Podcasts about Mascagni

A cura di Paolo PellegriniPietro Mascagni,Cavalleria RusticanaSantuzza, Elena NicolaiTuriddu, Mario del MonacoMamma Lucia, Anna Maria AnelliAlfio, Aldo ProttiLola, Laura DidierCoro e Orchestra Sinfonica di MilanoFranco Ghione, direttore

Nesta edição do "Clássicos CBN", com o comentarista Maestro Helder Trefzger, vamos conhecer diferentes obras inspiradas na Páscoa. De Bach e Handel chegando até mesmo a Rimsky-Korsakov e Mascagni. Falaremos das obras “Paixão Segundo São João”, “O Messias”, a ópera “Cavalleria Rusticana” e “A Grande Páscoa Russa”. Ouça a conversa completa!

VIVA! Opera is a music content broadcast on the 4th and 5th Thursday each month. In the 74th episode, Ms Ohtake picks 'Inneggiamo, Il signor non è morto (Easter Hymn)' from Cavalleria Rusticana composed by P. Mascagni. - 来月のイースターにちなんだ選曲。人間の醜い部分や現実の厳しさを描く表現が特徴的なヴェリズモ・オペラの代表作より、イースターの礼拝が教会で行われている場面での一曲を取り上げます。

Strategic Litigation on Public Participation, or SLAPPs, is an oft-used tactics by power holders against activists, campaigners, journalists and ordinary citizens seeking to stop destructive corporate practices on people and planet. There are a number of high profile SLAPP suits in the courts now.In our latest, we talk with Evan Mascagni with the Public Participation Project about the history and use of SLAPP suits.Bio//Evan Mascagni is the Policy Director of the Public Participation Project, a nonprofit dedicated to combating Strategic Lawsuits Against Public Participation (SLAPPs) through state and federal anti-SLAPP legislation. A former attorney turned documentary filmmaker and First Amendment rights advocate, Evan is committed to defending the free speech rights of filmmakers, journalists, and activists nationwide. -----------------------------------------------Outro- "Lawyers, Guns and Money" by Los Alvarez Del Norte Links//+ Evan's website: https://www.evanmascagni.com/+Public Participation Project: https://anti-slapp.org/+ Protect the Protest: https://www.protecttheprotest.org/Follow Green and Red// +G&R Linktree: ⁠⁠⁠https://linktr.ee/greenandredpodcast⁠⁠⁠ +Our rad website: ⁠⁠⁠https://greenandredpodcast.org/⁠⁠⁠ + Join our Discord community (https://discord.gg/vgKnY3sd)+Follow us on Bluesky (https://bsky.app/profile/podcastgreenred.bsky.social)Support the Green and Red Podcast// +Become a Patron at https://www.patreon.com/greenredpodcast +Or make a one time donation here: ⁠⁠⁠https://bit.ly/DonateGandR⁠⁠⁠ Our Networks// +We're part of the Labor Podcast Network: ⁠⁠⁠https://www.laborradionetwork.org/⁠⁠ +We're part of the Anti-Capitalist Podcast Network: linktr.ee/anticapitalistpodcastnetwork +Listen to us on WAMF (90.3 FM) in New Orleans (https://wamf.org/) This is a Green and Red Podcast (@PodcastGreenRed) production. Produced by Bob (@bobbuzzanco) and Scott (@sparki1969). Edited by Isaac.

What better way to start off this Black History Month 2025 celebration than with a birthday tribute to beloved African American diva Martina Arroyo, who turned 88 yesterday, February 2?! Though she is universally regarded as one of the premier Verdi spinto sopranos of the second half of the Twentieth Century, Arroyo was equally adept at a wide range of other composers as well. In this episode, which focuses on Martina in duet, many of those composers are represented as well, from Handel to Meyerbeer to Mascagni, with a little Wagner thrown in for good measure. And what an amazing line-up of duet partners, including two of our most beloved African American mezzos/sopranos, Shirley Verrett, and Grace Bumbry. Also heard are Franco Corelli, Carlo Bergonzi, Anna Moffo, Franco Bonisolli, Bernd Weikl, Gianfranco Cecchele, Sherrill Milnes, Ludmila Dvořáková, and Giorgio Lamberti. Raise a glass to this supreme soprano, and prepare your ears for a deeply satisfying experience! Countermelody is a podcast devoted to the glory and the power of the human voice raised in song. Singer and vocal aficionado Daniel Gundlach explores great singers of the past and present focusing in particular on those who are less well-remembered today than they should be. Daniel's lifetime in music as a professional countertenor, pianist, vocal coach, voice teacher, and journalist yields an exciting array of anecdotes, impressions, and “inside stories.” At Countermelody's core is the celebration of great singers of all stripes, their instruments, and the connection they make to the words they sing. By clicking on the following link (https://linktr.ee/CountermelodyPodcast) you can find the dedicated Countermelody website which contains additional content including artist photos and episode setlists. The link will also take you to Countermelody's Patreon page, where you can pledge your monthly or yearly support at whatever level you can afford.  

