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Consistent Records proudly presents: Consistent Radio! Each month we've got for you a mix of established techno DJs as well as talented local heroes from around the world, hosted by Arthur van Dyk. Broadcasted at: - In Progress Radio (www.inprogressradio.com/) every Saturday from 8pm - 10pm CET. Tune in every weekend and keep track of the movement here: - linktr.ee/CONSISTENTRADIO - www.facebook.com/ConsistentRadio - www.instagram.com/consistentradio/ - @consistent-radio

Skip the Queue is brought to you by Rubber Cheese, a digital agency that builds remarkable systems and websites for attractions that helps them increase their visitor numbers. Your host is Paul Marden.If you like what you hear, you can subscribe on iTunes, Spotify, and all the usual channels by searching Skip the Queue or visit our website SkiptheQueue.fm.If you've enjoyed this podcast, please leave us a five star review, it really helps others find us. And remember to follow us on Twitter  or Bluesky for your chance to win the books that have been mentioned in this podcast.Competition ends on 19th March 2025. The winner will be contacted via Bluesky. Show references: https://www.ajah.ae/https://www.linkedin.com/in/paul-griffiths-63432763/Kelly's final episodeThe transformation of Painshill Park, with Paul Griffiths, Director of PainshillWhat it really takes to launch a podcast. With Kelly Molson and Paul GriffithsPaul Griffiths has worked in the Heritage, Museums and Tourism world now for nearly 30 years.After spending 16 years working in various role for English Heritage, in 2012 he moved to the Mary Rose Museum as Head of Operations to oversee the opening and operations of the multi award winning museum, welcoming over one million visitors before in 2018 taking on moving to the Painshill Park Trust in the role of Director of Painshill. Paul spent 6 years there before his move in December 2024 to Ras Al Khaimah one of the seven Emirates that make up the UAE. In this exciting brand new role Paul is Chief Executive Officer of the Al Hamra Heritage Village, part of the Al Qasimi Foundation. Transcriptions: Paul Marden: Welcome to Skip the Queue, a podcast for people working in and working with Visitor Attractions. I'm your host, Paul Marden.Longtime listeners will remember my guest today, Paul Griffiths, when he was CEO at Painshill Park, from when he was interviewed back in season one by Kelly. In today's episode, Paul comes back to talk about his new role as CEO of Al Jazeera Al Hamrah Heritage Village in Ras Al Khaimah in the UAE. Now, I'm always interested in the first 90 days of people's experience in a job, so we'll be talking more about that and his for the future. Paul Marden: Paul, welcome back to Skip the Queue. Paul Griffiths: Hello. Thanks for having me, Paul. Great to be here. Paul Marden:  Long time. Listeners will know that we always start with an icebreaker question and our guests don't get to know that one in advance. I think this one's a pretty kind one. I was pretty mean to Paul Sapwell from Hampshire Cultural Trust a couple of weeks ago because I asked him whether it was Pompey or Saints and for political reasons, he felt that he had to abstain from that.Paul Griffiths: Testing his interest. I'd have gone Pompey at the time because that's where we live. Well, did live. Paul Marden: Oh, there you go. There you go. So you've moved over from Portsmouth. You're now in the UAE. Tell listeners, what is that one? Home comfort that after three months away from Blighty, you're missing? Is it proper English marmalade? Paul Griffiths: Do you know what? I've been able to get hold of most things, but I've not been able to get. I know people who cook properly, so I should be able to do this myself, but I haven't. Cauliflower cheese, one thing I'm missing from home, that doesn't sell it anywhere in a sort of pre pack or frozen form. I can even get hold of Yorkshire puddings in Spinny's supermarket, but I can't get hold of cauliflower cheese. Paul Marden: Can you get cauliflowers? Paul Griffiths: Can get cauliflowers. I'm sure I can make cheese sauce if I knew what it was doing. But you normally. I'm so used to normally buying a pack of cheese, cauliflower cheese to have in my Sunday roast. Paul Marden: Okay. So if I ever get to come out, I need to bring out a plastic wrapped, properly sealed so that it doesn't leak on the plane. Cauliflower cheese? Paul Griffiths: Yes, please. Yeah, absolutely. Paul Marden: So your last episode was actually. Or your last full episode was back in season one, episode 22. So five years ago and the world has changed a lot in five years, but most recently it's changed a lot for you, hasn't it? So why don't you tell listeners a little bit about what's happened to you since you were with us in season one? Paul Griffiths: Wow. Yeah, well, season one seems an age away, doesn't it, now with all the wonderful guests youu've had since on Skip the Queue, it's been a different program completely. But, yeah, no, well, back then I was at Painshill, were coming out of a pandemic and I remember, you know, Kelly and I were chatting over all the different avenues that everyone had gone and what we've done at Painshill and that continued brilliantly. And however, my life has taken a change in. In sense of where I am, but I'm still doing the same sort of work, so. Which is, you know, when our industry, and it's such a fabulous industry, it's great to stay in it. Paul Griffiths: So I am now over in the United Army Emirates in the Emirate of Ras Alhaima, which is the third biggest of the seven emirates that make up the UAE, behind Abu Dhabi and, of course, Dubai. So I was approached, God, nearly always, this time last year, about a call over here. Yes. My recruitment company got in touch and went through, you know, had a good look at the job description and thought, well, actually, we'll throw my hat into the ring. And applied, went for a series of online interviews with the recruitment company, then an online interview with the people over here at various departments within the Al Kassimme Foundation and the Department of Museums and Antiquities. Paul Griffiths: So, yeah, looking at this brand new job, which I'm now lucky enough to be in, I then was flown out in August for a round of interviews, met all the team. You know, one of those things that you later discover, the whole real four days was one big interview, although there was. There was a central one. But of course, everyone you were meeting along the way was being asked to feedback, And I love chatting to people and enjoying people's company. So actually went for dinners and lunches and all sorts, which was just a lovely four days and almost felt like a free hit in many ways, Paul. Well, this is going to be a brilliant experience. Paul Griffiths: If I don't get the job, I'm going to have a great four days in Rasta Taima, seeing it, meeting everyone, enjoying the time here. And, you know, the more time I spent here, the more time with the team, the more time, you know, going and visiting sites. I just became more and more that this would be an amazing job. Obviously gave my absolute everything, did loads of research, gave everything in the interview. The interview took a rather unusual turn. After the sort of hour and a half of questions and my questions, I was asked to leave the room for a short period. Not unusual in that sense because I was, you know, I wasn't just going to leave and go because obviously I was in their hands for four days. Paul Griffiths: But the doctor, Natasha Ridge, the executive director of the foundation, came out the interview and said, “Right, that's all gone really well. We're really pleased. We're now off to the palace for you to meet His Highness Sheikh Saud, who is the ruler of Ras Al Khaimah and on the Supreme Council of the UAE.” So I was sort of, I went to one of the small meeting rooms you. Now I know that. Now I know where I was, where I went. But at that point I had no idea. One of the lovely. There's a very much a service thing here. Paul Griffiths: So, you know, we have in the Heritage Village as well later we have a wonderful member of our team, Geraldine, who does lots of cooking, prepares stuff and just had a wonderful fish taco lunch because we're four hours ahead of you, of course, here in Alaihi. So, yeah, so one of the guys came in with, gave me an English breakfast tea and sort of, you know, sat there reviewing what, thinking what on earth was I going to be asked by His Highness. And then was put into one of the drivers and we drove up through Rat Sahma City, through into the palace, up the long driveway and there I was sort of eventually, after about 20 minutes, presented with. Presented to Sheikh Sword who asked me, chatted, asked various questions. Paul Griffiths: I don't think there could be many interviews that you end up with His Highness in the second half of it. You know, it's sometimes a presentation. Yeah. So that was. I was there for about half an hour and that's your time over and off he goes. And off I went back to then go and have dinner with some of the team. So it was a very surreal afternoon. Paul Marden: Being interviewed by royalty. But when you're not expecting that as part of the interview process, that must be quite unnerving. Paul Griffiths: I had a heads up that at some point in my trip I might meet him, but there was no formal arrangements. I had me had to get in a diary. So it hadn't even crossed my mind that's what was about to happen. When I was asked to leave the meeting room, I just thought maybe they wanted to come back with more questions or, you know, say I hadn't gone well, whatever. But, yeah, no, that was the. I took that as a good sign. I thought, well, actually, if I'm being whisked up there, the interview must have gone relatively well because I'm sure they would present me to shake sword if it hadn't gone so well. Paul Marden: Yeah. You'd hope that he would be towards the end of the cycle of the interview round. Paul Griffiths: Yeah. Paul Marden: Not doing the early sifting of CVs. Paul Griffiths: No. He certainly had seen who I was because he asked me some questions about where I'd worked and. Okay, things like that. So he'd obviously seen a CV. He's a very. I mean, I've met him subsequently a few times. I've been fortunate to be a dinner hosted by him a couple of weeks ago. But he is a very, very intelligent man. Works really hard. I mean, work. He, you know, for him, he spends every minute working on the emirate. He ruled, he. He's the ruler. But he's almost a. It's a sort of combo, I guess he's all Prime Minister at the same time as being the ruler. So he is constantly working. You know, I'm really committed and I'm lucky in many ways that where I am working at the Heritage Village is his real. Paul Griffiths: One of his real pet projects that he's really driving forward. So, yes, we come with sort of royal. Royal approval, if you like. So. Yeah. Paul Marden: Excellent. So I. I've not been to the Emirates before, so for those of us that have not been, tell us a little bit about Ras Al Khaimah, of course. Paul Griffiths: Well, Ras Al Khaimah is one of the quieter Emirates mentioned. Sheikh Saud there, he's really driving a sort of, you know, a sort of agenda of bringing in more tourists. But he wants to use culture and territory as part of that. So, you know, it's a more relaxed, low level, if that makes sense. It's not Dubai, it's not full on, it's more relaxed Emirate. It's relaxed in cultural and many of the ways it's not, as you know, some of the other Emirates are, for example, completely dry. Ras Al Khaimah has given licenses to hotels and big restaurants in hotels for serving drinks. And there are a number of sellers where you can purchase for your consumption your own home, whereas Sharjah, you can't purchase any alcohol, for example, so it's a bit more chilled like that. It's a lovely place. Paul Griffiths: We're very fortunate to have the heavier mountains go through the far side of Ras Al Khaimah. So where I'm based is more on the seafront but then not, you know, I can see the mountains behind and there's a number of drives up into the mountains which are absolutely fabulous. Up to the Jebel Jais, which is the highest point in the UAE, we have the world's longest and fastest zip wire. I have not gone anywhere near that yet. Goes up to 100km an hour and is the longest over from the top of the mountain, whisking you off to the other side. I think it looks terrifying. But my. Paul Marden: I'm more interested in cables that take you to the top of the mountain. Maybe with some skis on my feet than I am attaching myself to a cable and going down the mountain. Doesn't sound like fun to me. Paul Griffiths: There's a toboggan ride as well up there as well.Paul Marden: Oh, I'd love that. Paul Griffiths: So that's the toboggan ride's on my to do list when the family get off, I'll save it for then and take my son Barney on that. But you know, there's all this sort of venture sports up on the top of the mountain and driving up there is remarkable. They put a proper road in. It's not the scary driving up the Alps, terrified what's going to come around the other corner. It's very like driving up a road, you know, normal sort of dual carriageway, two lanes each way and then right going through the mountains to the other side to one of the other Emirates for Jazeera , for example. So you're over on the Indian Ocean side Gulf Vermont. That road is just beautiful. There's no traffic on it, you know. Paul Griffiths: So Ras Al Khaimah is only about an hour and hour to an hour and a half from Dubai airport. And Dubai is a sort of people go to Dubai in the same way that we, you know, you'd go to London, I'd go to London when I was in Port Soviet, we would. It's now, you know, it's not considered a. There's always someone from work who's in Dubai every day almost for some reason. So nipping up to Dubai, I was like, I went to a dinner there last week and you know, it just seemed very normal that he jumped in a car and drove up to Dubai and came back that evening. Whereas. Seems remarkable actually to be doing that. But yeah, so because of where we are, Abu Dhabi is about two and a half hours away.Paul Griffiths: And we are the northern point of the Emirate, So we border on to Oman, split into a number of areas. Again, I didn't know any of this till I got here, but there's a part of Oman that's at the top of Ras Al Khaimah. And so, yeah, so it's a beautiful Emirate with nature, with mountain areas, which does get a bit chillier when you go up the mountains. I looked quite silly in my T shirt and shorts when I went up there on a Sunday afternoon. People were going past me like they were going skiing. You know, people wore coats and hats and looking at me as if I'm really daft. But I was still. It's interesting that because it's winter obviously everywhere here at the moment and at home, but it's. Paul Griffiths: People here are often telling me it's a cold day when I'm still standing. I still feel really quite warm. But yeah, finding that sort ofPaul Marden: Talking 30s at the moment for you, aren't we? Paul Griffiths: Yeah, it's a little bit. The last couple days have been down in the lower 20s, really comfortable. But when we last weekend, people were getting a bit nervous that summer had come very early because it was hitting the early 30s last week. So I don't know how for me, when we get to August, when it's in the mid, late 40s with real high humidity, I think I'm just going to go from aircon building to aircon building to aircon building.Paul Marden: I am such a Goldilocks when it comes to that sort of thing. Not too hot, not too cold, it needs to be just right. So I would definitely struggle in that kind of heat. Look, let's talk a little bit about where you are in the new job. So you've taken on the role of CEO of Al Jazeera Al Hamra Heritage Village. So tell me a little bit about the village. Why is this village so historic? Paul Griffiths: Well, it's a really interesting one, Paul, because it is very important, but it's not that old. And that's why what coming to me about making it more alive is something that's going to be crucial to us. So the village has been lived in for many years. It was a pearl farming village. So most of the people who worked here were doing pearl farming, which is pretty horrible job to do. You were, again, learning about this. You were jumping off boats, going to the ocean depths for up to three to four minutes. No protection really, apart from a very light shirt and some little bits on your fingers. But actually you're nothing on your eyes. Paul Griffiths: So you're having to look through the salt water, find the pearls come up and they were going up and down sometime 15, 16 times or more a day. And there's a fascinating exhibition in Dubai at the Al Shindagha Museum which really does focus on how this worked and how these guys were living. So, so it's a real. So that was the village. So the village had that, it obviously had then had fishing men, merchants making boats, merchants selling, trading wares. And Ras Al Khaimah has been quite a strategic part as all of the UAE really for the sort of trades coming from the Middle east and out into the Gulf. So the villages was being lived in up until the very early 70s. Paul Griffiths: Up in the 1970s the Al Za'abi tribe who were based here were offered I guess a new life is the only way to look at it in Abu Dhabi with new jobs, with land, with housing and it's just a better way like pearl farming was now being done so much cheaper and easier in the Orient in Japan mainly. So that was, that dropped away. There wasn't the other merchant trading going on. So actually the oil boom basically led the tribe to almost one up sticks and head to Abu Dhabi. And in many ways good story because we're still in touch with quite considerable amounts of the tribes people who were here. Lots of the elders have done wonderful oral histories, videos talking about their lives here. But this village survived as just fell into ruins, but actually wasn't developed. Paul Griffiths: And where it becomes important is this would have been what all of the Gulf would have looked like before the oil boom. The UAE wasn't a wealthy nation before then. You know, when I went up to Dubai and spent some time at the Etihad Museum, which is based around which Etihad Union is the not Around Man City Stadium should point out very much around about how the UAE had come together and how, you know, so it wasn't the wealthiest nation, but actually they discovered oil. They then brought seven Emirates together. It then has flourished in the ways that we now know what Dabi and ifwe looks like and even Ras Al Khaimah in some parts and really quite glamorous. But this village survived. Paul Griffiths: So although it fell into ruin, all the other fishing, farmhome fishing, pearl farming villages across the Gulf had become, just got destroyed, knocked down, you know, turned into hotels and high rises. And actually when you visit the other Emirates, lots of them are now recreating their historic areas or re purposing some of the historic buildings and they're doing it very well. In Dubai, Sharjah has actually completely rebuilt. It's what it calls the Harp Sharjah, which is. Which was its historic sort of areas, but. Paul Marden: Right. Paul Griffiths: But this survived. Many of the buildings had fallen into disrepair. And what we've been doing for the last few years, as the Al Qasimi Foundation and the Department of Antiquities and Museums is restoring a number of these buildings, we've then sort of gone into a sort of activation so you can walk around. So we've got, you know, carving now. Only a year ago it was mostly sand. We've now got a path going through it, so you can walk in. And the job that I've really been asked to do initially on