Podcasts about wingy manone

Hokum bands of the 1920s and '30s created a brand of urban folk tunes called “jug band music” that famously blended the sounds of the plantation and the church with those of the swing, swerve and sway of nascent jazz.And no one did it better than those Flood heroes The Memphis Jug Band, formed in 1927 by Beale Street guitar/harmonica player Will Shade. Shade was also known as Son Brimmer, a nickname given to him by his grandmother Annie Brimmer (“son” being short for grandson). The name stuck when other members of the band noticed how the sun bothered him and he used the brim of a hat to shade his eyes.The Ohio Valley InfluenceIncidentally, Will Shade first heard jug band music in our part of the country, on the 1925 recordings by Louisville's Dixieland Jug Blowers, and he wanted to take that sound south.“He was excited by what he heard,” Wikipedia notes, “and felt that bringing this style of music to his hometown of Memphis could be promising. He persuaded a few local musicians, though still reluctant, to join him in creating one of the first jug bands in Memphis.”While Shade was the constant, the rest of his band's personnel varied from day to day, as he booked gigs and arranging recording sessions.Some players remained a long time. For instance, Charlie Burse (nicknamed "Laughing Charlie," "Uke Kid Burse" and "The Ukulele Kid”) recorded some 60 sides with the MJB. Others — like Memphis Minnie and Hattie Hart — used the band as a training ground before going on to make careers of their own.Street MusicThe Memphis Jug Band's venues, as The Corner Jug Store web site noted, included “street corners, juke joints, city nightclubs, political rallies, private parties, hotel ballrooms, medicine shows and riverboats,” and it cut many styles and repertoires to suit its varied audiences.Most of all, the MJB's sound was the music of the street, as demonstrated in the open lines of their wonderful “4th Street Mess Around,” recorded in May 1930 for Victor by Ralph Peer: Go down Fourth until you get to Vance, Ask anybody about that brand new dance. The girls all say, “You're going my way, It's right here for you, here's your only chance.”And what was that “brand new dance?” Shoot, take your pick! The Eagle Rock, the turkey trot and fox trot, camel walk and Castle Walk, the Charleston and the Lindy Hop were all stirring the feet and wiggling the hips of listeners and players in the ‘20 and ‘30s.But Mess Around?But what's a “mess around?” Well, as we reported here earlier, New Orleans jazzman Wingy Manone in his wonderful autobiography called Trumpet on the Wing, talked about watching people dance the mess-around at the fish fries of his youth in the Crescent City at the beginning of the 20th century.“The mess-around,” said Wingy, “was a kind of dance where you just messed around with your feet in one place, letting your body do most of the work, while keeping time by snapping fingers with one hand and holding a slab of fish in the other!” Now, that's an image.Our Take on the TuneThe Flood first started messing around jug band tunes nearly 50 Springs ago, when the band was still a youngster. Before their juncture with juggery, the guys played mainly old folk songs and some Bob Dylan and John Prine and a smattering of radio tunes from folks like James Taylor and The Eagles. But then they discovered some fine old recordings by Tampa Red and Georgia Tom, by groups like The Mississippi Sheiks and Gus Cannon's Jug Stompers, and most especially the great Memphis Jug Band. Ever since then, The Flood's musical buffet table has been a lot bigger, with tunes like this one from the warmup at last week's rehearsal.More Jugginess?Of course, The Flood's jug band music mission has continued. If today's song and story have you ready to join the campaign, check out The Hokum channel on the free Radio Floodango music streaming service which has dozens of jug band tunes ready to rock you. Click here to tune it in and you'll be ready to sing along at the next Flood fest. This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit 1937flood.substack.com

Today's show features music performed by Wingy Manone and Hank Ballard

Here's an artist dwelling in my father's collection we haven't heard from yet. We'll be hearing selections from the first of three Billy Vaughn records he had. This record isn't just filled with the pop hits Vaughn would arrange and record for orchestra to be played on those easy listening radio stations. These are standards. In fact, the hit recordings of these songs sold a lot of records. So, get ready to hear 7 tunes that were recorded over 1,200 times combined over the years in Volume 190: Billy's Million Sellers. More information about this album, see the Discogs webpage for it.  Credits and copyrights Billy Vaughn – Billy Vaughn Plays The Million Sellers Label: Dot Records – DLP 3119 Format: Vinyl, LP, Album Released: 1958 Genre: Jazz, Folk, World, & Country Style: Easy Listening We will hear 7 of the 12 songs on this album. Holiday For Strings written by David Rose Canadian Sunset written by Eddie Heywood Tonight We Love written by Freddy Martin, Ray Austin Fascination written by Fermo Dante Marchetti  In The Mood Written by Joe Garland, Jimmy Dale, Wingy Manone, Andy Razaf  Around The World Music written by Victor Young So Rare written by Jerry Herst, Jack Sharpe I do not own the rights to this music. ASCAP, BMI licenses provided by third-party platforms for music that is not under Public Domain.

