Podcasts about Wild Honey Pie

This week, it's an INDUSTRY INSIDERS episode! I sit down with Eric Weiner of The Wild Honey Pie, a company renowned for creating video content and music videos for indie artists and labels. Together, we dive into the evolving landscape of music videos in the indie music scene in 2024. Presented by SMART NOISE - http://smart-noise.com We explore the apparent contradiction of music videos losing relevance in an era where video content dominates platforms like YouTube, while music videos seem to have become the "unwanted stepchild" of the video content family. Eric shares his thoughts on why streaming giants like Spotify and Apple haven't pushed music videos as aggressively as they've embraced video content for podcasts. We also address the practical side of video creation, including the high costs and challenges indie labels face in producing them. Eric shares insights into how some genres—like alternative rock and punk—thrive visually, while others may struggle to translate their sound into a visual medium. Check out The Wild Honey Pie: http://thewildhoneypie.com    

At least Max Strus has a whole rest of the finals to try to make a three-pointer. When John Starks went 0-for-11 from downtown in 1994, it was in Game 7, and the Knicks losing by six points, well, it's still haunting 29 years later.Strus and the Heat got beat by the Nuggets in Game 1 last night a lot worse than the 104-93 score suggested. Strus was 0-for-10 overall, but his 0-for-9 on threes put him right behind Starks on the all-time list for ouch games shooting from distance in the NBA Finals.Along with Strus? Stephen Curry was 0-for-9 on three-pointers in Game 5 last year, a game that Golden State still won by 10 points because Andrew Wiggins scored 26, Klay Thompson added 21, and Curry still went 7-for-13 on two-pointers, plus a pair of free throws.And that's it. Starks, then Strus and Curry. Ray Allen (2010) and J.R. Smith (2015) had 0-for-8 games on three-pointers, and four more players (Sam Perkins, 1996; Scottie Pippen, 1998; Kyrie Irving, 2017; and Devin Booker, 2021) have had Finals performances of 0-for-7 three-point shooting.All of those players, though, scored points. Strus' 21 minutes are far from the record for most scoreless time in a Finals game — that was Byron Scott on 0-for-8 shooting in 43 minutes in Game 3 in 1991 — and also not a Heat team high, as Chris Bosh did not score in 28 minutes of a 95-88 win over the Spurs in Game 7 in 2013.But Strus did set a record: 10 field goal attempts, zero points. The previous NBA Finals record had stood for 20 years. Malik Rose went 0-for-9 in the Spurs' 77-76 loss to the Nets in Game 4 in 2003, a game in which San Antonio, as a team, shot 29% from the field including 4-for-18 on threes. Speedy Claxton almost bailed out a team that got a combined eight points from Tony Parker, Stephen Jackson, and… well… also Rose.The Spurs won that series, so Rose got a ring to soothe the pain of a scoreless Finals game in which his team lost by a single point.There's only been one time that a player went 0-for-7 or worse and their team won, out of 10 occurrences in Finals history: in Game 4 in 1953, Lew Hitch shot 0-for-7, but the Minneapolis Lakers got 27 points and 19 boards from George Mikan, and the Knicks did not have a nice night shooting at the 69th Regiment Armory, connecting on just 29% of their shots to lose, 71-69, the third of four straight New York defeats after winning Game 1 in Minnesota. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit willetspen.substack.com/subscribe

It's Part 2 of the Untitled Beatles Podcast White Album Fabstravaganza! This week T.J. and Tony deep dish Side One, going track-by-track and getting off-track-by-off-track, just like the 1987 CD did with the track separation on “Wild Honey Pie” into “Bungalow Bill”. Along the way, they ask the important questions, such as:  

La meditazione trascendentale dal Maharishi nel Rishikesh non deve essere stata l'unica occupazione dei Beatles. I filmati li dipingono e li iconizzano per l'ennesima volta nella loro vita artistica in vestiti floreali, a cantare tutti insieme come potrebbe succedere sulle sponde del Po, al Valentino in una qualsiasi giornata primaverile.

