Podcast appearances and mentions of Jay Chattaway

The 1990s were a weird and often really interesting time for the slasher film genre. Join Lee as he navigates the often even weirder soundtracks and scores of those films in the first of a 3-part series. --He's Invisible from "The Invisible Maniac" (1990) --Dan Povenmire --Maniac Cop Rap from "Maniac Cop 2" (1990) --Jay Chattaway, Wayne Lammers and Peter Levin --I'll be Right There from "Prom Night 3: The last Kiss" (1990) --Paul Zaza --She's Gonna Freak You from "Prom Night 3: The Last Kiss" (1990) --Maestro Fresh-Wes --Women are Like That & Room at the Bottom from "Hard to Die" (1990) --Mr. Moderation --Main Theme from "Hard to Die" (1990) --Chuck Cirino --Opening Credits from "Slumber Party Massacre III" (1990) --Louis Chalif --Video Game Suite from "Freddy's Dead: The Final Nightmare" (1991) --Brian May --Virgin Girl from "Shock 'Em Dead" (1991) --Mark Freed & Robert Decker --Pocomania Day from "Popcorn" (1991) --Lovindeer & Chalice --Scary Scary Movies from "Popcorn" (1991) --Ossie D. and Stevie G. --Doctor, Heal Thyself from "Dr. Giggles" (1992) --Brian May --Happy Hell Night from "Happy Hell Night" (1992) --Slush Puppies --It Was Always You, Helen from "Candyman" (1992) --Phillip Glass --Main Titles from "Leprechaun" (1993) --Kevin Kiner --End Titles from "Jason Goes to Hell: The Final Friday" (1993) --Harry Manfredini --Talkin 'bout Aaargh from "Psycho Cop Returns" (1993) --Keep Left Opening and closing music: Theme from Slaughter from "Slaughter" by Billy Preston, and Too Risky a Day for a Regatta from "Tentacles" by Stelvio Cipriani.

Bienvenue dans cette épopée se situant dans l'univers de STAR TREK. Il s'agit de sessions d'une campagne jeu de rôle transformé (autant que possible) en série audio. Située temporellement quelque part pendant la saison 2 de la série Star Trek : Deep Space 9, cette histoire conçue par Marutan se déclinera en 12 podcasts.Résumé de l'épisode précédent : Le lt Guigui de Starfleet, le ferengi Breel et deux membres du maquis que sont la vulcaine Nirel et la Betazoide Ume, réussissent à échapper de justesse à la destruction de la station Deep Space 7. Ce groupe constitué par les évènements va se retrouver projeté dans le passé, quelques temps seulement avant l'explosion. Qui est derrière tout ça et surtout, que s'est-il passé ?Parmi les joueuses et joueur, vous pourrez retrouver Yasmine dans le rôle de la vulcaine Nirel, Marie-Paule dans le rôle de la bétazoid Ume, Ceel dans le rôle de Breele et Guigui dans son propre rôle.Musique : OST de Star Trek Deep Space 9 (Dennis McCarthy, Jay Chattaway, David Bell, Paul Baillargeoon & Gregory Smith)1-03 The Storyteller / Quaker Odo1-03 The Storyteller / The Big Wrap U1-08 The Circle / Orbosity1-11 Crossover / O'Brien Joins in Esc2-01 Main Title (Seasons 4-7)2-02 The Search, Part 1 / Recap2-11 By Inferno's Light / Armageddon3-02 Mysterious Visitor3-03 Progress / Yamok SauceBruitages officiels de STAR TREK (copyright Paramount), issus de la sonothèque.org et création de Guigui.Hébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

Bienvenue dans cette épopée se situant dans l'univers de STAR TREK. Il s'agit de sessions d'une campagne jeu de rôle transformé (autant que possible) en série audio. Située temporellement quelque part pendant la saison 2 de la série Star Trek : Deep Space 9, cette histoire conçue par Marutan se déclinera en environ 10 podcasts. Parmi les joueuses et joueur, vous pourrez retrouver Yasmine dans le rôle de la vulcaine Nirel, Marie-Paule dans le rôle de la bétazoid Humme, Ceel dans le rôle de Breele et Guigui dans son propre rôle.Le système de ce jeu de rôle est basé sur celui d'Aria qui est basé sur celui de C'thulu. Les personnages des joueurs et joueuses ont des compétences allant de 1 à 99% et si le jet de dés est inférieur au chiffre de la capacité, l'action est validée. Entre 01 et 10 il s'agira d'un critique bénéfique et entre 91 et 100, c'est un critique négatif. Musique : OST de Star Trek Deep Space 9 (Dennis McCarthy, Jay Chattaway, David Bell, Paul Baillargeoon & Gregory Smith)1-03 The Storyteller / Quaker Odo1-03 The Storyteller / The Big Wrap U1-08 The Circle / Orbosity1-11 Crossover / O'Brien Joins in Esc2-01 Main Title (Seasons 4-7)2-02 The Search, Part 1 / Recap2-11 By Inferno's Light / Armageddon3-02 Mysterious Visitor3-03 Progress / Yamok SauceBruitages officiels de STAR TREK (copyright Paramount), issus de la sonothèque.org et création de Guigui.Hébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

THIS VOYAGE, the Treksperts, MARK A. ALTMAN (author, The Fifty Year Mission, writer/producer, Pandora, Agent X, The Librarians, writer/producer Free Enterprise), DAREN DOCHTERMAN (associate producer, Star Trek: The Motion Picture) and ASHLEY E. MILLER (showrunner; DOTA: Dragon's Blood, writer, X-Men: First Class, Thor) turn the baton over to "The Music Of Star Trek" author JEFF BOND who moderates a conversation about contemporary STAR TREK music with JAY CHATTAWAY (The Next Generation, Enterprise), JEFF RUSSO (Discovery) and NAMI MELUMAD (Strange New Worlds) at the 2024 STLV convention. **TREKSPERTS+ SUBSCRIBERS NOW GET COMMERCIAL FREE EPISODES ONE WEEK EARLY! SUBSCRIBE TODAY AT TREKSPERTSPLUS.COM****Join us on our new INGLORIOUS TREKSPERTS DISCORD Channel at: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://discord.gg/7kgmJSExeh⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Rate and follow us on social media at:BluSky: @inglorioustrekspertsTwitter: @inglorioustrekFacebook: facebook.com/inglorioustrekspertsInstagram: @inglorioustrekspertsLearn all that is learnable about Star Trek in Mark A. Altman & Edward Gross' THE FIFTY-YEAR MISSION, available in hardcover, paperback, digital and audio from St. Maritn's Press. Follow Inglorious Treksperts at @inglorioustrek on Twitter, Facebook and at @inglorioustreksperts on Instagram and BluSky. And now follow the Treksperts Briefing Room at @trekspertsBR, an entirely separate Twitter & Instagram feed."Mark A. Altman is the world's foremost Trekspert" - Los Angeles Times

Scored to Death Radio is back with another brand-new episode celebrating the music of werewolves and werewolf movies! Host J. Blake Fichera guides listeners through a curated playlist highlighting scores from 1941-2025 and featuring music from composers Hans Salter, Danny Elfman, Benjamin Wallfisch, Jay Chattaway, Pino Donaggio, Ennio Morricone, Elmer Bernstein, and much more. —— Special thanks to our Patreon supporters: Matt DeWater, David Ballantyne, Joe Wiles, Maxime, William Welch, Tim Burden, Alan Rogers, Dave Williams, Max Hamulyák, Jeffrey Graebner, Don Mase, Victor Field, Jochen Stolz, Emily Mason, Eric Skroch, Alexander Schiebel, Alphonse Brown, John Link, Andreas Wennmyr, Matt Berretta, Eldaly Morningstar, Jim Wilson, Glenn McDorman, Chris Malone, Steve Karpicz, Deniz Çağlar, Brent Osterberg, Jérôme Flick, Sarah Brouns, Aaron Collins, Randall Derchan, Angela Rabatin, Michael Poteet, Larry Reese, Thomas Tinneny, William Burke, Rudy Amaya, Stacy Livitsanis, Rick Laird, Carl Wonders, Nathan Blumenfeld, Lee Wileman, Daniel Herrin, Scott Bordelon, James Alexander, Brett French, Ian Clark, Ron, Andy Gray, Joel Nichols, Steve Daniel, Corey O'Brien —— Cinematic Sound Radio is fully licensed to play music by SOCAN. Support us on Patreon https://www.patreon.com/cinematicsoundradio Check out our NEW Cinematic Sound Radio TeePublic Store! https://www.teepublic.com/stores/cinematic-sound-radio Cinematic Sound Radio Web: http://www.cinematicsound.net Twitter: http://www.twitter.com/cinsoundradio Facebook: http://www.facebook.com/cinematicsound Cinematic Sound Radio Fanfare and Theme by David Coscina https://soundcloud.com/user-970634922 Bumper voice artist: Tim Burden http://www.timburden.com

Nos saltamos las fronteras estilísticas establecidas para ofrecerte, de nuevo en viernes 13, una segunda entrega dedicada a las bandas sonoras del cine de terror.Playlist;(sintonía) WENDY CARLOS y RACHEL ELKIND “Title Music from A Clockwork Orange” (La naranja mecánica (A Clockwork Orange), 1972)WENDY CARLOS y RACHEL ELKIND “Main title “The Shining”” (El resplandor (The Shining), 1980)KRZYSZTOF PENDERECKI “Urenja Ewangelia” (El resplandor (The Shining), 1980)JOHN CARPENTER “Season of the witch” (Halloween III; Season of the witch, 1982)PHILIP GLASS “Helen theme” (Candyman, 1992)ENNIO MORRICONE “Regan’s theme” (El Exorcista II; El Hereje (The Exorcist II; The Heretic, 1977)JERRY GOLDSMITH “Main title” (La maldición de Damien (Damien; Omen II), 1978)PAUL GIOVANNI and MAGNET feat ANNIE ROSE “Willow’s song” (El hombre de mimbre (The Wicker Man), 1973)FABIO FRIZZI “Voci dal Nula (The Beyond Theme)” (El más allá (E tu vivrai nel terrore! L'aldilà), 1981)FRED MYROW y MALCOLM SEAGRAVE “Phantasma main title” (Phantasma, 1979)JAY CHATTAWAY “Maniac's Theme” (Maniaco (Maniac), 1981)CLAUDIO SIMONETTI, MASSIMO MORANTE y FABIO PIGNATELLI “Tenebre” (Tenebrae), 1982)TORU TAKEMITSU “Biwa Uta” (El más allá (Kwaidan), 1965Escuchar audio

CITR's 24 Hours of Radio Art in a snack-sized format. Dark Ambient. Drone. Field Recordings. Noise. Sound Art. Or something. This Friday night's broadcast features primarily dark, yet allergy-friendly Hallowe'en snacks courtesy of Antonio Murga, Art Noir, Jay Chattaway (Stephen King's ‘Silver Bullet‘ OST), Capricorni Pneumatici, Die Sonne Satans, Crypthios, These Liminal Days, Ministry's Crespan©-approved “Hallowe'en 2024” remix, and Leila Abdul-Rauf's latest ‘Calls From A Seething Edge‘.

Cordell returns with bigger action, bigger set pieces and more kills! What do you think of him hanging out with another killer? Do you like the bigger version of it all? Would you like to have a Cop-E-Cat?And please do click through to hear Jay Chattaway's "Maniac Cop" rap.

