Podcasts about Asian American Literary Review

Send us a textActivism takes many forms, from frontline advocacy and protests to behind the scenes legal work and policy-making to creative visioning and artistic expression. Today's guest In the Den is an amazing human who weaves all of these forms of justice work into her life. Sara talks with activist, civil rights attorney, and poet Sunu Chandy about her life, her poetry, and how art acts as an integral piece of her activism.Special Guest: Sunu P. ChandySunu Chandy (she/her) is a social justice activist through her work as a poet and a civil rights attorney.  She's a queer woman of color, and the daughter of immigrants from Kerala, India. Sunu lives in D.C. with her family. Her award-winning collection of poems My Dear Comrades was published by Regal House in 2023. Sunu's work can also be found in Asian American Literary Review, Beltway Poetry Quarterly, Poets on Adoption, The Quarry, and in anthologies including The Penguin Book of Indian Poets and The Long Devotion: Poets Writing Motherhood. Sunu is currently a Senior Advisor with Democracy Forward, and working with colleagues on Democracy 2025. She is also on the board of the Transgender Law Center and was included as one the Washington Blade's Queer Women of Washington..  Sunu is delighted to celebrate My Dear Comrades alongside the book's cover artist, Ragni Agarwal.Links from the Show: Sunu's website: https://www.sunuchandy.net/ Find My Dear Comrades here: https://regal-house-publishing.mybigcommerce.com/my-dear-comrades/ Transgender Law Center: https://transgenderlawcenter.org/ Democracy 2025: https://www.democracy2025.org/ Democracy Forward: https://democracyforward.org/Join Mama Dragons today: www.mamadragons.org In the Den is made possible by generous donors like you. Help us continue to deliver quality contConnect with Mama Dragons:WebsiteInstagramFacebookDonate to this podcast

In Love and War: Collective Memory and the Self is our fifth conversation in a series centering the Warscapes anthology Insurgent Feminisms: Writing War (Daraja Press). Featuring Samina Najmi, Ubah Cristina Ali Farah, Beverly Parayno and Veruska Cantelli.Writing about war is often synonymous with writing about memory. Erasing narratives, stories and collective memory is the explicit agenda and the inevitable outcome of any war. And thus, writers counter, resist and seize back memory and along the way, shape the historical accounts of places and people that have experienced violence and trauma. The discussion explores the task of writers retrieving memories from war but through the double focus on gender and colonial pasts. They ask: what is the role of the imagination in writing against forgetfulness? How does form, style and aesthetics enter into the writing of trauma and violence? Where does imagination take you within the memory frame of your stories? How can imagination be a place to resist annihilation, how can imagination be a tool for liberation?Samina Najmi teaches multiethnic U.S. literatures at California State University, Fresno. A scholar of race, gender, and war in U.S. literature, she has edited or coedited four volumes and authored critical essays on works by Naomi Shihab Nye, Brian Turner, and Nora Okja Keller that consider their engagement with war from a feminist perspective. Her article, “Narrating War: Arab and Muslim American Aesthetics,” appears in the Cambridge History of Asian American Literature (2016). Samina has also published over thirty creative nonfiction essays, which often meld memoir with political commentary. These essays appear in Warscapes, The Margins, Asian American Literary Review, and elsewhere. Her memoir “One Summer in Gaza” was reprinted recently in Doubleback Review, and her essay on Aaron Bushnell's self-immolation is forthcoming in The Markaz Review. Samina spent her childhood in England and grew up in Pakistan.Ubah Cristina Ali Farah was born in Verona to a Somali father and an Italian mother. She grew up in Mogadishu but fled to Europe at the outbreak of the civil war. She is a writer, an oral historian and performer, and a teacher. She has published stories and poems in several anthologies, and in 2006 she won the Lingua Madre National Literary Prize. Her novel Madre piccola (2007) was awarded a Vittorini Prize and has been translated into English as Little Mother (Indiana University Press, 2011). Il Comandante del fiume was published by 66thand2nd in 2014.Beverly Parayno is a second-generation Filipina raised in San Jose, California. She is the author of the short story collection WILDFLOWERS (PAWA Press, 2023), a 2023 Foreword INDIES Finalist and winner of a 2024 IPPY Bronze Medal. Parayno is a graduate of Vermont College of Fine Arts. She serves on the board of the San Francisco-based literary arts nonprofit Philippine American Writers and Artists (PAWA) and the Munster Literature Centre in Cork, Ireland. Parayno lives in Cameron Park, California, where she co-facilitates the Cameron Park Library Writers Workshop.Veruska Cantelli is Associate Professor in the Core Division at Champlain College. Before that, she was an Assistant Professor of Rhetoric and Interdisciplinary Studies at the Center for Global Communication Strategies at the University of Tokyo and also taught Comparative Literature at Queens College, CUNY with a focus on literature of war and women's autobiographies, particularly on non-western narratives of the self. She is the translator of Lettere Rivoluzionarie by Diane di Prima (2021), and the author of "The Dance of Bones: Tomioka Taeko's Stage of Reprobates" in Otherness: Essays and Studies (2021), "The Maternal Lineage: Orality and Language in Natalia Ginzburg's Family Sayings" for the Journal of International Women's Studies (2017) as well as several articles and interviews for Warscapes magazine. She is the...

