Podcasts about Collective memory

Join Jacki and Marissa as they explore Candyman (1992) and Candyman (2021). They dive into the academic discourse surrounding these films They talk race and feminism in both films, and reflect on the power of racial tensions as they relate to this moment in history. They also, of course, warn of the dangerous urban legends, from sewer alligators to Jersey Devils and rat dogs. We used so, so many articles and papers to back her thoughts on these films, so here's her Works Cited: Blood Is Sweeter than Honey: Blackness and Subversive Utopia in Bernard Rose's Candyman by Annette Lepique A Critique of Black Capitalism in an American Horror Film by Kaela Buchana and Yasmine Guy Candyman and Horror's Dubious Reckoning with Racism by David Jesudason Candyman is a definitive Black Lives Matter Horror by David Sexton History, Collective Memory and More in 'Candyman' by Black Horrific How 'Candyman' Fails Black Women and Femmes by Jessica Lanay In Candyman, White Supremacy is the Real Bad Guy Lurking in Shadows by Dr. Allison Wiltz Learn more about your ad choices. Visit megaphone.fm/adchoices

Artist, creative technologist, and educator, Idris Brewster grew up in Brooklyn, being filmed for a documentary about his education as a black student at a prestigious, primarily white, school. His coming-of-age, only partially caught on camera, included a lot of basketball and hands-on artistic development. A grant awarded in college gave him early access to VR technology which opened a path to combining all of his talents and interests and expressing them through new media. Now, as co-founder and Executive Director of Kinfolk Foundation, he's harnessing augmented reality, location-based technology, and community to engage in placing digital monuments in public spaces, memory building, and foregrounding the Black, Brown and Queer histories that have been intentionally silenced. Special thanks to our sponsor: Wix Studio:Web designers, Wix Studio lets you deliver your vision with less friction. Built for agencies and enterprises, you get total creative control over every last pixel, with no-code animations, tons of AI tools, reusable design assets, and advanced layout tools. Check out Wix Studio for your next project: https://www.wix.com/studio.Head to cleverpodcast.com for a transcript (with links!) of this episode, images, resources, and over 200+ more episodes! Please help us out by completing a short LISTENER SURVEYSubscribe to our free substack for updates, bonus content, and new episode alerts.Please say Hi on social! Instagram, Linkedin and Facebook - @CleverPodcast, @amydeversIf you enjoy Clever we could use your support! Please consider leaving a review, making a donation, becoming a sponsor, or introducing us to your friends! We love and appreciate you!Clever is hosted & produced by Amy Devers, with editing by Mark Zurawinski, production assistance from Ilana Nevins and Anouchka Stephan, and music by El Ten Eleven. Hosted on Acast. See acast.com/privacy for more information.

# 64 - in conversation with London-based, Uzbek multidisciplinary artist, Aziza Kadyri Aziza Kadyri is passionate about exploring new ways of engaging with cultural heritage, with a particular focus on textiles and costume—art forms that have traditionally been labelled as 'feminine'. She's also deeply interested in how XR/AR/VR and AI technologies can enhance artistic research, edutainment, and socially engaged practices. At the heart of her practice is a commitment to participatory work, especially within Central Asian and Uzbek communities. In this episode, we dive into her role in co-creating the exhibition for the Uzbekistan National Pavilion at the 60th Venice Biennale. Through this conversation, Aziza shares her vibrant, globally-spanning journey toward becoming an established artist, showcasing her work around the world. Most importantly, she highlights her mission to amplify the voices of Central Asian women artisans—whose stories have often been overlooked by history. References: Aziza website https://www.azizakadyri.com/ Aziza Instagram https://www.instagram.com/aziza.kadyri/  Qizlar Collective https://www.instagram.com/qizlarqizlarqizlar/ Uzbekistan Pavilion 2024 https://www.les-nouveaux-riches.com/interview-uzbekistan-pavilion-2024/ (Les Nouveaux Riches) Aziza about the Uzbek Pavilion part 1 https://www.instagram.com/p/DDKCtS9I53K/ Aziza about the Uzbek Pavilion part 2 https://www.instagram.com/p/DDws0tuIlKV/  Somerset House, London https://www.somersethouse.org.uk/  Aziza's favourite home food: Moshhurda or Moshkichiri (Uzbek soup/porridge with mung beans) ___ Buy me a coffee: https://buymeacoffee.com/kitchenconversations Become a Patron: https://www.patreon.com/kitchenconversations  Visit shop: https://www.etsy.com/de-en/shop/PatrycjaRozwora?ref=shop-header-name&listing_id=1398125905&from_page=listing Get in touch: https://www.instagram.com/kitchenconversations.podcast/  ___ Recording & editing: Patrycja Rozwora Mix & master: Jonas Kröper

The obvious choices are AOC and Kamala Harris, but Brad's pick is a little less obvious. Ryan's isn't even an actual politician.

Claude und Christopher im Gespräch mit Simon. Wir sprechen mit ihm über eine potentielle Wiedergeburt in der Person seines großen Bruders, kurze Zündschur und gleichen Humor haben, schlecht in der Schule sein, Schlagzeug lernen und angefeindet werden vom Junggesellinnenverein, Misfits auf dem MP3-Player, Famous Monsters, Scream-Video, abhängen im Skatepark, das erste Bier mit 13, Rauchen, Outsider im 1000-Seelen-Dorf, MP3 Musiksammlung Schlagzeugunterricht, gesteigerte Motivation für das Schlagzeug spielen, Chaos Army mit 14, rekrutiert werden in der Koblenzer Fußgängerzone, Irokesenschnitt, zu große Stiefel, FSJ mit psychisch kranken Menschen, VKJ, Chaos-Z, EA80, Bad Brains und Black Flag, kein gesteigertes Interesse an Konzerten, das New Noise Festival, von Holy zu Golpe, Nick Cave, Rowland S. Howard und Joy Division, Ausbildung zum Krankenpfleger und (Schicht-)Arbeit in der Eingliederungshilfe, die Wichtigkeit von interdisziplinärer Arbeit, das 1408 Studio und David Deutsch, Peter Brötzmann, Noj „Waxing Moon“, Bohren und der Club of Gore, The Drin, Peter Steele, Blixa Bargeld und Max Müller, Schmutzstaffel, The Flex und Night Force, William S. Burroughs, Suspect, Echo Chamber und Desire Line, STTW Records, Down But Not Out, Collective Memory, The Gun Club und „Miami“, Lost Dog Street Band, Destruction Unit, Lieblingsfilme „Blade Runner“, „Blood Simple“ und „Stalker“, uvm

A ctivist and author Peter Gelderloos returns to the Porpoise Almanac to discuss his latest book, "They Will Beat the Memory Out of Us." With a lifetime of activism under his belt, Peter shares his heartfelt reflections on the enduring struggles of social movements, the critical role of collective memory, and the widening gap between generations in the digital age. Our conversation takes a deep dive into the complexities of maintaining intergenerational connections amidst capitalism's isolating forces, highlighting how social media often exacerbates these divides rather than bridging them. Together, we navigate the labyrinth of political ideologies, examining the fluid nature of anarchism and the need for adaptability in today's rapidly changing world. Peter sheds light on the pitfalls of rigid frameworks and the resilience of grassroots mutual aid, contrasting these with the inefficiencies of traditional governmental responses. We explore the fascinating potential for engaging with right-wing narratives, probing the surprising openness some individuals have toward systemic issues and the necessity of preserving past activism's memory to inform contemporary efforts. Our discussion further extends to supporting incarcerated individuals, underscoring the importance of memory and community in aiding their re-entry into society. Peter's insights on navigating imperfections within activism offer a candid look at the challenges of fostering collective accountability and healing. His work resonates profoundly with anyone feeling adrift in modern movements, and we encourage our listeners to explore his writings for a deeper understanding of building resilient, generational communities. Check out his book at: https://www.plutobooks.com/ Find Peter on Bluesky at @petergelderloos.bsky.social & https://petergelderloos.substack.com/ For sources, transcripts, and to read more about this subject, visit: www.agroecologies.org To support this podcast, join our patreon for early, commercial-free episode access at https://www.patreon.com/poorprolesalmanac For PPA Restoration Content, visit: www.restorationagroecology.com For PPA Merch, visit: www.poorproles.com For PPA Native Plants, visit: www.nativenurseries.org To hear Tomorrow, Today, our sister podcast, visit: www.tomorrowtodaypodcast.org/ Key words: Activism, Collective Memory, Generational Divide, Social Media, Anarchism, Political Ideology, Right-Wing Narratives, Grassroots Mutual Aid, Incarceration, Imperfection in Activism, Intergenerational Connections, Digital Age, Social Movements, Capitalism, Community, Memory Preservation, Re-Entry, Accountability, Healing, Political Terminology

