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Fanny Allié was born in Montpellier, South of France. She received her Master's Degree from the Ecole Nationale Supérieure de la Photographie (The National School of Photography) in Arles, France in 2005 and moved to New York City. Princeton University, Equity Gallery, Hyatt Centric (Philadelphia), DOT Art, A.I.R Gallery, New York City Department of Parks & Recreation, Fresh Window, Chashama and St Eustache Church (Paris, France), Hudson Yards Alliance have organized solo exhibitions and public installations of her work. Tappan Gallery, Owen James Gallery, NYU/Gallatin Gallery, Dorsky Gallery, Freight + Volume, BRIC Rotunda Gallery, Dekalb Gallery/Pratt Institute, UConn University, Mana Contemporary, Hamburg Museum of Arts and Crafts, The Bronx Museum, Teachers College Columbia University among others have featured her work in group exhibitions. Fanny is the recipient of various fellowships and residencies including AIM (Bronx Museum), BRIC Lab Fellowship, Emergency Grant (Foundation for Contemporary Arts), A.I.R. Fellowship Program, Robert Blackburn Printmaking SIP Fellowship, Elizabeth Foundation for the Arts Studio Program, Yaddo Residency, Dieu Donné Workspace Residency, NYSCA/NYFA Artist Fellowship (Craft/Sculpture), MacDowell Fellowship, Puffin Foundation Grant, Wildacres Residency and National Arts Club Artist Fellowship. Her work has appeared in the New York Times, The Guardian, Time Out, ARTnews, NY Magazine, Brooklyn Magazine, Hyperallergic, Le Monde Diplomatique, Blouin Art Info, DNA Info, Marie Claire Italy, AM New York among others. Her neon light sculpture “The Glowing Homeless” and sound installation will be exhibited at the Church of St. Eustache in Paris from December 18th 2024 until May 31st 2025. In 2025, Kaliner Gallery in New York City and Giovanni Bonelli Gallery (Milan, Italy) will present her work in solo exhibitions. Fanny lives in Brooklyn and works from her studio at the Elizabeth Foundation for the Arts in Manhattan, NY. Exhibits discussed are KALINER and Giovanni Bonelli. A Longing, March 6 - April 12, 2025, Installation view at Kaliner Gallery, 42 Allen St, NYC Ladder Leg, 2024, found fabric, collagraph print and acrylic paint, 32.5in x 50in The Night the Wind Learned to Dance, April 24 - May 25, 2025, Installation view at Giovanni Bonelli Gallery, Milan, Italy Shelved, 2025, found fabric and collagraph prints, 59in x 38.5in Circles, 2024, found fabric and collagraph prints, 55.5in x 55.5in
Mikaela Perry, a New York City based visual artist with a background in farming and public policy, joins Laurel for a conversation about her personal journey from farming in Northern Vermont, to food and farm policy and advocacy, to following her heart and pursuing her art business full time. In this episode, Laurel and Mikaela explore themes of purpose, identity, alignment, and the courage necessary to forge one's own path, offering insights and inspiration for living a beautiful life. 0:09 Laurel introduces her guest, Mikaela Perry 2:48 Mikaela shares her early experiences on the family farm 3:38 Experiencing a deep inner knowing that she'd be an artist 4:59 How public policy and advocacy influenced Mikaela's artistic practice 11:08 The importance of self-reflection, inner work, and embodied practices 13:51 Relationships, curiosity, and coaching 15:29 Inner work and small acts of courage 16:58 Alignment 18:24 Journaling and other helpful resources 21:08 Experiencing flow 22:36 Identity and purpose 24:28 Mikaela shares a turning point in her life that spurred her inner work 27:58 Emotions are clues 37:56 Leaving the policy world and navigating an identity shift 44:02 Encouragement to make bold choices, embrace uncertainty, and nurture creativity The email to send questions to Laurel Boivin is laurel@fluxflowcoaching.com and for Laurel Holland - laurel@liveyourinnerpower.com The link to our private Facebook group - https://www.facebook.com/groups/beautifulworkbeautifullife Host/Cohost/Guest Info Guiding others to become effective leaders of their own lives, Laurel Holland, has been on a journey of awakening and transformation throughout her life. Writing about inner work, Laurel has authored four books, including Crossroads and Love's 8 Laws. Her books, Live Your Inner Power, the Journal, and Courageous Woman, introduce, share, and explore the eight foundational practices for creating transformation from the inside out. Through her books, programs, and innovative talks, Laurel's great desire is to lift others up and courageously step into the life they came here to live. You can learn more about Laurel, her books and work, at www.liveyourinnerpower.com. Laurel Boivin, life coach and founder of Flux+Flow Professional Coaching, helps high-performing professionals overcome overwhelm and disillusionment by increasing self-awareness and shifting perspective to improve performance, increase personal contribution, and experience a greater sense of fulfillment and purpose. Laurel began coaching after a 30-year corporate