Podcasts about Hulot

durée : 00:03:07 - L'éco avec - Alors que l'exploitation de nouveaux hydrocarbures est interdite en France depuis la loi Hulot de 2017, Manuel Valls, ministre des Outre-mer, relance le débat. Doit-on relancer la recherche de pétrole au large de la Guyane ? C'est une question qui divise.

Jackie and Greg are joined by Jackson Cooper, Executive Director of AGFA (American Genre Film Archive) for Jacques Tati's PLAYTIME from 1967. Topics of discussion include the film as an explosion of Where's Waldo? on 70mm, how Tati distances himself from the M. Hulot character in the film, the personal and financial toll it took on him to bring it to screen, and why it endures and continues to ascend the Sight & Sound list each decade.#43 on Sight & Sound's 2012 "The 100 Greatest Films of All Time" list.https://www.bfi.org.uk/sight-and-sound/polls/greatest-films-all-time-2012#23 on Sight & Sound's 2022 "The Greatest Films of All Time" list.  https://www.bfi.org.uk/sight-and-sound/greatest-films-all-timeGet more of Jackson Cooper: https://jcooperarts.comCheck us out on Instagram: instagram.com/sceneandheardpodCheck us out at our official website: sceneandheardpod.comGraphic Design: Molly PintoMusic: Andrew CoxEditing: Greg KleinschmidtGet in touch at hello@sceneandheardpod.comSupport the showSupport the show on Patreon: patreon.com/SceneandHeardPodorSubscribe just to get access to our bonus episodes: buzzsprout.com/1905508/subscribe

Il préside le Conseil d'administration du Leem, Les Entreprises du Médicament Mention légales : Vos données de connexion, dont votre adresse IP, sont traités par Radio Classique, responsable de traitement, sur la base de son intérêt légitime, par l'intermédiaire de son sous-traitant Ausha, à des fins de réalisation de statistiques agréées et de lutte contre la fraude. Ces données sont supprimées en temps réel pour la finalité statistique et sous cinq mois à compter de la collecte à des fins de lutte contre la fraude. Pour plus d'informations sur les traitements réalisés par Radio Classique et exercer vos droits, consultez notre Politique de confidentialité.Hébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

durée : 00:48:16 - Affaires sensibles - par : Fabrice Drouelle, Franck COGNARD - Aujourd'hui dans Affaires sensibles, la chute de Nicolas Hulot - réalisé par : Stéphane COSME

Michel et Philippe discutent de la situation critique dans le secteur ferroviaire au Canada, où un conflit de travail pourrait éclater à 0 h, affectant le Canadien Pacifique Kansas City et le Canadien National. Jonathan Abécassis du CN n'est pas optimiste sur les chances d'un règlement. Une grève pourrait coûter 380 millions de dollars par jour à l'économie canadienne et augmenter l'inflation. Ils mentionnent également le succès de Hulot, une filiale d'Hydro-Québec spécialisée en batteries de stockage, qui a décroché un contrat aux États-Unis, avec Sonia St-Germain comme PDG.Voir https://www.cogecomedia.com/vie-privee pour notre politique de vie privée

Prospettive musicali dà risalto a una serie di espressioni musicali che trovano generalmente poco spazio nelle programmazioni radiofoniche mainstream. Non pensando al genere come concetto limitativo, Prospettive musicali vuole suggerire percorsi di ascolto eterogenei. Prospettive musicali potrà accostare musiche medioevali e avanguardie elettroniche, free jazz e musiche per ambiente, danze etniche e partiture contemporanee, improvvisazione e composizione, avant rock e canzone, silenzio e rumore, invitando il proprio pubblico a condividere esperienze di ascolto coraggiose e «di confine». Alessandro Achilli collabora con Radio Popolare dal 17 marzo 1991 con i cicli Sciabadà (1991), Est (1992), Le vacanze di monsieur Hulot (1991, con Giovanni Venosta, e 1992), L'Orchestra (1996), Concerti da Babele (2001, 2002, 2003), Township Beat, musiche dal Sudafrica (2010) e corrispondenze dai festival Mimi (Provenza), Ring Ring (Belgrado), London Jazz Festival; ha inoltre curato la regia e l'adattamento di un ciclo condotto da Robert Wyatt, interviste in diretta a Shelley Hirsch, Arto Lindsay, Peter Blegvad e Robert Wyatt, e puntate monografiche di Cantaloop, In genere, Zona disco, Replicanti, Yuppi do, Il giardino degli dei, 5 giri, Jazz Anthology, Happy Together e Notturnover estate. Clicca qui per notizie sulle sue attività con Musica Jazz, Musiche, Radio3 Rai e come fotografo non professionista e traduttore. Fabio Barbieri collabora con Radio Popolare dal 1997. È stato ideatore e conduttore di Tropici e meridiani e ha realizzato collegamenti e interviste per Notturnover,Candid, Sidecar, Zoe, Alaska e per il gr in network. Ha collaborato con la redazione musicale del quotidiano Il Manifesto. Suoi articoli e recensioni sono apparsi su Rockerilla, Lost Trails e nel volume Bassa fedeltà (Bollati Boringhieri). Nella stagione 2003-2004 ha curato per Patchanka una serie di corrispondenze settimanali da Londra, intitolata London Calling. Da quell'esperienza è nato un blog: http://www.fabiocalling.blogspot.co.uk/ Gigi Longo collabora con Radio Popolare dal 1987. Ha condotto Jazz Anthology, Music Mag, Onda su onda e Cibo per psiconauti. In veste di inviato, ha recensito decine di concerti jazz, rock e world music per Notturnover. Ha realizzato trasmissioni speciali su Charles Mingus, Gil Evans, Duke Ellington e Miles Davis. È stato collaboratore dell'Associazione Jazz Capolinea, del mensile Il Buscadero e dela rivista Alp Grandi Montagne.

Prospettive musicali dà risalto a una serie di espressioni musicali che trovano generalmente poco spazio nelle programmazioni radiofoniche mainstream. Non pensando al genere come concetto limitativo, Prospettive musicali vuole suggerire percorsi di ascolto eterogenei. Prospettive musicali potrà accostare musiche medioevali e avanguardie elettroniche, free jazz e musiche per ambiente, danze etniche e partiture contemporanee, improvvisazione e composizione, avant rock e canzone, silenzio e rumore, invitando il proprio pubblico a condividere esperienze di ascolto coraggiose e «di confine». Alessandro Achilli collabora con Radio Popolare dal 17 marzo 1991 con i cicli Sciabadà (1991), Est (1992), Le vacanze di monsieur Hulot (1991, con Giovanni Venosta, e 1992), L'Orchestra (1996), Concerti da Babele (2001, 2002, 2003), Township Beat, musiche dal Sudafrica (2010) e corrispondenze dai festival Mimi (Provenza), Ring Ring (Belgrado), London Jazz Festival; ha inoltre curato la regia e l'adattamento di un ciclo condotto da Robert Wyatt, interviste in diretta a Shelley Hirsch, Arto Lindsay, Peter Blegvad e Robert Wyatt, e puntate monografiche di Cantaloop, In genere, Zona disco, Replicanti, Yuppi do, Il giardino degli dei, 5 giri, Jazz Anthology, Happy Together e Notturnover estate. Clicca qui per notizie sulle sue attività con Musica Jazz, Musiche, Radio3 Rai e come fotografo non professionista e traduttore. Fabio Barbieri collabora con Radio Popolare dal 1997. È stato ideatore e conduttore di Tropici e meridiani e ha realizzato collegamenti e interviste per Notturnover,Candid, Sidecar, Zoe, Alaska e per il gr in network. Ha collaborato con la redazione musicale del quotidiano Il Manifesto. Suoi articoli e recensioni sono apparsi su Rockerilla, Lost Trails e nel volume Bassa fedeltà (Bollati Boringhieri). Nella stagione 2003-2004 ha curato per Patchanka una serie di corrispondenze settimanali da Londra, intitolata London Calling. Da quell'esperienza è nato un blog: http://www.fabiocalling.blogspot.co.uk/ Gigi Longo collabora con Radio Popolare dal 1987. Ha condotto Jazz Anthology, Music Mag, Onda su onda e Cibo per psiconauti. In veste di inviato, ha recensito decine di concerti jazz, rock e world music per Notturnover. Ha realizzato trasmissioni speciali su Charles Mingus, Gil Evans, Duke Ellington e Miles Davis. È stato collaboratore dell'Associazione Jazz Capolinea, del mensile Il Buscadero e dela rivista Alp Grandi Montagne.

