Podcasts about best original song oscar

This week, we're covering the second two weeks of June, 1999 (16-30), perhaps the most teenage-boy two weeks of the year. This week: Cartoons rule as SOUTH PARK and TARZAN both arrive in cinemas (setting up an epic Best Original Song Oscar duel!) Adam Sandler's massive hit BIG DADDY is also released. SMOOTH is released as a single and refuses to go away ever! Tony Hawk lands a 900 for the first time ever! Weird Al spoiler-bitches the ENTIRE plot of THE PHANTOM MENACE Stephen King gets hit by a car And more! This week, John is joined by special guest Matt Romano, co-host of RETURN OF THE POD!

The pop music world invaded the Academy Awards honoring films from 1993, with Janet Jackson, Bruce Springsteen, Neil Young, and James Ingram among the nominees for the Best Original Song Oscar. Host Jeff Commings has many stories to share about the creation of the five Oscar-nominated songs, and why Danny Elfman couldn't join the roster for his songs from The Nightmare Before Christmas.

This week, the Best in Show crew finds out what they're made for with Grammy-winning special guests Billie Eilish and Finneas. The superstar sibling duo is behind the Best Original Song Oscar nominee ‘What Was I Made For?', and Mia chats with them about hiding secrets in their devastating-but-hopeful tune, the music and movies that make them feel emotionally validated and Billie's directing aspirations. There's also some queening out over a mutual love of Andrew Scott in Fleabag and Sherlock—relevant because he and Billie are both nominated in acting categories at the Indie Spirits this year (him for All of Us Strangers, her for Swarm), and because Andrew is always relevant. London Editor Ella Kemp pops in as well for a BAFTAs debrief, sharing her interviews with Da'Vine Joy Randolph, Samantha Morton and Best in Show bestie Paul Mescal. Chapters: Opening credits (00:00:00) BAFTA recap and red carpet interviews (00:01:43) Behind the curtain (00:23:36) Billie Eilish and FINNEAS interview (00:26:08) Winner Winner Chicken Run Dinner (00:45:29) Closing credits (00:59:40) Sponsor: Sony Pictures Credits: Recorded in Los Angeles and London. Edited by Slim, production manager Sophie Shin, editorial producer Brian Formo. Theme: ‘Hyperlight' by Letterboxd member Trent Walton (AKA Echo Wolf). Artwork by Danny Haas. Best in Show is a TAPEDECK production. Title courtesy of Christopher Guest. Lists & Links: List of movies mentioned, Best in Show's HQ Page, BAFTAs HQ Page

This episode of Target Audience welcomes film critic and podcaster Eoin Daly.⁠⁠⁠⁠⁠⁠ Eoin is targeted by Baz Luhrman's 2001 romance musical Moulin Rouge!. Join us as we discuss movie star Nicole Kidman, Baz's beautiful excess, jukebox musicals, and the screwed up Best Original Song Oscar category. Eoin on ⁠⁠⁠⁠Twitter⁠ Eoin on Letterboxd Eoin's Film Blog⁠⁠⁠ ⁠ Ben on ⁠⁠⁠⁠Twitter⁠⁠⁠⁠ Ben on ⁠⁠⁠⁠Letterboxd⁠⁠⁠⁠ Ben on ⁠⁠⁠⁠Instagram⁠⁠⁠⁠ ⁠⁠⁠⁠IceCream4Freaks⁠⁠⁠⁠ Opening/Closing Song - "Pull Me Through" by Royal Blood

New York-based musician and America's Sweetheart Nick Miller joins to discuss the underseen 150-minute Extended Cut of Tom Hanks's directorial debut, 'That Thing You Do!'. It's a meandering, expansive version of the film that takes the original cut's effervescent (if slight) shot of pop nostalgia and, at its best, aims for comparisons to great surveyors of cinematic Americana like Robert Altman & Jonathan Demme (who serves as producer on this film).We discuss the two versions of the film, their differences, and how the Extended Cut showcases even further Tom Hanks's singular knowledge of the era and its musical landscape. Then, we talk about the eponymous tune, an infectious earworm written by the late Adam Schlesinger which took on a life of its own as a charting hit single and was nominated for the Best Original Song Oscar in 1997. We also discuss the film as part and parcel with Tom Hanks's decade-long fixation with postwar America and the Greatest Generation's sense of national purpose, how the movie gets right many of the intricacies of songwriting and band dynamics, and make a plea to the 300+ artists (including Squeeze and They Might Be Giants) who submitted versions of "That Thing You Do!" to finally release their recordings. Follow Nick Miller on Twitter.Listen to Nick Miller on Bandcamp.Get access to all of our premium episodes and bonus content by becoming a Hit Factory Patron for just $5/month.....Our theme song is "Mirror" by Chris Fish. 

