Podcasts about vierne

Im Internet ist sie die berühmteste Organistin der Welt: Die Britin Anna Lapwood teilt ihre Konzerte, Proben und nächtlichen Übesessions mittlerweile auf Instagram und TikTok mit über 800.000 Menschen. Manche nennen sie deshalb schon "Taylor Swift der klassischen Musik". Tatsächlich ist sie ein Sprachrohr, eine Motivatorin für junge Frauen in der klassischen Musik, die sich in ein monströses Instrument verliebt haben. Und sie widmet sich der populären und Filmmusik mit derselben Hingabe wie Bach, Vierne und Reger.

durée : 01:28:29 - Relax ! du lundi 02 décembre 2024 - par : Lionel Esparza - A l'occasion de la réouverture du haut lieu parisien, ce weekend, une évocation de la musique à Notre-Dame au fil de son histoire. Au programme Pérotin, Vierne, Cochereau, Campra et quelques autres...

durée : 01:28:29 - Relax ! du lundi 02 décembre 2024 - par : Lionel Esparza - A l'occasion de la réouverture du haut lieu parisien, ce weekend, une évocation de la musique à Notre-Dame au fil de son histoire. Au programme Pérotin, Vierne, Cochereau, Campra et quelques autres...

Let's start episode 707 of Secrets of Organ Playing Podcast. This question was sent by Fanie.  And she writes: Dear Vidas, I am an adult beginner, so I have different needs.1. What is your dream for organ playing? To play chorales in the church and play music which I love, like Bach, Buxtehude, Bohm, Franck, Mendelssohn, Guilmant, Vierne, Widor etc.2. What are 3 most important things that are holding you back from realizing your dream? I am not sure. Sometimes I am unsure if I actually get something right. Most recently, I started with a piece which was marked to be played articulated legato, and I had no idea what it was about. Eventually I got the info on your site.As of tomorrow, I will start with lessons, so it should be a bit easier.Regards, Fanie

Nouvel épisode du podcast MEDIT'ACTION avec Basile Vierne, un combattant au parcours incroyable, entre armée, restauration et stratup nation !Nous sommes revenus sur ses débuts dans l'entreprenariat et son arrivée dans le monde de la Tech et des Stratup. Nous avons longuement échange sur le Jiu Jitsu brésilien, sur sa pratique, sa vision de cet art martial et la philosophie qui lui a été transmise par son maitre Beto Ramos de De La Rive Nantes. La pression du business, la gestion du stress, les échecs et la résilience... Nous avons cheminé sur de nombreux concepts et modèles mentaux en essayant de faire le parallèle entre la pratique du JJB et le business. Nous avons longuement parlé de dépassement de soi et de gout de l'effort, à travers le parcours hors norme de Basile et sa passion pour le sport et les challenges en tout genre. Hébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

Nous invitons Basile Vierne dans ce nouvel épisode afin d'aborder le sujet de l'entrainement des commerciaux afin de débloquer leur plein potentiel. Nous verrons avec Basile :  ✅ Comment faire face aux lacunes de ses commerciaux ? ✅ Comment bien accompagner ses équipes ?  ✅ Comment pratiquer l'engagement sortant sur les réseaux sociaux. Toi aussi tu as envie de devenir un Héros de la vente, c'est par ici : https://lesherosdelavente.com/Hébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

