Podcasts about Mon Oncle

durée : 00:43:16 - Les émissions culturelles de France Culture - par : Chloë Cambreling - À l'occasion de la ressortie des six longs-métrages de Jacques Tati en salles en version restaurée, focus sur son cinéma si unique, avec Macha Makeïeff, cofondatrice des "Films de Mon Oncle" et Stéphane Goudet, critique de cinéma et grand spécialiste de Tati. - équipe : Olivier Bétard, Zoé Couppé, Louis Cosnard, Alice Puydebois, Louan Chailleux, Olivier Robin - invités : Macha Makeïeff Autrice et metteuse en scène de théâtre, plasticienne, Stéphane Goudet Critique et historien de cinéma, maître de conférences en cinéma à l'université de Paris I et directeur artistique du cinéma Le Méliès à Montreuil Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France

Margo Guryan: Sun // Guy Clark: Boats To Build // Chris Hillman: Clear Sailin' // The Coral: High Tide // Dennis Wilson: You And I // Chris Rea: On The Beach // Marc Jordan: Marina Del Rey // Gary Shearston: Seagull and Swan // Dorothy Moore: Girl Overboard // The Impressions: Isle Of The Sirens // The Paragons: Islands In The Sun // The Cure: Treasure // Cathy Hamer: Loving At The Feeling // John Lyle: Oh, My Wind // Neil Young: Through My Sails // Jon Mark: Safe Harbour // Petula Clark: Sailor // Maurice Larcange Et Son Orchestre: Mon Oncle

The Coral: You and Me and the Beautiful Sea // Owen Gray: Mr. Sun // The Bees: Listening Man // Otis Brown: What Would You Do // The Lemon Twigs: I Hurt You // Tchotchke: Other Boys // The Loft: Campervan // Roddy Frame: North Star // Lambchop: Stella // Cindy: Talking To Mary // Chicago: 25 or 6 to 4 // Chicago: Make Me Smile // Pink Floyd: Us And Them // Sonny Rollins: He's Younger Than You Are // The Rolling Stones: Waiting On A Friend // Jolís: Mon Oncle

Margo Price: River // The Lemon Twigs: Nothin' But You // Paul McCartney & Ringo Starr: Home To Us // Janis Joplin: Cry Baby // The Rising Storm: Frozen Laughter // Fine Young Cannibals: Johnny Come Home (Extended Mix) // Rita Pavone: Remember Me // Ronee Blakley: Lightning Over Water // Cocteau Twins: Pandora (For Cindy) // Arctic Monkeys: Opening Night // Duke Ellington: Creole Love Call // Jack Jones: Wives And Lovers // Sergio Mendes & Brasil ‘66: So Many Stars // Esquivel: Pecado mortal // Martin Denny: Trade Winds // Alexander Tharaud: Gnosienne Nº 1 (Erik Satie) // James Taylor: Machine Gun Kelly // Peter Schickele: Silent Runner // Philippe Sarde: Deux hommes dans la ville // Donovan: Celia Of The Seals // Family Stereo: Waiting On Nina // The Coral: Leave It In The Past // Vicky Autier: Mon Oncle

La rencontre Martineau-Dutrizac avec Richard Martineau et Benoit Dutrizac. Regardez aussi cette discussion en vidéo via https://www.qub.ca/videos ou en vous abonnant à QUB télé : https://www.tvaplus.ca/qub ou sur la chaîne YouTube QUB https://www.youtube.com/@qub_radioPour de l'information concernant l'utilisation de vos données personnelles - https://omnystudio.com/policies/listener/fr

George Jackson: Play Something Pretty // Eddie Kendricks: If I Can't Love You Then I Can't Love Me // Laurie Wright: Could You? Would You Mind? // Edwyn Collins: fragmentos de Make Me Feel Again / The Campaign For Real Rock / The Wheels Of Love / In Your Eyes / Low Expectations / Felicity / Blue Boy (Live In San Sebastián, Dabadaba, 1 Mayo 2026) // Bayview: Crimes // Heavenly: Robaescenas / P.U.N.K. Girl / C Is The Heavenly Option (Live In San Sebastián, Dabadaba, 10 Mayo 2026) // Los Ágaros: Buffalo // Los Ágaros: Sé amable conmigo // Orquesta Mondragón: Twist // Traffic: Feelin' Alright // Traffic: Don't Be Sad // Beverley: Tomorrow Time // John & Beverly Martyn: Can't Get The One I Want // Paul Weller: What Was I Made For? // Paul Weller: Time Of The Season // The City Of Prague Philarmonic: Mon Oncle ¡Tengo una guitarra eléctrica! Charla-concierto con Los Ágaros: https://www.youtube.com/live/djb83sB3Lb4?si=Fd5QxtI9IAOD-mLm El desafío de la Orquesta Mondragón: https://www.youtube.com/live/3ephpcsgtB0?si=vGY4fAMbH1OLtLtV

Éric Duhaime traite Christine Fréchette de “matante” La rencontre Martineau-Dutrizac avec Richard Martineau et Benoit Dutrizac. Regardez aussi cette discussion en vidéo via https://www.qub.ca/videos ou en vous abonnant à QUB télé : https://www.tvaplus.ca/qub ou sur la chaîne YouTube QUB https://www.youtube.com/@qub_radioPour de l'information concernant l'utilisation de vos données personnelles - https://omnystudio.com/policies/listener/fr

Víctor Jara: Cuando voy al trabajo // Bruce Springsteen: Factory //Nina Simone: Work Song // Gillian Welch: One More Dollar // Elvis Costello: Welcome To The Working Week // The Clash: Career Oportunities // Magazine: Model Worker // Ramones: It's Not My Place (In The 9 To 5 World) // The Members: Working Girl // China Crisis: Working With Fire And Steel // McCarthy: I Worked Myself Up From Nothing // David Ruffin: A Day In The Life Of A Working Man // Aviador Dro: El trabajo de las máquinas // Metal Y Ca: Automáticas // The Divine Comedy: Office Politics // Los Coyotes: Trabajando en el verano // Edwyn Collins: Low Expectations // Judy Collins: Brother, Can You Spare A Dime // Billy Bragg: There Is Power In A Union // Tom Waits: I Can't Wait To Get Off Work (And See My Baby) // Los Elásticos: Soy feliz // I Compani: Mon Oncle

