Podcasts about Nelson Riddle

GGACP celebrates the birthday (b. June 22) of Grammy-winning producer, British Invasion rocker and former Apple Records exec Peter Asher by presenting this ENCORE of an interview from 2017. In this episode, Peter joins the boys for a fascinating discussion about the genius of James Taylor, the profound influence of the Everly Brothers, the rivalry between the Beach Boys and the Fab Four and the 50th anniversary of “Sgt. Pepper's Lonely Hearts Club Band.” Also, John Lennon meets Yoko Ono, Peter “inspires” Austin Powers, Linda Ronstadt teams with Nelson Riddle and Peter and Gordon play the '64 World's Fair. PLUS: Spike Milligan! Del Shannon! Jackie Gleason acts out! Chad & Jeremy meet the Caped Crusaders! And a “rejected” Beatles tune lands Peter at the top of the charts!  Learn more about your ad choices. Visit megaphone.fm/adchoices

Tom in Yonkers NY called Mark and let him know he doesn't think the Biden's are running out of money, he thinks Biden's family is trying to get him on Medicaid to put him in the nursing home. Mike in Florida calls Mark to ask him if Nelson Riddle and Frank Sinatra ever reconciled before he died?

Tom in Yonkers NY called Mark and let him know he doesn't think the Biden's are running out of money, he thinks Biden's family is trying to get him on Medicaid to put him in the nursing home. Mike in Florida calls Mark to ask him if Nelson Riddle and Frank Sinatra ever reconciled before he died? See omnystudio.com/listener for privacy information.

My long-time friend, Peter Scott Ruben, is the best guitar player I know, having personally watched him jam with some of the great rock and blues musicians of the seventies (Joe Perry in his pre-Aerosmith days and Kim Simmonds of The Savoy Brown Blues Band are two who immediately come to mind -- I read that Simmonds died two years ago in England and the band had to break up after an amazing fifty-five year run). Since then, Peter has fronted his own bands, and has also carried on his father's legacy as leader of the premier special events orchestra/band in Philadelphia, through which he met "the great one," Frank Sinatra, at a White House gig the orchestra was playing during the Reagan administration back in the 1980's. He also donned a wig a few years ago and played as Eric Clapton in a Cream tribute concert (and I seem to recall he even played a set as Jimmi Hendrix). In addition to his amazing playing, he knows way more about music than anyone in my social orbit so, now that he has embarked on an Act 3 career performing a Frank Sinatra and Bobby Darin one-man tribute show (having bought performing rights to the original Nelson Riddle and other Sinatra/Darin charts), I thought it would be fun to pick his brain here on Pizza Quest regarding why he thinks Sinatra is the greatest performer of all time as well as to see if together we could create a top ten list as well as a Mt. Rushmore top four list of the greatest of the greats. It was so much fun recording this episode -- as you will see and hear -- that I plan on inviting him back to do a similar retrospective on the greatest guitar players and also another on the best bands and performing groups of our time.  Peter and I used to stay up all night during our college days talking about stuff like this, so I know he's game for it, as you will hear in this conversation in which we explore not only Sinatra's greatness but also dive deeply into the why and how of what made him the GOAT (and why Bobby Darin was the prince in waiting until he died way too young). So, as we like to say, it's more about the quest than it is about the pizza, and this time around we jump into Peter Ruben's quest for what distinguishes the good from the great when it comes to musical artists. The topic may have changed, but the game remains the same -- and the quest never ends....

La Minute Crooner Attitude, le billet d'humeur de Jean-Baptiste Tuzet, tous les jours de la semaine, 9 h 15 et 19 h 15 sur Crooner RadioHébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

The Trombone Corner Podcast is brought to you by Bob Reeves Brass and The Brass Ark.  Join hosts Noah and John as they interview Ira Nepus, jazz and commercial trombonist from Los Angeles. About Ira: Ira Nepus was born in Los Angeles, California and was raised on the jazz heritage of his father, one of the key founders of the Hot Club of France in Paris during the late Thirties and was featured in his first jazz concert at the age of 15. Ira gives equal importance to all styles of jazz, from traditional on up through contemporary. Ira currently performs with the Clayton-Hamilton Jazz Orchestra, which he has been an original member of for over thirty-eight years, privately teaches, and performs in all major recording studios throughout the Los Angeles area. He also plays and tours periodically with his own quartet and continues to record in that format. He currently is artistic director for the Gardens of the World's Summer Jazz Series in Thousand Oaks, sponsored by the Hogan Family Foundation celebrating over 10 years of concerts in the Park. He has performed/recorded with Paul McCartney, Elton John, Leon Russell, Big Bad Voodoo Daddy, Elvis Costello, BB King, (Grammy Winner) and/or also recorded with some of the following greats: Benny Carter, Woody Herman, Del Courtney, Quincy Jones, Gerald Wilson, Nelson Riddle, Lionel Hampton, Ray Charles, Sammy Davis Jr, Ella Fitzgerald, Peggy Lee, Aretha Franklin, Diana Krall, and Cab Calloway to name a few.

Joe Piscopo hosts a special broadcast featuring an in-depth discussion with Charles Pignone, president of Sinatra Enterprises. The show celebrates Frank Sinatra's music and legacy, sharing fascinating anecdotes about Sinatra's personal and professional life. Highlights include performances of classic Sinatra songs, insights into his collaborations with legendary arrangers like Nelson Riddle, Don Costa, and Billy May, and a touching tribute to Quincy Jones. The episode also features listener interactions, with heartwarming stories about meeting Sinatra and discussions about his impact on music and culture. Special segments include Sinatra's live performance at the Royal Albert Hall and explorations of lesser-known Sinatra tracks, making this a must-listen for any Sinatra aficionado. Learn more about your ad choices. Visit megaphone.fm/adchoices

You may know William Atherton from Day Of The Locust, The Hindenburg, Looking For Mr. Goodbar, and Real Genius or you may better remember him for vigorously questioning the environmental safety of ghost busting or for receiving a blow to the face which rings in a very Merry Christmas in Die Hard.  Bill began his career on the stage, performing in Broadway plays by David Rabe, John Guare and Arthur Miller. The Ghostbuster and Die Hard franchises brought him to Hollywood and he joins us to discuss his fascinating history, his heroes and influences and his range of experiences with such performers as Anne Bancroft, George C. Scott, Donald Sutherland, Karen Black, and Diane Keaton. Did you know that Bill sings What'll I Do in Nelson Riddle's Great Gatsby score!? He tells us all about it and talks about recognizing the greatness of Stephen Spielberg even as a baby director when Bill stared in Sugarland Express. He remembers how Anne Bancroft would not stop talking about Mel Brooks on the set of The Hindenburg, he shares what he learned from the casts of Lost and Desperate Housewives and he addresses the internet's most time-honored question, is Die Hard a Christmas movie?Plus, Fritz and Weezy are recommending Will & Harper and Nobody Wants This on Netflix.Path Points of Interest:William AthertonWilliam Atherton on WikiWilliam Atherton on IMDBGift of DemocracyMedia Path PodcastNobody Wants This on NetflixWill and Harper - Netflix

