Podcast appearances and mentions of Reynaldo Hahn

Day 15: Jayson P. Smith reads their poem, “I Arrive in a Place with a High Level of Psychic Distress.” Queer Poem-a-Day is honored to be the first publication of this poem.  Jayson P. Smith is a poet, dancer, educator, & curator from the Bronx. J is the recipient of fellowships from Hawthornden Foundation, NYFA, The Poetry Project, and Callaloo. They curate NOMAD Readings in Brooklyn (& elsewhere).  Text of today's poem and more details about our program can be found at: deerfieldlibrary.org/queerpoemaday/ Find books from participating poets in our library's catalog.  Queer Poem-a-Day is a program from the Adult Services Department at the Library and may include adult language.  Queer Poem-a-Day is founded and co-directed by poet and professor Lisa Hiton and Dylan Zavagno, Adult Services Coordinator at the Library and host of the Deerfield Public Library Podcast. Music for this fifth year of our series is “L'Ange Verrier” from Le Rossignol Éperdu by Reynaldo Hahn, performed by pianist Daniel Baer. Queer Poem-a-Day is supported by generous donations from the Friends of the Deerfield Public Library and the Deerfield Fine Arts Commission.  

Day 14:  Jessica Jacobs reads her poem, "Saturday Services at the Provincetown Shore" from her book unalone (Four Way Books, 2024). Recorded with permission of Four Way Books. All rights reserved. Jessica Jacobs, a 2025 Guggenheim Fellow, is the author of unalone, poems in conversation with the Book of Genesis (Four Way Books, March 2024); Take Me with You, Wherever You're Going (Four Way Books, 2019), one of Library Journal's Best Poetry Books of the Year, winner of the Devil's Kitchen and Goldie Awards, and a finalist for the Brockman-Campbell, American Fiction, and Julie Suk Book Awards; Pelvis with Distance (White Pine Press, 2015), a biography-in-poems of Georgia O'Keeffe, winner of the New Mexico Book Award in Poetry and a finalist for the Lambda Literary Award; and co-author of Write It! 100 Poetry Prompts to Inspire (Spruce Books/Penguin RandomHouse). She is the founder and executive director of Yetzirah: A Hearth for Jewish Poetry. Text of today's poem and more details about our program can be found at: deerfieldlibrary.org/queerpoemaday/ Find books from participating poets in our library's catalog.  Queer Poem-a-Day is a program from the Adult Services Department at the Library and may include adult language.  Queer Poem-a-Day is founded and co-directed by poet and professor Lisa Hiton and Dylan Zavagno, Adult Services Coordinator at the Library and host of the Deerfield Public Library Podcast. Music for this fifth year of our series is “L'Ange Verrier” from Le Rossignol Éperdu by Reynaldo Hahn, performed by pianist Daniel Baer. Queer Poem-a-Day is supported by generous donations from the Friends of the Deerfield Public Library and the Deerfield Fine Arts Commission.  

Day 13: Francisco Márquez reads his poem, “The Bulge,” first published in The Adroit Journal (April 2025).  Francisco Márquez is a poet from Maracaibo, Venezuela, born in Miami, Florida. His work has been featured in the Yale Review, the Brooklyn Rail, the Slowdown podcast, and the Best American Poetry anthology. He has received support from the Tin House Writer's Workshop, The Poetry Project, and the Fine Arts Work Center in Provincetown, where he was a 2019-2020 Poetry Fellow. He works and lives in Brooklyn, New York. Text of today's poem and more details about our program can be found at: deerfieldlibrary.org/queerpoemaday/ Find books from participating poets in our library's catalog.  Queer Poem-a-Day is a program from the Adult Services Department at the Library and may include adult language.  Queer Poem-a-Day is founded and co-directed by poet and professor Lisa Hiton and Dylan Zavagno, Adult Services Coordinator at the Library and host of the Deerfield Public Library Podcast. Music for this fifth year of our series is “L'Ange Verrier” from Le Rossignol Éperdu by Reynaldo Hahn, performed by pianist Daniel Baer. Queer Poem-a-Day is supported by generous donations from the Friends of the Deerfield Public Library and the Deerfield Fine Arts Commission.  

Day 12: Jaz Sufi reads her poem, “Ode to My Lover's Sequined Dress.” Queer Poem-a-Day is honored to be the first publication of this poem.  Jaz Sufi (she/hers) is a queer Iranian-American poet and arts educator. Her work has been published or is upcoming in Best New Poets, Best of the Net, AGNI, Black Warrior Review, Muzzle, and elsewhere. She is a National Poetry Slam finalist and has received fellowships from Kundiman, the Watering Hole, and New York University, where she received her MFA. She is the current Poet Laureate of San Ramon, CA, where she lives with her dog, Apollo. Text of today's poem and more details about our program can be found at: deerfieldlibrary.org/queerpoemaday/ Find books from participating poets in our library's catalog.  Queer Poem-a-Day is a program from the Adult Services Department at the Library and may include adult language.  Queer Poem-a-Day is founded and co-directed by poet and professor Lisa Hiton and Dylan Zavagno, Adult Services Coordinator at the Library and host of the Deerfield Public Library Podcast. Music for this fifth year of our series is “L'Ange Verrier” from Le Rossignol Éperdu by Reynaldo Hahn, performed by pianist Daniel Baer. Queer Poem-a-Day is supported by generous donations from the Friends of the Deerfield Public Library and the Deerfield Fine Arts Commission.  

Day 11: Gabrielle Calvocoressi reads their poem, “Miss you. Would like to take a walk with you” originally published in Poetry (October 2021).  Gabrielle Calvocoressi is the author of The Last Time I Saw Amelia Earhart, Apocalyptic Swing (a finalist for the LA Times Book Prize), and Rocket Fantastic, winner of the Audre Lorde Award for Lesbian Poetry. Calvocoressi is the recipient of numerous awards and fellowships including a Stegner Fellowship and Jones Lectureship from Stanford University; a Rona Jaffe Woman Writer's Award; a Lannan Foundation residency in  Marfa, TX; the Bernard F. Conners Prize from The Paris Review; and a residency from the Civitella di Ranieri Foundation, among others. Calvocoressi's poems have been published or are forthcoming in numerous magazines and journals including The Baffler, The New York Times, POETRY, Boston Review, Kenyon Review, Tin House, and The New Yorker. Calvocoressi is an Editor at Large at Los Angeles Review of Books, and Poetry Editor at Southern Cultures. Works in progress include a non-fiction book entitled, The Year I Didn't Kill Myself and a novel, The Alderman of the Graveyard. Calvocoressi was the Beatrice Shepherd Blane Fellow at the Harvard-Radcliffe Institute for 2022 - 2023. Calvocoressi teaches at UNC Chapel Hill and lives in Old East Durham, NC, where joy, compassion, and social justice are at the center of their personal and poetic practice. Their new collection of poetry, The New Economy, will be released from Copper Canyon in 2025.   Text of today's poem and more details about our program can be found at: deerfieldlibrary.org/queerpoemaday/ Find books from participating poets in our library's catalog.  Queer Poem-a-Day is a program from the Adult Services Department at the Library and may include adult language.  Queer Poem-a-Day is founded and co-directed by poet and professor Lisa Hiton and Dylan Zavagno, Adult Services Coordinator at the Library and host of the Deerfield Public Library Podcast. Music for this fifth year of our series is “L'Ange Verrier” from Le Rossignol Éperdu by Reynaldo Hahn, performed by pianist Daniel Baer. Queer Poem-a-Day is supported by generous donations from the Friends of the Deerfield Public Library and the Deerfield Fine Arts Commission.

