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Hosted by Bobby Hill
Hosted by Bobby Hill
Hosted by Bobby Hill
31 episodes with Bobby Hill
9 episodes with Bobby Hill
10 episodes with Bobby Hill
6 episodes with Bobby Hill
5 episodes with Bobby Hill
4 episodes with Bobby Hill
5 episodes with Bobby Hill
3 episodes with Bobby Hill
6 episodes with Bobby Hill
2 episodes with Bobby Hill
3 episodes with Bobby Hill
3 episodes with Bobby Hill
6 episodes with Bobby Hill
3 episodes with Bobby Hill
4 episodes with Bobby Hill
Board Boys are back with two giant spreadsheets and a set of small blocks in the Anarchy, from Garphill Games and designer Bobby Hill. If you like Hadrian's Wall, you'll probably love this one. 0:00 Intro, E.V.A - Jean Jacques Perrey 18:00 Apiary 21:30 Gentle Rain 24:30 Corps of Discovery: A Game Set in the World of Manifest Destiny 29:00 Karvi 32:00 Forest Shuffle 35:00 Old Salt 38:15 The Anarchy: Overview 41:00 Firestarter: The Prodigy 42:00 The Anarchy: Review 1:12:30 The Anarchy: Verdict 1:27:00 Board Boys Bump: Obsession 1:31:30 Thank You, Patrons 1:32:30 Praise You - Fatboy Slim
After weeks of hyping it up, Erick finally made his grand pilgrimage to the holy land of fast food Juici Patti right before the show. He had a culinary adventure with too much wine while hanging out with a friend, because why not? As if that wasn't enough chaos, he also managed to bomb on stage this weekend. Meanwhile, Zack went on a bizarre trip where he randomly ran into Bobby Hill and his grandma (yes, really). He also tried to track down a long-lost friend, only to hit a dead end and probably a mild identity crisis. Erick rants about the outrageous price of Nintendo Switch 2 games, while Zack somehow ends up talking about sex in video games. It's a rollercoaster of nonsense and it's all happening on today's show.
In this episode, Jonathan Wier is joined by James and Cody for a hilarious and increasingly unhinged exploration of King of the Hill fan theories. It starts off sane but quickly descends into beautiful madness—what they call the King of the Hill conspiracy iceberg. The crew tackles questions like: Why did Luanne give up auto repair? (Possible diagnosis: drain damage.) Did Peggy suffer brain damage after a skydiving mishap? Did Cotton Hill fake his death and flee to Japan? Why does Bobby own a Bart Simpson doll if The Simpsons is just a TV show in that universe? And is Dale exterminating bugs as a lifelong vendetta against his dad? Along the way, they spiral into tangents about Rocky villains, microwave-sized shoes, the myth of Peggy's size 16.5 feet, and a serious debate over who's hotter on Modern Family. If you love King of the Hill, weird fan theories, and grown men bonding over animated sitcoms, this episode is pure comfort food with a propane aftertaste.
Listen to a sermon by our guest speaker, Bishop Bobby Hill, preached on the 16th of March, 2025 at the 9am service. Connect with us on the following platforms: FaceBook: Grace Bible Church International, X handle: @BishopMosaSono, Website: www.gracebiblechurch.org.za
BEASTMODE IS BACK! Matho recently got back from his lovers vacation over to Japan and he came refreshed and ready to go. Probably our best episode yet, it was filmed under Robbo's new rental... Yep under the house. The boys chat all things footy that's currently making the headlines and some that definitely aren't! TOPICS - Should umpires face the media post game just like the coaches do? - The indigenous all-stars announce their leadership but who will wear number 23? Charlie Cameron, Bobby Hill or Izak Rankine. - The monster record breaking contract that apparently - West Coast Eagles young star Harley Reid is being put on the table, 10 year deal worth $20million! wow. - Friday is valentines day, the boys look at the throwback photoshoots the old afl super stars posed up for! Imagine if that was in todays social media age. - Finish off with ranking our top 2 AFL's BEST TEAM since 2000! Shout-out to our major sponsor as always Joe Fortune #joefortune
Pamela Adlon landed her first movie role when she was sixteen, and then twenty years later, she won an Emmy... for playing a teenage boy. Her thirteen seasons as Bobby Hill on King of the Hill made her a world-famous voice actor, but she's equally renowned for creating and starring in Better Things. Pam is also a director – her first feature, Babes, came out last year – and she sits down with Ben Mankiewicz to discuss her deep love of movies, which includes everything from musicals to the films of John Cassavetes. Films Mentioned: Grease 2 Babes Biosphere Creep The Animatrix Anora Deadwood* Porky's Love Streams Fame Bugsy Malone The Wiz One Flew Over the Cuckoo's Nest The Shining To Kill a Mockingbird The Guns of Navarone Abbott and Costello Meet Frankenstein Mamma Mia!* My Old Ass Schindler's List The Notebook Terms of Endearment Coming Home The Birdcage* Merrie Melodies - Rabbit Hood *Available on Max as of 1/28 (Availability of titles subject to change) Learn more about your ad choices. Visit podcastchoices.com/adchoices
Gotta stop eating chili on Mondays. Podcast art by Joey Rizk
Hey Podtimists, This week David has been radicalized by Moonlight and Chase loses his grasp on reality after hearing about Warped Kart Racers. We also took a deeper look at the classic 2003 hit, Ford Truck Mania. This was suggested to us by listener Pepsiman. Thank you Pepsiman! --- Timestamps: (0:00) - Intro (3:18) - What David has been playing (6:32) - UFO 50 (15:47) - Some Apple Arcade Games (16:44) - Warped Kart Racers (25:59) - Cat Quest 2 (32:22) - What Chase has been playing (32:28) - Need for Speed Hot Pursuit Remastered (38:46) - Romancing Saga 2: Revenge of the Seven (50:00) - Chase's Podtimistic thing of the week (51:37) - David's Podtimistic thing of the week (53:14) - Good Games! Featuring Ford Truck Mania (1:12:47) - Outro --- Games mentioned: UFO 50 Warped Kart Racers Cat Quest 2 Need for Speed Hot Pursuit Remastered Romancing Saga 2: Revenge of the Seven Ford Truck Mania
This week on The World’s Greatest Comic Book Podcast™: We remember Teri Garr and Greg Hildebrandt. Harvey Weinstein is due back in court. In Tinsel Town: Katee Sackhoff wants to appear in Star Trek. Good Omens will get a final episode. The Blade reboot had a setback. In Comics: Nick Fury is making his Ultimate […]
The Rush Hour Melbourne Catch Up - 105.1 Triple M Melbourne - James Brayshaw and Billy Brownless
Billy and Lehmo look back on an enormous week - starting with their chat with Brisbane superstar Cam Rayner. Lehmo debuts a new segment, then the boys speak to Aussie batter Travis Head as he prepares to play India this summer. Topics Lehmann wants to talk about waking up from a coma, the boys chat to Collingwood Norm Smith Medallist Bobby Hill, and we pick out one of Billy's Jokes.See omnystudio.com/listener for privacy information.
Xav's flight and beer dramas When were you caught up in a disaster, Ryan Daniels Bobby Hill See omnystudio.com/listener for privacy information.
The pair you are about to hear are not professionals. Their opinions and beliefs are not fact. They are just two idiots that are Spitting Nonsense. Hi, We are Jasmine and Zach here to present you with some nerdy news! We upload our news podcast on Wednesdays and our bonus episode on Saturdays! Support us by following us on Discord at: discord.gg/yjxsKww Give us feedback and let us know how you feel in our #questions-and-suggestions channel on the Discord listed above.
See omnystudio.com/listener for privacy information.
The Rush Hour Melbourne Catch Up - 105.1 Triple M Melbourne - James Brayshaw and Billy Brownless
It's a very happy 60th birthday to Eddie McGuire, as Billy opens the show with the All Sports Report, then Victorian Racing Club CEO Kylie Rogers is in studio with the Melbourne Cup Trophy - ahead of the Melbourne Cup Carnival. Topics Lehmo is back, and he has another Lehmo's List featuring the greatest sporting moustaches. Collingwood Norm Smith Medallist Bobby Hill is in studio to chat Movember and Mark of the year, Lehmo did a half-marathon, and Billy has a sheep joke...See omnystudio.com/listener for privacy information.
See omnystudio.com/listener for privacy information.
The Rush Hour Melbourne Catch Up - 105.1 Triple M Melbourne - James Brayshaw and Billy Brownless
JB and Billy reflect on Patrick Cripps dominant Brownlow count, and Billy's all-time question to former Supercars driver Jake Kostecki, before Billy launches into the All Sports Report. Collingwood Premiership Captain Darcy Moore is in studio, revealing the rivalry between Jamie Elliott and Bobby Hill over mark of the year. Topics Brayshaw asks how many Grand Finals you've lost, and Ravi from Mill Park has a crack at $1k with Guernsey Cash. The boys touch on the Brownlow Medal highlights, then Brisbane prospect Levi Ashcroft is in studio as his brother Will prepares for the Grand Final. Finally, Billy has a joke about salsa dancing.See omnystudio.com/listener for privacy information.
See omnystudio.com/listener for privacy information.
And we're free... Free Fallin' into another album this week with Tom Petty's most successful record Full Moon Fever! It was released as a solo project in 1989 at the height of his popularity and workload, and contains a handful of his greatest hits. We'll learn about the movie star encounter that sent him Runnin' Down A Dream, and cover everything from his petty (pun intended) squabbles with record labels to his time with The Travelling Wilburys (and, of course, The Heartbreakers). The Mixtaper shares how he got burnt out on tires, foiled foo, and met Bobby Hill during Fact Or Spin. From attempted arson to Grand Theft Auto VI trailers this episode is a Long Road, and we Won't Back Down. Just be prepared to ask for forgiveness.0:00 Intro2:07 About Tom Petty12:50 About Full Moon Fever16:16 Awards & Accolades18:36 Fact Or Spin21:28 He Incepted A Song23:23 He Hates Tire Companies29:04 He Was Lucky33:58 He's A Friend Of The Postman38:05 He Almost Prevented Earth's Mightiest Defenders42:27 Album Art43:39 Free Fallin'51:39 I Won't Back Down55:42 Love Is A Long Road58:50 A Face In The Crowd1:00:12 Runnin' Down A Dream1:02:34 Attention, CD Listeners...1:03:58 Feel A Whole Lot Better1:06:05 Yer So Bad1:08:42 Depending On You1:09:46 The Apartment Song1:10:45 Alright For Now1:12:04 A Mind With A Heart Of Its Own1:15:02 Zombie Zoo1:16:40 Final Spin Hosted on Acast. See acast.com/privacy for more information.