Gerald Maa has been The Georgia Review's director and editor since 2019. During his tenure there, the magazine has won the National Magazine Award for Best Fiction as well as Best New Poets, and the Robert Dau/PEN Prize. Prior to this role, Maa was the editor-in-chief of The Asian American Literary Review with Lawrence-Minh Bui Davis. Maggie Su is the associate prose editor for The Georgia Review and the author of the forthcoming novel Blob (Harper 2025). She holds a PhD in fiction from the University of Cincinnati and her short fiction has appeared or is forthcoming in The New England Review, TriQuarterly Review, and elsewhere. The Georgia Review has a long, distinguished tradition of publishing writings vetted by a fully salaried staff. In this case, first up in the discussion is the essay “Campus Maximum” by Christopher Kempf. It explores the social justice versus academic freedom tussle that Cornell University found itself dealing with after an African-American student group took over one of the campus's main buildings in 1969. To say the essay explores town/gown tensions would be to slight the exploration of multiple, conflicted views taken by everybody involved in the unfolding drama. In “Chopping Up the Gun” by Mary Margaret Alvarado witnesses a weapons turn-in program held in Aurora, Colorado where “cars wait, as though for French fries, or absolution.” Having former weapons transformed into sculpture pieces or other objects invites a variety of responses. In L. J. Sysko's “Inside Lane,” an ominous foreboding exists among a girl's swim team where the coach kisses a team member without consent, and may be on the hook for worse before losing his job. Finally, in Brian Truong's “Fake Handbags,” an Asian-American family's shopping trips to New York City for knock-off luxury goods doesn't provide a brand halo that can protect the family members from the dad's angry outbursts. Dan Hill, PhD, is the author of ten books and leads Sensory Logic, Inc. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Gerald Maa has been The Georgia Review's director and editor since 2019. During his tenure there, the magazine has won the National Magazine Award for Best Fiction as well as Best New Poets, and the Robert Dau/PEN Prize. Prior to this role, Maa was the editor-in-chief of The Asian American Literary Review with Lawrence-Minh Bui Davis. Maggie Su is the associate prose editor for The Georgia Review and the author of the forthcoming novel Blob (Harper 2025). She holds a PhD in fiction from the University of Cincinnati and her short fiction has appeared or is forthcoming in The New England Review, TriQuarterly Review, and elsewhere. The Georgia Review has a long, distinguished tradition of publishing writings vetted by a fully salaried staff. In this case, first up in the discussion is the essay “Campus Maximum” by Christopher Kempf. It explores the social justice versus academic freedom tussle that Cornell University found itself dealing with after an African-American student group took over one of the campus's main buildings in 1969. To say the essay explores town/gown tensions would be to slight the exploration of multiple, conflicted views taken by everybody involved in the unfolding drama. In “Chopping Up the Gun” by Mary Margaret Alvarado witnesses a weapons turn-in program held in Aurora, Colorado where “cars wait, as though for French fries, or absolution.” Having former weapons transformed into sculpture pieces or other objects invites a variety of responses. In L. J. Sysko's “Inside Lane,” an ominous foreboding exists among a girl's swim team where the coach kisses a team member without consent, and may be on the hook for worse before losing his job. Finally, in Brian Truong's “Fake Handbags,” an Asian-American family's shopping trips to New York City for knock-off luxury goods doesn't provide a brand halo that can protect the family members from the dad's angry outbursts. Dan Hill, PhD, is the author of ten books and leads Sensory Logic, Inc. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literature

