1:12 Андрій Кок (Andriy Kok), “Небо І Земля” (“Heaven and Earth”) from Різдво На Галичині. Колядки (Christmas in Galicia. Christmas carols) (2006 Ліда). Folk singer, accordion and synth player Andriy Kok has recorded many albums of Ukrainian folk music in addition to a number of holiday songs and carols. 5:00 Douglas Leedy, “In Dulci Jubilo” from A Very Merry Electric Christmas to You (1970 Capitol). Moog Modular Synthesizer and Buchla Synthesizer. 1:14 Bernie Krause, Philip Aaberg, “Deck the Halls” from A Wild Christmas (1994 Etherean Music ). This delightful cassette is from Bernie Krause, known for his Moog explorations with Paul Beaver back in the day. He later turned his attention to audio ecology and the recording of nature sounds, particularly of animals. This very special Holiday recording is composed entirely of animal sounds. Some you'll recognize as the natural animal voices themselves. Others may sound like instruments, but they are actually digitally transformed animal sounds. Wild Sanctuary Productions invites you to enjoy a truly unique celebration of both the wild kingdom and Holiday Spirit. All animal and ambient sounds recorded on location worldwide by Bernie Krause with the exception of the fish (courtesy of U.S. Navy). Animal samples, Bernie Krause and Phil Aaberg. Arrangements, new materials, all keyboards (K 2000/Emulator III) Phil Aaberg. 8:12 The Royal Philharmonic Orchestra, Paul Freeman, and The Chicago Synthesizer-Rhythm Ensemble, John Tatgenhorst, “The Little Drummer Boy” from Turned On Christmas (1985 Columbia). Conductor, Paul Freeman; synthesizers, The Chicago Synthesizer-Rhythm Ensemble; Orchestra, The Royal Philharmonic Orchestra. Keyboards & Synthesizer Concepts: Ed Tossing; Electric Bass, Steve Rodby or Bob Lizik; Drums, Tom Tadke; Guitars, Ross Traut and Bill Ruppert; Percussion, Russ Knutson. 4:08 Montana Sextet, “Little Drummer Boy Jam” from Christmas Time Is Here (1987 Philly Sound Works). Arranged By, Conductor, Producer, Fender Rhodes, Piano, Cowbell, Shaker, Yamaha DX7 Synthesizer, Musser Vibraharp, Vincent Montana Jr.; Congas, Greg Peache Jarman; Guitar, Ronnie James; Snare Drum, Tenor And Bass Drum, Gene Leone. 8:46 Montana Sextet, “Have Yourself a Merry Little Christmas” from Christmas Time Is Here (1987 Philly Sound Works). Arranged By, Conductor, Producer, Fender Rhodes, Piano, Cowbell, Shaker, Yamaha DX7 Synthesizer, Musser Vibraharp, Vincent Montana Jr.; Congas, Greg Peache Jarman; Guitar, Ronnie James; Snare Drum, Tenor and Bass Drum, Gene Leone. 4:56 Mannheim Steamroller, “Good King Wenceslas” from Christmas (1984 American Gramaphone). Arranged, conducted, produced by, Chip Davis; Drums, Percussion, Soloist Recorder, Black Oak Hammered Dulcimer, Soprano Dulcian, Crumhorn, Bells, Vocals, Dry Ice, Chip Davis; Lute, Bass, Eric Hansen; Baldwin SD-10 Synthesizer, Harpsichord, Clavichord, Toy Piano, Prophet 5 Synthesizer, Fender Rhodes, Vocals, Bells, Jackson Berkey; Classical Guitar, Twelve-String Guitar, Ron Cooley; Flute, Willis Ann Ross; French Horn, David (High D) Kappy; Harp, Mary Walter; Oboe, Bobby Jenkins; Strings, Bill Ritchie, Grace Granata, Michael Strauss, Michelle Brill, Richard Altenbach, Richard Lohmann, Roxanne Adams, Wayne Anderson. 3:39 Don Voegeli, “Jingle Bells” long, short, and tag from Holiday & Seasonal Music (1977 EMI). Produced at the Electrosonic Studio of the University of Wisconsin-Extension. 1:56 Don Voegeli, “Lully, Lullay - The Coventry Carol” from Holiday & Seasonal Music (1977 EMI). Produced at the Electrosonic Studio of the University of Wisconsin-Extension. 1:01 Fossergrim, “Ave Maria” (2020 Bandcamp). Fossegrim is billed as “Dungeon Synth music from the Adirondack Mountains.” In Scandinavian folklore, Fossergrim is is described as an exceptionally talented fiddler. No fiddles here. I think Fossergrim is one Ian Nichols of Albany, New York. Check out his Bandcamp presence. 