Podcasts about music since

PopaHALLics #126 "Hit Man & Hitmakers"Wouldn't it be nice to learn more about the Beach Boys and Neil Young? We enjoy a documentary and a biography giving new insights into these influential musicians and their place in pop culture. We also laugh at a sexy fake hit man, cheer on "The Bear" and "Sweeth Tooth," and are very glad Lady Jane Grey does not lose her head in the swashbuckling, dryly funny reimagining "My Lady Jane."Streaming:"Hit Man," Netflix. In this action comedy directed by Richard Linklater, a dweeby college professor (Glen Powell, "Anyone But You") pretends to be a hit man for police investigations. What happens when he falls for a sexy suspect (Adria Arjona) who thinks he's a cool, confident killer?"My Lady Jane," Amazon Prime. Wait, Lady Jane Grey does NOT get "the chop" at the Tower of London? This reimagining of her life is like "The Princess Bride," with adventure, oodles and oodles of sex, and magic realism. As in people can turn into animals!"The Bear," Hulu. Season 3 finds tormented chef Carmie (Jeremy Allen White) continuing to chase a Michelin star, with lots more yelling in the kitchen and more emphasis on the characters around him."Sweet Tooth," Netflix. The third and final season of this sweet, gentle drama finds Gus the deer boy and his friend Big Man trying to get to Alaska and hook up with Gus' mom, who's trying to stop the plague "the Sick.""The Beach Boys," Disney +. This fan-friendly documentary traces the history of the band known for surf anthems through "Pet Sounds," a revolutionary album in its time, and beyond. Tons of never-before-seen photos, great stories, and critical insights into the band's importance from the likes of Lindsey Buckingham, producer Don Was, and Janelle Monae.Books:"Disobedient," by Elizabeth Fremantle. This novel based on the life of Artemisia Gentileschi—the greatest female painter of the Renaissance—finds her refusing to be silent about a rape and having "visual revenge" in the creation of her masterpiece, "Judith Beheading Holofernes.""Shakey: Neil Young's Biography," by Jimmy McDonough. This 2002 mammoth biography is the definitive look at the life and art of the enigmatic rocker. It was authorized by Young and yet still manages to hold his feet to the fire for questionable creative decisions and the many times he treated those closest to him badly. Music:Since we talk about the Beach Boys and Neil Young, let's have fun, fun, fun with a playlist featuring lots of music from both! PopaHALLics #126 Playlist kicks off with a song by the Four Freshmen, who heavily influenced Beach Boys' leader Brian Wilson's ideas about harmonies.Click through the links above to watch, read, and listen to what we're talking about.

Today my guests is Amy Jo (Gaither), ever since she was 3 she has been around music, she wrote her first song at 10 years old & nothing has held her back. She is a member of the ISSA (international singers songwriters' association) as well as the CMA & ACM . She has been nominated for awards and has been able to bring some hardware home. She is the mom of 7 kids, always encouraging and uplifting. I had a blast talking with her and sharing her story. We share a lot of laughs, and just hearing her story and her passion behind what she does and why is very encouraging. Also I'm featuring some of her songs, "Swamp Water" and her brand new song that just came out "Goodbye Brenda" with her close friend Sarah Ashley. Check out her website at www.anyjosmusic.com and check out all her merchandise you can get, maybe even see her in concert in the future. I am also playing songs by Krya Gordon- her song called, "Burn It Down," as well as Cory M. Coons, his new song, "White Pickett Fence," and Carrie Cunningham, "Just Like" Please check out these incredible musicians and their many songs. Also as always THANK YOU to my sponsors, please check them out. Lone Star Donuts, located in Silverdale WA, Port Orchard WA, & Poulsbo WA, the number at the Silverdale location is 360-204-5021. Taquiza & Taquiza Street: They are both located in Silverdale, Taquiza is at the Kitsap Mall & Taquiza Street is a stationary food truck, both serve fantastic authentic food. Give them a call at for Taquiza call 360-698-4335 or Taquiza Street call 360-200-7315. The 19TH Hole Bar & Grill; a great place, fun atmosphere to check out, always great specials. Stop by or give them a call and place your order at 360-813-3501. Check out Chico Chicken & Pizza, great tasting fried chicken & delicious pizza, call and place you order today at 360-550-4041. The Big Apple Diner 360-373-8242- they have over 30 shakes available & great tasting burgers too. Get transported back in time when you eat there. Also if you are looking to improve your business with some amazing tumblers, t-shirts, signs, coffee cups & much much more then you have to check out the Dandelion Sticker Company, Amanda can bring you vision to a reality. You can email her @ dandelionstickerco@gmail.com or check out her Facebook page and you can see what she has done. Check out: https://www.etsy.com/shop/DandelionStickerCo Give her an idea and she can created it. Head over to my website at WWW.CHITNCHATPODCAST.COM, I have links to each one of these businesses. You have the ability to click on each on and get more info about each of these AMAZING businesses. Eat Well, Eat Local. If you haven't subscribed or are following the podcast, please do so. You can find us on Spotify, I-Heart Radio, and platforms. Also you can hear the podcast on Total Mixx Radio, which can be heard on WWW.TOTALMIXXRADIO.ORG, where it is played there as well during the week. This podcast is always fun, encouraging and uplifting, I hope you can subscribe and follow, we are also now on Youtube. Thank you for your continued support & encouragement, Until next time, encourage one another --- Send in a voice message: https://podcasters.spotify.com/pod/show/jody-shuffield/message

Jennie Gottschalk is a composer and author based in Boston. She holds a doctorate from Northwestern University and her dissertation and current work explores connections between American pragmatist thought and experimental music. Gottschalk is also the author of the book Experimental Music Since 1970, published in 2016. In the interview, we discuss the challenges of defining experimental music, the influence of indeterminacy, and recent developments in the field. Music: New Work by Pauline Oliveros, performed by The Circle Trio: Pauline Oliveros, accordion; India Cooke, violin; Karolyn van Putten, voice (Other Minds Festival 8); Triptych by Éliane Radigue, performed by Éliane Radigue (Other Minds Archives); Raga 18 by John Cage, performed by Amelia Cuni, dhrupad vocals; Werner Durand, drones/electronics; Raymond Kacynski and Federico Sanesi, percussion (Other Minds Records); Transparent City by Michael Pisaro, performed by Michael Pisaro (The Nature of Music) Follow Jennie on Twitter. jenniegottschalk.com Experimental Music Since 1970 Follow us on Facebook, Instagram, and Twitter. otherminds.org Contact us at otherminds@otherminds.org. The Other Minds Podcast is hosted and edited by Joseph Bohigian. Intro/outro music is “Kings: Atahualpa” by Brian Baumbusch (Other Minds Records).

