Podcasts about Monsieur Hulot

French comedic powerhouse Jacques Tati finally makes his first appearance on the podcast with an introduction to his gentle homage to silent-era character Monsieur Hulot himself.  And this time, he's at the beach.  And brother, I don't have to tell you that there will be some… les shenanigans. Join the Random Acts of Cinema Discord server here! *Come support the podcast and get yourself or someone you love a random gift at our merch store.  T-shirts, hoodies, mugs, stickers, and more! If you'd like to watch ahead for next week's film, we will be discussing and reviewing Rob Reiner's The Princess Bride (1987).

Jackie and Greg are joined by Jackson Cooper, Executive Director of AGFA (American Genre Film Archive) for Jacques Tati's PLAYTIME from 1967. Topics of discussion include the film as an explosion of Where's Waldo? on 70mm, how Tati distances himself from the M. Hulot character in the film, the personal and financial toll it took on him to bring it to screen, and why it endures and continues to ascend the Sight & Sound list each decade.#43 on Sight & Sound's 2012 "The 100 Greatest Films of All Time" list.https://www.bfi.org.uk/sight-and-sound/polls/greatest-films-all-time-2012#23 on Sight & Sound's 2022 "The Greatest Films of All Time" list.  https://www.bfi.org.uk/sight-and-sound/greatest-films-all-timeGet more of Jackson Cooper: https://jcooperarts.comCheck us out on Instagram: instagram.com/sceneandheardpodCheck us out at our official website: sceneandheardpod.comGraphic Design: Molly PintoMusic: Andrew CoxEditing: Greg KleinschmidtGet in touch at hello@sceneandheardpod.comSupport the showSupport the show on Patreon: patreon.com/SceneandHeardPodorSubscribe just to get access to our bonus episodes: buzzsprout.com/1905508/subscribe

Cinema To The Letter: the perfect podcast to listen to while you're stumbling through a steel French hellscape! To kick off their Criterion season, Thomas, Bryan and special guest Megan Robinson are looking at the classic film from director Jacques Tati Playtime! Together, our trio answers the crucial questions. How do Americans pronounce Jacques Tati? Does this message of modernization break the barriers of language and time? How much money does Mr. Bean owe Monsieur Hulot? Well, don't drop your phone into that Greek pillar garbage can so you can listen to find out! Join our Patreon for $1 for monthly bonus episodes and the chance to vote for new podcasts at patreon.com/cinema2letter! Follow us @cinema2letter on socials! Artwork by Michelle Kyle! Music by Burial Grid!

Cinema To The Letter: the perfect podcast to listen to while you're stumbling through a steel French hellscape! To kick off their Criterion season, Thomas, Bryan and special guest Megan Robinson are looking at the classic film from director Jacques Tati Playtime! Together, our trio answers the crucial questions. How do Americans pronounce Jacques Tati? Does this message of modernization break the barriers of language and time? How much money does Mr. Bean owe Monsieur Hulot? Well, don't drop your phone into that Greek pillar garbage can so you can listen to find out! Join our Patreon for $1 for monthly bonus episodes and the chance to vote for new podcasts at patreon.com/cinema2letter! Follow us @cinema2letter on the socials! Artwork by Michelle Kyle! Music by Burial Grid! We're a proud member of the TalkFilmSociety podcast network! 

Chris gets lighthearted with Monsieur Hulot!

Alexandre e Fred convocam o crítico de João Pessoa, Renato Félix, para conversar sobre a obra de um dos gênios da comédia mundial, o francês Jacques Tati. O cineasta é celebrado até hoje como um dos mais criativos de sua arte, principalmente pela maneira como utiliza o som e a direção de arte em seus filmes. Apesar de ter filmado muito pouco, três de seus clássicos se destacam em sua obra e comentamos eles aqui: "As Férias do Sr. Hulot" (Les vacances de Monsieur Hulot, 1953), "Meu Tio" (Mon Oncle, 1958) e "Playtime - Tempo de Diversão" (Playtime, 1967).  Falamos também brevemente de seu primeiro longa-metragem, o interessantíssimo "Carrossel da Esperança" (Jour de fête, 1949). ---------------------- Acesse nosso site: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠http://www.filmesclassicos.com.br⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Acesse nossa página no Facebook : ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.facebook.com/podcastfilmesclassicos/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

First broadcast on November 01, 1962. Filmmaker Jacques Tati and Studs discuss finding the humor in everyday life and people becoming their gadgets. The two also go in-depth about Tati's film "Mon Oncle" and the development of the character Monsieur Hulot.

     This week- we like French films, a pair of pretentious boring French films, we like French films, three tickets s'il vous plaît.     Monsieur Hulot, the legendary signature character of Jacques Tati, is a man overwhelmed and confused by the new modernity of Paris, as he and others stumble through six segments both lampooning and celebrating modernist life, and repeatedly encounters, Barbara, a young American tourist who longs to see the old romantic soul of Paris under its gleaming glass and steel skin. Tati's staggeringly massive auteuristic undertaking that both bankrupted him and firmly established his place among the greatest directors in the history of the medium, Playtime.     Controversial American writer, director, photographer, and lover of nubile young flesh, Larry Clark, turns his specific view of youth culture on Parisians. Math is a bored skater with a horrific homelife who takes up prostituting himself to earn shocking amounts of overpayment for services rendered from kinky older men. JP, Math's best friend and fellow escort, soon begins to realize his love for Math is far from platonic. Marie is the girl who hangs around them in a couple scenes so we can firmly establish the boys sexual preferences. Marie also flirts with a third young sex worker, who only works with older women so he can provide for his family. Soon all the kids find themselves in a whirlpool of sex, drugs, skate videos, and a few more serious felonies. None of them will ever be able to wash off The Smell of Us.     All that and Kevin gets fitted for a new trench coat, Dave does as little as possible, and Tyler scents all over his happy place.   Episode 335- French Pressed

The Tour de Tati embarks on its Penultimate Pod. This time around, Zach and Sterling get stuck in and enjoy every minute of 1971's TRAFIC. As they honk the horns of analysis and scoot down Plot Lane one inch at a time, they come to embrace and adore the final narrative outing of Tati, while also bidding farewell the magical man that is Monsieur Hulot. PLUS: Tati gets fan-casted in everything from Fast and Furious to Gangs of New York. ------- To learn more about Colorado Film and Video Association, please visit https://www.cfva.com/ -------- For More YBR PRESENTS, including Tour de Tati and The Shamley Silhouette, please visit https://anchor.fm/ybrpresents and subscribe on iTunes and Spotify!

We remember Paul Reubens by spending a little time down memory lane with Pee Wee's Big Adventure and guest Ethan Thompson. We try not to just do a quote-a-thon, but so...many...quotes. We pair it with Jacques Tati's titular character Monsieur Hulot as featured in Playtime.  BaaM Patron Beer Saint, Daniel Benavidez, provides us with two 14% barleywines from Weathered Souls Brewing's #BIL series, and they do their job. 

Original Air Date: Monday 21 August, 9 pm Eastern Description: Pop quiz: What show features discussions about the great Motown artist Barrett strong, founding member of The Eagles Randy Meisner, Tony Bennett, Pee-wee Herman, the director of The Exorcist and The French Connection, a rock musical parody of The Exorcist, Dean's final (?) “X-Files” improv (at a forthcoming “X-Files” convention), and the classic comedy films of Jacques Tati? Answer: This week's brand new Season 3 Episode 81 of YOUR Chillpak Hollywood Hour! Tags: Phil Leirness, acting, Dean Haglund, The X-Files, The Lone Gunmen, writing, producing, filmmaking, movies, show business, writers, directing, Hollywood, Los Angeles, Detroit, Birmingham, Los Feliz, Motown, master shots, comedy, improv, Norman Lloyd, Alfred Hitchcock, Alfred Hitchcock Presents, Psycho, William Friedkin, The Exorcist, To Live and Die in L.A., Sorcerer, The French Connection, Pee-wee Herman, Paul Reubens, Late Night with David Letterman, Pee-wee's Playhouse, Pee-wee's Big Adventure, Big Top Pee-wee, Batman Returns, Tim Burton, William Petersen, Mystery Men, Buffy the Vampire Slayer, 30 Rock, What We Do in the Shadows, Murphy Brown, Jacques Tati, Monsieur Hulot, Playtime, Mon Oncle, Monsieur Hulot's Holiday, Barrett Strong, La Jolla, I Can't Get Next To You, Money (That's What I Want), I Heart it Through the Grapevine, War, Edwin Starr, Randy Meisner, Take it to the Limit, The Eagles, Linda Rondstadt, Rick Nelson, Stone Canyon Band, Tony Bennett, painting, art, Great American Songbook, Frank Sinatra, I Left My Heart in San Francisco, Rags to Riches, When Joanna Loved Me, Bob Hope, Pearl Bailey, Danny Bennett, MTV, Dresden Room, Marty & Elayne Roberts, Exorcistic, Sacred Fools, Leigh Wulff, Three Clubs, Jour de Fête, Phile Fest, Minneapolis

