Podcasts about el paso museum

Luanne Stovall is an artist and color theorist with an MFA in painting from Tufts University and the School of the Museum of Fine Arts Boston. She attended the New York Studio School of Drawing, Painting, and Sculpture (New York City), and Skowhegan School of Painting and Sculpture (Skowhegan, Maine).Luanne is a member of the Steering Committee of the global Colour Literacy Project and a visiting lecturer in the School of Design and Creative Technologies at the University of Texas in Austin. Currently she is teaching Color Literacy as an upper level interdisciplinary course in the School of Design and Creative Technologies at the University of Texas at Austin. She has taught color courses and workshops in many locations including UT Austin, The Contemporary Austin; School of the Museum of Fine Arts, Boston; Wellesley College, MA; and MIT Sloan School of Business. Her paintings and works on paper have been exhibited widely, and are in private and public collections, including the Art Museum of South Texas; El Paso Museum of Art; Blanton Museum, Austin, TX; Moakley Cancer Care Center, Boston; and the Estee Lauder Collection.Luanne's website: https://www.luannestovall.com/The Colour Literacy Project, Steering Committee member:https://colourliteracy.org/Inter-Society Color Council, Board of Directors member; Team leader, Fluorescent Fridayshttps://www.iscc.org/2023 International Colour Association (AIC), volume 33, Special issue on contributions by the Colour Literacy Project Team:https://aic-color.org/journal-issuesLuanne's contribution to the 2023 AIC volume 33:Prologue: one artist's journey from traditional colour theory to the Colour Literacy Project (PDF)University of Texas Color Literacy courseDesigned as four modules:Color PerceptionColor InteractionColor PsychologyColor Design / Portfolio Project.University website: AET Courses (Search under the Upper Division tab.) Flower Color Theory, by Darroch and Michael PutnamPlease find more information to each episode on the Chromosphere website.

Join us in our next interview with the artists from the exhibition THE BORDER IS A WEAPON, curated by Gil Rocha. Here, Jose Villalobos speaks with Tereneh Idia in an engaging and illuminating conversation about art, politics, tradition and resistance. José Villalobos grew up on the US/Mexico border in El Paso, TX. He received a Bachelor of Fine Arts degree from the University of Texas at San Antonio. He was awarded the Artist Lab Fellowship Grant for his work De La Misma Piel at the Guadalupe Cultural Arts Center. Villalobos is a recipient of the Joan Mitchell Painters & Sculptors Grant Award and Residency and the Tanne Foundation Award. His work has been exhibited in the nationally recognized exhibition Trans America/n: Gender, Identity, Appearance Today at the McNay Art Museum in San Antonio, TX; ArtPace, San Antonio, TX; San Antonio Museum of Art, San Antonio, TX; NARS Foundation, New York, NY; the Mexic-Arte Museum, Austin, TX; El Paso Museum of Art, TX; El Museo de Arte de Ciudad Juárez, Mexico, and The Latino Cultural Center in Dallas, TX. He has two upcoming group exhibitions, one at the Phoenix Art Museum: Desert Rider, curated by Gilbert Vicario, and Xican-a.o.x. Body at The American Federation of Arts in New York curated by Marisa del Toro, Cecilia Fajardo-Hill and Gilbert Vicario. José Villalobos's work is included in the collection of Mexic-arte Museum, Austin, TX, the City of San Antonio Public Collection, TX, Albright College, Reading, PA, and Soho House International in Austin, TX. Jose Villalobos is currently represented by Liliana Bloch Gallery. http://www.josevillalobosart.com/ https://www.instagram.com/josevillalobosart/ https://epma.art/ Recommended article: Defiant Braceros: How Migrant Workers Fought for Racial, Sexual, and Political Freedom, by Mireya Loza --- Send in a voice message: https://anchor.fm/otherborderwall/message