Features vintage recordings by Erskine Hawkins, Erskine Butterfield and Jesse Stone.  We also listen to a Soundie by Wingy Manone. Consider supporting The Big Band and Swing Podcast by becoming a Hepcat.  Learn more at SupportSwing.com. * The music featured in this podcast is considered Public Domain.  Artists are credited within the podcast.

New Orleans trumpet player Manone was well-travelled in the 1920's . . here he is featured with his own groups in New Orleans (with Hal Jordy, Arnold Loyocano and Johnny Miller) and Chicago (with Frank Teschemacher, Wade Foster, Bud Freeman and George Wettling). Also with Barbecue Joe and His Hot Dogs (an almost unknown band with Miff Frink - a very hot trombone player) and Bennie Goodman and His Boys (with Freeman, Joe Sullivan and of course Benny Goodman) --- Support this podcast: https://podcasters.spotify.com/pod/show/john-clark49/support

Chicago clarinetist Teschemacher influenced a generation of hot jazz players, despite dying in a car crash when he was in his mid-20's. Here he plays with several iterations of the Austin High Gang (with Muggsy Spanier, Mezz Mezzrow, Joe Sullivan, Jim Lannigan, Eddie Condon, Gene Krupa and Red McKenzie), Wingy Manone's band (with Art Hodes), Elmer Schoebel's Friars' Society Orchestra and possibly the Original Wolverines as well as with his own group consisting of himself, Mezz Mezzrow and Rod Cless on reeds with a rhythm section. --- Support this podcast: https://podcasters.spotify.com/pod/show/john-clark49/support

Con sus juegos de palabras y expresiones de moda, ("off the cob"), el título, "Bob White",  era un compendio de la jerga de los músicos de la época de las grandes orquestas. Con José Manuel Corrales.

Con sus juegos de palabras y expresiones de moda, ("off the cob"), el título, "Bob White", era un compendio de la jerga de los músicos de la época de las grandes orquestas. Con José Manuel Corrales.

On the face of it, the New Orleans trumpeter Manone and the great swing tenor sax player Berry were ill-fitted, but these 1938 and 1939 sessions were remarkably successful, featuring jazz standards and some pop tunes as well as Buster Bailey, Gus Fetterer, Buck Scott, Joe Marsala, Conrad Lanoue, Danny Barker, Zeb Julian and Cozy Cole --- Support this podcast: https://podcasters.spotify.com/pod/show/john-clark49/support

Bassoonist Amy Harman and Wolf Hall composer Debbie Wiseman are today's studio guests, as Linton Stephens sits in for Cerys Matthews alongside Jeffrey Boakye. This episode takes us from Samuel Coleridge-Taylor to Glenn Miller's wartime smash hit.Producer Jerome Weatherald Presented, with music direction, by Jeffrey Boakye and Linton StephensThe five tracks in this week's playlist:Nonet, Op.2 ‘Gradus ad Parnassum': 1st movement by Samuel Coleridge-Taylor Nobody Knows (Ladas Road) by Loyle Carner Adagio from Piano Sonata in G minor by Clara Schumann If I Ain't Got You by Alicia Keys In the Mood by Glenn MillerOther music in this episode:Top Hat, White Tie and Tails by Irving Berlin Moondance by Van Morrison Symphony No. 6 in B minor by Pyotr Ilyich Tchaikovsky Nobody Knows by Pastor T L Barrett & The Youth for Christ Choir Tar Paper Stomp by Wingy Manone