En av 1900-talets mest kända fotografer, Henri Cartier-Bresson, verkade alltid vara på rätt plats i rätt sekund. Mikael Timm dyker ner i en efterlämnad bildskatt på Centre Pompidou i Paris, 2014. Lyssna på alla avsnitt i Sveriges Radio Play. ESSÄ: Detta är en text där skribenten reflekterar över ett ämne eller ett verk. Åsikter som uttrycks är skribentens egna. Sändes först 12/4 2013.Seklets fotograf. Det är nästan ett osannolikt smeknamn, men sedan Henri Cartier-Bresson avled 2004 har ikonstatusen snarast ökat. Det är nästan så att man kan bli misstänksam. Bara här i radion har det gjorts åtskilliga program om denna fotograf efter hans död.Ordet Reporter betyder bära tillbaka. Cartier-Bresson visade USA för fransmännen, Sovjetunionen för amerikanska tidningsläsare, Indien och revolutionen i Kina för världen. Rimligen borde Cartier-Bressons bilder nu vara nästintill bortglömda, men tvärtom ordnas hela tiden nya utställningar, nya böcker ges ut och gamla dåliga kopior säljs dyrt. Vem har förresten en nyhetsbild över soffan? Nej, det som lockar måste vara något annat än gamla fakta. Dags att problematisera århundradets fotograf.Det avgörande ögonblicket, är ett uttryck som tillskrivs Cartier-Bresson om. Fast det var faktiskt inte hans eget uttryck utan en förläggares. Själv talar han om bilder som uppväcker något. Vilket inte hindrat generationer av fotografer att försöka leva upp till Cartier-Bressons perfekta fras och perfekta bilder. Men här talar han om den visuella njutningen, om Tjechov, om bilden är sann eller inte är oviktigt. Han talar som en konstnär, inte som en reporter.Myten om Cartier-Bresson och de andra på bildbyrån Magnum som han var med om att starta 1947 berättar om ett gäng fotograferande Tintin-kusiner på ständiga äventyr. Sedan dess har härskaror med fotografer sökt sig till slagfält, fattigdom, lidande, revolutioner. För dem alla är förebilden HCB. Ingen reste så mycket, stannade borta så länge – ibland i åratal – kom hem så obekymrad. Och med så bra bilder.Antingen har man det eller så har man det inte. Sade Cartier-Bresson om förmågan att ta en bra bild. Fast så enkelt är det ju inte. Här talade han om visuell njutning – inte precis vad fotoreportrar brukar hänvisa till. Senare i livet sade han att teckning som han också ägnade sig åt var eftertanke, medan fotografi var ögonblicklig. Han beskar bilderna i kameran, när de togs, inte i mörkrummet. Bilden skulle vara perfekt från början. Sensualism kombinerades med stränghet.Erkännandet av en ordning, en struktur som finns där framför Dig, talade Cartier-Bresson om. Alltså en nästan akademisk hållning som han tillämpade sekundsnabbt. Det finns ett snapshot av Cartier-Bresson när han står på podiet och ska ta en bild av Martin Luther King som ska hålla sitt berömda tal ”I have a dream”. Cartier-Bresson ser skeptiskt ut. Ler inte, granskar Dr King som om han vore ett föremål.När han granskade yngre kollegers bilder på Magnum snurrade han kontaktkopiorna i handen och såg bilden ur vinklar fotografen aldrig varit medveten om. Och han talade om bildens formspråk, inte om dess innehåll. Han började som målare, slutade som tecknare. Däremellan var han fotograf. Livet är nu och för alltid. Var kom den känslan ur?Henri Cartier-Bresson, föddes 1908, in i en välbärgad släkt. Fadern som var symaskinsfabrikant ville förstås att sonen skulle ta över företaget, men Henri revolterade – ganska lustfyllt tycks det - genom att läsa modern poesi och ägna sig åt teckning. Han praktiserade aldrig hos någon porträttfotograf som så många av hans kollegor gjorde utan gick i flera år på André Lhotes berömda kubistiska målarkurser. Och samtidigt studerade han för en mycket mer konventionell målare, Jacques Emile Blanche känd för sitt fantastiska ungdomsporträtt av Proust. Vilken fotojournalist har idag en liknande utbildning?Några av HCB:s mest älskade bilder har en lite knasig humor. Två gubbar som tittar genom ett hål i ett skynke på ett bygge. En man på en spårvagn i Zürich som har ett gravkors med sig. Jo, visst. Det är ju klassisk surrealism, men så vardaglig att den inte förknippats med surrealismen utan setts som fotoreportage. Det overkliga draget finns också i de berömda bilderna från Mexiko med en prostituerad som tittar ur genom en dörr. Det är både social verklighet och en symbolbild.När nu fotohistorikerna gått igenom HCB:s samlade verk så är en av nyupptäckterna hur nära surrealismen han stod. Ja, HCB var som tonåring, alltså redan innan målarkurserna, med på surrealisternas berömda möten. André Breton brukade säga att Cartier-Bresson samarbetade med chansen.Cartier-Bresson berättar hur Robert Capa, den berömde krigsfotografen, rådde honom att ligga lågt med sin anknytning till surrealismen. Han skulle ta sina bilder som han ville men kalla det fotojournalism.1931 lämnar han surrealisternas Paris och reser till Elfenbenskusten, en ung man på jakt efter äventyr. Där händer någonting. Han blir på allvar fotograf och kommer tillbaka till Europa med malaria men också med en yrkesinriktning.Redan 1933, när han är 29 år kommer de första utställningarna. Det naturliga vore att nu satsa på en karriär som konstnärlig fotograf som t ex Man Ray. Men trots att utställningarna blir fler så ger sig HCB, som han kallades, ut på resor. I New York träffar han den berömde fotografen Paul Strand som lär honom filma. Och tillbaka i Frankrike blir han regiassistent till dåtidens viktigaste franske regissör Jean Renoir. Och gör några småroller i filmerna, leker verklighet.Allt går så lätt, så lätt.Han beundrade Renoir men ville inte berätta om honom. Hos bägge finns en blandning av sinnlighet och klarsyn, nästan cynism. Med åren blev han alltmer fascinerad av porträttuppdrag: en del bilder är verkligen geniala trots att de inte bygger på djup kontakt. Skulptören Giacometti som springer i regnet med en tidning över huvudet. Ezra Pound, vilande i sitt privata nirvana. Henry Miller på stranden i Kalifornien en mörk kväll. Och så bilden av Sartre som liksom stiger ur dimman med sträng klarhet. Den bilden tog han fort, men han stod en och en halv timme framför Ezra Pound utan att tala med honom.I alla porträtten finns Cartier-Bressons kärna: enkelhet, koncentration. När han på 50-talet åkte med Jean Paul Sartre till Moskva och denne högstämt hyllade friheten i Sovjetunionen fotograferade Cartier-Bresson en mans sätt att titta på en kvinna på gatan, några fabriksarbetskor som dansar i overaller, en pojke som håller sin far i handen framför en jättestaty av Lenin med lång skugga.Den indiske filmregissören Satyajit Ray sade att Cartier-Bressons främsta egenskap var att han såg det som förenade människor. Där har vi konsten igen. För nyhetsfotografiet visar det särskiljande, konsten visar det vi kan identifiera oss med. Vad skulle han ha sagt om internets syndaflod av bilder.När majrevolten utbröt i Paris gick så klart Cartier-Bresson ut med sin kamera. En filmfotograf riktade sitt objektiv mot Cartier Bresson som ju var mer känd än dem han fotograferade. Cartier-Bresson som då är drygt 60 ser ut som Tatis filmfigur Monsieur Hulot i ljus rock, smal och gänglig. Och Cartier-Bresson dansar fram med sin lilla kamera, alltid med ett enda objektiv: 50mm. Fram och tillbaka, ut på gatan, bakom folk, tittar över en axel, snor runt tar ett par lätta steg åt ett annat håll. En vadarfågel i rörelse, på väg att stjäla en bild ur ögonblicket. André Breton brukade säga att Cartier-Bresson samarbetade med chansen.Bilden 1937 av några picknickfirare vid en flodstrand. Man nästan hör pastisen slås upp i glasen, vågornas skvalp, fågelsången, klirret av bestick. Det är en bild som sammanfattar hela det franska 30-talet. Cartier-Bresson arrangerade den inte, men han var intresserad av dåtidens politik då alltså semestern var den stora reformen.Allt i bilden sammanfaller, den är så perfekt ut i minsta detalj att den inte går att glömma. Det är en liten essä om ett decennium i enda bild av ett vardagligt ögonblick, kondenserad tid. På sätt och vis kommer han aldrig fram till reportaget. Konsten tar över. Han fotograferar själva vardagen för alla sorters människor precis som impressionisterna målade vardagen i fest och arbete. Andlöst ömt fotograferar han en kvinnas ben på en soffa, ett likbål i Indien.En gång sades det att fotot befriade målarna från att vara detaljerade. När kameran registrerade allt kunde målarna strunta i detaljerna, lämna avbildningen och istället gestalta det de såg. Men sedda i efterhand står det klart att Henri Cartier-Bresson gestaltade snarare än återgav. Hans tusentals bilder är en enda lång hyllning till de oändliga variationerna av människligt liv.Ingenting är förutsägbart, flyttar man på sig bara en liten smula blir det en ny bild, ett nytt liv.Det gäller både fotograf och åskådare./Mikaels Timm SR Kultur The subtitle of the Pompidou Centre's retrospective of the 20th century's best-known photographer could be: Almost Everything You Know About Henri Cartier-Bresson is Wrong. Or, at least, Long Overdue a Rethink.. Henri Cartier-Bresson. Pompidou Centre, Paris. Starts 12 February 2014. Until 9 June 2014. Venue websiteIts curator, Clement Cheroux, has risen to the unspoken challenge that any Cartier-Bresson exhibition now presents: how to shed new light on the life and work of an artist who so defined the medium that yet another celebration of his genius might seem superfluous.

