Podcasts about Mon Oncle

Chris, Jeremy, and Aaron have found some things to recommend to you.1) Small Recommends:The Celebration (1:36)Civilization VII (6:00)Mon Oncle (11:04)2) The Big Recommend: A Fish Called Wanda (14:24)3) Surprise Double Feature: ????????  (46:56)4) Questions from You???? (51:16)If you'd like to join the LIVE conversation each week, become a member of the SinClub at Patreon.com/cinemasins!Thanks to lorangeproductions.com for the theme song!Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Edwyn Collins: The Heart Is A Foolish Little Thing // The Loft: Storytime // Julian Cope: In Spungent Mansions // Robert Forster: Strawberries // Jack Frost: Bad For You // Rafael Berrio: Utopía // UHF: Estrella de cuatro paredes // Osibisa: Music For Gong Gong // Brenton Wood: Oogum Boogum Song // Brenton Wood: I Think You’ve Got Your Fools Mixed Up // Timothée Chalamet & Monica Barbaro: It Ain’t Me, Babe // Joan Baez: There But For Fortune // Nora Guthrie: Emily’s Illness // Echolalia: Little Bird // Echolalia: I’m Starving // Susanna Hoffs & Elvis Costello: Connection // Ensemble Du Club Des Varietes De Fred Bardin: Mon Oncle

Ce matin, mercredi 19 mars avec Vincent, Marie-Ève et Jean-Michel Suggestions lecture de Marie-Ève dans son segment Tu lis quoi ? Le top 3 des moments qui ont fait le plus rire Jean-Michel dans son À-côté Notre sexologue, Michel Martel et la libido au printemps

Adrian Crowley: Measure Of Joy // The Delines: Left Hook Like Frazier // Brian Bilston and The Catenary Wires: Alexa, What Is There To Know About Love // Belcos: La barca y el jinete (fragmento, en directo en Pamplona) // Dum Dum Pachecos: Castillos de naipes // Dum Dum Pachecos: Irreal // Joao Gilberto: A primera vez // Eve: You Go Your Way // Bill Fay: Gentle Willie // Bill Fay: The Never Ending Happening // Bill Fay: The Coast No Man Can Tell // Roberta Flack: The First Time Ever I Saw Your Face // Roberta Flack: Ballad Of The Sad Young Men // Jerry Butler: I Stand Accused // Jerry Butler: Are You Happy? // John Randolph Marr: Raggedy Ann // Bonny Prince Billy: One Of These Days (I’m Gonna Spend The Whole Night With You) // Super 8 Orchestra: Mon Oncle

Jean Plum: Here I Go Again // The Coward Brothers: Typsy Woman // The Paley Brothers: You’re the Best // The Paley Brothers & Ramones: Come On, Let’s Go // Beatles Costello: Soldier Of Love // The Jam: The Eton Rifles // The Jam: Start! // The Jam: When You’re Young // Javier Sun: Si estás entre mis brazos // La Estima: Voz gris // Envolandas: Saudade // Andrea Buenavista: Algo mejor // Television Personalities: I Get Frightened Too // Johnny Williams: Maggie // Alain Romans Et Son Orchestre: Mon Oncle Javier Sun : https://javiersun.bandcamp.com/track/si-estas-entre-mis-brazos Envolandas: https://envolandas.bandcamp.com/album/envolandas19

The Notations: I’ve Been Trying // Brooke Combe: This Town // Brooke Combe: The Last Time // Eddie Chacon: Good Sun // Tanika Charles: Don’t Like You Anymore // Rafael Berrio: Hola y adiós // Marianne Faithfull: In the Night Time // Marianne Faithfull: Strange Weather // Marianne Faithfull: Sing Me Back Home // The Soft Machine: You Don’t Remember // The Soft Machine: Save Yourself / Priscilla // Dean Wareham: That’s The Price Of Loving Me // Daga Voladora: Catedral // Joe Armon-Jones: Sorrowful Rhodes // Ibon Errazkin: El río // Frank Pourcel and His Orchestra: Mon Oncle

Tyler discusses and reviews the Best picture winner Gigi as well as the best pic nominees, Auntie Mame, Seperate Tables, The Defiant Ones and Cat on a Hot Tin Roof

David McWillians: Harlem Lady // Edwyn Collins: Knowledge // The Gentle Spring: Untouched // Belcos & Mikel Erentxun: Cuando estás despierta // The Band: Stage Fright // Angelo Badalamenti: Mysteries Of Love (French Horn Solo) (de 'Blue Velvet') // Angelo Badalamenti: Blue Velvet-Main Title // Bobby Vinton: Blue On Blue // Roy Orbison: In Dreams // Angelo Badalamenti: Country Waltz (de 'A Straight Story') // David Lynch: Imaginary Girl // Fangoria: Me odio cuando miento // Fangoria: Voy a perder el miedo // The Go-Betweens: Static // The Go-Betweens: The Locust Girls // Ringo Starr & Alison Krauss: Thankful // Freddy Balta And His Orchestra: Mon Oncle

Kath Bloom: Come Here // Catherine Howe: My Child // Claire Hamill: Consummation // Gillian Welch & David Rawlins: What We Had // Cass McCombs: If I Was A Stranger // The Innocence Mission: Midwinter Swimmers // Polite Company: Second Chance Charity Store // The Clientele: Trains In The Night // Lou Reed: What Becomes A Legend Most // Pete Sinfield: Song Of The Seagoat // Real Estate: Daniel // The Go-Betweens: Backstreet Drivers // The Go-Betweens: Perfect Beat // Robert Forster & Grant McLennan: Clouds // Tucker Zimmerman: The Season // Pino Calvi: Mon oncle

Jackie and Greg are joined by Jackson Cooper, Executive Director of AGFA (American Genre Film Archive) for Jacques Tati's PLAYTIME from 1967. Topics of discussion include the film as an explosion of Where's Waldo? on 70mm, how Tati distances himself from the M. Hulot character in the film, the personal and financial toll it took on him to bring it to screen, and why it endures and continues to ascend the Sight & Sound list each decade.#43 on Sight & Sound's 2012 "The 100 Greatest Films of All Time" list.https://www.bfi.org.uk/sight-and-sound/polls/greatest-films-all-time-2012#23 on Sight & Sound's 2022 "The Greatest Films of All Time" list.  https://www.bfi.org.uk/sight-and-sound/greatest-films-all-timeGet more of Jackson Cooper: https://jcooperarts.comCheck us out on Instagram: instagram.com/sceneandheardpodCheck us out at our official website: sceneandheardpod.comGraphic Design: Molly PintoMusic: Andrew CoxEditing: Greg KleinschmidtGet in touch at hello@sceneandheardpod.comSupport the showSupport the show on Patreon: patreon.com/SceneandHeardPodorSubscribe just to get access to our bonus episodes: buzzsprout.com/1905508/subscribe

Barón Roskow & Dr. Kikillo: Llegó la Navidad // Barón Roskow & Dr. Kikillo: Reflexiones de año nuevo // Paul San Martín: Auld Lang Syne / Hobo Bobo // Paul San Martín: Christmas In Jail // Sara Zozaya: (Gabon) Kanta // Belcos & Ion De Luis: La misma estrella // Belcos & Ion De Luis: A mil kilómetros de aquí // Cheli Lanzagorta: The Glockenspiel Boy // Cheli Lanzagorta: Podría ser mejor // Maite Larburu: Adan formadu zanian // Maite Larburu: Jaio da Belenen // Joserra Senperena / Easo Gazte / Karlos Arancegui / Cheli Lanzagorta: Eguberri Zuhaitza // Joserra Senperena / Idoia Asurmendi / Easo Gazte: Elur-ama // Joserra Senperena / Enaut Elorrieta / Idoia Asurmendi / Easo Gazte / Karlos Arancegui / Easo Gazte: Ozenago kantu egin // Eñaut Elorrieta: Gaueko argiak // Mikel Erentxun: Canción de Navidad // Mikel Erentxun: Estrella de luz // Mikel Erentxun / Dakota Erentxun / Joserra Senperena: Noche de paz // Discos Mon Oncle All Together Band: Joy // Barón Roskow: Mon Oncle

(cw: language) Dave and Alonso got an email from Guy Branum asking to talk about one of his favorite Christmas movies, 1971's Mon Oncle Antoine, and who were they to say no? Enjoy this holiday offering of Linoleum Knife Presents More Linoleum Knife, a show usually reserved for Linoleum Knife Patreon members. Become a Linoleum Knife Patreon member, won't you?