Tomaž Levak is the Co-founder and CEO of Trace Labs – OriginTrail core developers. OriginTrail is a web3 infrastructure project combining a decentralized knowledge graph (DKG) and blockchain technologies to create a neutral, inclusive ecosystem. Collective Memory for AI on Decentralized Knowledge Graph // MLOps Podcast #285 with Tomaz Levak, Founder of Trace Labs, Core Developers of OriginTrail. // Abstract The talk focuses on how OriginTrail Decentralized Knowledge Graph serves as a collective memory for AI and enables neuro-symbolic AI. We cover the basics of OriginTrail's symbolic AI fundamentals (i.e. knowledge graphs) and go over details how decentralization improves data integrity, provenance, and user control. We'll cover the DKG role in AI agentic frameworks and how it helps with verifying and accessing diverse data sources, while maintaining compatibility with existing standards. We'll explore practical use cases from the enterprise sector as well as latest integrations into frameworks like ElizaOS. We conclude by outlining the future potential of decentralized AI, AI becoming the interface to “eat” SaaS and the general convergence of AI, Internet and Crypto. // Bio Tomaz Levak, founder of OriginTrail, is active at the intersection of Cryptocurrency, the Internet, and Artificial Intelligence (AI). At the core of OriginTrail is a pursuit of Verifiable Internet for AI, an inclusive framework addressing critical challenges of the world in an AI era. To achieve the goal of Verifiable Internet for AI, OriginTrail's trusted knowledge foundation ensures the provenance and verifiability of information while incentivizing the creation of high-quality knowledge. These advancements are pivotal to unlock the full potential of AI as they minimize the technology's shortfalls such as hallucinations, bias, issues of data ownership, and model collapse. Tomaz's contributions to OriginTrail span over a decade and across multiple fields. He is involved in strategic technical innovations for OriginTrail Decentralized Knowledge Graph (DKG) and NeuroWeb blockchain and was among the authors of all three foundational White Paper documents that defined how OriginTrail technology addresses global challenges. Tomaz contributed to the design of OriginTrail token economies and is driving adoption with global brands such as British Standards Institution, Swiss Federal Railways and World Federation of Haemophilia, among others. Committed to the ongoing expansion of the OriginTrail ecosystem, Tomaz is a regular speaker at key industry events. In his appearances, he highlights the significant value that the OriginTrail DKG brings to diverse sectors, including supply chains, life sciences, healthcare, and scientific research. In a rapidly evolving digital landscape, Tomaz and the OriginTrail ecosystem as a whole are playing an important role in ensuring a more inclusive, transparent and decentralized AI. // MLOps Swag/Merch https://shop.mlops.community/ // Related Links Website: https://origintrail.io Song recommendation: https://open.spotify.com/track/5GGHmGNZYnVSdRERLUSB4w?si=ae744c3ad528424b --------------- ✌️Connect With Us ✌️ ------------- Join our slack community: https://go.mlops.community/slack Follow us on Twitter: @mlopscommunity Sign up for the next meetup: https://go.mlops.community/register Catch all episodes, blogs, newsletters, and more: https://mlops.community/ Connect with Demetrios on LinkedIn: https://www.linkedin.com/in/dpbrinkm/ Connect with Tomaz on LinkedIn: https://www.linkedin.com/in/tomazlevak/

Ways of Remembering: Law, Cinema and Collective Memory in the New India (Cambridge UP, 2024) tells a story about the relationship between secular law and religious violence by studying the memorialisation of the 2002 Gujarat pogrom--postcolonial India's most litigated and mediatized event of anti-Muslim mass violence. By reading judgments and films on the pogrom through a novel interpretive framework, the book argues that the shared narrative of law and cinema engenders ways of remembering the pogrom in which the rationality of secular law offers a resolution to the irrationality of religious violence. In the public's collective memory, the force of this rationality simultaneously condemns and normalises violence against Muslims while exonerating secular law from its role in enabling the pogrom, thus keeping the violent (legal) order against India's Muslim citizens intact. The book contends that in foregrounding law's aesthetic dimensions we see the discursive ways in which secular law organizes violence and presents itself as the panacea for that very violence. About the Author: Oishik Sircar is a Senior Lecturer at the Melbourne Law School. He was previously the Professor of Law at Jindal Global Law School. His work maps the relationship between law, violence and aesthetics with a particular focus on contemporary India. Along with Ways of Remembering: Law, Cinema and Collective Violence in the New India (CUP 2024), he is the author of Violent Modernities: Cultural Lives of Law in the New India (OUP 2021) and the co-director of the award-winning documentary film We Are Foot Soldiers (PSBT 2010). Priyam Sinha recently graduated with a PhD from the National University of Singapore and has been awarded the Alexander Von Humboldt Postdoctoral Fellowship, starting 2025. She has interdisciplinary academic interests that lie at the intersection of film studies, critical new media industry studies, disability studies, affect studies, gender studies, and cultural studies. She can be reached at https://twitter.com/PriyamSinha Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Ways of Remembering: Law, Cinema and Collective Memory in the New India (Cambridge UP, 2024) tells a story about the relationship between secular law and religious violence by studying the memorialisation of the 2002 Gujarat pogrom--postcolonial India's most litigated and mediatized event of anti-Muslim mass violence. By reading judgments and films on the pogrom through a novel interpretive framework, the book argues that the shared narrative of law and cinema engenders ways of remembering the pogrom in which the rationality of secular law offers a resolution to the irrationality of religious violence. In the public's collective memory, the force of this rationality simultaneously condemns and normalises violence against Muslims while exonerating secular law from its role in enabling the pogrom, thus keeping the violent (legal) order against India's Muslim citizens intact. The book contends that in foregrounding law's aesthetic dimensions we see the discursive ways in which secular law organizes violence and presents itself as the panacea for that very violence. About the Author: Oishik Sircar is a Senior Lecturer at the Melbourne Law School. He was previously the Professor of Law at Jindal Global Law School. His work maps the relationship between law, violence and aesthetics with a particular focus on contemporary India. Along with Ways of Remembering: Law, Cinema and Collective Violence in the New India (CUP 2024), he is the author of Violent Modernities: Cultural Lives of Law in the New India (OUP 2021) and the co-director of the award-winning documentary film We Are Foot Soldiers (PSBT 2010). Priyam Sinha recently graduated with a PhD from the National University of Singapore and has been awarded the Alexander Von Humboldt Postdoctoral Fellowship, starting 2025. She has interdisciplinary academic interests that lie at the intersection of film studies, critical new media industry studies, disability studies, affect studies, gender studies, and cultural studies. She can be reached at https://twitter.com/PriyamSinha Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

Ways of Remembering: Law, Cinema and Collective Memory in the New India (Cambridge UP, 2024) tells a story about the relationship between secular law and religious violence by studying the memorialisation of the 2002 Gujarat pogrom--postcolonial India's most litigated and mediatized event of anti-Muslim mass violence. By reading judgments and films on the pogrom through a novel interpretive framework, the book argues that the shared narrative of law and cinema engenders ways of remembering the pogrom in which the rationality of secular law offers a resolution to the irrationality of religious violence. In the public's collective memory, the force of this rationality simultaneously condemns and normalises violence against Muslims while exonerating secular law from its role in enabling the pogrom, thus keeping the violent (legal) order against India's Muslim citizens intact. The book contends that in foregrounding law's aesthetic dimensions we see the discursive ways in which secular law organizes violence and presents itself as the panacea for that very violence. About the Author: Oishik Sircar is a Senior Lecturer at the Melbourne Law School. He was previously the Professor of Law at Jindal Global Law School. His work maps the relationship between law, violence and aesthetics with a particular focus on contemporary India. Along with Ways of Remembering: Law, Cinema and Collective Violence in the New India (CUP 2024), he is the author of Violent Modernities: Cultural Lives of Law in the New India (OUP 2021) and the co-director of the award-winning documentary film We Are Foot Soldiers (PSBT 2010). Priyam Sinha recently graduated with a PhD from the National University of Singapore and has been awarded the Alexander Von Humboldt Postdoctoral Fellowship, starting 2025. She has interdisciplinary academic interests that lie at the intersection of film studies, critical new media industry studies, disability studies, affect studies, gender studies, and cultural studies. She can be reached at https://twitter.com/PriyamSinha Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/islamic-studies

Ways of Remembering: Law, Cinema and Collective Memory in the New India (Cambridge UP, 2024) tells a story about the relationship between secular law and religious violence by studying the memorialisation of the 2002 Gujarat pogrom--postcolonial India's most litigated and mediatized event of anti-Muslim mass violence. By reading judgments and films on the pogrom through a novel interpretive framework, the book argues that the shared narrative of law and cinema engenders ways of remembering the pogrom in which the rationality of secular law offers a resolution to the irrationality of religious violence. In the public's collective memory, the force of this rationality simultaneously condemns and normalises violence against Muslims while exonerating secular law from its role in enabling the pogrom, thus keeping the violent (legal) order against India's Muslim citizens intact. The book contends that in foregrounding law's aesthetic dimensions we see the discursive ways in which secular law organizes violence and presents itself as the panacea for that very violence. About the Author: Oishik Sircar is a Senior Lecturer at the Melbourne Law School. He was previously the Professor of Law at Jindal Global Law School. His work maps the relationship between law, violence and aesthetics with a particular focus on contemporary India. Along with Ways of Remembering: Law, Cinema and Collective Violence in the New India (CUP 2024), he is the author of Violent Modernities: Cultural Lives of Law in the New India (OUP 2021) and the co-director of the award-winning documentary film We Are Foot Soldiers (PSBT 2010). Priyam Sinha recently graduated with a PhD from the National University of Singapore and has been awarded the Alexander Von Humboldt Postdoctoral Fellowship, starting 2025. She has interdisciplinary academic interests that lie at the intersection of film studies, critical new media industry studies, disability studies, affect studies, gender studies, and cultural studies. She can be reached at https://twitter.com/PriyamSinha Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/film