En 'Simple song', el nuevo disco de Sylvain Luc, el guitarrista francés toca en solitario canciones como 'Over the rainbow', de la película 'El mago de Oz', 'Waltz for Debby', de Bill Evans, 'Josie', de Steely Dan, 'Julia', de John Lennon, 'My sweet lord', de George Harrison, y 'Valsa' de João Gilberto. Del disco 'O futuro é mais bonito', de la cantante y compositora brasileña Anna Setton, 'Saudade é pouco', 'Amor e sal' y 'Sweet as water'. Y del disco de la cantante estadounidense Lizzie Thomas 'Duo encounters' clásicos como 'Love for sale' -con el pianista Helio Alves-, 'After you who?' -con el pianista John Di Martino, 'Smile' -con el guitarrista Guilherme Monteiro-, 'Both sides now' -con el guitarrista Ron Affif- y 'Nature boy' -con el percusionista Café-. Abre el trompetista suizo Erik Truffaz con 'Quel temps fait-il à Paris?', de la película 'Las vacaciones de Monsieur Hulot', en su nuevo disco 'Rollin', y despide el guitarrista brasileño Zé Paulo Becker con 'Otro mundo'. Escuchar audio

Canciones de 'Vão' el último disco de Zé Miguel Wisnik: 'O jequitibá' -con la voz de Ná Ozzetti-, 'Chorou e riu' -con Mônica Salmaso-, 'Eu disse sim' -con Celso Sim- y 'Terra estrangeira'. Del nuevo disco del trompetista Erik Truffaz, el cinematográfico 'Rollin', 'La strada', de la película de Fellini, 'Le casse', de la de Henri Verneuil, y 'Quel temps fait-il à Paris?' de 'Las vacaciones de Monsieur Hulot' de Jacques Tati. Mésissa Stylianou canta 'For Chet' -dedicada a Chet Baker-, 'My one and only love' y 'Corcovado'. Abre Pat Metheny con 'From the mountains', de su próximo disco, y cierra otro guitarrista, Grant Green, con su grabación de 'Corcovado' en 1965. Escuchar audio

in aflevering 11 van DVDKast kiest VINCENT BAL drie films: TOTO LE HERO (Jaco Van Dormael, 1991) SOME LIKE IT HOT (Billy Wilder, 1959) LES VACANCES DE MONSIEUR HULOT (Jacques Tati, 1953) Komen ook kort ter sprake: Minoes, The Apartment, Everything Everywhere all at once, ea

"La vita è un grande spettacolo, dice il signor Hulot: basta avere occhi per osservare" Stavolta è il turno di un grande artista che ha voluto esprimere tutto il suo amore per l'arte e il mondo attraverso dei film visionari e poetici. Pellicole in cui l'ordinario spesso diventa straordinario e  dove una società ormai votata al consumismo e alla saturazione può salvarsi solo se ritrova la voglia e il bisogno di guardarsi attorno e rendersi conto di quanta bellezza sta ignorando. Questo è il Cinema di Jacques Tati. Per chiudere la rassegna, ecco a voi un film scritto da Jacques Tati ma mai realizzato dal fu Monsieur Hulot. Ci pensa Sylvain Chomet, regista e autore di "Appuntamento a Belleville", a portare sul grande schermo l'opera postuma di Tati. La storia di un anziano illusionista alle prese con una società in costante evoluzione e alla ricerca di una famiglia smarrita o forse mai conosciuta. Potete trovare "L'Illusionista" qui: https://amzn.to/3njrV2x https://amzn.to/3LgfY5L Link per iscriversi ai servizi di Amazon: http://www.amazon.it/amazonprime?tag=pendente90-21 https://www.amazon.it/music/unlimited?tag=pendente90-21 https://www.primevideo.com/offers/ref=atv_nb_lcl_it_IT?tag=pendente90-21 https://www.amazon.it/kindle-dbs/hz/signup?tag=pendente90-21 http://www.amazon.it/joinstudent?tag=pendente90-21 https://www.primevideo.com/offers/nonprimehomepage/ref=atv_nb_lcl_it_IT?_encoding=UTF8&tag=exampleAssociateStoreID-21?tag=pendente90-21 https://www.amazon.it/tbyb/huc?pf=1&tag=AssociateTrackingID?tag=pendente90-21

On episode #41 of Floating Through Film, we start our new series that was picked by Luke, Jacques Tati! After Luke tells us why he picked Tati for this series, and asks the other guys some of their opinions on Tati, we jump right into reviewing the picks for week 1, 1949's Jour de fête (6:31), and 1953's Monsieur Hulot's Holiday (41:00). We hope you enjoy! Movies We're Reviewing Next Week: Mon Oncle (1958) + Playtime (1967) Music: - Intro from Monsieur Hulot's Holiday (https://www.youtube.com/watch?v=H7FkgYphU8A&ab_channel=AlainRomans-Topic) - Outro from Jour de fête (https://www.youtube.com/watch?v=c8kc6YuKZuI&ab_channel=JeanYatove-Topic) Hosts: Luke Seay (https://letterboxd.com/seayluke/), Blake Tourville (https://letterboxd.com/blaketourville/), and Dany Joshuva (https://letterboxd.com/djoshuva/)

On episode #40 of Floating Through Film, we're recapping our 2022 year in film! We have returning guest Bryan joining us to discuss each of our independent journeys through film this year with a few different questions. We start the episode talking about our top 10 first watches of 2022 (1:10), then move to each of our picks for worst movie of 2022 (1:25:27), our top 3 movies from 2022 (1:40:52), before ending by taking a stroll through our Letterboxd stats of 2022 to see what we find (2:08:08). We hope you enjoy! Series We're Starting Next Week: Jacques Tati ( Jour de fête (1949) + Monsieur Hulot's Holiday (1953) ) Music: - Intro from Early Summer - Outro from Goodbye Dragon Inn (https://www.youtube.com/watch?v=B9kVebphJFM&ab_channel=YaoLee-Topic) Hosts: Luke Seay (https://letterboxd.com/seayluke/), Blake Tourville (https://letterboxd.com/blaketourville/), and Dany Joshuva (https://letterboxd.com/djoshuva/) Guest: Bryan Ray (Letterboxd: https://letterboxd.com/realdrmovienews/, Twitter: https://twitter.com/DRMovieReview)

"La vita è un grande spettacolo, dice il signor Hulot: basta avere occhi per osservare" Stavolta è il turno di un grande artista che ha voluto esprimere tutto il suo amore per l'arte e il mondo attraverso dei film visionari e poetici. Pellicole in cui l'ordinario spesso diventa straordinario e dove una società ormai votata al consumismo e alla saturazione può salvarsi solo se ritrova la voglia e il bisogno di guardarsi attorno e rendersi conto di quanta bellezza sta ignorando. Questo è il Cinema di Jacques Tati. Destinato alla televisione e poi distribuito nelle sale, "Monsieur Hulot nel caos del traffico" è l'ultimo lungometraggio cinematografico di Tati e l'ultimo appuntamento organizzato tra gli spettatori e il sempre candido Hulot, stavolta integrato nella società che lui stesso faticava a comprendere ma sempre simpatico.

"La vita è un grande spettacolo, dice il signor Hulot: basta avere occhi per osservare" Stavolta è il turno di un grande artista che ha voluto esprimere tutto il suo amore per l'arte e il mondo attraverso dei film visionari e poetici. Pellicole in cui l'ordinario spesso diventa straordinario e dove una società ormai votata al consumismo e alla saturazione può salvarsi solo se ritrova la voglia e il bisogno di guardarsi attorno e rendersi conto di quanta bellezza sta ignorando. Questo è il Cinema di Jacques Tati. Tati dirige il suo secondo lungometraggio e introduce al cinema il suo personaggio più noto ovvero quel candido e maldestro Signor Hulot che diventerà poi il suo alter ego nei film successivi. "Le vacanze di Monsieur Hulot" è una sorta di punto di svolta nella carriera cinematografica di Tati. Possiamo scorgere ancora l'ironia bizzarra di "Giorno di Festa" ma emerge già quel "bisogno" da parte di Tati di criticare certi vizi e tic della società (allora come ora) contemporanea. Il risultato è "Le vacanze di Monsieur Hulot", simpatica scampagnata con Hulot alle prese con una "rilassante" trasferta, lontano dal caos dell'autostrada e dal grigiore della metropoli.

