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David Wojahn grew up in St. Paul, Minnesota. He studied at the University of Minnesota and the University of Arizona. Ever since his first collection, Icehouse Lights, was chosen for the Yale Series of Younger Poets award in 1981, Wojahn has been one of American poetry's most thoughtful examiners of culture and memory. His work often investigates how history plays out in the lives of individuals, and poet Tom Sleigh says that his poems “meld the political and personal in a way that is unparalleled by any living American poet.”Wojahn's book World Tree (2011) received the Lenore Marshall Poetry Prize from the Academy of American Poets. His collection Interrogation Palace: New and Selected Poems 1982–2004 (2006), which Peter Campion called “superb” and “panoramic” in a review for Poetry, showcases Wojahn's formal range, the scope of his personal narratives, and his intense, imaginative monologues and character sketches, such as his sonnets on pop culture icons and rock-and-roll musicians in Mystery Train (1990). He is also celebrated for the emotional resonance of his poetry—the ability to, in the words of poet Jean Valentine, “follow … tragedy to its grave depths, with dignity and unsparingness, and egolessness.”In addition to his books of poetry, Wojahn is the author of From the Valley of Making: Essays on the Craft of Poetry (2015) and Strange Good Fortune (2001), a collection of essays on contemporary poetry. He coedited A Profile of Twentieth Century American Poetry (1991), and edited a posthumous collection of his wife Lynda Hull's poetry, The Only World (1995).Wojahn has received fellowships from the Guggenheim Foundation, the National Endowment for the Arts, the Fine Arts Work Center in Provincetown, the Illinois Arts Council, and the Indiana Arts Commission. He teaches poetry at Virginia Commonwealth University and in the low residency MFA in Writing program at the Vermont College of Fine Arts.-bio via Poetry Foundation This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit dailypoempod.substack.com/subscribe

Today I have the honor and the pleasure to speak once again with celebrated poet and physician, Fady Joudah. The last time Fady was on the podcast was in November, 2023, shortly after the outbreak of war in Gaza. At that point we spoke about the impossibility of, even then, quantifying the genocide. Today we focus on the politics of language—in particular, the distinction Fady Joudah makes between Palestine in English, and Palestine in Arabic. We speak too of the need for and limitations of solidarity, and finish with a reading and discussion of one of Fady Joudah's most remarkable and stunning poems, “Truth is Never Finished.”  Fady Joudah is a Palestinian American physician, poet, and translator. He was born in Austin, Texas, and grew up in Libya and Saudi Arabia. He was educated at the University of Georgia, the Medical College of Georgia, and the University of Texas Health Sciences in Houston. In 2002 and 2005 he worked with Doctors Without Borders in Zambia and Sudan, respectively.Joudah's debut collection of poetry, The Earth in the Attic (2008), won the 2007 Yale Series of Younger Poets competition, chosen by Louise Glück. Joudah followed his second book of poetry, Alight (2013) with Textu (2014), a collection of poems written on a cell phone wherein each piece is exactly 160 characters long. His fourth collection is Footnotes in the Order of Disappearance (2018).  In 2014, Joudah was a Guggenheim Fellow in poetry. As critic Charles Bainbridge observed in a 2008 Guardian review of The Earth in the Attic, “Joudah's poetry thrives on dramatic shifts in perspective, on continually challenging received notions.”Joudah translated  several collections of Palestinian poet Mahmoud Darwish's work in The Butterfly's Burden (2006), which won the Banipal prize from the UK and was a finalist for the PEN Award for Poetry in Translation; and in If I Were Another, which won a PEN USA award in 2010. His translation of Ghassan Zaqtan's Like a Straw Bird It Follows Me (2012) won the Griffin International Poetry Prize in 2013. His other translations include Amjad Nasser's Petra: The Concealed Rose and A Map of Signs and Scents.Joudah lives with his family in Houston, where he works as a physician of internal medicine.

Fady Joudah is an esteemed Palestinian Poet/Activist. And we had a great long conversation with him about poetry and resistance, conditions in Gaza, the difficulty of describing the Palestinian struggle in English, the failure of the west to defend Gaza, and much more. And we finished with Fady reading and deconstructing some of his poetry for us. Bio// Fady Joudah is a Palestinian American physician, poet, and translator. He was born in Austin, Texas, and grew up in Libya and Saudi Arabia. He was educated at the University of Georgia, the Medical College of Georgia, and the University of Texas Health Sciences in Houston. In 2002 and 2005 he worked with Doctors Without Borders in Zambia and Sudan, respectively.Joudah's debut collection of poetry, The Earth in the Attic (2008), won the 2007 Yale Series of Younger Poets competition, chosen by Louise Glück. Joudah followed his second book of poetry, Alight (2013) with Textu (2014), a collection of poems written on a cell phone wherein each piece is exactly 160 characters long. His fourth collection is Footnotes in the Order of Disappearance (2018). In 2014, Joudah was a Guggenheim Fellow in poetry. As critic Charles Bainbridge observed in a 2008 Guardian review of The Earth in the Attic, “Joudah's poetry thrives on dramatic shifts in perspective, on continually challenging received notions.”Joudah translated several collections of Palestinian poet Mahmoud Darwish's work in The Butterfly's Burden (2006), which won the Banipal prize from the UK and was a finalist for the PEN Award for Poetry in Translation; and in If I Were Another, which won a PEN USA award in 2010. His translation of Ghassan Zaqtan's Like a Straw Bird It Follows Me (2012) won the Griffin International Poetry Prize in 2013. His other translations include Amjad Nasser's Petra: The Concealed Rose and A Map of Signs and Scents.Joudah lives with his family in Houston, where he works as a physician of internal medicine.—————-Outro- "Green and Red Blues" by MoodyLinks//+ Fady Joudah: https://www.poetryfoundation.org/poets/fady-joudahFollow Green and Red// +G&R Linktree: ⁠⁠⁠https://linktr.ee/greenandredpodcast⁠⁠⁠ +Our rad website: ⁠⁠⁠https://greenandredpodcast.org/⁠⁠⁠ + Join our Discord community (https://discord.gg/vgKnY3sd)+Follow us on Bluesky (https://bsky.app/profile/podcastgreenred.bsky.social)Support the Green and Red Podcast// +Become a Patron at https://www.patreon.com/greenredpodcast +Or make a one time donation here: ⁠⁠⁠https://bit.ly/DonateGandR⁠⁠⁠ Our Networks// +We're part of the Labor Podcast Network: ⁠⁠⁠https://www.laborradionetwork.org/⁠⁠ +We're part of the Anti-Capitalist Podcast Network: linktr.ee/anticapitalistpodcastnetwork +Listen to us on WAMF (90.3 FM) in New Orleans (https://wamf.org/) This is a Green and Red Podcast (@PodcastGreenRed) production. Produced by Bob (@bobbuzzanco) and Scott (@sparki1969). Edited by Isaac.

Even though Palestinian-American Fady Joudah's poem is sparingly titled “[...],” an ellipsis surrounded by brackets, this work itself is psychologically dense. Through crisp lines and language, it wrestles with the nature of human ambivalence — about things like fear, desire, disaster, liberty — and it finds certainty only in the shaky universal ground of that ambivalence.Fady Joudah is the author of […]. He has also published five other collections of poems, including Textu, a book-long sequence of short poems whose meter is based on cellphone character count; Footnotes in the Order of Disappearance; and Tethered to Stars. He has translated several collections of poetry from Arabic and is the co-editor and co-founder of the Etel Adnan Poetry Prize. He was a winner of the Yale Series of Younger Poets competition in 2007 and has received the Jackson Poetry Prize, a PEN award, a Banipal/Times Literary Supplement prize from the UK, the Griffin Poetry Prize, a Guggenheim Fellowship, and the Arab American Book Award. He lives in Houston, Texas, with his wife and children, where he works as a physician in internal medicine.Find the transcript for this show at onbeing.org.We're pleased to offer Fady Joudah's poem and invite you to subscribe to Pádraig's weekly Poetry Unbound Substack newsletter, read the Poetry Unbound book, or listen to past episodes of the podcast. Order your copy of Kitchen Hymns (new poems from Pádraig) and 44 Poems on Being with Each Other (new essays by Pádraig) wherever you buy books.

This week, acclaimed poets Diana Khoi Nguyen and Cindy Juyoung Ok read selections of their work, followed by a discussion of their processes, themes, techniques, and more. Presented by the Poetry Foundation. This conversation originally took place May 19, 2024 and was recorded live at the American Writers Festival.AWM PODCAST NETWORK HOMEAbout the writers:A poet and multimedia artist, DIANA KHOI NGUYEN is the author of Ghost Of (2018) which was a finalist for the National Book Award, and Root Fractures (2024). Her video work has recently been exhibited at the Miller Institute for Contemporary Art. Nguyen is a Kundiman fellow and member of the Vietnamese artist collective, She Who Has No Master(s). A recipient of a fellowship from the National Endowment for the Arts, and winner of the 92Y Discovery Poetry Contest and 2019 Kate Tufts Discovery Award, she currently teaches in the Randolph College Low-Residency MFA and is an Assistant Professor at the University of Pittsburgh.CINDY JUYOUNG OK is the author of Ward Toward from the Yale Series of Younger Poets and the translator of the forthcoming English translation of The Hell of That Star by Kim Hyesoon.

