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Every other week, we focus on a Marvel series that sits on the fringes of mainstream Marvel continuity. The first episode of every new series that we cover is available on the public feed. The rest of the episodes are exclusive to our Patreon supporters.Not a Patron yet? Support us at patreon.com/marvelbythemonth for just $5 a month to get instant access to our bonus feed of over 200 extended and exclusive episodes! Stories Covered in this Episode: "Godzilla Versus Batragon!" - Godzilla #4, written by Doug Moench, art by Tom Sutton with Tony DeZuniga, letters by John Costanza, colors by Phil Rachelson, edited by Archie Goodwin, ©1977 Toho Company Ltd. and Marvel Comics"The Isle of Lost Monsters" - Godzilla #5, written by Doug Moench, art by Tom Sutton with Klaus Janson, letters by John Costanza, colors by Phil Rachelson, edited by Archie Goodwin, ©1977 Toho Company Ltd. and Marvel Comics"A Monster Enslaved!" - Godzilla #6, written by Doug Moench, art by Herb Trimpe, letters by Bruce Patterson, colors by Phil Rachelson, edited by Archie Goodwin, ©1977 Toho Company Ltd. and Marvel Comics"MONARCH by the Month" theme written and performed by Robb Milne. All incidental music by Robb Milne.Visit us on the internet (and buy some stuff) at marvelbythemonth.com, follow us on Bluesky at @marvelbythemonth.com and Instagram at @marvelbythemonth, and support us on Patreon at patreon.com/marvelbythemonth.Much of our historical context information comes from Wikipedia. Please join us in supporting them at wikimediafoundation.org. And many thanks to Mike's Amazing World of Comics, an invaluable resource for release dates and issue information. (RIP Mike.)