SynopsisIn Berlin on today's date in 1915, prolific German composer Max Reger conducted the premiere performance of what would become his most popular orchestral work.Like Bach, Reger was a master of counterpoint and the fugue, and, like Beethoven, loved writing variations. Reger's Variations and Fugue on a Theme of Mozart starts off simple enough, quoting a familiar theme from one of Mozart's piano sonatas. About 30 minutes later, the simple theme develops into a massive fugue. It's all grand and clever if you like it, or bombastic and tiresome if you don't.The witty Nicolas Slonimsky, in his book Music Since 1900, described it as follows: “Mozart's ingenuous theme … is subjected to torturous melodic anamorphoses, contrapuntal contortion, canonic dislocation, rhythmic incrustation and harmonic inspissation.”To save you the trouble of Googling the definition of “inspissation,” let's just say it's not a condition you would wish on anybody!Whether you're a fan or not, Variations and Fugue on a Theme of Mozart is quintessential Reger, and one is tempted to say, “What did you expect? It's Reger to the Max!”Music Played in Today's ProgramMax Reger (1873-1916): Variations and Fugue on a Theme by Mozart; New York Philharmonic; Kurt Masur, cond. Teldec 74007

‘Spit Out The Bone' & open your ears

SynopsisFor decades Nicolas Slonimsky, the Russian-born American composer, conductor, and witty musical lexicographer, compiled a reference work titled “Music Since 1900.” It's a year-by-year, month-by-month, day-by-day chronicle of musical events he deemed significant, interesting, or simply amusing.Here, for example, is Slonimsky's entry for July 15, 1942:“Heitor Villa-Lobos conducts in Rio de Janeiro the first performances of three of his orchestral Choros: No. 6, No. 9 and No. 11, exhaling the rhythms, the perfumes and the colors of the Brazilian scene, with tropical birds exotically chanting in the woodwinds against the measured beats of jungle drums.”Slonimsky did have a way with words, and certainly had fun compiling his mammoth (and highly readable) reference work.For his part, Brazilian composer Heitor Villa-Lobos was equally diligent, so much so that he claimed he couldn't always remember everything that he had written. His Choros No. 11 for piano and orchestra lasts some 65 minutes and is one of his most ambitious works. Originally the word “choro” meant improvised music by Brazilian street musicians, but Villa-Lobos always used the word in its plural form to describe over a dozen of his instrumental works.Music Played in Today's ProgramHeitor Villa Lobos (1887 - 1959) Choros No. 9 Hong Kong Philharmonic; Kenneth Schermerhorn, conductor. Naxos 8.555241

If you are hoping for an episode about musicals, move along. You and Lisa can vibe about musicals on your own time. In this episode we are talking about classical composers. We've only ever heard about Beethoven, Bach, Mozart and the rest of the classical music boys. It never even occurred to us that women had been composers because what we do know is that women were not really allowed to do jack shit. Come to find out, not only were there a lot of very talented female composers going back to even the 11th century, but some of them were so good, that the men around them took credit for their work! Are you shocked? Neither were we! I say this with much bias, but this episode is a pretty good mini education about women in the history of classical music. (Sorry I butchered all the names!) Here's our main sources: https://www.classicfm.com/discover-music/latest/great-women-composers/?fbclid=IwAR3E9kXRVFujbsxguUS4Ntv3YusGPMEhjhXbIMAH4czGi-lhg8z3n8Qa0uI https://utahsymphony.org/explore/2020/03/10-trailblazing-female-composers-you-need-to-know/ And here's a PLAYLIST! https://open.spotify.com/playlist/4qUnaheqZvTVpgejSU3IMA?si=1a88a0f02c504165 --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Support this podcast: https://anchor.fm/bitchstory/support

Synopsis A decidedly UN-politically correct opera had its premiere at London's Covent Garden on today's date in 1905. It was entitled “L'Oracolo” or “The Oracle” by the Italian composer Franco Leoni. Here's a witty one-sentence précis of the opera prepared by Nicolas Slonimsky for his chronology “Music Since 1900”: “L'Oracolo, an opera in one long act, dealing with multiplex villainy in San Francisco's Chinatown, wherein a wily opium-den keeper kidnaps the child of the uncle of a girl he covets, kills her young lover, and is in the end strangled by the latter's father, with a local astrologer delivering remarkably accurate oracles; an Italianate score tinkling with tiny bells, booming with deep gongs, and bubbling with orientalistic pentatonicisms.” Another wag described “L'Oracolo” as “Puccini-and-water,” suggesting that if Puccini were whisky, Leoni music was definitely a less potent brew. But when a touring Italian opera company announced a performance of “L'Oracolo” in San Francisco in 1937, the city's Asian residents protested, demanding they cut the most racially offensive scenes or, better yet, stage a different opera altogether. A compromise was reached, whereby the House manager preceded the performance with a speech assuring the capacity audience that the opera's locale and action were pure fiction, and bore no resemblance to San Francisco's Chinatown past or present. Music Played in Today's Program Franco Leoni (1864 – 1937) –L'Oracolo (Tito Gobbi, baritone; National Philharmonic; Richard Bonynge, cond.) London OSA-12107 (LP)

