Podcasts about charles marie widor

Daniel Roth, lange war er Titularorganist, und zwar nicht irgendwo, sondern an der geschichtsträchtigen Kirche Saint-Sulpice in Paris, ein französisches Nationalmonument. Hier spielte und komponierte schon Charles Marie Widor, dessen Andenken Daniel Roth auch sehr am Herzen liegt. Er selbst ist ebenfalls eine außergewöhnliche Künstlerpersönlichkeit. Geboren im Elsass des 2. Weltkrieges steht er zwischen zwei Ländern und Sprachen - und verbindet sie durch Musik.

Extrait : «… À noter qu'elle a été jouée en 1947 lors du mariage d'une certaine Elizabeth, dans la petite paroisse de Westminster en compagnie de quelques potes, la liste de mariage ayant été déposée chez Marks & Spencer… »Pour l'écouter, c'est par ici si tu utilises Apple Podcasts, ici pour Deezer, là sur Spotify, voire, si tu préfères, Podcast Addict. Il y a plein d'autres app de podcasts, cherche Good Morning Music sur la tienne. Pour commenter les épisodes, tu peux le faire sur l'appli en question, ça aide énormément à faire croître l'audience. Mais aussi sur le site web dédié, il y a une section Le Bar, ouverte 24/24, pour causer du podcast ou de musique en général, je t'y attends avec impatience. Enfin, si tu souhaites me soumettre une chanson, c'est aussi sur le site web que ça se passe. Pour soutenir Good Morning Music et Gros Naze :1. Abonne-toi2. Laisse-moi un avis et 5 étoiles sur Apple Podcasts, ou Spotify et Podcast Addict3. Partage ton épisode préféré à 3 personnes autour de toi. Ou 3.000 si tu connais plein de monde. Good Morning Music Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

Ólavsøku guðstænastan 2024  Sálmar:  243 Fedranna kirkja í Føroya tjóð  596 Harri, tær vit vilja takka  243 Fedranna kirkja í Føroya tjóð  596 Harri, tær vit vilja takka    326 Tú gavst mær, o, Harri, her livilig kor  132 Føgur er foldin  585 Tú alfagra land mítt  Framførslur:  Præludium: Ari Hammer Joensen og Ernst Remmel spæla Voluntary eftir John Stanley fyri trompet og orgul.  Introitus: Kórið í Christianskirkjuni syngur Úr eystri rísur sólin stinn – B.S. Ingemann/Hilmar Jan Hnsen týddi til føroyskt, lag: N.W. Gade.  Kórið í Christianskirkjuni syngur: Kirkjan hon er eitt gamalt hús – Grundtvig/ J. Dahl týddi til føroyskt, lag: Knút Olsen. (1., 3., 5., og 7. vers)    Útgangsspæl: Ari Hammer Joensen spælir Toccata eftir Charles – Marie Widor.  Kirkjutænarar Deknur: Høgni Joensen  Klokkari: Andrias Sjóvará  Urguleikari: Ari Hammer Joensen Prestur: Marjun Lómaklett   Trompet: Ernst Remmel  Kórframførsla: Kórið í Christianskirkjuni. Kórleiðari er Ólavur F. Johannessen. 

Postlude: "Symphonie No. 5, en fa-mineur, Op. 42, No. 1: V. Toccata" - by Charles-Marie Widor Frank Zilinyi, Organist

Extrait : «… À noter qu'elle a été jouée en 1947 lors du mariage d'une certaine Elizabeth, dans la petite paroisse de Westminster en compagnie de quelques potes, la liste de mariage ayant été déposée chez Marks & Spencer… »Pour l'écouter, c'est par ici si tu utilises Apple Podcasts, ici pour Deezer, là sur Spotify, voire, si tu préfères, Podcast Addict. Il y a plein d'autres app de podcasts, cherche Good Morning Music sur la tienne. Pour commenter les épisodes, tu peux le faire sur l'appli en question, ça aide énormément à faire croître l'audience. Mais aussi sur le site web dédié, il y a une section Le Bar, ouverte 24/24, pour causer du podcast ou de musique en général, je t'y attends avec impatience. Enfin, si tu souhaites me soumettre une chanson, c'est aussi sur le site web que ça se passe. Pour soutenir Good Morning Music et Gros Naze :1. Abonne-toi2. Laisse-moi un avis et 5 étoiles sur Apple Podcasts, ou Spotify et Podcast Addict3. Partage ton épisode préféré à 3 personnes autour de toi. Ou 3.000 si tu connais plein de monde. Good Morning Music Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