Craig Arnold, born November 16, 1967 was an American poet and professor. His first book of poems, Shells (1999), was selected by W.S. Merwin for the Yale Series of Younger Poets. His many honors include the 2005 Joseph Brodsky Rome Prize Fellowship in literature, the Amy Lowell Poetry Travelling Scholarship, a Hodder Fellowship, and fellowships from the Fulbright Program, the National Endowment for the Arts, and MacDowell. He taught poetry at the University of Wyoming. His poems have appeared in anthologies including The Best American Poetry 1998 and The New American Poets: A Bread Loaf Anthology, and in literary journals including Poetry, The Paris Review, The Denver Quarterly, Barrow Street, The New Republic and The Yale Review. Arnold grew up in the United States, Europe, and Asia. Arnold's Made Flesh won the 2009 High Plains Book Award and the 2008 Utah Book Award.In 2009, Arnold traveled to Japan to research volcanoes for a planned book of poetry. In April of that year, he disappeared while hiking on the island of Kuchinoerabujima. In the New York Times, the poet David Orr mourned the loss of Arnold, but noted it would “be a mistake to think of him as a writer silenced before his prime... His shelf space may be smaller than one would wish, but he earned every bit of it.”-bio via Copper Canyon Press and Poetry Foundation Get full access to The Daily Poem Podcast at dailypoempod.substack.com/subscribe

James Arlington Wright was born on December 13, 1927, in Martins Ferry, Ohio. His father worked for fifty years at a glass factory, and his mother left school at fourteen to work in a laundry; neither attended school beyond the eighth grade. While in high school in 1943, Wright suffered a nervous breakdown and missed a year of school. When he graduated in 1946, a year late, he joined the U.S. Army and was stationed in Japan during the American occupation. He then attended Kenyon College on the G.I. Bill, and studied under John Crowe Ransom. While there, he also befriended future fellow poet Robert Mezey. Wright graduated cum laude and Phi Beta Kappa in 1952. Wright traveled to Austria, where, on a Fulbright Fellowship, he studied the works of Theodor Storm and Georg Trakl at the University of Vienna. He returned to the U.S. and earned master's and doctoral degrees at the University of Washington, studying with Theodore Roethke and Stanley Kunitz. He went on to teach at The University of Minnesota, Macalester College, and New York City's Hunter College.The poverty and human suffering Wright witnessed as a child profoundly influenced his writing and he used his poetry as a mode to discuss his political and social concerns. He modeled his work after that of Thomas Hardy and Robert Frost, whose engagement with profound human issues and emotions he admired. The subjects of Wright's earlier books, The Green Wall (Yale University Press, 1957), winner of the Yale Series of Younger Poets Award, and Saint Judas (Wesleyan University Press, 1959), include men and women who have lost love or have been marginalized from society and they invite the reader to step in and experience the pain of their isolation. Wright possessed the ability to reinvent his writing style at will, moving easily from stage to stage. His earlier work adheres to conventional systems of meter and stanza, while his later work exhibits more open, looser forms, as with The Branch Will Not Break (Wesleyan University Press, 1963).Wright was elected a fellow of the Academy of American Poets in 1971, and, the following year, his Collected Poems (Wesleyan University Press) received the Pulitzer Prize in Poetry.Wright died in New York City on March 25, 1980. Get full access to The Daily Poem Podcast at dailypoempod.substack.com/subscribe

Today's poem is a shape poem dedicated to chefs, but (surprise?) it might be about more than cooking.John Hollander, one of contemporary poetry's foremost poets, editors, and anthologists, grew up in New York City. He studied at Columbia University and Indiana University, and he was a Junior Fellow of the Society of Fellows of Harvard University. Hollander received numerous awards and fellowships, including the Levinson Prize, a MacArthur Foundation grant, and the poet laureateship of Connecticut. He served as a Chancellor of the Academy of American Poets, and he taught at Hunter College, Connecticut College, and Yale University, where he was the Sterling Professor emeritus of English.Over the course of an astonishing career, Hollander influenced generations of poets and thinkers with his critical work, his anthologies and his poetry. In the words of J.D. McClatchy, Hollander was “a formidable presence in American literary life.” Hollander's eminence as a scholar and critic was in some ways greater than his reputation as a poet. His groundbreaking introduction to form and prosody Rhyme's Reason (1981), as well as his work as an anthologist, has ensured him a place as one of the 20th-century's great, original literary critics. Hollander's critical writing is known for its extreme erudition and graceful touch. Hollander's poetry possesses many of the same qualities, though the wide range of allusion and technical virtuosity can make it seem “difficult” to a general readership.Hollander's first poetry collection, A Crackling of Thorns (1958) won the prestigious Yale Series of Younger Poets Awards, judged by W.H. Auden. And in fact James K. Robinson in the Southern Review found that Hollander's “early poetry resembles Auden's in its wit, its learned allusiveness, its prosodic mastery.” Hollander's technique continued to develop through later books like Visions from the Ramble (1965) and The Night Mirror (1971). Broader in range and scope than his previous work, Hollander's Tales Told of the Fathers (1975) and Spectral Emanations (1978) heralded his arrival as a major force in contemporary poetry. Reviewing Spectral Emanations for the New Republic, Harold Bloom reflected on his changing impressions of the poet's work over the first 20 years of his career: “I read [A Crackling of Thorns] … soon after I first met the poet, and was rather more impressed by the man than by the book. It has taken 20 years for the emotional complexity, spiritual anguish, and intellectual and moral power of the man to become the book. The enormous mastery of verse was there from the start, and is there still … But there seemed almost always to be more knowledge and insight within Hollander than the verse could accommodate.” Bloom found in Spectral Emanations “another poet as vital and accomplished as [A.R.] Ammons, [James] Merrill, [W.S.] Merwin, [John] Ashbery, James Wright, an immense augmentation to what is clearly a group of major poets.”Shortly after Spectral Emanations, Hollander published Blue Wine and Other Poems (1979), a volume which a number of critics have identified as an important milestone in Hollander's life and career. Reviewing the work for the New Leader, Phoebe Pettingell remarked, “I would guess from the evidence of Blue Wine that John Hollander is now at the crossroads of his own midlife journey, picking out a new direction to follow.” Hollander's new direction proved to be incredibly fruitful: his next books were unqualified successes. Powers of Thirteen (1983) won the Bollingen Prize from Yale University and In Time and Place (1986) was highly praised for its blend of verse and prose. In the Times Literary Supplement, Jay Parini believed “an elegiac tone dominates this book, which begins with a sequence of 34 poems in the In Memoriam stanza. These interconnecting lyrics are exquisite and moving, superior to almost anything else Hollander has ever written.” Parini described the book as “a landmark in contemporary poetry.” McClatchy held up In Time and Place as evidence that Hollander is “part conjurer and part philosopher, one of our language's true mythographers and one of its very best poets.”Hollander continued to publish challenging, technically stunning verse throughout the 1980s and '90s. His Selected Poetry (1993) was released simultaneously with Tesserae (1993); Figurehead and Other Poems (1999) came a few years later. “The work collected in [Tesserae and Other Poems and Selected Poetry] makes clear that John Hollander is a considerable poet,” New Republic reviewer Vernon Shetley remarked, “but it may leave readers wondering still, thirty-five years after his first book … exactly what kind of poet Hollander is.” Shetley recognized the sheer variety of Hollander's work, but also noted the peculiar absence of anything like a personality, “as if the poet had taken to heart, much more fully than its author, Eliot's dictum that poetry should embody ‘emotion which has its life in the poem and not in the history of the poet.'” Another frequent charge leveled against Hollander's work is that it is “philosophical verse.” Reviewing A Draft of Light (2008) for Jacket Magazine, Alex Lewis argued that instead of writing “philosophizing verse,” Hollander actually “borrows from philosophy a language and a way of thought. Hollander's poems are frequently meta-poems that create further meaning out of their own self-interrogations, out of their own reflexivity.” As always, the poems are underpinned by an enormous amount of learning and incredible technical expertise and require “a good deal of time and thought to unravel,” Lewis admitted. But the rewards are great: “the book deepens every time that I read it,” Lewis wrote, adding that Hollander's later years have given his work grandeur akin to Thomas Hardy and Wallace Stevens.Hollander's work as a critic and anthologist has been widely praised from the start. As editor, he has worked on volumes of poets as diverse as Ben Jonson and Dante Gabriel Rossetti; his anthologist's credentials are impeccable. He was widely praised for the expansive American Poetry: The Nineteenth Century (1994), two volumes of verse including ballads, sonnets, epic poetry, and even folk songs. Herbert Mitgang of the New York Times praised the range of poets and authors included in the anthology: “Mr. Hollander has a large vision at work in these highly original volumes of verse. Without passing critical judgment, he allows the reader to savor not only the geniuses but also the second-rank writers of the era.” Hollander also worked on the companion volume, American Poetry: The Twentieth Century (2000) with fellow poets and scholars Robert Hass, Carolyn Kizer, Nathaniel Mackey, and Marjorie Perloff.Hollander's prose and criticism has been read and absorbed by generations of readers and writers. Perhaps his most lasting work is Rhyme's Reason. In an interview with Paul Devlin of St. John's University, Hollander described the impetus behind the volume: “Thinking of my own students, and of how there was no such guide to the varieties of verse in English to which I could send them and that would help teach them to notice things about the examples presented—to see how the particular stanza or rhythmic scheme or whatever was being used by the particular words of the particular poem, for example—I got to work and with a speed which now alarms me produced a manuscript for the first edition of the book. I've never had more immediate fun writing a book.” Hollander's other works of criticism include The Work of Poetry (1993), The Poetry of Everyday Life (1997), and Poetry and Music (2003).Hollander died on August 17, 2013 in Branford, Connecticut.-bio via Poetry Foundation Get full access to The Daily Poem Podcast at dailypoempod.substack.com/subscribe

Day 15: Cindy Juyoung Ok reads her poem “Claim.” They originally published the poem in Conjunctions Issue 75 (Fall 2020).  Cindy Juyoung Ok is the author of Ward Toward from the Yale Series of Younger Poets and an assistant English professor at the University of California Davis.  Text of today's poem and more details about our program can be found at: deerfieldlibrary.org/queerpoemaday/ Find books from participating poets in our library's catalog.  Queer Poem-a-Day is a program from the Adult Services Department at the Library and may include adult language. Queer Poem-a-Day is directed by poet and professor Lisa Hiton and Dylan Zavagno, Adult Services Coordinator at the Deerfield Public Library. Music for this fourth year of our series is from the second movement of the “Geistinger Sonata,” Piano Sonata No. 2 in C sharp minor, by Ethel Smyth, performed by pianist Daniel Baer. Queer Poem-a-Day is supported by generous donations from the Friends of the Deerfield Public Library and the Deerfield Fine Arts Commission.