Prospettive musicali dà risalto a una serie di espressioni musicali che trovano generalmente poco spazio nelle programmazioni radiofoniche mainstream. Non pensando al genere come concetto limitativo, Prospettive musicali vuole suggerire percorsi di ascolto eterogenei. Prospettive musicali potrà accostare musiche medioevali e avanguardie elettroniche, free jazz e musiche per ambiente, danze etniche e partiture contemporanee, improvvisazione e composizione, avant rock e canzone, silenzio e rumore, invitando il proprio pubblico a condividere esperienze di ascolto coraggiose e «di confine». Alessandro Achilli collabora con Radio Popolare dal 17 marzo 1991 con i cicli Sciabadà (1991), Est (1992), Le vacanze di monsieur Hulot (1991, con Giovanni Venosta, e 1992), L'Orchestra (1996), Concerti da Babele (2001, 2002, 2003), Township Beat, musiche dal Sudafrica (2010) e corrispondenze dai festival Mimi (Provenza), Ring Ring (Belgrado), London Jazz Festival; ha inoltre curato la regia e l'adattamento di un ciclo condotto da Robert Wyatt, interviste in diretta a Shelley Hirsch, Arto Lindsay, Peter Blegvad e Robert Wyatt, e puntate monografiche di Cantaloop, In genere, Zona disco, Replicanti, Yuppi do, Il giardino degli dei, 5 giri, Jazz Anthology, Happy Together e Notturnover estate. Clicca qui per notizie sulle sue attività con Musica Jazz, Musiche, Radio3 Rai e come fotografo non professionista e traduttore. Fabio Barbieri collabora con Radio Popolare dal 1997. È stato ideatore e conduttore di Tropici e meridiani e ha realizzato collegamenti e interviste per Notturnover,Candid, Sidecar, Zoe, Alaska e per il gr in network. Ha collaborato con la redazione musicale del quotidiano Il Manifesto. Suoi articoli e recensioni sono apparsi su Rockerilla, Lost Trails e nel volume Bassa fedeltà (Bollati Boringhieri). Nella stagione 2003-2004 ha curato per Patchanka una serie di corrispondenze settimanali da Londra, intitolata London Calling. Da quell'esperienza è nato un blog: http://www.fabiocalling.blogspot.co.uk/ Gigi Longo collabora con Radio Popolare dal 1987. Ha condotto Jazz Anthology, Music Mag, Onda su onda e Cibo per psiconauti. In veste di inviato, ha recensito decine di concerti jazz, rock e world music per Notturnover. Ha realizzato trasmissioni speciali su Charles Mingus, Gil Evans, Duke Ellington e Miles Davis. È stato collaboratore dell'Associazione Jazz Capolinea, del mensile Il Buscadero e dela rivista Alp Grandi Montagne.

1953 fångade Jacques Tati en fransk badortssommar med dess typer och nöjen. Filmen är både rolig och ljuv och blev en förebild för senare semesterkomedier. Mårten Blomkvist om en legendarisk komedi. Lyssna på alla avsnitt i Sveriges Radio Play. I 1950-talskomedin "Semestersabotören" mötte världen för första gången monsieur Hulot. Han spelades av regissören själv, Jacques Tati, som virrade till det mesta på en liten badort.Det var roligt, det var franskt, det blev ett internationellt genombrott och många svenskars älsklingsfilm.

Prospettive musicali dà risalto a una serie di espressioni musicali che trovano generalmente poco spazio nelle programmazioni radiofoniche mainstream. Non pensando al genere come concetto limitativo, Prospettive musicali vuole suggerire percorsi di ascolto eterogenei. Prospettive musicali potrà accostare musiche medioevali e avanguardie elettroniche, free jazz e musiche per ambiente, danze etniche e partiture contemporanee, improvvisazione e composizione, avant rock e canzone, silenzio e rumore, invitando il proprio pubblico a condividere esperienze di ascolto coraggiose e «di confine». Alessandro Achilli collabora con Radio Popolare dal 17 marzo 1991 con i cicli Sciabadà (1991), Est (1992), Le vacanze di monsieur Hulot (1991, con Giovanni Venosta, e 1992), L'Orchestra (1996), Concerti da Babele (2001, 2002, 2003), Township Beat, musiche dal Sudafrica (2010) e corrispondenze dai festival Mimi (Provenza), Ring Ring (Belgrado), London Jazz Festival; ha inoltre curato la regia e l'adattamento di un ciclo condotto da Robert Wyatt, interviste in diretta a Shelley Hirsch, Arto Lindsay, Peter Blegvad e Robert Wyatt, e puntate monografiche di Cantaloop, In genere, Zona disco, Replicanti, Yuppi do, Il giardino degli dei, 5 giri, Jazz Anthology, Happy Together e Notturnover estate. Clicca qui per notizie sulle sue attività con Musica Jazz, Musiche, Radio3 Rai e come fotografo non professionista e traduttore. Fabio Barbieri collabora con Radio Popolare dal 1997. È stato ideatore e conduttore di Tropici e meridiani e ha realizzato collegamenti e interviste per Notturnover,Candid, Sidecar, Zoe, Alaska e per il gr in network. Ha collaborato con la redazione musicale del quotidiano Il Manifesto. Suoi articoli e recensioni sono apparsi su Rockerilla, Lost Trails e nel volume Bassa fedeltà (Bollati Boringhieri). Nella stagione 2003-2004 ha curato per Patchanka una serie di corrispondenze settimanali da Londra, intitolata London Calling. Da quell'esperienza è nato un blog: http://www.fabiocalling.blogspot.co.uk/ Gigi Longo collabora con Radio Popolare dal 1987. Ha condotto Jazz Anthology, Music Mag, Onda su onda e Cibo per psiconauti. In veste di inviato, ha recensito decine di concerti jazz, rock e world music per Notturnover. Ha realizzato trasmissioni speciali su Charles Mingus, Gil Evans, Duke Ellington e Miles Davis. È stato collaboratore dell'Associazione Jazz Capolinea, del mensile Il Buscadero e dela rivista Alp Grandi Montagne.

Prospettive musicali dà risalto a una serie di espressioni musicali che trovano generalmente poco spazio nelle programmazioni radiofoniche mainstream. Non pensando al genere come concetto limitativo, Prospettive musicali vuole suggerire percorsi di ascolto eterogenei. Prospettive musicali potrà accostare musiche medioevali e avanguardie elettroniche, free jazz e musiche per ambiente, danze etniche e partiture contemporanee, improvvisazione e composizione, avant rock e canzone, silenzio e rumore, invitando il proprio pubblico a condividere esperienze di ascolto coraggiose e «di confine». Alessandro Achilli collabora con Radio Popolare dal 17 marzo 1991 con i cicli Sciabadà (1991), Est (1992), Le vacanze di monsieur Hulot (1991, con Giovanni Venosta, e 1992), L'Orchestra (1996), Concerti da Babele (2001, 2002, 2003), Township Beat, musiche dal Sudafrica (2010) e corrispondenze dai festival Mimi (Provenza), Ring Ring (Belgrado), London Jazz Festival; ha inoltre curato la regia e l'adattamento di un ciclo condotto da Robert Wyatt, interviste in diretta a Shelley Hirsch, Arto Lindsay, Peter Blegvad e Robert Wyatt, e puntate monografiche di Cantaloop, In genere, Zona disco, Replicanti, Yuppi do, Il giardino degli dei, 5 giri, Jazz Anthology, Happy Together e Notturnover estate. Clicca qui per notizie sulle sue attività con Musica Jazz, Musiche, Radio3 Rai e come fotografo non professionista e traduttore. Fabio Barbieri collabora con Radio Popolare dal 1997. È stato ideatore e conduttore di Tropici e meridiani e ha realizzato collegamenti e interviste per Notturnover,Candid, Sidecar, Zoe, Alaska e per il gr in network. Ha collaborato con la redazione musicale del quotidiano Il Manifesto. Suoi articoli e recensioni sono apparsi su Rockerilla, Lost Trails e nel volume Bassa fedeltà (Bollati Boringhieri). Nella stagione 2003-2004 ha curato per Patchanka una serie di corrispondenze settimanali da Londra, intitolata London Calling. Da quell'esperienza è nato un blog: http://www.fabiocalling.blogspot.co.uk/ Gigi Longo collabora con Radio Popolare dal 1987. Ha condotto Jazz Anthology, Music Mag, Onda su onda e Cibo per psiconauti. In veste di inviato, ha recensito decine di concerti jazz, rock e world music per Notturnover. Ha realizzato trasmissioni speciali su Charles Mingus, Gil Evans, Duke Ellington e Miles Davis. È stato collaboratore dell'Associazione Jazz Capolinea, del mensile Il Buscadero e dela rivista Alp Grandi Montagne.

Nella puntata di oggi analizziamo tre film scritti, diretti e interpretati da Jacques Tati, nei panni dello stravagante Monsieur Hulot: Le vacanze del signor Hulot (1953), Mio zio (1958), e Playtime - Tempo di divertimento (1967).

