Podcasts about pen f

In Greek mythology, Mount Olympus was the home of the Twelve Olympian Gods, Zeus, Hera, Apollo, Athena, and others looked upon the mortals of the world and accepted their worship.  In modern times, Mount Olympus is also home to the Camerosity Podcast where Anthony, Paul, Theo, and Mike gaze down upon their followers, accepting tributes and praise. No, just kidding, none of us are that egomaniacal, no, the real Mount Olympus is in modern day Greece on the border between Thessaly and Macedonia near the Aegean Sea.  It was the inspiration for a small Japanese company formed on October 12, 1919 as K.K. Takachiho Seisakusho, or Takachiho Works Co., Ltd. in English.  The company would originally make microscopes, one of which was branded the "Olympus".  A series of cameras would come next with the same name, and in 1949, the entire company would then become known as the Olympus Corporation. In the years since, Olympus has created some of the best lenses and cameras the Japanese photo industry ever produced.  In the time doing this show, we've mentioned a variety of Olympus cameras here and there, but we had never dedicated an entire episode to them, until now. Tune in to Episode 63 where Anthony, Paul, Theo, and Mike are joined by returning callers A.J. Gentile, Howard Sandler, Mark Faulkner, Matt Murray, Patrick Casey, Patrick Rapps, Robert Coates, Tim Peters, and first time callers Josh Barker, Stephen Strangway, and Tony Plescia discuss their favorite Olympus models, some tips and tricks to using them, and a little bit of history. The episode barely gets started before we go down the academia route and debate what the plural form of "Olympus" is, but then we get to other questions such as why half frame was so popular in Japan, when did Olympus become a point and shoot company, and what are some tips and tricks to get an Olympus OM-2 or OM-4 cheaply at a thrift shop. As always, the topics we discuss on the Camerosity Podcast are influenced by you!  Please don't feel like you have to be an expert on a specific type of camera, or have the level of knowledge on par with other people on the show.  We LOVE people who are new to shooting and are interested in having an episode dedicated to people new to the hobby, so please don't consider your knowledge level to be a prerequisite for joining! The guys and I rarely know where each episode is going to go until it happens, so if you'd like to join us on a future episode, be sure to look out for our show announcements on our Camerosity Podcast Facebook page, the Camerosity Discord server, and right here on mikeeckman.com.  We usually record every other Monday and announcements, along with the Zoom link are typically shared 2-3 days in advance. We will return with Episode 64 which will be dedicated to Rollei.  We will discuss all of the early Franke & Heidecke Rolleiflex and Rolleicord TLRs, plus their later SLRs, point and shoots, and maybe even an interchangeable lens rangefinder, digital camera or two.  We will record on a special night, on Thursday, January 25th at 7pm Central Standard Time, 8pm Eastern Standard Time.  We look forward to hearing from you! In This Episode What Is the Plurality of Olympus? / Was Olympus Famous for Their Lenses First? Olympus's Early History / Zuiko Lenses Made for Other People / Zuiko Leica Thread Mount 40mm f/2.8 Olympus Pen and Trip 35 / The Pen Re-Started Half Frame Popularity in the 1960s Why Was Half Frame 35mm So Popular in Japan? / Maitani Designed to Pen to Be Inexpensive Yet Still Capable of Great Photos Half Frame Was Single Frame Before the Pen / What Is Everyone's Favorite Pen? / Olympus Pen EE and D Series Zuiko Lenses and The Letter Code Indicates How Many Elements / The Original OM-1 Was Called the M-1 Olympus FTL Was the First Full Frame Olympus SLR / No One Knows Who Made the FTL Anthony Loves the Pen F and FT / The Pen F SLR is a Marvel of Miniaturization Olympus Ace, Ace-E, and Tower 19 Rangefinders / Anthony's Olympus SP and EC Fixed Lens Rangefinders All the Olympus Fixed Lens Rangefinders / The Olympus 35 LC is the Same as the 35 SP but Without the Advanced Electronics Anthony Also Loves the Olympus XA4 / Maitani Created The Olympus XA / Reverse Retrofocus Lenses Olympus OM-Series / OM-SLRS Shutter Speed Selector is Around the Lens Mount to Help Shrink the Camera Maitani Signature Cameras / OM-2 and 4 Shutters Will Lock Up if Batteries are Dead / How to Test Them When Did Olympus Become a Point and Shoot Company? Olympus Stylus and mju Cameras / Olympus LT-1 / Olympus O-Product / Goofy Special Edition Cameras Olympus iS-Series SLRs / SP-330 Bridge Camera Olympus Jumped into Micro 4/3rds for the Consumer Market / Olympus OM-D E M1X and other OM-D Mirrorlesses Olympus Really Likes to Recycle Model Numbers and Names / Olympus Pen Digitals / 4:3 vs 3:2 Ratios Mike's Update on His Contax N1 from the Last Episode Theo Loves the Olympus XZ-1 Digicam Lightning Round: If You Could Only Keep One Olympus Camera, What Would it Be? Links The Camerosity Podcast is now on Discord!  Join Anthony, Paul, Theo, and Mike on our very own Discord Server.  Share your GAS and photography with other listeners in the Lounge or in our dedicated forums.  If you have questions for myself or the other guys, we have an “Ask the Hosts” section as well where you can get your question answered on a future show!  Check it out!  https://discord.gg/PZVN2VBJvm. If you would like to offer feedback or contact us with questions or ideas for future episodes, please contact us in the Comments Section below, our Camerosity Facebook Group, Instagram page, or Discord server. The Official Camerosity Facebook Group - https://www.facebook.com/groups/camerositypodcast Camerosity Instagram - https://www.instagram.com/camerosity_podcast/ Mark Faulkner - https://thegashaus.com/ Matt Murray - Matt Loves Cameras - https://mattlovescameras.com/ Theo Panagopoulos - https://www.photothinking.com/ Paul Rybolt - https://www.ebay.com/usr/paulkris and https://www.etsy.com/shop/Camerasandpictures Anthony Rue - https://www.instagram.com/kino_pravda/ and https://www.facebook.com/VoltaGNV/  