Mimi Khúc is a PhD, writer, scholar, and teacher of things unwell. She is currently the Co-Editor of The Asian American Literary Review and an adjunct lecturer in Disability Studies at Georgetown University. Her work includes Open in Emergency, a hybrid book-arts project decolonizing Asian American mental health; the Asian American Tarot, a reimagined deck of tarot cards; and the Open in Emergency Initiative, an ongoing national project developing mental health arts programming with universities and community spaces.  Her new creative-critical, genre-bending book on mental health and a pedagogy of unwellness, dear elia: Letters from the Asian American Abyss (Duke University Press, 2024), is a journey into the depths of Asian American unwellness at the intersections of ableism, model minoritization, and the university, and an exploration of new approaches to building collective care. Julia H. Lee is professor of Asian American Studies at the University of California, Irvine. She is the author of three books: Interracial Encounters: Reciprocal Representations in African and Asian American Literatures, 1896-1937 (New York University Press, 2011), Understanding Maxine Hong Kingston (University of South Carolina Press, 2018), and The Racial Railroad (New York University Press, 2022). With Professor Josephine Lee, she is co-editor of Asian American Literature in Transition, 1850-1930 (Cambridge University Press, 2021), a Choice Outstanding Academic Title for 2022. You can find her on Instagram @julia.x.lee. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/asian-american-studies

Mimi Khúc is a PhD, writer, scholar, and teacher of things unwell. She is currently the Co-Editor of The Asian American Literary Review and an adjunct lecturer in Disability Studies at Georgetown University. Her work includes Open in Emergency, a hybrid book-arts project decolonizing Asian American mental health; the Asian American Tarot, a reimagined deck of tarot cards; and the Open in Emergency Initiative, an ongoing national project developing mental health arts programming with universities and community spaces.  Her new creative-critical, genre-bending book on mental health and a pedagogy of unwellness, dear elia: Letters from the Asian American Abyss (Duke University Press, 2024), is a journey into the depths of Asian American unwellness at the intersections of ableism, model minoritization, and the university, and an exploration of new approaches to building collective care. Julia H. Lee is professor of Asian American Studies at the University of California, Irvine. She is the author of three books: Interracial Encounters: Reciprocal Representations in African and Asian American Literatures, 1896-1937 (New York University Press, 2011), Understanding Maxine Hong Kingston (University of South Carolina Press, 2018), and The Racial Railroad (New York University Press, 2022). With Professor Josephine Lee, she is co-editor of Asian American Literature in Transition, 1850-1930 (Cambridge University Press, 2021), a Choice Outstanding Academic Title for 2022. You can find her on Instagram @julia.x.lee. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/psychology

Mimi Khúc is a PhD, writer, scholar, and teacher of things unwell. She is currently the Co-Editor of The Asian American Literary Review and an adjunct lecturer in Disability Studies at Georgetown University. Her work includes Open in Emergency, a hybrid book-arts project decolonizing Asian American mental health; the Asian American Tarot, a reimagined deck of tarot cards; and the Open in Emergency Initiative, an ongoing national project developing mental health arts programming with universities and community spaces.  Her new creative-critical, genre-bending book on mental health and a pedagogy of unwellness, dear elia: Letters from the Asian American Abyss (Duke University Press, 2024), is a journey into the depths of Asian American unwellness at the intersections of ableism, model minoritization, and the university, and an exploration of new approaches to building collective care. Julia H. Lee is professor of Asian American Studies at the University of California, Irvine. She is the author of three books: Interracial Encounters: Reciprocal Representations in African and Asian American Literatures, 1896-1937 (New York University Press, 2011), Understanding Maxine Hong Kingston (University of South Carolina Press, 2018), and The Racial Railroad (New York University Press, 2022). With Professor Josephine Lee, she is co-editor of Asian American Literature in Transition, 1850-1930 (Cambridge University Press, 2021), a Choice Outstanding Academic Title for 2022. You can find her on Instagram @julia.x.lee. Learn more about your ad choices. Visit megaphone.fm/adchoices

