Podcasts about Charlie Harding

"What Did You Post That For?" That's the question asked by Charlie Harding, founder of Bonne Vivante Marketing. And in Bristol recently she shared her top tips and insights designed to help improve your social media presence. At Bonne Vivante, Charlie works with hospitality venues and businesses in a freelance capacity. She does marketing, PR, copywriting and currently works with two breweries, Basement Beer and RedWillow, running their social media, general marketing and a touch of PR for good measure. In her talk, she shares her expertise on what businesses owners should post online, what they shouldn't, engaging with your audience and why content is queen.

Popular music changes all the time, but there's been one consistent element in practically everything released in the last two decades: Auto-Tune is everywhere. What started as a simple audio processing tool in the 1990s has become the dominant force in music. Artists are training to sing with Auto-Tune; songs sound like Auto-Tune. Like it or hate it, Auto-Tune is everywhere. And to be clear, most people like it. On this episode of The Vergecast music journalist and Switched on Pop co-host Charlie Harding tells us the story of Auto-Tune. (Disclosure: Switched on Pop is part of the Vox Media Podcast Network, as is The Vergecast.) It starts, of all places, in the oil and gas industry. It involves artists like Cher and T-Pain, spreads like wildfire throughout the music business, and quickly becomes so utterly ubiquitous that you probably notice when Auto-Tune isn't used more than when it is. As we barrel toward whatever the “AI era” of music will be, we also look for clues in Auto-Tune's story that point to what's coming next. We talk about the distinct sound that comes from tools like Suno and Udio, how artists will use and abuse AI, and whether we should be worried about what it all means. We haven't yet found the “Believe” of the AI music era, but it's probably coming. Learn more about your ad choices. Visit podcastchoices.com/adchoices

For the second episode in our three-part miniseries about the future of music, Charlie Harding, a music journalist and co-host of the Switched on Pop podcast, joins the show to tell the story of Auto-Tune. He walks us through how a simple plugin became such a recognizable sound in music, why both artists and fans gravitated to the Auto-Tune sound, and why Auto-Tune has continued to grow even through backlash in the music business. Then we look ahead to AI, and try to figure out what — if any — lessons we might be able to learn about the sound and culture of the AI era to come. Further reading: Charlie Harding on X Switched on Pop From Pitchfork: How Auto-Tune Revolutionized the Sound of Popular Music From Rick Beato: How Auto-Tune DESTROYED Popular Music From Gabi Belle: The Problem with Autotune on TikTok Email us at vergecast@theverge.com or call us at 866-VERGE11, we love hearing from you. Learn more about your ad choices. Visit podcastchoices.com/adchoices

The Verge's Nilay Patel and David Pierce chat with Switched on Pop's Charlie Harding about the RIAA lawsuit against Al music startups Udio and Suno. Later, Nilay and David discuss the rest of this week's tech and gadget news. Subscribe to Vergecast Learn more about your ad choices. Visit podcastchoices.com/adchoices

The synthesizer was invented in the 1890s. But for people to really start using it, it took half a century, a musician named Wendy Carlos, and an album called Switched-On Bach. Charlie Harding and Nate Sloan of Switched On Pop tell Phoebe why Wendy Carlos is “the most significant figure in 20th century music that the least people know about.” Subscribe to This Is Love Learn more about your ad choices. Visit podcastchoices.com/adchoices

Long live the song of the summer with Today Explained. But wait! Switched on Pop's Charlie Harding disagrees. And Rolling Stone's Brittany Spanos says maybe it never existed at all. This episode was produced by Amanda Lewellyn, edited by Amina Al-Sadi, fact-checked by Laura Bullard, engineered by Patrick Boyd and Andrea Kristinsdottir, and hosted by Sean Rameswaram. Be sure to subscribe to Today Explained. Transcript at vox.com/today-explained-podcast Support Today, Explained by becoming a Vox Member today: http://www.vox.com/members Learn more about your ad choices. Visit podcastchoices.com/adchoices

Long live the song of the summer. But wait! Switched on Pop's Charlie Harding disagrees. And Rolling Stone's Brittany Spanos says maybe it never existed at all. This episode was produced by Amanda Lewellyn, edited by Amina Al-Sadi, fact-checked by Laura Bullard, engineered by Patrick Boyd and Andrea Kristinsdottir, and hosted by Sean Rameswaram. Transcript at vox.com/today-explained-podcast Support Today, Explained by becoming a Vox Member today: http://www.vox.com/members Learn more about your ad choices. Visit podcastchoices.com/adchoices

This week on One Song, we're sharing another music podcast that LUXXURY and Diallo both love. It's called Switched On Pop, and it's about the making and meaning of popular music, hosted by musicologist Nate Sloan and songwriter Charlie Harding.The episode we're sharing focuses on the fact that the first half of 2024 has been for the “pop girlie.” It seems like every major artist who's dominated the discourse this year has been a woman, ostensibly making music about what it means to be a woman. There's Camila Cabello's "Chanel no.5,” Lorde and Charli XCX working out the labyrinth of emotions that come with female friendship on the “Girl, so confusing” remix, and Sabrina Carpenter's ode to the female ego, “Please Please Please." On this episode, Charlie, Nate, and Reanna – with some insight from journalist Ilana Kaplan – unpack these tracks at length, exploring what these artists are saying about femininity, and by extension, themselves.