We're finally at one of our favorite times of the year. A season finale episode! Bad movie review! Well according to Ebert at least as we discuss a now Carpenter Classic and Apocalypse Trilogy member Prince of Darkness. Then we give out "silly" and "serious" awards for the movies we discussed in this last season of the show including The Maltese Falcon, Manhattan, McCabe and Mrs. Miller, Metropolis, Monsieur Hulot's Holiday, My Darling Clementine, Vivre Sa Vie, Nashville, and Network.

Tras conseguir un gran éxito y una obra magistral con Mon Oncle (1958), Jacques Tati trabajó durante casi una década en la que sería su declaración definitiva: Playtime, un "filme summa" que no sólo representa la culminación del trayecto de Monsieur Hulot, sino que además aloja las muy diversas inquietudes de su creador. Los mil y un pormenores de la vida en comunidad, los supuestos y consecuencias del desarrollo urbano, la creciente tecnologización del siglo XX y la consiguiente homogeneización que ésta acarrea en los más diversos ámbitos de la modernidad. Los requerimientos de un manifiesto de este tamaño y esta ambición eran enormes —de partida, fue necesario que el realizador construyese sus propios sets, Tativille—, lo suficiente para hacer de la empresa misma un fracaso, uno que se ha redimido con las décadas en la medida que Playtime ha ido convirtiéndose en una de las obras maestras absolutas, ya no de la historia del cine, sino del arte de occidente. De eso y más se habla en esta podcast.

Monsieur Hulot's Holiday (1953) directed by Jacques Tati. When the ever-hapless Monsieur Hulot (Jacques Tati) decides to vacation at a beautiful seaside resort, rest and relaxation don't last long, given the gangly gent's penchant for ridiculous antics. While simply out to enjoy himself, the well-meaning Hulot inevitably stumbles into numerous misadventures, including an utterly disastrous attempt at playing tennis, as he encounters fellow French vacationers from various social classes, as well as foreign tourists. This is The Recommendation Game, a bi-weekly podcast where two film lovers take turns to recommend a film the other has not seen, they watch and then skype to discuss it. Spoilers are a given. We are Ricardo Deakin and Orla McNelis, two filmy types who love waffling. Catch us on Dublin Digital Radio every second Monday: listen.dublindigitalradio.com/home Follow us on Twitter: twitter.com/therecgame Like us on Facebook: www.facebook.com/therecommendationgame/

BONJOUR! This week, Streaming roulette gave us a sign that it was time for a double feature! Join us this week as we discuss TWO Jacques Tati films starring his character, Monsiuer Hulot! The films featured are "Monsiuer Hulot's Holiday", and "Mon Oncle"! http://www.KeystoneFilmReview.com Instagram: @Keystone_Film_Review Twitter: @Keystone_Film Facebook: Keystone Film Review Letterboxd: @MikeKFR & @GlenKFR TikTok: KeystoneFilmReview https://www.youtube.com/c/KeystoneFilmReview Find out more at https://keystone-film-review.pinecast.co

To do this movie we should've just done a mostly silent, non-sequitur strewn podcast but instead we just couldn't talk enough about how much we loved this film. Tati incoming.

"Playtime", le 4e film de Jacques Tati, est un film monument, poétique et drôle, interrogeant notre rapport à la modernité, à lʹuniformisation. Il sort en 1967, monté et remonté, élagué, décrié, ressorti en juillet 2004 en version restaurée et enfin acclamé. Ce sera sa renaissance après 30 ans de quasi oubli. Frappé de désamour en 1967, ce film a brisé la carrière de Jacques Tati. Trop lourd, trop cher, trop tout, le film est dʹune ambition extrême car le réalisateur crée une ville entière à Joinville et tourne en 70 mm, un format habituellement réservé aux westerns. Le tournage est long. Trop long, les décors sont abimés. Tati y met toute sa fortune, sʹaccroche, sʹépuise et épuise son équipe. Le film est un échec commercial. La critique lʹégratigne. Peut-être que lʹon reproche à Jacques Tati de nʹavoir pas refait simplement une suite aux "Vacances de Monsieur Hulot". Pourtant, "Playtime" propose de rire et de sourire dans un univers de béton où lʹhumain semble se perdre dans un monde quʹil a lui-même construit. La poésie surgit au coin dʹun labyrinthe kafkaïen de buildings, là où son personnage de Monsieur Hulot peut semer le chaos. "Playtime" est un chef-dʹœuvre, de minutie, de malice, de drôlerie. Tout y pensé, réfléchi, avec ce quʹil faut de touche dʹabsurdité et de pas de côté. Lʹhumour explose en paillette dans des décors soignés et criants de modernité. Ne tardons plus, un groupe de touristes américains vient dʹarriver à Orly pour visiter Paris. Cʹest comme ça que débute le film de Tati et cʹest comme ça que nous débutons cette émission. REFERENCES David BELLOS, Jacques Tati ; sa vie et son art, Seuil, 2002 Un CD dʹarchives sonores: Les Grandes heures INA / Radio France, Jacques Tati, un Comique de Vocation, préface Serge Toubiana, 2009 EDE, François et GOUDET, Stéphane, Playtime, Editions Cahiers du cinéma, 2002

On Episode #14 of Floating Through Film, we take another break before starting our next series. The idea behind this episode is that each one of us picked a SILENT movie we wanted to talk about. The plan is to use this format for future break episodes as well, for different kinds of subjects we can think of. We start with Dany's pick, 1926's The Adventures of Prince Achmed (1:26), then Blake's pick, 1926's A Page of Madness (17:03), before concluding with Luke's pick, 1928's The Cameraman (35:43). We hope you enjoy! *We say on the episode that Keaton's film was just titled "Cameraman", but it is in fact actually titled "The Cameraman". Movies We're Reviewing Next Week: Red Beard (1965) and Titane (2021) Music: - Intro from Early Summer - Outro from (Monsieur Hulot's Holiday) Hosts: Luke Seay (https://letterboxd.com/seayluke/), Blake Tourville (https://letterboxd.com/blaketourville/), and Dany Joshuva (https://letterboxd.com/djoshuva/)

The Saga of Jacques Tati continues as Zach and Sterling indulge in the delight, genius, and comic artistry found at Saint-Marc-sur-Mer with a look at 1953's 'Les Vacances de Monsieur Hulot' (Monsieur Hulot's Holiday).

The Saga of Jacques Tati continues as Zach and Sterling indulge in the delight, genius, and comic artistry found atContinue reading(Preview) Tour de Tati- Chapter 2: Les Vacances de Monsieur Hulot (Monsieur Hulot's Holiday) (1953)

It's the most wonderful time of the year: Let's cozy up inside with our favorite movies. Whether you watch “Home Alone” every year or you insist “Die Hard” is actually a Christmas movie, our favorite movies can bring family and friends together for the holiday season and can be a source of comfort during the cold and dark winter.  MPR News host Angela Davis talks with MPR's Cube Critics, Euan Kerr and Samantha Matsumoto, about what makes a great holiday movie, their personal favorites and what else is on their end-of-year watch list.  And we hear from our critics listeners about some of their favorite holiday movies. Here's some of what listeners recommended: “It's A Wonderful Life” “Gremlins” “Operation Christmas Drop” “The Hebrew Hammer” “Eight Crazy Nights” “Fiddler on the Roof” “Last Holiday” “The Bishop's Wife,” and its remake, “The Preacher's Wife” “The Muppet Christmas Carol” “Christmas in Connecticut” “Love Hard” “Single All The Way” “The Sound of Music” “Mr. Magoo's Christmas Carol” “The Polar Express” “While You Were Sleeping” “The Lion In Winter” “Jingle Jangle” “Anna and the Apocalypse” The O.C.'s “Chrismukkah” episodes “Monsieur Hulot's Holiday” “Emmet Otter's Jug-Band Christmas” “Black Christmas” “Harry Potter” series Seinfeld episode “The Strike,” which popularized Festivus “A Christmas Wish In Hudson” Guests:  Euan Kerr is a correspondent for MPR News and the co-host of MPR's Cube Critics. Samantha Matsumoto is an associate producer for MPR News with Angela Davis and co-hosts Cube Critics.  Subscribe to the MPR News with Angela Davis podcast on Apple Podcasts, Google Podcasts, Spotify or RSS. Use the audio player above to listen to the full conversation.

Si WhatsApp explose, il restera toujours du papier et un timbre. La lettre timbrée sʹadresse à lʹune ou lʹautre des personnalités qui font et défont lʹactualité. Avec lʹintimité que suppose une telle formule, Manuella Maury lève lʹencre et rejoint le large. Cette semaine elle sʹadresse au Monsieur Hulot gardien de la tendresse, celui de Jacques Tati.

durée : 00:03:16 - Le billet de Sophia Aram - par : Sophia Aram - Ah Nicolas, Yaël, je ne sais pas ce que vous faites quand votre petit cœur se sert devant l'immensité de l'univers ?

