Podcasts about chladni

EKG is a sonic experimentalist who remixes The Event to create transcendent techno raves. He even treated your host to a unique experience involving a bathtub on a bed of speakers. It was as trippy as it sounds, but oddly healing.We talk about Chladni plates, the possibility of sound unlocking immortality, and dentistry.(***EKG is portrayed by Nick Carrillo)Follow us on Instagram @deathlesspodAnd one more thing... How's your immortality going?

Pondelkové epizódy v Dobrom ráne patria v lete iným podcastom denníka SME. Predstavujeme v nich prácu našich kolegýň a kolegov a ich podcastov. Tento raz si môžete vypočuť epizódu podcastu Všesvet, ktorý sa vracia s novou cestovateľskou sériou, tento raz sa Tina Paholík Hamárová a Lukáš Onderčanin vyberú do Antarktídy. Podcast Všesvet vychádza každý utorok a nájdete ho vo všetkých podcastových appkách, na Spotify a Youtube a na SME.sk. ⁠Apple podcasts⁠ ⁠Youtube⁠ ⁠Spotify⁠ ⁠RSS⁠. – Všetky podcasty denníka SME nájdete na⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ sme.sk/podcasty⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ – Odoberajte aj audio verziu denného newslettra ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ SME.sk⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ s najdôležitejšími správami na⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ sme.sk/brifing⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ – Odoberajte mesačný podcastový newsletter nielen o novinkách SME na ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠sme.sk/podcastovenovinky⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠  – Ďakujeme, že počúvate podcast Dobré ráno.

In the 1950s, a schoolteacher named Carleen Hutchins attempted a revolution in how concert violins are made. In this episode, Craig Eley of the Field Noise podcast tells us how this amateur outsider used 18th century science to disrupt the all-male guild tradition of violin luthiers. Would the myth of the never-equaled Stradivarius violin prove to be true or could a science teacher with a woodshop use an old idea to make new violins better than ever? We also learn about the mysterious beauty of Chladni patterns, the 18th century technique of using tiny particles to reveal how sound moves through resonant objects–the key to Hutchins' merger of art and science. In this episode, we hear the voices of: Quincy Whitney, Carleen Hutchins biographer and a former arts reporter for the Boston Globe. Myles Jackson, a professor of the history of science at Princeton. Joseph Curtin, a MacArthur-award winning violin maker. Sam Zygmuntowicz, an extremely renowned violin maker and creator of Strad3D. Carleen Hutchins herself.   You can subscribe to Craig Eley's Field Noise podcast to hear the original version of this story. This episode was edited by Craig Eley and Mack Hagood. Music is by Blue Dot Sessions and Marc Bianchi. The archival interview clips of Carleen Hutchins were provided by filmmaker James Schneider. The interview with Quincy Whitney was recorded by Andrew Parrella at New Hampshire Public Radio. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

In the 1950s, a schoolteacher named Carleen Hutchins attempted a revolution in how concert violins are made. In this episode, Craig Eley of the Field Noise podcast tells us how this amateur outsider used 18th century science to disrupt the all-male guild tradition of violin luthiers. Would the myth of the never-equaled Stradivarius violin prove to be true or could a science teacher with a woodshop use an old idea to make new violins better than ever? We also learn about the mysterious beauty of Chladni patterns, the 18th century technique of using tiny particles to reveal how sound moves through resonant objects–the key to Hutchins' merger of art and science. In this episode, we hear the voices of: Quincy Whitney, Carleen Hutchins biographer and a former arts reporter for the Boston Globe. Myles Jackson, a professor of the history of science at Princeton. Joseph Curtin, a MacArthur-award winning violin maker. Sam Zygmuntowicz, an extremely renowned violin maker and creator of Strad3D. Carleen Hutchins herself.   You can subscribe to Craig Eley's Field Noise podcast to hear the original version of this story. This episode was edited by Craig Eley and Mack Hagood. Music is by Blue Dot Sessions and Marc Bianchi. The archival interview clips of Carleen Hutchins were provided by filmmaker James Schneider. The interview with Quincy Whitney was recorded by Andrew Parrella at New Hampshire Public Radio. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music