The synthesizer was invented in the 1890s. But for people to really start using it, it took half a century, a musician named Wendy Carlos, and an album called Switched-On Bach. Charlie Harding and Nate Sloan of Switched On Pop tell Phoebe why Wendy Carlos is “the most significant figure in 20th century music that the least people know about.” Say hello on Twitter, Facebook and Instagram. Follow the show and review us on Apple Podcasts: https://apple.co/2BmMZr5 Want to listen to This is Love ad-free? Sign up for Criminal Plus – you'll get This is Love, Criminal, and Phoebe Reads a Mystery ad-free. Plus, behind-the-scenes bonus episodes of Criminal and other exclusive benefits. Learn more and sign up here. We also make Criminal and Phoebe Reads a Mystery. Artwork by Julienne Alexander. Check out our online shop. Episode transcripts are posted on our website. Learn more about your ad choices. Visit podcastchoices.com/adchoices

The Verge's Nilay Patel and David Pierce chat with Switched on Pop's Charlie Harding about the RIAA lawsuit against AI music startups Udio and Suno. Later, Nilay and David discuss the rest of this week's tech and gadget news. Further reading: What the RIAA lawsuits against Udio and Suno mean for AI and copyright  Major record labels sue AI company behind ‘BBL Drizzy'  Good 4 who? How music copyright has gone too far  Samsung just announced a date for its next Unpacked Google announces surprise Pixel 9 hardware event in August Motorola's 2024 Razr phones are ready to make a splash  Beats Pill review: much easier to swallow this time Ultimate Ears announces new Everboom speaker, Boom 4 with USB-C, and more  Ludacris Performs Free Concert With JBL Speaker: Here's Where You Can Buy One for Summer Apple will soon offer better support for third-party iPhone displays and batteries Distance Technologies augmented reality car heads-up display hands-on Seven things I learned about the Sony car while playing Gran Turismo inside one  Rivian teases five new vehicles, and I have no idea what they are A group of Rabbit R1 jailbreakers found a massive security flaw Meta is connecting Threads more deeply with the fediverse ChatGPT's Mac app is here, but its flirty advanced voice mode has been delayed Verizon's new V logo arrives as the lines blur between 5G, Fios, and streaming Supreme Court rules Biden administration's communications with social media companies were not illegal coercion Tesla Cybertruck recalled again, this time over faulty wiper and trim Email us at vergecast@theverge.com or call us at 866-VERGE11, we love hearing from you. Learn more about your ad choices. Visit podcastchoices.com/adchoices

For the first time in almost 20 episodes, we welcome a guest onto the pod, Charlie Harding, songwriter and co-host of Switched on Pop, a podcast about the making and meaning of popular music, and one that is a regular in both of our podcast queues. We get straight into it with Charlie about losing the recordings of big interviews, press him about why he called "Birds of a Feather" Billie Eilish's first 'real' pop song before exposing an unexpected musical parallel between "Bad Guy" and Leonard Cohen's "You Want It Darker", discuss music as a competition and music podcasts/journalism as NOT a competition (he shares his personal faves), his sensitivity to sound especially in restaurants, Cowboy Carter being a beyond dissertation level work of musical scholarship, the possible Dolly Parton/Kacey Musgraves influence on "Please, Please, Please", and the parallels and non-parallels between Brat and Yeezus. Skip forward to (14:20) to get straight into the interview, but if you stick around for our intro you'll hear life updates about Alex's move, a quick assessment of the result of the NBA finals, and a slightly-too-long tangent about whether or not we close the lid before flushing a #2.

The pop music competition is facing boycott calls over Israel's participation. Switched on Pop's Charlie Harding and historian Tess Megginson explain why the apolitical event keeps getting political. This episode was produced by Haleema Shah, edited by Matt Collette, fact-checked by Laura Bullard with help from Amanda Lewellyn, engineered by Patrick Boyd, and hosted by Sean Rameswaram. Transcript at vox.com/today-explained-podcast Support Today, Explained by making a financial contribution to Vox! vox.com/givepodcasts Please take a second to help us learn more about you! vox.com/podcastsurvey Learn more about your ad choices. Visit podcastchoices.com/adchoices

Gaspard Augé and Xavier de Rosnay of the French electronic duo Justice speak with cohost Charlie Harding about their new album Hyperdrama. Song Discussed Justice - Phantom Pt II, D.A.N.C.E., Neveender, New Jack, Genesis, Horsepower, Civilization, One Night-All Night, Dear Alan, Incognito, Moonlight Rendez-vous, Audio Video Disco, Afterimage, The End, Generator, Pleasure The Who - My Generation The White Stripes - Black Math The Human League - Human John Carpenter - Night Serge Gainsourg & Jane Birkin - Je T'aime… moi non plus Michel Berger - Le Paradis Blanc Stardust - Music Sounds Better With You Chaka Khan - Fate Learn more about your ad choices. Visit podcastchoices.com/adchoices