Bud Freeman was one of the most in-demand sidemen on record sessions in the 1930's - here he is featured extensively with Bunny Berigan (with Forrest Crawford, Chick Bullock), Gene Gifford (with Berigan, Matty Matlock, Claude Thornhill, Morey Samuels), Wingy Manone (with Dicky Wells, Teddy Wilson, Matty Matlock, Gil Bowers, Artie Shaw) and Eddie Condon (with Max Kaminsky, Floyd O'Brien, Pee Wee Russell, Joe Sullivan, Alex Hill) - all between 1933 and 1936. --- Support this podcast: https://podcasters.spotify.com/pod/show/john-clark49/support

Studio band led by the New Orleans trumpeter Wingy Manone for Vocalion, OKeh and Banner in 1934 and 1935. Using members of the Ben Pollack Orchestra (Matty Matlock, Eddie Miller, Gil Bowers, Nappy Lamare, Harry Goodman, Ray Bauduc) Manone recorded a mix of original jazz tunes and Tin Pan Alley pops with a driving rhythm and outstanding solos. --- Support this podcast: https://podcasters.spotify.com/pod/show/john-clark49/support

One of Ray Charles's first hits was “Mess Around,” released on Atlantic Records back in 1953, but actually in this case, Brother Ray was a little late to the party.Many of the ideas for that song can been heard in a whole mess of New Orleans boogie piano riffs, starting as early as, say, Cow Cow Davenport's playing in the late 1920s. But if you want to go back even further — and, well, we generally do — there are references to dances called a “mess around” as far back the earliest days of jazz. For instance, in his wonderful autobiography called Trumpet on the Wing, the great New Orleans jazzman Wingy Manone talked about watching people dance the mess-around at the fish fries of his youth in the Crescent City at the beginning of the 20th century.“The mess-around,” said Wingy, “was a kind of dance where you just messed around with your feet in one place, letting your body do most of the work, while keeping time by snapping fingers with one hand and holding a slab of fish in the other!” Now, that's an image. Our Take on the TuneAs reported here earlier, the good-time hokum tunes of the 1920s and ‘30s have been part of The Flood's oeuvre since its earliest days, and here — from a recent rehearsal — is testimony to the fact that that tradition is alive and rocking.Our mess around — “4th Street Mess Around” — is the tune we learned from a spring 1930 recording by long-time Flood heroes, the remarkable Memphis Jug Band. This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit 1937flood.substack.com