Super-special-secret friend Matt Heller (a.k.a. DJ Snakes) joins Lightnin' Lickers Jay and Deon for an in-depth discussion about what he's been listening to. In true DJ form, Snakes brings four rare/abstract vinyl singles to Electric Kitsch for a conversation about the DIY punk scene of his adolescence, the intersection of skateboarding and hip-hop, dusty independent soul holy grail 45s, proto-drumless rap from Wu's G.O.A.T. (arguably), and an unlikely emcee whose appeal is seemingly without boundaries. As always, an eclectic custom mixtape is curated and included on the back end. Lickers gonna lick. Join the fun! Sonic (non-mix) contributors to the twenty-second bonus episode of Lightnin' Licks Radio podcast include: Townes Van Zandt, Ahmed, Teddy Pendergrass, Thomas Dolby, Prince Paul and De La Soul, Gary Wright, Biggie Smalls, Mtume, Mike Judge's Hank and Bobby Hill, Migos, Zach Braff, Natalie Portman, James Todd Smith, Osonski, Oddisee, Thundercat, Greta Van Fleet, Whitney, Smith Westerns, Fleetwood Mac, Haim, The Rockets, Jimi Hendrix, Tropical Fuck Storm, Bee Gees, Nine Inch Nails, Frankie Goes to Hollywood, LCD Soundsystem, Robert Gordon, Hozier, Mekons, James Brown, Clyde Stubblefield, Mother Love Bone, Pearl Jam, Green River, J.J. Cale, Black Eyed Peas, DJ Snakes, Bob James, Run DMC, Jurassic 5, Ted Nugent, IAM, Black Star, J-Live, Drug Toilet, Take No Prisoners, Slaunchwise, Army of Juan, bev.clone, Mighty Lovers, Eric & the Vikings, Raphael Saadiq, Mayer Hawthorne, Big Tone, Jimmy “Soul” Clark, RZA, True Master, The Delfonics, Madlib, Jay Dilla, Height Keech, Cortex, 3rd Base, Thumbling, Glider, Jesus Jones, Rick Rubin, 2 Much, Rhythm Addicts, Mary Jane Girls, Jennifer Lopez, Boyz II Men, Michael Jackson, Marley Marl, The Emotions, Sean Evans, Stevie Wonder, David Bowie, Shannon Doherty, Luke Perry, Strictly Butters, and Brass Construction. Jay suggested songs from Cullen Omari, Model/Actriz, The Three Johns, and Majesty Crush. Deon brought Peter Green, Link Wray, Stone Gossard, and LL Cool J to the dining room table. Our SSSF Matt brought in bangers from Smatch, New Holidays, Ghostface, and MF Doom. Bonus #22 mixtape: [side one] (1) strictlybutters' Wake Up intro (2) Smatch – i am nowhere (you are nothing) (3) Link Wray – Morning (4) Model/Acrtiz – Mosquito (5) Ghostface – holla (6) Stone Gossard – Fits (7) The Three Johns – Go Ahead Bikini [side two] (1) New Holidays – Maybe So, Maybe No (2) LL Cool J – Pink Cookies in a Plastic Bag Getting Crushed by Buildings (3) Majesty Crush – No. 1 Fan (4) MF Doom – one beer (5) Cullen Omari – Four Years (6) Peter Green – Hidden Depths (remix) Thank you, Matt, for taking the time to dive deep with the geeks. Follow Snakes on Instagram. Check out Sandbox Automatic for all your physical rap music needs. The full conversation with Snakes will be packaged as a stand-alone bonus episode sometime in the near future. We got into some shit, I'll tell you whhhat.
Phil and Josh are back to discuss a busy weekend in motorsports on the GSP. William Power led a Penske sweep of the podium at Road America. Strategy played a big part in the results of the day along with a major wreck at the start of the race, taking out polesitter Linus Lundqvist and Colton Herta. In off-track news, Augustin Canapino's fanbase continues to show the worst in social media. In turn, he gets benched for Nolan Siegel and that could possibly mean more than just one race. The guys look at all of this and the points heading to Laguna Seca. NASCAR Cup and XFinity raced at Snoreoma for Faux's last race of 2024. Kyle Larson was the dominant presence and earned another road course victory with better tires at the end. Martin Truex, Jr. is left wondering when that win will come but earned solid points. Some destruction took place because they brought stage breaks back, but the final stage was pretty tame. For all of the XFinity teams, Shane Van Gisbergen is definitely making things difficult on road courses with his supreme talent. His restart move on Bobby Hill allowed the Kiwi to win two consecutive races and solidify his spot in the XFinity playoffs. However, the post race celebration may have been one of the greatest things ever. Fish Lips won the Canadian Grand Prix but it wasn't a straightforward event with the emergence of Lando Norris continuing to cause the one car trouble. Woody Russell rounded out the podium after starting on pole. Sir Lewis Hamilton's last year in silver and black continues to confound many with all of the issues he's facing on his side of the garage. His future employer definitely had a weekend to forget. The GSP Roundup covers Indy NXT, NHRA, the 24 Hours of Le Mans, V8 Supercars and WSBK before Phil and Josh preview the NBC opener at Iowa Speedway. They provide their thoughts of no Junebug on the broadcasts but the fact that NBC actually tries. Also, they discuss the paving of two grooves in the turns and if that will cause one-groove racing. Both make their picks for the Cup and XFinity races before Josh's Sim Segment and Show Close.
Corbin & Ben, with Brett Sprigg in for Ben Cameron. The boys catch up with Richmond champion Brett Deledio and discuss the new prizes for mark and goal of the year, plus all the hot button issues leading into Round 15.
The Rush Hour Melbourne Catch Up - 105.1 Triple M Melbourne - James Brayshaw and Billy Brownless
JB and Billy are raring to go with the All Sports Report - including a wrap of the Australian Football Hall of Fame night. Will and Hannah battle it out in the Hump Day Quiz, before a very dusty Jay Clark is in studio to talk Hall of Fame, the ARC, Melbourne, and Bobby Hill. Jake from Packenham has a crack at $10k with Guernsey Cash,and tries to give our dump button a workout, then JB and Billy discuss all the team news for Round 15. Lehmo joins the show to talk about the high-flying Hawks, then brings his son Laddie in studio to tell Billy some proper jokes. Finally, Billy tries to outdo Laddie with a joke of his own.See omnystudio.com/listener for privacy information.
Damian Barrett and Josh Gabelich bring you the latest footy news on AFL Daily. The Magpies trailed by 54 points during the third term before a masterclass from Nick Daicos and Bobby Hill saw them come from the clouds to win by a point. Josh Kelly's importance to the Giants cannot be undersold, and was Dustin Martin's 300th game on Saturday the final time we'll see the champion in a Richmond jumper? Subscribe to AFL Daily and never miss an episode. Rate and review wherever you listen to podcasts.See omnystudio.com/listener for privacy information.
Bucks discusses the key talking points from the weekend, including North Melbourne, Bobby Hill, the Bulldogs, Hawthorn and St Kilda. Learn more about your ad choices. Visit megaphone.fm/adchoices
What a mark! See omnystudio.com/listener for privacy information.
All the fall out after Collingwood's one point win over North Melbourne, including chats with Bobby Hill, Nick Larkey and all of your calls. See omnystudio.com/listener for privacy information.
Bobby Hill joined 3AW Football from the victorious Collingwood rooms. See omnystudio.com/listener for privacy information.
Andy and Ally hold down the episode and review the 1997 season 1 episode of King of the Hill, Hank's Unmentionable Problem! It's a fun a first season episode of the series that centers around Hank's constipation issue. We discuss a bit about what we love about the Mike Judge series and review the episode in detail!Check out everything about us including links to our social pages HERE
Tom Mitchell joined the 3AW Football team on Sunday after his side's win over Port Adelaide. See omnystudio.com/listener for privacy information.
We poke around underground and find GATE 2: THE TRESSPASSERS (1990)!An under-recognized sequel to 1987's cult favorite THE GATE, volume 2 follows returning character Terry, reprised by LOUIS TRIPP, and legendary voice actress PAMELA ADLON (of Bobby Hill fame!) Picking up the stop motion and practical effects management is RANDALL WILLIAM COOK (the LORD OF THE RINGS trilogy!)Watch your step in Part 2 of our "Look Out Below! double-feature!Listen: Wherever you get your podcasts & at cultandclassicfilms.com/Watch: youtube.com/@CULTANDCLASSICFILMS/Subscribe at patreon.com/cultandclassicfilms for EXCLUSIVE cult movies sent to you every month!Buy exclusive films at cultandclassicfilms.com/Host: Nate WyckoffPanelist: Amanda Longley#thegate #gate2 #louistrip #pamelaadlon #bobbyhill #strangerthings #horror #movie #film #cultmovies #movies
Phil and Josh return for E213 of the GSP to actually talk about Formula 1, since the Smooth Operator Carlos Sainz returned from an appendectomy and won the Australian Grand Prix. Sainz had overtaken Fish Lips on the track but the Red Fool leader fell out with brake failure. The guys talk about his first DNF in two years, Sainz getting a dominant win with a Ferrari 1-2, McLaren being with them, Mercedes being terrible, Daniel Ricciardo looking at the exit door and Logan Sargeant holding Alex Albon's manpurse. A generally uncompelling weekend at the Thermal Club saw a usual result, with defending series champion Alex Palou win pole and dominate the main event to win his Chip Ganassi team $500,000. The other standout was former 10 car driver Felix Rosenqvist, who's new home at Meyer-Shank suits him well. Phil and Josh look at the race, what can be changed and who made/missed the show. Circuit of the Americas hosted NASCAR and saw William Byron become the first repeat winner of 2024 in dominant fashion. Track limits played a part along with pit road penalties in a race that generally lacked any drama. The new "short track" package continues to suck in actually allowing cars to pass and provide more driveability. Hendrick and Toyota continue to lead while Ford struggles. Chris Bell made a list of enemies, including former teammate Kyle Busch. On the XFinity side, Yung Money benefitted from Bobby Hill parking his car in front of SVG on the final lap of the race, costing both a chance at victory. Sam Mayer finally gets a decent result and there was a mixed bag among the contenders. For the Truck Series, Corey Heim barely had any resistance on his way to his first win of 2024. The revelation was Conor Zilisch, who made his debut and qualified on pole. After a tough start, the Trackhouse development driver moved his way back into the top five at the end of the race. On the flip side, Marco Andretti's rear end fell out of his Roper Racing truck. The GSP Roundup covers F2/F3, Supercars, MotoGP/Moto2, WSBK, NHRA, WRC and Formula E before leading into previews and picks for the Easter weekend races at Richmond for NASCAR Cup and XFinity. Josh lets us know about everything going on in iRacing on his Sim Segment before the Show Close.