3:54 Phillip Fraser, “Rub A Dub Christmas” from Rub-A-Dub Christmas (1985 Tuff Gong). Jamaican reggae recording for the holidays. Piano, Organ, Synthesizer, Bass, King Asher, Steely Johnson. 2:53 Phillip Fraser, “The Lord Will Provide” from Rub-A-Dub Christmas (1985 Tuff Gong). Jamaican reggae recording for the holidays. Piano, Organ, Synthesizer, Bass, King Asher, Steely Johnson. There is some crazy synth material on this track. Despite it being recorded in 1985, it sounds quite analog for a synth. 3:17 Unconditional Loathing, “Carol, with the bells” from Holiday Mood (2018 Bandcamp). Every artist dreams of releasing an album of hit holiday songs that will surprise the world and bring great wealth. This is not that album. But it is remarkably noisy and dark. Check out Unconditional Loathing, from Fargo North Dakota, on Bandcamp. Self-described as “A footnote in the history of Midwestern noise that refuses to completely go away.” 1:51 The Smurfs, “Deck the Halls” from Merry Christmas With The Smurfs (1983 Dureco Benelux). This album is in English from the Netherlands. 2:17 Vatto Lofi, “Holiday Lofi” from A Merry Lofi Christmas EP (2021 Bandcamp). Providing a low-fidelity tune for the holidays, but I don't know if “lofi” refers to the low-fidelity sound that is currently a thing (and it does sound like that) or is the actual name of this Icelandic musician. 2:21 Rotary Connection, “Silent Night” from Peace (1968 Cadet Concept). I think this holiday album from the famed psychedelic soul ensemble was perhaps only their second album. Produced by Charles Stepney and Marshall Chess, I've included this track not only because it features some crazy electric guitar but also because Minnie Riperton's five-1/2-octave vocal range could effectively imitate a Theremin, which begins in this track around 1:30 into it. In an interview I once heard her say that one of her childhood fascinations was imitating that “science fiction stuff” with her voice. Interestingly, Charles Stepney also included a Moog synthesizer, used sparingly, on some Rotary Connection tracks, but I've heard none on this album. Co-producer Marshall Chess often added Theremin to Rotary songs but this is not one of them. It's pure Ripperton. The Rotary Connection vocalists: Bobby Simms, Jim Donlinger, Jim Nyeholt, Minnie Riperton, Mitch Aliota, Sidney Barnes, Tom Donlinger; The studio band, Leader, David Chausow; Bill Bradley, electronic effects; guitar, Bobby Christian; bass, Louis Satterfield; bass, Phil Upchurch; bass vocals, Chuck Barksdale. 3:52 Klaus Wunderlich, “Sleigh Ride” from Multi Orchestral Organ Sound (1982 Teldec). Wunderlich was a prolific musician who mastered the Hammond Organ. Occasionally, he performed with a synthesizer and this track comes from an album not of holiday music but of various favorites, performed in the style of the original artists. This is a Leroy Anderson song arranged in the Anderson style. The MOOS (Multi Orchestral Organ Sound) was produced by the Wersi organ company in Germany. This organ/synth/drum machine hybrid was also known as the Wersi Galad and play both synth and traditional organ sounds. There is a current musician advocate for this instrument in Florian Hutter (listen to the next track), of Germany. 