Yung Vince is joined by The "Straight To The Bag" Crew (STTB) Featuring 10K Moss, Wxvy Jackson, and 1Milli for their very first interview. We learn about how they started making music together, progressing as artists, learning about business, trusting their own vision, and much more. Shoutout STTB Music for fire conversation and go stream their new project, "Straight To The Bag: Chapter Two" For new content, follow the whole gang on IG : @10kmoss @wxvyjackson @1milli.c @sttbmusic Click the Below Links to Keep Up With New Versatile Vigilante content: Website: https://versatilevigilante.com Instagram: https://www.instagram.com/VersatileVigilante/ Soundcloud: https://soundcloud.com/versatilevigilante Spotify: https://podcasters.spotify.com/podcast/6rbWSYZP9asHUv431qHZfK/overview 0:00 - @sttbmusic - 10 K Moss, Wxvy Jackson, 1 Milli 0:40 - Mucho Quadro 1:20 - 10K Moss Origin Story 3:00 - Recording in the Basement; Learning 3:45 - Learn From Other People's Mistakes 3:50 - Don't Give Up On Yourself; Consistency 4:20 - Only Started Making Music in 2020 5:00 - Having a Team 5:40 - Feeding Off Each Other's Energy 6:40 - Having Different Styles 7:45 - Meeting Wxvy 11:00 - Working Every Day 12:20 - Signing Up For This Life 13:20 - Trust The Vision 14:00 - Who Gives a F 14:50 - "I Know How Hard It Is 15:30 - Wxvy Didn't Drop For a Year 16:20 - Stashing Music 17:20 - Learning About Business; How to Move 19:30 - Reputation is Important 20:30 - Always Been The Same 21:30 - Talk is Cheap 22:50 - Happy Bday 10K Moss 23:00 - STTB Chapter 2 25:00 - Whole Team Has Own Style 26:00 - Learning to Sing on Tracks 26:30 - Hearing Improvement in Each Other 27:30 - Straight To The Bag 29:10 - Creating Own World; 10K Business Mind 30:20 - Holding Each Other To a Standard 31:00 - $TTB in IG Bio 32:00 - Having Own Label One Day 33:00 - Not Having Guidance; Giving Back 34:40 - Helping Others Make It 37:00 - Developing Strenghth & Perspective 37:30 - Trust Your Own Path 40:00 - Leave People Alone 41:20 - Let Work Speak For Itself 43:00 - Appreciating Support 44:30 - Using Social Media As a Tool 47:00 - Thinking Far Ahead 47:35 - Scarface 48:20 - Believing In Your Own Vision 48:40 - Other Hobbies; Watching Interviews 49:20 - Shoutout Sharp 50:30 - Enjoying the Little Things 51:40 - "Just Know Who You Are" 54:00 - Overthinking 54:40 - Cliche Gang 55:10 - Performing 57:30 - Material Doesn't Matter 58:00 - Shoutout Straight To The Bag 59:00 - @10kmoss, @wxvy.jackson, @1milli.c

Synopsis We have a special DATEBOOK birthday to note today, for on this date in 1894, one of music's great “date-meisters,” Nicholas Slonimsky, was born in St. Petersburg, Russia. A self-described “failed wunderkind,” Slonimsky became an accomplished conductor and relentless new music promoter, giving the first performances of avant-garde works by Charles Ives, Henry Cowell, and Edgard Varese, to name just a few. A composer himself, Slonimsky's own works include settings of actual advertisements he found in the Saturday Evening Post circa 1925, and a symphonic work that culminates in the triple-forte explosion of 100 colored balloons. Slonimsky was an obsessive collector of the dates, venues, and premiere performers of concert music in the 20th century. Slonimsky's chronicle, entitled Music Since 1900, runs well over 1000 pages and went through several editions during his long lifetime. Slonimsky also served as the editor for several editions of Baker's Biographical Dictionary, writing many of the wittiest contributions himself. Slonimsky's scholarly writings include a 1947 Thesaurus of Scales and Melodic Patterns, an inventory of all conceivable and inconceivable tonal combinations, a work that became a cult classic among BeBop jazz musicians, including the legendary saxophonist John Coltrane. In 1952, Slonimsky published his Lexicon of Musical Invective, a collection of some of the juiciest bits from the devastatingly bad reviews many musical masterpieces received at the hands of contemporary critics, and in 1968, for the Music Library Association of America, a painstakingly researched report entitled Sex and the Music Librarian. Nicolas Slonimsky died in Los Angeles in 1995, just 4 months shy of his 102nd birthday. Music Played in Today's Program Charles Ives (1874-1954) — Three Places in New England (San Francisco Symphony; Michael Tilson Thomas, cond.) BMG 63703

Subscribe now to FREQ podcast : https://www.youtube.com/channel/UCR-83jXYiUo5RDkLvPjZo_A?sub_confirmation=1 Connect with FREQ on Social Media: https://www.instagram.com/freqpodcast/ https://www.instagram.com/toridoublecup/ https://www.instagram.com/hibbalde/ Intro music by Supr Sprt https://www.instagram.com/suprsprt/ FREQ podcast is a music, fashion, and lifestyle podcast hosted by DJ Tori Doublecup and Hib Balde. FREQ is an abbreviation for frequencies and every week we are Facing Real Elevating Questions. Both of us have recently moved to LA and are having conversations about pop culture with people we believe are Up Next. On FREQ, other than our hosts, you will hear from different guest artists, creatives, and entrepreneurs. We hope this podcast inspires and motivates you to chase your dreams!

A rider shares what's its like to make music independently since 1988, and tells how he has lasted this long. Www.bbe.com Comments info@taxi-chronicles.com www.africainvestorstories.com --- Send in a voice message: https://anchor.fm/taxi-chronicles/message

In Berlin on today’s date in 1915, the prolific German composer Max Reger conducted the premiere performance of what would become his most popular orchestral work. Like Bach, Reger was a master of counterpoint and the fugue, and, like Beethoven, loved writing variations. Reger’s “Variations and Fugue on a Theme of Mozart” starts off simple enough, quoting a familiar theme from a Mozart’s Piano Sonata. Some thirty minutes later, the simple theme develops into massive fugue. It’s all very grand and clever if you like it, or bombastic and tiresome if you don’t. The witty Nicolas Slonimsky, in his “Music Since 1900,” described it as follows: “Mozart’s ingenuous theme… is subjected to torturous melodic anamorphoses, contrapuntal contortion, canonic dislocation, rhythmic incrustation, and harmonic inspissation.” To save you the trouble of Googling the definition of “inspissation,” let’s just say it’s not a condition you would wish on anybody! Whether you’re a fan or not, “Variations and Fugue on a Theme of Mozart” is quintessential Max Reger, and one is tempted to say, “What did you expect? It’s Reger to the Max!”

