Podcasts about One Song

How did a personal tragedy influence one of the most essential party anthems in the new wave canon? This week on One Song, Diallo & LUXXURY break down the B-52's “Love Shack” with legendary Grammy award-winning producer, director and president of Blue Note Records, Don Was. They dive into how the track began as a 10+ minute long jam, outline the influences from classic Motown and Stax records and Don shares the surprisingly emotional story behind the iconic “Tin Roof Rusted” breakdown. Songs Discussed: “Love Shack” - The B-52's “Walk The Dinosaur” - Was (Not Was) “Numbers” - Kraftwerk “Mesopotamia” - The B-52's “Tell Me That I'm Dreaming” - Was (Not Was) “Dancing In The Street” - Martha Reeves & The Vandellas “I Love a Man in Uniform” - Gang of Four “Fun House” - The Stooges “Cold Sweat (Parts 1 & 2)” - James Brown and The Famous Flames “Candy” - Iggy Pop “Cool Jerk” - The Capitols “House Of The Rising Sun” - The Animals “Hold On, I'm Comin'” - Sam & Dave “Gimme Some Lovin'” - The Spencer Davis Group “Express Yourself” - Charles Wright & The Watts 103rd Street Rhythm Band “Express Yourself” - N.W.A. “Cars” - Gary Numan Diallo & LUXXURY Talk About Music on Patreon One Song Spotify Playlist Learn more about your ad choices. Visit megaphone.fm/adchoices

We're coming dangerously close to the end of the road for this latest season of Neil Young deep dives. And the end of the road is the topic at hand when it comes to today's song — “Berlin.” Now, we've covered some deep cuts over the course of the past two seasons. But “Berlin” has to be one of the deepest. It was passed over on the recent Archives Vol. III box and you can't even stream it via Neil's site; the only official way to experience this moody tune is to watch In Berlin, the concert film that captures the last performance of the semi-chaotic Trans tour of Europe in 1982. With its doomy synths, piercing guitar, tortured vocals and synthetic handclaps, “Berlin” provides a fascinating glimpse of this short-lived band, which featured a grab-bag, rag-tag bunch of players from Neil's past, all grappling with a new decade and new sounds. In Berlin itself is an amazing document, highlighted by Neil and Nils Lofgren performing bizarro dances and duets on such Vocoder-laced tracks as “Transformer Man” and “Sample and Hold.” You gotta see it to believe it.  Here to talk about “Berlin” with us today is someone we've been fans of for a long time now—the mighty Matt Valentine. MV has been making beautiful noise for over three decades now, from Tower Recordings to MV & EE (with his partner Erika Elder) to various solo excursions and collabs. For the past decade, Matt's primary focus has been Wet Tuna, which also features Erika and bassist Jim Bliss. The latest Tuna LP is called Vast — and you'd be hard-pressed to come up with a better title for this collection of strange and funky flights. Released on the venerable Three Lobed label, it's a wide-open, far-flung album, deeply textured and ridiculously detailed, but somehow spacious and inviting. A psychedelic micro-galaxy/macro-dose that teems with life and imagination. You gotta hear it to believe it.  You also gotta hear the recent Wet Tuna Lagniappe Session, which was posted up over on Aquarium Drunkard earlier this spring. One of its many highlights is an inspired medley of “Cortez the Killer” and Sonic Youth's “Providence” that lasts close to 30 minutes. It's outrageous. 

This week, we're taking you back to another of our favorite episodes... so get ready to share the spice of life and glide like a 747 to a classic cookout jam from one of the best selling bands of all time! On this episode of One Song, Grammy Award-winning pop star, rapper, and actress Estelle joins Diallo and LUXXURY to talk about Earth, Wind & Fire's 1981 hit “Let's Groove.” They break down band leader Maurice White and his bandmates' recipe for creating certified gold songs and albums that blend funk, soul, disco, jazz, and beyond; and how their music spreads messages of Afrocentricity, universal love, harmony, and spiritualism. Diallo & LUXXURY Talk About Music on Patreon Learn more about your ad choices. Visit megaphone.fm/adchoices

Hello and welcome back to All One Song, a Neil Young podcast presented by Aquarium Drunkard Transmissions with your host Tyler Wilcox. We've covered a lot of Shakey ground so far during seasons one and two, leaping from decade to decade, from era to era, from album to album. It's easy to do when you're dealing with a body of work that is so vast, spanning 60 years now. But somehow, we've yet to talk about any songs from Zuma. Neil fanatics — like our hero — can be an ornery, contrarian bunch. It would be tough to get them to agree on anything. But I think I'm safe in saying that everyone loves Zuma. If you don't … well, you're crazier than Crazy Horse.   Here to help us unpack "Barstool Blues," one of the album's high points, is Matt Sweeney. Sweeney is one of those guys who is impossible to sum up. He's a musician who has been a part of so many great bands, projects and records over the years — Superwolf, Chavez, Guided by Voices, the Hard Quartet, Iggy Pop, Current 93, Cass McCombs, Andrew WK … the list goes on and on. He's a consummate collaborator, perhaps the only person alive to have played with both Johnny Cash and Endless Boogie…with both the Dixie Chicks and Baby Dee … with both Adele and Six Organs of Admittance. Matt also hosts the excellent Guitar Moves web series, which gets into fascinating discussions with a wide array of guitarists. Definitely dial it up when you get a chance; even if you don't play, it is always a blast. So pull up a stool and belly up, here's Matt Sweeney on "Barstool Blues."

Find yourself repeatedly singing a song while in the shower or walking down the street, no matter how hard you try to forget it? That would be an earworm, a phenomena that a majority of people regularly experience. Rachel Feltman, host of the Scientific American podcast, Science Quickly, discusses the research of earworms, and listeners share the songs that are perennially stuck in their heads. Stock image by Nuthawut Somsuk/iStock via Getty Creative Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

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As the second season of All One Song rolls on, we're talking to some of our favorite musicians and writers about their favorite Neil Young songs. And we have got a doozy of a Neil Young song to talk about today — “Ambulance Blues." First appearing as the closing track on Neil's 1974 masterpiece On the Beach, this is one of the man's major works, a long, dark dirge that surveys the surreal mid-1970s landscape, from Patty Hearst to Richard Nixon, all accompanied by a brilliantly skeletal musical backdrop from Ben Keith, Rusty Kershaw, Ralph Molina and the mysterious Joe Yankee. It's a towering tune, haunting and haunted, but also with a glimmer of hope shining through.  Here to help us decode the mysteries and metaphors of “Ambulance Blues” today is NYC-based singer-songwriter Zachary Cale. Zach has been making terrific records for more than two decades now, all centered on his expert guitarwork, sweet vocals and piercing lyrics. His latest album, however, doesn't feature any of the latter element. Love's Work is a purely instrumental affair, with Cale joined by bassist Shahzad Ismaily, percussionist Jeremy Gustin, pedal steel-ist JR Bohannon and pianist Robert Boston for a collection of gorgeous pieces. But throw a dart anywhere in Zach's growing discography and you'll find great sounds, guaranteed.  So! Without further ado, here's Zachary Cale on All One Song … 

George Fragopoulos, Chloe Tsolakoglou, and Christos Kalli join Al Filreis in the Wexler Studio at Kelly Writers House to discuss two sections from Book One and Two of George Economou's Ameriki.

