Podcast appearances and mentions of Patricia Piccinini

The team reminisces on their treasured childhood toys; ballerina Benedicte Bernet shares her experiences of being the principal dancer in the new Australian Ballet production, Oscar; foodie Michael Harden unpacks the humble sausage roll; writer and pop culture critic Brodie Lancaster discusses the Australian Content in the Streaming Era Symposium; international relations expert Binoy Kampmark breaks down the going-ons of the Land Forces protests; and artist Patricia Piccinini talks about giving the keynote address at this year's FUSE Darebin. With presenters Monique Sebire, Daniel Burt & Nat Harris.Website: https://www.rrr.org.au/explore/programs/breakfasters/Facebook: https://www.facebook.com/Breakfasters3RRRFM/Twitter: https://twitter.com/breakfasters

GIAF 2024 reviews - Patricia Piccinini - An Fear Liath

Welcome to the official Audio Guide to We Travel Together By Patricia Piccinini as part of Galway International Arts Festival. Patricia Piccinini is one of Australia's most acclaimed artists who has received worldwide attention for her startling sculptures, installations and digital environments. Born in Sierra Leone, Patricia uses her craft to create striking images of hyperrealistic hybrid animals, humans and creatures to question the way that contemporary technology and culture changes our understanding of evolution and what it means to be human. When leaving this exhibition the artist hopes the audience are inspired to ask questions about the changing relationship between us and the world around us and that hopefully, we can begin to imagine a new way forward, together with other creatures rather at their expense. The Festival Gallery is presented in association with The Dean Galway who also provided support for this audio guide. For more information about other shows in the festival visit www.giaf.ie.

En el episodio 55 del podcast hablamos de las 10 esculturas más polémicas del arte contemporáneo internacional. Damien Hirst, Patricia Piccinini, Maurizio Cattelan, Tracy Emin y David Cerny están en este top ten que escrudiñaremos, comentando sus obras mas escandalosas y que más debates han generado en los últimos años. Contanos si conocías las obras y si alguna vez viste a alguna de ellas en vivo! Mi nombre es Evelyn Marquez, curadora y gestora cultural. Podés suscribirte al podcast de Temporada de Relámpagos sobre arte contemporáneo en el canal de Apple Podcast, en Spotify y YouTube. Encontranos también en Instagram, Facebook y en Twitter!! Si te interesó, compartilo y dejanos 5 estrellas en Spotify!!

勘误：坤宁宫每天都有两次祭祀（并且每天杀四头猪我滴个娘啊），每个月以及各种年节有更加大型的祭祀。帝后并不每天参加，而是一年间亲自参与二十次左右。具体请读这里。胡说八道了，向大家道歉，感谢听众朋友指出。 由于婉莹到处跑，博物志播客的八岁生日悄无声息地过去了。让我们一起来迟到地祝她生日快乐吧！ 本期节目很开心与「话仙桃」的晃抠你一起录制，我们盘点了七月份在香港看的大量文化场馆与展览。几年不见，香港依然是婉莹心中中国最棒的博物馆与展览的所在。 00:00 开场，想听任宁为什么在晚上八点多锯水管请关注「别来年鉴」 01:20 推荐大家欣赏「话仙桃」的 shownotes 04:04 疫情之后再见香港 07:46 开始爆吹 M+ 09:00 如何抵达 M+ 以及吃饭问题 13:35 M+ 的建筑设计 20:56 希克藏品：从大革命到全球化 35:10 曹斐的《人民城寨》 46:17 Archigram 49:16 野口勇的 Playscape（抠你在这里有一期专门讲野口的节目） 51:05 霓虹灯展厅 53:52 Patricia Piccinini 在大馆的展览 57:35 开始吹香港艺术馆 59:54 「好物有型」特展 1:05:41 「汉字城韵」特展 1:07:48 「情书」特展，不知道为啥网站没有页面 1:11:07 「字由人」特展 1:21:56 「广州购物志」特展，页面上有语音导览，听听看！ 1:22:47 过渡到吐槽香港故宫 1:23:36 增强现实自拍实例，点击戴上金耳环 1:28:21 香港故宫建筑与常设展览，可惜说到这里已经累了，没有好好展览关于展陈的感想 1:33:34 香港历史博物馆 1:35:35 香港文物探知馆，推荐 App「TPS Medical Trail」 1:40:07 香港医学博物馆 1:44:22 香港动植物园 1:48:52 办手续经验分享

@messengerartadvisory www.messengerart.org Jane Messenger is the founder and director of Messenger Art Advisory. Jane works with clients ranging from large corporations, high net worth individuals and more recently emerging collectors, helping to bring rigour to their art buying experience. You see Jane spent over a decade working at the Art Gallery of South Australia. Some of her projects involved heading to the Tate in London, overhauling the hanging of the gallery collection and working closely with world renowned Australian artist Patricia Piccinini. It's Jane's institutional knowledge and expertise combined with her qualifications as a professional valuer, that make her such a trusted advisor. On today's episode of Interview With An Artist, among many things we talk about: some of her career highlights at the gallery of South Australia how artists can get on the radar of institutions what the process is for valuing a work how artists can get noticed by an art advisor like Jane and how she works with her clients in an advisory capacity Jane is knowledgeable, experienced and just so warm. ******** Interview With An Artist is hosted and produced by Willy (Wilamina) Russo. Along with Championing the arts through this podcast and her radio work at 2ser107.3FM, Willy is also an artist mentor. She works with artists from a variety of stages and backgrounds, helping them figure out the right next step in their artistic practice. If you're looking for some advice navigating your artistic practice, book a session today via her website, wilaminarusso.com

Renowned visual artist Patricia Piccinini in conversation with wildlife scientist and marine mammal expert Dr Vanessa Pirotta. Tune in to learn everything there is to know about these extraordinary creatures, their more typical journeys through the ocean and how their wondrous evolution became the inspiration behind Patricia's Skywhales.

