Podcasts about Mon Oncle

Cass McCombs: Home At Last // Tyler Ballgame: Sing How I Feel // Marta Del Grandi: 20 Days Of Summer // The Leaf Library: The Reader’s Lamp // Railcard: Northern Soul Dancing // Sharp Pins: Fragmentos de Every Time I Hear / Fall In Love Again / I Don’t Have A Heart // Løse: Cose mis heridas // Vidas Ejemplares: Nueva sensación // Los Olvidados: Esta noche perdí // Agrimensor K: ¿Juegas al escondite? // The Cookies: I Never Dreamed // Los 3 Sudamericanos: Pulpa de tamarindo // Los 3 Sudamericanos: Chico feo // The Style Council: Paris Match (Long Version) // Lisboa Zentral Café: Mon Oncle

Drainville dans la course à la chefferie pour la CQ. Le cri du cœur de Richard Desjardins pour la forêt. La rencontre Maréchal-Dumont avec Isabelle Maréchal et Mario Dumont. Regardez aussi cette discussion en vidéo via https://www.qub.ca/videos ou en vous abonnant à QUB télé : https://www.tvaplus.ca/qub ou sur la chaîne YouTube QUB https://www.youtube.com/@qub_radioPour de l'information concernant l'utilisation de vos données personnelles - https://omnystudio.com/policies/listener/fr

Melody’s Echo Chamber: In The Stars // CMAT: Iceberg // Dry Cleaning: Let Me Grow and You’ll See The Fruit // Blood Orange: Mind Loaded // Geese: Bow Down // Big Thief: Los Angeles // Sharp Pins: (In A While) You’ll Be Mine // Stuart Moxham: Cottonmill Lane // Stuart Moxham: Heart Of Glass // Malevaje: De puro guapo // Los Coyotes: Como un extranjero // Ramón Godes: The Windows Of The World // Víctor Coyote: Así me tratan ahora // Absolute Elsewhere: Earthbound // The United States Of America: Love Song For The Dead Che // Zach Bryan: Sundown Girls // Jeff Tweedy: Caught Up In The Past // Iron & Wine: In Your Ocean // Gary Lucas: Mon Oncle

Labi Siffre: Nothing In The World Like Love // James Hunter: I Don’t Wanna Be Without You // Nacho Casado: Souvenir // Itziar Yagüe: How To Let You Know // Would-Be Goods: The Gallopers // Heavenly: Excuse Me // Nico: Afraid // Los Planetas: Segundo premio // Nacho Vegas: El fulgor // Mick Abrahams Band: Absent Friends // Michal Urbaniak Group: Inactin // Brigitte Bardot: Les hommes endormis // Tee & Cara: I Don’t Think I Know Her // Dorothy Ashby: Just Had To Tell Somebody // Chet Baker: Quiet Nights // Walter Gonçalves: Mon Oncle

It's a belated Holiday Special episode...although still within the 12 days of Christmas. We've got a loaded episode full of some, well, interesting films. Some you may even want to add to your own Holiday playlist: Jingle Bell Heist; Regalo di Natale; Christmas, Again; Mon Oncle Antoine; The World of Kanako; and Santa Claus (Santa Claus vs. the Devil).    Support Why Does the Wilhelm Scream Keep in touch and read more at whydoesthewilhelmscream.com on instagram and threads @whydoesthewilhelmpod  Find out more about upcoming Reel House screenings, and support the next generation of film lovers, at reelhousefoundation.org and on facebook/Instagram reelhousefoundation Artwork by @_mosla_

Zariatxo Abesbatza & Joserra Senperena: Christmas Time Is Here // Zariatxo Abesbatza & Imanol Elizasu: Kapai Soinu Zilar Doinu (Carol Of The Bells) // Javier Sun: La próxima Navidad / If You Don’t // Lidia Insausti & Paul San Martín & Itziar Yagüe // Paul San Martín: Baby, It’s Cold Outside // Itziar Yague & Paul San Martín: Baby Santa // Mikel Aguirre & Peru Aguirre: Ya es Navidad (Paz, amor y felicidad) // Mikel Aguirre & Joserra Senperena: Sendero a la cascada // Andrea Buenavista & Pablo Oliva // Noche de reyes / Nochevieja // Simón Ezquiaga & Joserra Senperena & Zariatxo Abesbatza & Cheli Lanzagorta & Paul San Martín: Erraldoiak gabonetan // Parade & Nacho Casado: Regreso a la tierra / Robot 10 / Mirando al mar / Noche de paz // Lide Hernando & Joserra Senperena: Gabon gaua / Hang On Lights // Sara Azurza & Cheli Lanzgorta: Último tren, primeras luces // Sara Azurza & Cheli Lanzagorta & Paul San Martín: Have Yourself a Merry Little Christmas // God Only Knows: Sara Azurza, Lide Hernando, Lidia Insausti, Itziar Yagüe 🎤 Nacho Casado, Paul San Martín y Javier Sun 🎤 Simón Ezquiaga, Parade y Mikel Aguirre 🎤 Peru Aguirre (guitarra), Joserra Senperena (piano), Cheli Lanzagorta (glockenspiel), Ricardo Aldarondo (bajo), Zariatxo Abesbatza El Barón Roskow: Mon Oncle

The Ramsey Lewis Trio: The Sound Of Christmas // The Divine Comedy: All The Pretty Lights // Laufey: Santa Baby // Miguel Ramos y su órgano Hammond: La Marimorena // Rodney Crowell: Christmas Makes Me Sad // Donny Hathaway: This Christmas // Exnovios: Ya es Navidad // Mikel Aguirre: Ya es Navidad (Paz, amor y felicidad) // Javier Sun: La próxima Navidad // Mikel Erentxun: La estación polar // Andrea Buenavista: Nochevieja // Francisco Nixon: Cinturón de cuero negro // Lidia Insausti, Itziar Yagüe y Paul San Martín: Baby, It’s Cold Outside // Belcos: Paseo nocturno // Joserra Senperena / Juan Luis Zabala / Simón Ezquiaga: Erraldoiak Gabonetan // Nacho Casado: Mirando al mar // Cheli Lanzagorta / Harkaitz Cano / Teresa Iturrioz / Joserra Senperena: Último tren, primeras luces // Jeff Tweedy: Christmas Must Be Tonight // Diane Keaton: First Christmas // Danny Thompson, Jacqui Mcshee, Tony Roberts, Vic Abram: In The Bleak Midwinter // Dúo Dinamico: Balada de Navidad // Dean & Britta & Sonic Boom: He’s Coming Come // Chris Rea: Driving Home For Christmas (1986 Version) // Gary Louris: Christmas In The City // Bing Crosby & Frank Sinatra: We Wish You The Merriest // El Barón Roskow: Mon Oncle