It has taken us 46 episodes of seemingly non stop film camera discussion to finally devote an entire episode to the cameras that in the late 1990s and early 2000s, many photographers thought were a fad.  That's right folks, Camerosity has gone digital!  Before anyone protests and demands their Camerosity Season Pass™ membership be refunded, enough time has passed since those early film-less cameras that the early digital cameras are now vintage themselves. In episode 46 of the Camerosity Podcast, the guys and I go all digital.  With us are callers Andrew Smith, Atabak Taghizadeh, Brian Howard, Greg McCreash, Mark Faulkner, Michael Gossett, Phil Clark, and Stephen Grasso. Anthony and Brian start things off with one of the earliest true digital cameras, the Apple QuickTake.  This 0.3 megapixel monster was first released in 1994 and came in two distinct designs, one created by Kodak and the other by Fuji.  Moving onto the Sony Mavica and it's 3.5" floppy disc storage, the rest of the gang has some familiarity of these cameras, and Anthony reminisces about his large collection of floppies. We continue to traverse the late 90s and early 2000s, going around the room recalling our first digital cameras that really made us realize that cameras which write in 1s and 0s were here to stay.  Mike discusses the differences between CCD and CMOS sensors, we dabble into digital IR photography and a couple Sony models which make disabling the visible light filter extremely simple.  Mark prefers a more difficult way though, by opening up his Panasonic Lumixes and permanently removing the filter. We cover digital mirrorless, and which mounts we all love adapting film lenses to, why some people didn't like EVFs compared to optical viewfinders, Mike heaps praise on the Nikon Z5, and we dabble into some of the more strange digital camera designs like the Pixii and Lytro. This was a loaded episode with a ton of information, so whether or not you're interested in older digital cameras, or are interested to know what a (Zoom) room full of a dozen collectors shoot when we don't feel like dealing with analog emulsion, you definitely do not want to miss this episode! As always, the topics we discuss on the Camerosity Podcast are influenced by you!  We would love to hear from more listeners, especially those who are new to shooting film or collecting cameras.  Please don't feel like you have to be an expert on a specific type of camera, or have the level of knowledge on par with other people on the show.  We LOVE people who are new to shooting and are interested in having an episode dedicated to people new to the hobby, so please don't consider your knowledge level to be a prerequisite for joining! The guys and I rarely know where each episode is going to go until it happens, so if you'd like to join us on a future episode, be sure to look out for our show announcements on our Camerosity Podcast Facebook page, and right here on mikeeckman.com.  We usually record every other Monday and announcements, along with the Zoom link are typically shared 2-3 days in advance. For our next episode, we plan on going back to the analog realm, but now that the digital Pandora's Box has been opened, will we forever be changed?  The theme of our next episode is "cameras with a strap" meaning those which are permanently in shooting configuration, ready to fire off some exposures at a moment's notice.  What are your favorite cameras of all time, and which are the ones that someone will have to pry from your cold dead fingers, on the day you reach your expiration date!  Be sure to look out for our next show announcement.  Episode 47 will be recorded on Monday, April 17th.  We hope to see you there! This Week's Episode All hosts shoot digital, arguments on better medium are silly Anthony's intro into digital, the Apple QuickTake / Brian's Apple QuickTake 150, 100 and 200 Anthony has lots of floppies / Mark and Theo both have Sony Mavica Cameras People don't wipe card on old digicams, even birthing and wedding photos Mike shoots the Nikon E2Ns with a car lighter power cord Batteries are hard to find for pro grade equipment / Also hard to find for Leica D-Lux 2 Greg has a Sony MVC-5000 with an AC to DC adapter Theo shoots a Minolta RD-175 / Press Compact Flash Cards from the middle to avoid bent pins Difficult to get images from early digital cameras onto computers now / Early DSLRs had no latitude Innovation in form of Nikon Coolpix 995 / Early CCD vs CMOS sensors Sony DSC-505 was Anthony's first significant digital Canon Powershot S2 was Mike's first significant digital / Canon Powershot S45 and Nikon D300 were Theo's first significant digitals Nikon D3 was Paul's first significant digital APS-C is based on the named after the APS format / People love to adapt Pen-F lenses to Micro 4/3 Micro 4/3 was a ground breaking innovation / Pentax Q has insane 5.5x crop factor Some mirrorless cameras are hard to find with lenses / DSLRs vs Mirrorless Fuji has a super loyal customer base / The Panasonic Lumix LX3 is a great pocket camera Adjusting to electronic viewfinders / Mike has a Nikon Z for vintage lenses and stacks a Sony to Nikon adapter Pixii Camera as a Leica competitor Sony has had a huge head start on the others / Sony manufactured sensors for most of the brands Infrared Red conversions on digital cameras / Using a magnet on a Sony CyberShot DSC-F828 to shoot IR / Military buys lots of IR cameras Pentax K1 and K10 / Sigma Merrill and Quattro / Stephen loves his Leica Q2 Monochrome Is the “film look” really a thing? Epson RD1 / Leica M8 was Leica's first digital rangefinder camera Digital bridge cameras - Theo's prediction of next big thing / The Digicam craze Mike gets excited because he can USB charge his Z5 / AI Integrated Photography might be the future Ricoh GRIII / Mike's ultimate hybrid camera / Lytro Cameras Show Notes If you would like to offer feedback or contact us with questions or ideas for future episodes, please contact us in the Comments Section below, our Camerosity Facebook Group or Instagram page, or email us at camerosity.podcast@gmail.com. The Official Camerosity Facebook Group - https://www.facebook.com/groups/camerositypodcast Camerosity Instagram - https://www.instagram.com/camerosity_podcast/ Camerosity Twitter - https://twitter.com/CamerosityPod Andrew Smith – https://www.youtube.com/channel/UClXrAlbnU3gvdRrJ5gAR4mw Theo Panagopoulos - https://www.photothinking.com/ Paul Rybolt - https://www.ebay.com/usr/paulkris and https://www.etsy.com/shop/Camerasandpictures Anthony Rue - https://www.instagram.com/kino_pravda/ and https://www.facebook.com/VoltaGNV/

Dåpen i den Katolske Kirke er et av 7 sakramenter. Det er en innvielses sakrament og er det første sakramentet man får og man blir samtidig del av Guds familie og blir en del av Kristi lemmer på jord. I dagens episode snakker Peder og Martin om dåpen som inngangsportal til det nye liv, hvordan dåpen er med å rense vekk gammel synd og fornyer våre liv som medlemmer av Guds familie. Peder og Martin snakker litt om sine egne dåpsnavn og hvordan man kan bruke navnet man har fått som et forbilde til å leve det nye livet man får gjennom renselsen som er dåpen. Katekismen 1213 «Den Hellige dåp er grunnvollen i hele det kristne liv; den er porten inn til livet i Ånden, og døren inn til de andre sakramentene. Ved dåpen blir vi satt fri fra syndens makt og gjenfødt som Guds Barn, vi blir lemmer på Kristi legeme og innlemme i Kirken og får del i dens sendelse: «Dåpen er gjenfødelsens sakrament ved vannet og i Ordet». Hellige Augustin Be for oss Følg oss på sosiale medier

Es hat ordentlich gekracht bei der letzten Mitgliederversammlung des deutschen PEN-Zentrums. Schlechter Führungsstil, Mobbing, Beleidigungen: Die Vorwürfe gegen den Präsidenten der Schriftstellervereinigung, Deniz Yücel, waren massiv, der PEN am Ende ohne Präsident und - wie sich jetzt zeigt - nicht nur innerlich gespalten. Am Freitag will sich im Berliner Literaturhaus ein "PEN Berlin" konstituieren, dem sich aktuell mehr als 200 namhafte Autor*innen anschließen wollen. Zu ihnen gehören u.a. Ursula Krechel, Christian Kracht, Antje Rávik Strubel und auch Nora Bossong, die uns im Gespräch über Absichten und Beweggründe Auskunft gibt.

Am 24. April entscheidet Frankreich in einer Stichwahl über seine neue politische Führung. Entweder der amtierende Präsident Emmanuel Macron gewinnt oder seine Herausforderin, Marine Le Pen. Aber es ist mehr als nur eine vielleicht spannende politische Entscheidung eines Landes, denn ganz Europa blickt nach Frankreich, man hört und liest von einer europäische Horrorvision, sollte Le Pen tatsächlich gewinnen.  Sie sei eine Extremistin und würde im Präsidentenamt die ganze EU gefährden -droht mit dieser Frau also tatsächlich so etwas wie ein Donald Trump Effekt in Europa? Und wie geht es den Französinnen und Franzosen eigentlich wirklich? Das haben wir in diesem Spezialpodcast mit Stefan Winkler besprochen. Stefan ist Mitglied der Chefredaktion und nicht nur persönlich frankophil, sondern analysiert schon viele Jahre die politische Landschaft Frankreichs. Im Vorfeld dieser wichtigen Wahl war er im ganzen Land unterwegs, um nachzuspüren, was in Frankreich los ist. Und ob die Phänomene aus den USA, die zum Sieg von Trump führten, jetzt auch in Europa angekommen sind. Alle aktuellen Entwicklungen dieser Wahl könnt ihr bei uns auf der Kleinen Zeitung nachlesen. 