Day 10: Jan-Henry Gray reads his poem “On Therapy,” first published in the anthology Permanent Record: Poetics Towards the Archive (Nightboat Books, 2025), edited by Naima Yael Tokunow. Jan-Henry Gray is the author of Documents, selected by D.A. Powell as the winner of BOA Editions' Poulin Poetry Prize, and the chapbook Selected Emails. His poems have been included in various anthologies, including Here to Stay: Poetry and Prose from the Undocumented Diaspora (HarperCollins, 2024), Permanent Record: Poetics Towards the Archive (Nightboat, 2024), as well as Essential Queer Voices of U.S. Poetry, Queer Nature, and Nepantla: An Anthology for Queer Poets of Color. He's received fellowships from Undocupoets, the Cooke Foundation Award, and Kundiman. He was born in the Philippines, raised in California, and worked as a chef for over 12 years. He is an assistant professor at Adelphi University and teaches in their low-residency MFA program. Text of today's poem and more details about our program can be found at: deerfieldlibrary.org/queerpoemaday/ Find books from participating poets in our library's catalog.  Queer Poem-a-Day is a program from the Adult Services Department at the Library and may include adult language.  Queer Poem-a-Day is founded and co-directed by poet and professor Lisa Hiton and Dylan Zavagno, Adult Services Coordinator at the Library and host of the Deerfield Public Library Podcast. Music for this fifth year of our series is “L'Ange Verrier” from Le Rossignol Éperdu by Reynaldo Hahn, performed by pianist Daniel Baer. Queer Poem-a-Day is supported by generous donations from the Friends of the Deerfield Public Library and the Deerfield Fine Arts Commission.  

Day 9: Timothy Liu reads his poem “The Price of Kissing is Your Life,” originally published in the Georgia Review (Spring 2025). Timothy Liu's most recent books of poems are Down Low and Lowdown and Luminous Debris, both out from Barrow Street. A reader of occult esoterica, he teaches at SUNY New Paltz and Vassar College. Text of today's poem and more details about our program can be found at: deerfieldlibrary.org/queerpoemaday/ Find books from participating poets in our library's catalog.  Queer Poem-a-Day is a program from the Adult Services Department at the Library and may include adult language.   Queer Poem-a-Day is founded and co-directed by poet and professor Lisa Hiton and Dylan Zavagno, Adult Services Coordinator at the Library and host of the Deerfield Public Library Podcast. Music for this fifth year of our series is “L'Ange Verrier” from Le Rossignol Éperdu by Reynaldo Hahn, performed by pianist Daniel Baer. Queer Poem-a-Day is supported by generous donations from the Friends of the Deerfield Public Library and the Deerfield Fine Arts Commission.

Day 8: Lloyd Schwartz reads his poem “Who's On First?” This poem was originally published in Ploughshares (1981) and reprinted in Who's On First: New and Selected Poems (University of Chicago Press, 2021). Lloyd Schwartz is poet laureate of Somerville, the Frederick S. Troy Professor of English Emeritus at the University of Massachusetts Boston, and a longtime arts critic for NPR's Fresh Air. He's published five books of poetry, a collection of his music reviews, and has edited three volumes devoted to the works of Elizabeth Bishop. Among his honors are the Pulitzer Prize for Criticism, and fellowships from the Guggenheim Foundation, NEA, and Academy of American Poets for his poetry. His poems have been selected for the Pushcart Prize, The Best American Poetry, and The Best of the Best American Poetry. His next collection, “Artur Schnabel and Joseph Szigeti Play Mozart at the Frick Collection (April 4, 1948)” and Other Poems, will appear next year from Arrowsmith Press. Text of today's poem and more details about our program can be found at: deerfieldlibrary.org/queerpoemaday/ Find books from participating poets in our library's catalog.  Queer Poem-a-Day is a program from the Adult Services Department at the Library and may include adult language.  Queer Poem-a-Day is founded and co-directed by poet and professor Lisa Hiton and Dylan Zavagno, Adult Services Coordinator at the Library and host of the Deerfield Public Library Podcast. Music for this fifth year of our series is “L'Ange Verrier” from Le Rossignol Éperdu by Reynaldo Hahn, performed by pianist Daniel Baer. Queer Poem-a-Day is supported by generous donations from the Friends of the Deerfield Public Library and the Deerfield Fine Arts Commission.  

Day 7: Keetje Kuipers reads her poem “Cremello Horse,” which first appeared in the magazine 32 Poems and was then published in Lonely Women Make Good Lovers (BOA Editions, 2025). Keetje Kuipers' fourth collection of poetry, Lonely Women Make Good Lovers, was the recipient of the Isabella Gardner Award. Her poetry and prose have appeared in American Poetry Review, New York Times Magazine, and Poetry, and have been honored by publication in the Pushcart Prize and Best American Poetry anthologies. Keetje has been a Stegner Fellow, NEA Literature Fellow in Creative Writing, and the Margery Davis Boyden Wilderness Writing Resident. She lives with her wife and children in Montana, where she is Editor of Poetry Northwest. Text of today's poem and more details about our program can be found at: deerfieldlibrary.org/queerpoemaday/ Find books from participating poets in our library's catalog.  Queer Poem-a-Day is a program from the Adult Services Department at the Library and may include adult language.   Queer Poem-a-Day is founded and co-directed by poet and professor Lisa Hiton and Dylan Zavagno, Adult Services Coordinator at the Library and host of the Deerfield Public Library Podcast. Music for this fifth year of our series is “L'Ange Verrier” from Le Rossignol Éperdu by Reynaldo Hahn, performed by pianist Daniel Baer. Queer Poem-a-Day is supported by generous donations from the Friends of the Deerfield Public Library and the Deerfield Fine Arts Commission.  

Day 6: Gaia Rajan reads his poem “Essay on Class,” which originally appeared in Frontier Poetry (2023).  Gaia Rajan is the author of the chapbooks Moth Funerals (Glass Poetry Press 2020) and Killing It (Black Lawrence Press 2022). His work is published in the Academy of American Poets' Poem-A-Day, Best New Poets, the Best of the Net anthology, The Kenyon Review, THRUSH, Split Lip Magazine, diode, Palette Poetry, and elsewhere. He lives in Brooklyn and online at @gaiarajan on Twitter or Instagram. Text of today's poem and more details about our program can be found at: deerfieldlibrary.org/queerpoemaday/ Find books from participating poets in our library's catalog.  Queer Poem-a-Day is a program from the Adult Services Department at the Library and may include adult language.  Queer Poem-a-Day is founded and co-directed by poet and professor Lisa Hiton and Dylan Zavagno, Adult Services Coordinator at the Library and host of the Deerfield Public Library Podcast. Music for this fifth year of our series is “L'Ange Verrier” from Le Rossignol Éperdu by Reynaldo Hahn, performed by pianist Daniel Baer. Queer Poem-a-Day is supported by generous donations from the Friends of the Deerfield Public Library and the Deerfield Fine Arts Commission.