Albums and All That, Starting with the letter S as in Sierra, Part 9 From Something to Shout About (Lulu) to Sophisticated Boom Boom (Dead or Alive) Oh hey, by the way... there is now a Vinyl-O-Matic Patreon (https://patreon.com/youroldpalwill) Lulu with The Luvvers [00:30] "Chocolate Ice" Something to Shout About Decca LK 4719 1965 Hey hey hey! It's Lulu! This is her debut album. Despite what you might guess from her voice, she was 17 when she recorded this album. "Chocolate Ice" is the excellent title song to the very weird Gonks Go Beat (https://youtu.be/XhozBIMplQA?si=ULHH1FdCqSWJPyJ5) (Hartford-Davis, 1964), featuring Lulu and The Luvvers, The Nashville Teens, and the Graham Bond Organisation Todd Rundgren [02:40] "Hello It's Me" Something / Anything? Bearsville 2BX 2066 1972 Rundgren's 3rd solo album, spreading his musical wings a bit more than previous releases. Todd had originally written the song as a very mellow ballad with the Nazz in 1967, and was released as a b-side (https://youtu.be/FmLnDL_pNZQ?si=enMwjWzgNe_iplus) to their psyche rocker "Open My Eyes". Usually I'd go with the power pop progenitor "Couldn't I Just Tell You (https://youtu.be/fosMLTCFKQ8?si=Dgn25DMa61xCFRbJ)", but well, I'm feeling more mid-tempo at the moment. Jimmy Buffett [07:29] "Cheeseburgers in Paradise" Son of a Son of a Sailor ABC Records AA-1046 1976 Let me be perfectly clear: I am not now, nor have I ever been a Parrot Head. However, I do love cheeseburgers. This is the lead single from Buffett's eighth solo album. The single made it to #32 on the Hot 100. There's also a much-watered-down version of "Livingston Saturday Night", which can be heard to greater effect (https://youtu.be/5uizFyDRxso?si=ZfVrun8krTdxzagG) on the Rancho Deluxe (Perry, 1975) soundtrack, see also: Season 5, Episode 76 (https://vinylomatic.com/s05e76). Harry Nilsson [10:20] "It Is He Who Will Be King/Daybreak" Son of Dracula Rapple Records ABL1-0220 1974 The only new Nilsson song on this soundtrack. The less said about the actual film. Count Downe (Nilsson) is invited to take over Count Dracula's throne by Merlin (Ringo Starr). Lots of monsters and lots of rock stars, including Keith Moon and John Bonham, Peter Frampton, Bobby Keys, Klaus Voorman, and Leon Russell. Watch at your own peril (https://youtu.be/IIik_o16sro?si=WvmR54QPJ16Qmd6s). Great packaging for the record though, includine a die-cut gatefold and an iron on transfer for the cover image with "Bite Me" written in goth script below. Julian Bahula's Jazz Africa [16:15] "Molebatsi" Son of the Soil Tsafrika Records TSA 001 1982 A great collective outing composed by this South African by way of Britain drummer/composer/bandleader. I picked this one up at Revolution Records in Amsterdam. If Google Translate isn't lying to me, this title translates to "Smoker" from Swati. And a smoker it is. The Temptations [21:46] "Shakey Ground" A Song for You Gordy G6-969S1 1975 One of several excellent P-Funk-backed tracks on this album. There's a pretty excellent Delbert McClinton version of this song as well (https://youtu.be/w7JCWoxtGLs?si=tLtnwaOT1j24Tgvy). The Exbats [25:47] "Like It Like I Do" Song Machine Goner Records GONE 192 2023 And boy do I like it! Another excellent outing from Bisbee AZ denizens Inez and Kenny and friends (https://youtu.be/l-Onx5zVfMs?si=OSeD0DJHPaOZ4NGW). They pretty much just keep getting awesomer and awesomer. Big Black [28:17] "L Dopa" Songs About Fucking Touch and Go T&G LP #24 1987 Scorching. And sadly, fare thee well, Steve. To anyone interested in recording, Steve and Electric Audio provided (and still provide) a wealth of information, as for instance: Everything you've ever wanted to know about tape alignment but were afraid to ask (https://youtube.com/playlist?list=PLXA7imybaTsFWOFpaeP8wgXNDlZ4Xc8yq&si=ZMsU_ifbEBbmp6Kh). THE FOLLOWING TRACK IS INTENDED FOR MATURE AUDIENCES. LISTENER DISCRETION IS ADVISED

Frank Sinatra and Nelson Riddle. From the 1954 album Swing Easy, here is Cole Porter's Just One of Those Things.  It just doesn't get any better.  Credits:Theme music by Erik Blicker and Glenn SchlossEdited by Katie CaliMixing and mastering by Amit Zangi Send comments to sinatramatters@gmail.com