Glen Campbell: Christmas Day // Kid Creole & The Coconuts: Christmas On Riverside Drive // The Delines: Waiting On A Bus Out Of Dallas // Ron Sexsmith: Angels We Have Heard On High // Nick Lowe: Silent Night // Tracey Thorn: Maybe This Christmas // Donna Hightower: Say “Merry Christmas” For Me // Duncan Dhu: Blue Christmas // Glandón Rojo: Intentaré ser casto en Navidad // Otoño Fiel (Juan Stembert): Christmas Time // La Insidia: Canción navideña // Parade: Regreso a la tierra // Mikel Erentxun: Canción de Navidad // Belcos: La misma estrella // Sara Zozaya: (Gabon) Kanta // Paul San Martín: Christmas In Jail // Cheli Lanzagorta / Javi Sánchez / Iranzu Valencia / Joserra Senperena: Podría ser mejor // Maite Larburu: Jaioa da Belenen // Joserra Senperena / Felipe Cabrerizo / Coque Malla: Otro año más // Dean & Britta / Sonic Boom: Old Toy Trains // Valerie Masters: Christmas Calling // The Emotions: What Do The Lonely Do At Christmas? // Charley Pride: Out Of The East // Rosemary Clooney: Sleep Well, Little Children // Barón Roskow La Momia Acústica: Mon Oncle JAIO DA BELENEN Maite Larbururen gabon-kanta bat (2024-12-10) Hiru erregin datoz ekialdetik belengo mendi artetik; bata haurdun, bestea oraindik birjin, hirugarrena ezin jakin. Trakatan, trakatan, hiru erregin intsentsu, mirra eta urre gutxirekin; hiru erregiñ Belengo mendi artetik. Ihesi doazela -gerra gidari- erditzea da hasi. Ahizpa bana aldean duna atzean atzamarra atzamarretan. Trakatan, trakatan, hiru erregin trakatan, trakatan, beharrez emagin; hiru erregin Belengo mendi artetik. Eguberri gaua da, zimel da izarra eta aingerua zaharra. “Ospa berri horiekin!” zilborrestea moztu dute hortzekin. Nexkatxa bat jaio da Belenen; laugarren erregin bat bederen, ez Palestina ez Israelen; erregin txiki bat gauaren edo eguberrien. Nexkatxa bat jaio da Belenen; laugarren erregin bat bederen, ez Palestina ez Israelen; erregin txiki bat gauaren edo eguberrien. Erregin txiki bat gauaren edo nork daki zeren. HA NACIDO EN BELÉN Un villancico de Maite Larburu (10-12-2024) Tres reinas vienen de Oriente por entre las montañas de Belén; una encinta, virgen la segunda, a la tercera no se le pregunta. Trakatan, trakatan, tres reinas con poco incienso, oro y mirra; tres reinas por entre las montañas de Belén. Mientras vienen huyendo -la guerra las guía- da comienzo el parto. Una hermana a cada lado la duna al costado los dedos entrelazados. Trakatan, trakatan, tres reinas trakatan, trakatan, forzosamente parteras, por entre las montañas de Belén. Es Nochebuena, marchita la estrella y el ángel anciano. “¡Lárgate con tus nuevas!”; cortan el cordón umbilical a bocados. Ha nacido una niña en Belén; la cuarta reina, por lo menos, no de Palestina, ni de Israel; una pequeña reina de la noche o de la Navidad. Ha nacido una niña en Belén; la cuarta reina, por lo menos, no de Palestina, ni de Israel; una pequeña reina de la noche o de la Navidad. Una pequeña reina de la noche o de quién sabe qué. -------------- PODRÍA SER MEJOR (Javier Sánchez) Sabes que voy a volver como vuelvo cada año aunque no lo tenga claro siempre acabo por volver Porque hay algunos días que no cambiaré jamás para estar con los de siempre para hablar sin prisa y brindar Creo que no voy a ver los resúmenes del año, los propósitos de enero no los quiero para mí. Dividimos nuestro tiempo entre lo que fue y será y atrás dejamos cosas otras nuevas aparecerán Este año pronto acabará uno nuevo queda por llegar Podría ser mejor podría ser peor mira, que se quede igual Sabes que voy a volver como vuelvo cada año aunque no lo tenga claro siempre acabo por volver porque hay algunos días que no cambiaré jamás para estar con los de siempre para estar con quienes quiero estar Este año pronto acabará uno nuevo queda por llegar Podría ser mejor podría ser peor mira, que se quede igual

Villagers: Brother Hen // Laura Marling: Caroline // The Cure: All I Ever Am // Robyn Hitchcock: Itchycoo Park // Chet Baker: Come Saturday Morning // Nick Cave and The Bad Sees: O Wow, O Wow, How Wonderful She Is // Paul Weller: That’s What She Said // Ron Sexsmith: Imaginary Friends (London Palladium, 10.11.2024) // Ron Sexsmith: Wastin’ Time (con Nick Lowe, London Palladium, 10.11.2024) // Myriam Gendron: Recurrence (Café Oto, Londres, 11.11.2024) // Bill Harris: Am I Cold, Am I Hot // Soul Bros Inc.: Pyramid // Barbara Acklin: Come And See Me Baby // Dorothy Ashby: Soul Vibrations // Vince Guaraldi: Linus And Lucy / Graveyard Theme // Harold McNair: The Fence // Prisonaires: Just Walkin’ In The Rain // David Ruffin: Each Day Is a Lifetime // Jack White: What’s The Rumpus? // Belcos: Un día más // Mikel Erentxun: Santa está en San Sebastián // Joserra Senperena / Patxi Zubizarreta / Easo Eskolania: Eguberri zuhaitza // Jamie Cullum: Show Me The Magic // Barón Roskow: Mon Oncle