Contributing Producer Marie Kilaru discusses the emotional impacts of making and seeing Before and After posts; Charlie Harding of Switched on Pop joins Jason to talk about what pop-musical acts have sounded like the internet. Also: Georgia reads Franny Choi's “Unrequited Lovesong for the Panopticon”-Become a member at https://www.neverpo.st/Join us on Twitch, Friday, April 12th @ 2pm ET to chat about audio production!–Call us at 651 615 5007 to leave a voice mailDrop us a voice memo via airtableOr email us at theneverpost at gmail dot com–Intro LinksWhy a near-miss cyberattack put US officials and the tech industry on edge – ReutersWhen Facebook fails, local media matters even more for our planet's future – Kansas ReflectorWe can slay giants – HandbasketFCC to vote to restore net neutrality rules, reversing Trump – ReutersLinkedIn plans to add gaming to its platform – TechcrunchMike's TwitchMike on the Alarmist!–Before and After PhotosFind Marie at her website and on X.Mark Gaetano is on IG and YTSpecial thanks to Hannah Meacock-Ross for editorial support–What (Pop Music) Does the Internet Sound Like?You should listen to Switched on Pop generally, but also here's the interview they did with 100 gecs.–Unrequited Love Song for the Panopticon was used with permission –Never Post's producers are Audrey Evans, Georgia Hampton and The Mysterious Dr. Firstname Lastname. Our contributing producer this episode is Marie Kilaru. Our senior producer is Hans Buetow. Our executive producer is Jason Oberholtzer. The show's host is Mike Rugnetta. After the accident we hadthe phrase after the accident.Also this: before the accident.We had a drawer markedbefore and after, and afterand before happeningswe'd add atrocities andincidents and the wildasters someone beforeand after keeps leaving.After By Andrea CohenNever Post is a production of Charts & Leisure. Check out Join the Party wherever you get podcasts and also at jointhepartypod.com. ★ Support this podcast ★

Switched on Pop host Charlie Harding critiques four (absurd but catchy) podcast theme songs I made with Suno AI…and then remixes one live on the show. The show begins with Sweet Serenade, “a mellow instrumental podcast theme song for the podcast candy ears”. Produced by Emily Shaw, with technical assistance from Ken Felton.Image and songs by suno.ai.Sweet Serenade Lyrics:[Verse]In the twilight hour, when the stars alignA melody unfolds, weaving through timeGentle notes caress, like a soothing breezeWelcome to Candy Ears, the symphony of peace[Chorus]Take a moment to unwind, let your worries fade awayLet the music guide your soul, on this podcast journey todayCandy Ears, your tranquil escape, where melodies entwineLet the mellow tunes embrace you, as you sip on sweet sunshine

Writer, producer and host of Switched On Pop Charlie Harding joins me to discuss the trend of moody covers of pop songs being used as needle drops/syncs in TV and film.Listen to Switched On Pop wherever you get podcasts!TIMESTAMPSLouis Walsh versus Jedward: 0:51Moody Covers Of Pop Songs For TV & Film (with Switched On Pop's Charlie Harding) 8:05Top of the Flops: 40:50Support Flop Culture on Patreon - patreon.com/flopcultureEditing: Adam Shanahan Hosted on Acast. See acast.com/privacy for more information.

One of the most inventive and gifted musicians working today is none other than Jacob Collier. Maybe you know him from his YouTube videos, or co-writing SZA's “Good Days,” or even performing alongside Joni Mitchell at this year's Grammys. Jacob is a musician with thunderous chops, proficient on multiple instruments and with a voice that ranges from bass to soprano. over the past few years, he's managed to release several records, net collaborations with everyone from Michael McDonald to T-Pain, and become the first British artist to receive a Grammy Award for each of his first four albums. His latest album Djesse 4 is the conclusion to his Djesse quadrilogy, and it features a kaleidoscopic range of style, from Indian sitar to Colombian reggaeton to a haunting Simon and Garfunkel cover. This week, we're going to take a look inside the work and process of a musical mad scientist – our resident songwriter Charlie Harding sat down with Jacob to learn about his new record, his collaborators, and the beautifully unique way he sees and thinks about music. SONGS DISCUSSED Jacob Collier - In My Room, 100,000 Voices, A Rock Somewhere, Little Blue, She Put Sunshine Learn more about your ad choices. Visit podcastchoices.com/adchoices

Welcome back! Nate kicks of the new season with a note about his recent appearance on the 25 O'Clock Podcast, hosted by our friend Dan Drago, before going into a story about how the song "Wannabe" by the Spice Girls was the spark that sent him on his path of pop proselytization. Then, Nate is joined by Charlie Harding of the podcast Switched On Pop. They discuss Nate's love of the show, Charlie's journey in music, meeting his partner Nate Sloan, Americana music, how Carly Rae Jepsen's "Call Me Maybe" birthed Switched On Pop, the permission to like pop music, authenticity, streaming and the state of popular music, Charlie's recent comment that "Pop is Dead," Gatekeepers, fan groups and the gaming of the charts, genre, Olivia Rodrigo's album GUTS, gendered expectations of Eras, and the genius of Finneas and Billie Eilish. Then, Charlie braves The Jawntlet!Charlie Harding on InstagramCharlie Harding on ThreadsCharlie Harding on Twitter/XSwitched On Pop websiteSwitched On Pop InstagramSwitched On Pop ThreadsSwitched On Pop Twitter/X Subscribe to the Y!TMJ Newsletter! --- Send in a voice message: https://podcasters.spotify.com/pod/show/ytmj/message Support this podcast: https://podcasters.spotify.com/pod/show/ytmj/support

It's been an eventful year for music; we saw the rise of Mexican Regional music on the charts, the emergence of AI artists, and the dominance of country music to boot. Host Brittany Luse chats with Nate Sloan and Charlie Harding, co-hosts of the podcast Switched on Pop, to break down what's behind the latest pop music trends — and to share some of their 2023 favorites.

Tune in as Oisin Lunny speaks to Charlie Harding & Nate Sloan, whose passion for pop has ignited the airwaves since 2014 with Switched on Pop - a podcast that has broken down plenty of pop songs to find out: What makes a hit?