This week, Landon and Jeremiah discuss Austin FC's first win of the season against FC Dallas and preview the upcoming San Jose Earthquakes match with Apple TV's Mark Followill. Other topics and questions include:- Live Show at Turnstile on April 10th- Just guys playing soccer- Dani and Owen's roles in the victory- Driussi/Rubio partnership taking shape- Bobby Hill visits Q2- Rigoni unused on the bench- Is CJ Fodrey too good for MLSNP?- San Jose Earthquakes preview w/ Mark Followill- Free Ticket Giveaway by Sage Wilson Realty- MUCH moreRemember to rate, review, and subscribe to the show at moontowersoccer.com or via your favorite podcasting app.Moontower Soccer is brought to you by FVF Law and McGuire Woods ConsultingSupport the show
On this week's episode Conor, Joe and Dan sit down with one of our favourite returning guests, Bobby Hill. We discuss the reception he received from 2021's Hadrian's Wall before diving into his upcoming 2025 release: The Anarchy. Bobby shares the story of this tumultuous time in history and how he was able to use it as inspiration for his next Euro-and-write game. In Sizzling Games, Joe reveals that he is a real fungi, Dan is matching wits with his nemesis, Bobby is composing a winning symphony, and Conor is visiting space and feline fine. There's also the Question of the Pod, Swear an Oath, and all of the usual shenanigans you've come to expect from the Board Game BBQ Podcast. New Question of the Pod: What historical setting would you like to see made into a board game? Follow Bobby's journey here: https://www.motherlodegames.rocks/ Sizzling Games: Morels (45:40) SideQuest : Nemesis (52:41) Lacrimosa (58:17) MLEM (1:03:16) Question of the Pod Recap: (1:11:40) Swear An Oath: (1:26:02) PlayCon is coming in 2024. Make sure you sign-up at https://play-con.com/ so you don't miss out! Check out our Eventbrite page for all of our upcoming Game Days: https://www.eventbrite.com.au/o/board-game-bbq-32833304483 Has this episode left you with a thirst for more? Here are all of the games that we discussed: Hadrian's Wall (2021), The Anarchy (2025), Morels (2012), SideQuest: Nemesis (2023), Lacrimosa (2022), MLEM: Space Agency (2024), Pandemic: Season 2 (2017), 7th Citadel (2024), Ticket To Ride: Legends of the West (2023), Barcelona (2023), Too Many Bones: Unbreakable (2023), ISS Vanguard (2023), John Company 2nd Ed (2022) **SPONSORS** Our podcast is proudly sponsored by Advent Games. Advent Games (http://www.adventgames.com.au/) are an Australian online board game store based in Sydney, NSW. Their core values are integrity, customer satisfaction, and providing a wide range of products including those hard-to-find board games. **PATREON** For as little as US$5 a month you can get access to exclusive podcast episodes, as well as other special Patron events scheduled throughout the year. There is even an exclusive Patron-only channel on our Discord where all of our US$10 members chat regularly with the BGBBQ Team and help shape the podcast. Your Patreon support will also allow us to expand the podcast and deliver some exciting upcoming projects that we have planned for 2024. Our team at the Board Game BBQ Podcast love what we do and will continue to deliver the same shenanigans that you have come to expect from us, and we are already incredibly grateful and humbled by all of your support. Being a member of the Patreon is by no means an obligation and please do not support the Patreon if it will it cause you financial hardship in any way. But if you would like to support us from as little as USD$5 a month please click the link and head to the Patreon page. Thanks again for all of your continued support. We work hard to create a welcoming and inclusive community and you are all awesome. See you at the BBQ!! Patreon link: https://www.patreon.com/BoardGameBBQ **SOCIALS** Support the podcast and join the community! https://linktr.ee/BoardGameBBQ
On this episode of the podcast, special guest host is joined in studio by recording artist Reese Money and VincoDaMan. In this interview they covered a variety of topics including music, religion, universal laws and much more! Please like, share and subscribe.Support this podcast at — https://redcircle.com/the-no-cap-podcast/donations
When visiting the North of Britannia in 122 AD, the Roman Emperor Hadrian Augustus witnessed the aftermath of war between his armies and the savage Picts. In a show of Roman might, he ordered a wall to be built that would separate the Pict tribes from the rest of England. Grand in its design, the wall stretched 80 Roman miles, from coast to coast. In the game, Hadrian's Wall from garphill games and Bobby Hill with art by Sam Phillips, it's your job to spend 6 years building and improving a 1-mile section of the impressive megastructure. each year you receive resources which you must spend wisely to make your mile castle prosper and repel the pictish attacks. Although it is an intimidating game out of the box it is quick to learn and forgiving despite its complexity. If you enjoy games such as Dinosaur Island Roar and Write, or Raiders of Scythia this game might just be the perfect addition to your collection.
On this episode of the podcast, JMB Bobby Hill is in the drive seat with me co-hosting. Interviewing recording artists Lit Trapski and Radcliff who is a recording artist and producer. Please like, share and subscribe.www.290moepodcast.comSupport this podcast at — https://redcircle.com/the-no-cap-podcast/donations
Dean Karayanis of the New York Sun guest hosts for Derek and looks for the broader goals behind daily narratives. Anti-Semitism is on the rise among America's young with one-in-five saying liking Osama Bin Laden. The real goal of the battle to keep Trump off the primary ballot. Plus, Republicans convincing themselves that things don't matter while the other side advances the ball.
Clocking in at 80 Roman miles, or 73 modern miles, Emperor Hadrian of Rome built a wall to separate the Roman province of Britannia from Celtic tribes to the north. The area had no natural boundaries otherwise. Started in 122 CE, it took 6 years to finish and involved three roman legions. Today it is a British cultural icon and a UNESCO World Heritage Site. In this episode we play Hadrian's Wall, designed by Bobby Hill and published in 2021 by Garphill Games. Post your comments to Twitter/Instagram @FirstTurnCast or email us at firstturntabletop@gmail.com. Please remember to rate, review, and subscribe! Until next week, play more games!
Just in time for the first cold front of fall, league managers scramble to patch their rosters as Week 5 ushers in the first bye-week blast of the season. Team Rankings continue to squish as this week's lineup offers a monster head-to-head matchup amidst the mostly pithy slap-fights. And yet, as the wise Bobby Hill once said via his All-American athlete ventriloquist dummy, Chip, "a W's a W anyway you get it." And as Bobby's dad Hank poetically added, "my son plays with dolls. There, I said it." Chip is right, and every W matters. But with a bone-dry waiver wire and ...
Quarters and Barra have a final say on the grand final, key moments and where Bobby Hill sits among the greats. And they give their predictions for 2024. Plus, Quarters and Barra read out your thoughts in the Thirsty Camel mailbag. If you have a question or comment send your messages to quartersandbarra@wanews.com.au For more from the guys, and the latest news in sport, head to thewest.com.au/sportSee omnystudio.com/listener for privacy information.
Join Cal Twomey and Riley Beveridge on day 1 of AFL Trade Radio for 2023. Hear from AFL player agent Andrew McDougall in the studio talking through his book of clients including Carlton's Zac Fisher, Western Bulldogs pair Tim English and Aaron Naughton and the inside story of Bobby Hill's move to Collingwood. Plus all the latest news and the five big questions heading into the trade and free agency window. See omnystudio.com/listener for privacy information.
The boys had their final say on the Grand Final, discussed Tom Mitchell's game, Joe Daniher, Jeremy Howe, Bobby Hill and much more! Learn more about your ad choices. Visit megaphone.fm/adchoices
Daisy Thomas, Abbey Holmes and Ryan Daniels unpack the best grand final we've ever seen! We look back at the best moments of the day that Abbey saw from the boundary, Ryan from the stands and Daisy from the box! -------
Damian Barrett and Josh Gabelich wrap up one of the great Grand Finals on AFL Daily. Subscribe to AFL Daily and never miss an episode. Rate and review wherever you listen to podcasts.See omnystudio.com/listener for privacy information.
The biggest and best day in footy is here, and Joey Montagna and Jay Clark run through the big stories and questions for both sides before we collect all the Footy Talk team's tips! -------
Joey Montagna and Jack Heverin discussing Joey's strained relationship with the Magpie Army
“Bull Gets a Kid” (November 8, 1984) For our second look at Night Court, we opted not for the so-so trans episode “Best of Friends,” which doesn't really improve on the “my buddy is in town and it turns out is trans” plotline done so well by The Jeffersons. Instead, we are looking at a non-gay, non-trans episode guest starring Bobby Hill herself, Pamela Adlon, as a young girl who pretends to be a boy. There's actually a lot going on here about gender norms that makes for a more interesting talk than if we have done the explicitly trans episode, we say. Markie Post, we'll get to you one day. Listen to our previous Night Court epsiode. Also watch the "full cast" opening credits to Night Court, made for the GEE TV episode. Talking Simpsons' What a Cartoon podcast watched Capitol Critters so you don't have to. Go shop at our TeePublic store! Follow: GEE on Facebook • GEE's Facebook Group • GEE on Twitter • GEE on Instagram • Drew on Twitter • Glen on Twitter Listen: Apple Podcasts • Spotify • Stitcher • Google Podcasts • Himalaya • TuneIn And yes, we do have an official website! We even have episode transcripts courtesy of Sarah Neal. Our logo was designed by Rob Wilson. This episode's art was designed by Ian O'Phelan. This is a TableCakes podcast.
It's time for the Comic Talk Headlines with Generally Nerdy! Get ready for all the latest updates in the world of TV shows and movies! In this episode, we've got all the juicy details you need to know. James Gunn just dropped some BOMBS! Plus other bits.Tune in Wednesdays for the regular show and Saturdays for the re-post of the Friday night LIVE SHOW. Plus, don't forget to subscribe for more fresh content. Episodic ShowsFollow-ups/CorrectionsInvincible - Jeffrey Dean Morgan has seemingly been cast as a new voice for season 2 of the series. And possibly season 3 as well.The Last of Us - Season 2 happening. To adapt game number 2, possibly splitting the game into 2 separate seasons. With all the new instances being interconnected like the MCU. https://twitter.com/thelastofushbo/status/1619017515581018112 Superman & Lois - James Gunn's press event isn't JUST that video. He also made some other announcements, like the fate of Superman & Lois. Gunna and Safran said that the show will likely continue on for “one or two more seasons.” King of the Hill - found a home at Hulu. Mike Judge and Greg Daniels both returning for the project. Stephen Root as Bill, Pamela Adlon as Bobby Hill, Johnny Hardwick as Dale, and Lauren Tom as Minh, as well as Judge returning to voice hank. https://nerdist.com/article/king-of-the-hill-revival-from-mike-judge-heading-to-hulu-featuring-original-cast/ HBO Max - some of the canceled shows on the streamer have found a new home on the ad-supported Roku and Tubi. Looney Tunes, Flintstones, Westworld, and others.https://nerdist.com/article/hbo-max-discovery-plus-will-merge-into-a-single-platform-warner-bros-discovery/ TrailersPicard - season 3 https://youtu.be/Lw0pg11OzCQ premieres Thursday Feb 16.Reg ‘ol NewsWednesday - Lisa Loring, the actress who played Wednesday in the original series, has passed at 64. It was a stroke last week that took her.Tomb Raider - Amazon Prime has plans for not just another live-action movie, but also a series, and likely another game. The series pilot will be written by Phoebe Waller-Bridge, with no current plan to have Waller-Bridge star in the series. https://www.hollywoodreporter.com/tv/tv-news/tomb-raider-tv-show-amazon-phoebe-waller-bridge-1235311582/ Titmouse inc - To produce a Frog and Toad series for AppleTV+, as well as produce the Mighty Nein series from Critical Role, based on their second campaign, on Amazon Prime.SuggestsThe Addams Family - OG 1964 series is on Pluto for FREE!MoviesFollow-ups/CorrectionsWinnie the Pooh: Blood and Honey 2 - Yup a sequel!?? https://twitter.com/poohbandh/status/1620134215017959424 TrailersSuper Mario Movie - https://youtu.be/-Aq7ilIgN2I April 7. Catsuit Mario.The Boogeyman - https://youtu.be/QsudEHsuvIg June 2Reg ‘ol NewsDC Studios - Joker, The Batman (October 3, 2025), Teen Titans Go! To all be labeled DC Elseworlds. New “clearer” label there. Shazam! Sounds like he might be sticking around. Flash OFFICIALLY resetting the universe. Blue Beetle in it for the long haul. First NEW project (chapter 1 Gods and Monsters) Creature Commandos, animated. Will use the same actors for voice and screen when possible. Waller, Viola Davis, live-action series that will tie in with Peacemaker. Based on the story by Christal Henry(HBO's Watchmen) and Jeremy Carver (Doom Patrol). “True Beginning of the DCU” Superman: Legacy, July 11 2025. Lanterns TV, John Stewart and Hal Jordan “kind of like True Detective.” The Authority, based on the Wildstorm characters. Wildstorm now part of the DCU. Paradise Lost, story about the origins of the new Wonder Woman on Paradise Island (Themyscira) “like Game of Thrones.” Brave and the Bold movie to introduce DCU proper Batman and Robin (Damien Wayne) based on Grant Morrison's run. Allusions to the Bat-family. Booster Gold series. Woman of Tomorrow, based on Tom King's run of the same name, Supergirl sci-fi epic. Swamp Thing film “very dark horror story” to still feed into everything in spite of being so dark. “Storytelling is ALWAYS king.”https://youtu.be/wY8XcmrIujE Bad Boys 4 - Will Smith and Martin Lawrence said to be returning. The movie is in pre-production already.Directors Adil El Arbi and Bilal Fallah are back in the saddle after their success with Bad Boys for Life.https://variety.com/2023/film/news/will-smith-martin-lawrence-bad-boys-4-1235508041/ SuggestsDune - On HBO Max. remember why this movie is amazing before the next one comes out.Rumor MillConfirmations/RefutationsLobo - While not a proper confirmation or refutation, Peter Safran said definitively that Momoa would NOT be playing 2 roles in the DCU. So for at least the time being, he is Aquaman. After the release of the Aquaman 2 movie that could change. Though there might be a third Aquaman movie before the switch happens.New SourcesShazam - Zachary Levi will be Captain Marvel no more. The decision was apparently made literally the day before those “controversial” Pfizer tweets. Apparently Gunn's out here is that he just won't be renewing contracts, which seems to be his MO.Halo - Bloomberg now getting in on the rumors of Unreal Engine for Halo.Ryan Gosling - Now said to be attached to the Silver Surfer role… yeesh… source goes on to name Adam Driver as Dr Doom. Also claims Feige wants all the members of the F4 to be POC.Elden Ring - MORE DLC rumors.New RumorsQueen's Gambit 2 - Seemingly confirmed by series star Anya Taylor-Joy in a tweet, but no official confirmation just yet.Nvidia - RTX 4090 TI likely could be a QUAD slot design… HUGE!Dark Tower - Mike Flanagan seems to be eyeing Pedro Pascal for the lead in his likely Dark Tower Series on Amazon Prime.iPad - Foldable iPad is making its rounds in the rumor mill.Red Dead Redemption - The next HBO and Playstation Studios adaptation?Mario Super Sluggers - Leak making the rounds. Been a dormant part of the franchise since 2008 when it released on the Wii.You can support this show by visiting our merch store, or by leaving us an Apple Podcasts review.