Qu'est-ce qui fait qu'un jour, un enfant comme vous et moi, qui a suivi ses années d'école et ses parents en vacances devient un jour un Marc Lavoine, le chanteur dont on achète les disques et l'acteur dont on va voir les films ? Enfin, les vacances, c'était plutôt la colonie pour le petit Marc qui a grandi au sud de Paris, à une époque où elle ressemblait au film Mon Oncle de Jacques Tati. Coincé entre les vieux quartiers où résonnaient encore les accordéons, et le vacarme des chantiers où s'élevaient des HLM, le jardin des Lavoine donne sur les avions de ligne qui décollent de l'aéroport tout proche vers des cieux inconnus. A Wissous, on est communistes parce que, Orly, on n'en profitera jamais autrement que comme dans la chanson de Gilbert Bécaud. La fête, elle sent bon le barbecue, c'est celle de l'Humanité, le journal que Lucien Lavoine, le père de Marc, lit, comme sa mère, la Bible. Mais là où il faudrait faire la grimace sur le triste sort des fins de mois difficiles, il n'y a eu en fait que du bonheur. Car l'enfance de Marc Lavoine est heureuse. Quand la famille est aimante, il n'y a pas de problème, pour un petit garçon, à ne manger que des pâtes.Marc adore ses parents. Son père ? Un héros. Même si c'est l'homme le plus volage qu'il ait jamais rencontré. Tellement actif qu'il lui arrivera du haut de ses trois pommes de surprendre ses galipettes sans le faire exprès, en ouvrant la porte d'un placard. Marc devait s'appeler Brigitte. A sa naissance, sa mère a très mal pris qu'il soit un garçon. Elle a même refusé de le voir pendant quelques jours. Était-ce bien utile de le lui dire quand il a eu atteint l'âge de raison ? Allez savoir. En tout cas, cela fait partie de sa légende et explique peut-être pourquoi dans les années 80, il s'est amené en tutu sur la scène de La Cigale. Mais pas de quoi en faire un complexe : après tout, ça lui fait un point commun avec John Wayne, le plus viril des acteurs de l'histoire d'Hollywood. L'enfance de Marc s'est un jour ouverte sur le monde des adultes sans passer par la case de l'adolescence. A 16 ans, il a en effet voulu devenir acteur. Cela signifiait emménager dans une chambre de bonne à Paris. Ses parents ne lui ont, ce jour-là, pas donné de ticket de retour, comme il le dira. Voilà qui forge un homme prématurément, en 1978, en pleine période disco et surtout punk.Marc Lavoine a été le fils d'un homme qui ment, le titre du livre à succès qu'il lui a consacré il y a des années. Quand un journaliste lui demande s'il ment beaucoup dans ce livre, il répond forcément. C'est vrai que quand on écrit des chansons, on ment forcément à propos de la réalité qu'on y décrit. Enjoliveur d'histoires, aime-t-il à dire. Le public est d'accord. Tout cela s'est donc forgé au cours de l'enfance. Une fois de plus un artiste aimé du plus grand nombre, qui a trouvé le terreau de son art dans ces années où rien ne le destinait à occuper le devant de la scène. Tout a changé depuis dans la banlieue sud de Paris, y compris Orly qui n'est plus celui de Bécaud. Voilà sûrement pourquoi il y a tant de nostalgie dans les chansons de Marc Lavoine.

Lee Hazlewood: Your Sweet Love // Ricky Nelson: Fools Rush In // Orlie & The Saints: Twist And Freeze USA // Shirley Ellis: The Name Game // Mari Trini: Un hombre marchó // María Ostiz: No sabes cómo sufrí // Karina: Regresarás // John Prine: Falling In Love Again // Jay-Jay Johanson: Hallucination // The Divine Comedy: To The Rescue // Siouxsie & The Banshees: Cascade / Israel (Fragmentos Live in San Sebastián, 18 noviembre 1984) // Kiki D’Aki: La ciudad y tú // Sade: Your Love Is King// The Church: It’s No Reason // Maurice Larcange Et Son Orchestre: Mon Oncle

Cette Semaine LTDJ reçoit M.R.F Kool Rock (A.k.a Mon Oncle Rock)À chaque épisode Dj Crowd et Jay Seven reçoivent des invités pour le temps d'un jujube! Suivez les émissions pour les conversations les plus comiques, informatives et absurdes du Québec!Salutations aux commanditaires:Le Green Room, Le Kampus, CbetInfographie par : Dj Crowd pour Muliani GfxMusique par : @BeatsbyGallo pour MajorWayStudio : KampusSuivez-nous sur les médias sociauxPour écouter l'after-Show :https://www.patreon.com/letempsdunjujubeDj Crowd :https://www.instagram.com/djcrowd/https://www.facebook.com/worldfamousdjcrowdTiktok, Snapchat, Twitter : Dj CrowdJaySeven :https://www.instagram.com/j7official/LTDJ : https://www.instagram.com/letempsdunjujube/https://www.facebook.com/letempsdunjujube/Merci !!!!!!! Suivez-nous sur les médias sociauxPour écouter l'after-Show :https://www.patreon.com/letempsdunjujubeDj Crowd :https://www.instagram.com/djcrowd/https://www.facebook.com/worldfamousdjcrowdTiktok, Snapchat, Twitter : Dj CrowdJaySeven :https://www.instagram.com/j7official/LTDJ : https://www.instagram.com/letempsdunjujube/https://www.facebook.com/letempsdunjujube/Merci !!!!!!!

Kit Sebastian: Metropolis // Grant Mclennan: The Dark Side Of Town Marku Ribas (Batuki): Musseke // Brian Easdale: Composed Sequence / Epilogue (de la Película “The Small Back Room”) // Ángel Illarramendi: Urbasa (de la película “Tasio”) // Robert Mitchum, Marianne Faithful & Dr. John: Isn’t It A Pity / Jersey Girl // Mina: I giorno che ci appartengono // Carlo Rustichelli: Milano rovente // Johnny Halliday: La fille à qui je pense // France Gall: Comment lui dire // Juniore: Mediterranée // Gilbert Becaud / Christian Gaubert: The Organization // Maurice Lecoeur: Contes au fil de l’eau // The Dropouts: Purple Sea // Ron Lee And The Low Notes: Far Away // Jojo Bernadette: Gure lurra // Joëlle Patural: J’ai Rêvé // The Melons: Wishes // The Courettes: Boom Boom Boom // Nancy Sinatra: Colours Are Changing // J. J. Cale: Cajun Moon // Annette Peacock: Trust // Nino Ferrer: Le sud (Alternative) // Nino Ferrer: Le Sud (Acoustic Version) // Lucienne Delyle: Mon Oncle

A thank you, not getting terrified, a memorable Jason, a weird interview, children of Donovan,  a stellar remake, a tortured Jack, the interesting Peter Greene, a nice little horror anthology, the bloated Bezos, a touch of Tati, a groovy French song, considering cats, a beloved dog, saying goodbye, an unforgettable phone call, breaking down, and you aren't my destiny. Stuff mentioned: Road Games (1981), Terrifier 3 (2024), Joker: Folie à Deux (2024), The Hangover (2009), The Hangover Part II (2011), The Hangover Part III (2013), Friday the 13th: The Final Chapter (1984), Sunset Beach (1997-1999), The Young and the Restless (1973-present), Lycan (1977-1978), Crispin Glover on Late Night with David Letterman (1987 https://www.youtube.com/watch?v=Jm2CbuTdTtE), River's Edge (1987), Say Anything (1989), A Night in the Life of Jimmy Reardon (1988), Donovan "Hurdy Gurdy Man" (1968), Zodiac (2007), Donovan "Season of the Witch" (1966), To Die For (1995), The Blob (1988), The Blob (1958), Warning Sign (1985), Eraserhead (1977), Hammett (1982), Dune (1984), Blue Velvet (1986), Wild at Heart (1990), Twin Peaks: Fire Walk with Me (1992), Lost Highway (1997), Meatballs 4 (1992), A Nightmare on Elm Street 3: Dream Warriors (1987), The Mask (1994), Pulp Fiction (1994), Peter Greene Breaks up Street Fight (TMZ https://www.tmz.com/watch/actor-peter-greene-breaks-up-street-fight-tmz-live-0-g20936fu), Campfire Tales (1997), F. Scott Fitzgerald The Rich Boy (1926), The Falling Star (2023), Mon Oncle (1958), Birds on a Wire "Dernière Chance" (2024), Birds on a Wire "Dernière Chance-Alt. Version" (2024), Birds on a Wire "Dernière Chance-Instrumental" (2024), Bird on a Wire (1990), Aaron Neville "Bird on a Wire" (1990), Leonard Cohen "Bird on the Wire" (1969), Patti Smith Horses (1975), Pavements (2024), Pavement "Extradition" (1995), and Pavement Wowee Zowee (1995).