Ways of Remembering: Law, Cinema and Collective Memory in the New India (Cambridge UP, 2024) tells a story about the relationship between secular law and religious violence by studying the memorialisation of the 2002 Gujarat pogrom--postcolonial India's most litigated and mediatized event of anti-Muslim mass violence. By reading judgments and films on the pogrom through a novel interpretive framework, the book argues that the shared narrative of law and cinema engenders ways of remembering the pogrom in which the rationality of secular law offers a resolution to the irrationality of religious violence. In the public's collective memory, the force of this rationality simultaneously condemns and normalises violence against Muslims while exonerating secular law from its role in enabling the pogrom, thus keeping the violent (legal) order against India's Muslim citizens intact. The book contends that in foregrounding law's aesthetic dimensions we see the discursive ways in which secular law organizes violence and presents itself as the panacea for that very violence. About the Author: Oishik Sircar is a Senior Lecturer at the Melbourne Law School. He was previously the Professor of Law at Jindal Global Law School. His work maps the relationship between law, violence and aesthetics with a particular focus on contemporary India. Along with Ways of Remembering: Law, Cinema and Collective Violence in the New India (CUP 2024), he is the author of Violent Modernities: Cultural Lives of Law in the New India (OUP 2021) and the co-director of the award-winning documentary film We Are Foot Soldiers (PSBT 2010). Priyam Sinha recently graduated with a PhD from the National University of Singapore and has been awarded the Alexander Von Humboldt Postdoctoral Fellowship, starting 2025. She has interdisciplinary academic interests that lie at the intersection of film studies, critical new media industry studies, disability studies, affect studies, gender studies, and cultural studies. She can be reached at https://twitter.com/PriyamSinha Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/genocide-studies

Ways of Remembering: Law, Cinema and Collective Memory in the New India (Cambridge UP, 2024) tells a story about the relationship between secular law and religious violence by studying the memorialisation of the 2002 Gujarat pogrom--postcolonial India's most litigated and mediatized event of anti-Muslim mass violence. By reading judgments and films on the pogrom through a novel interpretive framework, the book argues that the shared narrative of law and cinema engenders ways of remembering the pogrom in which the rationality of secular law offers a resolution to the irrationality of religious violence. In the public's collective memory, the force of this rationality simultaneously condemns and normalises violence against Muslims while exonerating secular law from its role in enabling the pogrom, thus keeping the violent (legal) order against India's Muslim citizens intact. The book contends that in foregrounding law's aesthetic dimensions we see the discursive ways in which secular law organizes violence and presents itself as the panacea for that very violence. About the Author: Oishik Sircar is a Senior Lecturer at the Melbourne Law School. He was previously the Professor of Law at Jindal Global Law School. His work maps the relationship between law, violence and aesthetics with a particular focus on contemporary India. Along with Ways of Remembering: Law, Cinema and Collective Violence in the New India (CUP 2024), he is the author of Violent Modernities: Cultural Lives of Law in the New India (OUP 2021) and the co-director of the award-winning documentary film We Are Foot Soldiers (PSBT 2010). Priyam Sinha recently graduated with a PhD from the National University of Singapore and has been awarded the Alexander Von Humboldt Postdoctoral Fellowship, starting 2025. She has interdisciplinary academic interests that lie at the intersection of film studies, critical new media industry studies, disability studies, affect studies, gender studies, and cultural studies. She can be reached at https://twitter.com/PriyamSinha Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/south-asian-studies

Ways of Remembering: Law, Cinema and Collective Memory in the New India (Cambridge UP, 2024) tells a story about the relationship between secular law and religious violence by studying the memorialisation of the 2002 Gujarat pogrom--postcolonial India's most litigated and mediatized event of anti-Muslim mass violence. By reading judgments and films on the pogrom through a novel interpretive framework, the book argues that the shared narrative of law and cinema engenders ways of remembering the pogrom in which the rationality of secular law offers a resolution to the irrationality of religious violence. In the public's collective memory, the force of this rationality simultaneously condemns and normalises violence against Muslims while exonerating secular law from its role in enabling the pogrom, thus keeping the violent (legal) order against India's Muslim citizens intact. The book contends that in foregrounding law's aesthetic dimensions we see the discursive ways in which secular law organizes violence and presents itself as the panacea for that very violence. About the Author: Oishik Sircar is a Senior Lecturer at the Melbourne Law School. He was previously the Professor of Law at Jindal Global Law School. His work maps the relationship between law, violence and aesthetics with a particular focus on contemporary India. Along with Ways of Remembering: Law, Cinema and Collective Violence in the New India (CUP 2024), he is the author of Violent Modernities: Cultural Lives of Law in the New India (OUP 2021) and the co-director of the award-winning documentary film We Are Foot Soldiers (PSBT 2010). Priyam Sinha recently graduated with a PhD from the National University of Singapore and has been awarded the Alexander Von Humboldt Postdoctoral Fellowship, starting 2025. She has interdisciplinary academic interests that lie at the intersection of film studies, critical new media industry studies, disability studies, affect studies, gender studies, and cultural studies. She can be reached at https://twitter.com/PriyamSinha Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

Ways of Remembering: Law, Cinema and Collective Memory in the New India (Cambridge UP, 2024) tells a story about the relationship between secular law and religious violence by studying the memorialisation of the 2002 Gujarat pogrom--postcolonial India's most litigated and mediatized event of anti-Muslim mass violence. By reading judgments and films on the pogrom through a novel interpretive framework, the book argues that the shared narrative of law and cinema engenders ways of remembering the pogrom in which the rationality of secular law offers a resolution to the irrationality of religious violence. In the public's collective memory, the force of this rationality simultaneously condemns and normalises violence against Muslims while exonerating secular law from its role in enabling the pogrom, thus keeping the violent (legal) order against India's Muslim citizens intact. The book contends that in foregrounding law's aesthetic dimensions we see the discursive ways in which secular law organizes violence and presents itself as the panacea for that very violence. About the Author: Oishik Sircar is a Senior Lecturer at the Melbourne Law School. He was previously the Professor of Law at Jindal Global Law School. His work maps the relationship between law, violence and aesthetics with a particular focus on contemporary India. Along with Ways of Remembering: Law, Cinema and Collective Violence in the New India (CUP 2024), he is the author of Violent Modernities: Cultural Lives of Law in the New India (OUP 2021) and the co-director of the award-winning documentary film We Are Foot Soldiers (PSBT 2010). Priyam Sinha recently graduated with a PhD from the National University of Singapore and has been awarded the Alexander Von Humboldt Postdoctoral Fellowship, starting 2025. She has interdisciplinary academic interests that lie at the intersection of film studies, critical new media industry studies, disability studies, affect studies, gender studies, and cultural studies. She can be reached at https://twitter.com/PriyamSinha Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/law

Ways of Remembering: Law, Cinema and Collective Memory in the New India (Cambridge UP, 2024) tells a story about the relationship between secular law and religious violence by studying the memorialisation of the 2002 Gujarat pogrom--postcolonial India's most litigated and mediatized event of anti-Muslim mass violence. By reading judgments and films on the pogrom through a novel interpretive framework, the book argues that the shared narrative of law and cinema engenders ways of remembering the pogrom in which the rationality of secular law offers a resolution to the irrationality of religious violence. In the public's collective memory, the force of this rationality simultaneously condemns and normalises violence against Muslims while exonerating secular law from its role in enabling the pogrom, thus keeping the violent (legal) order against India's Muslim citizens intact. The book contends that in foregrounding law's aesthetic dimensions we see the discursive ways in which secular law organizes violence and presents itself as the panacea for that very violence. About the Author: Oishik Sircar is a Senior Lecturer at the Melbourne Law School. He was previously the Professor of Law at Jindal Global Law School. His work maps the relationship between law, violence and aesthetics with a particular focus on contemporary India. Along with Ways of Remembering: Law, Cinema and Collective Violence in the New India (CUP 2024), he is the author of Violent Modernities: Cultural Lives of Law in the New India (OUP 2021) and the co-director of the award-winning documentary film We Are Foot Soldiers (PSBT 2010). Priyam Sinha recently graduated with a PhD from the National University of Singapore and has been awarded the Alexander Von Humboldt Postdoctoral Fellowship, starting 2025. She has interdisciplinary academic interests that lie at the intersection of film studies, critical new media industry studies, disability studies, affect studies, gender studies, and cultural studies. She can be reached at https://twitter.com/PriyamSinha