Julio Bustamante: La ciudad // Nancy Sinatra: I'm Just In Love // Carwyn Ellis & Rio 18: Whistling Sands // The Slow Sliders: Impalos // Stereolab: Cloud Land // Pauline Murray And The Invisible Girls: Dream Sequence (One) // Alice Clark: I Keep It Hid // François De Roubaix: Tom (de la película “Où Est Passé Tom?”) // November Ultra & Nicolas Mantoux: Les Dimanches // Laurence Vanay: La grand-voile // The Wave Pictures: Worry Anymore // Heavenly: Skep Wax // Los Ágaros: En la quinta dimensión // Gino Paoli: Prima di vederti // Ornella Vanoni: Sassi // Ornella Vanoni: Senza fine // Gino Paoli: Il cielo in una stanza // Parade: El hombre con una bala en el corazón // Parade: Final feliz // Jean Corti: Mon Oncle

Los Amis: Canto de entrada // Cowboy Junkies: Misguided Angel // Dan Penn & Spooner Oldham: Out Of Left Field (Live At St. James Church Of England) // Aretha Franklin: Give Yourself To Jesus (Live at New Temple Missionary Baptist Church) // The Staple Singers: Build That Shore (Live at The Chicago's New Nazareth Church) // Mavis Staples: You Are Not Alone (Live at Union Chapel, London) // Focus: La cathedrale de Strasbourg // Santa María: Elle // Eyeless In Gaza: One By One // Nick Cave: Brompton Oratory // Nico: Ari´s Song (Live at Reims Cathedral, 13th December 1974) // Tangerine Dream: Reims Set One (fragmento) (Live at Reims Cathedral, 13th December 1974) // Billy Bragg: Never Buy The Sun (Live From The Union Chapel) // Damien Rice: Amie (Live From The Union Chapel) // Townes Van Zandt: Tecumseh Valley (Live From The Union Chapel) // Mark Kozelek: Drop (Live From The Union Chapel) // Emahoy Tsege Mariam Gebru: Essay On Mahlet, The Prayer Of Saint Yared // Gary Shearston: The Lord Is My Strength And My Shield // Harmonnie Bayonaisse: Mon Oncle

Clementine March: Lucie // Morrissey: The Night Pop Dropped // The Wave Pictures: Alice // Coraline Gaye: La lame // Cathy Hamer: December Dreaming // Kate Bollinger: Gone // Robert Lester Folsom: I Don't Know // Løse: Con esta luz que nace // The Delines: Keep The Shades Down // Bill Callahan: Why Do Men Sing // Bonny Prince Billy: Hey Little // Hrishikesh Hirway & Iron & Wine: Stray Dogs // Scritti Politti: The Sweetest Girl // Colin Blunstone: Quartet: Exclusively For Me / A Sign From Me To You / Every Sound I Heard / How Wrong Can One Man Be // Al Green: I Found A Reason // Georges Durban et son Orchestre: Mon Oncle

Arriba!

Rediffusion. Découvrez un récit d'emprise familiale. Dans des immeubles du XIe, XIIe et XXe arrondissements, une étrange communauté s'épanouit depuis plus de deux cent ans. Des cousins qui se marient entre eux et qui ne se mélangent pas. Ce n'est pas vraiment une secte mais plutôt une organisation secrète, une société dans la société, comparable à aucune autre. On les surnomme “La Famille”. Tout au long des 4 épisodes, Caroline Nogueras sera accompagnée de la journaliste Suzanne Privat, autrice du livre La Famille, itinéraire d'un secret paru aux éditions Points. Mon oncle Auguste La famille se réunit autour d'une chrétienté en marge de l'Eglise, régi par l'austérité et la discrétion. Depuis sa création en 1819, d'autres patronymes sont venus grossir les rangs. Les Havet et Thibout ont été rejoints par les Sanglier, Déchelette, Sandoz, Maître, Pulin et Fert. Au début du XXeme siècle, un homme, Paul Augustin Thibout, descendant direct des fondateurs, va durcir le ton et cadrer les troupes. Un podcast Bababam Originals Ecriture : Capucine Lebot Voix : Caroline Nogueras Learn more about your ad choices. Visit megaphone.fm/adchoices

The Truth: No Stone Unturned // Donna Hightower: Soy feliz // The Emotions: Blind Alley // Los Ágaros: Buffalo // Honeybus: I Can't Let Maggie Go // Honeybus: (Do I Figure) In Your Life // Pete Dello & Friends: On A Time Said Sylvie // Pete Dello & Friends: It's The Way // Gary Shearston: Go On, Girl (version de ‘Abreaction') // Gary Shearston: Monday's Child // Gary Shearston: Witnessing // Gary Shearston: Without A Song // Gary Shearston: Dirty Old Town // Robert Duvall: If You'll Hold The Ladder (I'll Climb To The Top) // Veneno: Los delincuentes // Television: Guiding Light // Garland Green: You Played On A Prayer // Bobby Wilson: Here Is Where The Love Is // Ginette Baudin: Mon Oncle

Spyro Gyra: Morning Dance // Argent: On My Feet Again // Stone The Crows: Sunset Cowboy // Man: Babe, I’m Gonna Leave You // Kevin Ayers: Circular Letter // Annette Peacock: This Feel Within // Daryl Hall & John Oates: Have I Been Away Too Long // The Beach Boys: With A Little Help From My Friends // J. J. Cale: Hold On // Gary Shearston: I Get A Kick Out Of You // Caravan: In The Land Of Grey And Pink // Todd Rundgren: It Wouldn’t Have Made Any Difference // Kinks: Sunny Afternoon // The Misunderstood: Never Had A Girl (Like You Before) // Ellen Foley: Torchlight // Devo: Come Back Jonee // The Beat: Save It For Later // Billy Bragg: Between The Bars // Lil Green: Why Don’t You Do Right // Mary Osborne: Body And Soul // Jim Croce: Time In A Bottle // Stevie Wonder: My Cherie Amour // Neil Diamond: Be // Eddy Barclay: Mon Oncle

Cass McCombs: Home At Last // Tyler Ballgame: Sing How I Feel // Marta Del Grandi: 20 Days Of Summer // The Leaf Library: The Reader’s Lamp // Railcard: Northern Soul Dancing // Sharp Pins: Fragmentos de Every Time I Hear / Fall In Love Again / I Don’t Have A Heart // Løse: Cose mis heridas // Vidas Ejemplares: Nueva sensación // Los Olvidados: Esta noche perdí // Agrimensor K: ¿Juegas al escondite? // The Cookies: I Never Dreamed // Los 3 Sudamericanos: Pulpa de tamarindo // Los 3 Sudamericanos: Chico feo // The Style Council: Paris Match (Long Version) // Lisboa Zentral Café: Mon Oncle