Espanto: Estilo // Parade & Nacho Casado: El lindo amor // Parade & Nacho Casado: Nueva York, Tokio y Brasil // Tom Zé: Jimmy, renda-se // Erasmo Carlos: É preciso dar um jeito, meu amigo // Tim Maia: Azul da cor do mar // Franco Micalizzi: Roma a mano armata // Nino Ferrer: La pelle nera // Katyna Ranieri: Strange World // Piero Piccioni: Contesto (de ‘Cadaveri Eccelenti’) // Ennio Morricone: Indagine su un cittadino al di sopra di ogni sospetto // Ennio Morricone: Milano odia: La polizia non può sperare (Titoli) // Osanna: Milano Calibro 9 // Jefferson Airplane: Embryonic Journey // The Walker Brothers: The Sun Ain’t Gonna Shine Anymore // Robert Wyatt: Sea Song // Kris Kristofferson: For The Good Times // Kris Kristofferson: From Here To Forever // Jane Weaver: The Revolution Of The Super Visioins (Live San Sebastián, 1 Octubre 2024) // Mikel Erentxun: Estrella de luz // Keray Lisette: Mon Oncle

Sergio Mendes: Where Is The Love // Julie Covington: Don’t Bother Me Now // Elton John: Country Comfort // The Loft: Worm In My Brain // Young Scum: Got Mad // The Softies: To You From Me // Javier Sun: El secreto de mi felicidad (Live, Dabadaba, San Sebastián, 13/9/24) // Javier Sun: El barrio de la verdad // Brighton 64 + Javier Sun: Igual, nos da igual (Live, Dabadaba, San Sebastián, 13/9/24) // Brighton 64: Cadena de transmisión // The Wave Pictures: Sleepy Eye (Live, Terraza Del Kursaal, San Sebastián, 14/9/24) // The Wave Pictures: From A Buick 6 // Frank Zappa: Trouble Every Day (Live, San Sebastián, 20/9/84) // Frank Zappa: He’s So Gay / Bobby Brown (Live, San Sebastián, 20/9/84) // R.E.M.: (Don’t Go Back To) Rockville // David Sylvian: The Ink In The Well // Robyn Hitchcock: A Whiter Shade Of Pale // The Topics: Summer’s Gone Now // Jolís: Mon Oncle Javier Sun “El barrio de la verdad” videoclip: https://youtu.be/j1G37TrhlJA?si=UTT-1zgysoODXlzH

The Miracles: Show Me You Can Dance // Brenda Holloway: My World Is Crumbling // Kelly Finnigan: Love (Your Pain Goes Deep) // Mavis Staples: Worthy // Aaron Frazer: Into The Blue // El Barón Roskow: Tienes que venir // El Barón Roskow: Doble cosmos // El Barón Roskow: Supermarket // Duncan Dhu: Highlanders // Duncan Dhu: La playa // Duncan Dhu: 1954 // Duncan Dhu: That’s All Right, Mama // Richard Thompson: Devonside // The Dream Syndicate: Merrittville // Steve Wynn: Simpler Than The Rain // Beachwood Sparks: Gem // Starless: You’re Beautiful // Kim Deal: Coast // Ray Lamontagne: Step Into Your Power // Vicky Autier: Mon Oncle

Send us a textIn this episode, Marty gives Clif the film Mon Oncle to watch and Clif gives Marty the film Band Aid to watch.Support the showMaking Pondo on Facebookhttps://www.facebook.com/profile.php?id=100087139659233X (formerly Twitter):@MakingPondoInstagram:https://www.instagram.com/makingpondo/Making Pondo on Letterboxd:https://letterboxd.com/marty_ketola/list/talking-pondo/Theme Song by Russ Pace

Lloyd Cole & The Commotions: Perfect Skin // The Bluebells: Young At Heart // Friends Again: Lullaby nº 2 Love On Board // AC/DC: You Shook Me All Night // Mike Oldfield: To France // Entrevista con Diego A. Manrique // La Fábula Escocesa: La marcha sin éxito // Oklahoma: Cubata de ron // Vanguardia Civil: Nací para perder // Matrona Impúdica: Menopausia // La Vieja Escuela: En la encrucijada // Orquesta Mondragón: Es la guerra (fragmento) // Entrevista con Javier Gurruchaga // Prince: When Doves Cry // Michael Jackson: Farewell My Summer Love // The Blue Nile: Tinseltown In The Rain // Alphaville: Después de la derrota // Nick Lowe: L.A.F.S. // David Carrol And His Orchestra: Mon Oncle

Cet été, retrouvez dans Home(icides) les plus grandes affaires criminelles françaises. De la disparition de Xavier Dupont de Ligonnès, à la secte du Temple solaire, en passant par l'affaire Grégory... elles ont marqué et marquent encore la société, même des années après. Caroline Nogueras vous plonge au cœur d'enquêtes complexes, de procès hors-norme et de familles déchirées. (Re)découvrez l'histoire d'une communauté secrète en plein Paris : La Famille, un récit d'emprise familial. Mon oncle Auguste La famille se réunit autour d'une chrétienté en marge de l'Eglise, régi par l'austérité et la discrétion. Depuis sa création en 1819, d'autres patronymes sont venus grossir les rangs. Les Havet et Thibout ont été rejoints par les Sanglier, Déchelette, Sandoz, Maître, Pulin et Fert. Au début du XXeme siècle, un homme, Paul Augustin Thibout, descendant direct des fondateurs, va durcir le ton et cadrer les troupes. Production et diffusion : Bababam Originals Un podcast enregistré dans les studios de Bababam Ecriture : Capucine Lebot Voix : Caroline Nogueras Suivez Bababam sur Instagram. Première diffusion : 2 octobre 2023 Learn more about your ad choices. Visit megaphone.fm/adchoices

The Eyes Of Blue: Supermarket Full Of Cans // Hipster Image: Make Her Mine // The Melodians: Sweet Rose // The Valentines: Stop The Violence // The Blow Monkeys: Cool Summer Hideway // Los Carradine: La vida de Brian // Adiós Amores: Volveréis // Mojave 3: She Broke You So Softly // Tim Hollier: Yesterday’s Dreams // Marc Almond: Reflections Of My Life // Poco: Save A Corner Of Your Heart // Billy Joel: Uptown Girl // Elvis Costello: Inch By Inch // Cocteau Twins: Sugar Hiccup // Graham Nash: Hey You (Looking At The Moon) // David Blue: Outlaw Man // Neil Young: Birds ("Early Daze") // Frank Sinatra & Quincy Jones & His Orchestra: How Do You Keep The Music Playing // Tony Bennett: This Time The Dream Is On Me // Tony Bennett: The Shadow Of Your Smile // The City Of Prague Philarmonic Orchestra: Mon Oncle

Tom Rush: Sailing // Fino Oyonarte: Embarcadero // The 5th Dimension: The Sailboat Song // Gordon Lightfoot: A Passing Ship // Jimmy Buffett: Son of a Son Of a Sailor // Percy Mays: Changes // Liberation: Too Close For Comfort // Carlos Subijana: Ein Daikiri an der See trinkend // Hall & Oates: Rich Girl // Female Species: Coast To Coast // Heart: Dreamboat Annie // Stephen’s Shore: Ocean Blue // Haircut 100: Boat Party // Spandau Ballet: Only When You Leave // The Jacksons: Show You The Way To Go // Yes: Nous Sommes Du Soleil // Isabelle Antena: Seaside Weekend // Beach Boys: Summer Means New Love // Lee Underwood: Seaview // America: Indian Summer // Kate St. John: Where the Warm Wind Blows // Harmonie Bayonnaise: Mon Oncle

Is it loud enough for you? Podcast's intro song 'Here Come the Creeps' performed by Souless AI Software SUNO, written by Ugly Cry Club. Like us on Facebook! www.facebook.com/criterioncreeps/ Follow us on that Twitter! twitter.com/criterioncreeps Follow us on Instagram! instagram.com/criterioncreeps We've got a Patreon too, if you are so inclined to see this podcast continue to exist as new laptops don't buy themselves: patreon.com/criterioncreeps You can also subscribe to us on Soundcloud, iTunes, and Google Play!