Join us for an amazing conversation with Gil Rocha, curator of The Border is a Weapon and long-time friend and collaborator of the Other Border Wall Collective. Here he speaks candidly with our wonderful season three host, Tereneh Idia. Gil Rocha is a south Texas artist, educator, and curator born in Laredo. He earned a Master of Fine Arts from the School of the Art Institute of Chicago (2006), a Bachelor of Fine Arts from the University of Texas at San Antonio (1999), and is certified as an all-level Texas Educator from Texas A&M International University (2002). For the past 25 years, Rocha's professional artistic career has led him to engage in a variety of programs taking on roles that span from facilitating workshops for community based projects, participating on panels, and working on public artworks and murals, in collaboration with galleries and museums on the national and international level. His artwork expands across painting, collage, sculpture, installation, and writing. He focuses on issues about the U.S./Mexico border and takes on a survivalist approach known as “Rasquache.” Rocha's role as an educator and avid advocate for the arts has positively impacted his students, peers and community. Rocha's artwork was recently featured in two online magazines, PASSAGE Visions (Issue 6) and Maake Magazine (Issue 11), and in two collective exhibitions, “Son de Allá, Son de Acá” in Albuquerque, NM and “Desde La Frontera” in San Antonio, TX. He curated the traveling exhibition “The Border is a Weapon”, a project of the Other Border Wall Collective, currently on view at the Laredo Center for the Arts. In 2021, Rocha presented his work at the Sixth Biennial Inter-American Studies Conference “Walls, Bridges, Borders” and the International Sculpture Conference “Identity, Race & Culture: Misconceptions along La Frontera.” His artwork has also been exhibited at the Texas Biennial in Austin (2017) and the Trans-Border Biennial in El Paso Museum of Art and El Museo de Arte in Ciudad Juarez (2018). Rocha is currently preparing for an upcoming group exhibition in Austin, TX and was invited to curate the 2023 Contemporary Art Month Perennial in San Antonio, TX. --- Send in a voice message: https://anchor.fm/otherborderwall/message

Victoria Ramirez joins Rex Nelson to talk about the much-anticipated reopening of the Arkansas Museum of Fine Arts on this week’s episode of the Southern Fried Podcast. Ramirez, the museum’s executive director, has been overseeing the 3-year renovation of the AMFA, formerly the Arkansas Arts Center. In addition to the reimagining of the original building by architecture practice Studio Gang, the museum’s new design includes an outdoor expansion with 13 acres of MacArthur Park designed by landscape firm SCAPE. The Arkansas Museum of Fine Arts is scheduled to open to the public in Spring, 2023. A Cleveland, Ohio native, Ramirez worked in several Texas museums before moving to Arkansas, most recently as director of the El Paso Museum of Art.

For Season Three, we are featuring the artists of THE BORDER IS A WEAPON exhibition curated by Gil Rocha and presented by Other Border Wall. The exhibition features five artists from the US/MX border and was curated by Gil Rocha. First opening in January 2022 at 937 Gallery in the Pittsburgh Cultural Trust the show then traveled to the Laredo Center for the Arts in July 2022. Each interview is conducted by Tereneh Idia. Tereneh is the founder of Idia'Dega, an award-winning journalist, and the co-founder of Other Border Wall Project. Angel Cabrales, MFA, is an Assistant Professor in Sculpture at the University of Texas at El Paso. He received his Bachelor of Fine Arts from Arizona State University and Masters of Fine Arts from The University of North Texas. Angel views everything as an artistic resource and utilizes this in all his creations, from his extensive experience with a variety of mediums and styles, to the intangibles, such as his upbringing in the El Paso, Texas Borderlands, his work grows and expands with the requirements presented from each new idea.His father a retired engineer at White Sands Missile Range, instilled Angel with a great interest in science and engineering, while his mother, a politically active stay at home mother, taught him the importance of community and social work through her volunteer work. Angel's work is an amalgamation of his upbringing resulting in social/political commentary with an engineered flare. The artwork's concept ultimately dictates the medium needed for its creation, so artistic evolution is intrinsic in his philosophy. Cabrales is an artist fellow for the Looking for America project out of Washington D.C. He is exhibiting in the American Embassy in Mexico City and has exhibited in the International TransBorder Biennial, Texas Biennial, AmoABiennial600, the Chamizal National Memorial, the Mexic-Arte Museum, MAC Dallas, the Mesa Contemporary Arts Museum in Mesa, AZ, The Latino Cultural Center of Dallas, El Paso Museum of Art, Wave Pool Gallery in Cincinnati, OH, Grand Art Haus in Phoenix, AZ, Baton Rouge Gallery, and collaborated with the AMBOS Project (an intervention collaboration along the Border) from Los Angeles. He is also featured in the Icons and Symbols of the Borderland book by Diana Molina and La Frontera: Artists along the Mexican/American Border by Stefan Falke. Angel was recently interviewed by the Smithsonian Air and Space Museum to be included in the Estrellas y Cuentas initiative on Latino Futurism. He is represented by the Ro2 Gallery in Dallas, TX and the Royse Contemporary in Scottsdale, AZ. Cabrales is also a member of the International Sculpture Center, the Texas Sculpture Group, and a board member in the JUNTOS art collective. Angel was also a juror for the 2020 Student Achievement Awards for Sculpture Magazine.Cabrales teaches all levels of Sculpture at UTEP, includingExperimental Systems in Sculpture focused on STEAM elements in art and the Neon Sculpture program. He is head of theEASSI (Engineering + Art + Science = Social Impact) team that works on community engaged projects involving the arts and sciences in the Borderlands of El Paso. Website: http://www.angelcabrales.com/ Tereneh Idia Design work: www.IdiaDega.com Writing: https://muckrack.com/tereneh-idia Twitter: @TerenehIdia --- Send in a voice message: https://anchor.fm/otherborderwall/message