Day 5: Rick Barot reads his poem “Pleasure,” which appears in his recent book, Moving the Bones. Rick Barot's most recent book of poems is Moving the Bones, published by Milkweed Editions in 2024. His previous book, The Galleons, was longlisted for the National Book Award. He lives in Tacoma, Washington, and directs the Rainier Writing Workshop, the low-residency MFA program at Pacific Lutheran University. Text of today's poem and more details about our program can be found at: deerfieldlibrary.org/queerpoemaday/ Find books from participating poets in our library's catalog.  Queer Poem-a-Day is a program from the Adult Services Department at the Library and may include adult language.  Queer Poem-a-Day is founded and co-directed by poet and professor Lisa Hiton and Dylan Zavagno, Adult Services Coordinator at the Library and host of the Deerfield Public Library Podcast. Music for this fifth year of our series is “L'Ange Verrier” from Le Rossignol Éperdu by Reynaldo Hahn, performed by pianist Daniel Baer. Queer Poem-a-Day is supported by generous donations from the Friends of the Deerfield Public Library and the Deerfield Fine Arts Commission.  

Day 4: S. Brook Corfman reads her poem “Before & After.” The poem first appeared in Pigeon Pages (2020), in a slightly different form.  S. Brook Corfman is the author of My Daily Actions, or The Meteorites, one of The New York Times Best Poetry Books of 2020, finalist for the Leslie Feinberg Award for Trans and Gender-Variant Literature, and winner of the Fordham University Press POL Prize, chosen by Cathy Park Hong. She is also the author of the poetry collection Luxury, Blue Lace, chosen by Richard Siken for the Autumn House Rising Writer Prize, and several chapbooks. In 2024 she received the Lyric Poetry Award from the Poetry Society of America. Text of today's poem and more details about our program can be found at: deerfieldlibrary.org/queerpoemaday/ Find books from participating poets in our library's catalog.  Queer Poem-a-Day is a program from the Adult Services Department at the Library and may include adult language.  Queer Poem-a-Day is founded and co-directed by poet and professor Lisa Hiton and Dylan Zavagno, Adult Services Coordinator at the Library and host of the Deerfield Public Library Podcast. Music for this fifth year of our series is “L'Ange Verrier” from Le Rossignol Éperdu by Reynaldo Hahn, performed by pianist Daniel Baer. Queer Poem-a-Day is supported by generous donations from the Friends of the Deerfield Public Library and the Deerfield Fine Arts Commission.  

Day 3: Marcelo Hernandez Castillo reads his poem “Eclogue: A Field Guide and Cure.” The poem was published in the recent anthology Like A Hammer: Poets on Mass Incarceration (Haymarket Books, 2025). Marcelo Hernandez Castillo is the author of Children of the Land: a Memoir (Harper Collins); Cenzontle (BOA Editions), winner of the A. Poulin, Jr. prize; Dulce (Northwestern University Press), winner of the Drinking Gourd Prize; and, most recently, he is the co-editor of the anthology Here to Stay: Poetry and Prose from the Undocumented Diaspora (Harper Perennial). He is the 2025 guest editor of the Michigan Quarterly Review and has also curated the Academy of American Poet's Poem-A-Day Series. His work has been long listed for the California Book Award, the Foreword Indies Prize, and the Lambda Literary Award, among other recognitions. He was the first undocumented student to graduate from the Helen Zell Writers Program at the University of Michigan and co-founded the Undocupoets, which eliminated citizenship requirements from all major poetry book prizes in the U.S., and for which he was recognized with the Barnes and Noble Writers for Writers award. Text of today's poem and more details about our program can be found at: deerfieldlibrary.org/queerpoemaday/ Find books from participating poets in our library's catalog.  Queer Poem-a-Day is a program from the Adult Services Department at the Library and may include adult language.  Queer Poem-a-Day is founded and co-directed by poet and professor Lisa Hiton and Dylan Zavagno, Adult Services Coordinator at the Library and host of the Deerfield Public Library Podcast. Music for this fifth year of our series is “L'Ange Verrier” from Le Rossignol Éperdu by Reynaldo Hahn, performed by pianist Daniel Baer. Queer Poem-a-Day is supported by generous donations from the Friends of the Deerfield Public Library and the Deerfield Fine Arts Commission.

Day 2: Faylita Hicks reads their poem “A Gxrl's Trip Home.” This poem was originally published in A Map of My Want (Haymarket Books, 2024). Faylita Hicks (she/they) is a writer, interdisciplinary artist, Hoodoo practitioner, and cultural strategist exploring the intersections of social justice and spirituality. They are the author of A Map of My Want (Haymarket, 2024), HoodWitch (Acre, 2019), and the forthcoming memoir A Body of Wild Light (Haymarket, 2027). A 2025 Haymarket Writing Freedom Fellow and Definition Theatre Amplify finalist, Hicks contributed to a Grammy-nominated album and has earned awards and honors from Art for Justice Fund, Lambda Literary, and the Right of Return Fellowship. They hold an MFA from the University of Nevada, Reno, and have received fellowships from Black Mountain Institute, Tin House, and others. Hicks serves as Chair of the Board for The Guild Literary Complex, Core Poetry Faculty at StoryStudio, adjunct faculty for the University of Nevada's MFA program, and is a voting member of the Recording Academy. Text of today's poem and more details about our program can be found at: deerfieldlibrary.org/queerpoemaday/ Find books from participating poets in our library's catalog.  Queer Poem-a-Day is a program from the Adult Services Department at the Library and may include adult language.  Queer Poem-a-Day is founded and co-directed by poet and professor Lisa Hiton and Dylan Zavagno, Adult Services Coordinator at the Library and host of the Deerfield Public Library Podcast. Music for this fifth year of our series is “L'Ange Verrier” from Le Rossignol Éperdu by Reynaldo Hahn, performed by pianist Daniel Baer. Queer Poem-a-Day is supported by generous donations from the Friends of the Deerfield Public Library and the Deerfield Fine Arts Commission.

Day 1: Jericho Brown reads his poem “Duplex.” This poem was originally published in The Progressive Magazine (2019). Jericho Brown is the author of The Tradition, which won the Pulitzer Prize for Poetry. He is also a recipient of the MacArthur “Genius” Fellowship. Text of today's poem and more details about our program can be found at: deerfieldlibrary.org/queerpoemaday/ Find books from participating poets in our library's catalog.  Queer Poem-a-Day is a program from the Adult Services Department at the Library and may include adult language. Queer Poem-a-Day is founded and co-directed by poet and professor Lisa Hiton and Dylan Zavagno, Adult Services Coordinator at the Library and host of the Deerfield Public Library Podcast. Music for this fifth year of our series is “L'Ange Verrier” from Le Rossignol Éperdu by Reynaldo Hahn, performed by pianist Daniel Baer. Queer Poem-a-Day is supported by generous donations from the Friends of the Deerfield Public Library and the Deerfield Fine Arts Commission.