The Street Corner Society: Summer Days, Summer Nights // The Morning Sun: Someday // The Millennium: Some Sunny Day // Broches: Llegó el verano // The Undertones: Here Comes The Summer // The Jasmine Minks: Summer! Where? // The Beach Boys: California Saga (Big Sur) // Ezra Cares: I Wasted Summer Working // Christina Rosenvinge: Ligera como el aire // The Wynntown Marshals: Tourists In My Hometown // New Order: Fragmentos Live en Rock-Ola, Madrid, 5 Julio 1984 // The Danse Society: Heaven Is Waiting // The Sound: Counting The Days // Derribos Arias: Disco Pocho // Nacha Pop: Pagas caro mi humor // Décima Víctima: Un hombre solo // Linda Thompson: The Solitary Traveller // Sam Burton: Looking Back Again // Eddie Barclay: Mon Oncle

Nick Lowe: Went To A Party // Paul Weller: Ship Of Fools // Michael Head and The Red Elastic Band: You Smiled At Me // Marina Allen: Landlocked // Myriam Gendron: La belle Françoise (pour Sylvie) // Françoise Hardy: Le sais-tu? // Françoise Hardy: Surtout ne vous retournez pas // Françoise Hardy: The Garden Of Jane Delawney // Françoise Hardy: Oui Je dis adieu // James White And The Blacks: Contort Yourself // Barry Adamson: The Last Words Of Sam Cooke // Johnnie Taylor: Who’s Making Love // Barbara Lynn: (Until Then) I’ll Suffer // Ian Dury: Sweet Gene Vincent // Ian Dury: Sex & Drugs & Rock & Roll // Buddy Starr: Hold It! // The Cramps: Devil With The Blue Dress On / Goo Goo Muck / She Did (Live San Sebastián 2 junio 1984) // La Polla Records: Críticos // La Polla Records: Estrella del rock // The Psychedelic Furs: Heaven // The Human League: Louise // Lisboa Café Central: Mon Oncle

The Staples: Take This Love Of Mine // The Lemon Twigs: They Don’t Know How To Fall In Place // The Lemon Twigs: My Golden Years / In My Head / Tailor Made / Corner Of My Eye (fragmentos live Bilbao) // The Keys: I Don’t Wanna Cry // Arab Strap: Turn Off The Light // Lambchop: Police Dog Blues (fragmento live PS) // Beth Gibbons: Oceans // Joanna Sternberg: She Dreams (live PS) // Yo La Tengo: Stockholm Syndrome // Faye Webster: Thinking About You // Jessica Pratt: Life Is / Back Street Girl (fragmentos live PS) // Robert Forster: Life Has Turned A Page / Was There Anything I Could Do? / Surfing Magazines (live Dabadaba) // Violent Femmes: Kiss Off // Echo & The Bunnymen: Seven Seas // Gary Lucas: Mon Oncle

Dagens gjest i Fysen er en energisk, uredd og ambisiøs, ung kokk. Jonathan Hagen er kjøkkensjef og medeier i braksusessen Betong, og i fjor ble han medeier i Kafeteria August og Mon Oncle etter at stjernekokk Esben Holmboe Bang trakk seg ut. Camilla er nysgjerrig på hvordan Jonathan gikk fra å droppe ut av videregående til å drive en av Oslos mest populære restauranter, hva han syns om hierarki på kjøkkenet, og hvordan det var å ta over Kafeteria August og Mon Oncle. Jonathan deler også sine favorittsteder i Oslo, og hva han driver med når han ikke står på kjøkkenet. Episoden er produsert av Synne Johansen.Obs! denne episoden er spilt inn før Jonathan åpnet «Lillebetong». Hosted on Acast. See acast.com/privacy for more information.

Fran Nixon: Los reyes de Francia // Fumio Hayasaka: Seven Samurai: Kanbei & Katushiro - Kikuchiyo's Mambo // The The: Lonely Planet // Blur: The Universal // Phosphorescent: Endless Pt. 1 // Nina Simone: Four Women // Tom Waits: Ruby’s Arms // Sinn Sisamouth: Duang Netra // Sinn Sisamouth: ខ្ចងក្តក់ //Anh Tú: Oi Tinh Yeu // Thai Hang: Bà Mẹ Quê // Luigi Tenco: Mi sono inamorato di te // Michel Legrand: Arrivée des camioners (de Les parapluies de Cherbourg) // Michel Legrand: Oh, Bankan // Alfred Newman: Nevada Smith // Oscar Harris: I’ve Got The Power To Love // The Three Degrees: My Simple Heart // Timmy Thomas: You’re The Song // The 5th Dimension: East Of Java // Edouard: My Name Is Edouard // Frantz Casseus: Suite Nº 1: Yanvalloux // Emahoy Tsege Mariam Gebru: Golgotha // Gino Paoli: Che Cosa C’è // Maurizio Pianist: Mon Oncle

Marianne Faithfull: Lucky Girl // The Coterie: I Know Where I’m Going // Jessica Pratt: World On A String // Beth Gibbons: Reaching Out // Khruangbin: May Ninth // Duane Eddy: Blueberry Hill // Caravan (con Jimmy Hastings): Love Song With Flute // Caravan (con Jimmy Hastings): Limits // Golpes Bajos: Cena recalentada // Joe Jackson: Happy Ending // King Crimson: Three Of A Perfect Pair // The Cars: You Might Think // The Smiths: What Difference Doest It Make // Ron Sexsmith: Hasten Down The Wind // Warren Zevon: Hasten Down The Wind // Iron & Wine: Taken By Surprise // Joserra Senperena-Harkaitz Cano: Ozenago Kantu Egin

Mon Oncle Accordion by Sörmlandspodden med Pehr Flühr

Alexandre e Fred convocam o crítico de João Pessoa, Renato Félix, para conversar sobre a obra de um dos gênios da comédia mundial, o francês Jacques Tati. O cineasta é celebrado até hoje como um dos mais criativos de sua arte, principalmente pela maneira como utiliza o som e a direção de arte em seus filmes. Apesar de ter filmado muito pouco, três de seus clássicos se destacam em sua obra e comentamos eles aqui: "As Férias do Sr. Hulot" (Les vacances de Monsieur Hulot, 1953), "Meu Tio" (Mon Oncle, 1958) e "Playtime - Tempo de Diversão" (Playtime, 1967).  Falamos também brevemente de seu primeiro longa-metragem, o interessantíssimo "Carrossel da Esperança" (Jour de fête, 1949). ---------------------- Acesse nosso site: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠http://www.filmesclassicos.com.br⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Acesse nossa página no Facebook : ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.facebook.com/podcastfilmesclassicos/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

First broadcast on November 01, 1962. Filmmaker Jacques Tati and Studs discuss finding the humor in everyday life and people becoming their gadgets. The two also go in-depth about Tati's film "Mon Oncle" and the development of the character Monsieur Hulot.

Chaque année en France, 160 000 enfants sont victimes d'inceste. Hélène en a été victime dans son enfance et nous raconte son histoire aujourd'hui.