career. A Reiki master and yoga practitioner, collector of sea glass and antiques, she lives in New Hampshire and summers in Maine. You can learn more about Laurel and the work she does at www.fluxflowcoaching.com. Mikaela Perry is an oil painter and former fifth-generation farmer from Vermont based in New York, NY. Inspired by her own experiences as a farmer, her paintings explore connections between the divine feminine, spirituality, land, and animals. Her work has been exhibited in galleries throughout the US, and in 2023 her first solo show "Memories in Bloom" debuted at Solas Studio in New York City. Mikaela was selected by Chashama to attend the ChaNorth Artist Residency in 2024, and in 2023 she was honored as a recipient of the New York City 40 Under 40: Rising Stars in Food Policy Award for her artistic representation of farmers and the local food system. Her work has been featured in the AQ Quarterly Journal Vol. 1, curated by Ekatarina Popova, and written about by the City of New York's FoodPolicy Center. You can learn more about Mikaela and her work at https://www.mikaelaperry.art/ and follow her at https://www.instagram.com/mikaelaperryart/ and https://www.linkedin.com/in/mikaela-perry/.
Known for her large-scale, participatory installations, Molly Gochman speaks to Emily in this all new episode about caregiving, motherhood, artmaking, and monuments. This episode follows the recent release of her podcast, Monuments to Motherhood, alongside a series of new sculptural works of the same title which will be sited across New York City and the larger U.S early next year. Molly Gochman, an artist and activist deeply engaged in social practice, focuses on activating spaces for profound collective experiences. Her practice encompasses a diverse range of mediums including photography, sound, installation, and sculpture. Through these mediums, she often challenges and subverts conventional material boundaries to foster interaction, play, exploration, and meaningful dialogue.Molly frequently explores concepts encompassing human connection, environment, and community, rooted in the belief that life's experiences shape us. Guided by the concept that "life leathers us," her works not only aim to aestheticize but also reflect the passage of time through weather, wear, and change. Her practice continues to evolve with a desire to actively engage participants, inspire meaningful dialogues, find commonality, and discover shared human experiences.Molly has exhibited her work at The Ukrainian Museum, New York; NYC Parks Art in the Parks; NADA House, New York; Lincoln Center, New York; Deborah Colton Gallery, Houston; Diverse Works, Houston; Chashama, New York; Sara Roney Gallery, Sydney; Grace Farms, New Canaan; Barbara Davis Gallery, Houston; Zilkha Hall, Houston; Elsewhere, Greensboro and other traditional and non-traditional exhibition spaces.She received a Bachelor of Fine Arts in Sculpture from Guilford College. Originally from Texas, Molly is currently based in New York. https://mollygochman.com Listen to Monuments to Motherhood https://www.instagram.com/mollygochman/?hl=en
Direct from engagements in Buenos Aires and Rio de Janeiro, Shane Baker and Miryem-Khaye Seigel sat down with "The Shmooze" to talk about their latest collaboration, "BASHEVIS'S DEMONS." The performance includes three short stories by legendary Nobel Prize winner Isaac Bashevis Singer. It makes its official Off-Broadway bow at Theatre 154, 154 Christopher Street (between Greenwich and Washington Streets), with performances beginning December 18, 2024, through January 5, 2025. "BASHEVIS'S DEMONS" will be presented by the Congress for Jewish Culture in association with Out of the Box Theatrics and ChaShaMa. Tickets are available at https://congressforjewishculture.org/bashevisdemons. Episode 385 December 11, 2024 Amherst, MA
Sarah Brenneman (b.1975, Middletown, OH) lives and works in West Orange, New Jersey. She received her degrees in painting from Columbus College of Art (BFA) and Virginia Commonwealth University (MFA). She has had several solo shows including with Garvey|Simon at Artisan Lofts (New York, NY - a two-person exhibition with Gary Petersen 2024); Gold Scopophilia (Montclair, NJ) in 2020 and with Jeff Bailey Gallery (New York, NY) in 2004, 2006 and 2011. She has exhibited both nationally and internationally most recently with La Grange Gallery, (Reims, France) in 2022. She has been awarded residencies with Skowhegan School of Painting and Sculpture, Millay Colony of the Arts, Chashama, Virginia Center for Creative Arts, Liquitex-Just Imagine Residency and VCCA, Moulin à Nef, Auvillar France. Brenneman's paintings are included in many private and corporate collections including The Aspen Contemporary Art Collection, Citigroup, Cleveland Clinic, Sprint and The Progressive Corporation. Sarah Brenneman, Dove, 2024 Acrylic on Canvas 60.0h x 48.0w in. Sarah Brenneman Rust Register 2024, acrylic and watercolor on panel, 20 x 16 in Sarah Brenneman, Open But Empty, 2023 watercolor on paper 9.0h x 6.0w in.