This week on One Song, we're re-sharing another favorite from our archives. This time, Diallo Riddle and LUXXURY are joined by singer, Durand Bernarr. The trio explore Mariah Carey's Fantasy, and talk through every single one of Mariah's five octaves — not to mention her whistle registers. But, because we're talking the Bad Boy Remix version of Fantasy, there's also a lot of ODB high jinx. Including Diallo's story about the time he had a brush with the ol' dirty doggy himself. Learn more about your ad choices. Visit megaphone.fm/adchoices

In case you haven't caught on already, All One Song host Tyler Wilcox loves talking about Neil Young. And he's always fascinated by where these free-form conversations go, whether it's deep dives into lyrical obsessions, personal history, chord progressions, Shakey lore … or some indefinable blend of all of that.  This week's episode is no different! We're back in the 1990s this time around, taking a look at a song from Harvest Moon — “From Hank To Hendrix.” It's a song that has been a regular setlist inclusion ever since it first appeared in late 1991. Young usually does it solo acoustic, and it feels like a fairly straightforward statement of intent from Neil, an acknowledgment of his restless nature, his refusal to stay in the same place for too long, the joys and dangers of duality. A simple song, right?  Well, probably not. Nothing is ever completely simple when it comes to Shakey. And here to plumb the depths of “From Hank To Hendrix” today is Texas-based singer-songwriter Jerry David DeCicca. Like Neil, Jerry's songs are often made out of seemingly simple materials, but the more you listen to them, the deeper they become, simplicity transforming into something wonderfully complex. For example, one of his best songs deals with the cosmic pleasure of watermelons. Jerry's albums are all awesome — if you need an entry point, go ahead and start with the most recent one, Cardiac Country from 2025, which Aquarium Drunkard writer Jennifer Kelly praised for detailing “the sweet transitory pleasures of living here on earth with an awareness of the unknowable beyond.” Jerry doesn't have a new album coming out this year, but he is also an active producer, with great records by Ed Askew, Chris Gantry, Bob Martin and more under his belt. His latest production effort is the debut album by 83-year-old living legend Frank “The Wild Jalapeño” Rodarte, entitled, naturally, The Return of the Wild Jalapeño. It's a fantastic listen, featuring tunes written by Jerry, alongside killer covers of songs by Bill Callahan and Greg Cartwright of Reigning Sound. It's soulful, spiritual, strange and an album that could only have been made in Texas. But hey, back to Neil Young. Tune in to hear Jerry David DeCicca on All One Song … 

The second season of All One Song rolls. Throughout seasons one and two, we've jumped from era to era, from style to style, from album to album. But no one has had the guts yet to tackle one of Neil's true masterpieces, his most visionary set of lyrics, his most powerful statement. That's right, friends, we're talking about “T-Bone.”  Released in 1981 on Re*ac*tor, “T-Bone” is perhaps the most boneheaded, monomaniacal tune in Neil's entire discography, a grinding, nine-minute three-chord Crazy Horse jam that features only these words to guide us: “Got mashed potatoes, ain't got no T-bone.” Our guest today is far from boneheaded, however. Matthew Specktor is a novelist, a memoirist, a critic, a screenwriter, an editor and much more. His most recent pieces of nonfiction, Always Crashing the Same Car and The Golden Hour are fascinating blends of autobiography, Hollywood history, cultural criticism and more. Specktor brings bygone years and characters to vivid life, finding emotional resonance and insight in unexpected zones, and delivering biting wit and hard-earned wisdom on every page. These books are also terrifically entertaining—check ‘em out, you will not be disappointed! And hopefully you will not be disappointed as Matthew makes a five-course meal out of “T-Bone.”

Fab 5 Freddy says One Song's fly, stems are playing, you'll say “my my!” This week, Fab 5 Freddy returns to help Diallo and LUXXURY breakdown the first Billboard #1 song to feature rapping, Blondie's “Rapture”.  They touch on earlier takes on the song, including an unreleased Fab 5 Freddy verse that may have influenced the song, Freddy shares his experience when he first heard the song, and he talks about how his experience appearing in and creating art for that iconic music video helped him secure his role as host of Yo! MTV Raps. Diallo & LUXXURY Patreon Songs Discussed: “Rapture” - Blondie “Yuletide Throwdown” - Blondie feat. Fab 5 Freddy “Golden Years” - David Bowie “Do That to Me One More Time” - Captain & Tenille “Do Ya Think I'm Sexy?” - Rod Stewart “They Reminisce Over You (T.R.O.Y.)” - Pete Rock & C..L. Smooth “The Hardest Part” - Blondie “Wordy Rappinghood” - Tom Tom Club “Rapper's Delight” - Sugarhill Gang “Buffalo Gals” - Malcolm McLaren “Beat Bop” - Rammellzee vs. K-Rob One Song Spotify Playlist Learn more about your ad choices. Visit megaphone.fm/adchoices

We Slide into our VMs and give it a shot.

Hello and welcome back to All One Song, a Neil Young podcast presented by Aquarium Drunkard Transmissions with your host Tyler Wilcox, a longtime Aquarium Drunkard contributor and Neil Young fanatic. And I'm guiding you through a second season of talking with some of our favorite musicians, writers and artists about their favorite Neil Young song.  Pretty much every one of our guests complain about one thing: having to pick just one Neil Young song. His is a catalog of such consistency and strength that it can feel virtually impossible to have just one favorite. So as a disclaimer, all of our guests could've chosen maybe a dozen other songs. Or more. We just cruelly forced them to whittle it down to one.  But we wonder: what is Neil Young's favorite Neil Young song? Maybe it's just the newest song he's written. But if you look at songs that Neil's performed most over the years…well, maybe that's a clue of some kind. “After the Gold Rush” is certainly up there in terms of live outings; the crucial Neil head website sugarmtn.org tells us that, as of today, he's played it 698 times since its debut in the fall of 1970. He's rarely left “Gold Rush” out of setlists for very long over the decades — it's definitely a fan favorite. But hey, maybe Neil just really likes it too.  And why shouldn't he? The title track to After the Gold Rush is a total classic. And it has so much packed into a relatively compact space. In just three compact verses, it takes the listener on an incredible trip: past, present, future. It's an ecology song, a dream song, a myth song, a burnout song, a time-travel song, a sci-fi song, an apocalypse song. And no matter how many times we hear it, “After the Gold Rush” still seems to contain untold mysteries within.  Today, our guest is Simon Joyner, who chose "After the Gold Rush" to discuss. The Omaha-based singer-songwriter has a career stretching back to the early 1990s; you might call him a songwriter's songwriter—at least he's got a ton of peer admiration. But even if he remains somewhat under the radar, trust me that if you pick up any one of Simon's many albums, you'll be rewarded with heartbreaking melodies, cut-to-the-quick lyrics and imaginative arrangements. Simon has a new one coming out—his 19th studio album — on May 22. It's called Tough Love, and it's full of everything that makes Joyner one of our best voices. But before that, don't miss Simon's very own beautiful cover of “After the Gold Rush,” which we'll play for you at the end of our conversation. It's part of a newly recorded Lagniappe Session from Simon and friends — and guess what? It's all Neil Young songs.