BRINGING ORDER OUT OF CHAOSIt might be said that the function of the discriminating mind (S. citta), in the most general sense, is to render what is perceived as chaos into what may be perceived as order. Of course, this is not an original idea, and has an associated idea that chaos, as we perceive it, may be thought of as a higher level of order, one that is not accessible to our perception. This idea resonates in both the world of Zen and that of art and design thinking. One would have to speak of a relative degree of order versus a notion of absolute order. However chaotic reality may appear, it is following physical laws that suggest an underlying order that is simply not a respecter of persons, or of the sensibilities of humans. We must come into compliance with reality, rather than expect reality to conform to our expectations or preferences. This, I think, is the fundamental basis of the concept of the “Way” in Taoism, and an underpinning of Zen as it developed in China. However, the Way in Buddhism, as I understand it, is not a hypothesis or theory of objectified reality outside the observer, but exists only in complementary balance with the person. Our observation of perceived order also exhibits relative degrees, or a spectrum from one extreme to another. For example, our house may be a mess inside, but look orderly on the outside, unless we get evicted and our possessions are dumped on the street. If you peer into parked cars on any city street, they will tell you a story about the person who drives them, or lives in them. Some definitely have that lived-in look, while others are pristine, even sterile-seeming, as are some homes. If you have ever seen the French movie, “Mon Oncle,” or “my uncle.” you may remember its satirical take on the super-white, stainless steel interior, and the housewife's gloved approach to maintaining its spotless state. My best friend in high school lived in a home where the floors of the living rooms were covered with shag carpet, which was newly popular in the 1950s, but theirs was brilliant white. We had to remove our shoes to enter the house, which was peculiar to me at the time, but later became second nature after being exposed to the Japanese culture, beginning with the Zen Buddhist Temple of Chicago, in the 1960s. Sensei had us stand at the door with a basket of clean socks to hand to the barefoot hippies coming in off of Halsted Street. In his eyes, they must have appeared as complete barbarians. If you are in someone's home as a guest, you might take a peek in the medicine cabinet. There you will see an indication of the sense of order of your host's mind. (I have never done this, of course; it is very rude.) What is on the shelves, and where, and whether the medicines are outdated, may paint a portrait of how obsessive-compulsive — or happy-go-lucky — your friends may be. Bear in mind that for a couple living together, these issues become instantly, and infinitely, more complicated. Who does what and when, and who is responsible for the resulting mess, becomes entangled in the relationship. Master Dogen, who transplanted what is now called Soto Zen to 13th century Japan from his sojourn in China, used the word katto to identify entanglements, using the analogy of twining vines, like wisteria. This applies not just to the tyranny of possessions and environments, but to the subtle entanglements of relationships themselves. Other examples of refined order, from the human perspective, include such storage-and-retrieval systems as fishing tackle totes and sewing boxes, where the necessity for “a place for everything and everything in its place” determines the efficiency and effectiveness of the endeavor of actually fishing or sewing. I inherited an antique sewing box, with its many spools of colored threads and implements of sewing wonderfully arranged in stunning order, formerly in the control of a friend's grandmother. Somehow my son and daughter, under 5 years old at the time, got into it and turned order into chaos, probably in about 5 minutes, when the array of organization had likely developed over five years or more of grandma's life. There was no way I could put it back in order. Workshops are another example, where attention to the organization and design of the environment can begin to overwhelm the prospect of actually getting anything done. The project of organizing the process can distract our attention from doing the project itself. In the course of organizing my various studio and shop environments over time, I have developed what I call the “Island of Sanity” approach. It took me 50 years or so to learn that table tops are not for storage. I strive to keep the tables clear of any clutter, including tools, even during the process of working. “Clear the decks” is the trope. The “work,” the piece under construction, or a painting, is the only item that is allowed to occupy the table top. I have found that laying tools on the table means that when I need to move the work, the tools often get in the way. So I keep a side table as home for the tools. On the tool table, I keep the various tools in play in a neat array, rather than mindlessly piling them on top of each other. In the hurly-burly of executing a project, the tool table often becomes disorderly. I occasionally reorganize it quickly, so that the tools are side-by-side in a scannable row, not overlapping. This way I can quickly recognize and seize the particular tool I need when I need it. Others have refined these approaches. Allowing a relative degree of perceived chaos in the work environment seems to be a necessary evil. Otherwise, we may be driven to distraction by trying to improve the process, and never finishing the project. What is sometimes called “completion anxiety” may set in. As long as we are working on a project, but have not brought it to conclusion, it can remain forever perfect in our mind's eye. When it is finished, it is just what it is, warts and all: imperfect. Everything is somewhat imperfect; or at best, relatively perfect. In my case, maintaining islands of sanity creates the proper balance for getting things done, with minimal stress on the mind and body. What the particular balance amounts to, and what works best for the individual, seems to be a personal trait. Some people can work efficiently in a virtual pile of clutter; others are highly dependent on a visually uncluttered workspace. Einstein's office — which is preserved intact even today, as a memorial, just as he left it — is said to be an exceptional example of “meaningful clutter.” Whether yours is meaningful, or not, is up to you to determine. Clutter control is a recognized discipline, a known issue in interior design of environments, whether working or living spaces, public or private. The “rising tide of clutter” can overwhelm any space. Just tune into one of the current spate of television shows on hoarding, to see some of the worst-case scenarios. Contrast becomes important in being able to see the shape of a tool, to state another obvious point. Vertical walls for storing tools often consist of white pegboard for this reason. I have learned that I lose my eyeglasses less often if I remember not to place them on a dark surface, into which the dark frames blend and disappear. The inverse is true when retrieving a light-colored object. Dark backgrounds are called for. Along with many of my contemporaries, In the 1960s I experimented with so-called psychedelic or psychotropic drugs. One memorable experience found me sitting in my basement shop, trying in vain to sort various items of hardware into appropriate category designations for storage and retrieval. All items share many characteristics in common with others, and it actually was not clear which were the priorities. For example, many fasteners (of which there are many kinds) may be made of metal, and so “go together,” but are designed to fasten many different materials, such as wood, as opposed to metal. In the case of fasteners, we end up with so many leftover screws, nuts and bolts, et cetera, from our projects, that it becomes a more-and-more time-consuming process just to keep what you may never use in some kind of order. I have seen everything from homemade systems utilizing salvaged glass jars, lids attached to the underside of shelves, allowing the jar to be unscrewed with one hand; to endless aisles suffering from over-choice, and designed systems for storing virtually endless categories, sizes and types of fasteners, in hardware and big-box stores. The world is really too much with us, in these categories. An example from retail, that might not be obvious to the customer, but is well known to the insiders, entails the arrays of shoes at your local shoe store. The stock is usually stored in back, where the various sizes of a given style can be efficiently stacked and retrieved in labeled shoe boxes. The storefront, by contrast, displays all the shoes in their best light, putting our best foot forward, literally. Usually the smaller sizes are displayed, not only because they take less room, but because they are usually more aesthetically pleasing than bigger sizes of the same style and color, vestiges of ancient foot-binding in the East. A little-known fact is that the array has the appearance of more styles and colors than are actually in stock, because the merchandisers display them by style, by color and other attributes: the same shoe will appear in two or more displays throughout the store. As a boy, I used to wonder why my father had so many pairs of shoes in his closet, when I had only one or two. Now I have more shoes than he did, accumulated over time, because the size of my feet stopped changing, and I found different needs, or lack of need, for different types and styles of footwear. Imelda Marcus is the poster girl for this category of disorder, with her 3,000 pairs of shoes. Produce in a grocery store is another example. People generally like to pick over produce, selecting the best ones, leaving the fruits or vegetables that are less appealing in looks, apparent freshness, et cetera. For this reason, pre-packaged produce is a harder sell. This is why we see monstrous stacks of open produce in brightly-lighted bins, in most modern food supermarkets. Which, by the way, are destabilized when 10% are removed. To see, a bit more clearly, how fundamental the process of sorting is to the basic function of perceived order — including storing and retrieving things — try to imagine a contrarian approach, such as displaying books by color, say, or clothing grouped by fabric, rather than size or style. I have witnessed the tendency to over-organize — or organize by inappropriate groupings — in my own efforts to achieve order, in striving to make sense of my environment. One example is that I tend to group and store like things together, such as putting any and all writing pens in the same place. Or I may do the same with my collection of eyeglasses, which has accumulated over time through misplacing, replacing, and rediscovering spectacles. Problem is, I need a writing pen at different places at different times, yet I do not want to have endless writing pens scattered all over the place. I know people who collect fine writing pens, and wonder if it amounts to a compulsion, or a stubborn resistance to the decline of handwriting, in favor of the word processor — with which, incidentally, I am writing this essay, from handwritten notes scrabbled on various sheets of notebook paper, noted when I was away from my desktop. We tend to blame linear thinking as the main culprit behind chaos, and all of this need for — and inability to find, or sustain — order. When we begin to consider that everything we regard as belonging to one category actually belongs to many others — perhaps an infinity of categories, if we parse it finely enough — a kind of insanity or cognitive dissonance, a lack of mental order — begins to come into play. This is, in Zen, or Taoism, the point at which we begin to “confront the mystery,” from the Tao te Ching: Caught by desire, we see only the manifestations;Free from desire, we confront the Mystery. “The one and the many” are indeed like the yen and yang of our discriminating mind. That phenomena and noumenon exist in complementary embrace, or the endless dance of becoming, is not immediately evident, when we are just trying to get through the day. This is why, and how, it becomes important to take a break, and to sit on it for a while. Hopefully, when we stop striving, the immanent order of emptiness underlying the alienating appearance of form will become manifest. But as Master Dogen mentions in Genjokoan, don't look for it to appear in your perception: Do not suppose that what you realize becomes your knowledge, or is grasped by your consciousness; although actualized immediately, the inconceivable may not be apparent. The inconceivable may appear as chaos; the underlying order may not be apparent. Chaos may be embraced as a higher form of order, or an elevated degree of complexity, in which any discernible pattern is elusive; while perceived patterns of order may be similarly interpreted as artificially lower levels of chaos, or higher degrees of superficial simplicity. Upon closer examination, perceived simplicity devolves into the complexity of chaos, e.g. on the subatomic or quantum level; whereas chaotic complexity gives way to serene simplicity. “All things are like this,” to borrow another vintage Dogen-ism; the vacillation is built-in, from duality to nonduality and back. Enjoy the ride.* * * Elliston Roshi is guiding teacher of the Atlanta Soto Zen Center and abbot of the Silent Thunder Order. He is also a gallery-represented fine artist expressing his Zen through visual poetry, or “music to the eyes.”UnMind is a production of the Atlanta Soto Zen Center in Atlanta, Georgia and the Silent Thunder Order. You can support these teachings by PayPal to donate@STorder.org. Gassho.Producer: Shinjin Larry Little

