Podcast appearances and mentions of Kim Mitchell

Monkey House  Banda fundada por Don Breithaupt, pianista, vocalista, compositor, arranjador e produtor canadense. O nome do grupo vem de um livro de 1968 de Kurt Vonnegut.A banda foi formada em 1992, com repertório inovador e tendência jazzísticas compostas por DonDiversos artistas convidados contribuíram com músicas e se apresentaram em seus álbuns, incluindo Drew Zingg, Elliott Randall, Michael Leonhart e Jay Graydon. Steely Dan é uma das maiores influências de Breithaupt. A banda faz pop melódico com um toque sofisticado, com pé no Jazz e arranjos de metais.Seu álbum de estreia, Welcome to the Club, foi lançado em 1992, pelo selo Aquarius, sediado no Canadá. Incluí um cover de uma música escrita por Donald Fagen, do Steely Dan, chamada "Lazy Nina", que foi regravada por Greg Phillinganes em 1984, mas nunca gravada pelo próprio Fagen.Seu segundo álbum, True Winter, pelo selo Marigold, lançado em 1998, contou com a colaboração de Richie Hayward, do Little Feat, e David Blamires, do Pat Metheny Group.Em 2005, foi lançada a coletânea Big Money: Singles Remasters Rarities 1992-2005. Contem treze faixas dos dois primeiros álbuns da Monkey House, além de quatro faixas inéditas, incluindo osingle "Tough Love". Entre os convidados estavam Kevin Breit (Norah Jones), Mark Kelso (Gino Vannelli), além de Hayward e Blamires.Seu quarto álbum, Headquarters, foi lançado em 2012, pelo selo Alma, afiliado ao Universal Music Group, artistas convidados incluíram Kim Mitchell, Rik Emmett, Drew Zingg e Michael Leonhart.Uma antologia de álbuns intitulada Retrospective foi lançada em 2013, que inclui quase tudo o que a Monkey House lançou ao longo de suas duas primeiras décadas. Além de músicas de seus três primeiros álbuns, a antologia de 44 músicas inclui material inédito como "I'm Not That Guy", das sessões do Headquarters, cinco faixas instrumentais e algumas entrevistas.Um sexto álbum foi lançado em junho de 2016, Left, pelo selo Alma/Universal. O título faz referência ao fato deBreithaupt ter feito as malas e se mudado de Toronto para a costa oeste, chegando à região de Los Angeles em fevereiro de 2013.O grupo principal de músicos do álbum são:baterista Mark Kelso, o baixista Pat Kilbride e o guitarrista Justin Abedin, com Breithaupt contribuindo nos teclados e o baixista Peter Cardinali como convidado em uma faixa. Além de Elliott Randall e Jay Graydon, outros convidados incluem os backing vocals David Blamires (Pat Metheny Group), Lucy Woodward (Snarky Puppy), William Sperandei no trompete e o saxofonista Donny McCaslin. Drew Zingg e Michael Leonhart também retornam para contribuir com solos. O álbum estreou na 9ª posição na parada de jazz do iTunes dos EUA, na 2ª posição na parada de jazz do iTunes doCanadá, e alcançou a 24ª posição na parada de álbuns de jazz da Billboard.Discografia:·       Welcome to the Club (1992)·       True Winter (1998)·       Big Money: SinglesRemasters Rarities 1992-2005 (2005)·       Headquarters (2012)·       Retrospective (2013)·       Left (2016)·       Friday (2019)·       Remember the Audio (2022)·       Crashbox (2025)  

It's Friday, and Grayson and Reader chat with Kim Mitchell before his sold-out show at the Painted Hand Casino! Also, Robot Marathons, a new colour is found, politeness is bad for AI, and we mark the 40th anniversary of the debacle known as New Coke!

Kim Mitchell hits the stage at the Painted Hand Casino tonight, and Grayson and Reader caught up with him for a chat prior to the show!

We might be reaching closer and closer to the Spring season, but that doesn't mean we have to leave our stouts behind! This week on Domestic Pints ONLY we sample another lineup of craft stouts: Nickle Brook's BLACK LIGHT stout; Next of Kin's SAILOR'S DELIGHT kelp stout; and the Chocolate Milk variant of Calabogie's NITRO MILK STOUT. Along the way we discussed: Kim Mitchell; moths; St. Patrick's Day; Vince McMahon; Yuzu; Mad Men; "splitting the G"; Discogs; the Chicago Blackhawks; LMFAO; and freezing Doritos.We will be back next week to discuss more Founders' mixed drinks.Timestamps:02:26 Beer#1 (BLACK LIGHT)28:17 Beer#2 (SAILOR'S DELIGHT)46:03 Beer#3 (CHOCOLATE MILK STOUT)01:05:46 Wrap up, final scores, and conclusionCredits:Sorry for Party Rocking - LMFAOhttps://www.nickelbrook.com/https://www.bestofkin.ca/https://calabogiebrewing.com/Intro and closing song: "Drink Beer (Till the Day That I Die)" by Dazie Mae (www.daziemae.com)Artwork: IG @nartsattack (www.natalierivet.com)

Oh CANADA...Wish We Never Met co-hosts Amy and Dan are so proud to be in you, it's not even funny! (Alright, maybe it's a little funny.)The two discuss all things Canadiana on this episode starting with a brand-new non-alch drink line on the market called Clink, which is produced in the Calgary area. So refreshing!Use the code WWNM10 at checkout and save 10% on your orders until the end of March 2025!From tales of memorable encounters with Canadian icons Kim Mitchell and k.d. lang to discussing Coffee Crisps, maple syrup, haskap berries (yes, Dan food-nerds out a bit this episode), and up-and-coming Canadian singers, Amy and Dan will get you more excited about Canada than a 90-year-old with a pack of those new Viagara strips!Give this podcast some love by clicking "follow" on Spotify or Apple, and consider leaving a 5-star review too.FOLLOW the podcast on social media - @wishwenevermetpodcastDo YOU have someone you wish you never met? Something you wish you never said? A place you wish you never went?Email us at wishwenevermetpodcast@gmail.com. We'd love to hear from YOU!

In today's episode of Find Your Flow in MoCo, host Danielle Gibson speaks with Kim Mitchell, the Executive Director of the Carnegie Visual Arts Center. They explore why Decatur is a thriving hub for the arts, the role of the Carnegie in supporting local creatives, and the wide range of resources the center provides and how the community can best support it. Carnegie Carnival Visit Decatur Alabama Find Your Flow in MoCo is a part of the Destination Marketing Podcast Network. It is hosted by Danielle Gibson and produced by the team at Brand Revolt. To learn more about the Destination Marketing Podcast Network and to listen to our other shows, please visit https://thedmpn.com/. If you are interested in becoming a part of the network, please email adam@thebrandrevolt.com.

Wow everybody here it is a brand new episode sorry for the delay. This episode was recorded on the weekend so the world has changed a bit since recording so some of the stuff we are talking about in the Canadian Entertainment Industry is somewhat different but who knows. Anyways James Hartnett is on the show he is awesome. We talk about Due South and plenty of other things including and not limited to...Rick Mercer...Kim Mitchell. Yup. Everyone is getting mentioned in this episode. Enjoy and thank you for supporting this show.

Listener Beware: This week you will be subjected to a deep exploration of the grey matter of a co-host of this show. The enigmatic, flame-throwing, jack of all trades, and good vibes provider: CAPTAIN CONTENT… This show will titillate some and completely confuse others. This is the truth, the whole truth, and nothing but the truth; sort of… These are bands that he forgot we played previously and therefore submitted as great ideas for the show. Time to reactivate his reactions…What's this InObscuria thing? Our podcast exhumes obscure Rock n' Punk n' Metal and puts them in one of 3 categories: the Lost, the Forgotten, or the Should Have Beens. The good Captain hopes he turns you on to something new… Just like it is for him again.Songs this week include:Moxy – “Still I Wonder” from Moxy (1975)Gruntruck – “Crucifunkin'” from Inside Yours (1991)Sloan – “Backstabbin'” from Action Pact (2003)Boris & Ian Astbury – “Teeth & Claws” from BXI - EP (2010)Max Webster - “Check” from Universal Juveniles (1980)Bang – “Lions, Christians” from Bang (1971)Gary Clark Jr. – “Numb” from Blak And Blu (2012)Please subscribe everywhere that you listen to podcasts!Visit us: https://inobscuria.com/https://www.facebook.com/InObscuriahttps://x.com/inobscuriahttps://www.instagram.com/inobscuria/Buy cool stuff with our logo on it!: https://www.redbubble.com/people/inobscuria/og-shopCheck out Robert's amazing fire sculptures and metal workings here: http://flamewerx.com/If you'd like to check out Kevin's band THE SWEAR, take a listen on all streaming services or pick up a digital copy of their latest release here: https://theswear.bandcamp.com/If you want to hear Robert and Kevin's band from the late 90s – early 00s BIG JACK PNEUMATIC, check it out here: https://bigjackpnuematic.bandcamp.com/

Okay so about a month ago the world changed. After raking a pile of leaves I found someone who changed everything for me: Portuguese Yoshi. A few days after meeting him I thought to myself: well I should make a song called Portuguese Yoshi using the music of Kim Mitchell's Patio Lanterns, so that is exactly what I did. And it just exploded from there. Some people say that this rise was faster than Chappelle Roan's meteoric rise. Part of me agrees with that in an extreme way. Anyways, many people out there were requesting a one on one interview with Portuguese Yoshi so that is exactly what we did. I hope you enjoy this one. And yes we talk about The Canadian Entertainment Industry as well!

Okay so it is no secret that around two to three days ago the host of this show Ben Stager dropped a song about a Yoshi figurine he found wearing a Team Portugal Jersey while he was raking leaves. The song has resonated with a lot of people it is based on the Kim Mitchell song Patio Lantern btw. Well right in the middle of the success of Portuguese Yoshi Nathan Hare came on the show and we yes do discuss all things: life, love, Portuguese Yoshi, angels, ubering accross Canada and more. You will have to check this one out. Thanks for tuning into this show once again everybody.