Send us a Text Message.An expert in the music of Frank Sinatra's music and all its components. The son of NFL star, Chuck Fenenbock talks about writing the book, “Fireworks Everytime He Touched the Ball."How his affinity for Sinatra began, a funny story seeing him in concert, & does he have a favorite song or albums. The lasting musical legacy of Sinatra that spans four different periods. See the links below to follow his podcast: Sinatra Matters that has over 60 episodes. The excellent explanation of choosing which tracks to do and the brilliant musicians Sinatra worked with that include Nelson Riddle, Don Costa & Count Basie Orchestras, and his longtime pianist, Bill Miller. We get into talking about particulars songs that include All or Nothing at All, Come Fly With Me, I'm Getting Sentimental Over You, Goody Goody, Strangers in the Night, & Send in the Clowns. Sinatra's impact on popular culture which could be its own show. Will there ever be another Frank Sinatra that transitions to the reason why his music will live on forever. Michael Fenenbock Links:Follow Sinatra Matters Podcast: (Spotify) https://open.spotify.com/show/5hN0qfCDIjbRzA1FJ9mEL8Songs talked about on the podcast:All or Nothing at All: https://open.spotify.com/track/290Hwi5fTlIPTAymzadZti?si=a58f48f8897940e9Come Fly With Me: https://open.spotify.com/track/1GcPhT7osBb4LEJnQ0tmfj?si=426704d953da4974I'm Getting Sentimental Over You: https://open.spotify.com/track/1xRcmiaCpezTbsG3ig76cu?si=fc11dac6eec742e4Goody Goody: https://open.spotify.com/track/45zzv95NObWLS55RdiGqlf?si=04730da867754fcaStrangers In the Night: https://open.spotify.com/track/74VR3AkGPhbYXnxcOYa16x?si=400d24a5d2264f43Send In the Clowns: https://open.spotify.com/track/6qj3QuBUEwQINq2LkjhY5Z Before the Lights Links:A Heartbeat & A Guitar: Johnny Cash & the Making of Bitter Tear Docuseries: https://www.beforethelightspod.com/docuseries/bitter-tearsHire Tommy to Speak: https://www.beforethelightspod.com/public-speakingBecome a BTL Member: https://www.beforethelightspod.com/supportBefore the Lights Website: https://www.beforethelightspod.com/Get Tommy a Glass of Vino: httpSupport the Show.Follow the show on Instagram: https://www.instagram.com/beforethelightspodcast/Follow the show on Face Book: https://www.facebook.com/beforethelightspodcast/Follow the show on Tik Tok: https://www.tiktok.com/@beforethelightspodcast?lang=enFollow Tommy on Face Book: https://www.facebook.com/tcanale3Rate & Review: https://podcasts.apple.com/us/podcast/before-the-lights/id1501245041Email the host: beforethelightspod@gmail.com

A classic lost love ballad.  From the 1955 album In the Wee Small Hours, Sinatra sings Alec Wilder's I'll Be Around.  Arranged and conducted by Nelson Riddle. Credits: Theme music by Erik Blicker and Glenn SchlossEdited by Katie CaliMixing and mastering by Amit Zangi Send comments to sinatramatters@gmail.com

Heino [00:23] "Heute Singen Wir Mit Heino/Wißt Ihr Was? Heute Hat's Geschneit" Sing Mit Heino Folge 9 und 10 Winterzeit - Kinderzeit - Weihnachtzeit Hör Zu 1 C 066-45 322 1979 Sing along with Heino! And evidently, the old Deustschekrooner is still alive. For those of you who are unfamiliar with the German phenomenon that is Heino, of course, there's a documentary (https://youtu.be/M-39Unh0X2E?si=WlId8Vtympf3n2ob). The Four Roses Society [03:03] "Hand Me Down My Walkin' Cane/Deep in the Heart of Texas" Sing with the Four Roses Society Four Roses K8OP-6582 / 3 Well all right then. During my brief career as a liquor store clerk (one summer during college), Four Roses bourbon was not the esteemed brand it is today. It was easily found on the bottom shelf of the whiskey section. Kitty Wells [05:49] "Country Girl" Singing'em Country Decca DL 75221 1970 One of the contenders to the title of Queen of Country Music reminiscing at the ripe old age of 51. Elvis Presley [08:24] "Santa Bring My Baby Back (to Me)" Sings Christmas Songs - Elvis' Christmas Album RCA Victor LPM-1951 1957 (1964 reissue) An extremely well-worn seasonal classic. I'm surprised it sounds as good as it does, considering the state of the record surface. Odetta [12:45] "Don't Think Twice, It's Allright" Odetta Sings Dylan RCA Victor LSP-3324 An excellent rendition of this transitional Dylan single. To my mind, it is almost as good as the jangling toe-tapper version by Waylon Jennings (https://youtu.be/2GTl6-BJhvc?si=Ofi9FdbmGvJyqCKr). Bob McGrath with the Jimmy Joyce Singers [18:30] "Black and White" Sings for All the Boys and Girls Disneyland 1357 1974 Indeed, that Bob from Sesame Street. Helped out here by some of the Wrecking Crew including Tommy Tedesco and Earl Palmer. Inspired by the Three Dog Night version of this song (https://youtu.be/PEy6968xO-I?si=hNq9IL8tnQ9RCPDd), the song was originally recorded by Pete Seger in 1956 and with lyrics by David I. Arkin, father of Alan Arkin no less. Nat King Cole [22:21] "Autumn Leaves" Sings for Two in Love Capitol Records DT 420 1963 (original release 1953) This monophonic classic album is reinvigorated in beautiful Duophonic sound! Bonnie Prince Billy [25:03] "Ohio River Boat Song" Sings Greatest Palace Music Drag City DC252 / Palace Records PR31 A collection of Nashville-ified reimaginings Will Oldham's earlier work, with a number of Nashville greats, including Hargus "Pig" Robbins. The thing I love about seeing Will Oldham perform live in whatever configuration is that he seemingly never plays a song the same way twice. This pass at the debut single from Palace Music (https://youtu.be/jYVTkUTHENg?si=Iz69YWTah4Kmc4uO) exemplifies that spirit. Wayne Newton [30:00] "More (Theme from 'Mondo Cane')" Sings Hit Songs Capitol Records T 2130 1964 Despite rumblings in Memphis and New Orleans and even Liverpool by this point, the big band sound of the Greatest Generation continues to thrive in popular music. John McCormack [32:37] "The Foggy Dew" Sings Irish Songs Pickwick CAS-407 1975 Evidently, stereo, in this case, means slapping some reverb on the left channel. Despite being partially the result of Irish immigration, I am not sentimental, which is why I chose the shortest track for this collection. Lotte Lehman [34:41] "Ich Liebe Dich (Beethoven)" Sings Lieder, Vol. 1 Camden CAL-378 Pretty sure I grabbed this from the dollar bin because in my haste I thought it was Lotte Lenya. Colin Meloy [37:21] "Bandit Queen" Sings Live! Jealous Butcher Records JB-065 2008 From a solo tour Colin Meloy made in 2006, recorded at various venues, including this one that I happened to attend at the Great American Music Hall. This live album does do one of those things that drives me nuts, which is to put the stage banter for the upcoming song before the track break. Tom Jones [43:05] "In Dreams" Sings She's a Lady Parrot XPAS 71046 1971 Candy colored clown! (https://youtu.be/R7zukRlfzh8?si=110VDkQtE8m4jD52) Nat "King" Cole [46:30] "Blue Gardenia" Ballads of the Day Capitol Records DT 680 1960 (original release 1956) As performed in Fritz Lang's classic noir The Blue Gardenia (https://youtu.be/3bxSn2UMBMY?si=vKu34lBUOQstY3f4). Harry Belafonte [49:29] "A Fool For You" Sings the Blues RCA Victor LSP-1972 1958 A collection of blues standards, including this Ray Charles number. Ella Fitzgerald [53:09] "'S Wonderful" Sings the George and Ira Gershwin Song Book (Volume Two) Verve Records MG V-4025 1959 Helped out here by Nelson Riddle. An excellent cover painting by Bernard Buffet is featured on this album. Music behind the DJ: "Games People Play (https://youtu.be/hIBlCac8_wk?si=KjX6MUoC_zQ0qftn)" by Arthur Greenslade and his Orchesta