A girl from Sicily, whose story has changed mentalities across Italy.Credits :  Intermezzo from "Cavalleria rusticana" by P. Mascagni (1890)  --  "Cool Intro - Stings" by Kevin MacLeod is licensed under a Creative Commons Attribution 4.0 license https://creativecommons.org/licenses/by/4.0/ - Source: http://incompetech.com/music/royalty-free/index.html?isrc=USUAN1100504 - Artist: http://incompetech.com/Diventa un supporter di questo podcast: https://www.spreaker.com/podcast/pillole-di-italiano--4214375/support.

A cura di Paolo PellegriniPietro Mascagni -LE MASCHEREColombina, Elena RizzieriFlorindo, Fernando FerrariRosaura, Cesy BrogginiBrighella, Amedeo BerdiniTartaglia, Afro PoliPantalone de' Bisognosi, Antonio CassinelliArlecchino Battocchio, Sergio TedescoCapitan Spavento, Giampiero MalaspinaDottor Graziano, Michele CazzatoGiocadio, Carlo PiccinatoCoro e Orchestra del Teatro Verdi di TriesteBruno Bartoletti, direttore11 de noviembre de 1961

durée : 00:17:55 - Disques de légende du mardi 10 décembre 2024 - En août 1953 dans la Cathédrale di Sant'Eufemia de Milan, Tullio Serafin enregistrait " Cavalleria Rusticana " de Mascagni avec Maria Callas dans le rôle de Santuzza et le Choeur et l'Orchestre de la Scala. La prestation magnifique de Callas et le lyrisme emporté de l'orchestre en font une référence

durée : 00:17:55 - Disques de légende du mardi 10 décembre 2024 - En août 1953 dans la Cathédrale di Sant'Eufemia de Milan, Tullio Serafin enregistrait " Cavalleria Rusticana " de Mascagni avec Maria Callas dans le rôle de Santuzza et le Choeur et l'Orchestre de la Scala. La prestation magnifique de Callas et le lyrisme emporté de l'orchestre en font une référence

Paul Herriott talks to WFO principal conductor FRANCESCO CILLUFFO, Italian Soprano LAVINIA BINI who sings the role of Rosaura and Irish Baritone RORY MUSGRAVE who sings Dottore Graziano in tonight's production of Le Maschere by Mascagni from Wexford Festival Opera 

Santuzza: Mignon Dunn Lola: Isola Jones Mamma Lucia: Geraldine Decker Turiddu: Ermanno Mauro Alfio: Cornell MacNeil Conductor: David Stivender Met Tour to the Kennedy Center 25 April 1981 In-house

Santuzza: Rita Hunter Lola: Mildred Miller Mamma Lucia: Carlotta Ordassy Turiddu: Harry Theyard Alfio: Morley Meredith Conductor: John Nelson 27 November 1974 Metropolitan Opera In-house

Santuzza: Régine Crespin Lola: Judith Forst Mamma Lucia: Batyah Godfrey Ben-David Turiddu: Enrico Di Giuseppe Alfio: Matteo Manuguerra Conductor: Carlo Felice Cillario 9 June 1973 Metropolitan Opera In-house

Santuzza: Fiorenza Cossotto Lola: Nedda Casei Mamma Lucia: Jean Kraft Turiddu: Carlo Bergonzi Alfio: Anselmo Colzani Conductor: Christopher Keene 24 September 1971 Metropolitan Opera In-house

Santuzza: Giulietta Simionato Lola: Rosalind EliasMamma Lucia: Thelma VotipkaTuriddu: Jussi Björling Alfio: Walter Cassel Conductor: Nino Verchi 16 November 1959 Metropolitan Opera In-house