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After many attempts of conjoining in person yet again, a mutual love of the French comic auteur and his gargantuan masterwork PlayTime have reunited our two cohosts for an in-person discussion of their various misadventures throughout the day, as well as the setting and spectacle of Tati's grandiose playground for his signature Monsieur Hulot character. Tati's recurring themes about the oppressive reach of modernist design and technological advancements reach skyscraper-like heights in this epic farce, at the time the most expensive film made in France. The meticulous detail of Tati's eye vigilantly crafts every detail in every frame, capitalizing on every moment as an opportunity for social satire and absurdist romp. We talk about all the big moments that make an audience roar, as well as the small jokes that illicit a constant chuckle. But most of all, we zero in on what makes Tati's comedy so universal, to such a point where a cacophony of languages are heard throughout the film with nary a sign of a subtitle to translate, much to the surprising benefit of the overall piece. On top of all that, we recount the wonderful day we shared together, from Calvin's unfortunate brush with the law to the latest videogames we're eagerly anticipating the return of the Daydreamcast for proper discussion, not to mention the time we had tearing up the town at the various arcades and restaurants we visited before moseying our way over to the historic Hollywood Theater for an incredible cap on our raucous night out. All of this and more from your independent resource on classic and contemporary cinema.Timestamps:00:00: Back Together Again!00:45: Calvin's Brush with The Law02:33: Uhh this isn't the Daydreamcast?04:29: Calvin Comes to Town/The Cultural Allures of the Big City09:35: Crying about Cry Macho, Neo-Westerns vs Modern Westerns, The 2020 Oscars?12:55: An exclusive look at the first trailer for Paul Thomas Anderson's Licorice Pizza17:24: Arcade Escapades29:11: Introducing the Hollywood Theater36:39: PlayTime

Greg screens Jacques Tati's 1953 comedy "Monsieur Hulot's Holiday."

Julien Comelli fait entrer le soleil dans les salles obscures, grâce à sa sélection de 8 films ayant lʹété pour vedette. Lʹété pas seulement décor, mais personnage à part entière de ces longs métrages nous racontant lʹépoque à travers lʹintrigue. Pour ce 1er épisode, un classique de 1953, "Les Vacances de Monsieur Hulot", deuxième long métrage réalisé par Jacques Tati, qui marquait aussi et surtout la première apparition de son double cinématographique.

Historiquement Vôtre réunit 3 personnages dont le nom est à jamais associé à la pipe : le peintre surréaliste René Magritte qui a une pipe. Même s'il a lui-même écrit sur son tableau “Ceci n'est pas une pipe”. Oui, c'est vrai, c'est un tableau! Puis le cinéaste de génie Jacques Tati qui a mis une pipe dans la bouche de son héros délicieusement suranné, Monsieur Hulot, qu'il a lui même incarné, pour montrer une certaine candeur face à la modernité... Et un homme qui fume la pipe (oui oui!) dont une pipe a fait partir sa carrière politique en fumée : Dominique Strauss-Kahn.

Le marché de la résidence secondaire connaît un véritable emballement, notamment sur le littoral français. Pour « La Story », le podcast d'actualité des « Echos », Pierrick Fay et ses invités expliquent les raisons de cet engouement retrouvé pour la maison de campagne, née à la faveur des trente glorieuses avant d'être boudé dans les années 1980 au profit des voyages organisés.La Story est un podcast des « Echos » présenté par Pierrick Fay. Cet épisode a été enregistré en juin 2021. Rédaction en chef : Clémence Lemaistre. Invités : Elsa Dicharry (journaliste Immobilier aux « Echos ») et Loïc Boilevin (gérant chez Pierres et mer). Réalisation : Willy Ganne. Musique : Théo Boulenger. Identité graphique : Upian. Photo : Stephen Farhall/Shutterstock. Sons : « Les vacances de Monsieur Hulot » (1953), Ina, Patachou « Le Bricoleur », « Blanche-Neige et les Sept Nains » (1937), Gilles Servat « Me zo ganet é kreiz ar mor », Kent « Allons z'à la campagne ». See acast.com/privacy for privacy and opt-out information.

The “Cinephile Cuties” are ready to bump into walls. That's because they're chatting about Jacques Tati's Playtime. Patrick has to eat crow for saying he did not want to watch this movie. And Casey and Patrick reminisce about the early days of Netflix. Plus, the Cuties put the film through their proprietary Fartsy Test. And Patrick recommends a drink pairing. If you'd like to support Casey and Lucé's short film Surprise! click HERE!If you like this show, tell a friend!If you'd like to sponsor the show, Venmo Patrick at Patrick-Mallon$10 for episode sponsorship$25 for sponsorship AND the boys will imbibe a drink of your choosing.Follow Farthouse on Twitter and InstagramFollow Patrick and Casey and on TwitterAnd follow Patrick and Casey on Letterboxd

“Usimages 2021”Biennale de la photographie industriellesur les communes du territoire de l'Agglomération Creil Sud Oisedu 17 avril au 20 juin 2021Interview de Fred Boucher, co-directeur de Diaphane et direction artistique d'Usimages, biennale de la photographie du patrimoine industriel,par Anne-Frédérique Fer, enregistrement réalisé par téléphone, entre Paris et Clermont-de-l'Oise, le 2 juin 2021, durée 28'44, © FranceFineArt.Extrait du communiqué de presse :Commissariat par L'équipe Diaphane, Pôle photographique en Hauts-de-France, Fred Boucher, Direction artistique.Usimages, biennale de la photographie du patrimoine industriel, est organisée par l'Agglomération Creil Sud Oise (ACSO) et programmée et mise en oeuvre par Diaphane, pôle photographique en Hauts-de-France.Ce printemps, 13 expositions sont présentées en plein air dans les communes et invitent ainsi les habitants à une déambulation photographique à la découverte du territoire.Cette biennale est un temps fort qui met en valeur la photographie industrielle contemporaine et revisite des fonds photographiques issus de diverses collections, avec la volonté de questionner le regard des photographes sur le monde du travail et sa représentation.Fil rouge de cette édition, la thématique « Santé et sécurité au travail » est apparue comme une évidence dans cette période impactée par la crise sanitaire.Elle se décline à travers les photographies issues du fonds photographique de l'Institut national de recherche et de sécurité pour la prévention des accidents du travail et des maladies professionnelles (INRS), qui accompagne depuis 1947 les entreprises du régime général de la Sécurité sociale dans la prévention des risques au travail. En se plongeant dans ces images, on découvre l'évolution des conditions de travail issues de décennies d'automatisation. Des métiers disparaissent et l'iconographie nous présente ces bouleversements. En pénétrant dans les entreprises, les photographes ont réalisé des images à destination de la prévention, qui ont gagné au fil du temps en valeur historique et documentaire.Les photographies industrielles d'Émeric FEHER (1904-1966), conservées au Pôle images du Centre des monuments nationaux, révèlent une certaine approche commerciale des années 50 et 60. À travers des reportages très complets, suivis sur plusieurs années, le photographe était très attentif à la construction de son récit, qui se doit de documenter l'ensemble des process de production des entreprises commanditaires.On note chez FEHER une réelle attention à la mise en scène des corps en situation de travail. Les attitudes parfois stéréotypées répondent aux attentes d'une société en pleine reconstruction, où l'apologie de la modernité passe par ce type d'iconographie.De l'autre côté de l'Atlantique, un partenariat avec le Musée McCORD, musée d'histoire sociale de Montréal, permet de présenter les archives photographiques réalisées par plusieurs studios de photographes professionnels au début du XXe siècle. L'exposition « Montréal au travail » offre un panorama des différents métiers implantés dans le quartier Ville-Marie de la métropole québécoise.Le fonds de la société Créations artistiques Heurtier, conservé au Musée de Bretagne, est significatif d'une production d'images industrielles à destination commerciale. Réalisées par des opérateurs salariés, les photographies faites à la chambre moyen format sont d'une très grande qualité et magnifient l'objectivation des sujets photographiés.Les images semblent habitées de chuchotements et de bruitages étranges, et la présence des salariés mis en scène dans ces architectures des années 70, évoque les univers aseptisés et anonymes que traverse Monsieur Hulot dans le film « Playtime » de Jacques Tati.L'exposition collective « Au bureau », rassemble les photographies contemporaines de Julien BENARD, Laurent GÉLISE, Yannick LABROUSSE, et les images d'Émeric FEHER et du Fonds Bernard HEURTIER. Cette traversée d'un siècle d'espaces de travail nous éclaire sur les relations hiérarchiques induites par ces lieux où s'exercent la conception, la gestion et l'administration de multiples projets.La biennale reste ouverte sur le monde et sur les conditions de travail. Ioana CÎRLIG, dans sa série « Post Industrial Stories / The Last Shift » dépeint la classe ouvrière roumaine à la dérive dans un bassin houiller en mutation. Ces images ne sont pas sans nous rappeler le sort du bassin minier du Nord et de son secteur industriel.Dans le cadre des partenariats internationaux, Kaunas Photo festival (Lituanie) présente la série « LDPE, Polyéthylène à basse densité » d'Eugenijus BARZDŽIUS réalisée dans une des plus grandes usines de retraitement des déchets plastiques de Lituanie. Il y photographie les lieux et les outils de production qu'il associe à des portraits d'ouvriers mis en scène et habillés de plastique.Le festival Photolux (Italie) propose « Contingency Plans » (Plans d'urgence) du photographe Mattia BALSAMINI. Une plongée dans ces entreprises italiennes, qui au lendemain du confinement, ont bouleversé leur organisation et se sont réinventées pour faire face à la pandémie de la Covid-19.Dans cette période qui nous pousse à repenser l'organisation du travail, et aussi notre manière de consommer, le projet collectif « On n'est pas des robots. Ouvrières et ouvriers de la logistique » de Cécile CUNY, Nathalie MOHADJER et Hortense SOICHET nous invite à découvrir les conditions de travail et de vie des manutentionnaires de la logistique.Enfin, chaque édition d'Usimages est l'occasion de perpétuer les résidences dans les entreprises de l'Agglomération Creil Sud Oise, afin de contribuer à la construction d'une mémoire des activités du territoire.Cette année, deux jeunes photographes, Morgane DELFOSSE et Lucas CASTEL, tous deux issus de l'école du Septentecinq de Bruxelles, auront une carte blanche dans les quatre entreprises ayant accepté de participer à cette aventure.Le programme : Pour cette 4ème édition, 13 expositions gratuites et ouvertes à tous s'installent en extérieur dans les villes de Cramoisy, Creil, Maysel, Montataire, Nogent-sur-Oise, Rousseloy, Saint-Leu d'Esserent, Saint-Maximin, Saint-Vaast-lès-Mello, Thiverny et Villers-Saint-Paul.MONTATAIRE – Eugenijus BARZDŽIUS / LDPE – Polyéthylène à basse densitéROUSSELOY – Mattia BALSAMINI / Contingency PlansMAYSEL – Cécile CUNY, Nathalie MOHADJER, Hortense SOICHET / On n'est pas des robots. Ouvrières et ouvriers de la logistiqueTHIVERNY – Ioana CÎRLIG / Post Industrial Stories / The Last ShiftSAINT-MAXIMIN – Julien BENARD, Émeric FEHER, Laurent GÉLISE, Yannick LABROUSSE / Au bureauSAINT-VAAST-LÈS-MELLO – Lars TUNBJÖRK / OfficeVILLERS-SAINT-PAUL – INSTITUT NATIONAL DE RECHERCHE ET DE SÉCURITÉ / Sécurité, l'affaire de tousSAINT-LEU-D'ESSERENT – Émeric FEHER / Reportages industrielsNOGENT-SUR-OISE – La société Créations artistiques HEURTIER (1961-1978)CRAMOISY – Montréal au travailCREIL – Lucas CASTEL, Morgane DELFOSSE / Carte blanche en entreprise Voir Acast.com/privacy pour les informations sur la vie privée et l'opt-out.