Die französische Präsidentschaftskandidatin Marine Le Pen hat die Aufkündigung gemeinsamer Rüstungsprojekte mit Deutschland angekündigt, für den Fall ihres Sieges bei der Präsidentschaftswahl. Sie warf Deutschland vor, für „die absolute Verneinung der französischen strategischen Identität“ zu stehen. „Es ist normal, dass Berlin seine Interessen verteidigt, und dass wir unsere Interessen verteidigen, was (Präsident Emmanuel) Macron vernachlässigt hat“, sagte Le Pen. Web: https://www.epochtimes.de Probeabo der Epoch Times Wochenzeitung: https://bit.ly/EpochProbeabo Twitter: https://twitter.com/EpochTimesDE YouTube: https://www.youtube.com/channel/UC81ACRSbWNgmnVSK6M1p_Ug Telegram: https://t.me/epochtimesde Gettr: https://gettr.com/user/epochtimesde Facebook: https://www.facebook.com/EpochTimesWelt/ Unseren Podcast finden Sie unter anderem auch hier: iTunes: https://podcasts.apple.com/at/podcast/etdpodcast/id1496589910 Spotify: https://open.spotify.com/show/277zmVduHgYooQyFIxPH97 Unterstützen Sie unabhängigen Journalismus: Per Paypal: http://bit.ly/SpendenEpochTimesDeutsch Per Banküberweisung (Epoch Times Europe GmbH, IBAN: DE 2110 0700 2405 2550 5400, BIC/SWIFT: DEUTDEDBBER, Verwendungszweck: Spenden) Vielen Dank! (c) 2022 Epoch Times

加入摄影早自习群，请加微信：nihaoyelaoshi（暗号：喜马拉雅）早安，我是叶梓，今天是摄影早自习陪伴大家的第1753天。今天我们继续来谈画幅的事，这是我昨天挖的坑。昨天我们谈到了柯达公司推出了135型胶卷非常著名，在全世界都非常通用，所以我们现在的所谓的全画幅相机指的就是制造出了135型胶片里那个感光面积24×36mm的感光元件，所以我们称之为全画幅。图片来源：sohu.com但是你想啊，昨天我也说了，这个胶卷是很长的一大卷，我们难道真的只能生产这种2:3尺寸的24×36mm的相机吗？不是。有的人就动了脑筋了，觉得我没钱，这个胶卷挺贵的买不起，一卷只能拍36张，能不能省点用，我一卷拍72张行不行？怎么做到呢？很简单，就是原本你那个照片它不是横着在胶卷上进行感光吗？24×36mm。你现在把它裁一半，就是说我每一次按快门曝光，只曝24×18mm的宽度行不行？行啊，这肯定可以啊，大受欢迎啊，因为它省钱啊。Photo by Dan Freeman on Unsplash我们胶卷以前技术不好，不太清楚，做到24×36mm这种全画幅尺寸就已经很极限了，再往小了照片也看不清。后来胶卷技术也进步了，胶卷技术进步以后，它的颗粒也更细了，画质也更清晰了，你拍一半的尺寸的感光面积它也很清楚，所以半格相机大行其道。这个半格相机长宽比就从原来的2:3变成了4:3。你算一下就知道我说的是对的，原来的感光面积全画幅面积24×36mm对不对？这就明显是2:3，如果是裁一半呢，24×18mm那就是4:3，这个尺寸俗称半格相机。奥林巴斯 PEN F 相机（半格相机） 图片来源：祥升行相机博物馆它最显而易见的好处有两个，第一个就是节约胶卷、节约成本。第二个就是相机可以做得非常的小巧，很讨人喜欢。科技产品很多时候是以小为美，越精美越受欢迎。那它对应到数码相机上有没有一模一样的尺寸呢？24×18mm，对不起，没有。比较接近的是APS-C画幅的尺寸：23.4×15.6mm左右，因为每个品牌的还稍微有点不一样，但都被叫做APS-C。它大概就等于半画幅的尺寸，但是又跟它不太一样。半画幅的长宽比它是4:3，但是到了APS-C画幅，它没有那么胖，它把自己还是瘦身成了2:3的一个尺寸和全画幅看齐。它的面积大约就是全画幅的一半再小那么一点点，所以也有人管APS-C画幅叫半画幅，但是我其实没有这个称呼的习惯，我还是觉得叫它APS-C画幅会比较标准一点。佳能90D（APS-C画幅） 图片来源：佳能官网上一课我们其实说过了，就是感光元件的尺寸它其实是从小往大了做的。以前是只能做小感光元件，后来才越做越大，所以其实民用级的APS-C画幅的产品是要早于全画幅出现在市场上的。但是你又要知道每个厂商它制作相机的理念不一样，比如说奥林巴斯它的医疗产业极其的强悍，几乎是绝对垄断地位在胃窥镜的领域里面，所以奥林巴斯向来就是喜欢做小东西，越小它卖得越好。奥林巴斯你别以为在中国好像名气不大，其实它在国际上尤其是在日本是占有非常重要的市场地位的。你想想看美国造车喜欢做大车，日本造车喜欢做小车，相机其实也一样，就是咱们喜欢用大的，但是日本人喜欢用小的。奥林巴斯曾经有一个非常著名的机型，135型号的胶片单反，就叫OM系列，那一个相机当时真的是几乎垄断了单反的市场。那相机是又好看又好用，最重要的是它比胶卷大不了多少，你都会很怀疑这胶卷是怎么塞进这个机身里面的。奥林巴斯OM10 Photo by Terricks Noah on Unsplash从那开始，奥林巴斯尝到了甜头，打死都要走小型化相机的路线，这就是为什么现在奥巴一直坚持走它的M4/3画幅。M4/3画幅在以前胶片里边应该是没有主流机型是这个画幅的，它的尺寸可奇葩了，它就是差不多1/4个全画幅的大小，它的对角线是全画幅的一半。你说把相机做这么小有什么好处呢？其实我觉得大家要用发展的眼光看问题，昨天早自习我刚刚说过，胶片以前拍东西不太清楚，所以把自己造得很大个，这样的话勉强能看清楚拍的是啥。后来胶片做得越来越好了，越来越清晰了，大家就怎么干了？就把相机小型化了。胶片的感光面积也是越来越小，反正虽然小但是还是够用嘛，但是因此得到了这个相机的便携性是很宝贵的。现在不是一样的道理吗？过去生产的数码感光元件像素也不高，拍得也不是很清楚，噪点又特别多。但是现在技术越来越高了，那很自然的厂商就会想着我要把相机小型化，我要把感光元件也小型化，它反正只要够用就行嘛，我要那么大个干嘛？所以奥林巴斯是觉得自己看到了未来的方向的，所以它是铁了心来做这种画幅非常小的相机，再加上它在医疗的影像方面的深厚的积淀，它也还是走出了自己的路子，把M4/3这么小的感光元件的画幅它的优势发挥到了极致。我随便讲几个你们就懂了。奥林巴斯E-M1 Mark III（M4/3画幅）图片来源：奥林巴斯官方旗舰店第一，它感光元件又轻又小，非常灵活，所以它机身防抖极强无比，五轴防抖就是它发明的，到今天也是它做得最好。我曾经用奥林巴斯的EM1X那台相机手持15秒在798艺术区拍摄夜景图片，不抖，全清楚。当然这也不是每次都能成功的，我试了一下差不多8秒是手持能清楚的一个成功率比较高的极限。第二是它的连拍速度非常的快。我用那台相机拍了马术比赛，每秒60张RAW格式照片，那简直就是疯了。我买的一千六七百块钱的高速的SD卡，按不了一两分钟它就全都存满了，所以我压根都不敢按。关键时候就连拍那么半秒钟就赶紧把手抬起来。奥林巴斯 EM1X拍摄 © 叶梓另外它的镜头也非常小巧，它有一支等效焦距150—600mm的变焦镜头，有多长呢？就我一只手掌长，所以它也一直是我的旅行的首选机型。奥林巴斯75-300mm(等效焦距150—600mm)当然我这期也不是为了奥林巴斯打广告的，是因为聊到这了，触景生情多抒发几句。其实我也是富士粉，这个同学们都知道的是吧，而且我也非常喜欢用全画幅的数码相机：徕卡呀、索尼呀、佳能呀……我都用。不过今天就是给大家多说几句M4/3画幅，因为大家都觉得它不好，它小，我是想告诉你它存在是有道理的，它是有优势的。原本准备两期给大家聊完画幅，看样子还是聊不完，我们下一期接着聊吧，毕竟还有中画幅、大画幅，还有一些奇怪的画幅，我们都慢慢地来说。这些看上去是胶片摄影时代留下来的遗毒，但实际上都跟我们数码相机是息息相关。好，今天超时了，就到这里。别忘了在11月7号我们有一个加场的颐和园的活动可以接受预报名，不要再像上次一样没抢到名额了，大家赶紧戳语音下方的海报进去了解详情。另外也欢迎关注我的抖音账号：叶梓玩摄影。有问题可以加我的私人微信，我的微信名就是拼音：nihaoyelaoshi。今天是摄影早自习陪伴大家的第1753天，我是叶梓，每天早上6:30，微信公众号“摄影早自习”，不见不散。