In the 1950s, a schoolteacher named Carleen Hutchins attempted a revolution in how concert violins are made. In this episode, Craig Eley of the Field Noise podcast tells us how this amateur outsider used 18th century science to disrupt the all-male guild tradition of violin luthiers. Would the myth of the never-equaled Stradivarius violin prove to be true or could a science teacher with a woodshop use an old idea to make new violins better than ever? We also learn about the mysterious beauty of Chladni patterns, the 18th century technique of using tiny particles to reveal how sound moves through resonant objects–the key to Hutchins' merger of art and science. In this episode, we hear the voices of: Quincy Whitney, Carleen Hutchins biographer and a former arts reporter for the Boston Globe. Myles Jackson, a professor of the history of science at Princeton. Joseph Curtin, a MacArthur-award winning violin maker. Sam Zygmuntowicz, an extremely renowned violin maker and creator of Strad3D. Carleen Hutchins herself.   You can subscribe to Craig Eley's Field Noise podcast to hear the original version of this story. This episode was edited by Craig Eley and Mack Hagood. Music is by Blue Dot Sessions and Marc Bianchi. The archival interview clips of Carleen Hutchins were provided by filmmaker James Schneider. The interview with Quincy Whitney was recorded by Andrew Parrella at New Hampshire Public Radio. Learn more about your ad choices. Visit megaphone.fm/adchoices

In the 1950s, a schoolteacher named Carleen Hutchins attempted a revolution in how concert violins are made. In this episode, Craig Eley of the Field Noise podcast tells us how this amateur outsider used 18th century science to disrupt the all-male guild tradition of violin luthiers. Would the myth of the never-equaled Stradivarius violin prove to be true or could a science teacher with a woodshop use an old idea to make new violins better than ever? We also learn about the mysterious beauty of Chladni patterns, the 18th century technique of using tiny particles to reveal how sound moves through resonant objects–the key to Hutchins' merger of art and science. In this episode, we hear the voices of: Quincy Whitney, Carleen Hutchins biographer and a former arts reporter for the Boston Globe. Myles Jackson, a professor of the history of science at Princeton. Joseph Curtin, a MacArthur-award winning violin maker. Sam Zygmuntowicz, an extremely renowned violin maker and creator of Strad3D. Carleen Hutchins herself.   You can subscribe to Craig Eley's Field Noise podcast to hear the original version of this story. This episode was edited by Craig Eley and Mack Hagood. Music is by Blue Dot Sessions and Marc Bianchi. The archival interview clips of Carleen Hutchins were provided by filmmaker James Schneider. The interview with Quincy Whitney was recorded by Andrew Parrella at New Hampshire Public Radio. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/sound-studies

Chladný nápoj, potraviny, ovoce nebo zmrzlina, to všechno dnes skladujeme v chladničkách a není nic jednoduššího než otevřít dvířka a obsloužit se. Předtím, než byla vynalezena chladnička, neřkuli elektřina, to tak jednoduché nebylo. Zmrzlina byla jen lahůdkou pro bohaté a udržet potraviny v chladu bylo složité. Obchod s ledem byl vzkvétajícím a prosperujícím odvětvím. Dnes na něj můžeme jen vzpomínat, anebo se za ním vydat do jednoho londýnského muzea.Všechny díly podcastu Zápisník zahraničních zpravodajů můžete pohodlně poslouchat v mobilní aplikaci mujRozhlas pro Android a iOS nebo na webu mujRozhlas.cz.

V podcaste Dotyk sme privítali Libora Bauera zo Samsungu. Budeme hovoriť o nových televízoroch Samsung, dozviete sa prečo nepodporujú Dolby Vision a ako sa darí predajom lifestylových televízorov. Dozviete sa aj to, na čo je nám v chladničke, práčke či vo vysávači umelá inteligencia. Viac o televízoroch píšeme aj na našom webe www.touchit.sk. 

