Podcast appearances and mentions of dan freeman

Theo Delaney is joined by Dan Freeman, Raymond Simonson and Martin Murphy for this week's show.  On Feb 28th, another great monthly live Spurs Show interview! This time with ex winger Peter Taylor (1976-1980) looking back at his time with the club. A great chance to meet a former idol up close and personal! https://billetto.co.uk/en/e/925762?utm_source=billetto+advertising&utm_medium=share&utm_campaign=eventpage+share&utm_content=2ALL And on March 20, get tickets for The Spurs Show Live: Audience With Paul Gascoigne: https://leicestersquaretheatre.ticketsolve.com/ticketbooth/shows/873640825 For exclusive Spurs Show merchandise including new Sonny and new beautiful retro designs go to https://the-spurs-show-store.creator-spring.com   Come and join us at our #SpursShowLIVE events for just £10 a month! Grab your season ticket now from season.spursshow.net  For more exclusive daily Spurs Show podcasts check out Patreon.com/spursshow  spursshow.net  @spursshow  Support us at season.spursshow.net  Produced by Paul Myers and Mike Leigh  A Playback Media Production- contact us here too for show sponsorship playbackmedia.co.uk  Copyright 2024 Playback Media Ltd - playbackmedia.co.uk/copyright Learn more about your ad choices. Visit podcastchoices.com/adchoices

Dan Freeman and I talk about tested strategies for creating Request for Proposal responses that can get you more clients or help you get your clients more awards.

“UAP and History with Dan Freeman” Episode 252 We sat down with Dan Freeman who is an electrical engineer and UAP/UFO researcher. We will discuss UAP, history, technology, and how those things intersect. *If you are watching on Youtube please check us out on Apple Podcasts, Spotify, and all audio/podcast platforms. We appreciate reviews and comments. If you are listening on an audio/podcast platform please check out our Youtube channel where we do our episodes live. You can find all of our links on our LinkTree LinkTree: https://linktr.ee/MindEscapePodcast *Check out our new Merch store. We have some amazing designs for T-shirts, Hoodies, Mugs, Stickers, and more https://www.teepublic.com/stores/mind-escape?ref_id=24655 *Sign up for Indra's Web which is the social media platform we created dedicated to metaphysics and the topics we discuss on this podcast. The platform is live so head on over there and set up a profile. https://indrasweb.org/ *If you enjoy our podcast and content and want to help us grow, check out our Patreon account and enjoy the exclusive episodes and interviews. We also have a support the show option on our Anchor and Spotify channels. Join our Discord channel if you want to chat. We are also on all podcast platforms. For all the links to our podcasts and social media go to: https://linktr.ee/MindEscapePodcast *Here are the links to Maurice's new music and band: Spotify - https://open.spotify.com/album/3OjyabL62FsmUhKW6SNUdU Youtube - https://www.youtube.com/channel/UClDsH7i057uGTdKEiqRXWcg *Follow our producer Shane on twitter: https://twitter.com/OldVetSymposium *Here is the link to Dan's twitter: https://twitter.com/TryToSpy --- Support this podcast: https://anchor.fm/mindescape/support

Originally from St. Paul Minnesota, Andre Smith has a background not heard before on REIA Radio.  Andre was fortunate enough to escape a life that was probably destined to be doomed had he not pursue a career path in Basketball. Because he did, Andre was able to "break the cycle" as he put it. He played in the European Basketball League for 9 and a half years in multiple different countries. During this time, Andre bought single family homes for his family members to live in, as well as some investment properties without much knowledge about  Investing in Real Estate. The top of his investing career saw him owning 14 doors. He is now down to 6, not counting the properties he bought for his family. It was very much a ready fire aim approach of which he has only just started aiming. Andre's Failing Forward shows us about being resilient with your investments and that even though Murphy's Law sucks, you can always find a way out of a tough situation. This episode's introduction is a little longer than usual, with a short backstory of our producer, as well as a healthy discussion about the STR market. If you'd like to hear only Andre's interview, you can skip to 34:50. This is REIA Radio Episode 48! You can Join the Omaha REIA at https://omahareia.com/ Omaha REIA on facebook https://www.facebook.com/groups/OmahaREIA Check out the National REIA https://nationalreia.org/ Find Ted Kaasch at www.tedkaasch.com Owen Dashner on Facebook https://www.facebook.com/owen.dashner Instagram https://www.instagram.com/odawg2424/ Red Ladder Property Solutions www.sellmyhouseinomahafast.com Liquid Lending Solutions www.liquidlendingsolutions.com Owen's Blogs www.otowninvestor.com  www.reiquicktips.com Dan Freeman's Episode https://podcasts.apple.com/us/podcast/reia-radio/id1582763673?i=1000535396908 If you like the content on Omaha REIA Radio, Be sure to give us a review on your favorite podcast platform to help others find us and leverage the knowledge and experience our hosts and guests have to offer. We greatly appreciate you for tuning in and see you in the next episode!! 

Introducing Behind The Badge - a NEW podcast on all things Oxford United! Dan Freeman and James Roberts speak to former #oufc players, managers and more to get the inside track on their time at the club.In this, the pilot episode, Dan and James discuss some of the names they'll be chatting to over the coming weeks. Hosted on Acast. See acast.com/privacy for more information.

Based on Sam Greenlee's controversial novel, THE SPOOK WHO SAT BY THE DOOR is a hard-hitting shocker that depicts a world in which the long-suppressed black man fights back with a vengeance. Director Ivan Dixon's uncompromising adaptation was relegated to bottom-rung status upon its release, and it subsequently slipped into oblivion for decades until the film was rediscovered and released on DVD in 2004. Lawrence Cook plays Dan Freeman, a head-nodding, smiling African-American who impresses his CIA cohorts with his winning demeanor. What they don't realize is that Freeman's friendly facade is nothing more than a mask for a deep seated hatred of white people. When he returns to his Chicago hometown, Freeman uses his newly acquired knowledge to organize an underground militant movement that revolts against the very army that trained him.Director Ivan Dixon's uncompromising adaptation was relegated to bottom-rung status upon its release, and it subsequently slipped into oblivion for decades until the film was rediscovered and released on DVD in 2004. Lawrence Cook plays Dan Freeman, a head-nodding, smiling African-American who impresses his CIA cohorts with his winning demeanor.What they don't realize is that Freeman's friendly facade is nothing more than a mask for a deep seated hatred of white people. When he returns to his Chicago hometown, Freeman uses his newly acquired knowledge to organize an underground militant movement that revolts against the very army that trained him.  ⚑ CONNECT WITH ME ⚑  Instagram ➜ https://www.instagram.com/solidbluesister/ Facebook ➜ https://www.facebook.com/solidbluesisterofficial Twitter ➜ https://twitter.com/solidbluesister Tumblr➜ https://tumblr.com/solidbluesister TikToc➜tiktok.com/@solidbluesister Email➜  solidbluesister@gmail.com

Justin Dunn works with American Mustangs, horses which some consider to be 'untrainable'. However, it's through those very horses he's helping Active Duty and Veteran Military, First Responders, and children navigate through and around crisis and reconnect with a meaningful life.Listen in and hear why I believe the Justin Dunn and Dan Freeman of American Mustang School are all about 'Higher Purpose”.Find out more about American Mustang School and connect with Justin directly when you visit http://www.AmericanMustangSchool.com.

To turn a phrase, today's episode - and our guests, Justin Dunn and Dan Freeman of American Mustang School - are all about 'Higher Purpose”. Justin and Dan work with American Mustangs, horses which some consider to be 'untrainable'. However, it's through those very horses they are helping some of the finest Americans – our Active Duty and Veteran Military, First Responders, and children – navigate through and around crisis and reconnect with their purpose for a meaningful life.Find out more about American Mustang School and connect with Justin directly when you visit http://www.AmericanMustangSchool.com.

