Podcast appearances and mentions of Olivier Assayas

After a spring break of sorts, Andrew and Joshua are back with Backrooms, Kane Parsons' (née Pixels) breakout liminal-space horror. Lose yourself in the endless corridors of the YouTube-to-Hollywood pipeline, while the critics break down The Discourse around the new filmmaker ("He's 20") and his box office smash and find out whether the two consider it sensational enough to enter the Take-Up's canon. After that, Andrew and Joshua have One More Thing.To celebrate (or explicate) Joshua's transatlantic move to France, the next episode will celebrate Olivier Assayas' 1996 ode to being a stranger in a strange land (and ode to his future wife and all-time great actor Maggie Cheung) Irma Vep.Read on at thetake-up.com and follow us @thetakeupstl on Instagram, Twitter, Letterboxd, and Facebook. Special thanks to Social Media Manager Kayla McCulloch and Contributor Ethan Tarantella. Theme music by AMP.

Il sera question d'art, et de la meilleure des manières, sur le plateau d'Au bonheur des livres qui accueille cette semaine Olivier Assayas et Michel Bernard. Le premier, que l'on connaît évidemment comme cinéaste, publie un livre assez étonnant dans la collection « Traits et portraits » dirigée par Colette Fellous au Mercure de France : « Oublier la peinture ». Comme son titre l'indique, il s'agit d'une autobiographie (illustrée) qui raconte comment l'auteur de Demonlover a connu dans son jeu âge une vocation de dessinateur et peintre avant de l'abandonner pour le cinéma… Ce qui ne fut pas le cas d'André Derain, dont Michel Bernard raconte le parcours singulier, qui passa par la compromission avec l'Allemagne pendant la Seconde guerre mondiale, pour demeurer cependant celui d'un artiste original, auquel il valait la peine de consacrer une telle biographie : « L'automne d'André Derain » (Ed. Les belles lettres). Nul doute que nos deux invités sauront nous faire approcher, dans leur dialogue avec Claire Chazal, les mystères jamais résolus de la création ! Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

Adam sits down with legendary actor Tony Leung (In the Mood for Love, Chungking Express) to discuss his brilliant career and his new starring role in Ildiko Enyedi’s Silent Friend. Then Adam and Josh share their thoughts on the meditative multi-era drama itself, followed by reviews of Alberto Vasquez’s Spanish animated feature Decorado and Olivier Assayas's The Wizard of the Kremlin, which features Jude Law's terrifyingly charismatic portrayal of Vladimir Putin. Plus, Massacre Theatre! This episode is presented by⁠ Regal Unlimited⁠⁠, the all-you-can-watch movie subscription pass that pays for itself in just two visits. Use code FILMSPOT26 to take 15% off. Intro (00:00:00-00:04:34)Interview: Tony Leung (00:04:35-00:18:33)Filmspotting Family (00:18:34-00:23:59)Silent Friend (00:24:00-00:48:25)Decorado (00:48:26-01:02:23)The Wizard of the Kremlin (01:02:24-01:10:40)Massacre Theater (01:10:41- 01:19:31)Credits/New Releases (01:19:32- 01:23:48) Note: -Gary Jules, of course, performs a cover of Tears for Fears' “Mad World” in Donnie Darko. Links: -Filmspotting Fest II: June 27-28, 2026https://www.filmspottingfest.com -Josh's photo of the holm oak at University of St. Andrews: https://www.instagram.com/p/DYXUjKgjcPt/?img_index=1 Feedback: -Email us at feedback@filmspotting.net⁠⁠. ⁠⁠⁠-⁠Ask Us Anything⁠⁠⁠⁠ and we might answer your question in bonus content. Support: Join the Filmspotting Family for bonus episodes and archive access. https://filmspottingfamily.comFilmspotting Shop for T-shirts and more. https://www.filmspotting.net/shop⁠⁠⁠ Follow: -Watch Filmspotting on YouTube: https://youtube.com/filmspotting -Adam/Filmspotting: Letterboxd | Instagram | Facebook | Bluesky -Josh/LarsenOnFilm: Letterboxd | Instagram | Facebook | BlueskySee omnystudio.com/listener for privacy information.

"The Wizard Of The Kremlin" is a 2025 English-language French political satire film directed by Olivier Assayas, who co-wrote the screenplay with Emmanuel Carrère. It is based on the 2022 novel by Giuliano da Empoli. It follows the fictional government official Vadim Baranov (Paul Dano) during the final years of the Soviet Union and the turbulent early years of the Russian Federation, as a young Vladimir Putin (Jude Law) rises to power. It also stars Alicia Vikander, Will Keen, Tom Sturridge, and Jeffrey Wright. Dano and Assayas were both kind enough to spend some time talking with us about their work and experiences making the film, which you can listen to below. Please be sure to check out the film, which is now playing in theaters from Vertical Entertainment. Thank you, and enjoy! Check out more on NextBestPicture.com Please subscribe on... Apple Podcasts - https://itunes.apple.com/us/podcast/negs-best-film-podcast/id1087678387?mt=2 Spotify - https://open.spotify.com/show/7IMIzpYehTqeUa1d9EC4jT YouTube - https://www.youtube.com/channel/UCWA7KiotcWmHiYYy6wJqwOw And be sure to help support us on Patreon for as little as $1 a month at https://www.patreon.com/NextBestPicture and listen to this podcast ad-free Learn more about your ad choices. Visit megaphone.fm/adchoices