In this episode, I talk to artists Barbara Nitke, Natalya Kochak, Laurence Elle Groux (goes by Elle) to talk about how they used the Netvvrk membership to help them secure their Chelsea show Mind Body and Soul—a Chashama exhibition at 320 West 23rd Street in New York. We go through the process of how they met, how they got the show, the resources they needed to make the show, and now, what they can do to get the show more exposure. If you're an artist who either needs shows or has a show you want to get people out to see, there are a lot of practical tips in this episode to help you. Ways I can support you: The Netvvrk membership is open through Sunday. Netvvrk helps mid-career artists get the shows, residencies, and grants of their dreams. Join us today. [Link] Relevant links: https://chashama.org/event/body-mind-spirit/ https://www.marcalain.com/ https://www.laurenceellegroux.com/ https://www.natalyakochak.com/ https://www.barbaranitke.com/
Jeanne Jalandoni is a painter and textile artist born and based in New York City. Her practice involves personal research, relating family stories to historic Filipino American archives, in order to draw out a mythological narrative that traces the complexities of inheriting two cultures. Jeanne received her BFA in Studio Art from New York University, and has had solo shows with Taymour Grahne Projects, Real Art Ways, the Little Underground Gallery, and the Berkshire Art Museum. She has exhibited in various group shows and in 2019, she curated "Cultural Cousins: a show of Filipinx and Latinx artists" for ChaShaMa, New York, NY. In addition, Jeanne was an artist-in-residence at 36 Chase & Barns Residency, the Textile Arts Center, and ChaNorth Artist Residency, Jeanne has been awarded the 2019 Real Art Award and is a past recipient of the Lower Manhattan Cultural Council (LMCC) Creative Engagement Grant. Discover her work at www.jeannejalandoni.com
Violetta Petrova is the Marketing and Comms lead at Saint Javelin. I met Violetta at How Memes Shaped the War in Ukraine: a discussion by Violetta Petrova (@violettearth) & Aloiso Wilmoth (@moma.ps5) The conversation by @saintjavelin at ChaShaMa is an intersection of media, politics, and culture in the context of the war in Ukraine that was curated by Artist Ira Lupu and in part of the Ukrainian Perspectives: Photography from the 1940s to now. Aloiso Wilmoth is a DJ and Producer by the name He Valencia but you may know him famously as MoMA PS5. If Meme pages could be DJs and musicians performing at Coachella, MoMA PS5 would be headliner. Obviously this would be called… Memechella. The two embark on cultural criticism and the vibes were brought that day when I met those two. It's like when 2 Instagram pages make a meme together, tag each other and say made with said IG name but in real life. Please welcome Violetta Petrova and Aloiso Wilmoth to Wear Many Hats. instagram.com/violettearth instagram.com/moma.ps5 instagram.com/wearmanyhatswmh instagram.com/rashadrastam rashadrastam.com wearmanyhats.com dahsar.com
Reverend Artist Barbara Ann Michaels. Jester of the Peace, is a clown theater performance artist and Ordained Interfaith Minister. Her mission is to put humor, art and love back in the medicine cabinet for generations to come. She founded an online town for humor and wellness including House of Holy Humor, the non-religious congregation for humor for wellbeing, Humor Arts Museum, for uplifting humorous art in all media, the It's Funny Now Library, a global video story bank of true tales were hard when they were happening, yet are funny to the tellers now, the Love Letter Lounge Post Office and more to come. She has been an audience-interactive performing artist for over 30 years, presenting and educating at the nexus of humor, art and love at most places people gather for a good purpose: Museums, Universities, Galleries, Galas, Festivals, Trade Shows, Conferences, Theaters and in the Streets - around the world. She also is an award winning wedding officiant, performing over 550 ceremonies for creative couples. She is a graduate of Brown University, Massachusetts College of Art, and One Spirit Interfaith Seminary. At the time of this recording, House of Holy Humor is in residence through Chashama at the Port Authority Bus Terminal in New York