Mavis Staples: We Got To Have Peace // Bobbie Gentry: Thunder In The Afternoon // Jordi V: La model dels teus ulls // Félix Lineker: Canciones que devuelven la fe // Rachid B: Tariik // Nacho Casado: Allocate // The Stone Roses: Made Of Stone // Squeeze: Another Nail In My Heart // Terry Reid: River // Blancmange: Waves // Soft Cell: Say Hello, Wave Goodbye (Dave Ball Lateral Mix) // Magna Carta: Time For The Leaving // Midlake: A Bridge To Far // Saint Etienne: Glad // Cheli Lanzagorta / Harkaitz Cano / Irantzu Valencia: Podría ser mejor // Mercuzio Pianist: Mon Oncle *Jordi V: https://jordiv.bandcamp.com/album/la-caixa-blava *Rachid B: https://rachidb.bandcamp.com/album/al-ghorba *Nacho Casado: escribir a info@nachocasado.com o nachocasadomusic@gmail.com *Single de Madmua / Discos Mon Oncle “Podría ser mejor” / “Sendero a la cascada”: escribir a info@madmuarecords.com

La rock star du jour : Journey On jase à un auditeur qui n’a pas son diplôme de secondaire mais qui est tout de même millionnaire aujourd’hui… Vous souvenez-vous de ‘’télé-rencontre’’? Hier, Martin a assisté à toute une scène dans le garage du centre Bell… Qu’est-ce que Kim fait une fois qu’elle est seule après le show? Mike l’a suivi en cachette hier… Spécial K : Martin s’est déjà fait revirer de bord par une fille dans un bar il y’a plusieurs années… et il ne s’en ai pas encore remis. Ovechkin a nargué les joueurs au banc du CH hier après son troisième but… Marc Denis a tout entendu

Exnovios: El cine se queda en silencio // Gorillaz: On Melancholy Hill // Nina Simone: I Get Along Without You Very Well // Mathilde Santing: You Go To My Head // Broadcast: Follow The Light // Caitlin Canty: Blue Sky Moon // Kurt Vile & John Prine: How Lucky // Mariana Ingold: Cara a cara // Alondra Bentley: La materia // Lucy Dacus: Green Eyes, Red Face // Benjamin Biolay: Les cerfs-volants // Benjamin Clementine: Condolence // Billie Holiday: Love Me Or Leave Me // Cocteau Twins: Lorelei // Ted Neeley: Mother // Jon Mark: Song For The Big Man // Sergio y Estíbaliz: Búscame // Kurt Edelhagen And His Orchestra: Mon Oncle

Kiekeboe! In aflevering 57 kiest Robert Merhottein alias Merho alias de geestelijke vader van Kiekeboe 3 films uit mijn kast. We hebben het ook over zijn debuutroman "Looklucht", de strips van Kiekeboe én ook een mini, mini beetje over de Kiekeboe-verfilmingen "Het Witte Bloed" & "Misstoestanden". De keuze van Rob uit de kast bestaat uit: Clockwise (1986, Christopher Morahan) Hugo (2011, Martin Scorsese) Mon Oncle (1958, Jacques Tati) Verder kruist er af en toe een bladblazer de opname en praat ik soms wat te snel. Excuses!

Tyler Ballgame: Got A New Car // J’aime: Just Makeshift Care // Iris Valencia: Brújula // Yellow Days: Gap In The Clouds // Anny Gould: Dans L’ombre Des Rues // Zülfü Livanelli: Günes Için Gitar // Tom Misch: I Wish // Blanco White: Olalla // Ojos: Coeur Sans Visage // Ennio Morricone: Tema Per Le Goff (Le Clan Des Siciliens) // Ennio Morricone: Tema Italiano (Le Clan Des Siciliens) // Mighty Joe Young: Turning Point // Jennifer Warnes: It Goes Like It Goes // David Lynch: In Heaven (Lady In The Radiator Song) // Kris Kristofferson & Rita Coolidge: Part Of Your Life // Curtis Harding: The Winter Soldier // Stereolab: Fed Up With Your Job // Marianne Faithfull: Paris Bells // Jean Gabin: Maintenant Je Sais // Maurice Larcange Et Son Orchestre: Mon Oncle

John Martyn: Solid Air (1973) // Donovan: Sunny Goodge Street (1965) // Incredible String Band: Painting Box (1967) // Pentangle: I Loved A Lass (1968) // Nick Drake: Time Has Told Me (1969) // Shelagh McDonald: City’s Cry (1971) // John Martyn: Bless The Weather (1971) // Ralph McTell: This Time Of Night (1972) // Sandy Denny: Whispering Grass (1973) // Magna Carta: Wish It Was (1973) // Bert Jansch: Kingfisher (1978) // Danny Thompson: Idle Monday (1987) // David Sylvian: The Boy With The Gun (1987) // Billy Bragg: Must I Paint You A Picture (1988) // Julian Cope: China Doll (1988) // Ketama, Toumani Diabate, Danny Thompson: Africa (1988) // Duncan Dhu: Camisas limpias (1989) // Adrian Borland And The Citizens: Beneath The Big Wheel (1989) // Shelleyan Orphan: Summer Flies (1989) // Kevin Ayers: I Don’t Depend On You (1992) // Everything But The Girl: Rollercoster (1994) // Moondog: D For Danny (1994) // Richard Thompson & Danny Thompson: Sweetheart Of The Barricade (1997) // Diego Vasallo: Ciudades vacías (2000) // The Moon Band (Feat. Joserra Senperena): Fan Blues (2001) // Joe Strummer: When Pigs Fly (2018) // Paul Weller: Thinking Of You (2004) // John Martyn: Head And Heart (1971) // Percy Faith And His Orchestra: Mon Oncle

Jackson 5: I Want You Back // Sylvie Kreusch: Comic Trip // Patrick Watson: Here Comes The River // Tindersticks: Children’s Theme 1 // Korpiklaani: Ennen // Gavin Clark: Bermondsey Stutter // Clayhill: Grasscutter // Brakaman: Una suave marea // Alfred Bendel: Ich Ruf Zu Dir Herr Jesu Christ, Bwv Anh. 73 (J. S. Bach) // Ralph Holmes, Anthony Goldstone, Moray Welsh: Film Adaptation Of Piano Trio In E-Flat, Op. 100 (Second Movement) (Franz Schubert) // Charlie Haden: La Santa Espina // John Barry: Saturday Night Philosopher // Georges Delerue: Julia (Main Title) // Bette Davis: I Wish You Love // Claudia Cardinale: La fille de la prairie // Mario Nascimbene: La ragazza con la valigia // Marlene Dietrich: Where Have All The Flowers Gone // Mikel Erentxun: Mientras quede una luz // Franco Battiato: La stagione de’ll amore //Jacqueline Françoise: Mon Oncle

Dans son livre "Le ciel est immense, publié chez Jean-Claude Lattès, Feurat Alani part à la recherche d'un secret de famille. Ecoutez Laissez-vous tenter - Première avec Sophie Aurenche du 25 septembre 2025.Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

