Podcasts about Berlinale Talents

Frank Mosley is an actor and filmmaker from Texas, now living in Los Angeles. He is an alumnus of the 2015 Berlinale Talents, the 2017 NYFF Artist Academy at Lincoln Center, and Black Factory Cinema's 2016 Auteur Workshop led by Abbas Kiarostami in San Antonio de los Banos, Cuba. He participated as an actor in the 2016 Austin Film Society Artist Intensive under the direction of Charles Burnett. Most notably, Frank is also the curator for Required Reading, a staged reading series in Los Angeles that highlights new work from both emerging and established playwrights. In this episode, we talk about his take on the classic table read, and how Required Reading is taking live readings to the next level. FOLLOW REQUIRED READING IG: @requiredreading.laVISIT FRANK'S WEBSITE HERE

Uno de nuestros temas clásicos en #ELPODCAST es cuando nos sentamos a charlar nuestras "aventuras" con los colegas de la familia #deCINE y este mes de Abril, revivimos esos episodios.Fabiola Santiago, periodista, crítica y analista cinematográfica, primera mujer que represento a México en el Berlinale Talents y que tiene "Lumbre" para iluminar nuestro amor #deCINE.Acompaña a Felipe Flores y toma tus #APUNTESdeCINE.

Im neuesten Podcast von der Berlinale 2025 spricht Rüdiger Suchsland mit Nikola Joetze und Tobias Pausinger, den beiden Co-Leitern von "Berlinale Talents" über diese etwas andere Seite der Berlinale, Kriterien der Auswahl und Themen des Filmemachens, über Sprachhygiene und Relevanz und über alles, was angehende Filmemacher wirklich brauchen

Steve Bache gehört in diesem Jahr zu den Berlinale Talents – junge Kreativschaffende aus der Filmbranche, die sich auf der Berlinale in der Filmindustrie vernetzen.

“Um ato de resistência contra todas as ideias perversas": o Festival Internacional de Cinema de Berlim, a Berlinale, abriu suas portas na quinta-feira (13), tendo como pano de fundo o aumento do extremismo de extrema direita na Europa e em todo o mundo, dez dias antes das eleições gerais alemãs. O cinema brasileiro dobra sua participação nesta 75ª edição da Berlinale, marcando presença em quase todas as seções do festival. O longa "Último Azul", de Gabriel Mascaro, disputa o Urso de Ouro. A diretora da Berlinale, Tricia Tuttle, deu o tom na coletiva de imprensa do júri na quinta-feira (13): “um festival como este é uma rejeição (...) de todas as ideias difundidas por muitos partidos de extrema direita”. A Berlinale é o primeiro grande evento da indústria cinematográfica internacional de 2025. “Estamos passando por uma crise particular nos Estados Unidos, mas também em todo o mundo”, disse o presidente do júri, o norte-americano Todd Haynes, diretor de ‘Dark Waters', ‘I'm not there' e ‘Carol', ao lado de Tricia Tuttle. Após a “preocupação e o espanto” causados pelas três primeiras semanas do governo Trump, “como vamos fazer para reunir as diferentes formas de resistência (...) ainda está sendo considerado”, disse ele.Na noite de abertura, o Urso de Ouro honorário foi concedido a Tilda Swinton, estrela do cinema de autor que trabalhou com nomes como Wes Anderson e Pedro Almodóvar, além de Brad Pitt, Tom Cruise e Keanu Reeves.Os membros do júri começarão a trabalhar nesta sexta-feira (14), com a exibição dos primeiros filmes que concorrem ao Urso de Ouro, entre eles o "Último Azul", dirigido por Gabriel Mascaro, único brasileiro na competição principal do festival alemão em 2025.Festa do cinema brasileiroDoze filmes brasileiros marcam presença na programação oficial desta edição da Berlinale, um marco da retomada do cinema nacional em vitrines e premiações de todo o planeta.Esta edição do festival abriu suas portas com a exibição do filme "The Light", dirigido por Tom Tykwer, mesmo diretor do já clássico “Corra, Lola, Corra”. A cerimônia de abertura aconteceu no Palacio da Berlinale, na Potsdamer Platz, no centro de Berlim.O festival alemão conta este ano com a presença de diversas personalidades do cinema, incluindo Timothée Chalamet e Robert Pattinson. Mas o cinema brasileiro também mostra sua força no festival alemão em 2025. Para Eduardo Valente, delegado da Berlinale para o Brasil, é uma demonstração da "saúde criativa" do audiovisual brasileiro, que esta presente em quase todas as categorias da Berlinale esse ano."Acho que a seleção brasileira desse ano é muito interessante, exatamente porque de uma forma de outra, ela atravessa transversalmente muitos formatos e tem perfis bem diferentes", diz. "Então, eu acho que, de uma maneira ou de outra, isso sinaliza uma maturidade, uma saúde criativa do cinema e do audiovisual brasileiro", sublinha Valente.O diretor e programador reflete sobre a diversidade da participação brasileira no festival. "Você vai desde a competição oficial, que, claro, é a principal janela do festival, mas você passa pela Fórum Expanded, contando também com a participação de filmes antigos no caso de Iracema, e filmes atuais, que são a maioria, curtas, longas, inclusive uma série dentro da mostra Generation, que é só tem três filmes na programação", destaca. Alguns diretores brasileiros já são velhos conhecidos do festival. "Existem diretores iniciantes na programação e muitos diretores já com relações com a Berlinale, uma coisa importante de se falar", considera. "A Caru [Alves de Souza] já esteve antes, a Rafaela Camelo também, a Anna Muylaert, o Gabriel Mascaro, em suma, muitos realizadores brasileiros estão voltando à Berlinale esse ano", diz. Para Eduardo Valente, a seleção é um sinal claro da amplitude e da continuidade do cinema brasileiro. "Essa presença abrangente é algo que poucos países conseguem dentro da seleção geral do festival, estando representados em praticamente todas as seções, com longas, curtas e séries. Além disso, há uma delegação considerável no Berlinale Talents, que é um programa importante para novos profissionais do cinema, e um projeto brasileiro selecionado para o Co-Production Market. Também se destacam três séries no Berlinale Series Market, uma iniciativa do mercado do festival que também possui um processo seletivo rigoroso", ressalta Valente.O Brasil também marcou presença no World Cinema Fund no final do ano passado e em praticamente todos os espaços da Berlinale existe alguma representação brasileira. "Voltamos a ter um número de participações similar ao que foi registrado entre 2017 e 2020, período em que até superamos essa quantidade", destaca.A Berlinale fica em cartaz até o dia 23 de fevereiro na capital alemã.