On this episode, we dive deep into the creative mind of Progressive Rock Musician Chris Herin, celebrated for his work with bands like Tiles & Discipline, & now stepping into the spotlight with his solo album, “Hidden in Plain Sight”. Chris opens up about the personal journey behind his music, influenced by his late father's battle with Alzheimer's Disease, in which the album captures Chris's experiences & reflections in a profoundly emotional narrative. Join us as we explore the rich soundscapes & heartfelt stories woven into his songs, with guest appearances from Rock Icons like Alex Lifeson of Rush, Martin Barre of Jethro Tull, Michael Sadler of Saga, Peter Frampton, Kim Mitchell of Max Webster & others. Chris shares the process behind this collaborative work, including his partnership with legendary producer Terry Brown & iconic artist Hugh Syme, both of Rush fame. With poignant lyrics & exceptional musicality, “Hidden In Plain Sight” is a moving & memorable experience, & Chris discloses the connections it strikes with love, loss, & legacy.   Metal Mayhem ROC SOCIALS: https://metalmayhemroc.com/ https://www.youtube.com/@metalmayhemroc1851 https://www.facebook.com/groups/metalmayhemroc https://www.instagram.com/metalmayhemroc/ https://twitter.com/MetalmayhemROC http://metalmayhemroc.etsy.com https://metaldevastationradio.com/ http://pantheonpodcasts.com/ Chris Herin SOCIALS: http://www.chrisherin.com https://www.facebook.com/chrisherin/ https://www.instagram.com/chrisherin/ https://lasersedge.bandcamp.com/album/hiding-in-plain-sight Learn more about your ad choices. Visit megaphone.fm/adchoices

In this episode, we dive deep into the creative mind of Progressive Rock Musician Chris Herin, celebrated for his work with bands like Tiles & Discipline, & now stepping into the spotlight with his solo album, "Hidden in Plain Sight." Chris opens up about the personal journey behind his music, influenced by his late father's battle with Alzheimer's Disease, in which the album captures Chris's experiences & reflections in a profoundly emotional narrative. Join us as we explore the rich soundscapes & heartfelt stories woven into his songs, with guest appearances from Rock Icons like Alex Lifeson of Rush, Martin Barre of Jethro Tull, Michael Sadler of Saga, Peter Frampton, Kim Mitchell of Max Webster & others. Chris shares the process behind this collaborative work, including his partnership with legendary producer Terry Brown & iconic artist Hugh Syme, both of Rush fame. With poignant lyrics & exceptional musicality, "Hidden In Plain Sight" is a moving & memorable experience, & Chris discloses the connections it strikes with love, loss, & legacy.   Metal Mayhem ROC SOCIALS: https://metalmayhemroc.com/ https://www.youtube.com/@metalmayhemroc1851 https://www.facebook.com/groups/metalmayhemroc https://www.instagram.com/metalmayhemroc/ https://twitter.com/MetalmayhemROC http://metalmayhemroc.etsy.com https://metaldevastationradio.com/ http://pantheonpodcasts.com/ Chris Herin SOCIALS: http://www.chrisherin.com https://www.facebook.com/chrisherin/ https://www.instagram.com/chrisherin/ https://lasersedge.bandcamp.com/album/hiding-in-plain-sight Learn more about your ad choices. Visit megaphone.fm/adchoices

Images in Vogue's Joe Vizvary talks about coming out of Vancouver in 1981, Much Music VJ Kim Clarke Champniss serving as their Manager before KCC joined MM, opening up for Duran Duran/Depeche Mode/Roxy Music/Bryan Adams, Geddy Lee's superfan wife hooking them up with Rush's manager Ray Danniels, his ‘pinch me moments' meeting Tina Turner & Kim Mitchell, how modern touring equipment is much lighter than it was back in the 80s, and why his high school music students have such a hard time believing that the guy on stage in YouTube concert clips/music videos is their teacher! Joe Vizvary and Images in Vogue will be playing live on Saturday Sept 28th at the Flato Markham Theatre along with The Box and Strange Advance...of course only Ed Sousa can bring you three legendary Canadian 80s acts in one night! Tickets and full info at https://flatomarkhamtheatre.ca/Online/mapSelect.asp For everything Joe and Images in Vogue, please visit http://www.imagesinvogue.ca/preview2019.html TORONTO LEGENDS is hosted by Andrew Applebaum at andrew.applebaum@gmail.com All episodes available at https://www.torontolegends.ca/episodes/ Learn more about your ad choices. Visit megaphone.fm/adchoices

Reader welcomes his new morning compadre, Grayson Cole to the world of Cruz FM! Today, they (and Olivia) get to know each other a bit, and chat about Marvel movies, the Northwest Roundup, Grayson's love of Kim Mitchell, and they give away another pair of Billy Idol tickets!

La légende du rock canadienne Kim Mitchell est de la programmation du FEQ 2024 et il s’entretient avec Pee Wee sur son passage à Québec.

Bob Wegner, multi-instrumentalist, touring musician, and author of the Max Webster biography ‘High Class' joins Dan Hare to talk about his book on this iconic band. In this superb chat Bob also shares: highlights from his own career in musical theatre and other ventures; the unique appeal of Max Webster and the many genres that influenced their sound; Kim Mitchell's influence on the band and a look at his solo career in comparison; why the band didn't have more international popularity; what makes them still relevant 40 years after they broke up, and much, much more. Get your copy of the book @highclassmax.com, check out his Max Webster website @maxwebsterlive.ca and find out more about Bob @bobwegner.ca

What if a mixtape could change your entire perspective on summer? Join Matt and Samer on a nostalgic journey through sun-soaked tunes that might just make even the biggest summer skeptics (like Samer) start to appreciate the season. Kicking off with the fan-favorite "Waiting on the Summer" by VHS Collection, recommended by @mindys_memories, we explore how a perfect blend of music and memories can transform the hottest months. Listen as we reflect on how our Instagram community shaped this mixtape and the joy of experiencing summer through different life stages. From the timeless beat of Weezer's "Island in the Sun" to the infectious energy of Tom Cochran's "Life is a Highway," our conversation is filled with musical nostalgia and fun anecdotes. We reminisce about the 1998 hit that cleverly sampled Dolly Parton and Kenny Rogers, and ponder the value of "smart comedies" like Bullworth. The episode takes a quirky turn as we discuss New Yorker cartoons and a memorable Seinfeld moment, before diving into the operatic brilliance of Meatloaf's "You Took the Words Right Out of My Mouth." Packed with light-hearted banter and heartfelt recollections, this episode is a must-listen for anyone looking to enhance their summer soundtrack!https://open.spotify.com/playlist/0dxBPRMYoE2fJaJ5UIU7SN?si=902b65e62ab145a6 https://music.apple.com/us/playlist/summer-songs-2024-listener-mix/pl.u-aZb00RDC1DZBq4v Waiting on the Summer by VHS Collection (@mindysmemories)Steal My Sunshine by LEN (@smnaslund) O-o-h Child by The Five Stairsteps (@smnaslund)Summertime Sadness by Lana Del Rey (@saramariego) Surfin' USA by The Beach Boys (@topfivesongs (Matt C))Island In the Sun by Weezer (@topfivesongs (Matt C))Life Is a Highway by Tom Cochrane (@dado3girls (Dave K))Patio Lanterns by Kim Mitchell (@dado3girls (Dave K))Quesadilla by WALK THE MOONGood Feeling by Flo RiadGhetto Supastar (That Is What You Are) by PrasYou Took the Words Right Out of My Mouth (Hot Summer Night) by Meat Loaf Support the Show.Visit us at https://www.superawesomemix.com to learn more about our app, our merchandise, our cards, and more!

A conversation with drummer, educator and author - Paul DeLong (One Word, Lighthouse, Pretzel Logic, Kim Mitchell) - pauldelong.com.

Frenette's love of music started at the age of 5 while playing the bongos and listening to records with his parents. Artists like Perez Perado, Tito Puente, Herb Albert, Johnny Cash and Tom Jones were constantly spinning on the record player. By the age of 10, Matt was learning his rudiments in a marching and concert band. Some of Matt's early influences include Mitch Mitchell, Ginger Baker, Keith Moon, Michael Shrieve, Danny Seraphine,Billy Cobham, and later influences include Manu Katche, Steve Gadd, and Richard Bailey. Frenette is a founding member of Streetheart and his legacy as the other half of one of rock's greatest rhythm sections is still a part of Canadian rock legend. Matt's fierce approach to every song and powerful grooves he created were a big part of the musical foundation that Streetheart built their unmistakable sound on in the early days. In 1979 Matthew left Streetheart to join Paul Dean's new band Loverboy. Originally, Matt Frenette played drums for a side-project band, Headpins while Bernie Aubin played drums for a fellow Vancouver band, the soon to be renamed Loverboy. But within months, Aubin and Frenette swapped bands, where each continues to play to the present Alongside fellow Loverboy founding members Mike Reno, Paul Dean, Doug Johnson, with Ken "Spider" Sinnaeve, Matt Frenette has been "Working for the Weekend" since forming in Calgary, Alberta over 36 years ago. Loverboy has sold more than 10 million albums, earning four multi-platinum plaques, including the four-million-selling "Get Lucky." In 1982, as a member of Loverboy, Frenette went on to win a "still-record" six Juno awards. Matt's solid groove, versatile musicality and his visually exciting performance has created a demand for his appearance in many different artists' recordings, videos and tours, such as: Tom Cochrane, Bryan Adams, Kim Mitchell, Colin James and many other talented musicians.   Some Things That Came Up:  -1:30 Rich saw Matt with Loverboy at The El Paso Coliseum, 1985!  -3:00 Matt broke through the bass drum head! Very memorable -5:00 Matt has had many drum techs over the years -5:40 “Turn Me Loose” was a breakout hit!  -13:00 Evolution of a band  -14:20 The year that was 2020  -17:00 Practicing at 2112 drum shop  -23:00 Started drumming at 5 and never had any other job!  -24:30 First kit was secured on trade from a retired jazz drummer  -26:00 Community center marching band grade 8-10 -30:00 The band STREETHEART from Regina -32:50 The sweetest audition that Dad set up!  -40:36 Mike Reno on vocals!  -44:15 The beauty of the drums on “Turn Me Loose”  -44:50 Recorded live to tape with no click; everyone live on the floor -45:30 Bruce Fairbairn produced and a young Bob Rock engineered  -48:30 Gaffed headphones to his head.  -50:20 Guttural grounding sounds  -57:50 A mutual friend in Lee Kelley  -1:05:00 Played everyday to “Tom Jones:LIVE” record  -1:05:50 The two drunks at the Buddy Rich Big Band show. Buddy lit the fire under young Matt -1:14:50 Dad wanted Matt to go on the road and NOT finish grade 12! He believed!  -1:16:00 Historical-=6 Juno Awards+ many others  -1:18:00 21 years with Yamaha and 42 years with Zildjian    Follow:  www.loverboyband.com IG: @loverboyband FB: @loverboyband   The Rich Redmond Show is about all things music, motivation and success. Candid conversations with musicians, actors, comedians, authors and thought leaders about their lives and the stories that shaped them. Rich Redmond is the longtime drummer with Jason Aldean and many other veteran musicians and artists. Rich is also an actor, speaker, author, producer and educator. Rich has been heard on thousands of songs, over 25 of which have been #1 hits! Check out Rich's books on Amazon!    Follow Rich: @richredmond www.richredmond.com   Jim McCarthy is the quintessential Blue Collar Voice Guy. Honing his craft since 1996 with radio stations in Illinois, South Carolina, Connecticut, New York, Las Vegas and Nashville, Jim has voiced well over 10,000 pieces since and garnered an ear for audio production which he now uses for various podcasts, commercials and promos. Jim is also an accomplished video producer, content creator, writer and overall entrepreneur.   Follow Jim:   @jimmccarthy www.jimmccarthyvoiceovers.com