Travis Hopson talks with Paul Dano about his role as Vladimir Putin's puppet master in Olivier Assayas' THE WIZARD OF THE KREMLIN!In the chaos of post-Soviet Russia, rising KGB officer Vladimir Putin (Jude Law) joins forces with master manipulator Vadim Baranov (Paul Dano) to reshape life behind the Iron Curtain, using violence and deception to change the world forever. Putin and Baranov's reign of chaos begins with lies and corruption, and quickly escalates to assassinations, tyranny, and eventually all-out war.THE WIZARD OF THE KREMLIN is in theaters now.All of this and more can be found at www.punchdrunkcritics.com!Subscribe to Punch Drunk Critics on YouTube:    / @punchdrunkcritics1  Follow Punch Drunk Critics on Twitter:   / pdcmovies  Follow Punch Drunk Critics on Facebook:   / pdcmovies  You can also subscribe to our podcast Cinema Royale anywhere you get your podcasts!#PaulDano #VladimirPutin #Russia

The new horror entry "Obsession" falls into the 'be careful what you ask for, you may get it' genre. This effective little chiller is about a man who buys a supernatural toy that grants him a wish. He wishes that a girl he has a crush on would fall madly in love with him. Emphasis on the "madly." Her obsession with him quickly escalates into violence. Well-acted by relative newcomers Michael Johnston and Inde Navarette, “Obsession” is a creepy tongue-in-cheek bit of midnight movie exploitation. The political drama "The Wizard of the Kremlin" is an interesting bit of historical fiction. It involves the rise of Vladimir Putin from KGB insider to Russian tsar. Paul Dano plays a theatrical artist who uses his skills as a spin doctor to rise from obscurity and become Putin's morally conflicted deputy chief of staff. Jude Law is appropriately chilling as Putin. Based on a novel by political essayist Giuliano da Empoli and directed by Olivier Assayas, “The Wizard of the Kremlin is thoughtful and well produced but never manages to build any dramatic momentum. Even if you're not a fan of comic actor Martin Short, you'll probably find a lot to like in the Netflix documentary, "Marty, Life is Short." Director Lawrence Kasdan has assembled a loving tribute to his longtime friend, using a vast library of home videos and film clips, plus interviews with Short's many famous showbiz pals. Short, who is enjoying a late career resurgence in popularity thanks to "Only Murders in the Building," has endured more than his share of tragedies and triumphs. Thanks largely to Short's sunny approach to sarcasm, "Marty, Life is Short" is a funny and touching overview.

A lot of collections this week in physical media which Erik Childress & Peter Sobczynski guide you through again. They include a trio of films from John Singleton as well as the works of Jess Franco and the weird legacy of one Andy Milligan. There are also films from Lucio Fulci and Olivier Assayas. Nancy Meyers figures in twice in the conversation including a title from our most recent Why Is This Not On Blu-ray show (WE GOT ONE!). We've also got Abbott, Costello and DeVito and how a Paul W.S. Anderson figures into the early part of Erik's career. But if you haven't seen this week's Joe Dante title or shown it to the loved ones in your life, do yourself a favor.5:16 - Criterion (John Singleton's Hood Trilogy (4K))20:32 - Kino (Hold That Ghost (4K), Throw Momma From the Train (4K))35:18 - Warner Archive (Private Benjamin)44:52 - Sony (Something's Gotta Give)56:51 - Severin (Gutter Auteur: The Lost Legacy of Andy Milligan, Jess Franco: From Bangkok to Bullets, Voices from Beyond 4K, Suzzanna: Empress of Darkness)1:24:06 - Vinegar Syndrome (Office Killer 4K)1:30:18 - IFC (Boarding Gate, The Novice)1:40:51 - Arrow (Soldier (4K), Innerspace (4K))2:11:43 - New Theatrical Titles On Blu-ray (Dust Bunny (4K), Highest 2 Lowest 4K, Grafted, Cold Storage (4K), American Sweatshop, Dracula)2:15:56 - New Blu-ray AnnouncementsCLICK ON THE FILMS TO RENT OR PURCHASE AND HELP OUT THE MOVIE MADNESS PODCAST OR BUY FROM MOVIEZYNGBe sure to check outErik's Weekly Box Office Column – At Rotten TomatoesCritics' Classics Series – At Elk Grove Cinema in Elk Grove Village, ILChicago Screening Schedule - All the films coming to theaters and streamingPhysical Media Schedule - Click & Buy upcoming titles for your library.(Direct purchases help the Movie Madness podcast with a few pennies.)Erik's Linktree - Where you can follow Erik and his work anywhere and everywhere.The Movie Madness Podcast has been recognized by Million Podcasts as one of the Top 100 Best Movie Review Podcasts as well as in the Top 60 Film Festival Podcasts and Top 100 Cinephile Podcasts. MillionPodcasts is an intelligently curated, all-in-one podcast database for discovering and contacting podcast hosts and producers in your niche perfect for PR pitches and collaborations.USE COUPON “MOVIEMADNESS” TO GET 10% OFF ALL DUBBY PRODUCTSSIGN UP FOR AUDIBLE This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit erikthemovieman.substack.com