Shuchi Talati is a filmmaker from India whose work challenges dominant narratives around gender, sexuality, and South Asian identity. Her feature film, Girls Will Be Girls, premiered at Sundance where it won an Audience Award and a Special Jury Award. Shuchi was a Gotham Awards Breakthrough Director nominee and a John Cassavetes Award nominee at the Spirit Awards. During development, Girls was supported by the Aide Aux Cinémas du Monde and Sørfond grants, Gotham Week, Berlinale Project Market and Script Station, and Cine Qua Non Script Lab. Shuchi's short film, A Period Piece, was selected for SXSW and her film Mae and Ash won numerous awards before becoming a Vimeo Staff Pick. Shuchi's documentary credits include story producing the Emmy-nominated film Being Mary Tyler Moore which premiered at SXSW. Shuchi also story produced the vérité series, We Are: The Brooklyn Saints, directed by Rudy Valdez for Netflix, and Wyatt Cenac's Problem Areas for HBO, where one of her episodes was nominated for a GLAAD Award. She is a graduate of the American Film Institute and an alum of Berlinale Talents. She lives in NYC and is a member of the Brooklyn Filmmakers Collective, the Bitchitra Collective, and the Freelance Solidarity Project. Topics Discussed In This Episode: Shuchi shares her childhood love for books, her exposure to Bollywood and Hollywood films, and her introduction to cinema in university (00:03:45) Making her first documentary (00:11:40) The influence of observation in storytelling (00:14:55) Interrogating values to harness a unique point of view (00:20:49) Learning then unlearning techniques in film school and her project “Me and Ash” (00:25:29) Capitalism vs. creative expression (00:27:50) Shuchi's writing/directing process for “Girls Will Be Girls,” and giving oneself space to mature with the process (00:30:43) Discussing alternative ways of living (00:38:47) A discussion on relationships, vulnerability, and the complexity of human behavior (00:55:06) Shuchi's daily habits, teaching screenwriting, creative accountability, and the importance of a creative community (01:08:47) Shuchi's decision to quit using social media (01:20:43) artistdecoded.com shuchitalati.com  

Un viaggio nella mente e nella tecnologia con Andrea Gatopoulos The Eggregores' Theory, cortometraggio di Andrea Gatopoulos, ha catturato l'attenzione della critica internazionale aprendo la Settimana della Critica alla Mostra Internazionale del Cinema di Venezia 2024. Con una durata di 15 minuti, il film si presenta come un'opera di fantascienza che esplora i misteri della memoria e il rapporto con la musica, avvalendosi di un cast ridotto ma incisivo, con David Rumsey nel ruolo principale. La trama si concentra su un uomo tormentato da un ricordo sbiadito, come un quadro scolorito dalla luce. L'unico elemento persistente è una melodia che non riesce a dimenticare. Questo frammento musicale, intriso di significati perduti, diventa il filo conduttore di una narrazione che mescola introspezione e tecnologia, richiamando atmosfere enigmatiche e suggestive. La sceneggiatura e il montaggio sono curati dallo stesso Gatopoulos, mentre il suono, elemento chiave del cortometraggio, porta la firma di Tommaso Barbaro. Premi e riconoscimenti: un successo internazionale L'opera ha riscosso successo in numerosi festival internazionali. Oltre alla sua anteprima veneziana, è stata presentata al Festival du Nouveau Cinéma di Montréal. La sceneggiatura, in particolare, ha ottenuto il prestigioso Best Screenplay Award nel concorso Greek Short Stories Competition e il Onassis Film Award all'Athens International Film Festival. Questi riconoscimenti evidenziano la capacità di Gatopoulos di intrecciare tematiche filosofiche e tecnologiche in una narrazione breve ma densa di significati. Andrea Gatopoulos: una voce autorevole nel panorama cinematografico Regista e produttore cinematografico, Gatopoulos è un membro dell'European Film Academy (EFA) e un ex partecipante di programmi formativi prestigiosi come Berlinale Talents e Locarno Spring Academy. La sua filmografia comprende opere come Eschaton Ad (2023) e Happy New Year, Jim (2022), caratterizzate da una continua riflessione sull'interazione tra uomo e tecnologia. Il cortometraggio si inserisce in un percorso creativo che ha visto le sue opere proiettate in festival di rilievo, tra cui Quinzaine, Locarno e Rotterdam. Con The Eggregores' Theory, Gatopoulos conferma la sua abilità nel trasformare il mezzo cinematografico in uno strumento di indagine profonda, capace di interrogare lo spettatore su temi universali attraverso un'estetica curata e visionaria. Prospettive future L'accoglienza calorosa ricevuta a Venezia e nei festival successivi dimostra come The Eggregores' Theory sia una delle opere più rappresentative del cinema contemporaneo di breve durata. Gatopoulos continua a esplorare le potenzialità del cortometraggio, spingendosi verso una narrazione innovativa che stimola il dibattito sul futuro della memoria, della tecnologia e dell'identità umana.