Il y a 20 ans, il était livreur de truffes à Rungis.Aujourd'hui, il collabore avec les plus gros info-preneurs francophones.Entre-temps, Basile Vierne a eu plusieurs vies.Le monde de la nuit au Crazy HorseLe sens du sacrifice dans l'Armée de l'air et de l'espaceLa compréhension de la psychologie humaine dans la vente Le tout entrecoupé de réflexions qu'il documente dans Gambade et Gamberge.Il vit désormais à Dubaï.À la recherche de réponses pour sa prochaine mission.Comment permettre aux créatifs débordants d'idées, de venir en aide à ceux qui en manque ?Quel modèle économique y adosser ?J'ai reçu Basile dans le 60ᵉ épisode de FROM SCRATCH.Au programme : → Pourquoi Dubaï est devenue une ville si attractive ?→ À quel moment faut-il accepter de se remettre en question ?→ Comment rebondir après un échec entrepreneurial sans compromettre ses rêves ?→ Comment sortir de sa zone de confort et saisir les opportunités ?→ Comment trouver sa voie en tant qu'entrepreneur ?Et toutes les leçons qu'il en tire.Venez découvrir l'incroyable histoire de Basile et ce qu'il ferait s'il devait recommencer FROM SCRATCH.⚔️ Basile Vierne► LinkedIn : https://www.linkedin.com/in/basilevierne/⚡️ Mes services► Brand Builder : https://www.brandbuilder.fr► FROM SCRATCH Studio : https://www.fromscratchstudio.fr

Es el primer y único programa radial especializado en vehículos de la república dominicana es conducido por Hugo Beras y Paul Manzueta.

Hello tout le monde, bienvenue pour un nouvel épisode de Sans Permission ! Basile Vierne nous rejoint pour discuter mariage, gratitude, pédophilie et de plein d'autres sujets comme d'habitude.

Organist Christopher Houlihan, described as “the next big organ talent” by the Los Angeles Times, releases his next solo album, First and Last, on Azica Records. The album features César Franck's “Grande Pièce Symphonique,” Op. 17, from Six pièces d'orgue (1860–62) and Louis Vierne's Symphonie No. 6, op. 39 (1930).Sharing his inspiration behind the album, Houlihan says, “Within this genre, there are no two pieces that better represent the trajectory of this style than Franck's Grande pièce symphoniqueand Vierne's Symphony No. 6— essentially the first and the last French Romantic organ symphonies.” First and Last Track ListCésar Franck (1822 -1890) – Grande Pièce Symphonique, Op. 17 from Six pièces d'orgue (1860-1862)   1. Andantino serioso [4:03]  2. Allegro non troppo e maestoso [7:00]  3. Andante - Allegro - Andante [8:16]  4. Allegro non troppo c maestoso [2:49]  5. Beaucoup plus largement [4:10]Louis Vierne (1870–1937) – 24 Pièces en style libre, Op. 31  6. Berceuse, no. 19 [4:13]Louis Vierne – Symphonic No. 6, Op. 59 (1930)  7. I. Introduction et Allegro [10:13]  8. II. Aria [7:27]  9. III. Scherzo [4:26]  10. IV. Adagio [9:51]  11. V. Final [7:31]Total Time: 69:59Help support our show by purchasing this album  at:Downloads (classicalmusicdiscoveries.store) Classical Music Discoveries is sponsored by Uber. @CMDHedgecock#ClassicalMusicDiscoveries #KeepClassicalMusicAlive#LaMusicaFestival #CMDGrandOperaCompanyofVenice #CMDParisPhilharmonicinOrléans#CMDGermanOperaCompanyofBerlin#CMDGrandOperaCompanyofBarcelonaSpain#ClassicalMusicLivesOn#Uber Please consider supporting our show, thank you!Donate (classicalmusicdiscoveries.store) staff@classicalmusicdiscoveries.com This album is broadcasted with the permission of Katy Salomon representing Primo Artists.

In my first month in Japan, I was helping to lead worship on a pipe organ, when an older missionary came up and started to berate me. “You can't play that kind of music here. It's completely against everything we're trying to do for the Japanese church.” I was a bit shocked, but I could see his point. As Christians, we want to see the nations of the world worship God in their heart languages…their spoken language, but also their musical language and their cultural language. The music of Messiaen, Vierne, Widor, and all the other Western composers who've written for the organ are not part of their heart language…so, doesn't that mean I shouldn't play that music while church planting in Japan? I mean, what role do I have, someone trained in distinctly Western styles of music, in bringing the gospel to the people of Japan?