Tim Schweiger talks about his early days with Yesterday's Kids — how a homemade Everly Brothers pop-punk tape landed them a deal on Ben Weasel's Panic Button Records — and the lessons learned from years of grinding tours, before finding his footing as a solo artist and frequent collaborator with Tommy Stinson of The Replacements.Tim digs into the realities of the modern music industry, the rotating cast of musicians that make up the Middlemen, the joy of slipping covers (Madonna's "Borderline," The Beatles' "Hey Bulldog") into live sets, and talks about an unreleased track featuring Dan McMahon. He also opens up about raising a musically gifted daughter, his 75 voice memos worth of songs waiting to be recorded, upcoming shows in Milwaukee and Madison, and a summer run of dates back on the road with Tommy Stinson.Plus: the Fox Cities band Tim wishes would reunite and what he says makes a show — or a song — truly successful.https://timschweigerandthemiddlemen.bandcamp.com0:00 Introduction & Tim's Background1:11 Coming Out of Hibernation Post-COVID2:14 Yesterday's Kids & The Obsoletes: Are They Done?4:02 Panic Button Records & the Realities of Early Touring4:33 Has Touring Changed? Playing with Artists Who Have Hits5:19 Justin Perkins: Still in Touch?6:18 Early Songwriting with Justin — Learning from Records7:05 The Mission Statement: Ramones Meet the Everly Brothers8:04 How an Everly Brothers Tribute Tape Got Them Signed9:03 Throwing Covers into the Set — Madonna's "Borderline"10:02 Tribute to Dan McMahon10:27 Owning the Covers: "Hey Bulldog" & Slide Guitar11:06 Getting Ready for a Show — Vocal & Finger Warmups11:50 Can You Tell If a Show Will Be Good Before It Starts?12:36 Watching Other Bands (Or Not) & Musician Egos14:10 Daughter Beatrix — Saxophone State Competition15:15 Growing Up in the Fox Cities Music Scene16:48 Meeting Justin Perkins & Learning First Chords17:24 Collaborating with His Daughter & Horn Arrangements18:16 Analog vs. Digital Recording Through the Years20:28 The Upside of Being an Independent Musician on Bandcamp22:01 Tim Schweiger & the Middlemen — A Rotating Cast of Friends23:47 Recording at Smart Studios & the Blueheels24:43 Drumming for Walt Hamburger: Guitar vs. Drums26:13 The Year He Played 100+ Shows & Needed to Decompress27:23 Music His Daughter Introduced Him To — DJO & Mitski28:44 The Fox Cities Band Tim Wishes Would Reunite: Vesicular Basalt31:17 What Makes a Song Last? The Legacy of Good Art31:34 How Tim Writes a Power Pop Song — The Voice Memo Process33:37 How Long Should a Song Be? Hey Jude vs. Bohemian Rhapsody34:20 One Song to Nuke Forever: Mustang Sally34:51 Upcoming Shows in Milwaukee & Madison36:03 The June Tour with Tommy Stinson37:37 Merch Plans for the Tommy Tour — CDs, Shirts & Tote Bags45:24 Playing with Tommy — His Work Ethic & Calling Audibles47:01 Tommy Stinson's Fanatic Fans on the Road47:37 Were You a Replacements Fan Growing Up?48:45 Dream Collab: Tim Picks Jack Black50:20 Actors Who Make Music — Keanu Reeves, Kevin Bacon & Dave Grohl52:14 Reigniting the Creative Spark — 75 Voice Memos & New Music53:13 What Does Success Look Like to Tim?54:19 Will New Music Sound Different from the Power Pop Days?55:47 Where to Find Tim & the Tommy Stinson Tour Dates57:15 Final Words & Sign-Off

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Hello and welcome back to All One Song, a Neil Young podcast with your host, Tyler Wilcox. Though he's never spoken with Neil himself, over at Aquarium Drunkard you can check out Wilcox's interviews with several of Neil's associates: Guitarist Frank “Poncho” Sampedro; bassist Billy Talbot; and multi-instrumentalist Nils Lofgren. Chatting with these musicians, who have spent a good portion of their lives onstage or in the studio with Neil, offers a look behind the curtain into Shakey's creative process. And now, add Micah Nelson to that esteemed list. Since 2014, Nelson has served as one of Neil's closest collaborators, playing guitar first in the Promise of the Real, then in Crazy Horse, and now in the Chrome Hearts. He's toured all over the globe with Young, delivering epic, deep-cut heavy sets. During that time, he's appeared on such records as The Monsanto Years, Earth, The Visitor, Fuckin' Up and last year's Talkin to the Trees. And oh yeah, he also happens to be Willie Nelson's kid.  Micah's work with Neil stretches beyond music; as we get into in our conversation, he was the creative force behind the recent Trans animated film, which brought Young's misunderstood 1982 LP to life. Micah also makes music on his own under the Particle Kid moniker, and he's currently working on a new, artists-first streaming and social media platform called The Flow. For his All One Song appearance, Micah selected “Change Your Mind.” This 14-plus-minute tune from 1994's Sleeps With Angels is a rich text, and one that Micah feels a strong personal connection, as you'll hear this week on All One Song.

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Hello and welcome back to season two of All One Song, a Neil Young podcast presented by Aquarium Drunkard Transmissions with your host Tyler Wilcox, a longtime Aquarium Drunkard contributor and Neil Young fanatic. We're spending some time this spring traveling deep into the Shakey-verse, talking with some great artists about their favorite Neil Young songs. On a recent episode, Brigid Mae Power and Wilcox went deep into Neil's classic lament “Albuquerque”—both agreeing Neil nailed the stark, lonesome vibe of the American southwest in that song. If you're going to try to evoke those kinds of landscapes, you don't need to use a lot of words, right? Right. But also … wrong?  A few years after Neil wrote “Albuquerque,” he found himself on a long road trip from Taos, New Mexico, back to the west coast. And as he rolled through the desert, he wrote “Thrasher.” In contrast to “Albuquerque,” the lyrics of this song are rich and poetic, as images of ancient rivers, timeless gorges, crystal canyons and dinosaurs in shrines all float before the listener's eyes. “Thrasher” unfolds like a stoned, rapturous daydream as Neil muses on lost friendships, the specter of mortality, and of course, that great Grand Canyon Rescue episode. First appearing on Rust Never Sleeps in 1979, it's one of Young's most satisfying songs.  And here to talk with us about “Thrasher” is James Jackson Toth, a terrific songwriter whose career matches Neil in terms of eclectic, exploratory and highly personalized vibes. He's been a man of many monikers over the years; there are records under his own name, there are records under the ever-morphing Wooden Wand designation; there's DUNZA, there's James and the Giants, there's One Eleven Heavy and more. Whatever you end up checking out, you're guaranteed to be transported to strange, funny and powerful places. Toth has carved out his own singular niche over the years; like Neil, you can't put him in one particular box.  And that similarity is no accident! As we talk about in our “Thrasher” ramble, James has a tattoo that asks that all-important question: “What would Neil Young do?” Always a good thing to ponder, whether you're writing a song or buying groceries.   So! Without further ado, here's James Jackson Toth on All One Song. 