This week on the pod, the gang settles in to the project and describes their experience with Gord's 3rd solo release, The Grand Bounce.Transcript:Track 1:[0:01] Hey, it's Justin. You know and love us on the Discovering Downey podcast, right? So come hang out with us in person for the finale. Join us for Long Slice Brewing Presents, a celebration of Gord Downey at The Rec Room in downtown Toronto on Friday, July 19th. Craig is coming from Vancouver. Kirk is coming from LA. I'm driving from Vermont. And JD is like walking down the street or wherever he lives in Toronto. Tickets are available now on our website at discovererndowney.com. And when you get your tickets, that means you can come hang out with us and our very special guest, Patrick Downey. And you can bid on some incredibly cool silent auction items, all while jamming along with tragically hip cover band The Almost Hip. And most importantly, helping us raise money for the Gord Downey Fund for Brain Cancer Research. Crack open a long slice, put on some Gord tunes, take a journey with us on Discovering Downey, and then crack open another long slice on July 19th and hang out with us in the 6th. I always wanted to sound cool and say that. For more information, follow us on all the socials and visit DiscoveringDowny.com. Cheers.Track 2:[1:23] Thanksgiving. Victims and their victim-ears sit down to Turkey hungry for punishment full of mercury fullimate, serene after the screaming. Grace makes the mouth make shapes it's never made before. We give thanks for the poetry we read and write all day. For freeing us to drink with impunity a toast to no punishment replaces Amen. The prayer is swallowed away for the silence and the quiet carving serene after the was screaming, a little violent, but turkey nevertheless.Track 1:[2:08] Welcome, music lovers. Long Slice Brewery presents Discovering Downey.Track 2:[2:16] Hey, it's J.D. here and welcome back to Discovering Downey. This is an 11-part opus with a focus on Mr. Gord Downey, the late frontman of the Tragically Hip, but somebody who also gave to the world an extensive solo discography. Eight records in total. But have you heard them? That was what I sought out when I enlisted my friends Craig, Justin, and Kirk to discover Downey. These three are giant Tragically Hip fans, but they had little to no exposure with Gord's solo oeuvre. So every week, we get together and listen to one of the records in chronological order and see what we think. Did we miss out? Or did we make the right choice? We're going to find out on Discovering Downey. This week, we're going to dive into Gord's third solo release. This, with The Country of Miracles, it is the grand bounce. Now let's go to the team.Track 1:[3:27] Justin St. Louis, how are you doing this week? Week i'm worn out man and uh i'm ready for this thing to to take over my life tonight and just be back in the normal and enjoy the music and enjoy talking about it with you guys love it yeah kirk where are you headed off to next yeah actually heading off to the big apple nyc i'm uh going to be chaperoning my uh my youngest and they're going to be performing at carnegie so very proud pops Pops. And, uh, we just got back from a really cool trip in Memphis and Nashville and they did really, you know, they did fantastic there. So I've been surrounded by music and, um, that's inspired me, but I'm gonna, you know, concur with Justin and say, I'm definitely looking forward to a discussion about this album. I mean, uh, it's been a pretty cool journey so far, but this, I think this is gonna, this album is going to spark a pretty good conversation in my opinion. So, but doing well and looking forward to traveling again. It'll be interesting for sure. Craig, how are things on the left coast, motherfucker?Track 1:[4:36] Not too bad. Just got back from a family trip to Disneyland that was six years in the making. We tried it, you know, in 2020 and it didn't work out. And so we finally made it down with the kids and spent a few days in LA at the end of the trip and was lucky enough to have Kirk from Chino drive all the way out to LAX and we hooked up for.Track 1:[4:59] Little conversation and yeah, it was cool. It was a good time. Yeah. So first time meeting in person, which was a great night. It was really cool. Yep. No, it worked out actually great. I just got back from that trip with a choir that I'd mentioned and then, uh, hadn't seen my mom in a bit and she was actually staying, um, uh, doing some pet sitting at a house in garden Grove that had some good memories. So it kind of was a half, half the distance to LAX. So it worked out perfect to go and meet you and and i appreciated uh appreciated you giving up some time from your family for a little bit to have a good conversation so and i know it'll carry over tonight well this week on discovering downey we're here to discuss and dissect the june 2010 released from gord and his band the country of miracles consisting of the usual suspects canadian musicians oh.Track 2:[5:48] Man i'm gonna butcher this julie duaron right is that right yeah so she's on vocals guitar and bass then there is gourd's frequent collaborator josh finlayson.Track 1:[6:02] Dale morningstar on lead guitar dave clark on drums and dr p on keyboards chris walla a former member of death cab for cutie turned the knobs on this release but where do you start with the grand bounce it's been seven years and three albums since Gord's last outing, and The Country of Miracles sounds as though they've been chomping at the bit to jam with Gord yet again. This album, to me, is a band album as much as it is a Gord solo affair. As a result, it sounds more cohesive than the previous two releases. While it rarely reaches the heights of Battle of the Nudes, it is a remarkably consistent effort. It's worth noting that the songs on The Grand Bounce seem more structured and maybe even more thought out as three to four minute rock songs that are reminiscent of Gord's day job, The Tragically Hip. There's an energy on this record that's palpable. Perhaps it's the shorthand of working with the same band for three consecutive records?Track 2:[6:58] I'm not sure, but it's there. Now, once we get into the songs on this 50 minute, 13 song opus.Track 1:[7:06] It's tough not to get caught up in the sonic presence that Walla brings to the table. There's a depth to the maturity, And I'll use the term again, a cohesiveness that wasn't as pronounced on the prior two efforts. While the grand bounce is a perfectly fine listen, it's only after letting it grow on you. For me, it sat growing on me since I did the fully and completely podcast. And that to me is when it shows its real prowess, creating earworms and hooks that reel you in and invite you over for dinner just to hang out with the music.Track 1:[7:40] But what do our friends Craig, Justin, and Kirk have to say about the Grand Bounce? Let's not waste any more time and get right to them. Kirk from Chino, talk to me about your first experience with the Grand Bounce. Yeah, well, after we had finished up talking about Battle of the Nudes, I had had some travel for work, and then I was getting some other stuff ready for a very busy week. So I didn't get to jump on to a listen right away. I mean, it was a number of days. But I was doing a walk at night and, you know, cool walk with the dog and had it in my AirPods. And just right away, I was really taken by it. I really felt the maturity of it, you know, very reminiscent of what you had mentioned, JD, in your lead up to, you know, the discussion about the album is it just had a maturity to it. The band, it felt like a band album, exactly what you said. and I, as much as I loved the first two albums, I just felt a comfort. Like the whole time I've listened to this album, which is, I don't know, maybe 15, 20 times at this point, it just, it's a warm blanket to me. It's like, it now is okay.Track 1:[8:57] It's okay, I can like Gord Downie as a solo artist. You know, I just had a great experience with it. I really, really loved it. I could spend a lot of time talking, but I want to hear what the other guys have to say about it. Well, Craig, what do you think? Yeah, this was really a grower for me. I wasn't sure when I first put this on. I didn't think I would like it as much as I do. And overall, I really love this album. I have maybe a couple of critiques, which we'll get to later. Later but my my journey with this album actually goes back to 2015 when you may remember jd that we had a bunch of target stores open in canada in whenever 2010 maybe and they only lasted about four or five years and they went went under and when they were closing down they had cds on sale for five dollars you can get any it could get any cd and i happened upon the grand balance and And actually the next album we'll be doing next week and pick those both up for five bucks. And they sat on open for many years and I just opened them for this podcast. So I I'm lucky enough to have an actual podcast.Track 1:[10:05] Physical copy and the liner notes that came in them so i may be able to offer a few little nuggets um one i would just want to mention off the top chris walla is actually mentioned as a member when it says the country of miracles are and it lists all the members plus him so i believe he was playing guitar on wow much of the album wow very cool some of those videos he was playing so that i'm not surprised by that and i love that thank you for sharing because this is actually the only album that I couldn't get. I tried to get vinyl of everything, but I don't have a CD. So everything has been streaming or online.Track 1:[10:41] And I watched several videos with interviews and he talked specifically about the inlet, the vocal or the lyrics. And you just showed a picture of it, Craig, and it's not the standard sizing that you normally get. So I appreciate you sharing that. That was pretty cool. And I think also what I learned with this album is again, just to trust Trust, you know, Gord, you know, you may not like it right away, but give this album a good listen if you haven't before. It took longer to grow on me than the other two, but highly recommended. Yeah i think a good strategy with this record is to listen the fuck out of it for like two or three days and then put it on the shelf for a week and then pick it up and there's something like kirk was saying that's comforting about it you come back to it and you're like whoa this is really fucking way more hooky than i imagined when i first listened to it but let's uh talk to our friend mr st louis what do you say on the matter of discovering downey v the grand bounce So I also had the word warmth written down, and I did take your strategy, JD, of I listened to it probably 10 times. I started immediately after recording our last episode, which is how I had done the previous. I was like, okay, this is not Battle of the Nudes.Track 1:[12:04] And I immediately heard what I thought was Bob rock sound. But then I realized this isn't Bob rock sound and neither were those other two albums. This is the era that Gord was in with the hip and all of the Bob rock haters probably owe him an apology because this is the type of stuff that Gord was writing at that time. And so it did feel familiar and it did feel comforting and it did feel warm and I liked it. I also, you know, during this time, um, when the album came out i was listening to kings of leon and mumford and sons and stuff like that and there's a lot of that in this in this sound and i you know i was a uh death cab for cutie fan at the time and you know postal service and all that stuff i mean so it was very contemporary for for when it came out and it felt like it belonged in that 2010 range but.Track 1:[12:58] For me, it was a big letdown after Battle of the Nudes, because that album was so damn good. And because we didn't have seven years between recording these episodes for our musical tastes to change, it was like, whoa, this is a massive shift from what we had just digested into this new album. I don't hate it, but I don't think I love it.Track 1:[13:20] Wow. Yeah. I don't see it as such a massive shift. It's going to be interesting as we get into the track by track. Should we do that now, gentlemen? Let's go for it. Let's do it. Okay, the first track on the record is a great one for me in the sense that winter has ended. But when I think about winter, I think about that. I think about Gord standing on the edge of Riverdale Park and having somebody discuss this east wind with him, this strong east wind that blows in and is very cold. And we're going to hear from Craig first on this one. So, Craig, what do you think of the east wind? This is the one song off the album I was familiar with. I had seen maybe a video, I'd heard it quite a few times, and I love it. I think it's a great opener. I want to point something out really quickly that you guys wouldn't necessarily know without the liner notes, but there are Roman numerals, one through four, throughout the album. And at first I thought maybe it was to do with the record I thought maybe the four-sided record which it is, I looked it up but the.Track 1:[14:29] There's three songs per side on the records, and it doesn't quite jive with the numbers in the booklet. So what I think is, I've come up with a little story around, this isn't a concept album by any means, but it's definitely got a story to it. And so I've actually listed what I think the story is about, and I think section one is about a move. And so you've probably done the research too and and gourd at the time was moving up to glenora on the um on the great one of the great lakes so this this first section i think all the songs kind of relate to moving uh the east wind maybe not as much but also interestingly enough the east wind is the only song that doesn't have lyrics printed out in the booklet and i'm not really sure why that would be what yeah so there's a quote at the top it does say the the quote about the east wind is the laziest wind, but right under that is track two. And if you saw some of the video research or YouTube, he talked about it was a neighbor who was a farmer who was describing the east wind, the laziest wind.Track 1:[15:40] So I found that very interesting, Craig, when you proposed the theory of the story. Because I could think to several of the different interviews and different discussions about different songs and how he's definitely pinpointing some real life things that are happening. Like you mentioned the move and, and, uh, obviously some discussions about relationships and, and then he's got his kids involved in some of these songs too. So you may be onto something, my friend. Another theory theory I have is that maybe this song is meant to be like a little bit of an introduction sort of before the story starts. And maybe that's why it didn't have the lyrics in here or maybe it's a misprint who knows, but the song itself musically is, is great. Uh, very much a band jamming again, like we're used to from the previous two albums, but just more layering, more production.Track 1:[16:30] I really love how the guitars are layered. From my count, there's five guitar players on this track, including one who I couldn't find any mention of anywhere on the internet. Someone named Edgar Lewis played guitar, and I believe he plays the guitar at the end, the little guitar melody, the sort of New Order style melody at the end. I couldn't find anything about who he might be. The name Edgar, of course, made me think of Gord's middle name. So not sure if there's a connection there. But yeah, I could not track this person down online. Anybody out there knows who Edgar, what his name is? I apologize. What's his name again? Edgar Lewis or Louie.Track 1:[17:10] Edgar Louie. If you know who Edgar Louie is, shoot us an email at discoveringdowneyatgmail.com. I wonder if he's an acquaintance of Chris Swala. Possibly. Although they did record in Kingston, so it would have been quite the trip for one little guitar melody. But yeah, maybe he was someone working in the studio. Maybe he's a friend of the band or who knows. But yeah, the Chris Walla production is very noticeable on this song. The way things are, you know, I think Gord even mentions in an interview, he just keeps layering things every few bars and very evident. The drums are a good example of this in the song. They come in kind of lightly, but they're still pretty intense. And then the toms come in, and you've got that really almost tribal beat for the first few bars once the whole band kicks in. And then you get just sort of a regular beat. But it's always driving forward. There's always momentum with the drums. It's always picking up momentum right through the end of the song and really strong playing all together. Such a solid song. I think the second part of that build, when I first heard it, was like, oh, this is sort of like maybe some of the tone that was on Battle of the Newts, where it was kind of subdued and subdued.Track 1:[18:31] Just there. And then there's this massive sound, which really works. I do love the song a lot. And I believe you that there's five guitars in it. Um, cause if you have earbuds in and turn it up, you, you feel it. Yeah. And while the chords are quite simple, when you really listen, there's actually a lot going on, even with Gord's guitar. And I feel like on this album, he has matured as a player. You can tell, you know, he's got another seven years of experience and we never did really talk about on the previous episodes his guitar playing but when he first started playing guitar in the hip it was a bizarre thing to watch his strumming patterns it was so awkward to watch him as a guitar player and i'm not even sure he was really too much in the mix back in the early days but he has grown so much as a guitar player he's playing a lot in open tunings i believe i've read that open c was his favorite so i think a lot of the songs on this album or an open C. I noticed in the videos he was playing a Tele for much of this session rather than acoustic.Track 1:[19:33] And yeah, there is a lot of subtleties to the guitar playing, even though it's basically two chords through the whole song. I was going to mention, Craig, and we've all obviously did our research and saw the YouTube, but the bathhouse sessions when they were recording. And, and I'm honestly, it's like, it's a question to this group. They, they were all isolated, but they were all playing live. And you had mentioned how much he was playing guitar. And in the, that little six part series, I loved how Gord was so committed to playing guitar, as you had mentioned. Like there was typically when you're recording an album like you want to do the the vocal and the guitar separately and he was nope i'm going to do it together because the guitar strumming was creating some of the cadence of the vocals and and i loved how or i felt like that was demonstrated there so i think that's a great point that you brought up craig that he was really focused on that playing yeah that makes this album easier to sing to we had mentioned whether i don't remember if it was on air or off air, but we had all had trouble singing along with the first two albums. And this one is much more poppy and rhythm driven. And I think you're absolutely right, Kirk, that him playing the guitar as he sings and it's in every take really kind of made that happen. I also did notice if you, it's really low in the mix, but when this track first starts, somebody says, no more takes.Track 1:[21:01] Like, we have to do it this time, you know? I really, I picked up on that and I enjoyed it, especially after watching that six part series. I'm gonna jump on your story theme, Craig, and Moon Over Glenora.Track 1:[21:14] The next song on the album.Track 1:[24:18] I absolutely love this song right and he talks about the ferry ride and that really goes along when you think of the east wind and being off the lake and then now talking about the ferry, uh justin what'd you think about this song oh man this song solidified my crush on julie this is, such a great track and the duet through every word and then the live performances of this song that i I was able to find on the, on the hips now for plan a record, there's one lyric that's, we don't want to do it. We want to be it talking about the music and they are absolutely the music while they're playing the song. And it's just a lot of fun. And it's like a, it's like going to a club show, which it probably was. I really did love the song. And for me, the ferry ride across Lake Champlain is just a part of life here when you're going over to New York and it just, just talking about the spotlight, finding the ice in the water. I've been on that ferry and the song is really, I think, about two people falling in love, not knowing that they're falling in love. And they're kind of bickering and arguing about it. And they get outside in the ferry and it's cold and it's terrible and you got to stay warm, so let's complain about something.Track 1:[25:29] And they talk