Synopsis Many music lovers will confess they prefer to hear symphonies or operas in the comfort of their own home rather than live in person at a concert hall or theater. On today's date in 1911, the famous French novelist, hypochondriac, and notorious homebody Marcel Proust wrote to his friend, the composer Reynaldo Hahn, that he had just listened to a live afternoon performance of the whole first act of Wagner's opera Die Meistersinger tucked up in bed and planned to hear Debussy's still-new opera Pelléas and Mélisande later that same evening, once again snugly secure in his Parisian apartment. Now, these days with radio, TV, and multiple live-streaming devices, this would be no big deal – but in 1911 how could that be possible? Well, for 60 francs a month -- a small fortune in 1911 -- wealthy Parisians could hear live performances of operas and plays relayed by a special phone line to a home receiver called the “théâtrophone.” First demonstrated in Paris in 1881, by 1890, the “théâtrophone was commercialized and the service continued 1932. Of course, even an enthusiastic subscriber like Proust had to admit the phone line sound quality was “très mal” (“really bad” in plain English) and hardly the same as being there in person. Music Played in Today's Program Claude Debussy (1862-1918) Pelléas et Mélisande Symphonie Suite (arr. Marius Constant) Orchestre National de Lyon; Jun Märkl, conductor. Naxos 8.570993 On This Day Births 1801 - Czech composer Johann Wenzel Kalliwoda, in Prague; 1836 - French composer Léo Delibes, in St. Germain du Val, Sarthe; 1844 - French composer and organist Charles Marie Widor, in Lyons; Deaths 1996 - American composer and conductor Morton Gould, age 82, in Orlando, Fla. Premieres 1727 - Bach: Sacred Cantata No. 52 ("Ich habe genug") performed on the Feast of the Purification as part of Bach's third annual Sacred Cantata cycle in Leipzig (1725/27); 1744 - Handel: oratorio “Semele,” in London (Julian date: Feb. 10); 1749 - Handel: oratorio “Susanna” in London (Julian date: Feb. 10); 1886 - Mussorgsky (arr. Rimsky-Korsakov): opera “Khovanschchina,” posthumously, in St. Petersburg (Julian date: Feb. 9); 1907 - Delius: opera, "A Village Romeo and Juliet," in Berlin; 1909 - Liadov: “Enchanted Lake” for orchestra, in St. Petersburg (Julian date: Feb. 8); 1917 - Rachmaninoff: “Etudes-tableaux,” Op. 39 (Gregorian date: March 6); 1920 - Milhaud: ballet "Le Boeuf sur la toît," in Paris; 1929 - Respighi: orchestral suite, "Roman Festivals," by the New York Philharmonic, Toscanini conducting; 1946 - Roy Harris: "Memories of a Child's Sunday," by the New York Philharmonic with the composer conducting; 1948 - Cowell: Suite for Woodwind Quintet, by an ensemble at the McMillan Theater of Columbia University in New York City; This work was written in 1933 for the French flutist Georges Barrère, but the score and parts remained lost until 1947. Links and Resources On Debussy On the Théâtrophone

durée : 01:46:20 - Été Classique Après-midi du jeudi 14 juillet 2022 - par : Benjamin François - "14 juillet ! Francis Poulenc promène ses petits bébêtes : dromadaire, dauphin, carpe et autre puce ! Jacques Ibert et Charles Koechlin seront de la fête avec Charles-Marie Widor et Buxtehude. À redécouvrir aussi, Croesus de Keiser, pour une nouvelle programmation tutti-frutti !" Benjamin François - réalisé par : Vivian Lecuivre

Composer, pianist, and conductor Michael Shapiro joins us to talk about the music on his latest disc, including his John Milton-inspired piano concerto entitled Archangel. In this action-packed work, Shapiro lays out the epic Biblical battle between good and evil as a metaphor for the challenges we all face in our daily lives (which includes the current coronavirus pandemic – something Michael recently fell victim to himself). Also on the disc: orchestral excerpts from an opera based on Federico Garcia Lorca, and a full-throttle realization for orchestra of the famous organ Toccata by French composer Charles-Marie Widor.

