Podcast appearances and mentions of fred steiner

Our final look at the music of Star Trek puts us in the position of the show's music editors and composers. With so many classic episodes to get through, how did they stretch their music budget to cover an entire season? The music of Sol Kaplan, Joseph Mullendore, Gerald Fried and Fred Steiner is examined, and we also look at a series of clever music edits for tracked scores. Learn more about your ad choices. Visit megaphone.fm/adchoices

Music production on a full season of Star Trek begins! Our first two composers get to work, as Alexander Courage and Fred Steiner start writing and recording music at a frantic pace. We'll hear the rest of Courage's work on season one, and listen to Steiner's amazing contributions to Star Trek's musical vocabulary. We also examine the critical role played by the music editors, as they work to establish and shape the music of season one. Learn more about your ad choices. Visit megaphone.fm/adchoices

You might not fall in love with weirdos who you've only known for four or five days, who collect baseball cards, and pee when they see the ocean, and have perfect table manners, but it's perfectly fine to fall in love with Filmshake, as we're talking 1999's Brendan Fraser and Alicia Silverstone-starring romantic comedy, Blast From the Past.  After your two favorite podcast gentleman have a perfectly pleasant conversation  about this sweet 'lil champagne cocktail of a film, they talk this episode's punishment movie, ANOTHER 1999 Brendan Fraser film, and not the one where he fights a sexy deceased man. That only leaves one film, and that film is Dudley Do-Right...which one of your hosts likes?Music Heard this Episode:"Adam & Eve Love Theme" -- Steve Dorff"It's a Good Day" -- Perry Como"Mr. Zoot Suit" -- Ingrid Lucia & the Flying Neutrinos"Dudley Do-Right of the Royal Mounties" -- Fred Steiner"Political Science" -- Randy NewmanConnect with us!PatreonTwitterFacebookEmailLinktr.eeLetterboxd - Nic & JordanThe Nicsperiment

Synopsis “This highway leads to the shadowy tip of reality: you're on a through-route to the land of the different, the bizarre, the unexplainable... Go as far as you like on this road. Its limits are only those of mind itself. Ladies and Gentlemen, you're entering the wondrous dimension of imagination…” Next stop The DATEBOOK Zone. OK, all kidding aside, but “submitted for your approval” as Rod Serling would say, this is the COMPOSERS DATEBOOK for September 30th. I'm John Birge. On today's date in 1960, the second season of “The Twilight Zone,” — the legendary TV series created by Mr. Serling — began airing on CBS. For this, the producers added a new signature theme written by Marius Constant, a Romanian-born French composer. Constant had studied composition with Olivier Messiaen, Arthur Honegger, and Nadia Boulanger and had a very respectable career as a composer and teacher, but he's best known for his brief, but iconic, “Twilight Zone” theme. During its five-season run, that show also employed the talents of other famous composers, including Jerry Goldsmith, Leonard Rosenman, Fred Steiner, and Franz Waxman. And in case you're wondering who wrote the theme for the FIRST season of “The Twilight Zone,” well, that was another famous Hollywood composer by the name of Bernard Herrmann. Music Played in Today's Program Marius Constant (1925-2004): The Twilight Zone Main Theme (2nd version) –Orchestra; Joel McNeely, cond. (Varese-Sarabande VSD2-6087) Bernard Herrmann (1911-1975): The Twilight Zone Main Theme (1st version) –Orchestra; Joel McNeely, cond. (Varese-Sarabande VSD2-6087)

