Podcast appearances and mentions of Ron Mueck

Hvis man tænker på ARoS, så er der nok to ting, der dukker op i erindringen: Den regnbuefarvede tilføjelse på taget af museet og den kæmpe dreng, der sidder på hug. Førstnævnte er selvfølgelig Your Rainbow Panorama af Olafur Eliasson, mens sidst er Boy af Ron Mueck. Men hvorfor er det lige disse to kunstværker, der er blevet ARoS' kendetegn? Hvem er de to kunstnere bag værkerne? Og hvorfor er en regnbuefarvet - og meget selfievenlig - cirkel på et tag kunst? Medvirkende: Formidlingsassistent og omviser Line Tandrup. Gæstevært: Andrew DavidsonSee omnystudio.com/listener for privacy information.

Schweighöfer, Kerstin www.deutschlandfunk.de, Kultur heute

Commissaris van de Koning John Berends | De laatste dag van Rutte | Bijzondere tentoonstelling van Ron Mueck | De wereld van Paling Presentatie: Mieke van der Weij, Coen Verbraak, Wilfried de Jong

Met vandaag: Brits politiek gokschandaal breidt zich uit | Hoe huiselijk geweld te bestrijden? | Romeo & Julia anno 2024 | Grootste tentoonstelling van Ron Mueck in Museum Voorlinden |  | Presentatie: Mieke van der Weij.  

RMR 0259: Join your hosts Bryan Frye, Dustin Melbardis, and Lizzy Haynes for the Retro Movie Roundtable as they revisit It Labyrinth (1986) [PG] Genre: Adventure, Family, Fantasy Starring: David Bowie, Jennifer Connelly, Toby Froud, Shelley Thompson, Christopher Malcolm, Natalie Finland, Shari Weiser, Brian Henson, Ron Mueck, Rob Mills, Dave Goelz, David Alan Barclay, David Shaughnessy, Karen Prell, Timothy Bateson, Frank Oz, Michael Hordern, Denise Bryer   Director: Jim Henson Recorded on 2024-03-21

ComoEventi in compagnia di Stefi con il consueto appuntamento con il "lunedì del cinema", che vede come primo ospite Gabriele dello Spazio Gloria, si passa poi al teatro con lo spettacolo di Paolo Crepet a Varese e infine alle mostre con Ron Mueck alla Triennale di Milano. Nella seconda parte, invece, di Giubiana con l'evento al Castel Baradello e di giorni della Merla con la Passeggiata della Merla.

UNA MONTAGNA DI VALIGE... ovvero IL DONO DELL'AMORE L'albero di Natale di Gucci in Galleria non piace a molti .... nemmeno a Fulvio Irace Piace invece ... e molto IL DONO NATALIZIO ALLA CITTA': IL CAPOLAVORO A PALAZZO MARINO "IL BATTESIMO DI CRISTO" del Perugino "LO SGUARDO RADICALE" Passione, curiosità e rigore nella fotografia italiana di ricerca I più grandi fotografi in una mostra che apre domani a Seriate Sorprendente e inquietante, la mostra dello scultore australiano RON MUECK alla Triennale

Oggi a Cult: la mostra di Ron Mueck a Triennale Milano; è ancora in scena all'Elfo Puccini "L'acrobata" di Laura Forti, nel 50° anniversario del golpe cileno; Il regista tedesco Christian Petzold nelle sale con il film "Il cielo brucia"; al Teatro Menotti di Milano "From Syria: is this a child" nato dall'incontro di una adolescente italiana con un ragazzo palestinese rifugiato in Italia...

Micaela et moi sommes à Poitiers et, pendant cette semaine, je vous propose une grande balade à vélo dans Paris avec mon amie Isabelle. La balade est assez longue donc, je vous propose de la déguster en plusieurs fois. Et n'hésitez pas à nous faire part à Isabelle et à moi de vos aventures à vélo, à Paris ou ailleurs, cela nous fera extrêmement plaisir.  Bon êtes-vous prêts? C'est parti !  www.onethinginafrenchday.com  

L'artiste australien Ron Mueck est en majesté à la Fondation Cartier à Paris. Œuvres monumentales où l'infime détail de l'anatomie humaine est représenté jusqu'au moindre poil ou œuvres minimalistes tout aussi réalistes. On y retrouve aussi des sculptures de groupe plus récentes où l'animal : chiens et cochons s'invitent à présent aux côtés des humains. Des sculptures fascinantes et mystérieuses qui révèlent tout le parcours d'un artiste singulier dont on peut découvrir la dernière installation la plus gigantesque qu'il a réalisée, composée d'une centaine de crânes à la taille démesurée.