Join your host Greg Howard Jr as he gets to the heart of what makes a musician tick with SEA GLASS!!!Sea Glass is the project of New York-based producer Jake Muskat. Inspired to release music after the birth of his first child, Sea Glass's music taps into universal emotions around growing up and dreaming. His sound invokes yearning, hope and nostalgia filtered through a positive lens.Coming back into the scene with his new single “(i have jokes) If You Wanna Hear One” in collaboration with euphoric artist Benét, an exceptional trans talent from Richmond, Virginia, the duo unite ethereal melodies and flowing narratives into a sound of their own. Finding its origins on a simple, classical guitar, this new single was written the week Sea Glass's son was born as a lullabye. He shares, “I liked the idea so much I decided to record it, but wanted to make it fit my production style. As I worked on it, I was more excited by its progress than anything else at the time. It took me 6 months of searching for a good top line when Benét offered to write on it. Their playful melody and lyrics just smashed the demo death loop I was in into smithereens. It came together very quickly from there. I had my close friend Jared Saltiel add live drums and the whole thing gelled together perfectly.”Developing into a soundscape that perfectly encases the warmth and emotive catharsis that Sea Glass continues to showcase exponentially across his repertoire, “(i have jokes) If You Wanna Hear One” comes to life. Enveloping listeners with radiating harmonies, funky rhythms and rich soundscapes, this new single weaves elements of hope, optimism and escapism. Written during Sea Glass's last few months in Brooklyn as he prepared to depart the city, he confides, "My son was just born and I was both thrilled to have this new love in our family but also overwhelmed with the added pressure that the responsibility brought. The music was a sort of escape from the moment, an idealized version of how I hoped things would go. It was written in the summer and there are definitely island vibes to the sounds, but the escapism I'm exploring in the music also makes this song relevant for any time of year.”Sea Glass has been praised by the likes of Indie Shuffle, Wonderland Magazine, WFUV, Record of the Day, Variance Magazine, The Wild Honey Pie among others. Garnering over 250k streams on his last EP alone, he was interviewed on WFUV as a recipient of the Silver Sun Foundation Artists Residency in Woodstock, NY. He spent his time there working on his debut LP due out spring 2023. Needless to say, with a growing presence and more collaborations on the horizon, Sea Glass is set to have an impressive year!Seaglass on InstagramFacebookTikTokBandcampSUPPORT THIS SHOW

OK WE'RE FINALLY HERE!! Let's get down to it. During the creation of the White Album as tensions built among the ranks of the Beatles, the members often found themselves working on their own tracks in different studios, sometimes bringing in other members as needed, or working by themselves. While John and Ringo tended to a mix session for Revolution 9, which Paul hadn't been a part of, Paul was in another studio overseeing overdubs on his own "Mother Nature's Son." Following work on that tune, and feeling a creative streak, Paul demoed a (still) unheard song, "Etcetera," and then began building a track based on a guitar riff he came up with in Rishikesh. Adding additional guitars, percussion, and wild vocal acrobatics, Paul and the staff of Abbey Road finish the evening by mixing this weird track, and using their hand against the tape machine to manipulate the speed of the song, giving it it's even weirder sonic warble. In about an hour "Wild Honey Pie" was born, a track that had no real precedent in 1968, as far as it it's experimental nature and sound. It's weird, disjointed, grooves, and works within itself in ways that don't always make sense in passing listens. In headphones, it reveals how dual guitars weave together to form this strange, almost atonal melody, while the man who, at the time, had arguably the greatest voice in popular music throws his voice around in ways others wish they could. It's Paul at his experimental best, giving you just enough to do be different and not overstay its' welcome, and it's the beginning of a through-line that appears throughout his career, whether in his early home solo works, the synthy-strangeness of McCartney II, his collabs with producer Youth as The Fireman, all the way up to his tape loops and sounds he created for his Rockdown album, McCartney III. As Julia puts it, "Wild Honey Pie" walked so "Temporary Secretary" could run. But fear not, listener, Julia's just as perplexed at this ranking as you might be. Joining us this week to talk about this track is the fantastic Phoebe Lorde, one of the hosts of Another Kind of Mind, which, in our humble opinion, is one of the best Beatle-pods around. Challenging well-worn tropes and narratives about the band, and examining their history with more nuance and deeper, more candid discussion, AKOM is part of a rejuvenation of the discussion of the legacy of the Beatles, refreshing the story and opening it up to new light after all these years. We're big, big fans. With Phoebe along for the ride, we touch on all kinds of points, like trying to break through historical biases in the Beatles' story, finding the space to be creative, defining "experimentation," the weirdness of 1964 Beatles songs on an album called "Beatles 65," and much more! Be sure to listen and subscribe to Another Kind of Mind anywhere you get podcasts, and follow along on their socials on Twitter @akompodcast and on Facebook https://www.facebook.com/anotherkindofmindpod. What do you think? Too high? Too low? Just right? Let us know in the comments on Facebook https://www.facebook.com/rankingthebeatles, Instagram @rankingthebeatles, or Twitter @rankingbeatles! Be sure to check out RTB's official website, www.rankingthebeatles.com! Enjoying the show, and wanna show your support? Buy Us A Coffee! --- Send in a voice message: https://anchor.fm/rankingthebeatles/message Support this podcast: https://anchor.fm/rankingthebeatles/support