Aké je to žiť na skutočnom konci sveta, sú tučniaky prítulné a ako sa tri mesiace spí v stane na ľadovci, kde môžu byť teploty aj mínus štyridsať stupňov? Slovák Róbert Vrábel sa prvýkrát na Antarktídu pozrel v roku 2018, o rok neskôr tam už išiel pracovne a odvtedy trávi na najchladnejšom kontinente takmer polovicu roka, po ktorej sa zase presunie na najsevernejší obývaný bod na svete - na Špicbergy. Na Antarktíde Róbert robil všetko od umývania riadu, mechanika, cez prípravu pristávacej plochy pre lietadlá až po sprevádzanie celebrít ako bol Will Smith či Ashton Kutcher.  "Keď sa v stane zobudím, že je mi zima, tak viem, že je zle. Musí byť pod mínus štyridsať. Keď máš slnko a bezvetrie, stan sa dokáže vyhriať," opisuje Vrábel, ako sa vysporiadava s nízkymi teplotami. Keď je počasie dobré, spolu s ostatnými pracovníkmi kempov na ľadovci hrávajú futbal, bežkujú alebo chodia behať po okruhu, ktorý si pred sezónou v snehu spevnili.  Prečo posiela svoje ponožky do Južnej Ameriky, aké to bolo bežať maratón na Antarktíde v teniskách a teplákoch a prečo sa netreba na juhu obávať ľadových medveďov? Aj na tieto otázky zodpovie Róbert v novej epizóde Všesvet podcastu. Budeme radi, ak nás v tvorbe podcastu podporíte na Patreone. Ak máte akékoľvek otázky, neváhajte nám napísať na vsesvetpodcast@gmail.com.

Dnes si ukážeme obsah moje chladničky (áno, všetky salámy, šunky, pašteky som z nej pred natáčaním vybral, alebo rovno zjedol) - verte alebo nie, obsah mojej chladničky vyzerá rovnako. Odporúčam pozrieť fantastické video na mojom youtube, kde detailne a zrozumiteľne vysvetľujem príčiny chorôb v rámci fyzického tela: https://youtu.be/zJ0jCGvPFDM Viac hodnoty získate na mojich sociálnych sieťach a web stránke: web: www.matejmravec.sk facebook: https://www.facebook.com/matej.mravec.547 instagram: https://www.instagram.com/mravec.matej/ tiktok: https://www.tiktok.com/@matejmravec youtube: https://www.youtube.com/channel/UC-IdUbUsZMzqXRP_WgJrw8w

Do you want to see sound? This week we'll teach you how by making your very own Chladni Figures!  If you participate in our experiment, we'd love if you would share your figures with us on our social media. And as always, be sure to like and share with a friend. Music: https://imslp.org/wiki/Agrippina%2C_HWV_6_(Handel%2C_George_Frideric) https://creativecommons.org/licenses/by-nc-nd/4.0/legalcode

Bez chladničiek si život predstavujeme už len ťažko, fyziku v nich však bežne prehliadame. Kto vymyslel prvú chladničku? Prečo chladničky vrčia? A ako sa dá vyrobiť kotlíková chladnička? O tom všetkom diskutujú Jozef a Samuel. Podcast vzniká v spolupráci so SME.  Podcastové hrnčeky a ponožky nájdete na stránke https://vedator.space/podporte-nas/ Vedátora môžete podporiť cez stránku Patreon https://www.patreon.com/Vedator_sk Všetko ostatné nájdete tu https://linktr.ee/vedatorsk

Známa chemička Martina Ribar Hestericová v Hemendexe vysvetľuje každodenné situácie z hľadiska chémie.

Tóno a jeho pršteky vo fritéze. Tóno vo fólií, pretože výdaj musí byť čistý. NEXT? V piatok 17. júna budeme naživo -  www.demanovarezort.sk  K*revsky kvalitná produkcia by @zapoofficial  https://www.instagram.com/zapoofficial/?hl=sk 