L'artiste australien Ron Mueck est en majesté à la Fondation Cartier à Paris. Œuvres monumentales où l'infime détail de l'anatomie humaine est représenté jusqu'au moindre poil ou œuvres minimalistes tout aussi réalistes. On y retrouve aussi des sculptures de groupe plus récentes où l'animal : chiens et cochons s'invitent à présent aux côtés des humains. Des sculptures fascinantes et mystérieuses qui révèlent tout le parcours d'un artiste singulier dont on peut découvrir la dernière installation la plus gigantesque qu'il a réalisée, composée d'une centaine de crânes à la taille démesurée.

Chaque semaine, Sortiraparis vous propose une sélection de sorties à faire à Paris et en Ile-de-France ! ©Musique proposée par La Musique Libre/Jazz In Paris - Media Right Productions/Rizhlaine Ferfar/Laurent Pradal

“Ron Mueck” à la Fondation Cartier pour l'art contemporain, Paris, du 8 juin au 5 novembre 2023Interview de Aby Gaye, chargée du projet d'exposition à la Fondation Cartier pour l'art contemporain, par Anne-Frédérique Fer,à Paris, le 6 juin 2023, durée 16'47, © FranceFineArt.https://francefineart.com/2023/06/08/3452_ron-mueck_-fondation-cartier/Communiqué de presseCommissariat :Commissaire d'exposition : Hervé ChandèsCommissaire associé : Charlie ClarkeChargée du projet d'exposition : Aby GayeDu 8 juin au 5 novembre 2023, la Fondation Cartier pour l'art contemporain invite le sculpteur australien Ron Mueck à exposer un ensemble d'oeuvres jamais montrées en France aux côtés d'oeuvres emblématiques de sa carrière. Les publics découvriront son installation monumentale Mass (2017), présentée pour la toute première fois hors d'Australie, ainsi qu'une sculpture de grande dimension conçue pour l'occasion. Avec cette troisième exposition témoignant de l'évolution récente de la pratique de Ron Mueck, la Fondation Cartier poursuit un dialogue au long cours avec cet artiste qu'elle a révélé au public français en 2005 et dont les oeuvres sont aussi rares qu'attendues.Né en 1958 à Melbourne et vivant au Royaume-Uni depuis 1986, Ron Mueck développe une œuvre qui touche à l'universel et renouvelle profondément la sculpture figurative contemporaine. Il crée des oeuvres aux dimensions surprenantes et empreintes d'une inquiétante étrangeté. De nombreux mois, et parfois plusieurs années, lui sont nécessaires pour créer chacune de ses sculptures. Ron Mueck a réalisé en un peu plus de 25 ans un corpus de quarante-huit oeuvres, dont les dernières sont achevées au printemps 2023 pour l'ouverture de l'exposition.L'exploration d'un nouveau processus de créationPar son échelle et sa facture, l'installation monumentale Mass marque un nouveau jalon dans la carrière de Ron Mueck. Cette oeuvre, commandée par la National Gallery of Victoria (Melbourne, Australie) en 2017, est la plus grande qu'il ait jamais réalisée. Composée de cent gigantesques crânes humains, Mass est reconfigurée par l'artiste en fonction de l'espace pour chaque présentation. Elle offre une expérience physique et psychique fascinante qui nous amène à contempler les notions fondamentales de l'existence humaine. Son titre donne à lui seul une idée de la polysémie de l'oeuvre. Le mot anglais « mass », signifiant à la fois un amas, un tas, une foule, mais aussi une messe, est une source d'interprétations propres à chaque visiteur. L'iconographie du crâne elle-même est ambiguë. Si l'histoire de l'art l'associe à la brièveté de la vie humaine, elle est aussi omniprésente dans la culture populaire. Pour l'artiste, « le crâne humain est un objet complexe, une icône puissante, graphique, que l'on identifie immédiatement. Familier et étrange à la fois, il rebute autant qu'il intrigue. Il est impossible à ignorer, accaparant inconsciemment notre attention ». Les crânes se présentent comme un groupe, une somme d'individus qui s'impose au visiteur. En cela, Mass se distingue des précédentes oeuvres de Ron Mueck qui avait, jusqu'alors, toujours représenté l'être humain dans son individualité.Également exposé pour la première fois en France, Dead Weight (2021), un crâne en fonte de près de deux tonnes, contraste avec ses œuvres habituellement naturalistes. Les traces du moulage de cette sculpture demeurent, l'artiste ayant volontairement laissé les marques de sa fabrication et la nature brute du matériau parler d'elles-mêmes.[...] Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