about the wolf and they've killed the wolf by the end of the ferry ride. You know um it's the the imagery is really cool and the dead lake right isn't that the last the ocean is dead the ocean is dead yeah yeah it's a great little song i really do love it but i think the star is julie and this really she's fantastic yeah i uh story-wise i actually had almost the opposite thought to me it was maybe um a couple falling out of love and maybe this is the the cracks are starting to show. Like maybe it's not totally fractured yet. And again, I'm not saying that this is about Gord or, you know, I don't know too much about his personal life, but I do know parts of this are inspired obviously by true events, you know, the move to Glenora. Did anyone watch the interview with Gord with Kim Mitchell? If you guys even know who that is? Yeah, I did. Do you know who he is?Track 1:[26:26] Well i had to look it up i didn't know who he was immediately and i got confused because it was that little two-part interview and he had mentioned something about being and i think like saint paul minnesota and it threw me off because it said toronto but then in the second part they they confirmed they were talking in toronto um the one thing sorry and i hopefully i don't derail your thought but the one thing that i loved on that particular interview is the reverence that gordon had for that particular guy so i definitely had to look him up you know to see the songs that he was involved with and and he was uh you know as he mentioned in that he's a hero so sorry go ahead i just wanted to bring him up because he's a you know a classic canadian artist i'm wearing my my cancon shirt here and uh he was definitely a a big part of you know the music scene here in in the 80s and 90s i guess i brought it up because um this was a song that he mentioned really loving that you know kim really loved it also i found it really interesting I'd never heard this before, but Gord references a song that the two of them wrote together.Track 1:[27:29] And by the sounds of it, it's a song that was never released. So it sounds like Kim Mitchell had a song he wrote and then Gord wrote the words too. And so there may be an unreleased song out there, or maybe if a listener's heard this or has any idea how to track this down, I'd love to hear it. So that was my only thing I wanted to add. Oh, and also Dale does some really really cool guitar, little shots on, on this sort of beat two and four. And then he does these little muted scrub scrubs. I'm not even sure how to.Track 1:[27:58] How to put in words what that sound is i'm you know what i mean kind of like a pick almost like a pick slide into the the bends i mean i don't know it it's almost it's a it's a technique it's not it's a rhythmic pattern that he's doing yeah and with with some notes in there but they're sort of muted but anyways i thought that added some nice accent but i agree with with you justin that julie really steals the show on this one it's such a good song on many of the songs on this album that combination of voice, to me, that was what I had mentioned earlier about how much I enjoyed this album, is when you feel that the band is now a band and you feel that connection. But we are so used to hearing Gord as part of the hip and that amazing combination of vocals that he has, you know, with Paul and then obviously with the guitar phrasing and how the hip is the hip and you can hear that. And I think with the vocals that he has with her on many of these albums, but especially on this particular album and several of these songs, to me, that really solidified like, okay, this is a great combination of musicians that are doing fantastic things. So I so appreciated this song.Track 1:[29:19] Another, Gord has that ability to do like an upbeat rhythm and kind of like Pascal's Submarine that we talked about in the last album, where it's kind of a dark subject, but it's a very upbeat song. So I really felt that with this particular song. I couldn't help but think, as he said, the ocean is, as they were repeating, the ocean is dead at the end. I was just thinking about all the water songs that Gord has and how water must be his Roman empire. There are a couple things that come up on this album over and over. Water is one, color is another.Track 1:[29:57] Um, and day and night is a third thing. There was a fourth, I can't remember right now, but there was some definite themes through the entire album. Kirk, what did you think when you first heard as a mover? What I loved specifically about as a mover is the buildup. I think Justin may have referenced in, in some of the, those interviews where, um, how the production was every four bars, you got to get something new. So this really was uh okay you know you get the train feeling that's going on it's that moving it's the transformation it's the sorry not transformation but him him relocating to glenora as we'd mentioned now we're going into this as a mover and you know this these lyrics not just specifically for this song but for for this all album and i think in one of our messages together.Track 1:[30:53] It was hard to pin down some connections on some of these there there are some that are that are there but I agree with that that that guidance on that so as a mover to me loved it you know the sarcasm hey baby want to kiss closes it out with that that that particular theme and it's It's a driving, great rhythmic song. Another thing that was clear in my memory in some of the interviews that we got to see was he was so excited about this album in that it was genre-less, right? You can't just say it's a country album. You can't just say it's a pop album. You can't just say it's a jazz album. It has a little bit of everything. And he even talked about touring for this particular album, that they were doing a bunch of festivals and that they were jazz festival, a pop festival, a rock festival. It was different. So he was pretty proud of that fact. And I got that feeling with that as a mover. Justin, what was your take on the song? So I found a note somewhere that when Gord was writing this album, he was reading a book about Custer. And the title of the album, The Grand Bounce refers to a phrase that was coined during the Custer's involvement, whatever, in the 1860s. Whenever they deserted the cavalry, they called it the Grand Bounce. And desertion and moving and all this stuff really tie in together and –.Track 1:[32:22] This song is kind of what really sparked my thinking about that. Like, you know, this is, there's something happening here and yes, the, the train, you feel like you're on a train as soon as the song starts. And, um, it's definitely a different sound. This song is way different than anything that Gord had put out previously. And I know, again, I, it, it kind of rubbed me the wrong way a little bit. I mean, I've, I've come into all this with an open mind, but it was like, what is he trying to do here? It didn't, the production of this album, And the sound of the songs just did not match up with the first two albums. And this doesn't even match up with anything else that's on this album. And my first reaction was, is he trying too hard with this song to sound different? But it certainly has grown on me. But the theme of moving and desertion and the grand bounce itself, this song tied the album title together for me. Craig, what do you think? In the lyrics, you've got the wife, you know, not wanting to move and you've got the kids wanting to move all that, you know, wanting to go everywhere. And he says he's in the middle, he's got no opinion. So I kind of like that tension in here. I also love the line where he rhymes pressure and less sure. Oh, and he does it in this low register the second time through?Track 1:[33:44] I'm even less sure. And when he says it, he's almost talking it. It's so great. Yeah. And I know I mentioned to you guys in text that when I first heard this song, I was not a fan.Track 1:[33:58] And JD, you were a bit surprised by that. And then it just grew and grew and grew on me. Like more than any other song on the album. I love the song now. I really was not a fan at first. Just love the whole feel of it. And the little drum shuffle with the brushes. And i think what i didn't like at first was just the chorus there was something weird about just those words as a mover it's just not very smooth sounding it doesn't roll off yeah and so that that kind of bothered me at first but really it's whatever feelings i had about it have totally changed now i think it's totally yeah it's a really cool song i was with you that you know At first, I just didn't like it. But then I remembered the song is now 14 years old. And when it came out, I was listening to Mumford & Sons and I was into that sound. And this could be on one of their albums.Track 1:[34:50] And I had to force myself to transport back to that time period. And I would have loved the song back then. And also the, you know, the title as a, as a mover, it made me think like a double meaning could be like a mover is also a dancer. And the next song we have is the dance and its disappearance. And this was another song that I didn't love at first. It's still not one of my favorites on the album, but once I read the lyrics, once I got into the CD booklet and started trying to figure out what it was about, I started to appreciate it a lot more. And so I just want to read you this quick quote in the booklet. There's a quote from Crystal Pite, who I believe is a dancer. And she writes.Track 1:[35:38] It is an extreme expression of the present, a perfect metaphor for life. And it goes on. Once I kind of got what that phrase meant, it just started making sense. And when you watch the live videos of this song, every single performance of this, Gord has something to say about people in the audience with their cell phones. And he's very appreciative when there's not too many people with their cell phones. And he talks about, if you're filming this on a cell phone, you're getting 10% of the experience. Put it away.Track 1:[36:08] And there was one show in Victoria and I wrote down what he said. He says, you like that things disappear as they're happening. I don't see any phones in the air trying to capture 10%. Your brain can handle it. Let it resonate. Let it sink in. Wait till tomorrow, the day after, it'll be all right. Yeah. And I love that message. Yeah, me too.Track 1:[36:26] Fuck. Kirk? This song, when I first heard it, and we've had this discussion on some of the other albums, You know, can this be a hip song? And that opening little riff on this particular song was very hip-like. And there was another interview that I had looked up, I think Alan Cross was his name. And he had even had mentioned that on this particular, he wrote simply a hip-like song. So I think that was one thing that I appreciated is there was not any fear anymore. Like, it's okay because I am the guy who writes the stuff for the hip. So there's going to be songs that sound hip like, and I think he embraced it. But I think that I, the thing that I loved about this, and as I mentioned on the other songs and you guys as well is the, the harmonies with, with, with Julie on this, like that's okay. This is Gord Downie. This is that sound where with the hip it's, this is what I sound like when I sing with Paul or whoever's doing the backup. And I believe that he really captured that in this album, but that song as well. So that was one thing that I noted in my research on this particular song. I think this is my favorite tune on the record.Track 1:[37:41] Gord had that theme, let it disappear into the night and let it happen, use it up. That is a decades-long theme in whatever he's done, and I love the message. I also love the word a squirrel. Holy crap. What a great way to convey that you can't settle down. My mind a squirrel. Holy crap. Did anyone else look up Sudbury yellow? Speaking of colors, I mentioned earlier that color is a huge theme throughout the whole thing. Also tying into the cover art, which was actually a painting by Gord Downie himself. So I think art was much on his mind during the recording of this album. And there is different mentions of colours in so many different songs. So Sudbury Yellow references the colour of the staircase at Sudbury Hall in England. And when you look up a picture of it, it's a very striking yellow. It's actually pretty neat to look up. And also another great So he rhymes the word orange with door hinge. Yeah. Blood orange with door hinge. Yeah. That's great. And I did notice the color theme throughout this and, and art is again, a decades long theme with, with Gordon. And there are many more examples through and we'll get to that.Track 1:[38:57] Well, let's stick with you, Justin, and move forward to The Hard Canadian. When I think of this song, I always, I can close my eyes and I picture, this is going to be lost on the two Americans, I apologize, but I picture Relic from The Beachcombers as The Hard Canadian.Track 1:[39:16] Beachcombers was a CBC show based in the West Coast, and there were some hard-living fishermen type, and there was one character who was sort of a scoundrel, and his name was Relic, And he just looked like a hard Canadian. He looks like the lyrics to this song. But Justin, what do you think of the hard Canadian?Track 1:[39:34] So I had two trains of thought on this. And one was that I thought Gord might have been singing about himself and just the fuck you today kind of thing. But I also thought it was about the weather, maybe in the winter. And go out to the plains and it's brutal out there. And the hard Canadian weather doesn't care about you. You know, and yeah, so the hard Canadian in my weather theory is the hard Canadian don't give a damn about you. What's a windswept face to the elusive presence of the sun to the hard Canadian? Like, you know, it's winter all the time in some places. It's dark all the time in some places, you know, north of 60, right? And it's the line, whether he's just mean or willfully dense, like the weather is controlling itself. self. It was like Mother Nature or whatever is doing this on purpose to test you. Let's see if you come out the other side. Again, the art theme, there's the quote, and it's in quotations from life nothing to death nothing, refers to a piece of art by Frank Stella, which is, forgive my Spanish here, but de la nada vida a la nada muerte. Is that how you'd say it? But that's what it translates to, from life nothing to death nothing. And it's this massive piece of art that's It's very 1965 looking and it's just another theme in there. And I don't know how it ties in other than it's a.Track 1:[40:59] You know, foreboding dark quote. That's just my, I don't know. That's my interpretation of it. But you know, Gord obviously was going through some stuff too. And, and it, it felt like this was almost a third person narrative of a first person point of view. There was two songs on the album that I'm familiar with. The hard Canadian is the first time I heard it. I had definitely had heard it before, but had not, you know, process that it was not a hip song. I think I thought it was like a deep cut hip song or something when I heard it years ago. But the other one is, and I know we'll talk about it, The Night Is Forgetting.Track 1:[41:36] He would sing it when he would do hip songs. He would sing some of his gourd songs. So when I read that story or heard about that story, I'm like, I know I've heard that song before when they played out here in LA or whatever. So, but anyway, the hard Canadian, what he had mentioned was it was Mike, Mike Clattenberg trailer park boys. That's that, that's it's one of the series that I haven't watched. I've watched letter Kenny and I've watched, you know, several other Canadian, but I have not watched the trailer park boys. And he had mentioned that it was one of the guys I guess is one of the creators and he's like yeah I got this new thing and it's hard Canadian it's dope and and so when I'd heard that description I immediately thought of like if you guys are familiar with letter Kenny like Wayne is he's hard Canadian it's just gonna smoke a you know go out and smoke and have a puppers have a dart yeah having a dart exactly so that that was the imagery that I got from it I want to point out that this is the first song in section number two lyrically in the lyric booklet.Track 1:[42:39] And I just noticed that there's a quote here from Walter von Tilburg Clark, night is like a room. It makes the little things in your head too important. And I just realized that's the second verse of the East wind. And then I glanced forward section three has the lyric from the third verse. So the lyrics from the East wind are in here, but they're, they're heading each sections. And so in my mind, and they're quotes from other authors. Is that what it is? Yeah. It was, um, he said that song was made up of the East wind I'm talking about was made up of quote, like three quotes that he, that he loved. And I had seen that somewhere. Yes. And so the hard Canadian to me is like what JD said, like I'm picturing like a relic type. I had a baseball coach when I was a kid who he's this older guy and he always had like this about one inch left of a, of a homemade smoke. And, uh, and that, that line where he says, takes a puff of puff of nothing and pick something from his tongue. Like I just picture Mr. Heller, my baseball coach who, you know, for four years, you know, first 10 minutes of practice, you don't wear a glove. You're, you're passing the baseball just with bare hands and, and just thinking back to those, those times, there was another line that I want to bring up the silences.Track 1:[43:55] He don't listen to them. Do you think that's a reference to Pascal? Maybe that's interesting. Uh, I hadn't thought that, But because I'm thinking now my mind is a squirrel and I, I'm almost thinking this is about, you know, that, that, you know, rural Canadian, um, you know, like a relic type. And in my mind, Gord is trying to say maybe that, that there's more, more to that person than, than maybe meets the eye. I don't be so quick to judge when he says he, he blurs the image, drags his brush through the wet pigment. To me that line saying you know don't be so quick to judge the hard canadian well right at the end he mentions remembering someone too and that's absolutely you know makes sense and i know a lot of hard frenchmen that are from quebec that have been through hell and you get down to it and they're just you know beautiful soft men inside but you got to get through seven layers of onion to get there.Track 1:[44:56] And that really ties perfectly into the next song, which is Gone.Track 1:[48:41] Because it has a very similar story behind it, which I'll get into it a little bit. But Kirk, what were your thoughts on Gone? Yeah, no, I love that you actually had mentioned that you're going to get into more of the meaning of it. Because I have some thoughts and ideas, but what I really wanted to talk about on this particular one, from the musician side, that I absolutely loved about it is – I'll give the note that I wrote. And I can't remember exactly who it was that mentioned it to Gord, but he said it sounded like a moose in the distance.Track 1:[49:16] And when you listen to this tune, which is a beautiful tune, another great example of the harmonies, it's another one where you just hear the range of Gord's vocals that are just phenomenal and how he can cover the spectrum with that. But the fact that Dale Morningstar was using a theremin and had several different layers of the theremin recorded on that and you hear it. And then when you get confirmation of it, you go back and listen to it and you go, oh, wow. Right. Because there's only a few songs out there that we all know and love that have the theremin. Right. There's only what the Beach Boys and Led Zeppelin or the, you know, have have really pulled it off. So it's cool to see them jump out from a musician standpoint, musicianship standpoint.Track 1:[50:05] The other thing that I wanted to mention before, and I definitely want to hear Craig's thoughts on the meaning of it, was that Gord had mentioned in one of his interviews that this and I think The Night Is Forgetting, he called it the grandma and the grandpa. So he'd had these songs for a long time and he'd matured with them. And so I think that that anticipation of so much time between the two albums, but then having songs that came, you know, at different points along the way. And I just felt like this one had, it had marinated and it was, what was presented was what had, he had settled on, because I think that happens anyone who's done music creation. You're, you write it with a thought, a producer takes a look at it, an engineer takes a look at it, the rest of the band, and it becomes something different.Track 1:[50:55] Anyway, Craig, your thoughts on some of the meaning behind it. In the booklet, there's a quote from a Polish writer named Bruno Schultz. And it says, He had not been