In this Margin Notes episode of the #amwriting podcast, host Jennie Nash talks with book coach and author Stuart Wakefield about approaching marketing as a creative project by making joyful “artifacts” that expand a story world rather than simply asking readers to buy a book. Wakefield shares his creative background, a past period when his creative practice stopped, and how he now immerses himself in projects tied to his latest novel, All Hands on Dick, set in 1956 aboard the cruise ship SS Celestial. Stuart describes the book's comedic, queer, mid-century influences and its characters, explains creating items like a 3D-printed ocean liner and a hand-cut 10-inch vinyl record featuring AI-assisted big band songs, and discusses building an animated music video. Nash also previews upcoming episodes with Wakefield on using the Blueprint method to develop a series, as he launches his trilogy A Gay Odysea.#AmWriting is a reader-supported publication. To receive new posts and support my work, consider becoming a free or paid subscriber.Connect with Stuart* Visit his book coaching site* Read his books* Watch his music videoTranscriptJennie: [00:00:00] Hi, I'm Jennie Nash, and you're listening to the #amwriting podcast, the place where we help writers of all kinds play big in your writing life, love the process, and stick with it long enough to finish what matters most. Hi, everyone. This is Margin Notes, the part of the podcast where we're talking about the big decisions writers face in their work or creative lives.I'm here today to talk with Stuart Wakefield about making marketing a creative project. And you've heard from Stuart before. He has coached on the podcast, and we'll link to that episode in the show notes. He also will be in episodes to come, which we'll talk about in a moment, and Stuart is a fascinating individual who's had a long career in all kinds of things, including TV writing, playwriting, a long stint in IT.What? [00:01:00] And, and now Stuart works with me at Author Accelerator, and he runs his own book coaching business at thebookcoach.co. Welcome, Stuart.Stuart: Thank you for having me, Jennie. I'm really excited to talk to you today.Jennie: I'm excited too. This is such a, such a interesting topic. So the reason this came up is that Stuart launched a new book, which he'll tell you about in a moment, which is part of a series, which he'll tell you about in a moment, and I started seeing out on social media just all this really fun content that he was producing.And obviously then I would get to talk to him at work, and I- he just would have so much joy, and then he would say, “Oh, let me show you this other thing.” And when I talk about fun content, I'm talking about, like, music videos, cartoons, animated [00:02:00] little shorts. He wrote a song. He, he's writing a music video. He 3D printed a ship.He printed a vinyl record. I mean, it's bonkers. And so I just wanted to dig into this about what are you doing, and why is it creating so much joy, and what can we learn from it? So that's what we're here to talk about.Stuart: Oh, oh, oh. Right. Okay. So, so in, in my creative practice, I have always enjoyed... You know, I started acting when I was five, um, so I've always been in kind of around the theater, even when my kind of IT career and project management career was all kind of going on.So I've always enjoyed that. I, um, started a, a- A degree in fashion design. Um, after a year at art college, I, you know, carried on acting and then had a break in 2003. Uh, if I'm really honest with you, I had a breakdown and- Yeah ... m- [00:03:00] my creative practice just stopped. And about six years later in 2009, I started writing.And you know, I've always been a creative person, and I've always been a storyteller, and I tend, but I tend to do it in a very short, concise way. So the shortest piece of fiction I've sold was 50 words.Jennie: That's short.Stuart: Right. Okay. So I, um- Have had like a, a side art project. It's called The Queer Historian of Emotional Truths.Um, and there is a website that sits with that, and the idea is that the queer historian has found artifacts, um, and he is curating those and sharing those on the website, and they might be voicemails, they might be found photos, found objects. And when I got my... So I really love that kind of very small to- storytelling, those, those really poignant moments, [00:04:00] as opposed to great big, long stories.Um, I recently s- sold a story to Divine Femins- Feminine Publishing as well, um, which is again, it's cozy sci-fi, but it's very much the small kind of human moments.Jennie: Right.Stuart: And I found that after writing this book, I became so invested in the world that I wanted to do small art projects that kind of lived within that world.So that's where this has come from. I, I don't see it as marketing. I see it as telling those smaller stories within that wider world that really convey the joy that not only have I got from writing that, that work, but I think lives on after the reader closes and reads that last, that last page and then closes the book.Jennie: Well, this is why it's so exciting and inspiring to me, because so often when writers talk about marketing or think about marketing, they're thinking [00:05:00] about, “Buy my book. Buy my book. Buy my book,” and that's not at all where you're coming from. I suspect... Well, with this current project, it's, it's brand new, but I suspect that that's where it's gonna go, right?That it's impossible to imagine sh- that you're gonna share all these creative acts and artifacts and not get people... I was gonna say on board, but that's gonna be like- The, it's a- ItStuart: is set follow... It's set on board a, a ocean liner. Right. So on, on board is great.Jennie: Right? Like the, how could those two things not happen?That, I guess what I'm getting at is I, I often think that the results people want don't usually come from the path that they think is gonna get them there. Right. The results come from doing the work you love, writing the story you want, and in your case, making this a creative project. Do you- Yes ... do you think that's [00:06:00] true?Stuart: Yeah. You know, very much so, and I was discussing this with a marketing book coach, uh, Rebecca Grogan.Jennie: Mm-hmm.Stuart: Highly recommend her to any romance writer. So that's beckythebookcoach.com, and, you know, we got talking about creative projects and how much I don't really like marketing. I always thought it was a very British thing not to like marketing, but the more and more US writers I, I meet and fellow coaches, again, you know, marketing can feel like something unsavory.Jennie: RightStuart: And what I really want to do is show people these cool things I've made and invite them very much into the world. Because what I do in any of my creative writing projects, I have objects that represent what I'm writing on my desk. So, um, I have a book that's set in 1907, so I got [00:07:00] artifacts from, from that time.I have a book that's set, well hopefully coming out in a few months, which is, uh, set in Madrid in 1958, and one of the characters works in a print shop. So I have wooden blocks, wooden printing blocks that spell out this character's names. So-Jennie: Oh,Stuart: that'sJennie: so cool.Stuart: So as I switch from project to project, I bring those things and put those onto my desk, and I just find it helps me get into that head space-Jennie: YeahStuart: and that emotional connection.Jennie: Yeah.Stuart: So because I still have a, a very strong emotional connection to what it is that I've just published, and I know there are two more books coming, I really wanted to sit and kind of immerse myself in that world. And the first object I created was this 3D printed ocean liner, because that has what has been sitting on my desk while I've been writing this first book.Jennie: So when you say you 3D printed it, how did you go about [00:08:00] that?Stuart: Okay, so I-Jennie: Oh, and, and let's just describe, since people can't see it. It's, it's about like eight inches, 10 inches? Uh, yeah, yeah. So- And it's... Is it made of plastic?Stuart: Yeah. So it's 3D printed, uh, so it's kind of a, a resinous kind of plastic that's- Yeahjust melted as it comes through the head. And yeah, so I found, uh, a model online, and then I... My comput- my computer modeling is not great. It's one of the few things that I'd see that I don't really, you know, have a skill at. So I contacted a friend and said, you know, “Can you modify this for me? Um, can you change the name on the side of the ship?”‘Cause the model that was already there, um, had a different name. And yeah, you know, we, we worked on the look and the feel, and then when we were ready, we found someone else to, to actually print it up. So for me, it's just a lovely object, and I know I'm going to be able to take it to book fairs. There's one coming up at the end of September- So I have little [00:09:00] wooden life rings, we have ship's rope, I have a reception bell.Um, so all of these artifacts, again, when s- if somebody comes to my stand at the book fair, they will be walking into the world of the SS Celestial.Jennie: That's so fun. Okay, so let's, let's talk about the, this, the ship and what happens on the ship and the story and the whole thing, ‘cause it's just too much fun.So it's, um, set in 1956 on a cruise ship. The name of the book is called All Hands on Dick, and it is currently out. So why don't you tell us about first All Hands on Dick, and then the series that it, um, begins?Stuart: Okay. So All Hands on Dick follows cruise director Dick Dockery, and Dick is one of those people that puts the passengers' needs before his own.So, and he is very good at his job But on the voyage from New York to Bermuda, [00:10:00] a slightly seedy kind of underground guy with a reputation called Van Valentine boards the ship. And Van very quickly identifies that what Dick is doing, that he's fulfilling everybody's needs but his own. So throughout a...It's very much a comedy of manners. So throughout that and some farcical moments and lots of beautiful sub-stories, um, Dick eventually learns that being needed is not the same as being loved.Jennie: Very, very, uh, profound message in a very fun setting. So some of the other characters, tell us about some of these other characters.Stuart: Okay. So we have, uh, newlyweds, uh, Buck and Kitty Devereaux. And Buck seems very nervous in his marriage, so one of the kind of mysteries is what is Buck hiding? And then eventually we start to learn that actually Kitty might be hiding some- something as well. We have [00:11:00] Aurelia Cashmere, who is a sort of a, a grande dame, I guess.She, she's first class. Um, she has come on board with a secret that she's going to reveal something when they get to Bermuda. We have, uh, Tony's sidekick, uh, Bunny Marlowe. We have a steward who seems to know everything called Tony Two Towels. We have a light-fingered magician called Pip Larkin. Um, and- ThisJennie: is just so great.And you s-Stuart: And then lounge singer... Sorry, then we have a l- a lounge singer called Rex Devereaux. Uh, and he has a on-off affair with his piano player, Joey Lamplight.Jennie: Okay. So you shared with me that, um, you loved The Love Boat, the, the TV show, right? Oh,Stuart: it's one of my... It, it's just fantastic. And I, I tell you what happened, I love the movie An Affair to Remember-Jennie: Mm-hmmStuart: with Deborah Kerr and Cary Grant. [00:12:00] And you know, I was... My mom loved kind of ‘40s, ‘50s movies. So she kind of introduced me to those when I was growing up, ‘cause I was born in the early ‘70s. So you know, sh- I was kind of weaned on, on movies by watching those. And I loved watching The Love Boat, and more recently...I say recently, it's a few years old now, but the movie Down with Love, uh, with Renee Zellweger.Jennie: Yeah.Stuart: And I watched that and it reminded me of the Doris Day, Rock Hudson kind of sex comedies.Jennie: Yeah.Stuart: So the vision for All Hands on Dick and the series that it fits into, um, very much came from those, those influences, and the love of, of the, all of those things.Jennie: Well, and it has that, and has that feel. So we'll talk about the whole series in a minute, but some of the other things that you made artifacts that you made, uh, well, there was a song and then there was a record, [00:13:00] and then there was a music video. So how much time have you spent making all these things?Stuart: I, I, I think, I think that wh- what, what happened was, I, I, I'd finished the book and I w- I was, I, something had happened.I think, I think an old Drifters song came up on my, um, Irene's, uh, list, and I'd been listening to... We have a, a TV, um, advert that's on in the UK that, uh, has the song, um, Beyond the Sea.Jennie: Oh, sure, sure.Stuart: It's Bobby... Yeah, yeah, yeah. Yeah. And I was, “Oh, okay.” So I knew that Rex, the lounge singer, one of his storylines is that there's a song that he can't sing.Jennie: Oh.Stuart: It is too emotional for him, and he's desperately trying to get his career back on track and, but there's this one song that he just cannot sing, but it's one of the most powerful songs that could potentially bring his [00:14:00] career back. And I'd been thinking about songs and, you know, again, my mom was just a very, very funny wom- woman and, you know, we would make songs up together.And I wrote some jokey lyrics, uh, called, for a big band number sung by Bunny, called Everybody Needs Dick. And, and, you know, uh, you, the lyrics are, are, you know, a bit silly here and there, but, uh, I just had fun with it.Jennie: Yeah.Stuart: You know? So none of this was planned. Um, now I know some people are gonna be really anti-AI, and I, I totally get that, but this was for my personal consumption.So I put those lyrics into an, a, an AI and said like, “Can you write a big band, you know, backing track to go with this?” Just as an experiment, and what came out just really took me by surprise. So-Jennie: It's amazing. I mean, it sounds like a fully produced Andrews Sister song.Stuart: Yes, yes. Love The [00:15:00] Andrews Sisters.Yeah. And then I got thinking about Rex's song, and I thought, “What kind of avoidant thing would Rex sing?” So I wrote some lyrics for that and, um, again, put it into the same AI, AI, and it came out with a couple of versions, and one of them immediately made me start to cry. Oh, no. And I thought, “Okay, if I have an emotional connection to this song, then I need to do something with these tracks.”So I'd been kind of living in the world of the SS Celestial, which is the, the ship that the story is set on, and got to thinking about kind of souvenirs and, and would the ship sell souvenirs, and what kind of things might they sell? And I thought, “Okay, if I'm gonna have an object that's all my own, then as my kind of reward for finishing the book,” I thought, “wouldn't it be great to have a vinyl record?”So then I get into researching how much music can you get on, you know, a seven-inch, a 10-inch, [00:16:00] 12-inch record. Settled on a 10-inch record because, um, Rex's song is six minutes. It won't sit on the seven-inch. Then I had to do my research. You know, were 10-inch singles available in the US in the 1950s? Turns out they still were.Um, then I got to designing the record covers and the labels. I found a company in, uh, the, in London who handcraft. So rather than press a record, they hand-cut it.Jennie: Oh,Stuart: wow. Um, found a company to do that. And yeah, you know, a week later I had in my hands a, a, a 10-inch record, and that is just for my personal consumption, but, you know, I will share that on,um, you know,uh, social media. I will play parts of the record on social media. And yeah, that's where I kind of got to in there, and I just wanted to share with people like, “Oh, look, I made this cool thing.”Jennie: Yeah, yeah.Stuart: And-Jennie: I mean, it's so cool, and [00:17:00] when... We'll share, hopefully, uh, uh, cover a picture of the, um, m- the, uh, record so, in the show notes so people can see.But when, when you share it and talk about it, again, you're just filled with so much joy, like a kid. Yeah. Like, “Look at this.” Yeah. “Look at what I made.” And that has to feel really good, right?Stuart: It, it really, really does. And, and, you know, my family, immediate and wider, are going through some really difficult times at the moment.We started kind of March last year, and, um, I won a, a, a grant from the Arts Council here in the UK to, to really help me kind of zone in on my playwriting.Jennie: Right.Stuart: And a full-length play that I've written is, it's very dark, and it deals with some very dark kind of, uh, themes and issues. And a friend of mine had said to me, she said, “There's something wrong with you.There's, [00:18:00] there's, like, this little light that has gone out.”Jennie: Oh.Stuart: And she said, “I think you should get back to writing comedy.” Um, when I wrote for TV, that was comedy. Um, my last full-length novel, you know, had lots of comedic stuff going on. Um, and she's like, “Why don't you, you consider going back to comedy?”She'd read a lot of my writing when I was doing my master's degree, and she said, “I, I really think you need that, that kind of lift.” So when I was thinking about what to write, I was like, “Okay, I need to do something that, that just really sits with me.” I'm not... You know, writing a novel is a big commitment, and you need to be around people that you kind of really love.Jennie: Yeah.Stuart: And I wanted these people to- So many queer stories I think are written from a place of trauma.Jennie: Mm-hmm.Stuart: And I really wanted a group of people who had relatively low stakes threat, but [00:19:00] could really live and breathe in their environment and find joy. And that's exactly as passengers are disembarking at the end of this, this book, that's, you know, there is hope and there is joyJennie: And I imagine that's what you want your reader to feel.Stuart: Um, uh, a- absolutely. I've absolutely written it for people who, you know, to take on a take on a cruise- Right ... or read on the beach. And, you know, I think it's fair to say that, you know, politically and, um, literally the world is on fire, right?Jennie: Yeah.Stuart: Yeah. You know, we're seeing huge fires all over, you know, we're seeing political, just appalling political stuff.And I, and I just thought I, I need this story and I need these people, and I think other people out there need just some fun and some joy and some lightness.Jennie: So tell me about, um, right before we r- started [00:20:00] recording, you said you were almost finished with the music video. Tell me about that.Stuart: Right. Okay. So, uh, Everybody Needs Dick is a huge, joyous, big band number, and I was creating a little short animation to go on, um, social media, and also I wanted the challenge of learning something new from an IT point of view.Jennie: Mm-hmm.Stuart: And it kind of grew, ‘cause I was putting some music to the, the reel on Inst- on Instagram, and I just thought, “Hmm, this could... Like, I really like the results of what I've been able to animate here. Like, maybe this could be something bigger.” And I used to work for Turner Broadcasting Systems, which is now, like, part of Warner Brothers Discovery.Was there for about three years working mainly on the Cartoon network side, and I did some work with the animators of The Amazing World of Gumball, which is a very [00:21:00] popular show, um, in the US, and I kind of thought, like, maybe there's something in this. Maybe I could put all of the Everybody Needs Dick story into, like, an MGM musical number.Jennie: Right.Stuart: And like, so again, it, it captures the look and the feel and the tone of the joy of the book as well. So I'm 40 seconds away from finishing. It takes about an hour to get 14 kind of decent seconds. And I... But I'm, I'm exhausted, but what's keeping me going is watching it over and over again and feeling emotional, feeling that emotional connection to the relationships that are developing, even just through the video i- itself.Jennie: Right. AndStuart: what- So again, for me, it's just immersive.Jennie: What, um... When you approach Something like that, and you, you know, obviously we're all, uh, learning, if any of us listening use AI for [00:22:00] various things, we're all learning as we go d- because it's so new. How do you approach the technology side of it? Like, in addition to the creative part, you have to figure things out, right?Figure out how to do it.Stuart: Yeah. I mean, you know, I spend a lot of time engineering prompts for all different sorts of things. So for my own writing, um, I have a prompt that runs through my chapters and looks at all of the nasty habits that I have.Jennie: Yeah.Stuart: And I was talking to another coach the other day, and I was like, “Let me, let me just do a quick word count.”And that search, that, um, AI prompt, is 9,510 words.Jennie: Wow.Stuart: So I might have spent a long time working on that, that prompt, but it really helps me sit back, look at my chapters, really understand what's working and what's not working, and then from my past mistakes and patterns of writing, it helps me see those and that I've fallen back into to some of those [00:23:00] habits.Jennie: Yeah.Stuart: So, you know, I, I like to think I'm relatively good. Um, but again, some of the graphics that I was using on Instagram were... They were by real people.Jennie: Yeah.Stuart: And I thought, “Well, that's not really the kind of look I'm after. I'm kind of after that... For the, for the video, I'm after that mid-century American illustrated look that is somewhere between J.C.Leyendecker's illustrations of the sort of ‘20s, and the illustrations that you would expect to see in an American magazine in the mid-'50s.”Outro: Right.Stuart: So I worked and worked and worked, you know, with an AI tool on getting the look right, and then locking that look in. Then I was able to take the images from Instagram and say, “Okay, what would those character models look like if they were in dr- had been drawn in this style?”So again, we worked through those looks, um, you know, how smooth their skin was, what the kind of folds in their clothes should look like. [00:24:00] You know, we did a lot of work on that, and then it was really down to the things that I kind of learned at Warner Brothers and watching the extras on DVDs about storyboarding, um, the animations, and then really teaching myself the best way to use, um, the AI that I was using to get the best kind of effects out of it.And I- So it sound- You know... Hmm.Jennie: It, it sort of sounds like play.Stuart: It is. It really is. And I, you know, I, I love learning. I loved learning to be a book coach. I'm always doing some kind of course, whether it be creative or, you know, to do with writing. And, you know, I like a challenge, and teaching- Yeah ... me this new technology, I mean, I'm 54, and, you know, there's always that risk that the kids are gonna com- going to kind of overtake you.Jennie: Sure. Uh,Stuart: but I'm very curious about the world. You know, I l- I like my K-pop. I'm very excited today ‘cause Hatsize, you know, new EP is out. Um, I've had many a conversation with a 13-year-old who's just shocked that I know anything about K-pop- ... [00:25:00] let alone I'm kind of into different bands. So, you know, I'm interested in, in pop culture and learning new technologies and, you know, it has been a huge, huge challenge for me to do this.But again, it's playing in this world, and I've also noticed as I'm doing these other creative projects, because I'm still mentally in the world, some of the stories for the later books are, are coming to me.Jennie: Yeah. Yeah. So let's talk about the series. At what point did you decide that All Hands on Dick was going to be a series?Stuart: Pretty much from the beginning. I-Jennie: Okay ...Stuart: I, I... So the series is called A Gay Odyssey, and that's- AndJennie: it's, I have to spell it. It's- Yeah ... O-D-Y-S-E-A.Stuart: Yes. So it- it's A Gay Odyssey, and I call it, like, a naughty cal adventure. So- So, you know, I, I very much saw this as the ship as a [00:26:00] container.Jennie: Mm-hmm.Stuart: Okay? Quite literally.Right. But also like a story engine.Jennie: Right.Stuart: So I thought this is, this is a world in miniature, and I wanted to have one overarching love story that covers all three books. But like The Love Boat, I wanted that episodic nature to it as well, because I knew I wanted to bring in different characters and different crew.So A Gay Odyssey is, it's a trilogy of mid-century American queer romantic novels that also examine, uh, the life we live as performance as well as the life we live in private.Jennie: Mm-hmm. So that's where the, the lounge singer and the piano player, the literal- Yeah ... performers and the magician, as well as the just regular people who are performing different roles and things.Ab-Stuart: a- absolutely. You know, Buck is, is performing kind of the dutiful husband, and that's clearly not what's going [00:27:00] under, on under the surface. And, you know, Kitty is very much wanting to go out, you know, understand what's w- I want to say in quotes, “wrong with him.”Jennie: Right.Stuart: And yet Kitty starts to believe that actually she might not entirely be the person she thinks she is.So again, it's, some of it's around self-discovery, um, and some of it is just how you move in the world when the world is telling you you shouldn't be who you are. I mean, it's coming off the back of the Lavender Scare- Mm-hmm ... in the US, um, that Eisenhower signed in 1953 where queerJennie: people-Stuart: I'm not familiar withJennie: that.Stuart: Oh, okay. So I think it was Order 105410or s- or, or something. But Eisenhower signed it, signed it in 1953, and it basically meant that nobody, no gay man or lesbian could work in a federal job.Jennie: Oh, I, I was not aware of that.Stuart: So, you know, thousands and thousands of people were put [00:28:00] out of employment in the US. Wow. So it's coming off the back of that Lavender Scare, um, and it was very much treated like they were a security risk.Jennie: Wow. Um, I'm not gonna get really deep into the series because you and I are gonna do a deep dive on, uh, series development. Um, and for our listeners, Stuart is obviously, um, I would say one of the world's foremost experts on my blueprint method. H- how's that for a title?Stuart: That's very kind of you.Jennie: Um, he teaches it, he coaches it, he holds the high bar for certification that we have at Author Accelerator around the blueprint and other things.But one of the things that he has really done is, is to do a very deep dive on understanding how to use the blueprint [00:29:00] to develop a series, and how you think about one book, how you think about the whole series, the, the order of things, the, the way this tool can be used in this way, and his work on this is, uh, blew me away truly.So I've asked Stuart to come back onto the podcast, and we're going to do a series of two, uh, podcasts, where in one we're gonna talk about the overview of how to use the blueprint to develop a series, and it can be any genre, uh, any- Mm-hmm ... fictional genre, and then we're gonna do a second podcast on ... Now I can't remember what it was, but I think it wasOh, the story engine, and you, and you referenced that with, for your series, the, the ship and, and this container and how to develop a story engine. [00:30:00] And this will also all lead to a special offer to work directly with Stuart on a series, so, um, using the blueprint. So all of that, I'm making all these big promises.I hope they all come true.Stuart: They will. They will.Jennie: Um, all of this is just, uh, laying the groundwork for, for folks who are interested in designing, developing, building a series, and, um, doing it with somebody who has this incredible creative and playful mind, and you can get a sense of the way Stuart thinks and, and works and, um, of the things that he makes.Uh, can you tell us, Stuart, w- if people wanna read All Hands on Deck right now, where can they go? If people wanna find you, and how on earth can they see and hear all this cool stuff you've made? Tell us all the things.Stuart: Okay. [00:31:00] So, uh, in terms of, obviously you can find me at thebookcoach.co. On Instagram, I'm Mr.S Wakefield. Um, so that's where you'll be able to see where I share the cool things that I've made. Um, and then in terms of buying, I mean, all good bookstores. I've already had some, some podcast listeners of mine send me pictures of them holding their, uh, books in, you know, American bookstores, which is fantastic to see.Uh, so yeah, you know, everywhere that you can buy a book. It's not just Amazon, boo, hiss. Um, you know, you should be able to get it in all, all, you know, good, good bookstores.Jennie: Excellent. So, uh, say your, say that Instagram again, just so people can hear.Stuart: Uh, it's Mr. S Wakefield.Jennie: Okay, great. Well, um, we have much more to talk about, and we, and we will be talking about, but this was just so fun to hear your process and this, um, this sense of marketing as a [00:32:00] creative project.And it'll be really fun to follow along and check in with you in our next episodes about where all of this stands as well.Stuart: Great. Thank you.Jennie: Thanks for joining us, Stuart.Stuart: Okay. Take care, Jennie. Bye.Jennie: And for our listeners, thanks for listening. Now let's get back to work and finish what matters mostOutro: The hashtag amwriting podcast is produced by Andrew Perilla. Our intro music, aptly titled Unemployed Monday, was written and played by Max Cohen. Andrew and Max were paid for their time and their creative output because everyone deserves to be paid for their [00:33:00] work This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit amwriting.substack.com/subscribe