In episode 243 UNP founder and curator Grant Scott is in his shed looking to the future whilst reflecting on the evolution of cameras, AI portraits and listening to photo talk. Plus this week, photographer Gautier Deblonde takes on the challenge of supplying Grant with an audio file no longer than 5 minutes in length in which he answer's the question ‘What Does Photography Mean to You?' Gautier Deblonde is a French photographer, renowned for his portraits of key international artists and a practice that is situated between reportage and documentary. Born and raised in France, he moved to London in 1991 to work as a photographer. He works closely with his artist subjects, photographing their working spaces and in doing so their contributions to the art world. Deblonde's subjects include Damien Hirst, Gilbert & George, Jeff Koons, Antony Gormley and Ron Mueck. His book Atelier, published by Steidl, captured sixty-nine artist studios in panorama, providing a glimpse behind the scenes to the source of artistic creation, and his book Artists, published by Tate Gallery in 1999, brought together a number of his artist portraits. Projects have included True North (2009), a series about Svalbard in the High Arctic exhibited at Galerie du Jour Agnès B in Paris, and Still Life: Ron Mueck at Work (2013), a documentary film commissioned by the Fondation Cartier. Deblonde's photographs of the creation and installation into the Millennium Dome of Ron Mueck's sculpture Boy won a World Press Award and were published in 2001. His works have been exhibited in a number of museums and galleries including Le Petit Palais in Paris, Tate Britain and the National Portrait Gallery in London. www.gautierdeblonde.com Dr. Grant Scott is the founder/curator of United Nations of Photography, a Senior Lecturer and Subject Co-ordinator: Photography at Oxford Brookes University, Oxford, a working photographer, documentary filmmaker, BBC Radio contributor and the author of Professional Photography: The New Global Landscape Explained (Routledge 2014), The Essential Student Guide to Professional Photography (Routledge 2015), New Ways of Seeing: The Democratic Language of Photography (Routledge 2019). His film Do Not Bend: The Photographic Life of Bill Jay was first screened in 2018 www.donotbendfilm.com. He is the presenter of the A Photographic Life and In Search of Bill Jay podcasts. © Grant Scott 2022

Versione audio: Non sono stati molti gli artisti che, nel corso della storia dell'arte, hanno fatto dei propri genitori un soggetto da dipingere o da scolpire. Raccontare del proprio padre e della propria madre è anche un raccontarsi, consentire al pubblico di entrare in una sfera molto intima del privato. Attraverso il ritratto di un […] L'articolo Dead Dad di Ron Mueck proviene da Arte Svelata.

Nella scultura dell'antica Grecia il concetto di bellezza era strettamente legato alle proporzioni: le statue, infatti, raramente superavano in altezza i cittadini che ci passavano davanti. Eppure ancora oggi il mondo è pieno di statue smisurate, perché l'arte non hai mai smesso di confrontarsi, nel bene e nel male, con la rappresentazione fuori scala del mondo. A volte per mettere alla berlina le nostre insicurezze, altre per nasconderle dietro uno sfoggio di potenza che è molto più ridicolo delle debolezze che vorrebbe celare. Costantino e Francesco, dopo aver rivelato delle scottanti pagine del loro passato, ci offrono un'esilarante panoramica dell'arte smisurata che riempie le piazze e i musei di mezzo mondo: dalle orrende statue nordcoreane che hanno invaso l'Africa agli stronzi volanti di Paul McCarthy.In questa puntata si parla di Ronald Reagan, Nancy Reagan, Frank Sinatra, Kevin Spacey, Charles Ray, Francois Pinault, Ron Mueck, Harald Szeemann, Abdoulaye Wade, lo studio artistico nordcoreano Masundae, Wole Soyinka, Katharina Fritsch, Maurizio Cattelan, Robert Therrien, Jeff Koons, Ilona Staller, Frank Gehry, Kerry Hill, Paul McCarthy, Paul Klee, Urs Fischer e Fabrizio Moretti.