Noah Kahan is having a banner year. Between his Best New Artist nomination at the Grammys, his debut SNL performance, and collaborations with everyone from Post Malone to Hozier, the Vermont singer-songwriter has transcended the confines of New England to become one of the harbingers of the 2023 stomp-clap revival. This episode of Switched on Pop, host Charlie Harding sits down in person with Kahan to find some secret magic chords, opine on car commercial music, and talk about all things Stick Season.  Learn more about your ad choices. Visit podcastchoices.com/adchoices

Is it just us or has the Billboard Hot 100 felt... weird this year? It's the same chart that's seen Doja Cat's "Paint the Town Red" hit No. 1 — the first rap song to rise to the top spot in more than a year — as well as Oliver Anthony Music's controversial "Rich Men North of Richmond" and a remix of an old song by The Weeknd. Is the Billboard Hot 100 actually measuring what people are listening to these days? Can we trust it to tell us about the most popular music? Sam talks with Switched on Pop's Charlie Harding and Reanna Cruz about how Billboard ranks the Hot 100 and the ways that artists, fandoms, and political actors have changed the game... and learned how to game the charts. Learn more about your ad choices. Visit podcastchoices.com/adchoices

In episode two of The Vergecast's AI mini series, David Pierce sits down with Switched on Pop's Charlie Harding and music producer Ian Kimmel to share how they made an entire song from scratch using a bunch of AI tools. Later, Nilay Patel joins the discussion to talk about the future of AI in the music industry. Email us at vergecast@theverge.com or call us at 866-VERGE11, we'd love to hear from you. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Taylor Swift is on one of the most successful concert tours of all time, but what's her secret? Switched on Pop's Charlie Harding (@charlieharding) sits down with Peter to discuss the business of Taylor Swift. How her music, her fans, and her industry expertise catapulted her to being one of the most profitable singers of this generation. Host: Peter Kafka (@pkafka), Senior Editor at Recode More to explore: Subscribe for free to Recode Media, Peter Kafka, one of the media industry's most acclaimed reporters, talks to business titans, journalists, comedians, and more to get their take on today's media landscape. About Recode by Vox: Recode by Vox helps you understand how tech is changing the world — and changing us. Learn more about your ad choices. Visit podcastchoices.com/adchoices

We're only halfway through the summer, and we're already blessed with some amazing album releases from heavy hitters like Foo Fighters and Taylor Swift, to pop and R&B releases from Amaarae and Christine and the Queens. Switched on Pop's Charlie Harding and producer Reanna Cruz take us through some of the best and most anticipated new music of the season. *Post show note: check out Reanna and Charlie's summer music Spotify playlist here.  

As Taylor Swift's “Eras Tour” comes to a close in the U.S., it is on track to amass $1 billion in sales which would make it the highest-grossing tour ever. Charlie Harding, music journalist and co-host of the Switched On Pop podcast, breaks down the popularity of Swift's music and how the artist is shaping the industry.

Taylor Swift is currently the most streamed artist in the world as she's commandeered the media as she embarks on her Eras tour around the globe. It's likely to be the highest grossing tour of all time, crossing $1B in sales. What's more, she's just released her 6th studio album since 2020, and her 3rd re-recording of her older material called Taylor's Versions. She famously got in a spat with the new owner of her master recordings. She decided to take back control with her own hands and voice, creating mostly true-to-the-original updates alongside a smorgasbord of bonus material. First there was Fearless from 2008, then Red from 2012 and now Speak Now the last of her more country leaning albums having originally arrived in 2010. Switched On Pop listens to Speak Now (Taylor's Version) for whats is and isn't working musically, how the re-recordings are fairing, and where this ambitious project may go next. Joining the conversation is Lauren Michele Jackson American cultural critic, assistant professor of English and African American studies at North Western, author of White Negroes: When Cornrows Were in Vogue ... and Other Thoughts on Cultural Appropriation and a contributing writer to the New Yorker in her review of Taylor Swift's midnights said “I've always maintained that Swift is incapable of writing a bad song.” MORE Pop Pantheon: Checking in on Taylor Swift's Re-Recordings So Far (with Charlie Harding, Larisha Paul & Nora Princiotti) Learn more about your ad choices. Visit podcastchoices.com/adchoices

On the eve of the third installment of Taylor Swift's re-recording project of her first seven studio albums, Speak Now (Taylor's Version), Switched on Pop's Charlie Harding, Rolling Stone's Larisha Paul and Every Single Album's Nora Princiotti join DJ Louie to break down how this singularly ambitious endeavor has gone so far. Has it achieved its commercial goals? What about its aesthetic ones? What are the differences? When it comes to Fearless (Taylor's Version) and Red (Taylor's Version), is the panel choosing the TV or OG on their free time? As fans, are we obligated to choose Taylor's Versions? Which of her yet-to-be-re-recorded albums will be the most difficult to replicate? And does all of it— along with her new music, massive tour, "Cruel Summer" single release, various romantic endeavors and the rest— add up to too much Taylor?  Join Pop Pantheon: All Access, Our Patreon Channel, for Exclusive Content and MoreShop Merch in Pop Pantheon's StoreGrab Tickets to See Louie DJ at Gorgeous Gorgeous in LA on 7/14Follow Charlie Harding on TwitterFollow Nora Princiotti on TwitterFollow Larisha Paul on TwitterFollow DJ Louie XIV on InstagramFollow DJ Louie XIV on TwitterFollow Pop Pantheon on InstagramFollow Pop Pantheon on Twitter