The Academy's music branch made the nomination process for the Best Original Song Oscar a lot more interesting beginning in 1958. The new preliminary shortlist was started in this year, whittling down the many potential nominees down to 10 before another vote gave us the official five nominees. How will that affect the songs that make it through to the final five? Host Jeff Commings will let you know some of the songs that just missed the cut, and give his thoughts on why they didn't pass the first round. The hit musical Gigi had a chance to get two original songs nominated, but perhaps the preliminary ballot prevented history from being made that year.

Six of the nine men nominated for the Best Original Song Oscar for 1956 had already won at least one Academy Award. Will this year's winner add another golden boy to their mantel? Or will it be first-timers Tom Adair and Leith Stevens for their song "Julie"? Will Cole Porter ride the popularity that Bing Crosby has in the Academy and win an Oscar for "True Love?" Find out with host Jeff Commings on this episode!

This week, Dave, Neil, and Joanna debate what the worst song to win Best Original Song at the Oscars is. They start by discussing the history of the category and some of their favorite winners (3:49). Then, they lay out the rules of the debate and go through some pretrial dismissals (23:20). Later, they reveal their picks for the worst Best Original Song winner (40:35), before reading some listener submissions and choosing one to add to the final poll (57:38). Now it's up to you to decide! What was the worst song to win the Best Original Song Oscar? You can vote for the winner at TheRinger.com, on The Ringer's Twitter feed, and in the Spotify app, where you'll find ‘Trial by Content.' The winner will be announced next week! You can send your picks for next week's topic and a few sentences to support your pick to TrialByContent@gmail.com. You can also submit suggestions for future ‘Trial by Content' topics. Is there a great pop culture debate that you'd like us to settle? Send it on over! Hosts: Dave Gonzales, Joanna Robinson, and Neil Miller Associate Producer: Carlos Chiriboga Additional Production Supervision: Arjuna Ramgopal Theme song and other music credits: Devon Renaldo Learn more about your ad choices. Visit podcastchoices.com/adchoices

Paolo and Sophia from The Song Will Go On Podcast join Ryan and Nicole to talk about the 2023 Oscar's Best Original Song Category. This year has some big names so we partnered up with our fellow soundtrack podcasters to break it down.We discuss:Is this finally Diane Warren's year? Will Rihanna continue take the momentum from her Super Bowl Halftime performance to take home the statue? Will Gaga take her power ballad from the top grossing movie of the year to another Oscar win? Will RRR upset everyone and cause chaos? Will David Byrne ride the success of EEAAO to an Oscar win?Songs from the Oscar shortlist that were snubbedWhere's Doja Cat? If you're looking to create a podcast with professional sound, check out Podtastic Audio at:https://www.podtasticaudio.com/easyFor More Information about The Song Will Go On:Website: https://thesongwillgoon.com/https://www.patreon.com/thesongwillgoonIG: https://www.instagram.com/thesongwillgoon/Twitter: https://twitter.com/TheSongWillGoOnIf you'd like to support Soundtrack Your Life, we have a Patreon, where you'll get bonus episodes and more!https://www.patreon.com/soundtrackyourlife

The first episode of The Best Song Podcast examines the early history of the movies, from the first words sung by Al Jolson in The Jazz Singer in 1927 to the songs that could have won an Oscar in the later 1920s and early 1930s, if the Academy Award for Best Original Song had been created at that time. Host Jeff Commings gives you some background on the creators of such songs as "Isn't It Romantic" and "42nd Street," and their brief flames that burned bright in the years before the Best Original Song Oscar was born.

Ryan and Nicole break down the 5 nominees for the 2022 Best Original Song Oscar. They talk about how the category has had as few as 2 nominees (2011) in the past and they question whether this year should've had 5 nominees or not. They discuss Diane Warren's winless streak and whether her song for Reba McEntire, "Somehow you Do" will finally get her a statue. From there, they discuss the Van Morrison heavy soundtrack to Belfast, and his nominated song, "Down to Joy", Beyonce's Doors sampling "Be Alive" from King Richard, Sebastian Yantra's Lin Manuel Miranda written song "Dos Orugitas", and Billie Eilish's Bond theme. "No Time to Die". And even though it's not nominated, Ryan and Nicole talk about Bruno and Ryan tries to explain why it's not nominated.