Frank Mosley is an actor and filmmaker from Texas living in Los Angeles. He's a fellow of the 2015 Berlinale Talents, 2017 NYFF Artist Academy, and 2016 Workshop for Auteurs led by Abbas Kiarostami. As a director, he's had two retrospectives of his work: The Spectacle Theater, NYC (2018) and online on Kinoscope (2020). They include Good Condition (Fantasia 2023), Parthenon (Slamdance 2018), Casa De Mi Madre (Champs-Elysees 2017), and The Event (Fantastic Fest 2022), which debuted as a Vimeo Staff Pick and was named a "Top 12 Film of 2023" on NoBudge. As an actor, his starring role in Freeland (SXSW 2020, MUBI) opposite Lily Gladstone and Krisha Fairchild. Other notable films include Upstream Color (Sundance jury winner, Berlinale 2013), Collective Unconscious (SXSW 2016, The Criterion Channel), Chained for Life (NYTimes Critics Pick 2018, Kino Lorber), Rent Free (Tribeca 2024), Love and Work (Slamdance 2024), Americana (Fantasia, SIFF 2016), The Ghost Who Walks (Netflix Top Ten Film 2020), Thunder Road (SXSW 2018 winner, ACID Cannes), Person to Person (Magnolia Pictures), The Procedure (Sundance 2016 winner, Adult Swim), Don't Ever Change (Vimeo Staff Pick 2017, Alter), and alongside David Arquette in Quantum Cowboys (Fantastic Fest 2022, Factory 25). For his leading role in Some Beasts, he received a Special Jury Prize for Outstanding Performance at the 2016 Sarasota Film Festival and was declared "one of the best performances of 2017" by Film Pulse. ▬▬▬▬▬▬▬▬ FRANK MOSLEY ⌲ IMDb: https://www.imdb.com/name/nm1797014/?ref_=nm_mv_close ⌲ IG: https://www.instagram.com/frankrjmosley/ ⌲ Website: https://www.frankmosley.com/ ▬▬▬▬▬▬▬▬ The Moving Spotlight Podcast ⌲ iTunes: https://podcasts.apple.com/us/podcast/the-moving-spotlight/id1597207264 ⌲ Spotify: https://open.spotify.com/show/7cjqYAWSFXz2hgCHiAjy27 ⌲ Patreon: https://www.patreon.com/themovingspotlight ⌲ ALL: https://linktr.ee/themovingspotlight ▬▬▬▬▬▬▬▬ #Berlinale #ThunderRoad #SpectacleTheater #Kinoscope #Texas #IndieFilms #Freeland #FilmFestivals #ScriptEater #Sundance #SXSW #Emmys #TVTime #iTunes #Actor #ActorsLife #Believe #Success #Inspiration #Netflix #Hulu #Amazon #HBO #AppleTV #Showtime #Acting #Artist #Theatre #Film #YourBestBadActing #Content #CorbinCoyle #JohnRuby #RealFIREacting #TMS_Pod --- Support this podcast: https://podcasters.spotify.com/pod/show/the-moving-spotlight/support

Fri, 19 Jul 2024 13:00:00 +0000 https://efm-industry-insights.podigee.io/61-spotlight-edition-a-personal-conversation-with-beki-probst 263f15d4ecb12ac9c20aa1ada76eecf0 Industry Insights – The EFM Podcast is presented by the European Film Market of the Berlinale. Hosted by Matthijs Wouter Knol, this episode spotlights an important figure in the history of the EFM through a personal conversation and a journey through time. This special episode revolves around the former EFM director Beki Probst through a conversation that took place during the Cannes Film Festival between her and Matthijs Wouter Knol, who himself has been in the seat as director of the EFM as a successor. Beki depicts her journey through the film industry with anecdotes from her life in the film industry, from her starting out as a young journalist traveling to Cannes, to suddenly finding herself in Berlin. She shares stories of people she crossed paths with along the way, how the Berlinale took place right after the fall of the wall and draws a picture of the future industry through her own expectations and lived experiences. This all adds to the portrayal of the woman who came to found the European Film Market as we know it today. Beki Probst is considered the grande dame of the film world. Under her direction, the European Film Market has developed into one of the largest and most important trade fairs for cinema on the international scene. Beki Probst was born in Istanbul, where she first worked as a journalist after completing her studies in law and journalism. In 1960, Probst moved to Switzerland, where she became the general manager of the Probst-Kinobetriebe, known today as Quinnie Cinemas. From 1981 to 1988, Beki Probst served as the Berlin International Film Festival's official delegate for Turkey and Greece. Up until 1995, she also served as a member of the selection committee for Locarno International Film Festival. From 1988 to 2014, Beki Probst was the director of the Berlinale's European Film Market – Probst rebranded the former “film fair” as the European Film Market and subsequently transformed the event into one of the most significant industry meet-ups for the international film business. In addition, from 1988 to 1996 Beki Probst was artistic director of the Geneva-based festival “Stars de Démain”. She has served as a jury member on multiple occasions at international film festivals, including appearances in Toronto, Jerusalem and San Sebastián. In 1992 Beki Probst was decorated as “Chevalier des Arts et des Lettres” by the French Ministry of Culture, was honoured with the Berlinale Camera in 2018 and in 2019 with the Honorary Award of the Swiss Film Award. In 2024 she was awarded the Order of Merit of the Federal Republic of Germany (Verdienstkreuz am Bande der Bundesrepublik Deutschland). Since 2021, Dutch-born Matthijs Wouter Knol is the CEO and Director of the European Film Academy. Before reading and graduating with an MA in Contemporary History at Leiden University and the Royal Netherlands Institute in Rome, he worked as a magazine editor and journalist. From 2001 onwards, he worked in Amsterdam as creative and associate producer on 30 award-winning documentary films, with renowned directors such as Heddy Honigmann, Maria Ramos, and Mani Kaul. For ARTE, he co-produced a digital edition of 40 re-mastered works of Dutch documentarian Johan van der Keuken, which was awarded the Prix Cahiers du Cinéma (2006). After a short stint at IDFA (2007-2008), he formed for 12 years part of the senior Berlinale team, first as Head of Programming of Berlinale Talents (2008-2014), then as Director of the European Film Market (2014-2020). Apart from launching several new training and industry platforms over the course of his career, Matthijs is an advocate for more Diversity and Inclusion. He initiated D&I schemes at both EFM and the European Film Academy, and was one of the founders of the Anti-Racist Taskforce for European Film (ARTEF). He teaches and coaches at various film schools and is a regular moderator and speaker at international film industry events. Matthijs has been part of the main jury at the festivals of Buenos Aires, Jerusalem, Istanbul and Locarno. The Berlinale's European Film Market is the first international film market of the year, where the film industry starts its business. Industry Insights - The EFM Podcast puts a spotlight on highly topical and trendsetting industry issues, thereby creating a compass for the forthcoming film year. The year-round podcast is produced in cooperation with Goethe-Institut and co-funded by Creative Europe MEDIA. full no Beki Probst,Film Business,Entertainment Industry,Future Trends,Berlinale,European Film Market,Cannes,Collaboration Film Industry,Media Industry European Film Market 1725