Preached by Fr. Juan Lopez Agúndez in Bowmont centre in Calgary, Alberta. John the Baptist said of Jesus: “Behold the Lamb of God” (Jn 1, 35) He came to understand that he wanted to follow Jesus out of love. The desire is the engine of the will. When we desire, then our will moves us to our goals. The desire makes it easier to reach our goals. Mozart, Adagio in C Major K. 356 Arranged for guitar by Bert Alink Thumbnail: Jacopo del Casentino, St. John the Baptist, c. 1330, El Paso Museum of Art, El Paso, Public Domain via Wikimedia Commons.

On this week's episode of Getting To Know ACS we welcome back to the podcast Cheryl Rankin of Fort Bliss Army Community Service and Fort Bliss Relocation Assistance Program to talk about some of the amazing sights and experiences that exist for our Soldiers and Families just outside the gates in El Paso! We talk about everything from the historic Mission Trail to The El Paso Museum of Archaelogy! Don't miss this one!

Our feature presentation today is about the Museum of Contemporary Art and specifically with the new Executive Director Kate Green. She joined MOCA in 2020 and previously to that spent a lot of time in Texas in the art world there and was the Senior Curator at the El Paso Museum of Art. We had a chance to speak with her by phone recently and find out what lured her away from Texas,. how her transition is going here in Tucson and what we can expect out of MOCA in the coming days weeks and years.

¿Es usted parte de la diáspora Mexicana en el mundo? Lo invito a escuchar la historia de Joel Salcido un periodista (perfectamente bilingüe) nacido en México y criado desde la infancia en los Estados Unidos de América. Es un fotógrafo y un testigo viviente de la cultura entre Texas y México. Desde el 2012 al 2017 se propuso rescatar las imágenes de las industrias tequileras para mostrarlas en los EUA y México, un trabajo y una ambición personal de búsqueda propia de identidad hasta convertirlas en un libro. Las fotografías de diversas industrias del tequila son también una exposición itinerante que será donada por el autor al Museo del Tequila, en Tequila Jalisco. En otra lectura y contexto, la obra de Joel también significa lo que los Mexicanos somos capaces de crear en una época crudamente racista como la de Trump y su legendario muro. Joel Salcido grew up in a dual cultural reality and sensibility that derived from living along the U.S. and Mexican border. As a staff photographer at the El Paso Times he documented the Tarahumara Indians of Mexico, covered the Mexico1985 earthquake and traveled extensively in Latin America for USA Today. In 1991 he resigned as Photo Editor of the El Paso Times to pursue a freelance and fine art career. Eight years later, he moved his family to Spain to work on his year-long project titled, Spain: Millennium Past. His fine art photographs are now in the permanent collections of the Museum of Fine Arts, Houston, the prestigious Harry Ransom Humanities Center at UT Austin, The El Paso Museum of Art, The Austonian and The Wittliff Collections at Texas State University-San Marcos. Both the Federal Reserve Bank in El Paso, Texas and UT San Antonio, have acquired his work for their respective fine art collections. In addition, his Texas Small Town Series was displayed during the China 14th International Photographic Art Exhibition in Lishui, China. This photo essay remained at the University of International Business and Economics in Beijing, China. In 2012, he was part of the Descriptions of China photo exhibit in San Antonio, Texas. This group show was held at the Institute of Texan Cultures in association with the Smithsonian Institution. Salcido was a Fulbright scholarship finalists for a Bolivian photography project in 2004 and in 2005 was nominated for the Art House Texas Prize. His series, "Aliento A Tequila," was published in the December 2013 issue of Texas Monthly. The traveling photo exhibit version of this collection has shown in every major Texas city with it’s national distribution scheduled to start in 2021. The emblematic landscape photograph from the Aliento A Tequila series titled, “Atotonilco el Alto,” was recently inducted into National Art Heritage Collection of Mexico and permanently resides at the Ministry of Foreign Affairs in Mexico City. This same image was also selected for the 2017 Texas Book Festival poster and presented by former First Lady Laura Bush in Dallas. His book titled, The Spirit of Tequila was released in November of 2017 by Trinity University Press. Most recently, the Smithsonian National Portrait Gallery is considering the acquisition of prints from his portrait series on Texas Mexican American contemporary writers. --- Send in a voice message: https://anchor.fm/ana-g-valenzuela-zapata/message Support this podcast: https://anchor.fm/ana-g-valenzuela-zapata/support