3:11 Florian Hutter, “Frosty the Snowman” privately released (2022 No Label). Florian is a living master of the vintage Wersi Delta and Atlantis synthesizer/organ hybrids with a built-in rhythm box. In recent years he has begun to release his music on Spotify. This is taken from the first or second day of his Christmas Special 2022 during which he releases a new tune every day. I don't normally feature tracks recorded from YouTube, but this was too good to pass by and it fits with the vintage music played in the previous track by Wunderlich. Check him out. 2:34 Edwin Hawkins, “The Christmas Song” from The Edwin Hawkins Christmas Album (1985 Birthright). Produced when the Yamaha DX-7 became the top selling synthesizer on the planet, this is a great example of its tidy, digital sound. Richard Smallwood, keyboards, synthesizer; Edwin Hawkins, keyboards, synthesizer; Joel Smith, Drums and Fender bass; Kenneth Nash, percussion. Sounds like one or two Yamaha DX-7s. 3:57 Ryuichi Sakamoto (坂本龍), “Father Christmas” from Merry Christmas Mr. Lawrence (戦場のメ)(1983 Virgin). Music By, Composed By, Performer, Ryuichi Sakamoto. Our best wishes to Mr. Sakamoto who is suffering from Stage 4 cancer. In June he said, “Since I have made it this far in life, I hope to be able to make music until my last moment, like Bach and Debussy whom I adore.” 2:06 Bob Wehrman, John Bezjian and Dusty Wakeman, “Ring Christmas Bells” from Christmas Becomes Electric (1984 Tropical Records). Not be confused with an album by the same name by The Moog Machine in 1969. Unnamed synthesizer programmed and performed by Bob Wehrman and John Bezjian. From Marina Del Rey in California. 1:46 Hans Wurman, “Overture Miniature” from Electric Nutcracker (1976 Ovation). This Austrian composer made several remarkable, classically influenced Moog Modular albums from 1969 to 1976. This was one of his last big Moog projects and is difficult to find. 2:54 Hans Wurman, “Danse De La Fee-Dragee ( Sugar Plum Fairy)” from Electric Nutcracker (1976 Ovation). Moog Modular synthesizer, Hans Wurman. 1:33 Hans Wurman, “Danse Des Mirlitons (Flutes)” from Electric Nutcracker (1976 Ovation). Moog Modular synthesizer, Hans Wurman. 2:14 Keith Emerson, Emerson Lake & Palmer, “Nutrocker” (live) from Pictures at an Exhibition (1972 Cotillion). A fitting reworking of Tchaikovsky arranged by Kim Fowley and performed live, Newcastle City Hall, 26 March 1971. Hammond C3 and L100 organs, Moog modular synthesizer, Minimoog, Clavinet, Keith Emerson; bass guitar, acoustic guitar, vocals, Greg Lake; drums, percussion, Carl Palmer. "Nut Rocker", a rock adaptation of The Nutcracker originally arranged by Kim Fowley and recorded by B. Bumble and the Stingers in 1962. 3:48 Richie Havens, “End of the Season” from Alarm Clock (1970 Stormy Forest). A melancholic reflection on life from Mr. Havens, totally synthesized on the Moog Modular by Bob Margoleff. 3:32 Bernie Krause, Philip Aaberg, “Feliz Navidad” from A Wild Christmas (1994 Etherean Music ). This delightful cassette is from Bernie Krause, known for his Moog explorations with Paul Beaver back in the day. All animal and ambient sounds recorded on location worldwide by Bernie Krause with the exception of the fish (courtesy of U.S. Navy). Animal samples, Bernie Krause and Phil Aaberg. Arrangements, new materials, all keyboards (Kurzweil 2000/Emulator III) Phil Aaberg. Percussion on Feliz Navidad performed by Ben Leinbach. 5:37 Opening background music: Jean Jacques Perrey and Sy Mann, “Rudolf the Red-Nosed Reindeer” from Switched on Santa (1970 Pickwick). Moog Modular Synthesizer, Sy Mann; Moog Modular Synthesizer Programmed by Jean-Jacques Perrey. 2:16 Moog Machine, “Twelve Days Of Christmas” from Christmas Becomes Electric (1970 Columbia). Arranged by Alan Foust; Synthesizer Tuner, Norman Dolph; Moog Modular Synthesizer, Kenny Ascher. 3:55 Jean Jacques Perrey and Sy Mann, “Silent Night” from Switched on Santa (1970 Pickwick). Moog Modular Synthesizer, Sy Mann; Moog Modular Synthesizer Programmed by Jean-Jacques Perrey. 1:52 Opening and closing sequences voiced by Anne Benkovitz. Additional opening, closing, and other incidental music by Thom Holmes. See my companion blog that I write for the Bob Moog Foundation For additional notes, please see my blog, Noise and Notations.