Drainville dans la course à la chefferie pour la CQ. Le cri du cœur de Richard Desjardins pour la forêt. La rencontre Maréchal-Dumont avec Isabelle Maréchal et Mario Dumont. Regardez aussi cette discussion en vidéo via https://www.qub.ca/videos ou en vous abonnant à QUB télé : https://www.tvaplus.ca/qub ou sur la chaîne YouTube QUB https://www.youtube.com/@qub_radioPour de l'information concernant l'utilisation de vos données personnelles - https://omnystudio.com/policies/listener/fr

Le conseil de la Confédération La rencontre politique avec Emmanuelle Latraverse. Regardez aussi cette discussion en vidéo via https://www.qub.ca/videos ou en vous abonnant à QUB télé : https://www.tvaplus.ca/qub ou sur la chaîne YouTube QUB https://www.youtube.com/@qub_radioPour de l'information concernant l'utilisation de vos données personnelles - https://omnystudio.com/policies/listener/fr

La qualité des infrastructures au Québec se détériore d’année en année | «Cette ville-là sous Martinez Ferrada, ça ne changera pas les amis!» | Près de 400 000$: le salaire de la Gouverneure Générale augmente… ENCORE | ICE: «Donald Trump recule à la Donald Trump, en insultant le maire de Minneapolis» | «C’est pas de la science-fiction!»: les Nordiques de retour grâce… à l’Arabie Saoudite? | «Ils sont écoeurés de tout ce qui se passe autour d’eux!»: Sophie Durocher raconte comment elle a été harcelée | Dans cet épisode intégral du 29 janvier, en entrevue : Jean-Nicolas Blanchet, chroniqueur sportif au Journal de Montréal/Journal de Québec Félix Séguin, journaliste pour J.E. Sébastien Vachon, président des producteurs de bovins du Québec Sophie Larivière-Mantha, ingénieure, présidente de l’Ordre des ingénieurs du Québec (OIQ) Une production QUB Janvier 2026Pour de l'information concernant l'utilisation de vos données personnelles - https://omnystudio.com/policies/listener/fr

Melody’s Echo Chamber: In The Stars // CMAT: Iceberg // Dry Cleaning: Let Me Grow and You’ll See The Fruit // Blood Orange: Mind Loaded // Geese: Bow Down // Big Thief: Los Angeles // Sharp Pins: (In A While) You’ll Be Mine // Stuart Moxham: Cottonmill Lane // Stuart Moxham: Heart Of Glass // Malevaje: De puro guapo // Los Coyotes: Como un extranjero // Ramón Godes: The Windows Of The World // Víctor Coyote: Así me tratan ahora // Absolute Elsewhere: Earthbound // The United States Of America: Love Song For The Dead Che // Zach Bryan: Sundown Girls // Jeff Tweedy: Caught Up In The Past // Iron & Wine: In Your Ocean // Gary Lucas: Mon Oncle

Labi Siffre: Nothing In The World Like Love // James Hunter: I Don’t Wanna Be Without You // Nacho Casado: Souvenir // Itziar Yagüe: How To Let You Know // Would-Be Goods: The Gallopers // Heavenly: Excuse Me // Nico: Afraid // Los Planetas: Segundo premio // Nacho Vegas: El fulgor // Mick Abrahams Band: Absent Friends // Michal Urbaniak Group: Inactin // Brigitte Bardot: Les hommes endormis // Tee & Cara: I Don’t Think I Know Her // Dorothy Ashby: Just Had To Tell Somebody // Chet Baker: Quiet Nights // Walter Gonçalves: Mon Oncle

It's a belated Holiday Special episode...although still within the 12 days of Christmas. We've got a loaded episode full of some, well, interesting films. Some you may even want to add to your own Holiday playlist: Jingle Bell Heist; Regalo di Natale; Christmas, Again; Mon Oncle Antoine; The World of Kanako; and Santa Claus (Santa Claus vs. the Devil).    Support Why Does the Wilhelm Scream Keep in touch and read more at whydoesthewilhelmscream.com on instagram and threads @whydoesthewilhelmpod  Find out more about upcoming Reel House screenings, and support the next generation of film lovers, at reelhousefoundation.org and on facebook/Instagram reelhousefoundation Artwork by @_mosla_

Zariatxo Abesbatza & Joserra Senperena: Christmas Time Is Here // Zariatxo Abesbatza & Imanol Elizasu: Kapai Soinu Zilar Doinu (Carol Of The Bells) // Javier Sun: La próxima Navidad / If You Don’t // Lidia Insausti & Paul San Martín & Itziar Yagüe // Paul San Martín: Baby, It’s Cold Outside // Itziar Yague & Paul San Martín: Baby Santa // Mikel Aguirre & Peru Aguirre: Ya es Navidad (Paz, amor y felicidad) // Mikel Aguirre & Joserra Senperena: Sendero a la cascada // Andrea Buenavista & Pablo Oliva // Noche de reyes / Nochevieja // Simón Ezquiaga & Joserra Senperena & Zariatxo Abesbatza & Cheli Lanzagorta & Paul San Martín: Erraldoiak gabonetan // Parade & Nacho Casado: Regreso a la tierra / Robot 10 / Mirando al mar / Noche de paz // Lide Hernando & Joserra Senperena: Gabon gaua / Hang On Lights // Sara Azurza & Cheli Lanzgorta: Último tren, primeras luces // Sara Azurza & Cheli Lanzagorta & Paul San Martín: Have Yourself a Merry Little Christmas // God Only Knows: Sara Azurza, Lide Hernando, Lidia Insausti, Itziar Yagüe 🎤 Nacho Casado, Paul San Martín y Javier Sun 🎤 Simón Ezquiaga, Parade y Mikel Aguirre 🎤 Peru Aguirre (guitarra), Joserra Senperena (piano), Cheli Lanzagorta (glockenspiel), Ricardo Aldarondo (bajo), Zariatxo Abesbatza El Barón Roskow: Mon Oncle

The Ramsey Lewis Trio: The Sound Of Christmas // The Divine Comedy: All The Pretty Lights // Laufey: Santa Baby // Miguel Ramos y su órgano Hammond: La Marimorena // Rodney Crowell: Christmas Makes Me Sad // Donny Hathaway: This Christmas // Exnovios: Ya es Navidad // Mikel Aguirre: Ya es Navidad (Paz, amor y felicidad) // Javier Sun: La próxima Navidad // Mikel Erentxun: La estación polar // Andrea Buenavista: Nochevieja // Francisco Nixon: Cinturón de cuero negro // Lidia Insausti, Itziar Yagüe y Paul San Martín: Baby, It’s Cold Outside // Belcos: Paseo nocturno // Joserra Senperena / Juan Luis Zabala / Simón Ezquiaga: Erraldoiak Gabonetan // Nacho Casado: Mirando al mar // Cheli Lanzagorta / Harkaitz Cano / Teresa Iturrioz / Joserra Senperena: Último tren, primeras luces // Jeff Tweedy: Christmas Must Be Tonight // Diane Keaton: First Christmas // Danny Thompson, Jacqui Mcshee, Tony Roberts, Vic Abram: In The Bleak Midwinter // Dúo Dinamico: Balada de Navidad // Dean & Britta & Sonic Boom: He’s Coming Come // Chris Rea: Driving Home For Christmas (1986 Version) // Gary Louris: Christmas In The City // Bing Crosby & Frank Sinatra: We Wish You The Merriest // El Barón Roskow: Mon Oncle