Lee is joined this episode by his friend Matt from the Movie Melt Podcast to have a fun talk about the William Lustig-directed "Maniac" (1980), written by and starring the amazing (and very sweaty) Joe Spinell, and co-starring the beautiful Caroline Munro. The film being Spinell's passion project; porn star casting; sleazy New York; the 2012 remake; and exploding heads are just a few of the things brought up in the conversation. The hosts also talk about what they've watched recently and respond to listener comments. Join us, won't you? We're goin' to a showdown. Put on something nice, just in case you die! Check out Matt's great podcast, Movie Melt! "Maniac" IMDB  Featured Music: "Maniac's Theme (Main Titles)" by Jay Chattaway & "Goin' to a Showdown" by Don Armando's Second Avenue Rhumba Band.

Behind the Music of Star Trek with Lukas Kendall Lukas Kendall is a producer responsible for bringing the orchestral scores of "Star Trek" shows and films into your home.  Lukas discusses how he got into music, selling, and licensing Star Trek scores, his magazine "Film Score Month," some of his favorite melodies across the shows and films, and the history of many of them, including the tumultuous score for "Star Trek: The Motion Picture" and stories about Alexander Courage, James Horner, Jay Chattaway, Basil Poledouris and his unique Star Trek connection, Elliot Goldenthal, and Jerry Goldsmith. Visit lukaskendall.com for more info and his blog!  Please subscribe to our brand new YouTube channel: www.youtube.com/@trekuntold . There you will see all the old episodes of this show, as well as new episodes and all of our other content, including shorts and some other fun things planned for the future. Visit my Amazon shop to check out tons of Trek products and other things I enjoy - https://www.amazon.com/shop/thefightnerd View the Teespring store for Trek Untold gear & apparel - https://my-store-9204078.creator-spring.com Support Trek Untold by becoming a Patreon at Patreon.com/TrekUntold. Don't forget to subscribe to the podcast and leave a rating if you like us! Follow Trek Untold on Social Media Instagram: http://www.instagram.com/trekuntoldTwitter: https://www.twitter.com/trekuntoldFacebook: https://www.facebook.com/trekuntold Follow Nerd News Today on Social Media Twitter:  Twitter.com/NerdNews2Day Instagram: Instagram.com/NerdNewsToday Facebook: Facebook.com/NerdNewsToday Trek Untold is sponsored by Treksphere.com, powered by the RAGE Works Podcast Network, and affiliated with Nerd News Today.   The views expressed on air during Trek Untold do not represent the views of the RAGE Works staff, partners, or affiliates. 

Lukas Kendall is a producer responsible for bringing the orchestral scores of "Star Trek" shows and films into your home.  Lukas discusses how he got into music, selling, and licensing Star Trek scores, his magazine "Film Score Month," some of his favorite melodies across the shows and films, and the history of many of them, including the tumultuous score for "Star Trek: The Motion Picture" and stories about Alexander Courage, James Horner, Jay Chattaway, Basil Poledouris and his unique Star Trek connection, Elliot Goldenthal, and Jerry Goldsmith. Visit lukaskendall.com for more info and his blog!  Please subscribe to our brand new YouTube channel: www.youtube.com/@trekuntold . There you will see all the old episodes of this show, as well as new episodes and all of our other content, including shorts and some other fun things planned for the future. Visit my Amazon shop to check out tons of Trek products and other things I enjoy - https://www.amazon.com/shop/thefightnerd View the Teespring store for Trek Untold gear & apparel - https://my-store-9204078.creator-spring.com Support Trek Untold by becoming a Patreon at Patreon.com/TrekUntold. Don't forget to subscribe to the podcast and leave a rating if you like us! Follow Trek Untold on Social Media Instagram: http://www.instagram.com/trekuntoldTwitter: https://www.twitter.com/trekuntoldFacebook: https://www.facebook.com/trekuntold Follow Nerd News Today on Social Media Twitter: Twitter.com/NerdNews2DayInstagram: Instagram.com/NerdNewsTodayFacebook: Facebook.com/NerdNewsToday Trek Untold is sponsored by Treksphere.com, powered by the RAGE Works Podcast Network, and affiliated with Nerd News Today.

From the Ki Ki Ki's to the Dance Macabres, scores have been an essential part of the horror landscape since the days of Nosferatu. So why is the composer so often overlooked when we share our love for these classics? On this episode we welcome to the show author and podcast host J. Blake Fichera, here to talk about his new book Scored To Death 2, his second round of interviews with the Masters Of Scorror (We're sorry, Blake). In a lovely chat, we pick his brain on the scores that influenced both him and Hollywood, the role of the score in all genres of filmmaking, and his desire to spotlight composers big and small, with everyone from John Carpenter to Jay Chattaway.Insert your CD of Haunted House sounds and listen here! Get 20% OFF @manscaped + Free Shipping with promo code BOXOFFICEPULP at MANSCAPED.com!Facebook: https://www.facebook.com/BoxOfficePulpPodcast/Twitter: https://twitter.com/BoxOfficePulpApple Podcasts: https://itunes.apple.com/us/podcast/box-office-pulp/id577338641Amazon Podcasts: https://music.amazon.com/podcasts/7c11ff8b-2875-454d-8770-8b1d36d04b52Spotify: https://open.spotify.com/show/534ZPRmDoZzNs5GtiAhOEcStitcher: http://www.stitcher.com/s?fid=37192&refid=stpr

Our next Mixtape comes from Nanook of the North, the duo of composer and violinist Stefan Wesołowski and electronic producer Piotr Kalińsk, with a small introduction to their music and the music of their friends. Taking the name of a 1922 American silent film that follows the struggles of the Inuk man named Nanook and his family in the Canadian Arctic, the two Polish musicians merge compositional roles blending as seamlessly as their use of acoustic and electronic sounds, with Stefan playing the violin and piano parts with additional synth touches and Piotr taking care of electronics, more synths and the final mix. Their first album, with an eponymous name (published by Denovali), arrived after the pair were invited by the Sopot Film Festival in Gdansk to perform an improvised score to a film screening; they the classic silent movie ‘Nanook of the North and travelled to Iceland to record the album. Despite the icy expansive isolation captured from the movie, the album is also transferrable in scenario and evocation, equally omitting the dangerous allure of dystopian cityscapes or even the 80s sci-fi horror menace of Maurice Jarre, Howare Shore and Jay Chattaway. Nanook of the North are now back with their second album Heide (Denovali, 2022). Their new material is a raw and minimalist sonic landscape, practically devoid of percussive elements but featuring vocals by an acclaimed mezzo-soprano Margarita Slepakova. As with the debut, the music on "Heide" is rooted in nature and its primordiality. The title of the album alludes to wildness and untamedness. The material was recorded last winter in a village in the middle of forests in northern Poland, which is clearly felt in the atmosphere of the 9 new tracks on "Heide". The mix they have prepared is aimed to be an introduction to their craft and the music of our friends and collaborators from other projects - such as Jacaszek or Olga Markowska (also the author of the cover of Heide). 100% Polish music. Including "Hinode Tapes #05" (the second song), which was recorded by Piort's new improvising trio Hinode Tapes (released on August 26 by Instant Classic), a great and very inspiring Krakow label.

John Bleasdale talks to J Blake Fichera author of Scored to Death and Scored to Death 2, available here.Scored to Death collects 14 info-packed, terrifyingly entertaining interviews with renowned film composers who have provided music for some of the horror genre's greatest films and franchises, including Halloween, A Nightmare on Elm Street, Friday the 13th, Hellraiser, Maniac, The Fog, Prince of Darkness, Cujo,Dawn of the Dead, Deep Red, Suspiria, Santa Sangre, Zombie, The Beyond, Insidious, The Conjuring, Hostel, The Strangers, House of the Devil, and many more!​Interviewed are director-composer John Carpenter; sound designer-composer Alan Howarth; Italian composers and members of the band Goblin (known for their scores for Dario Argento films) Claudio Simonetti and Maurizio Guarini; Hollywood composers Christopher Young, Tom Hajdu (of the composing team tomandandy), Charles Bernstein, Jay Chattaway, and Nathan Barr; as well as horror notables Fabio Frizzi, Simon Boswell, Joseph Bishara, Jeff Grace, and Harry Manfredini.Support this show http://supporter.acast.com/writers-on-film. Hosted on Acast. See acast.com/privacy for more information.

Here's a special bonus episode for y'all – a wonderfully frank discussion with Jonathan Hertzberg, founder of boutique repertory film label Fun City Editions (and its self-proclaimed one-man-show). Two of the films he helped re-release were screened at the Trylon in January 2022: WALKING THE EDGE (1983) and RADIO ON (1979). With Jonathan, we dive into the freedom of running his own label after working in Kino Lorber's theatrical distribution, what it takes to sell a movie nobody's ever heard of, and the comfort of knowing there's always an audience for something. - Pre-order Fun City Editions's January 2022 release, a 2K Blu-ray restoration of Lynn Ramsay's MORVERN CALLAR (2002), here: https://vinegarsyndrome.com/collections/frontpage-partner-labels/products/morvern-callar-fun-city-editions - Learn more about Fun City Editions and browse the catalog on their website: https://www.funcityeditions.com/ - Shop Fun City Editions releases and merch through Vinegar Syndrome: https://vinegarsyndrome.com/collections/fun-city-editions - Follow Fun City Editions on Twitter at https://twitter.com/FunCityEdition Special thanks to John Moret, film programmer at the Trylon Cinema, for connecting us with Jonathan. Follow us on Twitter at https://twitter.com/trylovepodcast and email us at trylovepodcast@gmail.com to get in touch! Buy tickets and support the Trylon at https://www.trylon.org/. Theme: "Raindrops" by Huma-Huma/"No Smoking" PSA by John Waters. Outro music: "Opening Credits Music” from the WALKING THE EDGE soundtrack by Jay Chattaway. Timestamps 0:00 - Episode 155: Building a Boutique Film Label with Jonathan Hertzberg of Fun City Editions 4:56 - Fun City's connections to the Trylon 6:20 - The learning curve from Kino to one-man show 8:53 - How you build film distribution relationships 11:10 - Bringing MORVERN CALLAR (2002) back to life 16:54 - The freedom of having your own niche 20:08 - How do you know a Fun City Editions film? 26:34 - Fun City's white whale 31:50 - The right pace of releases for Fun City 35:53 - Finding an audience for older, lesser-known films 41:13 - Building branding & loyalty 47:48 - Sourcing new art for disc packaging 51:10 - How to reach younger audiences 57:46 - A little bit about WALKING THE EDGE (1985) 1:00:35 - Plugs & goodbyes

ANOTHER PONFAR EPISODE?! You betcha! This time it's Vorik that goes though it and he does not handle it well. Join the Holobois as they create new rules for Paresis Squares, realize that Vorik is a Vulcan Incel and massively under weigh Jay Chattaway all while they make their... TREK TO THE HOLODECK! Hosted by Darius Hamilton-Smith, Dylan Hamilton-Smith and Jan Lefrancois-Gijzen Computer Voice provided by Verona Blue Music by "b o d y l i n e" available on Bandcamp

In this episode: We meet Jay Chattaway, an Emmy award-winning composer who has been nominated nine times for his work in television, particularly for the hit Star Trek series. In addition to his television work, Jay has composed scores for more than 30 feature films.   Chattaway is also the producer of many Grammy-winning music projects, working with artists such as Carly Simon, Bob James, Maynard Ferguson, Gato Barbieri, David Byrne of The Talking Heads, The Fania All-Stars , Herb Alpert, and the von Trapp Children. He has served as Director of A&R for CBS records, has been the president of the Society of Composers and Lyricists, and governor of the Academy of Television Arts and Sciences. Jay is also in demand as a conductor, having recently conducted the London Philharmonic at Royal Albert Hall.   Jay has both bachelor's and master's degrees from West Virginia University and post-graduate studies at The Eastman School of Music. Jay serves as Distinguished Composer-in-Residence at West Virginia University and received an Honorary Doctorate there in May 2019.   In this episode, Jay discusses the first instrument that he picked up and how it led him to a career in music, the musical artists that influenced him and his work, how music adds to storytelling, how he pairs music with a scripted scene, the processes and interactions he has with the director and writers for the show, and more.   Recalling how he initially got the job doing music for Star Trek: The Next Generation, Chattaway says, “So then they sent my whale orchestra on to the producers of Star Trek and they thought, ‘Wow, this guy's out there, so I'm guessing if he's that far out — doing whales in his orchestra — he might be the right guy to do Star Trek.'”   Introductory and closing music: Paint the Sky by Hans Atom © Copyright 2015, licensed under a Creative Commons Attribution (3.0) license. http://dig.ccmixter.org/files/hansatom/50718 Ft: Miss Judged

En 1979 Mongo Santamaría venía de grabar el álbum Red Hot, producido por Jay Chattaway y plagado de estrellas con el sello Columbia, que estaba haciendo a su vez colaboraciones con Fania Records en diferentes producciones. O sea, en el fondo fue también un trabajo para Fania, dueña de Vaya Records con el que había ganado un Premio Grammy dos años atrás. Y no se trató de una licencia para grabar con otra compañía. A finales de ese año 79 Mongo grabó Images, que salió publicado al año siguiente y que marcó un punto de inflexión en su carrera. De ese disco hablaremos hoy en La Hora Faniática.