rooted in any woman's heart. He could not merge with any reality and was therefore condemned to float eternally on the periphery of life in half real regions on the margins of existence. And apparently this was in reference to his own father. So again, coming out of the last song, it seems to kind of tie into that idea of, at the end of The Hard Canadian, where there's someone he was remembering. So this idea of, there's actually the lyric in the song, gone and feeling half real on the edge of your life. And that ties directly to that quote. quote musically the bridge that there's a building bridge with uh julie singing backup and.Track 1:[51:48] Really really great songwriting and this was another song that really grew on me it's just such a catchy kind of fun fun song uh justin what did you think no i loved it right from the beginning it yeah it builds and it starts really slow and then it gets really slow again in the middle and it's quiet. I didn't dive too deeply into the lyrics, but there's definitely, you know, this is a life story kind of thing. And maybe at the end of it. Yeah. I just, I really love the way the song made me feel and that's only surface deep, but sometimes that's all you need in a song. And I don't know, I could listen to this one over and over. And I have. Okay. Kirk, how about the drowning machine? What are your thoughts there? I think we have another nautical disaster, could we call it, on this next song? Yeah, yeah. Through Drowning Machine. Drowning Machine. Until I actually looked it up, I didn't really know what it was talking about. But apparently, the Drowning Machine is like a common name for a weir, which is a low head dam, which if you've seen pictures of them, basically what happens is the water just cycles. And just if you get if you end up going over one of these dams you're.Track 1:[53:02] Pretty much not getting out and so gourd had apparently read a story about um about some girls being saved from the the bow river in alberta and um there was actually i i kind of looked up this this bow river and there's this this notorious um spot on the river where where i believe it said had 14 deaths in 30 years and they actually had a there one story there was there was actually a boom across so if you if you're totally out of you know if you miss all the signs and you you keep going down you can grab on to this boom at one point a storm had washed it washed it away and so a couple of men died in in i believe 2007 because the the boom had been washed out and so finally they did some construction and they and they have now made it into uh an area called the Harvey, this is called the Harvey passage. And apparently people go there to do white water rafting. And there's actually two kind of, um, passages that go through now two channels, uh, at different levels of, you know, for, for different levels of experience, um, for, for rafters. I had, I had done some research on the, um, Glenora song and there's a very treacherous river that it's like, Hey, don't go there, fly over it.Track 1:[54:20] And this reminded me of, reading about that, it reminded me of Niagara Falls, just the immense force of the water at the bottom. And you're not going to get out of there if you go over the falls.Track 1:[54:37] We had a deer camp when I was a kid on the Huntington Gorge here in Vermont. And there's a plaque with a list of 30 or so names of all the people that have died in the gorge. And our deer camp was the spot where the state police would fish the bodies out of the river every time there was one that ended up there you know we we couldn't get to the to the camp because they would use the front porch to be their their base of operations oh yeah wild and i i have to say at the end um there is some lead guitar at the end by dale that really at this point in the album when I was, especially on first listen, when I wasn't totally jiving with some of the earlier tracks, this song was the one that immediately I loved, like right off the bat. And hearing that guitar when Dale finally cuts loose and really leans into that dissonance, I felt like, okay, I'm starting to get this. And Kirk, what did you think of this? Yeah, I am fascinated, obviously, with Gord's fascination with water and the nautical side of things. But again, I think this song was just another great example of their time together and how they really... And I don't know if you guys noticed this.Track 1:[55:58] I don't think they played this on that six-part one, but I really enjoyed that it wasn't like a monarchy. You know, it wasn't Gord was given direction. It was everyone was involved. And I really loved the different parts that you would see with Chris Swala and his just subtle, nice guy production tips. So, um, I really love that interaction of, of how now that they've been done.Track 1:[56:25] A couple albums together and now it had been a little bit. And I also read something about how, yeah, they wanted to definitely get that indie vibe and they definitely wanted to have a variety of different styles of music, but how they also, you know, they're also very accomplished musicians and they've spent some time with some big bands and have played in some pretty, pretty big arena. So they could bring that to the songwriting and, and, and, and the music within this. So, and I really felt that too, moving into Yellow Days, which was the next one.Track 1:[1:00:51] I love this tune. This tune to me, and maybe I'm hearing something wrong, but there was almost kind of like a jazz bossa nova, just a real kind of amazing groove to it. And I also loved hearing about the story about Josie Dye, I think was her name. And they had had a passing at a festival way back when, when I think she was a hip fan and he was just walking around and that that that's That's actually part of the lyrics in this particular tune. But I love this song. He talks about it in some of the interviews and the descriptions about just the Canadian summers and how much the Canadians love that summer, but it goes by so quick.Track 1:[1:01:36] And so they're really just trying to make the most of every time they have good weather and they have a good moment and also keeping with Craig's color theme, which I love that you brought that up and along with the storytelling that's going on uh you know this is the here we are and and enjoying that summertime and almost reminiscent of them recording this album right for the two weeks i think in august and in 09 so justin did you dig this song yeah because we have the same summer and winter pattern that that you guys would up north today you know inside baseball we're not recording this in the summer when this is coming out we're recording it well before and it was the first warm day this year and I wore shorts and it was only 61 degrees outside. It was very windy. I shouldn't have had shorts on. But you take those moments and you wrap your life around them when you can get them. And 61 felt like 81 today. And I know the Canada gray because we have that here. It's Canada gray. Even as it's warm today, it's Canada gray outside. And just the imagery of it is wonderful. wonderful yeah and i mentioned the earlier the you know the theme of of days and nights so you know that's very obvious here uh and going into the next song and um.Track 1:[1:02:53] A couple of things, Kirk, when you were saying, you know, that beat at the start, I had the same thing. I was actually trying last night to figure out what type of beat this really was. The word that came to my mind was Calypso, but then I looked it up and it was not correct. But like this South American, like it's something I've heard. Bossa Nova was what came to my mind. So, you know, Calypso Bossa Nova, it's definitely a Caribbean feel. And, you know, the fact that it's on a Gord album, you know, again, just really talks to, you know, we had your hardcore on the last one and now we're doing Calypso Bossa Nova, you know, jazz type stuff. It's brilliant in my opinion. It reminded me of my grandmother's organ, you know, had those big tab buttons that there's a there's a pre-programmed beat and it's really bad not that the song's bad but on the organ it is yeah kirk your story about the you know everyone you know in this you know having so few.Track 1:[1:03:54] Summer days in certain parts of canada it reminds me of back in 96 my band was was in winnipeg we were playing you know this show at a you know the club that all the you know the all the decent bands played at and so we were really excited about playing this this club and uh it was on a weekend we thought like this is great and it turns out it was the the long weekend in august and everyone in town leaves for the for the lakes and there was nobody in town like not just for our show but anywhere it was just bizarre so those are the the yellow days of winnipeg well let's Let's continue on with you, Craig. Keep this wagon wheel going and talk about Night is Forgetting, which is a great title. Yeah. So, so again, the day, day and night theme and we go from yellow days and tonight is forgetting.Track 1:[1:04:46] And it was really bugging me this song because I'm like, I know that I know this song and I couldn't figure it out. And then I felt so stupid a week ago when I actually looked in my, on my phone and I had the hip version of this, which is from about, I think 2005, it was just a single. As far as I know, it was just released out of nowhere. It was, uh, I think it was left over from in between evolution. Okay. So, so I did have it. So I definitely been listening to it, you know, in the past, but it never was a song that, that interested me very much. So this one again, grew on me. I think I prefer this version now. It's, it's a little more upbeat. I love the piano. So, so shout out to Dr. P, John Press, who I don't think we mentioned last, last episode, but he is such a great player. I actually looked him up last night. I couldn't find too much about him online.Track 1:[1:05:38] And he is so tasteful. He never overplays until this is like, it was almost like someone said to me, you know, just, just let loose. And you can actually see, I'm sure you guys saw on the, on the bathhouse videos, you can see him rehearsing this on his own, kind of coming up with a part and man, he nails those, those runs. It's very impressive. It's so good. So I wrote, or I heard, and I could have definitely stole it, but I heard piano flurries. And that's exactly what it sounds like as a piano flurry when it starts driving. That's exactly what my note says. Yeah, piano flurries. And the one line that stuck out with me or to me was the dew drops on the luminous veil. And I know he mentioned this in the Alan Cross interview and the luminous veil being the suicide barriers they put up on the Bloor Street street viaduct in Toronto. I guess it was a place where there was just mass amounts of suicides, just 500 suicides and they finally put up this barrier.Track 1:[1:06:41] It's a 10 minute walk from my house, the Luminous Vale. When you guys come here, I'll show you the Luminous Vale. At night, it's very pretty, but in sort of a, I don't even know, like an eerie way because Because the sections that hold the guy wires up all look like crosses. Yeah, it's heavy, man. And so my last thing about this song, in one of the interviews, Gord, he mentions that he read a quote from, I believe, Thomas Jefferson saying something about war is forgetting another country's resources.Track 1:[1:07:19] And he said, I just replaced war with night. On the hip version of this, he actually does sing war is forgetting in the last chorus. us. So he changes that for this version. But I was actually looking up quotes from Jefferson last night. I didn't find anything that resembled such an idea. So if any listeners know what he was referencing here, I'd love to hear from you. So when Gord passed, there was an interview on some news, whatever, with Ron McLean from the CBC, or I don't know if he's the CBC anymore, more, but I knew him from Hockey Night in Canada growing up. And what I think was a quote that Gord said, but I've never been able to find it attributed to Gord, was, night takes the chances, day the reward. I love that quote. And he wrote an op-ed about Gord's passing that included that line as well. And it's just a beautiful line. And I sort of.Track 1:[1:08:19] Think of myself with my work that way. I sleep three hours a night just because that's how my body works. And I'm up till one in the morning and then I get up at 5.30. But I also love that forgetting and forgetting are really just a great sound in the song that can be interpreted in any possible way. Yes, I love that part of it. And as I mentioned earlier, this was one of the songs that I know I had heard before. And honestly, until I just recently had either read or heard that it was a hip song or that it was used on a couple of hip shows, I feel 100% positive that one of the shows that I saw, they played this. I haven't gone back and look at all the set list yet, but I feel pretty confident of that. So yeah. But just love the musicality of the song. I mean, that's the only thing I would add is just the musicality is insane. I have created this little thing that I've called Gord's Annunciation Era, where he's got a section of his career with a hip where he absolutely nails every letter in every word. And think of the lonely end of the rink, and it's a very hard – and this song is a great example of that. You know he says every letter in every word in every phrase and it's just a it's very distinct this this section of maybe eight or ten years of his career whether it's with the hip or solo.Track 1:[1:09:46] And I just love how he really makes his body be an instrument with words. And also the line, he says, weird undercurrent, we're undercurrent. And again, another reference to water in a way, but just thought that was a neat little turn of phrase there. Yeah, he's so good at that. And he changes just little tiny tweaks throughout this album in many different songs with words and lyrics and how he, it sounds the same on first two or three listens. And then you realize, oh no, this is a completely different set of words. Christmastime in Toronto, he did that too on the last album. And at the very end of this song, I love how he's singing over and over. Night is forgetting and then forgetting. And then there's one time when they totally phrase it differently. There's pauses.Track 1:[1:10:37] Do you know what I mean? I mean, the very last line, I think it is just a neat little, I love songs that have just one little quirk like that. Yes, yes, absolutely. You know what? It really goes back to, I'll be leaving you or I'll be leaving you tonight. I mean, right from the beginning, right? It's just a really cool trick that he's always done. Well, another, one of the other tricks that he's famous for is invoking his children and lullabying them. The next song, Moon Show Your Lashes, to me is just the process of writing some of these lullabies and things about his children. That's what it means to me. Mr. St. Louis, how about you? I took it as his battle with insomnia, you know, which is also a common theme throughout his career.Track 1:[1:11:25] And yes, I definitely picked up on the thing. Like, you know, there's a, there's a book that my wife and I love called go the fuck to sleep, you know, talking about your kids, like just give us a break, man. And tonight, in fact, before we recorded, my daughter was taking a bath and she's trying to speak Spanish and she's yelling it and asking my wife questions in the other room in Spanish. And I walked in and Linda looks up at me and whispers, she needs to shut the fuck up. You know, just those moments of give it a rest, kid. But I think that it could be interpreted either way that like, yeah, he's talking about his kids. Like just, okay, relax. We get it. moon slow your lashes.Track 1:[1:12:09] But, you know, I think, The way that I took it was more of Gord by the lamp with a notepad trying to come up with the next song and wondering, you know, there's the line, what must he think? And no more, I think he thinks. And kind of judging himself or his work before it's even completed and just not being able to reconcile that. For what it's worth, I love the lyrics in this song. I friggin' hate the tune. I hate this song.Track 1:[1:12:39] It's so annoying. And I don't know what it is about it. And it's such an earworm. And it's the one I can't get out of my head. I can't stand the song. Get out of here. Wow. Actually just blown away by what Justin said, because I absolutely love the tune. Me too. And I think it's that 2010s, as you mentioned, you know, like there's such a massive influence from all of them individually as artists, but obviously Death Cab and that influence, but I think what they were listening to at the time. And so I mentioned that I really liked this album. So, you know, there's, there's no real duds on it for me. So, I mean, there's little things of course that I could critique, but to me, this particular album and, and, and even this song like this, this one's really up there. For me you know i'm still trying to decide what's going to be my favorite song from this and it's the first time that i didn't know instantaneously i particularly i enjoyed you know again just how it made me feel it gave me that that just that cool this is where we're at in this this time in music like it was it was it had it has some heavy lyrics but it it's i mean not crazy heavy but it was an upbeat song, I think, overall. So I appreciated it. So there was a story, Gord, in one of the interviews online I found.Track 1:[1:14:01] Talks about a radio essay he was listening to by, by someone named Neil McDonald. And he was talking about a woman who would go up to a place called high level Alberta. So when they, when he says high level in the, in the book, in, in, in the song, I had noticed in the booklet, it was capitalized. So it actually is a place up in Northern Alberta. And this woman would go up to um, Northern Alberta and, um, make, make some money. You can probably imagine how she's making her money and, and she would do this in order to support her kids. And, uh, and then when she got back to her kids, I just want to want to hold and smell. And another crazy example of how Gord writes these like incredibly upbeat, like you hear it and you fall in love with it because it makes you feel good, but it's dark AF.Track 1:[1:14:52] It's just got some real, real, real just black undertones in some of it, but the music just keeps you going. And that line that says, when, not if, after, when I get out of high level, when, not if. Yeah. And forget the, in the bridge, I think it is the forget the hawks, jaguars, the knife lickers and creeps. And yeah, it just really changed my perspective of the song and and yeah that that juxtaposition between the the sort of cute music and the dark lyrics some some more themes of um you know burgundy the color burgundy dance dance so again dance is the the one earlier that i was forgetting when i was talking about themes so themes on this album water you've got day and night you've got color and you've got dance and this song has a couple of those things in it and and to me it was like you know the things we do for our family oh like i like i said i i really love the story in the song and the lyrics and trying to figure out what i think i thought but just the tune i can't do it i don't know why man i'm sorry i'm i'm i'm not totally crazy about this song uh it's not my lead i'm actually we passed by my my least favorite without me saying but but to me um The Hard Canadian is the weak link on this album. To me, it's just a... Oh, wow. Yeah, it's just... I think it's the chord progression has just so been done before. Yeah, I'm not in love with it either. And that's the one song that I was familiar with on this album. This song, I wasn't too much of a fan of at first, but I do really like it now. It has grown on me, especially I think hearing that story. Well, are we ready to jump into Retrace?Track 1:[1:20:11] This song, my note, it just says vocally amazing. That's the note I have.Track 1:[1:20:18] I'm sure there's an amazing meaning behind the whole song. I really don't care. I just want to hear Gord sing the main line. I retrace my steps. And it just puts me in this amazing, wonderful, just warm place like we talked about in the beginning. And even Gord in some of his interviews talked about how the process and these songs were company to him. And that's what I felt with this retrace, this tune. And again, another great pairing from harmonies and also great build. And also, as we'd mentioned before, where that whole theory of every four bars coming up with something new, the retrace song, it definitely had additions and installations to create this. I just, yeah, maybe I'm dating myself, but I don't know if you guys are familiar with the band, the Smithereens.Track 1:[1:21:17] Kind of had a Smithereens vibe to it. Had a Lou Reed vibe to it. I know that there'