Celebrated sculptor and artist, Patricia Piccinini has a thoughtful discussion about the loneliness she experienced as a child migrant and the borderless world she creates in her art. She discusses her approach to making art, the sexuality of her creatures and the idea of empathy and connection between people and animals. Enjoy this inspiring We Are Lonely episode with the wonderful Patricia Piccinini. To find resources, activities and support on loneliness visit wearelonely.com.auSee omnystudio.com/listener for privacy information.

This Writers' Week session is part of our Kids' Day program.

Patricia Piccinini is Australia's foremost artist exploring the relationship between humanity and technology, and the ethical tensions it inspires in the viewer. Plus, introducing our new segment My Art Crush. Jess Cochrane on the impact of Édouard Manet's Olympia on her work. And Thea Anamara Perkins on family legacy and NFTs.

Patricia Piccinini is Australia's foremost artist exploring the relationship between humanity and technology, and the ethical tensions it inspires in the viewer. Plus, introducing our new segment My Art Crush. Jess Cochrane on the impact of Édouard Manet's Olympia on her work. And Thea Anamara Perkins on family legacy and NFTs.

Patricia Piccinini is Australia's foremost artist exploring the relationship between humanity and technology, and the ethical tensions it inspires in the viewer.Plus, introducing our new segment My Art Crush. Jess Cochrane on the impact of Édouard Manet's Olympia on her work.And Thea Anamara Perkins on family legacy and NFTs.

Patricia Piccinini is Australia's foremost artist exploring the relationship between humanity and technology, and the ethical tensions it inspires in the viewer. Plus, introducing our new segment My Art Crush. Jess Cochrane on the impact of Édouard Manet's Olympia on her work. And Thea Anamara Perkins on family legacy and NFTs.

We Are Lonely is a podcast that seeks to demystify loneliness by revealing it in iconic music, film, and art. Hosts Myf Warhurst and Dr Frederic Kiernan talk to celebrated actors, songwriters and artists to understand the many kinds of loneliness that exist and the effect it has on our society. With award winning actor, Hugo Weaving, rapper Briggs, musician Tash Sultana, artist Patricia Piccinini and Savage Garden frontman, Darren Hayes, Myf and Dr Fred delve into the art and the science of what it means to be lonely in Australia and the natural role it plays in our lives. We Are Lonely is a collaboration between Myf Warhurst, Dr Frederic Kiernan and Medibank. To find resources, activities and support on loneliness visit wearelonely.com.auSee omnystudio.com/listener for privacy information.

On this episode of The Writer and the Critic, your hosts, Kirstyn McDermott and Ian Mond briefly discuss the usual COVID guff before jumping into this month's books: The Employees by Olga Ravn [4:20] and Everyone Knows Your Mother is a Witch by Rivka Galchen [37:55]. The visual artists referenced during are Lea Guldditte Hestelund and Patricia Piccinini. If you've skipped ahead to avoid spoilers, please come back at 1:22:50 for final remarks. Next month, the two books up on the slab will be: Dissolve by Nikki Gemmell The Cost of Living: A Working Autobiography by Deborah Levy Read ahead and join in the spoilerific fun!

In the world of high-end independent watchmaking, Max Büsser is a king. Well, maybe not a king; he's more of an alchemist, somehow turning his dreams into incredible creations of steel, gold and sapphire. While this romantic vision is pretty accurate, it's only part of the picture. Max tells us about the anger and frustration that caused MB&F to be born, the importance of friends, the madness of developing 22 calibres in 20 years and why Max is determined to run his business differently. We also talk about the entirely selfish way Max designs watches and how that's reflected in the evolving style of the brand, which has shifted from blocky to biomorphic. Finally, we find out about the delicate art of product naming and get a sneak peek at the MB&F ‘Andy'. This episode is brought to you by NOMOS Glashütte. Listen in as Felix and Andy talk through the 2021 releases in this episode, or discover them all here. Shownotes - https://www.otpodcast.com.au/show-notes/s2e32 Rising Festival with Patricia Piccinini and Hublot Jennifer Aniston (and her watches) on Instagram Smashville on Apple Podcasts Smashville on Instagram MB&F Max Büsser on Instagram The Infinite Game by Simon Sinek That Will Never Work: The Birth of Netflix and the Amazing Life of an Idea by Marc Randolph FOLLOW US: https://www.instagram.com/ot.podcast/ https://www.facebook.com/otpodcastau https://www.instagram.com/andygreenlive/ https://www.instagram.com/fkscholz/ Submit an application to our quasi-professional watch matchmaking service, by email: otthepodcast@gmail.com If you liked our podcast - please remember to like/share and subscribe. If you liked our podcast - please remember to like/share and subscribe.

Patricia Piccinini returns to press our ethical buttons with new hyper-real silicon sculptures, staged in a hidden ballroom above Melbourne's busiest train station.Pus, what's the state of drawing in Australia? The simple act of putting pencil to paper used to be central to almost all art practices and art schools, but is it still? Two leading drawing artists make the case.