We had the pleasure of interviewing Miles Francis over Zoom video! New York City singer, songwriter & multi-instrumentalist Miles Francis releases their transformative album Good Man, announcing a hometown New York show at Sultan Room on April 27. Sharing the final single & video for “Rainjacket” this week, Miles' experiences during the project helped them come out as non-binary, resulting in works of gorgeous paradox: nuanced explorations of masculinity and all its trappings, presented in a sound that's joyfully unfettered. Playing into the album's themes and storyline are previous singles “Popular” (feat. Lizzie Loveless & Lou Tides, formerly of TEEN), “Let Me Cry,” “Nature” & “Service,” complete with mesmerizing boy band clone choreography that mirrors Miles' own recording process in quarantine. “Everyone indulges in having an ego and wanting to be recognized, but men seem particularly bent on the power element — whether it's taking up space in a room or leading a country,” says Francis. These were followed by remixes of "Popular" by Future Generations and “Service” from Overcoats, to love from KCRW, Earmilk, The Wild Honey Pie & beyond. Produced by Francis and recorded in their longtime studio (located in the basement of the Greenwich Village building they grew up in), Good Man arrives as the most visionary and elaborately realized output yet from a polymathic artist known for collaborating with the likes of Angélique Kidjo, Sharon Jones & The Dap-Kings, and Arcade Fire's Will Butler. We want to hear from you! Please email Tera@BringinitBackwards.com. www.BringinitBackwards.com #podcast #interview #bringinbackpod #MilesFrancis #GoodMan #NewMusic #zoom Listen & Subscribe to BiB https://www.bringinitbackwards.com/follow/ Follow our podcast on Instagram and Twitter! https://www.facebook.com/groups/bringinbackpod

Episode 32 marks not only the day that Ringo's appreciation for hot dogs got in the way of enlightenment but also our discussion of in-person episodes having too much eye contact, the great beers of Devil's Purse brewery with Devil's Purse brewers Mike and Tim, what it's like recording in a brewery, friendship based on hating the same things, making fun of people who mispronounce the beers of Devil's Purse, Tommy mispronouncing all the beers of Devil's Purse, the Beatles surf rock era, Mike Love as history's greatest villain, Mike Love listening to the Beatles and Donovan hanging while cry singing "In My Room," some great whiskey from listener Seth, the potential for sleeping at a brewery, Beatles flat earthers, the potential for a Paul solo record of all White Album songs, and the experimental McCartney song "Wild Honey Pie."As always, you can find Team Blotto Beatles on Instagram (@blottobeatles) and Twitter (@blottobeatles), by emailing us (blottobeatles@gmail.com), or on the web (blottobeatles.com).  We want to hear from you!Please also take the time to rate and review us on Apple podcasts or wherever you get your podcasts.We have a shop!  Grab some merch.  You can also drunk dial us (tel:+18572339793)  or leave us a tip in our new tip jar (don't forget to include a message telling us what drinks we should drink with the money).See the canonical, argument-ending list of Beatles songs we are assembling here: https://www.blottobeatles.com/list; listen to it on Spotify here.Please remember to enjoy Blotto Beatles responsibly.Peace and Love.Hosts: Becker and TommyExecutive Producer: Scotty C.Guests: Mike and Tim from Devil's Purse Brewery (devilspurse.com; IG: @devilspursebrewing)Additional Musical Supervision: RB (@ryanobrooks)#PeteBestGetThatCheck

Welcome to the Big Beatles Sort Out Each episode we explore and score 5 songs drawn at random from the Beatles full recording catalogue. If you are enjoying this podcast please let us know at @Big_Sort on Twitter and Instagram, and please leave us a review! If you would like to support Garry's music, please consider ordering his new EP 'Chapter And Multiverse' and/or listening to the single 'Right On' here on Spotify. Please listen out for Paul's other Podcasts, 'The Head Ballet' - all about novelty music, and 'Hark! 87th Precinct Podcast' - all about Ed McBain's seminal police procedural novel series. You can listen along to the songs featured in this episode on this handy Spotify playlist: Episode Playlist Keep up with the scoring charts, or start your own using the blank-master, with this handy google sheet: Big Sort Ranking Table This Week's Songs: Free As A Bird, A Day In The Life, Misery, Wild Honey Pie, For No One + Double Rutles Bonus! I Don't Know Why + Cheese And Onions

This episode 'Music: Cover to Covered' sits down with Frankie Sparkman of the punk band 'Sparkman'. We talk about how living in a area more removed from metros -in this case Lake Arrowhead, California - both positively and negatively affect your process as a songwriter and as a musician trying to 'make it'. A prolific songwriter in any setting, Frankie talks about his process and inspiration for writing as well as his beginnings and development as a musician...and how pulling from many different musical influences helped form his own unique style. We also touch on writing songs 'for' others and 'about' others, and how both have a different set of values, and many other topics. Make sure you check out 'Sparkman' on Apple Music, Spotify, and YouTube! And of course, we feature our running segments - 'This Song Sucks' and 'DisCovered'! "This Song Sucks" - this episode we discuss 'Wild Honey Pie' from The White Album by The Beatles "Dis-Covered" - 311's version of 'Love Song' by The Cure Make sure you subscribe!