Comment écrire un livre en 10 jours sans écrire ? À la base c'est pourquoi je voulais inviter Basile à partager son expérience. Puis il s'est avéré que nous avons parlé : de Shape (forme physique) de flow - de mindset de l'importance des idées de la force de parcours atypiques et de plein d'autres sujets connexes. Basile a commencé dans les marchés de nuit, puis est devenu directeur de cabaret, puis entrepreneur en faisant un détour par l'armée pour au final découvrir un métier qu'il adore : Sales. Une vraie épopée. J'espère que tu apprécieras cette discussion riche autant que je l'ai apprécié. Pour suivre Basile (sans hésitations) : https://www.linkedin.com/in/basilevierne/ Son livre : https://urlz.fr/jDzd

durée : 01:29:57 - En pistes ! du mardi 30 août 2022 - par : Emilie Munera, Rodolphe Bruneau Boulmier - Au programme de ce mardi : du chant lyrique avec le dernier enregistrement de Matthias Goerne accompagné de Daniil Trifonov au piano mais aussi Bach par Reinhard Goebel ou encore Vierne interprété par Laurent Wagschal. En Pistes !

This question was sent by Steven, and he writes: “Vidas, Here are my responses to your questions. 1. What is your dream for organ playing? My dream is to improve my playing with the most effective way to practice and get the most out of my practice time. 2. What are 3 most important things that are holding you back from realising your dream? A. Effective practice and getting the most out of practice time. B. Better registrations for the music C. Being more confident in my playing Currently practicing Widor's Toccata from his 5th organ symphony and Vierne's Finale from 1st symphony and Carillon de Westminster. And these works of J.S. Bach: Toccata and Fugue in d minor BWV 565 Fugue in D BWV 532a Praeludium and Fugue in d minor BWV 549a The Gigue Fugue, BWV 577. Thank you for all you two do in assisting others to improve their playing skills at the organ. Steven”

"Communion" was written by Louis Vierne (1870-1937). Vierne was greatly influenced by the music of J.S. Bach.

Es el primer y único programa radial especializado en vehículos de la república dominicana es conducido por Hugo Beras y Paul Manzueta.

A special edition from Leeds Cathedral featuring four young organ scholars there CHRISTIOPHER DAVIS, RACHEL MAPP, ANTHONY BECKWITH and CHRISTOPHER HUGHES who each perform a short programme of music from Bach, Vierne, Vaughan Williams, Howells, Hunt and Elgar, at a lunchtime recital as part of the Leeds International Organ Festival on 23rd May 2022. We meet the artistes plus a chat with Artistic Director DAVID PIPE. --- Send in a voice message: https://anchor.fm/communitykeyboards/message

Laisse une note sur ton app Spotify :https://open.spotify.com/show/5rM3Q7y7GPcDcqCWha1CR7Aujourd'hui je reçois Basile Vierne, Sales & Marketing Manager de Tolery.Dans l'épisode, on parle de :  Qu'il faut sortir du mindset des hacks De l'art de poser des questions L'équilibre des forces Basile VierneTu peux contacter Basile sur son LinkedIn : https://www.linkedin.com/in/basilevierne/Les 2 livres mentionnés dans l'épisode : Comment se faire des amis de Dale Carnagie Le Mom test de Rob Fitzpatrick Inscris-toi à la newsletter gratuite :Tu veux plus de contenu sur la vente comme celui-ci ? Rejoins 1 175 commerciaux aujourd'hui :https://thesalesgame.substack.com/welcomeEt tu recevras du contenu sur la vente que j'envoie chaque dimanche.

Join us today, Wednesday, June 16, for a Devotion for Early Evening, led by the Rev. Gary Lubin and featuring Thomas Heidenreich on the organ playing Preamble by L. Vierne. This worship service is available here and through our Online Worship podcasts. Subscribe now on Apple podcast, Stitcher, and Spotify or simply ask your smart speaker to play the podcast “The Episcopal Church of the Redeemer Online Worship."