A special episode where I showcase my favorite bands in extended sets. In this episode, hear Ian Gillan Band, Jethro Tull, Kim Mitchell, The London Quireboys, Rush, Scorpions. Do you enjoy Prog-Scure? If so, perhaps you might consider helping me to keep this show afloat by contributing a few dollars at https://patreon.com/zapniles. Any donations very […]

Tune in this Sunday for a Georgian Bay Roots episode all about the Great Lakes Jam, a massive music festival that happened one August 20 years ago in Balaclava. The lineup included Spencer Davis, Eric Burdon & the Animals, Steppenwolf, Blue Oyster Cult, Joe Walsh, Rick Derringer, Johnny Winter, Creedence Clearwater Revisited, the B-52s, Cheap Trick, Kim Mitchell, Alice Cooper,(all included in today's show) and TIN MAN & THE FLYING MONKEYS!

In this episode of MsInterPReted, we're talking about tourism in Tennessee. Tennessee tourism generated $29 billion in direct visitor spending and saw 141 million visitors to the state in 2022, Tennessee ranks 11th in the nation for travel spending, the highest rank ever for our state. Tennessee has approximately 13, 372 restaurants in the state, which is roughly one restaurant per every 500 people if you look at our population numbers and over 1600 hotels. Sarah Beth is the CEO and president of the Tennessee Hospitality & Tourism Association. Her experience includes being Executive Director of the Tennessee Whiskey Trail and before that was also a part of the Tennessee Department of Tourist Development as the Middle Tennessee Division Manager. HospitalityTN represents the interests of Tennessee's lodging, dining, and tourism establishments and the related businesses involved in the hospitality & tourism industry. Kim Mitchell joined the Blount Partnership in July 2014 after serving the past 2 ½ years as the special events coordinator for the Helen Ross McNabb Center where she contributed to the successful planning, management and execution of many Blount County special events with specific responsibility for achieving all fundraising goals and community awareness objectives. Her position with the Blount Partnership consists of recruiting events in the areas of leisure, business and group travel to the county for overnight stays.   A graduate of the University of Tennessee, Mitchell has worn many hats in a variety of industries during her career ranging from being director of catering for a national hotel chain to serving as a marketing and public relations specialist for a local marketing group. Topics Discussed:·        What brought these two professionals to the tourism industry·        They describe the tourism boom they see in their respective geographic locations·        How the Tennessee Hospitality & Tourism Association partners with tourism businesses·        The tactics most effective in getting the word out to travelers about all that Tennessee has to offer·        The rise of outdoor adventure and leisure travel ·        The influence of the Tennessee Whiskey Trail on tourism·        What's on the horizon for Tennessee tourism