The Wild Honey Pie is a music discovery platform looking to break down barriers between music fans and artists. They do this through dynamic playlists, videos, dinner parties and unique events such as Welcome Campers – a summer camp/music festival experience. Joy Sounds talks with Eric Weiner, Founder of The Wild Honey Pie to hear more about his work highlighting artists he loves and Welcome Campers which happens May 23th – 25th in Camp Lenox, Massachusetts. We also hear live performances from Jennah Bell and Ayoni – two artists who are on the Welcome Campers line-up. To learn more about The Wild Honey Pie and Welcome Campers, please visit www.thewildhoneypie.com and www.welcomecampers.com. And, follow them @thewildhoneypie

If self-indulgence had a soundtrack, Wild Honey Pie would feature prominently in the score.

Het favoriete White Album-nummer van alle vier Beatles is Happiness Is A Warm Gun. En dat snap je als je Jan-Cees' minutieuze analyse in deze aflevering beluistert. Verder staan op het programma Honey Pie, diens lelijke broertje Wild Honey Pie en Glass Onion.

Caitlin Marie Bell is a New York City-based singer and songwriter. She grew up in Georgia immersed in folk, country and Americana music, and earned her bachelor's degree from the Oberlin Conservatory of Music. In 2017, Caitlin released her debut EP, which gained over half a million streams and was featured on several Spotify curated playlists. Caitlin's music has also been featured in publications such as Paste, Noisey, The Wild Honey Pie, and MAGNET. As well as touring nationally with her project, Bell The Band, Caitlin joined indie-pop band Handsome Ghost for several US tours, playing to sold-out audiences at venues including the Ryman Auditorium, Hammerstein Ballroom, and the Shrine Auditorium. Caitlin is a songwriter and lyricist for the new musical production Sam's Room, which was featured in the National Alliance for Musical Theatre's Festival of New Musicals and is currently being produced by Seaview and OHenry Productions. This fall, Caitlin will enroll in the graduate music therapy program at NYU. We take a deep dive into the transition from Classical Opera to making her own music, life on the road, collaborating with others, navigating the NYC music scene, her new project, writing music for the Musical Sam's Room, and her upcoming transition to graduate school to pursue Music Therapy.   Notes: Caitlin's band: Bell the Band http://www.belltheband.com Her husband's band: Mister Wives https://www.misterwives.com Their upcoming project: Sam's Room https://namt.org/musicals/sams-room/ Caitlin's go-to Youtube workouts: 3 or 30 method with Kit Rich https://www.kitrich.com  

Tune in as we talk to Corinne Bates, Austin's resident sad boi musician and writer. Corinne grew up in Boerne, Texas before moving to Austin to attend St. Edward's University, receiving a bachelor of arts in writing and rhetoric. During her time at university, she wrote and was the managing editor for Cabra Magazine. She also is a contributing writer for the music blogs TheNewNine and The Wild Honey Pie.  Post grad, she will be attending Columbia's Publishing Course, where she hopes to learn the skills to eventually start her own arts and entertainment publication focusing on celebrating and telling the stories of artists of all races, genders, ages, and socioeconomic backgrounds. For Corinne, diversity and inclusion are are necessity not an option. Corinne's debut EP, "Too Sad to Fall Asleep"  is streaming everywhere now.  Spotify  |  Apple Music  |  BandCamp

Feeling good about her showing with Disc 1, Katrina takes on the trickier second disc of The White Album. With special guest Jeff. Links: Yer Blues with Eric Clapton and Keith Richards - https://youtu.be/fj4aJ8R0k2Y?t=1m5s George Michael’s Monkey - https://youtu.be/CHb2XYeXcJI Self-Portrait - Yoko Ono film about John Lennon’s penis - https://en.wikipedia.org/wiki/Self-Portrait_(Yoko_Ono_film) George Harrison hearing about Jimmy Page - https://www.youtube.com/watch?v=m4T_63UboXQ Acoustic version of Helter Skelter - https://youtu.be/JPM7MCAiaFs U2 version of Helter Skelter - https://youtu.be/cLdvK7KuMcc Nina Simone version of Revolution - https://youtu.be/bl1y-cEv1Dg Beatles’ single (faster) version of Revolution - https://www.youtube.com/watch?v=6MbqzDm1uCo Cry Baby Cry instrument - https://en.wikipedia.org/wiki/Pump_organ Pixies’ cover of Wild Honey Pie - https://youtu.be/s32_pJAvRp4

Eric joins Waldman's Words to talk about getting started, The Wild Honey Pie, and mental health.