The incomparable Cherry Rhodes is Thompson's guest on this episode of The LA AGO Podcast. A world renowned concert organist and teacher, Ms. Rhodes is Adjunct Professor of Organ at the University of Southern California's Thornton School of Music.With her infectious laugh and sense of humor, Cherry reveals how the organ was not her first love; fondly remembers growing up in a house full of pianists and being exposed at an early age to music of all kinds; recounts the influence of "Pa," her piano technician stepfather and how he bought the first organ she learned on - a Hammond; tells how she felt like "a fish IN water" when she arrived at the Curtis Institute of Music at age 15; talks about how she came to study the music of Max Reger with Karl Richter in Germany but had to go through Bach's Orgelbüchlein first; recounts her time studying in Paris with both Jean Guillou and Marie-Claire Alain after both initially turned her down as a student; shares a funny story about filling in for Guillou at St. Eustache church while she was his assistant; recalls some memorable moments during her "Rhodes trips" concertizing abroad; tells us what she's looking forward to; explains the most common note she gives to new students; and a bunch more you'll only find out by listening!Listen at LAAGO.org...or wherever you get your podcasts.LINKS:Cherry's bio is here.Details about the Ruth & Clarence Mader Scholarship Fund Composition Competition 2021 are here.“On the road with Cherry Rhodes” touring distant lands to the music of Jean Guillou's Scènes d'enfant,Kimmel Center, Philadelphia, Pennsylvania (recorded live).Click for video here. 4 Piezas para la Misa (4 Pieces for the Mass: No. 4. Allegro ) by José Lidón,Kimmel Center, Philadelphia, Pennsylvania (recorded live).Click here.Orpheus by Franz Liszt (transcription by Jean Guillou), Cathedral of Our Lady of the Angels, Los Angeles (recorded live).Click here.Montréal Organ Festival 2017,recital of works by Fleury, Bonnet, Vierne, Messiaen, and Walter.Click for video here. Adagio and Fugue in C minor, K546 by Wolfgang Amadeus Mozart(transcription by Jean Guillou),Queen of All Saints Basilica, Chicago, Illinois (recorded live).  Click here.“Toad Talk” featuring Afternoon of a Toad by Clarence Mader, Kimmel Center, Philadelphia, Pennsylvania (recorded live).Click for video here. Revelations of Saint John the Divine for electronic tape and organ by Larry King,Cathedral of Our Lady of the Angels, Los Angeles, California (recorded live).Click here.Prelude and Variations on Old Hundredth by Calvin Hampton, University of Texas at Austin.Click here."Six Hands, Six Feet, One Bench":  The Love for Three Oranges  (transcription for three organists by Weicheng Zhao) performed by Ken Cowan, Alan Morrison, and Cherry Rhodes Click for video here. 

Synopsis Today we remember two famous French composers, both organists, who came to dramatic ends in the month of June. On June 2nd, 1937, while playing his 1,750th recital at the Cathedral of Notre-Dame in Paris, Louis Vierne suffered a sudden and fatal stroke, dying in the organ loft in the presence of one of his most promising pupils, Maurice Duruflé. Vierne was born nearly blind, but his exceptional musical ability eventually led to studies with the two greatest French organ composers of the 19th century, César Franck and Charles-Marie Widor. The piece that the 66-year-old Vierne was playing when he collapsed at Notre-Dame had the morbidly apt title “Memorial for a Dead Child.” Three years later, on June 20, 1940, another talented French organist and composer, Jehan Alain, was killed in action during the Second World War. Alain's compositions were considered experimental in both rhythm and modes. Even so, he had just won the French Premier Prix for organ in 1939 when the War broke out, and he was called up for active service. Following the Battle of Saumur, Jehan Alain's body was found by the roadside, with some of his music manuscripts scattered in the wind. Music Played in Today's Program Louis Vierne (1870 - 1937) — Carillon de Longpont (Richard Proulx, organ) Sacred Heart 101 Jehan Alain (1911 - 1940) — Litanies (Carlo Curley, organ) Argo 430 200