We're back for year five of Queer Poem-a-Day! Queer Poem-a-Day is a unique podcast series for Pride Month, presenting a public archive of original poems written and read by contemporary LGBTQIA+ poets. For this fifth year, we'll be sharing a poem each weekday in June. Get exciting with this audio collage "cento" trailer, featuring some of the voices from year five (see if you can recognize the voice of a favorite poet!). Then tune in Monday, June 2, for our first episode on our Queer Poem-a-Day page, and on Apple Podcasts, Spotify, or anywhere you get podcasts.  Queer Poem-a-Day is founded and co-directed by Deerfield-raised poet and professor Lisa Hiton and Dylan Zavagno, Adult Services Coordinator at the Library and host of the Deerfield Public Library Podcast. Music for this fifth year of our series is “L'Ange Verrier” from Le Rossignol Éperdu by Reynaldo Hahn, performed by pianist Daniel Baer.  We are once again grateful to have received generous support from both the Friends of the Deerfield Public Library and the Deerfield Fine Arts Commission. We also invite you to check out our archives from year one, year two, year three's “Lineage Edition,” and year four.  Queer Poem-a-Day is a program from the Adult Services Department at the Library and may include adult language. Once again, we have several related programs this year. Register to join in at the links below!  Related Programs (All programs in Central Time)  5 Years of Queer Poem-a-Day: An Anniversary Poetry Reading  Saturday, June 7: 1:00 pm - 2:15 pm (Virtual) Participating poets from the past five years of our Queer Poem-a-Day podcast will read and discuss their poetry! Classics Book Discussion: Nikki Giovanni Thursday, June 12: 7:00 pm - 8:30 pm (Hybrid) Our Classics Book Discussion pays tribute to the recently passed U.S. poet Nikki Giovanni and the Black Arts Movement. Co-led by our Queer Poem-a-Day co-director Lisa Hiton. Join us either in person or on Zoom. Register to get a pdf packet of poems sent to you, or pick one up at the Adult Services Desk.  Queer Poem-a-Day Capstone Lecture Thursday, June 26: 7:00pm - 8:00pm (Virtual) The co-directors of Queer Poem-a-Day give their annual lecture on the unique themes of this year's collection of poems. Register for the Zoom link.     

durée : 01:27:17 - En pistes ! du jeudi 08 mai 2025 - par : Emilie Munera, Rodolphe Bruneau Boulmier - Commandé par Diaghilev, ce ballet de Reynaldo Hahn sort de l'oubli grâce au chef Dylan Corlay. A retrouver également, une nouvelle version du célèbre concerto pour violon de Beethoven que l'on doit à l'écossaise Nicola Benedetti qui enregistre pour la première fois ce chef d'œuvre du répertoire.

durée : 01:27:17 - En pistes ! du jeudi 08 mai 2025 - par : Emilie Munera, Rodolphe Bruneau Boulmier - Commandé par Diaghilev, ce ballet de Reynaldo Hahn sort de l'oubli grâce au chef Dylan Corlay. A retrouver également, une nouvelle version du célèbre concerto pour violon de Beethoven que l'on doit à l'écossaise Nicola Benedetti qui enregistre pour la première fois ce chef d'œuvre du répertoire.

La chronique Musique Frédéric Hutman

Der Komponist Reynaldo Hahn war damals ein erfolgreicher und angesagter Tonsetzer. Doch sein Ballett „Der blaue Gott“ wurde zum Flop der Saison 1912. Und auch die Partitur geriert schnell in Vergessenheit. Jetzt hat sie das Projektorchester Les frivolités Parisiennes wiederbelebt. Manuel Brug meint: Die einzige Schwäche der Aufnahme ist ihre Kürze!

Reynaldo Hahn nasceu em Caracas, mas aos cinco anos foi viver para Paris. Nunca quis ter uma carreira e é aquilo a que se pode chamar um "flâneur": queria ser um pouco de tudo sem ter muito trabalho.See omnystudio.com/listener for privacy information.

Für seinen "samtig leuchtenden Tenor" und sein "Pop-Star Charisma" pries ihn das "BBC Music Magazine2. Der libanesisch-amerikanische Sänger Karim Sulayman erkundet gern die vergessenen Seitenpfade des Standard-Repertoires. Genau wie das britische Kaleidoscope Chamber Collective, dessen 40 Mitglieder aus aller Welt in wechselnden Besetzungen miteinander musizieren. Das jüngste Projekt mit Karim Sulayman ist dem französischen Komponisten Reynaldo Hahn gewidmet, dessen einstiger Ruhm heute allzu sehr verblasst ist.

Der libanesisch-amerikanische Sänger Karim Sulayman erkundet gern die vergessenen Seitenpfade des Standardrepertoires. Genau wie das britische Kaleidoscope Chamber Collective, dessen 40 Mitglieder aus aller Welt in wechselnden Besetzungen miteinander musizieren. Das jüngste Projekt ist dem französischen Komponisten Reynaldo Hahn gewidmet, dessen einstiger Ruhm heute fast vergessen ist.

Interpreten: Quatuor TchalikLabel: alkonostEAN: 3760288803591Sie haben in den vergangenen Jahren CDs mit Werken von Camille Saint-Saëns, Reynaldo Hahn, Boris Tishchenko oder Maurice Ravel aufgenommen, doch mit ihrer neuen CD kehren die Mitglieder des Quatuor Tchalik quasi zurück zu ihren Wurzeln, nämlich den Wurzeln des internationalen Erfolges. Mozart spielt dabei eine große Rolle, wie Michael Gmasz im heutigen Beitrag verrät.Bei den Hagens waren es zur Gründungszeit bis 1981 auch vier Geschwister, beim Schumann Quartett sind es immerhin drei Brüder und auch dem Mandelring Quartett gehören neben Andreas Willwohl die drei Geschwister Schmidt an. Dass sich ein professionelles Streichquartett, wie das französische Quatuor Tchalik, wirklich aus vier Schwestern und Brüdern zusammensetzt, ist jedoch eher eine seltene Fügung. Wie so viele andere junge Streichquartette auch, haben Louise, Sarah, Gabriel und Marc Tchalik ihre Ausbildung und ihren letzten Schliff u.a. beim legendären Günther Pichler vom Alban Berg Quartett an der Escuela Superior de Música Reina Sofia in Madrid genossen. Nach dem Gewinn einiger kleinerer Wettbewerbe, ist der Stern des Tchalik Quartetts 2018 mit dem ersten Preis beim 13. Internationalen Mozartwettbewerb in Salzburg und dem Sonderpreis für die beste Interpretation eines Quartetts von W.A. Mozart aufgegangen. Auf CD kehren die Tchaliks erst jetzt, Jahre später, wieder zurück zu Mozart. „Es ist ein wahres Glück, als Familie Mozart zu spielen; wenig Komponisten haben in dem Maße Hausmusik im Kreise der Familie praktiziert“ erinnern die Tchalik Geschwister im Beiheft ihrer neuen CD an das familiäre Hausmusizieren bei Wolfgang, Nannerl und zumindest Leopold Mozart. Dass hier blindes Verständnis zwischen den jeweiligen Musikerinnen und Musikern herrscht, spürt und hört man von den ersten Takten des eröffnenden Jagd Quartetts KV 458. Gemeinsames Atmen, eine gemeinsame Idee vom Ganzen und ein Gespür für Übergänge ist hier wie in den anderen Quartetten gegeben. Pausen dauern keinen Moment zu kurz oder zu lange, kleine, unerwartete Akzente beleben vor allem die langsamen Sätze, über die auch große Bögen gespannt sind. Ob beim Proben und bei Konzertvorbereitungen alles immer eitel Wonne ist, daran mögen vielleicht alle, die auch Geschwister haben, zweifeln – aber wenn Louise, Sarah, Gabriel und Marc Tchalik dann auf der Bühne oder im Studio sitzen, ergibt sich ein Miteinander, das ohne familiäre Bande nur sehr wenigen gelingt. Mit Dania Tchalik gibt es übrigens auch einen hochbegabten Pianisten Bruder, der für Klavierquintette zur Verfügung steht und die CDs erscheinen im hauseigenen Label Alkonost, vor mehr als zehn Jahren vom Vater Mikhail Tchalik ins Leben gerufen. Mehr Familie geht nicht. (mg)