A cura di Paolo PellegriniPietro Mascagni Cavalleria rusticanaSantuzza, Giulietta SimionatoTuriddu, Franco CorelliAlfio, Gian Giacomo GuelfiLucia, Mariagrazia AllegriLola, Gabriella CarturanCoro e Orchestra del Teatro alla Scala di MilanoGianandrea Gavazzeni, direttoreTeatro alla Scala, 7 dicembre 1963

Continuamos con el repaso a nuestras mejores voces del último cuarto de siglo. Desfilan ante nosotros el tenor Luis Dámaso y la soprano Beatriz Lanza en la Leyenda del beso de Soutullo y Vert, los barítonos Luis Cansino (Los gavilanes de Guerrero), Manuel Lanza (Barbero de Rossini), los tenores José Sempere (Hija del regimiento de Donizetti), Moisés Marín (Norma de Bellini), Ismael Jordi (con Ainhoa Arteta) (Luisa Fernanda de Moreno Torroba) y, volviendo la vista atrás, Francisco Ortiz (Addio a la mamma de Cavalleria rusticana de Mascagni)Escuchar audio

durée : 01:58:26 - L'orchestre dans l'opéra Italien II - par : Christian Merlin - Deuxième volet de notre série sur l'orchestre dans l'opéra italien. Le premier épisode s'était achevé avec Verdi, place maintenant aux générations suivantes, les véristes autour de Puccini, Mascagni, Leoncavallo, et la jeune école italienne, à l'écoute de la modernité du XXe siècle. - réalisé par : Marie Grout

durée : 00:28:25 - L'orchestre dans l'opéra Italien II (4/4) : La jeune école italienne - par : Christian Merlin - Deuxième volet de notre série sur l'orchestre dans l'opéra italien. Le premier épisode s'était achevé avec Verdi, place maintenant aux générations suivantes, les véristes autour de Puccini, Mascagni, Leoncavallo, et la jeune école italienne, à l'écoute de la modernité du XXe siècle. - réalisé par : Marie Grout

durée : 00:28:12 - L'orchestre dans l'opéra Italien II (3/4) : Puccini (2) - par : Christian Merlin - Deuxième volet de notre série sur l'orchestre dans l'opéra italien. Le premier épisode s'était achevé avec Verdi, place maintenant aux générations suivantes, les véristes autour de Puccini, Mascagni, Leoncavallo, et la jeune école italienne, à l'écoute de la modernité du XXe siècle. - réalisé par : Marie Grout

durée : 00:28:31 - L'orchestre dans l'opéra Italien II (2/4) : Puccini (1) - par : Christian Merlin - Deuxième volet de notre série sur l'orchestre dans l'opéra italien. Le premier épisode s'était achevé avec Verdi, place maintenant aux générations suivantes, les véristes autour de Puccini, Mascagni, Leoncavallo, et la jeune école italienne, à l'écoute de la modernité du XXe siècle. - réalisé par : Marie Grout

durée : 00:28:07 - L'orchestre dans l'opéra Italien II (1/4) : L'après-Verdi - par : Christian Merlin - Deuxième volet de notre série sur l'orchestre dans l'opéra italien. Le premier épisode s'était achevé avec Verdi, place maintenant aux générations suivantes, les véristes autour de Puccini, Mascagni, Leoncavallo, et la jeune école italienne, à l'écoute de la modernité du XXe siècle. - réalisé par : Marie Grout

Was im November letzten Jahres bei den Herbstfestspielen Baden-Baden zur Diskussion gestellt wurde, liegt inzwischen auf CD vor: die Urfassung des Einakters "Cavalleria rusticana" von Pietro Mascagni! Den Weg zurück zu den Quellen hat einmal mehr der Dirigent Thomas Hengelbrock eingeschlagen. Mit dabei sind die ihm schon lange anvertrauten Musikerinnen und Musiker, die sich hinter dem Namen Balthasar Neumanns verbergen - Chor und Orchester. Eine Aufnahmeprüfung von Volkmar Fischer.

Saturday Mornings host Glenn van Zutphen and co-host, award-winning author Neil Humphreys talk with Singapore Lyric Opera singers Martin Ng and Jonathan Charles Tay, about their upcoming Opera double bill production of Mascagni's “Cavalleria Rusticana” and Leoncavallo's “Pagliacci” on 23 and 23 November at the Sota Concert Hall and what audiences can expect to see and hear.   See omnystudio.com/listener for privacy information.