Support this Podcast on Patreon: https://www.patreon.com/carlking In this episode, Carl King revisits and re-examines his viral essay 10 Myths About Introverts, reviews two films (Thor: Love And Thunder and Cronenberg's The Fly), and names Star Trek The Original Series Vol. 1 by Fred Steiner the Album of the Week.  Subscribe on Apple Podcasts https://podcasts.apple.com/us/podcast/the-carl-king-podcast/id1202709564 Subscribe on Spotify https://open.spotify.com/show/4VlLUSeRUrDzF1Omtu9rdp SHOW NOTES / LINKS 10 Myths About Introverts https://carlkingdom.com/10-myths-about-introverts Dragontooth Inn https://carlkingdom.com/cartoons Lexica https://lexica.art Thor: Love And Thunder on Amazon https://amzn.to/3DiTRJy The Fly On Amazon https://amzn.to/3xg7jKA UCB Comedy Manual On Amazon https://amzn.to/3RFMEYs So, You're A Creative Genius… Now What? https://amzn.to/3B9D496 Introvert Advantage on Amazon https://amzn.to/3U8IHNp Star Trek Original Series Vol. 1 https://amzn.to/3qy5Uv1

After crossing paths with an alien vessel, a mysterious woman materializes on the Enterprise, only to knock the entire crew unconscious. When everyone comes to, they are horrified to discover the body of Mr. Spock clinging to life in Sickbay after having his brain removed with remarkable surgical precision. With very little to go on except a faint ion trail, Captain Kirk pursues the would-be culprit across the galaxy to an unexplored star system, where he must choose between three possible planets to find Spock's brain and have it restored in time to save his life. After mounting a trailblazing letter-writing campaign to save "Star Trek" from cancellation, fans were duly rewarded (or punished?) for their efforts when "Spock's Brain" was chosen to launch the third season on September 20, 1968. Since then, it has gained the notorious reputation as being the worst "Star Trek" episode of all time. But is it really that bad? Is it worse than, say, "And the Children Shall Lead" or "The Way to Eden?" The fact is, "Spock's Brain" starts off strong and features a stellar score composed by Fred Steiner. It isn't until the third act that the proceedings take a ridiculous turn for the worst, but one thing's for sure: "Spock's Brain" is never dull, so for that reason alone, maybe it's not so bad after all. You can support Enterprise Incidents right here: https://anchor.fm/enterpriseincidents (Just think of it as a “Tip Jar”) You can follow Enterprise Incidents at: Facebook https://www.facebook.com/EnterpriseIncidents Twitter @enterincidents Instagram @enterpriseincidents Follow Scott Mantz @moviemantz on Twitter and Instagram Follow Steve Morris @srmorris on Twitter and srmorris1 on Instagram --- Support this podcast: https://anchor.fm/enterpriseincidents/support

Matthew Sweet marks the 40th anniversary re-release of 'Star Trek II: The Wrath Of Khan' with music for the film franchise by Jerry Goldsmith, James Horner and Michael Giacchino. The programme includes music from the movies 'Star Trek: Into Darkness', 'Star Trek: The Motion Picture', 'Star Trek II: The Wrath of Kahn' and 'Star Trek III: The Search for Spock'. And the Classic Score of the week is music by Fred Steiner from an early Star Trek TV episode 'Charlie X'.

As radio audiences left for TV, Elliott Lewis continued to champion radio as a stronger dramatic medium. On Thursday January 1st, 1953, he and wife Cathy, debuted a new dramatic anthology program over CBS. It was On Stage. On Stage was geared for adults, showcasing an eclectic array of scripts across multiple genres. To get the show off the ground, the Lewis' tabbed some of the best writers in radio, like E Jack Neuman. Stories would be rooted in powerful male-female situations, with two characters of equal strength being a main goal. They used a mix of classic and original tales, cutting across all dramatic disciplines with mysteries, adventures, melodramas, satires, and comedy. Cathy was the perfect female foil, not just because she was Elliott's wife, but because she was a superb actress. By then the west-coast's character actors were like a family. A frequent co-star was Byron Kane. Ray Noble, Fred Steiner, and Lud Gluskin's music beautifully fit the production. Ross Murray and Berne Surrey's sound patterns were exceptional. The March 10th, 1954 episode was called “The Crusade of Stanley Finston.” On Stage came at a bittersweet time in Cathy and Elliott lives. Even as CBS referred to them as Mr. and Mrs. radio, their marriage of ten years was in trouble. Cathy and Elliott divorced in 1958. Elliott would soon marry another noted actress Mary Jane Croft. For more information on Elliott Lewis' career, tune into Breaking Walls episode 113.