Kalm met Klassiek is jouw dagelijkse dosis klassieke ontspanning. We zijn er allemaal mee opgegroeid, en het is een grote bron van ontspanning: de televisie. Lekker op de bank zitten na een lange dag werken, zappen, filmpjes kijken, je verliezen in een spannende serie. En dat laatste is precies wat Ab en jij deze week ook gaan doen. Je verliezen in spannende series en de bijbehorende fantastische muziek. Ab begint de week met een trip down memory lane. Een sterrenschip, planeten, buitenaardse wezens: 'Set Course for Home' van de componist Jay Chattaway transporteert je rechtstreeks naar de wereld van 'Star Trek: Voyager'! Geniet ervan en droom weg.

Welcome back, everyone! In this episode of the podcast, I am charting the musical journey of the popular TV series, STAR TREK: THE NEXT GENERATION, which ran from 1987 to 1994. THE NEXT GENERATION, or TNG, was a syndicated sequel series to the beloved original STAR TREK series, the first spin-off in what is now a long-running media franchise. Personally, it happens to be my favorite TV series, it's what made me into a Star Trek fan and features some of my favorite music for television.    The three primary composers on TNG were Dennis McCarthy, Ron Jones and Jay Chattaway. My aim, as with other installments in my "Listening To..." episodes, is to identify the hallmarks of the show's overall musical style, where each composer's sound represented this and differed and how the music evolved during its 7-year run.    Stay safe out there, take care of yourself and each other!    Connect with the podcast on Facebook and Twitter: www.facebook.com/ascoretosettle https://twitter.com/score2settlepod   Email the show at ascoretosettlepodcast@gmail.com       

Join A Strange New Pod on this symphonic journey through all of Trek and time. That's right, it's the music episode!From Enterprise to Picard, the ASNP crew cover all the important music and themes of decades worth of Star Trek.The crew also welcomes a very special guest to the show, Star Trek Discovery and Picard composer, Jeff Russo, as he talks about scoring Trek's two newest shows, conducting an orchestra during a pandemic, and so much more.Plus, Mike Garcia from Star Trek Discovery Pod on this very special edition of A Strange New Pod.Credits:"Where My Heart Will Take Me" - Written by Rod Stewart"Archer's Theme" - Dennis McCarthy"Discovery Main Title" - Jeff Russo"Star Trek Main Title"/"Arena" - Alexander Courage"TNG/Voyager Main Title/Remus" - Jerry Goldsmith"Inner Light/DS9 Theme" - Jay Chattaway"Borg Attack" - Ron JonesVarious Tracks from the Kelvin Trilogy - Michael GiacchinoSupport the show (https://www.patreon.com/astrangenewpod)

[VOTE FOR WHAT YEAR WE COVER IN 2021: https://www.surveymonkey.com/r/HPLW5SX] Chuck Norris is an action hero that both of us aren't that familiar with. We've heard a lot about him but never seen one of his films. This week, we changed that! It's Missing in Action, released November 16th in 1984. It's a war movie about sneaking around and slowly setting up explosives. Follow the show! Facebook: https://fb.me/oldiebutagoodiepod Omny: https://omny.fm/shows/oldie-but-a-goodie YouTube: https://www.youtube.com/channel/UCjfdXHxK_rIUsOEoFSx-hGA Songs from 1984 Playlist: https://open.spotify.com/playlist/39v1MbWf849XD8aau0yA52 Got feedback? Send us an email at oldiebutagoodiepod@gmail.com Follow the hosts! Sandro Falce - Instagram: https://www.instagram.com/sandrofalce/ - Twitter: https://twitter.com/sandrofalce - Letterboxd: https://letterboxd.com/SandroFalce/ - Nerd-Out Podcast: https://omny.fm/shows/nerdout  Zach Adams - Instagram: https://www.instagram.com/zach4dams/ Donations: https://paypal.me/oldiebutagoodiepod Please do not feel like you have to contribute anything but any donations are greatly appreciated! See omnystudio.com/listener for privacy information.

Cinquième épisode cette fois-ci consacré au monument cradingue signé William Lustig et qui répond au doux nom de Maniac.Cette vérif est basée sur le fantastique coffret édité il y a peu de temps par Le Chat qui Fume.Un coffret de toute beauté qui en fait un "must have" pour tout fan d'horreur et du film de Lustig.On y parle un peu de la carrière de Bill Lustig, de celle de son acteur vedette Joe Spinell et des meurtres sanglants orchestrés de main de maître par Tom Savini.Pour nous accompagner, le thème glauque du film signé par celui qui deviendra le compositeur attitré de Lustig, Jay Chattaway.------------------------------------------------Pour ceux et celles qui kiffent nous écouter, n'hésitez pas à liker, partager sur vos plateformes d'écoutes habituelles.Vous pouvez venir aussi nous faire un petit coucou sur notre Facebook, notre Instagram et notre twitter, vous verrez on y est bien !https://www.facebook.com/7emedimension/https://www.instagram.com/sep7iemedimension/https://twitter.com/7emedimensionHébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

Nos adentramos de nuevo en el Universo Star Trek desmenuzando lo mejor de las tres series que derivaron, en algún caso, de la Nueva generación. Nos referimos a Deep Space 9, Voyager y Enterprise Modera: Jose Ceballos Intervienen: Carlos Arbelo y Sergio Valencia Temas de: Jerry Goldsmith, Dennis McCarthy, Jay Chattaway y David Bell

Tras repasar las 5 series clásicas, ahora nos disponemos a elegir a la mejor tripulación de Star Trek entre las 5 series analizadas. ¿Cual es tu elección? ¿Podrá Kirk descamisado ganar a un Picard elegantemente uniformado? ¡Déjanos un comentario! Intervienen: Carlos Arbelo y Sergio Valencia Edita: Auténtico Diego Heble Temas de; Temas de: Jerry Goldsmith, Dennis McCarthy, Jay Chattaway y David Bell