What Billie and I have together... well, the first thing I can think of to tell you is that I was 69 years old before we got together, and she's the first person who's ever told me I was beautiful. As a married couple, Billie's fears and Gay's fears are echoes of each other. So Isaac Jones, our sound designer, did something special with their episode that we think you will enjoy. Billie Parker is a wife, sister, friend, activist, writer, a retired corporate video producer, and presently an addiction recovery teacher at Santa Fe County Jail. She lives with her wife Gay Block in Santa Fe, New Mexico, after residing in San Francisco for most of her life. Gay Block is a portrait photographer. Her work is collected by many museums, including the Museum of Modern Art, the El Paso Museum of Art, and the Jewish Museum. Join the 10 Things That Scare Me conversation, and tell us your fears here. And follow 10 Things That Scare Me on Instagram, Twitter and Facebook.

In this episode of pine|copper|lime Miranda speaks with Marco Sánchez about growing up on the Juarez / El Paso border, moving from his home to a small town in Pennsylvania, taking advice and inspiration from his artist grandfather, and representing his cultural identity through drawing on the incredible history of post-revolution Mexican printmakers. Sánchez also talks about the changing politics of what it means to be Lantix in the United States within his lifetime and how the current administration's immigration policies have affected his life and work. As well as the complex and on going process of decolonizing his aesthetic. This episode of the podcast will be a double release, one in Spanish the other in English, made possible by my wonderful co-host this week Maya Verdugo and extra editing help by Judith Martinez Estrada. [more information] Marco's website: https://www.marcoprintsanchez.com/ Marco's instagram: https://instagram.com/onpaperandcanvas Marco at the El Paso Museum of Art thru 29 June 2019 https://epma.art/calendar/luminares-de-arte-marco-sanchez-2019-06-12 pine|copper|lime website: https://www.pinecopperlime.com/ pine|copper|lime instagram: https://www.instagram.com/pine.copper.lime/ ✨pine|copper|lime patreon✨ https://www.patreon.com/pinecopperlime