durée : 01:28:16 - En pistes ! du lundi 03 février 2025 - par : Emilie Munera, Rodolphe Bruneau Boulmier - Elle n'est pas avec sa soeur mais en compagnie d'une grande violoniste : Katia Labèque et Viktoria Mullova publient un nouvel album. Egalement au programme Liszt par Jean Dubé, Reynaldo Hahn par l'ensemble Kaleidoscope ou Benda par Francesco Corti

durée : 01:28:16 - En pistes ! du lundi 03 février 2025 - par : Emilie Munera, Rodolphe Bruneau Boulmier - Elle n'est pas avec sa soeur mais en compagnie d'une grande violoniste : Katia Labèque et Viktoria Mullova publient un nouvel album. Egalement au programme Liszt par Jean Dubé, Reynaldo Hahn par l'ensemble Kaleidoscope ou Benda par Francesco Corti

durée : 00:29:53 - France Musique est à vous junior du samedi 26 octobre 2024 - par : Gabrielle Oliveira-Guyon - Aujourd'hui, nous suivrons les aventures d'Octave et Mélo à la montagne, nous écouterons le message de Gabin laissé sur notre répondeur téléphonique ainsi qu'une œuvre de jeunesse de Reynaldo Hahn. Enfin, nous apprendrons avec Nicolas Lafitte qui a inventé la musique !

J'ai le plaisir de recevoir aujourd'hui la pianiste Laure Favre-Kahn. Diplômée du CNSM de Paris à 17 ans, elle enregistre son premier CD consacré à SCHUMANN à 20 ans et gagne quelques années plus tard le Concours Pro Piano à New-york. Laure joue régulièrement en musique de chambre, notamment avec le violoniste franco-serbe Nemanja Radulovic mais a eu aussi l'occasion de collaborer avec le Quatuor Ebène. Elle s'est produite dans des salles prestigieuses comme le théâtre des CHamps-Elysées ou la salle Pleyel, ainsi que dans de nombreux Festivals dont celui de la Roque-d'Anthéron. Laure a enregistré plusieurs albums, consacrés à SCHUMANN donc mais aussi Chopin, Reynaldo Hahn et bien d'autres. Aujourd'hui, elle vient nous parler de son dernier opus intitulé “ Dédicaces” qui est sorti le 13 septembre dernier. C'est un projet très particulier qu'elle va nous expliquer tout de suite, et puis nous en écouterons bien entendu quelques extraits pendant cet épisode.

durée : 01:00:08 - Laure Murat, historienne - par : Priscille Lafitte - Historienne de la littérature française, Laure Murat s'attache à la musique dans l'écriture de Marcel Proust et à la prosodie dans les partitions de Reynaldo Hahn. Ce Musique Emoi chérit la voix de ténor d'Alain Vanzo dans Bizet et celle de Cyril Auvity dans un air sérieux de Michel Lambert. - réalisé par : Patrick Lérisset

In deze nieuwe week Kalm met Klassiek hoor je de vogels fluiten! Vele componisten hebben zich door vogelgezang laten inspireren, en voor de tweede keer dit jaar laat Ab Nieuwdorp je daar graag wat voorbeelden van horen. Het thema is extra toepasselijk omdat het aanstaande vrijdag Dierendag is! De vogels vliegen je dus om de oren deze week. Ab heeft uiteraard alleen de meest kalme beestjes uitgezocht, met om te beginnen vandaag een betoverend nachtegaaltje in 'Le rossignol éperdu' van Reynaldo Hahn. Wil je meer Kalm met Klassiek? Ga naar npoklassiek.nl/kalmmetklassiek (https://www.npoklassiek.nl/kalmmetklassiek). Alle muziek uit de podcast vind je terug in de bijbehorende speellijst (https://open.spotify.com/playlist/6YgSfm1Sux7CroiJvzeUdx?si=f0f254ee8f4048e7). 

durée : 00:25:16 - Reynaldo Hahn, Ciboulette - par : Anne-Charlotte Rémond - Les articles pleuvent après la première de Ciboulette de Reynaldo Hahn au Théâtre des Variétés le 7 avril 1923. Même si certains critiques sont plus réservés que d'autres, tous rendent compte du succès public obtenu par la musique et l'argument de cette opérette qui a fait couler beaucoup d'encre. - réalisé par : Philippe Petit

durée : 01:28:27 - En pistes ! du vendredi 12 avril 2024 - par : Emilie Munera, Rodolphe Bruneau Boulmier - Ce matin, nous accompagnons le pianiste Salih Can Gevrek dans son voyage à travers les époques, nous parcourons les Paysages de Reynaldo Hahn avec Véronique Gens et l'Orchestre de la radio de Munich dirigé par Hervé Niquet, nous explorons les étoiles et les planètes en compagnie de Kaijaa Saariaho

durée : 00:16:35 - Les Nuits de France Culture - par : Albane Penaranda - Sept "Chansons grises" composées par Reynaldo Hahn sur sept poèmes de Paul Verlaine, chantées par Fernand Koenig avec Odette Pigot au piano, pour l'émission "Musique de chambre" diffusée le 9 janvier 1962 sur France 3 Nationale.

durée : 00:19:09 - Le Disque classique du jour du mardi 05 mars 2024 - Le pianiste William Youn, accompagné par le Rundfunk-Sinfonieorchester Berlin sous la direction de Valentin Uryupin, nous offre un nouvel enregistrement d'œuvres spéciales pour piano et orchestre de Gabriel Fauré, Nadia Boulanger et Reynaldo Hahn

Seine Mozart- und Schubert-Interpretationen wurden begeistert aufgenommen, sogar von einer "Jahrhundertaufnahme" war einmal die Rede. Der in Südkorea geborene, seit langem in München lebende William Youn gilt als sensibler Poet unter den Pianisten. Was er auch auf seinem neuen Doppelalbum mit selten gespieltem französischem Repertoire von Gabriel Fauré, Nadia Boulanger und Reynaldo Hahn beweist.

durée : 00:14:19 - Le Disque classique du jour du jeudi 08 février 2024 - Dans son nouvel enregistrement, le pianiste anglais Martin James Bartlett met à l'honneur la danse dans les œuvres de Rameau, Couperin, Ravel, Debussy et Reynaldo Hahn

durée : 01:27:52 - En pistes ! du jeudi 07 décembre 2023 - par : Emilie Munera, Rodolphe Bruneau Boulmier - En ce jeudi matin, Emilie et Rodolphe vous ont concocté un programme qui met en lumière les œuvres de Reynaldo Hahn, Piotr Ilitch Tchaïkowsky, Luigi Cherubini, mais aussi Georg Friedrich Haendel, sans oublier le compositeur hongrois Béla Bartok. En pistes!

durée : 01:27:39 - En pistes ! du jeudi 26 octobre 2023 - par : Emilie Munera, Rodolphe Bruneau Boulmier - Nous poursuivons la semaine aux côtés d'Emilie et Rodolphe avec, ce matin, une programmation éclectique mêlant la musique de Domenico Scarlatti, Reynaldo Hahn, Jean-Baptiste Lully, Arcangelo Corelli, sans oublier Francis Poulenc et André Caplet. En pistes !

durée : 00:59:11 - Été Classique Matin du jeudi 20 juillet 2023 - par : Aude Giger - Aujourd'hui dans Été classique : Déguisement, mode et parure ! Une programmation essentiellement Française avec notamment Gabriel Fauré, Reynaldo Hahn et Elsa Dreisig !