This week on Invest Africa Insights we speak to Fred Steiner, Managing Director, BCCM Advisors about why we have only seen the start of tech's potential in Africa, Egypt's rapid rise as a tech hub and his approach to investing in high-growth businesses. For more information about BCCM Advisors: https://bccmadvisors.com/ For more information about Invest Africa: www.investafrica.com

Nathan Van Cleave, The Twilight Zone's most prolific composer, finally gets a well-deserved spotlighting in this special installment of the podcast, made complete by an appearance by musician and friend of the program Carson Cohen. Enjoy!    Stream William Castle's Project X (1968) here: https://amzn.to/2SuPUg4    Watch 1959's Destination: Space here: https://www.youtube.com/watch?v=ED6Z_o1vupA    Read Dirk Wickenden's interview with Fred Steiner about Nathan Van Cleave here: https://bit.ly/3neaD35    The Twilight Zone is a trademark of CBS, Inc.  Between Light and Shadow: A Twilight Zone Podcast is a nonprofit podcast. Music clips and dialogue excerpts used herein are the property of their respective copyright owners; we claim no ownership of these materials. Their use is strictly for illustrative purposes and should be considered Fair Use as stated in the Copyright Act of 1976, 17 U.S.C. section 107.    

Iffn' you missed the fabulousness that is Wendy Waldman - tada! So what if it took years - this was the perfect moment. On the eve of the high holy day, two Jewish girls being of service, as Wendy put it. Happy New Year! This was indeed a joyous celebration of life and art. What a glorious sit down with the singer, songwriter, arranger, producer, recording artist, Grammy nominee, and multi-platinum-selling hitmaker. Our conversation ran the gamut from indigenous agriculture, early COVID, childhood influences, Taj Mahal, for one, Fred Steiner, her wildly successful composer father, early days in LA, waiting on line behind Jackson for her moment in the spotlight, getting an ovation, touring first as a solo, becoming We the youngest member of the Warner Bros. brain trust - a group of artists who were known for their innovative approaches to music. The pack included Maria Muldaur, Randy Newman, Ry Cooder, Captain Beefheart, forming Bryndle with Karla Bonoff, Andrew Gold, and Kenny Edwards. Opening for Linda Ronstadt, moving to Nashville in the early days, how Fishing in the Dark came to be, and then Wendy played it. The Nitty Gritty Dirt Band and Garth Brooks had huge hits with it, but there ain't nothing like hearing a song from its source. Passionate, generous, thoughtful Wendy, acknowledged and praised pretty much every artist who's crossed her path as a musician, songwriter, producer, human. She's about collaboration in all that she does, and it shows in her vast body of work. At my request, she sang her Wild Bird. Goosebumps. Wendy is one of those rare vocalists, like Laura Nyro (IMO), at the top of the top, who chills and thrills. And, she Saved The Best For Last, taking us out with her Grammy-nominated platinum hit for Vanessa Williams. Ain't nothing like the real thing- the source of the creation. I loved getting to know Wendy. Adore her even more now. I savored every second - thrilled to share this up close and personal with youes. Wendy Waldman Live on Game Changers with Vicki Abelson Wed, 9/15/21, 5 pm PT, 8 pm ET Streamed Live on my Facebook Replay here: https://bit.ly/3990QVh For all things Wendy:https://wendywaldman.com All BROADcasts, as podcasts, also available on iTunes apple.co/2dj8ld3 Stitcher bit.ly/2h3R1fla tunein bit.ly/2gGeItj Also on iHeartRadio, SoundCloud, Voox, OwlTail, Backtracks, PlayerFM, Himalaya, Podchaser, and Listen Notes Thanks to Rick Smolke of Quik Impressions, the best printers, printing, the best people people-ing. quikimpressions.com Nicole Venables of Ruby Begonia Hair Studio Beauty and Products, for tresses like the stars she coifs, and regular people, like me. I love my hair, and I love Nicole. http://www.rubybegoniahairstudio.com/ Blue Microphones and Kevin Walt