We're starting with the cinematic event of the season: Antoine Fuqua's massive biopic, Michael. Starring Jaafar Jackson in a breakout performance as his uncle, Michael Jackson, this film covers everything from the Jackson 5 era to the legendary Bad tour.Fun Flix Fact: Talk about keeping it in the family! Jaafar Jackson didn't just win the role because of his last name; director Antoine Fuqua said he was "blown away" by the uncanny resemblance in his voice and dance moves during a worldwide search.Era Magic: To capture the passage of time, the production used specific filming techniques and lens types for each decade, subtly shifting from the warm, grainier look of the 1970s to the sharp, high-contrast "pop" of the late 80s.Next, we're shifting gears to the high-stakes world of political manipulation in The Wizard of the Kremlin. Directed by Olivier Assayas, it stars Paul Dano as Vadim Baranov, the "spin doctor" who helped shape the rise of Vladimir Putin.Fun Flix Fact: Jude Law takes on the daunting task of playing Vladimir Putin. Interestingly, the film chooses to have the cast speak in their natural accents (mostly British and American) rather than putting on Russian accents—a choice intended to emphasize the universal nature of power and media manipulation.Book to Screen: The film is based on the award-winning 2022 novel by Giuliano da Empoli, which was so popular in France that it became a major political talking point during the real-world elections!To tie into our review of Michael, we're looking back 10 years at the 2016 biopic Nina, starring Zoe Saldaña as the legendary Nina Simone. We discuss the parallels—and the massive differences—in how these two films handle the legacy of musical giants.Fun Flix Fact: This film remains one of the most controversial biopics in recent history. Mary J. Blige was originally cast as Nina Simone back in 2010 but had to drop out due to scheduling and funding delays, leading to Saldaña taking the lead.The Legacy: Unlike the Michael biopic, which was made with the Estate's cooperation, Nina Simone's family famously refused to endorse this film. Zoe Saldaña herself has since expressed deep regret about the role, sparking a decade-long conversation about casting and authenticity in Hollywood.And if that's not enough entertainment for you, we've even thrown in new trailers to watch and what you can catch on streaming. Hit that subscribe button right now so you never miss an episode of The Flixters! We're here every week to bring you the best reviews, the wildest facts, and the greatest cinema talk in the business. 00:00 Intro 3:10 Shoutouts4:09 Movie News09:49 New on Streaming11:09 New Trailers20:33 Anniversary Corner23:27 Michael Review40:03 The Wizard of the Kremlin Review47:07 OutroThis episode is proudly sponsored by Zencastr. Create your podcast today! #madeonzencastr

We try not to confuse Christian Petzold with his fellow prolific European auteurs François Ozon and Olivier Assayas ahead of our discussion of Miroirs No. 3, Petzold's intriguing new drama about a Berlin pianist (Paula Beer) who gets 'adopted' by a lonely woman after a car crash.  We then take a look at Exit 8, a nifty little thriller based on the simple walking video game of the title, in which you must escape the Tokyo metro tunnels using the power of spot the difference.  And talking of video games, the team look back at the highs and many lows of video game adaptations over the years and asks what makes for a successful one.  TIMESTAMPS: What We've Been Watching: Akira, The Pitt, and the Peaky Blinders movie (01:55) Miroirs No. 3 review (10:04) Exit 8 review (22:58) The storied history of video game adaptations (39:57) If you like The Cineskinny, tell your pals! Leave us a five-star review! Share the episode on socials! Follow us on Instagram @thecineskinny, email us at cineskinny@theskinny.co.uk Music: Too Cool by Kevin MacLeod  (https://incompetech.filmmusic.io/song/4534-too-cool) License: https://filmmusic.io/standard-

This week, Clarisse speaks to Alicia Vikander about her role in Olivier Assayas's new satire THE WIZARD OF KREMLIN (5:57); while we review LEE CRONIN'S THE MUMMY (30:10), which does not star Brendan Fraser, and neo-western REBUILDING (55:32), which does star Josh O'Connor. Plus, in our HOT TAKE (1:13:27), Sony Pictures CEO Tom Rothman told cinema chains this week to cut back on all those ads and trailers. Is he right? If you would like to donate directly towards humanitarian aid in Gaza, please visit: ⁠MAP⁠Buy Clarisse's Wes Anderson book⁠ ⁠here⁠⁠Tweet us @FadetoBlackPod on Twitter or DM @FadeToBlackPodcast on Instagram, Blue Sky and Reddit: https://www.reddit.com/r/fadetoblackpodcast/Don't forget to subscribe, rate and review the podcast - it makes a difference! The Fade To Black Podcast is part of the Stripped Media Network.AMON:⁠ ⁠@Amonwarmann ⁠⁠CLARISSE: ⁠ ⁠@clarisseloughrey⁠⁠HANNA:⁠ ⁠@hannainesflint⁠⁠Music by ⁠The Last Skeptik⁠. We are a Stripped Media podcast. 

This week we are looking at a film about the filmmaking process with the help of Ariel and Rachel from the More Deadly podcast as we discuss Olivier Assayas' Irma Vep from 1996. That's right, it's French cinema, Maggie Cheung, and a whole lotta questions! Will this meta-flick about a remake of Les Vampires be a success or will the gang feel like they've been robbed of their most precious commodity, time? Tune in to find out!!

Jude Law schlüpft in die Rolle von Vladimir Putin, Paul Dano spielt seinen amoralischen Berater. Die außer Kontrolle geratene Jelzin-Ära befindet sich in ihrem Endstadium, als ein Oligarch sich einen unscheinbar wirkenden KGBler namens Putin als nächsten Präsidenten der Russischen Föderation auswählt. „Der Magier im Kreml“ erzählt rückblickend den Aufstieg Putins und analysiert die Manifestation seiner Macht durch seinen gewieften Berater Baranow, eigentlich Surkow. Olivier Assayas, bekannt durch die Serie „Carlos – Der Schakal“ inszeniert die Chronologie der Tyrannei nüchtern und schlaglichtartig, jedoch erkennen wir darin in den besten Momenten des Films auch in verzerrter Weise uns selbst. Putin ist zweifellos das Extrem, aber dieses lässt offenbar werden, was man als Dilemma – selbst in einer Demokratie – bezeichnen darf: Die Diskrepanz zwischen Staat und Bevölkerung. Der Polit-Thriller demonstriert zudem: Die Macht ist leer, sie blickt in einen Abgrund, aber dennoch ist sie mächtig. Mehr dazu von Wolfgang M. Schmitt in der Filmanalyse!  Literatur:Jörg Baberowski: Am Volk vorbei. Zur Krise der liberalen Demokratie. C.H. Beck.Peter Sloterdijk: Der Fürst und seine Erben: Über große Männer im Zeitalter der gewöhnlichen Leute. Suhrkamp. Steady bietet die Filmanalyse plus als Monats- und vergünstigtes Jahresabo an. Der RSS-Feed ist automatisch mit Spotify verknüpft, kann aber auch in alle Podcatcher eingefügt werden:https://steady.page/de/die-filmanalyse-abo/aboutApple-Podcast:https://podcasts.apple.com/de/podcast/die-filmanalyse/id1586115282Patreon (jedoch ist hier der RSS-Feed nicht mit Spotify verknüpft):https://www.patreon.com/c/wolfgangmschmitt/homeDie Filmanalyse +ABO kann man auch für ein Jahr verschenken: https://steady.page/de/die-filmanalyse-abo/gift_plans