This week GV renews his interest in live music events by way of a band called Bass Drum of Death. Then it's on to some talk about friend-of-the-show TEEN IDOL and a Thanksgiving autopsy.

Today's Song of the Day is "Find It" from Bass Drum of Death's album, Say I Won't, out January 27th, 2023.Bass Drum of Death will be performing at First Avenue on Friday, December 9th.

01, No Track List 02, Not AVailable 03, Not At the moment 04, Sorry for the inconvenience 05, Thank YouCristian Varela has maintained for more than 20 years an excellent reputation within the international electronic music scene. One of the friendliest characters you´ll meet, his experience and inna... Download

01, No Track List 02, Not AVailable 03, Not At the moment 04, Sorry 05, Thank YouCristian Varela has maintained for more than 20 years an excellent reputation within the international electronic music scene. One of the friendliest characters you´ll meet, his experience and inna... Download

So you are posed with this scenario: You are a percussionist, you have one bass drum and multiple styles to play in. What do you do? In today's Music Educator Quick Tip of the Day we will dive into the simple answer to "One Bass Drum, Multiple Styles." Today's source comes from the book, "The Drummer's Lifeline - Quick Fixes, Hacks, and Tips of the Trade" by Peter Erskine and Dave Black. (Alfred) Check out their book - it is worth the read! ALSO - Check out The Music Educator Podcast! Weekly episode are every Tuesday morning for more tips, tricks and advice that you can you use tomorrow.  Do You Get Value From The Show? Consider Supporting the Show with a $3 Donation. https://glow.fm/themusiceducatorpodcast/

Timestamps 5:02 Lead In Discussion 14:52 Max Heart 14 21:09 Delicious Party PreCure 14 47:01 Suite 42/43 1:09:01 Looking Ahead 1:11:43 Crack Theory Lead In Discussion Kat tries to convince Joel that Dragon Ball Z is a magical girl anime in disguise, and Joel reminisces about the series Max Heart Joel's seriously at his limit with Max Heart, and he is quite frustrated that this episode treats a new Heartiel like it's a commonplace occurance Delicious Party PreCure Episode 14 Introduces us to Black Pepper, a CooKingdom warrior! But more importantly, a girl named Tomoe who falls in love with Takeda's condiment choices. Amane is still in a coma, and Joel wonders if Yui might be asexual and/or aromantic. Suite Episodes 42 & 43 involve some Road Runner & Wil E. Coyote shenanigans, the potential redemption of Bassdrum and Barritone (but NOT falsetto, okay, we know which one is Mephisto's least favorite), and a plot to... KILL Aphrodite?!? And Mephisto tries to make a heroic sacrifice? We're nearing the end game now, folks. Please note that Joel got confused and proclaimed we'd finish Suite next episode, but that will be in 2 week's time.

Timestamps 1:28 Lead-in Discussion 9:00 Suite 30 22:51 Suite 31 26:16 Delicious Party PreCure 35:47 Max Heart 36:29 Looking Ahead Lead-in Discussion We pitch our own Multiverse of Madness, but as a PreCure season. Suite PreCure  We watched episodes 32 and 33. The first of which is about a flea market and the Minor Trio dressing as women to steal the Healing Chest! Joel notes the true villain may fear the chest's power. In 33, Hibiki must face her performance anxieties, and Ellen realizes what her dream is! And it looks like Mephisto himself will be facing the PreCure girls next episode... Delicious Party PreCure in episode 9, Ran and Kokone have a bit of a fight, but we love how emotive Ran is. We meet a new general and speculate what hte future holds for Gentle. Oh, and Kome Kome evolved once more Max Heart episode 9 introduces a new enemy general and an unnamed heartiel, but other than that? We got nothing