加入摄影早自习群，请加微信：nihaoyelaoshi（暗号：喜马拉雅）早安，我是叶梓，今天是摄影早自习陪伴大家的第1753天。今天我们继续来谈画幅的事，这是我昨天挖的坑。昨天我们谈到了柯达公司推出了135型胶卷非常著名，在全世界都非常通用，所以我们现在的所谓的全画幅相机指的就是制造出了135型胶片里那个感光面积24×36mm的感光元件，所以我们称之为全画幅。图片来源：sohu.com但是你想啊，昨天我也说了，这个胶卷是很长的一大卷，我们难道真的只能生产这种2:3尺寸的24×36mm的相机吗？不是。有的人就动了脑筋了，觉得我没钱，这个胶卷挺贵的买不起，一卷只能拍36张，能不能省点用，我一卷拍72张行不行？怎么做到呢？很简单，就是原本你那个照片它不是横着在胶卷上进行感光吗？24×36mm。你现在把它裁一半，就是说我每一次按快门曝光，只曝24×18mm的宽度行不行？行啊，这肯定可以啊，大受欢迎啊，因为它省钱啊。Photo by Dan Freeman on Unsplash我们胶卷以前技术不好，不太清楚，做到24×36mm这种全画幅尺寸就已经很极限了，再往小了照片也看不清。后来胶卷技术也进步了，胶卷技术进步以后，它的颗粒也更细了，画质也更清晰了，你拍一半的尺寸的感光面积它也很清楚，所以半格相机大行其道。这个半格相机长宽比就从原来的2:3变成了4:3。你算一下就知道我说的是对的，原来的感光面积全画幅面积24×36mm对不对？这就明显是2:3，如果是裁一半呢，24×18mm那就是4:3，这个尺寸俗称半格相机。奥林巴斯 PEN F 相机（半格相机） 图片来源：祥升行相机博物馆它最显而易见的好处有两个，第一个就是节约胶卷、节约成本。第二个就是相机可以做得非常的小巧，很讨人喜欢。科技产品很多时候是以小为美，越精美越受欢迎。那它对应到数码相机上有没有一模一样的尺寸呢？24×18mm，对不起，没有。比较接近的是APS-C画幅的尺寸：23.4×15.6mm左右，因为每个品牌的还稍微有点不一样，但都被叫做APS-C。它大概就等于半画幅的尺寸，但是又跟它不太一样。半画幅的长宽比它是4:3，但是到了APS-C画幅，它没有那么胖，它把自己还是瘦身成了2:3的一个尺寸和全画幅看齐。它的面积大约就是全画幅的一半再小那么一点点，所以也有人管APS-C画幅叫半画幅，但是我其实没有这个称呼的习惯，我还是觉得叫它APS-C画幅会比较标准一点。佳能90D（APS-C画幅） 图片来源：佳能官网上一课我们其实说过了，就是感光元件的尺寸它其实是从小往大了做的。以前是只能做小感光元件，后来才越做越大，所以其实民用级的APS-C画幅的产品是要早于全画幅出现在市场上的。但是你又要知道每个厂商它制作相机的理念不一样，比如说奥林巴斯它的医疗产业极其的强悍，几乎是绝对垄断地位在胃窥镜的领域里面，所以奥林巴斯向来就是喜欢做小东西，越小它卖得越好。奥林巴斯你别以为在中国好像名气不大，其实它在国际上尤其是在日本是占有非常重要的市场地位的。你想想看美国造车喜欢做大车，日本造车喜欢做小车，相机其实也一样，就是咱们喜欢用大的，但是日本人喜欢用小的。奥林巴斯曾经有一个非常著名的机型，135型号的胶片单反，就叫OM系列，那一个相机当时真的是几乎垄断了单反的市场。那相机是又好看又好用，最重要的是它比胶卷大不了多少，你都会很怀疑这胶卷是怎么塞进这个机身里面的。奥林巴斯OM10 Photo by Terricks Noah on Unsplash从那开始，奥林巴斯尝到了甜头，打死都要走小型化相机的路线，这就是为什么现在奥巴一直坚持走它的M4/3画幅。M4/3画幅在以前胶片里边应该是没有主流机型是这个画幅的，它的尺寸可奇葩了，它就是差不多1/4个全画幅的大小，它的对角线是全画幅的一半。你说把相机做这么小有什么好处呢？其实我觉得大家要用发展的眼光看问题，昨天早自习我刚刚说过，胶片以前拍东西不太清楚，所以把自己造得很大个，这样的话勉强能看清楚拍的是啥。后来胶片做得越来越好了，越来越清晰了，大家就怎么干了？就把相机小型化了。胶片的感光面积也是越来越小，反正虽然小但是还是够用嘛，但是因此得到了这个相机的便携性是很宝贵的。现在不是一样的道理吗？过去生产的数码感光元件像素也不高，拍得也不是很清楚，噪点又特别多。但是现在技术越来越高了，那很自然的厂商就会想着我要把相机小型化，我要把感光元件也小型化，它反正只要够用就行嘛，我要那么大个干嘛？所以奥林巴斯是觉得自己看到了未来的方向的，所以它是铁了心来做这种画幅非常小的相机，再加上它在医疗的影像方面的深厚的积淀，它也还是走出了自己的路子，把M4/3这么小的感光元件的画幅它的优势发挥到了极致。我随便讲几个你们就懂了。奥林巴斯E-M1 Mark III（M4/3画幅）图片来源：奥林巴斯官方旗舰店第一，它感光元件又轻又小，非常灵活，所以它机身防抖极强无比，五轴防抖就是它发明的，到今天也是它做得最好。我曾经用奥林巴斯的EM1X那台相机手持15秒在798艺术区拍摄夜景图片，不抖，全清楚。当然这也不是每次都能成功的，我试了一下差不多8秒是手持能清楚的一个成功率比较高的极限。第二是它的连拍速度非常的快。我用那台相机拍了马术比赛，每秒60张RAW格式照片，那简直就是疯了。我买的一千六七百块钱的高速的SD卡，按不了一两分钟它就全都存满了，所以我压根都不敢按。关键时候就连拍那么半秒钟就赶紧把手抬起来。奥林巴斯 EM1X拍摄 © 叶梓另外它的镜头也非常小巧，它有一支等效焦距150—600mm的变焦镜头，有多长呢？就我一只手掌长，所以它也一直是我的旅行的首选机型。奥林巴斯75-300mm(等效焦距150—600mm)当然我这期也不是为了奥林巴斯打广告的，是因为聊到这了，触景生情多抒发几句。其实我也是富士粉，这个同学们都知道的是吧，而且我也非常喜欢用全画幅的数码相机：徕卡呀、索尼呀、佳能呀……我都用。不过今天就是给大家多说几句M4/3画幅，因为大家都觉得它不好，它小，我是想告诉你它存在是有道理的，它是有优势的。原本准备两期给大家聊完画幅，看样子还是聊不完，我们下一期接着聊吧，毕竟还有中画幅、大画幅，还有一些奇怪的画幅，我们都慢慢地来说。这些看上去是胶片摄影时代留下来的遗毒，但实际上都跟我们数码相机是息息相关。好，今天超时了，就到这里。别忘了在11月7号我们有一个加场的颐和园的活动可以接受预报名，不要再像上次一样没抢到名额了，大家赶紧戳语音下方的海报进去了解详情。另外也欢迎关注我的抖音账号：叶梓玩摄影。有问题可以加我的私人微信，我的微信名就是拼音：nihaoyelaoshi。今天是摄影早自习陪伴大家的第1753天，我是叶梓，每天早上6:30，微信公众号“摄影早自习”，不见不散。