Bob Dylan: I Want You // The Troggs: I Want You // Marvin Gaye: I Want You // The Delmonas: I Want You // Cabaret Voltaire: I Want You // Elvis Costello & the Attractions: I Want You // Pulp: I Want You // Spiritualized: I Want You // Tom Waits: I Want You // Inspiral Carpets: I Want You // Shack: I Want You // Tindersticks: I Want You // Kings Of Leon: I Want You // Universal Togetherness Band: I Want You // Durand Jones: I Want You // Delta: I Want You // The Divine Comedy: I Want You // The Beatles: I Want You (She’s So Heavy) // The Eifels: Mon Oncle

Chris Stamey: Once, On A Summer’s Day // The Autumn Defense: Love Lives // Triz3ps: Venüs // Yaya Bey: Spin Cycle // Brooke Combe: Lanewood Pines // Laufey: Castle In Hollywood // James Yorkston & Nina Persson: Rabbit // Ron Sexsmith: Rose Town // Darren Hayman: Something Beautiful // Connie Francis: We Have Something More (Than A Summer Love) // Dusty Springfield: Magic Garden // Heron: Yellow Roses // Lesley Duncan: Love Song // The Watson Brothers Band: Just Whistle // Clete Stallbaumer: John’s Song // Mickey Newbury: Sunshine // Dúo Dinámico: Adiós Verano, Adiós Amor (en televisión) // Latin Combo: Mon Oncle

SOUL Four Tops: It’s The Same Old Song (Live) // Wilson Pickett: Land Of 1000 Dances // Wilson Pickett: Mustang Sally // Arthur Conley: Funky Street // Arthur Conley: Ha! Ha! Ha! // Brenton Wood: Gimme Little Sign // The Box Tops: The Letter // Sam Cooke: Chain Gang (Live) // Sam Cooke: Twisting The Night Away (Live) // The Supremes: Heatwave // The Supremes: You Keep Me Hangin’ On // Otis Redding: Respect // Otis Redding: Shake // Marvin Gaye: What’s Going On // Marvin Gaye: How Sweet It Is (To Be Loved By You) // Marvin Gaye & Tammi Terrell: Your Precious Love // Wilson Pickett: In The Midnight Hour SOMBRA Leith Stevens’ All Stars: The Wild One // Leith Stevens’ All Stars: Black Rebel’s Ride // Benny Goodman: Stompin’ At The Savoy // Frank Sinatra: Let’s Face The Music And Dance // Frank Sinatra: Nancy (With The Laughing Face) // Frank Sinatra: Night And Day // Frank Sinatra: I’m Getting Sentimental Over You // Nat King Cole Trio: Sweet Lorraine // Nat King Cole Trio: This Will Make You Laugh // Nat King Cole: Nature Boy // Nat King Cole: Too Young // Julie London: I Should Care // Julie London: I’m In The Mood For Love // Julie London: Laura // Leith Stevens: Blues For Brando // Hollywood Pictures Orchestra: Mon Oncle

Mary Love: You Turned My Bitter Into Sweet // The Intentions: Dancing Fast, Dancing Slow // Al Wilson: The Snake // Jay & The Americans: Got Hung Up Along The Way // Barbara Lewis: You Made Me A Woman // Major Lance: Since I Lost My Baby’s Love // Candy & The Kisses: Are You Tryin’ To Get Rid Of Me, Baby // The Shirelles: A Girl Is Not A Girl // Freddie Hughes: We Got To Keep On // Mary Love: Baby, I’ll Come Right Away // Shirley Brown: Passion // Alice Clark: Never Did I Ever Stop Loving You // Little Carl Carlton: Drop By My Place // The Rayons: Do You Love Me // Porgy & The Monarchs: Hey Girl // Gene Chandler: If You Can’t Be True // The Marvelettes: Beechwood 4-5789 // The Marvelettes: Forever // Irene Reid: We’re Gonna Make It // Hector Rivera: I Want A Chance For Romance // The O’Jays: Lipstick Traces // Gene McDaniels: The Point Of No Return // Willie Gauff & The Love Brothers: Whenever I Can’t Sleep // Tami Young: I Don’t Wanna Lose You // Jimmy Holiday: Everybody Needs Somebody // Shirley Brown: I Can’t Give You Up // The Four Tops: Walk Away Renee // The Sweethearts: Beauty Is Just Skin Deep // Lee Charles: Girl You Turned Your Back On My Love // Marvin Gaye: Chained // Chuck Jackson: I Wake Up Crying // The Supremes: Mother You, Smoother You // Jackie Ross: Selfish One // Chuck Jackson: Forget About Me // Marvin Gaye: You Sure Love To Ball // Mariachi Nuevo Tecalitlan: Mi Tio

Julie London: By The Beautiful Sea / Paul Bevoir: It’s A Wonderful Place / Radio Futura: La secta del mar / Willie Hutch: Season for love / Brian Wilson and Van Dyke Parks: Sail Away / Neil Young: Sail Away / Linda Ronstadt: Sail Away / Joe Sample: There Are Many Stops Along The Way / Mark Rodney: California / The Carpenters: Boat To Sail / Batteaux: High Tide / Christopher Cross: Sailing / Chris Rea: Nothing’s Happening By The Sea / Claire Hamill: For Sailors / Joan Manuel Serrat: Barquito de papel / Martin Denny: Island Of Dreams / … : … / Rod Stewart: Sailing / Aime Barelli Et Son Orchestre: Mon Oncle / Les Echappeés Musicales De Medoc: Mon Oncle

Tout le monde est en feu pour cette édition du milieu de la semaine spécial été ! Kim Williams nous présente des nouveautés musicales rafraichissante pour l'été, Simon Delisle nous raconte l'expérience d'avoir travaillé dans un pawn shop, Ben Gagnon reçoit une surprise concernant le Grand Prix de Trois-Rivières, on joue à Vrai ou Fake News et à Qui pourrait !