Ukrainian President Volodymyr Zelenskyy repeated his call for a no-fly zone in an address to Congress. We speak with former military officer Mike Benitez, founder of the Merge, a defense newsletter. And, we take our annual look at the nominees for the Best Original Song Oscar with Jon Burlingame, who writes for Variety and teaches screen scoring at the University of Southern California Thornton School of Music.

This week, the multi-talented singer and songwriter Sebastian Yatra joins Evaluna to talk about his new album and how being bicultural - 100% Latinx and 100% American - has influenced his music. We also get the inside scoop about his latest tour and a story you have to hear to believe about his first encounter with the Jonas Brothers!Fresh off of his Best Original Song Oscar nomination for Encanto's "Dos Oruguitas," Sebastian shares how proud he is to put Colombia on the map.New episodes of En La Sala release every Wednesday. Hear them first on Amazon Music.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Billie Eilish and her brother Finneas are among the nominees announced Tuesday for the 94th Academy Awards. The pair earned a Best Original Song nomination for “No Time to Die” from the James Bond movie of the same name. It won a Grammy last year for Best Song Written for Visual Media and, last month, won a Golden Globe for Original Song. https://www.iheartradio.ca/news/billie-eilish-among-best-original-song-oscar-nominees-1.17114892?4342423 Charlie Puth has said he got a dose of reality from Elton John when they met to talk about a collaboration. https://www.iheartradio.ca/news/charlie-puth-reflects-on-brutally-honest-feedback-from-elton-john-1.17114781 Foo Fighters said Monday they will perform a free VR concert following Sunday's Super Bowl LVI. https://www.iheartradio.ca/news/foo-fighters-performing-vr-concert-after-super-bowl-lvi-1.17114722 Thanks to John R. Kennedy for today's stories. Visit iHeartRadio.ca for all the latest music news and subscribe to this podcast on iHeartRadio for new episodes daily!

As a followup to Alternate Ending’s Oscars recap episode, Tim is joining Brennan this week to discuss EUROVISION SONG CONTEST: THE STORY OF FIRE SAGA, the Oscar-nominated song “Húsavík,” and the state of the Best Original Song Oscar in general!

In 1988 the Royal Shakespeare Company teamed up with the creators of Fame to turn Stephen King's horror novel ‘Carrie’ into a musical. The result was one of Broadway's most infamous disasters. For fans Holly and Chris, an obsession was born. In episode 1, having rediscovered a dusty VHS bootleg of the show in the midst of a global pandemic, they dive into the roots of the ‘Carrie’ story with Stephen King expert and collaborator Bev Vincent, hear from the show’s lyricist Dean Pitchford about the musical’s origins, and chat to original workshop 'Carrie White' Annie Golden (Orange is the New Black, Hair, Desperately Seeking Susan) and her cast-mates Laura Dean and Julie Cohen about those heady early days. Join us on our social channels and share your feedback! Instagram Facebook Twitter Out for Blood is hosted by Holly Morgan and Chris Adams, edited by Tom Moores, with original music by Odinn Orn Hilmarson and artwork by Rebecca Pitt. Out for Blood is a proud member of the Broadway Podcast Network. Thanks this week to Dean Pitchford, Annie Golden, Laura Dean, Julie Cohen, Bev Vincent and Rich Hawkins. THIS WEEK’S LINKS: A bootleg recording of the workshop production of Carrie can be found on YouTube. Here’s Dean Pitchford and Michael Gore winning the 1981 ‘Best Original Song’ Oscar for Fame. A video guide to Alban Berg’s opera Lulu, which inspired the creation of Carrie the Musical. Watch the trailer for Brian de Palma’s acclaimed 1977 Carrie movie. Look out for an appearance from Betty Buckley, who goes on to star in the musical. Bev Vincent edits the Stephen King newsletter News From The Dead Zone and co-editor (with Stephen King) of the anthology Flight or Fright. The iconic Annie Golden performs with The Shirts at a CBGB’s reunion. Check out Julie Cohen’s (also known as Jewels Nation) band The Nations and Laura Dean’s YouTube channel Micro Mangia. And here’s Laura singing a mashup of Fame/I Sing the Body Electric. She dropped out of high school this morning, tonight, she’s a Times Square Hooker! Don’t miss the trailer for Streetwalkin’, the B-movie Annie and Julie were shooting each night during the Carrie workshop! [content warning: boobs] Please note that we don’t own any of the content above and we’re not responsible for the content of third-party links – enjoy! Learn more about your ad choices. Visit megaphone.fm/adchoices