Today's show features music performed by Wingy Manone and Hank Ballard

Today's show features music performed by Wingy Manone and Patsy Cline

Many “river” songs try to tap into the romance of riverboats, but few can claim to be born on the river and be written by an actual steamboater. New Orleans clarinetist Sidney Arodin got his start in music in the 1920s working in bands that entertained on excursion boats that traveled up and down the Mississippi River. “(Up a) Lazy River,” Arodin's most famous competition, was a tossed-off composition based on a common jazz chord progression that Arodin learned on the boats to use as a warm-up exercise before a performance. For the tune, Sid simply slowed it down to a lazier pace.Sidney's StartNow, the story goes that at 15 Arodin got his first clarinet and took lessons for only two months. This was the sum total of his "legit" musical training, until years later when he took a week off to teach himself a bit of music theory after being fired from a band for not knowing how to read the sheet music.His very first gig was a Saturday night dance in his hometown of Westwego, Louisiana. When a combo hired from New Orleans hit town minus an ill clarinetist, Arodin ran barefoot through mud and oyster shells to grab his own clarinet.From his 16th birthday onward, Arodin was rarely at home. First, he was hired on the riverboats, then he eventually made it to New York City where he worked with Johnny Stein's Original New Orleans Jazz Band beginning in 1922. (In the mid-'20s in that group he played with the young still-unknown Jimmy Durante.)The Hoagy Carmichael ConnectionIt was during Sidney's New York years that he met his famous collaborator. As Hoagy Carmichael wrote in his 1965 autobiography, Sometimes I Wonder, it was a mutual friend, Harry Hostetter, who introduced them.“Harry met a lot of musicians in the Broadway area,” Hoagy wrote, “and he came running up to me one night.”“‘This guy, Sidney Arodin, plays a pretty clarinet and he's got a tune you gotta hear, Hoag.'”“‘Where?'”“‘Over on 56th Street in a clip joint.'”That night, Hoagy and Harry dropped in. “It was a shabby brick-front walk-up on the second floor,” he recalled, “and the only customer was a balding man of about 55 with a hired girl on each arm, drinking champagne. They must have clipped this gent for five hundred at least before they let him out. Harry and I were guests of Sidney's, so none of the girls glanced our way.“Sidney played his tune and I was highly pleased,” Carmichael wrote. “I knew Harry couldn't be wrong. In the ensuing weeks, I wrote a verse and a lyric and titled it ‘Lazy River.'”Carmichael went on, “The ambition of every songwriter was now accomplished, although I didn't know it then — that of having in his folio something on the order of a folk song that could be played and sung in most any manner, something that could be sung all the way through by drunken quartets or by blondes over a piano bar.”Carmichael made the very first recording of “Lazy River” in 1930 for Victor with Tommy and Jimmy Dorsey, Joe Venuti and Red Norvo. That was followed in 1932 with cover versions both by Louis Armstrong and by Phil Harris. One of the most beloved rendering of “Lazy River” came in 1942 with The Mill Brothers' Decca recording, but, hey, there is no shortage of versions to choose from. It is one of the most recorded numbers in the Great American Songbook, and hundreds of covers of “(Up A) Lazy River” have been released, and are still coming out today.Sid's Last YearsIn the 1930s, Arodin returned to Louisiana to gig with combos assembled by assorted New Orleans trumpeters, including Wingy Manone, Sharkey Bonano and Louis Prima. But for his last seven years starting in 1941, Arodin's health failed and his musical appearances became less frequent.Curiously, while he cut quite a few sides with quite a few groups during his playing career, Sidney himself never recorded his most famous song.Doug and The Jazz BoxOur take on the tune: Our buddy Doug Chaffin wasn't feeling too swell earlier this week when Randy Hamilton, Danny Cox and Charlie Bowen landed on his doorstep. However, we brought with us a secret medicine just guaranteed to make him feel better. It was Charlie's new guitar, a sweet 2016 D'Angelico Excel — a hollow-body arch top jazz box — which we immediately put into Doug's experienced hands. Well, after Doug strummed a chord or two, we could hear him already smiling behind his face mask. Listen to him just swinging in the living room on this great old jazz standard.More Doug? Coming Right Up!If you'd like to spend a little more time with Doug Chaffin in your ears, check out to the Doug Channel on our free music streaming service, Radio Floodango. A couple dozen Doug-enriched tracks await you. Click here to get started. This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit 1937flood.substack.com

Wingy Manone - 1934 . .recordings with the New Orleans Rhythm Kings and Wingy Manone and His Orchestra featuring Eddie Miller, Sidney Arodin, Santo Pecora, George Brunies, Terry Shand, Gil Bowers, Nappy Lamare, Bennie Pottle, Bob White and Ray Bauduc . .trad before trad --- Support this podcast: https://anchor.fm/john-clark49/support

Gotta get my old tuxedo pressed, gotta sew a button on my vest,'cause tonight I've gotta look my best, Lulu's back in town!Okay, you probably never heard of a songwriter named Harry Warren. But we bet that you know —and can even hum — many of his tunes. Warren was nominated 11 times for the Academy Award for Best Original Song, and he won three of those Oscars, for “Lullaby of Broadway” in 1935, for “You'll Never Know” in 1943 and for “On the Atchison, Topeka and the Santa Fe” in 1946.In a career spanning six decades, Warren wrote more than 800 songs. Besides those Oscar biggies, Warren's better known pieces include novelty tunes like “Jeepers Creepers,” “You Must Have Been a Beautiful Baby” and “Chattanooga Choo Choo” (which was the first gold record in history). And ballads like “I Only Have Eyes for You” and “There Will Never Be Another You.” He also penned signature tunes like “That's Amore,” which Dean Martin claimed as his own, and — best of all! — “At Last,” which simply belonged to the great Etta James.At the MoviesDespite his million-dollar portfolio, Warren remains “the invisible man,” observed journalist William Zinsser, “his career a prime example of the oblivion that cloaked so many writers who cranked out good songs for bad movies."Uh, LOTS of bad (and, well, some good) movies. Harry Warren songs have been featured in more than 300 films over the years. He wrote the music for the first blockbuster film musical, 1933's “42nd Street,” choreographed by Busby Berkeley, with whom Warren often would collaborate. But perhaps an even greater claim to fame for our generation is that fact that Warren songs starred in no fewer than 112 Warner Bros., Looney Tunes and Merrie Melodies cartoons.Welcome Home, Lulu!In 1932, Harry went to work for Warner Brothers studio, where he was paired with an old friend, lyricist Al Dubin. Over the next six years, the two would churn out five dozen songs for 33 musicals, including a long-time favorite of ours.“Lulu's Back in Town” was first performed by the Mills Brothers in the 1935 musical “Broadway Gondolier.” While the film was a highly forgettable Dick Powell-Joan Blondell vehicle, the song itself had legs, especially when it was recorded that same spring by Flood hero Fats Waller, who charted with “Lulu.”Subsequently, the song charmed everyone from Mel Tormé and Wingy Manone to Art Tatum to Oscar Peterson. In the Floodisphere, an especially influential rendition of the song was Leon Redbone's performance on his 1975 “On the Track” debut album. Our first recording of it was 20 years ago on our 2nd album. And Lulu has has come back to visit us with each new configurations of the band.Our Take on the TuneWe'll be returning next week to one of our all-time favorite local venues, playing for the good folks up the hill at Woodlands Retirement Community. It's a wonderful place where we've played regularly for the past 20 years or more. And this time, our old buddy, Floodster Emeritus Paul Martin, is back to sit in with us. Here's something we're dusting off for the evening … you know, just in case Lulu is in the audience. This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit 1937flood.substack.com