Take a trip back in time and behind the scenes of DC Comics in the 1970s, as Professor Xum Yukinori reads more of his favorite pieces from THE AMAZING WORLD OF DC COMICS, DC's self-published mail-order fan magazine. Originally recorded in 2018 by Xum Yukinori; edited in 2021 by Isamu Hideaki-Yukinori and Adrian Zet. CONTENTS: 0:00:00 – “Short Circuits” Reprise. Music composed by Jeremy Zuckerman and Benjamin Wynn, Mateo Pascual, Basil Poledouris, Hanu Khosla, Paleowolf, Pierre Langer, and Ike Yorihiro. 0:07:54 – “The Wrong Arm of the Law”. Music composed by Kevin MacLeod. 0:28:57 – Promo Break 1. 0:35:12 – “When Titans Clash – In Court”. Music composed by Fred Steiner. 1:13:25 – Promo Break 2. 1:20:38 – “Aging the All-Stars”. Music composed by Ike Yorihiro. Main show titles composed by Carl Johnson. Interstitial music composed by Carl Johnson and Steven Brandt. Images from this episode: http://fireandwaterpodcast.com/podcast/fwp_awodcc3-gallery/ Xum Yukinori (1963-2019) Please feel free to leave comments below Learn more (than you need to know) about XUM YUKINORI at http://xum-yukinori.blogspot.com Subscribe to FW PRESENTS on iTunes: https://itunes.apple.com/us/podcast/fw-presents/id1207382042 This podcast is a proud member of the FIRE AND WATER PODCAST NETWORK: Visit the Fire & Water WEBSITE: http://fireandwaterpodcast.com Follow Fire & Water on TWITTER – https://twitter.com/FWPodcasts Like our Fire & Water FACEBOOK page – https://www.facebook.com/FWPodcastNetwork Use our HASHTAG online: #FWPodcasts Thanks for listening!

Welcome to the Tales of the Legion Project where we discuss Legion of Super-Heroes material outside of the Baxter run. Chosen by the listeners, we discuss in this episode the 2011 IDW / DC Comics mini-series, Star Trek / Legion of Super-Heroes. Timestamps: (00:21) Preamble and contest winner announcement! (09:12) Star Trek / Legion of Super-Heroes synopsis, general thoughts, and cover talk (54:11) Main discussion (1:48:52) Exploring the Time Travelers Graveyard image (2:01:04) Wrap-up and outro Music intro/outro: “Mirror, Mirror” by Fred Steiner from Star Trek Please leave comments below, send your comments to longboxreview@gmail.com or peter@thedailyrios.com, or chat with us @longboxreview or @peterjrios on Twitter. Thanks for listening!

Welcome to another episode of our continuing series of film, TV and video game composer interviews on the CINEMATIC SOUND RADIO NETWORK. Today you get to hear from composer and conductor, Michael McGehee. Michael McGehee is the founder of New Discovery Recordings and conducts the Hollywood Studio Orchestra on these recordings. He earned his degree in Music Composition at the University of Alabama and completed his graduate studies in Film Scoring at the University of Southern California studying under Fred Steiner, Bruce Broughton, Buddy Baker, and David Raksin. He is also a graduate of Earle Hagen’s Film Scoring Workshop and has scored, recorded, and conducted original music for dozens of short films. He is the author of “The Click Track Book”, a technical manual for synchronizing film and music. In 2018 McGehee founded New Discovery Recordings with the mission of recording rare and unknown works by Bernard Herrmann. New Discovery Recordings releases freshly recorded orchestral suites each month at newdiscovery.bandcamp.com. These high-quality audio recordings include ten CRIME CLASSICS radio scores and previously unheard concert music like ANNABEL LEE and THE CITY OF BRASS just to name a few. In January 2021 for the CINEMATIC SOUND RADIO NETWORK, Jason Drury talked to Michael Mcgehee via Zoom at his home in Pasadena, California. During the interview, we talked about New Discovery Recordings, the project’s inception, and the importance of these new re-recordings of the radio music of Bernard Herrmann. During the show, you will also be hear some of these wonderful re-recordings performed by the Hollywood Studio Orchestra. Enjoy! —— Cinematic Sound Radio is fully licensed to play music by SOCAN. Check out our NEW Cinematic Sound Radio TeePublic Store! https://www.teepublic.com/stores/cinematic-sound-radio Cinematic Sound Radio Web: http://www.cinematicsound.net Twitter: http://www.twitter.com/cinsoundradio Facebook: http://www.facebook.com/cinematicsound Cinematic Sound Radio Fanfare and Theme by David Coscina https://soundcloud.com/user-970634922 Bumper voice artist: Tim Burden http://www.timburden.com