Alexandre e Fred convocam o crítico de João Pessoa, Renato Félix, para conversar sobre a obra de um dos gênios da comédia mundial, o francês Jacques Tati. O cineasta é celebrado até hoje como um dos mais criativos de sua arte, principalmente pela maneira como utiliza o som e a direção de arte em seus filmes. Apesar de ter filmado muito pouco, três de seus clássicos se destacam em sua obra e comentamos eles aqui: "As Férias do Sr. Hulot" (Les vacances de Monsieur Hulot, 1953), "Meu Tio" (Mon Oncle, 1958) e "Playtime - Tempo de Diversão" (Playtime, 1967).  Falamos também brevemente de seu primeiro longa-metragem, o interessantíssimo "Carrossel da Esperança" (Jour de fête, 1949). ---------------------- Acesse nosso site: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠http://www.filmesclassicos.com.br⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Acesse nossa página no Facebook : ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.facebook.com/podcastfilmesclassicos/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

65 -Evènementiel et culture du  25 mars au 1°avril 2024"Le Printemps des poètes 2024"( détails podcast) Médiathèque Simone Veil - Bagnères de Bigorre  :exposition et concertMédiathèque Louis Aragon -Tarbes : expositionConférences (détails podcast)"Le hasard existe-t-il ?", par Patrick DUPOUEY le 25 mars à 14h30 à l'Hôtel de Journet, Vic en Bigorre  "Paul ROBERT ou le Dictionnaire venu d'ailleurs " par Christian LAPEYRE,  professeur honoraire, auteur, conférencier le 27 mars à 18h au Petit Théâtre Maurice Sarrazin (MDA Quai de l'Adour) "La manufacture de l'eau"  par Richard SABATIER,  Président  Observatoire pour l'Archéologie et le Patrimoine en Hte Bigorre, le 29 mars à 17h à la Médiathèque de CauteretsEn remplacement de la conférence de l'UTL sur l'intelligence artificielle, "Petits travaux pratiques sur Chat GPT" animés par Georges LANCE et Frédéric GELBER le 28 mars à 18h au STAPSLes Névés- Philo :  le 29 mars à 18h30 au Cavin, Bagnères de BigorreRencontre-signature avec Patrick FORT le 30 mars de 10h à 12h30 à la Librairie "Auprès de Pyrène", Bagnères de BigorreCarte blanche UTL  le 26 mars à 17h30 à l'Espace Jeanne Larroque TarbesSpectaclesLe Parvis“ RADIUM MANIA" le 30 mars à 20h30 à l'Ancienne Mairie de Saint Savin (théâtre)"Les 24 h du cinéma" : marathon de 12 films ou semi-marathon de 6 films les 29 et 30 mars (réservations avant le 29/3), programmation ci-dessousLES 24 HEURES DU CINÉMA / événement cinéma – Le Parvis ✱ Scène Nationale Tarbes-PyrénéesTarbes en scène"Les coulisses", répétition publique de "Et les astres" le  30 mars à 14h au Laboratoire Omnibus "Les dimanches de Monsieur Sarrazin" avec la troupe Mr Hulot pour la pièce "Hamlet dans ma tête" le 31 mars à 16h au Petit Théâtre Maurice SarrazinSMAC LA GESPE : Concert de "Madam" et "Input'es" le 29 mars à 21 h"Maison du Savoir" St Laurent de Neste : "Instant musical"  avec l'Ecole de musique de St Laurent de Neste le 29 mars à 19h30Ciné-concert "La princesse aux huitres" le 30 mars à 20h30 (partenariat avec le Festival d'Anères)Centre Culturel Jean Glavany Maubourguet : Grand Concert de Pâques avec les "Armagnacs" le 30 mars à 20h30Centre Albert Camus Séméac : "Voyage en Amériques", audition des élèves (réseau agglo TLP) le 27 mars à 18h30Concert de Pâques avec l'Accordéon Club de Séméac et Happy'Sax le 29 mars à 20h30Petit Théâtre de la Gare à Argelès : spectacle musical burlesque "De cairn en cairn" le 30 mars à 20h30Casino d'Argelès : "Mafia Thérapie" le 30 mars à 21havec Patrick Lôde et Bruno, Spiesser11° édition du Festival ART'TERRE  du 25 au 30 mars, organisé par les élèves de BTS du Lycée Jean Monnet de Vic-Bigorre  soirée occitane, conférences, détails dans podcast"Le Printemps du Cinéma" du 24 au 26 mars dans tous les cinémas, place de cinéma au tarif de 5 €"La fête du court métrage" évènement national du 20 au 26 mars La Fête du court métrage – du 20 au 26 mars 2024 (lafeteducourt.com)"Mars Bleu": concours de danse le 30 mars à 20h30 à l'Espace Robert Hossein de Lourdes "Tarbes Comedy club": tremplin le 29 mars à 20h30 au Petit Théâtre Maurice Sarrazin et grande soirée Stand up le 30 mars à 20h30 au Théâtre des Nouveautés Village Promotion de la Santé le 28 mars de 9h à 14h à la Place de la Mairie de Tarbes : dépistages, consultations, informations 30° Open International d'Echecs du 30 mars au 1°avril au Parc des Expositions de TarbesSalon TAF (Travail Avenir Formation) le 27 mars de 9h à 17h au Parc des Expositions de TarbesExpositions nouvelles (  Office Tourisme Loudenvielle)et en cours ( détails  podcast) 

In Episode Four of Indigenous Voices of Vancouver Island, Tchadas Leo tackles the challenge of building strong communities that keep tradition and heritage in place despite the challenges from outside forces.To do this, Tchadas reconnects with Gary Wilson who we met in season one. Gary is at the heart of community building in Northwest Vancouver Island, known asǦṇísḷaǧy̓ḷís which means screeching throughout the beaches of the world as an eagle. Gary is enabling and empowering the people of Ka:'yu:'k't'h'/Che:k'tles7et'h (Kyuquot Checleseht) First Nation to succeed on their own terms and in a manner that honours their culture.Tchadas also hears from Cyrus Singh. Cyrus is the CEO of KEDC, the K'awat'si Economic Development Corporation, about how a corporation sprung up around the vision of a self-sustaining and enriched community.And finally, he speaks with Cecelia Dick who's traditional name is Hulot. She is from the Lekwungen territories and is a traditional knowledge keeper and tourism supervisor for the Songhees Nation.Each of these community leaders shares their success in building the future through sharing the lessons from the past.About this seriesIndigenous Voices of Vancouver Island is a presentation of 4VI (formerly known as Tourism Vancouver Island), a social enterprise in business to ensure travel is a force for good for Vancouver Island - forever. From its breathtaking vistas to the inspiring talents of its people, Vancouver Island is the definition of a “must-see” destination. In this series, Indigenous Voices of Vancouver Island, 4VI showcases the talents of Indigenous entrepreneurs and their stories of how they have found a way to honour and preserve their traditions while succeeding in a very competitive marketplace. Host Tchadas Leo is of the Homalco First Nation, and writer Trevor Jang is of Witset First Nation. The Cover Art is the work of Ivy Cargill Martin from Tla-o-qui-aht First Nation.Canada's True West CoastVancouver Island, located on Canada's West Coast, is known for its mild climate, abundance, and relaxed way of life. This region is defined by its ancient rainforests, rugged coastlines, and cool waters of the Pacific Ocean, creating an abundance of outdoor recreation opportunities and peaceful getaways.Vancouver Island spans 460 kilometers long, from the provincial capital of Victoria to the far-reaching beaches of Cape Scott Provincial Park. Several small islands, the Gulf Islands and Discovery Islands are found between the Salish Sea and Discovery Passage, respectively.4VI gratefully acknowledges that we live, work, and play on the traditional, ancestral, and unceded territories of the Kwakwaka'wakw, Nuu-chah-nulth, and Coast Salish peoples.Produced by Everything PodcastsEverything Podcasts, now part of Pattison Media, is a world-class podcast production company. We help brands evolve and expand their media strategy into the audio space with a custom podcast series. Let us tell your story: Everything Podcasts

O M. Hulot και ο Βασίλης Καλόγηρος, ή αλλιώς who.s_your_plantdaddy, σε μια κουβέντα για τη μανία τους με τα φυτά.