Before his death, John Lennon recorded a demo of a new song, "Now and Then" on a cassette. His Beatles bandmates later tried to repurpose it for release, but abandoned the project in part because of the poor voice quality. This week, Paul McCartney revealed that, 43 years after Lennon's death, the song will drop – thanks to AI technology. It's just the latest example of artificial intelligence's increasing presence in the music industry. Fake Drake songs, AI-generated Kanye covers and posthumous Biggie collabs have raised alarm about copyright, and existential questions about songwriting and creativity. Today, Saroja Coelho speaks with the host of Vulture's Switched on Pop podcast, Charlie Harding, about what the technology means for the music industry and art itself. For transcripts of this series, please visit: https://www.cbc.ca/radio/frontburner/transcripts

After nearly two decades as a band the Jonas Brothers are staking their claim to a magnum opus by calling their next album, quite simply, The Album (out May 12). The project follows the success of their 2019 comeback project Happiness Begins — which blended polished pop sounds with ‘70s funk breaks and produced the No. 1 single “Sucker” — with a focus on the smooth sounds of yacht rock. Switched On pop co-host Charlie Harding spoke with Nick, Joe and Kevin Jonas in March 2023, during their five night broadway run, in anticipation for the release of The Album.   Songs Discussed Jonas Brothers - Wings, Waffle House, Montana Sky, Summer Baby, Before the Storm Daryl Hall & John Oates - She's Gone, Wings Kenny Loggins - Meet Me Half Way Steely Dan - Reelin' In The Years Stevie Wonder - Higher Ground Michael Jackson - The Way You Make Me Feel, Leave Me Alone The Doobie Brothers - Takin' It to the Streets, Minute By Minute Thundercat, Michael McDonald, Kenny Loggins - Show You The Way Michael McDonald - I Keep Forgettin' Steve Miller Band - Fly Like An Eagle Eagles - Take It Easy Learn more about your ad choices. Visit podcastchoices.com/adchoices

Today, things got a little loose in the studio of The Vergecast. Switched on Pop's Charlie Harding joins Nilay Patel, Alex Cranz, and David Pierce to make their own version of Drake's AI summer classic. We're not saying a laser bong was involved, but we're not not saying that either. Then deputy editor Alex Heath stops by to tell us about Snaps latest announcements and give us an update on the latest round of layoffs at Meta. Finally, a lightning round with all the big headlines in tech from this week. Further reading: AI Drake just set an impossible legal trap for Google Google employees label AI chatbot Bard ‘worse than useless' and ‘a pathological liar': report What's really going on with ‘Ghostwriter' and the AI Drake song? Family of F1 legend Michael Schumacher plans legal action over fake AI interview Snapchat releases My AI chatbot to all users for free Google's big AI push will combine Brain and DeepMind into one team Netflix is shutting down its original DVD business after 25 years Netflix is out of the DVD business because streaming won – now, can Netflix still win? Twitter begins removing blue checkmarks from all legacy users It's a laser bong SpaceX's Starship successfully takes off before bursting into flames BuzzFeed News is being shut down Social media is doomed to die Google Fi has a new name and expanded connectivity support for smartwatches Leak: Google will announce the Pixel Fold at I/O and beat Samsung on battery Everything spy movies get right (and wrong) about smart glasses Microsoft is reportedly working on a smaller Surface Pro and Arm-powered Surface Go 4 Email us at vergecast@theverge.com or call us at 866-VERGE11, we love hearing from you. Learn more about your ad choices. Visit podcastchoices.com/adchoices

We have an emergency podcast drop because the biggest and fastest moving story on the internet right now is about a song called “Heart On My Sleeve.” The track sounds like it was made by the producer Metro Boomin featuring Drake and The Weeknd. It might be one of the most consequential songs in music history because it was actually a fake, made with artificial intelligence. The blowback from this song has been enormous and a bit confusing. So host Charlie Harding went on The Vergecast podcast to break down how this song was likely made, and what it might mean for the music industry, the tech industry and all of our intellectual property.  Listen to the whole episode on The Vergecast Read Alex Cranz's story on Laser Bongs on The Verge Learn more about your ad choices. Visit podcastchoices.com/adchoices

Whether you love it or hate running with music, you'll want to listen to this fun, enlightening conversation about music and running with songwriter Charlie Harding, a host of the Switched on Pop podcast. With hosts Sarah and Coach Liz, Charlie reveals: -tempo's surprising effect (or lack thereof!) on running pace; -the myriad musical elements that can get you moving; -why your favorite running song might stop someone else in her tracks; and, -insight (and song suggestions) on building a great running playlist.   In the intro, #foundchange skeptic Liz continues last week's quarter caper; the convo changes tune at 4:59.   This repeat episode originally ran in January 2021.    When you shop our sponsors, you help AMR. We appreciate your—and their—support!   Get a free colored watch band with purchase  of any watch. Use code motherrunner at coros.com Learn more about your ad choices. Visit megaphone.fm/adchoices