رابطه‌ای که سرنوشت ایران را تغییر داد: شاه، نیکسون و توافقات پشت پرده.از تخت طاووس تا کاخ سفید.متن: معین فرخی، علی بندری | ویدیو و صدا: نیما خالدی‌کیابرای دیدن ویدیوی این اپیزود اگر ایران هستید وی‌پی‌ان بزنید و روی لینک زیر کلیک کنیدیوتیوب بی‌پلاسکانال تلگرام بی‌پلاسمنابع و لینک‌هایی برای کنجکاوی بیشترThe Oil Kings: How the U.S., Iran, and Saudi Arabia Changed the Balance of Power in the Middle East, Andrew Scott CooperUS Foreign Policy and the Modernization of Iran: Kennedy, Johnson, Nixon and the Shah (Security, Conflict and Cooperation in the Contemporary World)Nixon, Kissinger, and the Shah: The United States and Iran in the Cold War, Roham AlvandiBlack Wave: Saudi Arabia, Iran, and the Forty-Year Rivalry That Unraveled Culture, Religion, and Collective Memory in the Middle East, Kim Ghattasتاریخ مصور جنگ ایران و عراق جعفر شیرعلی نیا - انتشارات سایان شاه و شطرنج قدرت در خاورمیانه - آرش رییسی‌نژاد - نشر نیپادشاهان نفت - اندرو اسکات کوپر - نشر اشارهA Story About Richard Nixon, Anwar Sadat And The Shah's FuneralThe State Visit of the Shah of Iran | July 24, 1973What Would Have Happened To Iran If President Nixon Stayed In OfficeWhat The Shah Told Nixon At Their Last Meeting Hosted on Acast. See acast.com/privacy for more information.

For this episode of the Global Exchange podcast, Colin Robertson talks with Professor Raja Mohan and CGAI Fellows Stewart Beck and Vina Nadjibulla about Indian foreign policy and the Canada-India relationship in the wake of the tit-for-tat diplomatic expulsions. // Participants' bios - Raja Mohan is the former director of the Institute of South Asian Studies at the National University of Singapore and advisor to the Council for Strategic and Defense Research in New Delhi, and was the founding director of Carnegie India. - Stewart Beck served as Canada's High Commissioner to India in addition to various other senior assignments in Asia as well as serving as our Consul General to San Francisco and later as President and CEO of the Asia Pacific Foundation. - Vina Nadjibulla is Vice-President, Research & Strategy, Asia Pacific Foundation of Canada and an Adjunct Professor at the School of Public Policy and Global Affairs at the University of British Columbia. // Host bio: Colin Robertson is a former diplomat and Senior Advisor to the Canadian Global Affairs Institute, www.cgai.ca/colin_robertson // Read & Watch: - "Underground Empire: How America Weaponized the World Economy", by Henry Farrell and Abraham Newman: https://us.macmillan.com/books/9781250840554/undergroundempire - Canadian Foreign Interference Commission Public Hearings: https://foreigninterferencecommission.ca/public-hearings - "Black Wave: Saudi Arabia, Iran, and the Forty-Year Rivalry That Unraveled Culture, Religion, and Collective Memory in the Middle East", by Kim Ghattas: https://us.macmillan.com/books/9781250131218/blackwave // Recording Date: October 21, 2024. Release date: 25 October 2024

In today's episode, I sit down with Jen White, the founder and chief brand strategist of Collective Memory. Jen shares her incredible journey of over two decades as an entrepreneur and discusses the powerful connections between running a business and raising a family. We dive into the concept of moms being the CEOs of their households and explore how the skills we learn as mothers can directly translate into leadership roles in the business world.We talk about the challenges of balancing motherhood and entrepreneurship, and how making decisions for our families often mirrors the decision-making process in business. Jen, who has older children, offers insights into the different stages of motherhood and reflects on how her experiences have evolved over time.We also explore the importance of mentorship, both in business and parenting, and how having someone a few steps ahead of you can be an invaluable resource. Jen shares her thoughts on what it means to lead with empathy and understanding, whether at home or in the workplace, and how giving ourselves credit for what we do as mothers can empower us in all aspects of life.If you've ever felt like you're navigating both motherhood and entrepreneurship with uncertainty, this episode will provide you with the perspective and reassurance that you're not alone. Join us as we explore the parallels between family and business, and how the lessons we learn in one area can inform and strengthen the other.Connect with Jen:Website: https://drawingfrommemory.com/Linked InEmail: jen@drawingfrommemory.comConnect with Ashley:Website: https://dovetaildesigns.coSupport AND/BOTH: Help us offset production costs while we're growingDovetail® Schedule Academy: https://dovetaildesigns.co/dovetail-schedule-academyCaregiver by Dovetail® App: https://apps.apple.com/us/app/dovetail-co/id6449788093Social:Instagram: @dovetaildesigns.coTikTok: @dovetaildesigns.coFacebook: https://www.facebook.com/dovetaildesigns.coLinkedIn: https://www.linkedin.com/in/ashleyblackington/

Nick and Todd sit down with public humanities scholar and performance historian Dr. Beka Bryer to discuss the ways we make memories: as individuals and societies, in life and in art. You can learn more about our guest, Dr. Beka Bryer, at her website: https://rmbryer.com/ Dungeons and Drama Nerds is produced by Percival Hornak and Nicholas Orvis, and this episode was mixed and edited by Percival Hornak. Our core ensemble are Todd Brian Backus, Jovane Caamano, Anthony Sertel Dean, Christopher Diercksen, Ben Ferber, Kory Flores, Mieko Gavia, Tess Huth, Romana Isabella, Jon Jon Johnson, CJ Linton, C. “Meaks” Meaker, Leo Mock, Dex Phan, and Tristan B. Willis.  Our game of Rae Nedjadi's Our Haunt features Percival Hornak as Prosper, Kory Flores as Jules, Leo Mock as Trinket, and Tristan B. Willis as Romeo.  If you'd like to help us continue exploring the intersections of theatre and tabletop roleplaying games, consider leaving us a review on your podcast app of choice or supporting us - and getting access to our patron-only bonus content - at patreon.com/dungeonsanddramanerds. You can find our social media and website links, including our cast bios, at the linktree in our show notes. And be sure to tune in soon for another episode of Dungeons and Drama Nerds!

Send us a textIn this year's Rosh Hashanah sermon, Rabbi Yisroel Bernath addresses the profound impact of last October's events, emphasizing the collective trauma and unity that emerged in the Jewish community. He reflects on how this tragedy forced the Jewish people to confront their shared identity and essence. Despite differences in ideology, last year's adversity brought a glimpse into the unity that binds the Jewish people at their core. Rabbi Bernath urges the community to actively sustain this unity—not just instinctively, but consciously, each day. He shares stories and teachings illustrating the importance of maintaining unity, tapping into our core truths, and reconnecting with our infinite light. Through deliberate effort, we must continue to live by our collective truth and open the doors to unity, strength, and peace for the year ahead.Key Takeaways:Unity from Tragedy: October 7th changed the Jewish world forever. The tragedy united Jews worldwide, transcending ideologies and backgrounds, and revealed a deeper connection rooted in our shared essence.Conscious Effort for Lasting Unity: Rabbi Bernath reminds us that while unity came instinctively after October 7th, it is up to us to maintain it. If unity does not naturally arise, we must "open it ourselves" with our own hands, ensuring it endures as part of our daily lives.Lessons from the Rebbe: By sharing the story of Eliyahu Amikam and Meir Vilner, Rabbi Bernath emphasizes that every Jew, regardless of outward beliefs, harbors an inner core that connects them to G-d and the Jewish people. This core truth is what binds us and calls us to unity.Remembering October 7th: Rabbi Bernath stresses the importance of keeping the memory of October 7th fresh, using it as a reminder to continue living with a heightened sense of unity, purpose, and connection to one another and G-d.Our Responsibility: Like the young man with the tulips, if unity does not manifest naturally, we must take action to bring it forth. It is within our power to foster this connection, and with G-d's help, we can transform pain into strength and division into unity.A Year of Strength and Peace: In concluding, Rabbi Bernath prays for a year filled with security, peace, and revealed goodness, urging the Jewish people to stand united, channeling their core strength and unity toward collective prosperity and blessing.Keywords:Rosh Hashanah, unity, Jewish identity, October 7th, collective memory, Rabbi Yisroel Bernath, shared essence, Am Yisrael Chai, infinite light, Jewish unity, conscious unity, G-d's blessing, year of peace, lasting connection, Jewish resilience.Support the showGot your own question for Rabbi Bernath? He can be reached at rabbi@jewishndg.com or http://www.theloverabbi.comSingle? You can make a profile on www.JMontreal.com and Rabbi Bernath will help you find that special someone.Donate and support Rabbi Bernath's work http://www.jewishndg.com/donateFollow Rabbi Bernath's YouTube Channel https://www.youtube.com/user/ybernathAccess Rabbi Bernath's Articles on Relationships https://medium.com/@loverabbi

Ceej writes to Sab while on her mini-moon with her husband in Taiwan. We realize just how strange a thing memory is as Ceej talks about places that inspired ghibli films juxtaposed to the 228 incident of Taiwan. Hosted on Acast. See acast.com/privacy for more information.