We're revisiting one of our favorite episodes of One Song this week featuring award-winning journalist, author, and podcaster Danyel Smith (Shine Bright: A Very Personal History of Black Women in Pop). Danyel joins Diallo and LUXXURY to break down Chaka Khan's “I'm Every Woman,” the 1978 disco crossover hit that launched her incredibly successful solo career. They discuss Chaka's powerful, dynamic vocal range (just wait until you hear the isolated stems!), how the song became an anthem for female empowerment (among many other things), and Chaka's professional and personal connections with Whitney Houston, who famously covered the song 15 years later for The Bodyguard soundtrack. Learn more about your ad choices. Visit megaphone.fm/adchoices

Neil Young's "Albuquerque." A Ditch Era classic, it was recorded with the Santa Monica Flyers in 1973 and released on 1975's Tonight's the Night. Like the Southwestern town its named for, "Albuquerque" is stark, beautiful, and lonesome—leaving in its wake melancholy and a craving for fried eggs and country ham. Joining us to discuss the various landscapes of "Albuquerque" is Brigid Mae Power. Since her debut a little over a decade ago, the Galway-based singer songwriter has built up a visionary and cosmic discography. Tune in as we explore the contours of yet another number in the ever-rolling "All One Song" saga.

How do you end one of the greatest albums of all time? Maybe you need to bring in a 40 person orchestra. This week on One Song, Diallo Riddle and LUXXURY continue their two-part exploration of the Beatles with one of the greatest album closers of all time, “A Day In The Life.” They dive into the silly hats and carnival novelties that helped create the chaotic orchestral sections of the song, the headlines that inspired John Lennon's lyrical odyssey, and debate whether or not Sgt. Pepper's can truly be considered a concept album. Songs Discussed: “A Day In The Life” - The Beatles “Within You Without You” - The Beatles “Being For The Benefit Of Mr Kite!” - The Beatles “People Are Strange” - The Doors “Blue Jay Way” - The Beatles “Tomorrow Night” - Elvis Presley “Shook Ones, Pt. II” - Mobb Deep “Hey Joe” - The Jimi Hendrix Experience “Hush” - Deep Purple “2112” - Rush “Sicko Mode” - Travis Scott feat. Drake Diallo & LUXXURY Patreon One Song Spotify Playlist Learn more about your ad choices. Visit megaphone.fm/adchoices

Hello again! Welcome back to All One Song, a Neil Young podcast presented by Aquarium Drunkard Transmissions. Last summer, we spent a couple months talking to some of our favorite musicians, writers, and artists about their favorite Neil Young songs … and it was so much fun that we're doing it all over again with a bunch more great guests. Put on your Rust-o-Vision glasses, Neil freaks … we're going deep into the Shakey-verse one more time.  Our guest today selected what is the newest Neil Young song—as of this recording—that has made it out into the world: “Big Crime.” This angry, brutal and unsparing attack on ICE, Trump and the MAGAsphere was debuted last summer on the US leg of Neil's tour with the Chrome Hearts. And he's played it at every one of his shows since. “Big Crime” pulls no punches. Last year, the long-running trio Yo La Tengo kicked off their epic eight-night Hanukkah run at the Bowery Ballroom in New York City with a blistering version of “Big Crime,” likely becoming the first band to cover it. So of course, we're honored to have Yo La Tengo guitarist and vocalist Ira Kaplan on All One Song today to talk about this new Neil song.  Yo La Tengo — do they need an introduction? In our opinion, they are simply the best American rock band of the last four decades. Ira Kaplan, Georgia Hubley and James McNew have built up a consistently wonderful body of work. Like Neil, it's a career filled with twists and turns, side quests and sideways moves. But it's all purely Yo La Tengo, whether they're breaking your heart with hushed ballads or stretching out on feedback-fueled jams. Their latest album, 2023's This Stupid World, is yet another masterpiece. And of course, they have a long history with Neil Young … the b-side of their second single was a sweet cover of “For The Turnstiles.” 

This week on One Song, we're re-sharing one of our favorite episodes, possibly the greatest ever apology song ever recorded: It's OutKast's multi-platinum ode to a complicated relationship and “baby's drama mama”, Ms. Jackson. One Song Spotify Playlist Learn more about your ad choices. Visit megaphone.fm/adchoices

On this episode of The Bandwich Tapes, I sit down with Jake & Shelby, a Nashville-based songwriting duo whose music is built on a natural chemistry that you can hear immediately. Our conversation feels a lot like their songs—honest, relaxed, and rooted in the process of figuring things out together.We start in the middle of a Nashville winter storm in early 2026, when power outages and unexpected downtime forced them to slow down—and unexpectedly reignited their songwriting spark. From there, we rewind to how the two of them first met through Jake's dad's music school, and the wide range of artists that shaped their musical instincts along the way, including Taylor Swift, Carrie Underwood, Lizzy McAlpine, John Mayer, Stevie Ray Vaughan, The Cars, and Madison Cunningham.One of my favorite parts of the conversation is hearing how their duet sound developed naturally rather than by design. They didn't study classic duos or try to replicate an established formula. Instead, their voices gradually found each other. Jake talks about how he essentially learned harmony from Shelby, and how their blend now feels like one shared musical voice—two distinct tones moving with the same phrasing and instinct.We also talk about some of the surreal early moments in their career, including the sudden attention that came when Michael Bublé and Kim Kardashian shared their music, amplifying their audience almost overnight. That early exposure opened doors, but it also led them to the next stage of their work: moving beyond the stripped-down Just Us era and into a fully produced debut album recorded across Nashville and Los Angeles.Along the way, they share how songs typically come together—often starting with a guitar idea, building melody, and shaping lyrics in shared phone notes. Collaboration, for them, means letting the song win when disagreements come up. By the end of the conversation, it's clear they've already built a massive catalog—nearly 100 finished songs—and they're still very much at the beginning of their story.Key TakeawaysHow Jake & Shelby's musical partnership began through Jake's dad's music school.The wide range of influences shaping their sound, from Taylor Swift and Lizzy McAlpine to Stevie Ray Vaughan and The Cars.Why their vocal harmony developed organically rather than by modeling classic duos.The surprising early boost when Michael Bublé and Kim Kardashian shared their music online.The shift from their stripped-down Just Us era into a full-band debut album.How songs often start with guitar ideas, shared phone notes, and collaborative lyric writing.Why their rule during disagreements is simple: let the song win.Music from the EpisodeLoophole — Jake & ShelbyYou Don't Know — Jake & ShelbyShut Up and Kiss Me — Jake & ShelbyFalling Out of Love — Jake & ShelbyMorning Light — Jake & ShelbyAbout the PodcastThe Bandwich Tapes is a long-form conversation podcast where host Brad Williams sits down with some of the most thoughtful musicians, composers, and artists working today. The show explores the stories behind the music—creative process, collaboration, career paths, and the human experiences that shape the sounds we love.Connect with the ShowEmail: contact@thebandwichtapes.com