Mimi Khúc is a PhD, writer, scholar, and teacher of things unwell. She is currently the Co-Editor of The Asian American Literary Review and an adjunct lecturer in Disability Studies at Georgetown University. Her work includes Open in Emergency, a hybrid book-arts project decolonizing Asian American mental health; the Asian American Tarot, a reimagined deck of tarot cards; and the Open in Emergency Initiative, an ongoing national project developing mental health arts programming with universities and community spaces.  Her new creative-critical, genre-bending book on mental health and a pedagogy of unwellness, dear elia: Letters from the Asian American Abyss (Duke University Press, 2024), is a journey into the depths of Asian American unwellness at the intersections of ableism, model minoritization, and the university, and an exploration of new approaches to building collective care. Julia H. Lee is professor of Asian American Studies at the University of California, Irvine. She is the author of three books: Interracial Encounters: Reciprocal Representations in African and Asian American Literatures, 1896-1937 (New York University Press, 2011), Understanding Maxine Hong Kingston (University of South Carolina Press, 2018), and The Racial Railroad (New York University Press, 2022). With Professor Josephine Lee, she is co-editor of Asian American Literature in Transition, 1850-1930 (Cambridge University Press, 2021), a Choice Outstanding Academic Title for 2022. You can find her on Instagram @julia.x.lee. Learn more about your ad choices. Visit megaphone.fm/adchoices

Today, for Episode Five of Season Five, I'm talking with Janice Obuchowski and William Pei Shih. Janice and William first met as scholars at the 2017 Bread Loaf Writers' Conference and now continue to admire and support one another's work.Janice Obuchowski is the author of The Woods, a short story collection that won the prestigious John Simmons Short Fiction Award and was published by the University of Iowa Press in 2022. More stories have appeared or are forthcoming in Electric Literature, Alaska Quarterly Review, Gettysburg Review, Conjunctions, and elsewhere. She holds an MFA from the University of California, Irvine and lives in Middlebury, Vermont.William Pei Shih's short stories have appeared or are forthcoming in The Best American Short Stories 2020, McSweeney's Quarterly, The Asian American Literary Review, The Masters Review, Carve Magazine, and many others. William is a graduate of the Iowa Writers' Workshop with an MFA in Fiction. He lives in New York City and teaches at New York University.Today's topics include getting MAs and MFAs, melding critical analysis and creative writing, balancing interiority and exteriority, drafting and revising, swerving between literary genres, crafting sentences and structures, as well as exploring rural and urban landscapes in short fiction.We are taking a short spring break. We'll be back Tuesday, April 11, with Episode 6.PWN's Debut Review is hosted by Project Write Now, a nonprofit writing studio. Learn more at projectwritenow.org.

"The poem must resist the intelligence / Almost successfully." So begins this episode's poem, "Man Carrying Thing," by the modernist American poet Wallace Stevens. I got to talk about it with the scholar and poet Kimberly Quiogue Andrews.Kim is an assistant professor of English at the University of Ottawa and the author of The Academic Avant-Garde: Poetry and the American University (Johns Hopkins University Press, 2023). She's also a poet who has published two collections: A Brief History of Fruit (University of Akron Press, 2020) and BETWEEN (Finishing Line Press, 2018). She's the winner of the Akron Prize for Poetry, the New Women's Voices Award, the Ralph Cohen Prize for Criticism, and a development grant from the American Council of Learned Societies. Her essays and scholarship have appeared in such publications as The Los Angeles Review of Books, Contemporaries at Post45, Modernist Cultures, and New Literary History. Her creative work has appeared in The Florida Review, The Asian American Literary Review, Poetry Northwest, and Crab Orchard Review. Follow Kim on Twitter.And please follow, rate, and review the podcast if you like what you hear. Share the episode with a friend! And subscribe to my Substack, where you'll get a newsletter to go with each episode.

Today's guest, Dr. Mimi Khuc, is a writer, teacher, and scholar of things unwell, a pedagogy that examines humans' relationship to the world and themselves as one with differential unwellness because of the structures around them. Mimi is a Professor of Asian American studies and disability studies. Presently, she lectures at Georgetown University and is the 2023 Activist in Residence at FLOURISH at the University of Toronto Scarborough. Beyond academia, Mimi is the managing editor of the Asian American Literary Review and has appeared for talks organized by institutions like the ACLU, Ford Foundation, and Catapult. Before this conversation with Mimi, the term unwell was no more than a descriptor to me. I hadn't realized that there is an entire study and practice dedicated to centering unwellness beyond the human body. Mimi and I chatted about current wellness trends and how they harm productivity structures. We connected this to ableist notions of resilience and grit, especially in immigrant communities. And finally, we also talked about ways to take care of ourselves and each other amidst this messiness. It was a thought-provoking, unique, and entertaining discussion. Join the conversation: Instagram | Twitter |  Living in New Jersey is about to become more affordable under the new ANCHOR property tax relief program created by Governor Murphy and the Legislature. The State will soon deliver over $2 billion in tax relief to more than two million homeowners and renters. Eligible New Jerseyans can receive up to $1,500. Apply today. Even if you didn't qualify under the previous program, you may now. The deadline is February 28th. Visit: anchor.nj.gov Please share the love and leave us a review to help more people find us! Host & Executive Producer: Saadia Khan I Content Writer: Yudi Liu I Editorial Review: Shei Yu  I Sound Designer & Editor: Haziq Ahmad Farid I Immigrantly Theme Music: Evan Ray Suzuki I Other Music: Epidemic Sounds