Tracie: Thank You // Act 1: It’s The Same Old Story // Garland Green: Just What The Doctor Ordered // J’aime: Imaginary Girl (Fragmento, Live Dabadaba, San Sebastián) // Parade & Nacho Casado: El primero / Verano / Nueva York, Tokio y Brasil (Live Dabadaba, San Sebastián) / The Beach Boys: Don’t Worry Baby / Electric Light Orchestra: Last Train To London / Phil Collins & Philip Bailey: Easy Lover // Parade: Esa música // La Familia Del Árbol: Viento inglés // Vainica Doble: El museo // Vainica Doble: Dices que soy // Vainica Doble: El paisaje // Lalo Schifrin: Dirty Harry: Main Title // XTC: Senses Working Overtime // Marc Ribot: Daddy’s Trip To Brazil // Brad Mehldau: Better Be Quiet Now // Bruce Springsteen: Sunday Love // Gerrit Wunder & Osteirrichischen Salonisten: Mon Oncle Discos Mon Oncle en Atonal webzine: https://atonal.net/5-anos-de-discos-mon-oncle/ Videoclip de Parade ‘Esa música’: https://youtu.be/Uq5EIcYafMo?si=hCP4t2eL2oj4GWlf

Cours 1 de 3: Repenser les cadres de la pauvretéPauvretés absolue, relative, de représentation : quelles évolutions ont connu les cadres utilisés pour comprendre et mesurer la pauvreté? Qu'est-ce que le revenu viable et le cadre des dimensions cachées de la pauvreté apportent pour mieux penser la pauvreté?PrésentationA en croire Mononcle, les solutions à la pauvreté, on les connait déjà : ‘y'ont qu'à travailler', ‘suffit de couper dans les aides', et puis ‘de toute façon, on vit bien sur le BS'.Pourtant, aujourd'hui encore, sur 10 personnes au Québec, 1 personne n'arrive toujours pas à couvrir ses besoins de base et 1 autre n'a toujours pas un revenu suffisant pour pouvoir sortir de la précarité.En fait, malgré l'action d'une multitude d'organisations et la mise en place de nombreuses politiques publiques, la pauvreté continue d'être aujourd'hui l'un des principaux problèmes sociaux persistants et non résolus.Alors faut-il baisser les bras? Accepter que la pauvreté est une fatalité, qu'elle a toujours existé et qu'il en existera toujours?Ou alors se joindre à cette lutte formidable aux multiples visages, aux engagements variés et aux espoirs continument renouvelés pour mettre définitivement fin à la pauvreté ici, partout et pour tout le monde?Professeur-e(s)Leo BerengerEngagé depuis plus de quinze ans dans les mouvements de lutte contre la pauvreté au Québec et dans le monde, Leo Berenger est chercheur-praticien en éducation populaire, animateur des Universités populaires du Quart Monde et de démarches de croisement des savoirs entre universitaires, intervenant.es sociaux.les et personnes confrontées à la pauvreté.Enregistré le 24 février 2025 à La Livrerie

The Beach Boys: Girls On The Beach // The Beach Boys: You Still Believe In Me // Brian Wilson: Good Kind Of Love // The Searchers: Each Time // Sharp Pins: You Have A Way // J’aime: Amplified Heart // Del Shannon: Hats Off To Larry // Bruce Springsteen: Growin’ Up // Chris Isaak: Can’t Do A Thing To Stop Me // Jackie Ross: Selfish One // Sly & The Family Stone: I Want To Take You Higher (Live Woodstock) // Sly & The Family Stone: Stand! // Sly & The Family Stone: Running Away // Wizz Jones: When I Leave Berlin // Mark Fry: Big Red Sun // Mark Fry: Daybreak // Sharon Van Etten: Here We Are In The Years // Trio Maraya: Meu Tio

Ron Sexsmith: Don’t Lose Sight // Robert Forster: Tell It Back To Me // Robert Forster: Such a Shame // Emma Swift: No Happy Endings // James Yorkston & Nina Persson: A Moment Longer // James Yorkston & Johanna Söderberg: Love / Luck // Pulp: Tina // Heavenly: Someone Who Cares // Kate Bollinger: What’s This About (La La La La) // Spiritualized: The Slide Song // Parcels: Tieduprightnow // Stereolab: Transmutted Matter // Carolina Durante: Hamburguesas // Carolina Durante: Probablemente tengas razón // Fontaines D. C.: In The Modern World // MJ Lenderman: Joker Lips // Beach House: Myth // Cid Gray E Sua Orchestra: Mon Oncle

Dans cette saison, pas de meurtre mais un récit d'emprise familiale. Dans des immeubles du XIe, XIIe et XXe arrondissements, une étrange communauté s'épanouit depuis plus de deux cent ans. Ce n'est pas vraiment une secte mais plutôt une organisation secrète, une société dans la société, comparable à aucune autre. Tout au long des 4 épisodes, Caroline Nogueras est accompagnée de la journaliste Suzanne Privat, autrice du livre La Famille, itinéraire d'un secret paru aux éditions Points. Mon oncle Auguste La famille se réunit autour d'une chrétienté en marge de l'Eglise, régi par l'austérité et la discrétion. Depuis sa création en 1819, d'autres patronymes sont venus grossir les rangs. Les Havet et Thibout ont été rejoints par les Sanglier, Déchelette, Sandoz, Maître, Pulin et Fert. Au début du XXeme siècle, un homme, Paul Augustin Thibout, descendant direct des fondateurs, va durcir le ton et cadrer les troupes. Découvrez la dernière saison : ⁠⁠⁠⁠⁠⁠⁠⁠L'énigme de l'ange de l'A10⁠ Un podcast Bababam Originals Ecriture : Capucine Lebot Voix : Caroline Nogueras En partenariat avec upday.  Première diffusion : 5 octobre 2023 Learn more about your ad choices. Visit megaphone.fm/adchoices

Richard Anthony: Nouvelle vague // Zoot Sims: Evening In Paris // Anna Von Hasswoulff: Stranger // Bobby Gentry: Courtyard // Mus: La vida // Chrystabell: Angel Star // Jil Is Lucky: To Her Daughter’s Answering Machine // Sam Amidon: Three Five // John Prine: In Spite Of Ourselves // Tim Buckley: Dolphins // Conjunto Concerto Viola: Retiro, Tema De Amor Nº 3 // Angela Maria: Não Há Mais Tempo // Lole Y Manuel: Tu mirá // Genesis: Lilywhite Lilith // Johnny Hallyday: Fumée // Johnny Hallyday: Je pars demain // Francis Lai: Un homme et une femme // Anthony Perkins: I’m Dreaming Of You // Michel Legrand Et Son Grand Orchestre: Iguaneros // Gene Krupa & His Orchestra: Drum Boogie // Robert Wyatt: Round Midnight // Terry Callier: Dancing Girl // Yusuf Lateef: Love Theme From Spartacus // McFadden & Whitehead: Ain’t No Stoppin’ Us Now // MFSB: Love Is The Message // Regina Celia: Meu Tio

GENESIS: Fragmentos de Supper’s Ready y The Battle of Epping Forest / I Know What I Like / Counting Out Time GENESIS en directo: The Lamb Lies Down On Broadway (Live San Sebastián) // Cuckoo Cocoon / In the Cage / Back in N.Y.C. / The Carpet Crawlers / The Lamia / The Colony of Slippermen / It (Live Los Angeles) // Fragmentos de The Musical Box y The Knife (Live San Sebastián) PETER GABRIEL: Modern Love PETER GABRIEL: Solsbury Hill