Join host Michael Rearden in this intriguing episode of Coaching In Session as we delve into the fascinating phenomenon known as the Mandela Effect. Explore how collective false memories can shape our perceptions of reality and what this reveals about the complexities of human memory and cognition. Discover insights into why certain events or details are remembered differently by large groups of people and how these discrepancies challenge our understanding of truth and perception.Don't Forget to Subscribe, Comment, Like, and Follow!!!Read the Full Blog: www.Revenconcepts.com/the-mandela-effect/Website: www.Revenconcepts.comSupport the Show: https://www.buzzsprout.com/1882580/supportEmail Me: Coachinginsession@gmail.com------------#MandelaEffect #FalseMemories #MemoryPhenomenon #HumanCognition #RealityPerception #PsychologyInsights #MindBending #MemoryRecall #CognitiveScience #PerceptionShifts #CollectiveMemory #RealityVsMemory #MemoryStudies #PsychologicalPhenomena #MemoryResearch #MemoryDistortion #CognitiveBiases #MemoryIllusions #MindTricks #PerceptionErrorsSend us a MessageSupport the showWebsite: www.Revenconcepts.com Email Us: Coachinginsession@gmail.com

In this episode of NeedleXChange I interview Diane Meyer.Diane Meyer is an embroidery artist whose work obfuscates the present to explore the past. She cross stitches on photographic images of places and people, obscuring parts of them to reveal presentations of the past with precision and perplexity.This is the first part of our NeedleXChange where we find out how Diane makes her work and how her artistic method evolved. Diane is a Professor of photography and our conversation touches on that medium as well. Be sure to check out Diane's work using the links below!Timestamps: 00:00:00 - Introduction00:02:21 - Unpacking the Complexity of Meyer's Work00:08:30 - The Evolution of Meyer's Cross-Stitch Technique00:13:17 - Expanding to the Collective Memory of the Berlin Wall00:22:18 - Teaching Photography and the Basics of the Medium to Jamie, who is clearly ignorant on the topic00:25:24 - The Process of Creating Meyer's Work00:31:19 - Exploring Place and the Vulnerability of VeniceLinks:Website: dianemeyer.netInstagram: dianemeyerstudioIntro music is Purple, Pink and Orange by OTE via Epidemic Sound.About NeedleXChange:NeedleXChange is a conversation podcast with embroidery and textile artists, exploring their process and practice.Hosted by Jamie "Mr X Stitch" Chalmers, it is an in-depth showcase of the best needlework artists on the planet.Visit the NeedleXChange website: https://www.needl.exchange/Sign up for the NeedleXChange Newsletter here: https://bit.ly/NeedleXChangeIf you want embroidery inspiration and regular doses of textile art, visit the Mr X Stitch site here: https://www.mrxstitch.comIf you're looking for modern cross stitch designs, then XStitch is the magazine you need!Subscribe to XStitch Magazine here: https://xstitchmag.com/modern-cross-stitch-magazine/And follow Mr X Stitch on all the usual social media channels!Facebook: https://www.facebook.com/MrXStitchTwitter: https://www.twitter.com/MrXStitchInstagram: https://www.instagram.com/MrXStitchPinterest: https://www.pinterest.com/mrxstitch/LinkedIn: https://www.linkedin.com/in/mrjamiechalmers Hosted on Acast. See acast.com/privacy for more information.

For this episode of the Global Exchange podcast, Colin Robertson talks with CGAI Fellows Stewart Beck and Vina Nadjibulla about Canada and India in the wake of the recent Indian election. // Participants' bios - Stewart Beck served as Canada's High Commissioner to India in addition to various other senior assignments in Asia as well as serving as Canada's Consul General to San Francisco and later as President and CEO of the Asia Pacific Foundation. - Vina Nadjibulla is Vice-President, Research & Strategy at the Asia Pacific Foundation of Canada and an Adjunct Professor at the School of Public Policy and Global Affairs at the University of British Columbia. // Host bio: Colin Robertson is a former diplomat and Senior Advisor to the Canadian Global Affairs Institute, www.cgai.ca/colin_robertson // Read & Watch: - "China's Vulnerability Paradox: How the World's Largest Consumer Transformed Global Commodity Markets", by Pascale Massot: https://global.oup.com/academic/product/chinas-vulnerability-paradox-9780197771396 - "Upstart: How China Became a Great Power", by Oriana Skylar Mastro: https://global.oup.com/academic/product/upstart-9780197695067 - "Black Wave : Saudi Arabia, Iran, and the Forty-Year Rivalry that Unraveled Culture, Religion, and Collective Memory in the Middle East", by Kim Ghattas: https://www.wilsoncenter.org/book/black-wave-saudi-arabia-iran-and-forty-year-rivalry-unraveled-culture-religion-and-collective // Recording Date: June 26, 2024.

In Love and War: Collective Memory and the Self is our fifth conversation in a series centering the Warscapes anthology Insurgent Feminisms: Writing War (Daraja Press). Featuring Samina Najmi, Ubah Cristina Ali Farah, Beverly Parayno and Veruska Cantelli.Writing about war is often synonymous with writing about memory. Erasing narratives, stories and collective memory is the explicit agenda and the inevitable outcome of any war. And thus, writers counter, resist and seize back memory and along the way, shape the historical accounts of places and people that have experienced violence and trauma. The discussion explores the task of writers retrieving memories from war but through the double focus on gender and colonial pasts. They ask: what is the role of the imagination in writing against forgetfulness? How does form, style and aesthetics enter into the writing of trauma and violence? Where does imagination take you within the memory frame of your stories? How can imagination be a place to resist annihilation, how can imagination be a tool for liberation?Samina Najmi teaches multiethnic U.S. literatures at California State University, Fresno. A scholar of race, gender, and war in U.S. literature, she has edited or coedited four volumes and authored critical essays on works by Naomi Shihab Nye, Brian Turner, and Nora Okja Keller that consider their engagement with war from a feminist perspective. Her article, “Narrating War: Arab and Muslim American Aesthetics,” appears in the Cambridge History of Asian American Literature (2016). Samina has also published over thirty creative nonfiction essays, which often meld memoir with political commentary. These essays appear in Warscapes, The Margins, Asian American Literary Review, and elsewhere. Her memoir “One Summer in Gaza” was reprinted recently in Doubleback Review, and her essay on Aaron Bushnell's self-immolation is forthcoming in The Markaz Review. Samina spent her childhood in England and grew up in Pakistan.Ubah Cristina Ali Farah was born in Verona to a Somali father and an Italian mother. She grew up in Mogadishu but fled to Europe at the outbreak of the civil war. She is a writer, an oral historian and performer, and a teacher. She has published stories and poems in several anthologies, and in 2006 she won the Lingua Madre National Literary Prize. Her novel Madre piccola (2007) was awarded a Vittorini Prize and has been translated into English as Little Mother (Indiana University Press, 2011). Il Comandante del fiume was published by 66thand2nd in 2014.Beverly Parayno is a second-generation Filipina raised in San Jose, California. She is the author of the short story collection WILDFLOWERS (PAWA Press, 2023), a 2023 Foreword INDIES Finalist and winner of a 2024 IPPY Bronze Medal. Parayno is a graduate of Vermont College of Fine Arts. She serves on the board of the San Francisco-based literary arts nonprofit Philippine American Writers and Artists (PAWA) and the Munster Literature Centre in Cork, Ireland. Parayno lives in Cameron Park, California, where she co-facilitates the Cameron Park Library Writers Workshop.Veruska Cantelli is Associate Professor in the Core Division at Champlain College. Before that, she was an Assistant Professor of Rhetoric and Interdisciplinary Studies at the Center for Global Communication Strategies at the University of Tokyo and also taught Comparative Literature at Queens College, CUNY with a focus on literature of war and women's autobiographies, particularly on non-western narratives of the self. She is the translator of Lettere Rivoluzionarie by Diane di Prima (2021), and the author of "The Dance of Bones: Tomioka Taeko's Stage of Reprobates" in Otherness: Essays and Studies (2021), "The Maternal Lineage: Orality and Language in Natalia Ginzburg's Family Sayings" for the Journal of International Women's Studies (2017) as well as several articles and interviews for Warscapes magazine. She is the...