Features recordings from Art Mooney, Wingy Manone, Perry Como and Louis Jordan.  We also listen to Inflation warnings from the 1950's. Consider supporting The Big Band and Swing Podcast by becoming a Hepcat.  Learn more at SupportSwing.com. * All music in this podcast are Creative Commons.  Artists are credited within the podcast.

The biggest names in Hollywood and Broadway recorded for AFRS during the war years, The American Forces Network can trace its origins back to May 26, 1942, when the War Department established the Armed Forces Radio Service (AFRS). The U.S. Army began broadcasting from London during World War II, using equipment and studio facilities borrowed from the British Broadcasting Corporation (BBC). The first transmission to U.S. troops began at 5:45 p.m. on July 4, 1943, and included less than five hours of recorded shows, a BBC news and sports broadcast. That day, Corporal Syl Binkin became the first U.S. Military broadcasters heard over the air. The signal was sent from London via telephone lines to five regional transmitters to reach U.S. troops in the United Kingdom as they prepared for the inevitable invasion of Nazi-occupied Europe. Fearing competition for civilian audiences the BBC initially tried to impose restrictions on AFN broadcasts within Britain (transmissions were only allowed from American Bases outside London and were limited to 50 watts of transmission power) and a minimum quota of British produced programming had to be carried. Nevertheless AFN programmes were widely enjoyed by the British civilian listeners who could receive them and once AFN operations transferred to continental Europe (shortly after D-Day) AFN were able to broadcast with little restriction with programmes available to civilian audiences across most of Europe (including Britain) after dark. As D-Day approached, the network joined with the BBC and the Canadian Broadcasting Corporation to develop programs especially for the Allied Expeditionary Forces. Mobile stations, complete with personnel, broadcasting equipment, and a record library were deployed to broadcast music and news to troops in the field. The mobile stations reported on front line activities and fed the news reports back to studio locations in London. --------------------------------------------------------------------------- Entertainment Radio Stations Live 24/7 Sherlock Holmes/CBS Radio Mystery Theater https://live365.com/station/Sherlock-Holmes-Classic-Radio--a91441 https://live365.com/station/CBS-Radio-Mystery-Theater-a57491 ----------------------------------------------------------------------------

WETF Show - Barrelhouse Blues - band sides including Kansas City Frank Melrose in the late 1920's - featuring Johnny Dodds, Baby Dodds, Freddie Keppard (maybe), Cicero Thomas, Wingy Manone, Frank Teschemacher, Bud Freeman, George Wettling, Darnell Howard, Jimmy Bertrand . .South and Northside hot jazz --- Support this podcast: https://anchor.fm/john-clark49/support

Today's show features music performed by Wingy Manone and Patsy Cline

 One of Ray Charles’s first hits was “Mess Around,” released on Atlantic Records back in 1953, but actually Brother Ray was a little late to the party with that tune. Many of the ideas for that song can been heard in a whole mess of New Orleans boogie piano riffs, starting as early as, say, Cow Cow Davenport’s playing the late 1920s. But if you want to go have even further — and, well, we generally do — there are references to dances called a “mess around” as far back the earliest days of jazz. For instance, in his wonderful autobiography called “Trumpet on the Wing,” the great New Orleans jazzman Wingy Manone talked about watching people dance the mess-around at the fish fries of his youth in the Crescent City. Said Wingy, “The mess-around was a kind of dance where you just messed around with your feet in one place, letting your body do most of the work, while keeping time by snapping fingers with one hand and holding a slab of fish in the other!” Now, that’s a picture. Here’s a mess-around we learned from a Memphis Jug Band piece that was actually recorded 91 years this week.