City, uplifting commuters with positive participatory arts experiences, Humor Arts Museum is going into its fourth online show, on contemporary humorous sculpture and photography, and It's Funny Now is being studied at Lahore Leads University in Pakistan, with story sharing programs launching with Let The Girl Be in Uganda, and high schools in New York, USA. Join at http://JesterOfThePeace.com Contact: Barbara@JesterOfThePeace.com Jester of the Peace IG: https://www.instagram.com/jesterofthepeace/ FB: https://www.facebook.com/JesterOfThePeace LI: https://www.linkedin.com/in/jesterofthepeace/ TW: https://twitter.com/JesterOfPeace House of Holy Humor: IG: https://www.instagram.com/HouseOfHolyHumor FB: https://www.facebook.com/HouseOfHolyHumor Humor Arts Museum: IG: https://www.instagram.com/humorartsmuseum/ FB: https://www.facebook.com/HumorArtsMuseum LI: https://www.linkedin.com/company/humor-arts-museum TW: https://twitter.com/HumorArtsMuseum
This podcast talks about the illusion that the mind creates after being conditioned , creating a lot of suffering in a man's life.
This episode is also available as a blog post: https://thecitylife.org/2022/03/16/gustavo-fernandez-angels-in-the-city-on-view-at-chashama/ --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app --- Send in a voice message: https://anchor.fm/citylifeorg/message Support this podcast: https://anchor.fm/citylifeorg/support
In this special episode of The Artist Business Plan we sit down with Anita Durst founder of Chashama, an organization that supports artists by providing affordable workspaces to visual artists. Chashama offers over 200 free art spaces, 250 shows a year, 200 work spaces for artists, and classes for local communities to take part in. Chashama helps a lot of artists stay in New York through a simple application process on their website. Check them out and share!! "One no is one step closer to yes." -Anita Durst Guest: Anita Durst has been a star, a muse, and a patron of the avant-garde performing arts and emerging arts scene in New York City, since she was 18. She is the founder and Executive Director of Chashama. Her passion for renovating space began in 1989 through her collaborations with Annie Hamburger of EnGardeArts, and Reza Abdoh of Dar a Luz. Anita has assisted more than 12,000 artists through space grants, production stipends, and administrative and technical support. She has produced and presented over 2,500 productions and has transformed over 85 temporarily vacant buildings into multi-arts complexes. She was awarded a “Young Visionary Award” by The Alliance of New York State Arts Organizations, and was honored by A.R.T./New York in 2008. At Chashama, Anita is responsible for the vision and direction of the organization. https://chashama.org/ (https://chashama.org/) For more information on applying to Superfine Art Fair as well as recordings of this and all of our past podcasts, just visit http://www.superfine.world/ (www.superfine.world ) IG: https://www.instagram.com/chashama/ (@chashama) IG: https://www.instagram.com/superfineartfair/?hl=en (@superfineartfair) Hosted and Executive Produced by James Miille and Alexander Mitow Executive Producer/Producer : Kelsey Susino Written by: Kelsey Susino, Alexander Mitow, and James Miille Audio Edited by: Federico Soler Fernandez
Interview with ANITA DURST Founder of CHASHAMA - On the phone with David Serero (2018)
Peter Emerick is a New Jersey-based artist who has been photographing traffic cones fro over 20 years. He has had solo exhibitions with Chashama, Governor’s Island Art Fair, Dukwon Gallery, Dada Gallery and Right Bank Gallery. Group exhibitions include Pierro Gallery, Art Project Gallery Space in Jersey City, Victory Arts Projects Art Center in Jersey City and Chi Gallery, among others. His work is in numerous private and public collections throughout the world. All images courtesy of the artist 00:00 - Introduction 00:38 - Peter Emerick 01:33 - Good Sides of Me - Jesper Lindell 05:15 - Traffic Cones 26:34 - Round and Round - Geowulf 30:39 - Outro 31:00 - Finish