durée : 01:48:48 - Comme un samedi - par : Arnaud Laporte - Saviez-vous qu'avant d'être cinéaste, Olivier Assayas était peintre ? Dans son nouveau livre, "Oublier la peinture", il en fait le récit, tout en faisant le lien avec sa pratique du cinéma. Et pour cette carte blanche, il convie à ses côtés de très grands noms, de la littérature au cinéma. - réalisation : Alexandre Fougeron - invités : Olivier Assayas Réalisateur et scénariste français; Marie Modiano Comédienne, auteur-compositeur-interprète, poète; Emmanuel Carrère Écrivain et cinéaste français; Alice Winocour Cinéaste, réalisatrice; Astral Bakers Groupe français d'indie pop

Čarovnik iz Kremlja je politični triler, ki nas poda v svet Vadima Baranova, vsestranskega svetovalca Vladimirja Putina, glavnega junaka knjižne uspešnice Kremeljski mag italijanskega pisatelja Giuliana da Empolija. Gre za zgodbo o načinih politične manipulacije in povzpetništva v postsovjetski Rusiji, ki se je po Stalinovi smrti znašla na križišču dveh različnih političnih struj – kreniti v smeri ameriškega tipa demokracije ali po poti “klasičnega” ruskega avtoritarizma, ki ga je zasejal Stalin s svojo diktatorsko držo. Režiser filma in soscenarist Olivier Assayas, ki je skupaj s pisateljem Empolijem in filmskim režiserjem Emanuellom Carrèrejem začrtal scenaristično predlogo, nam že na začetku filma namreč nakaže, da tretje poti za postsovjetsko Rusijo enostavno ni. Avtogol pri izbiri novega predsednika naj bi si pravzaprav zabili ruski oligarhi v svoji naivni veri, da bo mladi uslužbenec obveščevalne službe precej bolj očetovski lik od dementnega Jelcina in “materinskega” Gorbačova, zagretega zagovornika prepovedi alkohola. Tovrstni oligarhi, ki močno spominjajo tudi na slovenske direktorske povzpetnike, ki so vznikali po slovenski osamosvojitvi kot gobe po dežju in sistematično uničevali eno tovarno za drugo, so čez noč zaslužili ogromne vsote denarja, si gradili vile na francoski obali in se ob vsaki priložnosti mešali v politiko. Tako ne preseneča, da je Putin s pomočjo Baranova z njimi obračunal na edini način, ki ga je pravzaprav poznal in za katerega je trdil, da ga državljani Rusije od Stalina naprej pričakujejo. Film gradi na nasprotju med ameriškim neoliberalnim kapitalizmom, ki ga žene gonja po denarju in ruskim suverenizmom, ki naj bi temeljil na geopolitični (pre)potentnosti in nietzchejanski volji po moči. Vendar pa pravi “nadčlovek” v filmu ni Putin, ki po nastopu predsedniškega mesta stopi v bran teritorialni obnovi nekdanje Sovjetske zveze, temveč njegov svetovalec. Ta se iz gledališkega režiserja in producenta resničnostnih oddaj prelevi v soustvarjalca ruske notranje in zunanje politike. Igra ga Paul Dano, ameriški igralec in režiser neodvisnih filmov in hollywoodskih uspešnic, ki s primesmi stoicizma in zenovske miline pokaže na protagonistovo sposobnost mediatorstva v še tako zahtevnih situacijah. V vlogi Vladimirja Putina nastopa Jude Law, ki se mu tokrat uspe povsem znebiti pretencioznih grimas, ki smo jih vajeni iz njegovih hollywoodskih filmov, tako da nam lik Putina že na začetku postane precej simpatičen prav zaradi njegove prizemljenosti, nesprenevedanja in odločnosti. Edino, kar zmoti že na začetku filma, je angleško-ameriška govorica, ki jo brezhibno govorijo praktično vsi “ruski” protagonisti. Glede tega v filmu še najbolje izpade ruski oz. latvijski igralec Andrei Zayats, edini igralec s slovanskimi potezami obraza in avtohtonim ruskim naglasom. Čeprav je Čarovnik iz Kremlja narejen v hollywoodski maniri s številnimi stranskimi igralci, ki na hitro vstopajo in izstopajo iz kadra, nam ostanejo v spominu določeni prizori – kot je npr. dialog med Baranovim in ruskim šahovskim mojstrom Kasparovom, ki mu v enem trenutku navrže, da je razlika med pravo in Putinovo demokracijo podobna razliki med navadnim in električnim stolom. Omenimo še pogovor med Baranovim in ameriškim novinarjem, ki mu v intervjuju želi povzročiti slabo vest s sklicevanjem na zrežirane teroristične napade v Moskvi in Kijevu, ki naj bi jih dirigiral Putin ob podpori svojega zvestega svetovalca. Film Čarovnik iz Kremlja se ne more pohvaliti z izvrstnim poznavanjem geopolitičnih razmer, saj jih vseeno motri z vzvišene pozicije ameriško-evropske naveze, ki pridiga o vrednotah demokracije, v istem trenutku, ko se pod njimi – ob zakrivanju oči pred ameriško-izraelskimi zločini na Bližnjem Vzhodu – na vseh nivojih do temeljev sesuva. Verjetno pa je njegova največja prednost v tem, da ga bodo gledalci iz Vzhodne in Zahodne Evrope ter Združenih držav Amerike gledali vsak na svoj način – skozi prizmo zgodovinskih in aktualnih političnih razmer v svoji državi. Recenzijo je napisala Miša Gams, bere Ajda Sokler.