In Berlin on today’s date in 1915, the prolific German composer Max Reger conducted the premiere performance of what would become his most popular orchestral work. Like Bach, Reger was a master of counterpoint and the fugue, and, like Beethoven, loved writing variations. Reger’s “Variations and Fugue on a Theme of Mozart” starts off simple enough, quoting a familiar theme from a Mozart’s Piano Sonata. Some thirty minutes later, the simple theme develops into massive fugue. It’s all very grand and clever if you like it, or bombastic and tiresome if you don’t. The witty Nicolas Slonimsky, in his “Music Since 1900,” described it as follows: “Mozart’s ingenuous theme… is subjected to torturous melodic anamorphoses, contrapuntal contortion, canonic dislocation, rhythmic incrustation, and harmonic inspissation.” To save you the trouble of Googling the definition of “inspissation,” let’s just say it’s not a condition you would wish on anybody! Whether you’re a fan or not, “Variations and Fugue on a Theme of Mozart” is quintessential Max Reger, and one is tempted to say, “What did you expect? It’s Reger to the Max!”

JAH BLESS AND WELCOME TO ANOTHER CLASSIC LYRICAL DIVA BINARY PROMO UPLOAD  "SISTREN'S IN MUSIC SINCE 09" WITH YA PODCAST SELECTOR KINGRASTA28 DA ELDA TODAYS SHOW SEGEMENT WE SET IT OFF WITH THE KINGRASTA28 SPOTLIGHT:  kingrasta28 da elda a chat dj big inf:salute paula perry:fort knox triph sic:dirty dozen lady stun ft big stress:niggas dont want it mpound:defination bg offical ft lady tic: source chi:popin http://youtu.be/_-K5MNGchSg sugar wallz:first 48 paul elliott:taxi cookie crew:word to the conscious seenic the blaquestarr ft b-bizzy http://youtu.be/M3zI4o-0V_s paperdoll:who can i trust gravestone luchie:the beggining chyna blaze:weaint the same diamonique:get it on superstar tommy:bruce wanye babs bunny:warm it up babs big foot:nah lady stunn:murda homeless nation:cali livin lil reece ft l:e riv rah digga:imperial rell rock:imperial(freestyle) mc eiht ft lady of rage:heart cold babs bunny ft lord tariq/lady luck/rage/cuban link/mysonne:got you lyrical jones ft rah digga:ski mask way ms jade&nina ross:deep cover champ mc:ghetto flava c-bo ft marvaless:can't stand the heat consious daughters&suga t:bad bitches lil kim:that bitch babs bunny/shawnna/gangsta boo:muder she wrote marvaless:bitch nigga kamaiyah:dope bitch    

JAH BLESS AND WELCOME TO ANOTHER KINGS COURT POP UP LYRICAL DIVA UOLOAD "SISTREN'S IN MUSIC SINCE 09" WITH YA PODCAST SELECTOR AND HOST KINGRASTA28 DA ELDA: pat benatar:love is a battlefield queen latifah:unity lala ft diamonique:sad girl 2pac:keep ya head up qu da queen ft queen latifah:unity remake macka dimond:bun him queen ifrica:daddy 3d natee:lil kim b.w.p:no means no cecile:bun rapiest nikki d:daddy's little girl 2pac:brendas got a baby macka diamond:muder queen ifrica:daddy(spanish) hurricane g:el bario(spanish version) dazzle deed ft squeek/yo-yo/nikki d:him or or can get it lady ann/sister carol/sister nancy:informer fugees ft pace-won/rah digga/young zee:cowboys k.breezy:never fold lady of rage/storm/bloody mary:untouchable ms jade&nina ross:mac'n'brad lady wu tang:triumph nah joke female meddley uneek:diamonds nikki d:hang on kid babs bunn ft 3d natee:#fym charli baltimore ft lady of rage/gangsta boo/queen pen/da brat/scarlet da brat ft justina & babs bunny:royals iggy azalea ft charli xcx&lil kim:fancy babs bunnyft da brat/justina valtine/vita:fancy honey c&snow the product:bitchsm babs bunny/lady of rage/lady luck(f.e.m):afro puffs(f.e.m shemix) empress raw ft gun play:on a money mission    

JAH BLESS AND WELCOME TO ANOTHER CLASSIC KINGS COURT POP UP LYRYICAL DIVA BINARY PROMO UPLOAD "SINCE 09 KINGRASTA 28 DA ELDA BASHMENT" WITH YA PODCAST SELEECTOR AND HOST KINGRASTA28 DA ELDA: paula perry:go brooklyn lady stunn:fatdaddyk mc lyte:shut the eff up hoe paula perry:shut the f up poxanne shante:big mama jj fad:another hoe bites the dust foxxy brown:talk to me pt1 remy ma:shether n.w.a:real niggaz don't die foxy brown ft mia x/gangsta boo:b.w.a 3d natee ft babs bunny&ebony eyez:last of the best eternia&moss ft rah digga/rage/tiye phoenix/jean grae:bbq mizz kizzy/sylk-e-fyne/shay nut&knee high:westcoast hip hop babs bunny ft princess(crime mob)/kanary diamonds&3d natee:pop off marley marl ft masta ace/craig g/kool g rap/big daddy kane big kap:da ladies in da house lady wu:cypher 2012 sylik-e-fyne/natural red/wyf-e&shay-nut:west coast female cypher aline ft tessanne/chin/tami/chynn/queen ifric:beautiful sista spragga benz ft stephen marley/sizzla/queen ifrica/jah cure:more life sean kingston ft lad saw/cecile/etana:my girl roxanne shante:go on girl tamarah esi ft sha-rock:banger(remix) lil kim ft angie martinez/left eye/da brat&missy elliott:ladies night lady stunn/lady tic/lady half/lady bg/bg rowdy/snow:kiss&tell yo-yo ft patient picasso/brittany b&tyler reign:out of control whodini:i'm a ho h.w.a.:hoe i am  dem gyal sitin medley 