Easter Sunday Worship for April 17, 2022, from Queen Anne Lutheran Church in Seattle. Organ—Prelude in D major, Dietrich Buxtehude (1637-1707) • Choral Prelude—Let This Day Be Filled with Wonder, James Biery (b. 1956) • Rite of Holy Baptism • Processional Hymn—Jesus Christ Is Risen Today ELW 365 • First Reading—Acts 10:34-43 • Psalm 118:1-2, 14-24 • Second Reading—1 Corinthians 15:19-26 • Gospel—Luke 24:1-12 • Hymn of the Day—That Easter Day with Joy Was Bright, ELW 384 • Sending Hymn—Thine Is the Glory, ELW 376 • Postlude—Toccata (from Symphony for Organ No. 5), Charles-Marie Widor (1844–1937). Neil Hubert on trumpet accompanied hymns. View the bulletin and read the sermon transcript.

Synopsis On today's date in 1929, the Italian composer Ottorino Respighi capped his trilogy of symphonic tone poems based on Roman scenery and history with the premiere performance of his “Roman Festivals.” Unlike the first two installments, “The Fountains of Rome” and “The Pines of Rome,” which were both premiered in Rome by Italian orchestras, “Roman Festivals” premiered in America at Carnegie Hall, with the New York Philharmonic conducted by Arturo Toscanini. “All three of the compositions are [full of] brilliant instrumental effects,” wrote music critic Olin Downes in his New York Times review the following day. “'Roman Festivals' however, fairly caps the climax for sheer orchestral sonority … The first part … is really wild and brutal music, the dramatic idea being the howls and cries of the crowd at the Circus Maximus, the salutations for Nero, the opening of the iron gates and the roaring of beasts, the hymn of the Christians about to be slaughtered... The passage is short, but of a stunning power." But Olin Downes ended his review with a Nero-esque thumbs-down: "All this program material furnishes Mr. Respighi opportunity for descriptive writing,” concludes the review, “but the music is of no merit.” Music Played in Today's Program Ottorino Resphigi (1879 — 1936) — Roman Festivals (Philadelphia Orchestra; Riccardo Muti, cond.) Angel/EMI 47316 On This Day Births 1801 - Czech composer Johann Wenzel Kalliwoda, in Prague; 1836 - French composer Léo Delibes, in St. Germain du Val, Sarthe; 1844 - French composer and organist Charles Marie Widor, in Lyons; Deaths 1996 - American composer and conductor Morton Gould, age 82, in Orlando, Fla. Premieres 1727 - Bach: Sacred Cantata No. 52 ("Ich habe genug") performed on the Feast of the Purification as part of Bach's third annual Sacred Cantata cycle in Leipzig (1725/27); 1744 - Handel: oratorio “Semele,” in London (Julian date: Feb. 10); 1749 - Handel: oratorio “Susanna” in London (Julian date: Feb. 10); 1886 - Mussorgsky (arr. Rimsky-Korsakov): opera “Khovanschchina,” posthumously, in St. Petersburg (Julian date: Feb. 9); 1907 - Delius: opera, "A Village Romeo and Juliet," in Berlin; 1909 - Liadov: “Enchanted Lake” for orchestra, in St. Petersburg (Julian date: Feb. 8); 1917 - Rachmaninoff: “Etudes-tableaux,” Op. 39 (Gregorian date: March 6); 1920 - Milhaud: ballet "Le Boeuf sur la toît," in Paris; 1929 - Respighi: orchestral suite, "Roman Festivals," by the New York Philharmonic, Toscanini conducting; 1946 - Roy Harris: "Memories of a Child's Sunday," by the New York Philharmonic with the composer conducting; 1948 - Cowell: Suite for Woodwind Quintet, by an ensemble at the McMillan Theater of Columbia University in New York City; This work was written in 1933 for the French flutist Georges Barrère, but the score and parts remained lost until 1947. Links and Resources On Respighi and his music

Thomas and Richard are back after nearly a year to talk about the singing of the Passion during Holy Week. The ‘Crowd' parts sung by the Choir have taken a lot of preparation! Can the Choir be expected to walk and sing at the same time? Plus, we answer some listener questions. Music in this episodeTomás Luis de Victoria (1548–1611), O sacrum convivium, recorded at High Mass for the Solemnity of Corpus Christi on Sunday 6th June 2021 (26:48).Charles-Marie Widor (1844–1937), Surrexit a mortuis, recorded at High Mass on Easter Sunday morning, 4th April 2021 (44:32).