Impressionist and Comedian Frank Caliendo is this week's guest on the podcast. Join Michael and Frank as they discuss Frank's career and his advice for emerging comedians.Show NotesFrank Caliendo's Website - https://www.frankcaliendo.com/Frank Caliendo on Twitter - https://twitter.com/FrankCaliendoFrank Caliendo on Instagram - https://www.instagram.com/frankcaliendo/Frank Caliendo on YouTube - https://www.youtube.com/user/frankcaliendoMichael's Online Screenwriting Course - https://michaeljamin.com/courseFree Screenwriting Lesson - https://michaeljamin.com/freeJoin My Watchlist - https://michaeljamin.com/watchlistAutomated TanscriptsFrank Caliendo (00:00:00):So I thought put Seinfeld on drugs and the d the, the bit was why do my fingers look like little people? Who are these people in the door and they're talking to each other? They're probably talking about me when I say it. Talking. I, oh, Jerry, oh, I somebody. Hey Jerry, you look like you've been seeing little people on your fingers. It's, you just let that camera and then the end, it was Newman and Newman's like, hello Jerry. And she, we've lost a sort of Jerry Garcia Grateful Dead commitment of stamps. You would see . So he'd lick the stamps. You know, that was the,Michael Jamin (00:00:33):You're listening to screenwriters. Need to hear this with Michael Jamin.(00:00:41):Hey everyone, it's Michael Jamin. Welcome back to Screenwriters. Need to hear this. And I got another great guest today. I'm really racking up the guests. Everyone. before we begin, make sure everyone to get on my my watch list is my free newsletter, by the way. Goes out every friday at michaeljamin.com/watchlist for tips for screenwriters, actors, and directors and all that. And now let's bring him on. Let's bring on my next, my next guest who I met actually many years ago when I was running a show. He's, the show was called Glen Martin. And we, we, this is how it works. And, and Frank, don't worry, I'll give you a minute to talk. I know you're talking about the bit here.Frank Caliendo (00:01:15):No,Michael Jamin (00:01:16):I love it. This is how, this is how it works in animation. It's actually a fun job for, for actors. So basically the casting director, we don't even audition. Can't we say this is what we need and the cast director just bring somebody in and, and and if they're terrible, you know, we just get somebody else to replace them. And so in this role we needed this is we needed someone who could do an impression. And I don't remember what the character was. There's probably some politician. It might have been Obama, it might have been George Bush, someone like that. And so she had our casting director was Linda Lamont, Montana. And she goes, I have just the guy. And she brings him in. And it was, it was Frank, Frank Callo, thank you so much for being on the, my podcast, Frank.Frank Caliendo (00:01:55):And now I'm back. How about that? Huh?Michael Jamin (00:01:57):Now you're back. And he killed it. Now Frank, is this your, Frank has got Frank, you know, the, and, and, and the Game of Thrones. There was like the the man of, what was it? The god of many faces. Is that what it was? You're, you're the man. You're the god of many voices.Frank Caliendo (00:02:11):I'll take it. Yeah, I'llMichael Jamin (00:02:12):Take, take it.Frank Caliendo (00:02:12):It it's like six and then I just kind of do variations on it.Michael Jamin (00:02:16):I don't think so. Dude, you are amazing. You are amazing at how you do that. I want to get into like how you actually do that.Frank Caliendo (00:02:23):Well, there, there, okay. So let's, let's get into, first of all, I didn't believe you that I did the show that you said I did, cuz I kind of remember Glen Martin. D d s I remember getting the sides for it. I remember getting an email about it, but I don't remember doing it cuz we talked at some point that you were doing a live a live stream. And you're like I think that's where it was. And I was like, you said, oh, Frank, you did a thing with me. Or maybe we just instant message back and forth. I'm like, you're crazy. I don't remember doing that. I just looked it up on I mdb and I did do it. You did do it. It was George Bush and I guess John Madden. Go figure. You probably Madden happy for Georges Bush. So you wrote in the John Madden thing, I'm guessing. Michael Jamin (00:03:09):It's so funny. It's so funny that you chose to forget that you were on Glen Martin. How, howFrank Caliendo (00:03:13):She, I don't remember a lot of stuff and I don't even do any drugs, but it's like, I don't, I don't remember. I remember it was like a declamation kind of thing, right?Michael Jamin (00:03:19):Yeah. Yes. Right. And it was, that was Kevin Neen. He, he the, he the guy. So, yeah. And you, you crushed it and you did. No, it wasn't John. John.Frank Caliendo (00:03:29):I crushed it so much. I've never worked with you again. That's butMichael Jamin (00:03:32):I haven't done not have animation since. No,Frank Caliendo (00:03:34):That's true, jerk.Michael Jamin (00:03:35):I did Barry for 10 minutes though. But youFrank Caliendo (00:03:38):Know, it's funny. Here's a funny thing though. This is a funny thing, is that I haven't done a lot of animation. So you think of me as animation because of the voices. And that's the thing that's always weird. And that's why one of the reasons I didn't do a ton of voice acting. One, I wasn't as good at it as some other people. But two, it was like, because once you do that, it's amazing how people think of you in like, I'm in a couple of different tunnels for pi. It, it's, you know, the pi, the holes of the pigeon. I am a, people think of me as a sports guy and an impressionist. So it's like, oh, we, that's all he can do. So they never, so I, it's so funny because recently people have been like, ah, you wouldn't do this little partner move.(00:04:19):I'm like, yeah, I would, I do, do I have to do an impression? No. Oh good. Are you gonna rewrite the part? So I do impressions? No. Perfect. Interesting. That's what I wanna do. Now I do this, the impression stuff to keep the lights on. I mean, that's what I do on TikTok and Instagram and stuff like that. It's, there's some fun with it too. But that's the amazing thing is people start to get, I think I saw you do something recently where you said, you know, beat the dead horse. Right? You're like, it can Oh yeah. Do the thing. Do the thing you're known for . Yes. Keep doing it. Keep doing. I did it for 20 years andMichael Jamin (00:04:52):Well, I'm telling, and I'm talking about beginning people, but Yeah. But for you I can understand.Frank Caliendo (00:04:55):Absolutely. It's, it's, it's, and then you, you then you get to that point where you're like, I gotta do some other, some other stuff. And it's so funny because then people don't want you for anything else. Right. And then you go back and do some of the stuff again. But there's like two careers. And I've heard David Spade talking to those other people. Probably talked about it too. But I used to say this until I heard David Spade say it too. And then I'm like, oh, people think I was just taking it from David Spade. But it was, you spend the first career, you have two careers, the first career pigeonholing yourself, getting known, doing something, Uhhuh . And then the second career is being able to do something else, right? Like getting outside of that. So I had the first one. So I'm fighting in that little bit of that second one.Michael Jamin (00:05:33):Well, you know, so I, I wrote for Spade twice on just Shoot Me. And then later on Rules of engagement. So I'm just curious, what does he think is, what is his second career? What was he talking about?Frank Caliendo (00:05:41):Well, I I I just saw it in a, you know, I, I worked with him recently and didn't bring it up because I was scared of him. No. Why would you be scared of David SP's scared of David? Like, I tower over David sp five, six. No I'm trying to think. It was just something I saw him talk about on a talk show. And I, you know, it was one of those things I'm like, ah man, somebody much more famous than me is talking about this. So I don't know whatMichael Jamin (00:06:07):Thing you'd like to do. Well, I mean, you're amazing at pressure. I can see why you might wanna do something up, but what is it acting? I mean, you know,Frank Caliendo (00:06:13):It's just acting in small parts, you know, just small things because one, people think you want to only do big things and carry a show. Right. I don't really even have any interest in that. I don't even, I, I don't even wanna carry a show Uhhuh. Cause that's, I I I don't feel like my acting is at that level where I, anytime I've ever wanted to do something in Hollywood, I've always wanted to surround myself with good people. And they get confused when you try to do that. Yeah. They're like, why would you want somebody else to Well, cause I want it to be as funny as possible. I grew up, I grew up playing sports. When you have a good team, you do your part on the team. When I had Frank tv it was my show that came after Mad tv. It was shortened by the writer strike and it had some struggles and stuff like that. But it was one of those things where and it wasn't that good. And when it was finally put together, I was amazed. Cuz we had great writers and they would do it. They would pieces John Bowman that were Bowman and Matt Wickline.Michael Jamin (00:07:09):Yeah.Frank Caliendo (00:07:09):Great writers. Brenda Hay king and Lance Crowder. All these guys, like people Rachel Ramas, there were really great people Yeah. Involved in the show. But then by the time it was cut and put on tv, all the air was taken out. It was boo boo, boo boo boom. And you know, when that happens, there's no setups. It's all punchlines and you look like you're trying too hard. Yeah. That's, you know, you and I just didn't have, I'm, I'm not enough of a fighter. You need somebody who's gonna fight for you and do somebody who's gonna have the vision and fight for the vision and has been in that spot before to fight. And I just, I mean, I was doing like 15, 20 pages a day cuz I was playing all the parts until I got them to get other people on the show. So it was one of those things where I was just like, I was exhausted. I didn't even get to see edits. I didn't, I didn't like watch myself. Cause I was also too fat at the time. Yeah. I was like, I'm so fat in these things. I, it looks like South Park episodes. Michael Jamin (00:08:08):But how did that come part about, did you have a development deal at a studio orFrank Caliendo (00:08:11):Something being fat?Michael Jamin (00:08:13):No. You a lotFrank Caliendo (00:08:15):Exercise. It was, I had a d I went in, I, I went in and after I was at Med TV for a while there for five years I had the Fox stuff, the n NFL on Fox things, which was actually bigger for me than anything else. Right. being on the Sunday stuff and Super Bowls. So I went inMichael Jamin (00:08:35):And that's cause you do a killer. Madden give, give us, give us the taste of the Madden so people knowFrank Caliendo (00:08:39):What you're trying. I'm mad here for the quick pop popcorn pop. And I turned him into a character too. Like, like I was ta talking. This is, I know I go off on tangents. Just stop me. Go back. But one of the things with the Madden, you know, the, the realistic John Madden voice was this kind of voice where you, you say the things and you do the things. But I found this thing in him that was the excited little kid. Right? The . Yeah, yeah, yeah, yeah, yeah. And then when he would get that, that going, it was like, I was on Letterman and he had me come on as, get me come on as John Madden didn't say it was a some, I was the lead guest over Ben Stiller, I think it was. Wow. Fake John Madden Wow. Was the lead guest. And I came in and I wasn't really the lead guest, but it was, you know, I tell people, but it was a, it was so I pulled a chicken wing out of my pocket.(00:09:29):I had them get me a chicken wig with sauce on it and everything. I gave you hungry. He was like that right now. , how funny, can you believe this? But it was one of those things where it just, stuff would happen and the, you create the character with it. And it becomes, the funny thing is to me, that that stuff doesn't work the same on social media like TikTok or Instagram, but it might work on some YouTube stuff. Cause there's more longer form. It's, it's more of a longer form, you know, the, the platform is Right. I just didn't like that I said more and longer right. Together. I'm, I'm weird with grammar. I'm very, some things I just, like, if you noticed, I texted you, I didn't like that I put different tenses tenses in my texts and you like, you just stopped talking to at that point.