In the week's episode of Celebration Rock we introduce a new game called Fantasy A&R, where we take a classic album and attempt to improve/mutilate it by making our own stupid suggestions, such as adding or subtracting songs, swapping in alternate versions, and other probably ill-advised ideas.  The first album up for discussion is ripe for editing: The Beatles self-titled 1968 double-record, popularly known as "The White Album." This masterpiece turns 50 on Nov. 22, a milestone recently commemorated with a pricey box set. But we're not interested in making "The White Album" even longer. Instead, we've posed the opposite challenge: What would a tight 12-track version of this classic look like? To help me figure this out, I've invited my friend Rob Mitchum to play Fantasy A&R with me. To be clear: We both agree that "The White Album" is better as a sprawling experience, in which weird curveballs like "Wild Honey Pie" sit next to undeniable bangers like "While My Guitar Gently Weeps." However, it's still fun to imagine what a shorter "White Album" would look like, if only because it's our chance to finally wipe "Ob-La-Di, Ob-La-Da" out of existence. Or is it? That song is kind of good, isn't it? Let's find out! 

King Pizza Records ends the summer with its Psychic Luau party at City Reliquary. PowerSnap is at Alphaville. Neko Case is at the Beacon Theatre. Henry Jamison plays The Wild Honey Pie’s dinner party at Le Fanfare. Slaughter Beach, Dog is at Rough Trade. And we also hear a couple of songs off of The Duke of Surl’s latest album. 00:00 - // StereoactiveNYC / BTRtoday ID // 00:40 - // Welcome // 03:44 - “Dreamin’” - ¡Vamanos! 05:37 - “Speed Dial” - The Fucktons 07:32 - “Delta 88” - Coach n Commando 10:11 - “Pink Diamond” (BTR Live Studio, 2018) - PowerSnap 13:08 - “Bravery” (BTR Live Studio, 2018) - PowerSnap 17:03 - // Mic Break // 19:15 - “Last Lion of Albion” - Neko Case 22:45 - “Gumball Blue” - Neko Case 26:49 - “Through A Glass” (BTR Live Studio, 2017) - Henry Jamison 30:20 - “Varsity” (BTR Live Studio, 2017) - Henry Jamison 33:42 - “The Rains” - Henry Jamison 37:07 - // Mic Break // 41:40 - “Building The Ark” - Slaughter Beach, Dog 45:55 - “Mallrat Semi-Annual” - Slaughter Beach, Dog 48:51 - “Sleepwalking” - Slaughter Beach, Dog 51:45 - // Mic Break // 54:10 - “You’ve Got To Get Home (When Your Baby’s Alone)” - The Duke of Surl 59:07 - “It Feels Alright” - The Duke of Surl 64:50 - // Outro + Disclaimer // 66:09 - // Finish.

Jazz And Grass (and other stuff too!) is a weekly show addressing musical concepts and ideas that are interesting to us. Enjoy! Call/Text: 724-257-1046 This week, we have the honor of speaking with Hillary Susz about songwriting and other things of that nature. Hillary Susz is a queer creative writer, music composer, and arts lover based out of Boulder, CO. Her music has been featured by Impose Magazine, Wild Honey Pie, The Girls Are and more. Her creative writing has been published by Wallpaper and Jeopardy Mag. As a ghost writer, her writing has appeared in a variety of media outlets, including Forbes, Business Wire, MSN, and a lot more. She currently works as a freelance writer and creative writing instructor at the University of Colorado Boulder. http://www.hillarysusz.com/ Daily Licks On Instagram: www.instagram.com/jazzandgrass/ --- Lyman's Website: www.lymanlipke.com/ Marcel's Website: www.lessonswithmarcel.com/

The Wild Honey Pie is dedicated to bringing community back to music. Through private dinners, intimate events and an adult summer camp, they let the artists listeners connect the old-fashioned way. Check out Welcome Campers for a crazy festival-style weekend without the headache. 