加入摄影早自习群，请加微信：nihaoyelaoshi（暗号：喜马拉雅）早安，我是叶梓，今天是摄影早自习陪伴大家的第1753天。今天我们继续来谈画幅的事，这是我昨天挖的坑。昨天我们谈到了柯达公司推出了135型胶卷非常著名，在全世界都非常通用，所以我们现在的所谓的全画幅相机指的就是制造出了135型胶片里那个感光面积24×36mm的感光元件，所以我们称之为全画幅。图片来源：sohu.com但是你想啊，昨天我也说了，这个胶卷是很长的一大卷，我们难道真的只能生产这种2:3尺寸的24×36mm的相机吗？不是。有的人就动了脑筋了，觉得我没钱，这个胶卷挺贵的买不起，一卷只能拍36张，能不能省点用，我一卷拍72张行不行？怎么做到呢？很简单，就是原本你那个照片它不是横着在胶卷上进行感光吗？24×36mm。你现在把它裁一半，就是说我每一次按快门曝光，只曝24×18mm的宽度行不行？行啊，这肯定可以啊，大受欢迎啊，因为它省钱啊。Photo by Dan Freeman on Unsplash我们胶卷以前技术不好，不太清楚，做到24×36mm这种全画幅尺寸就已经很极限了，再往小了照片也看不清。后来胶卷技术也进步了，胶卷技术进步以后，它的颗粒也更细了，画质也更清晰了，你拍一半的尺寸的感光面积它也很清楚，所以半格相机大行其道。这个半格相机长宽比就从原来的2:3变成了4:3。你算一下就知道我说的是对的，原来的感光面积全画幅面积24×36mm对不对？这就明显是2:3，如果是裁一半呢，24×18mm那就是4:3，这个尺寸俗称半格相机。奥林巴斯 PEN F 相机（半格相机） 图片来源：祥升行相机博物馆它最显而易见的好处有两个，第一个就是节约胶卷、节约成本。第二个就是相机可以做得非常的小巧，很讨人喜欢。科技产品很多时候是以小为美，越精美越受欢迎。那它对应到数码相机上有没有一模一样的尺寸呢？24×18mm，对不起，没有。比较接近的是APS-C画幅的尺寸：23.4×15.6mm左右，因为每个品牌的还稍微有点不一样，但都被叫做APS-C。它大概就等于半画幅的尺寸，但是又跟它不太一样。半画幅的长宽比它是4:3，但是到了APS-C画幅，它没有那么胖，它把自己还是瘦身成了2:3的一个尺寸和全画幅看齐。它的面积大约就是全画幅的一半再小那么一点点，所以也有人管APS-C画幅叫半画幅，但是我其实没有这个称呼的习惯，我还是觉得叫它APS-C画幅会比较标准一点。佳能90D（APS-C画幅） 图片来源：佳能官网上一课我们其实说过了，就是感光元件的尺寸它其实是从小往大了做的。以前是只能做小感光元件，后来才越做越大，所以其实民用级的APS-C画幅的产品是要早于全画幅出现在市场上的。但是你又要知道每个厂商它制作相机的理念不一样，比如说奥林巴斯它的医疗产业极其的强悍，几乎是绝对垄断地位在胃窥镜的领域里面，所以奥林巴斯向来就是喜欢做小东西，越小它卖得越好。奥林巴斯你别以为在中国好像名气不大，其实它在国际上尤其是在日本是占有非常重要的市场地位的。你想想看美国造车喜欢做大车，日本造车喜欢做小车，相机其实也一样，就是咱们喜欢用大的，但是日本人喜欢用小的。奥林巴斯曾经有一个非常著名的机型，135型号的胶片单反，就叫OM系列，那一个相机当时真的是几乎垄断了单反的市场。那相机是又好看又好用，最重要的是它比胶卷大不了多少，你都会很怀疑这胶卷是怎么塞进这个机身里面的。奥林巴斯OM10 Photo by Terricks Noah on Unsplash从那开始，奥林巴斯尝到了甜头，打死都要走小型化相机的路线，这就是为什么现在奥巴一直坚持走它的M4/3画幅。M4/3画幅在以前胶片里边应该是没有主流机型是这个画幅的，它的尺寸可奇葩了，它就是差不多1/4个全画幅的大小，它的对角线是全画幅的一半。你说把相机做这么小有什么好处呢？其实我觉得大家要用发展的眼光看问题，昨天早自习我刚刚说过，胶片以前拍东西不太清楚，所以把自己造得很大个，这样的话勉强能看清楚拍的是啥。后来胶片做得越来越好了，越来越清晰了，大家就怎么干了？就把相机小型化了。胶片的感光面积也是越来越小，反正虽然小但是还是够用嘛，但是因此得到了这个相机的便携性是很宝贵的。现在不是一样的道理吗？过去生产的数码感光元件像素也不高，拍得也不是很清楚，噪点又特别多。但是现在技术越来越高了，那很自然的厂商就会想着我要把相机小型化，我要把感光元件也小型化，它反正只要够用就行嘛，我要那么大个干嘛？所以奥林巴斯是觉得自己看到了未来的方向的，所以它是铁了心来做这种画幅非常小的相机，再加上它在医疗的影像方面的深厚的积淀，它也还是走出了自己的路子，把M4/3这么小的感光元件的画幅它的优势发挥到了极致。我随便讲几个你们就懂了。奥林巴斯E-M1 Mark III（M4/3画幅）图片来源：奥林巴斯官方旗舰店第一，它感光元件又轻又小，非常灵活，所以它机身防抖极强无比，五轴防抖就是它发明的，到今天也是它做得最好。我曾经用奥林巴斯的EM1X那台相机手持15秒在798艺术区拍摄夜景图片，不抖，全清楚。当然这也不是每次都能成功的，我试了一下差不多8秒是手持能清楚的一个成功率比较高的极限。第二是它的连拍速度非常的快。我用那台相机拍了马术比赛，每秒60张RAW格式照片，那简直就是疯了。我买的一千六七百块钱的高速的SD卡，按不了一两分钟它就全都存满了，所以我压根都不敢按。关键时候就连拍那么半秒钟就赶紧把手抬起来。奥林巴斯 EM1X拍摄 © 叶梓另外它的镜头也非常小巧，它有一支等效焦距150—600mm的变焦镜头，有多长呢？就我一只手掌长，所以它也一直是我的旅行的首选机型。奥林巴斯75-300mm(等效焦距150—600mm)当然我这期也不是为了奥林巴斯打广告的，是因为聊到这了，触景生情多抒发几句。其实我也是富士粉，这个同学们都知道的是吧，而且我也非常喜欢用全画幅的数码相机：徕卡呀、索尼呀、佳能呀……我都用。不过今天就是给大家多说几句M4/3画幅，因为大家都觉得它不好，它小，我是想告诉你它存在是有道理的，它是有优势的。原本准备两期给大家聊完画幅，看样子还是聊不完，我们下一期接着聊吧，毕竟还有中画幅、大画幅，还有一些奇怪的画幅，我们都慢慢地来说。这些看上去是胶片摄影时代留下来的遗毒，但实际上都跟我们数码相机是息息相关。好，今天超时了，就到这里。别忘了在11月7号我们有一个加场的颐和园的活动可以接受预报名，不要再像上次一样没抢到名额了，大家赶紧戳语音下方的海报进去了解详情。另外也欢迎关注我的抖音账号：叶梓玩摄影。有问题可以加我的私人微信，我的微信名就是拼音：nihaoyelaoshi。今天是摄影早自习陪伴大家的第1753天，我是叶梓，每天早上6:30，微信公众号“摄影早自习”，不见不散。