Mavis Staples: We Got To Have Peace // Bobbie Gentry: Thunder In The Afternoon // Jordi V: La model dels teus ulls // Félix Lineker: Canciones que devuelven la fe // Rachid B: Tariik // Nacho Casado: Allocate // The Stone Roses: Made Of Stone // Squeeze: Another Nail In My Heart // Terry Reid: River // Blancmange: Waves // Soft Cell: Say Hello, Wave Goodbye (Dave Ball Lateral Mix) // Magna Carta: Time For The Leaving // Midlake: A Bridge To Far // Saint Etienne: Glad // Cheli Lanzagorta / Harkaitz Cano / Irantzu Valencia: Podría ser mejor // Mercuzio Pianist: Mon Oncle *Jordi V: https://jordiv.bandcamp.com/album/la-caixa-blava *Rachid B: https://rachidb.bandcamp.com/album/al-ghorba *Nacho Casado: escribir a info@nachocasado.com o nachocasadomusic@gmail.com *Single de Madmua / Discos Mon Oncle “Podría ser mejor” / “Sendero a la cascada”: escribir a info@madmuarecords.com

La rock star du jour : Journey On jase à un auditeur qui n’a pas son diplôme de secondaire mais qui est tout de même millionnaire aujourd’hui… Vous souvenez-vous de ‘’télé-rencontre’’? Hier, Martin a assisté à toute une scène dans le garage du centre Bell… Qu’est-ce que Kim fait une fois qu’elle est seule après le show? Mike l’a suivi en cachette hier… Spécial K : Martin s’est déjà fait revirer de bord par une fille dans un bar il y’a plusieurs années… et il ne s’en ai pas encore remis. Ovechkin a nargué les joueurs au banc du CH hier après son troisième but… Marc Denis a tout entendu

Exnovios: El cine se queda en silencio // Gorillaz: On Melancholy Hill // Nina Simone: I Get Along Without You Very Well // Mathilde Santing: You Go To My Head // Broadcast: Follow The Light // Caitlin Canty: Blue Sky Moon // Kurt Vile & John Prine: How Lucky // Mariana Ingold: Cara a cara // Alondra Bentley: La materia // Lucy Dacus: Green Eyes, Red Face // Benjamin Biolay: Les cerfs-volants // Benjamin Clementine: Condolence // Billie Holiday: Love Me Or Leave Me // Cocteau Twins: Lorelei // Ted Neeley: Mother // Jon Mark: Song For The Big Man // Sergio y Estíbaliz: Búscame // Kurt Edelhagen And His Orchestra: Mon Oncle

Kiekeboe! In aflevering 57 kiest Robert Merhottein alias Merho alias de geestelijke vader van Kiekeboe 3 films uit mijn kast. We hebben het ook over zijn debuutroman "Looklucht", de strips van Kiekeboe én ook een mini, mini beetje over de Kiekeboe-verfilmingen "Het Witte Bloed" & "Misstoestanden". De keuze van Rob uit de kast bestaat uit: Clockwise (1986, Christopher Morahan) Hugo (2011, Martin Scorsese) Mon Oncle (1958, Jacques Tati) Verder kruist er af en toe een bladblazer de opname en praat ik soms wat te snel. Excuses!

Tyler Ballgame: Got A New Car // J’aime: Just Makeshift Care // Iris Valencia: Brújula // Yellow Days: Gap In The Clouds // Anny Gould: Dans L’ombre Des Rues // Zülfü Livanelli: Günes Için Gitar // Tom Misch: I Wish // Blanco White: Olalla // Ojos: Coeur Sans Visage // Ennio Morricone: Tema Per Le Goff (Le Clan Des Siciliens) // Ennio Morricone: Tema Italiano (Le Clan Des Siciliens) // Mighty Joe Young: Turning Point // Jennifer Warnes: It Goes Like It Goes // David Lynch: In Heaven (Lady In The Radiator Song) // Kris Kristofferson & Rita Coolidge: Part Of Your Life // Curtis Harding: The Winter Soldier // Stereolab: Fed Up With Your Job // Marianne Faithfull: Paris Bells // Jean Gabin: Maintenant Je Sais // Maurice Larcange Et Son Orchestre: Mon Oncle

John Martyn: Solid Air (1973) // Donovan: Sunny Goodge Street (1965) // Incredible String Band: Painting Box (1967) // Pentangle: I Loved A Lass (1968) // Nick Drake: Time Has Told Me (1969) // Shelagh McDonald: City’s Cry (1971) // John Martyn: Bless The Weather (1971) // Ralph McTell: This Time Of Night (1972) // Sandy Denny: Whispering Grass (1973) // Magna Carta: Wish It Was (1973) // Bert Jansch: Kingfisher (1978) // Danny Thompson: Idle Monday (1987) // David Sylvian: The Boy With The Gun (1987) // Billy Bragg: Must I Paint You A Picture (1988) // Julian Cope: China Doll (1988) // Ketama, Toumani Diabate, Danny Thompson: Africa (1988) // Duncan Dhu: Camisas limpias (1989) // Adrian Borland And The Citizens: Beneath The Big Wheel (1989) // Shelleyan Orphan: Summer Flies (1989) // Kevin Ayers: I Don’t Depend On You (1992) // Everything But The Girl: Rollercoster (1994) // Moondog: D For Danny (1994) // Richard Thompson & Danny Thompson: Sweetheart Of The Barricade (1997) // Diego Vasallo: Ciudades vacías (2000) // The Moon Band (Feat. Joserra Senperena): Fan Blues (2001) // Joe Strummer: When Pigs Fly (2018) // Paul Weller: Thinking Of You (2004) // John Martyn: Head And Heart (1971) // Percy Faith And His Orchestra: Mon Oncle