Kiran Chandra has earned an Honors BA from St. Stephen’s College of Delhi University, a BFA from Lesley University’s Art Institute of Boston and an MFA from Hunter College. Kiran has exhibited in solo and group shows in the United States and abroad, including: The Bronx Museum of Art; Wave Hill; Momenta Art; Bogart Salon; Project 88, Mumbai, India; Shrine Empire Gallery, New Delhi, India; and Ganges Art Gallery, Kolkata, India. She has been awarded a Cisneros Scholarship, a BRIC Media Arts Fellowship and a Women’s Edge Award, among other prizes. Kiran has attended residencies such as: SOMA Summer International Program, Mexico City, Mexico; Studio Arts Center, Florence, Italy; and The Cooper Union’s Summer Art Intensive, New York, NY. Chandra is the founder of Temporary Agency, an artist-run alternative space, that ran for nine months out of a Chashama granted space in Ridgewood, Queens. All images courtesy of artist 00:00 - Introduction 00:38 - Kiran Chandra 02:08 - Pink Moon - Infinity Crush 04:16 - Moving to China 11:08 - Exploring Language 13:52 - Interpenetrations 30:44 - Seeing the Forest for the Trees 44:55 - I See Trees Differently - Dahlia Dumont 47:55 - Outro 48:16 - Finish
In this segment, I ART New York interviews Lauren Hirshfield and Kat Ryals, founders and the curatorial team behind Paradice Palase. Begun two years ago Paradice Palase aims to promote artists through arts patronage and to create public engagement with art. Hirschfield and Ryals discuss their recently guest-juried exhibition Twist and Twine, launched in partnership with Chashama, their booth at the The Spring/Break Art Fair among other exhibitions and related initiatives. They offer their insights into their curatorial practice while navigating the complexities and rewards of operating in New York City. Music intro and outro are by the Brooklyn based band, More Than Skies; tracks "Act Casually" and "She Loves Me Not" from their album "Everyone is a Loaded Gun".
It might surprise you that an artist’s best work does not always turn out the way they planned. Opening yourself up to uncertainty can elicit unexpected and wonderful results. And while we may not all consider ourselves artists in the traditional sense, everyone is a creator in one way or another. Join me in my conversation with multidisciplinary artist Kylin O’Brien as we discuss the how comfort with uncertainty, creation, and clearing your space all leave room for what serves us best at this point in our lives. How we can all approach life as creators Why authenticity and trust are key How clearing space can open up new opportunities Links Mentioned The Scream Room Stress Less Day at Flathead Valley Community College Imagine If Library in Kalispell Show Highlights 02:08 Easeful Living Practice 05:15 Introducing Kylin and her Love Work 11:45 An artist’s comfort with uncertainty 16:24 We’re all creators 19:55 The process of creation 21:54 The Scream Room 32:42 Work based in authenticity and trust 36:12 Clearing your space, clearing your mind 46:35 How to connect with Kylin Favorite Quotes “I believe that we are all creators, and that we’re all creating our lives all the time.” - Kylin O’Brien “Life is a collaborative project with the universe.” - Kylin O’Brien “Art, when it’s effective, is potent.” - Kylin O’Brien “Life is laundry; it’s never done.” - Kylin O’Brien “Get down with the undoneness of it.” - Andrea Catherine “It’s inside of space that new things come. And it’s inside of space that old things can leave. You don’t have any movement without space.” - Kylin O’Brien “Your dog’s happiness is worth more than a perfectly made bed.” - Kylin O’Brien “We’re allowed to reinvent ourselves.” - Kylin O’Brien Meet Kylin Kylin O'Brien is a New York City born Brooklyn based multidisciplinary artist. She holds a BA in Philosophy from Vassar College and a BA (Honours) in Contemporary Creative Practice from Leeds Metropolitan University in the UK, where she was awarded a part-time lectureship while pursuing advanced multimedia studies. She has participated in numerous group exhibitions and has enjoyed solo exhibitions in New York at Feature INC, Open Source Gallery and Chashama. She has been a Brooklyn Arts Council, Awesome Foundation and Pro Arts award winner. Kylin has created commissioned public work during Art Basel Miami and has had public works on display in Wynwood Miami, West Oakland & Brooklyn. In addition to her studio practice, she is currently directing multiple initiatives, collaborations, workshops and presentations.