Support us on Patreon Listen for important information regarding entry to the 2023/14 PON Fantasy League! As the preseason slogs on, opening night NHL rosters are begining to take shape and the Vancouver Canucks' will be without Jack Rathbone and Vasily Podkolzin. Ryan and Arash talk about the roster moves for the Canucks, the addition of Cole McWard to Quinn Hughes' defensive pairing. They also chat about Roberto Luongo being honoured by the Canucks and Trevor Zegras re-signing in Annaheim. They also answer some great listener questions and Arash serves up a delicious edition of Sauce It? or Toss it? Support the show on Patreon! Pledge a coupla bucks ($5+) for access to our bonus content including Vlogs and video commentaries, access to the PON Discord and our weekly 5 Minutes For Paying segment. On this week's segment: Arash and Ryan share cute and funny things their partners do, Ryan plays some Kim Mitchell and they talk about their favourite night time driving bands and albums! Looking for our social media? Here's our link tree

Patio Lanterns High: The Halloween Special coming soon... "Patio Lanterns High" is a thrilling supernatural high school drama that delves into the mysteries of a cursed town, testing the bonds of friendship and bravery as its characters confront their deepest fears and unravel a centuries-old enigma.   - Aliens are real but who cares? - Ryan and Kurt recreate a famous scene from The Fast and the Furious - Ryan rants on raising money for a good cause - Kim Mitchell stinks? - Kurt has an encounter with a strange island man. - The Lost Episode finally released. Next up, Patio Lanterns the Podcast the Movie. - SOTS nominations - [45:00] We saw Mission: Impossible - Dead Reckoning Part 1  *spoilers* ----more---- Catch us LIVE on Twitch https://www.twitch.tv/patiolanternsthepodcast Follow us on Instagram @plpodcast Check out our brand new website! https://patiolanternspodcast.wixsite.com/plpodcast

Henry Lee Summer latched on to the sound of pop and rock radio in the 80s and rode that bad boy to a couple of late-decade hits, and a handful of good, heartland rock and roll albums.  But in his home state - Indiana - Summer was more than couple nice radio hits and a handful of albums. Weird that he could be, maybe? Really not. His story is like a lot of local-but-more-music heroes. Cleveland and Providence and Pittsburgh and Toronto. Artists like Donnie Iris, Kim Mitchell, John Cafferty, and Joe Grushecky.   Henry Lee Summer mined the sound of late 80's rock and roll with his own little twist, influenced by Top 40 AM radio hooks, and, in the best way, a product of live sets in the smoke and noise and chaos of a live rock and roll club. His is the sound of the Midwest. The studio recordings - most of them - shined up for presentation to the masses, and the live shows greased and gritted for the faithful. And he played great shows. Evenings that turned revival-ish. A shared act of live, loud, shakin' crowd-into-it rock and roll.  Henry Lee, well beyond most of his hit-making days, brought the goods, man. His last hit was the early 90s.  I saw him making it rock in a live setting be fantastic ten years past that.   And then he wasn't.  And now he is again. I loved seeing Henry Lee live. Here's an episode driven by a hope to share how great that act was without overselling it.  Because in the end, Henry Lee Summer had a handful of hits on the radio. Nothing more than that - unless you saw him live. Then it makes more sense: the straining-to-be-loose studio albums that never quite were roughed up enough (other than the second major label release  - "I've Got Everything") as he chased the right mix of hanging on and totally in the groove. That balance was what he harnessed on stage.   So these are my stories of discovery and the way one musician nothing much to most music fans, found a way to mean something more where he was and when he could.  Maybe this one is a little more personal than usual. I'm OK with that. I hope you are too. Enjoy the listen.   SUBSCRIBE: Apple Podcasts Spotify Stitcher Google Podcasts Read Rob's current and archived writing at rockforwardmusic.com website: rockpopandroll.com EMAIL: rockpoprollpodcast@gmail.com

Jeff's special guest is as musical as it gets. And now a music author to boot. He learned to play, he learned to teach, and he landed the role as a guitarist in the “We Will Rock You” musical in Toronto, after winning the slot upon a successful audition with Brian May and Roger Taylor of QUEEN. Then he did some performances with Classic Albums Live, faithfully delivering the guitar parts of Jimmy Page for Zeppelin IV, and Alex Lifeson's guitar for the RUSH album 2112. He'd recreate records by other bands including Genesis, Beatles, YES, and Pink Floyd. Oh, and we talk KISS Cruise, because he's done that too. So, Bob Wegner knows how to play. He also knows how to compose. And now he's added author to his resume in coming out with Max Webster "High Class", the DEFINITIVE book about Max Webster, endorsed by Kim Mitchell and the other members of the Max machine, as it were. I hand Bob a guitar and he hands you a few performances including some deep tracks by Genesis and Paul McCartney, plus a precious gem by Max Webster. And we talk Beatles and Stones, and a reaction to Steve Lukather's recent rant about what the hell has become of (some) modern music and the way it's made.Here comes the intelligent, talented and perfectly talkative Bob Wegner in an episode rooted in Max Webster, with branches all over the place, because these two are geeking out with Kim Mitchell's band, and beyond the moon. See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Get your own “Rock History Music” baseball cap https://rock-history-music-store.creator-spring.com/listing/rock-history-music-hatIf you would like to donate to "Rock History Music"https://www.paypal.com/donate/?hosted...Support “Rock History Music” on Patreonhttp://patreon.com/rockhistorychannelsCHECK OUT MANY INTERVIEWS ON OUR INSTAGRAM ACCOUNThttps://www.instagram.com/rockhistorymusic/?hl=enCHECK OUT OUR TIKTOK CHANNEL https://www.tiktok.com/@johnbeaudin80HELP SUPPORT ROCK HISTORY MUSIC..CHECK OUT OUR STORE FOR T-SHIRTS, MUGS ETChttps://rock-history-music-store.creator-spring.comOUR NEW INSTAGRAM ACCOUNT https://www.instagram.com/rockhistory...Check out the ‘Rock History Book' Podcast https://open.spotify.com/show/0LYdVTf...https://podcasts.apple.com/ca/podcast...https://www.iheart.com/podcast/269-ro...https://tunein.com/podcasts/p1419168/We have 4 active YouTube Channels featuring John Beaudin Subscribe to this (RockHistoryMusic) Channel https://www.youtube.com/channel/UChUv...RockHistoryBook -Top 10 Rock & Pop Support the show

This week I speak with Harald Thiel of Hidden Bench in Niagara. Also on the podcast this week is Lou Pomanti. Lou started out in the music business playing with the legendary Blood, Sweat and Tears and since then it's been a who's who of the Canadian music business working for: Michael Bublé, Marc Jordan, Rita MacNeil, The Boomers, Michelle Wright, Ann Murray, Triumph, The Canadian Tenors, Kim Mitchell, David Wilcox and on, and on, and on. It's a good week to be a fly on the wall!

This week we have NEW Rock and Roll music that DESERVES to be heard from Kira Mac, Florence Black, Slam, Hurricanes, Wings Of Steel, Ghost Hounds, Chris Caffery, and Invasion. Plus killer rock from Holland, Dio, The Dead Daisies, Rough Cutt, and Kim Mitchell! Turn it up!