Jackson 5: I Want You Back // Sylvie Kreusch: Comic Trip // Patrick Watson: Here Comes The River // Tindersticks: Children’s Theme 1 // Korpiklaani: Ennen // Gavin Clark: Bermondsey Stutter // Clayhill: Grasscutter // Brakaman: Una suave marea // Alfred Bendel: Ich Ruf Zu Dir Herr Jesu Christ, Bwv Anh. 73 (J. S. Bach) // Ralph Holmes, Anthony Goldstone, Moray Welsh: Film Adaptation Of Piano Trio In E-Flat, Op. 100 (Second Movement) (Franz Schubert) // Charlie Haden: La Santa Espina // John Barry: Saturday Night Philosopher // Georges Delerue: Julia (Main Title) // Bette Davis: I Wish You Love // Claudia Cardinale: La fille de la prairie // Mario Nascimbene: La ragazza con la valigia // Marlene Dietrich: Where Have All The Flowers Gone // Mikel Erentxun: Mientras quede una luz // Franco Battiato: La stagione de’ll amore //Jacqueline Françoise: Mon Oncle

Dans son livre "Le ciel est immense, publié chez Jean-Claude Lattès, Feurat Alani part à la recherche d'un secret de famille. Ecoutez Laissez-vous tenter - Première avec Sophie Aurenche du 25 septembre 2025.Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

Bob Dylan: I Want You // The Troggs: I Want You // Marvin Gaye: I Want You // The Delmonas: I Want You // Cabaret Voltaire: I Want You // Elvis Costello & the Attractions: I Want You // Pulp: I Want You // Spiritualized: I Want You // Tom Waits: I Want You // Inspiral Carpets: I Want You // Shack: I Want You // Tindersticks: I Want You // Kings Of Leon: I Want You // Universal Togetherness Band: I Want You // Durand Jones: I Want You // Delta: I Want You // The Divine Comedy: I Want You // The Beatles: I Want You (She’s So Heavy) // The Eifels: Mon Oncle

Chris Stamey: Once, On A Summer’s Day // The Autumn Defense: Love Lives // Triz3ps: Venüs // Yaya Bey: Spin Cycle // Brooke Combe: Lanewood Pines // Laufey: Castle In Hollywood // James Yorkston & Nina Persson: Rabbit // Ron Sexsmith: Rose Town // Darren Hayman: Something Beautiful // Connie Francis: We Have Something More (Than A Summer Love) // Dusty Springfield: Magic Garden // Heron: Yellow Roses // Lesley Duncan: Love Song // The Watson Brothers Band: Just Whistle // Clete Stallbaumer: John’s Song // Mickey Newbury: Sunshine // Dúo Dinámico: Adiós Verano, Adiós Amor (en televisión) // Latin Combo: Mon Oncle

SOUL Four Tops: It’s The Same Old Song (Live) // Wilson Pickett: Land Of 1000 Dances // Wilson Pickett: Mustang Sally // Arthur Conley: Funky Street // Arthur Conley: Ha! Ha! Ha! // Brenton Wood: Gimme Little Sign // The Box Tops: The Letter // Sam Cooke: Chain Gang (Live) // Sam Cooke: Twisting The Night Away (Live) // The Supremes: Heatwave // The Supremes: You Keep Me Hangin’ On // Otis Redding: Respect // Otis Redding: Shake // Marvin Gaye: What’s Going On // Marvin Gaye: How Sweet It Is (To Be Loved By You) // Marvin Gaye & Tammi Terrell: Your Precious Love // Wilson Pickett: In The Midnight Hour SOMBRA Leith Stevens’ All Stars: The Wild One // Leith Stevens’ All Stars: Black Rebel’s Ride // Benny Goodman: Stompin’ At The Savoy // Frank Sinatra: Let’s Face The Music And Dance // Frank Sinatra: Nancy (With The Laughing Face) // Frank Sinatra: Night And Day // Frank Sinatra: I’m Getting Sentimental Over You // Nat King Cole Trio: Sweet Lorraine // Nat King Cole Trio: This Will Make You Laugh // Nat King Cole: Nature Boy // Nat King Cole: Too Young // Julie London: I Should Care // Julie London: I’m In The Mood For Love // Julie London: Laura // Leith Stevens: Blues For Brando // Hollywood Pictures Orchestra: Mon Oncle

Dans cette saison, pas de meurtre mais un récit d'emprise familiale. Dans des immeubles du XIe, XIIe et XXe arrondissements, une étrange communauté s'épanouit depuis plus de deux cent ans. Ce n'est pas vraiment une secte mais plutôt une organisation secrète, une société dans la société, comparable à aucune autre. Tout au long des 4 épisodes, Caroline Nogueras est accompagnée de la journaliste Suzanne Privat, autrice du livre La Famille, itinéraire d'un secret paru aux éditions Points. Mon oncle Auguste La famille se réunit autour d'une chrétienté en marge de l'Eglise, régi par l'austérité et la discrétion. Depuis sa création en 1819, d'autres patronymes sont venus grossir les rangs. Les Havet et Thibout ont été rejoints par les Sanglier, Déchelette, Sandoz, Maître, Pulin et Fert. Au début du XXeme siècle, un homme, Paul Augustin Thibout, descendant direct des fondateurs, va durcir le ton et cadrer les troupes. Découvrez la dernière saison : ⁠⁠⁠⁠⁠⁠⁠⁠L'énigme de l'ange de l'A10⁠ Un podcast Bababam Originals Ecriture : Capucine Lebot Voix : Caroline Nogueras En partenariat avec upday.  Première diffusion : 5 octobre 2023 Learn more about your ad choices. Visit megaphone.fm/adchoices

Chris, Jeremy, and Aaron have found some things to recommend to you.1) Small Recommends:The Celebration (1:36)Civilization VII (6:00)Mon Oncle (11:04)2) The Big Recommend: A Fish Called Wanda (14:24)3) Surprise Double Feature: ????????  (46:56)4) Questions from You???? (51:16)If you'd like to join the LIVE conversation each week, become a member of the SinClub at Patreon.com/cinemasins!Thanks to lorangeproductions.com for the theme song!Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Tyler discusses and reviews the Best picture winner Gigi as well as the best pic nominees, Auntie Mame, Seperate Tables, The Defiant Ones and Cat on a Hot Tin Roof