This episode was filmed and sponsored by THE LINE LA, Will's favourite place to stay in LA - for 20% off your stay use code WILLCLARKE at www.thelinehotel.comAnabel Englund joins me on the podcast to talk about her journey from growing up in a musical family to becoming one of the most recognisable voices in dance music.We dive into the early days of discovering house music, working with Lee Foss and the Hot Creations crew, and writing one of the most iconic dance records of the last decade, Electricity with MK. Anabel also opens up about the realities of being a vocalist in dance music, navigating confidence as an artist, and how songwriting has always been her way of expressing emotion.This was a really honest conversation about creativity, identity and building a career in music.In this episode we talk about:• Growing up surrounded by music and creativity• Discovering house music and the UK dance scene• Writing the global hit Electricity with MK• The early Hot Creations touring days• Being flown first class at 18 years old• The realities of being a vocalist in dance music• Finding confidence as an artist• Using songwriting to process emotion• The highs and challenges of touring• What the future looks like for Anabel EnglundListen to more episodes of The Will Clarke Podcast for honest conversations with artists, producers and industry figures from across the world of music.⏲ Follow Will Clarke ⏱https://willclarke.komi.io/https://djwillclarke.com/https://open.spotify.com/artist/1OmOdgwIzub8DYPxQYbbbi?si=hEx8GCJAR3mhhhWd_iSuewhttps://www.instagram.com/djwillclarkehttps://www.facebook.com/willclarkedjhttps://twitter.com/djwillclarkehttps://www.tiktok.com/@djwillclarke Hosted on Acast. See acast.com/privacy for more information.

Today, we'll be in Psalm 95:1-2 talking about the boldness and authenticity of your worship. “Come, let us sing to the Lord! Let us shout joyfully to the rock of our salvation. Let us come to him with thanksgiving. Let us sing psalms of praise to him.” Psalm 95:1-2Ridgecrest exists to reach the lost, build the believer, and connect the people of God to the mission and purpose of God. The Heart Truth podcast is just one way we seek to accomplish our mission online and you can help us by leaving reviews on your podcast platform of choice or by sharing these devotions with someone you know.To let us know how we can pray for you or to find out more about Ridgecrest, take a minute to fill out our Connection Card linked below. https://my.rbcdothan.org/connectioncardIf you'd like to receive our daily devotionals in your inbox, sign up HERE free of charge: https://mailchi.mp/4bcc8628406b/daily-heart-truth-devotionsThe Journey Podcast:YouTube: https://www.youtube.com/@JourneyPodRBCSubstack: https://thejourneypodcast.substack.comApple Podcasts: https://podcasts.apple.com/us/podcast/the-journey/id1785079800 Spotify: https://open.spotify.com/show/0syXQWFX6IhTZjeJsHWxtM?si=c4c7397b153248f6Ridgecrest Sermons podcast:Apple Podcasts: https://podcasts.apple.com/us/podcast/ridgecrest-baptist-church-sermons/id1517442154Spotify: https://open.spotify.com/show/3Ir5YcahI8G2SiIjrycB8W?si=0bc532b4f72c4facFind us online Facebook: https://www.facebook.com/RidgecrestDothanInstagram: https://www.instagram.com/ridgecrestbaptist/profilecard/?igsh=MWRrZHZwdXprYzhwZw==YouTube: www.youtube.com/@rbcdothanTikTok: https://www.tiktok.com/@rbcdothan?_t=ZP-8wfPSkVSuYo&_r=1Our website https://www.rbcdothan.org • ⁃ WATCH LIVE Sunday and Wednesday: https://rbcdothan.online.church

One Song is sharing an episode of the new podcast Fela Kuti: Fear No Man. When the world is on fire, what can music actually do? Host Jad Abumrad recounts the true tale of one of the great political awakenings in music. Fela Kuti was a classically trained Nigerian musician who traveled to America, only to return to Nigeria and transform his sound into a battering ram against the state. Doing so, he created a new musical language of resistance called Afrobeat. But when the mix of art and activism got too hot, the state pulled out its guns and literally opened fire. In this episode, we hear how Fela's music had the power to move hearts, change minds, and heal the deepest wounds. Listen to more episodes of Fela Kuti: Fear No Man on Audible or at https://link.mgln.ai/onesong Learn more about your ad choices. Visit megaphone.fm/adchoices

What was it that made Paul McCartney's bass sound so unique?  We dive into that before welcoming our amazing guest, Diallo Riddle, and talking best Beatles roommates, a lot of Pee Wee's Big Adventure, the strange creepiness of The Magical Mystery Tour Cover, and the sped up b-side Rain.  Is it the best Beatles cover?  Where does it land on our big old list?  Listen in to find out.As always, you can find Team Blotto Beatles on Instagram (@blottobeatles) and Twitter / X (@blottobeatles), by emailing us (blottobeatles@gmail.com), or on the web (blottobeatles.com).  We want to hear from you!Please also take the time to rate and review us on Apple podcasts or wherever you get your podcasts.We have a shop!  Grab some merch.  You can always drunk dial us at 1.857.233.9793 to share your thoughts, feedback, confessions, and concerns to be featured in an upcoming episode. Enjoying the show? Buy us a beer via the tip jar (don't forget to include a message telling us what we should drink with the money).You know we're making a list of it, see the canonical, argument-ending list of Beatles songs we are assembling here: http://www.blottobeatles.com & listen to it on Spotify here.Please remember to always enjoy Blotto Beatles responsibly.Peace and Love.Hosts: Becker and TommyGuest: Diallo Riddle (@diallo)Executive Producer: Scotty C.Senior Director of Sonic Strategies: RBAssociate Musical Supervision: Tim Clark (@nodisassemble)Artist-in-Residence: Colin Driscoll (@theroyal.we)

What made the music of 90s R&B groups so infectious? This week on One Song, Diallo and LUXXURY welcome 4x Grammy Award-winner Shawn Stockman as they kick off a two-part breakdown of Boyz II Men's legacy with their debut single “Motownphilly”. They discuss Shawn's musical influences, Boyz II Men's early career development, and the New Jack Swing that elevated them to the next level. One Song Spotify Playlist Songs Discussed: “Motownphilly” - Boyz II Men “End Of The Road” - Boyz II Men “I'll Make Love To You” - Boyz II Men “On Bended Knee” - Boyz II Men “One Sweet Day” - Mariah Carey & Boyz II Men “Bears” - Zebra “Love Said Not So” - Bebe & CeCe Winans “Don't Believe The Hype” - Public Enemy “1-4-All-4-1” - East Coast Family “Iseha” - Another Bad Creation “Please Don't Go” - Boyz II Men “I Want Her” - Keith Sweat “Planet Rock” - Afrika Bambaataa & The Soulsonic Force “A Fifth Of Beethoven” - Walter Murphy “It Don't Mean A Thing” - Chuck Brown “Brass Monkey” - Beastie Boys “I Want To Be Free” - Ohio Players “Kool Is Back” - Funk, Inc. “Owner Of A Lonely Heart” - Yes Learn more about your ad choices. Visit megaphone.fm/adchoices