Keith M. Dallas is a longtime comics historian and writer whose credits include TwoMorrows Publishing's Comic Book Implosion: An Oral History of DC Comics Circa 1978 and the American Comic Book Chronicles series, which he's the series editor of.For TWO HOURS of bonus content — including 20 more minutes of our conversation with Keith, and our coverage of Tomb of Dracula #64 and Avengers #171—plus 19 more issues in the Mighty MBTM Checklist—support us at patreon.com/marvelbythemonth. $5 a month gets you instant access to our bonus feed of over 200 extended and exclusive episodes. $10 a month lets you help pick the comics we cover in depth and gets you a shout-out at the end of the episode! Stories Covered in this Episode: "Who Was That Goblin I Saw You With?" - Amazing Spider-Man #180, written by Len Wein, art by Ross Andru with Mike Esposito, letters by Joe Rosen, colors by Glynis Wein, edited by Len Wein, ©1978 Marvel Comics "Marvel by the Month" theme v. 4 written and performed by Robb Milne. All incidental music by Robb Milne.Visit us on the internet (and buy some stuff) at marvelbythemonth.com, follow us on Bluesky at @marvelbythemonth.com and Instagram at @marvelbythemonth, and support us on Patreon at patreon.com/marvelbythemonth.Much of our historical context information comes from Wikipedia. Please join us in supporting them at wikimediafoundation.org. And many thanks to Mike's Amazing World of Comics, an invaluable resource for release dates and issue information. (RIP Mike.)

Matt Fraction knows a little something about Godzilla. He's also writing a series called Batman, which you should check out. Every other week, we focus on a Marvel series that sits on the fringes of mainstream Marvel continuity. The first episode of every new series that we cover is available on the public feed. The rest of the episodes are exclusive to our Patreon supporters. Not a Patron yet? Support us at patreon.com/marvelbythemonth for just $5 a month to get instant access to our bonus feed of over 200 extended and exclusive episodes! Stories Covered in this Episode: "The Coming!" - Godzilla #1, written by Doug Moench, art by Herb Trimpe and Jim Mooney, letters by Joe Rosen, colors by Janice Cohen, edited by Archie Goodwin, ©1977 Toho Company Ltd. and Marvel Comics "Thunder in the Darkness!" - Godzilla #2, written by Doug Moench, art by Herb Trimpe with Frank Giacoia and George Tuska, letters by John Costanza, colors by Janice Cohen, edited by Archie Goodwin, ©1977 Toho Company Ltd. and Marvel Comics "A Tale of Two Saviors" - Godzilla #3, written by Doug Moench, art by Herb Trimpe with Tony DeZuniga, letters by Denise Wohl and Irv Watanabe, colors by Don Warfield, edited by Archie Goodwin, ©1977 Toho Company Ltd. and Marvel Comics "MONARCH by the Month" theme written and performed by Robb Milne. All incidental music by Robb Milne. Visit us on the internet (and buy some stuff) at marvelbythemonth.com, follow us on Bluesky at @marvelbythemonth.com and Instagram at @marvelbythemonth, and support us on Patreon at patreon.com/marvelbythemonth. Much of our historical context information comes from Wikipedia. Please join us in supporting them at wikimediafoundation.org. And many thanks to Mike's Amazing World of Comics, an invaluable resource for release dates and issue information. (RIP Mike.)

Ralph Macchio began editing Marvel's black-and-white magazine line in 1976 and remained with the company until his retirement 35 years later. Along the way, he edited Frank Miller's Daredevil, shepherded the early years of the original Ultimate line, and somehow managed to bring the seemingly endless Spider-Man Clone Saga to a conclusion. For 150 MINUTES of bonus content — including 20 more minutes of our conversation with Ralph Macchio, and our coverage of Machine Man #1 and Power Man/Iron Fist #50—plus 18 more issues in the Mighty MBTM Checklist—support us at patreon.com/marvelbythemonth. $5 a month gets you instant access to our bonus feed of over 200 extended and exclusive episodes. $10 a month lets you help pick the comics we cover in depth and gets you a shout-out at the end of the episode!   Stories Covered in this Episode: "... A Future Uncertain!" - Spider-Woman #1, written by Marv Wolfman, art by Carmine Infantino with Tony DeZuniga, letters by Joe Rosen, colors by Glynis Wein, edited by Marv Wolfman, ©1978 Marvel Comics   "Marvel by the Month" theme v. 4 written and performed by Robb Milne. All incidental music by Robb Milne. Visit us on the internet (and buy some stuff) at marvelbythemonth.com, follow us on Bluesky at @marvelbythemonth.com and Instagram at @marvelbythemonth, and support us on Patreon at patreon.com/marvelbythemonth. Much of our historical context information comes from Wikipedia. Please join us in supporting them at wikimediafoundation.org. And many thanks to Mike's Amazing World of Comics, an invaluable resource for release dates and issue information. (RIP Mike.)

Our Season 9 recap covers all of these issues, more or less: Amazing Adventures#32-39, Amazing Spider-Man #147-178 and Annual #10-11, Astonishing Tales#31-36, Avengers#138-169 and Annual #6-7, Black Goliath#1-5, Black Panther#1-8, Captain America #188-219 and Annual #3-4, Captain Marvel#40-55, Champions #1-17, Daredevil #124-151 and Annual #4, Defenders #26-57 and Annual #1, Doctor Strange (vol. 2) #9-27 and Annual #1, Eternals #1-19 and Annual #1, Fantastic Four #161-192 and Annual #11-12, Howard the Duck #1-22 and Annual #1, Incredible Hulk #190-221 and Annual #5-6, Inhumans #1-26, Invaders #1-26 and Annual #1, Iron Man #77-108 and Annual #3-4, Jungle Action #17-24, Ka-Zar #11-20, Marvel Comics Super Special #1, Marvel Premiere #24-40, Marvel Presents #1-12, Marvel Preview #4 and 8-12, Marvel Spotlight #23-33, Marvel Super-Action #1, Marvel Team-Up #36-67 and Annual #1, Marvel Treasury: Captain America's Bicentennial Battles, 2001: A Space Odyssey, and Howard the Duck, Marvel Two-In-One #11-37 and Annual #1-2, Ms. Marvel #1-15, Nova #1-18, , Omega the Unknown #1-10, Peter Parker, the Spectacular Spider-Man #1-16, Power Man #26-49, Strange Tales #181, Super-Villain Team-Up #1-14, Thor #238-269 and Annual #5-6, X-Men #94-109, Warlock #9-15, What If...? #1-7, Creatures on the Loose #37, Adventure Into Fear #29-31, Dead of Night #11, Ghost Rider #13-28, Man-Thing #20-22, Frankenstein #18, Tomb of Dracula #35-63, Werewolf by Night #32-43, Marvel Chillers #1-7, Son of Satan #1-8, Adventures on the Planet of the Apes #1-6, Master of Kung Fu #17-51, War Is Hell #9-15, Skull the Slayer #1-8, and Star Wars #1. All ©1975-1977 Marvel Comics. Phew! Support us on Patreon! Patreon supporters at the M.M.B.T.M.M.S. level get access to our subscriber-only feed, which contains over 200 extended versions of our regular episodes and exclusive bonus episodes that can't be heard anywhere else. Patrons at the Insider level get to choose the comics that we talk about each week and get a shout-out by name at the end of every episode. "Marvel by the Month" theme v. 3.0 by Robb Milne. All incidental music by Robb Milne. Visit us on internet at marvelbythemonth.com and follow us on Bluesky at @marvelbythemonth.com and on Instagram at @marvelbythemonth. Much of our historical context information comes from Wikipedia. Please join us in supporting them at wikimediafoundation.org. And many thanks to Mike's Amazing World of Comics, an invaluable resource for release dates and issue information. (RIP Mike.)

In the one-hundred-and-ninety-ninth episode, we look at the Appeal to Pity fallacy, starting with felling sorry for himself about the IRS, feigning empathy for the families of people killed by immigrants, and pretending he felt sorry for J6ers and their uncomfortable prison cells.In Mark's British Politics Corner, we look at Boris Johnson, Liz Truss, and Nigel Farage all claiming they were treated harshly by the 'establishment'.In the Fallacy in the Wild section, we check out examples from Chicago, Tangled, Spongebob, and The Amazing World of Gumball.Jim and Mark go head-to-head in Fake News, the game in which Mark has to guess which of three Trump quotes was made up by Jim.Then we talk about Abdul El Sayed winning the Democratic Primary for Michigan Senator.And finally, we round up some of the other crazy Trump stories from the past week.The full show notes for this episode can be found at https://fallacioustrump.com/ft199One of our favourite young listeners, Scarlett Garrett (One Eyed Nick's daughter), has signed up to travel to Cambodia in 2028 to do volunteer work helping local communities and has just started her fundraising for her trip. If you'd like to chip in, her GoFund me is here: https://gofund.me/fb032b741You can contact the guys at pod@fallacioustrump.com, on BlueSky @FallaciousTrump, Discord at fallacioustrump.com/discord or facebook at facebook.com/groups/fallacioustrumpAnd you can buy our T-shirts here: https://fallacioustrump.com/teeSubscribe to Fallacious Trump to make sure you never miss a logical fallacy. Rather than just mindless anti-Trump rhetoric, we apply skepticism and critical thinking to our Donald Trump analysis by exploring his liberal use of logical fallacies and cognitive biases, along with a bit of humor and news about US politics. (But there is also some of that much needed anti-Trump rhetoric.)Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

During our Season 9 hiatus, we've been covering the Paul Gulacy era of Master of Kung Fu. Episodes 2-14 have free previews on our public feed. Become a Patron if you want to hear the full episodes, plus over 200 extended and exclusive bonus episodes!   Stories Covered in this Episode:  "Brass and Blackness (A Death Move!)" - Master of Kung Fu #51, written by Doug Moench, art by Jim Craig with Pablo Marcos, letters by Denise Wohl, colors by Don Warfield, edited by Archie Goodwin, ©1976 Marvel Comics   "MASTER (of Kung Fu) by the Month" theme written and performed by Robb Milne. All incidental music by Robb Milne. Visit us on the internet (and buy some stuff) at marvelbythemonth.com, follow us on Bluesky at @marvelbythemonth.com and Instagram (for now) at @marvelbythemonth, and support us on Patreon at patreon.com/marvelbythemonth. Much of our historical context information comes from Wikipedia. Please join us in supporting them at wikimediafoundation.org. And many thanks to Mike's Amazing World of Comics, an invaluable resource for release dates and issue information. (RIP Mike.)