加入摄影早自习群，请加微信：nihaoyelaoshi（暗号：喜马拉雅）早安，我是叶梓，今天是摄影早自习陪伴大家的第1753天。今天我们继续来谈画幅的事，这是我昨天挖的坑。昨天我们谈到了柯达公司推出了135型胶卷非常著名，在全世界都非常通用，所以我们现在的所谓的全画幅相机指的就是制造出了135型胶片里那个感光面积24×36mm的感光元件，所以我们称之为全画幅。图片来源：sohu.com但是你想啊，昨天我也说了，这个胶卷是很长的一大卷，我们难道真的只能生产这种2:3尺寸的24×36mm的相机吗？不是。有的人就动了脑筋了，觉得我没钱，这个胶卷挺贵的买不起，一卷只能拍36张，能不能省点用，我一卷拍72张行不行？怎么做到呢？很简单，就是原本你那个照片它不是横着在胶卷上进行感光吗？24×36mm。你现在把它裁一半，就是说我每一次按快门曝光，只曝24×18mm的宽度行不行？行啊，这肯定可以啊，大受欢迎啊，因为它省钱啊。Photo by Dan Freeman on Unsplash我们胶卷以前技术不好，不太清楚，做到24×36mm这种全画幅尺寸就已经很极限了，再往小了照片也看不清。后来胶卷技术也进步了，胶卷技术进步以后，它的颗粒也更细了，画质也更清晰了，你拍一半的尺寸的感光面积它也很清楚，所以半格相机大行其道。这个半格相机长宽比就从原来的2:3变成了4:3。你算一下就知道我说的是对的，原来的感光面积全画幅面积24×36mm对不对？这就明显是2:3，如果是裁一半呢，24×18mm那就是4:3，这个尺寸俗称半格相机。奥林巴斯 PEN F 相机（半格相机） 图片来源：祥升行相机博物馆它最显而易见的好处有两个，第一个就是节约胶卷、节约成本。第二个就是相机可以做得非常的小巧，很讨人喜欢。科技产品很多时候是以小为美，越精美越受欢迎。那它对应到数码相机上有没有一模一样的尺寸呢？24×18mm，对不起，没有。比较接近的是APS-C画幅的尺寸：23.4×15.6mm左右，因为每个品牌的还稍微有点不一样，但都被叫做APS-C。它大概就等于半画幅的尺寸，但是又跟它不太一样。半画幅的长宽比它是4:3，但是到了APS-C画幅，它没有那么胖，它把自己还是瘦身成了2:3的一个尺寸和全画幅看齐。它的面积大约就是全画幅的一半再小那么一点点，所以也有人管APS-C画幅叫半画幅，但是我其实没有这个称呼的习惯，我还是觉得叫它APS-C画幅会比较标准一点。佳能90D（APS-C画幅） 图片来源：佳能官网上一课我们其实说过了，就是感光元件的尺寸它其实是从小往大了做的。以前是只能做小感光元件，后来才越做越大，所以其实民用级的APS-C画幅的产品是要早于全画幅出现在市场上的。但是你又要知道每个厂商它制作相机的理念不一样，比如说奥林巴斯它的医疗产业极其的强悍，几乎是绝对垄断地位在胃窥镜的领域里面，所以奥林巴斯向来就是喜欢做小东西，越小它卖得越好。奥林巴斯你别以为在中国好像名气不大，其实它在国际上尤其是在日本是占有非常重要的市场地位的。你想想看美国造车喜欢做大车，日本造车喜欢做小车，相机其实也一样，就是咱们喜欢用大的，但是日本人喜欢用小的。奥林巴斯曾经有一个非常著名的机型，135型号的胶片单反，就叫OM系列，那一个相机当时真的是几乎垄断了单反的市场。那相机是又好看又好用，最重要的是它比胶卷大不了多少，你都会很怀疑这胶卷是怎么塞进这个机身里面的。奥林巴斯OM10 Photo by Terricks Noah on Unsplash从那开始，奥林巴斯尝到了甜头，打死都要走小型化相机的路线，这就是为什么现在奥巴一直坚持走它的M4/3画幅。M4/3画幅在以前胶片里边应该是没有主流机型是这个画幅的，它的尺寸可奇葩了，它就是差不多1/4个全画幅的大小，它的对角线是全画幅的一半。你说把相机做这么小有什么好处呢？其实我觉得大家要用发展的眼光看问题，昨天早自习我刚刚说过，胶片以前拍东西不太清楚，所以把自己造得很大个，这样的话勉强能看清楚拍的是啥。后来胶片做得越来越好了，越来越清晰了，大家就怎么干了？就把相机小型化了。胶片的感光面积也是越来越小，反正虽然小但是还是够用嘛，但是因此得到了这个相机的便携性是很宝贵的。现在不是一样的道理吗？过去生产的数码感光元件像素也不高，拍得也不是很清楚，噪点又特别多。但是现在技术越来越高了，那很自然的厂商就会想着我要把相机小型化，我要把感光元件也小型化，它反正只要够用就行嘛，我要那么大个干嘛？所以奥林巴斯是觉得自己看到了未来的方向的，所以它是铁了心来做这种画幅非常小的相机，再加上它在医疗的影像方面的深厚的积淀，它也还是走出了自己的路子，把M4/3这么小的感光元件的画幅它的优势发挥到了极致。我随便讲几个你们就懂了。奥林巴斯E-M1 Mark III（M4/3画幅）图片来源：奥林巴斯官方旗舰店第一，它感光元件又轻又小，非常灵活，所以它机身防抖极强无比，五轴防抖就是它发明的，到今天也是它做得最好。我曾经用奥林巴斯的EM1X那台相机手持15秒在798艺术区拍摄夜景图片，不抖，全清楚。当然这也不是每次都能成功的，我试了一下差不多8秒是手持能清楚的一个成功率比较高的极限。第二是它的连拍速度非常的快。我用那台相机拍了马术比赛，每秒60张RAW格式照片，那简直就是疯了。我买的一千六七百块钱的高速的SD卡，按不了一两分钟它就全都存满了，所以我压根都不敢按。关键时候就连拍那么半秒钟就赶紧把手抬起来。奥林巴斯 EM1X拍摄 © 叶梓另外它的镜头也非常小巧，它有一支等效焦距150—600mm的变焦镜头，有多长呢？就我一只手掌长，所以它也一直是我的旅行的首选机型。奥林巴斯75-300mm(等效焦距150—600mm)当然我这期也不是为了奥林巴斯打广告的，是因为聊到这了，触景生情多抒发几句。其实我也是富士粉，这个同学们都知道的是吧，而且我也非常喜欢用全画幅的数码相机：徕卡呀、索尼呀、佳能呀……我都用。不过今天就是给大家多说几句M4/3画幅，因为大家都觉得它不好，它小，我是想告诉你它存在是有道理的，它是有优势的。原本准备两期给大家聊完画幅，看样子还是聊不完，我们下一期接着聊吧，毕竟还有中画幅、大画幅，还有一些奇怪的画幅，我们都慢慢地来说。这些看上去是胶片摄影时代留下来的遗毒，但实际上都跟我们数码相机是息息相关。好，今天超时了，就到这里。别忘了在11月7号我们有一个加场的颐和园的活动可以接受预报名，不要再像上次一样没抢到名额了，大家赶紧戳语音下方的海报进去了解详情。另外也欢迎关注我的抖音账号：叶梓玩摄影。有问题可以加我的私人微信，我的微信名就是拼音：nihaoyelaoshi。今天是摄影早自习陪伴大家的第1753天，我是叶梓，每天早上6:30，微信公众号“摄影早自习”，不见不散。

Probably one of the most inspiring comebacks from addiction is Dan Freeman's story. He tells it much better than we can describe here so we encourage you guys to listen. Dan is a guy that really makes almost anyone he's around feel comfortable and you can tell by his "lack of giving a s**t", laid back, down to earth personality. He seems to approach situations seriously yet simultaneously accepts that if it doesn't go according to plan, life goes on and we'd just figure it out one way or another. Dan shares an interesting deal for his deal breakdown that actually Ted recalls. Owen couldn't stop laughing. All in all, this episode was inspiring, entertaining and educational in a way that shows you don't have to know it all to get in Real Estate Investing, but you do have to take action and that's what Dan did. Here's Episode 4!!! You can Join the Omaha REIA at https://omahareia.com/ Omaha REIA on facebook https://www.facebook.com/groups/OmahaREIA Ted Kaasch on Facebook https://www.facebook.com/kaasch Instagram https://www.instagram.com/kaaschmoney/ Owen Dashner on Facebook https://www.facebook.com/owen.dashner Instagram https://www.instagram.com/odawg2424/ Dan Freeman on Facebook https://www.facebook.com/dan.freeman.165685 Beta Homes on Facebook https://www.facebook.com/homesbybeta If you like the content on Omaha REIA Radio, Be sure to give us a review on your favourite podcast platform to help others find us and leverage the knowledge and experience our hosts and guests have to offer. We greatly appreciate you for tuning in and see you in the next episode!! 

新型コロナの影響が最も深刻な産業、その1つは「観光産業」でしょう。しかし今年、ワクチンの普及とワクチンパスポート制度の導入を背景に、消費者の支出が少しずつ観光に戻ってくるシナリオは十分に考えられます。2021年の観光トレンドを予測します。旅行好き必聴です（出演：岡徳之 / 写真：Dan Freeman on Unsplash）。

DJLab & Brooklyn Digital Conservatory orgullosamente presentan los Proyectos Finales de Graduación del Curso Certificado de Producción Musical con Ableton Live. El Proyecto Final es un release EP de género libre producido y mezclado por cada estudiante durante el proceso del Curso. Todos los Tracks fueron escritos, producidos y mezclados por Jason González, excepto Siete Kassa, el cual es un bootleg del tema Yo Perreo Sola de Bad Bunny. "Me complace compartirles este mi proyecto final del Curso de Producción Musical con Ableton Live de DJLab, este proyecto es un proyecto multifacético y arriesgado. Mi mayor inspiración esta en la utilización de la gran cantidad de alcance creativo que posee Ableton a la hora de crear la música, es por lo anterior, que me he dedicado a crear música, completamente original, la cual por supuesto posee una raíz de referencia. Pero en el proceso se empiezan a combinar elementos tanto creativos como musicales del mismo genero en un mismo proyecto asimismo como de otros géneros en los mismos. En el proyecto encontrarán una pieza de reggaeton old school, una pieza de afro house, otra de algo que llamé 'House & Glitch' (por la utilización de elementos creativos de ambos géneros), otra pieza de Vogue Beats (RUNWAY y Vogue Beats) y por ultimo una pieza con elementos del House, Afro House y el Jazz. Agradezco a Esteban Howell, Dan Freeman, Ale, Dom, a todo el team DJLab, a mi familia y a mí mismo. Deseo de corazón que les guste mi primer EP el cual no es mas que una expresión propia de la mezcla de culturas , en la cual habita el mundo actual en estas épocas tan conectadas de información." Más sobre Jason González: Soundcloud: @kabokomusic Instagram: www.instagram.com/kaboko_/ Facebook: www.facebook.com/kabokomusic Website: kabokomusic.com Más información sobre el Curso Certificado de Producción Musical con Ableton: www.djlabcr.com/educacion/cursos/produccion

