Podcasts about fred film radio

Isabelle Tollenaere's Paris Paris balances hardship and inhumanness with lightheartedness, humour, and playfulness The post “Paris Paris”, an interview with director Isabelle Tollenaere appeared first on Fred Film Radio.

Isabelle Tollenaere's Paris Paris balances hardship and inhumanness with lightheartedness, humour, and playfulness The post “Paris Paris”, an interview with director Isabelle Tollenaere appeared first on Fred Film Radio.

Isabelle Tollenaere's Paris Paris balances hardship and inhumanness with lightheartedness, humour, and playfulness The post “Paris Paris”, an interview with director Isabelle Tollenaere appeared first on Fred Film Radio.

Isabelle Tollenaere's Paris Paris balances hardship and inhumanness with lightheartedness, humour, and playfulness The post “Paris Paris”, an interview with director Isabelle Tollenaere appeared first on Fred Film Radio.

Isabelle Tollenaere's Paris Paris balances hardship and inhumanness with lightheartedness, humour, and playfulness The post “Paris Paris”, an interview with director Isabelle Tollenaere appeared first on Fred Film Radio.

Isabelle Tollenaere's Paris Paris balances hardship and inhumanness with lightheartedness, humour, and playfulness The post “Paris Paris”, an interview with director Isabelle Tollenaere appeared first on Fred Film Radio.

Nader Saeivar's Hijamat explores how everybody, of all generations or ethnicities, builds walls around themselves — made of different materials, but all really tall The post “Hijamat”, an interview with director Nader Saeivar appeared first on Fred Film Radio.

Jan-Eric Mack's A Happy Family, starring co-writer Anna Schinz, is the first Swiss film ever to compete for the Crystal Globe at Karlovy Vary The post “A Happy Family”, an interview with director Jan-Eric Mack and co-writer and actress Anna Schinz appeared first on Fred Film Radio.

Miroslav Terzić's 3 Weeks After, winner of the Europa Cinemas Label at Karlovy Vary Film Festival 2026: "It's not just about peer violence, but about a violent society, and we are all in it." The post “3 Weeks After”, an interview with director Miroslav Terzić appeared first on Fred Film Radio.

Nader Saeivar's Hijamat explores how everybody, of all generations or ethnicities, builds walls around themselves — made of different materials, but all really tall The post “Hijamat”, an interview with director Nader Saeivar appeared first on Fred Film Radio.

Miroslav Terzić's 3 Weeks After, winner of the Europa Cinemas Label at Karlovy Vary Film Festival 2026: "It's not just about peer violence, but about a violent society, and we are all in it." The post “3 Weeks After”, an interview with director Miroslav Terzić appeared first on Fred Film Radio.

Jan-Eric Mack's A Happy Family, starring co-writer Anna Schinz, is the first Swiss film ever to compete for the Crystal Globe at Karlovy Vary The post “A Happy Family”, an interview with director Jan-Eric Mack and co-writer and actress Anna Schinz appeared first on Fred Film Radio.

Jan-Eric Mack's A Happy Family, starring co-writer Anna Schinz, is the first Swiss film ever to compete for the Crystal Globe at Karlovy Vary The post “A Happy Family”, an interview with director Jan-Eric Mack and co-writer and actress Anna Schinz appeared first on Fred Film Radio.

Miroslav Terzić's 3 Weeks After, winner of the Europa Cinemas Label at Karlovy Vary Film Festival 2026: "It's not just about peer violence, but about a violent society, and we are all in it." The post “3 Weeks After”, an interview with director Miroslav Terzić appeared first on Fred Film Radio.

Miroslav Terzić's 3 Weeks After, winner of the Europa Cinemas Label at Karlovy Vary Film Festival 2026: "It's not just about peer violence, but about a violent society, and we are all in it." The post “3 Weeks After”, an interview with director Miroslav Terzić appeared first on Fred Film Radio.

Jan-Eric Mack's A Happy Family, starring co-writer Anna Schinz, is the first Swiss film ever to compete for the Crystal Globe at Karlovy Vary The post “A Happy Family”, an interview with director Jan-Eric Mack and co-writer and actress Anna Schinz appeared first on Fred Film Radio.

Nader Saeivar's Hijamat explores how everybody, of all generations or ethnicities, builds walls around themselves — made of different materials, but all really tall The post “Hijamat”, an interview with director Nader Saeivar appeared first on Fred Film Radio.