Synopsis Today we remember two famous French composers, both organists, who came to dramatic ends in the month of June. On June 2nd, 1937, while playing his 1,750th recital at the Cathedral of Notre-Dame in Paris, Louis Vierne suffered a sudden and fatal stroke, dying in the organ loft in the presence of one of his most promising pupils, Maurice Duruflé. Vierne was born nearly blind, but his exceptional musical ability eventually led to studies with the two greatest French organ composers of the 19th century, César Franck and Charles-Marie Widor. The piece that the 66-year-old Vierne was playing when he collapsed at Notre-Dame had the morbidly apt title “Memorial for a Dead Child.” Three years later, on June 20, 1940, another talented French organist and composer, Jehan Alain, was killed in action during the Second World War. Alain's compositions were considered experimental in both rhythm and modes. Even so, he had just won the French Premier Prix for organ in 1939 when the War broke out, and he was called up for active service. Following the Battle of Saumur, Jehan Alain's body was found by the roadside, with some of his music manuscripts scattered in the wind. Music Played in Today's Program Louis Vierne (1870 - 1937) — Carillon de Longpont (Richard Proulx, organ) Sacred Heart 101 Jehan Alain (1911 - 1940) — Litanies (Carlo Curley, organ) Argo 430 200

De bombardements de batailles en explosions d’orchestre, commémorons ensemble la guerre en musique. De Haendel à Messiaen en passant par Ravel et Vierne, découvrons des harmonies tantôt pugnaces, tantôt apaisées. Art martial ou insoutenable légèreté ? Le monde s’effondre – L’œuvre débute… http://trensistor.fr/fichiers/emissions/2021/01/20/musico_06.mp3 Facebook Musico-centrée Instagram Musico-centrée Playlist – Adolphe Bérard, Qui a gagné la […]

Louis Vierne (1870-1937) en Gustave Samazeuilh (1877-1967) zijn ook voor muziekkenners geen huishoudnamen. De eerste heeft vooral bekendheid verworven met zijn prachtige symfonische orgelwerken. De tweede was behalve componist een bekend criticus, die onder andere een monografie over zijn leraar Ernest Chausson heeft geschreven. In zijn eindexamenjaar bij Widor aan het conservatorium voltooide Vierne zijn […]

Sie ist Titularorganistin der Hamburger Elbphilharmonie und inzwischen eine Art Idolfigur der Orgelszene: die lettische Konzertorganistin Iveta Apkalna. Ihr neues Album führt uns ins Zentrum der französischen Orgel-Sinfonik mit Werken von Widor und Vierne.

durée : 01:28:36 - Louis Vierne - par : François-Xavier Szymczak - A l’heure où l’on reconstruit le toit de Notre-Dame de Paris et que son orgue est en attente de restauration, nous rendons hommage pour une émission à Louis Vierne, qui fut pendant près de quarante années le titulaire de ce prestigieux instrument. - réalisé par : Céline Parfenoff

This question was sent by Robert, and he writes, "Dear Vidas, Thank you so much for the video of you working on Vierne Final, sym 1. Within just the first 3 minutes I learned so much about how to practice properly, the key word here is properly. I, of course, practice (and I'm a slow learner but I get there) usually sections at a time and slowly but watching you slowly and what appears to me slight hesitation at certain points to read ahead. I may be misinterpreting what you're doing but it makes sense and allows for a much smoother transition from section to section until the full work is learned and brought up to speed. I've listened to more than 3 minutes but not the complete video which I will do now. I can't wait to see what's ahead that I will learn. You are such a good human being and make the world a better place. Thank you. Warm regards to you both, Robert"