加入摄影早自习群，请加微信：nihaoyelaoshi（暗号：喜马拉雅）早安，我是叶梓，今天是摄影早自习陪伴大家的第1753天。今天我们继续来谈画幅的事，这是我昨天挖的坑。昨天我们谈到了柯达公司推出了135型胶卷非常著名，在全世界都非常通用，所以我们现在的所谓的全画幅相机指的就是制造出了135型胶片里那个感光面积24×36mm的感光元件，所以我们称之为全画幅。图片来源：sohu.com但是你想啊，昨天我也说了，这个胶卷是很长的一大卷，我们难道真的只能生产这种2:3尺寸的24×36mm的相机吗？不是。有的人就动了脑筋了，觉得我没钱，这个胶卷挺贵的买不起，一卷只能拍36张，能不能省点用，我一卷拍72张行不行？怎么做到呢？很简单，就是原本你那个照片它不是横着在胶卷上进行感光吗？24×36mm。你现在把它裁一半，就是说我每一次按快门曝光，只曝24×18mm的宽度行不行？行啊，这肯定可以啊，大受欢迎啊，因为它省钱啊。Photo by Dan Freeman on Unsplash我们胶卷以前技术不好，不太清楚，做到24×36mm这种全画幅尺寸就已经很极限了，再往小了照片也看不清。后来胶卷技术也进步了，胶卷技术进步以后，它的颗粒也更细了，画质也更清晰了，你拍一半的尺寸的感光面积它也很清楚，所以半格相机大行其道。这个半格相机长宽比就从原来的2:3变成了4:3。你算一下就知道我说的是对的，原来的感光面积全画幅面积24×36mm对不对？这就明显是2:3，如果是裁一半呢，24×18mm那就是4:3，这个尺寸俗称半格相机。奥林巴斯 PEN F 相机（半格相机） 图片来源：祥升行相机博物馆它最显而易见的好处有两个，第一个就是节约胶卷、节约成本。第二个就是相机可以做得非常的小巧，很讨人喜欢。科技产品很多时候是以小为美，越精美越受欢迎。那它对应到数码相机上有没有一模一样的尺寸呢？24×18mm，对不起，没有。比较接近的是APS-C画幅的尺寸：23.4×15.6mm左右，因为每个品牌的还稍微有点不一样，但都被叫做APS-C。它大概就等于半画幅的尺寸，但是又跟它不太一样。半画幅的长宽比它是4:3，但是到了APS-C画幅，它没有那么胖，它把自己还是瘦身成了2:3的一个尺寸和全画幅看齐。它的面积大约就是全画幅的一半再小那么一点点，所以也有人管APS-C画幅叫半画幅，但是我其实没有这个称呼的习惯，我还是觉得叫它APS-C画幅会比较标准一点。佳能90D（APS-C画幅） 图片来源：佳能官网上一课我们其实说过了，就是感光元件的尺寸它其实是从小往大了做的。以前是只能做小感光元件，后来才越做越大，所以其实民用级的APS-C画幅的产品是要早于全画幅出现在市场上的。但是你又要知道每个厂商它制作相机的理念不一样，比如说奥林巴斯它的医疗产业极其的强悍，几乎是绝对垄断地位在胃窥镜的领域里面，所以奥林巴斯向来就是喜欢做小东西，越小它卖得越好。奥林巴斯你别以为在中国好像名气不大，其实它在国际上尤其是在日本是占有非常重要的市场地位的。你想想看美国造车喜欢做大车，日本造车喜欢做小车，相机其实也一样，就是咱们喜欢用大的，但是日本人喜欢用小的。奥林巴斯曾经有一个非常著名的机型，135型号的胶片单反，就叫OM系列，那一个相机当时真的是几乎垄断了单反的市场。那相机是又好看又好用，最重要的是它比胶卷大不了多少，你都会很怀疑这胶卷是怎么塞进这个机身里面的。奥林巴斯OM10 Photo by Terricks Noah on Unsplash从那开始，奥林巴斯尝到了甜头，打死都要走小型化相机的路线，这就是为什么现在奥巴一直坚持走它的M4/3画幅。M4/3画幅在以前胶片里边应该是没有主流机型是这个画幅的，它的尺寸可奇葩了，它就是差不多1/4个全画幅的大小，它的对角线是全画幅的一半。你说把相机做这么小有什么好处呢？其实我觉得大家要用发展的眼光看问题，昨天早自习我刚刚说过，胶片以前拍东西不太清楚，所以把自己造得很大个，这样的话勉强能看清楚拍的是啥。后来胶片做得越来越好了，越来越清晰了，大家就怎么干了？就把相机小型化了。胶片的感光面积也是越来越小，反正虽然小但是还是够用嘛，但是因此得到了这个相机的便携性是很宝贵的。现在不是一样的道理吗？过去生产的数码感光元件像素也不高，拍得也不是很清楚，噪点又特别多。但是现在技术越来越高了，那很自然的厂商就会想着我要把相机小型化，我要把感光元件也小型化，它反正只要够用就行嘛，我要那么大个干嘛？所以奥林巴斯是觉得自己看到了未来的方向的，所以它是铁了心来做这种画幅非常小的相机，再加上它在医疗的影像方面的深厚的积淀，它也还是走出了自己的路子，把M4/3这么小的感光元件的画幅它的优势发挥到了极致。我随便讲几个你们就懂了。奥林巴斯E-M1 Mark III（M4/3画幅）图片来源：奥林巴斯官方旗舰店第一，它感光元件又轻又小，非常灵活，所以它机身防抖极强无比，五轴防抖就是它发明的，到今天也是它做得最好。我曾经用奥林巴斯的EM1X那台相机手持15秒在798艺术区拍摄夜景图片，不抖，全清楚。当然这也不是每次都能成功的，我试了一下差不多8秒是手持能清楚的一个成功率比较高的极限。第二是它的连拍速度非常的快。我用那台相机拍了马术比赛，每秒60张RAW格式照片，那简直就是疯了。我买的一千六七百块钱的高速的SD卡，按不了一两分钟它就全都存满了，所以我压根都不敢按。关键时候就连拍那么半秒钟就赶紧把手抬起来。奥林巴斯 EM1X拍摄 © 叶梓另外它的镜头也非常小巧，它有一支等效焦距150—600mm的变焦镜头，有多长呢？就我一只手掌长，所以它也一直是我的旅行的首选机型。奥林巴斯75-300mm(等效焦距150—600mm)当然我这期也不是为了奥林巴斯打广告的，是因为聊到这了，触景生情多抒发几句。其实我也是富士粉，这个同学们都知道的是吧，而且我也非常喜欢用全画幅的数码相机：徕卡呀、索尼呀、佳能呀……我都用。不过今天就是给大家多说几句M4/3画幅，因为大家都觉得它不好，它小，我是想告诉你它存在是有道理的，它是有优势的。原本准备两期给大家聊完画幅，看样子还是聊不完，我们下一期接着聊吧，毕竟还有中画幅、大画幅，还有一些奇怪的画幅，我们都慢慢地来说。这些看上去是胶片摄影时代留下来的遗毒，但实际上都跟我们数码相机是息息相关。好，今天超时了，就到这里。别忘了在11月7号我们有一个加场的颐和园的活动可以接受预报名，不要再像上次一样没抢到名额了，大家赶紧戳语音下方的海报进去了解详情。另外也欢迎关注我的抖音账号：叶梓玩摄影。有问题可以加我的私人微信，我的微信名就是拼音：nihaoyelaoshi。今天是摄影早自习陪伴大家的第1753天，我是叶梓，每天早上6:30，微信公众号“摄影早自习”，不见不散。