Guided by her curated work Open In Emergency (a “hybrid book project” including a Tarot Deck and a “hacked” DSM), Dr. Mimi Khúc and Ayana share in a deep conversation touching on mental health, collective unwellness, and the power of communal care. Mimi provides listeners with a reminder of joyful slowness and the vitality of finding the agency to care for self and others. Mimi's work is grounded in the question: “How do we find new ways to talk about what hurts?” Flipping diagnosis on its head, Mimi guides us to find new ways to name what we feel and to decolonize the language of feeling itself. How is what we feel a reflection of what we have been told we must feel? How are our understandings of wellness centered around a productivity that benefits expansive capitalism over humanity? Together, Mimi and Ayana reflect on the ethical callings and commitments to care for each other and begin to unpack the systems that must be dismantled in order to truly care for one another and find vulnerability together. These are spiritual and religious questions. Perhaps connection and care in this individualized, alienating world are true magic. Mimi Khúc is a writer, scholar, and teacher of things unwell and visiting professor in Disability Studies at Georgetown University. She is the managing editor of The Asian American Literary Review and guest editor of Open in Emergency: A Special Issue on Asian American Mental Health. She is very slowly working on several book projects, including a manifesto on contingency in Asian American studies and essays on mental health, the arts, and the university. But mostly she spends her time baking, as access and care for herself and loved ones. Music by Jeffery Silverstein, Samara Jade, Grief Is A River (Sarah Knapp). Visit our website at forthewild.world for the full episode description, references, and action points.

Ruth Ozeki is a filmmaker, novelist, and Zen Buddhist priest, whose novels have been described as “witty, intelligent and passionate” by The Independent, and as possessing “shrewd and playful humor, luscious sexiness and kinetic pizzazz” by the Chicago Tribune. Ozeki is the author of several award-winning novels: My Year of Meats (1998), All Over Creation (2003), and A Tale for the Time Being (2013), which was a New York Times bestseller and shortlisted for the 2013 Man Booker Prize. In this podcast, we discuss her most recent novel The Book of Form and Emptiness (2021) and how her writing and life have been influenced by Zen Buddhism. At the heart of the book is the poignant story of Benny Oh, an adolescent boy who begins to hear voices after the tragic death of his father, and his mother Annabelle, who struggles to stay afloat amid an ocean of grief. This novel is a brilliant, heartfelt story that addresses many challenges facing modern society, including consumerism, climate change, mental illness, hoarding, and homelessness. Ozeki was born and raised in New Haven, Connecticut, by an American father and a Japanese mother. She studied English and Asian Studies at Smith College and traveled extensively in Asia. She received a Japanese Ministry of Education Fellowship to do graduate work in classical Japanese literature at Nara University. She currently teaches creative writing at Smith College, where she is the Grace Jarcho Ross 1933 Professor of Humanities in the Department of English Language and Literature. She serves on the advisory editorial board of the Asian American Literary Review and on the Creative Advisory Council of Hedgebrook. She practices Zen Buddhism with Zoketsu Norman Fischer, and is the editor of the Everyday Zen website. She was ordained as a Soto Zen priest in June 2010.SparkZen is a reader-supported publication. To receive new posts and support my work, consider becoming a free or paid subscriber. Get full access to SparkZen at sparkzen.substack.com/subscribe