JAH BLESS AND GREETINGS AND WELCOME TO ANOTHER LYRICAL DIVA BINARY UPLOAD "SISTREN'S IN MUSIC SINCE 09 SALUTE BASHMENT" WITH YA PODCAST SELECTOR KINGRASTA28 DA ELDA: reba mcentire ft rascal flatts:faith in love big bub ft heavy -d /queen latifah:need your love bob marley ft lauryn hill:turn your lights down low lunch ft diamonique:do it 4 you diana ross & lionel richie:endless love method man ft mary j blige:all i need lil kim ft lil cease:crush on you tina turner:game of love envouge:my lovin your not gonna get it anderson paak ft rapsody:without you brownstone:if you love me lisa lisa & cult jam:all cried out  k'reema:dont give fuk(remixed) whitney houston:exale shoop shoop tracy chapman:give me a reason soul2soul ft caron wheeler:back to life however do you want me kelly price/r.kelly/mr.biggs:down low/double life friend of mines yo-yo ft patient picasso/brittany b/tyler reign:out of control k"reema:sorry your not worry euythmics:sweet dreamd foxy brown:oh yeah mary jane girls;all night long reba mcentire ft kenny chesney:every other weekend bg knockout/dresta/ms jade:jealousy im different remix alexander o'neal & cherrelle:saturday love case ft mary j blige & foxy brown:touch me tease me ashanti ft jah rule/charli baltimore & hussein fatal:rain on me(remix) jennifer nettles ft jennifer lopez:my house kehlani;crzy weather girls:its raining men miss elliott/zendaya/janelle monae/kelly clarkson/kelly rolland/lea michelle/jada grace lil kim/angie martinez/da brat/lisa lefteye/miss elliott:ladies night lil kim:no matter what they say sweet tee:its like dat yall    

GREETINGS AND WELCOME TO ANOTHER KINGS COURT/LYRICAL DIVA  BINARY PROMO POP UP UPLOAD "SISTREN'S IN MUSIC SINCE 09 SALUTE BASHMENT" BLACK NETWORK PODCAST WITH YA PODCAST SELECTOR KINGRASTA28 DA ELDA: paperdoll:some call me/lenox drop lady stunn ft big stress:niggas dont want it bg official&lady tic:highway(remix) paperdoll:friendame/fem drop lace stonze ft 50/royal fush/cheena:pay to play paperdoll:benjamins(freestyle og drop) f.e.ms:benjamins femmix the lox ftlil kim/dmx:money power respect the lady of rage ft big sty:va money digable planets:cool like dat will i am ft medusa:hooda hella u e-40 ft kamaiyah:petty yo-yo:you cant play with my yo-yo bahamadia ft bombymontana (remix) topper top ft lady chann killap teddybruckshot babs bunny/gangsta boo/shawnna:muder she wrote ward21 ft tifa/timberlee & natalie storm:bada-bada gang tony touch & hurricane g:the tatequeto(remix) trick daddy ft trina:nann diamonique & dirtybird:deadly hashsick&reckless mc sharock ft big daddy kane:all the ladies big kap;da ladies in the house dr.dre ft lady of rage/krupt/rbx/snoop dogg:stranded on deathrow tgunna ft lady stunn:100 deep stalik selektah ft nitty scott mc/rposody:black swan frost ft scoop deville&lil rob/diamonique/fingaz/06 la raza(remix) page kennedy ft fred the godson/3d natee/jon connor&jag:pure bars lady of rage ft diamonique:put you up on rage big kirt ft rapsody:guillotine flow nipsey hustle ft baller brown:faith(remix) ad the general & giffted(n.a.n)grinding c-bo ft marvaless:can't stand the heat paula perry & kool keith:cornballs lady of rage ft 2pac&kevin vernado:big bad lady  

JAH BLESS WELCOME TO ANOTHER LYRICAL DIVA BINARY PROMO UPLOAD "SISTREN'S IN MUSIC SINCE 09 SALUTE BASHMENT" WITH YA PODCAST HOST SELECTOR KINGRASTA28 DA ELDA lady stunn/bg official/explizit:it aint't nothing big ooh!ft ms.jade:for 2 whom it may concern audio two ft postive k/mc lyte:start it up lady stunn:fatdaddyk gail gotti ft 2pac:all eye'z on g yo-yo:ibwin with my crewin the dogg pound ft lady of rage/prince ital joe:our daily bread juicy badazz ft bossie badazz:stay on your hustle lady stunn:i got your back dej loaf ft silk the shocker:bout that explicit ft salena/lady stunn/bg official:where all the money mz nickey ft mia x&shawnna:female mc down ft diamonique:definition of an ese diamonique:mexicana chino brown ft diamonique/joker 310:west coast mexican mz karona:fly&flashy lil kim:lighters up ray ray ft babs bunny/young mara/aida/lil boo:war(queen mix) lady stunn:ain't no chagin sara stokes ft babs bunny:sneak peak hi-c ft diamonique:coochie coochie too short ft lil kim:call me diamonique ft odm:nananana foxy brown ft sizzla:come fly with me michel'le:nicety cyndi lauper:girls just want to have fun ashanti ft ja rule:happy bon jovi ft jennifer nettles:who says you cant go home danny noriega ft diamonique:24-7 amerie ft foxy brown:talkn to me ice cube ft yo-yo:its a mans world fox brown:saddest day(bonnie and shyne mix fingas ft diamonique:run away chronixx ft koffee:i dont care(remix) yo-yo&ice cube:bonnie and clyde theme common ft queen latifah:next time shaggy ft rayvon:angel        

JAH BLESS AND WELCOME  SORRY FOR THE DELAY TOO MUCH BULLSHIT THE MUSIC STILL A GO ROCK SALUTE AND THANK YOU TO ALL MY LYRICAL DIVAS SISTREN IN MUSIC PASTA AND PRESENT WITH OUT YALL MY SISTREN'S IN MUSIC THIS SHIT WOULD BE WACK BLESS AND LOVE: funk 4+1:that's the joint paula perry:go brooklyn eva ft dmx/the lox/drag-on:scenario 2000 ladystunn ft king ju;watch this heather b ft m.o.p:my kinda nigga t.r.u:i'm bout it bout it paperdoll:problem to solve/g-dep drop ranson ft 3d natee & fred the godson:dying breed the stomper ft chino brown and diamonique:3 the hard way bg offical ft lady half/big chase:aline lil rob ft frost & diamonique:west coast ridaz diamond icegirl ft 2pac/tski/sylk e fyne/outlawz/noble kadafi:still breating c-muder ft mia x:constantly in danger skiem hiem & kila tay ft marvaless:cali2kc mac ft mia x:you never know medusa the gangsta goddess/mister crane/dapper dan/close one/volume 10:i.d.lt.o termanology ft nitty scott mc & easy money:bars for day medusa the gangsta goddes & a.j star:hitas tiani victoria/lee mazin/leen bean/ms.jade/madd rapper:set it off mobb deep ft lil kim:quite storm biggie/big daddy kane/ms.jade:set it off master p ft mia x:bout it bout it huricane g ft das efx:coast to coast gangstar ft lady of rage:you know my steez lady stunn ft lil chilly bang:state yo name roxanne shante/biz markie:def fresh crew klack rob:like whoa%21 lady of rage/blind fury/don kennedy:2011 bet cypher  big ed ft mia x:come get me ms jade & nina ross ft freeway:hate in your blood dej loaf ft ty dolla$ & remy ma:try me(remix) yung god ft alcia renee:rock with it      

Eskimo Joe were the headline act for our third OzTober Garage Session on October 22 2020. The band sat down with Triple M's Clairsy after the set to talk about their year and tell us how good it felt to release 'Say Something' their first new track in seven years, plus to play it exclusively for a live stream Triple M audience.  See omnystudio.com/listener for privacy information.