DJLab & Brooklyn Digital Conservatory orgullosamente presentan los Proyectos Finales de Graduación del Curso Certificado de Producción Musical con Ableton Live. El Proyecto Final es un release EP de género libre producido y mezclado por cada estudiante durante el proceso del Curso. Todos los Tracks fueron escritos, producidos y mezclados por Jason González, excepto Siete Kassa, el cual es un bootleg del tema Yo Perreo Sola de Bad Bunny. "Me complace compartirles este mi proyecto final del Curso de Producción Musical con Ableton Live de DJLab, este proyecto es un proyecto multifacético y arriesgado. Mi mayor inspiración esta en la utilización de la gran cantidad de alcance creativo que posee Ableton a la hora de crear la música, es por lo anterior, que me he dedicado a crear música, completamente original, la cual por supuesto posee una raíz de referencia. Pero en el proceso se empiezan a combinar elementos tanto creativos como musicales del mismo genero en un mismo proyecto asimismo como de otros géneros en los mismos. En el proyecto encontrarán una pieza de reggaeton old school, una pieza de afro house, otra de algo que llamé 'House & Glitch' (por la utilización de elementos creativos de ambos géneros), otra pieza de Vogue Beats (RUNWAY y Vogue Beats) y por ultimo una pieza con elementos del House, Afro House y el Jazz. Agradezco a Esteban Howell, Dan Freeman, Ale, Dom, a todo el team DJLab, a mi familia y a mí mismo. Deseo de corazón que les guste mi primer EP el cual no es mas que una expresión propia de la mezcla de culturas , en la cual habita el mundo actual en estas épocas tan conectadas de información." Más sobre Jason González: Soundcloud: @kabokomusic Instagram: www.instagram.com/kaboko_/ Facebook: www.facebook.com/kabokomusic Website: kabokomusic.com Más información sobre el Curso Certificado de Producción Musical con Ableton: www.djlabcr.com/educacion/cursos/produccion

DJLab & Brooklyn Digital Conservatory orgullosamente presentan los Proyectos Finales de Graduación del Curso Certificado de Producción Musical con Ableton Live. El Proyecto Final es un release EP de género libre producido y mezclado por cada estudiante durante el proceso del Curso. Todos los Tracks fueron escritos, producidos y mezclados por Jason González, excepto Siete Kassa, el cual es un bootleg del tema Yo Perreo Sola de Bad Bunny. "Me complace compartirles este mi proyecto final del Curso de Producción Musical con Ableton Live de DJLab, este proyecto es un proyecto multifacético y arriesgado. Mi mayor inspiración esta en la utilización de la gran cantidad de alcance creativo que posee Ableton a la hora de crear la música, es por lo anterior, que me he dedicado a crear música, completamente original, la cual por supuesto posee una raíz de referencia. Pero en el proceso se empiezan a combinar elementos tanto creativos como musicales del mismo genero en un mismo proyecto asimismo como de otros géneros en los mismos. En el proyecto encontrarán una pieza de reggaeton old school, una pieza de afro house, otra de algo que llamé 'House & Glitch' (por la utilización de elementos creativos de ambos géneros), otra pieza de Vogue Beats (RUNWAY y Vogue Beats) y por ultimo una pieza con elementos del House, Afro House y el Jazz. Agradezco a Esteban Howell, Dan Freeman, Ale, Dom, a todo el team DJLab, a mi familia y a mí mismo. Deseo de corazón que les guste mi primer EP el cual no es mas que una expresión propia de la mezcla de culturas , en la cual habita el mundo actual en estas épocas tan conectadas de información." Más sobre Jason González: Soundcloud: @kabokomusic Instagram: www.instagram.com/kaboko_/ Facebook: www.facebook.com/kabokomusic Website: kabokomusic.com Más información sobre el Curso Certificado de Producción Musical con Ableton: www.djlabcr.com/educacion/cursos/produccion

DJLab & Brooklyn Digital Conservatory orgullosamente presentan los Proyectos Finales de Graduación del Curso Certificado de Producción Musical con Ableton Live. El Proyecto Final es un release EP de género libre producido y mezclado por cada estudiante durante el proceso del Curso. Todos los Tracks fueron escritos, producidos y mezclados por Jason González, excepto Siete Kassa, el cual es un bootleg del tema Yo Perreo Sola de Bad Bunny. "Me complace compartirles este mi proyecto final del Curso de Producción Musical con Ableton Live de DJLab, este proyecto es un proyecto multifacético y arriesgado. Mi mayor inspiración esta en la utilización de la gran cantidad de alcance creativo que posee Ableton a la hora de crear la música, es por lo anterior, que me he dedicado a crear música, completamente original, la cual por supuesto posee una raíz de referencia. Pero en el proceso se empiezan a combinar elementos tanto creativos como musicales del mismo genero en un mismo proyecto asimismo como de otros géneros en los mismos. En el proyecto encontrarán una pieza de reggaeton old school, una pieza de afro house, otra de algo que llamé 'House & Glitch' (por la utilización de elementos creativos de ambos géneros), otra pieza de Vogue Beats (RUNWAY y Vogue Beats) y por ultimo una pieza con elementos del House, Afro House y el Jazz. Agradezco a Esteban Howell, Dan Freeman, Ale, Dom, a todo el team DJLab, a mi familia y a mí mismo. Deseo de corazón que les guste mi primer EP el cual no es mas que una expresión propia de la mezcla de culturas , en la cual habita el mundo actual en estas épocas tan conectadas de información." Más sobre Jason González: Soundcloud: @kabokomusic Instagram: www.instagram.com/kaboko_/ Facebook: www.facebook.com/kabokomusic Website: kabokomusic.com Más información sobre el Curso Certificado de Producción Musical con Ableton: www.djlabcr.com/educacion/cursos/produccion

The Spook Who Sat by the Door (1969), by Sam Greenlee, is the fictional story of Dan Freeman, the first black CIA officer, and of the CIA's history of training persons and political groups who later used their specialised training in gathering intelligence, political subversion, and guerrilla warfare against the CIA. For the purposes of this talk we will concern ourselves less with the paramilitary aspects of the film, but rather with the way in which the power of perception can be a force for liberation and how the Bahá'í concept of the Pupil of the Eye--a term used to refer to the spiritual perception of people of African descent--is framed within the context of the film. The term 'spook' has multiple meanings: a ghost or spectre; a spy or covert agent; and a derogatory way to refer to black people. What the film does is to use the term subversively to describe how African Americans have occupied a seemingly passive, subservient position in the minds of the dominant culture. This dismissive attitude overlooked the active power of observation which the black community utilized to learn the behaviour and attitudes of the dominant white community and then to formulate effective modalities of survival based on that information, while the white community remained largely unaware of the inner life of African Americans. It is this capacity to stare deeply into the soul of America, to recognize its contradictions; it's fissures and moral inconsistencies that is an indispensable mechanism for eradicating the scourge of racism. As the Bahá'í writings so eloquently say: "truthfulness is the foundation of all human virtues." Masud Ashley Olufani is an Atlanta-based actor, mixed media artist, and writer whose studio practice is rooted in the discipline of sculpture. He is a graduate of Morehouse College, and The Savannah College of Art and Design where he earned an M.F.A. in sculpture in 2013. Masud has exhibited his work in group and solo shows nationally and internationally. The artist has completed residencies at The Vermont Studio Center; The Hambidge Center for Arts and Sciences; and Creative Currents in Portobello, Panama. He is a 2020 South Arts Cross Sector Grant recipient for Elder, a site specific installation created to coincide with the redevelopment of the historic David T. Howard School in Atlanta. Masud is a 2018 Southern Arts Prize State Fellow; a recipient of a 2015 and 2018 Idea Capital Grant; a Southwest Airlines Art and Social Engagement grant; and a recipient of the 2015-16 MOCA GA Working Artist Project Grant. He is the creative director of Blocked: A Global Healing Project, a multimedia performance created to memorialize spaces marked by the trauma of the transatlantic slave trade. As an actor, he had a recurring role on the BET series The Quad and has appeared in numerous television shows including Greenleaf; Being Mary Jane, Devious Maids, Satisfaction, and Nashville. He is a featured actor in the film biopic All Eyez on Me. He is the co-host of the PBS news based investigative journalism show Retroreport, premiering nationally in the fall of 2019. As a writer, Masud has published articles for Burnaway; Bahá'í Teachings; and is a featured contributor for the Jacob Lawrence Struggle Series catalogue, produced to coincide with a major exhibition of the Struggle Series paintings. To view the video visit the YouTube channel https://youtu.be/POY-ll0Oys4

Gary was joined Thursday by VDO360’s founder, Dan Freeman, to talk about the $1,000 reduction on the company’s AutoPilot UCC system as well as the company's line of SEE Series cameras. Since the pandemic, VDO360’s business has skyrocketed and all of it’s been through AV dealers — and they’re distributed by Almo Pro A/V. Watch! […]

The Spook Who Set by the Door - 1973 Today we, your humble decade under the influence crew are honored to host our deep dive into (The spook who sat by the door 1973) Join us won't you as we...... wait 7.2 that's wrong, please get on IMDb and give this a ten or even a nine if yer silly n picky. This masterpiece of cinema deserves better! If you haven't seen this please immediately go have fun watching it. If you have but it's been a minute, here's a quick reminder. Institutionalized racism is here and the CIA is reluctant and bummed to let in their first African American agent, Dan Freeman. Dan learns all he can then returns home to Chicago and trains a street gang to fight for freedom wherever there's trouble, and voilà right here at home is the trouble and the Cobra's are trained, ready and have come, to get what's theirs. Based on a book by Sam Greenlee. And directed by Ivan Dixon. They had benefits in the community to raise money to make this, and quickly and cleverly shot all over Chicago without permits using what they called guerilla filmmaking to get this film done for us. And we are grateful. Please let us know if you love or hate us. Write a review and we'll give praise n thanks to you in an upcoming episode. If you dig 70's films like us please tell anyone you can, anyway you can. Thanks for listening.