DO AVESSO - Allan Vierne - (25/05/20) by Rádio Som Maior FM 100,7

This question was sent by Richard, and he writes, Dear Vidas and Ausra, How lovely to see our conversation make one of your SOPPs this week. Thank you! I don’t know Franck’s L’Organiste. I will order it and enjoy a good read. Do you know Guilmant’s ‘Organiste Liturgical’? A wonderful collection of his music that would have been (and still could be) used during Mass in France. Another gorgeous work I am dipping in and out of is Vierne’s Messe Basse for organ, again for use in Mass. It contains some wonderful movements, particularly ‘Elevation’ and ‘Communion’. I am vice chairman of the local organists’ association. The association is 70 next year and I’m arranging the trip to Paris as our birthday event. The organists I’ve met, or emailed this year, have been really lovely and welcoming. I have played some superb instruments, large and small, and am looking forward to the trip in April (I’m going back for a weekend in November as I just adore the wonderful instruments!). We will be playing at St. Eustache, St Clotilde, St. Laurent (Cliquot pipework), St. Gervais (Couperin dynasty), Notre-Dame des Champs (where Cavaillé-Coll worshiped and had his workshop just round the corner. He was always tinkering with the organ in the church which is why it is such a large two manual! The sound………….WOW!!!) and others. You’re right when you say that the playing must be perfect. It’s why I’ve already started learning music from Couperin to Langlais. I hope the other 9 players are working hard too! It should be a good trip! With best wishes to you both, Richard PS I drink decaf coffee too!

Impresionantes mezclas a mano de Dj Maikel. 2 Horas con mucho sonido Trance y Remember. No te lo pierdas todos los Vierne sde 10 a 12 en Efecto Fm 89.0

Agradece a este podcast tantas horas de entretenimiento y disfruta de episodios exclusivos como éste. ¡Apóyale en iVoox! Continuamos con las lineas telefonicas y nos relatan que su amiga cuando esta dormida y despierta en la noche hay una presencia que le dice: "Ven vamos a un lugar celestial" y la llevaban tres personas como al cielo; otra experiencia sobre cuando venian de celebrar el 14 de Febrero caminando y venia una persona medio siguiendolos y el les dice que estaba enfermo de Sida y le pidio un abrazo y despues de esto le dice que se merecia ie al cielo y la pasar por un panteon le dijo que el era la muerte; hablamos sobre un auto de una mujer fallecido en Celaya que se mueve solo y las autoridades no podian detenerlo. US:(562)904-4822 Mex:01(800)681-1847 www.desvelado.comEscucha este episodio completo y accede a todo el contenido exclusivo de Victor Camacho. Descubre antes que nadie los nuevos episodios, y participa en la comunidad exclusiva de oyentes en https://go.ivoox.com/sq/40270

In this question, William writes: “I worked on Meditation of Vierne. Not used to playing double flats. It was fun.”

This question was sent by William, and he writes: “I worked on Meditation by Vierne. And the first page of Vierne Carillon. Very discouraging. Just can’t seem to bring tempos up after practicing. When you practice over and over slowly it is difficult to get pulse of to sound musical. Any thing I can do. Do I just keep going slow? At what point do you move tempo?”

This question was sent by William, and he writes: I want to learn Carillon of Westminster by Vierne, which I purchased score from you. I can play pieces like the Te Deum of Langlais. Dupre Cortège and Litany. Do you think I would be capable of learning this piece if I practice one page for a week or two very slowly? I am working now on relearning 8 little preludes and fugues. I don’t want to take on that much. Do you have any suggestions? Does it help to practice Vierne on piano? I have to start very slow practice to learn a piece. If I know it well, I can play any speed. I am 79 years old and still have full time cathedral job. Thank for any advice. ~Bill

This question was sent sent by John, and he writes: Dear Vidas, I'm lucky that a former pupil will be playing organ voluntaries for me (i) at Midnight Mass (Widor - Toccata) and (ii) at the Carol Service (Joie et clarite - Messiaen). He's just 17 and has won a place at Chetham's school of music in Manchester. I shall re-learn Dupre's Prelude and Fugue in B major in the New Year. I studied it during my student days, but as you know, it needs constant performance to keep it up to scratch. An enlightened wedding couple have asked me for Mullet's Carillon-Sortie later in the year. A project for 2019 will be to write some short pieces for manuals only as a homage to Vierne's 24 Pieces. I adore Vierne's music and think him a much better composer than Widor. I am at present writing a S. John Passion for a village choir to sing - simple chorus parts, but a good [tricky] evangelist solo line. I shall also learn later in 2019 Bach's "Komm Gott" fantasia, a piece I have never played and hopefully it will be ready for Pentecost. I'll send you the church Spring term's music list when it is finally drafted. Best wishes for Christmas and the New Year, John