Le sens conçu pour percevoir les sons, c'est bien sûr celui de l'ouïe. C'est du moins ce qui vient tout de suite à l'esprit. Et pourtant, le son peut aussi se voir. C'est tout l'intérêt de ce qu'om appelle les figures de Chladni.La découverte progressive du phénomèneDès 1638, Galilée s'était aperçu que des motifs apparaissaient sur une plaque qu'on faisait vibrer. Une quarantaine d'années plus tard, le phénomène est étudié de plus près par le scientifique anglais Robert Hooke.Mais c'est le physicien allemand Ernst Chladni qui le décrit avec le plus de précision, dans un livre paru en 1787. D'où le nom de "figures de Chladni" donné aux motifs apparaissant sur la plaque vibrante.Napoléon, devant lequel Chladni fit une démonstration, se montra intéressé par l'expérience. Il décida alors d'organiser un concours destiné à trouver une explication mathématique au phénomène.C'est la mathématicienne française Sophie Germain qui, en 1816, trouva finalement la solution du problème.Comment faire apparaître les figures ?Pour ses expériences, Chladni utilisait des plaque en métal, mais on peut se servir d'autres matériaux. Une fois la plaque solidement fixée sur un support, on dépose du sable à sa surface.La deuxième étape consiste à faire vibrer la plaque. Pour ce faire, Chladni utilisait l'archet d'un violon, qu'il frottait contre la plaque. La vibration provoquée par l'archet entraîne le déplacement du sable.Ce mouvement a ses lois. En effet, le sable se déplace depuis les zones de forte vibration vers celles où cette vibration est plus faible, ou même nulle. C'est en se déplaçant ainsi que le sable forme des figures particulières.Chladni avait également remarqué que la configuration de ces motifs dépendait de l'intensité de la vibration. Par ailleurs, en posant un doigt sur la plaque, à certains endroits, il est possible de modifier la forme qu'affectent les motifs.La forme de ces figures est également conditionnée par la nature de la plaque et par la manière dont on la fait vibrer. Malgré une grande diversité théorique, le nombre de motifs apparaissant sur une plaque est assez limité. Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

Le sens conçu pour percevoir les sons, c'est bien sûr celui de l'ouïe. C'est du moins ce qui vient tout de suite à l'esprit. Et pourtant, le son peut aussi se voir. C'est tout l'intérêt de ce qu'om appelle les figures de Chladni. La découverte progressive du phénomène Dès 1638, Galilée s'était aperçu que des motifs apparaissaient sur une plaque qu'on faisait vibrer. Une quarantaine d'années plus tard, le phénomène est étudié de plus près par le scientifique anglais Robert Hooke. Mais c'est le physicien allemand Ernst Chladni qui le décrit avec le plus de précision, dans un livre paru en 1787. D'où le nom de "figures de Chladni" donné aux motifs apparaissant sur la plaque vibrante. Napoléon, devant lequel Chladni fit une démonstration, se montra intéressé par l'expérience. Il décida alors d'organiser un concours destiné à trouver une explication mathématique au phénomène. C'est la mathématicienne française Sophie Germain qui, en 1816, trouva finalement la solution du problème. Comment faire apparaître les figures ? Pour ses expériences, Chladni utilisait des plaque en métal, mais on peut se servir d'autres matériaux. Une fois la plaque solidement fixée sur un support, on dépose du sable à sa surface. La deuxième étape consiste à faire vibrer la plaque. Pour ce faire, Chladni utilisait l'archet d'un violon, qu'il frottait contre la plaque. La vibration provoquée par l'archet entraîne le déplacement du sable. Ce mouvement a ses lois. En effet, le sable se déplace depuis les zones de forte vibration vers celles où cette vibration est plus faible, ou même nulle. C'est en se déplaçant ainsi que le sable forme des figures particulières. Chladni avait également remarqué que la configuration de ces motifs dépendait de l'intensité de la vibration. Par ailleurs, en posant un doigt sur la plaque, à certains endroits, il est possible de modifier la forme qu'affectent les motifs. La forme de ces figures est également conditionnée par la nature de la plaque et par la manière dont on la fait vibrer. Malgré une grande diversité théorique, le nombre de motifs apparaissant sur une plaque est assez limité. Learn more about your ad choices. Visit megaphone.fm/adchoices

Ernst Florens Friedrich Chladni stellte 1794 die These auf, manche Eisenbrocken aus dem Weltraum auf die Erde gekommen waren. Für diese Idee wurde er damals ausgelacht, heute sind Meteoriten fast jedem vertraut.Von Dirk Lorenzenwww.deutschlandfunk.de, SternzeitDirekter Link zur Audiodatei