Mutlu's links - Music website - www.mutlusounds.comPodcast - www.carllandryrecordclub.com Spotify Playlist “Favorite TV Show Theme Songs” Link - https://spoti.fi/36MbS21Freddie1 - Park Avenue Beat (original perry mason theme song) - Fred Steiner (1957)2 - Peter Gunn - Henry Mancini (1958)3 - Meet The Flintstones - Hoyt Curtin, Joseph Barbera, and William Hanna (1961)Honorable Mention - Theme From Mission: Impossible - Lalo Schifrin (1967)Honorable Mention - Johnny's Theme (the tonight show) - Paul Anka, Johnny Carson (1962)Mutlu3 - Welcome Back (Theme from Welcome Back Kotter) - John Sebastian (1976)2 - Without Us (Theme from Family Ties) - Johnny Mathis & Deniece Williams (1978)1 - Sanford and Son Theme - Quincy Jones (1973)Honorable Mention - Believe It or Not (Theme from The Greatest American Hero) - Joey Scarbury (1981)Honorable Mention - Thank You for Being a Friend (Theme from The Golden Girls) - Andrew Gold (1978)Adam1 -(Theme from) The Monkees- The Monkees (1966)2 - Way Down in the Hole (Theme from the Wire)- Blind Boys of Alabama (2001)3 - Fresh Prince of Bel Air Theme- DJ Jazzy Jeff and the Fresh Prince (1992)Honorable Mention - Theme from The Simpsons- Danny Elfman (1989)Honorable Mention - Theme from The Munsters- Jack Marshall (1964)Brendan1 - Ren & Stimpy theme - Die Screaming Leiderhôsens (1991)2 - Breaking Bad - Dave Porter (2008)3 - The PJ's - George Clinton (1999)Honorable Mention - Rocko's Modern Life - The B-52's (1993)Honorable Mention - A Beautiful Mine - RJD2 (2006)Aaron1 - The Cosby Show Theme Song("Kiss Me" )- Bill Cosby & Stu Gardner2 - Treme Song - John Boutte3 - Reading Rainbow Theme Song - written by Steve Horelick, Dennis Neil Kleinman, and Janet WeirHonorable Mention - Muppet Show Theme Song written by Jim Henson and Sam PottleHonorable Mention - Won't You Be My Neighbor - written by Fred Rogers in 1967  