Angefangen hat alles im Wilden Osten kurz nach der Wende. Sebastian Szary rockt illegale Raves im Berliner Umland und Gernot Bronsert  folgt dem Ruf der Bassdrum. Der Startschuss für einen der erfolgreichsten Elektronik-Acts aus Deutschland - und der Beginn einer wunderbaren Freundschaft. In ihrem Soundtrack erzählen Modeselektor von Plattenkäufen in der DDR, Sessions mit Thom Yorke und von Snoop Doggs Kochbuch. Von Lukasz Tomaszewski.

Garage punk two piece Teen Mortgage climbed out of Washington DC's primordial hardcore soup in 2017. Drenched in the left - over fuzz and sludge of their local scene, the duo quickly bulldozed their way to a regional reputation after assaulting the publics' ears on incessant east coast tours and opening for notable bands such as Ron Gallo, Surf Curse, Big Business, Alex Lahey, The Chats, Bass Drum of Death, JEFF The Brotherhood, Mike Krol, The Coathangers, Meatbodies etc. In June 2019, Teen Mortgage sicced their ruthless EP "Life/Death" on the world through Brooklyn, NY's King Pizza Records. It has since sold out its limited cassette run and album cuts have earned sync deals with Vans Shoes, Evil Bikes, and Showtime series Shameless. The album also gained recognition as recipients of multiple 2020 Wammies (The Washington Area Music Awards) for Best Punk Band and Best Punk Song for "Falling Down." Teen Mortgage, return post pandemic with “Smoked”, their sophomore release through greasy Brooklyn cassette slingers, King Pizza Records. Once again, the duo are back to smack you over the head with seething surf punk riffs setting the scene to explain this cultural wasteland they call America. Live performances by Teen Mortgage, digital beat bumpers provided by Fat Kneel

Timestamps 3:14 Pre-Show/Announcements 7:51 Delicious Party 30:24 Max Heart 33:59 Suite PreCure 43:12 Thoughts From the Crew Delicious Party PreCure Delicious Party is back with episode 6! Kokone is still adjusting to having and making friends, and Pam Pam starts a rumor that the school's haunted! Max Heart New villain dropped- we have a pirate looking demon man, but other than that we don't have much to say, but hey, next episode we'll get another heartiel. Suite PreCure We cover episodes 26 & 27, which focus a lot on the fairy tones! It's super cute and we love it. Plus... the bad guys get their own henshin sequence??? These are high quality episodes, and also Hibiki appears to be hearing voices- uh oh!

Top 3 songs from different years 3. Canals - Highly Suspect 2. You can call me Al - Paul Simon 1. Fuck It - Spose Top 3 Cover songs 3. When Doves Cry (Electric) - Local H 2.March of the Pigs - Horse the Band 1.Astronaut In the Ocean - Our Last Night New Bands Discovered 3. The Blade - SION Jared Dines/Howard Jones Killswitch 2. We Go On Walks - Petey TikTok 1. Sedona - Junkbunny Top 3 Music videos 3. Silence Speaks- While She Sleeps Feat. Oli Sykes https://www.youtube.com/watch?v=eH6tqXQNWUA&ab_channel=WhileSheSleepsVEVO 2. Kirby - Asop Rock https://www.youtube.com/watch?v=7T_KKiQiolk&ab_channel=RhymesayersEntertainment 1. Pump It - Eskimo Callboy https://www.youtube.com/watch?v=OnzkhQsmSag&ab_channel=EskimoCallboy Song I would Not Recommend! Friday - Jeris Johnson Band you revisited in 2021 Senses Fail From the Depth of Dreams 5. 2004 Let it Enfold you 2. 2006 Still Searching 4. 2008 Life is not a waiting Room 3. 2010 The Fire 1. 2013 Renacer 8. 2015 Pull The Thorns From Your Heart 7. 2018 If there is light, It will Find You 6. The String Quartet Tribute to Senses Fail Top 3 Albums of 2021 3. You're Welcome - A Day To Remember - High Diving 2.Typhoons - Royal Blood - Boilermaker 1.Hidden Gems - The Blue Stones - Careless Honorable mention… Still sucks - Limp Bizkit Manic - Wage War Top 10 songs of 2021 10.Brutal - Olivia Rodrigo 9. Circle the Drain - Wage War 8. I Eat Boys - chloe moriondo 7. You were right - Bass Drum of Death Feat. Eve 6 6. Black Nurse - Glassjaw 5. Watch it Burn - 408/The Things We Were 4. Dad Vibes - Limp Bizkit 3. We got the moves - Eskimo Callboy 2. The Past Is Dead - Beartooth 1. DiE4u - Bring me the Horizon