Artist, creative technologist, and educator, Idris Brewster grew up in Brooklyn, being filmed for a documentary about his education as a black student at a prestigious, primarily white, school. His coming-of-age, only partially caught on camera, included a lot of basketball and hands-on artistic development. A grant awarded in college gave him early access to VR technology which opened a path to combining all of his talents and interests and expressing them through new media. Now, as co-founder and Executive Director of Kinfolk Foundation, he's harnessing augmented reality, location-based technology, and community to engage in placing digital monuments in public spaces, memory building, and foregrounding the Black, Brown and Queer histories that have been intentionally silenced. Head to cleverpodcast.com for a transcript (with links!) of this episode, images, resources, and over 200+ more episodes! Subscribe to our free substack for updates, bonus content, and new episode alerts.For info, resources, and special offers from our guests and sponsors: Clever ResourcesSpecial thanks to our sponsor: Wix Studio is the platform that allows you to create exceptional sites with smart tools that streamline your workflows.Gild Insurance is revolutionizing the small business landscape and putting the power back in creative entrepreneurs' hands with Credited and Healthcare for Creatives.Please say Hi on social! X, Instagram, Linkedin and Facebook - @CleverPodcast, @amydeversIf you enjoy Clever we could use your support! Please consider leaving a review, making a donation, becoming a sponsor, or introducing us to your friends! We love and appreciate you!Clever is hosted & produced by Amy Devers, with editing by Mark Zurawinski, production assistance from Ilana Nevins and Anouchka Stephan, and music by El Ten Eleven. Hosted on Acast. See acast.com/privacy for more information.

Giustina Selvelli"Capire il confine"Gorizia e Nova Gorica: lo sguardo di un'antropologa indaga la frontieraCuratela: Martina NapolitanoBottega Errante Edizioniwww.bottegaerranteedizioni.itLa mia frontiera, quella che ho abitato e percorso sin dalla primissima infanzia, e di cui ho preso coscienza soltanto con il passaredegli anni: è da qui che si parte per indagare i margini, non più solo solchi di divisione, ma territori di identità molteplici, esempi della migliore Europa.Un'antropologa sovrappone la sua biografia personale, intima e soggettiva, alla storia della frontiera, delle genti che la abitano, delle politiche che la fanno sparire e poi riemergere a seconda dei casi. Dalla cortina di ferro all'eliminazione delle dogane, dalla rete divisoria durante la pandemia di Covid-19 alla sospensiоne dei trattati di Schengen sulla libera circolazione di persone e merci, dalla rotta balcanica all'annuncio della Capitale europea della cultura 2025: un margine sempre in movimento, contraddittorio, instabile, vivo. Uno strumento dedicato a studiosi, curiosi, turisti e appassionati della frontiera orientale, e di tutte le frontiere in generale, corredato da capitoli di approfondimento, mappe, cronologie, per consentire di navigare dentro la complessità delle terre del Goriziano italiano e sloveno nella loro affascinante attualità. Un resoconto appassionante e documentato che getta luce su aspetti socioantropologici emblematici per comprendere che cosa significa abitare una terra di frontiera.Giustina Selvelli, ricercatrice post-doc all'università di Ljubljana. Antropologa e sociolinguista, si occupa di minoranze etniche, ecologia e nazionalismo nello spazio del Sudest europeo. È autrice di una trentina di articoli accademici e delle monografie The Alphabet of Discord (Ibidem, 2021) sui sistemi di scrittura balcanici e Language Attitudes, Collective Memory and (Trans)National Identity Construction Among the Armenian Diaspora in Bulgaria (Peter Lang, 2024) sulla diaspora armena in Bulgaria. È una delle autrici del volume Capire i Balcani occidentali (Bottega Errante, 2021). Collabora attivamente con l'Associazione Meridiano 13 scrivendo articoli di divulgazione.IL POSTO DELLE PAROLEascoltare fa pensarewww.ilpostodelleparole.itDiventa un supporter di questo podcast: https://www.spreaker.com/podcast/il-posto-delle-parole--1487855/support.

Today's Chump Line features plenty of Karen Read case fodder. Then, Howie shares the majors, concentrations, and other disciplines of a handful of NYU students. Visit the Howie Carr Radio Network website to access columns, podcasts, and other exclusive content.

Today we are joined by Beirut-based journalist Kim Ghattas, author of the bestselling book Black Wave: Saudi Arabia, Iran, and the Forty-Year Rivalry that Unraveled Culture, Religion, and Collective Memory in the Middle East. She is also a contributing editor at the Financial Times.We're speaking to Kim about the unprecedented, overt attacks exchanged this month between Israel and Iran — most recently an Israeli strike on Friday near the Iranian city of Isfahan. Where is this dangerous tit-for-tat headed next, and what's at stake? What do Iran and Israel's leaders actually want here? And what does it mean for the wider region?For transcripts of Front Burner, please visit: https://www.cbc.ca/radio/frontburner/transcriptsTranscripts of each episode will be made available by the next workday.

In the 1970s, lesbian and feminist organizations popped up in cities across the nation. Minneapolis and Saint Paul were no exception. Here in the Twin Cities, the Amazon Feminist Book Store, Lesbian Resource Center, and Lesbian Feminist Organizing Committee all provided space and community for newly out lesbians and queer women.At the same time, a small network of transgender women started their own type of organizing, one that relied more on mutual support than a physical meeting place.But these groups weren't mutually exclusive. In the late 1970s, a trans woman named Sissy Potter tried to join a lesbian feminist group called A Woman's Coffee House. She's probably not the only one, either. On the season 8 finale of MinneCulture from producer Kira Schukar, Sissy's letter sparks a conversation about feminism, gender, and transfeminism in the Twin Cities and beyond.Content warning: This podcast contains a transphobic slur and comments.MinneCulture is hosted by John Gebretatose and edited by Julie Censullo. Support for MinneCulture is provided by the Minnesota Arts & Cultural Heritage fFund. Music from Blue Dot Sessions:Silver Lanyard by BittersBorough by MoleriderTwo Pound by MuffulettaEggs and Powder by MuffalettaDowdy by MuffalettaTrue Shape by MuffalettaSources:“2023 Anti-Trans Legislation.” Trans Legislation Tracker, https://translegislation.com/bills/2023. Accessed 26 Mar. 2024.2023 State Equality Index: A Review of State Legislation Affecting the Lesbian, Gay, Bisexual, Transgender and Queer Community and a Look Ahead in 2024. Human Rights Campaign Foundation, 2024, https://reports.hrc.org/2023-state-equality-index?_ga=2.7211186.1288380725.1706647812-211073266.1705959553.Enke, Finn. “Collective Memory and the Transfeminist 1970s: Toward a Less Plausible History.” TSQ: Transgender Studies Quarterly, vol. 5, no. 1, Feb. 2018, pp. 9–29.---. Finding the Movement: Sexuality, Contested Space, and Feminist Activism. Duke University Press, 2007.---. “Smuggling Sex through the Gates: Race, Sexuality, and the Politics of Space in Second Wave Feminism.” American Quarterly, vol. 55, no. 4, Dec. 2003, pp. 635–67.Franklin, Michael David, et al., editors. Queer Twin Cities. University of Minnesota Press, 2010.Grossman, Mary Ann. “Pioneering True Colors Feminist Bookstore Expected to Close in February.” Twin Cities Pioneer Press, 27 Dec. 2011, https://www.twincities.com/2011/12/27/pioneering-true-colors-feminist-bookstore-expected-to-close-in-february/.McNaron, Toni. “About Toni.” Toni McNaron, https://tonimcnaron.com/about/. Accessed 26 Mar. 2024.Van Cleve, Stewart. Land of 10,000 Loves: A History of Queer Minnesota. University of Minnesota Press, 2012.Whitaker, Jan. “‘Way Out' Coffeehouses.” Restaurant-Ing Through History, 28 Sept. 2009, https://restaurant-ingthroughhistory.com/2009/09/28/way-out-coffeehouses/.