Perry Mason! This episode is chock full-o SPOILERS, so if you haven't watched S:1 (WTF), then skip this one. We have a Special and a Shorty this week too! Elaine was singing the praises of the original Fred Steiner's Perry Mason theme song from early on. The closer we got to the end of season 1, the more she heard the original theme under the end credit music. In the finale, there was no mistake about it. Steiner's theme was loud and clear under the Terence Blanchard end credits. Blanchard also composed music for a number of Spike Lee movies, including Da 5 Bloods, which we talked about in Episode 11, BlacKKKlansman, and Bamboozled. Check out the original theme f and the end music from the HBO series finale on our page. Steiner also worked on TV shows like Star Trek (TOS), The Twilight Zone (TOS), and Gunsmoke. His film credits include The Night of the Living Dead (1968), Star Wars: Episode VI - Return of the Jedi , and The Color Purple.Our S;2 predictions:Perry Mason (Matthew Rhys), Della Street (Juliet Rylance), and Paul Drake (Chris Chalk) will definitely be back (since they are all in place!!) and Pete Strickland (Shea Whigham) will be working for Hamilton Burger (Justin Kirk) who will move into the D.A, role. With Ennis is out of the way, Detective Holcomb (Eric Lange) may be back, and he may have it in for Paul Drake. D.A. Maynard Barnes is humiliated and pissed off af, but the last we heard from him, he still intended to run for mayor. So we might see the return of Stephen Root, although I think Travis would prefer he devote his time to Barry, and I hope he keeps showing up in Lincoln Project anti-Trump ads! Listen to this episode to hear us argue about the fate of Sister Alice (Tatiana Maslany.)Season 2 may be The Case of the Velvet Claws, the first of the Perry Mason novels by Erle Stanley Gardner and S6: E22 of the original series.

On today's program, Jason Drury interviews with one of film music’s most renowned mastering engineers, Chris Malone. His list of album projects includes BREAKFAST AT TIFFANY’S, CASINO ROYALE, TRUE GRIT, the 6 disc La La Land Records set of music from the TV Series MISSION: IMPOSSIBLE, THE TEN COMMANDMENTS for Intrada Records, the mammoth 15 disc set of music from STAR TREK: THE ORIGINAL SERIES and many more. In 2019 Chris Malone was part of the team who helped restore John Williams' score to THE TOWERING INFERNO to its former glory and also worked on the restorations of THE ITALIAN JOB by Qunicy Jones and Ron Goodwin’s score for MONTE CARLO OR BUST. In September 2019, for Cinematic Sound Radio, Jason Drury talked to Chris via Skype in Perth, Australia. In part two, Jason and Chris talk about more of Chris’s favourite projects, setting up his company, MALONE DIGITAL  and his working relationship with Quartet Records. Throughout this second part, you'll hear more music restored by Chris Malone, including works from Nelson Riddle, Burt Bacharach, Alexander Courage, Fred Steiner, Arthur B Rubinstein, George Dunning and John Barry. When you are done with the show please head over to www.malonedigital.com to discover more about Chris including his extensive articles, analyses and commentary of restoring classic film and tv music including a loving tribute to Eric Tomlinson and a details look back at the recording of the original STAR WARS TRILOGY which was recorded by Eric Tomlinson and performed by The London Symphony Orchestra. Enjoy! —— Cinematic Sound Radio Web: http://www.cinematicsound.net Twitter: http://www.twitter.com/cinsoundradio Facebook: http://www.facebook.com/cinematicsound Cinematic Sound Radio Fanfare and Theme by David Coscina https://soundcloud.com/user-970634922 Bumper voice artist: Tim Burden http://www.timburden.com

Repasamos la serie que marcó para muchos su iniciación al culto trekkie, justo cuando acaba de arrancar "ST: Picard", para de paso incrementar el disfrute y comprensión de esta última. Únete a nosotros en Telegram: t.me/marcianosenuntren Modera: Jose Ceballos Participan: Sergio Valencia y Carlos Arbelo Edición y música: Jose Ceballos Temas de: Jerry Goldsmith, Alexander Courage, Dennis McCarthy, Ron Jones y Fred Steiner