Today I revisit the artistry of the great Patricia Neway (1919-2012), a singer of extraordinary versatility, dramatic power, and musical sensibility. She is no doubt most famous for two of her Broadway creations: the role of the beleaguered Magda Sorel in Gian Carlo Menotti's tragic opera The Consul, first produced on Broadway in 1950, and of the Mother Abbess in Rodgers and Hammerstein's final musical, 1959's The Sound of Music. But the genesis for this episode was my recent discovery of her rare 1953 album of Italian art songs. Her voice was an unusual one, dusky yet capable of extraordinary colors, chiaroscuro, leggerezza, and agility, all of which are foregrounded in the aforementioned album of songs by Bellini, Verdi, and Mascagni. I also include a few brief excerpts of Neway singing material ranging from a sacred cantata by Buxtehude to settings of texts by James Joyce to a refined yet playful rendition of “My Favorite Things.” Of which she is definitely one! The episode opens with a tribute to James Jorden, who died on October 3. Countermelody is a podcast devoted to the glory and the power of the human voice raised in song. Singer and vocal aficionado Daniel Gundlach explores great singers of the past and present focusing in particular on those who are less well-remembered today than they should be. Daniel's lifetime in music as a professional countertenor, pianist, vocal coach, voice teacher, and journalist yields an exciting array of anecdotes, impressions, and “inside stories.” At Countermelody's core is the celebration of great singers of all stripes, their instruments, and the connection they make to the words they sing. By clicking on the following link (https://linktr.ee/CountermelodyPodcast) you can find the dedicated Countermelody website which contains additional content including artist photos and episode setlists. The link will also take you to Countermelody's Patreon page, where you can pledge your monthly support at whatever level you can afford. Bonus episodes available exclusively to Patreon supporters are currently available and further bonus content including interviews and livestreams is planned for the upcoming season.

Suzel: Maria Chiara | Beppe: Elena Zilio | Fritz Kobus: Giacomo Aragall | David: Giuseppe Taddei | Federico: Piero De Palma | Conductor: Maurizio Arena | Teatro Massimo Vincenzo Bellini, Catania | 21 March 1973 | In-house recording

In questo episodio ripercorriamo le tappe e le caratteristiche di una delle più belle opere di Pietro Mascagni: Iris.Buon ascolto!Soundtrack:Orchestra Tuning di tyujik: https://freesound.org/people/tyujik/sounds/232260/#oboe horn tune & audience r.aif di IEDlabs: https://freesound.org/people/IEDlabs/sounds/82323/Sigla: "Che foco è questo ch'arde e non consuma?" di Andreas Gies.Cover: "Tickets"Estratto musicale: Andreas Gies©️ copyright 2023 | Impronte Acustiche – All Rights Reserved

Auf der Vespa fährst Du die Serpentinen zum azurblauen Meer entlang. Und auf der Piazza gibt es später ein Eis. Diese Musikstücke hast Du in der Folge gehört: Pino Daniele - "Gente distratta" // Leoncavallo - "Mattinata" // Mascagni - "intermezzo sinfonico" // Jovanotti - "Io ti cercherò" // Donizetti - "Una furtiva lagrima" // Den Podcast "Die Sache ist die" vom BR du hier: https://www.ardaudiothek.de/sendung/die-sache-ist-die/12336609/ Wenn Du eine Idee oder einen Wunsch hast, zu welchem Thema Philipp unbedingt eine Playlist zusammenzimmern muss, dann schreib ihm eine Mail: playlist@ndr.de.

Cerramos por esta temporada la sección. Y lo hacemos por todo lo alto con una serie de fragmentos operísticos de muy alto valor en interpretaciones señeras. Empezamos con el aria Parto, parto de La clemenza di Tito de Mozart en la ígnea interpretación de Cecilia Bartoli. Escuchamos también el final en la voz de Teresa Berganza. Luego el Liebestod del Tristán wagneriano, un adiós supremo (hay duda de si significa la muerte física) cantada por una de las Isoldas de nuestros días, Nina Stemme. Cambiamos de tercio y nos vamos al verismo para seguir de nuevo la despedida de Turiddu, en ese arrebatado y premonitorio Addio a la mamma de Cavalleria rusticana de Mascagni con el broncíneo timbre de Mario del Monaco por todo lo alto. Alfredo Kraus es después el gran protagonista del final de Werther de Massenet. El programa de remata con los últimos minutos de Andrea Chénier de Giordano. Un adiós corajudo y diríamos que entusiasta si no estuviera la muerte por medio, de Maddalena y Chénier. En las voces arrojadas y fulgurantes de Renata Tebaldi y Franco Corelli. Escuchar audio

a cura di Paolo PellegriniP. Mascagni – La Cavalleria RusticanaSantuzza, Elena ObraztsovaTuriddu, Plácido DomingoLola, Axelle GallAlfio, Renato Brusonmamma Lucia, Fedora BarbieriCoro e Orchestra del Teatro alla Scala Georges Prêtre, direttore