Series 2 Episode 1 We return with a new format – Words of Wisdom! Are podcasts the new Turkish Saunas? We'd love to metaphorically invite you to our sauna by getting in touch with us… Please send us your own words of wisdom – phrases or fragments of songs or poems which you turn to for comfort or strength Email- spritzpersonality@gmail.com Twitter - search SpritzPersonality or find @SpritzPersonal1 Insta - spritzpersonality Giovanni brings in some thoughtful words to discuss this week, regarding Nature and the… nature of it. In the wake of the COP 26 forum, we delve into the question of just how destroyed the planet is and what (literally) on Earth the new solutions will be? Can Jeff Goldblum help us come to terms with Chaos Theory? What do Chladni plates show us about order and chaos? https://www.whipplemuseum.cam.ac.uk/explore-whipple-collections/acoustics/ernst-chladni-physicist-musician-and-musical-instrument-maker You can see them in action here - https://www.youtube.com/watch?v=wvJAgrUBF4w Can we ever enact the fractal nodes of the Ecopolis thoroughly to create a truly green space? https://www.thezebra.com/resources/home/what-is-a-sustainable-city/ Of course, Jung makes an appearance but in connection with Richard Dawkins this time. We then have to ask if Jordan Peterson is right to say that ‘Dangerous people are the best people'? Is a fireworks display anything like Bobby Lee, Punk Rock, a conversation or The Joker? We again try to get to the bottom of the phenomenon of why music is so good – is it the greatest portable Art form which can be enjoyed passively? And do you know where EXACTLY the quote comes from?? Drop us a line at the bowling alley…. The comedian whose full name Bob couldn't remember is Jade Catta-Preta who can be seen with Bobby Lee on his podcast Tiger Belly, here - https://www.youtube.com/watch?v=I_dtcyDGltI Giovanni's book 'Psychology as Ethics - Reading Jung with Kant, Nietzsche and Aristotle' is published by Routledge.

¡Ah!, con qué facilidad agregamos adjetivos calificativos a la frase “yo soy….”. Si sólo supiéramos el poder que las palabras tienen, seríamos más cautelosos con las afirmaciones que hacemos.

Iba ten môže vyhorieť, kto je zapálený. Na čítanie potrebujem okuliare, lebo už mám stareckú difokáciu. Pozornosť je dnes totálna komodita. Na medicíne chýba skúška z komunikácie. NEXT? HITLER NEBOL NEJAKÝ MYSLITEĽ...  https://open.spotify.com/episode/1aC3LfdgixPu9HKMWEzd5f  Knižný kompas je podcast vydavateľstva IKAR. Produkcia podcastu MARAKUA: @zapoofficial  https://www.zabavavpodcastoch.sk/  

S primárkou Očného oddelenia vo Fakultnej nemocnici v Trnave MUDr. Dagmar Kutnárovou PhD. sme si konečne zodpovedali otázky, či nám mrkva zlepší zrak, či očiam škodí televízia alebo či ženy vidia farebnejšie. Doktorka nám dala tiež rady, ako sa starať o oči v lete a poučila nás, že slnečné okuliare by sme rozhodne nemali zanedbávať počas celého roka, nie iba počas slnečných dní.

MANCHESTER CITY ŠPECIÁL aj o: Zinčenkovej manželke, Sterlingových deťoch, prekoučovanom finále a najväčších luckeroch pri žrebe domácich pohárov. NEXT? POZRIEM A VIDÍM, ŽE TEN MA OPRIE O STENU  https://open.spotify.com/episode/7xIyw7mcXDkb49VFdrdB9Y  Hľadáš byt?  https://www.instagram.com/realitnakancelaria_azproperty/?hl=sk  Produkcia @futbalovy_var by ZAPO  https://www.zabavavpodcastoch.sk/  

Cosa sappiamo della natura del suono?

Poznáte to, každá máme v sebe "drama queen", to nás robí ženami. Kontrolórky, strážkyne času, vymazávačky instagramových účtov, detektívky a sledovačky v kríkoch - avšak častokrát vedia zažiarliť aj muži, schovanie topánok do chladničky stále predýchavame. Veď ako sa hovorí, kto nežiarli, nemiluje...či?

Apen worden geïnjecteerd met menselijke genen, waardoor hun hersenen groter worden en de apen menselijker worden. Is dit het begin van Planet of the Apes? De terugkeer van de mammoet? Dinosauriërs? Hoe komen we van de mondkapjes af? Door het spel slimmer te spelen. Het is zaak om grote bedrijven aan jouw kant te krijgen, want zij hebben meer gewicht in de schaal. De manier waarop de media de mondkapjesplicht activistisch gaat steunen is simpel te voorspellen. De columns liggen klaar, de fotografen hebben hun missie en de headlines zijn al geschreven Van 3D naar 5D, wat betekent dat? Als we de photon belt, waar ons zonnestelsel in het Watermantijdperk doorheen draait, en de zogeheten Chladni patronen samenvoegen, wordt de toekomst steeds inzichtelijker Zijn de burgers zo gedwee omdat ze zo gedwee zijn gemaakt? Is dat het neveneffect van naar school gaan, iets dat we verplicht het eerste kwart van ons leven moeten ondergaan? Worden we twintig jaar lang getraind om wenselijke vragen te stellen in plaats van moeilijke?