Sex and poop. Both are natural parts of having a body. Both can be intensely pleasurable. And both are rich boiling pots of shame and cultural baggage. Which is why The Puru has teamed up with S. Ryan Johnstone and Dave McGee of Sex for Smart People* (*that means you) to bring you this very special episode tackling the mother of all modern taboos. Join us for a thoughtful, compassionate, super-honest and often hilarious hour addressing anal sex, safe scat play, and how looking at your toilet paper might just make you a better lover. Did I mention there’s a whale choir? Oh yeah. There’s a whale choir. Plus even more Sex for Smart People* at sexforsmartpeople.com Also mentioned in this episode: Victorian taboos, empowerment, grotesque body, civilizing process, normalizing culture, gender, sexuality, advice, gay, heteronormative culture, queer, frottage, Roman pederasty, cunnilingus, labels, sexual scripts, analingus, rimming, douching, health, risk assessment, stigma, therapy, fisting, Purity and Danger by Mary Douglas, sociology, dirt, status, “different kind of delicious,” polyurethane sheets, prude vs slut, dungeon, Chashama, Anatomy of Disgust by William Ian Miller , Marquis de Sade, matter out of place, Argonauts by Maggie Nelson, vulnerability, body odor, Josephus, Essenes, sanitary revolution, Thinx, menstruation, Tushy bidet, Dreck Apotheke by Christian Paullini, Buddha, fecal transplants, microbiome, North Carolina, transgender bathroom, social barriers, LaGuardia airport, House of Representatives, feminism, potty parity, giardia, diaper play, Anal Pleasure and Health by Jack Morin, shadow, iTunes, humpback whales, the bends, composer, Shawn Shafner
Shawn, our Puru, talks to Jamie Benson, dancer, choreographer, and maker of shows such as the satire-drenched 'Bowel Movement', and 'Bathroom Follies', among others. In addition, Jamie’s partner, fashion designer Andrae Gonzalo joins this lively conversation focusing on shame, fear of contamination, and even damnation, from long-held taboos around homosexuality, non-conformity, and of course poop - in culture, fashion, dance and language.
This week: The return of the The Amanda Browder Show! we talk with artist Katya Grokhovsky from her exhibition/residency at Soho20 in NYC. We talk about her work, performance as a medium, artist as curator and her discussion panels surrounding feminism, and the contemporary art world. www.katyagrokhovsky.nethttp://katyagrokhovsky.tumblr.com/http://feministurgent.tumblr.com/http://soho20gallery.com/opportunities/artist-in-residence-studio-program/ Katya Grokhovsky is an interdisciplinary artist, curator, educator and organizer, whose work deals with issues of alienation, gender politics and migration. Grokhovsky holds an MFA from the School of the Art Institute of Chicago (2011), a BFA from Victorian College of the Arts, Australia (2007) and is a recipient of numerous fellowships, residencies and awards including SOHO20 Chelsea Gallery Residency (2015), BRIC Media Arts Fellowship (2015), VOX Populi AUX Curatorial Fellowship in Performance, Philadelphia (2015), New York Studio Residency Program Visiting Artist (2015), Residency Unlimited (2014), Kimmel Harding Nelson Center for the Arts, (2014), Saltonstall Foundation for the Arts (2013), NARS Residency (2013), Santa Fe Art Institute Residency (2012), Watermill Center Summer Residency (2011), Dame Joan Sutherland Fund Grant (2013), Australia Council for the Arts ArtStart Grant (2013), NYFA Mentoring Program for Immigrant Artists (2012), Chashama space to create grant (2012). Her work has been exhibited in venues such as Lesley Heller Workspace (2015), Judith Charles Gallery (2015), Dixon Place (2015), Spring Break Art /Show (2015), EFA Project Space (2014), HERE Arts Center (2014), Art in Odd Places NYC (2014), SAW - Storefront Art Walk Bay Ridge (2014), Gateway Project (2014), A.I.R Gallery Projects, Governor's Island (2014), Amelie A. Wallace Gallery, SUNY College (2014), Panoply Performance Lab (2014), New York City Center Lobby Projects (2013), Galerie Protege NYC (2013/14), IDEAS City, New Museum (2013), Gallery Affero (2013), Movement Research Festival (2012), Chashama (2012), Ukrainian Institute of America (2012), Grace Exhibition Space (2012-14), The Franklin (2013), Antena gallery (2013), Defibrillator gallery (2011/13), Bus Projects (2012), Heaven gallery (2010), amongst many others. Details for image: Katya Grokhovsky, One Fine Day, 2014. photo Yan Gi Cheng
Chashama, a nonprofit that joins emerging artists with affordable exhibit and studio space in NYC; guest Anita Durst.