Patricia Piccinini returns to press our ethical buttons with new hyper-real silicon sculptures, staged in a hidden ballroom above Melbourne's busiest train station. Pus, what's the state of drawing in Australia? The simple act of putting pencil to paper used to be central to almost all art practices and art schools, but is it still? Two leading drawing artists make the case.

Patricia Piccinini returns to press our ethical buttons with new hyper-real silicon sculptures, staged in a hidden ballroom above Melbourne's busiest train station. Pus, what's the state of drawing in Australia? The simple act of putting pencil to paper used to be central to almost all art practices and art schools, but is it still? Two leading drawing artists make the case.

Patricia Piccinini returns to press our ethical buttons with new hyper-real silicon sculptures, staged in a hidden ballroom above Melbourne's busiest train station. Pus, what's the state of drawing in Australia? The simple act of putting pencil to paper used to be central to almost all art practices and art schools, but is it still? Two leading drawing artists make the case.

Luke is joined by Tracy Margain and Richard Watkins from BentSpoke, alongside artist Patricia Piccinini. Talking the meeting of beer and art, this is a quiet reflection on collaboration, and how the two worlds can combine. 

Neste episódio, Hélvio, Kael, Thiago e Tibério discutem desventuras do rito de passagem conhecido como alistamento militar, ajudam ouvintes com conselhos reais para problemas imaginários, e tentam identificar a estranha fauna das nossas #notocias e do #queporraéessa. Não perca! Tópicos de interesse: triângulo amoroso psicótico, animais(?) misteriosos e roupas virtuais. Siga-nos no Spotify, no ORKUT e em nossas outras redes! Instagram @escapismopodcast e Twitter @escapismopod. Já considerou contribuir com nosso podcast? Acesse padrim.com.br/escapismopodcast ou patreon.com/escapismopodcast, e se preferir, temos PicPay: @escapismopodcast! O quanto puder contribuir significa muito pra gente. Indicações! Helvio: A familia Mitchel e a revolta das máquinas (Netflix) Tiberio: Obras da Patricia Piccinini @patricia.piccinini Kael: @garotasdomotion Thiago: @vitorelo.art, @minadehq, @revolushow, puppet history (Youtube)

As esculturas perfeitas do artista plástico Leo Dias, também conhecido como Leo Dias de Los Muertos, são sombrias e repletas de referências e simbolismos. Muito focado no horror clássico, seu trabalho único merece ser conhecido e apreciado. Hoje vamos passear por seu universo e conversar sobre como é trabalhar como escultor, seu processo criativo e bater um papo livre sobre arte em geral. - Participante Convidado: Leo Dias de Los Muertos CONTEÚDO DESTE EPISÓDIO: - Como comprar uma escultura do Leo Dias de Los Muertos? - Formação - Como começou a trabalhar como escultor - Tour pelos trabalhos do Leo Dias * - Detalhes nas obras - Como aprendeu a esculpir? - Processo criativo - Realismo extremo / quase perturbador - Cor do osso - Máscara de Zumbi - Como faz suas escuturas? - Material que utiliza - Técnicas * - Argila sintética - Molde - Quanto tempo leva para fazer uma escultura? - Referências / influências - Imitação - Estilo - Perfeição * - Necessidade de produzir arte * - Escultura Bruxa Velha do Tales From The Crypt - Influências brasileiras - Zé do Caixão - Trabalhos com maior destaque - Capa do Sepultura - Freira polêmica - Frankenstein - Teve problemas com moralismo? - Ateísmo - Trabalhos que gosta mais - Vendendo originais - Terror como gênero principal - Já fez outros gêneros? - “Prostituição” do artista - Privilégio * - Mercado para escultura no Brasil / exterior - Cinema - Pensou em produzir em escala? - O que acha da impressão 3D? - Photogametry / Fotogametria * - Criar uma linha de esculturas estilo action figures? - Dicas para quem quer começar * - Memento Mori * E MAIS! LINKS COMENTADOS Instagram - https://www.instagram.com/leodiasdelosmuertos/ Facebook - https://www.facebook.com/helldiving/ Youtube - https://www.youtube.com/diasdelosmuertos/ Instagram Cultof1304 - https://www.instagram.com/cultof1304/ Arte de Patricia Piccinini - https://www.youtube.com/watch?v=lmI5St1SXss ASSISTA: DESAMANTES no Vivo Play ► http://bit.ly/2WSnNFm DESAMANTES no Looke ► http://bit.ly/2KcsK6P DESAMANTES na Amazon Prime Video ► https://bit.ly/3dQwCXJ DESAMANTES na NET NOW ► https://bit.ly/34nxnVU E-MAIL DE CONTATO ► semfreiopodcast@gmail.com SEJA MEMBRO DESTE CANAL E GANHE BENEFÍCIOS ► https://bit.ly/3i4k2W2 CAMISETAS DO DIMITRI ► http://bit.ly/2XS3eeQ COMPRAR AS ARTES DO DIMITRI IMPRESSAS ► http://bit.ly/2O5H4Pl LIVRO "OS CONTOS DAS SOMBRAS DA MENTE" ► https://www.amazon.com.br/dp/B08BTYZ471 APOIE A GENTE pelo PAYPAL ► http://goo.gl/f4XRLS ACOMPANHE A GENTE: SITE ► http://dimitrikozma.com YOUTUBE ► http://goo.gl/BZ9mA9 INSTAGRAM ► https://www.instagram.com/dimitrikozmaart CANAL DIMITRI KOZMA ART ► https://bit.ly/2A9LgKN SPOTIFY ► https://spoti.fi/2UYEhcj GAMES DO DIMITRI KOZMA ► https://dimitrikozma.itch.io/ --- Send in a voice message: https://anchor.fm/dimitrikozma/message

In 2021, RISING Festival will take art and performance from behind closed doors to unexpected public places. The RISING podcast asks artists to unravel their ideas on an audio platform. The six-episode series will feature artists Patricia Piccinini, Deborah Cheetham AO, Back To Back Theatre Company, Mohamed El Khatib, The Necks and more. Hosted on Acast. See acast.com/privacy for more information.