A couple from Forgotten Songs favourite Harry Parry and his Radio Rhythm Club Sextet- Black eyes and Blues for eight. Three from another regular, Harry Roy- They're building another alley for Sally, There's joy in your heart coming home and Sentimental interlude. Wingy Manone is back. Love this one armed, hot trumpeter and we even get his great vocals in Manone Blues. Also up Kay Starr, Joan Regan and Felix Mendelssohn- he's accompanied by Roland Peachy on steel guitar. Humour, dated, from Clown Argo and Co and a comedy skit called a Gale in the night. Can find out nothing about them. Really quite bizarre is Alfi and Harry with The trouble with Harry. Its the conceit of Ross Bagdasarian, songwriter and producer at Liberty Records. Not out right funny but rather cool. Bagdasarian had a big hit with Witch Doctor under the name David Seville.  Freddy Mills, world champion boxer 1948-50, gives us a selection of singalong party songs. An all round celeb, films, TV and adverts, he was also a business man. He was found dead in his car in 1965. Verdict suicide, almost certainly murder. A much happier story is Ethel Smith, an amazingly good organist, who lived to 93. She gives us her biggest hit, Tico, Tico. Next a real oddity on a hand written MSS record label. They were the company that supplied record pressing equipment. What's the story behind this metal 78 of Get ready, get set, jump. Was it a sly pressing for a friend? A sample? Andy Iona, sounds Scottish but he was Hawaiian. Composer, writer and played steel guitar and saxophone. From him- Indebted to you. Lovely vocals on this track. A bonus record too, Charlie Barnet. Stay safe, stay positive.     

Who Can Your Regular Be - The Arcadian Serenaders . . Great hot dance band from St. Louis in 1924/5 featuring either Wingy Manone or Sterling Bose with Cliff Holman, Avery Loposer, Johnny Riddick and Felix Guarino . .many of them were either from New Orleans or worked there, so the sound is very much the New Orleans dance band sound of the 1920's --- Support this podcast: https://anchor.fm/john-clark49/support

Sing it loud! It’s a whole new year and our country can take heart without letting our guard down. We’ll celebrate a fresh new start knowing that hard work lies ahead with a two hour show featuring the theme of ‘singing’. Join Dave Stroud once more for a mixed bag; an eclectic blend of sounds from the past century featuring the likes of Ukulele Ike, Wingy Manone, The Cats & The Fiddle, John Sebastian, Cat Power, and a couple of dozen more, all belting out songs about the very act of singing. We’ll take you down Memory Lane with old fashioned songs, simple songs of gospel and freedom, swinging low, singing high, and those joyful sing-alongs we’ve shared over the past century. That’s right. It’s theme time on this week’s Deeper Roots show and we’d love to have you. Join in the festivities.

Jelly Roll Morton the sideman . . Recordings made by the legendary New Orleans pianist, composer and arranger with OTHER groups- although the Jelly Roll influence is everywhere. Recordings with Johnny Dunn's Original Jazz Hounds, Wingy Manone and His Orchestra, The New Orleans Rhythm Kings, Edmonia Henderson and WIlton Crawley and His Orchestra (1923-1934) --- Support this podcast: https://anchor.fm/john-clark49/support

New Orleans - 1927 . . some of the "road trip" sessions made by Victor and Columbia to record local bands, in this case in the spring of 1927 with Louis Dumaine, Wingy Manone, Papa Celestin, Sam Morgan and others - great NO dance music and jazz --- Support this podcast: https://anchor.fm/john-clark49/support

Today’s show features music performed by Wingy Manone and Patsy Cline

Rock Island Line the song that originated in the USA and came over to UK to be sung by Lonnie Donegan. We have a 45rpm sneaking in.  A local song, not even Edinburgh its Leith and from the 1980s, its certainly forgotten and its a mystery artist- J Sutcliffe. Wingy Manone and Mugsy Spanier. Great names, great tracks. Two from Eartha and one from Patti Page. On a bit of a toe curling note, Matty O'Neil sings ' Don't sell daddy anymore whiskey.' A baby cries all the way through it! 'Just wee deoch an' doris,' in Scots and celebrating the more cheery side of a wee dram. That's from 1912.  Sugar Chile Robinson. A child star that sang to two US presidents, 70 years apart. There's more of course.