arrival here is to really push that activation forward and really look at my sort of. What I've done in the past and what we've seen other places do and think about what can we do to bring this bit more to life? Paul Griffiths: Because it's the sort of storage village is around the 1970s. Well, it was abandoned in the 1970s. Well, you know, for us from the UK, from lots of other nationalities, actually, something in the 70s isn't very old. It's in our lifespan. You know, we are looking at this going well, actually. So when I was talking to a lot of. So RAK TDA's basically visit RAK tourism authority. So they are really supportive in wanting to push Al Jazeera Al Hamra Heritage Village, which will from now on abbreviate to AJAH to save me. Keep saying that. Long tanned. So they are really keen that we're doing more stuff. So why would a tourist want to come? What is there to see once you're here? Paul Griffiths: On top of some abandoned and now beautifully restored houses, mosques, you know, things that you would have expected in a village of, you know, a thousand or so population, 500 houses, you know, so more than a thousand people, really. So that's the sort of plan in that way. So in many ways I've got a sort of blank canvas to play with. But, you know, money's not unlimited, so it's about. So working closely with local communities, working with, you know, local traders, looking at what could we bring into the village on the back of the art fair. I know we'll talk about later, but it's, you know, this has been a. This is a real challenge for me to. How do I take this sort of place forwards.Paul Marden: In my mind's eye, we go to the Weald & Downland Living Museum so open air museum, lots of houses recreating life through the ages. Is that the sort of experience that I'm going to get if I come to the village of I'm going to see the properties and I'm going to see this previous way of life come to life in front of me?Paul Griffiths: Well at the moment you'll see you just see in the houses and the buildings but you're walking around looking at historic buildings but we have got a number of the houses we've put in. Each video is at the moment showing the audio visuals so you can walk around and listen to members of the tribes chatting about their youth and what's happening and you can see the buildings in real life. I guess what I'm looking for this is telling the story a little bit of the village which we don't initially do that well at the moment that's no criteria. Yes, this is what we need to do going forward. There's been several stages of activation When I came last August part not many the paths weren't all finished. We didn't have anywhere for visitor services to be at the front.Paul Griffiths: We only had a very small sort officey area which has now been built up to where I'm. Where I'm sat today. So I think what you're going to get is a multi as a blend of traders who will be in our suitcase. The Souk is fully restored sooke and shopping market area so that's my first point is to move some people in there. So I've already got a goldsmith and move to her studio in got some handicrafts we've got some textile people moving in the. Paul Griffiths: The main gallery of Nassau Heyman Design Gallery which is the one big gallery where artists can go is going to have a sort of satellite shop if you like not shop a satellite so there will be pieces of work there are in here with their little souvenir store which they sell because they get people a lot of what the design gallery does is making souvenirs of Ras Al Khaimah that are all handmade so quite special gifts. So what we're hoping is tying up with our local hoteliers who many of which have not been so it's bringing them in and they need something more to see to send their guests here. Paul Griffiths: So you know talking to some of them over lunch when I hosted some of them on Saturday it was a case of you know actually, can they send their clients and say, you can do all your holiday shopping because at the moment they're sending people to the shopping malls which are just, you know, nice, but actually merchandise them to go to a heritage village, get that experience of what the golf would have been like and bags of shopping at the same time. Paul Marden: So who doesn't love a. A museum gift shop at the end? So, you know. Paul Griffiths: Exactly. And we don't really have that here at the moment from an Al Jazeera perspective. So on my plan for this year is to put in. We've got an info booth, as it's called at the moment. It's not a world. It's not the best customer service friendly. It's like a caravan but with some windows. And yeah, it's probably a better. Now it's got air conditioning. Yes. But it doesn't work very well for customers. You're trying to talk through little windows because you can only have small windows to keep the air con working, not have too much open to. It's just passing out. Paul Griffiths: So, yeah, so I'm looking at building this summer, hopefully. Fingers crossed, touch wood, a visitor welcome centre, which is something we're really pushing along with, which will be lovely because that will be that proper visitor welcome with a shop with an induction into an introduction. Sorry, into the Al Jazeera story. And then let people go. And then when they get to the far end, they'll be the souk full of. He says again, hopefully slowly filling them out, but full of traders and local craftspeople and people who are. Even if they're not originally local, they're based in rack, so they are considered local. The UAE is built up of a lot of expat population. When I say expats, I mean just English people from around the world. It's a really accepting, welcoming community. I've been really. Everyone says hello to you as you're walking into the supermarket shops. There's no. Whoever they are where you're from. Paul Griffiths: Everyone's talking to each other because the local population know they've had to bring people in because there's thousands more jobs than there are Emirati population in Ras Al Khaimah. So, you know, it's always been. And when you look at the foundation of the UAE, it was about, we will need to bring people in to bring this. To build this nation with us. So, you know, it's been always a sort of welcome and melting pot of different people. Paul Marden: Yeah, amazing. Look, you mentioned when we had our initial chat. You've been there now three months, you've been doing lots of visiting of other attractions. Because I think you said to me, which I thought was quite interesting, that you were. There's lots that you bring with you from the UK in your experience, but there's lots of best practice and good practice happening within the Emirates already. So you've been kind of going out and visiting a lot of cultural venues and attractions in the Emirates. Tell me a little bit about those. Paul Griffiths: Yeah, so it's been a minute of a manic last month in February, because we've had the art festival. I know we're going to keep hinting at it, we'll get to it at some point, but when I've had some time away, what's been fabulous, it's just sort of. And I think as well, because the family aren't here in my own at the moment, said, “All right, I've got some time off, let's go and explore.” Yeah. So I've sort of driven across to Fajera, spent time in Sharjah and took myself up for a weekend in Dubai, which was fantastic. Booked a very reasonably priced hotel and just spent a weekend flowering around everywhere and just really immersed in my. So and only scratch the surface. There's so much more to see. So, yeah, so I've been going and looking at. Paul Griffiths: Well, you know, I don't want to do something that's not. There'll be alien to, obviously, the culture here. And that's been really. What's been great fun in the last few months is it's not just going into a new job, you know, and learning that. It's actually been a terrifying, at some points, fabulous experience. I was learning new cultures, new working lives. You know, things are working. It's done very differently here. You know, there's a different hierarchical process we have in the UK and permissions are needed in different places. And that's not. I'm not saying any of this is a bad thing, it's just learning those different things. So I've been learning all these different cultures. You know, we're just coming into Ramadan, which I've had no real experience with before. And that is. That is a massive thing here. You know, it's the month. Paul Griffiths: Every billboard you go past is someone trying to sell something for Ramadan, whether it be a new chest of drawers, you know, your family needs this new dining table for Ramadan. It's a bit like, you know, you will see at Christmas at home, everyone catching on, you know, IKEA will be saying, new table and chairs for Christmas. You know, it's. It's not. It's a sort of different repeating itself. You know, those sort of signs you have around the supermarket. Christmas back home. They're all up now in supermarkets here for Ramadan. Paul Marden: Right. Paul Griffiths: Encouraging what people are going to buy for when they break the fast at sunset Iftar. So, you know, so it's all sort of promoting. You need this for. So it's a real. We're going to a massive thing. And that's been a real sort of learning, cultural thing for me, which has been great because actually I've always enjoyed, when I'm traveling, learning about other cultures, you know, it's always been for me, I always try and visit museums, galleries, learn about the place I'm at. And so actually living somewhere and learn about someone who's been. I think it's added to the fun of the experience. But back to your question. Paul Griffiths: Yes, I've been traveling wherever the possibility to start to look at other historic venues, looking at where they've, you know, restored historic markets and souk areas and what sort of things are going in there, what are people doing there. Up in Dubai, there is a place called Al Shindagar Museum, which is where they've. Some of the historic buildings that have been saved by the creek of Dubai have been turned into the most amazing series of museums, is the only way I can describe it, because each house is a different gallery or different theme. So you have the story of the creek being built up, the story of Dubai seafarers. There was a faith and. Faith and religion room, talking about Islam and different cultures, how that's worked around Dubai. Paul Griffiths: Dubai being built up as a city, lots about the rulers and families, but every house you went to is a different place. What was so impressive there from a visitor experience perspective was the training that Stafford had was sensational. You know, you go into someone, you think they're obviously being managed really well because obviously this is. You don't just train. So obviously someone oversees this really well. But clearly the training, everywhere you went, the customer service was exceptional. People coming out from behind counters, giving you introductions, making sure you had everything needed, you know, as you were leaving. Have you got any questions? All those things we try and all have tried to teach over the years, and in many ways we've all been different levels of success of that. Paul Griffiths: But what was amazing was they also got the security guards in on the act as well, because there's a real culture here that there's a separate, they're secure, they're very different. You know, there's, we've got them here, they're in very much brown security, clearly marked, you know, protecting places. But what they've done there is they had clearly trained those security guards as well, because every security guard you came across was getting in the act of chatting to visitors, even if their English wasn't brilliant, they were really keen to direct you to the next. Come this way. So the next place, oh, you finished that room, you must go upstairs. And you know, that sort of. Paul Griffiths: And whether they, you know, really just said, look, you can have a much more interesting day than just standing, staring at people walking around. You can actually chat to visitors from around the world and get talkative. And I just had the most amazing. I ended up in this museum for over five and a half hours or something silly like that. And I thought I was going to be there an hour because it was priced very reasonably. You know, when you judge a museum on, well, actually I paid this, I'm probably going to be here for that amount of time. And actually it was just, you know, I found myself stopping for a coffee, stopping for lunch. But I was so impressed by the way the staff interacted. Paul Griffiths: They also had a number of cultural local guides as well, who really were, you know, in the full sort of Emirati national dress, but wanted to press on. This is where. This is what I'm doing. So I've some, you know, I traveled across to Fujairah every week and was in a, an old, what was the ruler's summer house. And the guy, and the guy who ran it just took me on a tour. I didn't ask for a tour. He just said, would you. Well, he said, should I take you around? Yes, please. And we had this great hours experience as he was just chatting about all the rooms. And I think people here are very keen to share their culture and their heritage and very welcoming. Paul Griffiths: So, yeah, so I've done quite a bit traveling around the other parts of the UAE. I can't go out of the UAE because I've only got a hire car at the moment, so I can't go out to Omar, that's on my list. You get yourself a car. I can travel north of the border into Oman and explore that. But for now, seven emirates to. So no shortage of places. And I've not been up to Abu Dhabi yet, so still with that on my list. So yeah, Paul Marden: Wowzers. Okay. So I guess, and this is completely, what would I feel like if I was in your position of going to this new country, immersing myself in this relatively new place that you're leading? How do I say this without flattering you? You were a well connected guy. If I went to events, everybody knew you. You had this wide network of people having worked in the UK in the attraction sector for a long time and you've now jumped over to the UAE. What's happened to the network? How does that feel? I mean it must feel slightly kind of worrying or nerve wracking. What have you done to build the network in this new place? Paul Griffiths: There's a number of points to that. Right, so let's answer in a few minutes. So the world's a smaller place so I'm still occasionally having teams call zoom calls with really close ex colleagues, friends, you know, I'm sure, I mean I always say I'm sure but everyone keeps saying, “Oh I'm really loving the journey so please keep posting. So I am going to keep posting and probably going to start to annoy people after a while”, but the feedback so far is everyone saying we're loving the journey and following you with it and feel like we're on the journey. So I will carry on. I'm sort of keeping writing stuff up and sharing it and also I don't know how long I'll be here for. You know, probation is massive over here. I have to keep my fingers crossed. Paul Griffiths: I pass probation which is a six month period because it's a real right the UAE all not just off and across the UAE. It's a real big, you know, much more than at home, much more structured. On day one was given a series and this isn't a bad thing at all, a series of probation tasks, you know, around reports that are around other historic parts because the job that I've come over will eventually evolve into a wider heritage role. But at the moment the real focus is on Al Jazeera Al Hamra, which is great. Get one site, get it going, then see where we go next. So I think I'm still connected to lots of people back home. I'm still looking, seeing everyone's posts and enjoy. Paul Griffiths: I mean my usual jealousy of not being part of the ALVA network anymore as they're all having that great time in Belfast in the last couple of days and seeing everyone's post, not just one or two, but everyone you know, Bernard down with you know everyone's post. I wish I was there with them.Paul Marden: The FOMO was real. So I had Andy Povey in the office with me yesterday and we're both saying the FOMO about that ALVAe vent was very real for both of us having. Paul Griffiths: Having spent. You know I was at the Mary Rose few years where we joined ALVA and go experiencing those council weeks and knowing just hey how much they are great for networking A. You get very spoiled because every host wants to really show off what they can do and I think the Titanic always do that because we go there before for a council meeting but it's. Yeah. So you still see this stuff. So it's still sit home and there's still people I can reach out to.Paul Marden: Of course.Paul Griffiths: If we need to and I'm still calling on people things, you know, different projects we're doing here. But then again it's about slowly building up that network here and I think there's a slightly. You know, there's a. Within Ras Al Khaimah I've started making connections with lots of other people in the Heritage world and. And outside that. So we're already, you know, connecting up with different people from different parts of Ras Al Khaimah, the work we're going to do moving forward and for me I think it's been just a. I'm sort of still pinching myself I'm here and that sort of. So many things keep happening and you know. The weather's been gorgeous because I've come out of a grim English weather to this quite nice winter here where it's mostly been late mid-20s. Paul Griffiths: You're in she and shorts when you're off duty. You know, there's other things. The thing that really surprised me is how smart actually the dress code is for business over here. Paul Marden: Okay. Paul Griffiths: So I had to sort of all the usual brands that from home Mount Marks is next everything here so you could order online and get it delivered quite quickly. So I had sort of came out of one wardrobe thinking I was going to be far more in polo shirt and linen trousers are sort of very sort of summer at Painshill look, you know outdoor. But actually yeah my colleagues are still. Because of the aircon atmosphere. Lots of colleagues particularly in the head office are in suits. A bit like where I would have been when back in my London days. When we're in the office you were in a shirt tie. So yes, I had to sort of buy A back home wardrobe almost once I got traveled out with very lightweight clothing. So yes, it's a bit different in that sense. Paul Marden:  Yeah, absolutely. Let's talk a little bit about life as an expat. How have you found the transition? Paul Griffiths: Fine so far. I say there's lots of bits around work and practice and you know, no amount of inductions will be able to help you on some little faux pas you can make about not realising where you need approvals for staff. And obviously coming from the. For the last six years of being director of Painshill and only from feeding into a board of directors, board of trustees who we'd see quarterly and you know, I chat to the chairman every week. There was a lot of me sort of making those sort of decisions instantly was here, you know, particularly as were part of the foundation and we are representing Sheikh Saud as his name's in the title of the organization now, making sure we're going through those tick sheets. Paul Griffiths: You know, if I want to do anything that needs to spend more money, that's out budget, that is going to his Highness to be signed off. So any projects we're doing, we're needing to make cases to the highest man in the country to actually get those, you know, sign offs and things. And I'm not, that's not a bad thing. But you know, it's just that from an expat I guess it's getting used to. Everything's available here. Not the big