Vlašské ořechy nesmí chybět v tradičních českých koláčích a moučnících. Proto je dobré mít je vždy po ruce a to nejlépe vyloupané, nezaberou tak mnoho místa. Aby se do nich nedostala plíseň ani moli, nezapomeňte na jejich správné skladování. 

Escuchamos la palabra Akashic comúnmente cuando nos referimos a "una lectura de Registros", pero muchas veces no sabemos el significado de la palabra Akash.Esta palabra que viene del Sánscrito tiene un significado muy profundo que es conocida por muchos en la antigüedad, especialmente aquellos quienes crecieron en la religión Hinduísta.Su significado es profundo y una vez la comprendas verás cómo te da la clave para crear tu realidad basado en la vibración.EN ESTE EPISODIO:¿Cuál es el significado de la palabra Akash?¿Cuál es la tradición de la palabra Akash y en qué area del globo creó sus raíces?¿Cuál es la clave de la creación que existe en el Akash?¿Qué podemos aprender de los antiguos Vedas acerca de esta palabra?La historia de la Red de Indra y su significado en nuestro mundo moderno.Cómo la vibración va a la par con el elemento Akasha.Cómo el Creador se expresa a través de cada uno de nosotros usando el Akash.Déjame tu pregunta grabada en AlkimiaPersonal.com y suscríbete a mi comunidad allí también.Video que muestra el experimento vibratorio de Chladni en la Universidad de Saint Mary en Nueva Escocia, Canadá.

Containing discussions of ten individual Stories, represented by Eight authors, concerning three Modes of the Ideal; the First encapsulating Sketches of the Mad Scientist, pursued thither in Grains granulating on the Gradient from the Coarse to the Refined; the Second presenting an Understanding and an Excitement of Sound, Music, Acoustics and Art; and the Third in the preaching of Doomsday in the Russian Orthodox tradition, in which a passionate Defense of the Character of Constance Garnett is offered by one of the Hosts (though Whom at this Time we will not say), which may surprize the Listener. Timestamps: The First Steps: The Mad Scientist's Miscellany Introduction, background on Nathaniel Hawthorne (0:00) Nathaniel Hawthorne - "Dr. Heidegger's Experiment" (1837) (16:11) Nathaniel Hawthorne - "Rappacini's Daughter" (1844) (27:16) E.T.A. Hoffman - "The Sandman" (1816) (46:38) Fitz-James O'brien - "The Diamond Lens" (1858) (1:18:46) The Second Steps: Acoustical Resonations James Davenport Whelpley - "The Atoms of Chladni" (1860) (1:42:55) Honoré de Balzac - "Gambara" (1837) (2:12:40) The Third Steps: Russian Doomsday Semyon Dyachkov - "A Trip to the Moon in a Wonderful Machine With a Description of the Countries There, Customs and Various Rarities" (1844) (2:42:40) Dmitry Sigov - "Journey to the Sun and the Planet Mercury and All the Visible and Invisible Worlds " (1832), and "The Talk of Moscow Citizens about the Comet of 1832" (1832) (2:55:54) Vladimir Odoevsky - "The Year 4338: The Petersburg Letters" (3:15:14) Bibliography: Boczkowska, Kornelia. "Space exploration in 20th century American and Soviet literature and art". Uniwersytetu im. Adama Mickiewicza w Poznaniu 2015