Ayako Ohtake, a Sydney-based Japanese soprano singer, hosts biweekly music segment called VIVA! Opera for SBS Japanese. - 魔法や華やかな世界ではなく、貧しい人の暮らしや三角関係のもつれなどを描いたオペラ。１幕のみの構成で、上映時間は約70分とオペラとしては短い作品です。

Convidem la cantant de Salou, aprofitant que aquesta setmana actua a la Sala Upload de Barcelona i acaba de publicar nou single, acompanyada per Marcel Bag

It's Live from FM 91, as we welcome star singers from Toledo Opera's double bill of Puccini's Suor Angelica and Mascagni's Cavalleria Rusticana. It's a singers' roundtable, with discussion and performance from soprano Jill Gardner, contralto Lauren Decker, and tenor Brian Cheney. We're also joined by conductor Geoffrey McDonald and Co-Artistic Director Kevin Bylsma, who accompanies our singers on piano.

In deze uitzending krijgt u heel divers luistermateriaal uit de concertzaal, de kerk, de opera en de filmwereld; met op de muzikale dis werken van Michael Lorenc, Giovanni Paisiello, Georg Friedrich Haendel, Piëtro Mascagni, Francesco Manfredini, Frank Pourcell, Ciarân Brennan en Mike Batt in een bonte afwisseling van religieuze vocale, concertante instrumentale, filmische en operamuziek. Sommige componisten zal u ontdekken, anderen zijn u al vertrouwd.

durée : 00:23:20 - Disques de légende du mercredi 15 juin 2022 - Aujourd'hui dans Disques de légende, nous écoutons les opéras Cavalleria rusticana de Pietro Mascagni et Paillasse de Ruggero Leoncavallo par l'Orchestre du Théâtre de la Scala de Milan dirigé par Herbert von Karajan, avec le ténor Carlo Bergonzi.

Rising tenor Limmie Pulliam continues to thrill audiences with his captivating stage presence and his “stentorian, yet beautiful,” sound.  Pulliam was recently praised by the San Francisco Chronicle for his "full-throated vocal power, and intimate lyricism,,' with his recent debut at Livermore Valley Opera in Verdi's Otello. The 2021/22 season has been highlighted by his highly-anticipated L..A. Opera debut as Manrico in Verdi's Il Trovatore where he was lauded by the Los Angeles Times for his "healthy, focused, ringing tenor."  He followed that with a successful role debut as Turiddu in Mascagni's Cavalleria Rusticana with Vashon Opera.  Upcoming performances include his company debut with Livermore Valley Opera in the title role Verdi's Otello,  his company debut in Fort Worth Opera's A Night of Black Excellence Concert, and his rescheduled appearance with The Memphis Symphony Orchestra as the tenor soloist in Beethoven's Ninth Symphony. He is set to take the stage once again as Verdi's Otello in his highly-anticipated debut with The Cleveland Orchestra. 

Estudiamos la trágica despedida de Turiddu en Cavalleria rusticana de Mascagni y analizamos brevemente las características del canto verista. Y escuchamos la interpretación que seis famosos tenores realizaban de esta aria; por este orden: Jussi Björling, Beniamino Gigli, Giuseppe di Stefano, Plácido Domingo, Josep Calleja y Aureliano Pertile.Escuchar audio

Atendemos hoy parte de una extensa misiva de don Delfín Loto, que se interesa en primer lugar por el tenor español Juan Oncina (1921-2009). Hablamos sobre su voz y lo escuchamos en fragmentos de Don Pasquale y Roberto Devereux (con Caballé) de Donizetti, Fausto de Gounod (con Pilou), Un giorno de regno de Verdi y La Arlesiana de Cilea. Luego hablamos brevemente del bajo Franz Hawlata y radiamos el final del segundo acto de El caballero de la rosa de Strauss. Después nos referimos a la ópera Quo vadis? de Nouguès, con presencia sonora de Yvonne Gall, y a Il piccolo Marat de Mascagni, con intervención de Hipólito Lázaro. Escuchar audio