Owls are magnificent animals that share our cities with us, and live in some of the most extreme environments on Earth. They range in size from huge, like the Blakiston's Fish-Owl of Eastern Asia, to the songbird-sized Elf Owl, weighing less than half a deck of cards. Owls play key roles in their ecosystems and even help control pests such as non-native rodents. By giving these amazing birds their space when they're nesting, preserving habitats where they breed and hunt, and avoiding rodenticides that could poison their prey, we can help ensure a safe future for our world's incredible owls. More info and transcript at BirdNote.org. Want more BirdNote? Subscribe to our weekly newsletter. Sign up for BirdNote+ to get ad-free listening and other perks.  BirdNote is a nonprofit. Your tax-deductible gift makes these shows possible.   Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Why do mosquitoes seem to feast on some people while barely bothering others? It turns out your attractiveness to mosquitoes has much less to do with "sweet blood" than with your body chemistry, the carbon dioxide you exhale, and even your skin microbes. Understanding what really attracts mosquitoes can help you avoid becoming their favorite summertime meal. https://hartfordhealthcare.org/about-us/news-press/news-detail?articleId=42234&publicid=395# Most people think eating healthier means giving up the foods they love and following a restrictive diet. Unfortunately, that's one reason so many diets fail. According to nutrition expert Dr. Sarah Ballantyne, you don't need to obsess over what you can't eat. Instead, the key is making sure your body gets the nutrients it needs while working with the foods you already enjoy. Dr. Ballantyne is founder of Nutrivore.com and author of Nutrivore: The Radical New Science for Getting the Nutrients You Need from the Food You Eat (https://amzn.to/4cREoPN). She explains how a simple shift in thinking can make healthy eating both easier and more sustainable. Few animals are as disliked as rats. They've been blamed for spreading disease, destroying property, and invading our homes for centuries. Yet rats are among the most adaptable and intelligent mammals on Earth. They've followed humans around the globe, thriving almost everywhere we live, and their remarkable survival skills reveal an animal that's far more sophisticated than its terrible reputation suggests. Joe Shute is an award-winning journalist and author of Stowaway: The Disreputable Exploits of the Rat (https://amzn.to/3WiYzPl). He shares the fascinating history of rats, why they have become such successful survivors, and why you may see these much-maligned rodents in a very different light after hearing his story. Most meetings are held around a conference table because... well, that's just how meetings are done. But research suggests the way people are physically arranged during a meeting can have a surprising impact on how they think, contribute, and work together. There is one simple change that can dramatically alter the dynamics of almost any meeting. https://www.inc.com/jessica-stillman/how-to-make-your-team-more-collaborative.html PLEASE SUPPORT OUR SPONSORS WAYFAIR: Ready to upgrade your home for way less? Head to ⁠⁠⁠⁠https://Wayfair.com⁠⁠⁠⁠ right now to shop all things home and get your space ready for less.  QUINCE: Elevate your summer wardrobe. Go to ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://Quince.com/sysk⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ for free shipping on your order and 365-day returns. Now available in Canada, too! SHOPIFY: It's time to turn those "what ifs" into CHA CHING with Shopify Today! Sign up for your $1 per month trail and start selling today at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://Shopify.com/sysk⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ INDEED: Get a $75 Sponsored Job credit to help get your job the premium status it deserves at ⁠⁠⁠https://Indeed.com/PODCAST⁠⁠⁠ Learn more about your ad choices. Visit megaphone.fm/adchoices

Every week during our Season 9 hiatus, we're covering the Paul Gulacy era of Master of Kung Fu. Check out the first issue in the free preview, and become a Patron if you want to hear the rest of the episode, plus over 200 extended and exclusive bonus episodes.   Stories Covered in this Episode:  "City in the Top of the World" - Master of Kung Fu #48, written by Doug Moench with Paul Gulacy, art by Paul Gulacy with Jack Abel and Pablo Marcos, letters by Denise Wohl, colors by Janice Cohen, edited by Archie Goodwin, ©1976 Marvel Comics "The Affair of the Agent Who Died!" - Master of Kung Fu #49, written by Doug Moench, art by Paul Gulacy with Pablo Marcos, letters by Denise Wohl, colors by Janice Cohen, edited by Archie Goodwin, ©1976 Marvel Comics "The Dreamslayer!" - Master of Kung Fu #50, written by Doug Moench, art by Paul Gulacy with Mike Esposito, letters by John Costanza, colors by Janice Cohen, edited by Archie Goodwin, ©1976 Marvel Comics   "MASTER (of Kung Fu) by the Month" theme written and performed by Robb Milne. All incidental music by Robb Milne. Visit us on the internet (and buy some stuff) at marvelbythemonth.com, follow us on Bluesky at @marvelbythemonth.com and Instagram (for now) at @marvelbythemonth, and support us on Patreon at patreon.com/marvelbythemonth. Much of our historical context information comes from Wikipedia. Please join us in supporting them at wikimediafoundation.org. And many thanks to Mike's Amazing World of Comics, an invaluable resource for release dates and issue information. (RIP Mike.)

Every week during our Season 9 hiatus, we're covering the Paul Gulacy era of Master of Kung Fu. Check out the first issue in the free preview, and become a Patron if you want to hear the rest of the episode, plus over 200 extended and exclusive bonus episodes.   Stories Covered in this Episode:  "The Death Seed!" - Master of Kung Fu #45, written by Doug Moench, art by Paul Gulacy with Pablo Marcos, letters by John Costanza, colors by Petra Goldberg, edited by Archie Goodwin, ©1976 Marvel Comics "The Spider Spell!" - Master of Kung Fu #46, written by Doug Moench, art by Paul Gulacy with Pablo Marcos, letters by Joe Rosen, colors by Petra Goldberg, edited by Archie Goodwin, ©1976 Marvel Comics "Phantom Sand" - Master of Kung Fu #47, written by Doug Moench, art by Paul Gulacy with Pablo Marcos, letters by Joe Rosen, colors by Hugh Paley, edited by Archie Goodwin, ©1976 Marvel Comics   "MASTER (of Kung Fu) by the Month" theme written and performed by Robb Milne. All incidental music by Robb Milne. Visit us on the internet (and buy some stuff) at marvelbythemonth.com, follow us on Bluesky at @marvelbythemonth.com and Instagram (for now) at @marvelbythemonth, and support us on Patreon at patreon.com/marvelbythemonth. Much of our historical context information comes from Wikipedia. Please join us in supporting them at wikimediafoundation.org. And many thanks to Mike's Amazing World of Comics, an invaluable resource for release dates and issue information. (RIP Mike.)

Every week during our Season 9 hiatus, we're covering the Paul Gulacy era of Master of Kung Fu. Check out the first issue in the free preview, and become a Patron if you want to hear the rest of the episode, plus over 200 extended and exclusive bonus episodes.   Stories Covered in this Episode:  "The Clock of Shattered Time" - Master of Kung Fu #42, written by Doug Moench, art by Paul Gulacy with Tom Sutton, letters by Denise Wohl, colors by Don Warfield, edited by Marv Wolfman, ©1976 Marvel Comics "A Flash of Purple Sparks" - Master of Kung Fu #43, written by Doug Moench, art by Paul Gulacy with Jack Abel, letters by Gaspar Saladino, colors by Petra Goldberg, edited by Marv Wolfman, ©1976 Marvel Comics "Prelude: Golden Daggers (A Death Run)" - Master of Kung Fu #44, written by Doug Moench, art by Paul Gulacy with Jack Abel, letters by Annette Kawecki, colors by Don Warfield, edited by Archie Goodwin, ©1976 Marvel Comics   "MASTER (of Kung Fu) by the Month" theme written and performed by Robb Milne. All incidental music by Robb Milne. Visit us on the internet (and buy some stuff) at marvelbythemonth.com, follow us on Bluesky at @marvelbythemonth.com and Instagram (for now) at @marvelbythemonth, and support us on Patreon at patreon.com/marvelbythemonth. Much of our historical context information comes from Wikipedia. Please join us in supporting them at wikimediafoundation.org. And many thanks to Mike's Amazing World of Comics, an invaluable resource for release dates and issue information. (RIP Mike.)

Every week during our Season 9 hiatus, we're covering the Paul Gulacy era of Master of Kung Fu. Check out the first issue in the free preview, and become a Patron if you want to hear the rest of the episode, plus over 200 extended and exclusive bonus episodes.   Stories Covered in this Episode:  "Slain In Secrecy, And By Illusion!" - Master of Kung Fu #41, written by Doug Moench, art by Sal Buscema and Mike Esposito, letters by John Costanza, colors by Petra Goldberg, edited by Marv Wolfman, ©1976 Marvel Comics "The Fortress of S'ahra Sharn!" - Master of Kung Fu Annual #1, written by Doug Moench, art by Keith Pollard with John Tartaglione and Duffy Voland, letters by Jean Hipp, colors by Petra Goldberg, edited by Marv Wolfman, ©1976 Marvel Comics   "MASTER (of Kung Fu) by the Month" theme written and performed by Robb Milne. All incidental music by Robb Milne. Visit us on the internet (and buy some stuff) at marvelbythemonth.com, follow us on Bluesky at @marvelbythemonth.com and Instagram (for now) at @marvelbythemonth, and support us on Patreon at patreon.com/marvelbythemonth. Much of our historical context information comes from Wikipedia. Please join us in supporting them at wikimediafoundation.org. And many thanks to Mike's Amazing World of Comics, an invaluable resource for release dates and issue information. (RIP Mike.)

  Welcome to another summer miniseries on The Amazing World of Radio! This time around, we're featuring actors who played memorable killers on Columbo and revisiting their work from the Golden Age of Radio. Our first featured performer is Eddie Albert, who appeared in the Season One Columbo episode “Dead Weight” as Major General Martin…

Every week during our Season 9 hiatus, we're covering the Paul Gulacy era of Master of Kung Fu. Check out the first issue in the free preview, and become a Patron if you want to hear the rest of the episode, plus over 200 extended and exclusive bonus episodes.   Stories Covered in this Episode:  "Cat" - Master of Kung Fu #38, written by Doug Moench, art by Paul Gulacy with Dan Adkins, letters by Annette Kawecki, colors by Petra Goldberg, edited by Marv Wolfman, ©1975 Marvel Comics "Fight Without Pity" - Master of Kung Fu #39, written by Doug Moench, art by Paul Gulacy with Dan Adkins, letters by Annette Kawecki, colors by George Roussos, edited by Marv Wolfman, ©1976 Marvel Comics "The Murder Agency" - Master of Kung Fu #40, written by Doug Moench, art by Paul Gulacy, letters by Annette Kawecki, colors by Petra Goldberg, edited by Marv Wolfman, ©1976 Marvel Comics   "MASTER (of Kung Fu) by the Month" theme written and performed by Robb Milne. All incidental music by Robb Milne. Visit us on the internet (and buy some stuff) at marvelbythemonth.com, follow us on Bluesky at @marvelbythemonth.com and Instagram (for now) at @marvelbythemonth, and support us on Patreon at patreon.com/marvelbythemonth. Much of our historical context information comes from Wikipedia. Please join us in supporting them at wikimediafoundation.org. And many thanks to Mike's Amazing World of Comics, an invaluable resource for release dates and issue information. (RIP Mike.)

Every week during our Season 9 hiatus, we're covering the Paul Gulacy era of Master of Kung Fu. Check out the first issue in the free preview, and become a Patron if you want to hear the rest of the episode, plus over 200 extended and exclusive bonus episodes.   Stories Covered in this Episode:  "Death-Hand and the Sun of Mordillo" - Master of Kung Fu #35, written by Doug Moench, art by Paul Gulacy with Dan Adkins, letters by Joe Rosen, colors by George Roussos, edited by Marv Wolfman, ©1975 Marvel Comics "Cages of Myth, Menagerie of Mirrors!" - Master of Kung Fu #36, written by Doug Moench, art by Keith Pollard with Sal Trapani, letters by John Costanza, colors by Petra Goldberg, edited by Marv Wolfman, ©1975 Marvel Comics "Web of Dark Death!" - Master of Kung Fu #37, written by Doug Moench, art by Keith Pollard with Sal Trapani, letters by John Costanza, colors by Janice Cohen, edited by Marv Wolfman, ©1975 Marvel Comics   "MASTER (of Kung Fu) by the Month" theme written and performed by Robb Milne. All incidental music by Robb Milne. Visit us on the internet (and buy some stuff) at marvelbythemonth.com, follow us on Bluesky at @marvelbythemonth.com and Instagram (for now) at @marvelbythemonth, and support us on Patreon at patreon.com/marvelbythemonth. Much of our historical context information comes from Wikipedia. Please join us in supporting them at wikimediafoundation.org. And many thanks to Mike's Amazing World of Comics, an invaluable resource for release dates and issue information. (RIP Mike.)

All music by Robb Milne. Visit us on the internet (and buy some stuff) at marvelbythemonth.com, follow us on Bluesky at @marvelbythemonth.com and Instagram at @marvelbythemonth, and support us on Patreon at patreon.com/marvelbythemonth. Much of our historical context information comes from Wikipedia. Please join us in supporting them at wikimediafoundation.org. And many thanks to Mike's Amazing World of Comics, an invaluable resource for release dates and issue information. (RIP Mike.)

Every week during our Season 9 hiatus, we're covering the Paul Gulacy era of Master of Kung Fu. Check out the first issue in the free preview, and become a Patron if you want to hear the rest of the episode, plus over 200 extended and exclusive bonus episodes.   Stories Covered in this Episode:  "Assault on an Angry Sea!" - Master of Kung Fu #32, written by Doug Moench, art by Sal Buscema and Mike Esposito, letters by Karen Mantlo, colors by George Roussos, edited by Len Wein, ©1975 Marvel Comics "Wicked Messenger of Madness" - Master of Kung Fu #33, written by Doug Moench, art by Paul Gulacy with Dan Adkins, letters by John Costanza, colors by Janice Cohen, edited by Len Wein, ©1975 Marvel Comics "Cyclone at the Center of a Madman's Crown!" - Master of Kung Fu #34, written by Doug Moench, art by Paul Gulacy with Dan Adkins, letters by John Costanza, colors by Janice Cohen, edited by Marv Wolfman, ©1975 Marvel Comics   "MASTER (of Kung Fu) by the Month" theme written and performed by Robb Milne. All incidental music by Robb Milne. Visit us on the internet (and buy some stuff) at marvelbythemonth.com, follow us on Bluesky at @marvelbythemonth.com and Instagram (for now) at @marvelbythemonth, and support us on Patreon at patreon.com/marvelbythemonth. Much of our historical context information comes from Wikipedia. Please join us in supporting them at wikimediafoundation.org. And many thanks to Mike's Amazing World of Comics, an invaluable resource for release dates and issue information. (RIP Mike.)