supermarket up the road sells Waitrose and Marxist products and has a room at the back for non Muslims where you push the button, door opens, it's like a little bit of a naughty boys room. Paul Griffiths: You push back door open, slides you walk in and there's the pork heaven, you know, there's bacon, there's pork scratching, patays, you know, all because it's a real, you know, it's not just there's so many expats here, particularly from the Philippines and stuff who obviously pork is a big part of their diet. So yeah, that's available. I said earlier on there's cellars where you can pick up a great beer or a couple of glasses of bottle of wine or whatever you want. So actually it's not that I found myself flying into this really different world and I'm not really. Paul Marden:  It's a melting pot, isn't it? Paul Griffiths: Yeah. And I'm not someone who's ever been since very young, you know, going off to nightclubs or anything like that. But if you wanted that There is that. The hotels. So actually, if you're a younger person coming out and you wanted that nightlife, the hotels, particularly on Margin island and Minnal Arab, the tubing hotels have really nice restaurants, fully licensed clubs and stuff. But, you know, actually I found sort of the work is busy. Everyone's, you know, lots going on, actually, just going back to, you know, I was in a hotel for the first two months, which wasn't a dreadful thing because it was an apartment hotel. So, yeah, I had enough and now we've moved. I've moved into a villa ready for the family. Come out hopefully in about a month's time.Paul Marden:  Oh, that'd be exciting. Paul Griffiths: Yeah. So that's nice. So we've got the back onto the golf course. It's quite, you know, it's a nice place to be. It's going to be nice and, you know. Paul Griffiths: Yeah, so I've not struggled adapting because it's not. It's not that, you know, normally I've got a wonderful team here, Asia, you know, so with one Emirati and some Filipinos and other people from around the. From around the world. So that's been nice. And it's melting pot of learning their cultures as well as the local culture and. Yeah. And then they eat rice with everything. So it's. Yeah. Every lunchtime there's a bowl of rice, big bowl of salad in the main course and there's me pouring on the one on the salad, everyone else on the rice. But, yeah, it's been great, Paul. I mean, I can't. It's been one of those. Every moment you think this is just a great place to be. Paul Marden: Good. Let's go back to Al Jazeera and talk a little bit about some of the events that have been going on. So I know you're coming to the end of the Ras Al Khaimah Art Festival. Tell me a little bit about that and how well that's gone. Paul Griffiths: It's been brilliant. I know. I had no idea what to expect. First time for this. So this is the 13th International Art Fair. It started off back in the small museum back in the city of Central Town, moved to here, I think, five years ago is what I'm saying, and slowly grown every year since then. So this is the biggest one we've done, really. Lots of massive sponsors on board from across the Emirates, actually fully supported by His Highness, who's been here at least four times, if not five, since we've had the vessel. He was here at the opening ceremony for the big launch, you know it was, and it was like a proper opening ceremony. Paul Griffiths: Everyone sat round with a band and speakers and you know like not quite Olympics but you know it was a proper event. This is the opening of it and it felt like a big event. Yeah. All my female members of my team had, were given time off in the day to do hair and makeup. It was proper. Everyone looked, everyone looked the business, it was lovely. You know everyone was scrubbed up from the maintenance team to, you know, our executive director looking fabulous in a brand new dress. You know it was really was. No, I've had a new suit, I got a new suit for the occasion. Paul Griffiths: So yeah, it was a lovely evening and then it's rolled ever since and for me it's been wonderful because I've seen people in this village which has been quite quiet since I'd arrived and it's sort of been okay, how are we going to get this? But actually clearly putting something on has attracted a complete cross spectrum audience. So you know, we have people coming in, absolutely fascinating, obsessed with the art, beautiful and it's artists I should say from around the world. It's all exhibited outside or inside the little houses. So you know lots of the pieces have been blown up quite big and quite impressive. I mean do look at it on the website, you know people, you know if you go to ajah.ae you can then click on from there.Paul Marden: We'll put the links and everything in the show notes so people be able to find that. Paul Griffiths: It's been, but it's been, for me it's been fabulous because we've seen so many people in, you know I was, you know, we've had, we've got pop up restaurants so this won't mean anything to people back home but the restaurant called Puro P U R O has a restaurant at the top of the mountain at Jebel Jais. Really almost impossible to get booking, you know you have to book months advance for lunch or dinner. It's the place that everybody, both locals, internationals and tourists want to see and often frequented by his Highness. They've got a pop up restaurant here which just is fabulous. Paul Griffiths: They we've had a lovely couple, Kelly and Paolo in running a restaurant called Antica which is a sort of the chef's Italian Paolo but he's lived in Australia so it's a fusion of Australian middle Italy, sort of historic villagey type cuisine with an Emirates twist. But you're just served four or five courses without there's not a menu. It's not a restaurant as such, so it's sort of a sharing experience. But you know, the food is amazing. So I was fortunate to have dinner. Well, I've actually been fortunate enough to have dinner in Antica twice and lunch there as well. But one of the dinners I was then wandering around the village about 10 o'clock at night was full of people, you know, families just. Paul Griffiths: There is a different culture over here that people do more stuff in the evenings because of the temperature and a different way of life because the local people aren't obviously, for obvious reasons, down the pub on a Friday night, they're doing stuff with the family and you go past cafes and even outside of the village, you know, 9, 10 o'clock on a Friday night, they're full of people sitting very beautifully dressed in their finest, drinking coffee and eating desserts. That's a big thing. People seem to love coffee and desserts. Paul Marden: Okay. Paul Griffiths: But, but then of course it's because because of the heat most of the year we'll spend more time indoors resting in the day and then ready to go out at night and do some more stuff. So yeah, so we've had this sort of here in the evenings. It's really fun. What was interesting is our hours for the festival were meant to be midweek. So Monday we always close. Tuesday to Thursday we're meant to be open till 6 o'clock and then Friday, Saturday, Sunday open to 11:00. Often struggling to get people out then the first night. So the Tuesday night was the first night. Medusa goes at 6:00. 5:45, I had a queue of at least 40 people trying to get in. So we just had to make an on the hooves decision. Paul Griffiths: We're going to stay open later. And then we just opened till 8:00 in the midweek. We didn't want to push it too much because of obviously from the staff welfare perspective, an hour's work. But actually that first night were just. Myself and Sikrat, who's the director of the festival, Emirati. Wonderful. Emirati has been my cultural bodyguard in many ways because he's been the person, my go to person for what should I do here? What about this person? How should I do this? So Spencer Crouch just stood there. Look at this crowd. We both just said, “Well we can't turf them away. This would be daft.” So yeah, so we've had. And we've had about 40, 000 visitors will have come through the door by the end of the festival in 28 days. Paul Griffiths: The artworks then going to stay up in place for Ramadan. So we'll be working different hours again during Ramadan and this is the first time Al Jazeera will ever do. Has ever done anything special for. Because before now it's just been a come and visit, walk in, do what you like, leave now. We're trying to structure that visitor experience. So we're going to be for Thursdays, Fridays and Saturdays, because Thursday's the sort of Friday night in many ways. Because a lot of people have Fridays off here. Yes, because of the day of prayers and so a lot of people in Ras Al Hamah go to Dubai and Abu Dhabi for work. So Thursday nights they'll travel back. So actually we're going to be open till midnight on Thursday, Friday, Saturday for Ramadan. Paul Griffiths: So people will break the fast with the families and then they want to do the sort of head top of activity. They've now got food back in them and an energy source. And out they come. So again, first time we've done it, hopefully see numbers with the artwork will still be in place. We're then working on some different options around cuisine, food, coffee and hopefully get some musicians in as well, just to give a bit of an atmosphere. But it is a holy month, so it's not. It's not parties, but it's enjoying the family. Paul Marden: Yeah, absolutely. So what does the future look like for the Heritage Village and for tourism and attractions more generally in RAK? Paul Griffiths: I think for RAK itself, we're trying to bring more tourists in then trying to get the most hotels. Interestingly, as they had a lunch with five of our local big hotels at the weekend using. Using our Antico restaurant, this is excuse to have another lunch there and invite some people in and just take on their views, which is great. So just chatting and getting their thoughts on it. They were saying what. What happens in Iraq a lot at the moment is people are finding the hotels through travel agents, through, you know, searches. I know when were looking before I came out here, I know Ras Al Hamra came up on a Thomas Cumbin telescope. Yeah, similar. What am I thinking of? Probably Tui, I guess, or someone like, you know, someone like that. Paul Griffiths: I was doing a search for when went to Canary, but up came Ras Al Khaimah as a hotel and what they were saying. A lot of people will book that and have no idea really what Ras Al Khaimah is, other than it's part of the UAE. Some people think it's part of Dubai, you know, actually, because it's not, they don't realize it's seven emirates, etc. So a lot of people are booking their sort of tourists, their hotels. Our job is to try and then get them out and attract them to do other stuff. So there's lots of adventure tourism going on at the moment. We talked about the zip wire and lots of hiking, walking, camel rail, camel riding, you know, trips to the desert where you can zoom around in 4x Fours and go karts and stuff. Paul Griffiths: So from my perspective of the Heritage village is about bringing it more alive, bringing more people in, promoting it, more linking up with these sorts of hoteliers, concierges. And this is really early days for us because this has always been sort of slightly done but not really pushed yet. And sort of listening to what their advice is and seeing how we can act upon it, you know, and what sort of stuff we can take forward because, you know, there's a lot to be done. And there's lots of other heritage sites across rat about 90 on the list of actual heritage sites. And some of those are real ruins that you're never going to be able to do anything with. Paul Griffiths: Those sort of English Heritage free sites, you know, the ones you stumble across with a little brown sign and you pull up with a lay by, have a potter around and off you go without seeing anyone. There's a bit like that. But then there's a number of sites that will work well with some activation. You know, we've got Dyer Fort, which is on the World Heritage site tentative list and we're working on projects to slowly take that forward to World Heritage status. Touchwood because it's a really important for, you know, and it's perfect for visits. You climb up to the top, you get the most gorgeous views. You know, really is a gorgeous little site. So more interpretation, more things there is what's needed. But you know, again, this is all early days. Paul Griffiths: So it's all about sort of, you know, each day's excitement. What can we do, what can we push forward, who can we talk to? And what's been great is as the festival's gone on, more people have been coming and chatting to me. Mine have become more, well known. That sounds wrong, goes back to your sort of earlier question about, you know, people are sort of learning about, oh, this person's here now. Paul said, although people can call me sir or Mr. Paul, which is fine. I can deal with that. Keep saying now, people, I keep saying, please don't call me sir. You really don't need to. But it's so culturally great. But Mr. Everyone see everyone externally, she's called Mr. Paul, so I can put up with that. But I was there. Although when we host his. Paul Griffiths: His Highness hosted dinner that I was invited to, I then got even pushed up to His Excellency, which was a title. I want to go. Paul Marden: That's quite nice. Paul Griffiths: Yeah, I love that. Apparently. I always thought that someone else I knew was his title. His Excellency was part of the family, but actually it's. Once you get to a CEO director level in royal that circle, you immediately become His Excellency, so. Paul Marden: Well, there we go. I will correct myself in future communications. Paul Griffiths: Please do. Yeah, but I thought it was wonderful. That's why it's just been lovely, the funny comments coming from people back home saying, oh, well, I've amended my entry in my phone to now shake your he status. But yeah, so. But there's a sort of cultural things. It's just. Okay, right, lovely. That's fun. Paul Marden: It's been a whirlwind for you. It's been really interesting actually, talking about it and understanding more about. About what's happening there, about how exciting it is, this huge opportunity that you've got to make a something out of this beautiful historic village and then that, you know, the remit will grow from there. So I think. I think this has been lovely. We always wrap up our interviews with a book recommendation and you've had this privilege once before. So have you run out of recommendations or do you have something ready for me? Paul Griffiths: Well, I was going to recommend the Red island, an Emirati story, because it's based on Al Jazeera Al Hamra, but I thought that might be a little bit too niche. This guy. So, again, little things have come across. This guy's written a book, Adil, and he's going to be coming to Al Jazeera to do a book reading signing. These little opportunities. I have read the book, I promise. It was actually fascinating because it's all about local culture. It went off in a number of tangents, but actually from a point of view of how the Emirati local culture works and families, it was actually quite a really good induction. But now I've decided to go with a more book for management or book for running. And I don't think anyone's given this before, but if they have, I'm nervous. Paul Griffiths: But this book, Fish!, which is one of my favourite books. I've actually launched this as the Al Jazeera Book Club for the spring. So all the team have a copy. Book clubs are massive over here for work. Every department has one here in the foundation. So this book, Fish, is based around the Seattle fish market. My colleagues who've worked me in the past, both. I can hear them groaning now because they've forced everyone to read this, but it's basically around having fun when you're at work. And it talks about the story of the Seattle fish market, how they were just flogging fish, but actually one day decided, we need to liven this up. We need to want to be here. So introduced, sort of involving the crowd, fish flying through the air. Paul Griffiths: But It's a more of a story about a woman joins, it moves up in a company into a department that no one's been able to manage. She gets to the bottom of using the fish market. And it's just a really fun, easy reading book. And so I recommend it to. To listeners and viewers. Paul Marden: That's brilliant. So listeners, if you would like a copy of Fish,Paul Griffiths: It's quite a cheap book as well, Paul, so please, you have to give one away. So it's not too much money. It's just 9.99 in the non fiction section. So, yeah, cheaper. Paul Marden: Bargain. Bargain. That's the trouble with. So I've been doing a few live events where we have panels, four people with book records, recommendations. That's going to bankrupt me. No, not today. We got a bargain this time. So I like this. Yeah. If you'd like a copy of Fish, if you'd like a copy of Paul's book, head on over to Bluesky and when Wenalyn posts the show note, go over there and repost it and say, I want Paul's book. And the first person to do that will get a copy of the book. Paul, delightful as always. Three times on the podcast, at least. Paul Griffiths: I think this would be number. This would be number four because we had the original episode where Kelly grilled me about life at Painshill. Then we did the Turn the Tables episode when I grilled Kelly on setting up podcasts. And then we did. Then we did the Goodbye to Kelly, whatever it was. 100 episode. And then this. Yeah, four Skip the Queues. Which is always a pleasure and I'm so delighted as you're my favourite podcast, obviously.Paul Marden: It's, oh, you say the nicest things. That must be a record. I need to go back and check that I think four times on the podcast is pretty impressive. Paul Griffiths: I think I should get to add all mine up into one as a total so I can beat Dominic Jones, who's always had the biggest number, isn't he? Paul Marden: So, yeah, so he does and he still does. So, yeah, I think aggregating the number of listens for across all of your episodes, I think that might be within the walls. Let me see what I can do and I'll add everything up and we'll see if you can take Dom's crown. Paul Griffiths: Sorry, Dom. Paul Marden:  Because he's not competitive at all. Paul Griffiths: No, he's not, mate. He's a great guy, though. So, yeah, a friendly rival. Paul Marden: Exactly. Thank you very much, Paul. I would love to keep in touch. Paul Griffiths: Let's keep talking. Paul Marden: I want to hear what happens not just after the first 90 days, but I want to hear what happens in a year's time and two years time. So thank you so much for coming on and telling us about Ras Al-Khaimah and the Heritage Village. It's been lovely. Paul Griffiths: Yeah, thanks for having me. It's great. Been a real pleasure. Paul Marden: Thanks for listening to Skip the Queue. If you've enjoyed this podcast, please leave us a five star review. It really helps others to find us. Skip The Queue is brought to you by Rubber Cheese, a digital agency that builds remarkable systems and websites for attractions that helps them to increase their visitor numbers. You can find show notes and transcripts from this episode and more over on our website, skipthequeue fm.    The 2024 Visitor Attraction Website Survey is now LIVE! Dive into groundbreaking benchmarks for the industryGain a better understanding of how to achieve the highest conversion ratesExplore the "why" behind visitor attraction site performanceLearn the impact of website optimisation and visitor engagement on conversion ratesUncover key steps to enhance user experience for greater conversionsDownload the 2024 Rubber Cheese Visitor Attraction Website Survey Report