Synopsis While many great composers have also been great conductors, this can be the exception rather than the rule. On today's date in 1959, the American composer Ned Rorem tried his hand at conducting the premiere of one of his own compositions, a chamber suite entitled “Eleven Studies for Eleven Players.” Rorem recalled: “I learned that the first requisite to becoming a conductor is an inborn lust for absolute monarchy, and that I, alone among musicians, never got the bug. I was terrified. The first rehearsal was a model of how NOT to inspire confidence. I stood before the eleven players in all my virginal glory, and announced: ‘I've never conducted before, so if I give a wrong cue, do try to come in right anyway.'” Fortunately for Rorem, his eleven musicians were accomplished faculty at Buffalo University, and, despite his inexperience, Rorem certainly knew how his new piece should sound. Rorem's Suite incorporated a few bits recycled from music he had written for a successful Broadway hit—Tennessee Williams' “Suddenly Last Summer”—plus a bit from an unsuccessful play entitled “Motel” that never made it past a Boston tryout. Rorem's own tryout as a conductor convinced him to stick to composing, although he proved to be a fine piano accompanist for singers performing his own songs. As for “Eleven Studies for Eleven Players,” it's gone on to become one of Rorem's most-often performed chamber works. Music Played in Today's Program Ned Rorem (b. 1923) — Eleven Studies for Eleven Players (New York Chamber Ensemble; Stephen Rogers Radcliffe, cond.) Albany 175 On This Day Births 1866 - French composer Erik Alfred-Leslie Satie, in Honfleur; 1901 - German composer Werner Egk, in Auchsesheim, near Donauswörth; His original last name was Mayer, and it is said (although denied by the composer) that the he chose the acronym E-G-K because it stood for "ein grosser Komponist" ("a great composer"); 1923 - American composer Peter Mennin, in Erie, Pa.; Deaths 1935 - French composer Paul Dukas, age 69, in Paris; Premieres 1779 - Gluck: opera "Iphigénie en Tauride" (Iphigenia in Taurus), at the Paris Opéra; 1890 - Mascagni: "Cavalleria Rusticana," in Rome at the Teatro Costanzi; 1904 - Ravel: "Schéhérazade," in Paris, with vocalist Jane Hatto and Alfred Cortot, conducting; 1919 - Ravel: "Alborado del gracioso" (orchestral version), in Paris at Pasdeloup Concert; 1929 - Prokofiev: Symphony No. 3, in Paris, by the Orchestre Symphonique de Paris, with Pierre Monteux conducting; 1933 - Cowell: "Reel," for small orchestra, in New York; 1939 - Prokofiev: cantata "Alexander Nevsky," in Moscow; 1946 - Martin: "Petite Symphonie Concertante," in Zurich, Paul Sacher conducting; 1960 - Ned Rorem: "11 Studies for 11 Players," for chamber ensemble, at the State University of Buffalo (N.Y.), conducted by the composers; 1990 - Rautavaara: "Vincent," in Helsinki at the Finnish National Opera; 2000 - Michael Torke: "Corner in Manhattan," by the Minnesota Orchestra, Eiji Oue conducting; 2001 - Christopher Rouse: Clarinet Concerto, by the Chicago Symphony Orchestra conducted by Christoph Eschenbach, with Larry Combs the soloist; Others 1922 - Music of "The President's Own" reached homes across the nation when the first Marine Band radio program was broadcast; 1969 - Leonard Bernstein's last concert as Music Director of the New York Philharmonic, having conducted 939 concerts with the orchestra (831 as its Music Director); Bernstein conducted 36 world premieres with the orchestra; He continued to appear with the Philharmonic as an occasional guest conductor until his death in 1990; 1978 - Philips Electronics of The Netherlands announces a new digital sound reproduction system from flat, silver "Compact Discs." Links and Resources On Rorem NY Times feature on Rorem at 95

Guests include Hollywood producer/director Frank Marshall ("The Bee Gees" How Do You Mend a Broken Heart", "The Other Side of the Wind") with a new documentary he has co-directed called "Jazz Fest: A New Orleans Story" which opens today. And Father James Martin & filmmaker Evan Mascagni discuss "Building a Bridge" which is currently available on VOD.