Tomer Cohen is the longtime chief product officer at LinkedIn, where he's pioneering the Full Stack Builder program, a radical new approach to product development that fully embraces what AI makes possible. Under his leadership, LinkedIn has scrapped its traditional Associate Product Manager program and replaced it with an Associate Product Builder program that teaches coding, design, and PM skills together. He's also introduced a formal “Full Stack Builder” title and career ladder, enabling anyone from any function to take products from idea to launch. In this conversation, Tomer explains why product development has become too complex at most companies and how LinkedIn is building an AI-powered product team that can move faster, adapt more quickly, and do more with less.We discuss:1. How 70% of the skills needed for jobs will change by 20302. The broken traditional model: organizational bloat slows features to a six-month cycle3. The Full Stack Builder model4. Three pillars of making FSB work: platform, agents, and culture (culture matters most)5. Building specialized agents that critique ideas and find vulnerabilities6. Why off-the-shelf AI tools never work on enterprise code without customization7. Top performers adopt AI tools fastest, contrary to expectations about leveling effects8. Change management tactics: celebrating wins, making tools exclusive, updating performance reviews—Brought to you by:Vanta—Automate compliance. Simplify security: https://vanta.com/lennyFigma Make—A prompt-to-code tool for making ideas real: https://www.figma.com/lenny/Miro—The AI Innovation Workspace where teams discover, plan, and ship breakthrough products: https://miro.com/lenny—Transcript: https://www.lennysnewsletter.com/p/why-linkedin-is-replacing-pms—My biggest takeaways (for paid newsletter subscribers): https://www.lennysnewsletter.com/i/180042347/my-takeaways-from-this-conversation—Where to find Tomer Cohen:• LinkedIn: https://www.linkedin.com/in/tomercohen• Podcast: https://podcasts.apple.com/us/podcast/building-one-with-tomer-cohen/id1726672498—Where to find Lenny:• Newsletter: https://www.lennysnewsletter.com• X: https://twitter.com/lennysan• LinkedIn: https://www.linkedin.com/in/lennyrachitsky/—In this episode, we cover:(00:00) Introduction to Tomer Cohen(04:42) The need for change in product development(11:52) The full-stack builder model explained(16:03) Implementing AI and automation in product development(19:17) Building and customizing AI tools(27:51) The timeline to launch(31:46) Pilot program and early results(37:04) Feedback from top talent(39:48) Change management and adoption(46:53) Encouraging people to play with AI tools(41:21) Performance reviews and full-stack builders(48:00) Challenges and specialization(50:05) Finding talent(52:46) Tips for implementing in your own company(56:43) Lightning round and final thoughts—Referenced:• How LinkedIn became interesting: The inside story | Tomer Cohen (CPO at LinkedIn): https://www.lennysnewsletter.com/p/how-linkedin-became-interesting-tomer-cohen• LinkedIn: https://www.linkedin.com• Cursor: https://cursor.com• The rise of Cursor: The $300M ARR AI tool that engineers can't stop using | Michael Truell (co-founder and CEO): https://www.lennysnewsletter.com/p/the-rise-of-cursor-michael-truell• Devin: https://devin.ai• Figma: https://www.figma.com• Microsoft Copilot: https://copilot.microsoft.com• Windsurf: https://windsurf.com• Building a magical AI code editor used by over 1 million developers in four months: The untold story of Windsurf | Varun Mohan (co-founder and CEO): https://www.lennysnewsletter.com/p/the-untold-story-of-windsurf-varun-mohan• Lovable: https://lovable.dev• Building Lovable: $10M ARR in 60 days with 15 people | Anton Osika (co-founder and CEO): https://www.lennysnewsletter.com/p/building-lovable-anton-osika• APB program at LinkedIn: https://careers.linkedin.com/pathways-programs/entry-level/apb• Naval Ravikant on X: https://x.com/naval• One Song podcast: https://podcasts.apple.com/us/podcast/%D7%A9%D7%99%D7%A8-%D7%90%D7%97%D7%93-one-song/id1201883177• Song Exploder podcast: https://songexploder.net• Grok on Tesla: https://www.tesla.com/support/grok• Reid Hoffman on X: https://x.com/reidhoffman—Recommended books:• Why Nations Fail: The Origins of Power, Prosperity, and Poverty: https://www.amazon.com/Why-Nations-Fail-Origins-Prosperity/dp/0307719227• Outlive: The Science and Art of Longevity: https://www.amazon.com/Outlive-Longevity-Peter-Attia-MD/dp/0593236599• The Beginning of Infinity: Explanations That Transform the World: https://www.amazon.com/Beginning-Infinity-Explanations-Transform-World/dp/0143121359—Production and marketing by https://penname.co/. For inquiries about sponsoring the podcast, email podcast@lennyrachitsky.com.—Lenny may be an investor in the companies discussed. To hear more, visit www.lennysnewsletter.com

How did Deee-Lite turn a wild mix of samples into a timeless dance-floor anthem? Diallo Riddle and LUXXURY reshare a One Song favorite, unpacking the eclectic patchwork that makes “Groove Is in the Heart” so irresistible. Come for the groove, stay for the Bootsy Collins outtakes. Don't let financial opportunity slip through the cracks, use code ONESONG at Monarch.com in your browser for half off your first year. Learn more about your ad choices. Visit megaphone.fm/adchoices

How did D'Angelo's ‘Devil's Pie' foreshadow the sound of his seminal album Voodoo? This week on One Song, Diallo and LUXXURY discuss D'Angelo's upbringing and influences, the unmistakable Dilla influence of the rhythm section, and pay respects to the groundbreaking R&B pioneer. Head to Wayfair.com now to shop Wayfair's Black Friday Sales for up to 70% off! One Song Spotify Playlist SONGS DISCUSSED: “Devil's Pie” - D'Angelo “Untitled (How Does It Feel)” - D'Angelo “Brown Sugar” - D'Angelo “Lady” - D'Angelo “Send It On” - D'Angelo “King Tubby Meets Rockers Uptown” - Augustus Pablo “Sea of Tranquility” - Kool & The Gang “The Root” - D'Angelo “Castles Made of Sand” - The Jimi Hendrix Experience “Kick in the Door” - The Notorious B.I.G. “Supa Star” - Group Home “And If I Had” - Teddy Pendergrass “Train in Vain” - The Clash “Ain't No Stoppin' Us Now” - McFadden & Whitehead “Jericho Jerk” - Pierre Henry & Michel Colombier “Psyche Rock” - Pierre Henry & Michel Colombier “You Know My Steez” - Gang Starr “The Love Song” - Da Bush Babees feat. Mos Def. “The Charade” - D'Angelo and The Vanguard Learn more about your ad choices. Visit megaphone.fm/adchoices

How is it possible for a single song played on the radio one night to change the entire course of someone's life?In this 1999 interview Barry White talks about his memoir Love Unlimited.Get your copy of Love Unlimited by Barry WhiteAs an Amazon Associate, Now I've Heard Everything earns from qualifying purchases.You may also enjoy my interviews with Gladys Knight and Otis Williams For more vintage interviews with celebrities, leaders, and influencers, subscribe to Now I've Heard Everything on Spotify, Apple Podcasts. and now on YouTube#1970s #memoir #R&B #Ally McBealCome on over to AI After 40 on YouTube