William Pei Shih reads an excerpt from "The Enlightenment," backed by an original Storybound remix with Modern Diet, and sound design and arrangement by Jude Brewer. William Pei Shih has had stories published in "The Best American Short Stories 2020," VQR, McSweeney's, Catapult, The Asian American Literary Review, The Des Monies Register, The Masters Review, and many others. He's received scholarships and support from the Sewanee Writers' Conference, the Sun Valley Writers' Conference, Kundiman, the Napa Valley Writers' Conference, and the Ragdale Residency. He is a graduate of the Iowa Writers' Workshop (MFA, Fiction), where he was a recipient of the Dean's Graduate Fellowship. He currently teaches at NYU. Modern Diet is a Brooklyn based indie-rock band who have played everywhere from Vermont to Nashville. Their latest release, "Post Grad," was released in 2020. Support Storybound by supporting our sponsors: Norton brings you Michael Lewis' The Premonition: A Pandemic Story, a nonfiction thriller that pits a band of medical visionaries against a wall of ignorance as the COVID-19 pandemic looms. Scribd combines the latest technology with the best human minds to recommend content that you'll love. Go to try.scribd.com/storybound to get 60 days of Scribd for free. Finding You is an inspirational romantic drama full of heart and humor about finding the strength to be true to oneself. Now playing only in theaters. Acorn.tv is the largest commercial free British streaming service with hundreds of exclusive shows from around the world. Try acorn.tv for free for 30 days by going to acorn.tv and using promo code Storybound. Storybound is hosted by Jude Brewer and brought to you by The Podglomerate and Lit Hub Radio. Let us know what you think of the show on Instagram and Twitter @storyboundpod. *** This show is a part of the Podglomerate network, a company that produces, distributes, and monetizes podcasts. We encourage you to visit the website and sign up for our newsletter for more information about our shows, launches, and events. For more information on how The Podglomerate treats data, please see our Privacy Policy.  Since you're listening to Storybound, you might enjoy reading, writing, and storytelling. We'd like to suggest you also try the History of Literature or Book Dreams. Learn more about your ad choices. Visit megaphone.fm/adchoices

In this episode, Jaimie and Sunny explore the history and uses of the tarot as both a divination and self-reflective tool. Listen to Sunny give a tarot reading for both Jaimie and the AYTU collective!    -------   The COVID-19 crisis in India has not gotten much better, as it nears a total of 25.5 million infections and nearly 300,000 deaths. With overcrowded hospitals and massive shortages of oxygen and other lifesaving supplies, India still needs our help.  If you have the ability to donate, we encourage you to do so at covid.giveindia.org  During this episode, Sunny delivers a tarot reading using a deck by Barbara Walter, who reflects a uniquely feminist perspective of tarot along with multicultural religious and pagan symbols from around the world. What you won’t hear, though, is that Sunny did another separate reading for Jaimie using a specifically AAPI deck, created by the Asian American Literary Review. Check out that full reading, which will be posted on our IG live! And if you’re interested in other tarot decks, check out Brown Girl Tarot, created by Amanda Michelle Jones, a healer who uses social work, tarot, and astrology to help people through art therapy. You can find out more at browngirltarot.com. 

Cathy Linh Che is the author of Split (Alice James Books), winner of the Kundiman Poetry Prize, the Norma Farber First Book Award from the Poetry Society of America, and the Best Poetry Book Award from the Association of Asian American Studies. Her work has been published in POETRY, Los Angeles Review of Books, and Gulf Coast. She has received awards from MacDowell, Djerassi, The Anderson Center, The Kimmel Harding Nelson Center, Artist Trust, Hedgebrook, Poets House, Poets & Writers, The Fine Arts Work Center at Provincetown, The Asian American Literary Review, The Center for Book Arts, The Lower Manhattan Cultural Council’s Workspace Residency, the Jerome Foundation. She has taught at the 92nd Street Y, New York University, Fordham University, Sierra Nevada College, and the Polytechnic University at NYU. She was Sierra Nevada College’s Distinguished Visiting Professor and Writer in Residence. She serves as Executive Director at Kundiman and lives in Queens.

Angie Kim’s Miracle Creek is a thoroughly contemporary take on the courtroom drama, drawing on the author’s own life as a Korean immigrant, former trial lawyer, and mother of a real-life “submarine” patient.Angie Kim moved as a preteen from Seoul, South Korea, to the suburbs of Baltimore. She attended Stanford University and Harvard Law School, where she was an editor of the Harvard Law Review, then practiced as a trial lawyer at Williams & Connolly. Her stories have won the Glamour Essay Contest and the Wabash Prize in Fiction, and appeared in numerous publications including The New York Times, Salon, Slate, The Southern Review, Sycamore Review, The Asian American Literary Review, and PANK.Writers LIVE programs are supported in part by a bequest from The Miss Howard Hubbard Adult Programming Fund.