Va-t-on autoriser de nouveaux forages pétroliers dans le sud-ouest de la France ? Alors que la décision du préfet de la Gironde est attendue d'ici à quelques semaines, le débat sur la production locale de pétrole a été relancé. Car oui, la France produit du pétrole, mais pas au-delà de 2040. En France, la production de pétrole se situe dans le bassin parisien et le bassin aquitain. En moyenne, entre 14 000 et 15 000 barils sont produits chaque jour. Mais c'est loin d'être assez pour répondre à la demande nationale : on estime aujourd'hui que seul 1 % du pétrole consommé dans l'Hexagone est français, le reste est importé des quatre coins du monde : du Moyen-Orient, d'Afrique ou encore de la mer du Nord.Vermilion numéro un en France« Les géants pétroliers comme Total ou BP ne sont pas intéressés par la France », explique Francis Perrin, directeur de recherche à l'Iris. « Les ressources sont trop faibles, le potentiel de développement pas assez important. C'est pourquoi, poursuit le chercheur, on ne trouve en France que des petites entreprises capables d'exploiter des gisements à leur taille ».Parmi elles, le Canadien Vermilion occupe la place de numéro un. Il produit entre 60 à 70% du pétrole français. 2040, la fin de l'exploitation des hydrocarbures en FranceMais pour ces pétroliers, le temps est compté. La loi Hulot promulguée en 2017 fixe à 2040 la fin de l'exploitation des hydrocarbures en France. Si le texte interdit déjà de délivrer de nouveaux permis, il autorise en revanche les pétroliers à poursuivre l'exploitation sur les concessions accordées avant 2018.C'est à ce titre que la société Vermilion pourrait forer huit nouveaux puits sur le gisement de Cazeaux dans la forêt de La Teste-de-Buch. La préfecture de la Gironde a jusqu'à fin février pour délivrer ou non l'autorisation.« Circuit court »Sur place, le projet de nouveaux forages suscite la colère des associations écologistes. Elles s'inquiètent des conséquences sur l'environnement dans une région ravagée par des incendies à l'été 2022. Elles dénoncent aussi le double langage des autorités françaises à l'heure où le monde s'est engagé à la COP28 de Dubaï à une sortie progressive des énergies fossiles.En novembre, le gouvernement leur répondait par la taille modeste de ces nouveaux forages. Et avançait l'argument du « circuit court » : il vaut mieux, disait le ministre de la Transition écologique, produire du pétrole localement que d'en importer de l'autre bout du monde.

durée : 00:08:43 - La Question du jour - par : Marguerite Catton - Huit nouveaux puits devraient être forés dans la forêt de de La Teste-de-Buch, près d'Arcachon. L'autorisation, accordée le 20 novembre, surprend : la loi Hulot de 2017 prévoyait en effet l'arrêt de la production de gaz et d'hydrocarbure en France. - invités : Francis Perrin Chercheur, spécialiste des problématiques énergétiques

"La vita è un grande spettacolo, dice il signor Hulot: basta avere occhi per osservare" Stavolta è il turno di un grande artista che ha voluto esprimere tutto il suo amore per l'arte e il mondo attraverso dei film visionari e poetici. Pellicole in cui l'ordinario spesso diventa straordinario e dove una società ormai votata al consumismo e alla saturazione può salvarsi solo se ritrova la voglia e il bisogno di guardarsi attorno e rendersi conto di quanta bellezza sta ignorando. Questo è il Cinema di Jacques Tati. --- Send in a voice message: https://podcasters.spotify.com/pod/show/madmike3/message

Pénuries de médicaments : Le responsable des entreprises du secteur reconnaît un "échec collectif" Mention légales : Vos données de connexion, dont votre adresse IP, sont traités par Radio Classique, responsable de traitement, sur la base de son intérêt légitime, par l'intermédiaire de son sous-traitant Ausha, à des fins de réalisation de statistiques agréées et de lutte contre la fraude. Ces données sont supprimées en temps réel pour la finalité statistique et sous cinq mois à compter de la collecte à des fins de lutte contre la fraude. Pour plus d'informations sur les traitements réalisés par Radio Classique et exercer vos droits, consultez notre Politique de confidentialité.

Lauréat de Plug&Start 2023, Geoffroy Hulot a co-fondé Deglace, une société qui souhaite mettre fin à l'obsolescence en créant des produits régénératifs. Son parcours professionnel, son aventure entrepreneuriale et sa participation à Plug&Start 2023 : vous saurez tout dans ce nouvel épisode ! ▬▬ NOTRE AGENCE ▬▬

Prospettive musicali dà risalto a una serie di espressioni musicali che trovano generalmente poco spazio nelle programmazioni radiofoniche mainstream. Non pensando al genere come concetto limitativo, Prospettive musicali vuole suggerire percorsi di ascolto eterogenei. Prospettive musicali potrà accostare musiche medioevali e avanguardie elettroniche, free jazz e musiche per ambiente, danze etniche e partiture contemporanee, improvvisazione e composizione, avant rock e canzone, silenzio e rumore, invitando il proprio pubblico a condividere esperienze di ascolto coraggiose e «di confine». Alessandro Achilli collabora con Radio Popolare dal 17 marzo 1991 con i cicli Sciabadà (1991), Est (1992), Le vacanze di monsieur Hulot (1991, con Giovanni Venosta, e 1992), L'Orchestra (1996), Concerti da Babele (2001, 2002, 2003), Township Beat, musiche dal Sudafrica (2010) e corrispondenze dai festival Mimi (Provenza), Ring Ring (Belgrado), London Jazz Festival; ha inoltre curato la regia e l'adattamento di un ciclo condotto da Robert Wyatt, interviste in diretta a Shelley Hirsch, Arto Lindsay, Peter Blegvad e Robert Wyatt, e puntate monografiche di Cantaloop, In genere, Zona disco, Replicanti, Yuppi do, Il giardino degli dei, 5 giri, Jazz Anthology, Happy Together e Notturnover estate. Clicca qui per notizie sulle sue attività con Musica Jazz, Musiche, Radio3 Rai e come fotografo non professionista e traduttore. Fabio Barbieri collabora con Radio Popolare dal 1997. È stato ideatore e conduttore di Tropici e meridiani e ha realizzato collegamenti e interviste per Notturnover,Candid, Sidecar, Zoe, Alaska e per il gr in network. Ha collaborato con la redazione musicale del quotidiano Il Manifesto. Suoi articoli e recensioni sono apparsi su Rockerilla, Lost Trails e nel volume Bassa fedeltà (Bollati Boringhieri). Nella stagione 2003-2004 ha curato per Patchanka una serie di corrispondenze settimanali da Londra, intitolata London Calling. Da quell'esperienza è nato un blog: http://www.fabiocalling.blogspot.co.uk/ Gigi Longo collabora con Radio Popolare dal 1987. Ha condotto Jazz Anthology, Music Mag, Onda su onda e Cibo per psiconauti. In veste di inviato, ha recensito decine di concerti jazz, rock e world music per Notturnover. Ha realizzato trasmissioni speciali su Charles Mingus, Gil Evans, Duke Ellington e Miles Davis. È stato collaboratore dell'Associazione Jazz Capolinea, del mensile Il Buscadero e dela rivista Alp Grandi Montagne.

durée : 00:04:02 - Le journal de presque 17h17 - par : Charline Vanhoenacker, Alex Vizorek - Emmanuel Macron a appelé à lutter contre la, je cite, « décivilisation de la société », l'Assemblée nationale a voté la levée de l'immunité parlementaire de Damien Abad, accusé de viol et la chasse à la glu a été interdite par le Conseil d'État, c'est l'actu du jour !

durée : 00:44:52 - On n'arrête pas l'éco - par : Fabien CAZEAUX - Au programme ce samedi : un débat sur le plan du gouvernement contre la fraude fiscale, un détour par la Turquie, une question sur les accidents mortels du travail... Et un lourd dossier : celui des pénuries de médicaments. Comment les expliquer et comment les résoudre ? - réalisé par : Charles De Cillia

Ecoutez L'oeil de Philippe Caverivière du 12 mai 2023 avec Philippe Caverivière.