(00:10:14): But when you, I dunno what they really like and on TikTok and these you know, shortform ones platforms is exact replication. They want the, what I would call more of an impersonation, right? Like they want the the, they want you to sound exactly like the person. There's no element of caricature it really, or going what I would call Dana Carvey on it, cartooning it Right. And making it bigger. They're like, ah, that's not like it. Well that's the point. That's the comedic element, right? Right. That makes a good exaggeration after. Yeah, exaggeration after the initial what's the, what the word I'm looking for, the when you, when you recognition, when you get the recognition, laugh on the sound, and then you have to do something with it and make it bigger, right? You have to have more fun with it.Michael Jamin (00:11:09):But you did a post, I thought it was fascinating. I think it was on TikTok, excuse me. I think it might have been like how you do Robert Downey Jr. Or something. And you, you walk through the stages of how you approach the voice in, in pieces and then how you getFrank Caliendo (00:11:26):There. So let's, let's start with this. And this is something that you'll identify with completely as a writer and a creator. You have to find the cadence and the voice of the person not speaking in terms of tone, but the cadence, right? Yeah. How many Christopher Walkins have you heard, right? You've heard low, you've heard, hi, you've heard in the middle, in, in, in the old days, it was William. You knew who it was just by the pauses, right? So you could tell from those voices how you would write for that character. You put the point of view into those, into the song, right? What those of the, you know, into you put the lyrics into the melody. So with Robert, Danny Jr, I found that this is with other characters too. That counting can help you do it. It's better for the audience. It's not a full way to teach somebody how to do it, but it's entertaining while you do it. So Robert Downey Jr. Is after you find the pitch, or you don't even have to have the pitch first, but I'll go to the pitch cuz it's what I do. But it's one, two, pause, burp 5, 6, 7. So you find that it's 1, 2, 4, 5, 6, 7. And then you can just figure it out, you know? So that's, that's how you find those with Liam Neon. It's 1, 2, 3, 4, 5, 6, 7. You know? So it's the beginning. That'sMichael Jamin (00:12:52):Interesting.Frank Caliendo (00:12:53):Yeah. You can do that with Jeff. Goldblum is one, two 1, 1 1. Juan, what comes after one? Think out loud. That's him one. What's, what's coming into my head? What do I hear? The voices coming at me. One, two. Yes. Here comes one, two, a little jazz. 2, 2, 3, 3, 3, 4, 4, 1, 2, 3, 4, 5, 6.Michael Jamin (00:13:17):But you talk about this, you're talking about how you approach it. It's not like you think anyone, you, it's not like you're trying to teach anybody. It's not like anyone, you think anyone can do this, do you? Because I don't think IFrank Caliendo (00:13:26):Do. I think people can find, people can find, I do think people can find it. I think people can find people can't get the, they might not be able to get the pitch, the, the, the note, but they can find the cadence. Everybody, people do itMichael Jamin (00:13:40):Forever. But you, you know, your, your throat, your mouth has a certain in your nose, like you talk. I think you're stuck kind of with the, like, I can't change my, you're stuck with the voice. I don't know how you were able to literally changeFrank Caliendo (00:13:51):The, well, you don't need to do all that stuff. You don't, you don't have to do all the, that. This is another part. The face is another part of an impression. That'sMichael Jamin (00:13:58):The sound of the com. The sound comes from inside your skull.Frank Caliendo (00:14:01):Ok. So yeah. So there, there, there are different pieces to this as well. You can close off your throat. You, you think of it, you know the Bobby character, the Howie Mandel, little bitMichael Jamin (00:14:12):Bobby.Frank Caliendo (00:14:14):So that's closing off your throat. And a lot of people can do that. But the difference is finding different levels of being able to work. It's just, it's a, it's like a muscle, right? Right. So I'll do, I've done this, you might have seen this before, but this is John C. Riley is in here. So John C. Riley has just a little bit of bubble in his throat. Now if you work backwards, a tiny hole, ker frog, that's a little bit more up in here, re tiny Hall Kermit, you're reporting from the planet COOs. Then bring it down a little bit, Nelson your throat a little bit more. You add some air and it becomes Mark. I, I see this as an absolute win, guys. ThisMichael Jamin (00:14:51):That's exactly it. ThisFrank Caliendo (00:14:52):Is, this is crazy. And then, so for Ruff, he is got that thing where I think he had like a, a tumor or something, some, some medical thing when he was younger. And part of his f it was the same with like Stallone, Stallone had Bell's palsy, right? So he is got that, you know, that thing that, right? So if you find, I call it the pizza slice, you've probably seen the thing I did this. It's a triangle. It's a line across the eyebrows, a.in the, in the chin. And it's the triangle that goes down. There are two things. Now, this is stuff I'm actually gonna dos and Instagram on as well, but it's I just am too lazy. And it's, the mouth tells you how the person talks.Michael Jamin (00:15:33):UhhuhFrank Caliendo (00:15:34):. So if you watch my mouth, that's why everybody does a Donald Trump, right? When they do a Donald Trump, you have to do the lips. The lips are very, very, that's very. But now this part of my face from those down is doing Donald Trump. Now when the eyes start going, it sh now that's the point of view that starts. Same with the bush. Bush is, you know, I could do this thing with this half smile. It's like somebody told me a dirty joke before I came up here, but that's just, that's from nose down. But now I get a little discombobulate and you know, I'm staring into the, the abbu, you know, that's what it was also a great movie. So it's, and then the point of view comes from the way you think. Right? But you, when you write a character, when you write a character, you become that character when you write, I don't know if I'm stirring batter or what. Yeah. But if you're doing a cooking show and you're stirring the batter, but your character, you haveMichael Jamin (00:16:32):To, yeah, we would, for example, on King Hill, we would imitate Bobby Hill or Hank or whatever. But imitating is not sounding, you know, it's not sounding like,Frank Caliendo (00:16:40):Yeah. It's just, that's just taking it another level. You, you, you just take it. You get, because you had the cadence of the character. You might not have had the note, but you had the notes written. You didn't have them on the stop, but you knew if it was an eighth note, a quarter note, whatever, a, a rest. And I only know a little bit about music and that's all of it that I just told you.Michael Jamin (00:17:00):But did you, as a kid, did you, like, did you, were you good at this as a kid? Did you wanna aspire? Did you aspire to this?Frank Caliendo (00:17:06):I think I was pretty good at it. I, I have a natural knack and my kids have the knack too. So you have to have a, a knack at the beginning to figure this stuff out from the beginning Right. To, you know, it's predator of the infrared going. I see everything. My son had Bell's Palsy when he was very little. And I, I could see that when he would smile. This is a, the blessing and a curse thing. And when he would smile, he wouldn't smile all at the same time. And then I started to look closely and part of his face moved a lot slower and didn't always move. And I said to, to my wife, I go, something happened. I don't know what it is, but I think he had Bell's Palsy. Well, we had him tested to make sure there was no brain stuff going on or whatever.(00:17:47):But the doctors, what the diagnosis eventually was Bell. He had Bell's Palsy when he was a baby. Right. And it, you know, pa what happens is Bell's Palsy is, I think the fifth I, I don't remember what it was, the fifth or seventh cranial nerve. Something gets damaged either by a virus or trauma, blood trauma. And it keeps you from everything moving at the same time. But that's, but I could see it. Most people don't see it. I could see it because that's the way my brain breaks things down. Yeah. I mean, you as a writer, as a performer, whatever, however you consider, whatever you consider yourself, you do similar things. You see the world from that point of view. And that's how you write. You go, you observe, you take in, and then you replicate or create from that. Exaggeration or finding the, I I've set off Siri like nine times on my watch during this. I've never, that's never happened before.Michael Jamin (00:18:50):I Yeah, I, I say mean things to her. I and I and my wife says it's not good because Apple's picking up on this , like I say awful things to Siri. So, you know, like, Siri, you asshole. What time is it? She don't say that.Frank Caliendo (00:19:08):I'm sure it could be much worse.Michael Jamin (00:19:10):Yeah, it is much worse. I'm cleaning it upFrank Caliendo (00:19:11):For the podcast. Yeah. You were just trying not to get canceled.Michael Jamin (00:19:14):Yeah. Yeah. .Frank Caliendo (00:19:15):Yeah. So there, so there are lots of, yeah, I, I, I see. I look at these thi these things in, in lots of different ways. For me, you know, one of the things that, one of the things when I first got on social media in the last couple years, a few years ago mm-hmm. . Cause I wasn't doing any, cuz I was on Twitter 10 years ago. AndMichael Jamin (00:19:35):Why did I started finding, started my goal on social media. Why did you start?Frank Caliendo (00:19:38):Well, you have to. I mean, if you, if you, the first time it, it was because it was new and people were telling me I didn't like it. I just, I don't like it. I, I, I, I can't, I can't adapt it because people are angry for the most part. And there's a lot ofMichael Jamin (00:19:54):Yes. Tell me about it.Frank Caliendo (00:19:56):Is it, yeah. Right, right. And there's a lot of what confirmation bias. So there's confirmation bias mm-hmm. and the exact opposite. Right? So people either wanna hear exactly what they're thinking and they don't wanna have a conversation about something different. Mm-Hmm. . Or they just wanna fight you for no reason. They wanna troll you. They just wanna, they wanna make you mad. And especially somebody like you or somebody like me that's been in the entertainment business, we targets. Because if we say something back that's mean. Oh, the guy from Glen Martin dvsMichael Jamin (00:20:27):. Well, they don't, they don't. No one's ever heard of that. I know. But, but you're right. I don't, I don't respond anymore because there's just no winning it. There'sFrank Caliendo (00:20:35):No winning. It can't win. Cause because you are, it would be like, this is an exaggeration, but it'd be like a leader being a leader of a country. And this is, but this is what Trump does or did though, right? Uhhuh, . . And you would come back at people and you'd go think, ah, you gotta stay above that. At a certain point it's fu it, it quote unquote. It could be funny in and this isn't a political rant, this is just what I see as an observation. Mm-Hmm. it can be funny in of somebody running for president, but as soon as they're president you kind of feel like you're Yeah. I think, I think it's time to be a little different. You can, that's my opinion. ButMichael Jamin (00:21:08):No, you're absolutely right. I told, but, but, and that's what's so interesting about it, is because social media, at least when I started doing it, like at first, it's a little empowering. You have an audience and you can, you have an, you have a platform. But then once you start getting trolled and, and I, as a comedy writer, I feel like I can tear you apart. I can tear you apart. Whoever's trolling, I don't, I'm better at this than you. But the minute I do it, I, I can't do it because then I'm, I'm then I'm the asshole. And then it, what was once empowering now becomes emasculating at the same time. It's very odd to be able to have a platform, but not causeFrank Caliendo (00:21:40):And and you can, and people can say things to you that you could never say back because they will say things that would get you as a business person canceled. Yep. It doesn't have to be racial. Or it just, they can say things that are just mean that if you say it and somebody pulls it up, they're like, look what Michael Jamin did. Yeah. This is unbelievable. Yeah. I We can't hire this guy. Yeah. He's, he's a terrible person. And they'll defend the person who's ripping you to shreds and saying way worse things. Yes. So you're stuck in, you're, you're stuck in a spot. So it, so I, I started, this is why I got away from social media 10 years ago, whatever. So I was on Twitter, I was building it really quickly with sports stuff. Mostly not video, just just kind of like sassy phrases and, you know, mean things. I, and I realized I was starting to be this person on Twitter in real life in real wayMichael Jamin (00:22:37):InFrank Caliendo (00:22:37):What I'd see somebody just, I'd see somebody and wanna say something terrible to them. Mm-Hmm. . And the only reason I would say that in Twitter, cuz my comedy's silly, not really mean uhhuh, , it's it more cherubic cuz of the cheeks. But , it was one of those things where you said mean things on Twitter, you got likes and retweets cuz people love Right. You know, knocking down people in power. Yeah. Yeah. And I would say something about a quarterback that just threw an interception. Something I could never do. I would never have, you know, that that's the level of skill to, to make it to their level. And I'm ripping them to shreds. I'm going, I, I, and I've changed this way too. I mean, I, I used to think, you know, I used to watch the Oscars and kind of rip the Oscars to shreds because it is so self-aggrandizing. It, so mm-hmm. , everybody's self-congratulatory and stuff. Like, and I would say things, I'm like, I shouldn't be saying this, that, not just because it's, you know, it's kind of gross. But it's, it's also just, I don't know, these people work very hard to get where they, you know, they're just going, some of 'em don't, you know, they're happy to be getting an award, but they have to be show up. It's part of the business. Right.