Angie Kim’s Miracle Creek is a thoroughly contemporary take on the courtroom drama, drawing on the author’s own life as a Korean immigrant, former trial lawyer, and mother of a real-life “submarine” patient.Angie Kim moved as a preteen from Seoul, South Korea, to the suburbs of Baltimore. She attended Stanford University and Harvard Law School, where she was an editor of the Harvard Law Review, then practiced as a trial lawyer at Williams & Connolly. Her stories have won the Glamour Essay Contest and the Wabash Prize in Fiction, and appeared in numerous publications including The New York Times, Salon, Slate, The Southern Review, Sycamore Review, The Asian American Literary Review, and PANK.Writers LIVE programs are supported in part by a bequest from The Miss Howard Hubbard Adult Programming Fund.Recorded On: Thursday, May 16, 2019

In March, we co-presented a series of conversations with DVAN, the Diasporic Vietnamese Artists Network. For this podcast we’ll be listening to an introduction by DVAN founder and author of the Pulitzer Prize-winning novel The Sympathizer Viet Than Nguyen. Following this is a conversation around the concept of Vietnamese ghost stories moderated by Lawrence-Minh Bùi Davis and featuring authors Violet Kupersmith, Thanhha Lai, & Vu Tran. The order they’re listed here is the same order they answer the first question. Together, they dissect the concept of the ghost story, as a metaphor for the immigrant, a reflection of the self and one’s deepest fears and insecurities, and then broaden the conversation to talk about community and what a Vietnamese diasporic literary community looks like to them. Violet Kupersmith is the author of The Frangipani Hotel, a collection of supernatural short stories about the legacy of the Vietnam War. She is writing a forthcoming novel about ghosts and American expats in modern-day Saigon. Thanhha Lai is the author of the National Book Award-winning novel Inside Out & Back Again and the novel Listen, Slowly.  Her third novel, Butterfly Yellow, will be published this fall. Vu Tran is the author of Dragonfish, which was a NY Times Notable Book and a San Francisco Chronicle Best Book of the Year. He is the recipient of a Whiting Award and an NEA Fellowship. Lawrence-Minh Bùi Davis is curator of Asian Pacific American Studies at the Smithsonian Asian Pacific American Center. He is also founding Director of the Washington, DC-based arts nonprofit The Asian American Literary Review. Co-sponsored by the APA Institute at NYU.

KCSB's Dorothy Tang speaks with CAPS therapists Junichi Shimaoka and Marissa Floro about how the university is attempting to shift towards a preventative care model to serve a growing student demand, as well as Professor Mimi Khuc of the Asian American Literary Review about her work regarding alternate ways of viewing Asian American wellness and unwellness. Part 2 of a series.

Why are the PhDivas interested in tarot cards and the art of divination? PhDivas Liz and Xine separately delved into tarot: this is their first full conversation about their practices of self-care. The classic Western deck has been reimagined by disenfranchised peoples. Xine draws from her research about the importance of QTPOC tarot, especially the Asian American Tarot and Dusk || Onyx Melanated Tarot for the African diaspora. Liz the scientist challenges the dichotomy between tarot, forms of belief, and STEM. They talk skepticism, the Queen of Swords card, the Death card. How do we care for ourselves as scholars, as vulnerable people in this world? Will you try out a new practice of self care you might be skeptical about after this episode? Asian American Tarot by the Asian American Literary Review: https://aalr.binghamton.edu/special-issue-on-asian-american-mental-health/ Dusk II Onyx Melanated Tarot by Courtney Alexander: https://dust2onyx.com/ For an easy introduction check out the free Golden Tarot app. Little Red Tarot is a queer feminist tarot website with lots of tutorials: www.littleredtarot.com Asali Earthworks curates and reviews QTPOC tarot decks: https://www.asaliearthwork.com/tarot-of-the-qtpoc/

What can we do to unlock the past? How do family secrets affect us? Author Shawna Yang Ryan has spent a lot of time thinking about these issues – and in this episode, she joins Jacke for a discussion of some of her favorite books, including the novel that led her to rethink her understanding of the American West and the graphic novel about a family’s journey that can bring her to tears.  SHAWNA YANG RYAN is a former Fulbright scholar and the author of Water Ghosts (Penguin Press 2009) and Green Island (Knopf 2016). She teaches in the Creative Writing Program at the University of Hawai’i at Manoa. Her short fiction has appeared in ZYZZYVA, The Asian American Literary Review, Kartika Review, and The Berkeley Fiction Review. She is the 2015 recipient of the Elliot Cades Emerging Writer award. Originally from California, she now lives in Honolulu.  Works Discussed:  Green Island and Water Ghosts by Shawna Yang Ryan Another Country by James Baldwin Angle of Repose by Wallace Stegner Vietnamerica: A Family’s Journey by GB Tran Locked in Time by Lois Duncan Tuck Everlasting by Natalie Babbitt Yi Yi [A One and a Two…] directed by Edward Yang Show Notes: We have a special episode coming up – listener feedback! Contact the host at jackewilsonauthor@gmail.com or by leaving a voicemail at 1-361-4WILSON (1-361-494-5766). You can find more literary discussion at jackewilson.com and more episodes of the series at historyofliterature.com. Check out our Facebook page at facebook.com/historyofliterature. Music Credits: “Handel – Entrance to the Queen of Sheba” by Advent Chamber Orchestra (From the Free Music Archive / CC by SA). “Monkeys Spinning Monkeys” and “Greta Sting” by Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 3.0   Learn more about your ad choices. Visit megaphone.fm/adchoices