Katie has a fascinating chat with Canberra guitarist, singer and composer Pheno (aka Jess Green) about her musical collaboration with visual artist Patricia Piccinini to mark the recent launch of the new hot-air balloon sculpture […] http://media.blubrry.com/miss_chatelaine/p/joy.org.au/misschatelaine/wp-content/uploads/sites/356/2021/02/Miss-Chatelaine-No-188B.mp3 Podcast: Play in new window | Download (Duration: 56:15 — 51.5MB) Subscribe or Follow Us: Apple Podcasts | Spotify | RSS The post Pheno and the Skywhales – Show #188 (part 2), 21 February 2021 appeared first on Miss Chatelaine.

Konrad Marshall's January 2021 cover story 'High flyer'looks at globally recognised Australian artist Patricia Piccinini in light of her latest creation, the gargantuan hot air balloon known as Skywhalepapa, commissioned by the National Gallery of Australia. Konrad is joined by the artist in conversation with moderation by Good Weekend editor Katrina Strickland, to talk about both the emotion and criticism her surreal work engenders. Become a subscriber: our supporters power our newsrooms and are critical for the sustainability of news coverage. Becoming a subscriber also gets you exclusive behind-the-scenes content and invitations to special events. Click on the links to subscribe https://subscribe.theage.com.au/ or https://subscribe.smh.com.au/ Please take the time to rate & review us on Apple Podcasts or wherever you get your pods. We love to hear your thoughts and it makes it easier for the rest of the podcast world to find us. See omnystudio.com/listener for privacy information.

Täna avab Kai kunstikeskuse 2021.

Video: What On Earth Is Happening - Episode #231 Date: 2020-07-19 Topics: Questions & Clarifications Call-In Show, The Lying Whore Mainstream Media, CoVID-19 "Pandemic" is a Socially-Engineered Perceived Crisis, the Agenda of the Social engineers behind CoVID-19 is to divert attention way from the Pedophilic activity of the Satanic Occult Ruling Class, the Red Shoe Club/Society, Anthony Podesta's depraved art collection depicting child abuse, Demented pedophilic artwork of Ria Pratt / Kim Noble, Patricia Piccinini, and Biljana Djurdjevic, True Science vs. Scientism and Government-grant-money-funded "Science", Never ascribe your own Moral understanding to someone else, Definition of Natural Rights for a new student, Vices vs. true Harmful Behaviors, Theft is ultimately the only form of harm that exists, Mark repeating his work ad nauseam and still falling on deaf ears, Losing track of the Moral Principle when engaging in Semantical Arguments, Spirit of the Law vs. Letter of the Law, Willfully Lying and the implications of this form of harmful behavior, Richard Wetherill's books on Natural Law, Ignorant Opinions and Feelings vs. True Knowledge, Physical Resistance and Self-Defense in the face of mandated masks and vaccines, Cutting-edge Scientific experiments demonstrating the inability to transmit "viral" "contagions" to healthy people, Potential CoVID-19 Concentration Camps in New Zealand, Going DEEP into research to obtain thorough Knowledge, Fear is the killer of the Mind and Soul, True Forgiveness vs. Letting Go, Shadow work upon the Self creates Self-Respect which leads to Courage, the importance of starting at WOEIH Podcast #001 and going through ALL of the WOEIH Podcasts IN ORDER. Related Images: Download (zip archive) Related Links: Donate To Help Complete Mark's Natural Law Documentary | Autonomy Unlimited | Favorite "Art" Of Anthony Podesta: Image Search 1 | Image Search 2 | Image Search 3 | Favorite Podesta "Artist" Has Multiple Personalities | Be Right Or Go Wrong (PDF) | How To Solve Problems And Prevent Trouble (PDF) | Right Is Might (PDF)

This week, its all about Dinosaurs!I think when you have a passion about something, and you've held that passion for a long time, that is something to be celebrated!Philip Millar loves Dinosaurs. And boy I'm glad he does. He's brought dinosaurs back to life for Polyglot Puppet Theatre, Creature Technologies and through his own company, Puppet Vision.In this week's episode of Talking Sock, we talk about Philip's history with puppets and his journey in taking Dinosaurs and other larger than life creatures to the next level in entertainment.As a member of Creature Technologies, Philip helped developed Walking With Dinosaurs and also worked as a sculpture for Ron Mueck and Patricia Piccinini. Furthermore, he was the co-artistic director of Polyglot Puppet Theatre and started out working with Handspan Theatre Company.Philip has found himself looking back on a career filled with creativity and has shown no signs of slowing down. With Puppetvision, he continues to work in building commercial puppets while producing and directing his own shows. Whats most impressive, I think, is the versatility and technical skill Philip applies to problem solving using new media.Listen in to find out how Philip approaches producing new theatre and creating new puppets from every imaginable material.And head to One Orange Sock's website for links and mentions related to this cast.Support this show http://supporter.acast.com/talking-sock. See acast.com/privacy for privacy and opt-out information.