TRACKLIST 0:00 Peter Erskine - Evening Dance 7:30 Jeanne Moreau - Le tourbillon 9:00 Michel Legrand - Le Jeu Et L'Amour 14:00 Lucky 15 - Snowflakes In Hawaii 18:30 Axel Boys Quartet - Dub I Dub (Radio Edit) 20:30 Art Blakey And The Jazz Messengers - No Hay Problema 21:30 Art Blakey - No Hay Problema 24:30 Combustible Edison - Bluebeard 31:00 Serge Gainsbourg - Laissez - Moi Tranquille 34:30 Lo Greco Bros - Moonlight 35:30 Lo Greco Bros - Moonlight (feat. Doctor Feelx) 37:00 Claude Nougaro - Le cinéma 39:30 Zizi Jeanmaire - Mon truc en plumes 41:30 Soulstance - Atlantis 47:00 Variété Française - Nouvelle vague 49:30 Corduroy - Data 70 52:30 Anna Karina - La chanson d'Angela 53:30 Modulo5 - Focus on Sight 58:00 Black Mighty Wax - May in London (featuring Maestro Garofalo) 1:04:00 Christian Capiozzo - Jack Come On Back West 1:08:30 Embora 3 - In anticipo 1:11:00 Bob Azzam et son Orchestre - Viens à Juan-les-Pins 1:13:00 Jean Constantin - École buissonnière 1:17:30 Charles Trenet - Route nationale 7 1:19:00 ?????? - Quel temps fait-il à Paris (BOF "Les vacances de M. Hulot") 1:21:00 Jazz 2 More - After the Rain 1:25:30 Vasquez - Afrolizer 1:29:00 Martial Solal - Duo 1:30:30 Gillian Hills - Cou-couche panier 1:37:00 Jazz Reason - Quatto quatto 1:39:00 Jazz 2 More - Bolero 1:41:00 DJ Soup - Vertical Expression of a Horizontal Desire - Fonke Screw Re-Edit 1:45:00 Man Sueto - Rove 1:46:30 Soulstance - Waiting For the Sun 1:51:30 Lo Greco Bros - I Know 1:55:30 Lo Greco Bros, Flow Bop - I Know 1:58:00 Henri Salvador - Rendez-vous au Lavandou 2:00:00 Fatboy Slim - E.V.A. (Remix) 2:03:00 Les Double Six - Scrapple From The Apple 2:05:00 Kato - Earth 2:07:00 Charles Aznavour - I Want To Be Kissed 2:09:00 Piero Umiliani - Mah Nà Mah Nà (Tiki Mix) 2:16:30 Lo Greco Bros;Flow Bop - Valentine 2:20:30 Lo Greco Bros/Flow Bop - Groove for Valentine 2:23:30 Loop Therapy - myNeed 2:25:00 Honeymunch - Caesar 2:28:00 Ltj Xperience - Get on Freak 2:33:00 Dimitri From Paris - Sacré français 2:35:30 Lo Greco Bros Quartet - Bamboo 2:42:30 Montefiori Cocktail - Quando, Quando, Quando 2:48:30 Lo Greco Bros - Split 2:51:30 Ivana Parnasso - Unnatural 2:53:00 We Do Beatz - Open the Door 2:54:30 Low Fidelity Jet Set Orchestra - Let's Go 2:58:00 Smoke City - Flying Away 3:01:00 Papik Smooth Experience - Sitting On My Beach 3:03:30 DJ Rodriguez - Personality 3:07:00 Agostino Maria Ticino - Alone Easy Listening Type: Mix Dubaï - Émirats arabes unis

Buy Where Lies the Strangling Fruit:Theme Music by Prod. Riddiman:Films mentioned in this week's podcast:Annihilation (2018, dir. Alex Garland)The Beast from 20,000 Fathoms (1953, dir. Eugène Lourié)The Blair Witch Project (1999, dir. Daniel Myrick and Eduardo Sánchez)Cannibal Holocaust (1980, dir. Ruggero Deodato)Creature from the Black Lagoon (1954, dir. Jack Arnold)The Day the Earth Stood Still (1951, dir. Robert Wise)Destination Moon (1950, dir. Irving Pichel)Fear & Desire (1953, dir. Stanley Kubrick)The Fly (1958, dir. Kurt Neumann)From Here to Eternity (1953, dir. Fred Zinnemann)Gentlemen Prefer Blondes (1953, dir. Howard Hawks)Godzilla Series (1954-current)The Greatest Show on Earth (1952, dir. Cecil B. DeMille)The House of Wax (1953, dir. André de Toth)The House on 92nd Street (1945, dir. Henry Hathaway)How to Marry a Millionaire (1953, dir. Jean Negulesco)Invasion of the Body Snatchers (1956, dir. Don Seigel)Jaws (1975, dir. Steven Spielberg)Mon Oncle (1958, dir. Jacques Tati)Mr. Hulot's Holiday (1953, dir. Jacques Tati)Niagara (1953, dir. Henry Hathaway)Peter Pan (1953, dir. Hamilton Luske, Wilfred Jackson, Clyde Geronimi)Plan 9 From Outer Space (1959, dir. Ed Wood)PlayTime (1967, dir. Jacques Tati)The Robe (1953, dir. Henry Koster)Roman Holiday (1953, dir. William Wyler)Sawdust & Tinsel (1953, dir. Ingmar Bergman)Shane (1953, dir. George Stevens)Stalag 17 (1953, dir. Billy Wilder)Stalker (1979, dir. Andrei Tarkovsky)Star Wars (1977, dir. George Lucas)Summer With Monika (1953, dir. Ingmar Bergman)The Ten Commandments (1923, dir. Cecil B. DeMille)Tokyo Story (1953, Yazujirō Ozu)Ugetsu (1953, dir. Kenji Mizoguchi)War of the Worlds (2005, dir. Steven Spielberg)When Worlds Collide (1951, dir. Rudolph Maté) Become a member to receive more weekly content at https://plus.acast.com/s/the-blue-rose-film-podcast. Hosted on Acast. See acast.com/privacy for more information.