Emmanuel Macron a livré ses premières explications après le vote, mardi soir, dans la douleur du projet de loi immigration et une crise importante dans sa majorité. Le président de la République assume ses choix et défend le texte. Ruth Elkrief estime que quelque chose lui a échappée et qu'il y avait une forme de fiasco médiatique que le chef de l'Etat devait aujourd'hui rectifier, rassurer et en même temps assumer. Elle évoque aussi qu'Emmanuel Macron devrait décoller l'étiquette RN de ce projet de loi. Abnousse Shalmani, elle, s'est intéressée à l'incroyable histoire de "Mon Oncle", un marchand de poisson de 70 ans, qui avait dansé et chanté sur un petit marché de Racht, au nord-est de l'Iran, sur le bord de la mer Caspienne. L'arrestation de Sadegh Bana Motejaded, surnommé "Booghy", ravive le vent de protestation contre le pouvoir religieux dans le pays. Abnousse Shalmani estime que c'est, peut-être, l'une des plus belles images de la protestation civile dans le pays, qui continue en sourdine. Entre 300 000 et 400 000 enfants naissent chaque année avec une maladie monogénique (Drépanocytose ou Bêta-thalassémie). Bonne nouvelle, les autorités sanitaires ont approuvé deux traitements contre ces maladies, dont le premier traitement à utiliser les ciseaux moléculaires Crispr, une technique d'édition du génome. Crisp Therapeutic fondée par Emmanuelle Charpentier et Vertex, une société américaine, sont les deux startups à l'origine de ces innovations. Pour Pascal Perri, le travail et les recherches sur le génome sont porteurs de très grand espoir. Du lundi au vendredi, à partir de 18h, David Pujadas apporte toute son expertise pour analyser l'actualité du jour avec pédagogie.

Dans cette nouvelle saison de Home(icides), découvrez un récit d'emprise familiale. Dans des immeubles du XIe, XIIe et XXe arrondissements, une étrange communauté s'épanouit depuis plus de deux cent ans. Des cousins qui se marient entre eux et qui ne se mélangent pas. Ce n'est pas vraiment une secte mais plutôt une organisation secrète, une société dans la société, comparable à aucune autre. On les surnomme “La Famille”. Tout au long des 4 épisodes, Caroline Nogueras sera accompagnée de la journaliste Suzanne Privat, autrice du livre La Famille, itinéraire d'un secret paru aux éditions Points. Mon oncle Auguste La famille se réunit autour d'une chrétienté en marge de l'Eglise, régi par l'austérité et la discrétion. Depuis sa création en 1819, d'autres patronymes sont venus grossir les rangs. Les Havet et Thibout ont été rejoints par les Sanglier, Déchelette, Sandoz, Maître, Pulin et Fert. Au début du XXeme siècle, un homme, Paul Augustin Thibout, descendant direct des fondateurs, va durcir le ton et cadrer les troupes. Découvrez la dernière saison : Le meurtre de Bernadette Bissonnet : le mari, le vicomte et le laveur de carreaux Production et diffusion : Bababam Originals Un podcast enregistré dans les studios de Bababam Ecriture : Capucine Lebot Voix : Caroline Nogueras Suivez Bababam sur Instagram. Learn more about your ad choices. Visit megaphone.fm/adchoices

Original Air Date: Monday 21 August, 9 pm Eastern Description: Pop quiz: What show features discussions about the great Motown artist Barrett strong, founding member of The Eagles Randy Meisner, Tony Bennett, Pee-wee Herman, the director of The Exorcist and The French Connection, a rock musical parody of The Exorcist, Dean's final (?) “X-Files” improv (at a forthcoming “X-Files” convention), and the classic comedy films of Jacques Tati? Answer: This week's brand new Season 3 Episode 81 of YOUR Chillpak Hollywood Hour! Tags: Phil Leirness, acting, Dean Haglund, The X-Files, The Lone Gunmen, writing, producing, filmmaking, movies, show business, writers, directing, Hollywood, Los Angeles, Detroit, Birmingham, Los Feliz, Motown, master shots, comedy, improv, Norman Lloyd, Alfred Hitchcock, Alfred Hitchcock Presents, Psycho, William Friedkin, The Exorcist, To Live and Die in L.A., Sorcerer, The French Connection, Pee-wee Herman, Paul Reubens, Late Night with David Letterman, Pee-wee's Playhouse, Pee-wee's Big Adventure, Big Top Pee-wee, Batman Returns, Tim Burton, William Petersen, Mystery Men, Buffy the Vampire Slayer, 30 Rock, What We Do in the Shadows, Murphy Brown, Jacques Tati, Monsieur Hulot, Playtime, Mon Oncle, Monsieur Hulot's Holiday, Barrett Strong, La Jolla, I Can't Get Next To You, Money (That's What I Want), I Heart it Through the Grapevine, War, Edwin Starr, Randy Meisner, Take it to the Limit, The Eagles, Linda Rondstadt, Rick Nelson, Stone Canyon Band, Tony Bennett, painting, art, Great American Songbook, Frank Sinatra, I Left My Heart in San Francisco, Rags to Riches, When Joanna Loved Me, Bob Hope, Pearl Bailey, Danny Bennett, MTV, Dresden Room, Marty & Elayne Roberts, Exorcistic, Sacred Fools, Leigh Wulff, Three Clubs, Jour de Fête, Phile Fest, Minneapolis