Miroslav Terzić's 3 Weeks After, winner of the Europa Cinemas Label at Karlovy Vary Film Festival 2026: "It's not just about peer violence, but about a violent society, and we are all in it." The post “3 Weeks After”, an interview with director Miroslav Terzić appeared first on Fred Film Radio.

Jan-Eric Mack's A Happy Family, starring co-writer Anna Schinz, is the first Swiss film ever to compete for the Crystal Globe at Karlovy Vary The post “A Happy Family”, an interview with director Jan-Eric Mack and co-writer and actress Anna Schinz appeared first on Fred Film Radio.

Nader Saeivar's Hijamat explores how everybody, of all generations or ethnicities, builds walls around themselves — made of different materials, but all really tall The post “Hijamat”, an interview with director Nader Saeivar appeared first on Fred Film Radio.

Nader Saeivar's Hijamat explores how everybody, of all generations or ethnicities, builds walls around themselves — made of different materials, but all really tall The post “Hijamat”, an interview with director Nader Saeivar appeared first on Fred Film Radio.

Miroslav Terzić's 3 Weeks After, winner of the Europa Cinemas Label at Karlovy Vary Film Festival 2026: "It's not just about peer violence, but about a violent society, and we are all in it." The post “3 Weeks After”, an interview with director Miroslav Terzić appeared first on Fred Film Radio.

Jan-Eric Mack's A Happy Family, starring co-writer Anna Schinz, is the first Swiss film ever to compete for the Crystal Globe at Karlovy Vary The post “A Happy Family”, an interview with director Jan-Eric Mack and co-writer and actress Anna Schinz appeared first on Fred Film Radio.

Nader Saeivar's Hijamat explores how everybody, of all generations or ethnicities, builds walls around themselves — made of different materials, but all really tall The post “Hijamat”, an interview with director Nader Saeivar appeared first on Fred Film Radio.

Tonia Mishiali's The Lion at My Back, winner of the Ecumenical Jury Grand Prize at Karlovy Vary 2026, is the second chapter of her trilogy on women living on the sidelines The post “The Lion at My Back”, an interview with director Tonia Mishiali appeared first on Fred Film Radio.

Ivan Ostrochovský's Only Beautiful Things to Look At tackles forced sterilisation through magnificent visuals: "If the film visually goes against the topic, maybe it is scarier." The post “Only Beautiful Things to Look At”, an interview with director Ivan Ostrochovský and producer Katarína Tomková appeared first on Fred Film Radio.

Tonia Mishiali's The Lion at My Back, winner of the Ecumenical Jury Grand Prize at Karlovy Vary 2026, is the second chapter of her trilogy on women living on the sidelines The post “The Lion at My Back”, an interview with director Tonia Mishiali appeared first on Fred Film Radio.

Ivan Ostrochovský's Only Beautiful Things to Look At tackles forced sterilisation through magnificent visuals: "If the film visually goes against the topic, maybe it is scarier." The post “Only Beautiful Things to Look At”, an interview with director Ivan Ostrochovský and producer Katarína Tomková appeared first on Fred Film Radio.

Tonia Mishiali's The Lion at My Back, winner of the Ecumenical Jury Grand Prize at Karlovy Vary 2026, is the second chapter of her trilogy on women living on the sidelines The post “The Lion at My Back”, an interview with director Tonia Mishiali appeared first on Fred Film Radio.

Ivan Ostrochovský's Only Beautiful Things to Look At tackles forced sterilisation through magnificent visuals: "If the film visually goes against the topic, maybe it is scarier." The post “Only Beautiful Things to Look At”, an interview with director Ivan Ostrochovský and producer Katarína Tomková appeared first on Fred Film Radio.

Tonia Mishiali's The Lion at My Back, winner of the Ecumenical Jury Grand Prize at Karlovy Vary 2026, is the second chapter of her trilogy on women living on the sidelines The post “The Lion at My Back”, an interview with director Tonia Mishiali appeared first on Fred Film Radio.

Ivan Ostrochovský's Only Beautiful Things to Look At tackles forced sterilisation through magnificent visuals: "If the film visually goes against the topic, maybe it is scarier." The post “Only Beautiful Things to Look At”, an interview with director Ivan Ostrochovský and producer Katarína Tomková appeared first on Fred Film Radio.

Tonia Mishiali's The Lion at My Back, winner of the Ecumenical Jury Grand Prize at Karlovy Vary 2026, is the second chapter of her trilogy on women living on the sidelines The post “The Lion at My Back”, an interview with director Tonia Mishiali appeared first on Fred Film Radio.