If you've ever learned classical piano, you probably tried to play one of Bach's Inventions. The composer wrote fifteen pieces containing the most important fifteen keys in order to teach his son the fundamentals of piano and composition. Today, they remain some of the most popular pieces of piano music. Acclaimed jazz pianist Dan Tepfer recently revisited his childhood music books seeing them in a way he'd never realized as a student: the Inventions are much more than novice piano works. For Tepfer, each of the Inventions not only highlight masterful command over harmony and counterpoint, but also contain moving character arcs that resemble the hero's journey. A character is introduced at home in place of safety in act I. And then they are thrust into chaos and must overcome unsurmountable challenges in Act II. Finally, in Act III, our hero overcomes their final battle and returns home transformed by the journey. Once Tepfer heard this character arc, he started to apply it to his own free improv. Through studying Bach, Tepfer conceived a new album: Inventions / Reinventions. In this project Tepfer fills in the missing keys from the Bach to complete all twenty four keys (there are twelve major and twelve minor keys) while updating the music with modern improvisation. In this conversation Tepfer walks co-host Charlie Harding through his process of playing Bach and applying it to jazz improv. Listen to Dan Tepfer's Inventions / Reinventions on StorySound Records Listen to Into It with Sam Sanders on Fair Use Learn more about your ad choices. Visit podcastchoices.com/adchoices

“Take Me Home, Country Roads” is a song about West Virginia, but its message of homecoming has resonance far beyond Appalachia. Songwriter and producer Ian Fitchuk found this out when he was requested to perform Denver's music at a music festival in Tibet. Fitchuk discovered that Denver has a huge following in East and South East Asia, where Denver toured multiple times from the 70s through the 90s. Denver's songs first came to the region through the US Armed Forces Network radio as well as a diplomatic performance for China's leader Deng Xiaoping at the Kennedy Center in 1979. Denver performed alongside the Harlem Globetrotters and the Joffrey ballet, and he left such an impression, the show led to an invitation to be one of the first western musicians to tour China. To better understand Denver's meaning in the region, Switched On Pop co-host Charlie Harding speaks with Ian Fitchuk about his performance and interviews journalist Jason Jeung who wrote about “Country Roads” in The Atlantic. Songs Discussed John Denver - Take Me Home, Country Roads Kacey Musgraves - Oh, What A World The East Is Red John Denver - Rocky Mountain High Creedence Clearwater Revival - Fortunate Son James Taylor - Carolina in My Mind Carpenters - (They Long To Be) Close To You John Denver - Thank God I'm a Country Boy Learn more about your ad choices. Visit podcastchoices.com/adchoices

Yes Valentine's Day is a day for love, but for some people, it's a day of heartbreak or loneliness. So to honor those who are brokenhearted this Valentine's Day, we'll be talking about the best breakup songs of all time with Switched On Pop co-host Charlie Harding and producer Reanna Cruz. Plus, we'll take your calls.

In 2010, a photographer named Reuben Cox moved to Los Angeles to start Old Style Guitar Shop. In the years since, the instruments that he continues to repair and sell have come to define the sound of the LA indie folk scene among artists like Blake Mills, Andrew Bird, Madison Cunningham, Ethan Gruska and Phoebe Bridgers. Reuben's guitars are Frankenstein-esque creations, cobbled together from spare parts and neglected guitar bodies found in flea markets and estate sales. The sounds that these make, though, are as eccentric as their source: the strings are laid on top of Reuben's signature, a rubber bridge. This sound, and the mythos of the rubber bridge guitar, has turned Reuben into a local celebrity and put Old Style at the center of Los Angeles's indie music scene. In this episode of Switched on Pop, host Charlie Harding explores that sound and the man behind it all. Songs Discussed (playlist) Taylor Swift - champagne problems Olivia Rodrigo - hope ur ok boygenius - Emily I'm Sorry Jenny Owen Youngs - Vampire Weeknight Andrew Bird - The New Saint Jude Marcus Mumford - Only Child Perfume Genius - Slip Away Andrew Bird - Underlands Madison Cunningham - Anywhere Madison Cunningham - Life According to Raechel Phoebe Bridgers - Garden Song Learn more about your ad choices. Visit podcastchoices.com/adchoices

It's Grammys weekend and Sam Sanders, host of Vulture's Into It podcast, is ready for disappointment! Sam is joined by Switched on Pop's Charlie Harding and Reanna Cruz to break down the Grammys' history of tone deafness when it comes to the night's biggest awards. Will Beyoncé lose Album of the Year again... or will the voting body finally give her her due? Learn more about your ad choices. Visit podcastchoices.com/adchoices

It's Grammys weekend and Sam is ready for disappointment! Sam is joined by Switched on Pop's Charlie Harding and Reanna Cruz to break down the Grammys' history of tone deafness when it comes to the night's biggest awards. Will Beyoncé lose Album of the Year again... or will the voting body finally give her her due? We also ask comedian and actor Lil Rel Howery if he is into the Andrea Riseborough Oscars campaign controversy. And we hear about the culture that's haunting us: The broom dog in the animated Alice in Wonderland is a Sisyphean metaphor for our modern times. Send us your culturegeist. What specific thing in the culture has haunted you for days, weeks, or even years? And why? Email us a short voice memo at intoit@vulture.com. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Since we've launched the All Of It Public Song Project, we've been wondering: what makes a truly great cover song? What are the best covers songs of all time? Switched on Pop co-hosts Charlie Harding and Nate Sloan join with a list of their favorites, and listeners call in to share their takes.