Patria alebo nepatria. Teda paradajky, a ten spor prebieha roku rokúce a znie nejaké takto: je lepšie paradajky skladovať v chladničke alebo je lepšie ich nechať vonku? No a teraz sa na to pozreli vedci a ukázali, čo je naozaj dôležité. A teda teplota skladovania to nie je. Tento týždeň sa v podcaste Zoom pozrieme na to, ako najlepšie skladovať paradajky a čo o výsledku rozhoduje, prečo čmeliaky obhrýzajú rastliny a ako to súvisí s ich kvitnutím a ako podporiť rast svalov aj po tridsiatke. Krátke správy z vedy NASA hľadá ľudí pre experiment so sociálnou izoláciou. Misia bude súčasťou príprav na cestu na Mars a na Mesiac. Počas ôsmich mesiacov uchádzači zažijú podmienky podobné tým, aké by mali podľa predpokladov zažiť astronauti počas misií na Marse. Astronómovia zrejme videli zrod novej planéty, na fotke pripomína Sauronovo oko. V okolí mladej hviezdy AB Aurigae sledovali hustý disk plynu a prachu, ktorý má výraznú špirálovitú štruktúru. Vo vnútornej oblasti si všimli nápadné pokrútenie, ktoré by mohlo naznačovať polohu vznikajúcej planéty. Cvičenie zlepšuje pamäť, zvyšuje prietok krvi v mozgu. Tento jav môže pomôcť najmä starším ľuďom a tiež vedcom pri ďalšom skúmaní liečby Alzheimerovej choroby. Horúčavy majú len malý vplyv na šírenie nového koronavírusu, vyplýva z novej štúdie. Vedci zistili, že horúčavy a zvýšená vlhkosť ovzdušia ovplyvňujú šírenie koronavírusu len v malej miere.

Nezvyknem veci plánovať, ale predsa len som mala plán, že si nevezmem hypotéku. Že raz neuveriteľne zbohatnem a kúpim si mega byt v HOTOVOSTI. Slnečný, priestranný a veľkorysý - ďalšia slávna trojica po Dlhom, Širokom a Bystrozrakom. Ak ste sa niekedy snažili dostať sa "do vlastného", tak možno tušíte, o čom hovorím.   

Thérapeute holistique, Clélia est une exploratrice en formation continue. Elle organise notamment de ateliers sonores et de nombreuses retraites en France ou encore en Inde pour partager sa vision du monde. Pendant 45 minutes, nous avons parlé du pouvoir des vibrations et du son, de ce que lui apportent les voyages, des lois de la vie, de sa conception des croyances et de la vérité, et de son désir de ne pas avoir de convictions. Bonne écoute ! Le site Du green et du love : https://dugreenetdulove.com/ Instagram : https://www.instagram.com/du_green_et_du_love Explications des dessins acoustiques dites “Figures de Chladni” https://www.youtube.com/watch?v=VSxRJPTxO9U Les passionnants travaux du Professeur Masaru Emoto “Messages de l’eau” : https://www.youtube.com/watch?v=1Ra_7Li1ZBM Clubbed to death - Matrix soundtrack : https://www.youtube.com/watch?v=Brl7WmHDG-E

Si tu veux tout savoir sur le taux vibratoire, ce que c'est, ce qui l'influence et surtout, comment faire pour le maintenir élevé, cet épisode va beaucoup t'intéresser !J'y parle aussi de BigBang, de Om, de Chladni et d'authenticité, tout ça, mêlé...