A Marcel ya se le veía el plumero y era difícil ocultarlo, porque su obra En busca del tiempo perdido se convirtió en una de las cumbres de la literatura universal y en esa obra salen muchos homosexuales, y básicamente toda su vida, eso sí, novelado, con otros nombres y tal. Aunque tenía pasta, porque era de buena familia, Proust tampoco es que acabase muy bien, el pobre, porque tenía una salud de mierda, y eso, por mucho dinero que se tenga, no se arregla. Tuvo dos amantes, Reynaldo Hahn y Lucien Daudet, y tenemos sus cartas, así que ya no es sólo lo de En busca del tiempo perdido, es que tenemos pruebas directas de la propia mano de Proust hacia sus amores, y nada más, aquí os dejo la lista de reproducción: https://open.spotify.com/playlist/2joF8cb37PVnS9Pbv1JfWK?si=53e2e395184f49db

Synopsis Many music lovers will confess they prefer to hear symphonies or operas in the comfort of their own home rather than live in person at a concert hall or theater. On today's date in 1911, the famous French novelist, hypochondriac, and notorious homebody Marcel Proust wrote to his friend, the composer Reynaldo Hahn, that he had just listened to a live afternoon performance of the whole first act of Wagner's opera Die Meistersinger tucked up in bed and planned to hear Debussy's still-new opera Pelléas and Mélisande later that same evening, once again snugly secure in his Parisian apartment. Now, these days with radio, TV, and multiple live-streaming devices, this would be no big deal – but in 1911 how could that be possible? Well, for 60 francs a month -- a small fortune in 1911 -- wealthy Parisians could hear live performances of operas and plays relayed by a special phone line to a home receiver called the “théâtrophone.” First demonstrated in Paris in 1881, by 1890, the “théâtrophone was commercialized and the service continued 1932. Of course, even an enthusiastic subscriber like Proust had to admit the phone line sound quality was “très mal” (“really bad” in plain English) and hardly the same as being there in person. Music Played in Today's Program Claude Debussy (1862-1918) Pelléas et Mélisande Symphonie Suite (arr. Marius Constant) Orchestre National de Lyon; Jun Märkl, conductor. Naxos 8.570993 On This Day Births 1801 - Czech composer Johann Wenzel Kalliwoda, in Prague; 1836 - French composer Léo Delibes, in St. Germain du Val, Sarthe; 1844 - French composer and organist Charles Marie Widor, in Lyons; Deaths 1996 - American composer and conductor Morton Gould, age 82, in Orlando, Fla. Premieres 1727 - Bach: Sacred Cantata No. 52 ("Ich habe genug") performed on the Feast of the Purification as part of Bach's third annual Sacred Cantata cycle in Leipzig (1725/27); 1744 - Handel: oratorio “Semele,” in London (Julian date: Feb. 10); 1749 - Handel: oratorio “Susanna” in London (Julian date: Feb. 10); 1886 - Mussorgsky (arr. Rimsky-Korsakov): opera “Khovanschchina,” posthumously, in St. Petersburg (Julian date: Feb. 9); 1907 - Delius: opera, "A Village Romeo and Juliet," in Berlin; 1909 - Liadov: “Enchanted Lake” for orchestra, in St. Petersburg (Julian date: Feb. 8); 1917 - Rachmaninoff: “Etudes-tableaux,” Op. 39 (Gregorian date: March 6); 1920 - Milhaud: ballet "Le Boeuf sur la toît," in Paris; 1929 - Respighi: orchestral suite, "Roman Festivals," by the New York Philharmonic, Toscanini conducting; 1946 - Roy Harris: "Memories of a Child's Sunday," by the New York Philharmonic with the composer conducting; 1948 - Cowell: Suite for Woodwind Quintet, by an ensemble at the McMillan Theater of Columbia University in New York City; This work was written in 1933 for the French flutist Georges Barrère, but the score and parts remained lost until 1947. Links and Resources On Debussy On the Théâtrophone