(00:23:46):I get it. I, I what a jerk I am for. You know, that's why even people, people wanna do a podcast and like, let's do a podcast where we just rip movies. I'm like, I don't wanna, that's somebody's acting, somebody's put a lot of time, like my TV show. There were a lot of great people putting that stuff together. But by the time it all got put together, a network has to say other people standards and practices, all these different levels, it's not really what you want it to be. And it's not any one person's fault. It's just not what you want it to be. And that person is, but, you know, that's why it's so amazing when somebody does do something really great, you're going, wow, you watch a, a Tarantino film or something like that. He's a guy who just fights for all his own stuff.(00:24:32):He's gonna do it his way. Right. But you watch a, you watch a film with somebody who does Jordan Peele now right. Who actually got to work with a man TV years ago. People get to a point where they have their point of view and they can make closer to the movie that they want to make. And then you go, okay, when this turns out, this is, this is fantastic. This is how you do it. Because when you don't have that much, say you don't have that much power and you don't have that much fight in you, it's, it's really hard to get close to what you want. And there were so many things in my show mm-hmm. that were close to what I wanted. But that little bit of change just goes. And there were three little changes. You go, oh, the timing's not what I would've done there. They used a cut I never would've used. Right. And now they put it in a different part of the show. Wow. Oh man. So then I know that happens everybody,Michael Jamin (00:25:27):But I have to ask, so then why do you do, why are you on social media? Because you, you have quite a big presence on it. So what's,Frank Caliendo (00:25:33):You go in, you go into an somebody's office, an executive's office. The first thing they do is look how many this, what are you doing here? What do you do? They reallyMichael Jamin (00:25:43):Say, say that toFrank Caliendo (00:25:44):You. Oh yeah, I've had plenty. The people look at me. It'sMichael Jamin (00:25:47):Because what they don't, I feel like they don't understand is the change in the algorithm, which is maybe only a few months old, but they don't un do they understand when you talk to them that having a million followers on Instagram or TikTok, you can't reach them all on any given day. You reach maybe a 10th of them, you know.Frank Caliendo (00:26:03):Well, you don't even reach that. I mean, people don't, so again, people the way it's been explained to me is that TikTok doesn't even really go out to yourMichael Jamin (00:26:15):Followers anymore. No, it doesn't. No, it doesn't.Frank Caliendo (00:26:17):It go, it goes out to a random sample audience, which has mm-hmm. some of your followers in it. And then once it hits that first audience, if enough people watch it long enough or watch it to the end, it gets, then it goes to the next sampleMichael Jamin (00:26:30):Audience. Yes. Right.Frank Caliendo (00:26:31):So if you go to a bad, I I,Michael Jamin (00:26:34):But that's also Instagram. Now that's kind of this, they're they're taking the same model. TheFrank Caliendo (00:26:38):The real stuff. Yeah. Well, because, and the reason that works for them is because they, they can build stars faster that way they can build. So it used to be on Instagram, it would take you years if you weren't famous mm-hmm. to get to a point where you had 10,000, 20,000, 30,000 followers. Well now people can just vertically swipe through reels and all of a sudden the, those people who do that are tend to follow a lot more people. Right. So your videos can go viral with no followers. Right. And then suddenly you'll have followers. It didn't used to work like that it used to.Michael Jamin (00:27:15):Exactly. So that's why I'm asking lots of followers. Do they know, do you think the executives know that? Cause they look at your numbers and like go, oh, Frank's got a big following. But do they know that you canFrank Caliendo (00:27:23):I don't. I think they're a little, I think yes and no. But again, it works to, in their favor that if you have videos that have a lot of numbers mm-hmm. do, because then you're hitting an audience. They know you're hitting a pretty big audience that spreads it to other people. Mm-Hmm. . Now I'm 49, I'm about to be 49. Okay? Mm-hmm. , I, my age group that I played to most, or played to the most was probably 35 to 50 in there. You know, somewhere in there somewhere that I felt like I was similar age and had similar likes and life experiences.Michael Jamin (00:28:00):Right.Frank Caliendo (00:28:00):And those people, that group of people doesn't tend to hit the light button or the retweet button as much. I know I don't. Right. Right. Kids send it, they direct message stuff to their friends. They send things to their f they then they tag other people. They tag lots of people. Yeah. And that's why network executives, producers advertisers like young audiences, not just to sell the products to, but they're the ones that spread the word. Right. And they know that. They know it. It kind of works. You know, I always, I never really thought about that or I never really believed them with that. You know, I've changed brands on a lot of stuff. I've changed toothpaste, I've changed all kinds of things. Right. I don't think I'm normal. I, I, I, I guess I'm not, but young people will try different things and they will do lots of different things at a much higher rate. AndMichael Jamin (00:28:54):So interesting. Do you feel then, as a performer that, okay, so you kind of have to do this. You're a little bit, you know, could you do it what, every day? Right? How many times do you post a day?Frank Caliendo (00:29:05):I don't, I don't even post that much. I, I'll post like a, a week. Once a week or once. Oh, half the time. It's half the time. It's old stuff that I've already Interesting. Like the thing, I have something with 8 million views right now from like a couple weeks ago. Wow. That I've posted two times before. Yeah. And it's gotten a million views and 2 million views and maybe 30,000 views. Oh. Which hits exactly what you're talking about. Yeah. If it doesn't hit the, I have, I have two pieces of advice. A couple pieces of advice for your content, please. I, I would not end my pieces telling people to go see, go. Don't, I wouldn't waste the time in the, in the, in the post telling people for more, if you like stuff like this. Go see, go did Michael Jam writer what, you know, your website, stuff like that. Right. I would just put it in writing near the end. Yeah. On the screen. Because then it's there a little bit subliminally. And they don't have to wait for the, because if they've heard you, if they like your posts and they watch you all the time, they know that's the end of your post. They'll cut out early.Michael Jamin (00:30:10):Interesting. So you're saying put But if I put it up on there, cause I, I do this to get people on my newsletter Right. To, you know, cuz that you get their, but you're saying if I, if I just say it'sFrank Caliendo (00:30:20):Up to say at the end, you spend two to three seconds going. Right. If you like what I said right. Go to Michael Jamin, Robert Writer what is it? Michael jaminMichael Jamin (00:30:28):Michaeljamin.Com/Watchlist is my newsletterFrank Caliendo (00:30:30):Slash watch. Okay. So if you, if you like what you've heard, go to Michael Jamin slash wa slash slash watchlist stuff like this and other things that I gotta Now now they've got, now you've, now you've given them a little piece, which is what's everybody telling you to do? They all tell you well get the call for action. Yeah. But if they've seen your post and they like your posts, they don't need that anymore. Right.Michael Jamin (00:30:53):What if they're brand new? What if they'reFrank Caliendo (00:30:54):Brand new? If they're brand new, you put it, you just put it up on the screen. You put it up on IMichael Jamin (00:30:58):The screen. What do I put on the screen?Frank Caliendo (00:30:59):On the screen? You just write it on the screen. Yeah. Say like more stuff like this.Michael Jamin (00:31:03):Oh, okay. For the whole thing. For more. Okay.Frank Caliendo (00:31:05):Or, or in the last, the last third of what you say. Okay. Just have it up there. And in the, because you do that, you can try, you can, you can experiment and do it both. Do it, do say it sometimes put it up on the screen. Do both mm-hmm. sometimes just put, put it at the end and, and test it. Yeah. Because I could be, I can be wrong. I can be wrong here. But I'm telling you, I watched to the end of yours because I know because I want yours to do well, Uhhuh, , I'll do it, but I'm tempted as soon as you go into that mm-hmm. , I tempted to flip up andMichael Jamin (00:31:39):All right. What,Frank Caliendo (00:31:40):What I found with my stuff, if I introduce things, sometimes people don't even wanna see me introduce it. I just put the title of what I'm doing on the screen.Michael Jamin (00:31:49):Uhhuh ,Frank Caliendo (00:31:50):I don't tell you, you know, I don't tell you what I'm doing. I put the title on the screen to tell you what I'm doing and I get right into it. Right. Unless it's a reply to somebody's if somebody's, then I read their reply a little bit. Right. So they have the visual and you're reading the reply and you're saying something at the same time. So they're kind going back and forth. And then you do, you cut and do what they're saying. What is, what is your other, very quickly,Michael Jamin (00:32:16):What is your other tip for me? Is there anything else? I'll listen in. I don't know if my reader Yeah. What cutsFrank Caliendo (00:32:26):I would cut, I would cut a lot. You don't cut much. Oh, oh,Michael Jamin (00:32:30):Oh.Frank Caliendo (00:32:31):Visually you do, you do things in one.Michael Jamin (00:32:33):Yeah. No. You know why? Because I just don't wanna produce anything. I don't wanna spend time. Right.Frank Caliendo (00:32:36):I get it. I get it. I get, I get it. And, and, but like a friend, somebody I know used to work at YouTube and they're like, just cut, just cut, cut, cut, cut, cut. And you don't even have to really produce it. All you have to do is just splice, splice, splice slightly. Make things bigger and smaller. You don't even really cut any air out. But I, if, if you look at, if you look, you just put it in iMovie or they actually have it in there. Now. If you don't even, you don't evenMichael Jamin (00:33:01):Too much word.Frank Caliendo (00:33:02):I get it. If you watch most of my stuff that's new. There is no real effort into writing it. , Uhhuh. It's just saying words over and over.Michael Jamin (00:33:13):. Right. It's,Frank Caliendo (00:33:15):I won't put the time. Now what I'm starting to do is go back, like you said, let's talk about the Seinfeld thing. When I put the Seinfeld thingMichael Jamin (00:33:21):Out, and that was from Frankie. OhFrank Caliendo (00:33:23):Right. That was from, and it was critically panned. Like it's terrible. Like critics told me it was awful.Michael Jamin (00:33:28):. Ok. I liked it.Frank Caliendo (00:33:30):Yeah. And it's even cut even shorter. It's, it's even, I think the full things like pretty good. There was one of the things I was the most proud of, Uhhuh or the proudest of. And but it's one of those things where , it's so funny cuz it really does look like a South Park version cuz I'm so fat. At the time we made it that it's that, that it just looks like, I call it sign fat. Right. But it was weird cuz if I had guest stars on the show, it would, it would even make it tougher for disbelief, you know, suspending belief or di is it suspending belief or suspending disbelief.Michael Jamin (00:34:03):Suspending disbelief.Frank Caliendo (00:34:05):So, okay, so, so you,Michael Jamin (00:34:07):Yeah. So you're not disbelieving it,Frank Caliendo (00:34:09):Right? So you suspend your disbelief when you see somebody, all the characters look kind of the same. It fits, but all of a sudden you have somebody that looks more like the person because they're skinnier or something like that. A sudden it looks up like, but that Seinfeld thing, it was actually from my, my act was my, the way I did it in my act was I tried to, I always trying to think for the impressions. And so my, my thinking of the Seinfeld bit and my act was Seinfeld is about nothing. It's about reality. It's about everything that happens a reality. Well, what takes you outta reality? So it was drugs. Mm-Hmm. . So I thought put Seinfeld on drugs. And the, the, the bit was why do my fingers look like little people? Who are these people? They doing, they're talking to each other.