Natasha Hodgson is a British writer, performer, and composer for theatre, television, and audio. As a co-founder of the theatre company Spit-Lip, she co-created, co-wrote, and co-composed Operation Mincemeat, the wildly inventive musical that began life at the New Diorama Theatre in 2019 before evolving through multiple runs to become a West End phenomenon.In 2024, the show won the Olivier Award for Best New Musical, with my guest also nominated for Best Actress for her performance as Ewen Montagu. In 2025 she continued the role on Broadway, where the production opened to critical acclaim and multiple Tony nominations. Alongside her theatre work, she has written for television series including Don't Hug Me I'm Scared, The Amazing World of Gumball, and Bravest Warriors, and created the acclaimed BBC Sounds comedy series The Sink. Across stage and screen, her work combines sharp wit, musical invention, and a flair for ensemble storytelling.Why on Earth Have I Seen the Same Broadway Show 13 Times? An Investigation - Taffy Brodesser-Akner, New York Times Magazine.Operation Mincemeat Official WebsiteBecome a My Perfect Console supporter and receive a range of benefits at www.patreon.com/myperfectconsoleTake the Acast listener survey to help shape the show: My Perfect Console with Simon Parkin Survey 2025 Hosted on Acast. See acast.com/privacy for more information.

Every week during our Season 9 hiatus, we're covering three issues of Paul Gulacy's run on Master of Kung Fu. Check out the first issue in the free preview, and become a Patron if you want to hear the rest of the episode, plus over 200 extended and exclusive bonus episodes.   Stories Covered in this Episode:  "The Crystal Connection" - Master of Kung Fu #29, written by Doug Moench, art by Paul Gulacy, letters by Tom Orzechowski, colors by Janice Cohen, edited by Len Wein, ©1975 Marvel Comics "A Gulf of Lions" - Master of Kung Fu #30, written by Doug Moench, art by Paul Gulacy with Dan Adkins, letters by Artie Simek, colors by Janice Cohen, edited by Len Wein, ©1975 Marvel Comics "Snowbuster" - Master of Kung Fu #31, written by Doug Moench, art by Paul Gulacy with Dan Adkins, letters by Karen Mantlo, colors by Janice Cohen, edited by Len Wein, ©1975 Marvel Comics   "MASTER (of Kung Fu) by the Month" theme written and performed by Robb Milne. All incidental music by Robb Milne. Visit us on the internet (and buy some stuff) at marvelbythemonth.com, follow us on Bluesky at @marvelbythemonth.com and Instagram (for now) at @marvelbythemonth, and support us on Patreon at patreon.com/marvelbythemonth. Much of our historical context information comes from Wikipedia. Please join us in supporting them at wikimediafoundation.org. And many thanks to Mike's Amazing World of Comics, an invaluable resource for release dates and issue information. (RIP Mike.)

For 90 MINUTES of bonus content — including our coverage of Howard the Duck #22, plus 16 more issues in the Mighty MBTM Checklist  — support us at patreon.com/marvelbythemonth. $5 a month gets you instant access to our bonus feed of over 200 extended and exclusive episodes. $10 a month lets you help pick the comics we cover in depth and gets you a shout-out at the end of the episode!   Stories Covered in this Episode: "Tigra Tigra, Burning Bright!" - Marvel Team-Up #67, written by Chris Claremont, art by John Byrne with Dave Hunt, letters by Annette Kawecki, colors by Dave Hunt, edited by Archie Goodwin, ©1977 Marvel Comics "Crisis!" - Daredevil #151, written by Gil Kane, Jim Shooter, and Roger McKenzie, art by Gil Kane and Klaus Janson, letters by Bruce Patterson, colors by Klaus Janson, edited by Archie Goodwin, ©1977 Marvel Comics   "Marvel by the Month" theme v. 4 written and performed by Robb Milne. All incidental music by Robb Milne. Visit us on the internet (and buy some stuff) at marvelbythemonth.com, follow us on Bluesky at @marvelbythemonth.com and Instagram at @marvelbythemonth, and support us on Patreon at patreon.com/marvelbythemonth. Much of our historical context information comes from Wikipedia. Please join us in supporting them at wikimediafoundation.org. And many thanks to Mike's Amazing World of Comics, an invaluable resource for release dates and issue information. (RIP Mike.)

Reptiles are not only deadly and numerous, they are also creatures who have some of the most bizarre behaviours in the world. Inhabiting every single land mass with the exception of Antarctica, reptiles are everywhere. Reptiles are generally classified into four main groups; crocodiles and alligators, lizards, snakes and turtles and tortoises. They are all cold-blooded, which means they rely on external sources to regulate their body temperature. They also have cool, dry skin, which is either scaly or joined together with bony plates. Reptiles are also not very hands-on parents. Though alligators raise their young over a period of two years, they are the exception and not the rule. Generally, reptiles lay their eggs in a simple nest and then abandon their young. Reptiles are also masters of disguise, using camouflage as a mechanism for self-defence often. This week we will explore the weird and wonderful world of reptiles; their habits, behaviours and some of the strange methods they use to keep themselves safe.

Every other week, we focus on a Marvel series that sits on the fringes of mainstream Marvel continuity. The first episode of every new series that we cover is available on the public feed. The rest of the episodes are exclusive to our Patreon supporters. Not a Patron yet? Support us at patreon.com/marvelbythemonth for just $5 a month to get instant access to our bonus feed of nearly 200 extended and exclusive episodes!   Stories Covered in this Episode:  "Fires of Rebirth" - Giant-Size Master of Kung Fu #3, written by Doug Moench, art by Paul Gulacy with Vince Colletta, letters by Tom Orzechowski, colors by Bill Mantlo, edited by Len Wein, ©1974 Marvel Comics "Daughter of Darkness!" - Master of Kung Fu #26, written by Doug Moench, art by Keith Pollard with Sal Trapani, letters by Charlotte Jetter, colors by George Roussos, edited by Len Wein, ©1974 Marvel Comics "Confrontation" - Master of Kung Fu #27, written by Doug Moench, art by John Buscema with Frank Springer, letters by John Costanza, colors by Janice Cohen, edited by Len Wein, ©1975 Marvel Comics   "MASTER (of Kung Fu) by the Month" theme written and performed by Robb Milne. All incidental music by Robb Milne. Visit us on the internet (and buy some stuff) at marvelbythemonth.com, follow us on Bluesky at @marvelbythemonth.com and Instagram (for now) at @marvelbythemonth, and support us on Patreon at patreon.com/marvelbythemonth. Much of our historical context information comes from Wikipedia. Please join us in supporting them at wikimediafoundation.org. And many thanks to Mike's Amazing World of Comics, an invaluable resource for release dates and issue information. (RIP Mike.)

For TWO HOURS of bonus content — including our coverage of the next chapter of the Korvac Saga in Avengers #168, plus a special crossover Mighty MBTM Checklist featuring The Comics Canon's Robb Milne and Screw It, We're Just Gonna Talk About Comics' Jamie Wenger — support us at patreon.com/marvelbythemonth. $5 a month gets you instant access to our bonus feed of almost 200 extended and exclusive episodes. $10 a month lets you help pick the comics we cover in depth and gets you a shout-out at the end of the episode!   Stories Covered in this Episode: "Seagate Is a Lonely Place to Die!" - Power Man #49, written by Chris Claremont, art by John Byrne with Dan Green, letters by Annette Kawecki, colors by Francoise Mouly and Ken Klaczak, edited by Archie Goodwin, ©1977 Marvel Comics "Home Are the Heroes!" - X-Men #109, written by Chris Claremont, art by John Byrne with Terry Austin, letters by Joe Rosen, colors by Andy Yanchus, edited by Archie Goodwin, ©1977 Marvel Comics   "Marvel by the Month" theme v. 4 written and performed by Robb Milne. All incidental music by Robb Milne. Visit us on the internet (and buy some stuff) at marvelbythemonth.com, follow us on Bluesky at @marvelbythemonth.com and Instagram (for now) at @marvelbythemonth, and support us on Patreon at patreon.com/marvelbythemonth. Much of our historical context information comes from Wikipedia. Please join us in supporting them at wikimediafoundation.org. And many thanks to Mike's Amazing World of Comics, an invaluable resource for release dates and issue information. (RIP Mike.)

For TWO HOURS of bonus content — including our coverage of the next chapter of the Korvac Saga in Avengers #168, plus a special crossover Mighty MBTM Checklist featuring The Comics Canon's Robb Milne and Screw It, We're Just Gonna Talk About Comics' Jamie Wenger — support us at patreon.com/marvelbythemonth. $5 a month gets you instant access to our bonus feed of almost 200 extended and exclusive episodes. $10 a month lets you help pick the comics we cover in depth and gets you a shout-out at the end of the episode!   Stories Covered in this Episode: "Seagate Is a Lonely Place to Die!" - Power Man #49, written by Chris Claremont, art by John Byrne with Dan Green, letters by Annette Kawecki, colors by Francoise Mouly and Ken Klaczak, edited by Archie Goodwin, ©1977 Marvel Comics "Home Are the Heroes!" - X-Men #109, written by Chris Claremont, art by John Byrne with Terry Austin, letters by Joe Rosen, colors by Andy Yanchus, edited by Archie Goodwin, ©1977 Marvel Comics   "Marvel by the Month" theme v. 4 written and performed by Robb Milne. All incidental music by Robb Milne. Visit us on the internet (and buy some stuff) at marvelbythemonth.com, follow us on Bluesky at @marvelbythemonth.com and Instagram at @marvelbythemonth, and support us on Patreon at patreon.com/marvelbythemonth. Much of our historical context information comes from Wikipedia. Please join us in supporting them at wikimediafoundation.org. And many thanks to Mike's Amazing World of Comics, an invaluable resource for release dates and issue information. (RIP Mike.)

Every other week, we focus on a Marvel series that sits on the fringes of mainstream Marvel continuity. The first episode of every new series that we cover is available on the public feed. The rest of the episodes are exclusive to our Patreon supporters. Not a Patron yet? Support us at patreon.com/marvelbythemonth for just $5 a month to get instant access to our bonus feed of nearly 200 extended and exclusive episodes!   Stories Covered in this Episode:  "Fires of Rebirth" - Giant-Size Master of Kung Fu #3, written by Doug Moench, art by Paul Gulacy with Vince Colletta, letters by Tom Orzechowski, colors by Bill Mantlo, edited by Len Wein, ©1974 Marvel Comics "Daughter of Darkness!" - Master of Kung Fu #26, written by Doug Moench, art by Keith Pollard with Sal Trapani, letters by Charlotte Jetter, colors by George Roussos, edited by Len Wein, ©1974 Marvel Comics "Confrontation" - Master of Kung Fu #27, written by Doug Moench, art by John Buscema with Frank Springer, letters by John Costanza, colors by Janice Cohen, edited by Len Wein, ©1975 Marvel Comics   "MASTER (of Kung Fu) by the Month" theme written and performed by Robb Milne. All incidental music by Robb Milne. Visit us on the internet (and buy some stuff) at marvelbythemonth.com, follow us on Bluesky at @marvelbythemonth.com and Instagram (for now) at @marvelbythemonth, and support us on Patreon at patreon.com/marvelbythemonth. Much of our historical context information comes from Wikipedia. Please join us in supporting them at wikimediafoundation.org. And many thanks to Mike's Amazing World of Comics, an invaluable resource for release dates and issue information. (RIP Mike.)