Chashama, a nonprofit that joins emerging artists with affordable exhibit and studio space in NYC; guest Anita Durst.
Chashama, a nonprofit that connects emerging artists with affordable exhibit and studio space in NYC; guest Anita Durst.
Chashama, a nonprofit that connects emerging artists with affordable exhibit and studio space in NYC; guest Anita Durst.
My guest, Carrie Ahern, is a dancer and an independent choreographer whose work shows a powerful sense of visual order and psychological depth. We met in the dressing room at St. Mark's Church, home of Danspace Project, to talk about "Red," which premiered there in 2006, and her new piece--"The Unity of Skin"--which will premiere on April 3 and run through April 5. To listen to original music composed for "The Unity of Skin" by cellist Greg Heffernan, visit http://www.carrieahern.com/calendar/calendar.html. BIO Carrie Ahern, a Wisconsin native, is an independent dance and performance artist who has been based in New York City since 1995. She worked primarily as a freelance performer/choreographer for over a dozen dance and theater companies until forming Carrie Ahern Dance in 2005. Her current evening length project, "The Unity of Skin" is commissioned by Danspace Project for performances April 3-5, 2008 and is being presented at Baltimore Theatre Project March 6-9, 2008. Investigations into "The Unity of Skin" were shown at Dance Conversations at the Flea, Danceworks in Milwaukee, Movement Research at Judson Church and at Brooklyn Arts Exchange (BAX) as part of their 2007 Space Grant Residency. Her studies of Ancient Greek Philosophy for this piece were funded, in part, by Fractured Atlas' Creative Development Grant. Carrie's first evening length work "Red" (2006) was commissioned both by Danspace Project at St. Mark's Church and the Guggenheim Works-and Process Series. Her shorter works have been seen at over a dozen venues in New York City such as Danspace Project, P.S.122, Dixon Place, the Angel Orensanz Foundation, Dance Space Center (now DNA), Chashama, The Flea and Soundance among others. Nationally and internationally, her work has been presented at Baltimore Theatre Project, Danceworks and Walker's Point Arts Center in Milwaukee, Le Regard du Cygne in Paris and at the Festival D'OFF in Avignon, France. She self-produced two seasons in conjunction with her frequent collaborator, Jennifer A. Cooper: "Alteregomania" at Cunningham in 1999 and "Exploding Plastic Acorns" at the Williamsburg Art Nexus (WAX) in 2003. In 2002, Bessie award winning dancer Carolyn Hall commissioned a solo, with an original score by Grammy award winner Matt Darriau and Ivan Goff. As a performer Carrie has had the pleasure of working with many artists here in New York City including, Pat Cremins/Wyoming, Heather Kravas, Heidi Latsky, Allyson Green, Nina Winthrop, Jeffrey Frace, Ridge Theater, Donna Bouthillier and Jennifer A. Cooper. Upcoming choreographic experiments include a collaborative effort with The Nietzsche Circle -the exciting and daunting task of using Nietzsche's "Thus Spake Zaranthustra" as a jumping off point for a dance. She is exploring remounting 2006's "Red" for the crumbling and infamous Eastern State Penitentiary. Ahern is a sought-after teacher of pilates and yoga throughout NYC. She has taught improvisation at the University of Wisconsin-Milwaukee and dance technique in the New York City Public Schools. LINKS Carrie Ahern http://www.carrieahern.com Greg Heffernan (composer) http://www.gregheffernan.com Agata Oleksiak (visual designer) http://www.agataolek.com Danspace Project http://www.danspaceproject.org/ Body and Soul is the official podcast of InfiniteBody dance blog at http://infinitebody.blogspot.com. Subscribe through iTunes or at http://magickaleva.hipcast.com/rss/bodyandsoul.xml. (c)2008, Eva Yaa Asantewaa This material may not be reproduced in any way, either in part or in its entirety, without the expressed written permission of Eva Yaa Asantewaa.