Synopsis Today we remember two famous French composers, both organists, who came to dramatic ends in the month of June. On June 2nd, 1937, while playing his 1,750th recital at the Cathedral of Notre-Dame in Paris, Louis Vierne suffered a sudden and fatal stroke, dying in the organ loft in the presence of one of his most promising pupils, Maurice Duruflé. Vierne was born nearly blind, but his exceptional musical ability eventually led to studies with the two greatest French organ composers of the 19th century, César Franck and Charles-Marie Widor. The piece that the 66-year-old Vierne was playing when he collapsed at Notre-Dame had the morbidly apt title “Memorial for a Dead Child.” Three years later, on June 20, 1940, another talented French organist and composer, Jehan Alain, was killed in action during the Second World War. Alain's compositions were considered experimental in both rhythm and modes. Even so, he had just won the French Premier Prix for organ in 1939 when the War broke out, and he was called up for active service. Following the Battle of Saumur, Jehan Alain's body was found by the roadside, with some of his music manuscripts scattered in the wind. Music Played in Today's Program Louis Vierne (1870 - 1937) — Carillon de Longpont (Richard Proulx, organ) Sacred Heart 101 Jehan Alain (1911 - 1940) — Litanies (Carlo Curley, organ) Argo 430 200

Synopsis Today we remember two famous French composers, both organists, who came to dramatic ends in the month of June. On June 2nd, 1937, while playing his 1,750th recital at the Cathedral of Notre-Dame in Paris, Louis Vierne suffered a sudden and fatal stroke, dying in the organ loft in the presence of one of his most promising pupils, Maurice Duruflé. Vierne was born nearly blind, but his exceptional musical ability eventually led to studies with the two greatest French organ composers of the 19th century, César Franck and Charles-Marie Widor. The piece that the 66-year-old Vierne was playing when he collapsed at Notre-Dame had the morbidly apt title “Memorial for a Dead Child.” Three years later, on June 20, 1940, another talented French organist and composer, Jehan Alain, was killed in action during the Second World War. Alain's compositions were considered experimental in both rhythm and modes. Even so, he had just won the French Premier Prix for organ in 1939 when the War broke out, and he was called up for active service. Following the Battle of Saumur, Jehan Alain's body was found by the roadside, with some of his music manuscripts scattered in the wind. Music Played in Today's Program Louis Vierne (1870 - 1937) — Carillon de Longpont (Richard Proulx, organ) Sacred Heart 101 Jehan Alain (1911 - 1940) — Litanies (Carlo Curley, organ) Argo 430 200

Join us today, Wednesday, October 14, for A Devotion for Early Evening, led by the Rev. Gary Lubin and featuring Thomas Heidenreich on the organ playing Cantabile from Symphony VI by Charles-Marie Widor.This worship service is available here and through our Online Worship podcasts. Subscribe now on Apple podcast, Stitcher, and Spotify or simply ask your smart speaker to play the podcast “The Episcopal Church of the Redeemer Online Worship."

Organist Joby Bell will give the first recital in this year's Organ at Davidson series at Davidson College Presbyterian Church. Bell is in the process of recording the complete solo organ works of Charles-Marie Widor. Find out more about Bell's exploration of Widor and how he decided to pursue a career as an organist. Learn more about the Organ at Davidson Series

The Romantic Period – Part I This week we hear works by Franz Schubert, Charles-François Gounod, Johannes Brahms, Johann Strauss II, Charles-Marie Widor, Edward MacDowell, and Gustav Mahler. 164 Minutes – Week of September 21, 2020

Composer, pianist, and conductor Michael Shapiro joins us to talk about the music on his latest disc, including his John Milton-inspired piano concerto entitled Archangel. In this action-packed work, Shapiro lays out the epic Biblical battle between good and evil as a metaphor for the challenges we all face in our daily lives (which includes the current coronavirus pandemic – something Michael recently fell victim to himself). Also on the disc: orchestral excerpts from an opera based on Federico Garcia Lorca, and a full-throttle realization for orchestra of the famous organ Toccata by French composer Charles-Marie Widor.