"Code of Honor."   Considered by many to be one of the worst episodes of Star Trek: The Next Generation, the first season episode "Code of Honor" portrays a planet of black people with many of the negative stereo types that have been associated with African culture on film and in literature. Fred Steiner, know to Star Trek fans as the composer of several original episodes, including "Charlie X," "What Are Little Girls Made Of?," "The Corbomite Maneuver," and "Balance of Terror," composed only one episode of The Next Generation. The score is filled with many familiar elements such as muted horns and stand up bass, however, the producers considered the music to be too "retro." In this episode of Melodic Treks, host Brandon-Shea Mutala is joined by trombonist Lance Laster to discuss the episode and the music of the episode "Code of Honor." We discuss racism, interpretations, muted trumpets and trombones, Fred Steiner, and weather or not this could be the score to a missing episode of TOS. Chapters Intro (00:00:00)  Welcome to Melodic Treks (00:01:01)  A Trombonist (00:02:43)  The Episode (00:11:10)  Fred Steiner (00:23:30)  The Music (00:27:18)  "Bronze Horse/To the Holodeck/Snatch Natasha" (00:29:09)  "Officer's Log/Competition" (00:35:21)  "Chez Lutan/Lutan's Honor/The Centerpiece/Yareena Upset/Combat Ready/Htching a Plan/Code of Honor Again" (00:38:28)  "Deadly Blow/She Lives/Poor Lutan/Mission Accomplished" (00:43:57)    Closing (00:51:53)   Host Brandon-Shea Mutala   Guest Lance Laster   Production Brandon-Shea Mutala (Editor and Producer) C Bryan Jones (Executive Producer) Matthew Rushing (Executive Producer) Ken Tripp (Executive Producer) Norman C. Lao (Associate Producer) Tony Robinson (Associate Producer) Stephen Boyd (Associate Producer) Bobby Tucker (Associate Producer) Richard Marquez (Production Manager) Tony Robinson (Show Art) Brandon-Shea Mutala (Patreon Manager)

In the second half of the episode, Luke Annand and George H. Sirois take a musical journey through the Star Trek franchise. From the Mirror Universe of Enterprise and the Original Series to the TOS films to both eras of The Next Generation to Vic's, to the Kelvin timeline and aboard the Discovery.Music Sampled in this Episode"Main Title (Aired Version)" by Jeff Russo from Star Trek: Discovery"First Contact" by Dennis McCartney from Star Trek: Enterprise"Mirror, Mirror" by Fred Steiner from Star Trek"Main Title" by James Horner from Star Trek III: The Search for Spock"Skin of Evil: Strange Readings from Vagra" by Ron Jones from Star Trek: The Next Generation"Overture" by Cliff Eidelman from Star Trek VI: The Undiscovered Country"Orchestral Suite from The Inner Light" by Jay Chattaway from Star Trek: The Next Generation"The Best is Yet to Come" by James Darren and Avery Brooks from Star Trek: Deep Space Nine"Labor of Love" by Michael Giacchino from Star Trek (09)"Sledgehammer" by Rihanna from Star Trek Beyond"The Ballad of Bilbo Baggins" by Leonard Nimoy

Remembering Harlan Ellison's "The City on the Edge of Forever."   Heralded by many as the greatest episode, not only of the original Star Trek, but the whole franchise, "The City on the Edge of Forever" was written by science-fiction legend Harlan Ellison. While Star Trek fans know him best for this episode, he is well know for writing books and episodes of many other shows including The Twilight Zone, The Outer Limits, The Alfred Hitchcock Hour, and many more. Harlan Ellison died at his home in Los Angeles in the morning of June 28, 2018  In this episode of Melodic Treks, host Brandon-Shea Mutala takes a look at the score to the episode that many fans consider to be the best episode of the original Star Trek. While this episode primarily used library cues recorded earlier in the season, composer Fred Steiner did write approximately ten minutes of music, not all of which was used. We play several tracks from the score, which is available in La La Land's 15 disc box set Star Trek: The Original Series Soundtrack Collection. Chapters Intro (00:00:00)  Welcome to Melodic Treks (00:01:07)  "New York, 1930" (00:03:24)  "Edith's Theme" (00:05:10)  "Goodnight Sweetheart (vocal)" (00:06:58)  "Edith's Death" (00:08:27)  "Edith Falls" (00:09:49)  Closing (00:13:09) All Music in this episode composed by Fred Steiner from the episode "The City on the Edge of Forever."   Host Brandon-Shea Mutala   Production Brandon-Shea Mutala (Editor and Producer) C Bryan Jones (Executive Producer) Matthew Rushing (Executive Producer) Ken Tripp (Executive Producer) Norman C. Lao (Associate Producer) Tony Robinson (Associate Producer) Bobby Tucker (Associate Producer) Stephen Boyd (Associate Producer) Richard Marquez (Production Manager) Tony Robinson (Show Art) Brandon-Shea Mutala (Patreon Manager)