LAST 20 MINUTES OF THIS EPISODE & THE WINNER WILL BE ONLY ON PATREON!! (Really sorry for the inconvenience, NOT A MARKETING PLOY WE SWEAR) As also for more weekly bonus content, weekly movie watchalongs, and the ever coveted INTERNAL AFFAIRS. The runaway hit of the patreon where we go BTS of the pod and talk about all the DIRT going on in the comedy world. From Kill Tony, Legion of Skanks Drama, and much more go to... https://www.patreon.com/c/TheModernApes What's good team, I hop e that you guys are enjoyed the Luis J. Gomez episode last week. Also keep blasting those votes for the Tristan as the 3rd chair on Legion of Skanks, as it all helps. This week in honor of March Madness we doing our own version of it with "Modern Cartoon March Madness." You guys liked the Bracket Warz style episodes we have done in the past, with the "Bird Wars" and 'Candy Warz" so we thought we would run it back to find what the best cartoon of all time is. Of course Tristan has a little more of a dark adult cartoon taste. While Daniel lives in the nostalgia of old kids cartoons from his past. With a mix of Nickelodeon and Cartoon Network shows thrown in the mix with some Disney and a few random outliers. Make sure to leave a like and a comment for the boys so they can sky rocket this thing right to the moon baby!! Tell a friend about the cast and enjoy!! Tristan Bowling Instagram: https://www.instagram.com/tristanisacomedian/ Daniel Bridge-Gadd Instagram: https://www.instagram.com/daniel_bridge_gadd/ Modern Apes Page: Instagram: https://www.instagram.com/the_modern_apes/ EPISODE CHAPTERS : 0:00-7:30 (Opening Riffs) 7:30-9:35 (Over The Garden Wall vs. Phineas and Ferb) 9:35-11:05 (Ben 10 vs. Kim Possible) 11:05-13:03 (Total Drama Island vs. Regular Show) 13:03-16:05 (SpongeBob vs. The Power Puff Girls) 16:05-17:17 (South Park vs. Paradise PD) 17:17-21:16 (Johnny Test vs. The Boondocks) 21:16-25:29 (Amazing World of Gumball vs. Codename Kids Next Door) 25:29-26:08 (Family Guy vs. American Dragon Jake Long) 26:08-28:25 (Phineas & Ferb vs. Kim Possible) 28:25-30:03 (Regular Show vs. SpongeBob) 30:03-31:07 (South Park vs. The Boondocks) 31:07-32:00 (Codename Kids Next Door vs. Family Guy) 32:00-32:35 (Kim Possible vs. SpongeBob) 32:35-33:55 (South Park vs. Family guy) 33:55-36:14 (SpongeBob vs. Family Guy) 36:15-40:41 (Scooby Doo vs. Ed Edd & Eddy) 40:41-44:55 (Adventure Time vs. American Dad) 44:55-46:56 (Gravity Falls vs. Some Nonsense Show) 46:56-47:18 (Dexter's Laboratory vs. Steven Universe) 47:18-49:49 (Rick and Morty vs. Super Robot Monkey Team Hyper Force Go!) 49:49-51:58 (The Simpsons & Lilo & Stitch) 51:58-53:41 (Avatar The Last Air Bender vs. Teen Titans) 53:41-55:48 (The Cleveland Show vs. The Fairly Odd Parents) All of the Rest of the episode can be found on Patreon! Learn more about your ad choices. Visit megaphone.fm/adchoices

For 90 MINUTES of bonus content — including our coverage of the return of Skull the Slayer in Marvel Two-In-One #35, plus 18 more Marvel comics in the Mighty MBTM Checklist — support us at patreon.com/marvelbythemonth. $5 a month gets you instant access to our bonus feed of almost 200 extended and exclusive episodes. $10 a month lets you help pick the comics we cover in depth and gets you a shout-out at the end of the episode!   Stories Covered in this Episode: "Introducing, Captain Britain" - Marvel Team-Up #65, written by Chris Claremont, art by John Byrne with Dave Hunt, letters by Bruce Patterson, colors by Dave Hunt, edited by Archie Goodwin, ©1977 Marvel Comics "Tomorrow Dies Today!" - Avengers #167, written by Jim Shooter, art by George Pérez with Pablo Marcos, letters by Joe Rosen, colors by Phil Rachelson, edited by Archie Goodwin, ©1977 Marvel Comics   "Marvel by the Month" theme v. 4 written and performed by Robb Milne. All incidental music by Robb Milne. Visit us on the internet (and buy some stuff) at marvelbythemonth.com, follow us on Bluesky at @marvelbythemonth.com and Instagram (for now) at @marvelbythemonth, and support us on Patreon at patreon.com/marvelbythemonth. Much of our historical context information comes from Wikipedia. Please join us in supporting them at wikimediafoundation.org. And many thanks to Mike's Amazing World of Comics, an invaluable resource for release dates and issue information. (RIP Mike.)

Al & Val reunite with new and old mummy pals, including Adam Wylie, who had the distinction of being in the first and last ever DCOM.Listen in the first 10min for an announcement on the show's future (GOOD NEWS!)Under Wraps 2 (September 25, 2022) IMDB WikipediaDirected by Alex Zamm (My Date with the President's Daughter, A Christmas Prince, Under Wraps, The Baxters)Written by Josh A. Cagan (The Duff, Kim Possible movie, Upside Down Magic, Spin, Zombies 4)Starring: Malachi Barton as Marshall (Under Wraps, Stuck in the Middle, Dora and the Lost City of Gold, Fancy Nancy, The Villains of Valley View, Zombies 4 & 5)Christian J. Simon as Gilbert (Under Wraps, The Amazing World of Gumball, Disney Animals, Sydney to the Max, T.O.T.S.)Sophia Hammons as Amy (Under Wraps, The Social Dilemma, Up Here, Freakier Friday)Phil Wright as Harold (Under Wraps)Melanie Brook as Buzzy (Under Wraps)Jordan Conley as Larry (character actor)Rryla McIntosh as Rose (character actor - hallmark movies)T.J. Storm as Sobek (character & voice actor - V.R. Troopers, Conan the Adventurer, Resident Evil, Streetfighter, League of Legends)Claude Knowlton as Pop (character actor - Lizzie McGuire Movie)Antonio Cayonne as Carl (character actor - Christmas movies)Adam Wylie as Bueller (OG Under Wraps, Can of Worms)Synopsis: Three friends, Amy, Gilbert and Marshall, prepare for a wedding. However, they spring into action when they learn their mummy pal, Harold, and his beloved Rose face the wrath of an evil mummy with a 1,000-year-old grudge.Fun Facts: First non-musical sequel since Twitches Too (2007)First DCOM to premiere in September since Camp Rock 2 (2012)First DCOM to premiere on a day other than Friday since Starstruck (2010)First Halloween DCOM to not premiere in OctoberNext Movie: Prom PactCreators & Guests Allie Ring - Host Val Agnew - Host ★ Support this podcast on Patreon ★

Every other week, we focus on a Marvel series that sits on the fringes of mainstream Marvel continuity. The first episode of every new series that we cover is available on the public feed. The rest of the episodes are exclusive to our Patreon supporters. Not a Patron yet? Support us at patreon.com/marvelbythemonth for just $5 a month to get instant access to our bonus feed of nearly 200 extended and exclusive episodes!   Stories Covered in this Episode:  "River of Death!" - Master of Kung Fu #23, written by Doug Moench, art by Al Milgrom and Klaus Janson, letters by John Costanza, colors by Linda Lessmann, edited by Roy Thomas, ©1974 Marvel Comics "Massacre Along the Amazon!" - Master of Kung Fu #24, written by Doug Moench, art by Al Milgrom, Jim Starlin, Alan Weiss, and Walt Simonson, letters by Dave Hunt, colors by Petra Goldberg, edited by Roy Thomas, ©1974 Marvel Comics "Rites of Courage, Fists of Death!" - Master of Kung Fu #25, written by Doug Moench, art by Paul Gulacy with Sal Trapani, letters by John Costanza, colors by Bill Mantlo, edited by Roy Thomas, ©1974 Marvel Comics   "MASTER (of Kung Fu) by the Month" theme written and performed by Robb Milne. All incidental music by Robb Milne. Visit us on the internet (and buy some stuff) at marvelbythemonth.com, follow us on Bluesky at @marvelbythemonth.com and Instagram (for now) at @marvelbythemonth, and support us on Patreon at patreon.com/marvelbythemonth. Much of our historical context information comes from Wikipedia. Please join us in supporting them at wikimediafoundation.org. And many thanks to Mike's Amazing World of Comics, an invaluable resource for release dates and issue information. (RIP Mike.)

Weirdumentary has a forward by Stephen Bissette who wrote a book also likely to be of interest to listeners: Cryptid Cinema (affiliate link) (A follow-up to that book is under construction and will include research by your's truly about the "4-walling" tour of the PGF.) I linked to Feral House's page for Weirdumentary above at the request of Gary. If you're curious about their catalog, we talked with their owner recently about monstrous food and they also produced Al Ridenour's new book about Carnival. This is not a complete list of the films in the book - and it also covers a few TV series including In Search Of... and Arthur C. Clarke's _____ (he had three ITV series covering topics similar to ISO with each season getting a slightly different name). 1970: Chariots of the Gods, The Unexplained 1971: The Hellstrom Chronicles, The Man Who Saw Tomorrow 1972: Bigfoot Man or Beast, Monsters! Mysteries or Myths?, The Devil's Triangle, The Legend of Boggy Creek 1973: In Search of Ancient Astronauts 1974: Deadly Fathoms, In Search of Ancient Mysteries, In Search of Dracula, UFOs: Past, Present and Future 1975: Mysteries from Beyond Earth, The Force Beyond, The Legendary Curse of the Hope Diamond, The Man of Miracles, The Outer Space Connection 1976: Beyond Belief, In Search of Noah's Ark, Mysteries of the Gods, The Amazing World of Psychic Phenomena, The Legend of Bigfoot, The Legend of Loch Ness, The Miracle Healers, The Mysterious Monsters, World Beyond Death 1977: Aliens from Spaceship Earth, Journey into the Beyond, Mysteries of the Great Pyramid, The Lincoln Conspiracy, The Underground Doctors, The Unknown Force 1978: Are We Alone in the Universe?, Beyond and Back, Curse of the Mayan Temple, Manbeast! Myth or Monster?, Mysteries from Beyond the Triangle, Mysteries of the Mind, Mystery of the Sacred Shroud, Secret of the Bermuda Triangle, The Amazing World of Ghosts, The Late Great Planet Earth, The Lost City of Atlantis, The UFO Journals, UFO - Exclusive! , UFO: Top Secret, Unknown Powers, World of the Unknown 1979: Attack from Outer Space, Charles Berlitz's The Bermuda Triangle, Death: The Ultimate Mystery, Encounter with Disaster, Hypnosis and Beyond, In Search of the Historic Jesus, The Doomsday Chronicles, The Prophecies of Nostradamus, UFOs Are Real, World of Mystery 1980: Arthur C. Clarke's Mysterious World (TV), Land of Celtic Ghosts, Mysteries of the Mind, UFO Syndrome 1981: Search for the Titanic

For TWO HOURS of bonus content — including our coverage of the conclusion of Iron Fist's solo series in Marvel Team-Up #64, plus 18 more Marvel comics in the Mighty MBTM Checklist — support us at patreon.com/marvelbythemonth. $5 a month gets you instant access to our bonus feed of almost 200 extended and exclusive episodes. $10 a month lets you help pick the comics we cover in depth and gets you a shout-out at the end of the episode!   Stories Covered in this Episode: "Death Watch!" - Marvel Two-In-One Annual #2, written by Jim Starlin, art by Jim Starlin with Joe Rubinstein, letters by Annette Kawecki, colors by Petra Goldberg, edited by Archie Goodwin, ©1977 Marvel Comics "Armageddon Now!" - X-Men #108, written by Chris Claremont, art by John Byrne with Terry Austin, letters by Denise Wohl and Tom Orzechowski, colors by Andy Yanchus, edited by Archie Goodwin, ©1977 Marvel Comics   "Marvel by the Month" theme v. 4 written and performed by Robb Milne. All incidental music by Robb Milne. Visit us on the internet (and buy some stuff) at marvelbythemonth.com, follow us on Bluesky at @marvelbythemonth.com and Instagram (for now) at @marvelbythemonth, and support us on Patreon at patreon.com/marvelbythemonth. Much of our historical context information comes from Wikipedia. Please join us in supporting them at wikimediafoundation.org. And many thanks to Mike's Amazing World of Comics, an invaluable resource for release dates and issue information. (RIP Mike.)

Every other week, we focus on a Marvel series that sits on the fringes of mainstream Marvel continuity. The first episode of every new series that we cover is available on the public feed. The rest of the episodes are exclusive to our Patreon supporters. Not a Patron yet? Support us at patreon.com/marvelbythemonth for just $5 a month to get instant access to our bonus feed of nearly 200 extended and exclusive episodes!   Stories Covered in this Episode:  "Masterstroke!" - Giant-Size Spider-Man #2, written by Len Wein, art by Ross Andru with Al Milgrom, letters by John Costanza, colors by Glynis Wein, edited by Roy Thomas, ©1974 Marvel Comics "A Fortune of Death!" - Master of Kung Fu #22, written by Doug Moench, art by Paul Gulacy with Dan Adkins, letters by Artie Simek, colors by Petra Goldberg, edited by Roy Thomas, ©1974 Marvel Comics "The Devil-Doctor's Triumph!" - Giant-Size Master of Kung Fu #2, written by Doug Moench, art by Paul Gulacy with Jack Abel, letters by Jean Simek, colors by Petra Goldberg, edited by Roy Thomas, ©1974 Marvel Comics   "MASTER (of Kung Fu) by the Month" theme written and performed by Robb Milne. All incidental music by Robb Milne. Visit us on the internet (and buy some stuff) at marvelbythemonth.com, follow us on Bluesky at @marvelbythemonth.com and Instagram (for now) at @marvelbythemonth, and support us on Patreon at patreon.com/marvelbythemonth. Much of our historical context information comes from Wikipedia. Please join us in supporting them at wikimediafoundation.org. And many thanks to Mike's Amazing World of Comics, an invaluable resource for release dates and issue information. (RIP Mike.)