Day 4: Richard Siken reads his new poem Cover Story, originally published in Pithead Chapel, which will appear in his forthcoming book I Do Know Some Things (Copper Canyon Press, 2025).  Richard Siken is a poet, painter, and filmmaker. His book Crush won the 2004 Yale Series of Younger Poets prize, selected by Louise Glück, a Lambda Literary Award, a Thom Gunn Award, and was a finalist for the National Book Critics Circle Award. His other books are War of the Foxes (Copper Canyon Press, 2015) and I Do Know Some Things (forthcoming, Copper Canyon Press, 2025). Siken is a recipient of a Pushcart Prize, two Lannan Fellowships, two Arizona Commission on the Arts grants, and a fellowship from the National Endowment for the Arts. He lives in Tucson, Arizona. Text of today's poem and more details about our program can be found at: deerfieldlibrary.org/queerpoemaday/ Find books from participating poets in our library's catalog.  Queer Poem-a-Day is a program from the Adult Services Department at the Library and may include adult language.  Queer Poem-a-Day is directed by poet and professor Lisa Hiton and Dylan Zavagno, Adult Services Coordinator at the Deerfield Public Library. Music for this fourth year of our series is from the second movement of the “Geistinger Sonata,” Piano Sonata No. 2 in C sharp minor, by Ethel Smyth, performed by pianist Daniel Baer. Queer Poem-a-Day is supported by generous donations from the Friends of the Deerfield Public Library and the Deerfield Fine Arts Commission. 

Day 2: Eduardo C. Corral read the title poem of his 2020 collection Guillotine (Graywolf Press).  Eduardo C. Corral is the son of Mexican immigrants. He's the author of Guillotine, published by Graywolf Press, and Slow Lightning, which won the 2011 Yale Series of Younger Poets competition. He's the recipient of a Guggenheim Fellowship, a Lannan Foundation Literary Fellowship, a Whiting Writers' Award, a National Endowment for the Arts Fellowship, and a Hodder Fellowship from Princeton University. He teaches in the MFA program at North Carolina State University. Text of today's poem and more details about our program can be found at: deerfieldlibrary.org/queerpoemaday/ Find books from participating poets in our library's catalog.  Queer Poem-a-Day is a program from the Adult Services Department at the Library and may include adult language.  Queer Poem-a-Day is directed by poet and professor Lisa Hiton and Dylan Zavagno, Adult Services Coordinator at the Deerfield Public Library. Music for this fourth year of our series is from the second movement of the “Geistinger Sonata,” Piano Sonata No. 2 in C sharp minor, by Ethel Smyth, performed by pianist Daniel Baer. Queer Poem-a-Day is supported by generous donations from the Friends of the Deerfield Public Library and the Deerfield Fine Arts Commission.   

The queens revisit some early, inspiring books of poetry that still slap! Come nerd out with us. If you'd like to support Breaking Form:Review the show on Apple Podcasts here.Buy our books:     Aaron's STOP LYING is available from the Pitt Poetry Series.     James's ROMANTIC COMEDY is available from Four Way Books.Read Linda Gregg's "Part of Me Wanting Everything to Live"Read an interview with Wayne Koestenbaum, "Dirty Mind: An Interview with WK" which appeared in LA Review of Books Read "Boy at the Patterson Falls" from Toi Derricotte's Captivity.Listen to Susan Mitchell read "A Rainbow" -- the fun starts around 11:08. It includes her singing in German….Read Cathy Song's "Ikebana" from Picture Bride, which won the 1982 Yale Series of Younger Poets and was also nominated for the National Book Critics Circle Award for Poetry.Listen to Cornelius Eady read some poems from Brutal Imagination (including "How I Got Born") and talk about Susan Smith here (forward to 23:50 mark). You can read the text of "How I Got Born" here (scroll down and click title to expand the whole poem). Eady turned the poems into a play of the same name; you can listen to Eady in conversation with Joe Morton about that process here (~47 min).

In conversation with Airea Dee Matthews Hanif Abdurraqib is the author of A Little Devil in America, a sweeping look at Black music, art, and culture that won the Carnegie Medal and the Gordon Burns Prize and was a finalist for the National Book Award. His other works include the essay collection They Can't Kill Us Until They Kill Us, which was named a best book of 2017 by Esquire, the Chicago Tribune, and NPR, among other outlets; Go Ahead in the Rain: Notes to A Tribe Called Quest, a New York Times bestseller and a National Book Critics Circle Award and Kirkus Prize finalist; and the poetry collection A Fortune for Your Disaster, winner of the 2020 Lenore Marshall Prize. His other essays, poems, and criticism have been published in a wide array of media. In There's Always This Year, Abdurraqib offers an emotional and historical meditation on basketball-who makes it, who we think should be successful in the game, and the very notion of role models. Airea D. Matthews is the 2022–23 Philadelphia Poet Laureate and directs the poetry program at Bryn Mawr College. Her collection Simulcra won the 2016 Yale Series of Younger Poets Prize and her work has appeared in The New York Times, Best American Poets, Gulf Coast, Harvard Review, and VQR, among other journals. Matthews' other honors include a 2022 Academy of American Poets Laureate Fellowship, a 2020 Pew Fellowship, and the 2016 Rona Jaffe Foundation Writers' Award. Her latest work, Bread and Circus, addresses themes of income inequality, commodification, and conventional economic theories through poetry, prose, and imagery. The book was nominated for an LA Times Poetry Book Prize. Because you love Author Events, please make a donation to keep our podcasts free for everyone. THANK YOU! (recorded 3/27/2024)

In conversation with Airea Dee Matthews Referred to by Nick Cave as ''exquisitely crafted fire bombs of incandescent rage,'' Nam Le's 36 Ways of Writing a Vietnamese Poem is a debut collection of verse that both honors and shatters the tropes of diasporic literature. Le is also the author of The Boat, a short story collection that takes readers to such places as New York City, Tehran, his birth country of Vietnam, and Australia, where he was raised and now lives. Winner of the Dylan Thomas Prize, the Australian Prime Minister's Literary Award, and a Pushcart Prize, this work has been widely anthologized, translated, and taught. Le has also contributed writing to a wide array of publications, including Zoetrope, The American Poetry Review, The Paris Review, Bomb, Boston Review, and One Story. Airea Dee Matthews is the 2022–23 Philadelphia Poet Laureate and directs the poetry program at Bryn Mawr College. Her collection Simulcra won the 2016 Yale Series of Younger Poets Prize and her work has appeared in The New York Times, Best American Poets, Gulf Coast, Harvard Review, and VQR, among other journals. Matthews' other honors include a 2022 Academy of American Poets Laureate Fellowship, a 2020 Pew Fellowship, and the 2016 Rona Jaffe Foundation Writers' Award. Her latest work, Bread and Circus, addresses themes of income inequality, commodification, and conventional economic theories through poetry, prose, and imagery. Because you love Author Events, please make a donation to keep our podcasts free for everyone. THANK YOU! The views expressed by the authors and moderators are strictly their own and do not represent the opinions of the Free Library of Philadelphia or its employees. (recorded 3/14/2024)

In conversation with Airea D. Matthews Phillip B. Williams is the author of two acclaimed poetry collections, Thief in the Interior, which won the Kate Tufts Discovery Award and a Lambda Literary Award; and Mutiny, which was a finalist for the PEN/Voelcker Award for Poetry Collection and the winner of a 2022 American Book Award. A creative writing professor in New York University's MFA creative writing program, he is the recipient of a Whiting Award and fellowships from the Radcliffe Institute for Advanced Study at Harvard University and the National Endowment for the Arts. A surrealistic epic about the complexities of freedom and the boundaries of love, Ours tells the story of an 1830s-era conjuror who destroys plantations and spirits enslaved people away to a magically concealed community. Airea D. Matthews is the 2022–23 Philadelphia Poet Laureate and directs the poetry program at Bryn Mawr College. Her collection Simulacra won the 2016 Yale Series of Younger Poets Prize and her work has appeared in The New York Times, Best American Poets, Gulf Coast, Harvard Review, and VQR, among other journals. Matthews' other honors include a 2022 Academy of American Poets Laureate Fellowship, a 2020 Pew Fellowship, and the 2016 Rona Jaffe Foundation Writers' Award. Addressing themes of income inequality, commodification, and conventional economic theories, her most recent book Bread and Circus combines poetry, prose, and imagery to tell an intimate story about the author and her family. Because you love Author Events, please make a donation to keep our podcasts free for everyone. THANK YOU! The views expressed by the authors and moderators are strictly their own and do not represent the opinions of the Free Library of Philadelphia or its employees. (recorded 2/20/2024)