Raucous Big Band jazz. Sinatra swings All or Nothing at All.  From the 1966 album Strangers in the Night, here's the Arthur Altman/Jack Lawrence standard.  Arranged and conducted by Nelson Riddle. Credits: Theme music by Erik Blicker and Glenn SchlossEdited by Katie CaliMixing and mastering by Amit Zangi Send comments to sinatramatters@gmail.com

Talk about your comeback albums. This release became the Chairman of the Board's most commercially successful album. My dad's favorite voice was finding it hard to sell records during the early days of rock and roll. And he wasn't finding the top of charts as often. He once again teamed up with the Nelson Riddle orchestra and this time struck Grammy gold. So get ready to hear The Voice most heard around our house when I was growing up in Volume 171: Sinatra is No Stranger. More information about this album, see the Discogs webpage for it.  Credits and copyrights Strangers In The Night Arranged By – Ernie Freeman Producer – Jimmy Bowen Written-By – Bert Kaempfert, Charles Singleton and Eddie Snyder Summer Wind Written-By – Henry Mayer and Johnny Mercer All Or Nothing At All Written-By – Arthur Altman and Jack Lawrence You're Driving Me Crazy! Written-By – Walter Donaldson On A Clear Day Written-By – Alan Jay Lerner and Burton Lane Yes Sir, That's My Baby! Written-By – Gus Kahn and Walter Donaldson The Most Beautiful Girl In The World (classic Sinatra phrasing) Written-By – Richard Rodgers and Lorenz Hart I do not own the rights to this music. ASCAP, BMI licenses provided by third-party platforms for music that is not under Public Domain.

Arranged and conducted by the incomparable Nelson Riddle, from the 1966 album titled Strangers in the Night, here is Sinatra and Summer Wind. Credits: Theme music by Erik Blicker and Glenn SchlossEdited by Katie CaliMixing and mastering by Amit Zangi Send comments to sinatramatters@gmail.com

From his 1954 album In The Wee Small Hours, an enduring Sinatra classic, Harold Arlen and Yip Harburg's Last Night When We Were Young. Arranged and conducted by Nelson Riddle. Credits: Theme music by Erik Blicker and Glenn SchlossEdited by Katie CaliMixing and mastering by Amit ZangiSend comments to sinatramatters@gmail.com

From his 1954 album In The Wee Small Hours, an enduring Sinatra classic, Harold Arlen and Yip Harburg's Last Night When We Were Young. Arranged and conducted by Nelson Riddle. Credits:Theme music by Erik Blicker and Glenn SchlossEdited by Katie CaliMixing and mastering by Amit Zangi Send comments to sinatramatters@gmail.com

One of Frank Sinatra's most celebrated recordings,  from the 1956 album Songs For Swingin' Lovers, here is Cole Porter's I've Got You Under My Skin.  Arranged and conducted by Nelson Riddle. Credits:Theme music by Erik Blicker and Glenn SchlossEdited by Katie CaliMixing and mastering by Amit Zangi Send comments to sinatramatters@gmail.com

"I need to laugh and when the sun is outI've got something I can laugh aboutI feel good in a special wayI'm in love and it's a sunny dayGood day sunshine, good day sunshine, good day sunshine"Yes Boys & Girls, the deluge is over and we can once again play in the sun and shed our Umbrellas just 2 days from Christmas. Please join me on the Saturday Edition of Whole 'Nuther Thing, joining us are Peter gabriel, Charles Lloyd, James Taylor, ELO, Don McLean, Derek & The Dominos, Glen Campbell, Phil Collins, Radiohead, The Kinks, Jethro Tull, Aerosmith, Procol Harum, The Beach Boys, Justin Hayward, Dire Straits, Deep Purple, Nelson Riddle, Bob Dylan, Neil Diamond, Simon & Garfunkel, America, Pat Metheny and The Beatles...

Maggie LePique and Charlie Pignone discuss Platinum which celebrates the 70th Anniversary of Frank Sinatra signing to Capitol Records, a moment that transformed his career and solidified his standing as one of the greatest interpretive singers of all time. From 1953 – 1962, Sinatra recorded more than three hundred songs for Capitol, the majority of them included on the landmark ‘concept' albums Sinatra pioneered. It is arguably the finest body of recorded work in popular music.The 44-track set features a cross-section of his most beloved songs and sought-after rarities. From the swinging “I've Got You Under My Skin” and ebullient “Come Fly With Me” to the breathtaking “Moonlight in Vermont” and torch song “Only The Lonely,” the set also includes previously unreleased tracks culled from the Capitol vaults along with alternate takes, a test track, radio spots and session takes that reveal Sinatra's in-studio artistry.Platinum was curated by Charles Pignone, President of Frank Sinatra Enterprises.Throughout his seven-decade career, Frank Sinatra performed on over 1,400 recordings and was awarded 31 gold, nine platinum, three double platinum, and one triple platinum album by the Recording Industry Association of America. The three-time Oscar® winner also appeared in over 60 films and produced eight motion pictures. Sinatra was awarded Lifetime Achievement Awards from The Recording Academy, The Screen Actors Guild, and the National Association for the Advancement of Colored People (NAACP), as well as the Kennedy Center Honors, the Presidential Medal of Freedom, and the Congressional Gold Medal. Frank Sinatra demonstrated a remarkable ability to appeal to every generation that continues; his artistry still influences many of today's music superstars. He remains a legend and an inspiration worldwide for his cultural and artistic contributions. For more information about Frank Sinatra, visit sinatra.com.Source: https://www.sinatra.com/Host Maggie LePique, a radio veteran since the 1980's at NPR in Kansas City Mo. She began her radio career in Los Angeles in the early 1990's and has worked for Pacifica station KPFK Radio in Los Angeles since 1994.Support the show