Wes Montgomery: California Dreaming // Jay and The Americans: Some Kind-A Wonderful // Lightheaded: Same Drop // Jeanines: On And On // Bridget St. John: Head And Heart (demo John Martyn) // Bridget St. John: Ask Me No Questions (demo Mike Oldfield) // Dean Wareham: Yesterday’s Hero // The High Llamas: Dorothy Ashby // King Crimson: Easy Money // Blondie: Fade Away and Radiate // Blondie: Denis // Shirekback: Hand On My Heart // David Thomas: Big Breeze Day // Pere Ubu: Miss You (Live Le Bataclan, Paris, 9-6-1989) // Max Romeo: Stealin' // Tommy Hunt: Just A Little Taste Of Your Sweety Lovin’ // Jon Lucien: Search For The Inner Self // Carla Thomas: To Love Somebody // Yvette Horner Et Son Orchestre: Mon Oncle

Charlie Haden & Hank Jones: Sweet Hour Of Prayer // Simon & Garfunkel: Benedictus // Nina Simone: Never Blessed Lord // Leon Bridges: God Loves Everyone // Bill Fay: Bring It On Lord // Roberta Flack: I Told Jesus // Bob Dylan: I Believe In You // Donald Byrd: Chant // The Durutti Column: Agnus Dei // Marvin Gaye: Wholy Holy // Spain: Spiritual // The Velvet Underground: Jesus // Van Morrison: By His Grace // Bing Crosby, Nat King Cole & The Andrew Sisters: May the Good Lord Bless and Keep You // The Elcho Griffin: Mon Oncle

La rencontre Robitaille-Dutrizac avec Antoine Robitaille. Manque d’information, promesses floues et absence de cadres financiers : les électeurs s’apprêtent à voter sans connaître les vrais plans des chefs. Ruth Ellen Brosseau refait surface dans Berthier-Maskinongé, pendant que Québec découvre qu’il paie pour les chèques carbone du reste du Canada… sans recevoir un sou.Pour de l'information concernant l'utilisation de vos données personnelles - https://omnystudio.com/policies/listener/fr

Brian D’Addario: ‘Till The Morning // Welly: Deere John // The Monochrome Set: Cargo // Dum Dum Pachecos: Filtras // Amor A Traición / Rafael Berrio: De cara a la pared // Amor A Traición / Rafael Berrio: Barrio obrero // Amor A Traición / Rafael Berrio: Prima Donna // Rafael Berrio: Bebemos de más // Rafael Berrio: La mala idea // Rafael Berrio: Vivir el presente // Verde Prato: Un sol claro // Judy Collins: My Father // Colin Scot: You’re Bound To Leave Me Now // Colin Scot: Nite People // Colin Scot: Smile // The Sea Urchins: A Morning Oddyssey // Richard Chamberlain: Blue Guitar // Illinois Jacquet & Kenny Burrell: Bonita // Martial Desbruynes Et Son Orchestre: Mon Oncle https://irratia.donostiakultura.eus/es/podcast/musica/no-es-para-menos-rafael-berrio-joserra-senperena-cheli-lanzagorta-harkaitz-cano-musika

Chris, Jeremy, and Aaron have found some things to recommend to you.1) Small Recommends:The Celebration (1:36)Civilization VII (6:00)Mon Oncle (11:04)2) The Big Recommend: A Fish Called Wanda (14:24)3) Surprise Double Feature: ????????  (46:56)4) Questions from You???? (51:16)If you'd like to join the LIVE conversation each week, become a member of the SinClub at Patreon.com/cinemasins!Thanks to lorangeproductions.com for the theme song!Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

On se retrouve pour 3 nouvelles histoires ! Activez la cloche et abonnez-vous les amis ❤️Surtout dites-nous ce que vous en pensez en commentaire !

Edwyn Collins: The Heart Is A Foolish Little Thing // The Loft: Storytime // Julian Cope: In Spungent Mansions // Robert Forster: Strawberries // Jack Frost: Bad For You // Rafael Berrio: Utopía // UHF: Estrella de cuatro paredes // Osibisa: Music For Gong Gong // Brenton Wood: Oogum Boogum Song // Brenton Wood: I Think You’ve Got Your Fools Mixed Up // Timothée Chalamet & Monica Barbaro: It Ain’t Me, Babe // Joan Baez: There But For Fortune // Nora Guthrie: Emily’s Illness // Echolalia: Little Bird // Echolalia: I’m Starving // Susanna Hoffs & Elvis Costello: Connection // Ensemble Du Club Des Varietes De Fred Bardin: Mon Oncle

Ce matin, mercredi 19 mars avec Vincent, Marie-Ève et Jean-Michel Suggestions lecture de Marie-Ève dans son segment Tu lis quoi ? Le top 3 des moments qui ont fait le plus rire Jean-Michel dans son À-côté Notre sexologue, Michel Martel et la libido au printemps

Tyler discusses and reviews the Best picture winner Gigi as well as the best pic nominees, Auntie Mame, Seperate Tables, The Defiant Ones and Cat on a Hot Tin Roof

Jackie and Greg are joined by Jackson Cooper, Executive Director of AGFA (American Genre Film Archive) for Jacques Tati's PLAYTIME from 1967. Topics of discussion include the film as an explosion of Where's Waldo? on 70mm, how Tati distances himself from the M. Hulot character in the film, the personal and financial toll it took on him to bring it to screen, and why it endures and continues to ascend the Sight & Sound list each decade.#43 on Sight & Sound's 2012 "The 100 Greatest Films of All Time" list.https://www.bfi.org.uk/sight-and-sound/polls/greatest-films-all-time-2012#23 on Sight & Sound's 2022 "The Greatest Films of All Time" list.  https://www.bfi.org.uk/sight-and-sound/greatest-films-all-timeGet more of Jackson Cooper: https://jcooperarts.comCheck us out on Instagram: instagram.com/sceneandheardpodCheck us out at our official website: sceneandheardpod.comGraphic Design: Molly PintoMusic: Andrew CoxEditing: Greg KleinschmidtGet in touch at hello@sceneandheardpod.comSupport the showSupport the show on Patreon: patreon.com/SceneandHeardPodorSubscribe just to get access to our bonus episodes: buzzsprout.com/1905508/subscribe

(cw: language) Dave and Alonso got an email from Guy Branum asking to talk about one of his favorite Christmas movies, 1971's Mon Oncle Antoine, and who were they to say no? Enjoy this holiday offering of Linoleum Knife Presents More Linoleum Knife, a show usually reserved for Linoleum Knife Patreon members. Become a Linoleum Knife Patreon member, won't you?