Mary-Alice Daniel was born near the Niger/Nigeria border and raised in England and Tennessee. A cross-genre writer, she has published work in New England Review, Iowa Review, American Poetry Review, Prairie Schooner, The Yale Review, and several journals and anthologies. Mass for Shut-Ins, her first book of poetry, won the Yale Younger Poets Prize and was released in March 2023. Selecting her manuscript, Rae Armantrout called it “Flowers of Evil for the 21st century.” Daniel's transcontinental memoir, A Coastline Is an Immeasurable Thing (Ecco/HarperCollins 2022), was People's Book of the Week and one of Kirkus Review's Best Nonfiction Books of the Year. An alumna of Yale University and the University of Michigan's Writers' MFA, she turns to her third and fourth books, supported by fellowships from Brown University and Cave Canem. Holding a PhD from USC, she is recalled to California for the third time as the 2024 Mary Routt Endowed Chair of Writing at Scripps College. In the 117th volume of the Yale Series of Younger Poets, Mary-Alice Daniel confronts culture shock and her curious placement within many worlds. African and Western mythic systems and modern rituals animate an ill-omened universe. Here, it is always night, grim night, under absurd moons. Venturing through dreamscapes, hellscapes, and lurid landscapes, the poems stray inside speculative fields of spiritual warfare. This collection is controlled chaos powered by nightmare fuel. It engineers an utterly odd organism: a cosmology cobbled with scripture, superstition, mass media, mad science. Horrid, holy, unholy—these pages overrun with the unhinged, intrusive thoughts that obsess us all late into nighttime.

In a poem about how a small moment can help you make a wise decision, Eugenia Leigh finds the strength to go back home after storming out. No self-pity in the poem, just humor and brilliance. She had every reason to leave, and finds every reason to return. Eugenia Leigh is a Korean American poet and the author of two collections of poetry, Bianca (Four Way Books, 2023) and Blood, Sparrows and Sparrows (2014), winner of the Late Night Library's 2015 Debut-litzer Prize in Poetry, as well as a finalist for both the National Poetry Series and the Yale Series of Younger Poets. She currently serves as a poetry editor at The Adroit Journal and as the Valentines Editor at Honey Literary, a BIPOC-focused literary journal and literary arts organization.Find the transcript for this show at onbeing.org.We're pleased to offer Eugenia Leigh's poem, and invite you to read Pádraig's weekly Poetry Unbound Substack, read the Poetry Unbound book, or listen back to all our episodes. 

In conversation with Airea D. Matthews The winner of three Grammy Awards and three NAACP Image Awards, Tariq Trotter, aka Black Thought, is the MC and co-founder of The Roots. The Philly-based hip-hop group has produced 11 albums and is the house band for The Tonight Show Starring Jimmy Fallon. Trotter's solo work includes three volumes of Streams of Thought, collaborative albums with Danger Mouse and El Michels Affair, and guest appearances on dozens of other artists' tracks. He also co-wrote, co-composed, and starred in the off-Broadway play Black No More; acted in other such varied projects as The Deuce; Tick, Tick . . . Boom!; and Brooklyn Babylon; and, with Roots partner Questlove, founded the production company Two One Five Entertainment. ''Refined literary fire from the soulful furnace of pain and suffering'' (The New York Times), The Upcycled Self tells the story of Trotter's difficult early life, his redemptive steps toward success and happiness, and the lessons he gleaned that readers can use to move forward on their own paths. Airea D. Matthews is the 2022–23 Philadelphia Poet Laureate and directs the poetry program at Bryn Mawr College. Her collection Simulacra won the 2016 Yale Series of Younger Poets Prize and her work has appeared in The New York Times, Best American Poets, Gulf Coast, Harvard Review, and VQR, among other journals. Matthews' other honors include a 2022 Academy of American Poets Laureate Fellowship, a 2020 Pew Fellowship, and the 2016 Rona Jaffe Foundation Writers' Award. Her latest work, Bread and Circus, addresses themes of income inequality, commodification, and conventional economic theories through poetry, prose, and imagery. Because you love Author Events, please make a donation to keep our podcasts free for everyone. THANK YOU! (recorded 11/18/2023)

Today we speak with Palestinian American poet and physician Fady Joudah. We are recording this interview on Thursday, November 2, 2023, as the State of Israel expands its brutal and illegal collective punishment of Palestinians in Gaza—an act of genocidal ethnic cleansing. Health authorities in Gaza report more than nine thousand deaths in a population where 60 percent are under the age of 18. The United Nations General Assembly has just overwhelmingly passed a resolution demanding the “protection of civilians and [the] upholding [of] legal and humanitarian obligations.” The Assembly, also demanded that all parties “immediately and fully comply” with obligations under international humanitarian and human rights laws, “particularly in regard to the protection of civilians and civilian objects.”Fady Joudah's poetry has always addressed the situation of the Palestinians in Israel, in the Occupied Territories, and in diaspora, managing somehow to capture both the political and the personal, and above all the courage and humanity of the Palestinian people. We speak in particular about his recent LitHub piece, “A Palestinian Meditation in a Time of Annihilation: Thirteen Maqams for an Afterlife.” We are honored that he made time in this period of crisis to speak with us.Fady Joudah is a Palestinian American physician, poet, and translator. He was born in Austin, Texas, and grew up in Libya and Saudi Arabia. He was educated at the University of Georgia, the Medical College of Georgia, and the University of Texas Health Sciences in Houston. In 2002 and 2005 he worked with Doctors Without Borders in Zambia and Sudan, respectively.Joudah's debut collection of poetry, The Earth in the Attic (2008), won the 2007 Yale Series of Younger Poets competition, chosen by Louise Glück. Joudah followed his second book of poetry, Alight (2013) with Textu (2014), a collection of poems written on a cell phone wherein each piece is exactly 160 characters long. His fourth collection is Footnotes in the Order of Disappearance (2018).  In 2014, Joudah was a Guggenheim Fellow in poetry. As critic Charles Bainbridge observed in a 2008 Guardian review of The Earth in the Attic, “Joudah's poetry thrives on dramatic shifts in perspective, on continually challenging received notions.”Joudah translated  several collections of Palestinian poet Mahmoud Darwish's work in The Butterfly's Burden (2006), which won the Banipal prize from the UK and was a finalist for the PEN Award for Poetry in Translation; and in If I Were Another, which won a PEN USA award in 2010. His translation of Ghassan Zaqtan's Like a Straw Bird It Follows Me (2012) won the Griffin International Poetry Prize in 2013. His other translations include Amjad Nasser's Petra: The Concealed Rose and A Map of Signs and Scents.Joudah lives with his family in Houston, where he works as a physician of internal medicine.  

In conversation with Philadelphia Poet Laureate Airea D Matthews Hailed by Tara Westover as ''Dazzling. Potent Vital. A light shining on the path of self-deliverance,'' Safiya Sinclair's memoir How to Say Babylon recounts her struggle to break free from her rigid Rastafarian upbringing and her father's repressive control, set against the backdrop of a larger story of colonialism in Jamaica. Sinclair is also the author of the acclaimed poetry collection Cannibal, winner of a Whiting Writers' Award, the American Academy of Arts and Letters' Metcalf Award in Literature, and the Prairie Schooner Book Prize in Poetry, among other honors. The recipient of a Pushcart Prize and fellowships from the Poetry Foundation, MacDowell, Yaddo, and the Bread Loaf Writers' Conference, she teaches creative writing at the University of Arizona. Her writing has appeared in The New Yorker, Granta, The Nation, and Kenyon Review. Airea D. Matthews is the 2022–23 Philadelphia Poet Laureate and directs the poetry program at Bryn Mawr College. Her collection Simulacra won the 2016 Yale Series of Younger Poets Prize and her work has appeared in The New York Times, Best American Poets, Gulf Coast, Harvard Review, and VQR, among other journals. Matthews' other honors include a 2022 Academy of American Poets Laureate Fellowship, a 2020 Pew Fellowship, and the 2016 Rona Jaffe Foundation Writers' Award. Addressing themes of income inequality, commodification, and conventional economic theories, Bread and Circus combines poetry, prose, and imagery to tell an intimate story about the author and her family. : Because you love Author Events, please make a donation to keep our podcasts free for everyone. THANK YOU! (recorded 10/5/2023)

In conversation with poet Phillip B. Williams Airea D. Matthews is the 2022–23 Philadelphia Poet Laureate and directs the poetry program at Bryn Mawr College. Her collection Simulacra won the 2016 Yale Series of Younger Poets Prize and her work has appeared in The New York Times, Best American Poets, Gulf Coast, Harvard Review, and VQR, among other journals. Matthews' other honors include a 2022 Academy of American Poets Laureate Fellowship, a 2020 Pew Fellowship, and the 2016 Rona Jaffe Foundation Writers' Award. Addressing themes of income inequality, commodification, and conventional economic theories, Bread and Circus combines poetry, prose, and imagery to tell an intimate story about the author and her family. Phillip B. Williams is the Whiting Award-winning author of Thief in the Interior and Mutiny. A recipient of the Kate Tufts Discovery Award, Lambda Literary Award, and Whiting Award, he has also received fellowships from the Radcliffe Institute for Advanced Study at Harvard University and the National Endowment for the Arts. He currently teaches at Bennington College and the Randolph College low-residency MFA. (recorded 6/1/2023)

Guest host Jeff Alessandrelli talks with Arda Collins about feeling freer about writing after having kids, becoming a poet, hiding her prose, Charles Simic, working on documentaries, the Iowa workshop, her first collection IT IS DAYLIGHT (2009), her new collection STAR LAKE (2022), the years between the books, the links between the books, and more.Arda Collins is the author of Star Lake (2022) and It Is Daylight (2009), which was awarded the Yale Series of Younger Poets Prize. Her work has appeared in The New Yorker, The American Poetry Review, A Public Space, Colorado Review, jubilat, and elsewhere. She is a recipient of the Sarton Award in Poetry from the American Academy of Arts and Sciences.Jeff Alessandrelli is the director and co-editor of Fonograf Editions and its imprint, BUNNY.Find Autofocus Books at autofocuslit.com/books.Podcast theme: DJ Garlik & Bertholet's "Special Sause" used with permission from Bertholet.