Streaming feels like it's both at its height and on a precipice. Musicians are fed up at getting paid fractions of a penny, and the whole business model seems precarious. Switched On Pop co-host Charlie Harding was talking about the challenges for streaming future with my friend Nilay Pattel, editor in chief of The Verge and host the podcast Decoder - a show about big ideas. And they taped a conversation about what's next for streaming through the case study of Taylor Swift who has deftly navigated the transition from CDs to streaming, and whose era tour may mark the end of an era in music.  Learn more about your ad choices. Visit podcastchoices.com/adchoices

I have this theory that music is usually about five years ahead of the rest of media in terms of its relationship to tech—whether that's new formats based on new tech, like vinyl to CDs; new business models like streaming; or simply being disrupted by new kinds of artists who use new forms of promotion like TikTok in unexpected ways. I've always thought that if you can wrap your head around what's happening to the music industry, you can pretty much see the future of TV or movies or the news or whatever it is, because the music industry just moves that fast. I was talking about this with my friend Charlie Harding, the co-host of Switched on Pop, and he said that he thinks the upcoming Taylor Swift Eras Tour is itself the end of an era in music — that the age of cheap streaming services is coming to an inevitable conclusion, and that something has to change in order for industry to sustain itself in the future.  So, in this episode, Charlie and I walk through a brief history of the music business—which, despite its ever-changing business models, is permanently trying to find something to sell you for $20 whether that's the music itself, all-access streaming, merch, and even NFTs—using Taylor Swift as a case study. We map her big moves against the business of music over time to try to see if this really is the end of an era. And maybe more importantly, to try and figure out if the music industry can sustain and support artists who are not Taylor Swift, because streaming, all by itself, definitely cannot. Links: Switched on Pop Charlie's first appearance on Decoder: Good 4 who? How music copyright has gone too far - The Verge  Why Amazon VP Steve Boom just made the entire music catalog free with Prime - The Verge  Spotify launching in the US at 8AM tomorrow, open to all pre-registered users - The Verge Metallica sued Napster 15 years ago today - The Verge Taylor Swift calls Apple Music free trial 'shocking, disappointing' in open letter - The Verge Taylor Swift versus Ticketmaster: the latest on the tour that may break up a giant - The Verge The DOJ has reportedly opened an antitrust investigation into Ticketmaster's owner      How fandom built the internet as we know it, with Kaitlyn Tiffany - The Verge Steve Aoki on the blockchain, the metaverse, and the business of music - The Verge Transcript: https://www.theverge.com/e/23322720 Credits: Decoder is a production of The Verge, and part of the Vox Media Podcast Network. Today's episode was produced by Hadley Robinson, Creighton DeSimone and Jackie McDermott and it was edited by Callie Wright. The Decoder music is by Breakmaster Cylinder. Our Editorial Director is Brooke Minters. Our Sr. Audio Director is Andrew Marino and our Executive Producer is Eleanor Donovan.   Learn more about your ad choices. Visit podcastchoices.com/adchoices

Through crafting a unique, cross-cultural sound, Kali Uchis has emerged as one of indie music's most promising talents. From playing in jazz band as a kid to collaborating with Bootsy Collins and Kaytranada, the Grammy Award-winning artist has managed to take her bilingual, one-of-a-kind music to the Billboard charts while still keeping her DIY ethos. At this year's Vulture Fest live in Los Angeles, host Charlie Harding talked with Uchis about her career, her songcraft and her two upcoming albums: one in Spanish and one in English.  Learn more about your ad choices. Visit podcastchoices.com/adchoices

This week Spotify released it's popular "wrapped" feature, which shows users what artists and songs they spent the most time listening to this year. Joining us to talk about his personal top artists and tracks from 2022 is Charlie Harding, co-host and executive producer of the podcast Switched on Pop. Plus, we take calls from listeners who want to share their Spotify Wrapped results.

In part 1 of our Vergecast: Future of Music series, Alex Cranz talks with Switched on Pop's Charlie Harding about the trends in music today that make new songs out of old material, and whether it's foreshadowing the future of pop. Further reading: Selena Quintanilla Will Sound Older on Her New Posthumous Album Michael Jackson songs removed from streaming services to 'move beyond' fake vocals controversy Shred with Green Day, with some help from AudioShake Invasion of the Vibe Snatchers Music discussed: Como Te Quiero Yo A Ti - Selena My Way - Frank Sinatra I'll Be Seeing You - Billie Holiday We Can't Stop - Miley Cyrus bad guy - Billie Eilish Through The Wire - Kanye West Breaking News - Michael Jackson Real Love - The Beatles Free As A Bird - The Beatles 2000 Light Years Away - Green Day Betty (Get Money) - Yung Gravy Genius of Love - Tom Tom Club Fantasy - Mariah Carey Big Energy - Latto I'm Good (Blue) - David Guetta, Bebe Rexha Bang Bang - Rita Ora, Imanbek Higher Love - Kygo, Whitney Houston Don't Start Now - Dua Lipa Learn more about your ad choices. Visit podcastchoices.com/adchoices

In part 1 of our Vergecast: Future of Music series, Alex Cranz talks with Switched on Pop's Charlie Harding about the trends in music today that make new songs out of old material, and whether it's foreshadowing the future of pop. Further reading: Selena Quintanilla Will Sound Older on Her New Posthumous Album Michael Jackson songs removed from streaming services to 'move beyond' fake vocals controversy Shred with Green Day, with some help from AudioShake Invasion of the Vibe Snatchers Music played in this episode: Como Te Quiero Yo A Ti - Selena My Way - Frank Sinatra I'll Be Seeing You - Billie Holiday We Can't Stop - Miley Cyrus bad guy - Billie Eilish Through The Wire - Kanye West Breaking News - Michael Jackson Real Love - The Beatles Free As A Bird - The Beatles 2000 Light Years Away - Green Day Betty (Get Money) - Yung Gravy Genius of Love - Tom Tom Club Fantasy - Mariah Carey Big Energy - Latto I'm Good (Blue) - David Guetta, Bebe Rexha Bang Bang - Rita Ora, Imanbek Higher Love - Kygo, Whitney Houston Don't Start Now - Dua Lipa Learn more about your ad choices. Visit podcastchoices.com/adchoices