Harmonizing History: Judith Tick Unveils the Untold Story of Ella Fitzgerald, Jazz's Transformative Voice The Not Old Better Show, Smithsonian Associates Art of Living Interview Welcome to The Not Old Better Show on radio and podcast. I'm Paul Vogelzang, and today's show is part of our Smithsonian Associates Art of Living Interview series. Today we're diving into the melodious world of jazz with an enthralling discussion about one of its most iconic figures. Our guest is the distinguished music historian and Smithsonian Associate, Judith Tick.  Smithsonian Associate Judith Tick will be appearing at Smithsonian Associates coming up…Please check out our Show Notes today for more details. Judith Tick's meticulous research breathes new life into Ella's story, Becoming Ella Fitzgerald: The Jazz Singer Who Transformed American Song, available Dec. 3, 2023. Drawing on a treasure trove of digital records from influential Black newspapers like the Baltimore Afro-American and the Chicago Defender, Judith Tick shares resources previously untapped by biographers, providing us with a fresh and profound understanding of Fitzgerald's journey.  We'll hear about her iconic performances at venues like the Apollo Theater and the Savoy Ballroom, her collaborations with giants like Chick Webb and Nelson Riddle, and her complex relationship with record labels, but let's listen as Judith Tick reads from her new book about Chick Webb's orbit. Judith Tick tells us today that the biography is more than a chronicle of dates and events. It's an exploration of how Fitzgerald, a groundbreaking Black American woman singer and bandleader, navigated and transformed the worlds of jazz and pop. Tick takes us through Ella's early days, her rise to stardom, and her unique ability to expand her audience across cultural divides. So, join us as we uncover the layers of Ella Fitzgerald's artistry and her profound impact on the American music scene. Whether you're a casual fan of jazz, a music historian, or an ardent admirer of Fitzgerald's talent, this conversation promises to be as masterful and wonderful as its subject. Stay tuned for a journey through the life and legacy of the incomparable Ella Fitzgerald. My thanks to Smithsonian Associate Judith Tick.  Judith Tick will be appearing at Smithsonian Associates Interview Series coming up.  Please check out our website and show notes today for more details.  Judith Tick's new book, Becoming Ella Fitzgerald: The Jazz Singer Who Transformed American Song, available Dec. 3, 2023.  And my thanks to the Smithsonian team for all they do to support the show.  My thanks to you, my wonderful audience here on radio and podcast.  Please be well, be safe, and Let's Talk About Better© The Not Old Better Show.  Thanks, everybody, and we'll see you next week. For more information, please click here on Smithsonian Associates:  https://smithsonianassociates.org/ticketing/tickets/becoming-ella-fitzgerald

A Sinatra classic, from the 1960 album of the same name, here is Lew Spence and Marilyn and Alan Bergman's Nice 'n' Easy. Arranged and conducted by Nelson Riddle. Credits:Theme music by Erik Blicker and Glenn SchlossEdited by Katie CaliMixing and mastering by Amit Zangi Send comments to sinatramatters@gmail.com

This podcast chronicles of some of the rock, roots and blues events that occurred in the month of Oct in years gone by. Playlist: Artist - Track. 1 Ma Rainey - See See Rider Blues. 2 The Animals - CC Rider. 3 Mitch Ryder & The Detroit Wheels - CC Rider. 4 Old Crow Medicine Show - CC Rider. 5 Victoria Spivey - Blood Thirsty Blues. 6 Bill Doggett - Wild Oats. 7 Louis Jordan & His Tympany Five - Is You Is Or Is You Ain't Ma Baby. 8 The Who - My Generation. 9 Madness - One Step Beyond. 10 Big Joe Williams - Baby Please Don't Go. 11 Chuck Berry - Little Queenie. 12 Jefferson Airplane - Somebody To Love. 19 Son House - Levee Camp Blues 20 Skip James - Crow Jane 21 Fats Domino - Blue Monday. 22 Sister Rosetta Tharpe - Didn't It Rain. 23 Canned Heat - Rollin' and Tumblin'. 24 Lou Reed - Walk On The Wild Side. 25 Cream - White Room. 26 Janis Joplin, Big Brother & The Holding Company - Piece Of My Heart. 27 Tom Petty - Free Fallin'. 28 This Mortal Coil - Mr. Somewhere. 29 Woody Guthrie with Cisco Houston & Sonny Terry - Hard Travelin'. 30 Tony Joe White - Hoochie Woman. 31 Jerry Jeff Walker - Hill Country Rain. 32 Nelson Riddle & His Orchestra - Theme From Route 66. 33 Marianne Faithfull - Sister Morphine. 34 Blind Lemon Jefferson - That Crawlin' Baby Blues. 35 Lonnie Johnson - Hot Fingers. Size: 203 MB (213,595,505 bytes) Duration: 1:28:58

Sinatra's poignant 1956 recording of P.S.  I Love You.  From the album Close to You, here is GordonJenkins and Johnny Mercer's classic romantic ballad.  Arranged and conducted by Nelson Riddle. Credits: Theme music by Erik Blicker and Glenn SchlossEdited by Katie CaliMixing and mastering by Amit Zangi Send comments to sinatramatters@gmail.com

Frank Sinatra's mastery of tempo. From the 1961 album Sinatra's Swingin' Session!!! here is Cole Porter's I Concentrate on You.  Arranged and conducted by Nelson Riddle. Credits:Theme music by Erik Blicker and Glenn SchlossEdited by Katie CaliMixing and mastering by Amit Zangi Send comments to sinatramatters@gmail.com

On this week's Tune-Up, Rebecca and Steve talk about mashup tattoos, WNBA All-Star Weekend, and the Women's World Cup. Rebecca runs into Sam Perkins at an event. While Steve cooks up something new in the kitchen. All that plus Viewer Mail on the 254th edition of the Ball & Chain Podcast.

®Da domenica 25 giugno a domenica 23 luglio 2023L'arte dell'arrangiamento nasce con lo sviluppo negli anni '20 e '30 di orchestre jazz che, a differenza dello stile originario di New Orleans,  nel loro repertorio prevedono vere e proprie parti per scritte in alternanza a quelle improvvisate. Campioni del genere furono Paul Whiteman, Don Redman, Fletcher Henderson, per arrivare poi a Duke Ellington e Count Basie.Questa tradizione fu tenuta viva durante l'era dello swing (Goodman, Miller, Dorsey...) e si sviluppò poi nel secondo Dopoguerra parallelamente alla nascita degli stili moderni, il be-bop e il cool jazz.In questa serie di Birdland Claudio Sessa ci introduce al moderno concetto dell'arrangiamento jazz, considerando dapprima l'influenza e il lascito di Count Basie e passando poi in rassegna le varie tendenza e le figure più rappresentative nei vari ambiti: Harry Paich, la “variabile impazzita” Stan Kenton, Jimmy Giuffré e altri tra i californiani; la raffinatezza un po' intellettuale di Gil Evans, George Russell, Gerry Mulligan; e ancora Charles Mingus, Oliver Nelson e Quincy Jones tra gli sperimentatori o Claud Ogerman e Nelson Riddle specializzati nella collaborazione con i cantanti.Prima emissione dal 25 febbraio 2023