The Spook Who Set by the Door - 1973 Today we, your humble decade under the influence crew are honored to host our deep dive into (The spook who sat by the door 1973) Join us won't you as we...... wait 7.2 that's wrong, please get on IMDb and give this a ten or even a nine if yer silly n picky. This masterpiece of cinema deserves better! If you haven't seen this please immediately go have fun watching it. If you have but it's been a minute, here's a quick reminder. Institutionalized racism is here and the CIA is reluctant and bummed to let in their first African American agent, Dan Freeman. Dan learns all he can then returns home to Chicago and trains a street gang to fight for freedom wherever there's trouble, and voilà right here at home is the trouble and the Cobra's are trained, ready and have come, to get what's theirs. Based on a book by Sam Greenlee. And directed by Ivan Dixon. They had benefits in the community to raise money to make this, and quickly and cleverly shot all over Chicago without permits using what they called guerilla filmmaking to get this film done for us. And we are grateful. Please let us know if you love or hate us. Write a review and we'll give praise n thanks to you in an upcoming episode. If you dig 70's films like us please tell anyone you can, anyway you can. Thanks for listening.

今天下午，新西兰宣布进入新冠病毒预警3级，48小时以内，所有非必要商业要关门；一切户外和室内聚集全部停止；所有企业要实行在家办公；周三夜里开始，所有学校封校；所有人际接触都要保持2米以上距离。以上措施至少实行4周，超市、药房、医疗机构正常运营。 我和家人也将和国内的朋友们在两个月前经历的一样，开始在家里宅上4周的日子。会有什么变化，会有什么挑战，现在都完全不知道。 但我觉得，既然无法选择，不如认真记录，这段非常时期的社会变化，个人与家人的心理变化，长期来看都非常珍贵。所以有了这个系列：新西兰封城日记。我会用自己最熟悉的方式：声音，记录下自己这段时间的所见，所闻和所想。 封面题图：Dan Freeman on Unsplash 关于： 【狗熊有话说】播客是由 大狗熊 于 2012 年创办的独立中文知识型播客节目，以阅读、科技、旅行和个人成长为主要话题内容，是 iTunes 中国区长期推荐播客，被苹果 iTunes 评选为「2013 年度精选最佳社会与文化播客」。 收听： 在苹果 Podcasts、Spotify、新浪播客、网易云音乐 、喜马拉雅FM 和 荔枝FM 等音频播客平台中可以搜索"狗熊有话说"并关注收听； 直接于【狗熊有话说】播客官网 voice.beartalking.com (http://voice.beartalking.com)在线收听； 在微信公号文章中可以直接点击音频按钮收听（微信中只能加入 30 分钟以内的音频，完整版请于上面的途径收听）； 支持： 如果你认可大狗熊的节目，请向朋友们推荐这档节目，邀请朋友们关注公众号“狗熊有话说”； 您可以订阅大狗熊的邮件 (https://tinyletter.com/Beartalk)，不定期收获好书解析、学习经验分享。 联系： 微 信：bearbigtalk（公众号） 网 站：beartalking.com (http://www.beartalking.com) 邮 箱：bear@beartalking.com (mailto:bear@beartalking.com) 微 博：@i大狗熊 (http://www.weibo.com/bearbig)

Fanny Lumsden talks about the very real experiences she and her family endured during the recent bushfires and the ongoing challenges that her local community faces. We also talk about her journey so far as an artist, how the Country Halls Tour came to be, balancing the professional and personal aspects of her relationship with her husband Dan Freeman and her upcoming album, "Fallow."Tone Country is a Country Music entertainment platform based out of Australia. Visit our website at http://www.tonecountry.comFollow its on instagram at: http://instragam.com/tonecountryaus

Talking with Dan Freeman on his approach to electronic music performance and how he created his own midi instrument. Subscribe to learn more about Music Production & Electronic Music: https://bit.ly/2UKJHbD This podcast was created in collaboration with Brooklyn Digital Conservatory: https://bkdigicon.com/ To take courses and learn more about our school head to: http://343labs.com ---------------------------------- FOLLOW 343 Labs: Facebook: https://www.facebook.com/343labsmusic/ Instagram: https://www.instagram.com/343labs/ ----------------------------------

On December 29, 1999, high school friends Lauria Jaylene Bible and Ashley Renae Freeman spent the evening together celebrating Freeman's sixteenth birthday. Bible received permission from her parents to spend the night at Freeman's home. Earlier that day, the girls had spent time at a local pizza restaurant with Kathy Freeman. At approximately 5:30 am on December 30, 1999, a passerby called 911 reporting that the Freeman home was engulfed in flames. Law enforcement determined the fire had been arson. Inside the home, the charred remains of Kathy Freeman were discovered lying on the floor of her bedroom; she had been shot in the head. Initially, no other remains were relocated, leading local law enforcement to believe Dan Freeman had killed his wife and fled with both teenage girls. Lauria's parked car was in the driveway of the home with the keys in the ignition. On December 31, Lauria's parents Lorene and Jay Bible returned to the scene, hoping to find additional clues law enforcement may have missed. While walking through the rubble, they discovered what appeared to be another body, and called police. The second body was determined to be that of Dan Freeman, Ashley's father; like his wife, he had also been shot in the head. After this discovery, the scene was reexamined, but no sign of Lauria Bible or Ashley Freeman was found. In 2010, the Freeman family initiated court proceedings to have Ashley declared legally dead Suspects and confessions In the decade following the disappearance of Bible of Freeman, two convicted killer—Tommy Lynn Sells and Jeremy Jones—confessed to murdering them, but subsequently recanted their admissions. Jones had claimed that he murdered Dan and Kathy Freeman as a favor for a friend over drug debt, then took the girls to Kansas, where he sot them and threw their bodies into an abandoned mine. Searches of the mine Jones identified proved unfruitful, however, and Jones subsequently admitted he had fabricated the story in order to get better food and additional phone privileges in prison In a 2001 profile on Unsolved Mysteries, it was mentioned that rumors had circulated among locals that the Craig County Police Department had been feuding with the Freemans at the time over the death of their son, Shane, who was shot by a deputy after stealing a car. While his death was ruled justifiable, the Freemans had threatened to file a wrongful death lawsuit. Dan Freeman's brother, Dwayne, claimed that Dan had confided that deputies had tried to intimidate him. Article/Info Credit:  Wikipedia This Episode In this episode, I talk with Jax Miller and Sarah Cailean as to their involvement in this ongoing investigation and how Jax, as a true crime writer, and Sarah, as a police investigator, team up to uncover new clues and sparked the attention of Law Enforcement which moves this case forward.