Wow. This was a fantastic episode. Bringing back Riker and Troi wasn't just a nostalgia stunt. These character were very well used to fantastic effect. This is a beautiful character episode that adds more depth to Riker and Troi's characters than was done by any of the TNG movies. This episode is packed with scene after scene that makes you feel a variety of emotions. Let's dig in and geek out over this wonderful piece of television. ----more---- This is episode 17 of the podcast. Today, we’re talking about Star Trek Picard episode 7 - Nepenthe.  I’m away at Ulverstone in North-West Tasmania for a church family camp. So you might hear some rolling waves or even a fairy penguin or two in the background of this episode, because Star Trek waits for no one.  And wow, what an episode we have to talk about!  The description on Memory Alpha reads Picard and Soji transport to the planet Nepenthe, home to some old and trusted friends. As the rest of La Sirena's crew attempt to join them, Picard helps Soji make sense of her recently unlocked memories. Meanwhile, Hugh and Elnor are left on the Borg cube and must face an angered Narissa.  The episode was written by Samantha Humphrey and Michael Chabon It was directed by Douglas Aarniokoski And it first aired on 5 March 2020.  And of course, it guest starred Jonathan Frakes and Marini Sirtis.  Make it so.  Man, I loved this episode. It exemplified what Star Trek Picard is, when it’s at it’s best. It was a slow-paced deeply character-driven story.  This week’s flashback takes place just 3 days ago, taking us back to Episode 3 of the show. We get to see a little of what went on between Commodore Oh and Agnus. She asks a few questions about what Agnus told Picard and then she says she’ll show Agnus what will happen if Synthetic lifeforms are allowed to exist. And she performs a mind meld with her. So up until now, my assumption has been that Oh is a Romulan posing as a Vulcan. But can Romulans perform mind melds? We know they are an offshoot of the Vulcan race, and we know that mind melds are a very ancient Vulcan practice, but to my knowledge we have never seen, in any canon or non-canon source, a Romulan perform a mind meld. Raffi and Maddox both believe there are Starfleet officers complicit with the Zhat Vash behind this whole thing, so maybe Oh really is a Vulcan, just working with the Romulans. It seems pretty obvious to me that she knows Rizzo is a Romulan. We don’t know exactly know what she showed Agnus. A few rapid flashes of images. I believe there was an exploding planet in there. We don’t have a full enough picture to see what exactly it was to change Agnus’s mind so completely, to drive her to betray Picard and murder Maddox. It had to be really compelling. So far, we haven’t seen any compelling motivation from the bad guys in this show, other than, “they hate synthetic life”, which is pretty weak. Did Oh convince her, or mind control her? We don’t know enough. In fact, this flashback doesn’t really tell us anything new, other than a mind meld was performed. Anyway, Oh gets Raffi to swallow a tracking device, which will come back later in the episode. Back in present day, The La Sierenna is caught in a borg tractor beam at the artefact. And poor Hugh is being interrogated by Rizzo. I am so ready for her to die! Rizzo says she can’t kill Hugh because as a Federation citizen, it would be a treaty violation. She doesn’t strike me as the kind of person who cares about treaty violations. Her real motivation here is to get Hugh to talk. She can’t get the information out of him that she needs if he’s dead. So instead, she starts killing ex borg. Knowing how much Hugh cares for them. When Hugh refuses to talk, she let’s the La Sierra go, but sends Narak out to follow them. Elnor stays behind to help Hugh. This is where he is needed. MY biggest question is, where was Elnor while Hugh was being interrogated. Why didn’t he just jump in and behead Rizzo right then and there. What I like here is that the people in this show are not stupid. Rios thinks that Raffi hacked the tractor beam, because that’s what she was trying to do, but within seconds, they realise that’s not the case. They know this is suspicious and they have their guard up from that moment on. That brings us to the planet Nepenthe, which is very earth-like. Looks like a bit of a paradise planet. Picard and Soji emerge from the Sakarian gateway thing and are immediately confronted by a warrior armed with a bow and arrow. Quick aside. Am I the only one terrified that the borg now have the technology to beam a drone onto a planet from lightyears away? One drone is all it would take to cause an apocalypse. And they’re using it solely as a means of escape for the queen. That seems … illogical. Anyway. I love how Picard points out that his heart is solid durateneum. I think this is the first time it’s been made clear to new audiences that Picard has an artificial heart. Of course, it turns out the warrior is a child, and that Picard knows her, and her parents. By this point, I’m sure we’ve all guessed that her parents are Riker and Troi. I love that they named their daughter Kestra, after Deanna’s older sister, who tragically died when she was just Deanna was just a newborn. That story is told in one of the few really good Lwaxana episodes that TNG did “Dark Page”. DS9 did several good Lwaxana episodes, and one bad one. Anyway, I Think that’s a wonderful tribute to her sister. We’ll learn later in the episode about Will and Deanna’s other child, who also has a significant name. Through a nice conversation between Soji and Kestra, we find that Soji trusts nobody, including Picard. After what she’s just been through with Narak, and the shock of finding out her entire life is a life, I really don’t blame her. The way Picard breaks the news to Soji that she’s an android was really sloppy. He should have handled that with a lot more delicacy. He should have put off Kestra’s question, and taken the time during the walk to break the news to Soji as gently as he could. Personally, I think that discovering you’re not a “real person” but are actually artificial, would be a massive shock, and quite a difficult thing to accept. But this is all another case of Picard being a good man, but not perfect. Sometimes he stumbles, even just on the little things. And I love that about this show. He kinda stumbles again when he tells her that Dahj WAS real. That implies that Dahj is dead. She assumes this whole thing is just another mind game. Again, I don’t blame her. And we get our first glimpse of Troi. I love the look of joy on her face when she sees Picard. She knows immediately he’s in trouble. And then she just clouds over as she senses the depth of what Picard has been through, and is still going through. Because, of course, she’s an empath. Marina Sirtis is absolutely fantastic in this episode. It’s a good reminder of what a great actor she is. Something Star Trek didn’t always give her the opportunity to show. When Picard introduces Soji and Dr. Soji Asher, she says “just Soji.” She’s just learned that her doctorate, and her surname are both lies. Nice touch. Then we get to see Riker for the first time. He may not have his wife’s empathic abilities but he can either see in Picard’s face, or just knows he wouldn’t show up for a social call. And so Riker says “Shields Up!” That’s such an iconic Riker line. Loved it. And I just love that Riker has shields on his house. He’s prepared for all eventualities.  I thought he said “we’ve had some problems with the Xindi, would have been a nice nod to Enterprise, but no, it’s the Kzinti. Have you heard of them? Top points if you recognise the name. I didn’t. But they’re a race of aggressive felines that were previously seen in Star Trek The Animated series. So that’s a pretty deep cut. Deanna recognises the emotion on Soji’s face and acknowledges that she’s been through genuine trauma. But she can’t sense those emotions. This makes me wonder if she could sense Data’s emotions once he installed the emotion chip. The movies never answered that question. Either way, Troi respects the truth of Soji’s emotions, artificial or not. Picard tells his friends that he is in over his head. I think this is the first time he’s slowed down long enough to truly realise that. He’s lost his crew, and his plan was not as fully formed as he’d thought. He was so focussed on finding and rescuing Soji, he hadn’t given any thought to what he’d do once he found her. He needs a place to regroup and formulate a new plan. And where better than he with his most trusted friends. Will Riker, his right hand, and Deanna Troi, his conscience. I’m loving the relationship the Rikers have with their daughter. It seems like a very happy family. And that’s probably, partly because of, rather than just in spite of, the tragedy we’ll learn about later. From what we see of it, Nepenthe is a beautiful world, but I would have liked it if it were just a little more alien. Apparently they have venomous animals called bunnicorns, but they look exactly like rabbits. The name bunnicorn is a bit on the nose. Actually, a lot on the nose. I know they don’t have infinite budget, but I’d have liked it if they’d used a CGI creature, just to add a little alien-ness to the planet. At least in TOS they put horns on the dog. Kestra is fascinated that Soji is Data’s daughter. She asks her if she plays the violin or likes Sherlock Holmes, two things we know about Data. That’s a very kid way to approach it. Kestra is more fascinated with the little human details about Soji, than the superhuman things. The fact that she has mucus fascinates her. This reminds me of the time Julian Bashir met Data. He wasn’t impressed that Data had super strength and speed. He was fascinated that Data breathed and had a circulatory system. Soji doesn’t understand in what sense Data could be her father. She was created long after Data died. Picard really needs to take some time to explain this whole neuronic clone thing to her. I like the relationship that is developing between Kestra and Soji in this episode. There are so many great character scenes. It’s just one after another after another. I like the subtle little moment as Deanna sighs before opening the door to Thad’s room. We learn that the Rikers had a son. Had being the operative word. Last week would have been his 18th birthday. So that’s a very sad development. I love the photo of Picard in uniform holding baby Thad.  Picard has such a smile on his face. By this point in his life, he’d mostly gotten over his fear of children, but this was just any child. This was the child of his dearest friends. Of course he’s gonna have a huge smile plastered all over his face. I love the acknowledgement from Picard that as Kestra’s aching for her brother slowly fades, it brings a whole different ache to Deanna and Will. I love the writing in this episode. Their son’s name was Thaddeus Riker. Thad was likely named after Colonel Thaddius Riker, an ancestor of Will’s. He fought in the American Civil War during the 1860s and was named Old Iron Boots by his fellow soldiers. Will knows this story well, and was shocked once to learn that Colonel Riker was rescued by a Q posing as a human. It’s doubtful he remembers this detail, however, as he was transported to the USS Voyager in the Delta Quadrant to give evidence in a trial against the Q, before being returned to the alpha quadrant with his memories erased. Rios has figured out that somebody is tailing them. Again, the crew are not stupid. Another thing Rios and Raffi are noticing is that Agnes is not herself. Agnes makes a comment about wanting to be the fun crewmember who suggests hiding in a comet that turns out to be a giant gormagander. This seems like a bit of a Star Wars reference, referring, obviously, to Empire Strikes Back, where the Millennium Falcon hides in a cave in an asteroid, that turns out to be a giant space worm. But it’s also a reference to something that was introduced into Star Trek lore by Star Trek Discovery. The gormagander is a space wale. A sentient animal that flies through space. They were on the endangered species list in the 23rd century, so the fact that Agnes is making this comment suggest that maybe they are a little more plentiful in the 24th. Which is cool. Agnus is really out of character at this point. She suggests abandoning the mission, abandoning Picard and abandoning Soji. She was so excited to meet a real living synth, and now she wants no part of it. She’s getting really bad at hiding her true feelings. I love the little shorthand between Rios and Raffi. With just a look, she says “Leave it to me, I’ll work on her.” And with a look of his own, Rios says, “Go for it, she’s all yours.” That demonstrates the shared history of two old friends better than Raffi’s use of JL as a nickname for Picard. Not that I particularly mind the JL thing. Next we get yet another wonderful scene. This time between Picard and Riker. Picard is still trying to protect the Rikers from all this and he thinks the best way to do that is to tell them nothing about his situation. Riker’s comeback is both stinging and heartbreaking. “I was just thinking about how great it would be if ignorance of danger was all it took to keep it away from the people we love.” It’s a very personal statement for Riker, as we see him choke up while he says it. The soil on Nepenthe has regenerative powers. Things grow really well here. It’s why they came here. It seems Captain Riker gave up his Starfleet career to move here to Napenthe for the sake of his son’s health. He and Deanna thought that maybe it would help. Soji is exhibiting more and more android traits. Now that she’s activated, she’s found she can read a 300 page book in a few seconds. And she gives a little head tilt. I recognised that as very Data long before Riker called it out. I’m sure you did too. Riker shows Picard how foolish he’s been trying to keep everything to himself, but essentially recounting the entire story of the show so far. He’s not an idiot any more than Rios and Raffi. And he reminds Picard that he’s not the captain of a starship anymore. He’s dealing with a teenager. Something Picard has no experience with. But Riker does. We get some interesting insight into Thad. He grew up on Starships, mostly, on the USS Titan presumably. He never felt like he had a homeworld. His mother was from Betazed. His father was from Earth. Thad didn’t feel like either of those planets was his home. He was a child of space. But he was fascinated by the idea of a homeworld and invented his own. Ardani. He came up with various different cultures and even whole languages. It’s very creative. I can so identify with that as a writer. Already, this boy that we’ve never seen on screen has so much more depth than half the characters on Discovery. Interesting that. I hope it doesn’t sound like I’m bagging out Discovery. I like Discovery, but I must admit, I’m loving Picard more. Eventually, when they came to Nepenthe, for Thad’s health, it became his homeworld, and he loved it. He had Manadaxic neurosclerosis, a silicon-based virus. The heart-breaking thing is that it was curable, using positronic technology, which of course was banned after the synth attack on mars. The machine that could have saved Thad’s life was made illegal. I wonder if Riker and Troi tried to get their hands on it through illegal means to save their son. This ties into an interesting discussion which starts with a comparison of grown verses replicated food, and culminates in the question of whether real is always better than synthetic. You know what I love about this scene. It’s allowing Troi to be a counsellor again. Her character was used pretty badly in most of the TNG movies. She got to be a counsellor for one brief but fantastic scene in Generations, and then that was it. Voyager gave her the chance to do a little more, but it’s been a long time since we’ve really seen Troi being so awesome in her field. It’s fantastic. But Soji still doesn’t trust anyone. All these friendly faces, these people being caring, just when she needs that more than ever, it could just be another mind game like the one Narak played on her in the meditation chamber. Again, I don’t blame her. And yet I know these people. I know she can trust them. Picard responds to this with bluntness. As Riker said, Picard’s not so great with teenagers. He may not be up to the challenge. But then Troi calls him out and says he had it coming when Soji shoves him. “To you, the idea that this could be some kind of subterfuge or simulation is preposterous, but to her, it would be more of the same.” And then she makes a great suggestion. Pretend our dinner table is the ready room of the enterprise, or more accurately, the conference lounge. I really love Troi and Riker in this episode, but especially Troi. So Hugh is determined to take the cube from the Zhat Vash. He wants to protect the Xbs. As we established last week, they are victims. Hugh is one of the few people who care about them. Sadly, the stupid-face Rizzo appears at that moment. And here we run into that problem. No matter how good you are with a sword, you’re useless against a phaser. At least a lightsaber can deflect blaster bolts. But Elnor just carries a metal sword. Fortunately for him, the Zhat Vash have a duelling tradition of hand-to-hand combat against the Qowat Milat. If that weren’t the case, Elnor would be dead now. But in some ways, this is subterfuge on Rizzo’s part, and there is a cost. Tragically, that cost is Hugh. What sucks the most is that Elnor fails to kill Rizzo because she beams out at the last second. Oh man. I’ll be cheering when Elnor finally chops off her head. I can’t believe Hugh died. That’s so sad. This show has quite a high body count. At least died a hero, trying to save the Xbs from the Zhat Vash. I hope Elnor can fulfil his legacy by saving them in Hugh’s name. You know what upsets me the most about Hugh’s death here. We’ll never get to see him meet Seven. I was sure those two would share scenes together in this show. And we’ll never get to see him reunite with Geordi, his first friend. I feel like both Descent and now Picard have robbed us of that reunion. Which is sad. Raffi is trying to draw out what’s bothering Agnes. She thinks it’s just the pain of losing Maddox. But then Agnes absolutely breaks down. She can’t hold in all the stuff that she’s hiding. But before they can really dig deeper into this, Rios announces that Narak is back, still following them, which doesn’t seem possible. Remember that tracking device Oh had Agnes swallow? I like how Riker just casually calls Troi Imzadi like a pet name now. Back in TNG, they would use this term sparingly, only on special occasions. But they, they’re been married for 20 years. They’re extremely comfortable with one another. Imzadi seems a natural pet name to use at this point in their relationship. WE get a classic Star Trek conference scene, but it has pizza! I’ve missed these scenes. So having one again, with Riker and Troi, but also their daughter and Dahj. That was so cool. And did I mention pizza? I also like how Kestra makes a worthwhile contribution to the discussion, but not in a way that feels unrealistic for a child of her age. I really like Kestra. Rios is playing an interesting game with Agnes. I don’t for one minute think he truly believes that Raffi is being tracked, on purpose or otherwise. Given the strange way Agnes is acting, I think he suspects she has something to do with it, and he’s trying to draw her out by expressing his fake suspicions of Raffi. Remember, he already knows that Raffi was doing down on Freecloud, and why she returned to the La Sirena. And it kinda works. She admits, “it’s not her.” And then we get a very dark scene. Agnes replicates a neutron-toxin. It appears this is a suicide attempt. Is this just because she feels guilty, or does she think killing herself will stop Narak tracking them? Maybe this is part of her mission from Oh. I think she is probably trying to prevent Narak from tracking them, from the way she kind of psychs herself into it, saying “you can do this,” which was horrifying, by the way. I wanted to reach into the screen and stop her. But I couldn’t She injects herself. And then she collapses. And then she starts foaming at the mouth. This was horrific. And my theory is proven true, because once she starts to die, Narak suddenly loses the signal. The EMH gets reactivated and manages to save her life, but she’s stuck in a coma. I wonder what Rios’s idea was, the one Raffi wasn’t gonna like. We never actually get to find out. That’s an odd bit of storytelling. I wonder if that will come back later. If not, why include that line at all? Meanwhile Elnor finds a tag and presses it. It activates a Ferris Ranger SOS. I guess he’s calling Seven of Nine to come help him. Cool!. But what on earth was it doing hanging here in a Borg cube? That’s kind of weird. Now that they’re not being tracked, the La Sirena can finally meet Picard on Nepenthe. I kinda laughed when Picard said his new crew carry way more baggage than the TNG crew ever did. Because, of course, Rodenberry wouldn’t allow them to have baggage. Riker makes it clear he’s still on active reserve with Starfleet, but it would take a very good reason to get him back in uniform again. We have another nice scene between Picard and Riker as they sit by the pond. We do see an interesting rock formation in the background, that lends a little alien-ness to this planet. But then we get an awesome scene between Soji and Kestra. It seems Soji has lost one sister, only to gain another. And I LOVE how Kestra talks about what got her through her hard times was her parents. As a parent myself that affects me deeply. I think the hope of every parent is that their child might be able to say those words to someone. She urges Soji to let Picard be that support to her, a father figure. Those two have a bit of work ahead of them to really let each other in. In noticed in the credits that Jay Chattaway was credited as having written Lullaby #2 in this episode. Not sure what that piece of music was. Jay Chattaway was a regular composer on Star Trek back in the 90s. Especially on Voyager. Maybe it was just a little music queue that they referenced in the score of this episode. I’m really not sure. This was a phenomenal episode.  It gave me such a Star Trek: The Next Generation feel, and yet, it was very much not TNG. TNG only ever tried to do a character episode like this one. Family. This show takes the best of what we remember nostalgically, but does something very new and fresh with it. I’ve really enjoyed Star Trek Picard up until now, but if I didn’t already, Nepenthe has definitely made me love it. Well done to everyone involved in bringing this beautiful chapter of the story to our screens. Next week’s episode is called Broken pieces. I wonder what it will bring. A quest to find Soji’s homeworld, no doubt. It’ll be very exciting.   As for my walk to Mordor, I got a whole lot of steps in yesterday. Packing for our trip and then walking along the beach with my daughter.  I just encountered Old Man Willow, and my next milestone is Tom Bombadil’s house. That’ll be a trippy experience. Stay tuned for the next episode of the Nerd Heaven Podcast. Please consider giving the show a review wherever you listen to podcasts, or if you are watching on youTube, click that like button. Also, if you’d like to support what I’m doing here, you could buy me a hot chocolate. Just go to buymeacoffee.com/adamdavidcollings. Have a fantastic week. Live long and prosper. Make it so.