1 - Honky Tonk Train - Bob Crosby and his Orchestra;Meade "Lux" Lewis - 19382 - Gravy Train - Tiny Bradshaw;Henry Bernard - 19493 - SUBWAY - Ozzie Nelson and his Orchestra - 19374 - Grand Central Station - 5 Red Caps;Irene Higginbotham - 19445 - Love on a Greyhound Bus - Kay Kyser and his Orchestra;Lucyann Polk and the Campus Kids - 19466 - Greyhound Bus - Brownie McGhee - 1940's7 - Gasoline Gus and his Jitney Bus - Billy Murray - 19158 - Tuscaloosa Bus - Johnny Mercer;Wingy Manone and The Pied Pipers;Paul Weston And His Orchestra - 19489 - Birmingham Bus - Romo Vincent - 194410 - Us on a Bus - Fats Waller and his Rhythm - 193611 - Rolleo Rolling Along - The Merry Macs - 194212 - Two on a Bike - Six Hits and a Miss with Gordon Jenkins and his Orchestra - 194213 - Ann and Her Little Sedan - Phil Baker and His Accordion (A Bad Boy From A Good Family) - 192514 - Rollin' on Our Roller Skate - George Olsen and His Music - 193315 - Haida, Troika! - The A. & P. Gypsies with Harry Horlick - 192616 - Mule Train - Arthur (Guitar Boogie) Smith And His Cracker-Jacks - 194917 - Covered Wagon Days - Ted Weems and His Orchestra - 192318 - Square Wheeled Wagon - Bob Van Antwerp with Rusty's Riders - 1950's19 - Elephant Swing - Franz Jackson And His Jacksonians - 194020 - Burrita, La - from Mexico - 1950's21 - Honeymoon on a Rocket Ship - Big Jim de Noone - 195322 - Rocket to the Moon - Moon Mullican - 195323 - Mail Plane Blues - Georgia White - 194124 - Laivyne (Rowboat) - Anthony Sodeika, composer Gounod - 192025 - Ride On, Ride On - June Richmond with Andy Kirk And His Clouds Of Joy - 194226 - Ride Daddy Ride - Fats Noel - 195127 - Elevator Boogie - Bill Johnson and his Musical Notes - 194828 - Elaine Tanner Case - Richard Diamond, Private Detective - 1950

Our annual look at spooky music for Halloween. Songs include: Mr Ghost Goes to Town, Skeleton in the Closet, The Halloween Dance, Music For Strings, Percussion and Celesta, Graveyard Blues and Mysterious Mose. Performers include: Helen Gross, Wingy Manone, Bob Dunn, the Hudson-DeLange Orchestra, the Los Angeles Chamber Symphony, Nat Gonella and Harry Resser. The episode concludes with the host reading, Haunted, by Siegfried Sassoon.

Shellac Stack No. 115 does the raccoon — and lots more besides! From Zimbabwe to Stroudsburg, Pennsylvania, we've got records this week by Wingy Manone, Benny Strong, Fred Rich, Grace Hayes, Hazel Scott, Elmo Tanner, the Bulawayo Sweet Rhythms Band, George Formby, and many more.

Part 2 continues with some California sounds. Included are vintage players, like Wingy Manone, whose names might make a fine baseball team. Listen to Nancy Harrow, one of the women of cool. Here's the playlist: 9 You'd Be So Nice To Come Home To Chet Baker Chet 10 Satin Doll Oscar Peterson Oscar Peterson + Harry Edison + Eddie Cleanhead Vinson 11 Body And Soul Red Allen 12 Walkin' The Streets Wingy Manone 13 Warmin' Up Roy Eldridge 14 I've Got The World On A String Nancy Harrow Wild Women Don't Have The Blues 15 Wild Women Don't Have The Blues Nancy Harrow Wild Women Don't Have The Blues 16 Ain't That A Peach Jeff Hamilton Trio Red Sparkle 17 Pent Up House Chet Baker The Italian Sessions 18 Blue Moon Ahmad Jamal Blue Moon 19 The Crickets Stacey Kent Ao Vivo 20 Tucker Avenue Stomp Monty Alexander Steamin' Hot 21 Hershey's Kisses Kathy Kosins To The Women Of Cool 22 My Buddy Chet Baker Chet Baker Sings And Swings OUTRO: Closing Time New Jazz Wizards Hoppin' Mad