Celeste Simmons talks with Joe and Kim Mitchell about their refugee-centered non-profit, Bridge Builders.

Jeff prompts 15 rockstars to tell us what their favourite Beatles songs are and why? Featuring some incredibly honest and well thought answers from: Paul Rodgers, Joe Walsh, Colin James, Randy Bachman, Nick Gilder, Kim Mitchell, Moe Berg, Joe Perry, Jim Cuddy, Derek Trucks and Susan Tedeschi, Serena Ryder, Rick Jackett of Finger 11, Jeremy Taggart of Our Lady Peace, and BUBBLES from TRAILER PARK BOYS. Do you remember the band he, i.e. actor Mike Smith, was a part of? Find out in this 25 minute podcast version of Woods' weekly radio show.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Are you a young person looking to take control of your future? Then this video is for you! In this podcast episode, we take an in-depth look at Kim Mitchell's Career Access Program, which provides youth with the opportunity to learn valuable career skills as well as gain meaningful experience. Tune in now to find out more about this amazing program and how it can help your journey to success!Ad InformationZencastrhttps://zen.ai/coffeeconvosConnect with Kimberly MitchellInstagram @YPSSolutionsFacebook @YoungProStaffingSolutionsStay Connect with LizCoffee & Convos

Graventowners and Bright Eyes Turn-Arounders - what's the ham hock? This weeks brand new season 2 episode is all about someone who has become a big chef in the country kitchen mess hall of Camp Graven; Mister Tom Thompson. Being born in Toronto and never really fitting in in high school, Tom had his consciousness blown wide open when he went with his sister to see U2 at Maple Leaf Gardens on the Unforgettable Fire tour. Having similar experiences at shows ever since, the once mod and metal-obsessed Tom has morphed into a sonic mainstay in the Ottawa music scene and has probably played on an album that your friend released. Having made magical sounds with epic acts like Toque, That's The Spirit, Orienteers, Still Winter Hills, Jim Bryson, Kathleen Edwards and of course yours truly (Graven),  Tom has had the chance to open for and share stages with The Flaming Lips, 54/40. Kim Mitchell, The Grapes of Wrath and just recently Stephen Stanley and Ron Hawkins from Lowest of the Low and Chris Brown from Bourbon Tabernacle Choir. Tom is also a  podcast producer for Library Archives of Canada and now runs his own deep dive music podcast called TNT's Hit Songs from Mars. It was a pleasure to chat with this lovely human today.And you can catch Tom and I on tour this weekend, as the gritty Graven duo:DEC 9: Linsmore Tavern - Toronto, ONopening for Stephen StanleyDEC 10: Hotel Wolfe Island - Wolfe Island, ONopening for Stephen StanleyInfo, tickets and times here.#graventownpodcast#TomThompsonTheToneAdmiralCatch me in a town near you by visting my website to see where I'm playing. If people can hate for no reason, I can love for no reason - and I love you. Thanks for stopping by Graventown. Yer always welcome here. As a full time independent artist, you can support me by joining my SUPER RAD subscription service at https://ko-fi.com/gravencanada

Join host Queen Staci as she welcomes special guest, Kim Mitchell as she shares her vulnerable journey of alopecia. You'll appreciate how Queen Kim and I share stories like to girlfriends catching up on the phone. Click the link below to connect with Queen Kim https://linktr.ee/Ktaram. If you or someone you know is experiencing domestic violence, call the national domestic violence hotline at 800-799-SAFE (7233)

This week's guest Rich Brown. Hailing from Canada, Rich is a highly accomplished performer, composer, producer, and educator. He's recorded three albums as band leader and has been featured on over 70 recordings covering a wide range of musical genres. Rich has played, toured, and recorded with some of the most distinguished musicians on the planet, from James Blood Ulmer, Vernon Reid and Steve Coleman to Rudresh Mahanthappa, Angelique Kidjo, and David Clayton Thomas—just to name a few. Host Josh Paul talks to Rich about his upbringing, his performing and teaching style, and his philosophy on what it takes to be a multi-faceted musician in today's age.

This episode of our In 40 Minutes series is mainly for those not of the Canucklehead variety. While to us Canadians Kim Mitchell is well known, with many of these tracks staples of Canadian rock radio, people outside of these borders may have not had the pleasure to hear his post-Max Webster solo work. So here (hear?) you go ... 40 minutes of the best Kim Mitchell material for your listening pleasure. Grab a lager (or ale) and do your rock'n'roll duty!!! Side One Kim Mitchell (1982) (0:00) Tennessee Water Akimbo Alogo (1984) (3:42) Go For A Soda (7:10) Lager and Ale Shakin' Like A Human Being (1986) (11:15) Get Lucky (Boys and Girls) (15:20) Patio Lanterns (18:54) That's The Hold Side 2 Rockland (1989) (22:53) Rock and Roll Duty Aural Fixations (1992) (26:13) World's Such A Wonder Itch (1994) (31:12) Your Face Or Mine Ain't Life Amazing (2007) (35:53) I Got A Line On You

You don't want your HVAC to break down in the middle of July!!! Find out how Cassell can help prevent or fix it if it happens!

Trumka awarded Presidential Medal of Freedom; Jerry McEntee, longtime AFSCME leader, dies at 87; Kim Mitchell is “The Future We Need”; “We should never forget”; Justice delayed, but finally delivered Today's labor history: 322 killed in Port Chicago explosion. Labor Quote: Joseph Small. @wpfwdc #1u #unions #LaborRadioPod @AFLCIO @POTUS @LizShuler @AFSCME @DCJWJ @jwjnational @SmileyJWJ @saritasgupta @UFCW400 @unionveterans #veterans #1u #RepatriateOurPatriots #DeportedVets Proud founding member of the Labor Radio Podcast Network.

Macy's worker's story is featured in new book from Jobs with Justice leaders. Today's labor quote: Kim Mitchell. Today's labor history: Southern Tenant Farmers' Union organized.    @wpfwdc #1u #unions #LaborRadioPod @AFLCIO @DCJWJ @jwjnational @SmileyJWJ @saritasgupta @UFCW400 Proud founding member of the Labor Radio Podcast Network.

Canadian rock icon Kim Mitchell looks back on his 50-year music career, from the founding of the band Max Webster in the 1970s to why he sees playing live as his "Rock N' Roll Duty." Musician Khanvict and director Anjali Nayar talk about winning the Prism Prize Audience Award for the music video for the song Closer. Cheech Marin of the legendary stoner comedy duo Cheech & Chong tells us how he came to acquire the world's largest collection of works by Chicano artists — and why he wants the whole world to get to know them the way he does.

High Holy Days As days turn into weeks, weeks to months, and months to years; life evolves and times change. A new normal takes shape, but the desire to create music has never wavered for High Holy Days. After enduring 22 years of musical existence filled with trials, tribulations and victories; come hell or high water, HHD are in it for the long haul. Their blueprint reads like a blue-collar guide of straight-ahead lyrics, heartening vocals, strong melodies, and crunchy guitars. High Holy Days create guitar-driven meat and potatoes rock, heavily influenced by the likes of The Band, The Cult, Supertramp, and Soundgarden. Formed in the fall of 2000 by founding members vocalist Marc Arcand and guitarist Billy MacGregor, High Holy Days steadily rose from playing local bars around their home base of North Bay, Ontario, to dominating clubs and festivals across the country. 2002 saw High Holy Days sign a recording contract with RoadRunner Records/Universal Music and in 2003 they released their debut album ‘All My Real Friends' to both Canadian and US markets. Their Top 10 Canadian radio singles ‘All My Real Friends' and ‘The Getaway' rotated on mainstream rock radio and the nation's music video station, Much Music. The latter even found its way onto British and American airwaves. To support the album, HHD hit the road, touring across Canada with fellow rock acts Three Days Grace, Theory of a Deadman, The Trews, The Headstones and Default, while sharing the stage with the likes of Nickelback, Our Lady Peace and Sam Roberts. After two years of touring Canada and the UK, and a couple of line-up shuffles, the band hit the studio to begin recording a sophomore release. HHD travelled to Wigan, UK to begin tracking before returning to Canada to finish tracking in Wasaga Beach with renowned Juno Award nominated engineer/mixer Richard Chycki (Rush, Aerosmith, Dream Theater). Further tracking and mixing ensued at Blue Sound in Toronto with engineer/producer Russ Mackay (Styx, Gowan, Kim Mitchell). Unfortunately due to some major life changes and line-up shifts, the music was never officially released. The band decided to go on an unofficial hiatus, playing only occasional live shows for dedicated fans in the northern Ontario region. A studio was built in Arcand's house, allowing the band to write and record new music on their own terms, without the distraction of outside opinions, influences, or pressures. Fast forward to 2022, and not ones to rest on their laurels, High Holy Days are on their high horse and back in the saddle again. For HHD the summer of 2022 is all about playing live shows once again, and digitally releasing their EP ‘It's Not OK' from the previously unreleased music from their second album recording sessions on all music download and streaming platforms. The story of High Holy Days continues. #newmusic #highholydays #mmfcpodcast

Steve Lloyd steps in for JR, should the Nazem Kardi goal have counted, looking ahead to Game 5, Kim Mitchell and the NBA Draft and OG Anunoby. 

NHL analyst Dave Poulin on the NHL Awards show and Stanley Cup Final, JR strongly dislikes Patio Lanterns by Kim Mitchell and Simmer's favourite artist John Elton.

Goose Creek CISD has two Apple Distinguished schools, Stephen F. Austin and Robert E. Lee. So, what does it take to become 2 of 689 Apple Distinguished Schools in the world? Listen as we speak with Lori Roberts, Kim Mitchell, Katie Ward, and Connie Guerrero about the process at Lee High School.  The Goose Call is hosted by Matthew Bolinger and Kendall David, and produced by Carrie Pryor-Newman.  Thank you, Community Resource Credit Union for sponsoring this episode of The Goose Call. 

Kim Mitchell, the Canadian rocker, has been making records and shredding guitar since the early 70's. He had a big hit in the mid 80's with “Go For Soda” and an even bigger hit in Canada with "Patio Lanterns”. He was the lead singer in the band Max Webster, that toured with Rush back in the day. Kim and I talk about his amazing career and shares some great stories about being on tour with some of the rock giants, including Van Halen, Rush and MC5. I caught up with him in his off time in Toronto before he goes back out on tour. Check it out.

Dual Credit information continues! We are proud to offer dual credit in Goose Creek CISD. Dual credit is a system in which an eligible high school student enrolls in college courses and receives credit for the courses from college and high school. Tune in to hear from Kim Mitchell, Academic Dean at Lee High School; Leslie Garcia, College and Career Counselor at Goose Creek Memorial High School and Kerliyah Andrews, a student at Goose Creek Memorial, to learn about how you can take advantage of dual credit.  Thank you, Community Resource Credit Union, for sponsoring this episode of The Goose Call. The Goose Call is hosted by Matthew Bolinger and Kendall David and produced by Carrie Pryor Newman. 

Mark sits down with Kim Mitchell from Dementia Ministry at McGregor Baptist Church. Resources Link: mcgregor.net/dementia Presented by McGregor Podcast 2021 Visit Our Website at HereAtHomePodcast.com #HereAtHomePodcast #McGregorPodcast

U.S. Navy Veteran Kimberly Mitchell discusses her inspiring journey from being orphaned in Vietnam to her serving at the highest ranks of government in the Office of the Joint Chiefs of Staff. She also shares with listeners why advocating for service members, veterans and military families is central to how she continues to serve her country.