(00:34:54):They're probably talking about me when I say Jerry, oh, somebody. Hey Jerry, you look like you've been seeing little people on your fingers. That's great. You just let that cat. And then at the end it was Newman and Newman's like, hello Jerry, hello Newman. And she would've lost a sort of Jerry Garcia grateful dead commitment of stamps. She would see them baby . So he'd licked the stamps. You know, that was the bit. So there was reality and it turned back into AED episode. But the whole bit was instead of reality, how do I get into a fantasy world? And that was the easiest way to to, to(00:35:28):Do it. Right.Michael Jamin (00:35:31):Hey, it's Michael Jamin. If you like my videos and you want me to email them to you for free, join my watch list. Every Friday I send out my top three videos. These are for writers, actors, creative types. You can unsubscribe whenever you want. I'm not gonna spam you and it's absolutely free. Just go to michaeljamin.com/watchlist.(00:35:54):It's fucking, your voices are amazing. I mean, that sounds amazing. But tell me, I have another question up for you. I'm just, I'm curious, I know you're, I actually wanna mention this, so I know you're, you, you got two shows coming up in, in Phoenix, right? Yeah. Where you do, where you go and it stand up, you're doing voices as well, or like, right? OrFrank Caliendo (00:36:11):Yeah. I, I just, what I do is, I'm, I, so what I, what I like to do is, I always hated the vaudevillian impressionist Uhhuh . What if,Michael Jamin (00:36:21):Oh yeah.Frank Caliendo (00:36:23):You know, what if Carrie Grant was your waiter, well, why, why would he be, first of all, that's bad writing, right? ,Michael Jamin (00:36:32):Why would he be your waiter? WhyFrank Caliendo (00:36:33):Would he be a waiter? Remember, years ago, I think it was on the white was it the white album? The that Dennis Miller did? Uhhuh . He's like . He was like and these impressionist, I think Jack Nicholson as a fry cook at McDonald's. I mean, how about you as a fry cook at McDonald's? Chachi, get some writing. You know? So it was it was, I was always like, I wanna write for these characters. So what do would I do? I would make observations. So the way, and that would give me my point of view. So Pacino, he's an actor, right? So I was like, what do act what do they teach you in acting? Be curious. Be amazed by everything. So the simplest thing, Pacino can be amazed. Like somebody's turning on a light. He's like, wait a second, you mean to tell me you flip a switch over there? A light comes on over here. Wow. . So he's amazed by everything. That's the point, right? And that's what my Pacino character always was. And he, and chewing gum. So that'sMichael Jamin (00:37:34):Dead onFrank Caliendo (00:37:34):Man. It's make those, make those observations and then apply them in situations later. So it's observational comedy, but I was just observing how people were. Robert Downey Jr. Is a human. Twitter feed, 280 characters are less and everything's about himself. So he'd give, be giving out an Academy Award, which is supposed to be about the nominees, but the, but he'd be up there like, these people deserve your applause almost as much as I do. Hashtag awesome. So it's, that's the point of view, right? Set it up. That's funny. Bring it back. So once you have that, now you can, now the audience is in on what your point of view is. Now you can put them in situations, which is really what you do with characters in writing. You know, any kind of sitcom or any kind of a, any, you know, any kind of drama, anything.(00:38:25):It just takes longer to get them to who the character is an impression most of the time, and this is why impressions are cut away from acting so much where people think there's no acting in impressions because it's just, you know, somebody, there was Robert De and they work on, are you talking to me? Well, where's the, where's the writing for that? It's the vallian part, right? Come up with something that tells you who the character is. Right. And now write for it. And now it's an interesting character. And that's what you know any type of original character, it just takes longer to get there. And that's why a pilot, right? A television pilot, and you can tell me if I'm wrong, you do this more than me. Let's see. There's a lot more exposition and telling, kind of telling people, okay, hey, I'm just your local waitress. You know? Yeah. Yeah. And they tell you a little bit because they have to do it to get it done. To get it sold. Yeah. And then once it's, once you kind of have it, now you can develop the characters and you have, you have arcs that can build the character to something longer. Yeah. And that's why a lot of pilots get rewritten and redone because the pilot's almost a presentation just to sell it. And it's almost two on the nose. It's a to be what you want.Michael Jamin (00:39:40):But tell me what it's like when you do, like, when you go do a show or two shows, like literally, what is that? Like? You get on a plane, you arrive a couple days before your show, likeFrank Caliendo (00:39:51):The day, usually a day off, the day of just get there. YouMichael Jamin (00:39:55):Do a sound check or no, you just go up on stage likeFrank Caliendo (00:39:58):A theater. I'm probably have the guy opening for me do a sound check. I don't, I don't even, I just go out there and show up and head so I have more energy. I mean, it's just, I like to get out there and just start going. I have a plan. Uhhuh, I have a lot of stuff that I've, I will do that I've done, you know, that I've worked on and done before. But now I try to, I actually like to do clubs a lot more than theaters. Why is that? Because I get to play more and I don't feel, I feel like somebody goes to the theater, you know, they, you feel like they, even though they're not, you feel like it should be a little bit more put together and professional. I feel like at a club, it can,Michael Jamin (00:40:34):A club, you can get heckled. They're not necessarily coming to see you. If you go to a theater, they're coming. They're paying seeFrank Caliendo (00:40:40):Me, 90, 99%. They come to see me at a club. Now if I'm doing a club, yeah. Cuz I'll do like off nights. I'll do like a Tuesday or a Wednesday. The, the general audience isn't going for that. And tickets will sell in advance. I mean, it, it's, that's, that's what I, that's what I likeMichael Jamin (00:40:57):To do. Is, is it theater though? More, more seats usually.Frank Caliendo (00:41:00):Yeah. It's harder to sell. 'em, You, you've gotta figure you're gonna sell. Probably you can probably, cuz people are, they're trained to go to a club and you'll get some people that fill other seats and it'll, it'll snowball. People will talk about it more. Uhhuh . And they have a built in advertising in everybody who goes to that venue. Three or four, you know, five shows a week.Michael Jamin (00:41:20):Interesting.Frank Caliendo (00:41:20):Sees that you're gonna to be there. And they're a comedy audience already. A theater doesn't necessarily have a builtin comedy audience. It might be that's 9%.Michael Jamin (00:41:31):But they're not coming in a comedy club. They might be drunk, they might be hostile, they may heckle. They're not, they're, it'sFrank Caliendo (00:41:38):Not, not, it's not as bad anymore. It's, it, yeah. Most of the clubs are that that's, that's kind of a nineties early two thousands as maybe eighties type of thing. It, that doesn't happen as much anymore because they have so much riding on everything. The clubs used to be, they would you just go there and do a nightclub set and they, they, they'd turn 'em in and out, two drinks, four drinks, and get 'em in and out. Now they're selling them dinner. Uhhuh, they, they, they realize they were given away the five, they were, they're restaurants now that have entertainment. Right. Because they would, they would bring everybody in and nobody, they would give everybody else all the food and beverage around the showtime. And they would, they were realized, well we can do this too. And some of 'em do it. Really,Michael Jamin (00:42:21):Really. But they're not eating during the show. You don't want the meeting show.Frank Caliendo (00:42:24):Yeah, they're,Michael Jamin (00:42:24):Yeah. Yeah. They're, and you're hearing like the silverware and stuff?Frank Caliendo (00:42:27):Yeah, it's, it's, it's usually more of a finger food. But they're, yeah. They're, they're so are some that have full-on, you know, but that, that a lot of that happens during the opener or mc too. By the time I'm up, they're, they're, they're a drinking and they're warmed up and they're, they've gotten their food already.Michael Jamin (00:42:45):And then do you travel with their, with your, with your opener Or is it a local guyFrank Caliendo (00:42:50):Or one? I bring people with me because I know what they're doing. , Uhhuh, . I, I, I'm, I'm a control freak in terms of what's on before me. Right. Because I'm very clean. Even when I try to be dirty, it doesn't work because people wanna see me for being clean. Right. but I've had, I, you know, an opener thinks they're clean and you, you know, I only say that word once, like, wow, that's too many times for some of my audience. Right. Or they, they, they, they, they're not expecting it. Cause they've been there to see me before and I'm the one who's gonna get the emails in the club is. And so I just bring people that I know are gonna play and then I don't have to watch the set over and over and over.Michael Jamin (00:43:31):And then you, and then after you'll you how many shows?Frank Caliendo (00:43:35):Two is the most I'll doing at night, but I'd rather just do one. Right.Michael Jamin (00:43:39):It's exhausting. It's exhausting to hold that kind of attention for pe to people.Frank Caliendo (00:43:43):Yeah, it is. And I just have the point where I, I do it and I have, when I have fun doing it mm-hmm. , that's when I go up and do it. And if I go up and I'm creating some, I'm having fun. If I'm doing an old set just for money and not creating, I'm not having fun. And that happened to me for five to 10 years where I was just doing the same thing all the time. I was making a ton of money Uhhuh. But I think some of my audience got like, well you're doing the same exact set. And it was just going, kind of going through the motions. And I, that wasn't a great time for myself for, you know, me personally. Not like I had anything wrong with family or anything. Like I just wasn't having fun doing the comedy.Michael Jamin (00:44:24):AndFrank Caliendo (00:44:24):Then weMichael Jamin (00:44:25):Will you leave the next day or what, what or I don't wanna cut off. IFrank Caliendo (00:44:28):I used to leave the next morning, first flight to try and get home. Cause I have two little kids right at the time. Two little kids now. They don't like me that much anymore, so. Right. I don't mind going away for a little Do you have kids?Michael Jamin (00:44:39):I do, but they're grown. Yeah. They'reFrank Caliendo (00:44:41):In college. Yeah. So, so you know that, I mean, when they're little, I was missing a lot cuz I was working a lot when they were little. I'd be on the road for a couple weeks at a time. I didn't see my son's first steps. I mean, I just, I didn't like that kinda stuff. SoMichael Jamin (00:44:56):But you knew going into it, when you went to comedy, you knew that that's, that's what the life is gonna be like, right? Or No? Were you surprised? Yeah.Frank Caliendo (00:45:03):But you kind of assume you're gonna go you, you know, you Yes, yes. You do know. But you're also thinking maybe I'll land a TV show, Uhhuh , maybe I'll do, you know, you, you, I don't, and I didn't plan, I didn't plan in the terms of that. But listen, I don't have to work. I honestly don't have to work anymore. I really don't. I I'm, I'm at a point where I don't, so I do things that I really want to. Right. And I, you know, the NFL on Fox stuff, because I was associated with a NFL Hall of Famers and stuff. Like, I do big corporate shows for, you know, oh, do you? For the biggest, for the biggest companies in the world, Uhhuh. And that's, that's what I do. People, you know, I, you, you see one date on the you know, on my public dates, because I live in Phoenix, I don't have to go anywhere.