On this week's episode of CINEMATIC SOUND RADIO we'll be listening to the film, TV and video game music of STAR TREK, which first aired on network TV on September 6, 1966. During this very special program you are going to hear two hours of new and old music from the various STAR TREK films, TV series and video games.First up you're going to hear brand new music by Michael Giacchino from the third film in the rebooted STAR TREK film franchise, STAR TREK BEYOND.Our weekly video game selection comes from Chad Seiter's 2013 score to STAR TREK THE GAME.Our film music vault selection will be music from the two-part STAR TREK THE NEXT GENERATION episode called THE BEST OF BOTH WORLDS featuring music by Ron Jones.We will have four re-recordings for you starting with music from Fred Steiner's score to the classic STAR TREK episode MIRROR, MIRROR. You also hear a new recording Jerry Goldsmith's "The Enterprise" from STAR TREK: THE MOTION PICTURE. And you'll hear two recordings from album called SYMPHONIC STAR TREK featuring music from STAR TREK VI: THE UNDISCOVERED COUNTRY by Cliff Eidelman and STAR TREK GENERATIONS by Dennis McCarthy.I'll be featuring individual selections from Jerry Goldsmith's START TREK INSURRECTION and James Horner's STAR TREK III: THE SEARCH FOR SPOCK.And you'll hear a suite from Jerry Goldsmith's last STAR TREK score to STAR TREK NEMESIS. Cinematic Sound Radio http://www.cinematicsound.net WROCK Radio http://www.wrockradio.com Cinematic Sound Radio Fanfare and Theme by David Coscina https://soundcloud.com/user-970634922 Bumper voice artist: Tim Burden http://www.timburden.com Also available through Podtyrant http://www.podtyrant.com

Una nueva edición de Perdidos En El Eter, está vez viajando a donde nadie ha ido jamás. O capaz que alguno si. ¡Comenzamos nuestra celebración del 50º Aniversario de Star Trek! MaGnUs y nuestro nuevo columnista invitado, el argentino Mael Morholt nos llevan detras de cámaras para empeza a conocer a la gente que hizo posible que esta saga sea lo que es, pero que no siempre son mencionados. En esta primera entrega, hablamos sobre algunos de los compositores musicales de la serie original. Con musica de Alexander Courage (con Loulie Jean Norman), Spizzenergi, Gerald Fried, y Fred Steiner. Proximo programa: "Terrorismo Blanco Masculino", una Mesa Nerdonda sobre el ambiente hostil y cargado de situaciones de abuso (psicológico y de otros tipos) que enfrentan las mujeres en hobbies como los juegos de mesa, de rol, y otros.

John Champion discusses his podcast's ambitious goal of analyzing every episode of every incarnation of Star Trek.

Encounter at Farpoint. When Star Trek returned to television on September 28, 1987, no one knew for sure if this experiment was going to work. Could you really capture lightning in a bottle twice? While the ship still carried the same name, the cast was completely different—and the actors relatively unknown. What's more, the show was syndicated. That doesn't seem like a big deal now, but at the time it was unusual and not known as a recipe for success. In this episode of The Ready Room hosts Christopher Jones and Greg Harbin discuss "Encounter at Farpoint," which turned out to be the seed for all but 86 of the episodes and films in the world's most expansive science fiction franchise.  In our news segment we wish a happy birthday to J.J. Abrams, say our farewells to composer Fred Steiner, tune in to Michael Giacchino as he talks to Collider about scoring Star Trek, find out what Simon Pegg has to say about Star Trek and Mission Impossible: Ghost Protocol, find out more about the new Abramsverse comic series as The Comic Book Resources interviews IDW Chief Creative Officer Chris Ryall, turn the pages of a new Star Trek Trivia Book, and discuss the trailer of William Shatner's new documentary "The Captains."