Jackie and Greg are joined by Jackson Cooper, Executive Director of AGFA (American Genre Film Archive) for Jacques Tati's PLAYTIME from 1967. Topics of discussion include the film as an explosion of Where's Waldo? on 70mm, how Tati distances himself from the M. Hulot character in the film, the personal and financial toll it took on him to bring it to screen, and why it endures and continues to ascend the Sight & Sound list each decade.#43 on Sight & Sound's 2012 "The 100 Greatest Films of All Time" list.https://www.bfi.org.uk/sight-and-sound/polls/greatest-films-all-time-2012#23 on Sight & Sound's 2022 "The Greatest Films of All Time" list.  https://www.bfi.org.uk/sight-and-sound/greatest-films-all-timeGet more of Jackson Cooper: https://jcooperarts.comCheck us out on Instagram: instagram.com/sceneandheardpodCheck us out at our official website: sceneandheardpod.comGraphic Design: Molly PintoMusic: Andrew CoxEditing: Greg KleinschmidtGet in touch at hello@sceneandheardpod.comSupport the showSupport the show on Patreon: patreon.com/SceneandHeardPodorSubscribe just to get access to our bonus episodes: buzzsprout.com/1905508/subscribe

(cw: language) Dave and Alonso got an email from Guy Branum asking to talk about one of his favorite Christmas movies, 1971's Mon Oncle Antoine, and who were they to say no? Enjoy this holiday offering of Linoleum Knife Presents More Linoleum Knife, a show usually reserved for Linoleum Knife Patreon members. Become a Linoleum Knife Patreon member, won't you?

A thank you, not getting terrified, a memorable Jason, a weird interview, children of Donovan,  a stellar remake, a tortured Jack, the interesting Peter Greene, a nice little horror anthology, the bloated Bezos, a touch of Tati, a groovy French song, considering cats, a beloved dog, saying goodbye, an unforgettable phone call, breaking down, and you aren't my destiny. Stuff mentioned: Road Games (1981), Terrifier 3 (2024), Joker: Folie à Deux (2024), The Hangover (2009), The Hangover Part II (2011), The Hangover Part III (2013), Friday the 13th: The Final Chapter (1984), Sunset Beach (1997-1999), The Young and the Restless (1973-present), Lycan (1977-1978), Crispin Glover on Late Night with David Letterman (1987 https://www.youtube.com/watch?v=Jm2CbuTdTtE), River's Edge (1987), Say Anything (1989), A Night in the Life of Jimmy Reardon (1988), Donovan "Hurdy Gurdy Man" (1968), Zodiac (2007), Donovan "Season of the Witch" (1966), To Die For (1995), The Blob (1988), The Blob (1958), Warning Sign (1985), Eraserhead (1977), Hammett (1982), Dune (1984), Blue Velvet (1986), Wild at Heart (1990), Twin Peaks: Fire Walk with Me (1992), Lost Highway (1997), Meatballs 4 (1992), A Nightmare on Elm Street 3: Dream Warriors (1987), The Mask (1994), Pulp Fiction (1994), Peter Greene Breaks up Street Fight (TMZ https://www.tmz.com/watch/actor-peter-greene-breaks-up-street-fight-tmz-live-0-g20936fu), Campfire Tales (1997), F. Scott Fitzgerald The Rich Boy (1926), The Falling Star (2023), Mon Oncle (1958), Birds on a Wire "Dernière Chance" (2024), Birds on a Wire "Dernière Chance-Alt. Version" (2024), Birds on a Wire "Dernière Chance-Instrumental" (2024), Bird on a Wire (1990), Aaron Neville "Bird on a Wire" (1990), Leonard Cohen "Bird on the Wire" (1969), Patti Smith Horses (1975), Pavements (2024), Pavement "Extradition" (1995), and Pavement Wowee Zowee (1995).

Send us a textIn this episode, Marty gives Clif the film Mon Oncle to watch and Clif gives Marty the film Band Aid to watch.Support the showMaking Pondo on Facebookhttps://www.facebook.com/profile.php?id=100087139659233X (formerly Twitter):@MakingPondoInstagram:https://www.instagram.com/makingpondo/Making Pondo on Letterboxd:https://letterboxd.com/marty_ketola/list/talking-pondo/Theme Song by Russ Pace

Cet été, retrouvez dans Home(icides) les plus grandes affaires criminelles françaises. De la disparition de Xavier Dupont de Ligonnès, à la secte du Temple solaire, en passant par l'affaire Grégory... elles ont marqué et marquent encore la société, même des années après. Caroline Nogueras vous plonge au cœur d'enquêtes complexes, de procès hors-norme et de familles déchirées. (Re)découvrez l'histoire d'une communauté secrète en plein Paris : La Famille, un récit d'emprise familial. Mon oncle Auguste La famille se réunit autour d'une chrétienté en marge de l'Eglise, régi par l'austérité et la discrétion. Depuis sa création en 1819, d'autres patronymes sont venus grossir les rangs. Les Havet et Thibout ont été rejoints par les Sanglier, Déchelette, Sandoz, Maître, Pulin et Fert. Au début du XXeme siècle, un homme, Paul Augustin Thibout, descendant direct des fondateurs, va durcir le ton et cadrer les troupes. Production et diffusion : Bababam Originals Un podcast enregistré dans les studios de Bababam Ecriture : Capucine Lebot Voix : Caroline Nogueras Suivez Bababam sur Instagram. Première diffusion : 2 octobre 2023 Learn more about your ad choices. Visit megaphone.fm/adchoices

Is it loud enough for you? Podcast's intro song 'Here Come the Creeps' performed by Souless AI Software SUNO, written by Ugly Cry Club. Like us on Facebook! www.facebook.com/criterioncreeps/ Follow us on that Twitter! twitter.com/criterioncreeps Follow us on Instagram! instagram.com/criterioncreeps We've got a Patreon too, if you are so inclined to see this podcast continue to exist as new laptops don't buy themselves: patreon.com/criterioncreeps You can also subscribe to us on Soundcloud, iTunes, and Google Play!

Alexandre e Fred convocam o crítico de João Pessoa, Renato Félix, para conversar sobre a obra de um dos gênios da comédia mundial, o francês Jacques Tati. O cineasta é celebrado até hoje como um dos mais criativos de sua arte, principalmente pela maneira como utiliza o som e a direção de arte em seus filmes. Apesar de ter filmado muito pouco, três de seus clássicos se destacam em sua obra e comentamos eles aqui: "As Férias do Sr. Hulot" (Les vacances de Monsieur Hulot, 1953), "Meu Tio" (Mon Oncle, 1958) e "Playtime - Tempo de Diversão" (Playtime, 1967).  Falamos também brevemente de seu primeiro longa-metragem, o interessantíssimo "Carrossel da Esperança" (Jour de fête, 1949). ---------------------- Acesse nosso site: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠http://www.filmesclassicos.com.br⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Acesse nossa página no Facebook : ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.facebook.com/podcastfilmesclassicos/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

First broadcast on November 01, 1962. Filmmaker Jacques Tati and Studs discuss finding the humor in everyday life and people becoming their gadgets. The two also go in-depth about Tati's film "Mon Oncle" and the development of the character Monsieur Hulot.