Out of Our Minds is the second longest running poetry radio show in the United States and airs on Wednesday nights from 8-9pm on KKUP Cupertino 91.5fm. The show is hosted by Rachelle Escamilla. Angie Chuang is an author and educator based in Washington, D.C. She is the author of The Four Words for Home (Willow Books, 2014), a duel memoir about an Afghan immigrant family and her own Chinese American family. The book was the winner of the 2013 Willow Books Literature Awards Grand Prize in Prose, and has won an Independent Publishers Awards Bronze Medal for Multicultural Nonfiction. It has also been shortlisted for the William Saroyan Prize for Writing and the International Rubery Award. Angie is an associate professor of journalism at American University School of Communication. Her literary nonfiction writing has appeared in Creative Nonfiction, The Asian American Literary Review, Vela, and several editions of The Best Women's Travel Writing.

We are excited to bring you a second interview in partnership with the Asian American Literary Review and its Mixed Race Initiative.

Three Kundiman fellows with award-winning first books read and talk about their work.Cathy Linh Che is the author of Split (Alice James, 2014), winner of the 2012 Kundiman Poetry Prize.A Vietnamese American poet from Los Angeles and Long Beach, CA, she received her B.A. from Reed College and her M.F.A. from New York University. She has been awarded fellowships and residencies from Poets & Writers, The Fine Arts Work Center at Provincetown, Kundiman, Hedgebrook, Poets House, The Asian American Literary Review, The Center for Book Arts, and The Lower Manhattan Cultural Council’s Workspace Residency.A founding editor of the online journal Paperbag, she is Program Associate for Readings & Workshops (East) at Poets & Writers and Manager of Kundiman. She lives in Brooklyn, New York.Eugenia Leigh is the author of Blood, Sparrows and Sparrows (Four Way Books, Fall 2014), which was a finalist for both the National Poetry Series and the Yale Series of Younger Poets. Her writing has appeared in numerous publications including PANK Magazine, Indiana Review, The Collagist, and the Best New Poets 2010 anthology.Eugenia earned her M.F.A. in Creative Writing from Sarah Lawrence College, where she was awarded the Thomas Lux Scholarship for her dedication to teaching creative writing, demonstrated through her workshops with incarcerated youths and with Brooklyn high school students. Eugenia has won awards from Poets & Writers Magazine and Rattle, and has received fellowships from Kundiman and The Asian American Literary Review. She serves as the Poetry Editor of Kartika Review.Born in Chicago and raised in southern California, Eugenia lives and writes in New York City.Sally Wen Mao is the author of Mad Honey Symposium (Alice James Books, 2014), the winner of the 2012 Kinereth Gensler Award and a Publishers Weekly Top 10 Most Anticipated Poetry Books of Spring. Her work has been anthologized in The Best American Poetry 2013 and is published or forthcoming in Guernica, Gulf Coast, Hayden’s Ferry Review, Indiana Review, Puerto del Sol, Quarterly West, Third Coast, and West Branch, among others. A Kundiman fellow, she holds a B.A. from Carnegie Mellon University and an M.F.A. from Cornell University.This event is part of the Honey Badgers' Summer Book Tour. Recorded On: Monday, July 21, 2014

We are thrilled to launch Episode 1 of the MXRS Podcast – bringing you the story behind the stories. Our first several episodes are in partnership with the Asian American Literary Review and its Mixed Race Initiative. Editor-in-Chief Lawrence-Minh Búi Davis is our first guest. Join us as our conversation winds its way through language, how we identify ourselves, the origins of the Mixed Race Initiative and its components, making our work more accessible, and much more. TRANSCRIPT: MXRS Episode 1 Lawrence-Minh Búi Davis To ... read more