The annual Halloween show!  Music includes: My Friend the Ghost, The Halloween Dance, Undertaker's Blues, Haunted Heart, The Nightmare, The Goblin Band, The Walls Keep Talking and Mysterious Mose.  The host also reads, The Sleeper, by Edgar Allen Poe. Musicians include: Tommy Dorsey, Helen Gross, Bessie Smith, Perry Como, Anita O'Day, Ozzy Nelson, Wingy Manone, Cab Calloway and The American Symphony Orchestra.

Songs include: Stop the Sun, Stop the Moon, The Music Stopped, Nonstop Flight, Stop That Thing, Hey, Stop Kissing My Sister and I Can't Stop Loving You. Performers include: Frank Sinatra, Thomas "Fats" Waller, the Boswell Sisters, Una Mae Carlisle, Ella Fitzgerald and Wingy Manone.

This episode is the second of three episodes featuring music from the Big Band era. These songs were recorded in 1939 and 1940. The songs are "Swing Street Strut" by the Charlie Barnet Orchestra, "San Juan Hill" by Rex Stewart and His Orchestra, "The Eel" by Bud Freeman and his Summa Cum Laude Orchestra, "Take Those Blues Away" by Andy Kirk and His Twelve Clouds of Joy, and "Dinner for the Duchess" by Wingy Manone and his Orchestra.

Swinging episode featuring Sharkey Bonano, Louis Prima and Sam Butera, Sicilians born in New Orleans that had left an indelible musical imprint in America and beyond. Much love, Antonino. Louis Prima - Bourbon Street Blues Louis Prima with Sam Butera And The Witnesses ‎– Just a Gigolo Sam Butera And The Witnesses ‎– Around The World Louis Prima And Keely Smith With Sam Butera And The Witnesses ‎– Hey, Boy Hey, Girl Sam Butera And The Witnesses ‎– I Love Paris Sharkey Bonano and His Band - That Da Da Strain Louis And Keely - Bei Mir Bist Du Schon Louis Prima, Keely Smith With Sam Butera And The Witnesses ‎– Robin Hood - Oh Babe Louis Prima with Sam Butera And The Witnesses ‎– Fever Louis Prima - Buona Sera

The life and music of songwriter Irving Caesar.  Songs include: Tea For Two, Animal Crackers In My Soup, I Want To Be Happy, Swanee, Is It True What They Say About Dixie and Sometimes I'm Happy.  Performers include: Al Jolson, Mildred Bailey, Bing Crosby, Shirley Temple, Wingy Manone, Mildred Bailey and Jimmy Durrante.

Songs include: Got a Date With an Angel, Angel Child, And the Angels Sing and I'm No Angel. Performers include: Count Basie, May West, Hal Kemp, Wingy Manone and Cab Calloway.

Songs with numbers in the titles; plus pointless trivia about numbers.  Songs include: Tea For Two, The Fives, I'm In Seventh Heaven and Three Little Words.Artists include: Ethyl Waters, Count Basie, Fats Waller, Marion Harris and Wingy Manone.

Jazz dance tunes from  the 1920s. Works include: King Porter Stomp, Tar Paper Stomp, Shirt Tail Stomp and Brush Stomp. Performers include: Jelly Roll Morton, Benny Goodman,  Wingy Manone and Fats Waller.

Big Band Serenade presents Wingy Manone  who was a New Orleans trumpet player. Our program will feature his music from 1927-1934. Songs played are listed in order of play.1)"I'm Alone Without You",2)"Trying To Stop Crying",3)"Sadness Will Be Glandness",4)"Big Butter And Egg Man",5)"Strange Blues",6)"Walking The Streets (Until My Baby Comes Home)",7)"Never Had No Lovin' ",8)"Send Me",9)"Isn't There A Little Love",10)"Downright Disgusted",11)"Tar Paper Stomp"