In this installment of the acclaimed Movie Geeks United! original series The Art of the Score, prolific composer Jay Chattaway (Maniac, Missing in Action, Silver Bullet) discusses his approach to film composition, his collaborations with director William Lustig, the Cannon Group and Dino De Laurentiis, and the reinvigorated fan base he's enjoyed due to his work on the Star Trek television franchise.  Support this podcast

In this installment of the acclaimed Movie Geeks United! original series The Art of the Score, prolific composer Jay Chattaway (Maniac, Missing in Action, Silver Bullet) discusses his approach to film composition, his collaborations with director William Lustig, the Cannon Group and Dino De Laurentiis, and the reinvigorated fan base he's enjoyed due to his work on the Star Trek television franchise. 

This is the second part of the critically acclaimed episode exploring the mass cultural appeal of global music. Astheris talks with Nate Sirmans, a musician in the band Open (@_._open_._), and Christian Dasher, a collegiate saxophonist, about music across the world and the interwoven nature of our melodic existences; the conversation went so in depth that it has been split into two halves. Also, many apologies for the title because it is going to be far longer than eighty minutes. On the bright side, we left a list of all the musical references associated with the episode as well as corrections to mistakes throughout the show. Enjoy! Playlist on Spotify Genres mentioned in the episode: American Pop, Austronesian, Bachata, Baroque, Bounce, Brazilian funk, Carnatic, Cinema/Television Scores, Classical, Click Song Number 1, Country, Disco, Fado, Folk, Guilty of Being White, Halo, Hip-Hop, Lo-Fi, Motown, North American Funk, Pata Pata, Punjab, Punk, R & B, Rap, Reggae, Reggaetón, Rock,  Rumba, Samba, Screamo, Ska, Ska-Punk, Soca, Somali Funk, Southern Appalachian, Spirituals, The Banned (Spotify Playlist), Vaporwave, Zef, and Zouk. Artists and Composer: Alicia Keys, Ana Moura, Antwon Stanley, Ariana Grande, Benjamin Clementine, Beyoncé, Big Freedia, Billy Holiday, Bob Marley, Carminho, Childish Gambino, Chris Potter, Concha Buika, D'Angelo, Death, Death Grips, Destiny's Child, Die Antwoord, “Earth, Wind and Fire,” Edith Piaf, Florida Georgia Line, Frank Sinatra, Fugees, Gary Clark Jr, Hans Zimmer, Ice Cube, Ice T, Immortal Technique, Jay Chattaway, Jimi Hendrix, Jocelyne Béroard, John Coltrane, Jordan Sparks, Kane Brown, Katia Guerreiro, Kayna Samet, Kelly Rowland, Kendrick Lamar, KRS One, Leona Lewis, Lil Pump, Lil Yachty, Louis Armstrong, Lycinaïs Jean, Madeline Peyroux, Mariah Carey, Maître Gims, Marilyn Manson, MC Bella, MC Kekel, MC Kevinho, MC Livinho, MC Pedrinho, Michael Bublé, Mika, Miles Davis, Miriam Makeba, Ms. Lauren Hill, N.W.A., Niccolò Paganini, Nicki Minaj, Nikolai Rimsky-Korsakov, Notorious BIG, Open, Otis Redding, PEKKA, Pyotr Ilyich Tchaikovsky, Rage Against the Machine, Ray Charles, Run-D.M.C., Sia, Skinny Fabulous, Smokey Robinson, Soggy Bottom Boys, Solange, Stromae, The Hu, The Who, Trippie Red, Tupac Shakur, Victor O, Vulfpeck, and Ween. There was a bit of confusion in this episode around the 30:00 mark about Jeffree Star, and I would like to state that I tragically confused Jeffree with a Mandela Effect of sorts; please disregard the comments and conversation surrounding it if you would like, but we will leave it in the episode to demonstrate that we can all make significant mistakes.

This episode marks a critical time in the evolution of the podcast. Oz talks with Nate Sirmans, a musician in the band Open (@_._open_._), and Christian Dasher, a collegiate saxophonist, about music across the world and the interwoven nature of our melodic existences; the conversation went so in depth that it has been split into two halves. Also, many apologies for the title because it is going to be far longer than eighty minutes. On the bright side, we left a list of all the musical references associated with the episode as well as corrections to mistakes throughout the show. Enjoy!   https://open.spotify.com/playlist/5FLpJsYYlvoy1uDQUOrXJj?si=v0yqdgjSRdarDndqDaz6Sw (Episode Spotify Playlist) Genres mentioned in the episode: American Pop, Austronesian, Bachata, Baroque, Bounce, Brazilian funk, Carnatic, Cinema/Television Scores, Classical, Click Song Number 1, Country, Disco, Fado, Folk, Guilty of Being White, Halo, Hip-Hop, Lo-Fi, Motown, North American Funk, Pata Pata, Punjab, Punk, R & B, Rap, Reggae, Reggaetón, Rock,  Rumba, Samba, Screamo, Ska, Ska-Punk, Soca, Somali Funk, Southern Appalachian, Spirituals, The Banned (Spotify Playlist), Vaporwave, Zef, and Zouk. Artists and Composer: Alicia Keys, Ana Moura, Antwon Stanley, Ariana Grande, Benjamin Clementine, Beyoncé, Big Freedia, Billy Holiday, Bob Marley, Carminho, Childish Gambino, Chris Potter, Concha Buika, D'Angelo, Death, Death Grips, Destiny's Child, Die Antwoord, “Earth, Wind and Fire,” Edith Piaf, Florida Georgia Line, Frank Sinatra, Fugees, Gary Clark Jr, Hans Zimmer, Ice Cube, Ice T, Immortal Technique, Jay Chattaway, Jimi Hendrix, Jocelyne Béroard, John Coltrane, Jordan Sparks, Kane Brown, Katia Guerreiro, Kayna Samet, Kelly Rowland, Kendrick Lamar, KRS One, Leona Lewis, Lil Pump, Lil Yachty, Louis Armstrong, Lycinaïs Jean, Madeline Peyroux, Mariah Carey, Maître Gims, Marilyn Manson, MC Bella, MC Kekel, MC Kevinho, MC Livinho, MC Pedrinho, Michael Bublé, Mika, Miles Davis, Miriam Makeba, Ms. Lauren Hill, N.W.A., Niccolò Paganini, Nicki Minaj, Nikolai Rimsky-Korsakov, Notorious BIG, Open, Otis Redding, PEKKA, Pyotr Ilyich Tchaikovsky, Rage Against the Machine, Ray Charles, Run-D.M.C., Sia, Skinny Fabulous, Smokey Robinson, Soggy Bottom Boys, Solange, Stromae, The Hu, The Who, Trippie Red, Tupac Shakur, Victor O, and Vulfpeck

En 1975 se firmó un acuerdo entre Fania Records y la Columbia Broadcasting System, CBS. El acuerdo lo establecieron y llevaron a cabo Jerry Masucci, presidente de Fania y Jay Chattaway, director de A&R de CBS. Así, entre 1976 y 1979 el equipo de ritmo de la Fania All Stars grabó cuatro discos: Delicate and Jumpy en el 76, Rhythm Machine en el 77, Spanish Fever en el 78 y Cross Over en el 79. Con el cierre del acuerdo Masucci también dio luz verde a una serie de temas grabados en octubre del 75 a modo de pistas falsas y que fueron publicados bajo el título de California Jam. Hoy les vamos a contar la historia del primero de ellos, Delicate and Jumpy, una historia de rock y salsa. Bienvenidos a La Hora Faniática.