South by Southwest is the whirlwind of activity that takes over Austin for about two weeks each March. It's a massive film, music, and interactive super festival, plus an education summit, plus a video game expo, plus a job fair, and so much more. It's a full-time job just attending the festival and figuring out what to check out next, so needless to say putting together a SXSW 2018 recap over 2.5 hours long took some time to put together. I got do my first-ever live show of The nsavides Podcast a couple of weeks ago, and I was honored to get to do that as an official event at SXSW 2018. Last episode, I posted the audio from my live podcast at SXSW. On this episode, I will discuss some of the installations, key notes and sessions, films, and music shows that stuck out for me.  I'm combining those seemingly disparate areas because I believe they're all interconnected. Techniques musicians use to get attention can also relate to filmmakers, technologists at SXSW were taking cues from filmmakers and musicians, and so on. Plus, the festival itself declares that it is dedicated to "helping creative people achieve their goals," and so we might learn a few things about collaboration by exploring all the different ways that SXSW does that. A large part of this episode includes discussions about the various film, music, and interactive keynotes and sessions that I heard either at the festival, or after the fact through videos and audio files uploaded to the SXSW YouTube and Soundcloud pages.   SXSW 2018 Recap sections This episode is over 2.5 hours long, so I'm including time stamps for the start types of some of the different categories. Note that sometimes the timestamp may vary somewhat on the web player. Installations: 9:31 Film keynotes & sessions: 23:40 Interactive keynotes & sessions: 55:24 Music keynotes & sessions: 1:41:45 Films: 1:48:47 Music shows: 1:54:20 My take: 2:02:38 Scroll down to RELATED THINGS to get my favorite discoveries from the festival.  Next episode, I'll include an interview with another music discovery I made at the festival.  Want more coverage from SXSW? If so, you might be interested in the interactive and music coverage I did at SXSW 2017. That episode also includes my recap of my festival experience that year. Show notes for that episode are here. # In the episode, I mentioned that I was impressed by the band description for Joshua Burnside. Some music industry professionals like Wade Sutton actually specialize in helping bands write bios. To learn more about how Wade works with musicians to make their shows more engaging, check this interview I did with him. Show notes for that episode are here.   # Sponsor for this Episode nsavides productions – I make videos and tell stories. My new video portfolio is here! # The Fable House team were my guests at SXSW 2018. We're partnering together to produce distinguished music videos for bands who want to share their music in personable and unforgettable ways. # Based in Louisiana, Fable House is a production company that has produced millions of dollars worth of content. Their team has done effects work on Captain America: The Winter Soldier, Game of Thrones, and Star Trek: Into Darkness, and some of the recording artists they've worked with include Dr. John, Kendrick Lamar, and Jared Leto’s Thirty Seconds to Mars. # Let’s discuss how we can help your music stand out: podcast@nsavides.com Related Things # https://www.youtube.com/watch?v=5iu9_8Vsmtk   Esther Perel's speech (above) was my favorite session from SXSW 2018 Other favorite sessions  Film - Darren Aronofsky Interactive - Elon Musk Music - Keith Urban Other festival discoveries App - Otter Voice Meeting Notes Book - Conspiracy: Peter Thiel, Hulk Hogan, Gawker, and the Anatomy of Intrigue Film - Agave: Spirit of a Nation Music - Wye Oak Podcast - This Song   # Patrick Mulhearn, the former executive director of Celtic Studios in Louisiana, shared his thoughts about HBO's Westworld exhibit. (These days he is working over at Louisiana Economic Development.) Vanity Fair's write-up about the Westworld exhibit at SXSW New York Times Op-Ed about repealing second amendment ReasonTV's People Will Die political satire video The musicians awarded the SXSW 2018 Grulke Prize Music for the show provided by Rob Costlow # SXSW 2018 Sessions Discussed Ari Herstand Arnold Schwarzenegger Barry Jenkins Bernie Sanders Chris O'Neill Daniel Glass DANIELS Darren Arronfosky Elon Musk Esther Perel Ethan Hawke Ezra Klein Keith Urban Ray Kurzweil Rian Johnson with Mark Hamill Tim Ferriss Tim Gray Sadiq Khan Ta-Nehisi Coates Whurley   Books Mentioned Conspiracy: Peter Thiel, Hulk Hogan, Gawker, and the Anatomy of Intrigue Quantum Computing for Babies The Righteous Mind: Why Good People Are Divided by Politics and Religion Trust Me, I'm Lying: Confessions of a Media Manipulator # Films & Shows Mentioned Agave: The Spirit of a Nation Black Panther Blaze Crazy Ex-Girlfriend Damsel  Dead Poets Society  The Director and The Jedi Everything is a Remix Jacob’s Ladder Jerry Maguire  Moonlight Mother! Oblivion Pitch Perfect Ready Player One Spheres (VR) Sriracha Star Wars: The Last Jedi  Swiss Army Man Together (VR) Twilight Saga: Breaking Dawn  Westworld  Wild Honey Pie!# # Musicians Mentioned Ari Herstand Childish Gambino Chvrches The Givers Jade Bird Joshua Burnside Keith Urban Hamilton Leithauser + Rostam Tank and the Bangas Todd Rundgren Vampire Weekend Wye Oak # If You Liked the Show Sign up for The nsavides Newsletter. Subscribe or leave an honest review: Apple Podcasts   Spotify Say hello on Twitter:  @nsavidesPRO Thank you for visiting!