Découvrez le livre du jour des Grosses Têtes.Découvrez la page Facebook Officielle des "Grosses Têtes" : https://www.facebook.com/lesgrossestetesrtl/ Retrouvez vos "Grosses Têtes" sur Instagram : https://bit.ly/2hSBiAo Découvrez le compte Twitter Officiel des "Grosses Têtes" : https://bit.ly/2PXSkkz Toutes les vidéos des "Grosses Têtes" sont sur YouTube : https://bit.ly/2DdUyGg

In French in this CDA S2#25 (Monday online), "My Uncle of America", a small chronicle of architecture, second episode - English in CDA S2#26 (Wednesday online) : Maison des Sciences de l'Homme in Paris (75), France, or the original MSH 54 Raspail.En français dans ce CDA S2#25 (Lundi en ligne), "Mon Oncle d'Amérique", petite chronique d'architecture, volet 2 - En anglais dans le CDA S2#26 (Mercredi en ligne) : Maison des Sciences de l'Homme à Paris (75), France, or the original MSH 54 Raspail.___Anne-Charlotte Depondt, fondatrice et chroniqueuse du podcast, historienne de l'architecture, partage ici sous la forme d'une chronique en deux volets, le récit de la carrière de Paul Depondt, son oncle architecte, ex-employeur, et sujet de sa thèse de doctorat soutenue en 2004 : "La construction métallique : Paul Depondt, architecte". Un témoignage inédit, ayant pour support cette thèse de doctorat d'Histoire de l'Art, mention Histoire de l'Architecture moderne et contemporaine, menée de 1996 à 2004 sous la direction de Gérard Monnier (1935-2017), historien de l'architecture vingtièmiste.Nous retrouvons, dans ce second volet, les grandes périodes et projets emblématiques qui ont jalonnés la carrière de l'architecte partagé entre les Etats-Unis et la France, avec pour éléments forts, son association avec Marcel Lods et Henri Beauclair, la Maison des Sciences de l'Homme à Paris, l'exportation du procédé GEAI aux Etats-Unis, son agence à Cergy-Pontoise participant activement à la naissance de la ville nouvelle.Ce récit retiendra l'attention de tous les passionnés d'histoire et d'architecture.Podcast enregistré le 12 novembre 2020.Image teaser : photo dédicace de Marcel Lods à Paul Depondt comportant la mention originale écrite de la main de Marcel Lods : "Paul Depondt qui sait allier à l'enthousiasme du français, le calme et la méthode de l'américain. Amitiés. Marcel Lods". Son : Julien Rebours___Si le podcast vous plaît n'hésitez pas :. à vous abonner pour ne pas rater les prochains épisodes,. à nous laisser des étoiles et un commentaire, :-),. à nous suivre sur Instagram @comdarchipodcast pour retrouver de belles images, toujours choisies avec soin, de manière à enrichir de manière importante votre regard sur le sujet.Belle semaine à tous ! Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

In French in this CDA S2#23 (Monday online), "My Uncle of America", a small chronicle of architecture, first part - English in CDA S2#24 (Wednesday online) : 3M tower of Cergy-Pontoise (95) in France, or the urgency of memory.En français dans ce CDA S2#23 (Lundi en ligne), "Mon Oncle d'Amérique", petite chronique d'architecture, volet 1 - En anglais dans le CDA S2#24 (Mercredi en ligne) : Tour 3M de Cergy-Pontoise, ou l'urgence de la mémoire.___Anne-Charlotte Depondt, fondatrice et chroniqueuse du podcast, historienne de l'architecture, partage ici sous la forme d'une chronique en deux volets, le récit de la carrière de Paul Depondt, son oncle architecte, ex-employeur, et sujet de sa thèse de doctorat soutenue en 2004 : "La construction métallique : Paul Depondt, architecte".Un témoignage inédit, ayant pour support cette thèse de doctorat d'Histoire de l'Art, mention Histoire de l'Architecture moderne et contemporaine, menée de 1996 à 2004 sous la direction de Gérard Monnier (1935-2017), historien de l'architecture vingtièmiste, professeur émérite de l'Université de Paris 1 Panthéon-Sorbonne.Nous retrouvons, dans ce premier volet, les principaux éléments qui ont forgés la carrière de l'architecte avec pour éléments forts, les années de guerre 1939-1945, des études menées à l'Institut de Technologie de l'Illinois de Chicago, alors et encore sous la direction du très grand Mies Van der Rohe, puis l'obtention d'un master à l'Université Harvard, dont le doyen de la section design n'est autre que le tout aussi fascinant Walter Gropius.Du profane à l'historien, des architectes en herbe à leurs maîtres, ce récit retiendra l'attention de tous les passionnés d'histoires et d'architecture.Podcast enregistré le 12 novembre 2020.Image teaser : photo d'Anne-Charlotte Depondt prise par Paul Depondt depuis un bateau sur le lac Michigan Chicago, en octobre 2002, lors d'un voyage d'études professionnel.___Si le podcast vous plaît n'hésitez pas :. à vous abonner pour ne pas rater les prochains épisodes,. à nous laisser des étoiles et un commentaire, :-),. à nous suivre sur Instagram @comdarchipodcast pour retrouver de belles images, toujours choisies avec soin, de manière à enrichir de manière importante votre regard sur le sujet.Belle semaine à tous ! Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

durée : 00:29:59 - Les Nuits de France Culture - par : Albane Penaranda - La Nuit rêvée d'Anne de Lacretelle (8/12) : Suzy Mante-Proust : "Mon oncle Marcel Proust était extraordinaire, fascinant, et quand j'ai pu le lire j'ai trouvé qu'il n'y avait pas d'œuvre supérieure à la sienne"

Tras conseguir un gran éxito y una obra magistral con Mon Oncle (1958), Jacques Tati trabajó durante casi una década en la que sería su declaración definitiva: Playtime, un "filme summa" que no sólo representa la culminación del trayecto de Monsieur Hulot, sino que además aloja las muy diversas inquietudes de su creador. Los mil y un pormenores de la vida en comunidad, los supuestos y consecuencias del desarrollo urbano, la creciente tecnologización del siglo XX y la consiguiente homogeneización que ésta acarrea en los más diversos ámbitos de la modernidad. Los requerimientos de un manifiesto de este tamaño y esta ambición eran enormes —de partida, fue necesario que el realizador construyese sus propios sets, Tativille—, lo suficiente para hacer de la empresa misma un fracaso, uno que se ha redimido con las décadas en la medida que Playtime ha ido convirtiéndose en una de las obras maestras absolutas, ya no de la historia del cine, sino del arte de occidente. De eso y más se habla en esta podcast.

Winnipeg filmmaker Deco Dawson, whose first feature Diaspora premieres this Saturday, October 8th, at 7:30 pm in Montreal's Festival du Nouveau Cinema, steps up for Jacques Tati's charming 1958 comedy Mon Oncle, the one where Tati's befuddled M. Hulot ventures from his ramshackle Paris neighborhood to stay with his upwardly mobile sister and her family in a modernized suburb. Your genial host Norm Wilner has fond memories of the fish fountain.

durée : 00:04:45 - Voyage en Comédie - par : Thomas CROISIERE - Dans cette comédie de 1958, Jacques Tati met en scène monsieur Hulot, et ses tribulations. Une œuvre primée à Cannes, oscarisée à Los Angeles et plébiscitée par 4 millions et demi de spectateurs. - réalisé par : François AUDOIN