In the second half of the episode, Luke Annand and George H. Sirois take a musical journey through the Star Trek franchise. From the Mirror Universe of Enterprise and the Original Series to the TOS films to both eras of The Next Generation to Vic's, to the Kelvin timeline and aboard the Discovery.Music Sampled in this Episode"Main Title (Aired Version)" by Jeff Russo from Star Trek: Discovery"First Contact" by Dennis McCartney from Star Trek: Enterprise"Mirror, Mirror" by Fred Steiner from Star Trek"Main Title" by James Horner from Star Trek III: The Search for Spock"Skin of Evil: Strange Readings from Vagra" by Ron Jones from Star Trek: The Next Generation"Overture" by Cliff Eidelman from Star Trek VI: The Undiscovered Country"Orchestral Suite from The Inner Light" by Jay Chattaway from Star Trek: The Next Generation"The Best is Yet to Come" by James Darren and Avery Brooks from Star Trek: Deep Space Nine"Labor of Love" by Michael Giacchino from Star Trek (09)"Sledgehammer" by Rihanna from Star Trek Beyond"The Ballad of Bilbo Baggins" by Leonard Nimoy

Esta semana vamos a emprender un viaje musical a las estrellas a través de músicas que nos llevan fuera de nuestro planeta o que traen a la tierra a visitantes de otros mundos. Música clásica, bandas sonoras de películas y series de televisión y piezas de artistas reconocidos que nos transportan al espacio son las que conforman la selección musical de esta semana. Escucharemos piezas de Gustav Holst, Bill Conti, Jerry Goldsmith, Vangelis, Hans Zimmer, James Horner, Alan Silvestri, John Williams, Jerry Goldsmith (otra vez), David Arnold, Stu Phillips, Jerry Goldsmith (sí, por tercera vez), Jay Chattaway, Jean-Michel Jarre y volvemos a acabar con Vangelis. Feliz viaje a las estrellas.

« Avec le temps, va, tout s’en va… » a dit le grand Léo. Pourtant, avec le Temps, le cinéma de genre s’est bien amusé, accouchant de films ludiques, réflexifs ou carrément prise de tête. L’équipe du PIFFFcast s’est donc penchée sur cinq films de voyage dans le temps ou de paradoxe temporel, de l’aventure médiévalo-pulp à la (très) hard science. Attention, les neurones vont chauffer ! Avec Véronique Davidson, Xavier Colon, Laurent Duroche, Talal Selhami et Cyril Despontin. 
Réalisation : Xavier Colon 
Musique du générique : Donuts' slap par Laurent Duroche ► Flux RSS pour Android : bit.ly/2FrUwHo 
► En écoute aussi sur Itunes : apple.co/2Enma9n 
► Sur Deezer : www.deezer.com/fr/show/56007
 ► Mais aussi sur YouTube : https://youtu.be/zcg5Dj887Lw Références des films cités :
 • Psychokinesis de Sang-ho Yeon (2018)
 • Avenger : Infinity War de Anthony et Joe Russo (2018) 
• Batman Ninja de Junpei Mizusaki (2018)
 • La servante écarlate de Volker Schlöndorff (1990) 
• The Strangers : Prey at night de Johannes Roberts (2018)
 • The Monster de Bryan Bertino (2016)
 • Primer de Shane Carruth (2007)
 • L’effet papillon de Eric Bress et J. Mackye Gruber (2004) 
• Donnie Darko de Richard Kelly (2001)
 • L’autre vie de Richard Kemp de Germinal Alvarez (2013) 
• L’armée des ténèbres de Sam Raimi (1993) Bande Originale :
 • Vigilante de Jay Chattaway (1983)

Episode 53 of el diabolik’s world of psychotronic soundtracksis now online! Download it Here Or subscribe via iTunes We are back with another show featuring music from Manuel De Sica, Amedeo Tommasi, Ennio Morricone, Lalo Schifrin, Amedeo Tommasi, Dave Grusin, Jay Chattaway, Kalyanji Anandji, James Brown, Sébastien Tellier and more! el diabolik’s world of psychotronic … Continue reading Episode 53 →

This week marks the beginning of a mini-marathon of Star Trek composers. Over the next several weeks, we're going to turn the spotlight onto the four composers responsible for nearly all of the music in televised Star Trek (except for the original series). In fact, three composers - Jay Chattaway, Dennis McCarthy, and Ron Jones - wrote a vast majority of the score heard in The Next Generation, Deep Space Nine, Voyager, and Enterprise. And you'll hear from all of them right here. On this episode, we talk to Jay Chattaway about his early musical career with the U.S. Navy Band, scoring documentaries and National Geographic specials, coming into Star Trek three seasons in, the massive creative restrictions he had to work within, source music and the ability to break out of the Trek mold, differences among the shows, "The Inner Light," and so much more.

Scream for your life, ya ghouls! This Hallowe'en season's new stack of ectoplasmic wax is loose! Scare away that October chill with these thrilling toons! ☠ “The House By the Cemetery” radio spot ☠ Walter Rizzati, “Quella Villa Accanto Al Cimitero” OST- Walt Monster End ☠ Lorry & The Biters- Frankenstein Stomp ☠ Johnny Eager- The Howl ☠ Glen Gray & The Casa Loma Orchestra- Boogie Woogie Man ☠ Excerpt from “White Zombie” ☠ Screaming Lord Sutch- Murder in the Graveyard ☠ Jonathan With Orchestra- The Mummy ☠ The Mellowmen- Trick or Treat for Halloween (from “Trick or Treat” Disney short) ☠ “The Oblong Box’ radio spot ☠ The Vampires of Dartmoore- Dr. Caligaris Gruselkabinett ☠ Jay Chattaway, “Maniac” OST- Subway Terror ☠ Cecil Campbell & His Tennessee Ramblers- Spooky Boogie ☠ Danny Ware- The Zombie Stomp ☠ Nicole Paquin- Mon Mari, C’est Frankenstein ☠ Count Chocula and Boo Berry commercial ☠ Johnny Thunders- Horror Show ☠ Pino Donaggio, “Carrie” OST- Bucket of Blood ☠ Arthur Collins & Byron G. Harlan- The Ragtime Goblin Man ☠ Tyrone A’Saurus & His Cro-Magnons- The Monster Twist ☠ Ken Kerr & The Idols- Haunted House ☠ The Swingin’ Phillies- Frankenstein’s Party ☠ “The Legend of Hell House” radio spot ☠ John Zacherle- Happy Halloween ☠ James Horner, “Casper” OST- One Last Wish

The Music of Star Trek: Voyager.    The music for the later Star Trek series has been described by some as 'wallpaper' music, or music that is just there as filler, without substance. While it may be challenging to come up with new music after having scored 183 episodes (Jay Chattaway) or 256 episodes (Dennis McCarthy), there were still plenty of opportunities for the composers to stretch their legs and compose some truly brilliant music, even in the third Star Trek spin off series. In this episode of Melodic Treks, host Brandon-Shea Mutala takes a look at the new 4-Disc Star Trek: Voyager soundtrack release from La La Land Records. He focuses on the music from the episodes that truly had a shining score which were composed by three different composers. Chapters Intro (00:00:00)  Welcome to Melodic Treks (00:01:29)  "Scorpion" (music composed by J. Chattaway) (00:04:42)  "Lifesigns" (music composed by P. Baillargeon) (00:11:03)  "Tinker, Tenor, Doctor, Spy" (music composed by D. McCarthy) (00:17:13)  "Spirit Folk" (music composed by J. Chattaway) (00:23:22)  "Concerning Flight" (music composed by D. McCarthy) (00:29:07)  Closing (00:34:24)   Host Brandon-Shea Mutala   Production Brandon-Shea Mutala (Editor) Brandon-Shea Mutala (Producer) C Bryan Jones (Executive Producer) Matthew Rushing (Executive Producer) Ken Tripp (Executive Producer) Norman C. Lao (Associate Producer) Tony Robinson (Associate Producer) Stephen Boyd (Associate Producer) Richard Marquez (Production Manager) Brandon-Shea Mutala (Patreon Manager)

Vi diskuterar en handful remakes på mer eller mindre mästerliga skräckfilmer. Tomas kallar producenten Michael Bay för svin och Lars tar upp ett franskt filmexempel som är otäckare än något vi någonsin kommer beröra i Vargtimmen. Vi pratar också om: Godzilla, Batman, The Thing, The Ring, Tobe Hooper, Motorsågsmassakern, Hans och Greta, Marcus Nispel, John Laroquette, Jessica Biel, Rules of Attraction, Eric Balfour, Six Feet Under, R. Lee Ermey, Full Metal Jacket, The Blair Witch Project, Dawn of the Dead, George Romero, Tom Savini, Goblin, Zack Snyder, James Gunn, Slither, 28 dagar senare, Alex Garland, Shaun of the Dead, Exorcisten, Mad Max, Maniac, William Lustig, Joe Spinell, Alice Cooper, Roses on White Lace, Gail, Raise your Fist and Yell, Halloween, Alexandre Aja, Franck Khalfoun, Irreversible, Elijah Wood, Peter Jackson, Jay Chattaway, Rob, Don’t Kill, A Nightmare on Elm Street, Samuel Bayer, Mats Strandberg, Rooney Mara, Carol, Robert Englund, Wes Craven’s New Nightmare, Johnny Cash, och The Everly Brothers underbara All I Have to Do Is Dream. Nostalgi, löst tyckande och akademisk analys I en salig röra.

Star Trek is one of the most enduring television series of all time, with more than 700 episodes over 30 seasons. Even disregarding the films, it’s also seen some great composers: Alexander Courage, Jerry Goldsmith, Dennis McCarthy, and Jay Chattaway. In our fifth episode of Art of the Score, we’re shifting to the small screen as we take a look at how the music of Star Trek has defined the final frontier over 50 years. Episode notes: 2:40 – Overview of the Star Trek series, and how each series changed 8:50 – The original series theme by Alexander Courage 11:30 – The three elements of the main theme and its optimism 13:45 – The beguine rhythm 17:00 – the jazz harmonies underpinning the original theme 19:00 – Lost in Space comparison 21:10 – Cue from ‘Amok Time’, Season 2 Episode 5 by Gerald Fried 25:30 – ‘The Doomsday Machine’, Season 2 Episode 6 by Sol Kaplan 28:00 – Emphasis on action music in the original series 29:33 – The Next Generation theme by Jerry Goldsmith 32:00 – Differences between minor sevenths and major sevenths for the fanfare 33:45 – ‘The Best of Both Worlds, Part One’, Season 3, Episode 26 by Ron Jones 38:33 – ‘The Inner Light’, Season 5, Episode 26, Jay Chattaway 46:06 – Deep Space Nine theme by Dennis McCarthy 51:20 – Fanfare for the Common Man by Aaron Copland 54:50 – ‘The Changing Face of Evil’, Season 7, Episode 20, Jay Chattaway 59:57 – Voyager theme by Jerry Goldsmith 1:06:00 – ‘The Year of Hell’, Season 4, Episode 9, Dennis McCarthy 1:08:00 – Drama versus action in Star Trek scoring 1:10:29 – Enterprise theme by Diane Warren 1:17:17 – Archer’s Theme by Dennis McCarthy 1:21:05 – Andrew’s favourite Star Trek moment We’d love to hear from our listeners – get in touch via Twitter, and if you like The Art of the Score, please take a moment to subscribe, rate and comment.