Con Carlos Iribarren. Tercera entrega de Hoy Toca, esta vez dedicada a dos instrumentos tan esenciales en la música como el violín y el piano. Mario Mora, pianista y Elsa Sánchez, violinista de la OCNE, aportarán su experiencia y comentarán las 5 piezas seleccionadas por Carlos para este día. Compositores variados como Granados, Kreisler, Bazzini, Wienawski y Vierne pondrán sus obras al servicio de tus finos oídos, amigo oyente. Ya sabes, dale al play y comparte este estupendo programa con las personas que más quieras: te lo agradecerán y te invitarán a cenar o al menos a una merienda abundante. ¡Hoy Toca violín y piano en Clásica FM!

Con Carlos Iribarren. Tercera entrega de Hoy Toca, esta vez dedicada a dos instrumentos tan esenciales en la música como el violín y el piano. Mario Mora, pianista y Elsa Sánchez, violinista de la OCNE, aportarán su experiencia y comentarán las 5 piezas seleccionadas por Carlos para este día. Compositores variados como Granados, Kreisler, Bazzini, Wienawski y Vierne pondrán sus obras al servicio de tus finos oídos, amigo oyente. Ya sabes, dale al play y comparte este estupendo programa con las personas que más quieras: te lo agradecerán y te invitarán a cenar o al menos a una merienda abundante. ¡Hoy Toca violín y piano en Clásica FM!

Today's question was sent by Michael and he writes: “Good morning Vidas. Thank you for your email and Organ tips. I do not know if it too late to reply to your email. To answer your two questions I will first of all explain my situation. I am Organist at St Lawrence's Feltham Roman Catholic Church and I play at 3 Masses at the Weekend for which I receive a small stipend. I also play for Weddings and Funerals and Kingston and Hanworth Crematoriums to make ends meet. I am also playing for a Funeral Director's Carol Service this year. My dream is to get better and better and maybe perform at a Recital. I am a keen pianist and I believe I have nearly mastered Chopin's Etude No. 1 Op. 10, but also like J.S. Bach of course and other composers. ​ Unfortunately what holds me back from my dream is that I can only manage to practise on the Organ for about an hour a week in Church, and not loud pieces because the Presbytery is joined to the Church and people are working there. So I content myself trying to master the Trio sonatas and gentle pieces. I do try and practise sometimes The Finale from Vierne's Symphony No. 1 at reduced volume and adapt other pieces that way for a closing voluntary as I have been informed that if I do a high volume voluntary it may disturb people talking. I have access to a Piano that my Mother and I bought. Also I have a bipolar disorder but this is controlled very well by medication, but I need to concentrate especially well when playing for services otherwise I could make a mistake, and I try and control my nerves. Thank you again for your emails and tips. All the best and God bless! Michael.”

Ezequiel Menendez - French Organ Music for the 40th Anniversary of the Cathedral of St. Joseph