加入摄影早自习群，请加微信：nihaoyelaoshi（暗号：喜马拉雅）早安，我是叶梓，今天是摄影早自习陪伴大家的第1753天。今天我们继续来谈画幅的事，这是我昨天挖的坑。昨天我们谈到了柯达公司推出了135型胶卷非常著名，在全世界都非常通用，所以我们现在的所谓的全画幅相机指的就是制造出了135型胶片里那个感光面积24×36mm的感光元件，所以我们称之为全画幅。图片来源：sohu.com但是你想啊，昨天我也说了，这个胶卷是很长的一大卷，我们难道真的只能生产这种2:3尺寸的24×36mm的相机吗？不是。有的人就动了脑筋了，觉得我没钱，这个胶卷挺贵的买不起，一卷只能拍36张，能不能省点用，我一卷拍72张行不行？怎么做到呢？很简单，就是原本你那个照片它不是横着在胶卷上进行感光吗？24×36mm。你现在把它裁一半，就是说我每一次按快门曝光，只曝24×18mm的宽度行不行？行啊，这肯定可以啊，大受欢迎啊，因为它省钱啊。Photo by Dan Freeman on Unsplash我们胶卷以前技术不好，不太清楚，做到24×36mm这种全画幅尺寸就已经很极限了，再往小了照片也看不清。后来胶卷技术也进步了，胶卷技术进步以后，它的颗粒也更细了，画质也更清晰了，你拍一半的尺寸的感光面积它也很清楚，所以半格相机大行其道。这个半格相机长宽比就从原来的2:3变成了4:3。你算一下就知道我说的是对的，原来的感光面积全画幅面积24×36mm对不对？这就明显是2:3，如果是裁一半呢，24×18mm那就是4:3，这个尺寸俗称半格相机。奥林巴斯 PEN F 相机（半格相机） 图片来源：祥升行相机博物馆它最显而易见的好处有两个，第一个就是节约胶卷、节约成本。第二个就是相机可以做得非常的小巧，很讨人喜欢。科技产品很多时候是以小为美，越精美越受欢迎。那它对应到数码相机上有没有一模一样的尺寸呢？24×18mm，对不起，没有。比较接近的是APS-C画幅的尺寸：23.4×15.6mm左右，因为每个品牌的还稍微有点不一样，但都被叫做APS-C。它大概就等于半画幅的尺寸，但是又跟它不太一样。半画幅的长宽比它是4:3，但是到了APS-C画幅，它没有那么胖，它把自己还是瘦身成了2:3的一个尺寸和全画幅看齐。它的面积大约就是全画幅的一半再小那么一点点，所以也有人管APS-C画幅叫半画幅，但是我其实没有这个称呼的习惯，我还是觉得叫它APS-C画幅会比较标准一点。佳能90D（APS-C画幅） 图片来源：佳能官网上一课我们其实说过了，就是感光元件的尺寸它其实是从小往大了做的。以前是只能做小感光元件，后来才越做越大，所以其实民用级的APS-C画幅的产品是要早于全画幅出现在市场上的。但是你又要知道每个厂商它制作相机的理念不一样，比如说奥林巴斯它的医疗产业极其的强悍，几乎是绝对垄断地位在胃窥镜的领域里面，所以奥林巴斯向来就是喜欢做小东西，越小它卖得越好。奥林巴斯你别以为在中国好像名气不大，其实它在国际上尤其是在日本是占有非常重要的市场地位的。你想想看美国造车喜欢做大车，日本造车喜欢做小车，相机其实也一样，就是咱们喜欢用大的，但是日本人喜欢用小的。奥林巴斯曾经有一个非常著名的机型，135型号的胶片单反，就叫OM系列，那一个相机当时真的是几乎垄断了单反的市场。那相机是又好看又好用，最重要的是它比胶卷大不了多少，你都会很怀疑这胶卷是怎么塞进这个机身里面的。奥林巴斯OM10 Photo by Terricks Noah on Unsplash从那开始，奥林巴斯尝到了甜头，打死都要走小型化相机的路线，这就是为什么现在奥巴一直坚持走它的M4/3画幅。M4/3画幅在以前胶片里边应该是没有主流机型是这个画幅的，它的尺寸可奇葩了，它就是差不多1/4个全画幅的大小，它的对角线是全画幅的一半。你说把相机做这么小有什么好处呢？其实我觉得大家要用发展的眼光看问题，昨天早自习我刚刚说过，胶片以前拍东西不太清楚，所以把自己造得很大个，这样的话勉强能看清楚拍的是啥。后来胶片做得越来越好了，越来越清晰了，大家就怎么干了？就把相机小型化了。胶片的感光面积也是越来越小，反正虽然小但是还是够用嘛，但是因此得到了这个相机的便携性是很宝贵的。现在不是一样的道理吗？过去生产的数码感光元件像素也不高，拍得也不是很清楚，噪点又特别多。但是现在技术越来越高了，那很自然的厂商就会想着我要把相机小型化，我要把感光元件也小型化，它反正只要够用就行嘛，我要那么大个干嘛？所以奥林巴斯是觉得自己看到了未来的方向的，所以它是铁了心来做这种画幅非常小的相机，再加上它在医疗的影像方面的深厚的积淀，它也还是走出了自己的路子，把M4/3这么小的感光元件的画幅它的优势发挥到了极致。我随便讲几个你们就懂了。奥林巴斯E-M1 Mark III（M4/3画幅）图片来源：奥林巴斯官方旗舰店第一，它感光元件又轻又小，非常灵活，所以它机身防抖极强无比，五轴防抖就是它发明的，到今天也是它做得最好。我曾经用奥林巴斯的EM1X那台相机手持15秒在798艺术区拍摄夜景图片，不抖，全清楚。当然这也不是每次都能成功的，我试了一下差不多8秒是手持能清楚的一个成功率比较高的极限。第二是它的连拍速度非常的快。我用那台相机拍了马术比赛，每秒60张RAW格式照片，那简直就是疯了。我买的一千六七百块钱的高速的SD卡，按不了一两分钟它就全都存满了，所以我压根都不敢按。关键时候就连拍那么半秒钟就赶紧把手抬起来。奥林巴斯 EM1X拍摄 © 叶梓另外它的镜头也非常小巧，它有一支等效焦距150—600mm的变焦镜头，有多长呢？就我一只手掌长，所以它也一直是我的旅行的首选机型。奥林巴斯75-300mm(等效焦距150—600mm)当然我这期也不是为了奥林巴斯打广告的，是因为聊到这了，触景生情多抒发几句。其实我也是富士粉，这个同学们都知道的是吧，而且我也非常喜欢用全画幅的数码相机：徕卡呀、索尼呀、佳能呀……我都用。不过今天就是给大家多说几句M4/3画幅，因为大家都觉得它不好，它小，我是想告诉你它存在是有道理的，它是有优势的。原本准备两期给大家聊完画幅，看样子还是聊不完，我们下一期接着聊吧，毕竟还有中画幅、大画幅，还有一些奇怪的画幅，我们都慢慢地来说。这些看上去是胶片摄影时代留下来的遗毒，但实际上都跟我们数码相机是息息相关。好，今天超时了，就到这里。别忘了在11月7号我们有一个加场的颐和园的活动可以接受预报名，不要再像上次一样没抢到名额了，大家赶紧戳语音下方的海报进去了解详情。另外也欢迎关注我的抖音账号：叶梓玩摄影。有问题可以加我的私人微信，我的微信名就是拼音：nihaoyelaoshi。今天是摄影早自习陪伴大家的第1753天，我是叶梓，每天早上6:30，微信公众号“摄影早自习”，不见不散。