Recorded - 6/7/20 On this episode of the Almost Sideways Movie Podcast, we feature a retro review of an Oscar winner from the 1950's. We also build an all-decade Mt. Rushmore of the Best Original Song Oscar winners. Our power rankings focuses on the worst parts of great films. In trivia, we test how much we know about the newest Oscar winners. Here are the highlights: What We've Been Watching Zach Update: Il Ladro di Bambini, When They See Us (3:00) Todd Update: The Red Army (10:05) Terry Update: Collateral, The Cell, Space Force (11:25) Featured Review: The Barefoot Contessa (22:30) Mt. Rushmore: Original Song Oscar Winners of the 10's (35:50) Power Rankings: Worst Performances in 4 Star Movies (48:05) Guessing Adam's List (1:29:45) Trivia Trivia Review: Ordinary People (1:35:40) Trivia Review: Socrates (1:41:28) Trivia: Birthplaces & Birth Years of 2019 Oscar Winners (1:44:00) Quote of the Day (1:55:15) Find AlmostSideways everywhere! Website almostsideways.com Facebook https://www.facebook.com/AlmostSidewayscom-130953353614569/ AlmostSideways Twitter: @almostsideways Terry's Twitter: @almostsideterry Zach's Twitter: @pro_zach36 Adam's Twitter: @adamsideways iTunes https://podcasts.apple.com/us/podcast/almostsideways-podcast/id1270959022 Spotify https://open.spotify.com/show/7oVcx7Y9U2Bj2dhTECzZ4m

Recorded - 6/7/20On this episode of the Almost Sideways Movie Podcast, we feature a retro review of an Oscar winner from the 1950's.  We also build an all-decade Mt. Rushmore of the Best Original Song Oscar winners.  Our power rankings focuses on the worst parts of great films.  In trivia, we test how much we know about the newest Oscar winners.  Here are the highlights:What We've Been WatchingZach Update: Il Ladro di Bambini, When They See Us (3:00)Todd Update: The Red Army (10:05)Terry Update: Collateral, The Cell, Space Force (11:25)Featured Review: The Barefoot Contessa (22:30)Mt. Rushmore: Original Song Oscar Winners of the 10's (35:50)Power Rankings: Worst Performances in 4 Star Movies (48:05)Guessing Adam's List (1:29:45)TriviaTrivia Review: Ordinary People (1:35:40)Trivia Review: Socrates (1:41:28)Trivia: Birthplaces & Birth Years of 2019 Oscar Winners (1:44:00)Quote of the Day (1:55:15)Subscribe on iTunes or Spotify!If you can't subscribe, listen here.Find AlmostSideways everywhere!Websitealmostsideways.comFacebookhttps://www.facebook.com/AlmostSidewayscom-130953353614569/AlmostSideways Twitter: @almostsidewaysTerry's Twitter: @almostsideterryZach's Twitter: @pro_zach36Adam's Twitter: @adamsidewaysiTuneshttps://podcasts.apple.com/us/podcast/almostsideways-podcast/id1270959022Spotifyhttps://open.spotify.com/show/7oVcx7Y9U2Bj2dhTECzZ4m

Coming Up ON With Mario Lopez - Mario & Courtney make their Best Picture pick ahead of Sunday's Oscars, plus a superhero is playing a wrestling icon in the Hollywood Buzz, we feature the Best Original Song Oscar nominees in your Music Minute, and it's National Margarita Day!  All that and more! Learn more about your ad-choices at https://news.iheart.com/podcast-advertisers