Vi rekommenderar sex stycken slashers från 80-talet som fått över 6,0 på IMDB. Tomas förklarar hur decennier egentligen ska räknas och Lars berättar varför han inte skulle våga se The Fast and the Furious. Vi pratar också om: Going to Pieces, Wes Craven, Fredagen den trettonde, Carol J. Clover, "Men, Women and Chainsaws", "Her Body, Himself", Just Before Dawn, Sleepaway Camp, Jeff Liebermann, Squirm, Greg Henry, Leatherface, Michael Myers, Jason Vorhees, Freddy Krueger, Let's Scare Jessica to Death, Deliverence, Sleepaway Camp, Robert Hiltzik, Psycho, Robert Earl Jones, My Bloody Valentine, Happy Birthday to Me, Halloween, Paramount, Texas Chainsaw Massacre, Hajen, Peeping Tom, Happy Birthday to Me, J. Lee Thompson, Kanonerna på Navarone, Matt Craven, Glenn Ford, Tio små negerpojkar, Exorcisten, The Dark Knight, Scream, Lance Rubin, Motel Hell, Jag vet vad du gjorde förra sommaren, Bloody Birthday, The Burning, The Prowler, Funhouse, Henry: en massmördare, Maniac, Maniac Cop, William Lustig, Joe Spinell, Jay Chattaway, Tom Savini, Dawn of the Dead, The Burning, Suspiria, Profondo Rosso, Maniac Cop, Larry Cohen, Phone Booth, Tom Atkins, David Warbeck, Bruce Campbell, Terminator 2, The Wire, Batman, Tim Burton, Jason Takes Manhattan och A Nightmare on Elmstreet. Nostalgi, löst tyckande och akademisk analys i en salig röra.

Tin Man.   Based on the 1976 short story “Tin Woodman” by Dennis Russell Bailey and David Bischoff, “Tin Man” was the first episode of The Next Generation that Earl Grey co-host Richard Marquez saw, and it is what launched his Star Trek fandom. Originally published in Amazing Science Fiction Stories and later as a novel in 1979, the original “Tin Woodman” story was nominated for a Nebula Award in 1977. Bailey and Bischoff are also credited with writing the TNG episode.   In this episode of Earl Grey, hosts Richard Marquez, Lee Hutchison, and Amy Nelson discuss whether this is a good first episode for someone new to The Next Generation, how the name Tin Man correlates with the theme and characters of this episode, and certain sound effects that will make your stomach turn. We also debate if this is a Troi- or Data-centric episode and the social issues of mental health and disability.   Chapters   00:00:38 Introduction   00:02:08 Episode Review   00:02:40 History   00:03:10 What did you think?   00:06:05 Disability   00:11:11 Jay Chattaway   00:18:24 Mental health   00:20:43 First contact issues   00:24:03 Marina Sirtis   00:26:54 Touch ups   Hosts   Lee Hutchison, Richard Marquez, and Amy Nelson   Production   Richard Marquez (Editor) Lee Hutchison (Producer) Amy Nelson (Producer) C Bryan Jones (Executive Producer) Matthew Rushing (Executive Producer) Ken Tripp (Executive Producer) Norman C. Lao (Associate Producer) Michael E. Hueter (Associate Producer) Richard Marquez (Production Manager) Brandon-Shea Mutala (Patreon Manager)

Well it is a couple days after Halloween, but we got ourselves one more episode for the year to do! More movies, more talking, and not for lack of having other things to do! We wrap up with our best of the month, and Jarrett still didn't get to talk about his shot on video mastershitpieces or further Franco viewing. Introduction is "Maniac Main Theme" by Jay Chattaway, and music from The Boogeyman OST by Tim Krog. Like us on Facebook! www.facebook.com/criterioncreeps/ Follow us on that Twitter! twitter.com/criterioncreeps Follow us on Instagram! instagram.com/criterioncreeps You can also subscribe to us on Soundcloud, iTunes, and Stitcher!

Welcome to CINEMATIC SOUND RADIO’s annual Halloween Special. This is one of my favourite shows to produce featuring only music from Halloween themed film, TV and video game scores. This week’s show is a special one as I will be reading for you excerpts from a brand new book called SCORED TO DEATH: CONVERSATIONS WITH SOME OF HORROR’S GREATEST COMPOSERS. In the book, author J. Blake Fichera interviews 14 masters in the horror music genre including director/composer John Carpenter; sound designer/composer Alan Howarth; Italian composers (and members of the band Goblin, known for their scores for Dario Argento films) Claudio Simonetti and Maurizio Guarini; Hollywood composers Christopher Young, Tom Hajdu (of the composing team tomandandy), Charles Bernstein, Jay Chattaway, and Nathan Barr; as well as such other horror notables as Fabio Frizzi, Simon Boswell, Joseph Bishara, and Harry Manfredini. On the program today we are going to hear the music from six of those composers including HOSTEL by Nathan Barr, CUJO by Charles Bernstein, THE CONJURING 2 by Joseph Bishara, MANIAC by Jay Chattaway, THE FOG by John Carpenter and SINISTER by Christopher Young. And please stay tuned right ’til the end of the program as I will be playing a special suite of Halloween music from Sideshow Sound Theatre’s brand new Halloween themed album THEY LANDED ON HALLOWEEN composed by William Dodson and Wendell Jones. Sideshow Sound Theatre https://sideshowsoundtheatre.com/ Scored to Death: Conversations with Some of Horror's Greatest Composers by J. Blake Fichera Purchase https://www.amazon.com/Scored-Death-Conversations-Greatest-Composers/dp/193524714X Cinematic Sound Radio http://www.cinematicsound.net WROCK Radio http://www.wrockradio.com Cinematic Sound Radio Fanfare and Theme by David Coscina https://soundcloud.com/user-970634922 Bumper voice artist: Tim Burden http://www.timburden.com Also available through Podtyrant http://www.podtyrant.com

Episode 2. We had the great pleasure of talking with composer JAY CHATTAWAY about his long and varied career in film and television, from the legendary MANIAC score to his work on MISSING IN ACTION, INVASION USA, MANIAC COP, SILVER BULLET and STAR TREK. Hosted by Tony Giles & Scott Johannsson Recorded at Solatron Studios Birmingham, UK October 8th 2016 DFN Theme by Repeated Viewing

Star Trek Las Vegas 2016 Interviews. One of Star Trek's biggest celebrations takes place each year at the Rio All-Suite Las Vegas Hotel & Casino. Organized by Creation Entertainment, the event brings together producers, actors, writers, and others to discuss Star Trek—past, present, and future. This year, the STLV convention was extended to a fifth day in honor of the 50th anniversary. In this Melodic Treks away mission, host Brandon-Shea Mutala sits down with a few familiar faces to discuss their musical careers outside of Star Trek. J.G Hertzler (Martok) and Robert O'Reilly (Gowron) talk about their Klingon- and Blues Brothers-inspired group. James Darren (Vic Fontaine) discusses how he came to Deep Space Nine. And Nichelle Nichols (Uhura) talks about working with Duke Ellington and shares details of her newest album. Also presented here is composer Jay Chattaway's panel and a chat with Andy Farber—composer for episodes four, five, and six of Star Trek: Continues—in which we discuss the score for "The Man Trap." Chapters Intro (00:00:00) J.G Hertzler and Robert O'Reilly Interview (00:03:03) Jay Chattaway Panel (00:17:10) Andy Farber Interview (00:42:32) James Darren Interview (01:04:54) Nichelle Nichols Interview (01:11:24) Host Brandon-Shea Mutala Guests Jay Chattaway, James Darren, Andy Farber, J.G. Hertzler, Adam Malin, Nichelle Nichols, Robert O'Reilly Production Brandon-Shea Mutala (Editor and Producer) C Bryan Jones (Executive Producer) Matthew Rushing (Executive Producer) Norman C. Lao (Executive Producer) Charlynn Schmiedt (Executive Producer) Bobby Tucker (Associate Producer) Richard Marquez (Production Manager)

Imagining "Caretaker." When separated from the episode, a really good score should conjure up images in the mind of the listener. These could be images from the story itself, or they could be something altogether new. In this episode of Melodic Treks, host Brandon-Shea Mutala is joined by young Trekker Aubrey Mutala and Women at Warp co-host Jarrah Hodge to listen to Jay Chattaway's score for the Star Trek: Voyager pilot “Caretaker.” Join us as one young Trekker tells you what she hears when she listens to music from a Star Trek episode that she has never seen. Chapters Intro (00:00:00) "The Caretaker's Hoedown" (00:01:45) "Prologue" (00:04:13) "70 Thousand Light Years From Home" (00:06:38) "Beamed to the Farm" (00:09:38) "Lifesigns in the Barn" (00:14:05) "Paris Takes the Helm" (00:19:05) "Escape from the Ocampa Underground" (00:24:43) "Not Enough Time" (00:30:14) "Battle for the Array" (00:35:42) "Set Course for Home" (00:41:27) "Main Title: Short" (composed by J. Goldsmith) (00:44:33) We Are Back (00:44:49) "End Credits" (composed by J. Goldsmith) (00:54:00) All music from the episode "Caretaker" composed by J. Chattaway, unless otherwise noted. Host Brandon-Shea Mutala Guests Aubrey Mutala and Jarrah Hodge Production Brandon-Shea Mutala (Editor and Producer) C Bryan Jones (Executive Producer) Matthew Rushing (Executive Producer) Norman C. Lao (Executive Producer) Charlynn Schmiedt (Executive Producer) Bobby Tucker (Associate Producer) Richard Marquez (Production Manager)

Dom and JD pull over into the B-Ward to discuss "Before I Wake," former WCW Champion David Aquette, and the best/worst/most badass/least effective legal authority figures in horror cinema. Also, JD issues a challenge to a certain horror douche. This episode is brought to you by Amazon.com and Cen-Cal Pro Wrestling, and features music by Rudimentary Peni, Body Count, and Jay Chattaway.http://www.postmortemshow.com

La-La Land Announces TNG Collection, Volume Two. If you're a fan of Star Trek: The Next Generation and have been waiting to add more great music from from Dennis McCarthy, Jay Chattaway, and George Romanis to your collection, you won't have to wait much longer. On January 12, 2016, La-La Land will release their Star Trek: The Next Generation Collection, Volume Two, featuring three hours and 48 minutes of symphonic beauty from the 24th century. View the track listing on TrekCore:http://trekcore.com/blog/2016/01/new-star-trek-tng-soundtrack-coming-january-12/ HostC Bryan Jones ProductionC Bryan Jones (Editor and Producer) Matthew Rushing (Executive Producer) Norman C. Lao (Executive Producer) Charlynn Schmiedt (Executive Producer) Richard Marquez (Production Manager) Will Nguyen (Content Manager)

This week, Apocalyptic August rolls on as Desmond and Duane jettison to the far flung future of 1990! First in this double feature of Enzo G. Castellari's Italian Apocalypse films, a ripoff of The Warriors of the highest order: 1990: The Bronx Warriors. Then, they tackle the sequel, an Escape from New York ripoff: Escape from the Bronx. Then, Rich the Monster Movie Kid gives us some Charleton Heston goodness in his review of The Omega Man. Of course, there's a mixtape for this insane future of motorcycle gangs and mysterious foodstuffs: "New York Groove" by Ace Frehley, "Apocalypse New York" by Jay Chattaway, "Get Bronx" by Sick of it All, "The Omega Man" by Iron Savior, and "Gangland" by Iron Maiden. Send feedback to: feedback@dreadmedia.net, or 206.278.5257. Follow @DevilDinosaurJr and @dreadmedia on Twitter! Join the Facebook group! Visit www.stayscary.wordpress.com and www.dreadmedia.bandcamp.com.