I was lucky enough to have John Barrett of Bass Drum Of Death join me. He talks about growing up in Oxford, Mississippi and how Ole Miss sports can be very frustrating. After moving into a house in Oxford that ended up being home to several bands and a recording studio for his first two albums, he moved to New York City. That really had an impact on his songwriting, one that some of his fans weren't so happy about. John also had a great way to vet the production team on his last full length album. But when COVID started to shut things down, John moved back to Mississippi and started a twitter beef with Eve 6 that didn't end how anyone expected it to end. But beyond Twitter beefs, John's also been busy working on a new Bass Drum Of Death album. He's hoping to have it ready to go before too long. So follow him on social media @BASSDRUMOFDEATH or just go to bassdrumofdeath.com to get updates or buy the band's albums. Follow us @PerformanceAnx. You can help support the show at performanceanx.threadless.com or ko-fi.com/performanceanxiety. Let's get this conversation started with John Barrett of Bass Drum Of Death on Performance Anxiety, part of the Pantheon Podcast Network.

I was lucky enough to have John Barrett of Bass Drum Of Death join me. He talks about growing up in Oxford, Mississippi and how Ole Miss sports can be very frustrating. After moving into a house in Oxford that ended up being home to several bands and a recording studio for his first two albums, he moved to New York City. That really had an impact on his songwriting, one that some of his fans weren't so happy about. John also had a great way to vet the production team on his last full length album. But when COVID started to shut things down, John moved back to Mississippi and started a twitter beef with Eve 6 that didn't end how anyone expected it to end. But beyond Twitter beefs, John's also been busy working on a new Bass Drum Of Death album. He's hoping to have it ready to go before too long. So follow him on social media @BASSDRUMOFDEATH or just go to bassdrumofdeath.com to get updates or buy the band's albums. Follow us @PerformanceAnx. You can help support the show at performanceanx.threadless.com or ko-fi.com/performanceanxiety. Let's get this conversation started with John Barrett of Bass Drum Of Death on Performance Anxiety, part of the Pantheon Podcast Network.

In this podcast episode you will hear from our BCEN friend Sorayah (So RAY uh) Bourenane. In 2013, Sorayah began as a Professional Student Nurse Extern in the Emergency Center (EC) at a large academic specialty cancer hospital in Houston, Texas. She graduated from Texas Woman's University (TWU) with a Bachelor of Science (BS) in Nursing in May 2014, and started her nursing career as a New Graduate Nurse in the EC. In June 2016, Sorayah was promoted to Clinical Resource Nurse, which served as a bridge position while obtaining a Master of Science in Nursing (MSN) and Clinical Nurse Leader (CNL) certification. In May 2019, she obtained her MSN, CNL, and now serves as the CNL for the EC and Clinical Decision Unit. As a Clinical Nurse Leader, Sorayah provides empirical data to evaluate clinical practice quality, validate intervention efficacy and steer quality improvement initiatives. She brings innovation, data-driven decision-making, technology integration, and evidence-based practice to the bedside to implement strategic practice changes to improve patient care. Sorayah specializes in process and change management, interdisciplinary collaboration, patient advocacy, adult learning, and oncologic emergencies. She is also a Certified Emergency Nurse (CEN) and hopes to establish an Oncology Emergency Nursing certification in the near future. In her pre-nursing life, she worked as an Event Production Manager for various entertainment, live marketing, and industry events such as Coachella, Comicon, E3, CES, and others along the West Coast of the United States. She assisted in event production for clients including Lady Gaga, Bravo TV, Dell, Alienware, Coachella, USA Network and many more. Additionally, Sorayah worked as a runway & print model based in Los Angeles, California for including LA Fashion Week, BCBG, David's Bridal, Clairol, and Zara. Sorayah was also fortunate enough to have performed with the Blue Knights Drum & Bugle Corps (Denver, CO) as 1st Bass Drum in 2007 and 2nd Bass Drum in 2009 in the Summer Music Games hosted by Drum Corps International (DCI). This experience provided opportunities to serve as a specialty music instructor for high schools and independent drumline organizations across the country teaching music and marching. As Michael Dexter and Mark Eggers talk with Sorayah, listen to some of the wonderful stories that Sorayah has to share, that will bring a tear to your eyes and a smile to your face. One thing that you won't want to miss is what Sorayah might be doing if she did not choose the career of nursing. Sorayah can be found on the following social media platforms: Website is sorayah.me Instagram: @sorayahb Twitter: @sorayahsb com/sorayahb com/in/sorayahb