Composer, pianist, and conductor Michael Shapiro joins us to talk about the music on his latest disc, including his John Milton-inspired piano concerto entitled Archangel. In this action-packed work, Shapiro lays out the epic Biblical battle between good and evil as a metaphor for the challenges we all face in our daily lives (which includes the current coronavirus pandemic – something Michael recently fell victim to himself). Also on the disc: orchestral excerpts from an opera based on Federico Garcia Lorca, and a full-throttle realization for orchestra of the famous organ Toccata by French composer Charles-Marie Widor.

In this episode, we discuss Charles-Marie Widor and how he's considered an Organ Maverick in History with the legacy he's left behind.Sources:https://en.wikipedia.org/wiki/Charles-Marie_Widorhttps://scholar.smu.edu/cgi/viewcontent.cgi?article=1006&context=arts_music_etdshttps://www.bostonglobe.com/arts/music/2019/01/31/composer-and-organist-inspired-innovation/HdBy0kCXuHiOOmjysMtttN/story.htmlhttps://www.hyperion-records.co.uk/c.asp?c=C649https://www.britannica.com/biography/Charles-Marie-Widorhttps://scholarworks.iu.edu/dspace/bitstream/2022/15171/1/Bang_Shin-Kyung_2012.pdfFollow us on Twitter for new episode releases and status updates about podcast episode production: @OrganPodcastSend us your topic suggestions for future episodes with the following email address (and don't forget to put in the subject line "Suggestions" when doing so): organmavericks@gmail.comRob Hlebinsky's Social Media:YouTube: https://www.youtube.com/YensidOrganistFacebook/Twitter/Instagram: @YensidOrganistJonny Selimovic's Social Media:YouTube: http://www.youtube.com/user/JonnyMusicChannelFacebook/Instagram: @jonnyselproductionsTwitter: @Jonny_SelPatreon: https://www.patreon.com/jonnymusic

Die Toccata der 5. Sinfonie ist als Hit in die Musikgeschichte eingegangen. Widor komponierte seine Orgelwerke in der Klanglichkeit von Orchestersinfonien.

Seung Yeon and Hae Jin bring an exciting programme for flute solo with piano accompaniment, to take you on a musical journey back in time. Starting in the 20th century with American composer Robert Muczynski’s arresting flute sonata we travel back to the late Romantic period with a gorgeous suite for flute and piano by Charles-Marie Widor. The refined Classical period follows with Mozart’s sparkling flute concerto in G major. We arrive at our destination in the baroque period, where Seung Yeon and Hae Jin conclude with an arrangement of the Chaconne in G minor written by Italian composer Tomaso Antonio Vitali.

Paolo Tortiglione racconta Charles Marie Widor

Welcome to Secrets of Organ Playing Podcast #130! Today's guest is an American organist Randall Krum. He was born in Albany, New York and grew up in the nearby village of Ephratah where he studied piano and organ with local teachers. During high school he began focused organ studies with area organist, Dr. Elmer A. Tidmarsh, a onetime student of Charles-Marie Widor and a longtime friend of Marcel Dupré. ​Following graduation from high school and in preparation to audition for admission into college organ study, he studied with Willard Irving Nevins at the Guilmant Organ School in New York City. Subsequently he was accepted at the Peabody Conservatory, Baltimore, MD, where he studied with Professors Clarence Snyder, Arthur Rhea and Arthur Howes completing both the Bachelor's Degree and Master's Degree in organ and liturgical music. Mr. Krum has been organist at a number of churches in the eastern United States, notably St. Andrew's Episcopal Church, Baltimore, MD, Sacred Heart St. Francis de Sales Roman Catholic Church, Bennington, VT, and St. Peter's Episcopal Church, Bennington, VT. Currently, Mr. Krum is organist-choirmaster of St. Peter's Episcopal Church, Lake Mary, Florida. In 1987, Mr. Krum was an American delegate to the International Congress of Organists in Cambridge, England, where he participated in a variety of organ and choral workshops. In Summer, 1993, he studied in Paris with organist Jacques Taddei and participated in workshops with Henri Houbart, Philippe Lefebvre, and Mme. Marie-Louise Langlais. In Summer, 2005, he attended the Royal School of Church Music International Summer School at St. John University, York, England, where he took part in courses and workshops led by John Rutter, John Bell, Alistair Warwick and other RSCM faculty. Additionally, he participated with all International Summer School students in singing daily Mattins and Evensong at Yorkminster. Mr. Krum has presented recitals at the Episcopal Cathedral of All Saints, Albany, NY, the Episcopal Cathedral of St. Paul, Burlington, VT, and for the Centennial Celebration of St. Peter's Episcopal Church, Bennington, VT in 2007. His organ-related activities include membership in the American Guild of Organists where he is webmaster for the Central Florida Chapter and a member of the Executive Committee. ​In this conversation Randall shares his insights about how to keep being alive and interested in music as one ages. ​And don't forget to help spread the word about the SOP Podcast by sharing it with your organist friends. Thanks for caring. Relevant link: ​https://www.facebook.com/randall.krum