The RED pen/GREEN pen money saving SYSTEM, why Stamp Duty is dumb and much much more! Give us a follow on whatever podcast platform you're listening to us on, and feel free to get in touch through our facebook page! The content discussed in this episode is general advice only, and doesn't take into consideration the individual circumstances of the listener. Any listeners should consider their personal situation and seek professional advice and assistance if needed. You can visit our website here: https://www.moneysaverhomeloans.com.au/

In this week's episode of Mirrorless Minutes Jamie and Jerry talk about the little cameras in their lives. Jerry shares his experiences and knowledge of the Olympus PEN-F, and why it has been his "go-to" camera lately, and Jamie talks about the GoPro Hero9 Black, and why he purchased it. And of course there will be image shares and details about those images! To buy your own PEN-F (and support the channel in the process) buy from here: https://amzn.to/3rjX1Do​ Or to get your own GoPro Hero 9 to start making videos, use this link to purchase and help support the channel: https://amzn.to/3cldTFo Buy the Media Mod for the GoPro here: https://amzn.to/3rtW8Iw Buy the Synco Wireless Mic here: https://amzn.to/3d5MDd7

Initially released in the spring of 2016, the Olympus PEN F is the flagship model in the PEN series and their fifth range-finder style mirrorless camera. It's a camera that's designed to capture the classic essence of the original PEN half-frame film camera from 1963. https://photographypx.com/olympus-pen-f-review/ Video https://youtu.be/neUOEG5qdTE

nitially released in the spring of 2016, the Olympus PEN F is the flagship model in the PEN series and their fifth range-finder style mirrorless camera. It's a camera that's designed to capture the classic essence of the original PEN half-frame film camera from 1963.Full Reviewhttps://photographypx.com/olympus-pen-f-review/Videohttps://youtu.be/neUOEG5qdTE

nitially released in the spring of 2016, the Olympus PEN F is the flagship model in the PEN series and their fifth range-finder style mirrorless camera. It's a camera that's designed to capture the classic essence of the original PEN half-frame film camera from 1963.Full Review https://photographypx.com/olympus-pen-f-review/ Video https://youtu.be/neUOEG5qdTE

给孩子一台相机，他能给你一堆惊喜。【北京面授】零基础摄影课【开课时间】2019年7月14日【上课周期】共10次，每周日下午3:30-5:00【上课地点】北京市亦庄荣华中路力宝广场9号楼2208【课程咨询】微信：hello-kato　　早安，我是叶梓，今天是摄影早自习陪伴大家的第1068天。一位叫做Kimikka的同学在早自习里留言问我说，想给三岁女儿买个微单，可以推荐一款吗？　　在这个问题上我确实很有发言权，因为我就是在我的女儿三岁的时候开始给她用相机的。一开始的时候我确实试着给她用了一款比较轻便的微单，但是发现一个很严重的问题，就是即便再轻的微单，因为它具备可以换镜头的结构，所以它的体积其实也不是很小，重量也不是很轻，小孩子拿起来会觉得太重了。奥林巴斯PEN-F微单　　这对她来说可能是个负担，所以我女儿就不太愿意拿它去拍照，反而很愿意拿我的手机来拍摄照片。好，所以给女儿用微单的尝试就失败了。　　后来我又试着给她用了一款我的卡片机，是佳能G10。这款相机它的面积其实不大，比现在的大号的手机可能还小一点，只不过厚度会厚不少。它有一支镜头是伸缩式的，一打开开关镜头就会伸出来，长长的。女儿在用第二次的时候就把它摔在地上了，而且正好是镜头冲着地面，所以镜头就磕歪了，修起来还不便宜，于是我就只好把这个相机给扔掉了。所以这一次的尝试又失败了。佳能G10便携相机　　这可以给我们一个什么样的教训呢？就是给小孩子用相机的时候，最好不要用那种伸缩式镜头的相机，相机的镜头最好设计的跟手机镜头一样，是一体化的，就在机身里边，这样的话就不容易摔坏。整个机身就没有什么很脆弱的结构。　　后来我又想了一招，我想是不是给她用一款防水的三防的相机呢？现在市面上有很多，比如说奥林巴斯的TG-6，这是一款非常不错的三防式的专业的卡片机。这个相机有很多优点，首先它不怕摔，而且它不怕水，你就算丢澡盆里面它也不会什么问题，往上撒点牛奶就更不在话下了。而且它的微距功能还特别强，这个其实挺适合小孩的，因为小孩喜欢去看那些小虫子、小花、小草等东西，她可以用这个相机轻而易举的把它拍下来。但是这次尝试又失败了，因为这三防卡片机它虽然难摔坏，但是又回到老问题，它很重，比手机要重多了，小孩子不愿意用。奥林巴斯TG-6三防卡片机　　最后我终于在咸鱼上（也就是大家专门卖自己闲置物品的二手市场上）买到了一种非常适合三岁小孩用的相机。就是那种索尼过去生产的卡片机，这种相机的出厂时间也不是特别的老，它们像素一般都有1000万到2000万，其实是足够清楚的。它具备全面的自动化的功能，有自动闪光的功能，拿起来就能用，而且这个机子非常的轻、非常的薄，它的镜头是内置的，不是伸出来的。颜色也非常的鲜艳，我给我女儿买的是一款亮粉色的，她非常喜欢。　　我觉得这种相机的设计还有一个非常适合小朋友的功能，就是它的开关不是一个钮，而是把整个相机的前面板往下滑动。面板滑下来，相机就开机了，这种操作远比去摁一个开关按键要显得更直观，小孩子更容易学会。当你拍完照要关机的时候，就把那个面板再划上去，它就遮住了镜头，可以保护镜头，所以这基本上就是一个三、五岁的小朋友到手就能用的相机。索尼卡片相机（二手）　　那我们唯一需要教他们用的只有两件事：第一个就是手指头不要去摸镜头，因为这样镜头脏了就拍不清楚照片了；另外就是要教她机背上有一个三角形标志的按钮，按下去就可以回看刚才你所拍的那张照片，这样他们就会很有兴趣去拍照了。　　好吧，今天着重给家长们推荐了一款可以给小朋友买的相机，这种相机非常便宜，品相非常好的也就只要200块钱左右，相机性能、电池性能都还不错。我也非常高兴各位有心思能从小孩子开始培养起对摄影的爱好，摄影能带给小朋友的收获其实远远不止是学了一门技术、学了一门艺术这么简单，它会引导着小朋友更仔细、更用心的去观察这个世界，这将会给他的一生都带来很好的影响。　　今天我们就聊这么多，如果你喜欢我的推荐，不妨把这一篇早自习转给你身边的其他的爸爸妈妈们，让小朋友们一起玩摄影。　　好吧，今天是摄影早自习陪伴大家的第1068天，我是叶梓，每天早上6:30，微信公众号"摄影早自习"，不见不散。