Brought to you by Paranormal Underground Radio Episode Date: 2.6.2024 Hosts: Karen Frazier, Chuckie G, and Cheryl Knight-Wilson Overall Show Notes: In this episode of Mindful Mystics, Karen, Cheryl and Chuckie G discuss glitches in the matrix, the Mandela Effect, and what it all could possibly mean. Are we living in a giant simulation? Listen and decide for yourself. Please check out: Paranormal Underground magazine: https://paranormalunderground.net/ Author and psychic medium Karen Frazier: https://www.authorkarenfrazier.com/#/ Paranormal Investigator and psychic medium Chuckie G: https://chuckieg.net/ Timestamped Show Notes: Introduction to the Episode [00:09 - 01:04] Chucky G introduces the podcast and the episode's theme, glitches in the Matrix, alongside hosts Karen Fraser and Cheryl Knight. The hosts share a humorous moment about experiencing their own "glitch" by missing a January show, suggesting they did one in an alternate reality. The Mandela Effect & Parallel Universes [01:10 - 02:41] The conversation shifts to the Mandela Effect and the concept of parallel universes. Cheryl recounts a synchronicity involving her decision not to write about the Mandela Effect for Paranormal Underground magazine, only for the theme to resurface through a podcast suggestion and a coincidental article submission. Personal Experiences with Reality Glitches [02:52 - 07:52] Karen shares a personal story about experiencing a glitch with a work-related article, sparking a discussion on the nature of reality and whether we experience overlaps of alternate realities, especially highlighted by unexplainable occurrences and the phenomenon of deja vu. Quantum Physics and the Nature of Reality [07:52 - 13:31] The hosts delve into quantum physics and the many-worlds interpretation, discussing how every decision might create a branching path in an infinite web of parallel universes. They ponder if our consciousness might shift between these realities, contributing to experiences of glitches or Mandela Effects. AI, Consciousness, and Reality Creation [13:31 - 16:05] Discussion turns to the idea of reality as a simulation, possibly managed by advanced AI or extraterrestrial beings. The hosts speculate on the implications of AI becoming self-aware and the role of consciousness in shaping our reality and experiences. Mandela Effects and Collective Memory [17:25 - 19:55] The team discusses various well-known Mandela Effects, such as the misremembering of brand names or historical events, exploring how these phenomena may point to the existence of alternate realities or the fallibility of human memory. Synchronicities and the Fabric of Reality [21:37 - 23:17] Cheryl brings up the concept of synchronicity, sharing examples from Paranormal Underground magazine that suggest a deeper, interconnected web of events and experiences, possibly hinting at the underlying structure of reality. Personal Growth and Letting Go of Control [23:54 - 28:43] The hosts reflect on their personal journeys of learning to let go of the illusion of control, embracing trust in the universe, and finding peace in the acceptance of life's flow, highlighting the importance of self-growth and mindfulness. Concluding Thoughts [55:26 - 57:17] The episode concludes with the announcement of an upcoming guest and a recap of the themes discussed. The hosts express hope for future explorations and invite listeners to share their experiences with reality glitches on the Mindful Mystics Facebook page.

What does the Israel-Hamas war mean for the region and the world? That's what's on the minds of policymakers as the conflict enters a new phase with the start of Israel's ground invasion of Gaza. Experts Kim Ghattas and Steven A. Cook share their analysis with host Ravi Agrawal. Ghattas is a journalist based in Beirut and the author of Black Wave: Saudi Arabia, Iran, and the Forty-Year Rivalry That Unraveled Culture, Religion, and Collective Memory in the Middle East. Cook is a regular FP columnist and a senior fellow at the Council on Foreign Relations. Suggested reading: Kim Ghattas: Black Wave: Saudi Arabia, Iran, and the Forty-year Rivalry that Unraveled Culture, Religion, and Collective Memory in the Middle East Steven A. Cook: Saudi Arabia is Mysteriously Absent in the Israel-Hamas War Steven A. Cook: Why the U.S. Tolerates Qatar's Hamas Ties Oliver Stuenkel: Why the Global South is Accusing America of Hypocrisy Learn more about your ad choices. Visit megaphone.fm/adchoices

Thursday, November 2nd, 2023   Hajar Yazdiha is an Assistant Professor of Sociology at the USC Dornsife College of Letters, Arts, and Sciences and the author of The Struggle for the People's King: How Politics Transforms the Memory of the Civil Rights Movement. We discuss the role of collective memory in the myth-making of American exceptionalism.    Collective memory is the way that we remember history and that becomes central to our idea of who we are as a people. It's a process of storytelling and the most central stories to who we are as a people. The civil rights movement has become one of the central collective memories in America's story of both who it is and who it wants to be. However, careful examination of the record reveals that the civil rights movement was a political project that was meant to actually dismantle multicultural democracy. Further, as the collective memory of Dr. King became sanitized and whitewashed, his legacy carried a lot of moral legitimacy, and his moral symbolic authority became ripe for manipulation.   Follow Hajar on Twitter:  https://twitter.com/HajYazdiha    Follow Mila on Twitter:  https://twitter.com/milaatmos    Follow Future Hindsight on Instagram:  https://www.instagram.com/futurehindsightpod/   Love Future Hindsight? Take our Listener Survey!  http://survey.podtrac.com/start-survey.aspx?pubid=6tI0Zi1e78vq&ver=standard    Take the Democracy Group's Listener Survey! https://www.democracygroup.org/survey   Want to support the show and get it early?  https://patreon.com/futurehindsight    Check out the Future Hindsight website!  www.futurehindsight.com   Read the transcript here:  https://www.futurehindsight.com/episodes/shaping-collective-memory-hajar-yazdiha      Credits:  Host: Mila Atmos  Guests: Hajar Yazdiha Executive Producer: Mila Atmos Producer: Zack Travis

Experts say disinformation around the Israel-Hamas war is running rampant. On this week's On the Media, a guide to understanding your feed in the midst of armed conflict. Plus, a deep dive into Saudi Arabia's rebranding experiment. 1. Mike Caulfield [@uwcip], a research scientist at the University of Washington's Center for an Informed Public, Aric Toler [@AricToler], a reporter at the visual investigations team at the New York Times, and Shayan Sadarizadeh [@Shayan86], a journalist at BBC Monitoring and BBC Verify, on how to navigate your social media feed in the midst of the war in Israel and Gaza. Listen.  2. OTM correspondent Micah Loewinger [@MicahLoewinger] looks at Saudi Arabia's strategy to shore up its power, and the role the nation could play in negotiations for peace between Israel and Palestine. Featuring: Justin Scheck [@ScheckNYTimes], a reporter at the New York Times, and co-author of Blood and Oil: Mohammed Bin Salman's Ruthless Quest For Global Power, Ahmed Al Omran [@ahmed], a reporter based in Saudi Arabia, and Kim Ghattas [@KimGhattas], a writer at The Atlantic and author of Black Wave: Saudi Arabia, Iran, and the Forty-Year Rivalry That Unraveled Culture, Religion, and Collective Memory in the Middle East. Listen. 

Experts say disinformation around the Israel-Hamas war is running rampant. On this week's On the Media, a guide to understanding your feed in the midst of armed conflict. Plus, a deep dive into Saudi Arabia's rebranding experiment. 1. Mike Caulfield [@uwcip], a research scientist at the University of Washington's Center for an Informed Public, Aric Toler [@AricToler], a reporter at the visual investigations team at the New York Times, and Shayan Sadarizadeh [@Shayan86], a journalist at BBC Monitoring and BBC Verify, on how to navigate your social media feed in the midst of the war in Israel and Gaza. Listen.  2. OTM correspondent Micah Loewinger [@MicahLoewinger] looks at Saudi Arabia's strategy to shore up its power, and the role the nation could play in negotiations for peace between Israel and Palestine. Featuring: Justin Scheck [@ScheckNYTimes], a reporter at the New York Times, and co-author of Blood and Oil: Mohammed Bin Salman's Ruthless Quest For Global Power, Ahmed Al Omran [@ahmed], a reporter based in Saudi Arabia, and Kim Ghattas [@KimGhattas], a writer at The Atlantic and author of Black Wave: Saudi Arabia, Iran, and the Forty-Year Rivalry That Unraveled Culture, Religion, and Collective Memory in the Middle East. Listen. 

Hunter and I chat with the founder of the Farsight Institute, Courtney Brown, about remote viewing, the holes in the mainstream alien narrative, the freewill ETs, Earth as prison planet, shooting high definition footage of UFOs, and much more. Courtney’s website: http://courtneybrown.com/  Farsight Prime: https://www.farsightprime.com/  The Farsight Institute: https://farsight.org/  The Farsight YouTube channel: https://www.youtube.com/@Farsight  To... Read More

In this episode, Xavier Bonilla has a dialogue with Hajar Yazdiha about collective memory and the legacy of Dr. Martin Luther King Jr. They discuss how we can accruately understand Dr. King's message and legacy, how we reckon with history, and what a multicultural coalition looks like today. They discuss collective memory, creating culture, primary audience of Dr. King's message, various groups using Dr. King's message, and many more topics. Hajar Yazdiha is a sociologist and writer. She is an Assistant Professor of Sociology and faculty affiliate of the Equity Research Institute at the University of Southern California. She has her PhD in Sociology from the University of North Carolina, Chapel Hill. Her main research areas are on social movements, race and ethnicity, immigration, and collective memory. She is the author of, The Struggle for the People's King: How Politics Transforms the Memory of the Civil Rights Movement. Website: https://www.hajaryazdiha.com/Twitter: @hajyazdiha This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit convergingdialogues.substack.com

This podcast is a commentary and does not contain any copyrighted material of the reference source. We strongly recommend accessing/buying the reference source at the same time. ■Reference Source https://www.ted.com/talks/refik_anadol_how_ai_art_could_enhance_humanity_s_collective_memory ■Post on this topic (You can get FREE learning materials!) https://englist.me/72-academic-words-reference-from-refik-anadol-how-ai-art-could-enhance-humanitys-collective-memory-ted-talk/ ■Youtube Video https://youtu.be/cEso6dkeEI4 (All Words) https://youtu.be/EIJ-yixEEB4 (Advanced Words) https://youtu.be/4F4maq2lxJc (Quick Look) ■Top Page for Further Materials https://englist.me/ ■SNS (Please follow!)