This week, Apocalyptic August rolls on as Desmond and Duane jettison to the far flung future of 1990! First in this double feature of Enzo G. Castellari's Italian Apocalypse films, a ripoff of The Warriors of the highest order: 1990: The Bronx Warriors. Then, they tackle the sequel, an Escape from New York ripoff: Escape from the Bronx. Then, Rich the Monster Movie Kid gives us some Charleton Heston goodness in his review of The Omega Man. Of course, there's a mixtape for this insane future of motorcycle gangs and mysterious foodstuffs: "New York Groove" by Ace Frehley, "Apocalypse New York" by Jay Chattaway, "Get Bronx" by Sick of it All, "The Omega Man" by Iron Savior, and "Gangland" by Iron Maiden. Send feedback to: feedback@dreadmedia.net, or 206.278.5257. Follow @DevilDinosaurJr and @dreadmedia on Twitter! Join the Facebook group! Visit www.stayscary.wordpress.com and www.dreadmedia.bandcamp.com.

This week, Apocalyptic August rolls on as Desmond and Duane jettison to the far flung future of 1990! First in this double feature of Enzo G. Castellari's Italian Apocalypse films, a ripoff of The Warriors of the highest order: 1990: The Bronx Warriors. Then, they tackle the sequel, an Escape from New York ripoff: Escape from the Bronx. Then, Rich the Monster Movie Kid gives us some Charleton Heston goodness in his review of The Omega Man. Of course, there's a mixtape for this insane future of motorcycle gangs and mysterious foodstuffs: "New York Groove" by Ace Frehley, "Apocalypse New York" by Jay Chattaway, "Get Bronx" by Sick of it All, "The Omega Man" by Iron Savior, and "Gangland" by Iron Maiden. Send feedback to: feedback@dreadmedia.net, or 206.278.5257. Follow @DevilDinosaurJr and @dreadmedia on Twitter! Join the Facebook group! Visit www.stayscary.wordpress.com and www.dreadmedia.bandcamp.com.

This week, Apocalyptic August rolls on as Desmond and Duane jettison to the far flung future of 1990! First in this double feature of Enzo G. Castellari's Italian Apocalypse films, a ripoff of The Warriors of the highest order: 1990: The Bronx Warriors. Then, they tackle the sequel, an Escape from New York ripoff: Escape from the Bronx. Then, Rich the Monster Movie Kid gives us some Charleton Heston goodness in his review of The Omega Man. Of course, there's a mixtape for this insane future of motorcycle gangs and mysterious foodstuffs: "New York Groove" by Ace Frehley, "Apocalypse New York" by Jay Chattaway, "Get Bronx" by Sick of it All, "The Omega Man" by Iron Savior, and "Gangland" by Iron Maiden. Send feedback to: feedback@dreadmedia.net, or 206.278.5257. Follow @DevilDinosaurJr and @dreadmedia on Twitter! Join the Facebook group! Visit www.stayscary.wordpress.com and www.dreadmedia.bandcamp.com.

A mediados de 1982 Fania Records entró de lleno en el mundo del cine con la premiere de la cinta The Last Fight en el National Theater de Nueva York. Se trataba de una apuesta personal de Jerry Masucci, empeñado en seguir los pasos de Berry Gordy, creador de Motown, y luego de haberle hecho continuos guiños al cine afroamericano conocido como blaxploitation en las figuras de Gene Page y Fred Williamson. La película fue un fracaso, pero Masucci insistió y de hecho tenía otro proyecto entre manos, Vigilante, coproducción suya con banda sonora incluida, que esta vez si que acabó convertida en cinta de culto. Pues bien, esta es la historia de ese filme y esa banda sonora que, con el mismo título, fue hecha por Jay Chattaway, Willie Colón y Héctor Lavoe en La Hora Faniática.

They're the shopkeeper down the street, the simple farmer out in the country, the ranch caretaker, or the cute girl from work. Man is the greatest evil of all, and the films covered in this episode are no exception. We also welcome a brand new sponsor to the show: www.diabolikdvd.com! First up, take advantage of the Horror Block deal and listen in as the Reddick Family opens up January's Horror Block shipment on the air! Then, Desmond and Darryll get drunk and talk about bizarre metaphysical conspiracies in their coverage of the remake of Maniac. Devil Dinosaur Jr. gives us a Stay Scary on the classic Deranged. Then Desmond goes solo on reviews of Desecrated and Alyce Kills. Don't forget the songs: "Where Is My Mind?" by The Pixies, "A Little Knife Music" by Jay Chattaway, "These Walls are Filled With Corpses" by Overdue Exorcism, "We Die Young" by Alice in Chains, and "Hate the Living, Love the Dead" by The Misfits. Send feedback to: feedback@dreadmedia.net, or 206.203.1213. Follow @DevilDinosaurJr and @dreadmedia on Twitter! Join the Facebook group! Visit www.stayscary.wordpress.com and www.dreadmedia.bandcamp.com.

They're the shopkeeper down the street, the simple farmer out in the country, the ranch caretaker, or the cute girl from work. Man is the greatest evil of all, and the films covered in this episode are no exception. We also welcome a brand new sponsor to the show: www.diabolikdvd.com! First up, take advantage of the Horror Block deal and listen in as the Reddick Family opens up January's Horror Block shipment on the air! Then, Desmond and Darryll get drunk and talk about bizarre metaphysical conspiracies in their coverage of the remake of Maniac. Devil Dinosaur Jr. gives us a Stay Scary on the classic Deranged. Then Desmond goes solo on reviews of Desecrated and Alyce Kills. Don't forget the songs: "Where Is My Mind?" by The Pixies, "A Little Knife Music" by Jay Chattaway, "These Walls are Filled With Corpses" by Overdue Exorcism, "We Die Young" by Alice in Chains, and "Hate the Living, Love the Dead" by The Misfits. Send feedback to: feedback@dreadmedia.net, or 206.203.1213. Follow @DevilDinosaurJr and @dreadmedia on Twitter! Join the Facebook group! Visit www.stayscary.wordpress.com and www.dreadmedia.bandcamp.com.

They're the shopkeeper down the street, the simple farmer out in the country, the ranch caretaker, or the cute girl from work. Man is the greatest evil of all, and the films covered in this episode are no exception. We also welcome a brand new sponsor to the show: www.diabolikdvd.com! First up, take advantage of the Horror Block deal and listen in as the Reddick Family opens up January's Horror Block shipment on the air! Then, Desmond and Darryll get drunk and talk about bizarre metaphysical conspiracies in their coverage of the remake of Maniac. Devil Dinosaur Jr. gives us a Stay Scary on the classic Deranged. Then Desmond goes solo on reviews of Desecrated and Alyce Kills. Don't forget the songs: "Where Is My Mind?" by The Pixies, "A Little Knife Music" by Jay Chattaway, "These Walls are Filled With Corpses" by Overdue Exorcism, "We Die Young" by Alice in Chains, and "Hate the Living, Love the Dead" by The Misfits. Send feedback to: feedback@dreadmedia.net, or 206.203.1213. Follow @DevilDinosaurJr and @dreadmedia on Twitter! Join the Facebook group! Visit www.stayscary.wordpress.com and www.dreadmedia.bandcamp.com.

They're the shopkeeper down the street, the simple farmer out in the country, the ranch caretaker, or the cute girl from work. Man is the greatest evil of all, and the films covered in this episode are no exception. We also welcome a brand new sponsor to the show: www.diabolikdvd.com! First up, take advantage of the Horror Block deal and listen in as the Reddick Family opens up January's Horror Block shipment on the air! Then, Desmond and Darryll get drunk and talk about bizarre metaphysical conspiracies in their coverage of the remake of Maniac. Devil Dinosaur Jr. gives us a Stay Scary on the classic Deranged. Then Desmond goes solo on reviews of Desecrated and Alyce Kills. Don't forget the songs: "Where Is My Mind?" by The Pixies, "A Little Knife Music" by Jay Chattaway, "These Walls are Filled With Corpses" by Overdue Exorcism, "We Die Young" by Alice in Chains, and "Hate the Living, Love the Dead" by The Misfits. Send feedback to: feedback@dreadmedia.net, or 206.203.1213. Follow @DevilDinosaurJr and @dreadmedia on Twitter! Join the Facebook group! Visit www.stayscary.wordpress.com and www.dreadmedia.bandcamp.com.

Picard’s Flute Solo from The Inner Light. One of the most memorable musical elements from The Next Generation was the beautiful flute solo from “The Inner Light.” During his time on the planet Kataan, Captain Picard learned to play the Ressikan flute, and the journey to master the melody went hand in hand with the passing of the years.  In this episode of Melodic Treks, Colin Higgins brings you the background of the melody that Picard (as Kamin) played at his son’s naming ceremony—a piece of music that is beloved by TNG fans and well known to nearly every Star Trek fan. We delve into the composer, Jay Chattaway, the performer, Brice Martin, and follow the journey of the actual flute through the series and up to its auction.

In this massive episode of Dread Media, Desmond and Darryll cover the sleaze classic Maniac. Then Desmond covers indie sleaze film Defiled, James Newman's sleazy novella The Forum, and a huge stack of not-so-sleazy comics from Dark Horse, DC, Humanoids, Marvel, and Radical! Also, sleazy songs: "Maniac's Theme (End Titles)" by Jay Chattaway, "Maniac" by Michael Sembello, "Rape Me" by Nirvana, "Come Join Us" by Bad Religion, "I Don't Wanna Be (A Superhero)" by Roadrunner United with Michale Graves, and "All Twisted" by CIV. Phew! Send feedback to: feedback@dreadmedia.net, or 206.203.1213. Join the Facebook group!

In this massive episode of Dread Media, Desmond and Darryll cover the sleaze classic Maniac. Then Desmond covers indie sleaze film Defiled, James Newman's sleazy novella The Forum, and a huge stack of not-so-sleazy comics from Dark Horse, DC, Humanoids, Marvel, and Radical! Also, sleazy songs: "Maniac's Theme (End Titles)" by Jay Chattaway, "Maniac" by Michael Sembello, "Rape Me" by Nirvana, "Come Join Us" by Bad Religion, "I Don't Wanna Be (A Superhero)" by Roadrunner United with Michale Graves, and "All Twisted" by CIV. Phew! Send feedback to: feedback@dreadmedia.net, or 206.203.1213. Join the Facebook group!

In this massive episode of Dread Media, Desmond and Darryll cover the sleaze classic Maniac. Then Desmond covers indie sleaze film Defiled, James Newman's sleazy novella The Forum, and a huge stack of not-so-sleazy comics from Dark Horse, DC, Humanoids, Marvel, and Radical! Also, sleazy songs: "Maniac's Theme (End Titles)" by Jay Chattaway, "Maniac" by Michael Sembello, "Rape Me" by Nirvana, "Come Join Us" by Bad Religion, "I Don't Wanna Be (A Superhero)" by Roadrunner United with Michale Graves, and "All Twisted" by CIV. Phew! Send feedback to: feedback@dreadmedia.net, or 206.203.1213. Join the Facebook group!

In this massive episode of Dread Media, Desmond and Darryll cover the sleaze classic Maniac. Then Desmond covers indie sleaze film Defiled, James Newman's sleazy novella The Forum, and a huge stack of not-so-sleazy comics from Dark Horse, DC, Humanoids, Marvel, and Radical! Also, sleazy songs: "Maniac's Theme (End Titles)" by Jay Chattaway, "Maniac" by Michael Sembello, "Rape Me" by Nirvana, "Come Join Us" by Bad Religion, "I Don't Wanna Be (A Superhero)" by Roadrunner United with Michale Graves, and "All Twisted" by CIV. Phew! Send feedback to: feedback@dreadmedia.net, or 206.203.1213. Join the Facebook group!