Ahora sí que sí empieza la nueva temporada del cine español con el Festival de Málaga. Por aquí veremos algunas de las nuevas voces de la industria, hay muchas óperas primeras, pero también dramas y comedias de autores veteranos. En este episodio repasamos los grandes estrenos de la semana, con el fenómeno 'Pillion' que viste de cuero a Alexander Skarsgård, y la reflexión sobre el poder de los autócratas que plantea Olivier Assayas en 'El mago del Kremlin'. En 30 minutos os ponemos al día de todo el cine y las series.

Entrevistas com Olivier Assayas e Mário Patrocínio

Además de repasar los Goya y situar "Sinners" de cara a los Premios Oscar, Javier Ocaña trae dos estrenos muy distintos y una película importantísima del cine británico. "El mago del Kremlin" de Olivier Assayas es una lección sobre la nueva Rusia, sobre la política en las últimas tres décadas dirigidas en la sombra por un asesor de comunicación.  Diametralmente opuesta es "Hoppers", la nueva película de Pixar, la historia de una chica de 19 años que se infiltrará como castor en el bosque de su ciudad para detener a los humanos. Una película que recuerda a lo mejor de Pixar asegura Ocaña, "Tiene una primera media hora graciosa, punzante, tierna, llena de humor y reivindicación, de elipsis cómicas tremendamente buenas, personajes preciosos... Está al nivel de esas grandes secuencias inolvidables de sus mejores películas, de "Up" o "Del revés". Cierra la sección con la Crítica bajo demanda de "El sirviente" una película importantísima por su crítica a la estructura de clases y por atreverse a llevar al cine la homosexualidad, en Reino Unido a principios de los años 60, cuando estaba aún prohibida.

Jim Jarmusch sa vracia vo výbornej forme, Olivier Assayas mapuje zákulisie Putinovej cesty k moci a Vreskot sa dožíva už siedmej časti. Čo z toho si zaslúži vašu pozornosť? Pustite si nový diel .týždňa vo filme.

Vertice dei 27 sulla competitività, venerdì in Belgio. "Il contesto economico peggiora: è urgente agire", avverte l'ex capo della Bce Draghi. Meloni assicura che "il motore italo-tedesco" non è contro qualcun altro, ma Madrid protesta formalmente con Roma per la riunione ristretta convocata con Berlino prima del summit. Nella seconda parte di Europa Europa, condotto da Gigi Donelli e in onda domenica alle 11,30. il nostro ospite Olivier Assayas, regista de "Il Mago del Cremlino", trasposizione cinematografica dell'omonimo romanzo di Giuliano da Empoli sull'ascesa politica di Vladimir Putin, raccontata dal punto di vista del suo spin doctor.

Il regista Michelangelo Gelormini presenta il suo "La gioia" con Valeria Golino, Saul Nanni e Jasmine Trinca."Il mago del Cremlino" è un film tratto dal libro di Nicola da Empoli e diretto da Olivier Assayas, con Jude Law, Paul Dano e Alicia Vikander. Ne parliamo con il regista Olivier Assayas.Apriamo con il nostro Boris Sollazzo che ci parla di "Pillion" diretto da Harry Lighton, con Alexander Skarsgård, Harry Melling e Brian Martin e del remake "Cime tempestose" diretto da Emerald Fennell, con Margot Robbie, Jacob Elordi e Owen Cooper."Due procuratori" è un film diretto da Sergei Loznitsa, con Alexander Kuznetsov, Anatoliy Belyy e Aleksandr Filippenko. Lo ha visto per noi Chiara Pizzimenti.

Présenté par Théo Ribeton avec Murielle Joudet, Yal Sadat et notre invité Louis Séguin, critique et cinéaste.- Father Mother Sister Brother de Jim Jarmusch (à partir de 02'13)- Hamnet de Chloe Zhao (à partir de 21'49)- Le Mage du Kremlin d'Olivier Assayas (à partir de 36'04)Enregistré le 22 janvier 2026 à Paris.

De Michel Delage an d'Valerija Berdi beschwätzen: "Nuremberg" (James Vanderbilt), "Grand ciel" (Akihiro Hata), "La Grazia" (Paolo Sorrentino) a "Le Mage du Kremlin" (Olivier Assayas).

durée : 00:07:19 - Le Masque et la Plume - par : Jérôme Garcin - Olivier Assayas adapte “Le Mage du Kremlin, le best-seller de Giuliano da Empoli, En un peu moins de 2h30, le film revient sur 30 ans d'histoire de la Russie et sur l'ascension de Vladimir Poutine, de l'effondrement de l'URSS jusqu'en 2019. Qu'en ont pensé les critiques du "Masque et la Plume" ? Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

Bertrand Lesguillons vous propose un choc cinématographique entre l''intimité mystique de Chloé Zhao dans " Hamnet " et les coulisses glaciales du pouvoir russe filmées par Olivier Assayas. Portés par les performances habitées de Paul Dano, Jessie Buckley et d'un Jude Law méconnaissable.