Filmexperte Knut Elstermann präsentiert drei Sommerfilme, die auf verschiedenen Streaming-Plattformen zu sehen sind: "Die Ferien des Monsieur Hulot", "Stand By Me – Das Geheimnis eines Sommers" und "Fridas Sommer".

Les vacances de Monsieur Hulot. Monsieur Hulot's Holiday - Vocabulary. A tennis lesson and more by Mr Hulot in this 1953 French classic movie M. Hulot's Holiday, with Jacques Tati. Don't miss that movie if you have a chance. Giggles the whole way. Watch, laugh, write and improve your French vocabulary and grammar. Check your answers in the lesson. The post Les vacances de Monsieur Hulot appeared first on French Hour.

Les vacances de Monsieur Hulot. Monsieur Hulot's Holiday - Vocabulary. A tennis lesson and more by Mr Hulot in this 1953 French classic movie M. Hulot's Holiday, with Jacques Tati. Don't miss that movie if you have a chance. Giggles the whole way. Watch, laugh, write and improve your French vocabulary and grammar. Check your answers in the lesson. The post Les vacances de Monsieur Hulot appeared first on French Hour.

Les vacances de Monsieur Hulot. Monsieur Hulot's Holiday - Vocabulary. A tennis lesson and more by Mr Hulot in this 1953 French classic movie M. Hulot's Holiday, with Jacques Tati. Don't miss that movie if you have a chance. Giggles the whole way. Watch, laugh, write and improve your French vocabulary and grammar. Check your answers in the lesson. The post Les vacances de Monsieur Hulot appeared first on French Hour.

Maybe because it’s the debut of M. Hulot, LES VACANCES DE MONSIEUR HULOT (MR. HULOT’S HOLIDAY) isn’t quite as consistent, coherent, or radical in its messaging as MON ONCLE (1958). What it IS, however, is a string of great bits and vibes from the French coast. In this episode, we run down our favorite gags from the film, discuss how it distills the bizarre experience of vacationing, ponder its use of sound to show silent film jokes, and spend more than the usual amount of time talking about Mario Tennis. Support organizations fighting for the survival and protection of Minnesota’s marginalized communities: -DocumentingMN https://www.paypal.com/paypalme/documentingmn -Minnesota Freedom Fund https://mnfreedomfund.org/ -Take Action MN https://takeactionminnesota.org/donate/ Follow us on Twitter at https://twitter.com/trylovepodcast and email us at trylovepodcast@gmail.com to get in touch! Buy tickets and support the Trylon at https://www.trylon.org/. Theme: "Raindrops" by Huma-Huma/"No Smoking" PSA by John Waters. Music: “How is the Weather in Paris” by Alain Romans from the LES VACANCES DE MONSIEUR HULOT soundtrack. 3:45 - The patented Aaron Grossman Summary 5:32 - Jason’s thoughts 7:22 - Cody’s thoughts 10:51 - Harry’s thoughts 14:39 - Aaron’s thoughts 18:35 - Our favorite bits 35:36 - Where VACANCES lives in MON ONCLE’s shadow 42:24 - Using sound alongside traditional silent film gags to create something new 57:29 - M. Hulot’s tennis sins 1:07:57 - Cody’s Noteys (Trylibs: Holiday)

Monsieur Hulot is a car designer who takes a chaotic journey to an auto-show in Amsterdam to show off his prototype in this comic film from 1971. It's the last of Jacques Tati's films to feature Hulot, whose name is said to be inspired in part by the French name for Charlie Chaplin's character in The Tramp - Charlot, and whom Rowan Atkinson has cited as an influence on his comic creation Mr Bean. Matthew Sweet discusses Jacques Tati with fellow film historians Adam Scovell, Muriel Zagha and Phuong Le. Producer: Torquil MacLeod In the Free Thinking archives you can find Matthew discussing other classics such as Charlie Chaplin's City Lights https://www.bbc.co.uk/programmes/b03vd853 the career of Billy Wilder and his film Fedora https://www.bbc.co.uk/programmes/m000p1dx Laurel and Hardy's The Music Box https://www.bbc.co.uk/programmes/m0001xwd A long interview with Kevin Brownlow about restoring silent film classics https://www.bbc.co.uk/programmes/b07z7bn4

Who is ‘The Illusionist’ (2010)? Is he a magician, bringing small miracles to life for the entertainment of a willing audience? Is he an old man, watching the world pass him by? Is he the guilt of an artist who put their craft before all else? In this case, anyway, he is not Edward Norton, Christian Bale, or Hugh Jackman. He is Jacques Tati, Monsieur Hulot himself, a character playing a character across a watercolor Europe. Created from Tati’s previously unproduced script, ‘The Illusionist’ is a beautiful and melancholy tale about time, growing up, and the relevance of rabbits. The story behind the story is a sad one, a tale of regret and pain. From that place came the inspiration for an exquisitely rendered journey from Paris to Scotland. Edinburgh has never looked more lovely and wistful. We continued our Tati twofer to see if his unmistakably visual humor translated into another medium as well as we expected. Did the creative minds behind ‘The Triplettes of Belleville’ (2003) pull it off? Tune in and see. --- Send in a voice message: https://anchor.fm/framesandfools/message

On this episode of They Live By Film, Adam, Chris and Zach talk about the cultural and historical relevance of Tati's Monsieur Hulot's Holiday, the positives and negatives of Bill Plympton's exploitation animation, Revengeance, as well as our top physical releases of 2020. Don't forget to join is every Friday at https://www.reddit.com/r/criterion/ to choose and talk about what films we watch. Adam's Letterboxd: https://letterboxd.com/TheOwls23/ Zach's Letterboxd: https://letterboxd.com/dharmabombs/ Chris' subreddit: https://www.reddit.com/r/personalhistoryoffilm/ Twitter: @theylivebyfilm

Slapstick French film that is a good escape. --- Send in a voice message: https://anchor.fm/tv-guyd/message