In this second instalment of an STTS ‘White Album’ trilogy, Richard and Erik are once again joined by musician Craig Bartock and musicologist Allan Kozinn to discuss an incredibly diverse collection of Paul McCartney tracks; ranging from novelty numbers and classic ballads to proto-grunge head-bangers and timeless rockers. While Craig’s happy to kick things off with ‘Back in the U.S.S.R.’ and end with ‘Hey Jude’, his three colleagues have come up with their own track listings… Richard Back in the U.S.S.R. Wild Honey Pie Mother Nature’s Son Why Don’t We Do It in the Road? Martha My Dear Ob-La-Di, Ob-La-Da Blackbird Helter Skelter I Will Rocky Raccoon Honey Pie Birthday Hey Jude Erik Back in the U.S.S.R. Blackbird Jubilee I Will Birthday Can You Take Me Back? Honey Pie Helter Skelter Why Don’t We Do It in the Road? Rocky Raccoon Ob-La-Di, Ob-La-Da Martha My Dear Heather Mother Nature’s Son Hey Jude Wild Honey Pie Allan (issuing his version of the album only on vinyl) Side One Back in the U.S.S.R. Mother Nature’s Son Ob-La-Di, Ob-La-Da Martha My Dear Blackbird Rocky Raccoon I Will Side Two Birthday Hey Jude Honey Pie Wild Honey Pie Why Don’t We Do It in the Road? Helter Skelter Junk

Uni Ika Ai [pronounced: oo¬-nee ee¬kuh eye] is a Brooklyn based dream¬pop / art¬pop band comprised of music veterans Maia Friedman (Bobby), Peter Lalish (Lucius, Elizabeth & The Catapult), Tom Deis (Via Audio), and Dan Drohan. The band's debut album, Keeping A Golden Bullseye In The Corner of My Mind, incorporates elements of experimentalism, psychedelic haze, and eclectically unique pop -- a "rhythmic, wonderfully askew brand of ethereal pop" (Stereogum) that The Wild Honey Pie says is a "new kind of off-kilter dream pop that the genre has been waiting for." •••• The B-Side Podcast is produced by Charlie Hoxie, Kecia Cole, Ro Johnson and Sachar Mathias; recorded by Onel Mulet; and edited by Khyriel Palmer and Emily Boghossian. For more information on B-Side and all BRIC RADIO podcasts, visit www.bricartsmedia.org/radio

Eric Weiner is a Brooklyn-based dog owner, food lover and music media entrepreneur. As founder and CEO of The Wild Honey Pie, he has built a distinguished destination for new music with brand properties such as Welcome Campers, Buzzsessions and The Beehive. Eric lives in Greenpoint with his amazing dog Buzz and in his free time loves to host dinner parties, enjoys live music, going to Transmitter Park and making friends with local business owners. After starting his own company and growing it from a single person start up to a five person business, Eric began to struggle with his mental health. After stepping away for several months, and getting things sorted out once he'd been diagnosed with bipolar disorder, he realized he didn't only have to battle against a disorder he now faced, but a stigma that was keeping those around him from letting him step back in as head of the business he created. With a lot of work, and the love of his faithful companion Buzz, he found his way back, but the road was a long and, often, dark one. He and I speak on the lack of a conversation that exists regarding mental health and business, the impact bipolar disorder can have on the mind, psychotic breaks, paranoia, sleep, and how man's best friend became an entrepreneur's best friend.