Welcome to Secrets of Organ Playing Podcast #118! http://www.organduo.lt/podcast Today's guest is Angela Kraft Cross, San Francisco Bay Area organist, pianist and composer. She graduated from Oberlin College and Conservatory of Music in 1980 with bachelor's degrees in Physics and Organ Performance. She then earned her Doctor of Medicine degree at Loma Linda University, where she subsequently completed her residency in ophthalmology. In 1993, she completed her Master of Music degree in Piano Performance at the College of Notre Dame with Thomas LaRatta, with whom she continues to study. Her organ teachers have included Louis Robilliard, Marie-Louise Langlais, Sandra Soderlund, S. Leslie Grow, William Porter and Garth Peacock. In 2001, she was awarded the Associateship credential of the American Guild of Organists (AAGO) after passing rigorous playing and written examinations. She has studied composition with Pamela Decker in recent years. In addition to her musical career, Dr. Kraft Cross retired in 2011 having worked for 22 years as an ophthalmic surgeon at the Kaiser Permanente Hospital in Redwood City, and now practices ophthalmology with the Peninsula Ophthalmology Group. Dr. Kraft Cross is committed to the musical education of young people, and since 1997 has been instrumental in organizing an annual Organ Camp for young pianists headquartered at her church. She is the founding director of the San Francisco Peninsula Organ Academy, a nonprofit organization formed in 2014 to support young concert organists with scholarships on short intensive overseas study trips. ​Dr. Kraft Cross also served as faculty and or performed in Pipe Organ Encounters in San Francisco 2005, San Diego 2012, and Stanford 2013. She is the Regional Coordinator for Education for Region IX AGO and a member of the executive board for the Junior Bach Festival in Berkeley. She is also a member of the Concert Artist Cooperative. In this conversation, Angela is joined by her husband Robert who records her performances. They shares insights about her practice procedures, her challenges, her organ recordings, her passion for Mendelssohn organ works and Germanic organ tradition and about her future project recording organ symphonies of Vierne. We have recorded our conversation at Vilnius University St. John's church before Angela's concert with San Francisco Viva la Musica choir and orchestra. ​Enjoy and share your comments below. ​And don't forget to help spread the word about the SOP Podcast by sharing it with your organist friends. And if you like it, please head over to iTunes and leave a rating and review. This helps to get this podcast in front of more organists who would find it helpful. Thanks for caring. Listen to the conversation Related Links: https://www.angelakraftcross.com http://www.sfpeninsulaorganacademy.org

Today's question was sent by Matt, and he writes that he wants to learn how to do proper registrations for standard pieces(Bach, Vierne, Franck. etc.) and good registration approaches in general. Get more organ playing advice and inspiration when you subscribe at http://www.organduo.lt

#AskVidasAndAusra 35 - How to play Vierne's Finale from Symphony No. 1? by Vidas Pinkevicius

Valentine Vierne ist Projektleiterin bei Zalando. Sie war bei der radikalen Umorganisation des Zalando-Konzerns, hin zu agilem Projektmanagement, dabei.  Hier kommen Sie zu den :

The Colour of Music Festival began this week in Charleston, SC. (October 22-26) featuring chamber music performances, organ and voice recitals. Dr. Wayne A. Barr of Tuskegee University opened the High Noon Organ Recital Series in music by Whitlock, J. S. Bach, Ralph Simpson and Vierne. Recorded live at Grace Episcopal Church Charleston.  For more information about the festival www.colourofmusic.org PROGRAM: Whitlock: Exultemus Bach: Toccata, Adagio and Fugue in C Major, 564 Ralph Simpson: Three Spirituals Jacob's Ladder Swing Low Roll Jordan, Roll Vierne: Symphonie III, op. 28 III, Intermezzo V. Final

Scott Anderson, organ, performs works by J.S. Bach, Frescobaldi, Mendelssohn, and Vierne on May 17 2014. This recital is presented in partial fulfillment of the requirements for the Doctor of Musical Arts degree for Anderson at Claremont Graduate University.

Scott Anderson, organ, performs works by J.S. Bach, Frescobaldi, Mendelssohn, and Vierne on May 17 2014. This recital is presented in partial fulfillment of the requirements for the Doctor of Musical Arts degree for Anderson at Claremont Graduate University.

Internationally acclaimed concert organist Dr. Mickey Thomas Terry drops in on Patrick D. McCoy, The African-American Voice in Classical Music to discuss his upcoming Kennedy Center Organ Recital in the Concert Hall.  THE KING OF INSTRUMENTS is a series devoted to featuring organ virtuosos and champions of the great literature of Bach, Buxtehude, Vierne and the like.  This series is inspired by PipeDreams hosted by Michael Barone.