En este episodio didáctico, los niños y sus padres aprenderán sobre los instrumentos con teclas que podemos escuchar en la música clásica. ¡A ver si adivinas qué instrumentos son solo con escuchar la música! Las notas del episodio en allegromagico.com/27. Lo que vas a escuchar en este episodio: [00:45] Organ Symphony No. 5 in F Minor, Op. 42, No. 1: III. Toccata. Allegro. Charles-Marie Widor [03:44] Grand Canyon Suite: III. On the Trail. Ferde Grofé. [04:11] Hedwig's Theme (From "Harry Potter and the Philosopher's Stone”). John Williams. [04:47] The Nutcracker, Op. 71, Act II: Variation II. Dance of the Sugar Plum Fairy. Pyotr Ilyich Tchaikovsky. [06:03] Toccata for Acordeon No. 2. Ole Schmidt. [08:07] Piano Sonata In a Minor, K. 310: I. Allegro Maestoso. Wolfgang Amadeus Mozart [12:04] The Well-Tempered Clavier, Book 1: Prelude and Fugue No. 1 in C Major, BWV 846: I. Prelude. Johann Sebastian Bach. [14:48] Concierto para Clavicordio, Flauta, Oboe, Clarinete, Violín y Cello: Allegro. Manuel de Falla. [16:34] Aria and 30 Variations, BWV 988, "Goldberg Variations": I. Aria. Johann Sebastian Bach   Si te gusta el episodio, califícalo en tu app favorita (Podcasts iTunes, iVoox) o puedes dejar tu review. :)    No te pierdas ningún episodio. Súscríbete al newsletter en allegromagico.com/suscribirme.    Síguenos en: Facebook, Twitter, Instagram y Pinterest.  Únete a la comunidad de Allegro Mágico en allegromagico.com/comunidad.

From April 14, 2013 service "Music and the Holy." Featuring Cam Bishop on organ, accompanied by brass ensemble

선곡표 1.P. Mascagni-카발레리아 루스티카나 (Cavalleria Rusticana) 中 간주곡 2.Charles-Marie Widor-모음곡 Op.34 中 3곡Romance 3.C. Bolling -플롯과 재즈 트리오를 위한 모음곡 中 Baroque and Blue 4.W.A. Mozart -교향곡 36번 C장조 KV 425 린츠(Linz) 中 1악장:Adagio-Allegro spiritoso 5.J. Brahms -바이올린 소나타 1번 Op.78 中 1악장:Vivace ma non troppo 6.R. Schumann -아다지오와 알레그로 Op.70 7.J. Brahms -발라드 2번 D장조 Op.10-2 8.A. Vivadi -사계 中 여름 1악장Allegro non molto 2악장Adagio 3악장Presto 전 악장 9.Takashi Ohmama - Phatos (영화 예고범 ost)