GENOVA (ITALPRESS) - Un incendio è divampato ai Magazzini del Cotone nel Porto Antico di Genova. Le fiamme hanno riguardato il tetto di un edificio in cui si trova un cinema che è stato evacuato. I vigili del fuoco hanno effettuato le operazioni di spegnimento. mgg/

GENOVA (ITALPRESS) - Un incendio è divampato ai Magazzini del Cotone nel Porto Antico di Genova. Le fiamme hanno riguardato il tetto di un edificio in cui si trova un cinema che è stato evacuato. I vigili del fuoco hanno effettuato le operazioni di spegnimento. mgg/

Dai nostri archivi, la visita alla sede della Societò Isole Eolie a Brunswick, attiva da 99 anni.

Nel nuovo episodio del Podcast di ArcheoTravelers, esploriamo i misteriosi rituali funerari dei Neolitici di Masseria Candelaro, un sito in Puglia che ha rivelato sorprendenti pratiche di cura e utilizzo dei crani.Scopri come questi crani, simbolo di potenza e connessione con gli antenati, venivano maneggiati, raccolti e utilizzati in rituali che duravano secoli.Un viaggio affascinante attraverso il tempo che ci porta a scoprire come le credenze sulla morte e sull'eredità culturale si intrecciavano con la vita quotidiana di queste antiche popolazioni.Un episodio imperdibile per chi vuole saperne di più sul Neolitico e sui suoi riti funerari.Buon ascolto!Trovi il progetto "ArcheoTravelers, viaggiatori nel passato" sui maggiori canali social tra cui Instagram e Facebook, oltre che sul sito internet ad esso dedicato www.archeotravelers.com.Qui trovi l'approfondimento all'episodio di oggi -> Antichi rituali e crani: come i Neolitici di Masseria Candelaro onoravano gli antenati

durée : 00:09:49 - Une histoire et... Oli - Nine Antico est autrice de bande dessinée, illustratrice et réalisatrice de cinéma. Elle raconte l'histoire de Jimmy Saucisse, qui a toujours du mal à choisir.

Giampiero Comolli"Le prime parole di Adamo ed Eva"La lingua dell'innocenza nel Giardino dell'EdenClaudiana Editricewww.claudiana.itMa che lingua parlavano Adamo ed Eva, quando vivevano nell'Eden?Il silenzio del serpente e la perdita del paradisoLa nostalgia del paradiso si rigenera di tradizione in tradizioneChe lingua parlavano Adamo ed Eva tra loro due, e con il Creatore, quando vivevano nell'Eden? Impossibile rispondere a una simile domanda, eppure è una domanda vertiginosa, portentosa, perché basta porsela con attenzione ed ecco dischiudersi davanti a noi come un antico canto delle delizie, che tanto più interpella il nostro tempo, attirato invece dalle seduzioni di una lingua negativa: un gergo dell'odio, un turpiloquio della malvagità.«È sufficiente leggere i primi capitoli di Genesi – dove si racconta del mondo appena creato, e del Giardino dell'Eden, e di Adamo ed Eva abitanti del Giardino –per accorgersi che in quel paradiso originario i due non erano muti, ma parlavano e si intendevano, e quindi avevano una loro lingua, comprensibile e coerente. Quale lingua, però? Il racconto di Genesi, per la verità, ci rivela poco a tal proposito. Ma qualcosa ce la dice, e questi radi accenni o indiretti indizi sembrano tuttavia sufficientemente chiari e solidi per tentare di rispondere al quesito. E – come vedremo – basta approssimarsi a una possibile, anche vaga risposta, per sentirsi già rigenerati, già in parte liberati dall'eccesso di rumori aspri e ostili che affligge invece il linguaggio attuale».Giampiero ComolliGiampiero Comolli, scrittore e giornalista, ha realizzato reportage per riviste di viaggi e condotto inchieste sui fenomeni religiosi contemporanei. Già presidente del Centro Culturale Protestante di Milano, attualmente collabora con il settimanale protestante “Riforma” e con la rivista culturale “Doppiozero”.Fra le sue pubblicazioni per Claudiana: Memorie di un bambino in preghiera. Nell'Italia religiosa degli anni Cinquanta (2021) e Bibbia e sogno. Sonno e modo onirico tra Antico e Nuovo Testamento (2023).IL POSTO DELLE PAROLEascoltare fa pensarewww.ilpostodelleparole.itDiventa un supporter di questo podcast: https://www.spreaker.com/podcast/il-posto-delle-parole--1487855/support.