Welcome to Season 3 of Ikigai with Jennifer Shinkai! Adrian Francis is the filmmaker behind the powerful documentary Paper City, exploring the impact of the firebombing of Tokyo in 1945 and the ongoing struggle for it to be acknowledged and remembered. Adrian was brave enough to come on the show at a point where he has not figured out his next steps yet. I thought this was an opportunity not to be missed: to hear from someone in the midst of a transition after completing a major project. If you are also going through a period of transition and haven't got it all figured out, I think you will find much solace and inspiration in this episode. All those questions? Those hard to grasp ideas and concepts that feel so murky right now? Totally normal…in fact, an essential part of the process!If you enjoyed this episode and it inspired you in some way, we'd love to hear about it and know your biggest takeaway. In this episode you'll hear:How Adrian came to make a film about the firebombing of TokyoWhat happens when you finish a project that has been the main focus of your lifeHow you can find meaning for your next challengeFlashing forward and backward in our lives to see what our values are independent of current circumstancesAbout AdrianOriginally from Australia, Adrian Francis has lived in Tokyo for 17 years, working as a teacher, writer, and documentary filmmaker. He majored in documentary film at the Victorian College of the Arts, Melbourne University. Francis directed the award-winning documentary short, Lessons from the Night, which premiered at Sundance Film Festival. He was invited to participate in the Berlinale Talents program at the Berlin Film Festival, where he began developing the project that would become Paper City—his first feature-length film. Paper City premiered at the Melbourne International Film Festival in 2021 and has screened theatrically in Japan, and internationally at festivals and through Al Jazeera's Witness series. It has won numerous awards, including the Audience Award at the Tokyo Documentary Film Festival, an ATOM (Australian Teachers of Media) Award for Best History Documentary, and Best Emerging Director at the Melbourne Documentary Film Festival. He recently gave a TEDxWasedaU talk on the bombing of civilians, Paper City: Memory, Forgetting, and the Firebombing of Tokyo. Most recently, Adrian has become interested in what we can do to take climate change action.Things mentioned in the episode:Paper City Screening:March 1-7 at Eigakan StrangerScreening daily at 11:20 (with English subtitles)3 Chome-7-1 Kikukawa, Sumida City, Tokyo 130-0024https://stranger.jp/movie/2541/TEDxWasedaU Talk: https://www.youtube.com/watch?v=jFr3U3bbuMgConnect with Adrian and find out more about Paper City:Paper City Instagram: https://www.instagram.com/papercitytokyo/Paper City Facebook: https://www.facebook.com/papercitytokyoPaper City X: https://twitter.com/papercitytokyoPaper City Website: papercityfilm.comAdrian's Instagram:

In episode 303 UNP founder and curator Grant Scott is in his shed reflecting on confusion between post-production and AI, professionalism and creativity and accepting that old labels are no longer relevant. Plus this week, photographer Mark Chapman takes on the challenge of supplying Grant with an audio file no longer than 5 minutes in length in which he answer's the question ‘What Does Photography Mean to You?' Mark Chapman is an award-winning filmmaker and artist from North East, England whose moving-image work has been screened internationally across narrative, documentary and experimental contexts. Chapman's hybrid documentary short CAMREX had its world premiere at Edinburgh International Film Festival and has been screened internationally and nominated for over 30 international awards. His short TRANS, was also screened around the world. He was one of the 17 filmmakers selected for the BFI NETWORK@LFF 2017, which sought to identify original new voices “taking risks and breaking new ground in narrative and form.” Chapman is an alumnus of the industry development programme Berlinale Talents at Berlin Film Festival. His photographic work has appeared in numerous group gallery shows and magazines such as ID and Aesthetica. He is currently developing his debut drama feature TRUANT. This project was one of 12 European projects selected for the UK-Italy development programme Feature Expanded, where he was mentored by Oscar-nominated & Cannes-prize winning producer Yorgos Tsourgiannis. Chapman was recently selected for the BAFTA Connect scheme and is an associate member of Directors UK. He is a Lecturer in Film & TV Production at the University of Greenwich, and has a PhD in film practice. www.mark-chapman.co.uk Dr.Grant Scott After fifteen years art directing photography books and magazines such as Elle and Tatler, Scott began to work as a photographer for a number of advertising and editorial clients in 2000. Alongside his photographic career Scott has art directed numerous advertising campaigns, worked as a creative director at Sotheby's, art directed foto8magazine, founded his own photographic gallery, edited Professional Photographer magazine and launched his own title for photographers and filmmakers Hungry Eye. He founded the United Nations of Photography in 2012, and is now a Senior Lecturer and Subject Co-ordinator: Photography at Oxford Brookes University, Oxford, and a BBC Radio contributor. Scott is the author of Professional Photography: The New Global Landscape Explained (Routledge 2014), The Essential Student Guide to Professional Photography (Routledge 2015), New Ways of Seeing: The Democratic Language of Photography (Routledge 2019), and What Does Photography Mean To You? (Bluecoat Press 2020). His photography has been published in At Home With The Makers of Style (Thames & Hudson 2006) and Crash Happy: A Night at The Bangers (Cafe Royal Books 2012). His film Do Not Bend: The Photographic Life of Bill Jay was premiered in 2018. Scott's next book Inside Vogue House: One building, seven magazines, sixty years of stories, Orphans Publishing, is now on pre-sale. © Grant Scott 2024