We speak to a couple of art experts who insist you don't need to be a big spender to get started collecting art, drop by the studio of Australian artist Patricia Piccinini, and hear about a very special piece of art that connects Melbourne man Guido Melo to Brazil.

We speak to a couple of art experts who insist you don't need to be a big spender to get started collecting art, drop by the studio of Australian artist Patricia Piccinini, and hear about a very special piece of art that connects Melbourne man Guido Melo to Brazil.

We speak to a couple of art experts who insist you don't need to be a big spender to get started collecting art, drop by the studio of Australian artist Patricia Piccinini, and hear about a very special piece of art that connects Melbourne man Guido Melo to Brazil.

We speak to a couple of art experts who insist you don't need to be a big spender to get started collecting art, drop by the studio of Australian artist Patricia Piccinini, and hear about a very special piece of art that connects Melbourne man Guido Melo to Brazil.

Patricia Piccinini and TarraWarra Museum of Art director Victoria Lynn on the double-header exhibition featuring Piccinini and Joy Hester, US galleries re-open as the federal shutdown ends in arts news, Quandamooka lawyer Stephanie Parkin and CEO of the Indigenous Art Code Gabrielle Sullivan on the report into fake Indigenous art, and Central Arrernte and Mudburra elder Patricia Ansell Dodds on having her work on the Sydney Opera House sails as part of Badu Gili.

Patricia Piccinini and TarraWarra Museum of Art director Victoria Lynn on the double-header exhibition featuring Piccinini and Joy Hester, US galleries re-open as the federal shutdown ends in arts news, Quandamooka lawyer Stephanie Parkin and CEO of the Indigenous Art Code Gabrielle Sullivan on the report into fake Indigenous art, and Central Arrernte and Mudburra elder Patricia Ansell Dodds on having her work on the Sydney Opera House sails as part of Badu Gili.

Episódio gravado no dia 21 de Fevereiro de 2016, quando eu, minha esposa e meu filho, fomos ver a exposição ComCiência, com obras da artista Patricia Piccinini, que estava no CCBB de Brasília. Nesse episódio convido você a acompanhar essa exposição com a gente.

This week, Richard gets a rundown of the MTC's 2019 program from coordinator Brett Sheehy, acclaimed artist Patricia Piccinini chats about her exhibition at TarraWarra gallery: Patricia Piccinini and Joy Hester: Through love ;Artist Juan Ford talks all things Obsession: Devil in the detail at Mornington Peninsula Regional Gallery

In this episode of Knowing Animals I am joined by Maria Sofia Pimentel Biscaia. Sofia is a member of the Centre for Languages, Literatures and Cultures at the University of Aveiro, Portugal, where she teaches English. We discuss Sofia’s forthcoming paper ‘Loving Monsters: the curious case of Patricia Piccinini’s posthuman offsprings’ which will soon appear in the journal Nordlit. This episode of Knowing Animals is brought to you by AASA. AASA is the Australasian Animal Studies Association. You can find AASA on Facebook here: https://www.facebook.com/AASA-Australasian-Animal-Studies-Association-480316142116752/. Join AASA today! This episode of Knowing Animals is also brought to you by MC Pony. MC Pony brings you Mindful Rhymes for Kinder Times. Check out MC Pony at www.veganthused.com.  

It's Christmas in July! Eddie Ayres brings you some of the Hub on Art highlights from this year so far.

It's Christmas in July! Eddie Ayres brings you some of the Hub on Art highlights from this year so far.

What is our relationship to nature and each other? Well-known for her hybrid creatures that shift between the beautiful and the grotesque, in this conversation Patricia Piccinini discusses questions of empathy, genetics and realism, and how we understand the concept of nature. The artist also discusses her exhibition at QAGOMA, 'Curious Affection'. See more at Art Guide Australia online: https://artguide.com.au/podcast-patricia-piccininis-curious-affection

Colours of Impressionism: Masterpieces from the Musée d'Orsay opens at the Art Gallery of South Australia this week, Eddie speaks to Australian artist Patricia Piccinini about her new exhibition Curious Affection, we travel to Sydney to hear about the new APY lands Gallery which has just opened in Darlinghurst and Edwina Stott brings us the latest news from the arts world.

Continuing along on our theme of tracking down every Australian currently living in New York and interviewing them on this podcast, we get to cross not one, but two names off our bucket list today. Currently ranked #1 Copywriter and #1 Art Director in the Cannes Lions Global Rankings respectively, Tom and George McQueen spent four years at Clemenger BBDO in Melbourne, producing some of their most memorable and effective campaigns in recent years, most notably, the ‘Meet Graham’ piece for the TAC along with artist Patricia Piccinini before moving over to the big apple where they are currently stationed at Droga5 and doing us all very proud. We’re so excited to have them here today to hopefully bring a new perspective to the conversations we’ve been having here, as ironically I think this is the first time we’ve heard from the perspective of a creative, especially a team, and especially especially, identical twins. Remember! We are now an ENHANCED podcast. That's right - If you listen to our podcast in Overcast or Pocket Casts, you can get super special images, links, and chapter breaks in your player while you listen. Featured links from our discussion - Want to get these in your inbox every Friday? Sign up for our text-only tinyletter at tinyletter.com/jackywinter Open Tabs: Moment App / H&M Calls Foul on "Vandal" Graffiti Artist's Threat of Lawsuit / H&M Statement / Hedge Funds Amass Big Bets Against World’s Leading Advertisers The Brothers McQueen - Folio Site / Campaign Brief Interview / AdAge Interview If you like the show or these links or think we sound like nice people, please go and leave us a rating or review on iTunes. It helps other people find the show and boosts our downloads which in turn lets us know that what we're doing is worth doing more of! Jacky Winter Gives You The Business is produced by Areej Nur To subscribe, view show notes or previous episodes head on over to our podcast page at http://jackywinter.givesyouthe.biz/ Special thanks to Jacky Winter (the band, with much better shirts than us) for the music. Listen to them over at Soundcloud. Everything else Jacky Winter (us) can be found at http://www.jackywinter.com/

Natural Woman: A conversation with Patricia Piccinini How do we use work to explore ideas of motherhood and morality? Tai and Patricia discuss what it means to be a mother and continue a successful art practice. They talk about issues of postnatal depression and anxiety, partners and family life. They also talk about owning and celebrating your fecundity and creating ‘finely crafted love letters’ to your audience with your work.