Haydn, Symphony #100, 1st movt Mascagni, Turiddu's Farewell, from Cavalleria rusticana Liszt, Hungarian Rhapsody #12 in C sharp minor Tallis, Honor, virtus et potestas Mendelssohn, Symphony #4, 3rd movt Elgar Dream Children, 1st movt Chopin, Mazurka, Op 33, #4 in B minor This show was broadcast on OAR 105.4FM Dunedin - oar.org.nz

In this final report from the 2022 Manx Music Festival, you can hear the following Cleveland Medal finalists : Baritone Neil Taverner singing Silent Noon by Vaughan Williams, accompanied by Patricia Cullen Soprano Karen Elliott singing Voi Lo Sapete from Cavalleria Rusticana by Mascagni, accompanied by Madeline Kelly Bass Paul Costain singing Aria from Don Giovanni by Mozart, accompanied by Graham Kirkland and Paul was selected to receive the Cleveland Medal for 2022. Paul is trained by Mrs Eleanor Shimmin. This is his third Cleveland (his previous wins were in 2016 and 2018) and he has announced that he will no longer compete in the special solo classes, which are the qualifying route to the Cleveland Medal Test - but he's promised he'll be in other classes in the Guild! We then move on to other winning performances from the last days of the Guild: In the Songs from the Musicals class for young people aged between 8 and 13, Joshua Mooney was given 90 marks for his performance of 'Electricity' from Billy Elliott In the Vocal Ensemble class for young people up to the age of 18, The Platform Vocal Ensemble gained 90 marks for 'A Million Dreams' from The Greatest Showman Kewaigue School Choir won the class for choirs from schools with under 150 on the register singing 'Child of Song' and 'Please Miss' The Buchan School Choir won the Mixed Choir class for children up to the age of 7, signing 'One Little Voice' Manx Voices won two classes - the Female Voice Choir (Adult) class, and the Adult Concert Class. and we conclude this final report with two songs from them - 'Praise My Soul' with music by Michael Jaques and 'The Lake Isle of Innisfree' with music by Ephrem Feeley. Manx Voices are conducted by Angela Stewart and accompanied by Julie Brew

Benjamin Bernheim's second solo album for Deutsche Grammophon, in collaboration with Palazzetto Bru Zane, turns the spotlight on a century of Italian opera in Paris. The tenor presents a carefully curated selection of rarities and favorite excerpts by Cherubini, Spontini, Donizetti, Verdi, Puccini, and Mascagni –all performed in French. Recorded with Frédéric Chaslin and the Orchestra del Teatro Comunale di Bologna “With a French singer and conductor and an Italian orchestra we show how two worlds come together in style –Italian music and the French language!”Purchase the music (without talk) at:Boulevard des Italiens (classicalsavings.com)Your purchase helps to support our show! Classical Music Discoveries is sponsored by La Musica International Chamber Music Festival and Uber. @CMDHedgecock#ClassicalMusicDiscoveries #KeepClassicalMusicAlive#LaMusicaFestival #CMDGrandOperaCompanyofVenice #CMDParisPhilharmonicinOrléans#CMDGermanOperaCompanyofBerlin#CMDGrandOperaCompanyofBarcelonaSpain#ClassicalMusicLivesOn#Uber Please consider supporting our show, thank you!http://www.classicalsavings.com/donate.html staff@classicalmusicdiscoveries.com This album is broadcasted with the permission of Katy Solomon from Morahana Arts and Media.

A cura di Paolo Pellegrinipersonaggi e interpretiSantuzza – Maria CallasTuriddu – Giuseppe di StefanoAlfio – Rolando PaneraiLola – Anna Maria CanaliMamma Lucia – Ebe TicozziCoro e Orchestra del Teatro alla Scala di MilanoTullio Serafin, direttore

John Cleese explains why he likes Mascagni's Easter Hymn. Alan Sorensen says "Of course Jesus laughed". Jeremy Irons reads Psalm 106. Mary Breeze describes Easter in Ethiopia. Judy Gentis portrays Mary of Magdala at the empty tomb. MUSIC 1. Coventry Chorale - Thine be the Glory. 2. Coventry Cathedral chamber choir - This Joyful Easter Tide. 3. Sheffield Celebration Choir - Christ Arose. 4. Kirstyn Getty - See what a morning. 5. Klass - I come to the garden alone.