Thu, 23 Feb 2023 15:00:00 +0000 https://efm-industry-insights.podigee.io/33-making-a-mark-in-unstable-environments-an-encouraging-conversation 17eab58a6e3d9c3cc7d69c0b303423a0 Industry Insights – The EFM Podcast is presented by the European Film Market of the Berlinale. Hosted by Curator and Impact Producer Nadia Denton, it delves deep into the rapidly evolving film industry. In this episode movers & shakers within the international film landscape Amra Bakšić Ćamo, Hania Mroué and Sadaf Foroughi talk about their personal approaches as filmmakers living in unstable environments – all three with an immense motivation to shape change in the film industry and to move forward. They share what drives them and how they are able to navigate and overcome challenges, and reflect on sustainable leadership and humanity in our film industry. Hania Mroué is an established film programmer, distributor, and industry professional. She founded and became the director of Metropolis Cinema, the only art house movie theatre in Lebanon, in 2006, and in 2010, she established MC Distribution, a company dedicated to distributing Arab and international independent titles in the MENA region. Mroué is a founding member of the Beirut DC association, which supports and promotes independent Arab films, and she has served as the Managing Director of the organization's Arab film festival, Ayam Beirut Al Cinema'iya, for the past decade. From 2010 to 2012, she also served as Chief Arab Programmer at the Doha Tribeca Film Festival. She's currently a programming consultant for the Marrakesh International Film Festival. Mroué has been a jury member at a number of prestigious film festivals, including Cannes, Berlinale, Adelaide and Malatya International Film Festival. Amra Bakšić Ćamo is one of the founders of SCCA/pro.ba, an independent production company from Sarajevo, Bosnia and Herzegovina. She has produced and coproduced award-winning feature films, TV programs, shorts and documentaries,. Since it's inception in 2003, she is Head of the CineLink, a regional co-production market, work in progress and project development workshop for feature films and drama series at the Sarajevo Film Festival and one of the curators of Torino Film Lab. She is a member of the European Film Academy as well as ACE and EAVE producer networks. She has been a longtime collaborator of Berlinale Coproduction Market and Biennale College. Amra teaches Producing at the Academy of Preforming Arts in Sarajevo. Sadaf Foroughi is an award-winning Iranian-Canadian filmmaker and Berlinale Talents alumni. She directed a short documentary episode of The Why Democracy? Project, which was nominated for Best Non-European Film at the Grand Off-European Off Film Awards in Warsaw and won Best Short Film at the annual Oxford Brooks University Film and Music Festival. In 2009, Foroughi founded Sweet Delight Pictures (SDP) with fellow filmmaker Kiarash Anvari. SDP was nominated as one of the top five emerging Canadian production companies at the 2017 Indie Screen Awards. Sadaf Foroughi's debut feature as writer/director/producer AVA premiered at the 2017 Toronto International Film Festival, winning the FIPRESCI award in the Discovery section and earning several nominations. Her second film, Summer With Hope, won the Crystal Globe Grand Prix for Best Film at the Karlovy Vary International Film Festival 2022. Sadaf has also served as a juror for various festivals and awards, including the Academy of Canadian Cinema and Television's annual awards in 2019 and most recently the Tibilisi International Film Festival in Georgia in 2022. The host Nadia Denton is a film industry specialist with over a decade of experience as a Curator, Impact Producer and Author. Her focus has been on cinema of the African diaspora, she specialises in Nigerian Cinema and is author of two books The Black British Filmmakers Guide to Success and The Nigerian Filmmaker's Guide to Success: Beyond Nollywood. Nadia is also an official V&A African Heritage Tour Guide. This podcast episode has been developed in collaboration with Berlinale Talents. The Berlinale's European Film Market is the first international film market of the year, where the film industry starts its business. Industry Insights - The EFM Podcast puts a spotlight on highly topical and trendsetting industry issues, thereby creating a compass for the forthcoming film year. The year-round podcast is produced in cooperation with Goethe-Institut and co-funded by Creative Europe MEDIA. full no Filmindustry,EFM,Flim Market,Sadaf Foroughi,Hania Mroué,Amra Bakšić Ćamo,Nadia Denton,Filmmaker,challenge,Industry Insights European Film Market

With such an overwhelming number of films on offer at IDFA, we invited Wouter Jansen to help curate a watch list of films that will be on display. Wouter is the founder of Square Eyes, a sales and distribution company based in Vienna specializing in bold, author driven features and shorts. This year, he will be at IDFA with two titles, ANHEIL 69 by Theo Montoya and EUROPE by Philip Scheffner.  In this episode, we go through each section of the program at IDFA and take turns selecting titles of interest to help navigate our festival experience.  Films discussed include PARADISE by Alexander Abaturov, NON-ALIGNED: SCENES FROM THE LABUDOVIĆ REELS, HOW DARE YOU HAVE SUCH A RUBBISH WISH by Mania Akbari, and A ROBUST HEART by Martin Benchimol, among many others. For our full Docs in Orbit x Square Eyes x IDFA 2022 watch list, please visit here . EPISODE TIMECODES: 00:00 - Intro / About Square Eyes |  10:30 - Best of Fests  |  16:30 - Paradocs  |  23:25 - International Shorts Competition  |  32:10 - Competition DocLab Immersive Non-Fiction  |  35:35 - IDFA on Stage   |  40:28 - Envision Competition  |  45:35  - International Competition  |  52:30  - Laura Poitras Top 10SPECIAL GUEST BIO: Wouter Jansen is the founder of the sales and festival distribution company Square Eyes. He worked as the head of programming at the Go Short - International Film Festival during the first 10 editions. In 2013 he started Some Shorts, which changed to Square Eyes in 2019, which specializes in having outstanding non-mainstream films find the audience and recognition they deserve. With Square Eyes, Wouter represents bold, author-driven features and shorts, and collaborates closely with the filmmakers to devise bespoke festival distribution and sales strategies. This has resulted in a small catalogue of films premiering at prestigious festivals and winning multiple awards over the last few years like main prizes at Cannes, TIFF, Berlin, Locarno and Clermont-Ferrand. Wouter has been giving lectures at schools like Le Fresnoy, HEAD Geneva and Netherlands Film Academy and is an expert for Locarno Open Doors and First Cut Lab. He has moderated as well as lead workshops at festivals like IDFA, True/False, Winterthur, VIS Vienna Shorts and others. He is a Berlinale Talents alumni.For show notes visit docsinorbit.com and be sure to follow us on social media @docsinorbit for updates.