As Evelyn Waugh's classic first novel Decline and Fall has been made into a new BBC television series starring Jack Whitehall, we speak to its adapter James Wood and literary critic Suzi Feay and discuss how Waugh's distinctive but potentially offensive brand of satire plays for a modern audience.Sunday 2 April 2017 is the 50th birthday of Adrian Mole, diarist, poet and would be novelist. In 1982 Leicester-born Sue Townsend took the publishing world by storm with her first book, The Secret Diary of Adrian Mole Aged 13 3/4 and became the best-selling author of the 1980s, with follow up volumes until her death in 2014. Adrian's poems are now published together in one volume, Adrian Mole the Collected Poems. Radio 4's Poet in Residence Daljit Nagra reads and discusses them with Stig.A new touring play Offside focuses on the beautiful game and puts women centre stage. Poet Hollie McNish, who co-wrote the play, joins director Caroline Bryant to discuss their depiction of women, football, race, sexuality, and the politics of the sport across the centuries.This year Australian artist Patricia Piccinini drew bigger crowds that any contemporary artist worldwide. While the Tate Modern in London remains the most popular modern and contemporary art museum in the world. Facts revealed this week as The Art Newspaper publishes its annual museum and exhibitions visitor surveys. Javier Pes, the papers' editor in chief, talks us through the results.Presenter: Stig Abell Producer: Ella-mai Robey.

Wonder of the natural world is the key inspiration for acclaimed visual artist Patricia Piccinini. Through her works, she’s aiming to coax us out of our accepted ways of thinking to take a walk along the line that divides the natural and the unnatural, the beautiful and the grotesque. She shares how the emotional complexity of Morrissey’s ‘November Spawned a Monster’ stirs her with its intense poignancy and yearning, and a song that’s a true reflection of the focus of her evocative work.

Melbourne-based artist Patricia Piccinini has created a life-sized sculpture of what a human being would have to look like in order to survive a car crash. The result is a grotesquely mutated human with numerous internal and external changes to his physiology, and is meant to highlight how ill-equipped humans are to handle even slow-speed accidents. Jeff and Anthony take a good long look at this creature and decided if the evolution might be worth it. GET BONUS EPISODES, VIDEO HANGOUTS AND MORE. VISIT: http://patreon.com/wehaveconcerns Get all your sweet We Have Concerns merch by swinging by http://wehaveconcerns.com/shop Hey! If you’re enjoying the show, please take a moment to rate/review it on whatever service you use to listen. Here’s the iTunes link: http://bit.ly/wehaveconcerns And here’s the Stitcher link: http://bit.ly/stitcherwhc Jeff on Twitter: http://twitter.com/jeffcannata Anthony on Twitter: http://twitter.com/acarboni Today’s story was sent in by Xaccie: http://www.popsci.com/this-is-what-humans-would-look-like-if-we-could-withstand-car-wrecks If you’ve seen a story you think belongs on the show, send it to wehaveconcernsshow@gmail.com or leave it on the subreddit:http://reddit.com/r/wehaveconcerns

Eben Kirksey‘s wonderful new volume is an inspiring introduction to a kind of multispecies ethnography where artists, anthropologists, and others collaborate to create objects and experiences of great thoughtfulness and beauty. Growing out of a traveling art exhibit of the same name, The Multispecies Salon (Duke University Press, 2014) curates a collection of works that explore three major questions: “Which beings flourish, and which fail, when natural and cultural worlds intermingle and collide?” “What happens when the bodies of organisms, and even entire ecosystems, are enlisted in the schemes of biotechnology and the dreams of biocapitalism?” “…In the aftermath of disasters…what are the possibilities of biocultural hope?” Pioneering a style of collaboration inspired by Michel de Certeau’s notion of “poaching,” the contributions to the volume span essays on bioart and matsutake worlds, recipes for human-milk cheese and acorn mush, ruminations on the production of assmilk soap and on the nature and importance of hope, considerations of the brittlestar and the art of Patricia Piccinini, and much more. This is a volume that I will be returning to, recommending, and assigning for years to come. Learn more about your ad choices. Visit megaphone.fm/adchoices

Eben Kirksey‘s wonderful new volume is an inspiring introduction to a kind of multispecies ethnography where artists, anthropologists, and others collaborate to create objects and experiences of great thoughtfulness and beauty. Growing out of a traveling art exhibit of the same name, The Multispecies Salon (Duke University Press, 2014) curates a collection of works that explore three major questions: “Which beings flourish, and which fail, when natural and cultural worlds intermingle and collide?” “What happens when the bodies of organisms, and even entire ecosystems, are enlisted in the schemes of biotechnology and the dreams of biocapitalism?” “…In the aftermath of disasters…what are the possibilities of biocultural hope?” Pioneering a style of collaboration inspired by Michel de Certeau’s notion of “poaching,” the contributions to the volume span essays on bioart and matsutake worlds, recipes for human-milk cheese and acorn mush, ruminations on the production of assmilk soap and on the nature and importance of hope, considerations of the brittlestar and the art of Patricia Piccinini, and much more. This is a volume that I will be returning to, recommending, and assigning for years to come. Learn more about your ad choices. Visit megaphone.fm/adchoices