Synopsis Late in 2013, the musical world was gearing up to celebrate the 70th birthday of British composer John Tavener, but sadly he died, so his 70th birthday, which fell on today's date in 2014, became a memorial tribute instead. Tavener had suffered from ill health throughout his life: a stroke in his thirties, heart surgery and the removal of a tumor in his forties, and two subsequent heart attacks. In his early twenties, Tavener became famous in 1968 with his avant-garde cantata entitled The Whale, based loosely on the Old Testament story of Jonah. That work caught the attention of one of The Beatles, and a recording of it was released on The Beatles' own Apple label. Tavener converted to the Russian Orthodox Church in 1977, and his music became increasingly spiritual. Millions who watched TV coverage of the funeral of Diana, Princess of Wales, in 1997, were deeply moved by his “Song for Athene,” which was performed to telling effect as Diana's casket left Westminster Abbey. Taverner was knighted in 2000, becoming Sir John Tavener In 2003, Tavener's Ikon of Eros, commissioned for the Centennial of the Minnesota Orchestra, and premiered at St. Paul's Cathedral—the one in St. Paul, Minnesota, that is, not the one in London—and Tavener came to Minnesota for the event. Music Played in Today's Program Sir John Tavener (1944-2013) Ikon of Eros Jorja Fleezanis, vn; Minnesota Chorale; Minnesota Orchestra; Paul Goodwin, conductor. Reference Recording 102 On This Day Births 1791 - French opera composer Louis Joseph F. Herold, in Paris; 1898 - Italian-American composer Vittorio Rieti, in Alexandria, Egypt; 1944 - British composer Sir John Tavener, in London; Deaths 1935 - Russian composer Mikhail Ippolitov-Ivanov, age 75, in Moscow; 1947 - Venezuelan-born French composer Reynaldo Hahn, age 72, in Paris; Premieres 1725 - Bach: Sacred Cantata No. 92 ("Ich hab in Gottes Herz und Sinn") performed on Septuagesimae Sunday after Epiphany as part of Bach's second annual Sacred Cantata cycle in Leipzig (1724/25); 1828 - Schubert: Piano Trio in Bb, Op. 99 (D. 898), at a private performance by Ignaz Schuppanzigh (violin), Josef Linke (cello), and Carl Maria von Bocklet (piano); 1830 - Auber: opera "Fra Diavolo" in Paris at the Opéra-Comique; 1876 - Tchaikovsky: "Serenade mélancolique" for violin and orchestra, in Moscow (Julian date: Jan. 18); 1897 - Glazunov: Symphony No. 5, in London; 1915 - Ravel: Piano Trio in a, in Paris, by Gabriel Wilaume (violin), Louis Feuillard (cello), and Alfredo Casella (piano); 1916 - Granados: opera "Goyescas," at the Metropolitan Opera in New York; 1927 - Copland: Piano Concerto, by the Boston Symphony conducted by Serge Koussevitzky, with the composer as soloist; 1941 - Copland: "Quiet City," at Town Hall in New York City by the Little Symphony conducted by Daniel Saidenberg; This music is based on incidental music Copland wrote for Irwin Shaw's play of the same name produced by the Group Theater in New York in 1939; 1944 - Bernstein: Symphony No. 1 ("Jeremiah"), at the Syria Mosque in Pittsburgh by the Pittsburgh Symphony conducted by the composer, with mezzo-soprano Jennie Tourel as vocal soloist; 1972 - Scott Joplin: opera "Treemonisha" (orchestrated by T.J. Anderson), in Atlanta; 1990 - Joan Tower: Flute Concerto, at Carnegie Hall in New York, with soloist Carol Wincenc and the American Composers Orchestra, Hugh Wolff, conducting; 1995 - Elinor Armer: “Island Earth” (to a text by Sci-Fi writer Usula K. Le Guin), at the University of California, Berkeley, by the various San Francisco choirs and the Women's Philharmonic, conducted by JoAnn Falletta; On the same program were the premiere performance's of Chen Yi's “Antiphony” for orchestra and Augusta Read Thomas's “Fantasy” for piano and orchestra (with piano soloist Sara Wolfensohn); 1997 - Morten Lauridsen: “Mid-Winter Songs” (final version) for chorus and orchestra, by the Los Angeles Master Chorale, John Currie conducting; Earlier versions of this work with piano and chamber orchestra accompaniment had premiered in 1981, 1983, and 1985 at various Californian venues; 2000 - André Previn: "Diversions," in Salzburg, Austria, by the Vienna Philharmonic, the composer conducting; Others 1742 - Jonathan Swift, Dean of St. Patrick's Cathedral in Dublin (and the author of "Gulliver's Travels"), objects to the cathedral singers taking part in performances of Handel's works while the composer is in that city (Gregorian date: Feb. 8); Rehearsals for the premiere performance of Handel's "Messiah" would begin in April of that year, involving the choirs of both Christ Church and St. Patrick's Cathedrals in Dublin; 1971 - William Bolcom completes his "Poltergeist" Rag (dedicated to Teresa Sterne, a one-time concert pianist who was then a producer for Nonesuch Records); According to the composer's notes, the "Poltergeist" Rag was written "in a converted garage next to a graveyard in Newburgh, N.Y." Links and Resources On Tavener

Mariolina Bertini"I piaceri e i giorni"Marcel ProustOscar Mondadorihttps://oscarmondadori.itTraduzione a cura di Mariolina Bertini e Giuseppe Girimonti GrecoLa caducità della bellezza, il tempo distruttore, l'incombere della morte.E poi la resurrezione del passato grazie alla memoria affettiva, la nostalgia per la simbiosi infantile con la figura materna, la gelosia che trasforma l'amore in tortura. Sono i temi che attraversano, come motivi musicali, le pagine dei Piaceri e i giorni (1896), conferendo a quest'opera composita di novelle, versi e prose un'unità profonda all'insegna della malinconia e del disincanto.Ironico aggiornamento del poema di Esiodo dedicato ai lavori agricoli, Le opere e i giorni, il primo libro pubblicato da Proust raccoglie testi composti tra il 1892 e il 1894 e descrive il bel mondo parigino alla fine dell'Ottocento, alternando pungenti osservazioni sulla sofisticata società mondana e i suoi difetti (snobismo, ipocrisia, ricerca dell'originalità a ogni costo) e riflessioni generali sui fuggevoli incanti e le inevitabili delusioni di ogni esperienza d'amore.È racchiusa in queste pagine tutta la giovinezza di Proust: visioni fugaci, sogni, moti dell'animo, impressioni di vita, satira di ambienti, paesaggi, atmosfere e personaggi tratteggiati con una scrittura limpida e veloce. Riletta alla luce della Recherche, la raccolta del 1896 rivela una ricchezza e una profondità insospettate.Questa edizione ripropone la forma originale dell'opera, con la prefazione di Anatole France, le preziose illustrazioni di Madeleine Lemaire, artista mondana frequentata dallo stesso Proust, e gli spartiti di Reynaldo Hahn, grande amore e amico dell'autore. In appendice alcuni testi mai pubblicati o mai ripresi in volume dallo stesso Proust.Marcel Proust (Parigi 1871-1922) è uno dei più grandi scrittori di tutti i tempi. La sua fama è legata al monumentale ciclo romanzesco Alla ricerca del tempo perduto, suddiviso in sette volumi, al quale si è dedicato per tutta la vita, e che venne pubblicato tra il 1913 e il 1927. Oltre che narratore, è stato anche un finissimo critico di letteratura, arte e musica e ha scritto novelle, poesie, saggi.IL POSTO DELLE PAROLEAscoltare fa Pensarehttps://ilpostodelleparole.itQuesto show fa parte del network Spreaker Prime. Se sei interessato a fare pubblicità in questo podcast, contattaci su https://www.spreaker.com/show/1487855/advertisement

Exactly a week after Add to Playlist won the category of Best Radio Music show at the prestigious international Prix Italia awards, Cerys Matthews and Jeffrey Boakye are joined by trumpet player Laura Jurd and operatic tenor Nicky Spence. Together, with the help of Dr Martin Neary - former Organist and Master of Choristers at Westminster Abbey - they add five more tracks to the playlist, taking them from Jamaica and an early sample in 1985 to a popular religious choral work via experimental indie rock from San Francisco. Presenters Cerys Matthews and Jeffrey Boakye Producer Jerome Weatherald The five tracks in this week's playlist: Under Me Sleng Teng by Wayne Smith À Chloris by Reynaldo Hahn, sung by Susan Graham Whither the Invisible Birds? by Deerhoof Miserere mei, Deus by Gregorio Allegri Alfie by Cilla Black Other music in this episode: Hey, Mrs. Jones by Ramsey Lewis Afro Blue by Melanie De Biasio Air on the G String (Suite No. 3, BWV 1068) by J. S. Bach