Chaque année en France, 160 000 enfants sont victimes d'inceste. Hélène en a été victime dans son enfance et nous raconte son histoire aujourd'hui.

BRINGING ORDER OUT OF CHAOSIt might be said that the function of the discriminating mind (S. citta), in the most general sense, is to render what is perceived as chaos into what may be perceived as order. Of course, this is not an original idea, and has an associated idea that chaos, as we perceive it, may be thought of as a higher level of order, one that is not accessible to our perception. This idea resonates in both the world of Zen and that of art and design thinking. One would have to speak of a relative degree of order versus a notion of absolute order. However chaotic reality may appear, it is following physical laws that suggest an underlying order that is simply not a respecter of persons, or of the sensibilities of humans. We must come into compliance with reality, rather than expect reality to conform to our expectations or preferences. This, I think, is the fundamental basis of the concept of the “Way” in Taoism, and an underpinning of Zen as it developed in China. However, the Way in Buddhism, as I understand it, is not a hypothesis or theory of objectified reality outside the observer, but exists only in complementary balance with the person. Our observation of perceived order also exhibits relative degrees, or a spectrum from one extreme to another. For example, our house may be a mess inside, but look orderly on the outside, unless we get evicted and our possessions are dumped on the street. If you peer into parked cars on any city street, they will tell you a story about the person who drives them, or lives in them. Some definitely have that lived-in look, while others are pristine, even sterile-seeming, as are some homes. If you have ever seen the French movie, “Mon Oncle,” or “my uncle.” you may remember its satirical take on the super-white, stainless steel interior, and the housewife's gloved approach to maintaining its spotless state. My best friend in high school lived in a home where the floors of the living rooms were covered with shag carpet, which was newly popular in the 1950s, but theirs was brilliant white. We had to remove our shoes to enter the house, which was peculiar to me at the time, but later became second nature after being exposed to the Japanese culture, beginning with the Zen Buddhist Temple of Chicago, in the 1960s. Sensei had us stand at the door with a basket of clean socks to hand to the barefoot hippies coming in off of Halsted Street. In his eyes, they must have appeared as complete barbarians. If you are in someone's home as a guest, you might take a peek in the medicine cabinet. There you will see an indication of the sense of order of your host's mind. (I have never done this, of course; it is very rude.) What is on the shelves, and where, and whether the medicines are outdated, may paint a portrait of how obsessive-compulsive — or happy-go-lucky — your friends may be. Bear in mind that for a couple living together, these issues become instantly, and infinitely, more complicated. Who does what and when, and who is responsible for the resulting mess, becomes entangled in the relationship. Master Dogen, who transplanted what is now called Soto Zen to 13th century Japan from his sojourn in China, used the word katto to identify entanglements, using the analogy of twining vines, like wisteria. This applies not just to the tyranny of possessions and environments, but to the subtle entanglements of relationships themselves. Other examples of refined order, from the human perspective, include such storage-and-retrieval systems as fishing tackle totes and sewing boxes, where the necessity for “a place for everything and everything in its place” determines the efficiency and effectiveness of the endeavor of actually fishing or sewing. I inherited an antique sewing box, with its many spools of colored threads and implements of sewing wonderfully arranged in stunning order, formerly in the control of a friend's grandmother. Somehow my son and daughter, under 5 years old at the time, got into it and turned order into chaos, probably in about 5 minutes, when the array of organization had likely developed over five years or more of grandma's life. There was no way I could put it back in order. Workshops are another example, where attention to the organization and design of the environment can begin to overwhelm the prospect of actually getting anything done. The project of organizing the process can distract our attention from doing the project itself. In the course of organizing my various studio and shop environments over time, I have developed what I call the “Island of Sanity” approach. It took me 50 years or so to learn that table tops are not for storage. I strive to keep the tables clear of any clutter, including tools, even during the process of working. “Clear the decks” is the trope. The “work,” the piece under construction, or a painting, is the only item that is allowed to occupy the table top. I have found that laying tools on the table means that when I need to move the work, the tools often get in the way. So I keep a side table as home for the tools. On the tool table, I keep the various tools in play in a neat array, rather than mindlessly piling them on top of each other. In the hurly-burly of executing a project, the tool table often becomes disorderly. I occasionally reorganize it quickly, so that the tools are side-by-side in a scannable row, not overlapping. This way I can quickly recognize and seize the particular tool I need when I need it. Others have refined these approaches. Allowing a relative degree of perceived chaos in the work environment seems to be a necessary evil. Otherwise, we may be driven to distraction by trying to improve the process, and never finishing the project. What is sometimes called “completion anxiety” may set in. As long as we are working on a project, but have not brought it to conclusion, it can remain forever perfect in our mind's eye. When it is finished, it is just what it is, warts and all: imperfect. Everything is somewhat imperfect; or at best, relatively perfect. In my case, maintaining islands of sanity creates the proper balance for getting things done, with minimal stress on the mind and body. What the particular balance amounts to, and what works best for the individual, seems to be a personal trait. Some people can work efficiently in a virtual pile of clutter; others are highly dependent on a visually uncluttered workspace. Einstein's office — which is preserved intact even today, as a memorial, just as he left it — is said to be an exceptional example of “meaningful clutter.” Whether yours is meaningful, or not, is up to you to determine. Clutter control is a recognized discipline, a known issue in interior design of environments, whether working or living spaces, public or private. The “rising tide of clutter” can overwhelm any space. Just tune into one of the current spate of television shows on hoarding, to see some of the worst-case scenarios. Contrast becomes important in being able to see the shape of a tool, to state another obvious point. Vertical walls for storing tools often consist of white pegboard for this reason. I have learned that I lose my eyeglasses less often if I remember not to place them on a dark surface, into which the dark frames blend and disappear. The inverse is true when retrieving a light-colored object. Dark backgrounds are called for. Along with many of my contemporaries, In the 1960s I experimented with so-called psychedelic or psychotropic drugs. One memorable experience found me sitting in my basement shop, trying in vain to sort various items of hardware into appropriate category designations for storage and retrieval. All items share many characteristics in common with others, and it actually was not clear which were the priorities. For example, many fasteners (of which there are many kinds) may be made of metal, and so “go together,” but are designed to fasten many different materials, such as wood, as opposed to metal. In the case of fasteners, we end up with so many leftover screws, nuts and bolts, et cetera, from our projects, that it becomes a more-and-more time-consuming process just to keep what you may never use in some kind of order. I have seen everything from homemade systems utilizing salvaged glass jars, lids attached to the underside of shelves, allowing the jar to be unscrewed with one hand; to endless aisles suffering from over-choice, and designed systems for storing virtually endless categories, sizes and types of fasteners, in hardware and big-box stores. The world is really too much with us, in these categories. An example from retail, that might not be obvious to the customer, but is well known to the insiders, entails the arrays of shoes at your local shoe store. The stock is usually stored in back, where the various sizes of a given style can be efficiently stacked and retrieved in labeled shoe boxes. The storefront, by contrast, displays all the shoes in their best light, putting our best foot forward, literally. Usually the smaller sizes are displayed, not only because they take less room, but because they are usually more aesthetically pleasing than bigger sizes of the same style and color, vestiges of ancient foot-binding in the East. A little-known fact is that the array has the appearance of more styles and colors than are actually in stock, because the merchandisers display them by style, by color and other attributes: the same shoe will appear in two or more displays throughout the store. As a boy, I used to wonder why my father had so many pairs of shoes in his closet, when I had only one or two. Now I have more shoes than he did, accumulated over time, because the size of my feet stopped changing, and I found different needs, or lack of need, for different types and styles of footwear. Imelda Marcus is the poster girl for this category of disorder, with her 3,000 pairs of shoes. Produce in a grocery store is another example. People generally like to pick over produce, selecting the best ones, leaving the fruits or vegetables that are less appealing in looks, apparent freshness, et cetera. For this reason, pre-packaged produce is a harder sell. This is why we see monstrous stacks of open produce in brightly-lighted bins, in most modern food supermarkets. Which, by the way, are destabilized when 10% are removed. To see, a bit more clearly, how fundamental the process of sorting is to the basic function of perceived order — including storing and retrieving things — try to imagine a contrarian approach, such as displaying books by color, say, or clothing grouped by fabric, rather than size or style. I have witnessed the tendency to over-organize — or organize by inappropriate groupings — in my own efforts to achieve order, in striving to make sense of my environment. One example is that I tend to group and store like things together, such as putting any and all writing pens in the same place. Or I may do the same with my collection of eyeglasses, which has accumulated over time through misplacing, replacing, and rediscovering spectacles. Problem is, I need a writing pen at different places at different times, yet I do not want to have endless writing pens scattered all over the place. I know people who collect fine writing pens, and wonder if it amounts to a compulsion, or a stubborn resistance to the decline of handwriting, in favor of the word processor — with which, incidentally, I am writing this essay, from handwritten notes scrabbled on various sheets of notebook paper, noted when I was away from my desktop. We tend to blame linear thinking as the main culprit behind chaos, and all of this need for — and inability to find, or sustain — order. When we begin to consider that everything we regard as belonging to one category actually belongs to many others — perhaps an infinity of categories, if we parse it finely enough — a kind of insanity or cognitive dissonance, a lack of mental order — begins to come into play. This is, in Zen, or Taoism, the point at which we begin to “confront the mystery,” from the Tao te Ching: Caught by desire, we see only the manifestations;Free from desire, we confront the Mystery. “The one and the many” are indeed like the yen and yang of our discriminating mind. That phenomena and noumenon exist in complementary embrace, or the endless dance of becoming, is not immediately evident, when we are just trying to get through the day. This is why, and how, it becomes important to take a break, and to sit on it for a while. Hopefully, when we stop striving, the immanent order of emptiness underlying the alienating appearance of form will become manifest. But as Master Dogen mentions in Genjokoan, don't look for it to appear in your perception: Do not suppose that what you realize becomes your knowledge, or is grasped by your consciousness; although actualized immediately, the inconceivable may not be apparent. The inconceivable may appear as chaos; the underlying order may not be apparent. Chaos may be embraced as a higher form of order, or an elevated degree of complexity, in which any discernible pattern is elusive; while perceived patterns of order may be similarly interpreted as artificially lower levels of chaos, or higher degrees of superficial simplicity. Upon closer examination, perceived simplicity devolves into the complexity of chaos, e.g. on the subatomic or quantum level; whereas chaotic complexity gives way to serene simplicity. “All things are like this,” to borrow another vintage Dogen-ism; the vacillation is built-in, from duality to nonduality and back. Enjoy the ride.* * * Elliston Roshi is guiding teacher of the Atlanta Soto Zen Center and abbot of the Silent Thunder Order. He is also a gallery-represented fine artist expressing his Zen through visual poetry, or “music to the eyes.”UnMind is a production of the Atlanta Soto Zen Center in Atlanta, Georgia and the Silent Thunder Order. You can support these teachings by PayPal to donate@STorder.org. Gassho.Producer: Shinjin Larry Little