Jim Starlin is the Eisner Award Hall of Famer who created Thanos, Drax the Destroyer, Pip the Troll, and Gamora, and co-created Shang-Chi with Steve Englehart. He brought the Infinity Gauntlet into the Marvel Universe and took Jason Todd out of the DC Universe (for a little while anyway). His creator-owned epic, Dreadstar, is currently being collected in a series of beautiful softcover omnibus editions by Dark Horse Comics.For TWO HOURS of bonus content — including 20 more minutes of our conversation with Jim Starlin where we talk about who owns Thanos, why Captain Marvel has stayed dead, and the infamous "1,000 Clowns" Warlock story, plus 21 more Marvel comics in the Mighty MBTM Checklist — support us at patreon.com/marvelbythemonth. $5 a month gets you instant access to our bonus feed of almost 200 extended and exclusive episodes. $10 a month lets you help pick the comics we cover in depth and gets you a shout-out at the end of the episode! Stories Covered in this Episode:"The Final Threat" - Avengers Annual #7, written by Jim Starlin, art by Jim Starlin with Joe Rubenstein, letters by Tom Orzechowski, colors by Petra Goldberg, edited by Archie Goodwin, ©1977 Marvel Comics "Marvel by the Month" theme v. 4 written and performed by Robb Milne. All incidental music by Robb Milne.Visit us on the internet (and buy some stuff) at marvelbythemonth.com, follow us on Bluesky at @marvelbythemonth.com and Instagram (for now) at @marvelbythemonth, and support us on Patreon at patreon.com/marvelbythemonth.Much of our historical context information comes from Wikipedia. Please join us in supporting them at wikimediafoundation.org. And many thanks to Mike's Amazing World of Comics, an invaluable resource for release dates and issue information. (RIP Mike.)

Every other week, we focus on a Marvel series that sits on the fringes of mainstream Marvel continuity. The first episode of every new series that we cover is available on the public feed. The rest of the episodes are exclusive to our Patreon supporters.Not a Patron yet? Support us at patreon.com/marvelbythemonth for just $5 a month to get instant access to our bonus feed of nearly 200 extended and exclusive episodes! Stories Covered in this Episode: "Weapon of the Soul" - Master of Kung Fu #20, written by Gerry Conway and Doug Moench, art by Paul Gulacy with Al Milgrom, letters by Dave Hunt, colors by George Roussos, edited by Roy Thomas, ©1974 Marvel Comics"Season of Vengeance..." - Master of Kung Fu #21, written by Doug Moench, art by Ron Wilson and Al Milgrom, letters by John Costanza, colors by Stan Goldberg, edited by Roy Thomas, ©1974 Marvel Comics"Death Masque!" - Giant-Size Master of Kung Fu #1, written by Doug Moench, art by Paul Gulacy, Dan Adkins, and Craig Russell, letters by Artie Simek, colors by Petra Goldberg, edited by Roy Thomas, ©1974 Marvel Comics"Reflections In a Rippled Pool" - Giant-Size Master of Kung Fu #1, written by Doug Moench, art by Ron Wilson and Mike Esposito, letters by Dave Hunt, edited by Roy Thomas, ©1974 Marvel Comics "MASTER (of Kung Fu) by the Month" theme written and performed by Robb Milne. All incidental music by Robb Milne.Visit us on the internet (and buy some stuff) at marvelbythemonth.com, follow us on Bluesky at @marvelbythemonth.com and Instagram (for now) at @marvelbythemonth, and support us on Patreon at patreon.com/marvelbythemonth.Much of our historical context information comes from Wikipedia. Please join us in supporting them at wikimediafoundation.org. And many thanks to Mike's Amazing World of Comics, an invaluable resource for release dates and issue information. (RIP Mike.)

Mars aka ThatComicGirl has been delivering spicy comics takes since her days co-hosting Casually Comics with our dearly missed friend Jennifer (Comics Will Break Your Heart). Follow her on Instagram, TikTok, and YouTube for some of the most delightful comics commentary on the internet.For TWO HOURS of bonus content — including our coverage of Doctor Doom's humiliation of Magneto in Super-Villain Team-Up #14, plus 22 more Marvel comics in the Mighty MBTM Checklist — support us at patreon.com/marvelbythemonth. $5 a month gets you instant access to our bonus feed of almost 200 extended and exclusive episodes. $10 a month lets you help pick the comics we cover in depth and gets you a shout-out at the end of the episode! Stories Covered in this Episode:"Doctor Bong!" - Howard the Duck #17, written by Steve Gerber, art by Gene Colan with Klaus Janson, letters by Annette Kawecki, colors by Janice Cohen, edited by Steve Gerber, ©1977 Marvel Comics"Where No X-Man Has Gone Before!" - X-Men #107, written by Chris Claremont, art by Dave Cockrum with Dan Green, letters by Joe Rosen, colors by Andy Yanchus, edited by Archie Goodwin, ©1977 Marvel Comics "Marvel by the Month" theme v. 4 written and performed by Robb Milne. All incidental music by Robb Milne.Visit us on the internet (and buy some stuff) at marvelbythemonth.com, follow us on Bluesky at @marvelbythemonth.com and Instagram (for now) at @marvelbythemonth, and support us on Patreon at patreon.com/marvelbythemonth.Much of our historical context information comes from Wikipedia. Please join us in supporting them at wikimediafoundation.org. And many thanks to Mike's Amazing World of Comics, an invaluable resource for release dates and issue information. (RIP Mike.)

Every other week, we focus on a Marvel series that sits on the fringes of mainstream Marvel continuity. The first episode of every new series that we cover is available on the public feed. The rest of the episodes are exclusive to our Patreon supporters.Not a Patron yet? Support us at patreon.com/marvelbythemonth for just $5 a month to get instant access to our bonus feed of nearly 200 extended and exclusive episodes! Stories Covered in this Episode: "Lair of the Lost!" - Master of Kung Fu #17, written by Steve Englehart, art by Jim Starlin with Al Milgrom, letters by Tom Orzechowski, colors by George Roussos, edited by Roy Thomas, ©1974 Marvel Comics"Attack!" - Master of Kung Fu #18, written by Steve Englehart, art by Paul Gulacy with Al Milgrom, letters by Tom Orzechowski, colors by Petra Goldberg, edited by Roy Thomas, ©1974 Marvel Comics"Retreat" - Master of Kung Fu #19, written by Steve Englehart, art by Paul Gulacy with Al Milgrom, letters by Tom Orzechowski, colors by Stan Goldberg, edited by Roy Thomas, ©1974 Marvel Comics "MASTER (of Kung Fu) by the Month" theme written and performed by Robb Milne. All incidental music by Robb Milne.Visit us on the internet (and buy some stuff) at marvelbythemonth.com, follow us on Bluesky at @marvelbythemonth.com and Instagram (for now) at @marvelbythemonth, and support us on Patreon at patreon.com/marvelbythemonth.Much of our historical context information comes from Wikipedia. Please join us in supporting them at wikimediafoundation.org. And many thanks to Mike's Amazing World of Comics, an invaluable resource for release dates and issue information. (RIP Mike.)

Al & Val revisit the story that started it all - We get wrapped up in Under Wraps once again! Under Wraps (October 1, 2021)IMDB WikipediaDirected by Alex Zamm (My Date with the President's Daughter, A Christmas Prince, Under Wraps 2, The Baxters)Written by William Robertson & Alex Zamm (My Date with the President's Daughter, Little Rascals Save the Day, Jingle All the Way 2, Woody Woodpecker) and Don Rhymer (Valerie, Evening Shade, Under Wraps 1997, Big Momma's House 1-3, Santa Clause 2, Agent Cody Banks 2, Deck the Halls, Rio 1 & 2, Ferdinand)Starring: Malachi Barton as Marshall (Under Wraps 2, Stuck in the Middle, Dora and the Lost City of Gold, Fancy Nancy, The Villains of Valley View, Zombies 4)Christian J. Simon as Gilbert (Under Wraps 2, The Amazing World of Gumball, Disney Animals, Sydney to the Max, T.O.T.S.)Sophia Hammons as Amy (Under Wraps 2, The Social Dilemma, Up Here, Freakier Friday)Phil Wright as Harold (Under Wraps 2)Melanie Brook as Buzzy (Under Wraps 2)Brent Stait as Kubot (character actor - Andromeda, Snowpiercer, Heartland)Jordana Largy as Diane (character actor - A Royal Christmas, A Royal Christmas Match)Jaime M. Callica as Ted (Upside Down Magic, Ruthless, Christmas movies)Karin Konoval as Ravensworth (Planet of the Apes, The Good Doctor, Snowpiercier, Wild Cards)Synopsis: Three friends accidentally bring a mummy back to life. Soon, they grow fond of the mummy and help him return to his original state before midnight on Halloween.Fun Facts: This is the first Disney Channel Original Movie to debut on Disney+ in North America one week after premiering on Disney Channel in North America.This is the first Disney Channel Original Movie to take place around the time of Halloween since Invisible Sister (2015) 6 years prior.This is the first Disney Channel Original Movie with since Let It Shine (2012) to have a solely male protagonist.Next Movie: Christmas... Again?! ★ Support this podcast on Patreon ★

Featuring: Ace, AmmosArt, Ashgar, Belghast, Kodra, and Tamrielo   Good Morning Folks! We are running things a bit differently this year. Due to unforeseen reasons, Thalen could not join us this week. As such, we paused our games of the year show to record a brief intermission show.  This week, we talked about Star Citizen, Pokémon Legends Z-A, Hytale, OrcaCon, Starfinder, Void Miner, the Amazing World of Retro Handhelds, and Kodra finally enjoying Path of Exile II.  We ran a bit longer than normal and, as such, cut the show a bit more abruptly than usual.  Pretty packed show for being something we pulled together on the spur of the moment, and also bumped a bunch of topics for our show after we wrap the games of the year.   Topics Discussed: Star Citizen Engineering Pokemon Legends Z-A Hytale OrcaCon Starfinder Thoughts Void Miner Retro Handhelds Path of Exile II and Kodra

We know that this episode literally drops on Christmas Day, but please treat yourself or someone you love to the newly released second edition of Alonso's timeless holiday movie guide, Have Yourself a Movie Little Christmas!We are still on hiatus until the new year, returning sometime in January. Between now and then, treat yourself to some extended versions of your favorite episodes on our Patreon! Issues Covered in this Episode (all © Marvel Comics):"Merry Christmas, X-Men – The Sentinels Have Returned!" - X-Men #98, written by Chris Claremont, art by Dave Cockrum with Sam Grainger, letters by Joe Rosen, colors by Janice Cohen, edited by Marv Wolfman, ©1976 Marvel Comics"'Twas the Night Before Christmas" - Tomb of Dracula #54, written by Marv Wolfman, art by Gene Colan and Tom Palmer, letters by John Costanza, colors by Michele Wolfman, edited by Marv Wolfman, ©1976 Marvel Comics"Jingle Bombs!" - Luke Cage, Hero for Hire #7, written by Steve Englehart, art by George Tuska and Billy Graham, letters by John Costanza, colors by David Hunt, edited by Roy Thomas, ©1972 Marvel Comics "Marvel by the Month v. 1.0 (Holiday Remix)" theme written and performed by Robb Milne. All incidental music by Robb Milne."Oh Holy Night" by Halford, from the album Halford III: Winter Songs, ℗ 2009 Rob Halford Music Limited.Visit us on the internet (and buy some stuff) at marvelbythemonth.com, follow us on Bluesky at @marvelbythemonth.com and Instagram (for now) at @marvelbythemonth, and support us on Patreon at patreon.com/marvelbythemonth.Much of our historical context information comes from Wikipedia. Please join us in supporting them at wikimediafoundation.org. And many thanks to Mike's Amazing World of Comics, an invaluable resource for release dates and issue information. (RIP Mike.)

Books with Pictures is our home base comics shop, with a radically inclusive mission to make it clear that "Comics Are For Everyone!" We were proud to support their recent GoFundMe, both as individuals and as a podcast. And we encourage all of our listeners to support them and all local comics shops this holiday season. Yes, there are other places to buy the same items for less online. But Jeff Bezos doesn't give a damn about your local economy or creative community, so don't give that Great Value brand Pitbull your money.If you'd like to get the visual presentation that accompanied this live show, support us at patreon.com/marvelbythemonth. $5 a month gets you instant access to our bonus feed of over 180 extended and exclusive episodes. Issues Referenced in this Episode (all © Marvel Comics):Captain America's Bicentennial Battles: Written by Jack Kirby, art by Jack Kirby, with Herb Trimpe, John Romita, and Barry Smith, letters by John Costanza, colors by Phil Rachelson, edited by Jack Kirby.Ka-Zar #17: "A Shark On the Wind!" – written by Doug Moench, art by Val Mayerik, letters by John Costanza, colors by Janice Cohen, edited by Marv Wolfman.Warlock #14: "Homecoming!" – written by Jim Starlin, art by Jim Starlin, with Steve Leialoha, letters by Tom Orzechowski, colors by Steve Leialoha, edited by Marv Wolfman.Ghost Rider #16: "Blood In the Waters" – written by Bill Mantlo, art by George Tuska, with Vince Colletta, letters by Karen Mantlo, colors by Janice Cohen, edited by Marv Wolfman. "Marvel by the Month" theme v. 4 written and performed by Robb Milne. All incidental music by Robb Milne.Visit us on the internet (and buy some stuff) at marvelbythemonth.com, follow us on Bluesky at @marvelbythemonth.com and Instagram (for now) at @marvelbythemonth, and support us on Patreon at patreon.com/marvelbythemonth.Much of our historical context information comes from Wikipedia. Please join us in supporting them at wikimediafoundation.org. And many thanks to Mike's Amazing World of Comics, an invaluable resource for release dates and issue information. (RIP Mike.)