In conversation with Airea D. Matthews A ''powerful work of lyric art'' and ''tour de force indictment of the carceral industrial state'' (The New York Times Book Review), Reginald Dwayne Betts' poetry collection Felon won the NAACP Image Award, the American Book Award, and was a finalist for the 2019 Los Angeles Times Book Prize. Also the author of two other poetry collections and a memoir, he received the 2019 National Magazine Award for his New York Times Magazine essay about his journey from prison inmate to Yale Law School. His other honors include a Guggenheim fellowship, a 2021 MacArthur ''genius grant'', and a Radcliffe fellowship from Harvard. Betts is the founder and executive director of Freedom Reads, a not-for-profit institution devoted to providing greater access to literature in prisons. Created in collaboration with visual artist Titus Kaphar, Redaction is a multimedia examination of the relationship between race and incarceration in America.  Airea D. Matthews is the 2022-2023 Philadelphia Poet Laureate and directs the poetry program at Bryn Mawr College. Her collection Simulacra won the 2016 Yale Series of Younger Poets Prize and her work has appeared in The New York Times, Best American Poets, Gulf Coast, Harvard Review, and VQR, among other journals. Her autobiographical poetry collection Bread and Circus will be published this spring. (recorded 2/27/2023)

In conversation with Airea D. Matthews, Philadelphia Poet Laureate and Co-Director of the Creative Writing Program at Bryn Mawr With an artist's perspective and a ground-level view of people in extremis across the world, writer Anna Badkhen offers ''rich and lucid prose [that] illustrates her journey as vividly as might a series of photographs'' (Christian Science Monitor). Her immersive investigations of the world's inequities have yielded seven books of nonfiction, including The World Is a Carpet: Four Seasons in an Afghan Village; Walking with Abel: Journeys with the Nomads of the African Savannah; and Fisherman's Blues: A West African Community at Sea. A contributor to Foreign Policy, The New York Times, and The New Republic, she has earned a Guggenheim Fellowship, a Barry Lopez Visiting Writer in Ethics and Community Fellowship, and the Joel R. Seldin Award for documenting the lives of civilians in warzones. In Bright Unbearable Reality, Badkhen offers 11 essays set across four continents that explore the human need for communion amidst the world's current emotional and political disruptions.  Airea D. Matthews is the Philadelphia Poet Laureate and Co-Director of the Creative Writing Program at Bryn Mawr College. Her collection Simulacra won the 2016 Yale Series of Younger Poets Prize and her work has appeared in Callaloo, Harvard Review, and American Poets, among other journals. The recipient of a 2022 Academy of American Poets Laureate Fellowship, her latest collection, Bread and Circus, comes out next year. (recorded 10/18/2022)

Yanyi is the author of Dream of the Divided Field (One World 2022) and The Year of Blue Water (Yale University Press 2019), winner of the 2018 Yale Series of Younger Poets Prize. His work has been featured in or at NPR's All Things Considered, New York Public Library, Tin House, Granta, and A Public Space, and he is the recipient of fellowships from Asian American Writers' Workshop and Poets House. He holds an MFA in Poetry from New York University. He was most recently poetry editor at Foundry. Currently, he teaches creative writing at large and gives creative advice at The Reading. --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Support this podcast: https://anchor.fm/viewlesswings/support

The first poem in Sean Singers' new collection of poetry, Today in the Taxi, published by Tupelo Press, begins with, “Today in the taxi, I brought a man from midtown to someplace in Astoria near the airport.” From that ordinary beginning, the poems explore the many features of New York City--its people, its streets, its highways, and its neighborhoods--all delivered through the impressions of an Uber driver. Like Walt Whitman, whose poem “Crossing Brooklyn Ferry” turned a short boat ride into a meditation on life, death and eternity, Sean's poetry starts in everyday experiences and grasps large realms of significance. Sean, now a former Uber driver, holds an MFA from Washington University in Saint Louis and a Ph.D. in American Studies from Rutgers University-Newark. He is the author of two other books of poetry: Discography, which won the Yale Series of Younger Poets Prize and the Norma Faber First Book Award from the Poetry Society of America, and Honey and Smoke---which the Pulitzer Prize-winning poet Yusef Komunyakaa said was “made of life's raw lyrical energy, where jazz becomes a spiritual compass.” Sean now works helping people write poetry and academic prose at seansingerpoetry.com. Robert W. Snyder is Manhattan Borough Historian and professor emeritus of American Studies and Journalism at Rutgers University, where he served on Sean's dissertation committee. He is the author of Crossing Broadway: Washington Heights and the Promise of New York (Cornell, paperback, 2019) and co-author of All the Nations Under Heaven: Immigrants, Migrants and the Making of New York (Columbia, 2019). He can be reached at rwsnyder@rutgers.edu. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

The first poem in Sean Singers' new collection of poetry, Today in the Taxi, published by Tupelo Press, begins with, “Today in the taxi, I brought a man from midtown to someplace in Astoria near the airport.” From that ordinary beginning, the poems explore the many features of New York City--its people, its streets, its highways, and its neighborhoods--all delivered through the impressions of an Uber driver. Like Walt Whitman, whose poem “Crossing Brooklyn Ferry” turned a short boat ride into a meditation on life, death and eternity, Sean's poetry starts in everyday experiences and grasps large realms of significance. Sean, now a former Uber driver, holds an MFA from Washington University in Saint Louis and a Ph.D. in American Studies from Rutgers University-Newark. He is the author of two other books of poetry: Discography, which won the Yale Series of Younger Poets Prize and the Norma Faber First Book Award from the Poetry Society of America, and Honey and Smoke---which the Pulitzer Prize-winning poet Yusef Komunyakaa said was “made of life's raw lyrical energy, where jazz becomes a spiritual compass.” Sean now works helping people write poetry and academic prose at seansingerpoetry.com. Robert W. Snyder is Manhattan Borough Historian and professor emeritus of American Studies and Journalism at Rutgers University, where he served on Sean's dissertation committee. He is the author of Crossing Broadway: Washington Heights and the Promise of New York (Cornell, paperback, 2019) and co-author of All the Nations Under Heaven: Immigrants, Migrants and the Making of New York (Columbia, 2019). He can be reached at rwsnyder@rutgers.edu. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literature

The first poem in Sean Singers' new collection of poetry, Today in the Taxi, published by Tupelo Press, begins with, “Today in the taxi, I brought a man from midtown to someplace in Astoria near the airport.” From that ordinary beginning, the poems explore the many features of New York City--its people, its streets, its highways, and its neighborhoods--all delivered through the impressions of an Uber driver. Like Walt Whitman, whose poem “Crossing Brooklyn Ferry” turned a short boat ride into a meditation on life, death and eternity, Sean's poetry starts in everyday experiences and grasps large realms of significance. Sean, now a former Uber driver, holds an MFA from Washington University in Saint Louis and a Ph.D. in American Studies from Rutgers University-Newark. He is the author of two other books of poetry: Discography, which won the Yale Series of Younger Poets Prize and the Norma Faber First Book Award from the Poetry Society of America, and Honey and Smoke---which the Pulitzer Prize-winning poet Yusef Komunyakaa said was “made of life's raw lyrical energy, where jazz becomes a spiritual compass.” Sean now works helping people write poetry and academic prose at seansingerpoetry.com. Robert W. Snyder is Manhattan Borough Historian and professor emeritus of American Studies and Journalism at Rutgers University, where he served on Sean's dissertation committee. He is the author of Crossing Broadway: Washington Heights and the Promise of New York (Cornell, paperback, 2019) and co-author of All the Nations Under Heaven: Immigrants, Migrants and the Making of New York (Columbia, 2019). He can be reached at rwsnyder@rutgers.edu. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/poetry

Photo of Yanyi, taken by him In this episode I spoke with Yanyi about his new book, Dream of the Divided Field, and his newsletter, The Reading. Yanyi is the author of Dream of the Divided Field (One World Random House, 1 March 2022) and The Year of Blue Water (Yale University Press 2019), winner of the 2018 Yale Series of Younger Poets Prize. His work has been featured in or at NPR's All Things Considered, New York Public Library, Granta, and New England Review, and he is the recipient of fellowships from Asian American Writers' Workshop and Poets House. He holds an MFA in Poetry from New York University and was most recently poetry editor at Foundry. Currently, he teaches creative writing at large and gives writing advice at The Reading. Yanyi's website You can purchase Dream of the Divided Field here Yanyi's Twitter Yanyi's Instagram Various books, movies, podcasts, etc. mentioned in this episode: Algorithm crowd sounds Surviving R. Kelly docuseries Shakespeare's The Taming of the Shrew AI generated imagery @images_ai WOMBO Dream DALL-E Virgina Woolf's audio BBC interview When We Were Young Festival and its much parodied poster Black Mountain Poets Olson's "Projective Verse" manifesto, some explicit field talk Lydia Davis's "Hand" story (this is the whole story lol): "Beyond the hand holding this book that I'm reading, I see another hand lying idle and slightly out of focus — my extra hand." (more stories here) "The Cows" chapbook Yanyi's newsletter Letter on why he left Substack Yanyi at the Poetry Project discussing de las Rivas's "Black Sun" and fascist dogwhistling in contemporary poetry Ghost, the platform Yanyi uses to now send his newsletters bell hooks's Teaching to Transgress full PDF Tell Them Anything You Want: A Portrait of Maurice Sendak documentary Laura Engels Wilder's Little House on the Prairie series FEELING ASIAN podcast episodes: An Evening With Two Asian Therapists (feat. Peter Adams, Ph.D and Melissa Yao, Ph.D) Asian Seeking Asian (therapists)   Editor and Social Media Manager: Mitchel Davidovitz Host and Producer: Avren Keating Sound of Waves Breaking: Sounds from this video of Merlin, my sweet 5-year-old Frenchie that died of a brain tumor in the time between recording and editing this episode. I love you, little bubs. 