"If I close it off then it’s not right. If you look at it and there’s only one answer, then it’s not right. So when I was talking about my older work, maybe it’s not technically good, but it brings up a question that everybody would give a different answer to. And not just other people. Quite often I’ll go back and see something I haven’t seen in a while and it will set off a whole new chain of thoughts." https://files.fireside.fm/file/fireside-uploads/images/4/41335247-836c-4f4a-8a8b-aeca55f3227a/ieLcrF6e.jpg Eating Warhol's Lunch 2016 gouache & collage, 41 x 29 inches Upcoming Exhibitions Julie Speed: East of the Sun and West of the Moon Taubman Museum of Art - Roanoke, VA Saturday, August 31, 2019 - Sunday, March 15, 2020 Touring from the El Paso Museum of Art, Julie Speed: East of the Sun and West of the Moon explores the rich artistic production of Marfa, Texas, artist Julie Speed from the past five years, including many recent works previously unseen. Speed’s last museum show before East of the Sun and West of the Moon occurred in 2014 and was limited to works on paper. Featuring twenty-nine works, the Taubman Museum of Art's presentation of Julie Speed: East of the Sun and West of the Moon consists of diverse works in the artist’s favorite media of oil, gouache, collage, and combinations thereof. Resident in Texas since 1978 and in Marfa since 2006, the artist forged her own path early on by ending her studies at the Rhode Island School of Design and devoting herself to imaginative figuration coupled with consummate technique. Sometimes described as neo-surrealist, Speed’s art holds affinity with the figurative Surrealism of René Magritte, yet her work offers scenarios that are simultaneously more personal and more complex than Magritte’s visual puns. Her art melds a technical mastery rivaling the Old Masters with motifs created from diverse sources ranging from Renaissance engravings to Japanese woodblock prints. As critic and curator Elizabeth Ferrer has written, “The contemporaneity of her art is rooted in its emphatically open-ended nature.” Some of the themes examined in the exhibition and the accompanying catalog are Speed’s mixing of structured and spontaneous processes, her unique bridging of painting and collage, her playful dialogue with artistic tradition, and the intention and power of her art to spark myriad imaginings and narratives. The exhibition includes a “Close-Up Room” consisting of a three-channel video-and-sound installation designed by the artist and highlighting the processes and details of her art. Julie Speed: East of the Sun and West of the Moon was organized by the El Paso Museum of Art and will be on view August 31, 2019 - March 15, 2020 in the Bank of America/Dominion Resources Gallery. Text courtesty of Taubman Museum of Art website Some of the subjects we discuss: When we met Marfa/sin faucets Making things Pleasing arrangements Moments of clarity Cracking herself up/anger Atoms/amazons Behind the veil Focus on painting Putting in the hours Older paintings High standards Not perfect Time/gardening Building a life Spacial proportions No compartments Afterlife/questions Where socks go? Specific & open How to look at art Painting the Duck Forming images Assumptions Meanings changing Eating Warhol’s lunch Rules for collages Color/symbols Fairy tales/magic fish No words of wisdom Closeup room El Paso exhibition This interview has been edited and condensed for clarity. Intro music generously provided by Stan Killian (http://stankillian.com/main/) Support this podcast. (http://www.austinarttalk.com/supportpodcast)

Lauren Moran creates interdisciplinary projects that are often participatory, collaborative and co-authored. They aim to experiment with and question the systems we are all embedded in by organizing situations of connection, openness and non-hierarchical learning. They are interested in developing sites for accessibility, collaboration with all different people they meet, and an expanded notion of institutional critique. They have recently presented work at the Portland Art Museum (Portland, OR), a neighborhood block party (Portland, OR), Greensboro Project Space (Greensboro NC), Abteilung für Alles Andere (Berlin Germany), Art in Odd Places (New York, NY), Disjecta (Portland, OR), Port City Gallery (Portland, OR), and the El Paso Museum of Art (El Paso, TX). Find them on their website at www.laurengracemoran.com.

EP Streetcar - 05 - El Paso Museum Of History by Visit El Paso

EP Streetcar - 06 - El Paso Museum Of Art by Visit El Paso

Tracey Jerome of El Paso Museums and Cultural Affairs Department, Paul Kortenaar of El Paso Children’s Museum, Victoria Ramirez of El Paso Museum of Art & Lori Shephard of El Paso Holocaust Museum discuss the intersection of arts, education, and culture as generators of businesses and diversity in the thriving Texas community. This interview was produced in collaboration with KCOSTV.

David Taylor earned an MFA from the University of Oregon and a BFA from the School of the Museum of Fine Arts and Tufts University. His photographs, multimedia installations, and artist’s books have been exhibited in group and solo exhibitions at the The Aldrich Contemporary Art Museum, Ridgefield, Connecticut; 516 Arts, Albuquerque, New Mexico; the Stanlee and Gerald Rubin Center for the Visual Arts at the University of Texas at El Paso; El Paso Museum of Art; SF Camerawork, San Francisco; Society for Contemporary Photography, Kansas City, MO; and Northlight Gallery at Arizona State University, Tempe. His work is in a number of permanent collections, including Columbia College Museum of Contemporary Photography, Chicago; Washington State Arts Commission, Olympia; University of Washington, Seattle; El Paso Museum of Art; Fidelity Investments, Boston; the Museum of Fine Arts, Houston; and the Palace of the Governors/New Mexico History Museum. Taylor has completed recent major commissions for artwork that is installed in the U.S. Border Patrol Station in Van Horn, Texas and the United States Federal Courthouse in Las Cruces, New Mexico. Taylor’s ongoing examination of the U.S. Mexico border was supported by a 2008 Fellowship from the John Simon Guggenheim Memorial Foundation. January 2010.