(00:45:52):So I'm just gonna do it. I can do, I can go do it and I can, I can be home. People are asking me to do shows all the time. I'm like and also do a run of one night at different clubs so I can, I don't like looking at the same back of the room for, you know, five or six days. You know, three, four days, five shows. I just, I don't enjoy. So I don't do it. Right. I I I try to do the things now that I like to do. Michael Jamin (00:46:19):I didn't know your feet,Frank Caliendo (00:46:20):So I've saved a lot of money.Michael Jamin (00:46:22):How are you getting acting gigs in if you're all, if you're outFrank Caliendo (00:46:24):There? Well, have you seen me in anything? I don'tMichael Jamin (00:46:27):. That's why.Frank Caliendo (00:46:29):Well, yeah. I don't, I, I don't I go, I go out to la I'll, I'll do some stuff on tape and things like that. Uhhuh , and people ask for me. But I, I, I, you know, yeah, there's, people call me now and I'll get people are like, Hey, will you do this? I'm like, yeah, if I don't have to do it, yeah. Yeah. I just go do it. And I was like, yeah. Like, I just did something recently that was a, a Zoom thing. Like it was actually Zoom in a movie, like a small, you know, like a, a Netflix kinda thing. Like, they're like, you can, you can, you don't even have to come here, you can just do a Zoom thing. And we made, it made the part became bigger. Right. Cause we, you know, I I I call it being serious to the point of being funny where you're just so serious. It's Will, will Ferrell does it really, really well. Right, right. Where you're so serious that it becomes funny. I that's what I, that's the comedy I like. I don't like hail I paid. Right, right.Michael Jamin (00:47:22):Here'sFrank Caliendo (00:47:23):My testicles. That's not the kind of comedy I really like, but it's, a lot of times it's what you have to do to get like the, the funniest thing to me. I like that really uncomfortable stuff in serious. So, better Call Saul, you, are you a fan of that show? Yeah,Michael Jamin (00:47:40):Yeah,Frank Caliendo (00:47:40):Yeah. I like that. Mike Erman Trout.Michael Jamin (00:47:42):Yeah,Frank Caliendo (00:47:43):He's great. Will just odenkirk they will crack me up because it's not, they're not doing anything big and funny per se. They're just in a really awkward situation. But it's, the stakes are so high and it's really important. La Los Salam, monka, you know, it's like, yeah.(00:48:04):All these things are so, like, and stuff Brian Cranston would do on breaking Bad. And you'd watch them and you'd go, ah, like, I'd like to go. God, you're good. I go, that's the stuff that when somebody's just the character and I go, I, I was watching billions. I watched Billions and I started watching Paul Giamati and that's why I started doing that impression, just because I'm like, he's so good. And he's so, I believe these are ways, like, he's just so, like, the intensity and you, you know, you kind of know where he is going before he does, and then he can zig or zag and that's what makes him great. Cause you think you got him pinned down and you're like, oh.Michael Jamin (00:48:51):But, so what's interesting I'm hearing is that, so you have a platform, a stage where you can write, perform pretty much whatever you want to do, but at this point you kind of want someone else just to write for you. And I, I'll, I'll be, I'll just act, you know,Frank Caliendo (00:49:04):That's more of a, and I'll add my pieces if, if that's what you want. Like, I'll add a little flair or that, that's really more what I do wanna do. Yeah. I mean it's, it's, I dunno, I don't want the, this is gonna sound terrible, but it, I, maybe it is, maybe, but after having a couple shows that I developed or, you know, development deals that just fell apart and weren't what I wanted them to be. Mm-Hmm. , I just wanna be in somebody else's who's a real good fighter and go, let's work together. I like being part of a team. Right. And I don't wanna be on a team where somebody wants to do something completely different than me. Right. I don't wanna do that. But if somebody's in the same, in the, in the same wavelength and they're going, and you, you know when that is, can you just start having fun?(00:49:52):You go, that's what I was gonna say. And then you, you do it and they're like, I, I know. Don't even say it. I'm gonna do exactly what you're about to say. Mm-Hmm. , this is it. Don't worry if I don't, we'll shoot it again, but I know what you're gonna say right here. Cuz I saw the light bulb go on with you as soon as it on with me. Here we go. Right. So, yeah. I, that's, I wanna, I wanna be a part of somebody else's thing. That's really, and, and when people think of me, they think I wanna be a one man band. I didn't even wanna be a one man band on my own show. I, I, I, I just, right. I don't know. I, I like being something, I like being part of something bigger. And it doesn't, agents don't always understand that either, because agents a lot of the time, like, you could, you should do your own thing. I'm like, but if I do my own thing, then it's just about me. I'm sick of it being about me. How about it is about,Michael Jamin (00:50:41):I'll tell you this cuz this gets back to Spade, but I'm just, shoot me. He didn't wanna be on screen. If he wasn't, he wanted to hit a home run, walk off, stay stage. I mean, that was it. He didn't need to hang around. He didn't need to count lines, he didn't need to have storylines. He's like, no, just lemme hit a couple home runs and I'll, you know, I'll do what I need to do and then leave.Frank Caliendo (00:50:59):And, you know, and, and you and you're, you're better like that. You're, you're better because you don't look like you're hanging around you. People can't wait to see you come in. Yeah. People know that your part's going to be fun. Now everybody can't be that. You have to have people that are going to drive the show. Right. Right. Arthur on king of Queens. Mm-Hmm. , you know, he is gonna come in from the base and be like, I had no idea this was gonna be this way. By the way, he had one of the greatest Jerry Stiller came up me, I did the Seinfeld bit Montreal at the Montreal Comedy Festival. Uhhuh . Jerry Stiller comes up to me afterward and it's the greatest. Like, this is awesome. He goes, you know, I really enjoyed your show, especially the portion. And I was like, oh, that is, oh, thank you Mr. Stiller. He's like, now could you tell me where the bathroom is? ?Michael Jamin (00:51:49):HeFrank Caliendo (00:51:49):Just wanted to know,Michael Jamin (00:51:50):SaidFrank Caliendo (00:51:51):You just wanted to know when the bathroom was . And that was, I told j I told Ben Stiller that I told him that at, it was, I think it was after his father pass away. I did a show called Birthday Boys. And it was actually, it was, it was really a funny thing. But it was, he was playing a Robin Williams type teacher, dead poet society kind of teacher. Ben Stiller was, who was directed by Bob. Bob. Bob Odenkirk is directing it as a guest director. But it was so awesome. Yeah. see, there's go sir. So I, I, I told, I told that Ben Stiller just the moment he heard it, he's like, , like, like he was almost embarrassed. That's my dad. Like, that's just my dad being my dad. Like, I've been there, man. But I, I remember in that, that was one of my favorite things too. Well the, the thing they wrote is why I wanna tell you this too, was the bit they wrote was he's this, like I said, this dead poet society kind of teacher. But he's going, you know, he's, he's teaching outside the box and he's supposed to be teaching the Diary of Anne Frank, but he's teaching the Diary of Frank Kelly instead .Michael Jamin (00:53:02):Right. It's funny.Frank Caliendo (00:53:03):And, and it's, you know, it's a joke of making fun of me, but I was like, God, just to be in this joke. And Bob Oden is directing and Ben still is doing it. The birthday boys wrote it. It's like, oh. And I made Stiller laugh. Cause when Odenkirk kind of went off the script, he's like, just, he's having Mr. Stiller. No, he's having Ben just tell me. He's like okay. Adam Sandler at a, at a funeral. And I was like, oh grandma, where did you have leave? Where were you? I leaving And then Ben starts cracking up. He's like, I can't go. I can't go out. He stopped. He stopped. And I go, I just, Ben laugh on the set. Oh. I go, this is the greatest day of my life. And Stiller is like, let's get going. You know? He's like, no, he was, he was great. But it was so funny too cause it was a moment for me, like, oh, this is one of the people I look up to is one of the great reactors. Yeah. Like Ben Stiller as funny as he could be presenting somethi
On this week's Talkhouse Podcast, our guests begin as strangers and end their conversation as family: It's Pamela Adlon chatting with Tegan and Sara Quin. Adlon has had an incredible career over the past 40 or so years; no matter what your pop culture diet, she has probably sneaked into your consciousness one way or another. Maybe you have vague memories of her character on The Facts of Life from the early ‘80s, or perhaps her roles on Californication and Louie in more recent years. Adlon has also had an incredible shadow career doing voices in animated shows, where she's best known as Bobby Hill on King of the Hill. But perhaps the culmination of all that fantastic work is Better Things, the show that Adlon created, executive-produced, starred in, and let's face it, gave birth to. Better Things just concluded its fifth and final season, and it stuck the landing so well. It's one of those shows that hits that rare mixture of funny and true—and it definitely struck a nerve with the other half of today's Talkhouse talk: Tegan and Sara. Tegan and Sara started making music as teenagers, and given that they're twin sisters, it's no wonder that they were immediately in sync with each other. The duo were sort of flung into the big time immediately, being signed to Neil Young's record label and opening for him when they were basically still kids. But some sage advice that you'll hear about in this chat helped Tegan and Sara navigate what's become a fruitful and varied career: They've made a ton of great music, stuck their heads into the mainstream here and there, and kept their vision intact. They've also written a memoir called High School, which was recently adapted into an Amazon TV show. They're unabashed with their love and respect for Better Things, which may have seeped into their own show. Their latest album is called Crybaby, the memoir and TV show are both called High School, and they've got a new graphic memoir called Junior High coming out later this year. Check out “Yellow” from Crybaby. In this delightful conversation, Tegan and Sara gush a little bit about Better Things and Adlon in general, and in turn Adlon offers to join their family. They talk about their various creative endeavors, the niceness of Neil Young, Sara's recent parenthood, the “hairy edge” that Better Things walked, and lots more. Enjoy. Thanks for listening to the Talkhouse Podcast, and thanks to Pamela Adlon, Tegan Quin, and Sara Quin for chatting. If you liked what you heard, please follow Talkhouse on your favorite podcasting platform, and check out all the great stuff on our website and our podcast network. This episode was produced by Myron Kaplan, and the Talkhouse theme is composed and performed by the Range. See you next time!
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