In the 1950s, a schoolteacher named Carleen Hutchins attempted a revolution in how concert violins are made. In this episode, Craig Eley of the Field Noise podcast tells us how this amateur outsider used 18th century science to disrupt the all-male guild tradition of violin luthiers. Would the myth of the never-equaled Stradivarius violin prove to be true or could a science teacher with a woodshop use an old idea to make new violins better than ever?  We also learn about the mysterious beauty of Chladni patterns, the 18th century technique of using tiny particles to reveal how sound moves through resonant objects--the key to Hutchins' merger of art and science. In this episode, we hear the voices of:Quincy Whitney,  Carleen Hutchins biographer and a former arts reporter for the Boston Globe.Myles Jackson, a professor of the history of science at Princeton.Joseph Curtin, a MacArthur-award winning violin maker.Sam Zygmuntowicz, an extremely renowned violin maker and creator of Strad3D.Carleen Hutchins herself. You can subscribe to Craig Eley's Field Noise podcast to hear the original version of this story. This episode was edited by Craig Eley and Mack Hagood. Music is by Blue Dot Sessions and Marc Bianchi. The archival interview clips of Carleen Hutchins were provided by filmmaker James Schneider. The interview with Quincy Whitney was recorded by Andrew Parrella at New Hampshire Public Radio. Transcript [ominous music plays][CRIS CHEEK]This…is…Phantom Power.[MACK HAGOOD]Episode 14.[CRIS]Resident grains.[a whirring sound plays, then a string being plucked][CARLEEN HUTCHINS]What I’m interested in now is to see what the waves that are traveling through the woods are like. And those are the things that I think are making a lot of difference in the way, energy and the waves of energy can go through the wood itself. And wood is all sorts of sort of discontinuity, if you will, that will make the energy have to slow down or go around something, it’s a little bit like a river flowing. And if you put some rocks on the edge of a river, you’ll change the whole flow of the river downstream. Think that’s what’s happening in violins. There are certain ways that those blockages, the discontinuity can be worked out. And that’s the kind of thing I’m looking for us to see what happens. Because some of the beautiful issues that I’ve been working with and testing show that there’s a good deal of this sort of thing going on.[CRAIG ELEY]Well, let’s just back up a little bit. There’s a line of thought, which is that every object vibrates according to its nature.[A more persistent humming, then fades out][MACK]Welcome to another episode of Phantom Power. I’m Mack Hagood.[CRIS]And I’m cris cheek.[MACK]Today we have the pleasure to speak with one of our collaborators, Craig Eley. Craig is a producer on Phantom Power. And he’s also the producer of his own podcast, a podcast called Field Noise. Hi, Craig. [CRAIG]Hey, guys. Thanks for having me.[CRIS]Yeah, thanks for being with us.[MACK]Alright, so Craig, we’re doing a little bit of a swap-a-roo this week. We’re going to hear basically an episode of your podcast Field Noise. Do you want to tell us a little bit about your show?[CRAIG]Yeah, you know, the idea has always revolved around my own research interests: sound studies, history of technology, environmental history, and just the sort of relationship between sound and technology in the environment. You know, when I finished graduate school, I actually did do a research postdoc for a year, but then I ended up working in public radio. And I’m trying to incorporate some of my own research, but also just do some original reporting and just kind of follow my ears as it were for some stories that I’m that I’m interested in trying to tell.[MACK]So today, you’re bringing us an episode of Field Noise that is about an outsider who revolutionized the field that she entered.[CRAIG]That’s absolutely right.

Tony Lewis was born in California. His parents moved from Wales to Canada in the late 1970s but then moved to California where he was born near San Francisco. First band named Storytime in Lake Tahoe. Went to recording school in Huntington Beach, CA and became an entrepreneur, recording bands. Opened a recording school in Long Beach, then went to Hollywood, right at Sunset and Vine! Finding creative ways to make money in the extremely competitive L.A. music business. Auditioning for Capitol Records… on the sidewalk! Making the transition from musician to recording engineer. Complete life transformation from having his first daughter. Unemployment! Then being invited by his father to move to Kelowna in 2007. “It’s just like California!” Starting as a big fan of beers, but had no real appreciation for wine. Okanagan Villa became Vibrant Vine. The unbelievable amount of physical labour required to run a successful winery. Different ways to learn: the long and meandering way or the fast and efficient way. Learn Tony’s secret favourite place to get a breakfast Outgrowing arrogance, immaturity, and lack of deep gratitude Untangling all of the rules and regulations of the liquor business in British Columbia An amazing discovery: Wine in barrels next to drums or other music react chemically different than wine that isn’t exposed to music! The Orphan Grape: helping the people of Haiti, including farmers, through wine sales. Opening Cahoots, a cidery, and Frequency, a new winery. Chladni plates and research into the effect of sound on liquids, including averting bottle shock on wine. Masaru Emoto was a Japanese author, researcher, photographer and entrepreneur who said that human consciousness has an effect on the molecular structure of water. Tony’s own experimentation at Frequency proves this theory to be true! Tying it all together: a love of music and a love of wine and winemaking, makes an amazing life and business. Wine is a story in a bottle. All about the Frequency recording studio: over 400 bands have come through so far. Ok for children to play music in there, with a waiver Oops 2012 was a Double Platinum, World Wine Competition winner in Geneva Switzerland, beating out 10,000 other entries. The secret formula to how he did it! Cultivating a spirit of gratitude is the key to success in the wine business, the music business and in life https://tinyurl.com/y8jax3xbSupport the show (https://paypal.me/lukemenkes)

Doctor Petronella Sage thinks she has discovered a way to direct travel through time and space. By changing the Chladni design, Sage and Savant find themselves on a pirate ship and living life before the mast. While the life of a pirate is dangerous, finding a way to return to their own Steampunk world and the … Continue reading "Life Before the Mast"