Episode XXXII Drops Like A Hunter Biden Blackmail Bomb: Martin Luther King screams "Free At Last" because the Dark Overlord of Victoria has let us out of prison after ~120 days of lock up. Speaking of long roads,  almost 40 years of hither and dither the long journey comes good for singer-songwriter MARK HENDRYX who dazzles us with his first solo studio album in an AMAZING exclusive interview that reveals that life is what happens to you when you try and make plans.  Plus EXCLUSIVE first listen of the single ONE DAY from the upcoming album that will make you forget about the Gallagher brothers ever getting back together.   Final USA Election Preview is going to be a LAWN-SLIDE.  What's the worst thing that can happen to you TRICK OR TREATING on HALLOWEEN?  The new Supreme of the Supreme Court.   There's nothing sexier than a game of CHESS, especially when you're playing against an alluring ex-orphan who pops pills in a mother-daughter act.   I am still crying from the BEST WAR MOVIE I've seen since Zero Dark 30, and I even forgive the author of the source material for working for a #fakeNewsNest... because his book and this movie is SO GOOD!  Why I smell like a BLACK ORCHID when I walk on the beach.  Vale Keyboard Whiz Dan 'The Man' Magoun.  New ARMED DWARF honours in the best rock and roll book collection ever.  Why living for free on Walt Disney's tab at the RITZ CARLTON BUCKHEAD in the 80's was amongst the best 6 month of my life.  I honoured Virgil Abloh in an earlier Ep and now he's back on MY back with my big 'out of lockdown' purchase.  Why President Abe Lincoln's experiment with Rohypnol in 1861 was an epic fail. #AnyaTaylor-Joy  #MarielleHeller  #BillCamp #ScottFrank #TheQueensGambit #TheOutpost #RodLurie #JakeTapper #CNN #OrlandoBloom #ScottEastwood #EricJohnson #PatriotsDay #TheFighter #MarkWahlberg #ChristianBale #PaulTamasy #Roxee #Harrods #TomFord #BlackOrchid #VirgilAbhol #offWhite #BlueCuracao #BidenCrimeFamily MARK HENDRYX  

Jeff Trager - Uniting People with Quality Music Since 1967 - We've had Jeff on the show several times. His career is an amazing list of experiences with some of the greatest names from the past century. Tina Turner, Wilt Chamberlain and James Brown. Throughout the past 50 years he's seen and done it all.  See what's next for at Jeff and Jon Leon Guerrero sit down and talk about COVID, live events and how Jeff works to continue to create incredibly. As things open up, folks in the bay should keep their eye on Jeff and the events he's planning.     Haiku Quality music  Live even experience  Uniting people ​Similar episodes:        Get your raffle tickets for the Save the Brave rifle at  ​ Join us in supporting Save the Brave as we battle PTSD.  ​ ​ Executive Producer/Host: Pete A Turner       Producer: Damjan Gjorgjiev  ​ ​ ​​ ​​ ​​The Break It Down Show is your favorite best, new podcast, featuring 5 episodes a week with great interviews highlighting world-class guests from a wide array of shows 

Greetings fine listeners! We are embarking on a most bodacious journey across time and space with our good friends, Bill & Ted! We talk about B&T's Excellent and Bogus outings as well as a spoiler-free review of Face the Music (Since two of our three hosts didn't see it). Be Excellent to each other!

For over five decades, Nicolas Slonimsky, the Russian-born American composer, conductor, and witty musical lexicographer, compiled a thick reference work titled "Music Since 1900." It's a year-by-year, month-by-month, day-by-day chronicle of musical events that Slonimsky deemed significant, interesting, or simply amusing. Here, for example, is Slonimsky's entry for July 15, 1942: "Heitor Villa-Lobos conducts in Rio de Janeiro the first performances of three of his orchestral Choros: No. 6, No. 9 and No. 11, exhaling the rhythms, the perfumes and the colors of the Brazilian scene, with tropical birds exotically chanting in the woodwinds against the measured beats of jungle drums." Slonimsky did have a way with words, and certainly had fun compiling his mammoth (and highly readable) reference work. For his part, the Brazilian composer Heitor Villa-Lobos was equally diligent, so much so that he himself admitted he couldn't always remember everything that he had written or when he wrote it. His Choros No. 11 for piano and orchestra, however, was one work he must have remembered: it's one of his most ambitious compositions and lasts some 65 minutes. Originally the word "choro" meant improvised music by Brazilian street musicians, but Villa-Lobos always used the word in its plural form, and used it to describe a flexible form for over a dozen of his instrumental works. Villa-Lobos also wrote a unique series of works he dubbed 'Bachianas Brasileiras", which might be translated as "Tributes to Bach in the Style of Brazil."

Taken over from the forgotten new release show “Because Mum Said So”, Static has now been on air finding the best of the new since 1992. Here host Chris “Burko” Burkley explains the how get got to take the show to the next level, and how important being a fan is to being a great broadcaster and finding the best new thing.