A thank you, not getting terrified, a memorable Jason, a weird interview, children of Donovan,  a stellar remake, a tortured Jack, the interesting Peter Greene, a nice little horror anthology, the bloated Bezos, a touch of Tati, a groovy French song, considering cats, a beloved dog, saying goodbye, an unforgettable phone call, breaking down, and you aren't my destiny. Stuff mentioned: Road Games (1981), Terrifier 3 (2024), Joker: Folie à Deux (2024), The Hangover (2009), The Hangover Part II (2011), The Hangover Part III (2013), Friday the 13th: The Final Chapter (1984), Sunset Beach (1997-1999), The Young and the Restless (1973-present), Lycan (1977-1978), Crispin Glover on Late Night with David Letterman (1987 https://www.youtube.com/watch?v=Jm2CbuTdTtE), River's Edge (1987), Say Anything (1989), A Night in the Life of Jimmy Reardon (1988), Donovan "Hurdy Gurdy Man" (1968), Zodiac (2007), Donovan "Season of the Witch" (1966), To Die For (1995), The Blob (1988), The Blob (1958), Warning Sign (1985), Eraserhead (1977), Hammett (1982), Dune (1984), Blue Velvet (1986), Wild at Heart (1990), Twin Peaks: Fire Walk with Me (1992), Lost Highway (1997), Meatballs 4 (1992), A Nightmare on Elm Street 3: Dream Warriors (1987), The Mask (1994), Pulp Fiction (1994), Peter Greene Breaks up Street Fight (TMZ https://www.tmz.com/watch/actor-peter-greene-breaks-up-street-fight-tmz-live-0-g20936fu), Campfire Tales (1997), F. Scott Fitzgerald The Rich Boy (1926), The Falling Star (2023), Mon Oncle (1958), Birds on a Wire "Dernière Chance" (2024), Birds on a Wire "Dernière Chance-Alt. Version" (2024), Birds on a Wire "Dernière Chance-Instrumental" (2024), Bird on a Wire (1990), Aaron Neville "Bird on a Wire" (1990), Leonard Cohen "Bird on the Wire" (1969), Patti Smith Horses (1975), Pavements (2024), Pavement "Extradition" (1995), and Pavement Wowee Zowee (1995).

Send us a textIn this episode, Marty gives Clif the film Mon Oncle to watch and Clif gives Marty the film Band Aid to watch.Support the showMaking Pondo on Facebookhttps://www.facebook.com/profile.php?id=100087139659233X (formerly Twitter):@MakingPondoInstagram:https://www.instagram.com/makingpondo/Making Pondo on Letterboxd:https://letterboxd.com/marty_ketola/list/talking-pondo/Theme Song by Russ Pace

Cet été, retrouvez dans Home(icides) les plus grandes affaires criminelles françaises. De la disparition de Xavier Dupont de Ligonnès, à la secte du Temple solaire, en passant par l'affaire Grégory... elles ont marqué et marquent encore la société, même des années après. Caroline Nogueras vous plonge au cœur d'enquêtes complexes, de procès hors-norme et de familles déchirées. (Re)découvrez l'histoire d'une communauté secrète en plein Paris : La Famille, un récit d'emprise familial. Mon oncle Auguste La famille se réunit autour d'une chrétienté en marge de l'Eglise, régi par l'austérité et la discrétion. Depuis sa création en 1819, d'autres patronymes sont venus grossir les rangs. Les Havet et Thibout ont été rejoints par les Sanglier, Déchelette, Sandoz, Maître, Pulin et Fert. Au début du XXeme siècle, un homme, Paul Augustin Thibout, descendant direct des fondateurs, va durcir le ton et cadrer les troupes. Production et diffusion : Bababam Originals Un podcast enregistré dans les studios de Bababam Ecriture : Capucine Lebot Voix : Caroline Nogueras Suivez Bababam sur Instagram. Première diffusion : 2 octobre 2023 Learn more about your ad choices. Visit megaphone.fm/adchoices

Is it loud enough for you? Podcast's intro song 'Here Come the Creeps' performed by Souless AI Software SUNO, written by Ugly Cry Club. Like us on Facebook! www.facebook.com/criterioncreeps/ Follow us on that Twitter! twitter.com/criterioncreeps Follow us on Instagram! instagram.com/criterioncreeps We've got a Patreon too, if you are so inclined to see this podcast continue to exist as new laptops don't buy themselves: patreon.com/criterioncreeps You can also subscribe to us on Soundcloud, iTunes, and Google Play!

Alexandre e Fred convocam o crítico de João Pessoa, Renato Félix, para conversar sobre a obra de um dos gênios da comédia mundial, o francês Jacques Tati. O cineasta é celebrado até hoje como um dos mais criativos de sua arte, principalmente pela maneira como utiliza o som e a direção de arte em seus filmes. Apesar de ter filmado muito pouco, três de seus clássicos se destacam em sua obra e comentamos eles aqui: "As Férias do Sr. Hulot" (Les vacances de Monsieur Hulot, 1953), "Meu Tio" (Mon Oncle, 1958) e "Playtime - Tempo de Diversão" (Playtime, 1967).  Falamos também brevemente de seu primeiro longa-metragem, o interessantíssimo "Carrossel da Esperança" (Jour de fête, 1949). ---------------------- Acesse nosso site: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠http://www.filmesclassicos.com.br⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Acesse nossa página no Facebook : ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.facebook.com/podcastfilmesclassicos/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

First broadcast on November 01, 1962. Filmmaker Jacques Tati and Studs discuss finding the humor in everyday life and people becoming their gadgets. The two also go in-depth about Tati's film "Mon Oncle" and the development of the character Monsieur Hulot.

Chaque année en France, 160 000 enfants sont victimes d'inceste. Hélène en a été victime dans son enfance et nous raconte son histoire aujourd'hui.