Eben Kirksey‘s wonderful new volume is an inspiring introduction to a kind of multispecies ethnography where artists, anthropologists, and others collaborate to create objects and experiences of great thoughtfulness and beauty. Growing out of a traveling art exhibit of the same name, The Multispecies Salon (Duke University Press, 2014) curates a collection of works that explore three major questions: “Which beings flourish, and which fail, when natural and cultural worlds intermingle and collide?” “What happens when the bodies of organisms, and even entire ecosystems, are enlisted in the schemes of biotechnology and the dreams of biocapitalism?” “…In the aftermath of disasters…what are the possibilities of biocultural hope?” Pioneering a style of collaboration inspired by Michel de Certeau’s notion of “poaching,” the contributions to the volume span essays on bioart and matsutake worlds, recipes for human-milk cheese and acorn mush, ruminations on the production of assmilk soap and on the nature and importance of hope, considerations of the brittlestar and the art of Patricia Piccinini, and much more. This is a volume that I will be returning to, recommending, and assigning for years to come. Learn more about your ad choices. Visit megaphone.fm/adchoices

Eben Kirksey‘s wonderful new volume is an inspiring introduction to a kind of multispecies ethnography where artists, anthropologists, and others collaborate to create objects and experiences of great thoughtfulness and beauty. Growing out of a traveling art exhibit of the same name, The Multispecies Salon (Duke University Press, 2014) curates a collection of works that explore three major questions: “Which beings flourish, and which fail, when natural and cultural worlds intermingle and collide?” “What happens when the bodies of organisms, and even entire ecosystems, are enlisted in the schemes of biotechnology and the dreams of biocapitalism?” “…In the aftermath of disasters…what are the possibilities of biocultural hope?” Pioneering a style of collaboration inspired by Michel de Certeau’s notion of “poaching,” the contributions to the volume span essays on bioart and matsutake worlds, recipes for human-milk cheese and acorn mush, ruminations on the production of assmilk soap and on the nature and importance of hope, considerations of the brittlestar and the art of Patricia Piccinini, and much more. This is a volume that I will be returning to, recommending, and assigning for years to come. Learn more about your ad choices. Visit megaphone.fm/adchoices

Is a long cardboard chain and anchor really a deep message on immigration? What is the difference between artificial pussy willows and an escalator? Are postmodern artists just having a laugh? Jonathan drags Andrew Cody through last March's Nuit blanche and wonders if his attitude of derision is rational or not. Enter Eric Weichel, instructor in art history at Concordia University, and one of the liveliest conversations on the podcast ensues. Can we evaluate art rationally? Jonathan and Eric talk gnomes, Cormac McCarthy, and four-year-old geniuses. No panel discussion this month, but plenty of links! - Le Corbusier, modernist architect (http://www.greatbuildings.com/architects/Le_Corbusier.html) - Charles Moore, postmodern architect (http://www.greatbuildings.com/buildings/Sea_Ranch_Condominium.html) - Judith Butler (http://www.egs.edu/faculty/judith-butler/biography/) - Kent Monkman, contemporary Aboriginal painter (http://www.mason-studio.com/journal/2012/03/kent-monkman-sexuality-of-miss-chief/) - How to Speak and Write Postmodern by Stephen Katz (http://thepaperthinhymn.com/2010/01/26/how-to-speak-post-modernism/) - Jacques Derrida, deconstructionist philosopher (http://www.iep.utm.edu/derrida/) - The Rothko Chapel (http://www.rothkochapel.org/index.php?option=com_content&view=article&id=11&Itemid=14) - A Reader's Manifesto by B.R. Myers - Cormac McCarthy (http://en.wikipedia.org/wiki/Cormac_McCarthy) - Gayatri Spivak, postcolonial critic (http://en.wikipedia.org/wiki/Gayatri_Chakravorty_Spivak) - The Gormenghast Trilogy by Mervyn Peake (http://en.wikipedia.org/wiki/Gormenghast_(series)) - The Fallen by Andy Moss and Jamie Wardley (http://www.mymodernmet.com/profiles/blogs/andy-moss-jamie-wardley-the-fallen) - Docking by Sophie Cardin (http://www.artsouterrain.com/en/sophie-cardin/) 20/20 segment transcript (http://abcnews.go.com/2020/GiveMeABreak/story?id=563146) Postmodern artists Eric Weichel finds inspiring: Kerri Flanagan Takashi Murakami (http://www.theguardian.com/world/gallery/2010/sep/10/takashi-murakami-palace-versailles) Shary Boyle (http://www.sharyboyle.com) Patricia Piccinini (http://www.patriciapiccinini.net) Yayoi Kusama (http://www.yayoi-kusama.jp/e/information/)