Sinatra's singnature sound is impossible to imagine without the influence of jazz.  Here is the Richard Rodgers and Lorenz Hart standard Blue Moon from the 1961 album Sinatra's Swingin' Session!!!.  Arranged and conducted by Nelson Riddle. Credits:Theme music by Erik Blicker and Glenn SchlossEdited by Katie CaliMixing and mastering by Amit Zangi Send comments to sinatramatters@gmail.com

®Da domenica 25 giugno a domenica 23 luglio 2023L'arte dell'arrangiamento nasce con lo sviluppo negli anni '20 e '30 di orchestre jazz che, a differenza dello stile originario di New Orleans,  nel loro repertorio prevedono vere e proprie parti per scritte in alternanza a quelle improvvisate. Campioni del genere furono Paul Whiteman, Don Redman, Fletcher Henderson, per arrivare poi a Duke Ellington e Count Basie.Questa tradizione fu tenuta viva durante l'era dello swing (Goodman, Miller, Dorsey...) e si sviluppò poi nel secondo Dopoguerra parallelamente alla nascita degli stili moderni, il be-bop e il cool jazz.In questa serie di Birdland Claudio Sessa ci introduce al moderno concetto dell'arrangiamento jazz, considerando dapprima l'influenza e il lascito di Count Basie e passando poi in rassegna le varie tendenza e le figure più rappresentative nei vari ambiti: Harry Paich, la “variabile impazzita” Stan Kenton, Jimmy Giuffré e altri tra i californiani; la raffinatezza un po' intellettuale di Gil Evans, George Russell, Gerry Mulligan; e ancora Charles Mingus, Oliver Nelson e Quincy Jones tra gli sperimentatori o Claud Ogerman e Nelson Riddle specializzati nella collaborazione con i cantanti.Prima emissione dal 25 febbraio 2023

®Da domenica 25 giugno a domenica 23 luglio 2023L'arte dell'arrangiamento nasce con lo sviluppo negli anni '20 e '30 di orchestre jazz che, a differenza dello stile originario di New Orleans,  nel loro repertorio prevedono vere e proprie parti per scritte in alternanza a quelle improvvisate. Campioni del genere furono Paul Whiteman, Don Redman, Fletcher Henderson, per arrivare poi a Duke Ellington e Count Basie.Questa tradizione fu tenuta viva durante l'era dello swing (Goodman, Miller, Dorsey...) e si sviluppò poi nel secondo Dopoguerra parallelamente alla nascita degli stili moderni, il be-bop e il cool jazz.In questa serie di Birdland Claudio Sessa ci introduce al moderno concetto dell'arrangiamento jazz, considerando dapprima l'influenza e il lascito di Count Basie e passando poi in rassegna le varie tendenza e le figure più rappresentative nei vari ambiti: Harry Paich, la “variabile impazzita” Stan Kenton, Jimmy Giuffré e altri tra i californiani; la raffinatezza un po' intellettuale di Gil Evans, George Russell, Gerry Mulligan; e ancora Charles Mingus, Oliver Nelson e Quincy Jones tra gli sperimentatori o Claud Ogerman e Nelson Riddle specializzati nella collaborazione con i cantanti.Prima emissione dal 25 febbraio 2023

®Da domenica 25 giugno a domenica 23 luglio 2023L'arte dell'arrangiamento nasce con lo sviluppo negli anni '20 e '30 di orchestre jazz che, a differenza dello stile originario di New Orleans,  nel loro repertorio prevedono vere e proprie parti per scritte in alternanza a quelle improvvisate. Campioni del genere furono Paul Whiteman, Don Redman, Fletcher Henderson, per arrivare poi a Duke Ellington e Count Basie.Questa tradizione fu tenuta viva durante l'era dello swing (Goodman, Miller, Dorsey...) e si sviluppò poi nel secondo Dopoguerra parallelamente alla nascita degli stili moderni, il be-bop e il cool jazz.In questa serie di Birdland Claudio Sessa ci introduce al moderno concetto dell'arrangiamento jazz, considerando dapprima l'influenza e il lascito di Count Basie e passando poi in rassegna le varie tendenza e le figure più rappresentative nei vari ambiti: Harry Paich, la “variabile impazzita” Stan Kenton, Jimmy Giuffré e altri tra i californiani; la raffinatezza un po' intellettuale di Gil Evans, George Russell, Gerry Mulligan; e ancora Charles Mingus, Oliver Nelson e Quincy Jones tra gli sperimentatori o Claud Ogerman e Nelson Riddle specializzati nella collaborazione con i cantanti.Prima emissione dal 25 febbraio 2023

Welcome all to the podcast! In this episode, I continue my mini-series entitled "TV Goes To The Movies", a topic in which I intend to explore TV shows that migrated over to the big screen. As expected, my focus is musically what was or was not carried over from the television episodes of a particular series to its respective theatrical feature, such as the main TV theme.   This time I open Channel D to examine "The Man From U.N.C.L.E." - a popular spy series which aired on NBC from 1964-1968. Its musical template was initially set by legendary composer Jerry Goldsmith, while still early in his career, and subsequently experienced many unexpected tonal shifts. Afterwards I discuss the eight "Man From U.N.C.L.E." "movies", each built from 2-part TV episodes and primarily released theatrically internationally, and lastly wrap up with the 2015 feature film, directed by Guy Ritchie, starring Henry Cavill and Armie Hammer, with music composed by Daniel Pemberton.   Title playtime index: Intro - 00:00:00 THE MAN FROM U.N.C.L.E. Theme (Concert Version) (Jerry Goldsmith) - 00:03:59 THE MAN FROM U.N.C.L.E. Theme (Season One broadcast version) (Jerry Goldsmith) - 00:06:15 Early Jerry Goldsmith TV & Film works - DR KILDARE (TV, 1961), CITY OF FEAR (Film, 1959), THE PRIZE (Film, 1963) - 00:07:10 THE MAN FROM U.N.C.L.E. (TV, Season One) (Jerry Goldsmith, Morton Stevens, Lalo Schifrin) - 00:15:50 THE MAN FROM U.N.C.L.E. (TV, Season Two) (Gerald Fried, Robert Drasnin) - 00:28:28 THE MAN FROM U.N.C.L.E. (TV, Season Three) (Gerald Fried, Robert Drasnin, Nelson Riddle) - 00:39:11 THE MAN FROM U.N.C.L.E. (TV, Season Four) (Richard Shores) - 00:50:40 THE MAN FROM U.N.C.L.E. "movies" (released theatrically internationally) (Gerald Fried) - 00:56:22 THE MAN FROM U.N.C.L.E. (Film, 2015) (Daniel Pemberton) - 01:02:49     Stay safe out there, take care of yourself and each other!    Connect with the podcast on Facebook and Twitter: www.facebook.com/ascoretosettle https://twitter.com/score2settlepod     Email the show at ascoretosettlepodcast@gmail.com  