BRINGING ORDER OUT OF CHAOSIt might be said that the function of the discriminating mind (S. citta), in the most general sense, is to render what is perceived as chaos into what may be perceived as order. Of course, this is not an original idea, and has an associated idea that chaos, as we perceive it, may be thought of as a higher level of order, one that is not accessible to our perception. This idea resonates in both the world of Zen and that of art and design thinking. One would have to speak of a relative degree of order versus a notion of absolute order. However chaotic reality may appear, it is following physical laws that suggest an underlying order that is simply not a respecter of persons, or of the sensibilities of humans. We must come into compliance with reality, rather than expect reality to conform to our expectations or preferences. This, I think, is the fundamental basis of the concept of the “Way” in Taoism, and an underpinning of Zen as it developed in China. However, the Way in Buddhism, as I understand it, is not a hypothesis or theory of objectified reality outside the observer, but exists only in complementary balance with the person. Our observation of perceived order also exhibits relative degrees, or a spectrum from one extreme to another. For example, our house may be a mess inside, but look orderly on the outside, unless we get evicted and our possessions are dumped on the street. If you peer into parked cars on any city street, they will tell you a story about the person who drives them, or lives in them. Some definitely have that lived-in look, while others are pristine, even sterile-seeming, as are some homes. If you have ever seen the French movie, “Mon Oncle,” or “my uncle.” you may remember its satirical take on the super-white, stainless steel interior, and the housewife's gloved approach to maintaining its spotless state. My best friend in high school lived in a home where the floors of the living rooms were covered with shag carpet, which was newly popular in the 1950s, but theirs was brilliant white. We had to remove our shoes to enter the house, which was peculiar to me at the time, but later became second nature after being exposed to the Japanese culture, beginning with the Zen Buddhist Temple of Chicago, in the 1960s. Sensei had us stand at the door with a basket of clean socks to hand to the barefoot hippies coming in off of Halsted Street. In his eyes, they must have appeared as complete barbarians. If you are in someone's home as a guest, you might take a peek in the medicine cabinet. There you will see an indication of the sense of order of your host's mind. (I have never done this, of course; it is very rude.) What is on the shelves, and where, and whether the medicines are outdated, may paint a portrait of how obsessive-compulsive — or happy-go-lucky — your friends may be. Bear in mind that for a couple living together, these issues become instantly, and infinitely, more complicated. Who does what and when, and who is responsible for the resulting mess, becomes entangled in the relationship. Master Dogen, who transplanted what is now called Soto Zen to 13th century Japan from his sojourn in China, used the word katto to identify entanglements, using the analogy of twining vines, like wisteria. This applies not just to the tyranny of possessions and environments, but to the subtle entanglements of relationships themselves. Other examples of refined order, from the human perspective, include such storage-and-retrieval systems as fishing tackle totes and sewing boxes, where the necessity for “a place for everything and everything in its place” determines the efficiency and effectiveness of the endeavor of actually fishing or sewing. I inherited an antique sewing box, with its many spools of colored threads and implements of sewing wonderfully arranged in stunning order, formerly in the control of a friend's grandmother. Somehow my son and daughter, under 5 years old at the time, got into it and turned order into chaos, probably in about 5 minutes, when the array of organization had likely developed over five years or more of grandma's life. There was no way I could put it back in order. Workshops are another example, where attention to the organization and design of the environment can begin to overwhelm the prospect of actually getting anything done. The project of organizing the process can distract our attention from doing the project itself. In the course of organizing my various studio and shop environments over time, I have developed what I call the “Island of Sanity” approach. It took me 50 years or so to learn that table tops are not for storage. I strive to keep the tables clear of any clutter, including tools, even during the process of working. “Clear the decks” is the trope. The “work,” the piece under construction, or a painting, is the only item that is allowed to occupy the table top. I have found that laying tools on the table means that when I need to move the work, the tools often get in the way. So I keep a side table as home for the tools. On the tool table, I keep the various tools in play in a neat array, rather than mindlessly piling them on top of each other. In the hurly-burly of executing a project, the tool table often becomes disorderly. I occasionally reorganize it quickly, so that the tools are side-by-side in a scannable row, not overlapping. This way I can quickly recognize and seize the particular tool I need when I need it. Others have refined these approaches. Allowing a relative degree of perceived chaos in the work environment seems to be a necessary evil. Otherwise, we may be driven to distraction by trying to improve the process, and never finishing the project. What is sometimes called “completion anxiety” may set in. As long as we are working on a project, but have not brought it to conclusion, it can remain forever perfect in our mind's eye. When it is finished, it is just what it is, warts and all: imperfect. Everything is somewhat imperfect; or at best, relatively perfect. In my case, maintaining islands of sanity creates the proper balance for getting things done, with minimal stress on the mind and body. What the particular balance amounts to, and what works best for the individual, seems to be a personal trait. Some people can work efficiently in a virtual pile of clutter; others are highly dependent on a visually uncluttered workspace. Einstein's office — which is preserved intact even today, as a memorial, just as he left it — is said to be an exceptional example of “meaningful clutter.” Whether yours is meaningful, or not, is up to you to determine. Clutter control is a recognized discipline, a known issue in interior design of environments, whether working or living spaces, public or private. The “rising tide of clutter” can overwhelm any space. Just tune into one of the current spate of television shows on hoarding, to see some of the worst-case scenarios. Contrast becomes important in being able to see the shape of a tool, to state another obvious point. Vertical walls for storing tools often consist of white pegboard for this reason. I have learned that I lose my eyeglasses less often if I remember not to place them on a dark surface, into which the dark frames blend and disappear. The inverse is true when retrieving a light-colored object. Dark backgrounds are called for. Along with many of my contemporaries, In the 1960s I experimented with so-called psychedelic or psychotropic drugs. One memorable experience found me sitting in my basement shop, trying in vain to sort various items of hardware into appropriate category designations for storage and retrieval. All items share many characteristics in common with others, and it actually was not clear which were the priorities. For example, many fasteners (of which there are many kinds) may be made of metal, and so “go together,” but are designed to fasten many different materials, such as wood, as opposed to metal. In the case of fasteners, we end up with so many leftover screws, nuts and bolts, et cetera, from our projects, that it becomes a more-and-more time-consuming process just to keep what you may never use in some kind of order. I have seen everything from homemade systems utilizing salvaged glass jars, lids attached to the underside of shelves, allowing the jar to be unscrewed with one hand; to endless aisles suffering from over-choice, and designed systems for storing virtually endless categories, sizes and types of fasteners, in hardware and big-box stores. The world is really too much with us, in these categories. An example from retail, that might not be obvious to the customer, but is well known to the insiders, entails the arrays of shoes at your local shoe store. The stock is usually stored in back, where the various sizes of a given style can be efficiently stacked and retrieved in labeled shoe boxes. The storefront, by contrast, displays all the shoes in their best light, putting our best foot forward, literally. Usually the smaller sizes are displayed, not only because they take less room, but because they are usually more aesthetically pleasing than bigger sizes of the same style and color, vestiges of ancient foot-binding in the East. A little-known fact is that the array has the appearance of more styles and colors than are actually in stock, because the merchandisers display them by style, by color and other attributes: the same shoe will appear in two or more displays throughout the store. As a boy, I used to wonder why my father had so many pairs of shoes in his closet, when I had only one or two. Now I have more shoes than he did, accumulated over time, because the size of my feet stopped changing, and I found different needs, or lack of need, for different types and styles of footwear. Imelda Marcus is the poster girl for this category of disorder, with her 3,000 pairs of shoes. Produce in a grocery store is another example. People generally like to pick over produce, selecting the best ones, leaving the fruits or vegetables that are less appealing in looks, apparent freshness, et cetera. For this reason, pre-packaged produce is a harder sell. This is why we see monstrous stacks of open produce in brightly-lighted bins, in most modern food supermarkets. Which, by the way, are destabilized when 10% are removed. To see, a bit more clearly, how fundamental the process of sorting is to the basic function of perceived order — including storing and retrieving things — try to imagine a contrarian approach, such as displaying books by color, say, or clothing grouped by fabric, rather than size or style. I have witnessed the tendency to over-organize — or organize by inappropriate groupings — in my own efforts to achieve order, in striving to make sense of my environment. One example is that I tend to group and store like things together, such as putting any and all writing pens in the same place. Or I may do the same with my collection of eyeglasses, which has accumulated over time through misplacing, replacing, and rediscovering spectacles. Problem is, I need a writing pen at different places at different times, yet I do not want to have endless writing pens scattered all over the place. I know people who collect fine writing pens, and wonder if it amounts to a compulsion, or a stubborn resistance to the decline of handwriting, in favor of the word processor — with which, incidentally, I am writing this essay, from handwritten notes scrabbled on various sheets of notebook paper, noted when I was away from my desktop. We tend to blame linear thinking as the main culprit behind chaos, and all of this need for — and inability to find, or sustain — order. When we begin to consider that everything we regard as belonging to one category actually belongs to many others — perhaps an infinity of categories, if we parse it finely enough — a kind of insanity or cognitive dissonance, a lack of mental order — begins to come into play. This is, in Zen, or Taoism, the point at which we begin to “confront the mystery,” from the Tao te Ching: Caught by desire, we see only the manifestations;Free from desire, we confront the Mystery. “The one and the many” are indeed like the yen and yang of our discriminating mind. That phenomena and noumenon exist in complementary embrace, or the endless dance of becoming, is not immediately evident, when we are just trying to get through the day. This is why, and how, it becomes important to take a break, and to sit on it for a while. Hopefully, when we stop striving, the immanent order of emptiness underlying the alienating appearance of form will become manifest. But as Master Dogen mentions in Genjokoan, don't look for it to appear in your perception: Do not suppose that what you realize becomes your knowledge, or is grasped by your consciousness; although actualized immediately, the inconceivable may not be apparent. The inconceivable may appear as chaos; the underlying order may not be apparent. Chaos may be embraced as a higher form of order, or an elevated degree of complexity, in which any discernible pattern is elusive; while perceived patterns of order may be similarly interpreted as artificially lower levels of chaos, or higher degrees of superficial simplicity. Upon closer examination, perceived simplicity devolves into the complexity of chaos, e.g. on the subatomic or quantum level; whereas chaotic complexity gives way to serene simplicity. “All things are like this,” to borrow another vintage Dogen-ism; the vacillation is built-in, from duality to nonduality and back. Enjoy the ride.* * * Elliston Roshi is guiding teacher of the Atlanta Soto Zen Center and abbot of the Silent Thunder Order. He is also a gallery-represented fine artist expressing his Zen through visual poetry, or “music to the eyes.”UnMind is a production of the Atlanta Soto Zen Center in Atlanta, Georgia and the Silent Thunder Order. You can support these teachings by PayPal to donate@STorder.org. Gassho.Producer: Shinjin Larry Little