Hello Again de The Cars, dirigit per Andy Warhol ens servirà per donar-vos la benvinguda a un nou capítol de TЯA-TЯA! sobre les relacions entre art contemporani i narració audiovisual. Els artistes contemporanis seran també directors de vídeos per les bandes musicals del moment.D’altres vegades, les seves obres apareixen en els clips de solistes i grups o bé inspiren les històries visuals que acompanyen les cançons: Tony Oursler, Robert Longo, Yayoi Kusama, Ron Mueck i Erwin Wurm, entre molts, hi seran presents.

The NBA playoffs begin here: day drinking, previewing Lakers-Blazers before there is a Lakers-Blazers, can’t stop won’t stop, Clips playing 4D chess, sweet home Arizona, going home happy, fake news, LaMarcus Oldridge, Wingstop, Simmons for Beal or for bits, living with the Point God, Jazz Nuggets is Scandinavian noir, bringing back jacksie, the green website has bad podcasts, Al Horford: legend at the bank, Raptors-Bucks, trying stuff that makes you look stupid, Atalanta’s run, Bielsa’s Leeds, not watching Nets-Blazers, not letting Dame cross half-court, broke back McCollum, 154 for 3, Murali vs Warne, #StephWashed, the Carmelo narrative, as good as it gets, defence is tiring, small sample size theatre, series picks, Ron Mueck references and all-Bubble teams. BALLS and tripping balls are available on their own RSS feeds, as well as being found together on Omny Studio,Spotify and Apple Podcasts (feel free to subscribe, rate and review) - and we welcome your reckons via Twitter, Facebook and email. See omnystudio.com/policies/listener for privacy information.

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This week, its all about Dinosaurs!I think when you have a passion about something, and you've held that passion for a long time, that is something to be celebrated!Philip Millar loves Dinosaurs. And boy I'm glad he does. He's brought dinosaurs back to life for Polyglot Puppet Theatre, Creature Technologies and through his own company, Puppet Vision.In this week's episode of Talking Sock, we talk about Philip's history with puppets and his journey in taking Dinosaurs and other larger than life creatures to the next level in entertainment.As a member of Creature Technologies, Philip helped developed Walking With Dinosaurs and also worked as a sculpture for Ron Mueck and Patricia Piccinini. Furthermore, he was the co-artistic director of Polyglot Puppet Theatre and started out working with Handspan Theatre Company.Philip has found himself looking back on a career filled with creativity and has shown no signs of slowing down. With Puppetvision, he continues to work in building commercial puppets while producing and directing his own shows. Whats most impressive, I think, is the versatility and technical skill Philip applies to problem solving using new media.Listen in to find out how Philip approaches producing new theatre and creating new puppets from every imaginable material.And head to One Orange Sock's website for links and mentions related to this cast.Support this show http://supporter.acast.com/talking-sock. See acast.com/privacy for privacy and opt-out information.

For David Hurlston curating is both a conceptual and physical process: he's concerned with how viewers move through gallery spaces and how they read artworks. “It's just about making a really tangible and interesting and educative experience, and I think that happens in the real world, in the real space,” he says. Having been a curator at the National Gallery of Victoria for over 25 years, David Hurlston's name is synonymous with the curatorial field of Australian art. While his current role is Senior Curator, Australian Painting, Sculpture and Decorative Arts to 1980, David has worked in a number of curatorial roles at the National Gallery of Victoria including Curator, Australian art exhibitions (2002-2007), Program Coordinator (1999-2002) and Access Gallery Curator (1993-1999). As Hurlston explains in the podcast, curating is centred on collaboration, listening and negotiation: elements which have come into play when curating survey shows on well-known artists including Ron Mueck, David Hockney, Deborah Halpern, Ian Strange and more. Hurlston also discusses the push and pull between entertaining and informing gallery visitors, his childhood experience of regularly visiting NGV, his background as an artist, what curating has meant to him over the years, and what the label of ‘curator of Australian art' signifies today. See more at Art Guide Australia online: www.artguide.com.au Podcast produced by Tiarney Miekus. Engineered by Mino Peric. Music by Jesse Warren.