***This is a Spoiler Free Episode*** “Remember Me” from Coco Performed by Miguel & Natalia Lafaourcade - 2:40 “Mighty River” from Mudbound Performed by Mary J. Blige - 8:40 “Mystery of Love” from Call Me By Your Name Performed by Sufjan Stevens - 13:10 “Stand Up For Something” from Marshall Performed by Andra Day and Common - 18:50 “This is Me” from The Greatest Showman Performed by Keala Settle - 24:36 Re-Rank / Perfecting Perfection - 31:43 For our 10th retrospective halfisode on the Best Original Song category, we wanted to do something relevant, something special, and diving back into last year’s Oscars became both those things & then some. All of these movies are now available on VOD, all of these songs deserved to be re-visited & listened to once more, and one of our mind’s have been changed since we reviewed the category last winter to create some re-rank drama. So we enjoyed this recap. Coco’s “Remember Me” involves much more than just some lyrics in a song. Mary J. Blige and her performance at the Oscars makes us wonder why an entire genre of music rarely wins this statuette. “Mystery of Love” by Sufjan Stevens is a perfect marriage between song and film while Common actually adds to what he sang in the Marshall credits to his award season performances. Then we have the snubbed “This is Me,” and as we do throughout this episode, we discuss how our perceptions of this song & performance have changed since Oscar Night. It’s a fast, fun, and surprisingly substantive look back. Go back & listen to our massive catalog of episodes. There are now 10 Best Original Song Oscar retrospectives. We’ve also reviewed many other categories of the Academy’s past from 1997’s Best Picture - the Year of Titanic all the way through 1989’s Best Original Screenplay where Spike Lee’s script for Do The Right Thing lost to Dead Poets Society, and even as far back as the 1974 Best Actor race where former TV star Art Carney somehow beat out Pacino, Hoffman, and Nicholson. We’ve also put out full series on the Marvel Cinematic Universe & Mission Impossibles to have fun during the spring & summer Oscar off-season. But of course, we’ve kept you up to date on next year’s awards by previewing the contenders from their film festival premieres in HHT (Hollywood Hot Take) News episodes to way too early Oscar Predictions & Mid-Year Oscar Race Reports to bi-monthly previews of everything hitting theaters to our continuing series of Oscar Contender Trailer reviews. Finally, don’t miss our reviews of the movies themselves. We’ve already reviewed Black Panther, A Quiet Place, Avengers: Infinity War, Deadpool 2, Hereditary, The Incredibles 2, Ant-Man and the Wasp, Sorry To Bother You, and Mission: Impossible - Fallout. All those movies should have legitimate arguments for Oscar nominations come next year, and we’re covering them as they’re released to you. Chat with us on social media. We are Mike, Mike, and Oscar on Facebook, Instagram, Reddit, and Gmail. We’re @MMandOscar on Twitter, and mikemikeandoscar.com is nearing a launch announcement. As always, thanks for listening, liking, reviewing, and sharing our show with others. When reality sucks, you’ve been watching these movies and listening to the songs of Oscar with us.

***This is a Spoiler Free Episode*** Though we have some fun analyzing these iconic scenes from the movies where available, and do spoil what happens in those scenes. “Flashdance...What a Feeling” from Flashdance Performed by Irene Cara - 3:40 “Maniac” from Flashdance Performed by Michael Sembello - 12:35 “Over You” from Tender Mercies Performed by Lane Brody and Betty Buckley - 18:35 “Papa, Can You Hear Me?” from Yentl Performed by Barbara Streisand - 24:02 “The Way He Makes Me Feel” from Yentl Performed by Barbara Streisand - 30:34 Re-Rank AKA Perfecting Perfection - 35:07 SUBSCRIBE AND COMMENT TO US ON ITUNES! - 38:39 And we’re back with another halfisode on a Best Original Song from the 1980s, and boy O’ boy named Mike, this is some 80’s brilliance on full display. It’s the 1983/84 Song category featuring three movies, Flashdance, Tender Mercies, and Yentl that we both want to watch and re-watch in the coming months after this review. Iconic performances from Jennifer Beales and Barbara Streisand, an Oscar winning performance from Robert Duvall, these films and all the youtube watching black holes involved are chuck full of serious acting, terrific songs, and great 1980-ness. Of course, we review these songs one by one, how they were used in the movies, how some were performed at the Oscars and on TV like The Johnny Carson Show. Again, we’re much more complimentary of these songs and performances than our typical heckling selves. Though we also pick our spots to troll like the bridge guardians we can be. We finish with another re-rank called Perfecting Perfection, and you’ll be surprised to see how different our lists are in this episode. Check out our other Best Original Song Oscar halfisodes. We’ve reviewed Celine Dion’s little ditty in Titanic, Let It Go from Frozen, Dirty Dancing’s anthem, Nat King Cole vs Cinderella, Whitney Houston vs Aladdin & Stevie Wonder vs Ghostbusters vs Footloose. Stay tuned for another halfisode from 1964/65 where Mary Poppins won over Frank Sinatra and Andy Williams. These episodes are fast and fun, and we have a blast recording them. Our Oscar Off-Season has kicked into high gear. We’re previewing all the theatrical releases and updating you on Hollywood news. We’re reviewing all of the big blockbusters and early Oscar contenders hitting theaters with Black Panther, A Quiet Place, Avengers: Infinity War, Deadpool 2, Hereditary, and Incredibles 2. Our DaTa episodes give you super short rants on Solo: A Star Wars Story and the new Halloween trailer, and we’ve continued our Oscar retrospectives with the 91/92 Best Actress and 89/90 Original Screenplay two parters. There’s a ton of audio entertainment available for you in our back catalog of episodes. Do please go back and enjoy. We’re all over social media: Mike, Mike, and Oscar on Facebook, Instagram, Reddit, and Gmail. Follow us at MMandOscar on Twitter, and do please review/like us on iTunes, Soundcloud, Stitcher, or wherever you get your podcasts. Those reviews go a long way to helping us grow our audience and spread the word about our show. As always, thanks for your support, and thanks for listening. When reality sucks, watch movies with us. We’re Mike, Mike, and Oscar!