给孩子一台相机，他能给你一堆惊喜。【北京面授】零基础摄影课【开课时间】2019年7月14日【上课周期】共10次，每周日下午3:30-5:00【上课地点】北京市亦庄荣华中路力宝广场9号楼2208【课程咨询】微信：hello-kato　　早安，我是叶梓，今天是摄影早自习陪伴大家的第1068天。一位叫做Kimikka的同学在早自习里留言问我说，想给三岁女儿买个微单，可以推荐一款吗？　　在这个问题上我确实很有发言权，因为我就是在我的女儿三岁的时候开始给她用相机的。一开始的时候我确实试着给她用了一款比较轻便的微单，但是发现一个很严重的问题，就是即便再轻的微单，因为它具备可以换镜头的结构，所以它的体积其实也不是很小，重量也不是很轻，小孩子拿起来会觉得太重了。奥林巴斯PEN-F微单　　这对她来说可能是个负担，所以我女儿就不太愿意拿它去拍照，反而很愿意拿我的手机来拍摄照片。好，所以给女儿用微单的尝试就失败了。　　后来我又试着给她用了一款我的卡片机，是佳能G10。这款相机它的面积其实不大，比现在的大号的手机可能还小一点，只不过厚度会厚不少。它有一支镜头是伸缩式的，一打开开关镜头就会伸出来，长长的。女儿在用第二次的时候就把它摔在地上了，而且正好是镜头冲着地面，所以镜头就磕歪了，修起来还不便宜，于是我就只好把这个相机给扔掉了。所以这一次的尝试又失败了。佳能G10便携相机　　这可以给我们一个什么样的教训呢？就是给小孩子用相机的时候，最好不要用那种伸缩式镜头的相机，相机的镜头最好设计的跟手机镜头一样，是一体化的，就在机身里边，这样的话就不容易摔坏。整个机身就没有什么很脆弱的结构。　　后来我又想了一招，我想是不是给她用一款防水的三防的相机呢？现在市面上有很多，比如说奥林巴斯的TG-6，这是一款非常不错的三防式的专业的卡片机。这个相机有很多优点，首先它不怕摔，而且它不怕水，你就算丢澡盆里面它也不会什么问题，往上撒点牛奶就更不在话下了。而且它的微距功能还特别强，这个其实挺适合小孩的，因为小孩喜欢去看那些小虫子、小花、小草等东西，她可以用这个相机轻而易举的把它拍下来。但是这次尝试又失败了，因为这三防卡片机它虽然难摔坏，但是又回到老问题，它很重，比手机要重多了，小孩子不愿意用。奥林巴斯TG-6三防卡片机　　最后我终于在咸鱼上（也就是大家专门卖自己闲置物品的二手市场上）买到了一种非常适合三岁小孩用的相机。就是那种索尼过去生产的卡片机，这种相机的出厂时间也不是特别的老，它们像素一般都有1000万到2000万，其实是足够清楚的。它具备全面的自动化的功能，有自动闪光的功能，拿起来就能用，而且这个机子非常的轻、非常的薄，它的镜头是内置的，不是伸出来的。颜色也非常的鲜艳，我给我女儿买的是一款亮粉色的，她非常喜欢。　　我觉得这种相机的设计还有一个非常适合小朋友的功能，就是它的开关不是一个钮，而是把整个相机的前面板往下滑动。面板滑下来，相机就开机了，这种操作远比去摁一个开关按键要显得更直观，小孩子更容易学会。当你拍完照要关机的时候，就把那个面板再划上去，它就遮住了镜头，可以保护镜头，所以这基本上就是一个三、五岁的小朋友到手就能用的相机。索尼卡片相机（二手）　　那我们唯一需要教他们用的只有两件事：第一个就是手指头不要去摸镜头，因为这样镜头脏了就拍不清楚照片了；另外就是要教她机背上有一个三角形标志的按钮，按下去就可以回看刚才你所拍的那张照片，这样他们就会很有兴趣去拍照了。　　好吧，今天着重给家长们推荐了一款可以给小朋友买的相机，这种相机非常便宜，品相非常好的也就只要200块钱左右，相机性能、电池性能都还不错。我也非常高兴各位有心思能从小孩子开始培养起对摄影的爱好，摄影能带给小朋友的收获其实远远不止是学了一门技术、学了一门艺术这么简单，它会引导着小朋友更仔细、更用心的去观察这个世界，这将会给他的一生都带来很好的影响。　　今天我们就聊这么多，如果你喜欢我的推荐，不妨把这一篇早自习转给你身边的其他的爸爸妈妈们，让小朋友们一起玩摄影。　　好吧，今天是摄影早自习陪伴大家的第1068天，我是叶梓，每天早上6:30，微信公众号"摄影早自习"，不见不散。

New cameras from Sony & Canon, Olympus FW updates, new lenses from Panasonic, Sigma, and Tokina - Q&A and the mirrorless photographer of the month.   On this episode #12 of the “We Shoot Mirrorless” podcast for March 2018, Marco and Scott discuss these new products and mirrorless topics:   This show is sponsored by: COSYSPEED - The fastest camera bags in the world. Scott has been flying more miles in the past month, than most of the migratory birds that he photographs usually fly in a whole year. And he tells us what he has been up to.   Next, they cover the current mirrorless industry news and comments by executives regarding the growth and bright future of the mirrorless imaging market.   Sony launched their new a7 III - a full frame mirrorless camera with 24MP BSI sensor and 5-Axis image stabilization. Sony says that this camera has improved AF speed and battery capacity that is about twice as powerful as on the previous model. And for what it offers the price of $2000 may be tempting for many photographers switching over from DSLR’s   B&H: https://bhpho.to/2DlRT8Q Amazon DE: http://amzn.to/2HnHH1H   Canon announced the EOS M50 mirrorless camera. This model is positioned above the EOS M100 and has a built-in EVF. But the additional strong crop factor when shooting 4K video may be a deal breaker for more serious videographers looking for a photo camera to work with. B&H: https://bhpho.to/2FtGFoJ Amazon DE: http://amzn.to/2p3ZS4Y   Olympus has announced a big FW upgrade for OM-D E-M1 II, E-M5 and Pen-F cameras that you can find here: http://www.getolympus.com/firmware   Scott talks about his world experience with the Olympus Digital ED 17mm 1:1.2 Pro lens and Marco explains some real-world benefits of this lens compared to an f1.8 version. B&H: https://bhpho.to/2htbn6z Amazon DE: http://amzn.to/2p8GgN4   Panasonic announced the new ultra telephoto Leica DG Vario-Elmarit 50-200mm f2.8-4 ASPH lens for m4/3 cameras. With an equivalent field of view of a traditional 100-400mm lens, the lens weight of 655g or 1.44 lb is quite appealing and a nice completion of Panasonic’s f2.8-4 lens range (8-18mm f2.8-4, 12-60mm f2.8-4, and now 50-200mm f2.8-4) B&H: https://bhpho.to/2FsM1QK   Sigma announced that it will make 9 of their Prime Art lenses available for Sony E-Mount in the future. These lenses are planned for the E-Mount: 14mm F1.8 DG HSM | Art, 20mm F1.4 DG HSM | Art, 24mm F1.4 DG HSM | Art, 35mm F1.4 DG HSM | Art, 50mm F1.4 DG HSM | Art, 70mm F2.8 DG Macro | Art, Sigma 85mm F1.4 DG HSM | Art, Sigma 105mm F1.4 DG HSM | Art, Sigma 135mm F1.8 DG HSM | Art   Tokina has announced that it will offer an AF version of their 20mm FiRIN f2 FE lens for Sony E-Mount. Currently, this lens is only available as a manual focus version. MF version at B&H: https://bhpho.to/2DinZCe Check out the Skylum LUMINAR 2018 software: Link: http://bit.ly/2CzlC2g (use the discount code “PHOTOPODCASTS” at checkout for extra savings) Mirrorless question of the month:   Hi, I started my photographic journey many years ago with an Olympus OM10 film camera. Eventually moving on to digital cameras with my first digital SLR being the Olympus E410 four-thirds system. I had a couple of lenses for this, the kit lens 14-42 and the 70-300 zoom 4-5.6. I now own the Olympus OM-D EM10 MK1 with a 17mm f1.8 lens. This combination is perfect for street photography but I do also enjoy other types of photography especially wildlife. For this I do need more focal length and the obvious thing would be to purchase a new lens but money is tight and I already have lenses that could be used to get closer. I use the 70-300 with the Olympus four-thirds adapter on my OM-D EM10 body. The problem is, it’s very slow to focus. A google search gave me the impression that some newer Olympus bodies were better able to focus this type of lens. Is this the case and would I be better off with an EM-1 I or II or are there some settings that I can make that would aid the use of this lens? Best wishes Rob, Somerset, UK We have a PPN Photo Podcast Network group at Flickr (click link) that is open to our listeners and photos taken with all mirrorless camera brands. If you want to join just let us know through the "request invitation" button on the group and drop us a quick line there. We'll add you to the group then. And please ask for the invite via the web browser and not via the Flickr App. The invite process via the app has not been working reliably. You can also submit an image using the Instagram hashtag #WeShootMirrorless   We have picked our monthly featured photographer and image from the submitted photos. Our monthly We Shoot Mirrorless feature photo and photographer of the month is: David Queenan - Loch Ard (click here). Please support our show by using our B&H affiliate link (click here) that will not cost you a penny more than when you are buying at B&H without our link. And the more this link will be used to buy at B&H, the more giveaways we’ll be able to give back to our listeners through B&H. It really is a “win-win” situation :)   And please share this podcast with your friends and subscribe via iTunes. We would also love to get your feedback. Is there anything that you want us to cover on the show in the future? And we would appreciate if you could take a short moment to rate or post a quick review about our shows on iTunes.   For more information on Marco Larousse follow him on Twitter: @HamburgCam For more information on Scott Bourne follow him on Twitter: @ScottBourne   About this show: On the monthly #WeShootMirrorless episode of the “PPN - Photo Podcast Network” show, Marco and a guest will discuss news from the mirrorless camera world related to innovations, trends, gear and accessories. And they will introduce mirrorless camera brands by interviewing the respective managers of those manufacturers. They will also invite pro photographers who make their living working with mirrorless cameras to share some tips and tricks on their workflow.