Dans cette nouvelle saison de Home(icides), découvrez un récit d'emprise familiale. Dans des immeubles du XIe, XIIe et XXe arrondissements, une étrange communauté s'épanouit depuis plus de deux cent ans. Des cousins qui se marient entre eux et qui ne se mélangent pas. Ce n'est pas vraiment une secte mais plutôt une organisation secrète, une société dans la société, comparable à aucune autre. On les surnomme “La Famille”. Tout au long des 4 épisodes, Caroline Nogueras sera accompagnée de la journaliste Suzanne Privat, autrice du livre La Famille, itinéraire d'un secret paru aux éditions Points. Mon oncle Auguste La famille se réunit autour d'une chrétienté en marge de l'Eglise, régi par l'austérité et la discrétion. Depuis sa création en 1819, d'autres patronymes sont venus grossir les rangs. Les Havet et Thibout ont été rejoints par les Sanglier, Déchelette, Sandoz, Maître, Pulin et Fert. Au début du XXeme siècle, un homme, Paul Augustin Thibout, descendant direct des fondateurs, va durcir le ton et cadrer les troupes. Découvrez la dernière saison : Le meurtre de Bernadette Bissonnet : le mari, le vicomte et le laveur de carreaux Production et diffusion : Bababam Originals Un podcast enregistré dans les studios de Bababam Ecriture : Capucine Lebot Voix : Caroline Nogueras Suivez Bababam sur Instagram. Learn more about your ad choices. Visit megaphone.fm/adchoices

Découvrez le livre du jour des Grosses Têtes.Découvrez la page Facebook Officielle des "Grosses Têtes" : https://www.facebook.com/lesgrossestetesrtl/ Retrouvez vos "Grosses Têtes" sur Instagram : https://bit.ly/2hSBiAo Découvrez le compte Twitter Officiel des "Grosses Têtes" : https://bit.ly/2PXSkkz Toutes les vidéos des "Grosses Têtes" sont sur YouTube : https://bit.ly/2DdUyGg

In French in this CDA S2#25 (Monday online), "My Uncle of America", a small chronicle of architecture, second episode - English in CDA S2#26 (Wednesday online) : Maison des Sciences de l'Homme in Paris (75), France, or the original MSH 54 Raspail.En français dans ce CDA S2#25 (Lundi en ligne), "Mon Oncle d'Amérique", petite chronique d'architecture, volet 2 - En anglais dans le CDA S2#26 (Mercredi en ligne) : Maison des Sciences de l'Homme à Paris (75), France, or the original MSH 54 Raspail.___Anne-Charlotte Depondt, fondatrice et chroniqueuse du podcast, historienne de l'architecture, partage ici sous la forme d'une chronique en deux volets, le récit de la carrière de Paul Depondt, son oncle architecte, ex-employeur, et sujet de sa thèse de doctorat soutenue en 2004 : "La construction métallique : Paul Depondt, architecte". Un témoignage inédit, ayant pour support cette thèse de doctorat d'Histoire de l'Art, mention Histoire de l'Architecture moderne et contemporaine, menée de 1996 à 2004 sous la direction de Gérard Monnier (1935-2017), historien de l'architecture vingtièmiste.Nous retrouvons, dans ce second volet, les grandes périodes et projets emblématiques qui ont jalonnés la carrière de l'architecte partagé entre les Etats-Unis et la France, avec pour éléments forts, son association avec Marcel Lods et Henri Beauclair, la Maison des Sciences de l'Homme à Paris, l'exportation du procédé GEAI aux Etats-Unis, son agence à Cergy-Pontoise participant activement à la naissance de la ville nouvelle.Ce récit retiendra l'attention de tous les passionnés d'histoire et d'architecture.Podcast enregistré le 12 novembre 2020.Image teaser : photo dédicace de Marcel Lods à Paul Depondt comportant la mention originale écrite de la main de Marcel Lods : "Paul Depondt qui sait allier à l'enthousiasme du français, le calme et la méthode de l'américain. Amitiés. Marcel Lods". Son : Julien Rebours___Si le podcast vous plaît n'hésitez pas :. à vous abonner pour ne pas rater les prochains épisodes,. à nous laisser des étoiles et un commentaire, :-),. à nous suivre sur Instagram @comdarchipodcast pour retrouver de belles images, toujours choisies avec soin, de manière à enrichir de manière importante votre regard sur le sujet.Belle semaine à tous ! Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.