***This Review of Hereditary is Spoiler Free*** We give some premise and allusions to early plot details in here, but we’re tactful. So see the film, and realize how hard that must’ve been and was and just how great we are at this non-spoiling thing. “The Scariest Movie Ever” - 2:48 Sundance Hype / Our Expectations - 4:04 The Mikes Saw The Movie Together - 7:40 Cast & Crew - 10:54 Movie Specs - 14:43 Review of Production Values - 18:25 Acting Performances - 27:01 Best Scenes - 32:57 Worst Scenes - 35:11 Final Thoughts / RATE AND COMMENT US ON ITUNES! - 38:20 We couldn’t wait to review Hereditary. It’s getting legit Oscar buzz, Sundance critics gushed, Rotten Tomatoes and Metascore offer up some eye popping numbers and the trailers, the premise, the genre, and the cast all piqued our interest to the point where we couldn’t resist a day-of early review. Don’t worry, we do steer clear of spoilers, and after you see the movie, that statement becomes 100x more impressive. There’s a brief profile of the movie specs, and we help you get your bearings regarding the cast & crew. Then we share some of our expectations and overshare much of our theater going experience. The substantive part of the episode kicks in with our review of the production values and performances. Then per usual, we reference some of our favorite scenes without giving up any context about them. We’re artists, but I think we’ve got this down to a science at this point, folks. (Pats himself on the back.) Still, this is a brain twister, and we have a lot of rewatches and research in our future before we give you a fuller spoiler filled review. So in the meantime, please do get at us on social media. We’re on Facebook, Twitter, Instagram, Reddit, and Gmail. Share your theories and your reactions with us when you see Hereditary this weekend. By all means, direct message us on Twitter if you want to have a spoiler filled convo. We do have to work/family time planned, but we’re happy to engage. Then we’ll try to pull it all together for our upcoming spoiler review of the film. Who knows, you may unlock the secrets of this movie for us, and we’ll be happy to credit you in the next episode of this Hereditary review. One thing we must pitch in the coming weeks is our iTunes reviews. Our numbers, our listens don’t match up with the few reviews we currently have on iTunes. So you’d help us a great deal if you can click a 5-star review, and if you have the time and keyboard power to drop us a few lines of a review, we certainly thank you. Again, they do help us a great deal on iTunes, where most of you are listening. Stay tuned for upcoming episodes. We’ll finish our 1991 Best Actress retrospective. Mike no 1 will reverse roles with Also Mike in another Devil and the Advocate quickisode where we’ll be discussing the Halloween trailer debuting on Friday (today… while I write this). Do please go back and enjoy our massive catalog of episodes. We covered the shit out of last award season, and all those Oscar nominees are currently on VOD for you to watch at home. There’s also a full review of the Marvel Cinematic Universe, Netflix offerings, more retrospectives including six Best Original Song Oscar halfisodes, and all the Hollywood News, film festival updates, and 2018-19 Oscar previews you could want. Check them out! As always, when reality sucks, watch movies with us. We’re Mike, Mike, and Oscar!!!

The musical artists behind 'Til It Happens to You,' 'Writing's on the Wall,' 'Earned It,' 'Simple Song #3' and 'Manta Ray' discuss the origins, music, lyrics, functions, oddities and impact of their songs.

We recap the Best Original Song Oscar nominees and geek out over the Up soundtrack!Listen here!