Johannes Holopainen is a Finnish movie star, renowned as one of the most talented actors of his generation, with a diverse career encompassing theatre, film, and television. He is known for leading roles in Unknown Soldier, Heavy Trip, and All the Sins, among other internationally acclaimed and awarded films and television series. Holopainen has received numerous accolades, including Jussi-award and Golden Venla nominations, and is a Berlinale Talents alumni. His latest works include a monologue play on Emmanuel Carrères's novel Mustache and a leading role in JP Valkeapääs's next film, Hit Big. ▬▬▬▬▬▬▬▬ Johannes Holopainen ⌲ IMDb: https://www.imdb.com/name/nm2921197/ ⌲ IG: https://www.instagram.com/johannesholopainen/?hl=en ▬▬▬▬▬▬▬▬ The Moving Spotlight Podcast ⌲ iTunes: https://podcasts.apple.com/us/podcast/the-moving-spotlight/id1597207264 ⌲ Spotify: https://open.spotify.com/show/7cjqYAWSFXz2hgCHiAjy27 ⌲ Patreon: https://www.patreon.com/themovingspotlight ⌲ ALL: https://linktr.ee/themovingspotlight ▬▬▬▬▬▬▬▬ #Finnish #Finland #FinnishActor #Helsinki #International #InternationalActor #UnknownSoldier #TuntematonSotilas #HeavyTrip #AllTheSins #KaikkiSynnit #Helene #ActingCraft #Bullseye #MovieStar #Emmys #TVTime #iTunes #Actor #ActorsLife #Believe #Success #Inspiration #Netflix #Hulu #Amazon #HBO #AppleTV #Showtime #Acting #Artist #Theatre #Film #YourBestBadActing #Content #CorbinCoyle #JohnRuby #RealFIREacting #TMS_Pod --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Support this podcast: https://anchor.fm/the-moving-spotlight/support

You Are Not My Mother. On this episode we are joined by Kate Dolan. Kate graduated from the National Film School, IADT in 2012. Along with directing many commercials and music videos over the years in 2014 Kate was selected for Berlinale Talents, where she wrote and directed short film Little Doll. The film premiered at the Berlinale in 2016. Catcalls, Kate's next short film funded by Screen Ireland in 2017 premiered at many of the leading international festivals including BFI London Film Festival, Fantastic Fest and Fantasia Film Festival, winning Best Short Film at the Young Director Awards Ireland 2018. In 2016, Kate was chosen to take part in the Guiding Lights, the UK's leading mentoring scheme for filmmakers and in 2019 was listed as one of Ireland's leading emerging creatives under 30. Kate's debut feature film You Are Not My Mother due to premiere at TIFF Midnight Madness in Sept 2021.Please support the Mark and Me Podcast via Patreon here: https://www.patreon.com/Markandme or you can buy me a coffee here: https://ko-fi.com/markandme or you can even treat yourself to a sticker over at my store here: https://www.etsy.com/uk/shop/MarkandMeStore

He is a renowned short film director. His short film ‘Uno' has won around one hundred awards, he's been selected for Berlinale Talents 2020. But on the Evening Show, he presented his first feature film, Josefina, competing in the 31st edition of the Nantes Spanish film Festival.

Seeing the world through Wes Anderson's films triggers a child-like feeling of wonderment. In this episode, we take you closer to the people and crafts behind Wes' visionary cinema. With Jay Clarke, Simon Weisse and Tristan Oliver, we delve into his live-action and animated features to explore questions of storyboarding, prop making and animation cinematography.

Screen Ireland's POV Scheme was established to support women filmmakers, and in 2020 four live-action fiction titles were commissioned with a budget limit of €400,000. In this podcast, which was recorded last April, POV Writer/Directors Kate Dolan and Antonia Campbell-Hughes talk to us about working on their two films You Are Not My Mother and It Is In Us All respectively. This event has been made possible with the support of the BAI. About Kate Dolan Kate graduated from the National Film School at IADT in 2012. There, she majored in Directing. After working at ad agency TBWA for a year and a half after graduation Kate then took the leap to work on her writing & directing full time. She started working on commercials and writing in her spare time. In 2014, she attended Berlinale Talents to develop a short entitled Little Doll at the Short Film Script Station. The short then had its premiere at Berlinale 2016. For her work with Little Doll, she was included in the British Council's fiveFilms4freedom 2016 Global List – 33 inspiring people from around the world promoting freedom, equality and LGBT rights every day. In 2017, she made her Screen Ireland funded short, Catcalls, an irreverent horror about a sexual predator who gets what's coming to him. The film won Best Short Film at the YDA Ireland in 2018. Kate was included in the Irish Times list “Top 50 to Watch in 2019.” Her POV film You Are Not My Mother is scheduled to screen at the 46th Toronto International Film Festival (TIFF). Antonia Campbell-Hughes Antonia is a highly acclaimed actress with a wealth of awards and nominations under her belt. After a breakout leading role in Rebecca Daly's The Other Side of Sleep at Directors Fortnight/Cannes, she went on to receive the 2012 Screen International ‘Star of Tomorrow' title, followed by the prestigious Berlinale Shooting Stars award. She has received international acclaim for her brave film work, namely 3096Days, shot by Michael Ballhaus who received the Golden Bear at Berlinale 2016. She had a BAFTA-winning performance as Kelly in Kelly+Victor. Antonia wrapped leading in Colum Eastwood's thriller Black Medicine shot in Belfast. Antonia is among the main cast with Claes Bang and Brian Cox in TV Pilot for 8-part series, Little Room. 2018 saw Antonia complete Cordelia, playing the title role. QUEST FOR LOVE, Antonia's debut short as writer/director starring Kerry Condon (Galway Film Fleadh '18), received glowing praise. 2019 saw Antonia second short ACRE FALL BETWEEN feature as part of THE UNCERTAIN KINGDOM project (BFI/NI screen). Antonia's Screen Ireland POV/Catalyst feature It Is In Us All was shot on location in Ireland 2020, led by Cosmo Jarvis. #WomenInFilm #WFTIreland #WIFTI #IrishFilm https://wft.ie/

From the impossibility of nothingness to the seeming nothingness of death. In this episode, we sit down with renowned Thai director Apichatpong Weerasethakul. True to Apichatpong's unconventional narrative work, this talk draws us into meditative spaces, inviting us to slowly question filmmaking habits and the rat-race of expectations we are all involved in.