Paul Cornell is one of only two people in the whole of human existence to be nominated for Hugo Awards in prose, comics, and TV. He's written episodes of Elementary, Coronation Street, and Doctor Who, and Marvel fans will know him from his runs on Captain Britain and MI:13, Fantastic Four: True Story, and Wolverine. His latest book, The Mighty Avengers vs. The 1970s, has just been released as part of Bloomsbury Publishing's Marvel Age of Comics line.For MORE THAN TWO HOURS of bonus content — including our coverage of infamous "is this a comic?" Howard the Duck #16, plus 20 more Marvel comics in the Mighty MBTM Checklist — support us at patreon.com/marvelbythemonth. $5 a month gets you instant access to our bonus feed of over 180 extended and exclusive episodes. $10 a month lets you help pick the comics we cover in depth and gets you a shout-out at the end of the episode! Stories Covered in this Episode:"KISS Comics" - Marvel Comics Super Special #1, written by Steve Gerber with Alan Weiss, art by Alan Weiss, Sal Buscema, John Buscema, and Rich Buckler with Al Milgrom, letters by John Costanza and Irv Watanabe, colors by Marie Severin, edited by Sean Delaney, ©1977 Marvel Comics "Marvel by the Month" theme v. 4 written and performed by Robb Milne. All incidental music by Robb Milne.Visit us on the internet (and buy some stuff) at marvelbythemonth.com, follow us on Bluesky at @marvelbythemonth.com and Instagram (for now) at @marvelbythemonth, and support us on Patreon at patreon.com/marvelbythemonth.Much of our historical context information comes from Wikipedia. Please join us in supporting them at wikimediafoundation.org. And many thanks to Mike's Amazing World of Comics, an invaluable resource for release dates and issue information. (RIP Mike.)

Every other week, we focus on a Marvel series that sits on the fringes of mainstream Marvel continuity. The first episode of every new series that we cover is available on the public feed. The rest of the episodes are exclusive to our Patreon supporters.Not a Patron yet? Support us at patreon.com/marvelbythemonth for just $5 a month to get instant access to our bonus feed of over 180 extended and exclusive episodes! Stories Covered in this Episode: "My Love Must Die!" - War Is Hell #12, written by Chris Claremont, art by Don Perlin with Dave Hunt, letters by Joe Rosen, colors by Janice Cohen, edited by Len Wein, ©1975 Marvel Comics"Today's a Lovely Day to Die!" - War Is Hell #13, written by Chris Claremont, art by Herb Trimpe, letters by John Costanza, colors by Michelle Wolfman, edited by Len Wein, ©1975 Marvel Comics"The Duty of a Man!" - War Is Hell #14, written by Chris Claremont, art by George Evans, letters by Tom Orzechowski, colors by Petra Goldberg, edited by Len Wein, ©1975 Marvel Comics"A Christmas Eve In Hell" - War Is Hell #15, written by Chris Claremont, art by Herb Trimpe, letters by John Costanza, colors by Michelle Wolfman, edited by Len Wein, ©1975 Marvel Comics "MORTALITY by the Month" theme written and performed by Robb Milne. All incidental music by Robb Milne.Visit us on the internet (and buy some stuff) at marvelbythemonth.com, follow us on Bluesky at @marvelbythemonth.com and Instagram (for now) at @marvelbythemonth, and support us on Patreon at patreon.com/marvelbythemonth.Much of our historical context information comes from Wikipedia. Please join us in supporting them at wikimediafoundation.org. And many thanks to Mike's Amazing World of Comics, an invaluable resource for release dates and issue information. (RIP Mike.)

David Harper is the Eisner Award-nominated comics journalist and one-man media empire behind SKTCHD.com and the Off-Panel podcast. For more than a decade, he's had his finger on the pulse of what's new and exciting in comics, and he's one of the best interviewers in the business, hands-down.For MORE THAN TWO HOURS of bonus content — including our coverage the first appearance of Jocasta in Avengers #162, plus 28 more Marvel comics in the Mighty MBTM Checklist — support us at patreon.com/marvelbythemonth. $5 a month gets you instant access to our bonus feed of over 180 extended and exclusive episodes. $10 a month lets you help pick the comics we cover in depth and gets you a shout-out at the end of the episode! Stories Covered in this Episode:"Snowfire" - Iron Fist #14, written by Chris Claremont, art by John Byrne with Dan Green, letters by Annette Kawecki, colors by Janice Cohen, edited by Archie Goodwin, ©1977 Marvel Comics"The Island of Dr. Bong!" - Howard the Duck #15, written by Steve Gerber, art by Gene Colan with Klaus Janson, letters by Irv Watanabe, colors by Klaus Janson, edited by Steve Gerber, ©1977 Marvel Comics "Marvel by the Month" theme v. 4 written and performed by Robb Milne. All incidental music by Robb Milne.Visit us on the internet (and buy some stuff) at marvelbythemonth.com, follow us on Bluesky at @marvelbythemonth.com and Instagram (for now) at @marvelbythemonth, and support us on Patreon at patreon.com/marvelbythemonth.Much of our historical context information comes from Wikipedia. Please join us in supporting them at wikimediafoundation.org. And many thanks to Mike's Amazing World of Comics, an invaluable resource for release dates and issue information. (RIP Mike.)

Every other week, we focus on a Marvel series that sits on the fringes of mainstream Marvel continuity. The first episode of every new series that we cover is available on the public feed. The rest of the episodes are exclusive to our Patreon supporters.Not a Patron yet? Support us at patreon.com/marvelbythemonth for just $5 a month to get instant access to our bonus feed of over 180 extended and exclusive episodes! Stories Covered in this Episode: "War is Hell!" - War Is Hell #9, written by Chris Claremont with plotting by Jenny Blake Isabella and Roy Thomas, art by Dick Ayers and Frank Springer, letters by Charlotte Jetter, colors by Phil Rachelson, edited by Roy Thomas, ©1974 Marvel Comics"The Corridor" - War Is Hell #10, written by Chris Claremont with plotting by Jenny Blake Isabella, art by Dick Ayers and Frank Springer, letters by Dave Hunt, colors by Petra Goldberg, edited by Roy Thomas, ©1974 Marvel Comics"Winter Kill!" - War Is Hell #11, written by Chris Claremont, art by Don Perlin with Sal Trapani, letters by Artie Simek, colors by Phil Rachelson, edited by Len Wein, ©1974 Marvel Comics "MORTALITY by the Month" theme written and performed by Robb Milne. All incidental music by Robb Milne.Visit us on the internet (and buy some stuff) at marvelbythemonth.com, follow us on Bluesky at @marvelbythemonth.com and Instagram (for now) at @marvelbythemonth, and support us on Patreon at patreon.com/marvelbythemonth.Much of our historical context information comes from Wikipedia. Please join us in supporting them at wikimediafoundation.org. And many thanks to Mike's Amazing World of Comics, an invaluable resource for release dates and issue information. (RIP Mike.)

The BBM crew previews the World Series between the Dodgers and Blue Jays. We also discuss what went wrong for the Brewers and Marines. Cheats, Flobo, April, and Malik are joined by special guests Don Dishes and Santos from The Baseball Aficionado. We also make our final World Series predictions. Please follow the Black Baseball Mixtape podcast everywhere podcasts are streaming. The Black Baseball Mixtape is in partnership with the Players Alliance, Numbers Game Scorecards, Rebellion Harvest (Sunflower Seeds), and Minority Prospects. Want to join the BBM Discord? Message the show at BlackBaseballMixtape@gmail.com.

For TWO HOURS of bonus content — including our coverage of Ant-Man's heel turn against the super-team he co-founded in Avengers #161, plus 22 more Marvel comics in the Mighty MBTM Checklist — support us at patreon.com/marvelbythemonth. $5 a month gets you instant access to our bonus feed of over 180 extended and exclusive episodes. $10 a month lets you help pick the comics we cover in depth and gets you a shout-out at the end of the episode! Stories Covered in this Episode:"Madness Is All In the Mind!" - Amazing Spider-Man #170, written by Len Wein, art by Ross Andru with Frank Giacoia and Mike Esposito, letters by Joe Rosen, colors by Glynis Wein, edited by Len Wein, ©1977 Marvel Comics"Star Wars" - Star Wars #1, written by George Lucas and Roy Thomas, art by Howard Chaykin, letters by Jim Novak, colors by Marie Severin, edited by Roy Thomas, ©1977 Marvel Comics "Marvel by the Month" theme v. 4 written and performed by Robb Milne. All incidental music by Robb Milne.Visit us on the internet (and buy some stuff) at marvelbythemonth.com, follow us on Bluesky at @marvelbythemonth.com and Instagram (for now) at @marvelbythemonth, and support us on Patreon at patreon.com/marvelbythemonth.Much of our historical context information comes from Wikipedia. Please join us in supporting them at wikimediafoundation.org. And many thanks to Mike's Amazing World of Comics, an invaluable resource for release dates and issue information. (RIP Mike.)

Every other week, we focus on a Marvel series that sits on the fringes of mainstream Marvel continuity. The first episode of every new series that we cover is available on the public feed. The rest of the episodes are exclusive to our Patreon supporters.Not a Patron yet? Support us at patreon.com/marvelbythemonth for just $5 a month to get instant access to our bonus feed of over 180 extended and exclusive episodes! Stories Covered in this Episode: "Magic, Myth, and Madness!" - Skull the Slayer #5, written by Bill Mantlo, art by Sal Buscema and Sonny Trinidad, letters by Karen Mantlo, colors by Michele Wolfman, edited by Marv Wolfman, ©1976 Marvel Comics"Swamp!" - Skull the Slayer #6, written by Bill Mantlo, art by Sal Buscema and Steve Gan, letters by Karen Mantlo, colors by Petra Goldberg, edited by Marv Wolfman, ©1976 Marvel Comics"Bury My Heart In the City of Gold" - Skull the Slayer #7, written by Bill Mantlo, art by Sal Buscema and Sonny Trinidad, letters by Karen Mantlo, colors by Petra Goldberg, edited by Archie Goodwin, ©1976 Marvel Comics"Riders on the Sky!" - Skull the Slayer #8, written by Bill Mantlo, art by Sal Buscema and Sonny Trinidad, letters by Denise Wohl, colors by George Roussos, edited by Archie Goodwin, ©1976 Marvel Comics "MAROONED by the Month" theme written and performed by Robb Milne. All incidental music by Robb Milne.Visit us on the internet (and buy some stuff) at marvelbythemonth.com, follow us on Bluesky at @marvelbythemonth.com and Instagram (for now) at @marvelbythemonth, and support us on Patreon at patreon.com/marvelbythemonth.Much of our historical context information comes from Wikipedia. Please join us in supporting them at wikimediafoundation.org. And many thanks to Mike's Amazing World of Comics, an invaluable resource for release dates and issue information. (RIP Mike.)

For 80+ minutes of bonus content — including our coverage of 23 more Marvel comics in the Mighty MBTM Checklist — support us at patreon.com/marvelbythemonth. $5 a month gets you instant access to our bonus feed of over 180 extended and exclusive episodes. $10 a month lets you help pick the comics we cover in depth and gets you a shout-out at the end of the episode!WHOOPS! Ignore the bit at the end where Bryan says that we'll be starting a new off-week series next week. He jumped the gun by two weeks! Next week will be MAROONED by the Month Episode 02. Stories Covered in this Episode:"The Vicious and the Valiant" - Thor #260, written by Len Wein, art by Walt Simonson and Tony DeZuniga, letters by John Costanza, colors by Glynis Wein, edited by Len Wein, ©1977 Marvel Comics"Phoenix Unleashed!" - X-Men #105, written by Chris Claremont, art by Dave Cockrum and Bob Layton, letters by Tom Orzechowski, colors by Andy Yanchus, edited by Archie Goodwin, ©1977 Marvel Comics"The Trial!" - Avengers #160, written by Jim Shooter, art by George Pérez and Pablo Marcos, letters by Denise Wohl, colors by Roger Slifer and David Kraft, edited by Archie Goodwin, ©1977 Marvel Comics "Marvel by the Month" theme v. 4 written and performed by Robb Milne. All incidental music by Robb Milne.Visit us on the internet (and buy some stuff) at marvelbythemonth.com, follow us on Bluesky at @marvelbythemonth.com and Instagram (for now) at @marvelbythemonth, and support us on Patreon at patreon.com/marvelbythemonth.Much of our historical context information comes from Wikipedia. Please join us in supporting them at wikimediafoundation.org. And many thanks to Mike's Amazing World of Comics, an invaluable resource for release dates and issue information. (RIP Mike.)