Ivan Ostrochovský's Only Beautiful Things to Look At tackles forced sterilisation through magnificent visuals: "If the film visually goes against the topic, maybe it is scarier." The post “Only Beautiful Things to Look At”, an interview with director Ivan Ostrochovský and producer Katarína Tomková appeared first on Fred Film Radio.

Tonia Mishiali's The Lion at My Back, winner of the Ecumenical Jury Grand Prize at Karlovy Vary 2026, is the second chapter of her trilogy on women living on the sidelines The post “The Lion at My Back”, an interview with director Tonia Mishiali appeared first on Fred Film Radio.

Ivan Ostrochovský's Only Beautiful Things to Look At tackles forced sterilisation through magnificent visuals: "If the film visually goes against the topic, maybe it is scarier." The post “Only Beautiful Things to Look At”, an interview with director Ivan Ostrochovský and producer Katarína Tomková appeared first on Fred Film Radio.

In The Guest, where a family reunion is disrupted by a mentally unstable mother played by Trine Dyrholm, Mads Mengel pays close attention to his characters' conflicted feelings The post “The Guest”, an interview with director Mads Mengel appeared first on Fred Film Radio.

Directors Kristina Grozeva and Petar Valchanov on Black Money for White Nights: "Corruption is at the bottom of everything, but not just that of the outer life, also the corruption of the inner life" The post “Black Money for White Nights”, an interview with directors Kristina Grozeva and Petar Valchanov appeared first on Fred Film Radio.

Directors Kristina Grozeva and Petar Valchanov on Black Money for White Nights: "Corruption is at the bottom of everything, but not just that of the outer life, also the corruption of the inner life" The post “Black Money for White Nights”, an interview with directors Kristina Grozeva and Petar Valchanov appeared first on Fred Film Radio.

In The Guest, where a family reunion is disrupted by a mentally unstable mother played by Trine Dyrholm, Mads Mengel pays close attention to his characters' conflicted feelings The post “The Guest”, an interview with director Mads Mengel appeared first on Fred Film Radio.

Directors Kristina Grozeva and Petar Valchanov on Black Money for White Nights: "Corruption is at the bottom of everything, but not just that of the outer life, also the corruption of the inner life" The post “Black Money for White Nights”, an interview with directors Kristina Grozeva and Petar Valchanov appeared first on Fred Film Radio.

"All Buffy the Vampire Slayer characters were a sort of superheroes for the audience" The post David Boreanaz, interview with the actor guest to Italian Global Series Festival appeared first on Fred Film Radio.

Shallow Ground director Jozo Schmuch at Future Frames 2026 turns one day into a tender reckoning with the decades a war stole The post “Shallow Ground”, interview with director Jozo Schmuch appeared first on Fred Film Radio.

The Lightning Rod director Helmi Donner at Future Frames 2026 uses horror to talk about abuse and generational trauma The post “The Lightning Rod”, interview with director Helmi Donner appeared first on Fred Film Radio.

Nobody Barks director Júlia Coldwell Serra at Future Frames 2026. A dark comedy about guilt, family bonds and the comforting stories people invent to avoid painful truths. The post “Nobody Barks”, interview with director Júlia Coldwell Serra appeared first on Fred Film Radio.

Half-moon director Hae-Sup Sin at Future Frames 2026. A short film about adoption, cultural identity and two mothers discovering that love can be shared rather than divided. The post “Half-moon”, interview with director Hae-Sup Sin appeared first on Fred Film Radio.

Past the Hill of Napoleon's Hat director Arnas Balčiūnas at Future Frams 2026. On generational trauma, silence within families, and finding an authentic cinematic voice. The post “Past the Hill of Napoleon’s Hat”, interview with director Arnas Balčiūnas appeared first on Fred Film Radio.

Sister of Mine director André Vaara at Future Frames 2026. A quiet short story about siblings, identity, and childhood perception. The post “Sister of Mine”, interview with director André Vaara appeared first on Fred Film Radio.

Kiss Kiss Bang Bang director Ollie Launspach at Future Frames 2026 turns his partner's gaze into a mirror for his own transition The post “Kiss Kiss Bang Bang”, interview with director Ollie Launspach appeared first on Fred Film Radio.

Zampano director Teilo Quillard at Future Frames 2026 revisits his circus childhood and dreams already of a punk circus to come The post “Zampano”, interview with director Teilo Quillard appeared first on Fred Film Radio.