After taking a seasonal reprieve ourselves, we return with a lighthearted examination of Jacques Tati's famous comic outing which catapulted the indelible image of his beloved Monsieur Hulot character into the public sphere. Tati goes bananas in Monsieur Hulot's Holiday, a beach-themed comedy delight which sees Tati and his famously fumbling character get up to many antics while trying to relax on the beautiful French seaside. Hulot is a fully realized and expressive character in this first venture: curious and clumsy, chaotic but not destructive, and overall warm and endearing. His personality is a constant delight, mixing together the performative creativity of Tati's ingenious physicality and the cinematic tool of conscious sound design to build upon what similar vaudevillian artists had so exquisitely defined in the heights of the silent era. Monsieur Hulot's Holiday is a dreamy getaway in its own right; a pastoral portrait of a captivating locale with the relaxing and humorous qualities of Tati's captivating titular character carrying us through each memorable scene and story along the way. Timestamps: 0:00: Review of the U.S. Election 19:18: DOC NYC 2020 Festival 30:48: California Dreamin’ & Campin’ 37:50: Monsieur Hulot’s Holiday

Ecoutez David Merveille au micro d'Edmond Morrel"Monsieur Hulot s'expose" : un livre et une exposition

Mike is joined by architecture enthusiast Caitlin Dippo to discuss the buildings that make up the 1967 film PLAYTIME and the characters that occupy them! Hear them discuss their favorite moments of physical comedy from Jacques Tati's Monsieur Hulot character as well as other absurd and surreal works of art this film reminds them of.

Jacques Tati's masterpiece, 1967's Playtime, is an extraordinarily ambitious work of visual comedy and social satire. Mike's been keen to see this for fifteen years or more, knowing of its reputation for detailed visual design and the 70mm cinematography that shows it off, waiting for the right moment. José, when Mike suggests we watch it, thinks he's seen it many years ago, but soon realises he was probably thinking of Monsieur Hulot's Holiday, Tati's rather more charming comedy of fourteen years prior, so it takes him a while to get into Playtime's rather more offbeat gear. And he is ultimately a little cold to the film, though not immune to its appeal and pleasures, while Mike loves it unconditionally. In a somewhat alternate, near-future Paris, the plot, such as it is, follows two characters: Monsieur Hulot, the character Tati played in several films, as he stumbles through a France he finds unfamiliar and devoid of humanity; and Barbara, an American tourist visiting the city. In approximately six fairly distinct vignettes, Tati explores a vision of a consumerist, modern, and alienating Paris, the Eiffel Tower, symbolising the warm, cosy Paris of old, a long way away, merely a distant feature on the horizon or a reflection in a window. It's an attitude for which José has little sympathy, though Mike suggests that the development of the final scene, a kind of funfair around a traffic jam, can be seen as a synergy of the traditional and modern, and finds it moving. There's a huge amount to discuss, including the design and execution of the jokes; the impossible scale of the set, nicknamed 'Tativille' and whose astronomical cost would ruin Tati, who was forced to file for bankruptcy; to what other films, if any, it can be compared; the visual design, cinematography, choreography, and colour; the use of nationality, particularly American; and how the film might play differently today compared to upon its initial release - Mike arguing that it may have anticipated changes to the real world that would later materialise, such as the cubicle office, whose familiarity to us diminishes the otherworldliness we might otherwise feel. Playtime is a significant work of satire and well worth seeing, particularly given its beautiful restoration in 2014. Don't miss it for fifteen years. Don't be Mike. Recorded on 9th October 2020.

On this episode of Cinema Dual, Jon and Chris talk about a pair of animated films.Movies Discussed: Rango, The Triplets of BellevilleRecommendations : The Illusionist, Playtime, Mon Oncle, Monsieur Hulot's Holiday (Chris), Who Framed Roger Rabbit, The Tale of Princess Kaguya  (Jon)Follow us on Twitter: @jonmichaelnoise @cmvoss042

Bennett and Shane say goodbye to Monsieur Hulot and discuss Jacques Tati’s penultimate film, 'Trafic.' Trafic is often considered one of the great director’s “minor” works. While it’s definitely not PlayTime, the Reel Rap boys find a lot to love in his penultimate film. Does the film validate Bennett’s fear of driving? Is Shane a certified gearhead? You’ll have to listen to find out! Original Reel Rap theme music by John Lettieri.

durée : 00:04:36 - La chronique de Thomas Croisière - Confiné avec mes deux ex-vacanciers, je leur propose chaque soir la Séance de Thomas Croisière et hier, c’était...

Legendary French comic Jacques Tati takes the hot seat for Reel Rap's first season on an international actor-turned-director. In the Season 7 premiere, the Reel Rap boys are sending good vibes your way. Sick of living in a DeLillo novel? Listen to Shane and Bennett discuss legendary French funnyman Jacques Tati and his signature brand of whimsy. This week, they’re slathering on the zinc oxide and pouring up a hot white wine to talk Monsieur Hulot’s Holiday. The film, Tati’s second feature, introduced the director to a wider audience and welcomed his signature character into the world. The boys break down Tati’s intricate gag construction and the hard work that goes into relaxing. A comedy duo straight out of William Penn’s backyard, Bennett Glace, an adult Disney fan, and Shane Pfender, an ordained minister, have for years lent a critical eye to Hollywood’s most tedious auteurs. They are a comedy duo for film snobs and slobs alike. Exhausted by the current uninspired landscape of film criticism, the two work to find a new language with which to understand and interact with the films they cover on their inimitable podcast, Reel Rap.

In questa puntata: Fabrice Luchini critico letterario che indaga, insieme alla figlia del presunto scrittore, sul vero autore di un bestseller-rivelazione trovato in una biblioteca di testi mai pubblicati, il tutto in una commedia gialla ad alta godibilità. Poi, il Monsieur Hulot di Jacques Tati alle prese con una straordinaria automobile da presentare a una fiera... traffico permettendo, nell'ultimo film in cui compare l'iconico personaggio, che questa volta si fa improbabile progettista guidandoci in una satira gentile ma chiara del culto della tecnologia, del "progresso" e dell'auto.

We´re out with a bang!!! Zur Silvesterepisode haben wir Knalltüten uns wiederholt unseren Homie David vor das Mikro gezogen, und der durfte berichten welche der über 10000 Filmen aus seiner Sammlung neulich im Player gelandet sind. Die Ur-Bewegtbildbanausen Lee und Guess bringen natürlich auch frisch Gelunztes aus der Serienwelt und dem Filmuniversum mit. Neben sonstigen interessanten Abschweifungen gibts als Finale nochmal unsere persönlichen Top 5 in Sachen Heimkino. Rutscht gut und munter rein, wir sehen uns im frischen, neuen Jahrzehnt mit Klanghölzern, Triangeln und Kränkungen par excellence! https://bewegtbildbanausen.podigee.io/31-filme-serien-episode-15 Timecodes: (00:00:00) Verspätete Aprilscherze, Geschenke und Gegendarstellungen (00:25:48) Snowman´s Land 2010 (00:53:38) My Father, Die 2016 (01:02:40) The Morning Show 2019- (01:18:40) Powerman 1-3 1984-1985 (01:31:10) Star Wars Rebels 2014-2018 (01:43:37) Die Ferien des Monsieur Hulot 1953 (01:53:43) Don´t Forget The Driver 2019 (02:01:53) Anchorman 1 & 2 2004 + 2013 (02:20:39) Marriage Story 2019 (02:41:48) Anna 2019 (02:56:00) Statistiken, Zahlen und Jahres Top 5 Heimkino

Il a commencé comédien et pantomime dans les spectacles de Deschamps et Makeieff. Ex-Deschiens à la silhouette dégingandée comme le Monsieur Hulot de Jacques Tati qu'il adore, Patrice Thibaud joue et met en scène des comédies musicales pas comme les autres, mélangeant flamenco, mime, humour et chorégraphie comme dans son dernier spectacle, Welcome, parvenant à faire rire pour mieux apprivoiser la mort. Rencontre avec un clown de la danse, pas triste du tout.