Please join author Petr Ostadal and Associate Editor Dharam Kumbhani as they discuss the article "Extracorporeal Membrane Oxygenation in the Therapy of Cardiogenic Shock: Results of the ECMO-CS Randomized Clinical Trial." Dr. Carolyn Lam: Welcome to Circulation on the Run, your weekly podcast summary and backstage pass to the journal and its editors. We're your co-hosts. I'm Dr. Carolyn Lam, associate editor from the National Heart Center and Duke National University of Singapore. Dr. Peder Myhre: And I'm Dr. Peder Myhre, social media editor from Akershus University Hospital and University of Oslo in Norway. And today Carolyn will have such an interesting feature discussion. We are going to look into the use of ECMO to treat patients with cardiogenic shock, the results of the ECMO-CS randomized clinical trial. Isn't that interesting? Dr. Carolyn Lam: Awesome. Can't wait. But I suppose you're going to tell us about some papers in the issue first. I'm getting my coffee. Dr. Peder Myhre: Yeah, go ahead. Because first we're going to talk about a very interesting paper that relates to diabetes and the progression of coronary artery disease. So as you know, Carolyn, diabetes remains associated with an increased risk of cardiovascular morbidity and mortality. And although the absolute risk difference between patients with and without diabetes have declined over the past 20 years, we still don't know what is the diabetes associated differences in coronary plaque morphology and lipid content. Dr. Carolyn Lam: It's true. That's a very interesting question. And will you tell us more? Dr. Peder Myhre: Yeah. So the investigators in the prospect two study who enrolled patients exclusively from Denmark, Norway in Sweden who presented with biomarker positive MI and assessed both culprit lesions and untreated non-culprit lesions in these patients. And then they stratified the patients by diabetes status and examined with three vessel quantitative coronary angiography and near infrared spectroscopy and intravascular ultrasound imaging after successful percutaneous coronary intervention. Dr. Carolyn Lam: Okay, that's deep investigation. And what did they find? Dr. Peder Myhre: So diabetes was present in about 12% of patients and during a median or 3.7 year follow up, MACE occurred almost twice as free frequently in patients with versus without diabetes. And that was primarily due to an increased risk of MI related to culprit lesion stenosis and non-culprit relation related spontaneous MI. However, baseline prevalence of high-risk plaque characteristics was similar for patients with versus without diabetes, concerning culprit and the non-culprit lesions and in multi-variable models, diabetes was associated with MACE in lesions but not with prevalence of high-risk plaque characteristics. So Carolyn, the authors conclude that diabetes related plaque characteristics that might underlie the increased risk were not identified by multimodal imaging. Dr. Carolyn Lam: Oh, I just love studies like that so elegant with just a really, really intriguing results that make us ask more important questions. Love it. Thank you. Well, the next paper is also about myocardial infarction, but this time looking at the fibrotic remodeling after myocardial infarction because we know that MI induces a repair response that ultimately generates a stable fibrotic scar. And although the scar is important to prevent cardiac rupture, excessive pro-fibrotic response impairs optimal recovery because it promotes a development of non-contractual fibrotic areas. So would it be possible to regulate the expansion of cardiac fibroblast after MI through a paracrine action on the cardiac stromal cells? So the authors led by corresponding author Dr. Hulot from University of Paris performed a bioinformatic secretome analysis of cardiac stromal PW1 positive cells isolated from normal and post MI mouse hearts to identify novel secreted proteins. And they found that first cardiac PW1 positive stromal cells responded to myocardial infarction by secreting factors that promoted the proliferation and activation of resident fibroblasts and one such factor growth differentiation factor three or GDF3 was highly upregulated in the ischemic hearts and promoted a high induction of fibroblast proliferation via interaction with TGF beta receptors and activation of SMAD1/5 and SMAD2/3 signaling cascades. The upregulation of GDF3 was detected in the plasma of mice and humans following MI and high levels of plasma GDF3 in the days following MI predicted adverse outcomes measured six months later including cardiac dilation and limited recovery of contractile function in humans. Dr. Peder Myhre: Oh, that's so interesting. We already know GDF15 were very well, but now we hear about GDF3 in predicting fibrotic remodeling post myocardial infarction. So Carolyn, what are the clinical implications of these findings? Dr. Carolyn Lam: Exactly, Peder, in fact you said it. So the detection of high circulating GDF3 in plasma may serve as a novel biomarker of adverse fibrotic remodeling in heart tissue. That's one. And next the measurement of GDF3 plasma levels in the early post MI phase may allow for the identification of patients within an increased risk of severe myocardial fibrosis and heart failure and therefore could guide specific disease management. Dr. Peder Myhre: Thank you. That was an excellent summary of the paper, Carolyn. And now I'm going to look into a paper that relates to the important issue of arteriosclerosis following heart transplantation because as you know, transplant arteriosclerosis characterized by concentric and diffuse narrowing of vastly lumen is a major complication in long-term survivors of heart transplant patients. And increased lymph flow from donor heart to host lymph nodes has been reported to play a role in transplant arteriosclerosis. But how lymphangiogenesis affects this process is unknown. The authors of this paper, which comes to us from corresponding author Sue from Sejong University, transplanted vascular allografts between various combinations of mice including mice with severe combined immune deficiency and studied the lymphatic vessels within the grafted arteries. Dr. Carolyn Lam: Wow, that is really cool. Studying lymphatics and lymphangiogenesis in atherosclerosis. Interesting. What did they find, and what are the clinical implications? Dr. Peder Myhre: So Carolyn, lymphangiogenesis within allograft vessels began at the anastomotic sites and extended from preexisting lymphatic vessels in the host. Tertiary lymphatic organs were identified in transplanted arteries at the anastomotic site and lymphatic vessels expressing CCL21 were associated with these immune structures. Fibroblasts in the vascular allografts released VEGFC, which stimulated lymphangiogenesis into the grafts and inhibition of VEGFC signaling inhibited lymphangiogenesis, neointima formation and adventitial fibrosis of vascular allografts. And these studies identified VEGFC released from fibroblasts as signal stimulating lymphangiogenesis extending from the host into the vascular allografts. So, Carolyn, the authors conclude that the formation of lymphatic vessels play a key role in the immune response to vascular transplantation and inhibition of lymphangiogenesis may be a novel approach to prevent transplant atherosclerosis. Dr. Carolyn Lam: Wow, that is super interesting. Thanks, Peder. While also in this issue, there's an exchange of letters between Drs. Tanaka and Schulze regarding SGLT2 inhibitor treatment in acute decompensated heart failure. Why do we initiate it early? There's also a really nice On My Mind paper by Dr. Schiattarella on Cardiometabolic HFpEF. Is it the NASH of the heart? Dr. Peder Myhre: Oh, that's interesting. We also have some cardiology news by our own ‪Bridget Kuehn entitled “No Benefit Seen for Nighttime Dosing Over Morning Dosing for Antihypertensive Medications.” And this is a summary of the time trial, which was presented at European Society of Cardiology Congress in 2022. And finally, Carolyn, we have a Research Letter entitled “Stepwise Generation of Human-Induced Pluripotent Stem Cell Derived Cardiac Parasites to Model Coronary Microvascular Dysfunction” by Dr. Joseph Wu from Stanford University School of Medicine. Dr. Carolyn Lam: While cool, Peder. But now I'm so excited to hear about the ECMO-CS randomized trial. Let's go. Dr. Greg Hundley: Welcome listeners to this February 7th feature discussion and we have with us today Dr. Petr Ostadal from Na Homolce Hospital in Prague in the Czech Republic and our own associate editor, Dr. Dharam Kumbhani from UT Southwestern in Dallas, Texas. Welcome, gentlemen. Well, Petr, we'll start with you. Can you describe for us some of the background information that really led you to perform this study, and what was the hypothesis that you wanted to address? Dr. Petr Ostadal: According to the current guidelines from the management for the management of cariogenic shock, it should be considered administration of inotropes and vasopressor for hemodynamic stabilization, or it may be considered administration of inotropes and vasopressors and it should be considered the use of short-term mechanical circulatory support. And the aim of the ECMO-CS trial was to compare early conservative therapy with inotropes and vasopressors and immediate implementation of ECMO in patients with the rapidly deteriorating or severe cardiogenic shock. The hypothesis of the ECMO-CS trial was that immediate implantation of ECMO in patients with cardiogenic shock and critical hemodynamic condition will be associated with improved outcomes. Dr. Greg Hundley: Very nice. Can you describe for us this study population and then also what study design did you use to address your hypothesis? Dr. Petr Ostadal: We try to select patients who can really profit from the early ECMO implantation, and we define two categories of patients. First category where the patients with rapidly deteriorating cardiogenic shock corresponding to current sky stage D or E. This patient should have evidence of left ventricle pump failure as left ventricle ejection fraction below 35% or ejection fraction 35 to 55 in case of severe mitral regurgitation or aortic stenosis. And this patient also should require a repeated both of vasopressors to maintain mean arterial pressure about 50 millimeters of mercury. The second category where the patients with severe cardiogenic shock corresponding to current sky stage D and this patient should have the criterion of a hemodynamic conditions which was cardiac index less than 2.2 or systemic blood pressure below 100 millimeters of mercury in both situation with higher doses of inotropes and vasopressors. And in case of a low systolic blood pressure, also the evidence of left ventricle pump failure based on ejection fractional below 35 or ejection fraction 35 to 55 in case of severe mitral regurgitation of aortic stenosis. The second criteria for the metabolic criteria, that was the evidence of tissue hypoperfusion and this was defined as a higher lactate above three millimeters per litter or low ScvO2 below 50%. And the third criterion was exclusion of hypovolemia, and this was based on central venous pressure or pulmonary artery wedge pressure. So this was the major inclusion criteria in the ECMO trial. The study population was not defined based on theology of cardiogenic shock, but just on severity of cardiogenic shock. Dr. Greg Hundley: Very nice. And so your design, did you have a one-to-one randomization, or how did that work? And then also how many subjects did you include in this important trial? Dr. Petr Ostadal: The patients were randomized in one-to-one ratio to immediate implementation of ECMO or to early conservative therapy. But it is important to point out that in the early conservative therapy downstream use of ECMO was allowed in case of further hemodynamic worsening defined as increase of what lactate by three millimeters per litter. We enrolled 122 patients, 61 were randomized to early ECMO and 61 to early conservative strategy. Five patients were excluded due to absence of informed consent and finally 58 patients were analyzed in the early ECMO or immediate ECMO arm and 59 patients were analyzed in the early conservative arm. Dr. Greg Hundley: Sounds great Petr. And then tell us and describe your study results. Dr. Petr Ostadal: The primary endpoint was composite of death from any cause, resuscitated circulatory RS and implementation of another mechanical circulatory support including ECMO in the early conservative arm at 30 days. And there was no difference in the primary endpoint with P 0.2221 and has a ratio of 0.72 with a 95% confidence in interval 0.46 to 1.12. There was also no difference in the incidence of death from any cause. 50% in the immediate ECMO arm and 28%, 47.5% in the early conservative arm. There was no difference in the incidence of resuscitated circulatory arrest, 10.3 in the immediate ECMO arm and 13.6 in the early conservative arm. Less patient required another mechanical circulatory support in the early ECMO arm through 17.2 in comparison with 42.4% in the early conservative arm and downstream ECMO was used in 39% of patients in the early conservative arm. Dr. Greg Hundley: Very nice. So similar results both immediately and then 30 days later for both arms. And I think that last point that you make is very interesting. 39% of the individuals randomized to the conservative arm went on to receive VA-ECMO. Well, listeners next, we're going to turn to one of our associate editors and Dharam, you have many papers that you see. How do we put the results that Petr has just described really in the context of management of shock and results that have been published previously? Dr. Dharam Kumbhani: Yeah, Greg, thank you. And Petr, thank you for this important paper and again, I'm really honored to be here on behalf of Circulation on the Run. So again, want to congratulate the authors for really an important study. I think in terms of context, what is really interesting is the use of ECMO, particularly VA-ECMO for patients with shock has really skyrocketed. And it is interesting that this expansion has occurred in the absence despite, I guess high quality clinical trials, this trial certainly fills an important void. Although it is a small patient population, it is randomized, it is a largest randomized trial to date on this important population. And so I think most of the studies that have been done so far have been done using observational data sets which have sort of inherent limitations. So I certainly want to congratulate you on trying to study this very challenging population because in sort of that acute setting, it's frequently very hard to get patients randomized. So just broadly in that context, I think at the same time this study does sort of pose some important questions and sort of perhaps leads, just given the limitations of the sample size does sort of leave a few unanswered questions. So one question I have is, Petr, in addition to the 40% crossover rate is obviously important as Greg pointed out. The other thing is it appears that the use of other mechanical support during the conduct of this trial was also close to 40%, about 42%. So pretty much everybody in the conservative arm ended up with some kind of mechanical support. Now, at least in the last few years, a concept that has gained a lot of traction is a concept of a shock team where a number of providers with particular expertise from different disciplines would get together and sort of decide next steps was a shock team sort of part of the decision-making, especially for the conservative arm. Dr. Petr Ostadal: Thank you for this question. The situation is maybe a little bit more simple in the Czech Republic here, the cardiologist are responsible for the acute cardiac care, usually competent and experience not only for the diagnosis and examinations and monitoring of patients in cardiogenic shock, but also experience in insertion and management of the mechanical circulatory support. So here this attending cardiologist competent to manage this patient from different sites from the manage not only the conservative therapy but also the mechanical circulatory support therapy in these patients. So in this respect, this is more simple situation in the Czech Republic. Dr. Dharam Kumbhani: I just had a very quick question about, and I don't know if you want to include this, but Petr, I was curious, were patients with cardiac arrest, I know you mentioned sky shocks in were patients with cardiac arrest on the field or in the hospital included? Dr. Petr Ostadal: Thank you for this excellent question. And in comparison, with other trials comparing the or focusing on patients with cardiogenic shock in the ECMO-CS trials, cardiac arrest survivors were excluded. And the reason was that the brain damage, which is the major cause of death in these patients cannot be influenced by ECMO insertion. And second, in majority of patients after cardiac arrest, if there is a presence of shock, there is frequently combined shock with important peripheral component. And again, it cannot be assumed that this peripheral component can be reversed by ECMO implantation. So in the ECMO-CS trial, the cardiac arrest survivors were excluded from that enrollment. Dr. Greg Hundley: Well, thank you so much Petr. Petr, what do you think is the next study to be performed really in this area of research? Dr. Petr Ostadal: I think that we are happy because several other clinical trials focusing on the mechanical circulatory support in patients with cardiogenic shock underway. And there are other trials focused on ECMO and trials a bit focused on combination of ECMO with balloon pump and trials focused on Impella. So I think in the very close time we will be able to see the results of these current running trials1. Dr. Greg Hundley: And Dharam, do you have anything to add? Dr. Dharam Kumbhani: No, I agree completely with Petr. I think this is a very exciting field. I know there's a lot of interest in doing well conducted clinical trials in this space. And so certainly, I think the future is bright for investigation in this field. Dr. Greg Hundley: Very nice. Well, listeners, we want to thank Dr. Petr Ostadal from Prague in the Czech Republic and our own associate editor, Dr. Dharam Kumbhani from Dallas, Texas for bringing us this study highlighting that immediate implementation of VA-ECMO in patients with rapidly deteriorating, or severe cardiogenic shock did not improve clinical outcomes compared to an early conservative strategy that permitted downstream use of VA-ECMO in the case when the patient's hemodynamic status worsened. Well, on behalf of Carolyn, and Peder, and myself, we want to wish you a great week and we will catch you next week on the run. This program is copyright of the American Heart Association 2023. The opinions expressed by speakers in this podcast are their own and not necessarily those of the editors or of the American Heart Association. For more, please visit ahajournals.org.