Desiree C. Bailey is the author of What Noise Against the Cane (Yale University Press, 2021), which won the 2020 Yale Series of Younger Poets Prize and was a finalist for the 2021 National Book Award for Poetry. She is also the author of the fiction chapbook In Dirt or Saltwater (O'clock Press, 2016) and has short stories and poems published in Best American Poetry, Best New Poets, American Short Fiction, Callaloo, theAcademy of American Poets and elsewhere.Desiree is from Trinidad and Tobago, and Queens, New York.

Sean Singer is the author of Discography (Yale University Press, 2002), winner of the Yale Series of Younger Poets Prize, selected by W.S. Merwin, and the Norma Farber First Book Award from the Poetry Society of America; Honey & Smoke (Eyewear Publishing, 2015); and Today in the Taxi (Tupelo Press, 2022). He runs a manuscript consultation service at www.seansingerpoetry.com. Twitter: @SeanSingerPoet Sean Singer Editorial Services Subscribe to Sean's email newsletter about thinking through poetry: The Sharpener. Viewless Wings Poetry Podcast James Morehead's debut book canvas is on sale now: https://tinyurl.com/canvasamazon. Follow James Morehead on Twitter (@dublinranch) and Instagram (@viewlesswings), and on the website viewlesswings.com. Submit your poetry to Viewless Wings: https://viewlesswings.submittable.com/submit. --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Support this podcast: https://anchor.fm/viewlesswings/support

Subscribe to Quotomania on Simplecast or search for Quotomania on your favorite podcast app!Louise Glück was born in New York City on April 22, 1943, and grew up on Long Island. She is the author of numerous books of poetry, including Faithful and Virtuous Night (Farrar, Straus, and Giroux, 2014), which won the 2014 National Book Award in Poetry; Averno (Farrar, Straus, and Giroux, 2006), a finalist for the 2006 National Book Award in Poetry; and Vita Nova (Ecco Press, 1999), winner of Boston Book Review's Bingham Poetry Prize and The New Yorker's Book Award in Poetry. In 2004, Sarabande Books released her six-part poem “October” as a chapbook.In a review in The New Republic, the critic Helen Vendler wrote: “Louise Glück is a poet of strong and haunting presence. Her poems, published in a series of memorable books over the last twenty years, have achieved the unusual distinction of being neither ‘confessional' nor ‘intellectual' in the usual senses of those words.”The recipient of the 2020 Nobel Prize in Literature, Glück was elected a Chancellor of the Academy of American Poets in 1999. In the fall of 2003, she was appointed as the Library of Congress's twelfth poet laureate consultant in poetry. She served as judge of the Yale Series of Younger Poets from 2003 to 2010. In 2008, Glück was selected to receive the Wallace Stevens Award for mastery in the art of poetry. Her collection, Poems 1962-2012, was awarded the 2013 Los Angeles Times Book Prize. In 2015, she was awarded the Gold Medal for Poetry from the American Academy of Arts and Letters. Currently, Glück is a writer-in-residence at Yale University.From https://poets.org/poet/louise-gluck. For more information about Louise Glück:Previously on The Quarantine Tapes:Peter Kimani about Glück, at 17:50: https://quarantine-tapes.simplecast.com/episodes/the-quarantine-tapes-086-peter-kimani“Louise Glück”: https://www.nobelprize.org/prizes/literature/2020/gluck/facts/“Afterword”: https://www.poetryfoundation.org/poetrymagazine/poems/55238/afterword-56d23699928fe“Louise Glück: ‘It's too new...it's too early here'”: https://www.youtube.com/watch?v=0FIFQR56TyQ

Today's Quotation is care of Louise Glück.Listen in!Subscribe to the Quarantine Tapes at quarantinetapes.com or search for the Quarantine Tapes on your favorite podcast app!Louise Glück was born in New York City on April 22, 1943, and grew up on Long Island. She is the author of numerous books of poetry, including Faithful and Virtuous Night (Farrar, Straus, and Giroux, 2014), which won the 2014 National Book Award in Poetry; Averno (Farrar, Straus, and Giroux, 2006), a finalist for the 2006 National Book Award in Poetry; and Vita Nova (Ecco Press, 1999), winner of Boston Book Review's Bingham Poetry Prize and The New Yorker's Book Award in Poetry. In 2004, Sarabande Books released her six-part poem “October” as a chapbook.In a review in The New Republic, the critic Helen Vendler wrote: “Louise Glück is a poet of strong and haunting presence. Her poems, published in a series of memorable books over the last twenty years, have achieved the unusual distinction of being neither ‘confessional' nor ‘intellectual' in the usual senses of those words.”The recipient of the 2020 Nobel Prize in Literature, Glück was elected a Chancellor of the Academy of American Poets in 1999. In the fall of 2003, she was appointed as the Library of Congress's twelfth poet laureate consultant in poetry. She served as judge of the Yale Series of Younger Poets from 2003 to 2010. In 2008, Glück was selected to receive the Wallace Stevens Award for mastery in the art of poetry. Her collection, Poems 1962-2012, was awarded the 2013 Los Angeles Times Book Prize. In 2015, she was awarded the Gold Medal for Poetry from the American Academy of Arts and Letters. Currently, Glück is a writer-in-residence at Yale University.From https://poets.org/poet/louise-gluck. For more information about Louise Glück:Previously on The Quarantine Tapes:Peter Kimani about Glück, at 17:50: https://quarantine-tapes.simplecast.com/episodes/the-quarantine-tapes-086-peter-kimani“Louise Glück”: https://www.nobelprize.org/prizes/literature/2020/gluck/facts/“Afterword”: https://www.poetryfoundation.org/poetrymagazine/poems/55238/afterword-56d23699928fe“Louise Glück: ‘It's too new...it's too early here'”: https://www.youtube.com/watch?v=0FIFQR56TyQ

Yanyi is a poet and critic. ​He is the author of Dream of the Divided Field (One World Random House, forthcoming 2022) and The Year of Blue Water (Yale University Press 2019), winner of the 2018 Yale Series of Younger Poets Prize, finalist for the 2020 Lambda Literary Award in Transgender Poetry, and named one of 2019's Best Poetry Books by New York Public Library. ​His work has been featured in NPR's All Things Considered, Tin House, Granta, and A Public Space, and he is the recipient of fellowships from Asian American Writers' Workshop and Poets House. He has taught creative writing at New York University and Dartmouth College. Currently, he is poetry editor at Foundry.​In this zoom call, Yanyi shared the structures that have aided his prose and creative practice of his newsletter The Reading.

Caribbean writers have undoubtedly left their mark on history. In this episode, we talk with  author Desiree C. Bailey about Caribbean literature, common themes that have inspired her story and her recently published book What Noise Against the Cane, which combines Caribbean history, music, and culture. Desiree C. Bailey is the author of What Noise Against the Cane (Yale University Press, 2021), winner of the 2020 Yale Series of Younger Poets Prize. She is also the author of the fiction chapbook In Dirt or Saltwater (O'clock Press, 2016) and has short stories and poems published in Best American Poetry, Best New Poets, American Short Fiction, Callaloo, the Academy of American Poets and elsewhere. Desiree has a BA from Georgetown University, an MFA in Fiction from Brown University and an MFA in Poetry from New York University. She has received fellowships from the Norman Mailer Center, Kimbilio Fiction, Callaloo Creative Writing Workshop, Poets House, The Conversation and Princeton in Africa. She has received awards from the New York State Council on the Arts/New York Foundation for the Arts and Poets & Writers. Desiree was born in Trinidad and Tobago, and lives in Brooklyn, NY. Connect with Desiree on Instagram and Twitter. Connect with Strictly Facts -  Instagram | Facebook | TwitterLooking  to read more about the topics covered in this episode? Subscribe to the newsletter at www.strictlyfactspod.com to get the Strictly Facts Syllabus to your email!Produced by Breadfruit Media

Rattlecast #89 features 2013 Neil Postman Award winner Eugenia Leigh and her book Blood, Sparrows and Sparrows. Eugenia Leigh's Blood, Sparrows and Sparrows (Four Way Books, 2014), was winner of the Late Night Library's 2015 Debut-litzer Prize in Poetry as well as a finalist for the National Poetry Series and the Yale Series of Younger Poets. Her poems and essays have appeared in numerous publications including The Rumpus, Ploughshares, Waxwing, Pleiades, North American Review, the Academy of American Poets' Poem-a-Day, the Best New Poets 2010 anthology, and the 2017 Best of the Net anthology. Eugenia received her MFA from Sarah Lawrence College, where she was awarded the Thomas Lux Scholarship for her dedication to teaching, demonstrated through her writing workshops with incarcerated youths and with Brooklyn high school students. Since her time at Sarah Lawrence, Eugenia has served as a teaching artist with a variety of organizations including the Asian American Legal Defense and Education Fund's undocumented youth group, RAISE. For more info, visit: https://www.eugenialeigh.com/ As always, we'll also include live open lines for responses to our weekly prompt or any other poems you'd like to share. For details on how to participate, either via Skype or by phone, go to: https://www.rattle.com/rattlecast/ This Week's Prompt: Write a poem that begins with the following sentence: Pull over at the next stop. Next Week's Prompt: Write a poem that starts and ends with the same line. The Rattlecast livestreams on YouTube, Facebook, Twitter, and Periscope, then becomes an audio podcast.