For David Hurlston curating is both a conceptual and physical process: he’s concerned with how viewers move through gallery spaces and how they read artworks. “It’s just about making a really tangible and interesting and educative experience, and I think that happens in the real world, in the real space,” he says. Having been a curator at the National Gallery of Victoria for over 25 years, David Hurlston’s name is synonymous with the curatorial field of Australian art. While his current role is Senior Curator, Australian Painting, Sculpture and Decorative Arts to 1980, David has worked in a number of curatorial roles at the National Gallery of Victoria including Curator, Australian art exhibitions (2002-2007), Program Coordinator (1999-2002) and Access Gallery Curator (1993-1999). As Hurlston explains in the podcast, curating is centred on collaboration, listening and negotiation: elements which have come into play when curating survey shows on well-known artists including Ron Mueck, David Hockney, Deborah Halpern, Ian Strange and more. Hurlston also discusses the push and pull between entertaining and informing gallery visitors, his childhood experience of regularly visiting NGV, his background as an artist, what curating has meant to him over the years, and what the label of ‘curator of Australian art’ signifies today. This is the fourth and final episode of our Conversations with Curators podcast series. Other episodes include conversations with curators Anna Davis, Nici Cumpston and Andy Butler. See more at Art Guide Australia online: www.artguide.com.au Podcast produced by Tiarney Miekus. Engineered by Mino Peric. Music by Jesse Warren.

Let’s talk about BIG ART. In this super-sized episode, Nat, Jen and Gin discuss art on a large-scale. From the tallest file cabinet in the world, to the eerie work of Ron Mueck, this episode deals with big stuff and why we like it (or don’t). Come to NYC w us! https://www.likemindstravel.com/nyc-with-the-art-history-babes/ AHB YouTube: http://www.youtube.com/c/TheArtHistoryBabes  Check out our Patreon for bonus episodes: www.patreon.com/arthistorybabes Website: www.arthistorybabes.com Insta: @arthistorybabespodcast Twitter: @arthistorybabes Email: arthistorybabes@gmail.com Learn more about your ad choices. Visit podcastchoices.com/adchoices

This interview was held on the 17th May 2017 just before the premier performance at the Ferens Art Gallery, Hull. We ask Rebecca about her latest composition and inspiration from a Ron Mueck exhibition (The Spooning Couple) piece, finding out more about how she put this piece together.

Jo Blair, Director and Founder of Brown Bread, talks to Richard Green about their pledge me campaign to raise money to purchase Christchurch Art Gallery's very own work by world-renowned sculptor, Ron Mueck.

Jo Blair, Director and Founder of Brown Bread, talks to Richard Green about their pledge me campaign to raise money to purchase Christchurch Art Gallery's very own work by world-renowned sculptor, Ron Mueck.

Matthew Sweet visits Hull - the city where he grew up - and seeks out Basil Kirchin's sound world, Richard Bean's version of Hull during the Civil War and the re-opened Ferens Art Gallery where he used to spend Saturday mornings.You can hear more of Basil Kirchin's music for films in tonight's Late Junction which follows at 11pm and Radio3 is recording Mind on the Run featuring Goldfrapp's Will Gregory with members of the BBC Concert Orchestra - the event takes place 17th - 19th Feb at Hull City Hall and will be broadcast on Hear and Now on March 4th. The Ferens Art Gallery is displaying Francis Bacon's Screaming Popes until May 1st; Pietro Lorenzetti's panel painting Christ Between Saints Paul and Peter until April. Exhibitions by Ron Mueck, Spencer Tunick's Sea of Hull commission and the Turner prize follow later in 2017.Richard Bean's play The Hypocrite - dramatising what happened in the Civil War when parliament charged Sir John Hotham with denying King Charles entry to Hull - runs from Friday 24th of February – Saturday 25th of March at Hull Truck Theatre, and Friday 31th of March – Saturday 29th of April at the Swan Theatre in Stratford-upon-AvonProducer: Craig Templeton Smith.

Originally from Ottawa, Elly Smallwood graduated from OCAD University in 2011 and now works as an artist in Toronto. Her paintings are intensely personal, a visual exploration of her mind and body, and those of the people around her. Topics Discussed In This Episode: Female sexuality in art The ephemeral feelings involved while painting Ron Mueck's sculptures The business of art Pricing artwork Nymphomaniacs www.artistdecoded.com www.instagram.com/artistdecoded www.twitter.com/yoshinostudios  

Vendredi 31 mai de 21h à 00h Alice 2013 France Inter a choisi d'accompagner les Nuits de l'Incertitude de la Fondation Cartier. Vendredi 31 mai, autour de l'exposition Ron Mueck, France Inter et la Fondation Cartier pour l'art contemporain proposent une soirée conduite par Stéphane Paoli entouré de scientifiques et d'artistes pour engager la question du changement d'échelle. Un événement à découvrir avec la même curiosité qu'Alice au pays des merveilles. Avec : Isabelle Autissier, navigatrice et écrivaine Enki Bilal, réalisateur et dessinateur de bande dessinée Michel Cassé, astrophysicien Hervé Chandès, directeur général de la Fondation Cartier pour l'art contemporain Odile Decq, architecte et urbaniste Raymond Depardon, cinéaste et photographe Philippe Descola, anthropologue Miroslav Radman, biologiste-généticien Catherine Ringer, chanteuse Philippe Val, directeur de France Inter Cédric Villani, mathématicien