Cette semaine je reçois le réalisateur Olivier Assayas afin de parler d'un de ses films préférés : Van Gogh de Maurice Pialat (1991). Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

durée : 00:02:56 - Capture d'écrans - par : Dorothée Barba - L'ascension de Vladimir Poutine racontée par son homme de l'ombre. Olivier Assayas adapte le best-seller de Giuliano Da Empoli, "Le Mage du Kremlin", porté par un Jude Law très convaincant dans le rôle de Vladimir Poutine. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

"Il faut être scout avant d'aimer les robes." Jürgen Doering a commencé sa carrière dans la mode, travaillant aux côtés de Karl Lagarfeld et d'Yves Saint Laurent, avant de bifurquer vers le cinéma.Il a costumé la femme la plus riche du monde, Catherine Deneuve, Poutine et Louis XV.Il raconte sa carrière passionnante, de la mode au costume, au micro de Profession : Costumière. Retrouvez Profession : costumière sur Instagram  Un podcast signé Céleste Touboul Durante Logo : agence Silenzio Montage : RomainHébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

durée : 00:46:50 - La 20e heure - par : Eva Bester - Le réalisateur Olivier Assayas est l'invité à l'occasion de la sortie de son film "Le Mage du Kremlin", l'adaptation du best-seller de Giuliano da Empoli publié en 2022 qui raconte le parcours d'un metteur en scène russe qui va devenir conseiller du futur "tsar" Vladimir Poutine. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

durée : 01:00:07 - Olivier Assayas, réalisateur - par : Priscille Lafitte - Réalisateur de cinéma à la filmographie fournie - dernier film en date "Le Mage du Kremlin" - Olivier Assayas a longtemps privilégié le rock, avant d'assumer une prédilection pour les musiques anciennes, de Bingen à Haendel en passant par Monteverdi, qui s'immiscent dans les bande-sons de ses films. - réalisé par : Claire Lagarde Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

durée : 00:20:22 - L'invité de 8h20 : le grand entretien - par : Benjamin Duhamel, Florence Paracuellos - Avec Giuliano Da Empoli, essayiste, romancier et conseiller politique, auteur du roman "Le Mage du Kremlin", finaliste du prix Goncourt en 2022 et Olivier Assayas, réalisateur et scénariste pour le film : “Le Mage du Kremlin”, en salle le 21/01. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

A world-cinema fixture who's earned the support of Martin Scorsese, M. Night Shyamalan, Olivier Assayas, Apichatpong Weerasethakul, Béla Tarr, Claire Denis, Christian Petzold, Tilda Swinton, and Ryusuke Hamaguchi––among many others––Carlo Chatrian reshaped the festival landscape with his work as artistic director of the Locarno Film Festival and Berlinale, his influence such that an abdication of his position at the latter in 2023 caused an honest-to-God outcry. He is now serving as director of the National Cinema Museum in Turin and, for the last couple weeks, also acted as head of the international competition jury at the Tokyo International Film Festival. While we were both there, I sought the opportunity to ask him about these responsibilities, and found myself engaged in a rigorous serious conversation about where he sees cinema culture at the moment, where it might be headed, and––amidst all this––reasons to be hopeful.

Agradece a este podcast tantas horas de entretenimiento y disfruta de episodios exclusivos como éste. ¡Apóyale en iVoox! Acceso anticipado para Fans - Esta semana llega una de las que dicen que puede ser la mejor película del año, la nueva de Paul Thomas Anderson: Una batalla tras otra. Olivier Assayas presenta El mago del Kremlin, los Moriarti Maspalomas, tras su paso por San Sebastián ,y llega también una de acción Ya no quedan junglas. Para acabar, os cuento qué me han parecido Sirat, la película de Oliver Laxe, y Romería la tercera película de Carla Simón.Escucha este episodio completo y accede a todo el contenido exclusivo de El Octavo Pasajero. Descubre antes que nadie los nuevos episodios, y participa en la comunidad exclusiva de oyentes en https://go.ivoox.com/sq/4315

The Wizard of the Kremlin by Olivier Assayas in the 82° Venice competition marks the collaboration between actors Paul Dano and Jude Law The post “The Wizard of the Kremlin”, interview with actors Paul Dano and Jude Law appeared first on Fred Film Radio.

This week, Film Comment is reporting from the picturesque shores of the Lido, where the Venice Film Festival takes place each year. This year's edition features new films by many major auteurs, including Noah Baumbach, Luca Guadagnino, Yorgos Lanthimos, Laura Poitras, and more. For our fifth episode from the city of canals, Film Comment Editor Devika Girish invited critics Savina Petkova and Jordan Mintzer to discuss Benny Safdie's The Smashing Machine (3:00), Lucrecia Martel's Nuestra Tierra (Landmarks) (18:26), and Olivier Assayas's The Wizard of Kremlin (31:49). Stay tuned for more Venice coverage, providing everything you need to know about the 2025 edition.

One of my favourite film critics Bilge Ebiri from Vulture joins me to talk about Olivier Assayas' The Wizard of the Kremlin, Kathryn Bigelow's A House of Dynamite, and Kaouther ben Hania's The Voice of Hind Rajab. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

One of my favourite film critics Bilge Ebiri from Vulture joins me to talk about Olivier Assayas' The Wizard of the Kremlin, Kathryn Bigelow's A House of Dynamite, and Kaouther ben Hania's The Voice of Hind Rajab. Learn more about your ad choices. Visit megaphone.fm/adchoices

Llegamos ya al ecuador del Festrival de Venecia y Don Carlos Rollero sigue sin descanso viendo películas para traernos las crónicas más esperadas. Hoy habla de El mago del Kremlin de Olivier Assayas, que cuenta en su reparto con Paul Dano y Jude Law. También de Father, Mother, Sister, Brother de Jim Jarmusch con Tom Waits, Adam Driver, Charlotte Rampling y Cate Blanchett.