Ospiti, Elettra e Maria Sofia, discutiamo dei cambiamenti e delle somiglianze tra il lavoro più antico e quello più nuovo del mondo. Tra aneddoti, pregiudizi e riflessioni, emergono temi come l'evoluzione della società, l'impatto della tecnologia e il bisogno di tutele. Un confronto che mescola leggerezza e profondità, sfidando i luoghi comuni.

Antico Egitto, Incredibile Scoperta: Riti Magici E Visioni!Un'antica tazza egizia rivela un misterioso cocktail usato per rituali di magia. Ecco che cosa è stato scoperto!#breakingnews #ultimenotizie #notiziedelgiorno #notizie #cronaca #alcol #riti #antico #egitto #cocktail #dna #egizi #geroglifici #mistero #scoperto #magia #rituali

Explore the vibrant world of tetrachromatic artist Concetta Antico, who sees 100 million more colors than most.

Episodio dedicato a chi ama luoghi impervi, aspri e selvaggi.Riccardo Bee è il prototipo dei FreeSoloist senza troupe cinematografiche alle spalle. Scrive la storia nelle Dolomiti Bellunesi ricercando condizioni sempre più estreme, due su tutte: isolamento e freddo. Sito: www.storiedimontagna.comContatti: andataeritorno.podcast@gmail.com Newsletter: https://andataeritornopodcast.substack.com/Instagram: https://www.instagram.com/andataeritornostoriedimontagna/Linkedin: https://www.linkedin.com/company/andata-e-ritorno-storie-di-montagna/?viewAsMember=trueFacebook: https://www.facebook.com/profile.php?id=61557903953187&name=xhp_nt__fb__action__open_userThreads: https://www.threads.net/@andataeritornostoriedimontagnaMusic by Epidemic SoundCrediti immagine: https://gognablog.sherpa-gate.com/riccardo-bee/

Sabato 9 novembre 2024, ho avuto il piacere di girare il centro storico del piccolo paese di Sparone. Siamo in provincia di Torino, precisamente nell'alto Canavese in valle Orco. In questa avventura, grazie alla grande disponibilità della popolazione, ho ripercorso le principali tappe storiche di sfruttamento delle miniere di rame, l'antico lavoro del Magnin e tante altre particolarità per cui vale la pena fare un bel giretto a Sparone, senza troppa fatica e con occhi grandi per catturare la meraviglia del borgo. Andate a Sparone non come turisti ma come ospiti e visitate il bel museo "officina dei mestoli"... Ricordatevi di contattare il comune perché il museo è aperto solo su appuntamento! #marketingterritoriale #marketingturistico #landexplorer #sparone

In questo episodio del Podcast di ArcheoTravelers ispirato ad Halloween, ci immergiamo nei misteri dei fantasmi nel mondo greco e romano.Attraverso storie affascinanti e leggende antiche, esploriamo il significato culturale di queste apparizioni spettrali e come esse riflettano le paure e le credenze delle civiltà passate.Discutiamo delle differenze tra folklore e letteratura, della continuità culturale che ha influenzato le rappresentazioni moderne dei fantasmi, e vi invito a riflettere sulle vostre esperienze e convinzioni.Preparatevi a un'avventura che mette in discussione la realtà del soprannaturale e i legami con il nostro presente.Non perdere questa occasione di scoprire come le storie di fantasmi continuano ad affascinare e inquietare ieri come oggi.Buon ascolto!Trovi il progetto "ArcheoTravelers, viaggiatori nel passato" sui maggiori canali social tra cui Instagram e Facebook, oltre che sul sito internet ad esso dedicato www.archeotravelers.com.Qui trovi l'approfondimento all'episodio di oggi -> Sussurri dall'Oltretomba: i fantasmi nel mondo greco e romano

Pour accompagner le passage à l'heure d'hiver mais aussi pour célébrer sa carte blanche à la Cinémathèque Française, nous avons eu la joie d'accueillir Nine Antico. Elle fait des BD parfois inspirées par le cinéma, elle illustre parfois pour le cinéma (tout le coffret Rohmer de Potemkine c'est elle), et parfois elle fait des films aussi, tout simplement, comme le très rock Playlist avec Sarah Forestier, Laetitia Dosch et une très belle…playlist !Ensemble nous avons parlé de ses premiers émois cinéphiles à chercher du côté de chez Kazan (Un tramway nommé désir, La fièvre dans le sang), des films de son père (des comédies italiennes comme Le Fanfaron) et de quelques films generationnels délicieusement 90s : Buffalo 66 et le très chouette Génération 90 réalisé par Ben Stiller.Elle nous a raconté comment elle avait concocté sa programmation pour la cinémathèque.Ah et on a aussi parlé musique au cinéma ! Nous remercions notre invitée Nine Antico ainsi que Melanie Haoun et Xavier Jamet de la Cinémathèque mais aussi Elodie Imbeau et Pierre Senechal sans qui cet entretien n'aurait pu se faire. Inscrivez-vous à la newsletter en cliquant sur ce lien : https://forms.gle/HgDMoaPyLd6kxCS48 Pour nous soutenir, rendez-vous sur https://www.patreon.com/cinephilesdnt I. PORTRAIT - 3'06 Un duo au cinéma ? - Thelma & Louise (Ridley Scott, 1991) - 3'06 Une voiture au cinéma ? - La Lancia Aurelia B24 du Fanfaron (Dino Risi, 1962) - 6'36 Un hors-champ/quelque chose de caché au cinéma ? - La sœur, toujours enfermée dans la salle de bain, dans La main de dieu (P. Sorrentino, 2021) - 9'35 II. LE CINÉMA DANS TOUS SES ETATS - 11'38 Nine Antico sur sa carte blanche pour la Cinémathèque Française - 11'38 Des BO galvanisantes : la musique des films de Scorsese - 19'52 Une BD à adapter au cinéma : Love and Rockets (Los bros Hernandez) - 23'33 Le souvenir d'une scène de sexe gênante, drôle mais touchante : Greenberg (N. Baumbach, 2010) - 32'20 CARTE BLANCHE - 36'05La fièvre dans le sang (E. Kazan, 1961) III. CINEMA & TRANSMISSION - 44'34 Le rapport de Nine Antico aux objets de cinéma : VHS, photo, DVD… - 44'34 Les photos découpées des VHS dans la chambre d'ados de Nine Antico - 47'34 REFUGE - 48'37 Génération 90 (Ben Stiller, 1994) BONUS - 55'38La petite maison dans la prairie (1974-1983) EXTRAITS FILMS La fièvre dans le sang - Elia Kazan - Warner Bros Le Fanfaron - Dino Risi - Solaris Distribution Génération 90 - Ben Stiller EXTRAITS MUSICAUX Stayin alive - Bee Gees - RSO Records, actuellement sous licence Universal Music Group Don't let me be misunderstood - Santa Esmeralda - Columbia My Sharona - The Knack - Capitol Records CRÉDITSPatreons : un grand merci à Mahaut, Paul et Clara pour leur soutien !Musique : Gabriel RénierGraphisme : Lucie AlvadoCréation & Animation : Phane Montet & Clément Coucoureux

In questo episodio del Podcast di ArcheoTravelers, esploriamo la tomba romana di Pförring, un ritrovamento archeologico straordinario che unisce amuleti misteriosi e l'antica tradizione bavarese del Charivari.Analizzeremo oggetti simbolici come chiavi e noci amuleto, discutendo il loro significato nella cultura germanica e romana del V secolo.Grazie alle moderne tecnologie come i raggi X, decifriamo il ruolo di questi artefatti nel viaggio spirituale nell'aldilà.Vieni con me in un'avventura nel passato e scopri le affascinanti connessioni tra tradizione e spiritualità antiche!Buon ascolto!Trovi il progetto "ArcheoTravelers, viaggiatori nel passato" sui maggiori canali social tra cui Instagram e Facebook, oltre che sul sito internet ad esso dedicato www.archeotravelers.com.Qui trovi l'approfondimento all'episodio di oggi -> Charivari e antichi amuleti: Il fascino nascosto della tomba romana di Pförring

Nel nuovo TuttoLibri, la nostra Liliana Russo ci presenta L'ultima notte di Ercolano di Cristina Fantini

A Lugano per Innovacomix, il festival che fa incontrare artisti, collezionisti e appassionati di fumetti. A Berlino per Theaterkunst il più grande archivio di abiti di cinema e serie tv. A New York per scoprire una case history nel mondo delle calzature vegane. E in questa puntata di Start weekend visitiamo anche la prima retrospettiva completa di Nikki de Saint Phalle al Mudec di Milano.

Inspirato da una pubblicazione dell'Università di Firenze, Guido Galletti ha replicato un metodo di produzione del vino usato dagli antichi greci. Il vinicoltore ha spiegato ai Degiornalist, Fabiana Paolini e Claudio Chiari, come immerge l'uva nell'acqua marina per cinque giorni prima della vinificazione. Questo passaggio nell'acqua salata pulisce l'uva e, tramite l'osmosi, estrae dal 10 al 20% dell'acqua contenuta negli acini. Attraverso questa immersione, a prodotto finito, si ottiene un vino leggermente sapido e «dalla gradazione abbastanza importante». 

Beatrice Del Bo"Festa del libro medievale e antico di Saluzzo"Da venerdì 25 a domenica 27 ottobre 2024 a Saluzzo (Cuneo)www.salonelibro.itNel Basso Medioevo, a partire dal XII-XIII secolo, in Italia si sviluppa una colorata rivoluzione: si diffonde l'uso di una più ampia palette cromatica . Nei secoli precedenti al Mille ci si limitava, infatti, a utilizzare i tre colori polari: bianco, nero e rosso. Dal Duecento in poi la tavolozza si amplia e l'uso degli altri colori si radica sempre più nell'arte figurativa, nelle miniature, nell'araldica e nell'abbigliamento femminile e maschile. A ciascun colore sono associati particolari significati allegorici e simbolici, positivi e negativi, ma anche specifici lavoratori e mestieri. La veste cromatica delle città muta, con nuovi colori per gli edifici religiosi e non, e per la popolazione. Proprio attorno al tema “I colori nel medioevo” ruota la quarta edizione della Festa libro medievale e antico di Saluzzo , che si svolgerà da venerdì 25 a domenica 27 ottobre 2024, con tappe di avvicinamento nelle settimane precedenti ed eventi nei giorni successivi.Un viaggio nei Colori nel Medioevo che sarà presentato attraverso diversi sguardi, aspetti, collegamenti edespressioni e a partire dal loro valore simbolico per approdare a quello materiale. Dopo le fortunate edizioni curate dal medievista Marco Piccat, tra gli ideatori e fondatori della manifestazione, la curatela passa ora alla medievista Beatrice Del Bo, docente all'Università degli Studi di Milano, che affianca Marco Pautasso, segretario generale del Salone Internazionale del Libro di Torino, nella cura del programma.«Un Medioevo a colori: finalmente! Il verde della Fortuna, del veleno e dell'instabilità; il giallo dei discriminati e dello zafferano; il nero dei lupi e degli omicidi; il rosso delle eretiche, del kermes e delle vesti dell'aristocrazia; l'azzurro dell'acqua, del guado e del manto della Madonna; il bianco della castità e dell'unicorno. Di questo sentiremo parlare a ottobre nella variopinta Saluzzo». Beatrice Del Bo.Beatrice del Bo"Arsenico e altri veleni"Una storia letale nel MedioevoLe Edizioni del Mulinowww.mulino.itUomini e donne, santi e assassini, animali fantastici, antidoti e amari calici, speziali e confidenti, crimini e processi. Ecco gli ingredienti di questa storia.Nel Medioevo, il veleno era una minaccia costante, tanto che le morti per avvelenamento erano relativamente comuni, e l'arsenico, con la sua letale efficacia e la sua invisibilità, era una delle sostanze più micidiali. Le narrazioni letterarie, le cronache e le rappresentazioni artistiche hanno alimentato un immaginario del veleno come arma segreta e insidiosa e delle donne come le principali «avvelenatrici». A partire dalle fonti storiche, Beatrice Del Bo decostruisce alcuni falsi miti di un fenomeno che ha affascinato e spaventato l'umanità per secoli: l'uso del veleno coinvolgeva uomini e donne di ogni ceto sociale, infiltrandosi tanto nelle corti nobiliari quanto nei mercati e nelle taverne delle città, e non era solo uno strumento di morte, ma anche di cura e un simbolo di autorità e controllo, capace di sconvolgere le dinamiche del potere e della vita quotidiana. La vera storia di un nemico spesso invisibile.Beatrice Del Bo insegna Storia economica e sociale del Medioevo e Didattica della storia nell'Università degli Studi di Milano. Il suo ultimo libro con il Mulino è «L'età del lume. Una storia della luce nel Medioevo» (2023).IL POSTO DELLE PAROLEascoltare fa pensarewww.ilpostodelleparole.itDiventa un supporter di questo podcast: https://www.spreaker.com/podcast/il-posto-delle-parole--1487855/support.