1984 › 2014 30 ans pour l'art contemporain Le 20 octobre 1984, Cartier inaugure la Fondation Cartier pour l'art contemporain, une initiative pionnière en faveur de la création contemporaine. À Paris, dans le bâtiment de verre et d'acier de l'architecte Jean Nouvel, la Fondation Cartier pour l'art contemporain expose et donne la parole à des artistes du monde entier. Pendant un an, à partir du 10 mai 2014, la Fondation Cartier pour l'art contemporain vous invite à célébrer avec elle 30 ans de mécénat libre et généreux fait d'engagement et de singularité, de dialogue ininterrompu avec des créateurs de tous horizons et de toutes disciplines. Du 10 mai au 21 septembre 2014, l'exposition Mémoires Vives, accompagnée de concerts et d'événements, réserve une place essentielle à des œuvres parmi les plus emblématiques de la collection de la Fondation Cartier pour l'art contemporain, des œuvres qui sont toutes des temps forts de son histoire. Photographies, sculptures, films et peintures se succèdent pendant cinq mois dans une présentation en mouvement permanent, riche de surprises. De Raymond Hains à James Lee Byars, de Nan Goldin à David Lynch, de Mœbius à Ron Mueck, l'exposition Mémoires Vives présente des œuvres d'artistes magnifiques, à découvrir ou à redécouvrir.

Un film inédit de Gautier Deblonde réalisé avec le soutien de la Fondation Cartier pour l'art contemporain et présenté en exclusivité dans l'exposition Ron Mueck.

Un film inédit de Gautier Deblonde réalisé avec le soutien de la Fondation Cartier pour l'art contemporain et présenté en exclusivité dans l'exposition Ron Mueck. Entretien mené par David Desrimais / Fondation Cartier pour l'art contemporain

Exposition Ron Mueck à la Fondation Cartier pour l'art contemporain, 2013. Ron Mueck has been invited to present his new sculpture at the Fondation Cartier pour l'art contemporain from April 16 to October 27 2013. This is his first major exhibition in Europe since the hugely successful Fondation Cartier exhibition of 2005. In addition to six important recent sculptures the show includes three produced especially for this event. A new film recording their creation has been made for the occasion by Gautier Deblonde. Revealing the reclusive artist at work further emphasizes the sensitivity and power of Ron Mueck's sculpture and highlights its particular resonance for our time.

Entretien : David Desrimais. Réalisation : Lumento.

The film revolves around 15-year-old Sarah's (Jennifer Connelly) quest to reach the center of an enormous otherworldly maze to rescue her infant brother Toby, who Sarah wished away to Jareth, the Goblin King (David Bowie). With the exception of Connelly and Bowie, most of the film's significant characters are played by puppets produced by Jim Henson's Creature Shop. Stream online: https://amzn.to/3alg87w Become a Patron: https://www.patreon.com/mfrbooksandfilm?fan_landing=true

The film revolves around 15-year-old Sarah's (Jennifer Connelly) quest to reach the center of an enormous otherworldly maze to rescue her infant brother Toby, who Sarah wished away to Jareth, the Goblin King (David Bowie). With the exception of Connelly and Bowie, most of the film's significant characters are played by puppets produced by Jim Henson's Creature Shop. Stream online: https://amzn.to/3alg87w

Rick visits Scandinavia's top kids' sight: Legoland. Then it's on to Denmark's second-largest city — Aarhus — which bustles with a lively port, an important university, a busy pedestrian boulevard, and an old quarter filled with people living well. For more information on the Rick Steves' Europe TV series — including episode descriptions, scripts, participating stations, travel information on destinations and more — visit www.ricksteves.com.

Rick visits Scandinavia's top kids' sight: Legoland. Then it's on to Denmark's second-largest city — Aarhus — which bustles with a lively port, an important university, a busy pedestrian boulevard, and an old quarter filled with people living well. For more information on the Rick Steves' Europe TV series — including episode descriptions, scripts, participating stations, travel information on destinations and more — visit www.ricksteves.com.