In episodic television (Seinfeld, Friends, etc.), a bottle episode is one in which the writers mostly take leave of the regular format,  opting for a cheaply produced, one-set show that often features secondary characters.   Infinity times Zero I tried to do that with this episode, not so much because I needed a break from the regular show themes, as because I had absolutely no clue going in what I was going to talk about. But as is usual with free improvisations, themes have a way of establishing themselves by a) sheer force of my monomaniacal personality; b) the fact that I talk about the same basic three things over and over; c) the fact that just because the universe is random, doesn't mean everything isn't connected, and therefore as soon as you begin talking, all sorts of connections start forming automatically in your mind; D) all of the above. Memory + Forgetting = The Future And so it is that I delve into the role that memory plays in improvisation, how it creates a dialogue—sometimes an argument—between the past and present, the result of which is the future. Memory, of course, is imperfect: we remember bits of tunes, conversations, events, but we remember them imperfectly. I find that the imperfection of remembering is itself a creative tool: I will be improvising, and a bit of some tune I played years ago comes up, but I only remember the first part. So what do I do? I'm forced to take the idea in another direction. Or stop. But going in another direction, in some ways, is the definition of creativity. So why stop? Eventually, of course, you do have to stop. Mentioned: Bloom School of Jazz David is a wonderful, iconoclastic teacher, not just of jazz, but the meaning of music itself. Follow: Podcast Homepage Episode Transcript Subscribe on Apple Podcasts Bandcamp Page Patreon Page Twitter Peter Saltzman Website Facebook Contact: info@petersaltzman.com Epissode 17 TranscriptionEpisode [MUSIC] In episodic television shows like Friends Seinfeld, the first iteration of Star Trek, there is a thing called the bottle episode. A bottle episode is a kind of cheaply produced, usually on one set, more often than not with secondary. Tertiary characters being featured, tends to leave behind the main structure format of the regular show that you're used to. It's this independent little entity of a show. So that's what I'm going to do today. Of course, this is not a television show. It's not truly episodic either for that matter. Even though each podcast has a kind of episodic tendency, there are themes that build up over time, but this episode is going to be a independent little thing in itself. And the reason for that is because I had no idea coming in what I was going to do and it's cheaply produced. Well, it's produced exactly like all the others now they think about it. I put a microphone in front of the piano. I have two microphones inside the piano and I talk and play. So in that sense, it's exactly like every other episode. [MUSIC] Bottle episode or you could call it the whatever episode, whatever is on my mind that may seem irrelevant to everything else. Well, that’s impossible. [MUSIC] Angular Blues or asymmetrical blues. [MUSIC] After all. The premise of this show is free improvisation. It’s called improvisations on the ledge, which seems to imply the possibility of falling off, which I can edit out or leave in. As I’ve said in other episodes, mistakes often lead you down paths you weren’t expecting, which in itself makes free improvisation a worthwhile endeavor. Now that doesn’t mean it’s necessarily a worthwhile endeavor for the listener. It this, well, it’s worth it for me because I get to experiment with new ideas. It doesn’t mean you would want to hear it. [MUSIC] Well, that’s the way with all free improvisation, not just in music, free improvisation in comedy or whatever it is. In that case also used as a tool to explore one’s technique, to go further with it, to get you out of perhaps patterns, and I’ve talked about this before in my avant garde episodes, that’s episodes 15 and 13 and I talked about the avant garde as being a useful technique for those who are otherwise mainstream in their approach, as a useful technique to break out of certain patterns. And free improvisation, whether it’s avant-garde or not,is the same way. And I suppose in television then a bottle episode is a chance for the writers to just go, what the hell! So this is the whatever, what the hell bottle episode where anything can happen but mostly won’t. And the Nice thing is I can edit it all out. I can edit it all out. I can edit… [MUSIC] Since we’re on the topic of doing whatever the problem is. When you’re this old 58 and you’ve had a life in music and a life in general, everything you do, everything you say, everything you play, every move you make. See, this is what I’m talking about. Every move: I start saying that and I think of Sting’s Every Breath You Take because I just said every, every, every. So every thing I play has some association with something else, whether it’s by me or somebody else. And sometimes I get the two confused, I’ll start playing something and I’d go, oh, did I write that? No, that was by Sting. You begin to play on your own memory. Your memory starts intermingling with the present and then the problem becomes do you go with the memory or do you deny it or do you do something somewhere in between those worlds? [MUSIC] So for instance, right there, I was thinking as soon as I played it of a tune and I knew exactly what it was, it was by an old mentor of mine, David Bloom, who has for many years had the Bloom school of jazz here in Chicago. And David wrote this tune that he would play for me in his smokey old school on Rush Street in Chicago. And I believe it was called Shadow of a Soul. The tune, I mean not the school, though God knows that the school had kind of a shadowy vibe to it and it went something like that. But I don’t remember it perfectly cause this was when I was 17 years old, so 41 years ago. And so I started playing it. And inevitably I’m aware of this past, these moments where I see David up there with a cigarette in his mouth, on his Acrosonic piano with cigarette burns probably on the keys because he’d leave the cigarette dangling over the edge. And I have this memory of him playing that. He was not a very proficient pianist. He’s a guitarist and flutist, and I don’t remember where, what chords it was, but I know the tune basically. [MUSIC] So when I’m doing something like that, I’m in the mode of interacting with the past, the present, and trying to create something for the future. This is really what all music is. When you’re playing, you think you’re in the moment, but you’re also in the past, you’re drawing on the past to create the future. [MUSIC] So what I normally do in free improvisation, because there are all of these free associations going on, is I get into kind of a dialogue with my past, other people’s pasts, other music. But I, I try not to do a literal representation of what I remember, partly because I don’t remember it perfectly. And so I try to build on that and create something new out of it. So … [MUSIC] That’s somewhat the beginning of that. David Blum tuned, but I don’t remember where it’s gonna go. So I just do something else with it. [MUSIC] David would never do that. Maybe he would. [MUSIC] He would definitely never do that.