A Friss Hús fesztiválos gonzó podcastsorozat negyedik részében beszélgetünk a Cannes-t is megjárt The Spectacle (magyar címe: No. 3) rendezőjével, aki elismeri, hogy amúgy esze ágában sem lenne kisfilmet rendezni, de még az is jobb, mint megőrülni, illetve Zseni Mártonnal, akinek a Majdnem című filmje egyszerre hangolta le és villanyozta fel riporterünket, azaz engem. Bejelentkezik továbbá a fesztiváligazgató Deák Dani is, hogy elmesélje milyen szuper programokról maradtunk le szombaton és milyen szuper programokra mehetünk el még vasárnap.Itt lehet elolvasni Kenyeres Bálint interjúját Tarr Bélával, ez pedig itt az a 19 évvel ezelőtti Olivier Assayas-interjúm, amit valamiért folyton emlegetek mostanában. Cserhalmi Györggyel itt beszélgettem az álombéli repülésről.Készítette: Varga FerencZene: Hegyi OlivérJó szórakozást az adáshoz, és ha tetszik, kérlek⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠támogasd a Filmklub podcastot a Patreonon⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, egy dollár is nagy segítség! Ha a Patreon túl macerás, támogathatod a podcastot a PayPalon (⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@ferencv1976⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠) vagy a Revoluton (⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@ferenc7drh⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠) keresztül is. Nagyon köszönöm!

En 2008, Daniele Kemp avait rencontré Olivier Assayas pour parler de L'heure d'été, un film qui explore avec délicatesse les liens familiaux, la mémoire et la transmission à travers l'art, les objets et la maison comme miroir du temps qui passe.

Welcome to The B-Side! Here we talk about movie stars! Not the movies that made them famous or kept them famous, but the ones that they made in between.  It's a day to celebrate! We discuss the legend Maggie Cheung! Our B-Sides include Lost Romance (a.k.a. Story of Rose), Full Moon in New York, Green Snake, and Sausalito. Our esteemed guest for this episode is Nick Newman, host of the Emulsion podcast for The Film Stage. We talk about the Hong Kong New Wave, Maggie's aborted performance in Inglourious Basterds, the true B-Sidey-Ness of Sausalito, and Maggie Cheung's brief, lovely, recent Sight and Sound interview. There's also Nick's Sight and Sound List, that GQ piece, Julia Ormond's tackling a famous Audrey Hepburn role, and Nick's great interview with filmmaker Olivier Assayas back in 2022. By 2004, at the young age of forty, Cheung retired from acting. Her legacy has only cemented further in the decades since her final films, something we discuss in this episode as well.

Welcome to The B-Side! Here we talk about movie stars! Not the movies that made them famous or kept them famous, but the ones that they made in between. It's a day to celebrate! We discuss the legend Maggie Cheung! Our B-Sides include Lost Romance (a.k.a. Story of Rose), Full Moon in New York, Green Snake, and Sausalito. Our esteemed guest for this episode is Nick Newman, host of the Emulsion podcast for The Film Stage. We talk about the Hong Kong New Wave, Maggie's aborted performance in Inglourious Basterds, the true B-Sidey-Ness of Sausalito, and Maggie Cheung's brief, lovely, recent Sight and Sound interview. There's also Nick's Sight and Sound List, that GQ piece, Julia Ormond's tackling a famous Audrey Hepburn role, and Nick's great interview with filmmaker Olivier Assayas back in 2022. By 2004, at the young age of forty, Cheung retired from acting. Her legacy has only cemented further in the decades since her final films, something we discuss in this episode as well. Be sure to subscribe at thefilmstage.com/pod and give us a follow on Bluesky at @tfsbside.bsky.social. Enjoy!

We finally bring the brilliant, indelible work of Claire Denis to the pod with a discussion of her 1994 TV movie U.S. Go Home. Produced as part of the anthology series Tous les garcons et les filles de leur age… alongside work from other French visionaries like Chantal Akerman, Olivier Assayas and André Téchiné, Denis' film is an elliptical, compassionate coming-of-age story that regularly subverts expectations and never succumbs to the potentially regressive tendencies of its narrative milieu. We begin with some chatter about recent Hit Factory-featured filmmaker Edward Yang and a recent watch of his final work, Yi Yi. Then, we explore Denis' film - its lyrical formalism, its exquisite soundtrack - and how she crafts a work of simultaneously keen observation and hypnotic ambiguity. Watch U.S. Go Home on YouTubeThe Roxie theater in San Francisco is still seeking funds to help buy their building! Be sure to listen to our recent conversation with producer and Roxie board member Henry S. Rosenthal and visit the Roxie website to donate today!Get access to all of our premium episodes and bonus content by becoming a Hit Factory Patron for just $5/month.....Our theme song is "Mirror" by Chris Fish

Ep. 306: Olivier Assayas on his film Suspended Time, personal filmmaking, and recent favorites Welcome to The Last Thing I Saw, with your host, Nicolas Rapold. This weekend, Rendez-Vous with French Cinema presents the latest Olivier Assayas film, Suspended Time—a thoughtful and funny chronicle set in the French countryside during pandemic lockdown. Set in Assayas's parents' house, it's about much more, circling his relationship with his rock critic brother—whom he isolated with, along with their partners—and the feelings of reckoning with mortality and the past that are stirred up. I spoke with Assayas when Suspended Time originally premiered in Berlin about fictionalizing his experience, the introspection of the pandemic, the directors that influenced him, his recent viewing, and where his Irma Vep series fit into all of this. Vincent Macaigne (also in the Irma Vep series) and Micha Lescot co-star as the brothers Assayas. Suspended Time screens March 14 and 16 at Film at Lincoln Center as part of Rendez-Vous with French Cinema 2025. Please support the production of this podcast by signing up at: rapold.substack.com Photo by Steve Snodgrass

In this episode, we kick off the month of February with the self-aware indie satire from 1996, "Irma Vep", written and directed by Olivier Assayas and starring Maggie Cheung as herself! Listen now!