Ah…Thursday! The insurance money finally went into the account and I'll hopefully have my new truck by the end of the week! It'll be a nice weekend to cruise around with the windows down & the tunes cranked! In the news this morning, the government shutdown finally came to an end last night, pennies are officially done being produced, and Aaron Rodgers is selling his Wisconsin mansion for nearly $4 million! Speaking of money…Elon Musk is set to get paid $1 trillion by Tesla over the next decade, and I looked at a list of what he could purchase with all that money. In sports, the Bucks lost to the Hornets last night, Week 11 in the NFL kicks off tonight, Jameis Winston is going to start for the Giants on Sunday against the Packers, the Badger men's basketball team is off until Monday, and the Badger football team has a tough opponent this weekend with #2 Indiana. Let you know what's on TV today/tonight, and talked about a couple of unique items you can purchase just in time for the holidays, including an iPhone Pocket, and a Candy Cane opener. Office Cora joined me just after 8am to let me know what she's up to this weekend in the 715. And with Jean out, I asked you…the listener…a hypothetical question: "If you could eliminate one song from the world, what would you choose and why?" Had a fantastic story about a school that set up a microphone in the hallway and asked students to record something positive that happened to them. The school created a montage and posted them online. And check out this story about a WWII Veteran who's life was saved by a pair of lucky socks! Elsewhere in sports, Bryce Harper gets threatened by the MLB commissioner, and a very interesting stat about the outcome of NFL football games. In today's edition of "Bad News with Happy Music", we had stories about a guy in Canada who took a city bus for a joyride and was letting passengers off along the way, a teenager who drove a truck onto a green and did over $160,000 worth of damage to the course, a man who was accidentally shot by his own dog, a #FloridaWoman who was caught doing 107mph while driving to a Little Caesar's, and some hardcore porn got played accidentally on a ferry.See omnystudio.com/listener for privacy information.

Is Enter the Wu-Tang (36 Chambers) the most defining debut in hip-hop history? In this special One Song episode, Diallo and LUXXURY go beyond a single track to unpack how the Wu-Tang Clan built a gritty, cinematic world that unleashed rap's most iconic supergroup. One Song Spotify Playlist Songs Discussed: “Protect Ya Neck” - Wu-Tang Clan “Funky Drummer (Parts 1 &2)” - James Brown “Devika (Goddess)” - Lonnie Liston Smith “Flash Light” - Parliament “Mic Checka” - Das EFX “True Fuschnick” - Fu-Schnickens “Ring the Alarm” - Fu-Schnickens “La Schmoove” - Fu-Schnickens “Bring Da Ruckus” - Wu-Tang Clan “Wu-Tang Clan Ain't Nuthing ta F' Wit” - Wu-Tang Clan “Maria Maria” - Santana feat. The Product G&B “C.R.E.A.M. (Cash Rules Everything Around Me)” - Wu-Tang Clan “As Long As I've Got You” - The Charmels “Method Man” - Wu-Tang Clan “Impeach the President” - The Honey Drippers “Hard to Handle” - Otis Redding “Rock The Bells” - L.L. Cool J “Flick of the Switch” - AC/DC “Brooklyn Zoo” - Ol' Dirty Bastard “Break Your Promise” - The Delfonics “The Grunt” - The J.B.s “Rebel Without A Pause” - Public Enemy “Method of Modern Love” - Daryl Hall & John Oates “Set It Off” - Strafe “Get Off Of My Cloud” - The Rolling Stones “How High” - Redman & Method Man “Purple Haze” - The Jimi Hendrix Experience “Ice Cream” - Raekwon feat. Ghostface Killah, Method Man & Cappadonna “Shadowboxin'” - GZA feat. Method Man “All I Need (Razor Sharp Remix)” - Method Man feat. Mary J. Blige “Live At The Barbeque” - Main Source feat. Nas, Joe Fatal & Akinyele “Bring The Pain” - Method Man “Shimmy Shimmy Ya” - Ol' Dirty Bastard “Daytona 500” - Ghostface Killah feat. Raekwon & Cappadonna “Triumph” - Wu-Tang Clan “Nowhere to Run, Nowhere to Hide” - Gravediggaz Learn more about your ad choices. Visit megaphone.fm/adchoices

10-31-25 - Entertainment Drill - FRI - If You Could Eliminate One Song From Existence What Would It BeSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

10-31-25 - Entertainment Drill - FRI - If You Could Eliminate One Song From Existence What Would It BeSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

What makes ‘Wonderwall' the definitive Brit pop anthem of the 90s? This week on One Song, Diallo and LUXXURY unpack the lore of the Gallagher brothers, the inspiration behind the stadium sized hit, and recall Noel's attempt to record Wonderwall on an actual wall. One Song Spotify Playlist: https://open.spotify.com/playlist/40SIOpVROmrxTjOtH7Q1yw?si=cd17da03fd2e422e Songs Discussed: “Oasis” - Wonderwall “2:1” - Elastica “Alright” - Supergrass “Fake Plastic Trees” - Radiohead “Bang a Gong (Get It On)” - T. Rex “Pumping on Your Stereo” - Supergrass “Rebel Rebel” - David Bowie “Bitter Sweet Symphony” - The Verve “I Wanna Be Adored” - The Stone Roses “She's So High” - Blur “Supersonic” - Oasis “Morning Glory” - Oasis “Hello” - Oasis “Hello Hello I'm Back Again” - Gary Glitter “Boulevard of Broken Dreams” - Green Day “Kiss Them for Me” - Siouxsie & the Banshees “P.S.K. ‘What Does It Mean'?” - Schoolly D “Wonderwall to Be Here” - George Harrison Learn more about your ad choices. Visit megaphone.fm/adchoices

Hip hop wouldn't sound the same without jazz. From A Tribe Called Quest to PinkPantheress, jazz provides the groove behind of some of the most iconic tracks of the genre.Diallo Riddle and Luxxury of One Song join Adam and Peter to geek out on deep cuts and the genius behind hip hop's greatest jazz samples. We explore how sampling has shaped both genres, why the art of “borrowing” has always been part of the jazz tradition, and why some jazz musicians don't get paid for their contributions to hip hop.If you loved our episode with Nate Sloan and Charlie Harding from Switched On Pop, you'll love this one. We cover a lot of ground, so dive into our full playlist of every track we discuss. Find that here. YHI x Switched On Pop episode on jazz influences in hip hop. One Song episode on Patrice Rushen's "Remind Me".One Song episode on A Tribe Called Quest's "Electric Relaxation".Get our newsletter for bonus stories that didn't make the pod:https://youllhearit.com/newsletterStart your free Open Studio trial for ALLLLL your jazz lesson needs: https://osjazz.link/yhi 

By Vincenzo Alfieri - by Jaysen Leong

During my recent trip to South Africa, I was honored to be invited to a rehearsal of Cape Town's own Thanda Choir. Afterwards, I sat down with two choir members, Iva Sogiba and Siyasanga Mhlekwa, and two managers, Asavela Mpayipeli and Zikhona Mapisa. We discussed the choir's founding and the importance of recognizing and bringing awareness to Khayelitsha Township. Our conversation encompassed the church music that has inspired them and the passion and hopes for healing that Mhlekwa and Sogiba, along with their fellow choir members, bring to their songs. Traumas experienced by choir members and the larger community both are attended to with care, through the mentorship of Mpayipeli and the strong mothering of Mapisa, a well-known gospel artist in her own right. https://thandachoir.co.za