Hearing voices is much more common than used to be thought, but what if they're cruel voices that seem to try to stop you from living your life?  Chris Shoulder talks to Dr Lucy Maddox about how he uses CBT techniques to manage his experience of voices and Dr Emmanuelle Peters explains the theory behind the treatment.    Show Notes Here are some resources if you'd like to find out more information.    Websites If you'd like to know more about BABCP check out the website: http://babcp.com If you want to find an accredited therapist look here: http://www.cbtregisteruk.com/ Chris has also written about his experience of CBT on the BABCP website:  https://www.babcp.com/Public/Personal-Accounts/Chris-S.aspx Hearing Voices Network is an organisation providing a network for people who hear voices. https://www.hearing-voices.org/tag/voice-collective/ PICuP Clinic where Emmanuelle and Chris work is here: https://www.national.slam.nhs.uk/services/adult-services/picup/ NICE guidelines for service users/relatives are here: www.nice.org.uk UK based organisation the Paranoia Network is here: www.asylumonline.net/paranoianetwork.htm Mad Pride campaigns against misunderstanding and discrimination experienced by people who are seen as ‘mad’ or mentally ill www.madpride.org.uk This website offers an alternative perspective, practical advice and email support to people who are interested in exploring the idea of spiritual crisis. There are some local groups, for example in London. www.SpiritualCrisisNetwork.org.uk,   Books and articles Overcoming Paranoid and Suspicious Thoughts. Research suggests that 20–30 per cent of people in the UK frequently have paranoid thoughts. This is a practical self-help guide. https://www.amazon.co.uk/Overcoming-Paranoid-Suspicious-Thoughts-Books/dp/1845292197 Overcoming distressing voices, Mark Hayward, Clara Strauss, and David Kingdon, 2012, London: Constable and Robinson. A self-help guide based on a cognitive behavioural approach. https://www.amazon.co.uk/Overcoming-Distressing-Voices-Books/dp/1780330847 For an article about CBT for psychosis by Lucy click here: https://www.theguardian.com/science/sifting-the-evidence/2014/may/20/cbt-psychosis-cognitive-behavioural-therapy-voices   Other media A History of Delusions - radio 4 series by Dr Dan Freeman https://www.bbc.co.uk/programmes/m0001d95/episodes/player Voice hearer and psychologist Eleanor Longden talks about her experiences in this TED talk. https://www.ted.com/talks/eleanor_longden_the_voices_in_my_head   Credits Editing consultation from Eliza Lomas Music by Gabe Stebbing Image by Justin Lynham via Flikr Creative Commons Produced by Lucy Maddox for BABCP

On December 29, 1999, high school friends Lauria Jaylene Bible and Ashley Renae Freeman spent the evening together celebrating Freeman's sixteenth birthday. Bible received permission from her parents to spend the night at Freeman's home. Earlier that day, the girls had spent time at a local pizza restaurant with Kathy Freeman. At approximately 5:30 am on December 30, 1999, a passerby called 911 reporting that the Freeman home was engulfed in flames. Law enforcement determined the fire had been an arson. Inside the home, the charred remains of Kathy Freeman were discovered lying on the floor of her bedroom; she had been shot in the head. Initially, no other remains were relocated, leading local law enforcement to believe Dan Freeman had killed his wife and fled with both teenage girls. Lauria's parked car was in the driveway of the home with the keys in the ignition. On December 31, Lauria's parents Lorene and Jay Bible returned to the scene, hoping to find additional clues law enforcement may have missed. While walking through the rubble, they discovered what appeared to be another body, and called police. The second body was determined to be that of Dan Freeman, Ashley's father; like his wife, he had also been shot in the head. After this discovery, the scene was reexamined, but no sign of Lauria Bible or Ashley Freeman was found This Episode In this episode, I talk with Jax Miller and Sarah Cailean as to their involvement in this ongoing investigation and how Jax, as a true crime writer, and Sarah, as a police investigator, team up to uncover new clues and sparked the attention of Law Enforcement which moves this case forward. . . Death Investigator Magazine    Subscribe Here

This week, producer Dan Freeman is sparked to make an episode by High School Musical. Love it or hate it, it's a perfect example of Disney's long history of hiding gay characters in plain site? With so many queer fans - is it time for Disney to come out of the closet?With thanks to this week's production from Westminster Radio student Dan Freeman. You can contact him here: https://twitter.com/dantheproducer See acast.com/privacy for privacy and opt-out information.

Many people make a New Year resolution to obtain their pilot certificate or new rating. Before the year ends and to help you move towards your aviation goal we will discuss what flight school is best for you. Joining us today is guest host Dan Freeman of the Accelerated Flight School Podcast. Dan recently finished […] The post SMAC158 What Flight School Is Best For You? appeared first on Stuck Mic AvCast - An Aviation Podcast About Learning to Fly, Living to Fly, & Loving to Fly.

Accelerated Flight Training is one of our most requested topics for this podcast. In this episode, we discuss the pro’s and con’s of accelerated flight training plus receive an update from a friend of the podcast Dan Freeman. Dan is the Host of Accelerated Flight School Podcast where he describes his career change and training […] The post ACP159 Accelerated Flight Training Update With Dan Freeman appeared first on Aviation Careers Podcast.

Welcome to the inspirational, informational, and transparent aviation careers podcast. Today I have with me a special guest, Dan Freeman of the Accelerated Flight School Podcast.  Dan has a wonderful podcast sharing his journey towards the airlines by using an accelerated training program. Dan is a flight attendant with a major airline and is a mid-life […] The post ACP140 Accelerated Flight Schools with Dan Freeman appeared first on Aviation Careers Podcast.

Joining Cynthia Cherish in the studio is Dan FreeMan (C0m1x), a bassist/producer and one of the world's experts on Ableton Live and its uses in live performance. As a bassist he has performed and toured extensively on 3 continents. He has a studio in Brooklyn where he primarily produces NYC electro house/disco and records bass for other DJ/producers. He also teaches electronic music production at NYU's Clive Davis Institute and travels around the world giving courses in Ableton Live. A Harvard University grad, Dan studied history and enjoys writing on the political and social roots of disco/funk/house and hip hop. In today's episode we discuss how the music of the 70s and 80s fed into the creation of the New York City we know today.

The Context of White Supremacy hosts the 6thth and final study session on Sam Greenlee's 1969 tour de force, The Spook Who Sat By The Door. The bestseller was adapted into a major motion picture in 1973 and remains a beloved testimony to 1960's black fury. Greenlee died in 2014. The main character, Dan Freeman, becomes the first black agent at the Central Intelligence Agency (CIA). Freeman gains as much inteligence as possible in order to teach his skills and expertise to terrorized black people so that they can train for a counter-violence offensive against White Supremacy. Last week's session discussed the invasion of Chicago by white National Guard troops. The invaders' explicit directive was to restore White rule and negro subordination. Dan Freeman assuaged the angst of White fellow White social workers, while preparing the Cobras to devastate the National Guard. Freeman's counter-revolutionaries capture Colonel "Bull" Evans and poison him with LSD. Significantly, in the film, Evans is drugged and killed; in the text he's allowed to live. We'll complete the book this week and present our overall impression of Greenlee's work and what truths this novel presents about White Supremacy. INVEST in The COWS - http://paypal.me/GusTRenegade Listen or Call In With Web Based Flash Phone CALL IN NUMBER: 641.715.3640 CODE 564943# #AnswersForMiriamCarey

The Context of White Supremacy hosts the fifth study session on Sam Greenlee's 1969 literary sensationl, The Spook Who Sat By The Door. The bestseller was adapted into a major motion picture in 1973 and remains a treasured examination of Racism. Greenlee died in 2014. The protagonist, Dan Freeman, becomes the first black agent at the Central Intelligence Agency (CIA). Freeman acquires as much knowledge as possible in order to share his training and expertise with terrorized black people so that they can coordinate a counter-violence offensive against White Supremacy. Last week's session provided a well known, painful narrative of a black teen being killed by Chicago police. Freeman and his long time friend and police detective, Phil Dawson, argue over the efficacy of the "riots." Dawson minimizes the System of Racism and argues that "burning and looting" will do no good. Freeman reminds Dawson that victims of oppression always fight back and that Racists think of all black people - education or no - as niggers. Their conversation sounds like many of the conversations concerning Black Lives Matter and the unrest in Ferguson, Missouri, Baltimore, Maryland and Charlotte, North Carolina. Freeman and the Cobras, his revolutionary black gang members, use the conflagration to begin their own campaign of counter-violence. We'll continue to monitor how anti-blackness is reflected in the text, and we'll note differences between the book and the film. #RacismIsNotAPrivilege INVEST in The COWS - http://paypal.me/GusTRenegade CALL IN NUMBER: 641.715.3640 CODE 564943# The C.O.W.S. archives: http://tiny.cc/76f6p