Cosa significa gestire il Blog più antico d'Italia? Come è iniziato il lungo viaggio del "Bar Giomba"? E quali difficoltà si sono incontrato lungo il cammino? Un'intervista "a tutto tondo" in cui Il Giomba racconta, senza censure, la meravigliosa avventura del Blog più antico d'Italia da lui gestito.

In questo episodio di ArcheoPills, esploriamo il mistero della "Mummia della donna che urla," un enigmatico ritrovamento archeologico scoperto in Egitto nel 1935.La mummia, nota per la sua inquietante espressione facciale, ha sconcertato studiosi per decenni. Grazie a recenti studi scientifici, scopriamo nuove affascinanti informazioni sulla sua vita, il processo di mummificazione anomalo e le possibili cause di morte, tra cui una rara condizione nota come spasmo cadaverico.Un episodio imperdibile per gli appassionati di archeologia e misteri dell'antico Egitto!Trovi il progetto "ArcheoTravelers, viaggiatori nel passato" sui maggiori canali social tra cui Instagram e Facebook, oltre che sul sito internet ad esso dedicato www.archeotravelers.com.Qui trovi l'approfondimento all'episodio di oggi -> La mummia della donna che urla: nuove analisi ed interpretazioni

Recentemente una sconvolgente scoperta ha sconvolto il panorama scientifico: si tratta di un mistero che gira attorno ad un labirinto. Ecco di che cosa si tratta!#breakingnews #ultimenotizie #notiziedelgiorno #notizie #cronaca #antico #labirinto #enigma #mistero #scoperta #straordinaria #scienza

Sono una delle sette meraviglie del mondo e, per molti versi, uno dei suoi misteri più affascinanti. Parlo delle piramidi egizie, naturalmente. A che cosa servivano? Chi le costruì? Perché avevano quella forma? E perché si trovano in quelle posizioni? Ne parliamo oggi con uno dei più grandi esperti al mondo di Archeoastronomia, il professor Giulio Magli del Politecnico di Milano. E le sue risposte sono decisamente sorprendenti…Aderisci alla pagina PATREO34N e sostieni i miei progetti e il mio lavoro: http://patreon.com/massimopolidoroPartecipa e sostieni su TIPEEE il progetto del mio Tour 2022 in tutta Italia: https://it.tipeee.com/massimopolidoroScopri i miei corsi online:https://www.massimopolidorostudio.comRicevi l'Avviso ai Naviganti, la mia newsletter settimanale: https://mailchi.mp/massimopolidoro/avvisoainavigantie partecipa alle scelte della mia communityE qui l'elenco completo dei miei libri disponibili: https://amzn.to/44feDp4Le musiche sono di Marco Forni e si possono ascoltare qui: https://hyperfollow.com/marcoforniSeguimi:Instagram: https://www.instagram.com/massimopolidoro/Gruppo FB: https://www.facebook.com/groups/MassimoPolidoroFanClubPagina FB: https://www.facebook.com/Official.Massimo.PolidoroTwitter: https://twitter.com/massimopolidoroSito e blog: http://www.massimopolidoro.comIscriviti al mio canale youtube: https://goo.gl/Xkzh8A

Scopriamo insieme i graffiti infantili di Pompei che rivelano come i bambini romani fossero esposti alla violenza dei combattimenti gladiatori.In questo episodio, esploreremo la recente scoperta di disegni a carboncino raffiguranti gladiatori e bestie, eseguiti dai giovani abitanti di Pompei. Questi graffiti, rinvenuti nell'Insula dei Casti Amanti, offrono uno sguardo unico sull'infanzia nell'antica Roma e sulla loro esposizione a spettacoli violenti. Analizzeremo l'impatto psicologico e culturale di questi disegni, e cosa possono dirci sulla vita quotidiana di quei tempi.Ascolta ora l'episodio per un viaggio particolare ed affascinante nel passato!Buon ascolto!Trovi il progetto "ArcheoTravelers, viaggiatori nel passato" sui maggiori canali social tra cui Instagram e Facebook, oltre che sul sito internet ad esso dedicato www.archeotravelers.com.Qui trovi l'approfondimento all'episodio di oggi -> I graffiti dei bambini a Pompei: testimonianze di violenza e vita quotidiana

I casi di cronaca più oscuri con il criminologo Massimo Picozzi.

Natalie Kennedy is a Californian who has been living in Rome since 2010. Although she initially came to the Eternal City for graduate school to study Economics, she shortly after met her now Irish husband, and the rest is history. She regularly contributes to guidebooks, magazines, and her own social media and website, An American in Rome, sharing her love of la dolce vita between pizza slices and gelato breaks. Today, on the show, we discussed why she decided to live in Rome, her favorite parts of being in the Eternal City, what it's like to live in Rome with children, and things she wishes she could tell every tourist that decides to visit Italy. Resources Forno campo de fiori (http://www.fornocampodefiori.com/) Antico forno Roscioli (https://www.anticofornoroscioli.it/) Piatto Romano (https://piattoromano.superbexperience.com/) Otaleg (https://www.otaleg.com/) Gunther gelato (https://www.gunthergelatoitaliano.com/punti-vendita/gunther-gelato-italiano-via-dei-pettinari/) Check out Natalie's website, An American in Rome (https://anamericaninrome.com/) Follow Natalie on Instagram (https://www.instagram.com/anamericaninrome/) Follow female foodie on Instagram (https://www.instagram.com/femalefoodie/)

Imma Eramo"Il mondo antico in 20 stratagemmi"Editori Laterzawww.laterza.it"La storia tra le righe", LegnanoVenerdì 12 aprile 2024, ore 19:00Imma Eramo "Senno vince astuzia"La storia antica è costellata di fatti e vicende in cui la soluzione di problemi e la vittoria sui concorrenti si ottengono grazie a un guizzo di intelligenza. Imbrogli, trucchi e raggiri che ci raccontano le sorprendenti sfaccettature del carattere e del mondo dei nostri antenati.Il cavallo di Troia, le terre di Didone, il ratto delle Sabine, il tappeto di Cleopatra…La storia antica è costellata di fatti e vicende in cui la soluzione di problemi e la vittoria sui concorrenti si ottengono grazie a un guizzo di intelligenza. Imbrogli, trucchi e raggiri che ci raccontano le sorprendenti sfaccettature del carattere e del mondo dei nostri antenati.I Greci presero Troia; Ramses II sconfisse gli Ittiti; Didone fondò Cartagine; Romolo fece rapire le Sabine; Temistocle vinse a Salamina; Annibale tenne in scacco l'esercito romano. Cosa accomuna questi e altri episodi della storia antica, greca, romana e non solo? Il ricorso a imbrogli, trucchi, raggiri: in una parola, stratagemmi. Anche se lasciavano credere che fossero sempre e solo i nemici a perpetrare le astuzie più ambigue ai loro danni, in realtà i popoli antichi non si fecero mai scrupoli a utilizzare mezzi subdoli e ingannevoli. Ritenevano l'intelligenza l'arma più efficace, affidabile e pronta per superare difficoltà, vincere nemici, imporsi sulla scena politica.I protagonisti di questo libro sono personaggi noti e meno noti della storia antica. Alcuni leggendari, come Ulisse, Pericle, Alessandro Magno, Annibale, Cleopatra. Altri meno familiari, ma ugualmente significativi per l'entità delle loro gesta. Tutti emergono vincenti da contesti competitivi o escono indenni da situazioni di disagio. Tutti mostrano come l'intelligenza, nelle sue diverse declinazioni – e tra queste, soprattutto l'astuzia –, sia la chiave per imporsi, o anche solo per sopravvivere, in ogni occasione.Imma Eramo è ricercatrice di Filologia classica presso l'Università di Bari, dove insegna Esegesi delle fonti di storia greca e romana e Letteratura latina. Si occupa di storiografia e di letteratura tecnica antica e bizantina, in particolare dei manuali militari e della loro ricezione. Ha curato Discorsi di guerradi Siriano (con una nota di Luciano Canfora, Dedalo 2008) e Stratagemmi di Frontino (con una premessa di Giusto Traina, Rusconi 2022).IL POSTO DELLE PAROLEascoltare fa pensarewww.ilpostodelleparole.itDiventa un supporter di questo podcast: https://www.spreaker.com/podcast/il-posto-delle-parole--1487855/support.

durée : 00:42:22 - France Culture va plus loin le samedi - par : Quentin Lafay - Comment construit-on une bande dessinée ? Quels rapports la bande-dessinée entretient-elle avec les autres arts ? Les réponses de deux scénaristes et une illustratrice, depuis le festival d'Angoulême. - invités : Thierry Smolderen Scénariste de BD; Nine Antico Autrice de bande dessinée, cinéaste et illustratrice; Julie Birmant Scénariste

Nel giugno del 2015 un minuscolo elemento scombinò tutto: la rivista Nature pubblicò due articoli di genetica che risolsero la disputa sul luogo d'origine delle persone che parlavano protoindoeuropeo, e al contempo aprirono nuovi e affascinanti orizzonti per lo studio delle lingue e dei miti. Per approfondire gli argomenti trattati nel podcast abbiamo raccolto in questa pagina le cose da leggere e da guardare dopo aver ascoltato le puntate. Learn more about your ad choices. Visit megaphone.fm/adchoices

Marcello Valente"Storia del mondo antico in 25 esplorazioni"Il Saggiatorewww.ilsaggiatore.comLa nostra idea di mondo antico, quello dominato dalla politica e dalle guerre dei Greci e dei Romani, è spesso costretta in uno spazio molto angusto, quello del Mediterraneo. Si limita al ricordo scolastico di alcune date, dei contatti e degli scambi con i popoli più vicini all'Italia. Eppure i Greci, i Romani, i Macedoni, i Fenici e i Punici in tutto il corso della loro storia hanno desiderato soprattutto esplorare, evadere dai loro territori e inseguire i sogni di una geografia ancora sconosciuta: per questo, nelle pagine di Marcello Valente, possiamo leggere i resoconti dei viaggi del greco Megastene nello Sri Lanka (l'antica Taprobane) o dello scontro tra Romani e Cinesi a nord dell'Himalaya, oppure ancora dei Cartaginesi nel mar dei Sargassi. Attraverso il racconto di 25 incredibili viaggi attorno al mondo, Valente ci offre uno sguardo del tutto inedito sulla classicità, una storia quasi parallela a quella più nota, ricca di mappe che descrivono spazi lontanissimi e di approfondimenti sui percorsi geografici dei primi esploratori. Per permetterci finalmente di dare un nome alle Isole dei Beati e alle Terre degli Spiriti.Marcello Valente (Torino, 1979) è professore di Storia greca presso l'Università del Piemonte Orientale. Con il Saggiatore ha pubblicato Il calendario dell'umanità (2020).IL POSTO DELLE PAROLEascoltare fa pensarewww.ilpostodelleparole.itQuesto show fa parte del network Spreaker Prime. Se sei interessato a fare pubblicità in questo podcast, contattaci su https://www.spreaker.com/show/1487855/advertisement

Ecco i nostri consigli per la settimana dal 17 al 23 novembre. In Australia, potete poi vedere il vostro programma preferito o recuperare quello che avete perso su SBS On Demand.