Time to break with old habits. In this episode, we hear from film professionals who are committed to challenging norms and promoting alternative ways of thinking about filmmaking. They boldly engage in discussions on representation in the industry and although change doesn't happen overnight, what these African and indigenous filmmakers, curators, queer collectives and people behind community cinemas sketch out are the many paths that lead to it.

In this episode, we sit down with one of French cinema's most prominent voices: Céline Sciamma. Drawing on Anglo-Saxon and French filmmaking traditions, the writer and director (Water Lilies, Portrait of a Lady on Fire, Petite Maman) portrays characters caught up in new desires, bridging childhood and adulthood. At Berlinale Talents 2021, we got the chance to ask Céline about her artistic coming-of-age before we turned to her “delicate machines”: that is to say, her films.

Let's discover with us the artists selected for Berlinale Talents 2021! The post Kantarama Gahigiri – Berlinale Talents 2021 appeared first on Fred Film Radio.

Let's discover with us the artists selected for Berlinale Talents 2021! The post Tomás Barreiro – Berlinale Talents 2021 appeared first on Fred Film Radio.

Let's discover with us the artists selected for Berlinale Talents 2021! The post J.J. Neepin – Berlinale Talents 2021 appeared first on Fred Film Radio.

The upcoming virtual edition of Berlinale Talents is not afraid to DREAM and HOPE. The post Florian Weghorn – Berlinale Talents 2021 appeared first on Fred Film Radio.

From being a Berlinale Talents participant to becoming the Talents Footprints – Mastercard Enablement Programme juror. The post Dominga Ortuzar – Berlinale Talents 2020 appeared first on Fred Film Radio.

Meet the Cinema Founders Panel. The post Catalina Marín, Berni Goldblat, Butheina Kazim, Alejandro Pinedo – Berlinale Talents 2020 appeared first on Fred Film Radio.

Jean-Louis Rodrigue and Kristof Konrad on their Berlinale Talents workshop. The post Jean-Louis Rodrigue, Kristof Konrad – Berlinale Talents 2020 appeared first on Fred Film Radio.

The Berlinale Talents is becoming an adult and learning that "a collective of many is unstoppable". The post Akinola Davies Jr – Berlinale Talents 2020 appeared first on Fred Film Radio.

The Berlinale Talents is becoming an adult and learning that "a collective of many is unstoppable". The post Florian Weghorn – Berlinale Talents 2020 appeared first on Fred Film Radio.

The director, editor and cinematographer introduces himself for FRED. The post Rouzbeh Rashidi – Berlinale Talents 2020 appeared first on Fred Film Radio.

  Joining Giles Alderson (The Dare) and Christian James (Fanged Up) this week are film-making duo Stéphanie Joalland & Sean McConville from Frenzy Films who discuss how they make their films. From producing, directing, writing, casting, raising finance and getting the films seen.   Stéphanie Joalland grew up in a small town in Brittany, France. She moved to America to study producing, directing and screenwriting at UCLA where she graduated in 2008. After writing, co-producing and directing her first feature film THE QUIET HOUR, Stéphanie is now developing her next projects as a writer/director: THE SEEDLING and ICE. Stéphanie is an alumna of Berlinale Talents and IFP Emerging Narrative in New York.   Sean McConville began his career as a Special Effects technician on big budget studio films, including STAR WARS: THE PHANTOM MENACE, MORTAL KOMBAT, and James Bond movies GOLDENEYE and TOMORROW NEVER DIES. Sean has a Master of Arts Degree in Screenwriting from the London College of Communications. After graduating LCC Sean moved to Los Angeles to attend UCLA, and graduated in 2004. Sean's debut feature film as a writer/director, DEADLINE, starred Brittany Murphy and Thora Birch, showcased at Berlin, Cannes, and the American Film Market in Los Angeles, where it sold for distribution to 40 territories around the world including the U.S.   WATCH: Deadline https://www.amazon.co.uk/Deadline-DVD-Brittany-Murphy/dp/B003L14TA2/ref=sr_1_fkmrnull_3?keywords=deadline+sean+mcconville&qid=1557790500&s=gateway&sr=8-3-fkmrnull   WATCH: A Quiet Hour: https://www.amazon.co.uk/Quiet-Hour-Dakota-Blue-Richards/dp/B011KYC8RM/ref=sr_1_1?crid=Q0HJ3LX9HW43&keywords=the+quiet+hour&qid=1557790449&s=gateway&sprefix=The+Quiet+Hour%2Caps%2C125&sr=8-1   FRENZY FILMS https://frenzyfilms.co.uk/ THE LAST MOON - Film https://thelastmoonfilm.com/   LINKS   Our sponsors: PERFORMANCE INSURANCE https://www.astonlark.com/performance/ They are our insurance company who have been providing insurance for the Media Industry for over 20 years, offering bespoke policies on both annual and short term insurance visit our website www.astonlark.com/performance or call 02082564929 and mention us!   Greenlit Crowdfunder MASTERCLASS https://www.eventbrite.co.uk/e/film-crowdfunding-masterclass-tickets-59759503283   Greenlit Crowfunding page https://greenlit.fund/   RAINDANCE- 20% Raindance Film Festival Entry.   Raindance aims to show the boldest and most innovative work that challenges the boundaries of filmmaking. And, they're an Academy Award and BAFTA-qualifying festival for short films, and a BIFA-qualifying festival for British films. Submit your film by 26th April with the Early Bird fee, and get 20% off on your submission with the discount code PODCAST 20.https://filmfreeway.com/Raindance   WATCH World of Darkness https://www.amazon.co.uk/gp/product/B07BS35KQ2?pf_rd_p=855cdcfd-05d9-474f-b84d-8286a3530ba1&pf_rd_r=G5Q5NNQZR9PRZNQ4ME5D   WATCH Fanged Up https://www.amazon.co.uk/Fanged-Up-Daniel-OReilly/dp/B07F83JN6G/ref=sr_1_1?s=instant-video&ie=UTF8&qid=1542670909&sr=1-1&keywords=fanged   Follow US on Twitter @filmmakerspod  @Food4ThoughtDoc @gilesalderson  @35mmdop @Cjamesdirect @dan710ths @FangedUpFilm @thedaremovie   Follow Robbie McKane Our new Producer/editor @RobbiemcKane   Part of the www.podfixnetwork.com  