Elle est ce qu'on appelle une personnalité clivante. On l'encense ou on la méprise, elle agace, elle épate, parfois les deux. Mais on ne peut pas l'ignorer et la Macronie visiblement ne peut pas se passer d'elle. Marlène Schiappa est atypique, et donc difficilement remplaçable. Avec les affaires Darmanin et Hulot, deux ministres accusés de violences sexuelles, la benjamine du gouvernement fait jouer la solidarité gouvernementale. Elle soutient ses collègues. Difficile à digérer pour les associations féministes... qui ne seront pas plus convaincues par sa loi contre les violences sexistes, ou par le Grenelle sur les violences conjugales. Dans chaque épisode, "Les Voix du crime" donne la parole à un témoin clé d'une affaire criminelle... Mais qui sont celles et ceux qu'ils ont côtoyés ? Celles et ceux qui trouvent leur place dans leur récit ? Toutes les deux semaines, Isabelle Choquet dresse le portrait d'une figure incontournable de ces crimes qui ont marqué l'histoire judiciaire.

Climate Change 1980-2018   Two tigers talking and one is saying, "You can tell humans apart by their fingerprints.  They are as unique as our stripes."  I've been cleaning up and organizing all of my folders and over the year have saved some screenshots that I label “Ideas”.  They are mostly quotes to overlay on beautiful cat images for social sites, so I've created a few, but today had that bizarre stripe / finger print idea come out of nowhere.  I sent it to LaWanna to see if Cindy Arthur, or one of our artists could illustrate that.   Howie is feeling better and decided he's now ready to remake the cartoon I had done to promote our federal bill to ban cub petting.  His edits are great, but now it means pretty much starting from scratch with the cartoonist.  I'm going to give it another day or so, because he will want to change things a few times and no sense paying for work that is just going to have to be redone.  Jamie and Victor went fossilizing for something new yesterday.  It's an old mine where they hit a pocket of fossilized clams.  Jamie says the animal part of the clams turns to crystals and that's what she's digging.  I have crystals in my pockets and on my desks as a reminder that we are all made of light.   I'm continuing to read the NYT piece on climate change.  I found this interesting and wondered if Jamie hopped back onto the planet in 1980 to be a part of the change that was needed to save the earth?     On April 3, 1980, Senator Paul Tsongas, a Massachusetts Democrat, held the first congressional hearing on carbon-dioxide buildup in the atmosphere. Gordon MacDonald testified that the United States should “take the initiative” and develop, through the United Nations, a way to coordinate every nation's energy policies to address the problem. That June, Jimmy Carter signed the Energy Security Act of 1980, which directed the National Academy of Sciences to start a multiyear, comprehensive study, to be called “Changing Climate,” that would analyze social and economic effects of climate change. More urgent, the National Commission on Air Quality, at the request of Congress, invited two dozen experts, including Henry Shaw himself, to a meeting in Florida to propose climate policy.     Two days before Halloween in 1980 Rafe Pomerance traveled to a cotton-candy castle on the Gulf of Mexico, near St. Petersburg, Fla, that locals called the Pink Palace. The Don CeSar hotel was a child's daydream with cantilevered planes of bubble-gum stucco and vanilla-white cupolas that appeared to melt in the sunshine like scoops of ice cream. The hotel stood amid blooms of poisonwood and gumbo limbo on a narrow spit of porous limestone that rose no higher than five feet above the sea. In its carnival of historical amnesia and childlike faith in the power of fantasy, the Pink Palace was a fine setting for the first rehearsal of a conversation that would be earnestly restaged, with little variation and increasing desperation, for the next 40 years.   2015-2018:  The Paris Agreement is an agreement within the United Nations Framework Convention on Climate Change (UNFCCC), dealing with greenhouse-gas-emissions mitigation, adaptation, and finance, starting in the year 2020. The agreement's language was negotiated by representatives of 196 state parties at the 21st Conference of the Parties of the UNFCCC in Le Bourget, near Paris, France, and adopted by consensus on 12 December 2015. As of November 2018, 195 UNFCCC members have signed the agreement, and 184 have become party to it. The Paris Agreement's long-term goal is to keep the increase in global average temperature to well below 2 °C above pre-industrial levels; and to limit the increase to 1.5 °C, since this would substantially reduce the risks and effects of climate change.   Under the Paris Agreement, each country must determine, plan, and regularly report on the contribution that it undertakes to mitigate global warming. No mechanism forces a country to set a specific target by a specific date, but each target should go beyond previously set targets. In June 2017, U.S. President Donald Trump announced his intention to withdraw his country from the agreement. Under the agreement, the earliest effective date of withdrawal for the U.S. is November 2020, shortly before the end of President Trump's current term. In practice, changes in United States policy that are contrary to the Paris Agreement have already been put in place.   In July 2017 French Environment Minister Nicolas Hulot announced a plan to ban all petrol and diesel vehicles in France by 2040 as part of the Paris Agreement. Hulot also stated that France would no longer use coal to produce electricity after 2022 and that up to 4 billion will be invested in boosting energy efficiency. To reach the agreement's emission targets, Norway will ban the sale of petrol- and diesel-powered cars by 2025; the Netherlands will do the same by 2030. Electric trains running on the Dutch national rail network are already entirely powered by wind energy. The House of Representatives of the Netherlands passed a bill in June 2018 mandating that by 2050 the Netherlands will cut its 1990 greenhouse-gas emissions level by 95%—exceeding the Paris Agreement goals.  What will we do?  