Lorenza Foschini"L'attrito della vita"Indagine su Renato Caccioppoli matematico napoletanoLa nave di Teseohttp://www.lanavediteseo.eu/Napoli, 8 maggio 1959. Renato Caccioppoli, genio della matematica, pianista prodigioso, affascinante affabulatore, coltissimo e poliglotta, ritenuto nipote del fondatore del movimento anarchico Michail Bakunin, si uccide sparandosi un colpo di pistola alla nuca nella sua casa di Palazzo Cellammare.Adorato da studenti e colleghi, modello di libertà e anticonformismo per un'intera generazione, Caccioppoli ha incantato con il suo carisma e la sua intelligenza non solo alcuni tra i più celebri intellettuali del secolo – André Gide, Pablo Neruda, Eduardo De Filippo, Benedetto Croce, Alberto Moravia, Elsa Morante – ma anche e soprattutto il popolo napoletano, che da sempre guarda a lui con stupita ammirazione. Perseguitato dal regime fascista, afflitto da quello che la scrittrice e amica Paola Masino definirà “l'attrito della vita”, la sua morte lo consegna definitivamente alla storia della città.Questa indagine meticolosa e documentata ci racconta chi fu realmente Caccioppoli e ci restituisce un'immagine non stereotipata, e per certi versi inedita, di una Napoli leggendaria.Lorenza Foschini, napoletana, ha condotto a lungo il Tg2. Autrice e conduttrice di trasmissioni di successo, ha realizzato documentari e programmi di approfondimento. Ha pubblicato, tra l'altro, Il cappotto di Proust, Zoé, la principessa che incantò Bakunin, Il vento attraversa le nostre anime. Marcel Proust e Reynaldo Hahn. Una storia d'amore e d'amicizia. Ha tradotto inediti proustiani in Ritorno a Guermantes e curato La democrazia in 30 lezioni di Giovanni Sartori.IL POSTO DELLE PAROLEascoltare fa pensarehttps://ilpostodelleparole.it/

Eine CD von Pavel Kolesnikov - vorgestellt auf NDR Kultur.

Two years ago last month, the great French (bass-)baritone Gabriel Bacquier died just four days short of his 96th birthday. At that time I offered a brief memorial tribute which opened my eyes to aspects of his artistry and voice with which I had been previously unfamiliar. Like his near-contemporary, the Italian baritone Tito Gobbi, Bacquier was one of the supreme actors of the operatic stage, whose voice coarsened somewhat over the course of his long career, even as his mastery as an actor and interpreter increased. By the time he retired, his repertoire consisted almost entirely of buffo parts. But in the earliest years of his career (and also like Gobbi), he possessed a baritone of velvety beauty that might surprise those who know only his later comic roles. This episode, which commemorates the second anniversary of Bacquier's death as well as his (posthumous) 98th birthday, focuses on the three different musical genres in which, in those early years, from 1953 through 1968, he excelled in equal measure: opera, of course, but also mélodie and operetta. The operatic portrayals represented include the title roles in Don Giovanni and Orphée et Eurydice; Zurga in Les Pêcheurs de perles; the Count in Le nozze di Figaro; Iago in Otello; Golaud; and his incomparable Scarpia, which he sang opposite every great Tosca of the 1960s with the exception of Callas. Complementing these live and studio recordings are recordings of melodies by Duparc, Fauré, Debussy, Ravel, and Poulenc; and operetta arias by Sigmund Romberg, Franz Lehár, Johann Strauss II, and Reynaldo Hahn, all deliciously sung in French. Vocal guest stars include Mirella Freni; Alain Vanzo; Bernard Demigny; Janine Ervil; Yvonne Gall, with whom Bacquier studied at the Conservatoire de Paris; and the late Renate Holm, the renowned German soubrette who died in April at the age of 90. In all this repertoire, Bacquier, who insisted on the appellation “acting singer” rather than “singing actor,” displays his commitment to clear yet full projection of text, which serves as a mirror into the music and not the other way around. Countermelody is a podcast devoted to the glory and the power of the human voice raised in song. Singer and vocal aficionado Daniel Gundlach explores great singers of the past and present focusing in particular on those who are less well-remembered today than they should be. Daniel's lifetime in music as a professional countertenor, pianist, vocal coach, voice teacher, and journalist yields an exciting array of anecdotes, impressions, and “inside stories.” At Countermelody's core is the celebration of great singers of all stripes, their instruments, and the connection they make to the words they sing. By clicking on the following link (https://linktr.ee/CountermelodyPodcast) you can find the dedicated Countermelody website which contains additional content including artist photos and episode setlists. The link will also take you to Countermelody's Patreon page, where you can pledge your monthly support at whatever level you can afford. Bonus episodes available exclusively to Patreon supporters are currently available and further bonus content including interviews and livestreams is planned for the upcoming season.

Hola, amigos. Los contenidos que os ofrecemos en este mes de marzo son los siguientes:os saludaremos con música de cine.Continuaremos descubriendo al compositor Reynaldo Hahn y escuchando dos de sus canciones.Hablaremos con Raúl Fuentes, pianista y compositor cubano que tiene muchas cosas que contarnos.Nos divertiremos buceando por la red, con Vivaldi como protagonista.Y en nuestra sección literaria descubriremos una novela policiaca en la que se menciona una obra de Edvard Grieg.Suscribete al podcast: https://pod.link/1118970448Feed: http://feedpress.me/musicaliaApple Podcast: https://itunes.apple.com/es/podcast/musicalia/id1118970448?mt=2Presenta: https://puntoprimario.com/

En Proust's Latin Americans  (Baltimore: Johns Hopkins University Press, 2014) Rubén Gallo consigue releer el legado de Marcel Proust contrapuntéandolo desde un lugar en apariencia imposible, poniendo en el centro del universo proustiano un alucinante catálogo de migrantes, rastacueros e intelectuales latinoamericanos cuyas ambivalentes señas de identidad actualizan, en otro nivel, las extranjerías de la Recherche –el deseo homoérotico, el mundo judío, el esnobismo como contraseña de salón. A partir del recuento biográfico y textual de las relaciones de Proust con Reynaldo Hahn, Gabriel de Yturri, José-María de Heredia y Ramon Fernandez, la prosa de Gallo expande los límites del salón proustiano desde adentro, desfondándolo hasta hacerlo colindar con Tucumán, la Patagonia o Ciudad de México; un Proust cosmopolita, en suma, tan atento a los vaivenes bursátiles de México como a las intermitencias del corazón. Reclamando elegantemente la herencia de extranjería y lectura de Julia Kristeva y Edward Said para otro continente, Gallo en este libro continúa un proyecto intelectual –iniciado en Freud's Mexico– en que el canon europeo se encuentra, frente a frente, con su propia otredad. Entrevista realizada por Iván Espinosa Orozco y Felipe Toro Franco.

En Proust's Latin Americans, Rubén Gallo consigue releer el legado de Marcel Proust contrapuntéandolo desde un lugar en apariencia imposible, poniendo en el centro del universo proustiano un alucinante catálogo de migrantes, rastacueros e intelectuales latinoamericanos cuyas ambivalentes señas de identidad actualizan, en otro nivel, las extranjerías de la Recherche –el deseo homoérotico, el mundo judío, el esnobismo como contraseña de salón. A partir del recuento biográfico y textual de las relaciones de Proust con Reynaldo Hahn, Gabriel de Yturri, José-María de Heredia y Ramon Fernandez, la prosa de Gallo expande los límites del salón proustiano desde adentro, desfondándolo hasta hacerlo colindar con Tucumán, la Patagonia o Ciudad de México; un Proust cosmopolita, en suma, tan atento a los vaivenes bursátiles de México como a las intermitencias del corazón. Reclamando elegantemente la herencia de extranjería y lectura de Julia Kristeva y Edward Said para otro continente, Gallo en este libro continúa un proyecto intelectual –iniciado en Freud's Mexico– en que el canon europeo se encuentra, frente a frente, con su propia otredad. Entrevista realizada por Iván Espinosa Orozco y Felipe Toro Franco