Sinatra's epic comeback. From 1953, this is Harold Arlen and Ted Koehler's I've Got the World on a String. Arranged and conducted by Nelson Riddle. Credits: Theme music by Erik Blicker and Glenn SchlossEdited by Katie CaliMixing and mastering by Amit Zangi Send comments to sinatramatters@gmail.com

From the 1958 album Frank Sinatra Sings for Only the Lonely, here is Jule Steyn and Sammy Cahn's magnificent torch song Guess I'll Hang My Tears Out to Dry. Arranged by Nelson Riddle.  Conducted by Felix Slatkin. Credits:Theme music by Erik Blicker and Glenn SchlossEdited by Katie CaliMixing and mastering by Amit ZangiSend comments to sinatramatters@gmail.com

From the 1963 album The Concert Sinatra, here is Richard Rodgers and Oscar Hammerstein II's Soliloquy from Carousel.  Arranged and conducted by Nelson Riddle. Credits:Theme music by Erik Blicker and Glenn SchlossEdited by Katie CaliMixing and mastering by Amit Zangi Send comments to sinatramatters@gmail.com

С този епизод на „Музикална история“ ще ви върна много назад, за да проследим пътя на най-популярната песен на Nat King Cole, наречена „Unforgettable“. През 1952 година роденият в Алабама Nat King Cole (Нат Кинг Кол) е на 33 години. Когато много преди това е привлечен от музиканта Johnny Mercer (Джони Мърсър) в едва прохождащата „Capitol Records“, никой не подозира, че ще стане златна кокошка за продуцентската компания и ще има важна роля за нейното утвърждаване на музикалния пазар. През 1952 година е издаден албумът „Unforgettable“, а преди него Нат вече има цели четири солови албума, два от които инструментални, където си проличава таланта му на пианист. Албумът от 1952 година събира записи от почти седем години. Много от тях са пускани като сингли между 1946 и 1952 година. Тук трябва да поясним, че по онова време дългосвирещите плочи с продължителност повече от петнайсет минути не са били много популярни. Първата такава плоча излиза през 1948 година. В началото на 50-те повечето дългосвирещи плочи са компилации от хитове, или от сингли, излизали предишните години. Такъв е и случаят с „Unforgettable“. В първата своя версия албумът включва осем песни. В следващите преиздания са добавяни и още към тях. Но безспорно най-успешната песен от албума е именно заглавната „Unforgettable“. „Unforgettable“ е популярен джаз стандарт, написан от Irving Gordon (Ървинг Гордън) още през 30-те години, като не се знае точно кога. Счита се, че Нат е първият, официално записал тази песен, като нейните авторски права са утвърдени на 23 май 1951 година. Дотогава Гордън е вече популярен автор. Други песни, които е написал до този момент и са станали известни, включват „What Will I Tell My Heart“ на Bing Crosby (Бинг Кросби), „Me, Myself And I“ на Billie Holiday (Били Холидей) и т.н. Когато Гордън предлага на „Capitol“ своята песен, нейното оригинално заглавие е „Undeniable“ (в превод: неоспорим; превъзходен). Но издателите изискват да се промени, ставайки „Unforgettable“ (в превод: незабравим). Текстът разказва за двама влюбени, признаващи чувствата си един на друг. Първата версия, изпълнена от Нат на „Unforgettable“ е записана на 17 август 1951 година, в студио „Capitol“ в Холивуд, Лос Анджелис, Калифорния, и е издадена през октомври същата година. Аранжиментът е на ръководителя на оркестъра Nelson Riddle (Нелсън Ридъл). Нат и Нелсън вече са работили заедно и по още песни, включително станалата хит през 1958 година - „Pretend“. „Unforgettable“ е включена като първа в новия албум на Нат. Нелсън работи с Нат и след това. Когато по-късно Frank Sinatra (Франк Синатра) се присъединява към „Capitol“, Ридъл работи и с него и прави някои от най-красивите аранжименти за негови песни, като например този на „All The Way“. Втората версия на „Unforgettable“ от Нат е от 1952 година и е неоркестрирана. Тя излиза в едно преиздание чак през 1998 година. Третата версия на Нат е от 1961 година за албума „The Nat King Cole Story“. Тя е с оркестъра на Ralph Carmichael (Ралф Кармайкъл) и с негов аранжимент. Има и четвърта версия на Нат, пусната като сингъл на 12 юли 1991 година. Любопитното там е, че за нея е взет оригиналният запис и върху него е насложен гласа на дъщерята на Нат - Natalie Cole (Натали Кол). Затова песента е наречена „виртуален дует“. Тя е аранжирана от Johnny Mandel (Джони Мандел) и продуцирана от David Foster (Дейвид Фостър). Тази версия достига до 19 място във Великобритания и до позиция номер 14 в основната класация на американското списание „Billboard“. Освен това взема три награди „Грами“ на тридесет и четвъртата церемония на музикалната академия - най-добър запис, най-добра песен и най-добро традиционно вокално поп изпълнение за годината. Най-после авторът Гордън получава признание от „Грами“, четиридесет години след първия запис и повече от петдесет след написването на песента. Версията от 1991 година получава и други признания по-късно. Тя е включена и в албума на Натали „Unforgettable: With Love“, който е в почит на нейния баща.

Don't Worry 'bout Me. Here is Frank Sinatra's marvelous 1953 recording of the Rube Bloom and Ted Koehler classic. Arranged and conducted by Nelson Riddle. Credits: Theme music by Erik Blicker and Glenn Schloss Edited by Katie Cali Mixing and mastering by Amit Zangi Send comments to sinatramatters@gmail.com

Let's celebrate Bob's birthday this year by listening to some beautiful music he made with his dear friend Nelson Riddle. The pair met as young bucks on the stand with Tommy Dorsey, and were lifelong friends through the many ups and downs of their personal and professional lives. 