Season 1, Episode 18: Will Carpenter / Ships Have Sailed Dan Sterenchuk and Tommy Estlund are honored to have as our guest, Will Carpenter from the band, Ships Have Sailed. Since their inception, Ships Have Sailed have always struck a balance between exuberant pop and substantial alternative rock. Their debut EP ‘Someday' (2014) was well received throughout the US, Canada and the UK, catalyzing a Northeastern US tour and landing the band showcases at SXSW, CMJ Music Marathon, Canadian Music Week, & NAMM in 2015. They took home accolades from ISC and Unsigned Only that same year, furthering the band's impetus for the release of their first full length album, ‘Moodswings'. The eleven song studio effort earned glowing reviews from Blackbook, Wild Honey Pie, and The 405, again receiving notice from ISC, Unsigned Only and The John Lennon Songwriting Competition, and spawned a sister release ‘Re: MIX', whose tropical house remixes seemed in perfect step with the evolving music climate. An invigorated 2016 began with Ships Have Sailed's acoustic EP, ‘Whispers'. The band spent the summer touring the West coast and set out on an East coast tour in late fall. In November, ‘Drive' received Best Alternative Song at the Hollywood Music in Media Awards, a massive feat and a testament to the group's ability to translate their own momentum into a pulsing, universal anthem about love, longevity and forward motion. Along with the success and progress achieved over the past year, for which they have been unwaveringly grateful, Ships Have Sailed also saw the inherent challenges of unexpected events and unpredictable variables of their continuing journey. Coming off the road on the final leg of their 2016 tour cycle, and in a particularly reflective and somewhat exhausted moment, a new idea was born. In his own words, the group's spearhead, songwriter and producer, Will Carpenter says “[In] a moment that was both happy and sad, reflective and hopeful, satisfied but still hungry, I tried to muster up the words to convey the mix of emotions that this year had evoked. At first it was a thoughtful process, but once the grain of the idea took shape, the music just kind of poured out…and it was incredibly cathartic.” The result will be heard in the band's new single, ‘Up', which Carpenter sees as a call “to those of us with a dream that, however long the odds, is something we're willing to fight for.” ‘Up' was released on February 3, 2017 and is available everywhere digital music is sold or streamed. Ships Have Sailed: Will Carpenter - Vocals, Guitar, Production, Composition Art Andranikyan - Drums Band website: https://www.shipshavesailed.com Discography: Up (Single) Whispers Acoustic EP Re: MIX EP Moodswings Someday EP Midnight Single Dan and Tommy thank Will Carpenter and Ships Have Sailed for being very generous to allow us to share so many songs with you. All Ships Have Sailed songs are copyright of Ships Have Sailed and they are used with permission for use in this podcast. The Curiosity Hour Podcast is hosted and produced by Dan Sterenchuk and Tommy Estlund. Please join our Facebook Group, The Curiosity Hour Podcast, to continue the discussion about this episode online: www.facebook.com/groups/thecuriosityhourpodcast/ If you have any guest suggestions, comments, or feedback, please email us at guestsuggestions@thecuriosityhourpodcast.com. Disclaimers: The views and opinions expressed by the guests on this podcast are solely those of the guest(s). These views and opinions do not necessarily represent those of The Curiosity Hour Podcast. This podcast may contain explicit language. Notes: The brief music at the beginning and end of the podcast is the track, "Trail" on the album "Trail EP" by Nobara Hayakawa. We are using under creative commons license. The artist/publisher does not endorse or approve any of the content of this podcast. freemusicarchive.org/music/Nobara_Hayakawa/

She's driving him crazy but Paul still loves his "Wild Honey Pie!" See acast.com/privacy for privacy and opt-out information.

Mudhoney, The Fender IV, Title Fight, FIDLAR, O Grande Ogro, Reverend Horton Heat, Teengenerate, California X, Titus Andronicus e muitas outras coisas na Mixtape 26, faça o download agora. (clique com o botão direito e selecione salvar). Para ouvir outras músicas do artista clique nos links. 01 – Everbody Up – The Fender IV 02 – Pipeline (The Chantay’s cover 1963) – Agent Orange 03 – Wipe Out – Toy Dolls 04 – Johnny Quest/Stop That Pigeon – Reverend Horton Heat 05 – Satan – Teenage Fanclub 06 – Shift – Macaco Bong 07 – Chocalho de Vaca – O Grande Ogro 08 – Wild Honey Pie – Pixies 09 – Chunks – Dinosaur Jr. 10 – Forward To Death – NoMeansNo 11 – Knots – Crash Of Rhinos 12 – Sucker – California X 13 – Stoked and Broke – FIDLAR 14 – Titus Andronicus Forever – Titus Andronicus 15 – Here Comes Sickness (John Peel session 1989) – Mudhoney 16 – Acetate – METZ 17 – Tainted Love – Shades Apart 18 – Secret Society – Title Fight 19 – Do You Want To Know – Teengenerate 20 – Hare Krsna – Husker Du 21 – Beast Vibrator – Guitar Wolf A próxima mixtape vai pro ar no dia 30/08/2015.

In this deleted scene from our upcoming 50th episode special on the Beatles White Album, host Jeremy Dylan and Davey Lane (You Am I) talk about the short, odd, obscure Paul McCartney tune "Wild Honey Pie" and McCartney's relationship with his audience. Stay tuned for the full episode in four weeks time!

Wild Honey Pie is a strong contender for the worst song that the Fab Four ever released. Why was this episode of non-music included on the White Album ? McCartney - who was always very keen to release only qualiity Beatles tracks - explained that Pattie Boyd said she liked the recording, so he decided to keep it on the album. What clouded Macca's judgement, was is it Something in the way she moved ? One would expect any re-mix to outshine the original WHP, but there are exceptions......