A talk programme dedicated to films and television shows, presented by Marcus Ako, Laura Sampson and David Campbell, on Resonance 104.4FM  at 7pm (UK) on Fridays.  Podcast episodes available from Monday morning at 00:30 (UK) #ItsAllAboutThe3Way #ShootTheBreezeShow #WhereInTheWorldIsChrisWilliams Reach us on Twitter, on Facebook, email shootthebreezonresonance104.4@gmail.com or Instagram  In the 4th-season's 8th episode, Marcus, Laura and (Producer) David are in the studio with filmmaker Jenna Suru talking about her film L'Àge d'Or. Apple Streaming Service #Top5Favourite topic this week: French Films Jenna's picks: 5. La vie en rose (2007) 4. La Parisienne (1957) 3. 2. ... And God created Woman (1956) 1. Untouchable (2011)  David's picks: 5. Auntie Danielle (1990) 4. Jules et Jim (1962) / Taxi (1998) 3. Amelie (2001) / Les Vacances de Monsieur Hulot (1953) 2. Diva (1981) 1. La Haine (1995) Laura's picks: 5. The Triplets of Belleville (2003) 4. The City of Lost Children (1995) / Delicatessen (1991) 3. The Piano Teacher (2001) / Eyes without a face (1960) 2. The Passion of Joan Arc (1928) 1. Ma Vie en Rose (1997) Marcus' picks: 5. Mesrine Part 1 / Mesrine Part 2 4. A Prophet (2009) 3. Cyrano de Berjerac (1990) / Count of Monte Cristo (1998) 2. Amelie (2001) 1. Rififi (1955)

Depuis septembre, Europe 1 diffuse chaque jour de fausses publicités à l'antenne, dans le cadre d'un jeu. En voici trois.

a cura di Alessandro Achilli. Musiche di Melody Four, Laura Cole, Aby Vulliamy, Paula Rae Gibson & Kit Downes, Gold Mass, Julie Driscoll & Brian Auger & The Trinity, Artchipel Orchestra + Keith & Julie Tippetts, Orchestra da Tre Soldi (seconda parte)

a cura di Alessandro Achilli. Musiche di Melody Four, Laura Cole, Aby Vulliamy, Paula Rae Gibson & Kit Downes, Gold Mass, Julie Driscoll & Brian Auger & The Trinity, Artchipel Orchestra + Keith & Julie Tippetts, Orchestra da Tre Soldi (seconda parte)

Ospite Sophie Attali, esperta di Economia dell'Elettricità nonché fondatrice e manager di Guide Topten. ..Con lei parliamo delle #PoliticheEnergetiche in Francia e in particolare dei "passi troppo piccoli" verso la dismissione delle fonti fossili (e fissili) che hanno comportato le recenti dimissioni di Nicholas Hulot, ex Ministro francese della transizione ecologica e solidale. Gesto che in Italia nessuno avrebbe coraggio di fare, che già sarebbe un passo avanti per la transizione.

Ospite Sophie Attali, esperta di Economia dell'Elettricità nonché fondatrice e manager di Guide Topten. ..Con lei parliamo delle #PoliticheEnergetiche in Francia e in particolare dei "passi troppo piccoli" verso la dismissione delle fonti fossili (e fissili) che hanno comportato le recenti dimissioni di Nicholas Hulot, ex Ministro francese della transizione ecologica e solidale. Gesto che in Italia nessuno avrebbe coraggio di fare, che già sarebbe un passo avanti per la transizione.

When it comes to post-sound era physical comedy, Jaques Tati's character Monsieur Hulot is an inspiration that still resounds today. Alex and Jonathan take a look at the complex scenarios created in Monsieur Hulot's Holiday (1953), Playtime (1967), and Trafic (1971). We talk about traits of the Hulot character, how Tati built a miniature city, and how he is able to convey specific gags in complexly choreographed wide shots. Skip to: 7:04 – Monsieur Hulot's Holiday 22:25 – Playtime 42:49 – Trafic 57:34 – Overall 1:08:46 – Coming Attractions Coming Attractions: The Maltese Falcon (1941) Double Indemnity (1944) Touch of Evil (1958) For more information, visit the blog: thefilmlings.wordpress.com/2018/10/02/tricky-tati

Plus d'informations : https://www.lemondemoderne.media/Les paradoxes de Monsieur Hulot, de Jean-Luc Bennahmias est disponible aux éditions l'Archipel : http://www.editionsarchipel.com/livre/les-tourments-de-nicolas-hulot/Suivez Alexis sur Twitter : https://twitter.com/Poulin2012 Voir Acast.com/privacy pour les informations sur la vie privée et l'opt-out.

Écoutez l'édito du jour, par Vincent Trémolet de Villers.

Programa dedicado al "Slapstick Comedy", con películas como "Sons od the Desert (1933)", "Abbot and Costello Meet Frankenstein (1948)" y "Les Vacances de Monsieur Hulot". Además con las secciones de Soundtracks, Cine Global, Making Of y Lo Que Vimos en la Semana.

Programa dedicado al "Slapstick Comedy", con películas como "Sons od the Desert (1933)", "Abbot and Costello Meet Frankenstein (1948)" y "Les Vacances de Monsieur Hulot". Además con las secciones de Soundtracks, Cine Global, Making Of y Lo Que Vimos en la Semana.

Angelo Draicchio e Sergio Bassetti intervengono sul cinema di Jacques Tati, in occasione dell'ucita in DVD di Jour de fete, Mon Oncle, Le vacanze di Monsieur Hulot e Playtime. Andrea Sanguigni interviene su William Peter Blatty, autore del romanzo dal quale è stato tratto il film L'Esorcista, a pochi giorni dalla sua scomparsa.

We're back with another Cruel Summer installment. This week, we take a look at 2010's flop Jonah Hex. Scott is a big fan of the comic. Kat is a big fan of Michael Fassbender. Will we both be disappointed? Tune in to find out. We also chat about Ant-Man, Monsieur Hulot's Holiday, End of August at the Hotel Ozone, Perfume of the Lady in Black, Taste of Fear and Back to the Future. Feedback is always welcome. marriedwithclickers@gmail.com

So many superheroes! Batman: The Brave and the Bold S2, JLA Adventures and Marvel Knights: Eternals. Plus, new Blu-rays starring Jonah Hill and Bruce Willis. Digigods Podcast, 11/18/14 (MP3) -- 34.6 MB right click to save Subscribe to the Digigods Podcast In this episode, the Gods discuss: 22 Jump Street (Blu-ray) Alive Inside: A Story of Music and Memory (Blu-ray) Archipelago (Joanna Hogg) (DVD) Ava & Lala (DVD) Batman: The Brave and the Bold, The Complete Second Season (Blu-ray) Beware the Batman: Dark Justice - Season One, Part Two (Blu-ray) The Big Valley: The Final Season (DVD) Boobs (DVD) Borgman (Blu-ray) Boy Meets Girl (Leos Carax) (Blu-ray) The Brady Bunch: The Complete Fifthy Season The Brady Bunch: The Complete First Season (DVD) The Brady Bunch: The Complete Fourth and Final Season (DVD) The Brady Bunch: The Complete Second Season (DVD) The Brady Bunch: The Complete Third Season (DVD) Bronco - The Complete Second Season (DVD-R) The Bubble (Blu-ray 3D) A Coffee in Berlin (Blu-ray) The Compleat Al (DVD) The Complete Jacques Tati (Jour de Fête, Monsieur Hulot's Holiday, Mon Oncle, Playtime, Trafic, Parade, Tati Shorts) (Blu-ray) Countess Dracula (Blu-ray/DVD) The Dark Half (Blu-ray) Death Bed: The Bed That Eats (Blu-ray) Death Spa (Blu-ray/DVD) Deepsea Challenge 3D (Blu-ray/DVD) The Doctor and the Devils (Blu-ray) The Dog (Blu-ray) Dolls - Collector's Edition (Blu-ray) Dormant Beauty (DVD) Drive Hard (Blu-ray/DVD) The Exes: Seasons 1 & 2 (DVD) Exhibition (Joanna Hogg) (DVD) Faust (Sokurov) (Blu-ray) The German Doctor (DVD) The Good Guys - Season 1 (DVD) Graceland - Season 2 (DVD) Guess How Much I Love You: Autumn's HEre (DVD) Heartland: The Complete Fourth Season (DVD) Hot in Cleveland - Season Five (DVD) I Am Ali (Blu-ray) Impractical Jokers: The Complete Second Season (DVD) JFK: The Private President (DVD) JLA Adventures: Trapped in Time (DVD) The Last Sentence (DVD) Le Chef (Blu-ray) Level Five (DVD) Marvel Knights: Eternals (DVD) Mauvais Sang (Leos Carax) (Blu-ray) Money For Nothing: A History of the Music Video (DVD) Monkey Shines (Blu-ray) Monty Python Live (mostly) - One Down Five to Go (Blu-ray) My Little Pony Equestria Girls: Rainbow Rocks (Blu-ray) The Mystery of Agatha Christie with David Suchet (DVD) The Newsroom: Season 2 (Blu-ray) On Strike! Chris Marker & the Medvedkin Group (DVD) One Day Pina Asked (DVD) Ornette: Made in America (Blu-ray) Out of the Clear Blue Sky (DVD) Peg + Cat: Chickens on the Loose and Other Really Big Problems (DVD) Planet of the Vampires (Blu-ray) Portrait of Jason (Blu-ray) Quincy, M.E.: Season Seven (DVD) Ragnarok (Blu-ray) Reclaim (Blu-ray) Return to Nuke ‘Em High - Volume 1 (Blu-ray) Salem - The Complete First Season (DVD) Siddharth (DVD) Sin City: A Dame to Kill For (Blu-ray/DVD) UHF: 25th Anniversary Edition (Blu-ray) Unrelated (Joanna Hogg) (DVD) Venus in Fur (DVD) Vikings - Raiders From The North (DVD) What the Bleep: Down the Rabbit Hole! 10th Anniversary Edition (DVD) When Comedy Went to School (DVD) Wolf (DVD) Young Justice: The Complete First Season (Blu-ray) Please also visit CineGods.com.