Here is Miss Peggy Lee's definitive recording of Jerome Kern and Oscar Hammerstein II's often underappreciated classic, The Folks Who Live On the Hill. Arranged by Nelson Riddle. Conducted by Frank Sinatra. Credits: Theme music by Erik Blicker and Glenn Schloss Edited by Katie Cali Mixing and mastering by Amit Zangi Send comments to sinatramatters@gmail.com

With a BANG, POW, THWAP, and ZAKOW – it's the original live-action Batman! In this episode, we discuss the film's greatest gags, its surprising self-awareness, the compelling choice to make Batman's first live-action outing a straight-up parody of Batman, and what this version of Batman has on the ones that have come since. As of this recording, BATMAN is available to stream on HBO Now. If you don't have that or don't want to use it, click here: https://archive.org/details/batman-the-movie-1966_202211 A COLLECTION OF BAT-LABELS, collecting the explanatory labels on everything in the 1966-1968 Batman TV series: https://batlabels.tumblr.com/ Follow us on Twitter at https://twitter.com/trylovepodcast and email us at trylovepodcast@gmail.com to get in touch! Buy tickets and support the Trylon at https://www.trylon.org/. Theme: "Raindrops" by Huma-Huma/"No Smoking" PSA by John Waters. Outro music: Opening credits theme by Nelson Riddle from the BATMAN soundtrack. Timestamps 0:00 - Episode 202: BATMAN (1966) 1:52 - The Patented Aaron Grossman Summary 4:28 - When Batman was a piss take on Batman 18:05 - Stupid jokes that are also very sharp and funny 24:45 - The villains who just want to get their bits out 33:54 - Location location location 38:13 - Comparing this to other Batman films over the years 41:03 - International politics, respectability politics, and Robin is a eugenicist 47:18 - The Junk Drawer 51:28 - Cody's Noteys: Superhero Scrapbook (Batman movie trivia)

Host Geoffrey Mark plays the music of Ella Fitzgerald. This week: A salute to The Best Is Yet to Come, the final studio album that Ella recorded with the great composer Nelson Riddle. Tracks this segment include The Best Is Yet To Come, Don't Be That Way, God Bless The Child, Any Old Time, You're Driving Me Crazy, Good-bye, Autumn In New York, I Wonder Where Our Love Has Gone, Deep Purple, Somewhere In The Night. This edition of GPE was produced by Ed Robertson Learn more about your ad choices. Visit megaphone.fm/adchoices

Host Geoffrey Mark plays the music of Ella Fitzgerald. This week: A salute to The Best Is Yet to Come, the final studio album that Ella recorded with the great composer Nelson Riddle. Tracks this segment include The Best Is Yet To Come, Don't Be That Way, God Bless The Child, Any Old Time, You're Driving Me Crazy, Good-bye, Autumn In New York, I Wonder Where Our Love Has Gone, Deep Purple, Somewhere In The Night. This edition of GPE was produced by Ed Robertson Learn more about your ad choices. Visit megaphone.fm/adchoices

Host Geoffrey Mark plays the music of Ella Fitzgerald. This week: A salute to The Best Is Yet to Come, the final studio album that Ella recorded with the great composer Nelson Riddle. Tracks this segment include The Best Is Yet To Come, Don't Be That Way, God Bless The Child, Any Old Time, You're Driving Me Crazy, Good-bye, Autumn In New York, I Wonder Where Our Love Has Gone, Deep Purple, Somewhere In The Night. This edition of GPE was produced by Ed Robertson Learn more about your ad choices. Visit megaphone.fm/adchoices

Host Geoffrey Mark plays the music of Ella Fitzgerald. This week: A salute to The Best Is Yet to Come, the final studio album that Ella recorded with the great composer Nelson Riddle. Tracks this segment include The Best Is Yet To Come, Don't Be That Way, God Bless The Child, Any Old Time, You're Driving Me Crazy, Good-bye, Autumn In New York, I Wonder Where Our Love Has Gone, Deep Purple, Somewhere In The Night. This edition of GPE was produced by Ed Robertson Learn more about your ad choices. Visit megaphone.fm/adchoices

Here is Frank Sinatra, accompanied by the sublime Hollywood String Quartet. From his 1956 album Close to You, this is Matt Dennis and Tom Adair's wonderful jazz standard, Everything Happens to Me. Arranged and conducted by Nelson Riddle. Credits: Theme music by Erik Blicker and Glenn Schloss Edited by Katie Cali Mixing and mastering by Amit Zangi Send comments to sinatramatters@gmail.com

A Great American Songbook classic. From Frank Sinatra's 1956 album A Swingin' Affair!, here is Jerome Kern and Dorothy Fields' I Won't Dance. Arranged and conducted by Nelson Riddle. Credits: Theme music by Erik Blicker and Glenn Schloss Edited by Katie Cali Mixing and mastering by Amit Zangi Send comments to sinatramatters@gmail.com

Joe Piscopo is ready to take you on a Frank Sinatra Journey Baby! Tonight, relive some of Joe's classiest moments and greatest stories about Mr. S, Nelson Riddle, and more!

GGACP celebrates the birthday (June 22nd) of Grammy-winning producer, British Invasion rocker and former Apple Records exec Peter Asher with this memorable interview from 2017. In this episode, Peter joins the boys for a fascinating discussion about the genius of James Taylor, the profound influence of the Everly Brothers, the rivalry between the Beach Boys and the Fab Four and the 50th anniversary of “Sgt. Pepper's Lonely Hearts Club Band.” Also, John Lennon meets Yoko Ono, Linda Ronstadt teams with Nelson Riddle, Peter and Gordon play the '64 World's Fair and Peter becomes the first person to hear "I Want to Hold Your Hand." PLUS: The genius of Spike Milligan! Gilbert sings! Jackie Gleason acts out! Peter “inspires” Austin Powers! Chad & Jeremy meet the Caped Crusaders! And a “rejected” Beatles tune lands Peter at the top of the charts! Learn more about your ad choices. Visit megaphone.fm/adchoices

On this episode, I talk to the hostesses my favorite podcast, Nymphet Alumni. We talk about the lolcowification of TikTok, Marshall McLuhan, what would happen if Tavi Gevinson met Curtis Yarvin, incel ascension, digital game, and a hell of a lot more.  One of my favorite episodes yet. Also, I quote a hypothetical Russian person at some point. I'm not Russian. The person I made up for my example is!Listen to Nymphet Alumni here. Other relevant links:https://sherbert.biz/selected-workhttps://www.reddit.com/r/aliceandfernsnark/https://defaultfriend.substack.com/p/incels-incel-ascension-incel-chasers?s=whttps://defaultfriend.substack.com/p/the-inverse-of-the-fuck-boy/comments?s=wTheme: Lolita Ya-Ya by Nelson Riddle