Inneggiamo, il Signor non è morto, Cavalleria Rusticana, Mascagni https://open.spotify.com/track/22p3XGgq0AVngIiCYa29SX?si=krh1_LMfRyC7S9R0F7hyGQ&utm_source=copy-link

Sonya Baker is an accomplished singer and gifted educator who shared her journey so eloquently. Please listen through the end, where you will hear from Sonya about what it meant to her to sing "Ride the Chariot" as part of her time in the Glee Club. Thanks to the Yale Glee Club we have a a recording of Sonya singing her powerful solo of that spiritual, which is a real treat. Here is a bit more about Sonya: Dr. Sonya Gabrielle Baker, soprano, made her Carnegie Hall debut with conductor Michael Tilson Thomas, singing music of Aaron Copland. Noted for her performances of American music, Baker has been heard in concert both nationally and internationally, including performances in Havana, Cuba with the Yale Alumni Chorus and at the World Equestrian Games opening ceremonies with the American Spiritual Ensemble. Baker has toured regularly as a soloist with the American Spiritual Ensemble, a professional ensemble whose mission is to keep the American Spiritual alive. She appears on their recording entitled The Spirituals and in the PBS documentary by the same name. Baker's debut solo recording, SHE SAYS, featuring art songs of American Women composers, was released in 2004, a year after she appeared as soloist on the Yale Alumni Chorus tour to Moscow singing at the Kremlin. Baker's scholarly agenda is focused on crossing boundaries and disciplines, perhaps best exemplified by her solo recording and her lecture recital on Marian Anderson's 1939 Easter Concert. Baker has presented this lecture recital nationwide and is currently working on a second recording in tribute to Marian Anderson featuring Lieder and spiritual arrangements. Highlights of Baker's operatic roles include Elisabetta in Verdi's Don Carlo, Donna Anna in Mozart's Don Giovanni, Monisha in Joplin's Treemonisha, and the title role in the U.S. premiere of Mascagni's Pinotta. A former fellow with the American Council on Education, Baker has held leadership positions in higher education, serving as Associate Dean at JMU and Murray State University, and with various professional organizations: as board member for the Kentucky Arts Council, Kentucky Governor for the National Association of Teachers of Singing and currently a board member for the Alliance for the Arts in Research Universities (a2ru) and the Yale Alumni Chorus. A graduate of Leadership Kentucky, LEAD Virginia and the Society for College and University Planning Institute, Baker is fully committed to advocating for diverse communities and environments that embrace multiple peoples and perspectives. To this end, she has served on multiple university committees and has been a mentor both formally and informally throughout her career. Baker holds degrees from Yale, Indiana and Florida State Universities.

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Neste episódio, os músicos de nossa Orquestra, Cássia Renata Lima, flautista, e Marcus Julius Lander, clarinetista, falam sobre a Ópera, um gênero que há mais de 400 anos encanta plateias de todo o mundo. Você ouve trechos de: "Rosa del Ciel", da ópera "Orfeu", de Monteverdi, com Concerto Vocale sob a regência de René Jacobs. "Dança das escravas persas”, da ópera "Khovantchina" de Mussorgsky, com a Orquestra Filarmonia sob a regência de Herbert von Karajan “Abertura” da ópera "Idomeneo", de Mozart, com a Academia de Saint Martin in the Fields sob a regência de Sir Neville Marriner "Recitativo" e "Ária" da ópera "Cinderela", de Rossini, com orquestra e coro do Teatro Regio di Parma sob a regência de Maurizio Barbacini "Marcha triunfal e balé", da ópera "Aida", de Verdi, com orquestra e coro do Teatro La Fenice sob a regência de Riccardo Frizza e a torcida do Urawa Reds “Intermezzo” da ópera "Cavalleria Rusticana" de Mascagni, com a Orquestra da Filadélfia sob a regência de Eugene Ormandy "Noturno" da ópera "Condor", de Carlos Gomes, com a Orquestra do Teatro Amazonas sob a regência de Luiz Fernando Malheiros “Abertura” da ópera "A viúva alegre", de Lehár, com a Orquestra Sinfônica de Nurnberg sob a regência de Hanspeter Gmür. Esta temporada é realizada pelo Instituto Cultural Filarmônica, com o oferecimento da Aliança Energia.

Actress Claire Foy talks about returning to play Queen Elizabeth II in series two of Netflix's hugely successful TV series The Crown. Tenor Bryan Hymel, famous for his high Cs, is in performing in both Mascagni's Cavalleria rusticana and Leoncavallo's Pagliacci in the same evening at the Royal Opera House, Covemnt Gardens. He talks about the challenges of this, and he sings live in the Front Row studio.As Powell and Pressburger's 1946 masterpiece film A Matter of Life and Death returns to the big screen round the UK, we ask film writers Ian Christie and Rosemary Fletcher : How do we pass on our film heritage to a new generation ?