On April 13, 2021 the Lannan Center presented a Crowdcast webinar featuring  Carolyn Forché. Moderated by Penn Szittya of the Lannan Foundation.Carolyn Forché's first volume of poetry, Gathering the Tribes, winner of the Yale Series of Younger Poets Prize, was followed by The Country Between Us, The Angel of History, and Blue Hour. In March, 2020, Penguin Press published her fifth collection of poems, In the Lateness of the World. She is also the author of the memoir What You Have Heard Is True (Penguin Press, 2019), a finalist for the National Book Award and winner of the Juan E. Mendez Book Award for Human Rights in Latin America. She has translated Mahmoud Darwish, Claribel Alegria, and Robert Desnos. Her international anthology, Against Forgetting, has been praised by Nelson Mandela as “itself a blow against tyranny, against prejudice, against injustice.” In 1998 in Stockholm, she received the Edita and Ira Morris Hiroshima Foundation for Peace and Culture Award for her human rights advocacy and the preservation of memory and culture. She is one of the first poets to receive the Wyndham Campbell Prize from the Beinecke Rare Book and Manuscript Library at Yale University, and recently received a Lannan Award for Poetry. She is a University Professor at Georgetown University in Washington, D.C.Penn Szittya is the former Chair of the English Department at Georgetown University, where he specialized in medieval poetics and social practice. He also taught at Emory, Johns Hopkins, Princeton, and Boston University. He helped launch the Lannan Center for Poetics and Social Practice at Georgetown, and is currently a member of the Board of Directors of the Lannan Foundation in Santa Fe, New Mexico.Music: Quantum Jazz — "Orbiting A Distant Planet" — Provided by Jamendo.

In recognition of President's Day, today's poem is in the posthumous voice of Abraham Lincoln, as imagined by Kentucky poet Maurice Manning. Kentucky poet Maurice Manning has published five books of poetry, including The Common Man, which was one of three finalists for the 2011 Pulitzer Prize in Poetry. His first collection, Lawrence Booth’s Book of Visions, was selected for the 2000 Yale Series of Younger Poets. He has had works in publications including The New Yorker, Washington Square, The Southern Review, Poetry, Shenandoah, and The Virginia Quarterly Review. - Bio via Transy.edu. See acast.com/privacy for privacy and opt-out information.

On episode 143 of The Quarantine Tapes, guest host Naomi Shihab Nye is joined by poet Cathy Song. Cathy describes her experience of the past months from her home in Hawaii and the unique isolation of living through quarantine on an island.Naomi and Cathy’s conversation centers around family, discussing Cathy’s latest book, her debut short story collection, All the Love in the World. They dig into the line between fiction and nonfiction and Cathy talks about the powerful role her father held in her family. She reads from her book and tells stories from her father’s fascinating life, from his career as a pilot to his later years riding the bus around Hawaii. Cathy Song is the author of five books of poetry, including Picture Bride, which won the Yale Series of Younger Poets Award and was nominated for a National Book Critics Circle Award. A recipient of the Hawai'i Award for Literature, All the Love in the World, a collection of short stories was recently published by Bamboo Ridge Press.

Dikt: "Om att återvända till Detroit" Första rad: Över den plommonfärgade snön syns tågets blonda rökmoln Uppläsning: Monica Wilderoth Carolyn Forché (f. 1950) är poet, översättare, professor och människorättsaktivist. Just hennes engagemang för mänskliga rättigheter är något som slår igenom i hela hennes författarskap och hon har blivit kallad för Den stora amerikanska samvetsrösten   Forché debuterade som 26 åring med poesisamlingen Gathering the Tribes som hon också vann Yale Series of Younger Poets Competition för samma år. Hon har under de senaste fyra decennierna varit verksam och tongivande inom det som kallas för vittnespoesi, något som märks särskilt i hennes dikter om konflikten i El Salvador. Forchés farmor immigrerade från Slovakien som elvaåring och bodde under stora delar av Forchés uppväxt tillsammans med familjen. I hennes poesi kan man även se tydliga spår av hennes slovakiska arv som löper som en röd tråd genom dikter som t.ex. "Om att återvända till Detroit".  Forché har vunnit flera prestigfulla pris för sin poesi och arbetar idag bl.a. som professor på Georgetown University, Washington. Hon bor i Maryland tillsammans med sin man, fotografen Harry Mattison. VERKTITEL: ur Mot Slutet (Ramús Förlag, 2020) ÖVERSÄTTNING: Lars Gustaf Andersson MUSIK: Sergej Rachmaninov: Romans för cello och piano EXEKUTÖR: Steven Isserlis, cello och Thomas Ades, piano

Carolyn Forché was born in Detroit, Michigan. She studied at Michigan State University and earned an MFA from Bowling Green State University.She is a poet, memoirist, translator, and editor, Forché's books of poetry include: In the Lateness of the World, The Angel of History, which received the Los Angeles Times Book Award; The Country Between Us, which received the Poetry Society of America's Alice Fay di Castagnola Award and was the Lamont Poetry Selection of the Academy of American Poets; and Gathering the Tribes, which was selected for the Yale Series of Younger Poets by Stanley Kunitz. Her memoir What You Have Heard is True: A Memoir of Witness and Resistancewas a finalist for the 2019 National Book Award in Nonfiction. In this episode we discuss In the Lateness of the World. Learn more about your ad choices. Visit megaphone.fm/adchoices

O dear ones—hope you're staying safe and well! We're coming to you from our respective apartments for our second conversation with Paisley Rekdal, who was kind enough to bring in Brigit Pegeen Kelley's "Black Swan". We geeked. If you haven't yet, be sure to check out last week's episode and leave us a sweet review! PAISLEY REKDAL  is the author of a book of essays, The Night My Mother Met Bruce Lee;  the hybrid photo-text memoir, Intimate; and five books of poetry: A Crash of Rhinos; Six Girls Without Pants; The Invention of the Kaleidoscope; Animal Eye, a finalist for the 2013 Kingsley Tufts Prize and winner of the UNT Rilke Prize; and Imaginary Vessels, finalist for the 2018 Kingsley Tufts Prize and the Washington State Book Award. Her newest work of nonfiction is a book-length essay, The Broken Country: On Trauma, a Crime, and the Continuing Legacy of Vietnam. A new collection of poems, Nightingale, which re-writes many of the myths in Ovid's The Metamorphoses, was published spring 2019.  Appropriate: A Provocation, which examines cultural appropriation, is forthcoming from W.W. Norton in Feb. 2021.  She is the guest editor for Best American Poetry 2020. Her work has received a Guggenheim Fellowship, the Amy Lowell Poetry Traveling Fellowship, a Fulbright Fellowship, a Civitella Ranieri Residency, a National Endowment for the Arts Fellowship, Pushcart Prizes (2009, 2013), Narrative's Poetry Prize, the AWP Creative Nonfiction Prize, and various state arts council awards. Her poems and essays have appeared in The New York Times Magazine, American Poetry Review, The Kenyon Review, Poetry, The New Republic, Tin House, the Best American Poetry series (2012, 2013, 2017, 2018, 2019), and on National Public Radio, among others. She is a Distinguished Professor at the University of Utah, where she is also the creator and editor of the community web project Mapping Salt Lake City. In May 2017, she was named Utah's Poet Laureate and received a 2019 Academy of American Poets' Poets Laureate Fellowship.  BRIGIT PEGEEN KELLY was born in Palo Alto, California, in 1951. Her first collection of poems, To The Place of Trumpets (1987), was selected by James Merrill for the Yale Series of Younger Poets. Song (BOA Editions), which followed in 1995, was the 1994 Lamont Poetry Selection of the Academy of American Poets. Her third collection, The Orchard (2004), was a finalist for the Pulitzer Prize in Poetry, the Los Angeles Times Book Award in Poetry, and the National Book Critics Circle Award in Poetry. Her work has also appeared in several volumes of the Pushcart Prize Anthology and several volumes of The Best American Poetry. She has taught at the University of California at Irvine, Purdue University, Warren Wilson College, and the University of Illinois, Urbana-Champaign, as well as numerous writers' conferences in the United States and Ireland. In 2002 the University of Illinois awarded her both humanities and campus-wide awards for excellence in teaching. She died in October 2016.

Author Photo by Cybele Knowles Fady Joudah has published four collections of poems, The Earth in the Attic, Alight, Textu, a book-long sequence of short poems whose meter is based on cellphone character count; and, most recently, Footnotes in the Order of Disappearance. He has translated several collections of poetry from the Arabic and is the co-editor and co-founder of the Etel Adnan Poetry Prize. He was a winner of the Yale Series of Younger Poets competition in 2007 and has received a PEN award, a Banipal/Times Literary Supplement prize from the UK, the Griffin Poetry Prize, and a Guggenheim Fellowship. He lives in Houston, with his wife and kids, where he practices internal medicine.