Marco Aime"Festa del Libro Medievale e Antico di Saluzzo"www.salonelibro.itSabato 21 ottobre 2023, ore 18:00Festa del Libro Medievale e Antico di SaluzzoIl Quartiere, SaluzzoIncontro con Marco Aimein occasione della pubblicazione di “La carovana del sultano”in collaborazione con Giulio Einaudi Editorewww.einaudi.itNel 1324 Mansa Musa, il sultano del Mali, «l'uomo piú ricco che il mondo abbia mai visto», intraprende il suo pellegrinaggio verso La Mecca, a capo di un immenso corteo lungo decine di chilometri e composto da migliaia di uomini e da altrettanti dromedari carichi di quintali e quintali d'oro. Un viaggio destinato a entrare nella storia, ammantato di leggenda, grazie alle cronache arabe dell'epoca e dei secoli a venire. L'autore ricostruisce quel cammino, inserendolo nel contesto storico e culturale del tempo, rivelandone gli aspetti politici e strategici oltre a quelli religiosi ed economici. Il percorso della carovana del sultano diventa cosí una sorta di metafora, utile a spiegare la fitta rete di legami e di scambi, che avvolgeva il Mediterraneo, unendo l'Africa all'Europa. Si viene cosí a delineare una lettura nuova e multicentrica della storia, in cui l'Africa è un'importante protagonista e non la terra isolata dell'hic sunt leones.Marco Aime insegna Antropologia culturale all'Università di Genova. Presso Einaudi ha pubblicato Eccessi di culture (Vele 2004), Il primo libro di antropologia (Pbe Mappe, 2008), Una bella differenza. Alla scoperta delle diversità nel mondo (ultima edizione Super ET, 2016, con Anna Cossetta), Il dono al tempo di Internet (2010), L'altro e l'altrove. Antropologia, geografia e turismo (Pbe Ns, 2012, con Davide Papotti), La fatica di diventare grandi (Super ET Opera Viva, 2014, con Gustavo Pietropolli Charmet), Contro il razzismo (2016, con Guido Barbujani, Clelia Bartoli e Federico Faloppa), Invecchiano solo gli altri (2017, con Luca Borzani), Il soffio degli antenati (2017), Classificare, separare, escludere (2020) e La carovana del sultano. Dal Mali alla Mecca: un pellegrinaggio medievale (2023). Per Einaudi ha inoltre curato M. Mauss, Saggio sul dono (Pbe 2002) e l'edizione italiana del Dizionario di antropologia e etnologia (Grandi Opere 2006 e Piccola Biblioteca Einaudi 2009).IL POSTO DELLE PAROLEascoltare fa pensarewww.ilpostodelleparole.itQuesto show fa parte del network Spreaker Prime. Se sei interessato a fare pubblicità in questo podcast, contattaci su https://www.spreaker.com/show/1487855/advertisement

Enzo Bianchi"Vita dei monaci nel Medioevo"Festa del Libro Medievale e Antico di SaluzzoSabato 21 ottobre, ore 17:00Il Quartiere, Saluzzo (Cuneo)Enzo Bianchi è il fondatore della Comunità monastica ed ecumenica di Bose, di cui è stato priore fino al gennaio 2017 e della Casa della Madia di Albiano. Ha insegnato Teologia biblica presso la Facoltà di Filosofia dell'Università Vita-Salute San Raffaele di Milano. Esperto di mistica e di spiritualità, ha attinto alla Scrittura e alle fonti del monachesimo dei primi secoli, è autore di commenti a libri della Bibbia (Genesi, Cantico dei Cantici, Apocalisse), svolge un'intensa attività di pubblicista ed è in dialogo con il mondo della cultura e dell'arte. Ha fondato la casa editrice le Edizioni Qiqajon, ha ricevuto diversi premi ed è membro a vita del Consiglio della Fondazione per le Scienze Religiose Giovanni XXIII di Bologna. Tra le sue opere recenti: Ama il prossimo tuo (con Massimo Cacciari, Bologna 2011); Fede e fiducia (Torino 2013); Dono e perdono (Torino 2014); Raccontare l'amore. Parabole di uomini e donne (Milano 2015); Spezzare il pane. Gesù a tavola e la sapienza del vivere (Torino 2015); Gesù e le donne (Torino 2016); Ero straniero e mi avete ospitato (Milano 2017); La vita e i giorni. Sulla vecchiaia (Bologna 2018); «Non muri ma ponti». Per una cultura dell'incontro e del dialogo (con Nunzio Galantino e Gianfranco Ravasi, Cinisello Balsamo 2018); L'acqua è insegnata dalla sete. Riflessioni sull'errore umano (con Piero Coda, Alessandro Deho', Francesco Occhetto, Antonietta Potente, Luigi Verdi, Torino 2022); Cosa c'è di là. Inno alla vita (Bologna 2022).Festa del Libro Medievale e Antico di Saluzzowww.salonelibro.itIL POSTO DELLE PAROLEAscoltare fa Pensarewww.ilpostodelleparole.itQuesto show fa parte del network Spreaker Prime. Se sei interessato a fare pubblicità in questo podcast, contattaci su https://www.spreaker.com/show/1487855/advertisement

La Grande Piramide di Giza è uno dei monumenti dell'antichità che più solleticano la fantasia dei cercatori di misteri. Chi l'ha costruita? Come ha fatto? Come è possibile la sua precisione matematica? Che cosa si nasconde veramente al suo interno? Domande, interrogativi ed enigmi sui quali ci si interroga ormai da millenni. Ma, per almeno alcuni di questi, le risposte forse ci sono e sono straordinariamente intriganti.Aderisci alla pagina PATREON e sostieni i miei progetti e il mio lavoro: http://patreon.com/massimopolidoroPartecipa e sostieni su TIPEEE il progetto del mio Tour 2022 in tutta Italia: https://it.tipeee.com/massimopolidoroScopri il mio Corso online di Psicologia dell'insolito:https://www.massimopolidorostudio.comRicevi l'Avviso ai Naviganti, la mia newsletter settimanale: https://mailchi.mp/massimopolidoro/avvisoainavigantie partecipa alle scelte della mia communitySeguimi:Instagram: https://www.instagram.com/massimopolidoro/Gruppo FB: https://www.facebook.com/groups/MassimoPolidoroFanClubPagina FB: https://www.facebook.com/Official.Massimo.PolidoroTwitter: https://twitter.com/massimopolidoroSito e blog: http://www.massimopolidoro.comIscriviti al mio canale youtube: https://goo.gl/Xkzh8A

Virtus Maria Zallot"Nei cieli del Medioevo"Festa del Libro Medievale e Antico di Saluzzowww.salonelibro.itSabato 21 ottobre 2023, ore 19:00Il Quartiere, Saluzzo"Nei cieli del Medioevo"Lezione di Virtus Maria ZallotI cieli dell'immaginario medievale sono attraversati da insospettabile traffico di persone che salgono, scendono e viaggiano, ricorrendo a soluzioni straordinarie o a improbabili espedienti. Attraverso racconti e immagini, se ne analizzeranno tipologie ed esempi.Domenica 22 ottobre 2023, ore 16:30Il Quartiere, Saluzzo"Il presepe di San Francesco. Storia del Natale di Greccio"Virtus Maria Zallot presenta il libro postumo di Chiara FrugoniA 800 anni dal primo presepe qual è la storia della sua invenzione? Avvincente e suggestivo, il racconto della più grande studiosa del santo di Assisi«Voglio evocare il ricordo di quel Bambino nato a Betlemme, e in qualche modo vedere con gli occhi del cuore i disagi in cui si è trovato per la mancanza delle cose necessarie a un neonato, e come fu adagiato in una greppia quando fu messo sul fieno tra il bue e l'asino». Con queste parole – secondo il suo primo biografo – Francesco chiede a un fedele amico di Greccio di predisporre quanto serve per realizzare il presepe. Ma dove sono i personaggi principali, la Madonna e il bambino? Perché mai Francesco sceglie di rappresentare il Natale solo attraverso la greppia colma di fieno, fra due animali non nominati dai vangeli canonici? Saper leggere e mettere a confronto le fonti con rigore e sottigliezza, saper decifrare le immagini con acume finissimo: armata degli strumenti in cui eccelleva, Chiara Frugoni si avvicina – e noi con lei – alla figura del santo di Assisi, illuminando la vera posta in gioco del Natale di Greccio, quel potente messaggio di pace che dal 1223 ancora oggi vibra di una mai sopita spiritualità rivoluzionaria.Chiara Frugoni (1940-2022) ha insegnato Storia medievale nelle Università di Pisa, Roma e Parigi. Tra i suoi numerosi libri segnaliamo, per il Mulino, «Vivere nel Medioevo. Donne, uomini e soprattutto bambini» (2017), «Uomini e animali nel Medioevo. Storie fantastiche e feroci» (2018), «Paradiso vista Inferno. Buon governo e tirannide nel Medioevo di Ambrogio Lorenzetti» (2019), «Paure medievali. Epidemie, prodigi, fine del tempo» (2020), «Donne medievali. Sole, indomite, avventurose» (2021) e «A letto nel Medioevo. Come e con chi» (2022).Virtus Zallot è docente di Storia dell'Arte medievale all'Accademia di Belle Arti SantaGiulia di Brescia. Studia l'arte quale comunicazione visiva, in relazione a funzione e contesto; indaga la storia ‘minore' e l'immaginario medievali attraverso fonti iconografiche e letterarie.Autrice di saggi, per Il Mulino di Bologna ha pubblicato Sulle teste nel Medioevo. Storie e immagini di capelli (2021) e Con i piedi nel Medioevo. Gesti e calzature nell'arte e nell'immaginario (2018).Per Il Giornale dell'Arte scrive articoli, recensioni e i cicli Piccole storie dal Medioevo. Interviene con contributi tematici alla trasmissione GEO, su Rai3. Nel 2022 e nel 2023 è stata ospite al Festival del Medioevo di Gubbio. Su incarico di Enti pubblici e di Istituzioni culturali e scolastiche ha ideato e coordinato progetti di promozione e valorizzazione del patrimonio artistico, curando eventi e laboratori didattici. È autrice e formatrice per La Scuola SEI Academy.IL POSTO DELLE PAROLEascoltare fa pensarewww.ilpostodelleparole.itQuesto show fa parte del network Spreaker Prime. Se sei interessato a fare pubblicità in questo podcast, contattaci su https://www.spreaker.com/show/1487855/advertisement

Federico Canaccini"In viaggio per Roma alla volta del Giubileo"Festival del Libro Medievale e Antico di Saluzzowww.salonelibro.itSabato 21 ottobre 2023, ore 16:00Il Quartiere, SaluzzoFederico CanacciniNell'anno 1300, il 22 febbraio, papa Bonifacio VIII organizzò un evento straordinario, il primo di una lunga serie: il primo Giubileo della storia della Chiesa. Si trattò di un evento completamente nuovo dal momento che il papa andava ad innovare l'antico concetto di Giubileo ebraico -con cadenza cinquantennale- creando così il concetto stesso di secolo! Il documento fu redatto in varie versioni, fino a giungere a quella definitiva, ancora visibile in pietra in Vaticano. Frotte di pellegrini giunsero da tutta Europa e si riversarono nella città eterna, percorrendo le strade che conducevano alle tombe dei martiri. Nell'Urbe trovavano accoglienza in taverne e venivano attirati da venditori ambulanti: per quindici giorni visitavano le tombe di Pietro e Paolo e avevano l'occasione di vedere anche le vestigia di quella che, oltre ad essere la sede del Vicario di Cristo, fu anche la capitale dell'Impero Romano.Federico Canaccini, medievista, si occupa da anni di storia comunale italiana e del conflitto tra le fazioni dei Guelfi e dei Ghibellini. Ha insegnato Storia della guerra nel Medioevo alla Catholic University of America di Washington, Paleografia latina alla LUMSA di Roma. Attualmente insegna Paleografia e Filosofia medievale alla Università Pontificia Salesiana di Roma. In qualità di ricercatore all'Università di Princeton ha intrapreso un lavoro di edizione critica di Questioni quodlibetali e di trattati astrologici inediti. È assiduo collaboratore della rivista Medioevo, di cui cura la rubrica d'apertura. Tra le sue pubblicazioni: Ghibellini e ghibellinismo in Toscana da Montaperti a Campaldino (2007)16 nello Spazio Incontri ; Matteo d'Acquasparta tra Dante e Bonifacio VIII (2008); Al cuore del primo Giubileo (2016); 1268. La battaglia di Tagliacozzo (2018).IL POSTO DELLE PAROLEascoltare fa pensarewww.ilpostodelleparole.itQuesto show fa parte del network Spreaker Prime. Se sei interessato a fare pubblicità in questo podcast, contattaci su https://www.spreaker.com/show/1487855/advertisement