With data as his paintbrush, media artist Refik Anadol trains AI algorithms to visualize the disappearing wonders of nature. He gives a beautiful tour of his recent work -- imagery of artificial coral reefs, flowers, rainforests -- and ponders: Can we use AI to preserve our memories of the fading natural world?

With data as his paintbrush, media artist Refik Anadol trains AI algorithms to visualize the disappearing wonders of nature. He gives a beautiful tour of his recent work -- imagery of artificial coral reefs, flowers, rainforests -- and ponders: Can we use AI to preserve our memories of the fading natural world?

With data as his paintbrush, media artist Refik Anadol trains AI algorithms to visualize the disappearing wonders of nature. He gives a beautiful tour of his recent work -- imagery of artificial coral reefs, flowers, rainforests -- and ponders: Can we use AI to preserve our memories of the fading natural world?

In 1988, an explosion killed six Kansas City firefighters. Closure Is Not Justice is a public art project drawing attention to the 1988 explosion, and the public campaign that generated false testimony among residents in the Marlborough neighborhood, turning neighbor against neighbor, all for the sake of closure.Closure Is Not Justice Exhibition Opening - Friday, September 1 Vulpes Bastille gallery in the Crossroads, KC. Andrew Johnson is an author, essayist, and artist living in Kansas City, Missouri. His work has appeared in The Sun, Image, Commonweal, Crazyhorse, and elsewhere, and he is the author of two books: The Thread and On Earth As It Is. He is the recipient of a Charlotte Street Foundation residency, a Rocket Grant from the Andy Warhol Foundation, an ArtsKC Inspiration grant, a Vermont Studio Center residency, and a National Endowment for the Arts fellowship.Closure Is Not Justice https://www.closureisnotjustice.com/Andrew's Substack https://thethread.substack.com/p/closure-is-not-justice?utm_source=substack&utm_medium=emailAndrew's website https://www.andrewmichaeljohnson.com/FB: andrewjohnsonkc / IG: andrew.johnson.kcSeasoned and fresh-faced artists (of every genre) discuss how to make creativity work within the complexities and challenges of adult life. Confessing Animals podcast co-hosts Jen Harris + Vanessa Aricco, both working writers, unveil the secrets and struggles of creative living in a rapid fire capitalist society. One guest at a time, Jen + Vanessa ask, How Does Your Life Translate to Art?Intro and music by Ashley Raines https://www.ashleyrainesmusic.com/Support the show

In this episode, host Adaku Utah is in conversation with Mariame Kaba about transformative spaces and practices to reclaim our interdependence and collective memory.

In this episode of the podcast, join host Rob Lee as he engages in a fascinating conversation with Emilio Maldonado, an Afro-Caribbean artist living and working in Philadelphia. Emilio's work provides a unique perspective from the systematically disenfranchised, utilizing discarded materials to explore the significance of objects in collective memory and the construction of narratives.During their conversation, Emilio and Rob touch upon various intriguing topics, including: Emilio's early creative experiences that sparked his interest in art and creativity. The experience of living and working as an artist in Philadelphia. Emilio's artistic journey, encompassing both 2D and 3D work and the themes and ideas that drive his current artistic practice. The sense of irony and satire present in Emilio's artwork and the feelings he aims to express through his art. The core inspirations that fuel Emilio's creative process and artistic expression. The importance of approaching his work from the perspective of the systematically disenfranchised and its significance in his artistic vision. Join us in this enlightening episode as Emilio Maldonado shares his unique perspective and insights into his artistry, offering thought-provoking perspectives on perception, memory, the impact of social constructs, and mental health.

This Sarde is brought to you by our incredible patrons at www.patreon.com/sardeafterdinner. Without you guys, there is no Sarde (after dinner). Thank you.   What really happened in the 1860 Mount Lebanon conflict between the Druze and the Maronites? How does it tie into the 15-year civil war(s)? Lebanese lecturer and researcher Makram Rabah joins us to demystify one of the most obscure periods in Lebanon's history, reveals the context of these conflicts and provides insight on the current geopolitical political dynamics of the region. In this #sardeafterdinner, we discuss:    -Weaponizing collective memory -The roots of the Lebanese Druze and Maronites -The Mount Lebanon Conflicts  -Deconstructing the narrative surrounding Bachir Gemayel & Kamal Joumblatt  -The Iran-KSA deal in Beijing & Walid Joumblatt  -How silence over political violence encourages impunity                           __________________   ما حصل فعلًا خلال النزاع على جبل لبنان في 1860 بين الدروز والموارنة؟ وما علاقة ذلك بالحرب (أو الحروب) الأهلية في لبنان عام 1975-1990؟ ينضم إلينا المحاضر اللبناني والباحث مكرم رباح حيث يقوم بإزالة الغموض حول هذه الفترة من تاريخ لبنان والكشف عن سياق تلك النزاعات وتسليط الضوء على التغيرات الجيوسياسية في المنطقة. في هذه الحلقة من #سردة، نتحدث عن:    -تسليح الذاكرة الجماعية اللبنانية -جذور الدروز والموارنة في لبنان  -النزاعات على جبل لبنان -تفكيك السرديات حول بشير جميل وكمال جنبلاط -الاتفاق الإيراني-السعودي في بكين ووليد جنبلاط -السكوت عن العنف السياسي يخدم ثقافة الإفلات من العقاب     Sarde (noun), [Sa-r-de]: A colloquial term used in the Middle East to describe the act of letting go & kicking off a stream of consciousness and a rambling narrative. The Sarde After Dinner Podcast is a free space based out of the heart of Beirut, Lebanon, where Médéa Azouri & Mouin Jaber discuss a wide range of topics (usually) held behind closed doors in an open and simple way with guests from all walks of life.   سردة (إسم) سَرْدَةْ : مصطلح بالعامية يستخدم في منطقة الشرق الأوسط للدلالة على الاسترخاء وإطلاق سردية. يشكّل بودكاست سردة بعد العشاء مساحة حرّة من قلب بيروت، لبنان، حيث تناقش ميديا عازوري ومعين جابر عدّة مواضيع (لطالما) تمّت مناقشتها خلف أبواب مغلقة وذلك بطريقة بسيطة ومباشرة مع ضيوف من شتّى المجالات.   SARDE EVERY SUNDAY with NEW EPISODES released WEEKLY! 9:00 PM

Dr. Tim Cox | Miami Valley Church

The sisters conclude their death and spectacle series with further thoughts on the dead deprived of commemoration.  From the repository of graves on New York City's Hart Island to the erasure of historic Black cemeteries in the American South, they explore the ways in which human remains are stratified, relegated and discarded in ways that lay bare the injustice of life.Or, in the case of Body Worlds, forever plastinated and displayed for public view—without their owners' consent—in what Edward Rothstein described as an act of “aestheticized grotesqueness.”  What makes certain land and bodies sacred (or literally, saintly) while rendering others disposable? What can the living learn from the politics of remembering and forgetting remains? Sources cited include Joan Didion's South and West, Zora Neale Hurston's Their Eyes Were Watching God, Eliza Franklin's Lost Legacy Project for the UCLA Urban Humanities Initiative, Susan Sontag's "On Photography," the Equal Justice Initiative's Community Remembrance Project, Jacqueline Goldsby's A Spectacular Secret, Dorothea Lange's 1956 photographs of California's Berryessa Valley, Marita Sturkin's “The Aesthetics of Absence,” Seth Freed Wessler's 2022 ProPublica investigation “How Authorities Erased a Historical Black Cemetery in Virginia,” Robert McFarlane's 2019 New Yorker piece “The Invisible City Beneath Paris,” Melinda Hunt's Hart Island Project (www.hartisland.net), Nina Bernstein's 2016 New York Times piece “Unearthing the Secrets of New York's Mass Graves,” “Young Ruin” from 99% Invisible, and NPR's 2006 reporting on ethical concerns over Body Worlds.Cover photo of Hart Island's common trench burials is by Jacob Riis, 1890.

Permanent information storage is not just a means of preserving data, but a way to resist the grip of authoritarian regimes. According to Sam Williams, co-founder of Arweave, immutable storage systems are a revolutionary movement that will make a more objective truth accessible forever. DISCLAIMER The information on this podcast is provided for educational, informational, and entertainment purposes only, without any express or implied warranty of any kind, including warranties of accuracy, completeness, or fitness for any particular purpose. The information contained in or provided from or through this podcast is not intended to be and does not constitute financial advice, investment advice, trading advice, or any other advice. The information on this podcast is general in nature and is not specific to you, the user or anyone else. You should not make any decision, financial, investment, trading or otherwise, based on any of the information presented on this podcast without undertaking independent due diligence and consultation with a professional broker or financial advisor. 

Recorded inside the National Museum of African American History and Culture in DC, this is a conversation about how and what we remember with the museum's director (who is also a poet, an essayist and a New Yorker editor on the side) Kevin Young. Shared with thanks to PBS and easily viewed on www.PBS.org/kelly.