Episode 02 is the first of several episodes focusing specifically on choral direction and the job of being a choir director. We open with a brief review of Philip’s choral directing schedule in the month of June 2016, traveling from South Korea to Sweden; followed by a discussion of how and why Philip became a choir director. Then we dive into the job description, the “101" of Being a Choir Director. Philip talks about why choirs and singing matter today, the essential need for a steady pulse, the differences in conducting singers versus instrumentalists, diction, rehearsal techniques, mixing voice types in a choir, as well as giving answers to questions from composer Dominick Argento and others. Philip also offers a few choral directing tips learned from Robert Shaw and over 50 years of conducting singers around the world. If you’ve got questions for Philip about choral conducting or music in general, please send them to us: renaissancemanpodcast [at] gmail [dot] com. And thanks so much for listening! Music excerpts in the podcast include (in order of appearance): "Quartet Of Swedes - Swedish Born And Swedish Bred" by Benjamin Britten, performed by The Plymouth Music Series (now VocalEssence) from Britten’s opera Paul Bunyan conducted by Philip Brunelle for via Virgin Classics (1987) "Deo Dicamus Gratias" sung by the Plymouth Congregational Church choir off the album Praise And Thanksgiving: Music And Spoken Word, conducted by Philip Brunelle (2006) "Tocotta In F Major" for organ by Charles-Marie Widor, performed by Philip Brunelle off the album Make A Joyful Noise (1998) "Riksdagsmusiken In D Major - Riksdagsmarsch” by Joseph Martin Kraus, performed by the Orchestra of The Royal Swedish Opera conducted by Philip Brunelle (1996) "Zuni Sunrise Song" by Anonymous/Brent Michael Davids, performed by VocalEssence Ensemble Singers and conducted by Philip Brunelle off the album The World Beloved - A Bluegrass Mass (2010) "Since The Birth Of The Earth” by Benjamin Britten, performed by The Plymouth Music Series (now VocalEssence) from Britten's opera Paul Bunyan conducted by Philip Brunelle for via Virgin Classics (1987) "Quartet Of Swedes - Swedish Born And Swedish Bred" by Benjamin Britten, performed by The Plymouth Music Series (now VocalEssence) from Britten’s opera Paul Bunyan conducted by Philip Brunelle for via Virgin Classics (1987) "The Mask (text G. Gwendolyn) - The Mask_ No. 2. Heritage” by William Bolcom/Gwendolyn Bennett, performed by VocalEssence Ensemble Singers and conducted by Philip Brunelle off the album The World Beloved - A Bluegrass Mass (2010)

Att krusa för att få sin musik spelad hemma i Sverige låg inte för Laura Netzel. Då fanns det andra länder att vända sig till, länder där kvinnliga tonsättare hade lättare att bli accepterade. Laura Netzel hade en hel del internationella kontakter, och framför allt hade hon en förkärlek för fransk kultur. Hon tillbringade mycket tid i Paris, och efter kompositionsstudierna för Wilhelm Heintze i Stockholm fortsatte hon att ta lektioner för Charles Marie Widor i Paris. Det var också där hon fick de största framgångarna som tonsättare. Franska kritiker var mera positivt inställda till kvinnor som inte bara komponerade små salongsstycken. Många av hennes verk gavs ut på franska förlag, och också tyska förläggare visade intresse för hennes musik. När det bildades sällskap i Stockholm som hade till uppgift att sprida kunskap om fransk och annan internationell kultur, då engagerade sig Laura Netzel helhjärtat i verksamheten. Att anordna soaréer var något av hennes specialitet. En P2 Dokumentärserie i 4 delar av Christina Tobeck

Jacquelin Rochette nous interprète la symphonie pour orgue NO 6, OP 42 NO 2, 3E MVT de Charles-Marie Widor, tirée de l'intégrale des symphonies pour orgue.

The castaway in Desert Island Discs this week is the music writer and critic Felix Aprahamian. He'll be talking to Sue Lawley about how, as a music critic on the Sunday Times for over 40 years, he has lived at the epicentre of 20th-century musical life - meeting such luminaries as Poulenc, Messiaen, Delius and the French organist and composer, Charles-Marie Widor. He'll also be discussing his views on the contemporary music scene, and describing his house in North London where, now aged 80, he lives surrounded by musical artefacts, literature and scores that have accumulated over his long career.[Taken from the original programme material for this archive edition of Desert Island Discs] Favourite track: Christ Der Ein'ge Gottes Sohn by Johann Sebastian Bach Book: Du Cote De Chez Swann by Marcel Proust Luxury: Swiss army knife

The castaway in Desert Island Discs this week is the music writer and critic Felix Aprahamian. He'll be talking to Sue Lawley about how, as a music critic on the Sunday Times for over 40 years, he has lived at the epicentre of 20th-century musical life - meeting such luminaries as Poulenc, Messiaen, Delius and the French organist and composer, Charles-Marie Widor. He'll also be discussing his views on the contemporary music scene, and describing his house in North London where, now aged 80, he lives surrounded by musical artefacts, literature and scores that have accumulated over his long career. [Taken from the original programme material for this archive edition of Desert Island Discs] Favourite track: Christ Der Ein'ge Gottes Sohn by Johann Sebastian Bach Book: Du Cote De Chez Swann by Marcel Proust Luxury: Swiss army knife