The Context of White Supremacy hosts the 4th study session on Sam Greenlee's 1969 timeless novel, The Spook Who Sat By The Door. The bestseller was modified into a major motion picture in 1973 and remains an acclaimed critique of Racism. Greenlee died in 2014. The main character, Dan Freeman, becomes the first black agent at the Central Intelligence Agency (CIA). Freeman acquires as much knowledge as possible in order to transfer that intelligence to terrorized black people so that they can organize a counter-violence offensive against White Supremacy. Last week's session stressed how members of the Cobras, a black Chicago gang, became motivated scholars. Freeman articulates his rage about the waste of black genius that White Supremacy guarantees. Freeman also demands that the Cobras follow logic and knowledge as opposed to worshiping an individual; his reasoning sounds identical to Mr. Neely Fuller's concept of "united, independent" codification. Tellingly, Greenlee's band of counter-racists camafloug their militant intentions by adhering to commonly held Racist notions - that black people are drug fiends ands morons. We'll remain mindful of how anti-blackness is reflected in the text and we'll identify differences between the book and the film. #RacismIsNotAPrivilege INVEST in The COWS - http://paypal.me/GusTRenegade CALL IN NUMBER: 641.715.3640 CODE 564943# The C.O.W.S. archives: http://tiny.cc/76f6p

The Context of White Supremacy hosts the 3rd study session on Sam Greenlee's 1969 masterpiece, The Spook Who Sat By The Door. The top seller was transformed to a major motion picture in 1973 and remains a celebrated, and deliberately hidden, commentary on Racism. Greenlee died in 2014. The main character, Dan Freeman, becomes the first black spy at the Central Intelligence Agency (CIA). Freeman learns as much as possible in order to share his knowledge and expertise with terrorized black people, so that they can orchestrate a counter-violence offensive against White Supremacy. Last week's session detailed Freeman's longtime sweetheart, Joy. The book explains how Freeman and Joy had similar impoverished upbringings and used college to improve their quality of life. In contrast to Freeman, Joy has no interest in countering Racism; she's more concerned with having a comfortable life and the acquisition of money and things. Freeman's battles with black people who think like Joy are a central fixture of the text. Freeman resigns his post at the CIA, returns to Chicago and after a violent skirmish with the teen leaders of the Cobras - a Chicago gang, Freeman offers to teach them to wage counter-war against Racists. Dr. Niyana Rasayon and others note that the FBI continues to use Greenlee's book to train new agents. #RacismIsNotAPrivielge INVEST in The COWS - http://paypal.me/GusTRenegade CALL IN NUMBER: 641.715.3640 CODE 564943# The C.O.W.S. archives: http://tiny.cc/76f6p

The Context of White Supremacy hosts the 2nd study session on Sam Greenlee's 1969 exemplary novel, The Spook Who Sat By The Door. The best seller was adapted to major motion picture in 1973 and remains an awesome literary commentary on Racism. Greenlee died in 2014. The main character, Dan Freeman, becomes the first black employee at the Central Intelligence Agency (CIA). Freeman acquires as much knowlesge and expertise as possible in order to share this information with terrorized black people, so that they can organize a counter-violence offensive against White Supremacy. Last week's session detailed how a Racist politician seeking re-election accused the CIA of discriminatory hiring practices because they had no Negro agents. In response, the CIA assembled a cadrel of black recruits - including Freeman. Greenlee contrasts Freeman with the other black candidates, underlining their shallow ambitions for material and economic comfort. Freeman exemplifies counter-racist codification: adhering to his well constructed plan, not retaliating when insulted by Whites or blacks, and attempting to learn as much as possible. Early in the text, Greenlee foregrounds the frequency and harm inflicted by Whites sexually exploiting black people. Dr. Niyana Rasayon and others note that the FBI continues to use the book to train new agents. #RacismIsNotAPrivilege INVEST in The COWS - http://paypal.me/GusTRenegade CALL IN NUMBER: 641.715.3640 CODE 564943# The C.O.W.S. archives: http://tiny.cc/76f6p

The Context of White Supremacy hosts the premier study session on Sam Greenlee's 1969 novel, The Spook Who Sat By The Door. The top seller was adapted to major motion picture in 1973 and remains a revered critique of Racism. Greenlee died in 2014. The main character, Dan Freeman, becomes the first black employee at the Central Intelligence Agency (CIA). Freeman learns as much as possible in order to share his knowledge and understanding to terrorized black people, so that they can organize a counter-violence offensive against White Supremacy. Greenlee examines police brutality, "token" black hires and the notion of a "black middle class." Until recently, Whites made the film particularly hard to find - didn't want to inspire any black people. Greenlee alleged the FBI sabotaged the release of the film and made it hard for him to get employment. Dr. Niyana Rasayon and others note that the FBI continues to use the book to train new agents. #RacismIsNotAPrivilege INVEST in The COWS - http://paypal.me/GusTRenegade CALL IN NUMBER: 641.715.3640 CODE 564943# The C.O.W.S. archives: http://tiny.cc/76f6p

"Dagner bedeutet "Dan" und "Wagner". Ich suche immer nach neuen Ideen und bei Wagner gibt es sehr viele Ideen." Homepage: http://www.danfreemanandtheserious.com/ Facebook: https://www.facebook.com/Dan-Freeman-and-the-Serious-250293401684906/?ref=br_rs Bandcamp: https://danfreemanandtheserious1.bandcamp.com/ Live bei Unsigned am 17.04.2016

Dan Freeman talks to us about his experience in the UFC, being on the Ultimate Fighter TV show, being a world class body builder, working with UFC Hall Of Famer Ken Shamrock, his journey in the supplement industry and how his faith plays into his Fight Labs business. www.fightlabs.com

We talk to Dan Freeman, producer behind the very first webcast, which just happened to be a Doctor Who adventure, Death Comes to Time. We also talk about his current project, the Minister of Chance. A sort of Spin off from Doctor Who staring Paul McGann, Sylvester McCoy and many others in new roles. Dan talks us through writing and directing the project, working with such big names, developing Minister into a film and we get a brief cameo from his kids... this guy never stops!This episode of Gallifrey Stands is bought to you by DottiesCharms.co.uk& by:The Gallifrey Stands lipbalm geekstick; https://www.etsy.com/uk/listing/209093664/new-gallifrey-stands-geek-stix-inspired?ref=shop_home_active_12Find the Minister of Chance at http://www.ministerofchance.com/ and Dan Freeman http://www.danfreeman.co.uk/ or @SageOfTheWaves on twitter.

Fantastica Zink and Secret Agent-Of-Mysterious-Origin Patrick O'Shamrock are marooned on Jupiter's frozen moon Europa. Marauded by a giant snow-kitten, they have only one choice: to bore through the ice into Europa's dark ocean... See acast.com/privacy for privacy and opt-out information.

Dan Freeman was appointed director of the Horn Entrepreneurship Program in 2011, taking over for Scott Jones who founded the program in 2006. With funding from Charlie Horn (the program’s namesake), Dan has been able to grow the program to impressive new levels.

This week on Black on Black Cinema the crew discusses the 1973 political thriller, 'The Spook Who Sat By The Door' starring Lawrence Cook. Based on the controversial novel of the same name, the film takes a satirical, yet very relatable, look at what an uprising against the U.S. government would look like at the hands of highly trained Black Americans. The only Black man to be trained by the CIA decides to use his skills for the betterment of his people, and begins to fight back for freedom and justice for Black folks in America. The film is a classic that has messages that not only resonate in 1973 but still do so today. Many lines can be drawn to the topics addressed head on in this film and the events of today. This is a must see film, and a must listen episode. black films, black movies, black people, Dan Freeman, Lawrence Cook, milantancy, revolution, The Spook Who Sat By The Door

This week the next film is introduced, the 1973 satirical black militancy story, 'The Spook Who Sat By the Door.' The film stars Lawrence Cook as the first black CIA agent, Dan Freeman.

Eugenia and Gerri talk about The Minister of Chance a FREE audio drama written and directed by Dan Freeman. They interview not one, not two but three of the cast, Sylvester McCoy (the Seventh Doctor) who plays the Witch Prime, Paul McGann (the Eighth Doctor) who plays Durian and Jed Brophy (Noki, Dwarf from The Hobbit) plays Pilot. [more]

On Tuesday, March 13, 2012, I sat down to have another conversation with the writer/ director/ producer of The Minister of Chance (@MinisterChance), Dan Freeman (@SageofTheWaves). The interview aired during the Geeky Pleasures Radio Show at The Look 24/7 (@TheLook247) on March 16, 2012. As always, it was a pleasure to chat with Dan. If you […]

Summary: Welcome to the thirteenth Doctor Who Podcast Alliance episode. This podcast features an interview with Dan Freeman, writer, producer and director of the new Minister of Chance web audio series and previously the director and co-writer of Death Comes to Time. This podcast has been kindly organised, conducted and donated to the DWPA by […]

On Wednesday, May 11, 2011, I had the real pleasure of interview Dan Freeman (@SageofTheWaves), writer/ director/ producer of The Minister of Chance (@MinisterChance) for my Geeky Pleasures Radio Show on The Look 24/7 (@TheLook247). It aired on Friday, May 13, 2011. Below you will find show notes and other information. Once again, I invite […]