Laura Ramello"Le meraviglie del mondo nel viaggio ad inizio Quattrocento, di quattro cavalieri"Festa del Libro Medievale e Antico di Saluzzowww.salonelibro.itSabato 21 ottobre 2023, ore 11:00Saluzzo, Il QuartiereLaura RamelloLe meraviglie del mondo nel viaggio, ad inizio Quattrocento, di quattro cavalieriAmazzoni e mitici sovrani orientali, cinocefali e unicorni: questi sono solo alcuni degli straordinari incontri che quattro favolosi cavalieri erranti, globe trotters ante litteram, fanno nel corso di un viaggio che, a inizio Quattrocento, li conduce dapprima verso Oriente, serbatoio di tutte le meraviglie che la cultura occidentale aveva condensato lungo i secoli, e poi verso Ovest, attraverso un'Europa in cui lo stupore di fronte alle mirabilia del profondo Nord convive con i drammatici echi della fase socio-politica che il Continente sta attraversando.Il viaggio narrato è fittizio, ma così ben costruito da sembrare vero; esso si offre al lettore moderno come un manifesto dello spirito del suo tempo, impregnato di un immaginario che ancora crede che da qualche parte in Oriente viva Prete Gianni, ma che deve drammaticamente fare i conti con la realtà di un'Europa segnata dall'inesorabile declino della società cavalleresco-cortese.Laura Ramello è professoressa di Filologia e Linguistica romanza all'Università di Torino. I suoi ambiti di ricerca sono i romanzi cavallereschi, il teatro medievale, i volgarizzamenti, la letteratura didattico-scientifica, le mises en prose, le danses macabres e l'odeporica. Ha pubblicato I Ludi Sancti Nicolai in francoprovenzale (2011), i volumi Un mito alla corte di Borgogna. Ciperis de Vignevaux in prosa (2012) e Turpino e la saga carolingia. Intrecci di culture (2022) e, in collaborazione con Marco Piccat, il Livre du Chevalier Errant di Tommaso III di Saluzzo (2008) e l'Histoire di Griseldis (2011). Per le Edizioni dell'Orso ha curato Epica e cavalleria nel Medioevo. Atti del Seminario Internazionale, Torino, 18-20 novembre 2009 (2011), Il canzoniere provenzale To e altri saggi filologici di Giuliano Gasca Queirazza (2013), Memento mori. Il genere macabro in Europa dal Medioevo a oggi (2014), “Par estude ou par acoustumance”. Saggi offerti a Marco Piccat per il suo 65° compleanno (2016) e L'Historia Turpini in Europa. Ricerche e prospettive (2019).IL POSTO DELLE PAROLEascoltare fa pensarewww.ilpostodelleparole.itQuesto show fa parte del network Spreaker Prime. Se sei interessato a fare pubblicità in questo podcast, contattaci su https://www.spreaker.com/show/1487855/advertisement

Joseph Rivolin"Gli ospizi di San Bernardo: pellegrini e mercanti in Valle d'Aosta nel Medioevo"Festival del Libro Medievale e Antico di SaluzzoSabato 21 ottobre, ore 17:30Palazzo dei Vescovi, SaluzzoGli ospizi di San Bernardo: pellegrini e mercanti in Valle d'Aosta nel MedioevoConversazione con Joseph RivolinJoseph-Gabriel Rivolin,In occasione della lezione di Joseph Rivolin sarà allestita l'esposizione Percorsi del sacro: Gerusalemme in un' antica edizione della Biblioteca Diocesana di Saluzzo, visitabile dalle 14,30 alle 19 dello stesso giorno, organizzata dal'Ufficio Beni Culturali della Diocesi.Si tratta dell'anteprima di una prossima presentazione al pubblico saluzzese di un testo ricco di informazioni e di immagini sui luoghi visitati nel tempo dai pellegrini a Gerusalemme.Joseph Rivolin, nato ad Aosta nel 1956, è un appassionato studioso della storia, della cultura e delle tradizioni valdostane e opera da diversi anni nel settore della valorizzazione e divulgazione del patrimonio artistico e culturale della sua regione. Segretario dell'Ufficio delle Attività culturali dell'Assessorato regionale della Pubblica Istruzione, ha assunto successivamente le funzioni di archivista, di cui è il direttore dal 1993, dopo una breve parentesi alla direzione dell'Ufficio Stampa della Presidenza della Giunta regionale valdostana. È membro dell'Accademia di Sant'Anselmo e di numerose associazioni culturali, socio fondatore e tesoriere della Società internazionale di studi medievali Moyen Age Alpin, componente dei comitati scientifici dell'Istituto Storico della Resistenza in Valle d'Aosta e del Centro di studi storico-letterari "Natalino Sapegno". Ha ricoperto, tra l'altro, le cariche di presidente del Comité des Traditions Valdôtaines e dell'Association Valdôtaine d'Archives Sonores. Giornalista pubblicista, è iscritto all'Union Internationale des Journalistes et de la Presse de Langue Française. Ha realizzato numerose pubblicazioni di carattere storico, etnografico e divulgativo, tra le quali si segnalano: Pollein, materiali per una storia (1993); La città di Aosta (1994); Aosta (1996).IL POSTO DELLE PAROLEascoltare fa pensarewww.ilpostodelleparole.itQuesto show fa parte del network Spreaker Prime. Se sei interessato a fare pubblicità in questo podcast, contattaci su https://www.spreaker.com/show/1487855/advertisement

Lucia Rutigliano"Dal segno alla scrittura"Festa del Libro Medievale e Antico di Saluzzowww.salonelibro.itwww.segnoscrittura.comSabato 21 ottobreOre 15.30, 17:00, SaluzzoBiblioteca civicaSala Laboratoriopiazza Montebello, 1Laboratorio di calligrafia per adultiin collaborazione con l'associazione Dal segno alla scritturaDomenica 22 ottobreOre 10 – 18Banchetto di calligrafia dell'associazione Dal segno alla scritturaL'Associazione Culturale Dal Segno alla Scrittura, da sempre attenta alle opportunità offerte dal territorio per divulgare lo studio e la pratica della calligrafia, metterà a disposizione il proprio materiale calligrafico. L'associazione, con sede a Torino, punta a diffondere la conoscenza, lo studio e la pratica della calligrafia, recuperando gli stili storici della scrittura e avvalendosi della collaborazione di esperti calligrafi: professionisti, grafici, insegnanti, illustratori e appassionati, sia italiani che stranieri. L'Associazione collabora con il Circolo dei Lettori ed il Borgo medievale di Torino.Domenica 22 ottobre, ore 15.30 e ore 17:00Saluzzo Biblioteca civica Sala Laboratoriopiazza Montebello, 1 Laboratorio di calligrafia per adultiin collaborazione con l'associazione Dal segno alla scritturaScopri i corsi di calligrafia dell'associazione "Dal segno alla scrittura"www.segnoscrittura.comCorsi di baseI corsi di base hanno l'obiettivo di approfondire uno stile calligrafico specifico o un argomento di interesse nell'ambito della calligrafia, con il supporto di un'insegnante e un assistente dell'Associazione.Essi sono suddivisi in:• Corsi pomeridiani: sette incontri di due ore ciascuno;• Corsi preserali: da cinque a otto incontri di due ore ciascuno;• Corsi serali: otto lezioni di due ore ciascuno.IL POSTO DELLE PAROLEascoltare fa pensarewww.ilpostodelleparole.itQuesto show fa parte del network Spreaker Prime. Se sei interessato a fare pubblicità in questo podcast, contattaci su https://www.spreaker.com/show/1487855/advertisement

Marco Piccat"Festa del Libro Medievale e Antico di Saluzzo"www.salonelibro.itDa venerdì 20 a domenica 22 ottobre 2023, Saluzzo (CN) Terza edizione dedicata al viaggio nel Medioevo«Chi va lontan da la sua patria, vede / cose, da quel che già credea, lontane;/ che narrandole poi, non se gli crede» Orlando Furioso, Ludovico AriostoTra gli ospiti:Marco Aime, Nicolas Ballario, Enzo Bianchi, Nicoletta Bortolotti,Federico Canaccini, Franco Cardini, Beatrice del Bo, Fabio Genovesi, Roberto Mercadini, Maria Giuseppina Muzzarelli, Laura Ramello, Joseph Rivolin, Matteluo Saudino “Barbasophia”, Domenico Scarpa, Virtus Maria Zallot, Fondazione Teatro Ragazzi e Giovani, Castello di Rivoli, Teatro Liquido Barcelona Tra gli appuntamenti: aperitivi medievali, caccia al tesoro,simultanea di scacchi, spettacoli teatrali e di strada Tappe di avvicinamento a partire dal 14 ottobre con“Per viam” percorso di 5 km nella città d Saluzzoconcerti di musica classica, canti gregoriani.La terza edizione è dedicata al tema del viaggio nel Medioevo e si svolgerà da venerdì 20 a domenica 22 ottobre 2023, con diversi momenti di avvicinamento – come le camminate a tema, i concerti di musica medievale e canti gregoriani. La Festa è, in collaborazione con il Salone Internazionale del Libro di Torino, che ne cura il programma e la comunicazione.Il tema del viaggio nel Medioevo sarà affrontato attraverso diversi aspetti ed espressioni. Il viaggio propriamente inteso, come itinerario da intraprendere – non senza pericoli – per spostamenti pratici o per necessità di lavoro e commerciali; il viaggio visto come desiderio di scoperta e avventura, come sfida per il superamento di confini e condizioni; il viaggio fantastico, epico e cavalleresco; il viaggio spirituale e mistico in un periodo di fervente religiosità, senza trascurare i pellegrinaggi militari di conquista che furono le crociate in Terra Santa, causa di migliaia di morti. Come ha sottolineato lo storico Franco Cardini: “Per il mondo medievale, il viaggio è fondamentale come esperienza simbolico-metaforica perché è la metafora della vita: la vita è un viaggio, dalla nascita fino alla morte, dopo la quale vi è il passaggio alla vita eterna”.Scopri il programma su: salonelibro.itIL POSTO DELLE PAROLEascoltare fa pensarewww.ilpostodelleparole.itQuesto show fa parte del network Spreaker Prime. Se sei interessato a fare pubblicità in questo podcast, contattaci su https://www.spreaker.com/show/1487855/advertisement

Adam welcomes comedian Kim Congdon as they review Kim's stand-up trajectory and how she left college to pursue comedy. She divulges her fun adventures during covid that almost lead to an engagement, until comedy called her back to the real world. She blasts specific comedy clubs and how comedians are treated, recommending comedians unionize, resulting in Adam offering to bring her pizza on the picket lines in support. Next producer, stuntman and SAG-AFTRA connoisseur Peter Antico joins the show to discuss a wide variety of subjects from the current Hollywood strikes, as well as the complications of media monopolies today that have attained concentrated power affecting fair dealings elsewhere in the industry. He examines the pros and cons of AI, as well as conflicting politics within the unions. Peter also shares what it's like being a stuntman while also having tourettes. Chris proposes news of the day starting with an announcement from Dick's Sporting Goods who blames an increase in theft for their lackluster financial report. On a lighter note, we learn of Jennifer Aniston disclosing that she'll try almost anything once to look young, and that she once tried a salmon-sperm facial. PLUGS: See Kim Congdon live: RALEIGH, NC - GOOD NIGHTS COMEDY CLUB - SEPTEMBER 22nd & 23rd TAMPA, FL- SIDE SPLITTERS - DECEMBER 16th And for more dates visit: KimCongdon.com Listen to ‘This Bitch' and ‘The Kim Congdon Takeover' wherever you find podcasts And follow Kim on Instagram: @KimCongdon Watch Peter Antico's new documentary ‘The Paradigm of Money' streaming now at RedCoral Universe.com THANKS FOR SUPPORTING TODAY'S SPONSORS: This episode is sponsored by BetterHelp BetterHelp.com/CAROLLA JustThriveHealth.com enter ADAM AthleticGreens.com/ACS Angi.com OReillyAuto.com Call Lear Capital at 1-800-498-6450

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durée : 00:59:10 - Mauvais genres - par : François Angelier - Croisant hagiographie populaire, drames historiques et réflexions sur le destin contemporain de la femme, Nine Antico trace les silhouettes de trois femmes hors norme, résolues à n'être ni madones, ni putains.

Paul Antico provides Psychedelic Integration through Panimus Integration, based in Los Angeles. He is also the Managing Director of PsychedeLiA Integration, a 501(c)(3) nonprofit founded in 2016. He facilitates a regular integration circle on Dosage and Healing Trauma through PsychedeLiA Integration.Paul is trained as a Certified Compassionate Inquiry Practitioner, Dr. Gabor Maté's elegant and insightful approach to healing that fully supports plant medicine work. Paul is also trained as a Psychedelic Somatic Interactional Therapist, a powerful body centered trauma release modality from the Psychedelic Somatic Institute. He also provides Dr. Stephen Porges Safe and Sound Protocol (SSP), a practical bottom-up approach to help people regulate their nervous system.In this episode, Paul Antico and Beth Weinstein discuss …▶ Paul's initial experience with ayahuasca as 100% overwhelming anxiety▶ How his instinct to lower the dose to be within his “window of tolerance” was critical to how he began to benefit from the medecine▶ Paul's definition of psychedelic integration:  “integrating the disowned parts of yourself so you can become a bigger person”▶ Integration as an ongoing process▶ How you have to accept yourself as you are first, and things can shift from there▶ Is high dose medicine work worthwhile if you are totally consumed navigating overwhelm?▶ Psycholitic medicine work: a lower does approach with more access to psychological insight▶ The healing potential of combining gentle bodywork with psyolytic medicine work ▶ The controversy surrounding touch in psychedelic facilitation▶ Paul's inspiration to create a “safe touch” training program▶ Paul's recommended training options for people on the path to becoming a trauma-informed psychedelic facilitator or integration coachPaul Antico's Links & Resources▶ Website: http://www.panimus.net

Pia Antico is a crone life joy reboot mentor, founder of the essential awakening, number one selling author and public speaker as an intuitive guide. She helps single empty nesters for women over 40 ditch their regrets, live unapologetically, age gracefully and quit being unwilling by standards in their own life without getting stuck rehashing analyzing and reframing the trauma stories prompted towards transformative insight.pia@essentialawakeningmentoring.com