Gene Cool from Cleveland, OH discusses what led him to create music and what gave him the determination to put out nothing but excellent music! Check him out! Instagram: @CoolSznn @JGaines92 @J.B._Legendary The Lavish Journey is a Multimedia platform that is designed to Create, Inspire & Spread Greatness! Instagram: https://www.instagram.com/the_lavishjourney/ Facebook: https://www.facebook.com/TheLavishJourney/ YouTube: https://www.youtube.com/playlist?list=PL-GH39Einpr7RDsb_Nfyavf3cwRKiOuoR SoundCloud: https://soundcloud.com/lavish-journey/sets/podcast iTunes: https://itunes.apple.com/us/podcast/the-lavish-journey/id1376427440

Cory M. Coons- Canadian artist Cory M. Coons has released his new single, "Once Too Many, Twice Not Enough," produced by multi-platinum producer Ron Nevison.   OTTAWA, ONTARIO (ON), CANADA, July 17, 2018 /EINPresswire.com/ -- Growing up in Eastern Ontario (South of Ottawa), Canada, Cory M. Coons has been performing, writing and recording music since age 13. In 2015, he was nominated at the "Producer's Choice Honors", (formerly Los Angeles Music Awards), in the "Rock Artist Of The Year" category. In 2014, Coons won the Producer's Choice Honor for "Studio Album Of The Year" for his Independent EP "Share A Little Time." Coons also received nominations for "Male Singer/Songwriter" and "Record Of The Year." Now, Cory M. Coons returns with a brand new melodic rock album, "The Long Road Home", which includes his latest single, "Once Too Many, Twice Not Enough." As with Coon's previously mentioned EP, Multi-Gold and Platinum veteran music producer Ron Nevison, (Heart, Bad Company, Chicago, Damn Yankees, Survivor, Styx, Night Ranger) returned to produce the project. MTS Management Group has been brought in to promote the single release. "I've known Cory for several years, and it's been a real pleasure watching his career develop," said Michael Stover, President of MTS. "Cory has a real gift for melody and the ability to deliver a message to his listeners, in a way that doesn't knock them over the head. We're really looking forward to finally getting to work with him." Cory's eclectic influences include a collection of genres like Melodic Rock and Roots-Rock, blended with hints of Country-Rock. He is a respected freelance guitar instructor in the local St. Lawrence Seaway Valley and at Rock My House Music Centre in Kemptville, ON. Cory has opened and performed alongside internationally recognized Canadian artists like April Wine, Kim Mitchell, Glass Tiger & David Wilcox. http://www.corymcoons.comhttp://www.facebook.com/cmc-musichttp://www.twitter.com/corymcoons1 https://open.spotify.com/track/1lOkdOem8DA3jTOmprcwqp?si=BobErgKPRmadutAUVMDAaA EPK: https://www.sonicbids.com/band/corymcoons/ https://www.youtube.com/watch?v=LkfNVBlsg2s

​The YBAB crew is back again for another week of shenanigans. Happy Veterans Day to our service members. This week we discuss the Chicago bar shooting, Wisconsin still being crap, legalizing weed at concerts, Rob Kardashian trying to get child support, and more importantly, what we are thankful for: YOU GUYS! Thanks for rocking out with us every week! Leave us a 5 star review on iTunes & we’ll read it live on the air! If you’re a fan also donate at the link below! Email us: YoungBlackPod@gmail.com Follow us: @YoungBlackPod Sponsor: BOLTLOCKKEY - Live in the Boston area, and locked out? In an emergency? Looking for a locksmith that provides 24 hour services? For both commercial and domestic services head over to BOLTLOCKandKEY.com​ --- Support this podcast: https://anchor.fm/youngblackpod/support Support this podcast at — https://redcircle.com/youngblackpod/exclusive-content Advertising Inquiries: https://redcircle.com/brands Privacy & Opt-Out: https://redcircle.com/privacy

This week we have special guest Duncan come sit down and talk with us. We also attempted to livestream the event...you might hear that. Music: Since u Been Gone-Kelly Clarkson

Singing and playing music since the Hurban?. Aug 29, 2016

*SORRY FOR FUCKING COPYRIGHT REASON ,SOUNDCLOUD DONT AUTHORIZE THE DOWNLOAD*My new monthly mix,as usual a large selection in four decades of club music :) I made the disco part in the mix thinking to all my brothers of sound who died in the terrorist attack of orlando..RIP Larry Levan used to play this not very famous track of barry white"sweetness is my wickness " ...

J-Jam Adam plays songs for the anniversary of the reunification of Jerusalem!

Joe Venuti & Eddie Lang - "Kickin' the Cat" - Okeh 40853 Claude Hopkins - "The Traffic Was Terrific" - Delbarton 110-A Sophie Tucker - "Sophie Tucker for President" - Mercury 5839 Frankie Trumbauer & His Orchestra - "In a Mist" - Brunswick 14850 The Okeh Kut Ups (Jerry Macy & Ed Smalle) - "And Then I Forget" - Okeh 40682 Vaughn De Leath - "What Do We Do on a Dew-Dew-Dewy Day?" - Okeh 40844 The Brox Sisters - "Who" - Victor 19631 Nearsighted Jay Palmer and Justin von Bieber - "Do You Really Want to Make Me Cry?" - Jodry 9842 Sonia Meroff - "There Ain't No Land Like Dixieland to Me" - Okeh 40899 Benny Goodman - "Ballad in Blue" - Victor 25081 Coot Grant and Kid Wesley Wilson - "Toot It, Brother Armstrong" - Decca 63875 Marion Harris - "Singin' the Blues" - Decca F-5160 Harry Reser - "Etiquette Blues" - Perfect 108271 Harry E. Humphrey - "Santa Claus Hides in Your Phonograph" - Edison Diamond Disc 50999-R https://www.wfmu.org/playlists/shows/38358

Joe Venuti & Eddie Lang - "Kickin' the Cat" - Okeh 40853 Claude Hopkins - "The Traffic Was Terrific" - Delbarton 110-A Sophie Tucker - "Sophie Tucker for President" - Mercury 5839 Frankie Trumbauer & His Orchestra - "In a Mist" - Brunswick 14850 The Okeh Kut Ups (Jerry Macy & Ed Smalle) - "And Then I Forget" - Okeh 40682 Vaughn De Leath - "What Do We Do on a Dew-Dew-Dewy Day?" - Okeh 40844 The Brox Sisters - "Who" - Victor 19631 Nearsighted Jay Palmer and Justin von Bieber - "Do You Really Want to Make Me Cry?" - Jodry 9842 Sonia Meroff - "There Ain't No Land Like Dixieland to Me" - Okeh 40899 Benny Goodman - "Ballad in Blue" - Victor 25081 Coot Grant and Kid Wesley Wilson - "Toot It, Brother Armstrong" - Decca 63875 Marion Harris - "Singin' the Blues" - Decca F-5160 Harry Reser - "Etiquette Blues" - Perfect 108271 Harry E. Humphrey - "Santa Claus Hides in Your Phonograph" - Edison Diamond Disc 50999-R http://www.wfmu.org/playlists/shows/38358