Welcome back, dearest. In last week's episode, we spoke to Lena Khalaf Tuffaha about activism, home, language, and so much more. In this episode, Lena brought to The Poet Salon Mahmoud Darwish's “To Our Land”. She was even kind enough to read it to us in the original Arabic. LENA KHALAF TUFFAHA is an American poet, writer, and translator of Palestinian, Jordanian, and Syrian heritage. She is the winner of the 2016 Two Sylvias Chapbook Prize for Arab in Newsland, and the author of Water & Salt, a book of poems from Red Hen Press published in April 2017, which won the Washington State Book Award. You can follow her on Twitter @LKTuffaha. Palestinian MAHMOUD DARWISH was born in al-Birwa in Galilee, a village that was occupied and later razed by the Israeli army. Because they had missed the official Israeli census, Darwish and his family were considered “internal refugees” or “present-absent aliens.” Darwish lived for many years in exile in Beirut and Paris. He is the author of over 30 books of poetry and eight books of prose, and earned the Lannan Cultural Freedom Prize from the Lannan Foundation, the Lenin Peace Prize, and the Knight of Arts and Belles Lettres Medal from France (excerpted from the Poetry Foundation). FADY JOUDAH has published four collections of poems, The Earth in the Attic, Alight, Textu, a book-long sequence of short poems whose meter is based on cellphone character count; and, most recently, Footnotes in the Order of Disappearance. He has translated several collections of poetry from the Arabic. He was a winner of the Yale Series of Younger Poets competition in 2007 and has received a PEN award, a Banipal/Times Literary Supplement prize from the UK, the Griffin Poetry Prize, and a Guggenheim Fellowship. He lives in Houston, with his wife and kids, where he practices internal medicine. REFERENCES "To Our Land" by Mahmoud Darwish, English translation by Fady Joudah; Palestinian Deceleration of Independence; "A Conversation With Fady Joudah" (Kenyon Review) "Remembering Palestinian Poet Mahmoud Darwish 10 years after his death" (The National, August 2018)

Three Kundiman fellows with award-winning first books read and talk about their work.Cathy Linh Che is the author of Split (Alice James, 2014), winner of the 2012 Kundiman Poetry Prize.A Vietnamese American poet from Los Angeles and Long Beach, CA, she received her B.A. from Reed College and her M.F.A. from New York University. She has been awarded fellowships and residencies from Poets & Writers, The Fine Arts Work Center at Provincetown, Kundiman, Hedgebrook, Poets House, The Asian American Literary Review, The Center for Book Arts, and The Lower Manhattan Cultural Council’s Workspace Residency.A founding editor of the online journal Paperbag, she is Program Associate for Readings & Workshops (East) at Poets & Writers and Manager of Kundiman. She lives in Brooklyn, New York.Eugenia Leigh is the author of Blood, Sparrows and Sparrows (Four Way Books, Fall 2014), which was a finalist for both the National Poetry Series and the Yale Series of Younger Poets. Her writing has appeared in numerous publications including PANK Magazine, Indiana Review, The Collagist, and the Best New Poets 2010 anthology.Eugenia earned her M.F.A. in Creative Writing from Sarah Lawrence College, where she was awarded the Thomas Lux Scholarship for her dedication to teaching creative writing, demonstrated through her workshops with incarcerated youths and with Brooklyn high school students. Eugenia has won awards from Poets & Writers Magazine and Rattle, and has received fellowships from Kundiman and The Asian American Literary Review. She serves as the Poetry Editor of Kartika Review.Born in Chicago and raised in southern California, Eugenia lives and writes in New York City.Sally Wen Mao is the author of Mad Honey Symposium (Alice James Books, 2014), the winner of the 2012 Kinereth Gensler Award and a Publishers Weekly Top 10 Most Anticipated Poetry Books of Spring. Her work has been anthologized in The Best American Poetry 2013 and is published or forthcoming in Guernica, Gulf Coast, Hayden’s Ferry Review, Indiana Review, Puerto del Sol, Quarterly West, Third Coast, and West Branch, among others. A Kundiman fellow, she holds a B.A. from Carnegie Mellon University and an M.F.A. from Cornell University.This event is part of the Honey Badgers' Summer Book Tour. Recorded On: Monday, July 21, 2014

If you experience any technical difficulties with this video or would like to make an accessibility-related request, please send a message to digicomm@uchicago.edu. Arda Collins, winner of the Yale Series of Younger Poets competition as well as the American Academy of Arts and Sciences' Poetry Prize, reads selected poems as part of the "Poem Present"series.

If you experience any technical difficulties with this video or would like to make an accessibility-related request, please send a message to digicomm@uchicago.edu. Arda Collins, winner of the Yale Series of Younger Poets competition as well as the American Academy of Arts and Sciences' Poetry Prize, reads selected poems as part of the "Poem Present"series.

A presentation of excerpts from Daniel Hoffman's latest book of poetry, The Whole Nine Yards. Among Hoffman's many books are: Beyond Silence: Selected Shorter Poems 1948-2003 (2003); Darkening Water (2002); Middens of the Tribe (1995); Hang-Gliding from Helicon: New and Selected Poems, 1948-1988, winner of the 1988 Paterson Poetry Prize; Brotherly Love, (1981) a National Book Award and National Book Critics Circle Award nominee; The Center of Attention (1974); Broken Laws (1970); Striking the Stones (1968); The City of Satisfactions (1963); A Little Geste and Other Poems (1960); and An Armada of Thirty Whales (1954), chosen by W.H. Auden for the Yale Series of Younger Poets.   The post Behind the News with Doug Henwood – February 7, 2009 at 10:00am appeared first on KPFA.

If you experience any technical difficulties with this video or would like to make an accessibility-related request, please send a message to digicomm@uchicago.edu. Born in 1941, Robert Hass is a native Californian whose poetry is well known for its West Coast subjects and attitude. Hass received his M.A. (1965) and Ph.D. (1971) in English at Stanford University and began teaching literature and writing at the State University of New York at Buffalo in 1967. He went on to teach at his alma mater St. Mary's College of California from 1971 until 1989, when he joined the faculty at the University of California-Berkeley. Hass's many honors include: the Yale Series of Younger Poets Award for his first book Field Guide in 1973, the William Carlos Williams Award for his second book Praise in 1979, the 1984 National Book Critics Circle Award in criticism for Twentieth Century Pleasures: Prose on Poetry , and the National Book Critics Circle Award in poetry for Sun Under Wood in 1996. Other books include Human Wishes and Praise ; Hass has also co-translated several volumes of poetry with Nobel Prize-winning Polish poet, Czeslaw Milosz, most recently Facing the River (1995); he is author or editor of several other collections of essays and translations, including The Essential Haiku: Versions of Basho, Buson, and Issa (1994), and Twentieth Century Pleasures: Prose on Poetry (1984). In addition, Hass is chairman of the board of directors of River of Words's, an organization that promotes environmental and arts education in affiliation with the Library of Congress Center for the Book, and judges their annual international environmental poetry and art contest for youth. He is also a board member of International Rivers Network and was chosen as Educator of the Year by the North American Association on Environmental Education. Hass served as Poet Laureate of the United States from 1995 to 1997 and is currently a Chancellor of The Academy of American Poets.

Jessica Fisher's Frail-Craft was the winner of the prestigious 2006 Yale Series of Younger Poets competition. She is a doctoral candidate in English at U.C. Berkeley and is coeditor, with Robert Hass, of The Addison Street Anthology, which chronicles Berkeley's rich poetic history. Series: "Lunch Poems Reading Series" [Humanities] [Show ID: 13565]

Jessica Fisher's Frail-Craft was the winner of the prestigious 2006 Yale Series of Younger Poets competition. She is a doctoral candidate in English at U.C. Berkeley and is coeditor, with Robert Hass, of The Addison Street Anthology, which chronicles Berkeley's rich poetic history. Series: "Lunch Poems Reading Series" [Humanities] [Show ID: 13565]

Jessica Fisher’s Frail-Craft was the winner of the prestigious 2006 Yale Series of Younger Poets competition. She is a doctoral candidate in English at U.C. Berkeley and is coeditor, with Robert Hass, of The Addison Street Anthology, which chronicles Berkeley’s rich poetic history. Series: "Lunch Poems Reading Series" [Humanities] [Show ID: 13565]

Jessica Fisher’s Frail-Craft was the winner of the prestigious 2006 Yale Series of Younger Poets competition. She is a doctoral candidate in English at U.C. Berkeley and is coeditor, with Robert Hass, of The Addison Street Anthology, which chronicles Berkeley’s rich poetic history. Series: "Lunch Poems Reading Series" [Humanities] [Show ID: 13565]

Jessica Fisher's Frail-Craft was the winner of the prestigious 2006 Yale Series of Younger Poets competition. Judge Louise Glück writes, "what gives Jessica Fisher's work its sense of form, of repose, is her perfection of ear. That repose, with its strange mobility, its accommodation of surprise, is Fisher's particular genius." She is a doctoral candidate in English at U.C. Berkeley and is coeditor, with Robert Hass, of The Addison Street Anthology, which chronicles Berkeley's rich poetic history.

Jessica Fisher's Frail-Craft was the winner of the prestigious 2006 Yale Series of Younger Poets competition. Judge Louise Glück writes, "what gives Jessica Fisher's work its sense of form, of repose, is her perfection of ear. That repose, with its strange mobility, its accommodation of surprise, is Fisher's particular genius." She is a doctoral candidate in English at U.C. Berkeley and is coeditor, with Robert Hass, of The Addison Street Anthology, which chronicles Berkeley's rich poetic history.