Who had the song of the summer? Sam Sanders chats with Switched on Pop's Charlie Harding and Reanna Cruz about whose song (and album) is in the running: Beyoncé, Bad Bunny, Lizzo, or Kate Bush?  Learn more about your ad choices. Visit podcastchoices.com/adchoices

A lot has happened in the world of Kpop this summer, from Girls' Generation sugar coated banger “Forever1” marking a triumphant return from a five year hiatus, to the ascendance of newcomers NewJeans, whose R&B infused sounds have quickly taken over the charts. But it's the return of BLACKPINK that has lit up the world literally in pink. Get a full deep dive on the songs at the top of the Kpop charts on the latest episode of Switched On Pop, where hosts Charlie Harding and Nate Sloan speak with journalist Kristine Kwak. Songs Discussed Psy, SUGA - That That J-hope - MORE BLACKPINK - Pink Venom Girls' Generation IVE - LOVE DIVE NewJeans - Attention SWV - I'm So Into You Rihanna - Pon De Replay Missy Elliot - Work It 50 Cent - Just A Lil Bit Taylor Swift “Look What You Made Me Do” Panjabi MC, JAY-Z - Mundian to Bach Ke Britney Spears, Madonna - Me Against the Music Justin Timberlake - What Goes Around Comes Around Snoop Dogg - Drop It Like It's Hot Snoop Dogg - I Wanna Rock The Notorious B.I.G. - Kick in the Door Learn more about your ad choices. Visit podcastchoices.com/adchoices

Attention to all the music lovers out there! All month, we're revisiting our best music episodes from It's Been a Minute. In this episode from February 2020, former host Sam Sanders is joined by Nate Sloan and Charlie Harding, co-hosts of the podcast Switched On Pop. They break down what makes a song: why certain pop songs become ear worms and what their form and structure mean for the future of music. Sloan and Harding deconstruct songs in their 2020 book, Switched On Pop: How Popular Music Works and Why It Matters.

There was something different about Justin Bieber's performance of his hit song “Peaches” at the 2022 Grammy Awards. The recorded version, which spent thirty weeks on the Billboard Hot 100 chart, opens with a full-blast chorus featuring driving percussion and ringing guitars. But performing live, the song's instrumentation was stripped down, with Bieber alone at a grand piano, crooning into the mic. For a lighthearted song (“I get my peaches down in Georgia”), this intimate performance sounded overly serious on first listen. Slowly, the band built up, adding guest verses from Daniel Caesar and Giveon between seven repetitions of the chorus. Each time the chorus returned, the band got louder, the music pointing upward until a high-flying synth solo closed the song.  It may have been a surprising arrangement of Bieber's hit, but it was the same approach heard elsewhere in the ceremony. The same sort of slow climb was heard earlier in the night when Maverick City Music, the first Christian group to perform at the Grammys in twenty years, gave an uplifting performance of their song “Jireh” off their award winning album Old Church Basement. In the church tradition, the slow build is a common feature, beginning as a quiet prayer that expands outward as more voices join in. Naomi Raine, one of the group's seven members, describes it as “this common and underlying structure” that feels “supernatural and spiritual.”  While that familiar structure pervades the Christian music landscape, Maverick City Music has a greater purpose in their music. “We are called to blur the lines as far as what is Christian, what is Gospel, those two have been segregated for too long,” says the group's Chandler Moore. The expansiveness of the music is represented in Maverick City Music's diverse makeup. The seven core members invite dozens of songwriters from countless backgrounds to songwriting camps to explore the traditions constraining boundaries. Having only started releasing music in 2019, Maverick City Music has released over seventeen combined LPs & EPs in multiple genres including Worship, Gospel, R&B, and Latin Pop. Consistent across all those records is that transcendent slow build.  After exploring the discography of Maverick City Music, one starts to hear this song form all over pop music. In the case of Bieber, who is both friends with the group and has a religious background, his previous hit songs like “Holy” and “Anyone” also unfold in a slow build. The reworked “Peaches” Bieber performed at the Grammys even makes sense given the chorus's final line “I get my life right from the source.” There has been a long history of stylistic exchange between the religious and secular world. There would be no Rock & Roll without Gospel, and Christian Contemporary draws its sounds from the 60s folk movement. Today, songs made for worship share qualities with modern power ballads, the former elevating the spirit, the latter coaxing our emotions. On the latest episode of Switched On Pop hosts Charlie Harding and Nate Sloan speak with Maverick City Music and listen back to songs both religious and secular that lift us up. Songs Discussed Justin Bieber - Peaches (feat. Daniel Ceasar & Giveon), Holy (feat. Chance The Rapper), Anyone Maverick City Music - Old Church Basement, Jireh, Same Blood, Used To This, Nadie Como Tú Coldplay - Fix You Céline Dion - Because You Loved Me Luther Vandross - Endless Love (with Mariah Carey) But, Honestly - Foo Fighters Learn more about your ad choices. Visit podcastchoices.com/adchoices