Seriously, go watch the video version of this one on YouTube: https://youtu.be/bh8ZK8bf7BI Uhhhh wow so I got to interview John Barrett of Bass Drum of Death and Max Collins of Eve6 and basically make them fight for my love. No big deal. Who will I marry? Watch now to find out! Eve6 and BDOD collaboration 'you were right': https://open.spotify.com/track/1z3y0dcgWonv5eZJmkN05r Eve6's new EP 'grim value': https://open.spotify.com/album/63se1zqIgvcKzzOfqIbR8m Go follow Max & John on twitter: https://twitter.com/Eve6 https://twitter.com/bassdrumofdeath ----------------------------------------------------------------------------- kelgore's patreon: https://www.patreon.com/kelgoretrout

The Lounge gets a little grungy on tonight's episode. In the first round we dig into the infamous double bass drum, most notably heard in Metal music. Lounge contributor, Vinyl Historian, has special place in the pitter patter of his heart for this instrument and sound. Next round they dive into 90s grunge featuring some of the well known and lesser known grunge artist of the time. We hope you like what you and hear and give is a review on your favorite podcast platform. 

Co-Owner of Low Boy Beaters Jermey Brieske talks about the origins of the company, trials and tribulations of design, the many customizable options with colors and laser etched insignias/designs, London Leather Boys n' Bears, the initial adhesive recalls, the tonal qualities of lambs wool, leather, wood & felt, our mutual mistakes as early players and not the greatest gear, pawn shop cymbals, some of the artists playing LBB's, bullet proof heads and tree trunk sticks, the advantages of social media-self-promotion & the global reach of the beaters plus  much more!https://lowboybeaters.com/

This week, Lee Laney of the Everyday People Band comes into the basement to talk about his drum and cymbal collection. I try to keep the show evergreen, but since Lee is the first musician I've had on the show there is some Covid talk at the beginning. Other topics include how to play to no one. The story of a boy that couldn't join the marching band. Hey Mom and Dad, I'm a drummer now. Smashing cymbals on a shoe string budget. Cardio: preparing for a drumming marathon. Hunting the Great White, actually dark blue Bass Drum. A kit for every occasion. Excuse sir, I'd like to buy a drum. Your host doesn't know anything about cymbals other then they go CRASH! The Spawn theory. 

In this episode I interviewed Mike Cavanaugh. Mike is from Centerville, Ohio and currently serves as the bass drum tech for Rhythm X. In this episode we discuss how mike created his curriculum for the new MAS Bass Drum Course and broke down his philosophy on technique. 

  If you have a question for Stephen to answer you can send it to help@stephensdrumshed.com.    Free series on how to create drum fills: https://www.stephensdrumshed.com/creating-drum-fills-signup/   Instagram: https://www.instagram.com/stephensdrumshed/   YouTube: https://www.youtube.com/user/DrummerEtc