Canonball is a segment that takes a closer look at albums that should be considered classics. This time around, Diallo Riddle and LUXXURY of the One Song podcast discuss the game changing album Blowout Comb by Digable Planets.Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy

Crossing the streams with a great podcast called "One Song" with Diallo Riddle and Luxxury (aka Blake Robin)! A super fun discussion about music, technology, and a gentle nosalagic stroll down 1990s lane. One Song is available wherever you get your podcasts! Learn more about your ad choices. Visit podcastchoices.com/adchoices

This week on One Song, Blake and LUXXURY are resharing their ‘‘Paint The Town Red' episode in celebration of the release of Doja Cat's new album Vie. In this episode, they discuss her rise from viral star to super star and unpack the #1 Billboard Hot 100 hit alongside the 'Scam Goddess' herself, actress and comedian Laci Mosley. Don't let financial opportunity slip through the cracks. Use code ONESONG at MonarchMoney.com for half off your first year. Learn more about your ad choices. Visit megaphone.fm/adchoices

One Song celebrates 100 episodes with Brian Alexander Morgan, an era-defining producer of early 90s R&B. Brian breaks down how he created his own lane in the genre, fusing gospel, funk, and hip-hop on SWV's 1993 breakout platinum single “I'm So Into You.” Plus, Brian gets his mind blown when we reveal how Maurice White of Earth, Wind & Fire shows up on the track. Songs Discussed “I'm So Into You” - SWV “Weak” - SWV “Wednesday Lover” - The Gap Band “You're My Everything” - The Gap Band “Anything” - SWV “Moments In Love” - Art Of Noise “Anything (feat. Wu-Tang Clan) - Old Skool Radio Version” - SWV “Right Here (Human Nature Mix) - SWV “Here Comes The Judge” - Pigmeat Markham “Funkin' For Jamaica” - Tom Browne “Burn Rubber On Me (Why You Wanna Hurt Me?)” - The Gap Band “Backstrokin'” - Fatback Band “You Can Make It If You Try” - Sly & The Family Stone “Bon Bon vie - Gimme the Good Life” - T.S. Monk “Ladies Night” - Kool & The Gang “Welcome To The Terrordome” - Public Enemy “Is My Living In Vain?” - The Clark Sisters “Sweet Thing” - Rufus featuring Chaka Khan “Rain” - SWV “Portrait Of Tracy” - Jaco Pastorius Learn more about your ad choices. Visit megaphone.fm/adchoices

Welcome back to All One Song, a Neil Young podcast presented by Aquarium Drunkard Transmissions. We've spent the summer talking with some great musicians and writers about the strange and wonderful Neil Young universe. And we've had a good time. But all good things must come to an end! After today's episode, we are handing the keys back to Jason P. Woodbury, the host of Transmissions and editor of Aquarium Drunkard. — he's got an incredible season of interviews coming your way as summer turns to fall. And hey, our final guest on All One Song is none other than Jason P. Woodbury! Jason is the guy who has been running a lot of the behind the scenes action for All One Song over the past couple months. Transmissions is a consistently fantastic listen, packed with insight, wit and wisdom. The fact that Jason juggles about 50 other cool projects, from his music as JPW to his expanding WASTOIDS empire, makes it even more impressive. We're already talking about more All One Song, but before that … we've got one more episode. All One Song has gone all over the place when it comes to Neil eras. But we haven't delved too much into the 1980s. Jason is righting that wrong. He selected a tune from the generally un-loved 1987 LP with Crazy Horse, Life — “When Your Lonely Heart Breaks.” This aching ballad was played a lot in 1986 and 1987, briefly revived in the mid 1990s and then pretty much forgotten by its author. But maybe Neil will bring it back … just this past weekend, he just played “Long Walk Home” from Life for the first time since 1989 on his current North American tour. Anything can happen in Shakeyland!  Neil's producer David Briggs called “When Your Lonely Heart Breaks” “a monster song—it should've been the ‘I Believe In You' of the eighties for Crazy Horse—so pure, so simple. But they had no desire to make anything out of it, never played it good, never put anything special into it. It was a shame.” We'll have to agree to disagree, David! Anyway, we use “When Your Lonely Heart Breaks” to drift back into a lot of different zones, from David Lynch to Michelob Lite. It's always fun and provocative to chat with him. So without further ado, here's Jason P. Woodbury on All One Song …  Looking for a digital music platform that feels more like a record shop? ⁠⁠⁠⁠⁠⁠⁠Qobuz⁠⁠⁠⁠⁠⁠⁠ is the high quality music streaming & download platform for music enthusiasts and audiophiles, offering unique editorial, exclusive artist interviews, expertly curated playlists, liner notes, and more. With Qobuz Club, subscribers can connect and share music discoveries with a community of fellow music lovers. And for those who like to own their music, the Qobuz Download Store lets you browse and download albums in Hi-Res and CD quality. Give ⁠⁠⁠⁠⁠⁠⁠Qobuz⁠⁠⁠⁠⁠⁠⁠ a try now with an extended 30-day free trial.

Welcome back to All One Song, a Neil Young podcast presented by Aquarium Drunkard Transmissions. All summer long, we're talking to some of our favorite musicians and writers about their favorite Neil Young song. Or at least one of their favorite Neil Young songs. This week, our All One Song guest is Ethan Miller. Ethan has been a longtime fixture in the underground, first coming to my attention back in the early aughts as the co-founder of the psych noise pioneers Comets on Fire. But Ethan is nothing if not prolific — he's played with an array of awesome bands over the years, from Howlin Rain to Feral Ohms to Odyssey Cult. Ethan was also one-fourth of Heron Oblivion with our previous guests Meg Baird and Charlie Saufley … and he's one-third of the Orcutt Shelley Miller trio, with another previous guest Steve Shelley. It's all a rich tapestry, right? At least when it comes to Neil Young. The upcoming — and totally amazing — Orcutt Shelley Miller record is being released on Ethan's own label Silver Current, which is one the most reliable purveyors of sweet sounds both new and old. In recent years, Silver Current has brought us excellent, bootleg-styled archival hauls from Sonic Youth, Galaxie 500 and Earthless, alongside fresh tunes from Magic Fig, Julie Beth Napolin, Growing and many more. Suffice it to say, the Silver Current insignia is a true trademark of quality. For his All One Song appearance, Ethan selected a terrific mid-90s deep cut — “Music Arcade.” This ghostly solo acoustic number showed up on the otherwise Crazy Horse-fueled Broken Arrow in 1996. It's an enigmatic meditation on loneliness that doesn't offer the listener any easy answers, like a comet in the sky. Looking for a digital music platform that feels more like a record shop? ⁠⁠⁠⁠⁠⁠Qobuz⁠⁠⁠⁠⁠⁠ is the high quality music streaming & download platform for music enthusiasts and audiophiles, offering unique editorial, exclusive artist interviews, expertly curated playlists, liner notes, and more. With Qobuz Club, subscribers can connect and share music discoveries with a community of fellow music lovers. And for those who like to own their music, the Qobuz Download Store lets you browse and download albums in Hi-Res and CD quality. Give ⁠⁠⁠⁠⁠⁠Qobuz⁠⁠⁠⁠⁠⁠ a try now with an extended 30-day free trial.