Dans cette nouvelle saison de Home(icides), découvrez un récit d'emprise familiale. Dans des immeubles du XIe, XIIe et XXe arrondissements, une étrange communauté s'épanouit depuis plus de deux cent ans. Des cousins qui se marient entre eux et qui ne se mélangent pas. Ce n'est pas vraiment une secte mais plutôt une organisation secrète, une société dans la société, comparable à aucune autre. On les surnomme “La Famille”. Tout au long des 4 épisodes, Caroline Nogueras sera accompagnée de la journaliste Suzanne Privat, autrice du livre La Famille, itinéraire d'un secret paru aux éditions Points. Mon oncle Auguste La famille se réunit autour d'une chrétienté en marge de l'Eglise, régi par l'austérité et la discrétion. Depuis sa création en 1819, d'autres patronymes sont venus grossir les rangs. Les Havet et Thibout ont été rejoints par les Sanglier, Déchelette, Sandoz, Maître, Pulin et Fert. Au début du XXeme siècle, un homme, Paul Augustin Thibout, descendant direct des fondateurs, va durcir le ton et cadrer les troupes. Découvrez la dernière saison : Le meurtre de Bernadette Bissonnet : le mari, le vicomte et le laveur de carreaux Production et diffusion : Bababam Originals Un podcast enregistré dans les studios de Bababam Ecriture : Capucine Lebot Voix : Caroline Nogueras Suivez Bababam sur Instagram. Learn more about your ad choices. Visit megaphone.fm/adchoices

Découvrez le livre du jour des Grosses Têtes.Découvrez la page Facebook Officielle des "Grosses Têtes" : https://www.facebook.com/lesgrossestetesrtl/ Retrouvez vos "Grosses Têtes" sur Instagram : https://bit.ly/2hSBiAo Découvrez le compte Twitter Officiel des "Grosses Têtes" : https://bit.ly/2PXSkkz Toutes les vidéos des "Grosses Têtes" sont sur YouTube : https://bit.ly/2DdUyGg