Berlinale Talents is 17 and not afraid to fail. The post Florian Weghorn – Berlinale Talents #Berlinale2019 appeared first on Fred Film Radio.

The writer and director from the US introduces himself for FRED. The post Michael Curtis Johnson – Berlinale Talents 2019 appeared first on Fred Film Radio.

The director and cinematographer introduces herself for FRED. The post Katy Scoggin – Berlinale Talents 2019 appeared first on Fred Film Radio.

Peruvian director and screenwriter introduces himself for FRED. The post Gonzalo Ladines – Berlinale Talents 2019 appeared first on Fred Film Radio.

The director and editor introduces himself for FRED. The post Guy Nemesh – Berlinale Talents 2019 appeared first on Fred Film Radio.

Film editor from Canada introduces herself for FRED. The post Simone Smith – Berlinale Talents 2019 appeared first on Fred Film Radio.

The director from Hawaii introduces himself for FRED. The post Christopher Makoto Yogi – Berlinale Talents 2019 appeared first on Fred Film Radio.

On the very first Episode of FNI Wrapchat of 2019 on the Headstuff Podcast Network is Director and Producer at Failsafe Films Ian Hunt Duffy. Ian's first love is genre cinema and he strives to make movies that will grip an audience and keep them guessing. Having graduated from The National Film School in Ireland Ian established Failsafe Films in Dublin, producing the IFTA Nominated and Academy Award longlisted ‘Love is a Sting' in 2015, written by Academy Award winner Benjamin Cleary. Ian's short film ‘Gridlock' has won 48 awards to date, including Best Director at the Savannah International Film Festival, Best International Short Film at DC Shorts, and a Young Director Award (YDA) in Cannes. Ian has also been nominated for this years Virgin Media Dublin Film Festival Discovery Award 2019. In 2018, Ian took part in the prestigious Berlinale Talents in Germany as a director, being the only Irish filmmaker chosen amongst 250 candidates from 81 countries. Since then, Ian has successfully received funding from Screen Ireland for his two latest projects- his new short film ‘Low Tide', and development funding for his debut feature film ‘Double Blind'. Director's Selected Filmography: Double Blind - Director (In Development) Low Tide - Director (2018) Gridlock - Director (2016) Love is a Sting - Producer (2015) Be sure to Check out our previous podcasts and don't forget to subscribe and review. We LOOOOVE your feedback. #WeareFni #MakeANameForYourself If you want to support FNI in our non Subsidised work head on over to www.buymeacoffee.com/fni Learn more about your ad choices. Visit megaphone.fm/adchoices

Episode 37 of FNI WrapChat is Writer/Director Kate Dolan Kate graduated with an Honours Degree in Film & Television Production from the National Film School, IADT in 2012. There, she majored in Directing and minored in Editing. She has worked in many facets of filmmaking including Art Dept, Production and also worked as a Broadcast Producer in TBWA Dublin for almost 2 years after graduating. In 2014, she attended Berlinale Talents to develop her short Little Doll at the Short Film Script Station. The film depicts the first same-sex crush of a young girl. The short premiered as part of Generation Kplus at Berlinale 2016. In 2016 Kate was chosen to take part in the Guiding Lights, the UK's leading mentoring scheme for filmmakers. Kate's follow up Genre Short Film "Catcalls" was produced with the support of Screen Ireland in 2017. Kate is currently developing her first feature film. If you'd like to support FNI head on over to www.buymeacoffee.com/fni #WeAreFNI #MakeANameForYourself You can listen to Fni WrapChat on @thisheadstuff podcast Network, Itunes, Google podcasts and wherever you get your Podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices

The film critic from Madagascar introduces herself for FRED. The post Domoina Ratsara – Berlinale Talents appeared first on Fred Film Radio.

Director Katherine Fairfax Wright talks about her experiences and background. The post Katherine Fairfax Wright – Berlinale Talents appeared first on Fred Film Radio.

Berlinale Talents turns 16 and unveils its secrets. The post Florian Weghorn – Berlinale Talents #Berlinale2018 appeared first on Fred Film Radio.

Interview with American actress and producer Bryerly Long currently working in Japan (with robots). The post Bryerly Long – Berlinale Talents appeared first on Fred Film Radio.

Berlinale Talents 2017 The post Jordan Mattos – Berlinale Talents appeared first on Fred Film Radio.

Berlinale Talents 2017 The post Eloi Ragot – Berlinale Talents appeared first on Fred Film Radio.

Berlinale Talents 2017 The post Cristiane Oliveira – Berlinale Talents appeared first on Fred Film Radio.

COURAGE: AGAINST ALL ODDS: Florian Weghorn reveals the 15th Berlinale Talents' programme The post Florian Weghorn – Berlinale Talents appeared first on Fred Film Radio.

Celebrating 10 years of Talents Sarajevo The post Interview with Christine Tröstrum, project manager of the Berlinale Talents #22ndSFF appeared first on Fred Film Radio.