Monsieur Hulot's Holiday (1953) directed by Jacques Tati. When the ever-hapless Monsieur Hulot (Jacques Tati) decides to vacation at a beautiful seaside resort, rest and relaxation don't last long, given the gangly gent's penchant for ridiculous antics. While simply out to enjoy himself, the well-meaning Hulot inevitably stumbles into numerous misadventures, including an utterly disastrous attempt at playing tennis, as he encounters fellow French vacationers from various social classes, as well as foreign tourists. This is The Recommendation Game, a bi-weekly podcast where two film lovers take turns to recommend a film the other has not seen, they watch and then skype to discuss it. Spoilers are a given. We are Ricardo Deakin and Orla McNelis, two filmy types who love waffling. Catch us on Dublin Digital Radio every second Monday: listen.dublindigitalradio.com/home Follow us on Twitter: twitter.com/therecgame Like us on Facebook: www.facebook.com/therecommendationgame/

Winnipeg filmmaker Deco Dawson, whose first feature Diaspora premieres this Saturday, October 8th, at 7:30 pm in Montreal's Festival du Nouveau Cinema, steps up for Jacques Tati's charming 1958 comedy Mon Oncle, the one where Tati's befuddled M. Hulot ventures from his ramshackle Paris neighborhood to stay with his upwardly mobile sister and her family in a modernized suburb. Your genial host Norm Wilner has fond memories of the fish fountain.

Thierry Hulot, président du groupe Merck en France, était l'invité de Christophe Jakubyszyn dans Good Morning Business, ce vendredi 9 septembre. Ils ont abordé l'investissement de 130 millions d'euros par le laboratoire pharmaceutique allemand, afin d'ouvrir une nouvelle unité de production sur son site alsacien de Molsheim et qui permettra de créer 800 emplois, ainsi que la stratégie de développement du groupe en France, sur BFM Business. Retrouvez l'émission du lundi au vendredi et réécoutez la en podcast.

Ένα μεγάλο αφιέρωμα στον super trapper, έναν χρόνο μετά τον θάνατό του, με αποκλειστικό ηχητικά αποσπάσματα με τον ίδιο να αφηγείται τη ζωή του στον M.Hulot και πολλή μουσική

The Tour de Tati has hit The Big City, but will Sterling and Zach get as lost as Hulot? LuckilyContinue readingTour de Tati- Chapter 4: PlayTime (1967)

durée : 00:15:01 - Superfail - par : Guillaume Erner -

durée : 00:04:45 - Voyage en Comédie - par : Thomas CROISIERE - Dans cette comédie de 1958, Jacques Tati met en scène monsieur Hulot, et ses tribulations. Une œuvre primée à Cannes, oscarisée à Los Angeles et plébiscitée par 4 millions et demi de spectateurs. - réalisé par : François AUDOIN

While Andy is returning to an old favourite and a third viewing, Martin is seeing this 1971 adaptation of Honore de Balzac's Cousin Bette for the first time. As with Barchester his worst fears are unfounded, in fact he, like confirmed fan Andy, finds this drama compelling and delicious and vows to introduce it to others. The series concerns the fortunes of poor relation Cousin Bette played with verve and ferocity by the wonderful Margaret Tyzack (best known for the role of Antonia in I, Claudius) who decides to revenge herself upon her family when the man she saves from suicide, Count Steinbock (Colin Baker), is taken from her. Bette allies herself with the beautiful and ambitious Valerie Marneffe (Helen Mirren) whose appetite for money just about surpasses her appetite for lovers and together the pair set about destroying the Hulot family, including sex-mad patriarch Hector (Thorley Walters) and his long-suffering deeply religious wife Adeline (Ursula Howells). The series also stars Doctor Who luminaries Edward de Souza, Davyd Harries and David Garth. A surprisingly fast-paced exploration of revenge, jealousy and infidelity, Andy and Martin choose their favourite moments and give their commentary on the unfolding intrigue and some of the most memorable performances ever given in BBC costume drama. Margaret Tyzack was quite rightly nominated for an Emmy for what is surely the role of her career.

O Πάνος Σόμπολος αφηγείται τη ζωή του στον M. Hulot και  μιλάει για τη νέα καριέρα του ως συγγραφέας βιβλίων με υλικό από τις εμπειρίες και το τεράστιο αρχείο του.    

Ο Μάκης Μαλαφέκας ανακρίνει τον M.Hulot αναζητώντας απαντήσεις για το τι τα κάνει αντικείμενο λατρείας για ενήλικες και αντικείμενα του πόθου στο e-bay

Macron, Hulot, De Rugy: cinq ans d'enfumage "écologique" Il nous resterait trois ans max pour réagir radicalement avant un crash environnemental sans précédent. C'est le GIEC qui le dit, mais rien ne bouge ou presque, nulle part. Alors, à quoi servent les ministres de l'écologie ? Il nous resterait trois ans max pour réagir radicalement avant un crash environnemental sans précédent. C'est le GIEC qui le dit, mais rien ne bouge ou presque, nulle part. Alors, à quoi servent les ministres de l'écologie ? C'est la question que la journaliste Justine Reix s'est posée. Elle a enquêté pendant deux ans, rencontrant les ex-ministres et pénétrant leur monde. Cemil Şanlı l'a reçu sur le plateau du Média pour faire le point alors que sort son livre-enquête : "La poudre aux yeux : à quoi sert le ministère de l'écologie?" ▶ Soutenez Le Média :

En el episodio de hoy hablamos sobre "En un lugar solitario", de Nicholas Ray, protagonizada por Humphrey Bogart y Gloria Grahame. Hablamos sobre por qué el cine de antes es mejor que el de ahora y repasamos los Oscar de los últimos años para dar nuestra opinión de algunas de las películas más recientes de la historia del cine. Recomendaciones libérrimas: —“La noche del oráculo”, de Paul Auster. —“El amor en su lugar”, de Rodrigo Cortés. —“Remembranzas festivas canguesas”, de José Luis Rodríguez Mera. —“Día de fiesta”, de Jacques Tati. —“Las vacaciones del Sr. Hulot”, de Jacques Tati. —“Mi tío”, de Jacques Tati. Intervienen: Don Diego Álvarez (@diegocdn28), el Señor Despachito (@despachitoNY) y Nacho Rozas (@inakorozas, director). Control técnico: Marcos Machado.

Proche de Nicolas Hulot, Matthieu Orphelin a été mis « en retrait » de la campagne de Yannick Jadot, en raison d'interrogations sur la connaissance qu'il aurait pu avoir des agissements de l'ancien ministre, accusé de violences sexuelles et sexistes. Une « décision courageuse » de la part du candidat écologiste à la présidentielle, salue Sandrine Rousseau. Un article de Mathieu Dejean publié le 28 novembre 2021, lu par Christine Pâris.

What was the last thing you spent three years making? Jacques Tati's epic comedy PLAYTIME is an exercise in obsession.Twitter: @freshmoviepod || Instagram: @abreathoffreshmovieEmail: abreathoffreshmovie@gmail.comTheme Music, "A Movie I'd Like to See" by Al Harley.

Les vacances de Monsieur Hulot. Monsieur Hulot's Holiday - Vocabulary. A tennis lesson and more by Mr Hulot in this 1953 French classic movie M. Hulot's Holiday, with Jacques Tati. Don't miss that movie if you have a chance. Giggles the whole way. Watch, laugh, write and improve your French vocabulary and grammar. Check your answers in the lesson. The post Les vacances de Monsieur Hulot appeared first on French Hour.

The Filmosophers have a conversation with Director David Lynch, who discusses the search for the perfect milkshake, comments on a few of his favorite films including “Rear Window” and “Mr. Hulot's Holiday,” plays a round of David Lynch trivia, and speaks about the power of Transcendental Meditation to create world peace. [Theme music performed by Scarlet Newman-Thomas, courtesy of The Teenage Diplomat]

We revisit the world of Jaques Tati and his Mr. Hulot for one last time with Trafic, in which Mr. Hulot invents a very good car and has an adventure trying to get it to the autoshow. Along the way we talk about car culture, the proper collective name for a group of hippies, and whether or not Tati is a reactionary.

Mια συζήτηση του M.Hulot με τον Ανδρέα-Περικλή Μεταξά με αφορμή τα πρωτοφανή περιστατικά των τελευταίων ημερών μεταξύ των Ελλήνων ράπερ.

O M.Hulot συζητά με τον Δήμο Τζορμπατζόγλου για την κοινή μανία τους

Σε ένα σπίτι γεμάτο πουλιά και φυτά, ο M.Hulot και ο Δήμος Τσορμπατζόγλου κουβεντιάζουν για το πώς τα φυτά συνεργάζονται μεταξύ τους δημιουργώντας κοινωνίες που μοιάζουν με των μελισσών ή των ζώων, και όσα πρέπει να ξέρεις για τη φροντίδα της πιλέας.