En rask likvidering som følge av et droneangrep blir til et heorisk dødsfall i en episk kamp mellom gode og onde krefter. I stedet for å dø, sendes selvmordsbomberen inn i armene til paradisets jomfuer. Med korte, fengende linjer og et poetisk språk om storslagen makt, vekker jihadister folks følelser - og tar til pennen i hellig krig. Elisbeth Kendall er forsker i arabisk og islamstudier ved universitetet i Oxford og ekspert på jihadistpoesi. I kveld skal hun samtale med midtøstenkorrespondent Sigurd Falkenberg Mikkelsen på Litteraturhuset om nettopp poesi i hellig krig

On this “We Shoot Mirrorless” podcast episode, Scott and Marco discuss these new products and mirrorless topics: Scott returned from a workshop in Arizona and shares some AF tips for bird photography. A bit of feedback from NAB Sony introduces a new flagship mirrorless camera. The a9 is aimed at the pro sports photography market and has some impressive specs, but is that enough to win the pro market? We share our thoughts about it. Sony introduces the new FE 100-400mm f4.5 - 5.6 GM OSS lens. Fuji announced two new lenses for its GFX 50s mirrorless medium format camera. The GF 23mm f4 WR and GF 100mm f2 WR will ship in late June 2017. Fuji also announced a new GF lens roadmap with a GF 45mm f2.8 WR for late 2017 and a telephoto prime as well as a teleconverter for 2018. The GFX will also receive a FW update to improve AF in difficult lighting situations and improve exposure compensation options. Listener Michael shared a helpful product for Fuji X-Pro2 users who are affected by the “eyecup gate”. The company JJC produced aftermarket standard rubber eyecups for the X-Pro2 (EX-XPRO) and even a version for people who wear glasses (EF-XPROG). Olympus introduced firmware updates for the E-M1 Mark II, E-M5 Mark II and PEN-F as well as some updates for lenses. Panasonic also offers a FW update (v1.1) for the GH5 and introduced the Leica DG Vario-Elmarit 8-18mm f2.8-4 ASPH lens. Ricoh showed off a 4K-capable Theta 360° camera at NAB that allows for live streaming as well as a 4-channel mic to record surround audio. Listener Laurence asked which mirrorless camera works best for indoor sports with fast moving action and bad light? We have a We Shoot Mirrorless group at Flickr (click link) that is open to our listeners and photos taken with all mirrorless camera brands. If you want to join just let us know through the "request invitation" button on the group and drop us a quick line there. We'll add you to the group then. And please ask for the invite via the web browser and not via the Flickr App. The invite process via the app has not been working reliably. We have picked our monthly featured photographer and image from our Flickr groups. Our monthly We Shoot Mirrorless feature photo and photographer of the month is: Martin Griffett with his image “Shadows at Leith Hill.” Please support our show by using our B&H affiliate link (click here) that will not cost you a penny more than when you are buying at B&H without our link. And the more this link will be used to buy at B&H, the more giveaways we’ll be able to give back to our listeners through B&H. It really is a “win-win” situation :) Please share this podcast with your friends and subscribe via iTunes. We would also love to get your feedback. Is there anything that you want us to cover on the show in the future? And we would appreciate if you could take a short moment to rate or post a quick review about our shows on iTunes. For more information on Scott Bourne follow him on Twitter: @ScottBourne For more information on Marco Larousse follow him on Twitter: @HamburgCam   About this show: On the monthly #WeShootMirrorless episode of the Photo Podcast Network show, Scott and Marco will discuss news from the mirrorless camera world related to innovations, trends, gear and accessories. And they will introduce mirrorless camera brands by interviewing the respective managers of those manufacturers. They will also invite pro photographers who make their living working with mirrorless cameras to share some tips and tricks on their workflow.

Au menu de ce 83e épisode d'Objectif Numérique, on parle de:  - Photo récente:            - Montre connectée Guess           - Légumes sous vide           - San Francisco et PlayStation Experience 09:16 - Olympus annonce le PEN-F  - Adaptateur Sony pour objectifs Nikon en précommande!  - Un tricheur démasqué après avoir gagné un concours photo  - Bokeh et flou artistique, même chose?  - La balance des blancs automatique, c'est mal!  - Suggestions de la semaine:           - (C) Un gratte-ciel en feu à Dubaï           - (F) Le projet Eyes on Syria           - (S) Un photographe banni de Corée du Nord pour ses photos           - (S) La tempête de New York en photos

このページをウェブブラウザで見る: リンク 今回のB-sideは松尾さんと二人トークで、iTunesレビュー紹介から続ブルーライトトークや松尾さんのWin10 Mobileレビュー、そしてドリキンが絶賛悩んでるカメラ選びトークなど backspace.fm ML入会フォーム SoundCloudで再生 Podcastを購読 今日のネタ ブルーライトの真実！PCメガネは必要か？フリーソフトf.luxでZINS PC、Zoff PCは不要 iPad Air 3は「小さいiPad Pro」、4スピーカーとキーボード端子つき図面入手。Apple Pencil対応は？ スナップ、ポートレート、風景と幅広く使える――富士フイルム「XF35mmF2 R WR」 「FUJIFILM X-T10」のレンズ選び 中望遠単焦点レンズ編 カメラファンを魅了する、質感の高いPEN――オリンパス「PEN-F」 (1/3) iPad Pro売れすぎ…Surface全シリーズを合わせてもかなわない模様 Continuumの使い勝手は? Win10スマホ『NuAns NEO』最速レポート - Engadget Japanese Continuumにも対応：VAIO、5.5型フルHD画面のWindows 10スマホ「VAIO Phone Biz」を4月に発売へ - ITmedia PC USER

Mitch from http://www.planet5D.com joins me to discuss the 1DX mark II, PEN-F, $5 camera wifi, and more. On itunes: https://itunes.apple.com/us/podcast/dslr-film-noob-podcast/id955926668?mt=2 On soundcloud: https://soundcloud.com/deejay-scharton On dslrfilmnoob.com: http://www.dslrfilmnoob.com/category/podcast/ You can find the show notes here: https://docs.google.com/document/d/1fQ7Q4Y2kecpw3ggio7mVIOyR7MLRPU8c_MWrS93pUTM/edit?usp=sharing Ask questions at: http://www.reddit.com/r/dslr

Come promesso, Maurizio e Mathieu sono ritornati in breve tempo per parlare della nuova nata in casa Olympus, ovvero la PEN-F. In questa puntata manca la Lightroom Pills di Alessandro di Noia, che ritornerà nella prossima, e non essendoci in scaletta...