Steve McQueen es uno de los autores clave del cine del siglo XXI. Con títulos como 'Shame', '12 años de esclavitud' o la serie 'Small Axe', el británico siempre ha tenido una mirada política al cuerpo y la historia. Ahora ambienta en la Segunda Guerra Mundial su nueva película, un drama sobre una madre y un hijo que protagoniza Saoirse Ronan. Es uno de los estrenos destacados de la semana, pero además tenemos el musical 'Wicked', la comedia de Olivier Assayas, el thriller de Gerardo Herrero y nuevas series para un buen maratón.

Steve McQueen es uno de los autores clave del cine del siglo XXI. Con títulos como 'Shame', '12 años de esclavitud' o la serie 'Small Axe', el británico siempre ha tenido una mirada política al cuerpo y la historia. Ahora ambienta en la Segunda Guerra Mundial su nueva película, un drama sobre una madre y un hijo que protagoniza Saoirse Ronan. Es uno de los estrenos destacados de la semana, pero además tenemos el musical 'Wicked', la comedia de Olivier Assayas, el thriller de Gerardo Herrero y nuevas series para un buen maratón.

Chad goes full dad in this mini-episode on Richard Linklater's 2014 coming-of-age epic Boyhood. Specifically, the plural meanings of Patricia Arquette's anguished move-out speech, and why raising children to lead their own lives is a bittersweet success. The Bright Wall/Dark Room Podcast is co-hosted by Veronica Fitzpatrick and Chad Perman and produced and edited by Eli Sands. Our theme music is composed by Chad. --- This episode is sponsored by Galerie, where you can join Veronica & Chad for a watch party this Sunday, August 18 at 3pm ET/12pm PT. We'll be hosting a viewing of Olivier Assayas' ⁠Clouds of Sils Maria⁠, with live commentary and conversation, and would love to have you stop by and say hello! (BW/DR listeners can currently sign up for three months of free access to Galerie ⁠here⁠.)

Two reasons this podcast exist: Film Junk and Patrick Ripoll. So I'm always grateful when Patrick returns since he's the OG co-host of this show. He's always doing killer work with Reg on 96 Greers that I highly recommend. But I vividly recall two moments of the past decade: his love of Clouds of Sils Maria and my love for Personal Shopper.  Made a mental note to put French filmmaker Olivier Assayas on the list of potential directors and the time has come to cover him. He will have a movie out later this year but there are plenty of past titles and new discoveries for both of us to discuss even if ultimately, he didn't become an all-time favorite for either of us. We cover the majority of his filmography and have plenty of laughs along the way! Thank you to Patrick for being a consistently smart, insightful guest with plenty to say. No new episode in April but you'll get two special ones in May featuring Bill Ackerman early in the month and then Mitchell Beaupre later in the month! Footnote: The opening comes courtesy of Assayas' Cold Water and a time when Patrick broke some glass recording the podcast. 00:00 - 07:36 - Introduction 07:37 - 27:57 - His early work  27:58 - 01:14:20 - Cold Water, Irma Vep 01:14:21 - 01:43:20 - Demonlover, Boarding Gate, Summer Hours 01:43:21 - 02:20:06 - Carlos, Something In The Air, Clouds of Sils Maria 02:20:07 - 02:43:50 - Personal Shopper, Non-Fiction 02:43:51 - 02:50:52 - Top 3 Assayas / Outro 96 Greers! https://ninetysixgreers.podbean.com/  

Do not take your phone off Airplane mode because we're heading to Paris to discuss Olivier Assayas' Personal Shopper (2016). Helping us sift through this fascinating, dense film is Trace's better half (and frequent returning guest) Ari Drew! Join us as we heap all the praise on Kristen Stewart before diving into all things supernatural (and technology!), linking the film to the recent wave of liminal horror films. Plus: Joe "raps" (yes, really), fade-outs galore, the necessity of on-screen nudity, silly conversations about gorillas and one of the scariest scenes to come out of the 2010s. References: > Katie Barnett. Invisible presences: The Elusive Twin and the Empty Screen in Personal Shopper. Revenant: Critical and creative studies of the supernatural. Revenant Journal. Questions? Comments? Snark? Connect with the boys on Twitter, Instagram, Youtube, Letterboxd, Facebook, or join the Facebook Group to get in touch with other listeners > Trace: @tracedthurman > Joe: @bstolemyremote > Rachel: @RachelSafety / @twodykesandamic Be sure to support the boys on Patreon!  Theme Music: Alexander Nakarada Learn more about your ad choices. Visit megaphone.fm/adchoices

This week, Film Comment is reporting from Berlin, where the 2024 Berlinale kicked off on February 15. Throughout the festival, we'll be sharing daily podcasts, dispatches, and interviews covering all the highlights of this year's selection, including new films by Olivier Assayas, Mati Diop, Bruno Dumont, Hong Sangsoo, and many more. Subscribe to the Film Comment Letter here to stay up-to-date. On today's episode, our fifth from Berlin, FC Editor Devika Girish is joined by critics Ela Bittencourt and Frédéric Jaeger to talk about their recent viewing, with a focus on the German cinema at this year's edition. They discuss Eva Trobisch Ivo, Julia von Heinz's Treasure, and Andreas Dresen's From Hilde, with Love, among others, before turning to a selection of films directed by women, including a retrospective of films by Helke Sander, and new films including Christine Angot's A Family, Nele Wohlatz's Sleep with Your Eyes Open, and Anja Salomonowitz's Sleeping with a Tiger. Stay up to date with all of our Berlinale coverage here: https://www.filmcomment.com/blog/category/festivals/berlin/