Is a long cardboard chain and anchor really a deep message on immigration? What is the difference between artificial pussy willows and an escalator? Are postmodern artists just having a laugh? Jonathan drags Andrew Cody through last March's Nuit blanche and wonders if his attitude of derision is rational or not. Enter Eric Weichel, instructor in art history at Concordia University, and one of the liveliest conversations on the podcast ensues. Can we evaluate art rationally? Jonathan and Eric talk gnomes, Cormac McCarthy, and four-year-old geniuses. No panel discussion this month, but plenty of links! - Le Corbusier, modernist architect (http://www.greatbuildings.com/architects/Le_Corbusier.html) - Charles Moore, postmodern architect (http://www.greatbuildings.com/buildings/Sea_Ranch_Condominium.html) - Judith Butler (http://www.egs.edu/faculty/judith-butler/biography/) - Kent Monkman, contemporary Aboriginal painter (http://www.mason-studio.com/journal/2012/03/kent-monkman-sexuality-of-miss-chief/) - How to Speak and Write Postmodern by Stephen Katz (http://thepaperthinhymn.com/2010/01/26/how-to-speak-post-modernism/) - Jacques Derrida, deconstructionist philosopher (http://www.iep.utm.edu/derrida/) - The Rothko Chapel (http://www.rothkochapel.org/index.php?option=com_content&view=article&id=11&Itemid=14) - A Reader's Manifesto by B.R. Myers - Cormac McCarthy (http://en.wikipedia.org/wiki/Cormac_McCarthy) - Gayatri Spivak, postcolonial critic (http://en.wikipedia.org/wiki/Gayatri_Chakravorty_Spivak) - The Gormenghast Trilogy by Mervyn Peake (http://en.wikipedia.org/wiki/Gormenghast_(series)) - The Fallen by Andy Moss and Jamie Wardley (http://www.mymodernmet.com/profiles/blogs/andy-moss-jamie-wardley-the-fallen) - Docking by Sophie Cardin (http://www.artsouterrain.com/en/sophie-cardin/) 20/20 segment transcript (http://abcnews.go.com/2020/GiveMeABreak/story?id=563146) Postmodern artists Eric Weichel finds inspiring: Kerri Flanagan Takashi Murakami (http://www.theguardian.com/world/gallery/2010/sep/10/takashi-murakami-palace-versailles) Shary Boyle (http://www.sharyboyle.com) Patricia Piccinini (http://www.patriciapiccinini.net) Yayoi Kusama (http://www.yayoi-kusama.jp/e/information/)

“It’s now a reality”, Jens Hauser announced at the 2003 Biotech Art exhibition, “artists are in the labs. They are intentionally transgressing procedures of representation and metaphor, going beyond them to manipulate life itself. Biotechnology is no longer just a topic, but a tool, generally generating green fluorescent animals, wings for pigs and sculpture moulded in bioreactors or under the microscope, and using DNA itself as an artistic medium.” To challenge the validity of singular and fixed species at this “evolutionary crossroad” of genetically engineered mammals and organ transpeciation, Transgenic artists have intervened into biogenetic technology in roles first imagined by Mary Shelley's Frankenstein. Through the microinjection of DNA with cells containing green fluorescent protein into a rabbit zygote, Eduardo Kac was able to genetically engineer GFK Bunny. Using living tissues, Zurr and Catts created ‘partial life sculptures’ at SymbioticA including frog-steaks and even flying pigs. In their collaboration with Stelarc, SymbioticA has also grown a 1Ž4 scale replica of his ear made out of human cartilage cells, implanted upon Stelarc’s arm in 2010. Following the launch of The Humane Genome Project, Patricia Piccinini chose silicon, acrylic and fibreglass, rather than human and non-human tissue to produce The Mutant Genome Project (TMGP) and Lifeforms with Unevolved Mutant Properties (LUMP) – genetically mutant babies engineered to look like pink-skinned tumours or, in her words, “a cute grotesquery”. As controversies raged over organ xenotransplantation and interspecies breeding, Piccinini created a human sow suckling a litter of 'pigren'. This year she produced a controversial skywhale, part-human, part-whale, able to take flight. As Kac explains, “Transgenic Art is, a new artistic terrain and art form based on the use of genetic engineering to transfer natural or synthetic genes to an organism – to create unique living beings.” Yet this can only be done, he stresses, “with great care … and above all, with a commitment to respect, nurture and love of the life thus created.” By focusing upon the bioethics of transhumanist genetics in relation to this Transgenic Art, this lecture will examine how these artists also engage in the nurturance and reciprocity of transgenetic and transpecies creations, rarely addressed in genetic biotechnologies, to consider how they are not rejected, unlike Dr. Frankenstein's "modern prometheus" but are incorporated into our posthuman evolutionary era. Fae (Fay) Brauer is Professor of Art and Visual Culture at the University of East London Art and Digital Industries. She is also Associate Professor in Art History and Cultural Theory at The University of New South Wales College of Fine Arts. Her books are Rivals and Conspirators: The Paris Salons and the Modern Art Centre (2013), Picturing Evolution and Extinction: Degeneration and Regeneration in Modern Visual Cultures (2013), The Art of Evolution: Darwin, Darwinisms and Visual Culture (2009) and Art, Sex and Eugenics, Corpus Delecti (2008). Presently she is preparing the books, Regenerating the Body: Art and Neo-Lamarckian Biocultures in Republican France; Symbiotic Species: The Art and Science of Neo-Lamarckian Evolution in the Solidarist Republic, Feminizing Muscle: Body Trouble in Visual Cultures, and Unmasking Masculinity: Imaging Hysterical Men in Republican France. She is also editing the books, Building the Body Beautiful: Modernisms, Vitalism and the Fitness Imperative; Bloody Bodies: The Art and Execution of Dissection, and Vision and Visionaries: Psychology, Occult Science and Symbolism.